No Ceilings LIVE! The Issue With Drake Fandom + Is Nicki MInaj Spiraling + Gene Deal vs Diddy

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
What's up and welcome back to another episode of No
Sealers Podcast with your host. Now, fuck that with your
loaw glasses, Malone.

Speaker 2 (00:15):
The wires is cross, bro.

Speaker 3 (00:17):
That you say something more, you know, an election about
being coach being.

Speaker 2 (00:22):
You know, the wires is cross, bro.

Speaker 4 (00:26):
I'll go with that one. Then retard it.

Speaker 2 (00:28):
That's all that's all that word means.

Speaker 1 (00:30):
Our word means, man, all of our word means is
your wires are cross.

Speaker 2 (00:38):
Yeah.

Speaker 4 (00:40):
Now, where's the people for people?

Speaker 3 (00:42):
For disability and shit, handicapped people and shit? I thought
we can't say retarded no more.

Speaker 1 (00:49):
I don't think you're supposed to say it on YouTube,
but you're gonna determine it say it.

Speaker 4 (00:53):
On YouTube.

Speaker 3 (00:54):
Okay, whatever, wires cross, that's what we're saying now.

Speaker 1 (00:59):
But that that's all it really mean, is your wires crossed.
Don said, King look native too.

Speaker 4 (01:08):
Oh my god, how does this conversation get here? Because
Don and the common fuck I.

Speaker 3 (01:12):
Get into this conversation. But Don, it's funny though, because
my grandmother got Native in her.

Speaker 1 (01:24):
I tried not to have this conversation publicly, but all
of the work that our ancestors did over the hundreds
of years here It's crazy how the Internet can unwine
hundreds of years of knowledge and work to where the
last thirty years, people are starting to talk like this,

(01:46):
talk like what like where people talking about what's native
or what's not native.

Speaker 3 (01:58):
I think you would have to have to definition first
of what native is before you could go on into
that subject.

Speaker 1 (02:05):
When they're talking about natives, they're saying that they came
or this group of people came before the Transatlantic slave trade.

Speaker 3 (02:18):
They might have a misunderstanding what native is.

Speaker 1 (02:20):
Then, I mean, I don't look, I obviously think some
black people, right, some black people very much right, some
black people very much are some black people very much

(02:44):
were not a part of it. Well, not even black people,
some African people or people from the Mother continent. You know, again,
if you study the history right, this version of humanity
right is roughly seventy thousand years old, as people migrated
right from South Africa, right, and then they made their

(03:05):
way around when the earth was connected, and they made
they made their way around and they got here right.
Over time, thousands and thousands of years, the environment changed people.
So yes, the people that got here right, there were
people that came here before four hundred years ago that
came from Africa. That's what they're referencing when they say native,

(03:30):
or they could be talking about the people who came here,
let's say, on the original ships from Africa, from the
western coast of Africa on the ship, right, and they
came here on the boats before the Transatlantic slave trade,
so they established settlements here, right.

Speaker 2 (03:49):
So I think they're referencing natives as that.

Speaker 3 (03:54):
Do you understand what he's saying, Dahn, Because in a
weird way, I think I could decipher this for people.

Speaker 4 (04:03):
Them.

Speaker 3 (04:04):
Let's I could decipher this for people. Let's here it okay.
So what you're saying, mister glasses, is this right here?
When you have these questions about you know, black natives
and so on and so on, you say that really
don't exist because if we go through the history, everyone's

(04:25):
DNA is really going to trace back to being black.
But the different black South Africa. Okay, South Africa. But
we say blacks come.

Speaker 2 (04:33):
From no, no, no, no, no, we don't, so you don't.

Speaker 4 (04:36):
Say blacks seventeen million? Hold on, so where blacks come from?

Speaker 1 (04:43):
It's again when you say where blacks come from, it's
like saying.

Speaker 2 (04:48):
Hip hop is black culture?

Speaker 3 (04:50):
Okay, so word to the picture of color that we
consider black hair, every every person came from Africa, every
person today.

Speaker 4 (04:58):
So you're gonna take black out your vocabulary.

Speaker 1 (05:00):
No, black is a specific reference to ethnicity. It's a
complete experience. It's not as simple as hey, you know what,
everybody here is black, we say black. We're specifically speaking
on something.

Speaker 3 (05:14):
Okay, is an experience or is it to do with
skin color or what black experience?

Speaker 1 (05:20):
Because none of us are black. Okay, none of our
skin is black.

Speaker 3 (05:25):
I agree with you that that black don't exist. But
as a person, I agree with you there, but for
the somatics of everybody else that says black as a color.

Speaker 4 (05:35):
Let's go back to that now.

Speaker 2 (05:37):
Because none of us will be black if black is
a color.

Speaker 3 (05:39):
I know, I understand that concept because black isn't a color,
but it's a hue. But anyway, the natives part comes
up where like you say, when the white people are
the first europinions that came over here, that seen the
people that was here before they even created slavery at.

Speaker 2 (06:00):
The time, they didn't create slavery.

Speaker 3 (06:02):
Go ahead, you know, well, I'm gonna say creative slavery
at the time because that's what most of the people
know on this show, if you want to correct it
and correct So when they came over that native thing
is like they were, like you said, they was already
to them native of this land. They was already here,
according to the white Europeans that came. Sure, so they

(06:24):
was in their words, they was already native to this land.
But like you say, this is how they got here. Yeah,
you already said how they got because we know, like
you said, the land bridge between Russia and America back
up there, you know the bearing straight, We know how
that goes. And they walked over here. Like you say,
they became known as natives because Europeans came over here
and called them natives.

Speaker 1 (06:45):
Or racially profiled them as Indians because they had seen
nobody over here. They looked like people that had migrated
from South Africa to India to populate the area that
we call India. They thought they looked like them. I
agree with you, So they misidentified them as Indians, right,

(07:09):
got it?

Speaker 4 (07:09):
Cool?

Speaker 1 (07:10):
So I'm not knocking it. Look, I'm all cool, Like
that's cool, right, I'm not getting into that. I'm saying
it's weird. Then at that point, we're fighting two different battles. Yeah,
that's what I'm telling don. We're fighting two different battles. Yeah,
we're fighting a battle over repairing the relationship that this

(07:34):
land had were taking advantage of us being shipped here
and and and sold into sold into free work for
hundreds of years. That's the fight we're fighting. I'm not
fighting that's the fight. The fight is to repair that

(07:55):
relationship that this country has with the people that were
old into slavery.

Speaker 4 (08:01):
What do you mean by that? What's the problem?

Speaker 3 (08:03):
I mean, like, that's what reparation repair. That's the fight.
That's what the fight is now. To get something from
what happened in the past.

Speaker 1 (08:12):
That's how every last thing has happened. That's what happened
to Native people that were here before, or the Jewish community,
people from Jewish people right, people from Japanese people when
they were sent in tournament camps.

Speaker 2 (08:31):
All of the same thing happened. America made efforts to
repair the wrong, the misfire.

Speaker 4 (08:39):
Okay, and that's becoming a problem now.

Speaker 1 (08:44):
It's a problem because if you start allowing if people
start to identify as a lot of people try to
identify as their native not that their family eventually started
to to they started to marry and and pro create
with people that came here before the Transatlantic slave trade.

(09:06):
It's to deny the Transatlantic slave trade, like it's so dangerous.
I've seen people say there's no slave ships. They don't
understand that America was not like a big player in
the Transatlantic slave trade as far as that they were buyers.
They wasn't sellers. They sold people when they got here.

(09:26):
But England, you know, the UK, like Royalties family were
shipping people. Netherlands, all of these European countries right were shipping.
They were going to Africa in shipping people to the
Western world.

Speaker 4 (09:42):
That's so funny.

Speaker 1 (09:42):
It wasn't America going to Africa to buy people. It
was all of those countries that Brothers want to visit,
that were that had trans that had these slaver companies,
these excuities transport companies where they would go buy people
from the western coast of Africa and then deliver them

(10:03):
to the unpopulated Western world. That's true, that's what happens.
So when people keep saying there's no slave ships in America,
America wasn't in the slave trading business.

Speaker 2 (10:16):
They were buying.

Speaker 3 (10:18):
See, that's like one of them trick questions and answers.

Speaker 2 (10:22):
It's not even a trick.

Speaker 1 (10:23):
You have to understand this because if you're walking around
looking for slave ships in America and you can't find them,
you don't understand why this is a big thing. Like
I'm starting to notice a lot of this rhetoric. So
it's like trying to get I don't even like talking
about this shit because some of this shit is just

(10:44):
fucking ridiculous.

Speaker 4 (10:46):
Yeah, I agree, definitely, you know.

Speaker 2 (10:48):
What I'm saying.

Speaker 1 (10:49):
So, yes, there were some people right who were here
that that came from the cond of Africa before the
Transatlantic slave trade happened. There were people here living here
before sixteen hundred, fifteen hundred. They were here hundreds of years,
some thousands of years. We're not debating that.

Speaker 4 (11:14):
So what people think nobody was here until Christopher Clumbus.

Speaker 1 (11:18):
Came, Well, we all knew people were here again teaching history.
Shout out to white folks. They teach history from a
white lens. They don't teach history from a factual lens.
They teach history from a white lens. Right, So I
understand why.

Speaker 4 (11:39):
For the record, now, I think the Earth is flat.

Speaker 3 (11:42):
I'm sure you do.

Speaker 1 (11:45):
Do you really, Tree, they bought more than three hundred
and thirty thousand Africans here through slavery, they bought more
I mean unless you talking about the United States of
America and they still bought more people than that. But
the point I'm saying is when you have people saying things,
it's easy to get people lost and then that, like,

(12:08):
my question is, if you're native to this land, why
do you reference yourself as black?

Speaker 3 (12:17):
You got a great point there, but don't make no sense. Yeah,
you're right, It don't make no sense.

Speaker 1 (12:26):
It's even to reference yourself as a black American. That
don't make no sense.

Speaker 3 (12:32):
So let me ask you something this question then, So
say somebody comes from Africa here and their family produces
for the next two hundred years, could they become native
to this land?

Speaker 2 (12:47):
Yes?

Speaker 1 (12:48):
Okay, But I'm saying at that point, if you're accepting
America and American ideologies, why the fuck are you referencing
yourself as black? No, I understand what you're saying. Why
not just be American? If you're accepting the ideology, if
you have no rebellion, no issues, what is the black for?

(13:10):
What is the black for why the fuck are you
adding something that's like if you're not accepting the ideology,
there is no it doesn't make sense. If you are
proud of this country and you you don't need to
put black in front of it.

Speaker 4 (13:27):
Hey, are we at the clubhouse? Trap your clubhouse?

Speaker 5 (13:30):
No, no radical.

Speaker 2 (13:37):
This ain't radical.

Speaker 1 (13:38):
This is a conversation happening in black in the black
social media.

Speaker 2 (13:44):
This is not outside.

Speaker 5 (13:45):
The Internet is not real. Be stop believing that.

Speaker 3 (13:49):
Man, I'm giving him the next say the show so
we can get just doesn't make sense.

Speaker 5 (13:58):
Internet not real. That's it, man, It.

Speaker 2 (14:03):
Don't make no fucking sense.

Speaker 1 (14:04):
But it's just going deeper and deeper, and it's fucking
annoying because it's black people that.

Speaker 2 (14:09):
Know they black but still like, bro, stop doing that now.

Speaker 1 (14:17):
None of these niggas with slaves. Now, none of these
niggas came from slaves.

Speaker 4 (14:21):
No, who said that now? I haven't heard that one.

Speaker 1 (14:23):
I've been hearing that all the time. Shout out to
my big onmy Ronald big Cool in it, Big Cool
at the lunch table. No siilings lie to lunch y
hour every Monday, Wednesday and Friday right here noon Pacific
Standard time. Digital Soapbox and on No Ceilings by Glasses Malone. Yes,
great stream. We finl to take it up to another level.

(14:44):
Glad you are here. If you're on Twitter, retweet this link.
If you on YouTube like this post, tap that screen twice.
It has everything to do with it, Roughian, it has
everything to do with it.

Speaker 2 (14:53):
Rough in everything everything.

Speaker 3 (14:56):
Okay now is saying now but.

Speaker 2 (14:58):
Right hold on, niggas.

Speaker 1 (15:01):
If you on Facebook like this post, we do this
stream and support the No Sillans podcast.

Speaker 2 (15:07):
Just drop the fresh episode.

Speaker 1 (15:08):
You can listen to the No Sillans Podcast on Apple Podcasts,
iHeart Podcasts or anywhere you get your podcast from No
Silings Podcasts. Executive produced by Charlemagne to God the Black
Effect Network. iHeart again. So Sherry, I am not talking
about you just only I just told you. Ronald just
told me his family was never slaves. Cherry says her
family was never slaves. Don says his family is never slaves.

Speaker 4 (15:32):
I'll be curious where they trace their family history too.

Speaker 2 (15:34):
I don't know, but like real don't know.

Speaker 4 (15:38):
They just skip a generation, go straight to Africa.

Speaker 1 (15:40):
No, daddyo, check this out. Daddyo is not because we're
all Americans. Then white people deserve reparations. You're you're you
deserve reparations because as an African person, you were sold
into slavery and then bought and then forced to work
in America.

Speaker 2 (15:56):
That's the point.

Speaker 1 (15:57):
But if you're saying you're a black American and then
it defeats the purpose of why you are due reparations.
Jesus Christ and Fatima, I'm trying not to have this conversation.
I'm trying not to have this conversation Fatima, because this
is something we should be having in private. There is
no such thing DT as a Caucasian American. They don't

(16:19):
reference themselves as white Americans. They just call themselves Americans.
It was just Americans.

Speaker 5 (16:28):
That's it.

Speaker 2 (16:29):
It was just Americans.

Speaker 1 (16:33):
What's that, coach. They do not reference themselves. But I
don't want to add this conversation online. Yeah, I don't
want to have this conversation online. I call my peoples
and get on their ass on the phone and in private,
so you don't. My point is I don't want to
do this because I understand what brother Tarik is doing.

(16:57):
I understand what people are doing, and I don't want
to debate that point. I'll just call you niggas on
the phone, like we y'all sit here and support y'all
sit here and support the lunch hour. Feel me I
could call y'all on the phone and talk to y'all.
This is an in house conversation. I'm not having this.

Speaker 2 (17:12):
I don't want to hear that.

Speaker 4 (17:13):
Yeah, but that's why I'm saying.

Speaker 2 (17:14):
I just read that. I'd rather trust me. I was
just on dinass.

Speaker 4 (17:17):
Man.

Speaker 1 (17:18):
I'll be on Sherry ass, Dona. I'll be on the ass, Like, hey, bro,
I'll be on big cool ass. I'll be on their ass.
I'll be on their motherfucking ass that ship. No, I
be on the ass, Nigga, I don't know.

Speaker 2 (17:33):
I'm on the ass. I'm on their fucking ass.

Speaker 3 (17:36):
Don't give Yeah, what I'm saying gives a fun.

Speaker 1 (17:42):
Yeah, I'm on the ass. So but but I had
this conversation. Uh uh privately, privately, I got you, daddy, Yo,
shoot shoot me, ah, shoot me a DM in Twitter.

Speaker 2 (17:53):
I'm gonna get on you. Welcome back.

Speaker 3 (17:59):
Uh.

Speaker 1 (18:00):
We're about to start moving the stream officially always over
to the No Seilings by Glasses Malone, the No Sillers Podcast.
We are creating some really great content, got a couple ideas,
had a great meeting, and here we are. You know
what I mean, We're back to it. I thought about
something and I saw a really interesting thing and it

(18:23):
was somebody talking to me about Drake fans. Shout out
to Drake. Shout out to his fandom, the Aubrey Angels.

Speaker 3 (18:36):
Hey, what's that orangeting on the screen?

Speaker 2 (18:39):
Which orangetin? Oh yeah, shout out to Michael Love.

Speaker 1 (18:41):
I meant to do this last week because I didn't
see them. Michael Love, thank you for the twenty dollars.
What the doe fellas Everyone at the lunch table. That
thumb nail is hilarious. It is hilarious. It's belt to as.
Shout out to my good peoples. Ay, thank you for
that five dollars glasses. Like I said, don't love stands

(19:02):
and fans, but I always meant to ask you, no
bias aside, did you like all the records he dropped
during the beef?

Speaker 2 (19:08):
Did I like all the Kendrick records? No?

Speaker 5 (19:13):
I wasn't how many trapped or about about the beef records?
You're talking about? You talking about the records he dropped
outside of the beef, Like he talking about the Kid
Kid records. Uh, outside, did you like the records he
dropped during the beef? I really didn't like.

Speaker 1 (19:32):
Uh, I'm not everybody really loves Meet the Graums more
than me.

Speaker 2 (19:36):
I'm not in to Meet the Grounds much.

Speaker 1 (19:38):
I thought it was I get what was happening, but
I just wasn't into it. But every other record like,
I love it, like I rave over it, man, I guess.
Michael Love, thank you for that twenty memberships. Michael Love,
Thank you for the ten dollars. I apologize I've been
missing for a while. My moms didn't pay me for

(19:58):
my lunch because that her EBT situation.

Speaker 2 (20:02):
My youth, fool dog.

Speaker 1 (20:06):
Baseline, that's what baseline, baseline. Thank you for that five dollars.
My boy business question, Why do people always mention streams
instead of numbers on billboards?

Speaker 2 (20:15):
I always thought billboard was the main chart.

Speaker 1 (20:20):
Why do people always mention streams instead of the numbers
on billboards? That's all perspective, it's all viewing.

Speaker 2 (20:25):
How you want to.

Speaker 5 (20:26):
See break that down about the numbers on billboard? You
mean by the you mean by the physical, by how
many time people don't actually download the album?

Speaker 1 (20:36):
Or he's talking about positioning. Chart positioning. You have to
be talking about chart positioning. I really try not to
talk about streams and and and and billboard chart positioning
because that's business like. You could have a really good
record and don't know how to do the business, and
and the streams and your chart positioning will reflect that

(20:56):
you don't know how to do the business. It won't
tell you how great a record is. It'll tell you
how great somebody is at business like. It's some bad
records that stream well and get high up on the chart,
you know what I mean, because somebody knows how to
do the business and shout out.

Speaker 2 (21:14):
To the skinny day. We just talked about this.

Speaker 1 (21:16):
Thank you for that five dollars, my boy, thank you
for that five dollars base glass. Like I said, don't
lump stands and fans. But I always meant to ask
you no boys asidey you like to be. So this
is why this conversation mattered, because I was talking to
my homeboy Pete.

Speaker 2 (21:30):
Good support or the show.

Speaker 1 (21:31):
We always politic and sharpen each other iron you know
what I mean, Just keep it sharp with conversation. I
think the problem with Drake fans is they see themselves
in Drake and I understand why hip hop. Hip hop
went through a really hip hop has always been so niche,
whether we admit it or not, Like forever it was niche.

(21:54):
I mean it was really a very small group and
as people you know what I mean, more mainstream people
really started liking it. You have more people throwing their
hats in the ring. And I always tell Trap it
starts with Kanye. It really starts with Kanye, because no, don't.

Speaker 4 (22:11):
At the time start with try call quests.

Speaker 2 (22:15):
No because it was not street, try being street.

Speaker 5 (22:21):
Oh they not Soli street.

Speaker 2 (22:23):
Yes, yes they were. They were baptized the street, the coach.

Speaker 5 (22:29):
So so when you come up with when you come
up with a so I'm gonna say like this, right,
so when Buster mine first come out with leaders of
the New School and they and their whole thing was
about being in school and stuff like that.

Speaker 4 (22:40):
Do you think people from Street don't go to school?

Speaker 5 (22:44):
You say that, you say Kanye West, I went to school.
But you say that when you say Kanye West, though.

Speaker 1 (22:51):
I'm not saying Kanye West is not raising street dirmin
culture because he went to school. I'm saying Kanye West
is not raised street diving couachre because it's not raising
street irving culture. It's not because he went to school.
Day I saw went to college. People went to college.
What I'm saying it's not because he went to college.
It's because he's fucking not raising street urban culture. And
it's weird because I can't quite I'm not sure it's See,

(23:16):
this is the thing. If he's from New York, I
wouldn't even be questioning this.

Speaker 2 (23:20):
This is what I'll be talking about.

Speaker 4 (23:21):
Trap.

Speaker 1 (23:22):
You couldn't be from New York and be like that.
You couldn't be from New York and be like that.

Speaker 2 (23:28):
Trap. You couldn't be in New York. And that's how
it was happening. I feel like Chicago is a metropolitan
city though too.

Speaker 1 (23:38):
You know what I'm saying, Los Angeles is a metropolitan city.

Speaker 2 (23:45):
It's not. It's not. And this is what I've been
saying to you for years.

Speaker 1 (23:48):
This is what separates New York from all of our
metropolitan city. It's what separates New York from Seattle, Tacoma.
It's what separates New York from Los Angeles or Inglewood
or any other place right or any other place. You
cannot escape the culture in New York, you cannot you

(24:10):
cannot escape it. You're gonna be cutting it. Even the
President of fucking America talk like a nigga that have
a level of hip hop conversation.

Speaker 3 (24:18):
So let me ask you a question. So, if you're
in New York and don't come off the porch, you
still gonna be covered in.

Speaker 2 (24:24):
Yes, this is why I keep trying to tail Trap.

Speaker 3 (24:27):
But somewhere else, if you don't come off the porch,
you might not be covered in it.

Speaker 2 (24:30):
Might it might not happen to you.

Speaker 3 (24:32):
You know, like Sherry, Sherry is raised in street urban culture.
She's just running from it.

Speaker 2 (24:44):
Like it.

Speaker 1 (24:44):
If I have to diagnose Sherry's issue, Sherry is just
a troll.

Speaker 2 (24:49):
Okay, I don't think she's a troll. Cherry's a truck.

Speaker 4 (24:54):
Opened the door for.

Speaker 2 (24:57):
Sherry is ignorant and a troll.

Speaker 3 (25:00):
I opened it. I opened the door from because.

Speaker 1 (25:03):
I'm not saying she's ignorant, like she don't know nothing,
but she's ignorant on street urban culture. Sherry couldn't give
you any idea about street urban culture. She's gonna know
as much as Trap is going to know about Los
Angeles and street urban culture.

Speaker 2 (25:16):
Cherry.

Speaker 3 (25:17):
Don't know anything, you say, trapped, don't know anything?

Speaker 5 (25:21):
No, no, no about no. No, he's saying about out there.
I'm not gonna know how you know what I'm saying. Yeah,
I'm saying you don't.

Speaker 3 (25:27):
Know nothing about nothing out here.

Speaker 5 (25:29):
Trap Come on, Yeah, when I'm out there, I'm in Hollywood. Man,
I ain't even know motherfucking hers when I'm out there.
But I'm in Hollywood.

Speaker 4 (25:34):
That's it I'm saying. I'm making it on that side. Yeah,
you ain't get.

Speaker 1 (25:42):
Nothing from Chrry's family did a great job of keeping
her away from the heart of the culture.

Speaker 3 (25:49):
Has Sherry been on Crenshaw No, Oh.

Speaker 4 (25:54):
I've been to Crenshaw now, so you know.

Speaker 2 (25:58):
Me glasses. Real question?

Speaker 1 (26:00):
And how come Kanye can be from Chicago but Lutera
can't be from Atlanta. Louti is from Atlanta. I think
you have an argument with people from Atlanta. That's gonna
argue who's more Atlanta. But Ludacris always wrapped wrapped Atlanta
to me.

Speaker 5 (26:18):
He's from Champagne, Illinois.

Speaker 4 (26:22):
That's ludof Yeah, that's where he was born.

Speaker 5 (26:25):
But even j isn't JD not from Atlanta too? And
still rep Atlanta like that, though too.

Speaker 3 (26:31):
Else wasn't born in l A.

Speaker 5 (26:34):
The Bay. Pappa is a universal, universal negro right.

Speaker 2 (26:40):
There, shout out the baseline.

Speaker 1 (26:41):
Glasses took beasts and met on Chrisshaw in the red
car and was concerned cool.

Speaker 2 (26:48):
Shout out the baseline. That's a fat net. It's like this.

Speaker 1 (27:00):
Kanye can start off that, like, I'm not sure, but
really everything about Kanye says he was pretty much kept. Oh,
like he got street, urban culture and minimum doses, very
minimum doses. Like so, I don't quite know if he
was raised in it per se, Like I think he visited,

(27:23):
but I don't think he was raised in it. I'm
not quite sure, Like I like, I don't even everybody
I talk to don't make me feel like I'm sure.

Speaker 2 (27:35):
He wasn't banging back?

Speaker 4 (27:36):
Then? Can we get back to your question though? Oh,
I got a question here.

Speaker 3 (27:41):
How do you say that every Drake's fan want to
be like Drake or want to seem like Drake? Like,
do you see something that all of them that represents Drake?

Speaker 1 (27:53):
No, they see themselves in that, That's what I'm saying.

Speaker 3 (27:56):
Do you see something in them that makes them make
you say, oh, they think they look they Drake or something. Well,
it's like like looking at Cult of being an old
Drake fan, would you look at Coach as an old
Drake fan and say, oh, oh, you're still a Drake fan.

Speaker 1 (28:12):
So I think what happens is so what's happening is
you're getting more people that wants to be They want
to be a part of hip hop. Like initially people
just enjoyed hip hop, oh okay, but they did not
want to be a part of hip hop. They just
liked the music and they enjoyed it, and they realized
this was different than where they grew up at. Like

(28:32):
people would hear hip hop and be like, man, this
is some brothers going through this.

Speaker 2 (28:36):
Even other brothers, they'd be like, damn, you know what
I mean, Like they.

Speaker 1 (28:40):
Would see it as something outside of their own existence,
their own existence.

Speaker 4 (28:44):
Drake showed them how to fake it.

Speaker 2 (28:46):
No, no, what happened with Drake.

Speaker 1 (28:48):
Drake gave them what they felt was their entry point
into hip hop, like, oh, we have a representation in
hip hop, okay, but one outside of the fact he's
not here Pop. The problem is the people who see
themselves in him are nothing like him. That's the problem,

(29:10):
like they're nothing like him. Like even though they argue
for him and back for him, all they know is
they're not street. It reminds me it's like my dad
bro shout out to my dad, shout out to good boy.
It reminds me and my dad. My dad is like
the most conservative person I know. He's hell conservative. And
most older black people hello conservatives. They don't really understand

(29:34):
none of the shit going on in the LGBTQ community.

Speaker 2 (29:38):
They don't. They don't like none of this stuff. They
have all conservative groups. They hate when extra immigrants come
to this country and park that every older black person
is every bit of conservative as conservative can be until
it's time to have to vote because they don't want
to have to vote with somebody from the Clue Club Klan.

(30:01):
My dad the only reason he votes Democrat and any
votes liberal is so he doesn't have to identify on
the same side as the klu Klux Klan or as
racist white people. So they act like they're Democrats or liberals,
but everything about their value says they're conservative.

Speaker 4 (30:23):
And Republican, and that's like Drake fans.

Speaker 1 (30:29):
No Drake fans just know they're not street or gangster
so they like he's our guy. It's not really. They
identify in the stuff that he does. They find themselves
trying to rationalize it, like my dad tries to find
himself rationalizing with Democrats and liberals. That's like quiet noise.

(30:52):
It just kind of don't that's why you quiet noise?

Speaker 4 (30:59):
No Why do you say they're nothing like Drake?

Speaker 1 (31:04):
Though, Drake is a really different person. Drake is a
kid that grew up in Canada Jewish Jewish.

Speaker 2 (31:15):
He grew up completely different. That's a cultural difference.

Speaker 1 (31:18):
Even Carlton grew up his dad is Phil in the
TV show.

Speaker 2 (31:23):
His dad came from the gutter.

Speaker 1 (31:25):
He still grew up eating, soulful, He still grew up
all this even in Beverly Hills, they would have it.
He still grew up a certain way where his upbringing
was that. Drake grew up Jewish completely. Now he did
have exposure to some things right through his dad or
through some family, but he grew up Jewish and then

(31:46):
he got a job on Nickelodeon as a child.

Speaker 3 (31:49):
You've been to Toronto, right, Yeah? How black population definitely
up to Toronto or Canada. It's some black folks there
a lot or is just compared to like some.

Speaker 1 (32:01):
Black folk there with some black folk there, some black folk,
I mean they got ghettos, brot.

Speaker 2 (32:08):
And all that. So it's like.

Speaker 1 (32:11):
Drake grew up a Canadian Jewish man. We're so black
people that grew up in the suburbs here in America,
like let's say, uh, like a Sherry even somebody who
grew up kind of closer to middle class or fluent.
You still grew up somewhere where you understood the type
of oppression and the type of things you had to
deal with being a black person.

Speaker 2 (32:34):
That's not homey experience.

Speaker 3 (32:37):
It was like middle class areas in La You now, okay, hey,
what was like the middle class areas in l A.

Speaker 1 (32:50):
Middle class Well, it depends right like they have it's
not middle class. They got suburban neighborhoods in Los Angeles.
Lakewood is in a suburb in the County of Los Angeles.
But with Shae grew up like we grew up in
the two places in Compton that you can be an
a fluent black family right in the Richland forums. You
feel me and and her other folks grew up in

(33:13):
the West Side. The West Side is those are two
fluent places in Compton, like as close as you gonna
get to affluent, it's still surrounded by like it's still
the ghetto, but.

Speaker 3 (33:24):
It's it's not like it's not like lake Wood.

Speaker 1 (33:26):
I put it like this. A teacher lived on my block.
My mother is a registered nurse, a computer programmer. Aaron
lived four houses down. Like I knew people that were
successful black people in business, versus when I go to
my dad house and watch, no teacher lived in wats

(33:46):
like not on the seven like the type of people
that live. You didn't have a lot of black professionals
on one hundred and seventeenth Street.

Speaker 2 (33:54):
You had a very few, if none.

Speaker 4 (33:58):
How about you, coach, how was you?

Speaker 3 (34:00):
You know, how was your situation down here?

Speaker 6 (34:04):
My situation was poor. I mean I just lived. I
had a lot of people living in one house and
lived in a not a great area like you know. So,
I mean at one point I lived in Long Beach.
It was decent out there, you know. I lived in
a decent part of Long Beach for a little while.
But other than that, you know, I lived in Inglewood
close to the bottoms, and I lived in l A

(34:26):
l A.

Speaker 4 (34:27):
You know, so it was great.

Speaker 1 (34:31):
So it's like, but again, I think they just identified
Drake my dad identifies with Democrats.

Speaker 2 (34:40):
It's to say what he's not more than what he is. Okay,
does that make sense?

Speaker 3 (34:44):
Yeah, they whether say they're not streating thugs to go
along with Drake and to say they really are.

Speaker 6 (34:51):
But I think these I think these fans are a
little more like Drake than Glass. And give them credit
for that because they know a lot of Drake fans
are not up, I mean not street.

Speaker 3 (35:01):
He says they are street, but running from.

Speaker 4 (35:02):
I don't know about that.

Speaker 2 (35:04):
It's not the street like Carleton, Like Carleton is not street.

Speaker 1 (35:09):
He well, his dad grew up in street urban culture, right,
Peel from the fresh Prince of Belair grew up in
street urban culture. So it's passed on through his relationship
with his father. His father is gonna deal with him
in a certain way. It's gonna be a way treating right. No, no, yeah, right,
like my mom. My mom a registered nurse, but my
mom grew up in the struggles. My dad on the

(35:31):
tow truck, but he grew up in a struggle. So
them in the house. I'm gonna get a treatment a
certain way. Then when I walk outside my door. I'm
gonna get the treatment.

Speaker 2 (35:39):
Right.

Speaker 1 (35:40):
Carlton may not walk outside his front door in the
fresh pencil bel air and get the treatment, but his
dad is going to treat him like somebody grew up
in street urban culture, So you're gonna get raised in
that way, right. His mom and his dad both came
from the struggle.

Speaker 6 (35:55):
But I think real street urban dudes can't be Drake fans, like,
can't be. I think they can appreciate his music, sure,
But but.

Speaker 4 (36:04):
You said what, I don't agree with that.

Speaker 5 (36:06):
I know a lot of I know a lot of
street urban raised dudes that that that's Drake fans be
because they because they tap into you know what I'm
saying and or like his music, Like fans ain't like
his music be Like, I know dudes who like really
like really came for Drake, you know what I'm saying,
because they they look at.

Speaker 4 (36:24):
I don't know.

Speaker 2 (36:25):
I don't know if that make them a fan too.

Speaker 5 (36:28):
I'm know fanatics. Is Drake fans the street urban street
urban culture dudes, I don't.

Speaker 4 (36:33):
Think so not want to check their background track.

Speaker 5 (36:36):
Yeah, I'm gonna say my brother's one of them. I'm
gonna say my brother's one of them.

Speaker 4 (36:41):
Your brother a Drake fan, like real fans.

Speaker 1 (36:43):
Shout out to Sydney too far out to Sydney Fairfield,
literally talking in circles. It's blackness black. Drake is fifty
percent black. Carltons one hundred percent black. Or is it
you're not black because you're fifty percent black, because your
dad is fifty percent black. Like, we're not talking about
a racial construct and that wouldn't even be the term
if we were talking about a racial construct. So when

(37:04):
you say he's fifty percent black, that's a reference to
a false sense of racial construct. When we're talking about black,
we're talking specifically. It's a level of culture and ethnicity
were talking about. We're not just talking about your skin
or your father. We stop that shit, How stop what.

Speaker 4 (37:21):
You gotta stop saying black and he.

Speaker 1 (37:24):
Because if you're black, if you black, you're black? Yah
blat black man, ain't nobody fifty percent black? If you black,
you black?

Speaker 4 (37:31):
Well, nobody's saying it about Malcolm X.

Speaker 1 (37:33):
Nobody cares you black? You're black again because we we
I get it. There's a level of people referencing it
as a race. And then so then you'll say he's
fifty percent black, but it's more to that.

Speaker 2 (37:50):
It's more to that. But I think that's the thing.

Speaker 1 (37:52):
I think they identify specifically with Drake because of what
they know they are not like my dad identifies as
it would invote Democrat liberal because he knows he's not
a racist white man, even though he has the same
values as a racist white man.

Speaker 4 (38:14):
I mean, I know Trapp got himself on you.

Speaker 6 (38:15):
But the reason why I say, and I'm not saying
it's it's it's always somebody who might you know, it
might be some hood dudes that like Drake, that might
be fans of them, you know, possibly. But my thing
is that if Drake had a lot of dudes that
was from the hood that was his fans, or straight
urban dudes that were his fans, as soon as he went.

Speaker 4 (38:35):
To the to the police, they would he would have
lost all this. He would lost the majority of his
fans in that case. You know, it's crazy.

Speaker 5 (38:42):
I didn't know about the police should until like really,
until until that brought it up like that, I didn't
even know about the police like that.

Speaker 6 (38:48):
That's how you know a lot of his fans in
not street urban because his fans don't give a fuck
you want to like they're good with it.

Speaker 4 (38:54):
They trying to rationalize it.

Speaker 6 (38:56):
They trying to tell you why it's okay from that
done that, like yeah, he you know this ain't got
nothing to do with Kendrick.

Speaker 4 (39:02):
This you you And so I'm saying, got or we
have burrito with somebody, got you that I know don
didn't do that?

Speaker 5 (39:12):
Noah, no bad, I got it.

Speaker 4 (39:13):
Okay, I'm about to say.

Speaker 3 (39:16):
But again, like yeah, brea's a bad word around here.

Speaker 2 (39:20):
Black is not racial, Like we're not talking about the race.
That wouldn't be the name. The racial construct is negroid
or cocazoid. Crazy.

Speaker 1 (39:31):
They referenced it as black, but they've proven all that
to be shout out to DT. That's a great point.
Black is an acknowledgement. That's exactly what it is. So
I was saying that I think it's it's not Drake fandom.

Speaker 2 (39:50):
The problem.

Speaker 1 (39:50):
The issue with Drake fandom is not it's actually you're
not really a fan, you feel I mean, like you
really just saying you're not this. I had to talk
to P and I'm telling P and different hummies that
call they sell fans because is y'all keep thinking y'all
identify with him, you identify with me more, and they

(40:11):
think they can't see themselves in me. They're like, no glasses,
you're from a gang and you used to sell drugs.

Speaker 4 (40:17):
So this is why you say running away from it.

Speaker 1 (40:19):
Yes, okay, it's like my dad like my dad to me,
my dad to me, and most of our fathers are
very conservative. They're very conservative, but they just do not
want to be on the same side as That's like
why these dudes who shot again, I don't know. I'm
like talking about this publicly, but it's like, that's why

(40:39):
people keep calling themselves black Americans because they're trying to
have American values, but they want to make it like
they're separate, which doesn't make sense. If you believe in
the ideal of America, then you should not have to
put a prefix before it.

Speaker 6 (40:56):
So you feel like Drake fans are traddling the fence.
They try to play both sides.

Speaker 2 (41:00):
No, no, they're not straddling the fence. They don't want to.

Speaker 3 (41:04):
They don't want to be on this side of the fence.

Speaker 1 (41:06):
They just know and it's not that they don't know
what's on the side of the fence.

Speaker 2 (41:10):
It could also be people made fun of him for
their whole life. People could have.

Speaker 1 (41:14):
Been like, man, like I heard some dude did a
little thing and he some of he referenced Drake as
a nerd, Like Drake is not a nerd.

Speaker 2 (41:22):
Drake is not this smart kid.

Speaker 1 (41:23):
That got these great grids and shit like this dude
dropped out of school.

Speaker 2 (41:27):
It's just not that.

Speaker 6 (41:28):
So would you say the majority of Drake's friends are
thirty and younger because I feel like maybe you're holding
on to like I said, it's not a lot of
dudes who are like us that anymore. So I think
that maybe Drake, a lot of Drake fans probably are
like thirty three and younger, and those dudes are I

(41:51):
kind of like those dudes are are really see themself,
really are more like Drake than you.

Speaker 1 (41:56):
They're not, though you think I know so, because if
you grew up here, you care about the same things
I care about.

Speaker 6 (42:03):
What I think you a man, I think you want
to believe that. Still you think it's you think that's
trying to know it's true.

Speaker 1 (42:09):
What would they have? What would they have specifically in common?
I mean, yes, for love part, Drake is not a sucker.

Speaker 2 (42:21):
For love.

Speaker 3 (42:22):
But you don't think they would look at Drake and
try to, you know, immolate them or anything.

Speaker 1 (42:27):
No, people don't try to emulate him. They don't wear
one glove.

Speaker 6 (42:31):
First of all, they Drake and a lot of his
fans they think it's fine to go tell tell to
the cops. And that's not something that our generation think
is cool.

Speaker 1 (42:40):
That's a they don't think. They don't even think that
they fine with it. Again, you y'all keep saying that,
and I keep telling you that's a lot. They're just
saying that. Now if they did, If they did, they
would change their own lives. They wouldn't be they wouldn't
be trying to start a fight. Why is it a
problem that black people still you don't want to call
the police. Let's say, your son, right, you raised him, Well,

(43:01):
your son still struggling to call the police.

Speaker 4 (43:04):
My son's not calling the police.

Speaker 6 (43:05):
Why because he was raised he's different. Like I don't
look at myself, I promise you, I don't look at
my my children, not like a lot of these kids.
You know, like my even my oldest son, he's different
than a lot of these kids.

Speaker 3 (43:19):
Like these people.

Speaker 4 (43:21):
I'm just saying a lot of these kids.

Speaker 6 (43:22):
Man, somebody these I'm telling you, this generation is weird,
bro Like, it's a lot of weird kids around here. Man,
and g won't no one accepted. He think that these
kids got more street in them than they do.

Speaker 1 (43:32):
I don't think they have more street. I think it's
not street like right street is. It's just anti rules,
anti establishment, that's all it really means. I'm not with
the rules. That's all street means.

Speaker 3 (43:45):
So you're saying that they have to have this type
of hip hop culture because they're here.

Speaker 4 (43:50):
No matter what, this is what it is. Every generation
has a.

Speaker 2 (43:53):
No I don't think. I don't.

Speaker 1 (43:54):
I don't think everybody has it. I keep telling y'all,
if you want to know, if you hip hop, one.

Speaker 2 (44:00):
Of the oldest rules.

Speaker 1 (44:01):
If you want to see if you hip hop the
first time you got in to a fight and you
and told your parents, if your parents told you to
go back and fight them next time they put their
hands on you, go hit them, ninety nine percent of
the time, Yo, asses hip hop.

Speaker 4 (44:17):
But there's that one person. But have you noticed, dude,
it's not a lot of parents doing that no more.

Speaker 6 (44:21):
I got friends myself that gentle parenting, like gentle parenting
is a dean to black people now, like that is
some crazy shit.

Speaker 1 (44:29):
I'm not even that gentle parenting is just it's Drake shit.
I don't think that's Drake shit. I think I think
I think I think you're confusing gentle parody.

Speaker 4 (44:38):
I think you're gentle parented.

Speaker 1 (44:41):
You're confusing Black people who done us, who trying to
assimilate into American standards with somebody who really just believes.

Speaker 2 (44:48):
In the rules.

Speaker 4 (44:50):
You know what I'm saying, Drake like believes in the rules.

Speaker 2 (44:53):
Yes, they he believes in the rules.

Speaker 5 (44:56):
Remember my daughter favorite song when she when she was
younger used to be used to be the feeling song.
The feelings song was crazy like that they hit there
and talked talking about the fling. I think I saw
a lot of parents is paring it nowadays though, like
with him, like because because you know what, you know
what happened though, what happened was it was it was
like a surge generation that went through that whole We

(45:19):
ain't we ain't we ain't know what the hell of bully.
We knew what bullies we was, but we ain't acknowledge them.
Like like like you know what I'm saying people he
was getting bullied. You wasn't mentioning that ship. But they
went through that whole phase of the kids was bullying
kids and kids was going home and you know what
I'm saying, come in, So what that like all that
shit like that they started they started focusing more on
that type of ship.

Speaker 2 (45:36):
So like the kids, it's.

Speaker 5 (45:38):
No, it's it's no more like the emotional feelings is
dealt with different, you know what I'm saying, than it
was dealt with back when we was growing up like that.
And that's why I think a lot of times Drake
coming to the game and being so emotional like he
was though they looking at him like, all right, well
he's speaking for me right now. You know what I'm
saying Like that, he's a He's a real emotional rapper.

Speaker 1 (45:56):
The reason they feel like that is not because they
were late in his story. I think there are pieces
to his story.

Speaker 4 (46:04):
Man, I'm telling you the following I wouldn't know what
rules is great influence.

Speaker 2 (46:08):
When they robbed him and he took his chain, he
called the police.

Speaker 1 (46:11):
Right now, he's mad he lost a battle and he
felt like somebody insulted him too hard, and he hurt
his feelings, so he fired a deafamation rules?

Speaker 4 (46:17):
Is that whose rules is that? Those are standard American rules.

Speaker 2 (46:22):
You don't know the.

Speaker 1 (46:23):
Rules exist because you're black, because you're a nigga from
the streets.

Speaker 2 (46:26):
That's why you don't know. The regular thing.

Speaker 1 (46:28):
If somebody if you walked out, if you walked outside
this door and somebody punched you in your fucking face,
you're not finna call the police.

Speaker 2 (46:36):
But you know what you're supposed to do in America.
Call the police. That's the American rule.

Speaker 4 (46:41):
And they're a lot of this generations who call the
police now and let them just get that off. Punch
in my face. A lot of man like I said.

Speaker 2 (46:48):
Dudes, wa ain't less than people that look like us.

Speaker 4 (46:50):
I'm telling you, bro.

Speaker 6 (46:52):
Even the way I raised my children, I feel like
I raised them a little differently than a lot of
parents in my age group. But still it broke my
heart when I heard them talk about this. Kendrick and
Drake b.

Speaker 4 (47:06):
My my junior, which almost I almost took my name. Man,
I almost make you better. I wanted to be like
Junior in my ass. Nigga like that. That nigga was
team Drake. I was like, what the fuck is happening?

Speaker 1 (47:17):
But that's because there's a million things about his life
that makes him think he's not street.

Speaker 4 (47:24):
That's what I'm saying.

Speaker 6 (47:24):
These dudes think they are not. It's a disconnect now
with these new kids. Even though I try to raise
my son, I mean, I guess and like you said,
me and Track, we did a decent job raising our children.
They don't know a lot about where we came from.
They go out there as a family here and there,
not that much. Have your son been in the fight
a school, yes, for sure. Why he didn't tell the principal,
that's not how we roll.

Speaker 4 (47:47):
Telling the principal it's the rule. Yeah, Like that's not
that's not gonna happen.

Speaker 6 (47:51):
But then he but then he I don't know, man,
But then a lot of his friends will probably go
tell the principal.

Speaker 2 (47:57):
It's gonna be less than you think.

Speaker 6 (47:59):
A lot no dudes is weird, man, A lot of
his friends. Dude, like some of his friends. When he
brings them his friends in the house and I talk
to him, I'll be like, what is this?

Speaker 1 (48:07):
But the thing the people that look like us is different.
So like, okay, the issue is in the word Street.
People automatically associate Street with gangster. Problem one, Yeah, that's
not what that means. Street is outlaw, like cowboys were
Street before they were streets. When it was rural America,
rural West, cowboys were Street. They were outlaws. They didn't

(48:30):
believe in the rules. They dealt with the rules the
way they wanted dealt with the rules. They had a
different sense of justice. Right, that's still Street. That's all
A gang banger is a modern day cowboy.

Speaker 4 (48:41):
Okay, I agree, it's that.

Speaker 1 (48:43):
No different than Doc Holliday or any of them cowboys,
Billy the kids, all the same thing. No different than
al Capone. They're just modern day cowboys, that's all they are.
They just modern day cowboys. They live on a different
set of rule standards. Right, That's all Street is. It's
saying that the law's sense of justice is not the

(49:04):
ultimate guide to morality. There's another greater sense. Here are
the things. It's more of a primitive thing. It's not
done civilly. It's like it could have dire consequences.

Speaker 2 (49:17):
Right.

Speaker 1 (49:18):
So that's the first problem with Street. So when people
say Street nigga, they automatically think of a gangster. It's
not it's somebody who says the law is not the
ultimate judge, and how I'm going to do things to
support my existence or defend my position. I sall being
a street it's a commitment to it when you live

(49:38):
in a distally populated place. That's what street urban is, right,
you understand. It's the reason why you'll fight and stand
up for yourself. You know what I mean when you're
supposed to call the police.

Speaker 6 (49:52):
But I feel like these new kids treat the rules
of being street urban like how we treat the Bible. Well,
a lot of us streat the Bible like some But
these commands, Okay, some of those are cool. We could
deal with some of those commandments. No, not that one though, Like.

Speaker 2 (50:04):
For which one could they not deal with? Trumble.

Speaker 1 (50:06):
I just wish they start calling the police. You said,
you wish they do start calling the police.

Speaker 2 (50:11):
I tell people all the time, if you not on
no street shit, call the police.

Speaker 1 (50:15):
Be American for real. Like that's what I'm telling all
the homies and the shit. Stop trying to be black American.
Just be American. Accept it with all the flaws. Just
keep it a bean. If you down, if you put
that flag next to your fucking name. If you're a
Drake fan, hey, adopt it all. Adopt it all. Stop fighting,

(50:37):
stop half get out the middle. It's way too much
middle ground, you know what I mean. They're in the middle.
They kind of want to be street. They want to
kind of wear stuff that outlaw people where they kind
of want to use it.

Speaker 6 (50:48):
To my point, that's my point. They want to be
in the middle. They want to they want to play
posts out of the field. That's what I'm saying.

Speaker 4 (50:54):
I could use that. I can't use this. This is
for me. That's not for me. But that is not Drake.

Speaker 2 (51:00):
I don't know.

Speaker 6 (51:00):
Mandrake said, look, I could do this, hey, but I
need my chain back though.

Speaker 1 (51:04):
But that's the that's the problem. That's what y'all not getting.
He's not that at all. He's not that at all.

Speaker 4 (51:11):
I don't know, man.

Speaker 2 (51:12):
I think that's the problem, and that's their thing. I
don't know.

Speaker 1 (51:15):
He's not that at all. He really don't use slang
until the cameras come on.

Speaker 2 (51:19):
He is not that.

Speaker 4 (51:20):
But I've been.

Speaker 5 (51:21):
Telling y'all, man, the man is the greatest actor be
that became a rapper, b Like he's this, this is
greatest role. This is greatest role being an American rapper.

Speaker 2 (51:34):
Be that's what it is.

Speaker 6 (51:36):
Drake that water, y'all didn't see him up in that
video up under fighting that water.

Speaker 4 (51:40):
That niggas tough.

Speaker 6 (51:43):
Yeah, you're seeing that video, that nigga shadow watching up
nder that water. That niggas tough. Hey, Trap, you're gonna
make his list. You already on the list, y'all. Niggas
gonna find yourself on that list where Drake on.

Speaker 2 (51:53):
You don't want to be on the.

Speaker 6 (51:56):
I want no pieces smoke with Drake. I've seen that ship,
I've seen this it. You still want backstage past.

Speaker 1 (52:01):
And the problem is people think shout out to the
hommy mellow different people. They feel like, oh, he got
some money now, so he playing now he got to be.
I'm like, that's not what's happening, bro. That dude is
not breaking the rules not to go. He's not going
to break the rules, bro.

Speaker 4 (52:19):
So he'll think sleeping with somebody else girls breaking the rules.

Speaker 2 (52:21):
No, because he's not sleep with nobody else. Girl's sleeping
with somebody else.

Speaker 1 (52:24):
Whoor They don't even sleep with each other's girl, They
sleep with each other's wrores.

Speaker 5 (52:29):
That's the one that I hurt you really for real
though man might be hurt.

Speaker 4 (52:39):
Yeah, Chack got some secrets. I'll take my best eater.

Speaker 2 (52:43):
Crazy like, That's what I'm saying.

Speaker 1 (52:47):
I don't think they see themselves in him as much
as he's people like the fan don't see themselves in
him as much as they just think they're not me.
And I keep telling them you're more me than him, and.

Speaker 2 (53:01):
They can't believe it.

Speaker 1 (53:02):
They're like, Glass, well you you're from a gang, and
I'm like, that don't mean nothing, Like, what does that
really mean?

Speaker 2 (53:06):
So there's no in between. There is no in between.

Speaker 4 (53:10):
If either you or Drake, it is one or the other.

Speaker 1 (53:14):
It's not The problem is no matter how even if
it was an in between, they would be wag more over.

Speaker 3 (53:19):
Here, I saying the extreme Glasses and Drake are two extremes.

Speaker 4 (53:24):
Yeah, class classes.

Speaker 6 (53:25):
For some reason, I think these thirty year old niggas
is more like Drake and like taking gang banging and
all that ship away from everything.

Speaker 2 (53:31):
Hold on, shout out, Sherry.

Speaker 5 (53:35):
I'm just saying that. Put it on the screen please
the whole time.

Speaker 2 (53:49):
Right there. There, you got this Chevy, You're there. You
made it.

Speaker 5 (53:52):
Sherry from the streets. Why they had to raise me
this wag singing Sherry.

Speaker 1 (54:02):
Dagh shout out to two thousand ravens.

Speaker 2 (54:05):
What don't you understand about my logic? Bro? Listen, I'm
gonna say it again.

Speaker 1 (54:11):
I'm giving you a comp I think Drake fans don't
see themselves in Drake as much as you think. I
think they just do not believe they are like me,
so they think they need the opposite. It's like how
Trapp and Coach saw themselves and Kanye, even though they're
way more.

Speaker 4 (54:32):
I did not.

Speaker 2 (54:35):
Came out, y'all was in college.

Speaker 4 (54:37):
Listen, y'all want to college to college. I ain't gonna
go to business school.

Speaker 2 (54:47):
I ain't gonna whatever. All the same thing I said.

Speaker 6 (54:49):
I went to college and I dropped out.

Speaker 2 (54:53):
We was talking about it, right, We was talking about Kanye.
Y'all was like he came out.

Speaker 1 (54:56):
Y'all was like, man, y'all thought you'll identified you realizing
work the phenis this.

Speaker 4 (55:04):
Hold on, hold on was off.

Speaker 1 (55:08):
I was off of Kanye ware that start you everywhere.
Now you just seeing every way you nothing like Kanye.
You you and trapped now see so much how y'all
not like Kanye is scared.

Speaker 2 (55:22):
Never was like Kanye.

Speaker 1 (55:24):
You. Yes, I never worked at the Gap. I never
worked at the Gap. I never bro you crazy.

Speaker 4 (55:32):
I did work at the Gap, though I know.

Speaker 2 (55:42):
I didn't know that. I didn't know you.

Speaker 1 (55:44):
I didn't work brough. I'm telling you rough, y'all, and
you too. Shout out to the table. I know I'll
be sounding crazy. I get it.

Speaker 2 (55:53):
I listened to myself. I'm like that Doude sound kind
of crazy. Bro.

Speaker 1 (55:57):
People identify with Kanye because they was like, man, I'm
not like jay Z or I'm not like g I
was hold up, hold up, not trapped, or I'm not
like fifty cent. The problem is, you guys are all more.
Even the most suburban brother is more fifty cent than
you could imagine.

Speaker 2 (56:18):
You just never had the opportunity to be crazy.

Speaker 6 (56:21):
You're talking crazy. You're talking crazy, man. You want to
believe that. I think it's because because it will break
your heart to understand how much these kids.

Speaker 4 (56:29):
And these younger generators have changed from what you believe in.

Speaker 2 (56:32):
It's not It's not what I believe it.

Speaker 4 (56:34):
Listen, these kids are different. Bro.

Speaker 1 (56:36):
If they think they identified with Drake more because he's
a nerd, he's probably not smarter than me. He probably
get a high scoring sating me. That's a lot of
black people from the game. You know, peoplen't think of
nerds like that.

Speaker 2 (56:47):
I know, you know why, because they don't know what
a fucking nerd is.

Speaker 5 (56:50):
Nerds became the cool thing to be though.

Speaker 4 (56:52):
BD like the west Man, that's a west It ain't about.

Speaker 1 (56:59):
It wasn't do you know why being smart never is
gonna be cool because most motherfuckers ain't smart.

Speaker 2 (57:05):
And that's fine.

Speaker 1 (57:06):
But when you're really a smart person, you don't worry
about who else is smart, who gets good grades.

Speaker 2 (57:10):
You're just doing your thing.

Speaker 4 (57:12):
I think being smart is super cool.

Speaker 2 (57:14):
I'm not worried about if it's cool.

Speaker 1 (57:15):
I'm not worried about what everybody else thought, because.

Speaker 2 (57:18):
I'm just me.

Speaker 1 (57:19):
Now again, what I'm saying is in Drake's position, people
like Pete.

Speaker 2 (57:23):
Pete thinks he's more Drake than me, and I'm like, bro,
you're more me, Bro.

Speaker 6 (57:27):
So do you feel like you got a little Drake
and you.

Speaker 1 (57:30):
No, Me and Drake are polar opposites, Okay, like we're
polar opposites. Drake believes if, obviously, if somebody piss on
him he don't like his odds. You know, it's better
just to leave and talk about it later. I'm like,
fuck it, go all the way out. You ain't fnna
be just pissing on me. You ain't telling nobody you

(57:51):
pissed on me.

Speaker 6 (57:53):
It's a lot of little kids run around here getting
pissed on. And no, they are not turning the other leg.

Speaker 2 (57:58):
No, not people that look like us, only you.

Speaker 6 (58:00):
It's a lot of kids getting pissed on, turning the
other leg like you pissed on that leg. They piss
on you, nigga, I'm not They better not piss on mess.

Speaker 2 (58:11):
Nigga. I told you about your son like that. So
where's all this stuff happening with kids?

Speaker 4 (58:17):
It's some of these other kids, nigga.

Speaker 2 (58:19):
It's a lot.

Speaker 4 (58:19):
It's all.

Speaker 1 (58:20):
You know why we're making this ship up, because we
keep trying to make it like this ship is happening, nigga.

Speaker 2 (58:25):
Ain't nobody letting nobody piss on them.

Speaker 4 (58:26):
It's a lot of kids with wet jeans right now. No,
they are not chilling.

Speaker 2 (58:30):
Because listen, no they are not.

Speaker 1 (58:33):
It is not that many people, not from where we're from,
not from the culture.

Speaker 4 (58:40):
It ain't that many niggas from where we're from. No more.

Speaker 2 (58:42):
That's the point we're talking about people where we're from.

Speaker 1 (58:45):
Listen, if some white man identified with Drake, I'll be like,
oh yeah, even though he's not a brother like Drake,
I would get why he identified with Drake.

Speaker 4 (58:55):
But you don't get white brothers identified with Drake.

Speaker 1 (58:57):
No brothers that come from street urban culture to any degree.
If your mother or your father, if you was raised
with either one of them, if you was raised in
any street urban culture neighborhood, if you was raised anything
like this, if it was inside your house, outside your house,
or at school, you're going to be totally different than
he is.

Speaker 3 (59:16):
Is there anywhere in LA that you could be raised
non street urban culture.

Speaker 2 (59:20):
Sure, Beverly Hills, Okay, there's a lot of places.

Speaker 1 (59:23):
It depends on who you was raised by inside the
house and outside the house, and then what school you
went to.

Speaker 6 (59:29):
Nah, because I had a homeboy that grew up in
Beverly Hills, that nigga was kind of raw.

Speaker 2 (59:33):
No, they got some raw nigga.

Speaker 1 (59:34):
I'm just saying there's places you cannot experien street urban culture.

Speaker 5 (59:37):
Now, not New York. You could be you and your
parents come from that come from that background, and they
chose to bring you, to take you outside of that community,
but they still going to instill those those.

Speaker 4 (59:53):
Kept referring to Fresh Prince.

Speaker 3 (59:55):
I don't think his dad looked at the street urban
Philly what you mean, But he didn't seem like he
was acting street Irving and Carlton Phil.

Speaker 6 (01:00:05):
But I think I think Uncle Feel is like me
and trapped though miss trapped. We was raised in a
certain area. We got you know, I'm I ain't got
Uncle Phil bread.

Speaker 2 (01:00:13):
I'm gonna get this right.

Speaker 1 (01:00:14):
So you think if having your old Carlton got into
a fight and came cause Uncle Feel, somebody hit me
in my face, He's gonna be like, go tell the principal, Yes,
for sure, feel uncle Fildna tell that nigga throw his hands. No,
I can feel a judge nigga Uncle Phil trying to
throw hands with.

Speaker 4 (01:00:32):
How long it take Uncle Field.

Speaker 2 (01:00:33):
To get there?

Speaker 1 (01:00:34):
I think the first talk if you're gonna throw away
your job and don't take that.

Speaker 2 (01:00:36):
Long at all.

Speaker 4 (01:00:37):
It takes a long time, Uncle Field.

Speaker 2 (01:00:39):
Uncle old Field was finna squab up?

Speaker 1 (01:00:42):
Will dad nigga nigga not?

Speaker 5 (01:00:51):
What does carl Winslow what does Carl Winslow tell old
boy to do?

Speaker 1 (01:00:55):
Uncle Phil shout to Nico, her Nandez, Uncle Field put
up to the pool haul and with the pool us.

Speaker 4 (01:01:00):
Yes, exactly when it comes to his children, Uncle Phil
squab you there. No, no, no, he's gonna squab you
down for anything. For children.

Speaker 6 (01:01:07):
No, he gonna tell But what are you gonna tell
Will and Carleton about that pool?

Speaker 4 (01:01:10):
Wait for it, guys?

Speaker 6 (01:01:11):
Yes, because see something happens to be like y're gonna
do ship go call the cop.

Speaker 4 (01:01:14):
He is definitely not gonna tell him. Feel a different breed.

Speaker 6 (01:01:17):
Though, like even my children, my children, I tell my
children all the time, Hey, man, something happened, you a
call the cops.

Speaker 4 (01:01:22):
Y'all? Not with this y'all? Do you know you're just
not what y'all do? So so I don't do it though,
But I'm not gonna do it.

Speaker 2 (01:01:27):
Then why are gonna tell them?

Speaker 1 (01:01:28):
I tell the principal when they got into them fights,
because man, when they got you got suspended, you're gonna
punish it because you shouldn't have fought back, should have
went to the proper thwart.

Speaker 6 (01:01:37):
Because because number one, my kids was winning the fights.

Speaker 1 (01:01:41):
So it don't matter who win a fight, and go
tell on the principal. You supposed to not even be fighting,
like I'm telling the principal, and I tell my kids
that too, and you do nothing.

Speaker 4 (01:01:50):
That's a nigga.

Speaker 6 (01:01:50):
Let's unless a nigga touch you. Y'all need to be fighting.
You should be come too, egregious. You know you shouldn't
be telling them to fight. You know why?

Speaker 1 (01:01:58):
You know why white people always never you ever noticed,
shout out to all the white folks because of some
white people that grew up like us and do their time.
But the average white American people, right, the average white
American people right, hold on, shout out to two thousand ravens.
Blast why qbe get get away with being a two
pair of suburban gangs and tray king?

Speaker 2 (01:02:17):
Because Q from the suburbs. He not from the suburbs.

Speaker 1 (01:02:21):
He had a two parent households Cube is not from
the suburbs where that nigga grew up at is not
the suburbs. I will take you over there, two thousand Ravens.
They will fucking peel your skin off right now. It's
not the suburbs over there. Yes, he had suburbs, It's different.
It's different. Okay, So to your point, coach, why you

(01:02:43):
don't tell your kids to go tell the principal when
they got into that fight.

Speaker 4 (01:02:47):
Like I told you, they won the fight.

Speaker 2 (01:02:49):
So don't matter why they fight, you should be put
them on punishment for fighting.

Speaker 6 (01:02:52):
No, I would never, So even if they hit them first,
I have got on my child. No, dude, Like I said,
I've gotten on my children for hit Nikki. If some
of my kids are a little bullish, so I've gotten
on them. If y'all start to fight, hey man, hey,
come here, we're gonna have to talk about this. You
can't be going out to starting fights. You can't be
going out there doing this. So yeah, I've gotten all
my kids for doing that.

Speaker 4 (01:03:11):
I ain't gonna tell them.

Speaker 6 (01:03:12):
I'min't gonna tell them telling themself though they go tell
the principal.

Speaker 4 (01:03:14):
Why not, that's the rules.

Speaker 2 (01:03:18):
Rules.

Speaker 6 (01:03:19):
Tell yourself. That's what makes you street. That's what makes
you street. Being outside of the rules. You're like whatever,
your ship is more important. That's what makes you closer
to me than fucking Drake.

Speaker 4 (01:03:31):
And then they got close, but not his sons.

Speaker 1 (01:03:33):
That is Coach Sons. Coach Sons is gonna squabble. Somebody
that trusts me, how then't argue with these little niggas.
Ain't gonna squabble.

Speaker 6 (01:03:39):
They squabble energy they do like Gus is there right,
my sons just with all the actions for show you
down to where I have to tone all.

Speaker 4 (01:03:47):
My sons down.

Speaker 6 (01:03:48):
Nigga like, no, hey, you gotta calm down a little
bit because they will.

Speaker 4 (01:03:51):
They are with it.

Speaker 6 (01:03:51):
But but no former fashion do I tell them to
go fight niggas? Hey, man, you go start fights. Go
do this, niggah you some money, go get it down
like no, I've told them a man, Hey, we not
y'all not about that. Y'all basketball payer, y'all hoopers, y'all
do it. Y'all have it this way, you know.

Speaker 2 (01:04:05):
So squabble them down. You ain't telling me.

Speaker 1 (01:04:07):
I'm gonna challenge you the game the nigga puns and faith, Well,
I'm gonna challenge you to a game of one on one.

Speaker 2 (01:04:10):
We're gonna see who the best way it is.

Speaker 4 (01:04:12):
But I told that if a nigga hit you, then
you gotta defend yourself.

Speaker 2 (01:04:14):
No, you don't. You go tell the principal, No, if.

Speaker 1 (01:04:16):
Nigga hits you gotta defend yourself if they hit you,
hold up, shout out to do damp. I told the
school we teach self defense in my home. They stopped calling.
That's not self defense. Self defense is to stop somebody's
meeting you. Somebody hit you and you hit them back.
That's not self defense.

Speaker 4 (01:04:29):
That's called revenge. No, it's not.

Speaker 6 (01:04:32):
It's not called revend. If a nigga hits you, they
gonna want to hit you again. If you don't stop it,
they gonna continue to hit you.

Speaker 1 (01:04:37):
No, self defense is when you avoid defend being hit. Okay,
so you teaching boxing with offensive defense, that ain't true.

Speaker 2 (01:04:45):
No.

Speaker 4 (01:04:48):
So if a nigga being like being you like boom
this this sniak, you tell the police. No, nigga, he
come in.

Speaker 2 (01:04:54):
I chased me to the principal.

Speaker 4 (01:04:57):
Hey, when the last time you hit a nigga didn't
sleep them?

Speaker 2 (01:04:59):
And you pause? Right there?

Speaker 4 (01:05:00):
I'm good, right there, brother. You should not be throwing
you you should be running.

Speaker 2 (01:05:04):
Nigga.

Speaker 6 (01:05:04):
Come on, nigga, you of all people know y'all you
have hit somebody before, and and and they and they
didn't and they didn't fall, and you was like, I
gotta finish the ship.

Speaker 2 (01:05:13):
But guess what that's different again.

Speaker 1 (01:05:15):
The thing that makes your son closer to me is
the fact he's going to break the fucking rules.

Speaker 4 (01:05:20):
I told my you know who's not gonna break through,
finish on him.

Speaker 1 (01:05:23):
You know who's not gonna break the rules. Treat paulse
Hella pause. Yeah, that was crazy, Actually not out there.
I said that you're supposed to chase, You're supposed to
teach your kids, chase them, Sherry full of ship. If
Shrry kids got hit, this is why Sherry is street irbman.

Speaker 4 (01:05:37):
What she said.

Speaker 2 (01:05:39):
If Sharry kids got hit, she told them to fight back.

Speaker 6 (01:05:42):
It's been a couple of times about I Serry wont
swing on glasses. So when they be talking.

Speaker 1 (01:05:50):
Shout out to Ruby Birds, I'm out. I can't stand
glasses no more. With his maga rhetoric talking points, but
standing on crip rules. This dude is discussing this sh
announced being a crip. I don't know, because I don't know.
Why would I denounce this cripple. That's the only thing
that bothered me to rhetoric.

Speaker 2 (01:06:06):
It worked, Ruby, it worked read I didn't enjoy your
I don't know why would I denounced cripple?

Speaker 1 (01:06:14):
Shout out to Mario Pola, who makes a great point
there are great househoods as well in the hood and
that's the problem. Like, that's what y'all don't get like,
and that's what I've been saying, Like I realized that
last night. I was reading, and I'm like, they're not
really identifying with Drakes. They're trying to not identify with Glasses.
They're trying to not identify with with Chief Keith or

(01:06:37):
Kodak Black. They're trying to not identify with who they
think is this. But the problem is most people, No,
Glasses is not a Republican. I will never identify with
white people. No, no, because he said a Mama Republican,
And I want to make sure we clear that out.

Speaker 2 (01:06:53):
I'm not Republican. I'm black.

Speaker 4 (01:06:57):
You can't. He can't be a Democratic Republican.

Speaker 2 (01:06:58):
He's a crib. I don't even together.

Speaker 4 (01:07:00):
He already chose.

Speaker 2 (01:07:03):
Cool.

Speaker 1 (01:07:04):
I didn't work with all that ship they were trying
to put me into masons. I'm like, I'm already a crip.
I'm already a crypt They was like, nah, but you
could be a crypt animation.

Speaker 2 (01:07:12):
Nah nah.

Speaker 4 (01:07:15):
If you call that, uh no, no, no.

Speaker 1 (01:07:19):
That says jumping, I can't be from two hoods. Yeah,
I agree with that, can't be from two hoods. It
said to nothing. What I'm saying is, that's why your
kids are street urban. Still, that's why your kids are
street urban.

Speaker 4 (01:07:38):
And I agree with you.

Speaker 2 (01:07:39):
Even though they didn't grow up in street urban.

Speaker 1 (01:07:41):
They didn't walk outside their house the front door, and
it was the same thing we saw walking out our house.
But guess what their dad is street urban, So therefore
they're gonna have values of street urban people.

Speaker 6 (01:07:52):
Okay, let me ask you a question. Okay, So Will Smith,
would you think he grew up street urban?

Speaker 2 (01:07:59):
Yeah?

Speaker 6 (01:08:00):
Okay, yes, I kind of fear feel like he's done glass,
that he's pausing on it. He trying to think about
a little bit. Will Smith, do you feel like he
grew up street Irvan?

Speaker 2 (01:08:07):
Yes?

Speaker 6 (01:08:08):
Okay, So when you look at Willow and what's the
other little what's the other little what's your sun name?

Speaker 2 (01:08:14):
Jayden?

Speaker 4 (01:08:14):
Yet when you look at Willow on Jaden, do they
seen street irban to you?

Speaker 2 (01:08:17):
Yes? But it's not I mean it's not seen. It's
not seen. You see Will Smith slapped that man talking
about his wife on that stage.

Speaker 4 (01:08:24):
Yeah, Will I'm talking about will That's what you think.

Speaker 1 (01:08:27):
He told this kid when the first time somebody tripped
on Jaden Smith, Tell no, sir, because he would be.

Speaker 4 (01:08:33):
Telling Jade and Smith.

Speaker 1 (01:08:34):
He would be telling he didn't be like he didn't
take his money and get Chris Rock Band out of
the ground. Will Smith got enough money and pull to
get Chris Rock band even though Chris Rock is a star.
Will Smith is that type of starter where he can
get Chris Rock Band and fuck his life up.

Speaker 2 (01:08:51):
Like Nicki Minaj just saying jay Z is doing like
he got that type of power in pull.

Speaker 6 (01:08:56):
I'm not tripping on Will Smith. I'm not questioning him.
I'm question and I'm not really questioning them. I'm just
saying it was the way they was raised. I'm questioning
Jaden and Willow though. I don't think that they're gonna
go smack a nigga for their dad.

Speaker 1 (01:09:10):
Smack a nigga on Nationals to their dad. Therefore their
dad is all about smacking. He's smacking shit.

Speaker 2 (01:09:18):
Y smacked that man.

Speaker 1 (01:09:19):
That man kiss that man kissed him on the cheek.
That was old Frish man. He looked at that nigga,
smacked the shit out of him. You said will Smith
has smacked three people.

Speaker 4 (01:09:26):
Do Jon give you the feeling that he's gonna smack
a nigga for kissing him on the cheek?

Speaker 1 (01:09:31):
Or but Jaden Smith will probably smack a nigga. That's
the problem because guess what you are your dad's son.
If your dad will risk his career to smack a
nigga talking shit about your mom in front of millions
of white people, the reason why we give you smacking.

Speaker 6 (01:09:49):
The reason why we never heard of Jaden or Willow
smacking nobody because they not doing that.

Speaker 4 (01:09:53):
Ti, I son, you see that nigga can't wait to
go he little Ti.

Speaker 1 (01:09:57):
I think Jaden is squabbled, Tyr Son up, nigga, What
I gonna lie to you? Okay, So I think I
think Jayden squabble.

Speaker 2 (01:10:06):
Look King up. I kind of think you're right.

Speaker 1 (01:10:09):
You think you think I'm telling you you can't Jaden
to put hands on him'll get me wrong. I think
King is a little bit hands bro is different.

Speaker 5 (01:10:19):
I think Jaden a little bit a little bit of
hot sauce on that burrito, you know what I'm saying,
like doing a little bit too much.

Speaker 4 (01:10:27):
Like that nigga I'm gonna tell you all this.

Speaker 6 (01:10:30):
I think Jaden Smith is probably more classically trained as
a fighter, because I think he probably did a little boxing,
a little karate for the.

Speaker 4 (01:10:36):
Movie, all that type of ship. He can really fight
better than King.

Speaker 6 (01:10:40):
But I think if the fight go about to one
and a half minutes, Jayden's gonna start thinking about butterflies
or something like that, and King Vicious Smith's gonna take over.

Speaker 2 (01:10:50):
I think you got that confused. I don't know, man, man, I.

Speaker 6 (01:10:53):
Would much rather take the guy. If I'm training the guy,
give me King other than Jaden.

Speaker 1 (01:10:58):
Because you want to use that changer that he got.
But I understand that. But nah, I'm telling you.

Speaker 6 (01:11:03):
Somebody, that fight go one and a half minutes, that
anger is still gonna be brewing, still gonna be working
that angers.

Speaker 4 (01:11:08):
I think Jaden just don't have lost the first minute
and a half of the fight.

Speaker 1 (01:11:11):
I think Jaden's is gonna be like, look, man, I'm
trying to not stop doing please stop.

Speaker 4 (01:11:14):
Jeddy' gonna be doing it in the middle of the fight, like,
hey man, you're good, bro? Are you good?

Speaker 2 (01:11:17):
Bro?

Speaker 1 (01:11:17):
Shout out to two thousand Ravens smacking Chris Rockers. The
hood standing now, y'all, stop this foolishness. It's not about
the hood standard. If you smack a nigga on the
Grammys in front of the whole world, you're a different
type of nigga.

Speaker 2 (01:11:26):
Bro, I'm gonna fuck what you're talking about. You know
the type of it because.

Speaker 5 (01:11:33):
Because you can't go back home because your lady. You
just lacked this lady right now being being having a boy,
I don't give it. Yeah, he couldn't go back home.

Speaker 3 (01:11:43):
Yeah, white man held up here, took nothing from the slap.

Speaker 4 (01:11:46):
So ge you agreed with the spack? Did you agree
with the smack? Man?

Speaker 1 (01:11:49):
If you talk about my wife and I want to
smack you, I'm gonna smack you, boy. It ain't aboudy
If I agree with it, I don't gotta agree with
no nigga. Long was he okay with the ramifications? You'd
say something about my old lady, nigga, i' gonna smack
the shit out of you. Crazy here, we don't have
context on how long these judgments going.

Speaker 2 (01:12:08):
No, No, what's going on. I'm not okay.

Speaker 4 (01:12:12):
I'm not okay with Chris Rock not doing nothing. Okay,
all right, that's that's the thing I'm not. Okay, I
agree with you one hundred percent.

Speaker 2 (01:12:19):
That's what rock God I was then about with nothing
that Nigga, you need to see me later.

Speaker 4 (01:12:25):
No, not later, not later.

Speaker 1 (01:12:26):
If I'm Chris right now, nigga, right now, you gotta seven.

Speaker 4 (01:12:31):
Right now, you.

Speaker 5 (01:12:34):
See me, Nigga be getting shaken.

Speaker 2 (01:12:36):
Okay, cool, all that you thought this one the right thing?
I still need minds. Look, this is what I'm talking about.

Speaker 1 (01:12:42):
It's a weird sentiment going on on the internet right
now where people trying to act like Will Smith is
a mark for slapping. No mark, No, that's the sentiment
going on, because it'd be so many marks, it'd be
a bunch of more gas niggas. What it is is you,
niggas is marked because if somebody slap you and you
don't do nothing, use a mark and you came but but.

Speaker 5 (01:13:01):
But let me ask you though, right the only thing
I see him as being him being a mother for
doing it was that nigga, you sat right there and laughed, Nigga.
Nigga said the joke. You laughed, looked at the girl.
Oh ship she mad. Nigga wanted to shot this. Nigga,
the fuck nigga. You thought this ship was cool. You
thought it was funny when that's cool. So so you

(01:13:21):
thought it was funny, you would have brought your wife something.
You didn't brought your ol lady something trapped and she
didn't like that ship. You took it back back like
you got.

Speaker 2 (01:13:27):
The wrong thing. Stop playing.

Speaker 4 (01:13:29):
I'm not gonna lie Trapp like that.

Speaker 2 (01:13:32):
You have, sure you have? You was like, oh, you
didn't get this, and you went back and got the
order she wanted.

Speaker 4 (01:13:37):
He trapped Trapp.

Speaker 1 (01:13:41):
You probably with that man, you know, but I understood
why he did it, like I got I gotta go home, sir,
I gotta go.

Speaker 5 (01:13:53):
And she seen me laughing too. You seen me in
the ship laughing. I'm clean this ship up. Want to
shot this nigga real quick?

Speaker 1 (01:14:00):
He probably seen. He probably decides that. The situation was like,
I don't know what's going on with Will and Chris
or they.

Speaker 2 (01:14:07):
I don't know.

Speaker 1 (01:14:08):
I can't get into why slapped him. If honestly it's wrong,
it's against the law. So however they proceed is how
they proceed. I don't quite know why. But that's simp mold.
It's not simp mode. If you slap somebody over your wife, bro,
simp that don't fit there. That you're just messing with
your wife is serious, Bro, you defend your wife, Honor.
That ain't no simp defending your wife on her? You

(01:14:29):
keep making fun of my wife, Nigga. I don't know
the depth. But if you make fun of her and
she don't like it, nigga and I slap you, now
we're gonna go from there.

Speaker 5 (01:14:36):
But because it was funny, so your why don't you
smelled the shit out of you for laughing at that ship?

Speaker 2 (01:14:43):
You should have? But guess who don't know what the
situation is?

Speaker 6 (01:14:46):
Will Smith, I think the real problem came in for
for for niggas is that they didn't feel like Jaya
be defending Will Honor.

Speaker 4 (01:14:52):
Sometimes you don't.

Speaker 2 (01:14:53):
Yeah, so now it's like nigga, but I don't even
get into all that I'm just saying. I think all
saying is I'm just not trying to judge what Will
did because I don't know the contact.

Speaker 3 (01:15:03):
Now with with Chris, I get it.

Speaker 1 (01:15:07):
Maybe you don't want to squab me right there because
you don't want to lose that job. He's crazy, You
might not be crazy. You don't got that money, so
you tripping or d but eventually, niggas, you gotta see me.
We got a problem right now, Chris Rock.

Speaker 2 (01:15:19):
You see Tony.

Speaker 1 (01:15:22):
Tony Like, nah, Bro, I need that for my brother.
You know what, why not call the police and press charges?
Why Chris Rock can't call the police?

Speaker 2 (01:15:29):
Could you know why?

Speaker 4 (01:15:30):
Because Chris Rock is street urban culture.

Speaker 6 (01:15:32):
Even though I'm pretty sure Will Smith could beat them
both up at the same time.

Speaker 1 (01:15:35):
Oh well, you gotta beat me up. You ain't just
slapping me, No, for sure. One of my older homies, Bro,
I got I could fight my older homie really can fight.
That nigga slapped one of my homeboys before, and I
mean he slapped him so hard. Dog, it was like
the crazy slap I ever saw. And don't get me wrong,
maybe Mohomie had to coming rest in peace to the
homeboy pop Pie.

Speaker 2 (01:15:53):
He probably had it coming.

Speaker 4 (01:15:54):
I don't know, but I.

Speaker 1 (01:15:56):
Told that nigga on the spot. I don't can fuck
how hard he punched. I'm gonna fuck how what he was.
You're gonna have to kill me with that. You slapped
me like that, Just just know you finna get cracking like.
I don't give fuck if you win none of that.

Speaker 2 (01:16:09):
I don't give. You have to knock me out. You
can't just be slapping on me and act like I'm just.

Speaker 5 (01:16:15):
Said jail the punch would be gonna fight you smacked
me down, gonna shoot you. You make it just smack
like I'm a bitch, nigga.

Speaker 6 (01:16:22):
I think Chris Rock he really missed his opportunity when
Will Smith turned his back on him.

Speaker 4 (01:16:27):
As he right there and then let and let them
and let them break it up.

Speaker 2 (01:16:31):
I don't even want to. I don't want to judge.

Speaker 1 (01:16:33):
You've been got to invite poetic flock on you lying.
I already told you whenever you ready, you could pop
on flock. Oh, come on, get this grown man conversation. Yup,
he said. I still ain't get the invite to to
come on the pop belt. That's a live flock. Oh,
it's an open door. We already passed that. You already
whenever you want, as long as you know over here,
at this level, it's intelligent people and you.

Speaker 2 (01:16:50):
Want to you have to think over here, nigga.

Speaker 1 (01:16:55):
Make you You can't say that, Brokens when you took
it to a man. Bro that's how we rock. And
I'm always here for all all the little bros. What
I'm saying is the problem with that, is all I'm
saying to Chris Rock. Even if today, even if today
Chris Rock supposed to wake up today and call that
nigga on the phone and tell that nigga I need

(01:17:17):
that bro, You're gonna have to whoop my ass for.

Speaker 2 (01:17:20):
My own self.

Speaker 4 (01:17:22):
Nah, he waited too long. Now, No, no, it's never over.
Nah no, no, fuck no, it ain't over. It's done.

Speaker 2 (01:17:28):
You owe me that a nigga. A nigga hit me
from the back.

Speaker 3 (01:17:32):
It's tall.

Speaker 2 (01:17:35):
A nigga hit me in the back of my head.
When I was thirteen, I thought that nigga he was
thirty one.

Speaker 4 (01:17:40):
See, man, that's too much.

Speaker 1 (01:17:42):
That's it's not I remember that there should he moved
this it sounds it sounds made move with him.

Speaker 4 (01:17:52):
Like that.

Speaker 1 (01:17:53):
He moved out of state. No, he moved out of
the city. He moved from out the neighborhood. Went up
as a rapper with money, squabble cut down right on.

Speaker 4 (01:18:04):
Spot thirty one with money. At thirteen, I was reckless.

Speaker 2 (01:18:09):
I was doing that.

Speaker 4 (01:18:09):
I'll give fuck no thirty one with money.

Speaker 3 (01:18:11):
I know the man.

Speaker 4 (01:18:13):
It might have been twelve. The man hit me in
the back of the head. I failed, right.

Speaker 1 (01:18:17):
It not he was like thirteen fourteen, but it's not.
He hit me and I failed right, And then I
was kind of dazed, like what the fuck happened? He
was gone, right, So I'm like, damn, what happened?

Speaker 2 (01:18:30):
They like man? That was Jay. I'm like Jay, They
like God. So I go try to find him. He
not around the next day.

Speaker 1 (01:18:37):
I'm not lying that nigga whole family move like he
did it because he knew they wasn't finna be there.

Speaker 4 (01:18:43):
I seen that nigga blasses made his list. He said
I'm moving tomorrow.

Speaker 2 (01:18:47):
Mom A, I got a nigga, I got the start
thing I'm playing. I'm not joking.

Speaker 4 (01:18:51):
Niggas really get down like that.

Speaker 3 (01:18:52):
Bro.

Speaker 2 (01:18:52):
Niggas do some ship.

Speaker 1 (01:18:54):
At thirty one, thirty one years old, squabble damn yea maniac.

Speaker 4 (01:19:01):
No got's a tripping though, that's too far.

Speaker 1 (01:19:04):
That's like if a nigga says something to me in
the comments, say ship about my mama, you say some
ship on some fun as that.

Speaker 2 (01:19:11):
I'm not gonna say that.

Speaker 5 (01:19:12):
Now.

Speaker 1 (01:19:12):
You talk about blow niggas pictures up and saving them
I'm going to remember them blowing pictures.

Speaker 4 (01:19:16):
And niggas up and saving them.

Speaker 5 (01:19:17):
So if I quin that's that's a two two three
real one right there.

Speaker 2 (01:19:23):
I'm about to go get this nigga.

Speaker 4 (01:19:26):
Blast to call it consequences, that's not real glasses.

Speaker 1 (01:19:29):
You better not doing consequence. No, this consequence. You're being
crazy and can't just say anything.

Speaker 4 (01:19:36):
Bro. Niggas can That's what they got these butts. That's
why they say that ship.

Speaker 2 (01:19:39):
Guess what it come with. If I see you, we're
gonna see about it.

Speaker 4 (01:19:42):
They might win.

Speaker 2 (01:19:43):
I carry the fight.

Speaker 4 (01:19:44):
I care less about one of these niggas saying whatever.
Who gives a nigga?

Speaker 2 (01:19:49):
I understand what what you got going on. I respect
what y'all saying.

Speaker 4 (01:19:53):
I was a weird old some bolish.

Speaker 1 (01:19:57):
I respect what y'all said. Y'all are so mature that
people can say me you ignore them. I am not
that mature.

Speaker 4 (01:20:04):
This Internet and try you did, I get it. Yeah,
don't got to come out.

Speaker 2 (01:20:10):
In my face because I got too much ketchup. I
fight it for you to.

Speaker 5 (01:20:13):
Say that, though, bro, and you go and you go.
You do so many back and forth with these motherfucking wardos.
Bet you just waiting for a nigga to say some
crazies because you do, Mada.

Speaker 1 (01:20:21):
I want to just log it down mental note log
oh oh, Johnny two six.

Speaker 2 (01:20:27):
All them Ovio fans that be saying.

Speaker 1 (01:20:29):
Ship to me, bro, all the people I blow up
their pictures, they just never had their real picture.

Speaker 4 (01:20:35):
I didn't went to niggas to try to see I've
seen niggas.

Speaker 2 (01:20:38):
You think if I don't see them. You said that
about my mam and nigga fanna fuck you around.

Speaker 5 (01:20:41):
Niggat storage from he got over there, you got mad
pictures on the wall right there.

Speaker 1 (01:20:46):
I got pictures in my memory if somebody was talking
crazy in my phone memory.

Speaker 4 (01:20:50):
This is nice five nigga, this is nice talker talking.
This is crazy talk. This is not you're not supposed
to be doing this.

Speaker 5 (01:20:58):
I'm gonna let y'all know this right now. I know
if I'm with glasses, you know what I'm saying. You
see one of you niggas jumping your ass though I
ain't holding them back either. This why I don't want
to go over you.

Speaker 6 (01:21:11):
See, we're gonna be at the chilling and ship eating
a chicken sandwich or some shit that nigga be like, hey,
that go eight two six two nine, godn't and I'm
gonna be like, no, nigga, it was delicious right that.

Speaker 4 (01:21:22):
And then I'm from that area to where you can
jumping your ass to.

Speaker 1 (01:21:27):
Like I mean, come on, like people shout out to
tell everybody at the lunch table, it's people that pop
on here and talk to me and say rude stuff.

Speaker 2 (01:21:34):
I don't even say nothing back to you.

Speaker 4 (01:21:36):
Just I don't talk.

Speaker 2 (01:21:37):
No, I'm not I'll give you that space.

Speaker 1 (01:21:38):
I'm not gonna say nothing again because i know how
to conduct myself, so I'm okay with doing that. Man.

Speaker 4 (01:21:47):
You already know some time I see nigga talking shit
about me, it's hilarious to me. I just laugh about this.
I'm like, that's your funny, that nigga shit, funny, funny, nigga.
I know.

Speaker 2 (01:21:57):
I'm not saying if it's funny, if it's good, I'm
not mad because you out with it me.

Speaker 4 (01:22:01):
It's funny and disrespectful. Though at the same time, No, it.

Speaker 1 (01:22:03):
Be niggas going out their way to say ship that's inappropriate,
Like they don't just make the joke, like if a
nigga says something like oh.

Speaker 2 (01:22:09):
Glasses, drake, career way better or if your career is that.
I'm not talking about that.

Speaker 4 (01:22:12):
I'm talking about the ship.

Speaker 1 (01:22:13):
Talk about when nigga starts a nigga said something about
my mom and nigga a nigga said something.

Speaker 2 (01:22:17):
Of my moss while your mom died in prison and
got great. I'm fucking you.

Speaker 4 (01:22:20):
Up, Hey, that's crazy.

Speaker 2 (01:22:28):
Figure out what happened to my mom dying in prison
and fed and all that. Fucking you up?

Speaker 4 (01:22:32):
That's crazy right there, that's crazy. Somebody really did that.

Speaker 2 (01:22:36):
People be saying all kind of shit when they feel
to be hurt, they get some crazy.

Speaker 4 (01:22:40):
Man.

Speaker 2 (01:22:41):
I'll be listening to niggas. That's why I keep telling
niggas on eighty h D.

Speaker 1 (01:22:43):
I'll be like, bro, if you say I'm not the
rest of these niggas, I keep telling niggas. I keep
telling niggas I'm not the rest of these niggas.

Speaker 5 (01:22:51):
Bro.

Speaker 2 (01:22:51):
If you say some ship about me, trap note, people
who know me, can you know me? I'm the type
of person I'm.

Speaker 1 (01:22:57):
Going to be where you're at and I'm gonna press
line real fast. And if you say something that's too wrong,
I'm taking off on you right off the on the spot.
We're not even gonna You're not the squabble.

Speaker 6 (01:23:08):
No more boxing for glasses. See this niggas using it
for the evil. That's not the evil like this nigga evil.
It's a tool of justice. It's not justice, nigga, it
is just is uh this niggas lets luthor. He got
his own definition of the justice. He though he's right now.

Speaker 2 (01:23:24):
Treat that nigga. Treat said fatrify words, nigga. We can
get down right off the rip.

Speaker 1 (01:23:28):
What you like the best game bag expressing the world
is or what you're saying, what you're saying, like you
all that you're saying, what you're saying, like where is
it at?

Speaker 4 (01:23:39):
So?

Speaker 2 (01:23:40):
But niggas and already said some shit that's too far.

Speaker 4 (01:23:44):
So.

Speaker 1 (01:23:44):
But I was thinking about that with that whole Drake thing.
I was like, damn, bro, Like his problem is it's
it's not he don't really have fandom, like not in
the culture. He has fandom outside, but he don't have
fandom in the culture like the phantom and the culture
is more rooted and people not trying to identify with
what they think that I am. And that's why people

(01:24:05):
who come to the lunch table, be like, oh, glasses
be thanking.

Speaker 4 (01:24:08):
He not.

Speaker 1 (01:24:08):
This is how most crips and bloods are. Most crips
and bloods are not these dumb ass, ignorant niggas. You
think they've been through a lot of trauma. People might
do drugs, they might be drinking a lot to deal
with it. But listen to some of these people talk, bro,
They are really thinkers. Some of my older homies are
some of the smartest people I've ever met. I agree,
you know what I'm saying, So like, I get it,

(01:24:29):
you think you're not us and that becomes a thing.
So really are like Daylight Soul is more glasses Malone
than they are Drake shit me. Like I've talked to
Q Tip, I never got I never got nothing but
New York City from q Tip.

Speaker 4 (01:24:50):
Yeah.

Speaker 5 (01:24:50):
If I'm talking about the music, the way they come
across in the music though, you know what I'm saying
like that, Yeah, and when the mic goes and the
make it turned through off and all that shit, Yeah,
they probably you know what I'm saying. From North Side
Queens Queen common comment is.

Speaker 4 (01:25:06):
Old niggas stuff. I'm talking.

Speaker 1 (01:25:08):
Kodak Black is more glasses malone than Drake and he's
a drake fand.

Speaker 4 (01:25:12):
Nigga Okay, Kodak black nigga. Come on now, it's not
like you do drugs.

Speaker 2 (01:25:17):
You do drugs.

Speaker 5 (01:25:18):
He ain't like you.

Speaker 4 (01:25:20):
I'm just sober.

Speaker 2 (01:25:21):
But all y'all like me. Niggas just drink and do drugs.
Some niggas like that.

Speaker 4 (01:25:25):
But he hass, he said, Kodak though nigga, like, come.

Speaker 2 (01:25:27):
On, I just tell you.

Speaker 1 (01:25:28):
Anybody who think they identify as way more like me.
If you within the culture, if you if you look,
if your mother and dad grew up in street urban
culture and move you to the suburbs, you're still more
like me. If if you live somewhere in street urban
culture where where the culture is dominant, you like more
like me. You're gonna think the same way. Even if
you grew up somewhere like like in New York. You

(01:25:50):
can grow up where your parents, you feel me, are
are more like well off. You could grow up where
in the neighborhood.

Speaker 2 (01:25:57):
That ain't that bad.

Speaker 4 (01:25:58):
But if you go to school with people that grew
up the street a been culture, you more like me.
Last se he sounds like you're doing an ad right now.
Nigga like he's like me.

Speaker 2 (01:26:06):
Niggas.

Speaker 1 (01:26:07):
No, I'm not saying I'm not saying that. I'm just
saying these niggas are not like you. They are No,
all right, I'm telling.

Speaker 4 (01:26:12):
You notigga like you. I'm telling you.

Speaker 2 (01:26:14):
I be trying to tell you.

Speaker 6 (01:26:15):
You the last of the Mohicans, nigga, it's you were
probably one thousand, two thousand other niggas like you, and
then the rest of these niggas that these.

Speaker 4 (01:26:21):
New niggas are new niggas.

Speaker 1 (01:26:23):
If they will, if they will fight because somebody hit them,
they are more like me than Drake.

Speaker 2 (01:26:29):
Man.

Speaker 4 (01:26:29):
You gotta let that piece sh it go. Man, Drake
is to fight niggas.

Speaker 2 (01:26:33):
Now, they told he's not puff punched me to do nothing.
That was that nigga he got for Shane, that he
didn't do nothing.

Speaker 4 (01:26:39):
To let one of you niggas bump in the Drake
Drake a fire on your niggas.

Speaker 1 (01:26:41):
Now that's because he's rapping that and you see in
the video, so you believe it. History says, No. You
see when that man called him a bitch, he still
was arguing with the man.

Speaker 4 (01:26:51):
Did you see he was close? No, he wasn't stop
the truck. He was close.

Speaker 2 (01:26:56):
He never stopped the truck. He kept driving.

Speaker 4 (01:26:59):
Hey, trap, what you think about Will Smith's album? Will Smith?
I don't listen to it.

Speaker 2 (01:27:06):
I'm gonna.

Speaker 1 (01:27:08):
I've been listening to I've been listening to the Will
Smith free style of freestylish dope a man? Was that
considered the freestyle? When that niggas dressing up like a woman?

Speaker 2 (01:27:19):
What was that?

Speaker 4 (01:27:20):
That was the album? Or was that that little b.

Speaker 1 (01:27:24):
Yeah? Man, Will Smith is entertainer. Could y'all stop with
this whole punk as? Shouldn't let that man entertained just
like a.

Speaker 2 (01:27:30):
Woman who wrapping up.

Speaker 4 (01:27:31):
I ain't gonna lie.

Speaker 1 (01:27:32):
I think Will Smith will squabble you dawn like he
had a problem because coach is a fighter. Coach, Yeah,
he'll squabb you.

Speaker 2 (01:27:39):
Damn King.

Speaker 4 (01:27:40):
Why we Why are we talking about?

Speaker 1 (01:27:42):
Because because I keep thinking because because King's talking about
like the niggas of Mark, because the niggas entertained and
wear dresses.

Speaker 2 (01:27:48):
That nigga squabble you down, bro, I'll shut that up
to up.

Speaker 6 (01:27:52):
Come on, man, hey, first of all, King, my man though,
I but but Will Smith are not King out talking
about right now?

Speaker 4 (01:28:00):
Be the King in like three four seconds, Like this
wouldn't be no long fight. Why are you trying to
get beat.

Speaker 6 (01:28:04):
Up by Smith's motherfucker? Like my height way more, be
way more shape and he fight, I wouldn't even be.
I wouldn't even I'm smart. Money might be on Will
against me to be on switch.

Speaker 2 (01:28:15):
I mean, I don't think he's gonna throw his life away?
You gonna throw what are.

Speaker 4 (01:28:26):
You talking about in the street fight? Will Smith will
beat his ass?

Speaker 1 (01:28:29):
I'm talking about when he got the night and the hammer,
the rocks and ship. For sure, King, it's one of
them people out of here, the nigga with a hammer.

Speaker 4 (01:28:36):
No nigga was get to know hammer. Wait, man, if
y'all just went right here, what's okay? Can I just
throw this out here? Hey? Because I ain't talking no
shit about wisdom.

Speaker 6 (01:28:50):
I said, nigga dressed like I was just trying to say,
niggadress abou a woman on the seat.

Speaker 4 (01:28:53):
Will Smith beat beat, beat, beat beat everybody up there
on his slot stream right now? Well, I got I
beat the.

Speaker 2 (01:29:01):
Dog walking.

Speaker 4 (01:29:03):
What are you talking about, nigga?

Speaker 5 (01:29:04):
You no now listen, listen, I'm gonna say will Smiff,
Will Smith didn't prepare and training himself as fucking to
be Muhammad Ali. You know what I'm saying that he got.
Don't get me wrong.

Speaker 1 (01:29:18):
If he said something, I try, but I'm not playing
with that nigga like that's Will Smith with his name.

Speaker 2 (01:29:23):
I'll tell you that much King tripping, I'm not playing.

Speaker 4 (01:29:27):
With those in the line us all up and knock
us all.

Speaker 5 (01:29:30):
Will Smiff was like a good good forty five seconds
from you. After that he might might have right here,
you wouldn't.

Speaker 4 (01:29:35):
Even a punch. He smacked the shut of you and
just nig ain't knocking me out with something.

Speaker 1 (01:29:39):
Listen, you and didd he be a good squabble You
and Diddy about the same sign, know you, I got my.

Speaker 3 (01:29:44):
Money on Diddy.

Speaker 1 (01:29:46):
He begin shaking though shrinking though idiot, not king out,
Nah King, he began shaking.

Speaker 2 (01:29:53):
I might have to come to your King or beat
the dog ship out of Diddy. What was that about.

Speaker 4 (01:29:57):
I'm gonna have to come to your next practice.

Speaker 6 (01:29:58):
Any nigga that that rub rubb man moose on his
nipples can't scrap like that nigga.

Speaker 4 (01:30:08):
Ain't no way that did he that didd he can't
be king up in no fuck, No I got king
on Diddy.

Speaker 5 (01:30:14):
Diddy as I'm really.

Speaker 4 (01:30:15):
Just doing that because can we fuck with me at
the time?

Speaker 2 (01:30:18):
I got you? I got you against did I got you? No?

Speaker 1 (01:30:20):
No, no, shout out to two thousand Ravens. I'm gonna
tell you like this, I don't think Diddy a clown
and I'm not playing with his name. I really would
squabble Diddy, bro, because did he did? He got a reputation?
He just squabbled enough niggas like they had to pull
me off of Diddy because i'mnna think he gonna go
all the way?

Speaker 2 (01:30:34):
You know what I mean, I'm whooping on Diddy?

Speaker 4 (01:30:36):
What's all the way?

Speaker 1 (01:30:37):
Because did he get cracking? Did he didn't punched on niggas?
He nigga just nigga trying to blow a carse nigga.
You Will Smith is a big old nigga.

Speaker 2 (01:30:45):
That really thought he slapping on motherfuckers. I'm not That's
what I'm saying. I'm not playing with like.

Speaker 1 (01:30:50):
Will is a real squabble like if I have the
squabble wheel, like I take that's did he I'm a
squabbling but he is kind of little and he did
he Will Smith, are.

Speaker 2 (01:30:58):
You talking about Diddy. Will I ain't playing Will Smith.
Nothing't like that, bro.

Speaker 1 (01:31:01):
I ain't gonna lie because I've really I didn't been
around this nigga and talked him once or twice. I
didn't get none of that energy. Like, yeah, this nigga
on no punk ship like like squabbling. Will's probably a
real squabble like that, a real squad.

Speaker 4 (01:31:13):
Like did he for you to be?

Speaker 2 (01:31:15):
Because didd, he ain't no punk bro, like he punching
on niggas.

Speaker 1 (01:31:17):
He's slapping on ship all that like a nigga doing
all that, he getting everything, he getting all the punches,
he getting everything.

Speaker 2 (01:31:24):
Ain't no mercy. But did he little too? Like compared
to me? But Diddy and Diddy and you, Yeah, that's
the same thig.

Speaker 6 (01:31:31):
I'd rather fight Will Smith. I wudn't even he was
rather fight WILLI Smith because if we'll know, I'm saying,
because if Will Smith beat you, you knowice the fighters
over that after that, what if you lose to Puffy?

Speaker 3 (01:31:43):
That's what I'm saying.

Speaker 6 (01:31:44):
I don't know what that nigga, I don't know where
it's going after that, Like I just need to I'm
trying to fight and leave nigga like.

Speaker 2 (01:31:51):
Advanian of.

Speaker 4 (01:31:53):
Small Nigga.

Speaker 2 (01:31:54):
Like small nigga, I'm a lot.

Speaker 4 (01:31:57):
Bigger than you think of How about you?

Speaker 1 (01:32:00):
Why you let him annoy you? Out of this nigga? No,
goddamn well, he would not fight you, got.

Speaker 4 (01:32:06):
I wouldn't even I wouldn't fight King King. Plus I'm
scared of the King.

Speaker 1 (01:32:10):
So way you really want to score with Will Smith,
I'll squat it up.

Speaker 2 (01:32:15):
We think you can squabble him. I just think he's
a big old boy.

Speaker 4 (01:32:18):
That's a lot for you. I'll score on his ass.
I'll score him every round.

Speaker 2 (01:32:21):
You might score, but he's probably gonna not gonna land
a punch.

Speaker 4 (01:32:24):
Why are we talking? Why are we talking? So I
be talking crazy as fuck.

Speaker 6 (01:32:27):
I think I think if g fought Will Smith on
money on g nigga, I think of trap fight Will
Smith my money on trap. If I fight with Will Smith,
I'm not gonna I'm go front. I'm not gonna front.
I'll be talking crazy, but I probably not Will Smith
fast out. But you, on the other hand, Will Smith
is beating the ship up like you're not gonna land
a punch, not gonna leant one punch. And I don't
know quite how much he box, But I don't know.

Speaker 2 (01:32:47):
I like what makes you.

Speaker 4 (01:32:50):
I can't boss, we don't think you can't be with
you and you're a little too damn old and small
for you feeble.

Speaker 2 (01:33:03):
Yeah, because you're established. It's not.

Speaker 5 (01:33:05):
He's probably not the same age as will Smith though, No.

Speaker 2 (01:33:07):
He's not. He's not.

Speaker 4 (01:33:08):
Hell no, he he's seventy some years old.

Speaker 2 (01:33:11):
He's not.

Speaker 5 (01:33:11):
Can't no, goddamn seventy cut it down, he not.

Speaker 4 (01:33:14):
I'm fifty seven, Yeah.

Speaker 5 (01:33:16):
Yeah, will Smith about the same age. Yeah, that's the
tale of hell with holl Is Will Smith about about fifty,
about sixty looking up, he's done that. He probably the
same age. He not looking at what you doubt that.
You gotta remember, you gotta remember WILLI Smith came out
in fucking like eighty five, eighty six. Me like, bro,

(01:33:36):
Willis Smith. Ain't no, no close to coach coach age
you're looking at you're looking at that.

Speaker 2 (01:33:46):
What year was he born? Let me see it, coach,
looking at They might do be born in the same year.

Speaker 4 (01:33:52):
Damn, that's true, coaches, coach, he's fifty six, Will Smith,
fifty six, man, Will Smith, Will Smith fifty six years up?
Well year, yeah, he in sixty eight.

Speaker 6 (01:34:03):
You to think that, yeah, okay, so look all bullsh
to decide if you Will Smith fought, I'll be going
for you.

Speaker 1 (01:34:11):
Morell as hey, coach who wins Drake or Will Smith?
Will Smith Smith, He'll be I just be. I be
fucking around, y'all. Hey, Will Smith will beat up Drake
so bad? Not Will Smith out, I don't even know.
I don't even know. Like Will Smith is a big nigga.

Speaker 2 (01:34:28):
That's a big heap making motherfucker too.

Speaker 4 (01:34:32):
Trap. They've learn about all the boxers that come out
of the Calla.

Speaker 1 (01:34:35):
We know about the box that come out throw up hey,
but knowing that Will a lot of boxes though, knowing
that he's fifty.

Speaker 6 (01:34:45):
Six, I got my money. I got my money up
hey for I got my money all the way on
G and trap now.

Speaker 4 (01:34:52):
That old like G G G and.

Speaker 1 (01:34:55):
Shout out to one who I don't think Drake can fight.
I just don't think Drake will fight like Drake just
don't strike me as a person that's gonna he trained.
He a big old dude. He and I know little dude,
he could. He got some good side. He just you
gotta gotta be raised to fight. It's something else, you
know what I mean. Like, and if it's your first fight,

(01:35:15):
even if you train, it's different when somebody hits you,
like somebody hit you in your face. It's a different
thing to have to adjust to. So I don't think
Drake is completely incapable of fighting, like get damn a
long time ago. King. Look, no, I tell you one
thing I feel of squabbling. The King was right behind
that nigga, right squabbling with him, so I know he ain't.

Speaker 4 (01:35:36):
No ay for show for show.

Speaker 6 (01:35:38):
I think that King would get down with anybody up
in here like and will help help help them get that.
That's why I don't even like you hanging around that
much together because I think already.

Speaker 1 (01:35:46):
Said something that I think I misunderstood what he said.

Speaker 2 (01:35:51):
The nigga was a mythit. I was like, what nigga?

Speaker 1 (01:35:54):
I started to squab on that King got behind him
so quick, and I was like, are we finna fuck
this nigga around?

Speaker 4 (01:35:59):
Secure?

Speaker 3 (01:36:00):
No?

Speaker 6 (01:36:00):
I feel like I have to go at y'all niggas
just to make sure y'all niggas can't be easy. I
need some treat can just like the nigga nigga on
hey Gee, that is him that is the niggah's talking
shit online. Yes, get nah like y'all niggas be super
vision appayers.

Speaker 4 (01:36:13):
Fuckers like you to underestimate me. I don't know nobody.
I don't underst shout out.

Speaker 2 (01:36:18):
To Larry Love. Did he stole on Drake and he
spent on the back. He ain't do nothing wrong, man,
I don't.

Speaker 1 (01:36:24):
I mean, if you ain't raised up to really defend yourself,
That's what I'm saying. Though Drake was young, that was
not that long ago.

Speaker 6 (01:36:31):
He was young.

Speaker 4 (01:36:32):
Nigga, the fan is coming back out. You know what
I'm saying.

Speaker 6 (01:36:34):
He was young, and then my nigga like twenty seven,
Yeah exactly, Okay, he was twenty seven and he's still
growing into his prime.

Speaker 4 (01:36:41):
And then on top of that, snig growing. No, I'm
saying Drake might be like me, two niggas.

Speaker 2 (01:36:48):
I don't fight.

Speaker 6 (01:36:48):
I don't fight bums, and I don't fight a nigga
homosexual dudes and know not niggas homosexual dudes.

Speaker 4 (01:36:54):
I just not rolled around, did he. I don't think
that's not why he fought, did he?

Speaker 6 (01:36:57):
I think that's why why he probably Like, I don't
want to roll around with this nigg like you know
the diddler, get me nigga.

Speaker 1 (01:37:04):
Niggas whooper gay nigga? Woop Magic Johnson ass Son like
he stole something, would.

Speaker 2 (01:37:09):
You, Niggah?

Speaker 1 (01:37:15):
I say all that gay ship don't mean nothing that nigga.
Whoop your ass that nigga, And.

Speaker 4 (01:37:18):
That's why beat my nigga. One time I saw Cafteria
being a city. That's what I'm saying.

Speaker 2 (01:37:25):
Hell now, y'all from.

Speaker 6 (01:37:26):
This saying, if g faught Magic Johnson Son, we'd have
to jump Son and that'd be weird.

Speaker 2 (01:37:30):
Man, John, I know I got that. That's a big
old young motherfuck.

Speaker 4 (01:37:35):
Yeah, imagine that jumping. That'd be crazy.

Speaker 2 (01:37:39):
Okay, track what's up with queens? Man? What's up with nigga? Dog?
I keep asking this, you keep it knowing.

Speaker 5 (01:37:43):
Her motherfucking money, b that's what she wants be, money,
money be so she trolled money. So look right, I
think it's more people coming out, coming out saying stuff
about that, because when when titles started off, you know
what I'm saying, he got a bunch of artist. You
know what I'm saying to come about you know what
I'm saying, and show support the title. He promises equality

(01:38:04):
within the company. You know what I'm saying, three percent
of the company.

Speaker 2 (01:38:07):
That I know, I remember that.

Speaker 5 (01:38:08):
I mean like like a Brooklyn. You know what I'm saying,
when he when he sold the company, he ain't he
ain't break them off their money.

Speaker 4 (01:38:14):
They Sposta got.

Speaker 2 (01:38:15):
You know what I'm saying, like a Brooklyn nigga is
that in the world.

Speaker 5 (01:38:18):
B that money, that money ran with it. B he
took that money, he ran with it.

Speaker 6 (01:38:24):
Hey try, I'm dumb. Done, I'm done, gad I try.
I had a question of before you about Nikki. So
is Nikki coming across like that auntie? They used to
be cool back in the day.

Speaker 2 (01:38:35):
You know what's funny and not to cut you off.
Coach coach Okay, that's how he reminds me.

Speaker 4 (01:38:45):
So you think Nikki mnd you a fifty cent?

Speaker 2 (01:38:46):
The energy right now is fifty the same d They
from the same hood.

Speaker 4 (01:38:50):
You know what I'm saying. Said, they're gonna jump on
the side.

Speaker 2 (01:38:53):
Oh that's what you're up on side when they owe
him money, start rolling them.

Speaker 6 (01:38:57):
But two hundred million dollars though I don't know the number,
that number, No, I'm just saying that's a crazy number
that she threw out this.

Speaker 2 (01:39:03):
Shout out to cast away from the bay.

Speaker 5 (01:39:05):
He said.

Speaker 2 (01:39:06):
Steve said, she didn't even sign a contract.

Speaker 5 (01:39:09):
No, there was, I mean it was like a handshake.
Their probably all of them post Madonna was on the
ship Cole Nikki whose it was like five different untists
though be there like she at the table was like
big enough, was big enough, tighter and all that ship.
And then when whole Solar joint for the for the
three hundred and son million. Now I'm saying the old
boy he ain't break none of them off. He supposed
to get him equity, supposed to get him three three

(01:39:30):
percent equity.

Speaker 4 (01:39:31):
Why nobody else doing this? Ain't nobody else stepping up
the whole Niggas want to Niggas don't want you like
that crazy yunty though she acting like crazy unty. They
could come across like she broke, could.

Speaker 5 (01:39:43):
Have came across hard times, no hard time. Said, I'm saying,
I remember, anybody own me some money.

Speaker 1 (01:39:49):
I'm gonna go all back up off of it because
I don't quite know what's going on.

Speaker 2 (01:39:52):
And if it's if it's the money of that proportion,
you know, you know.

Speaker 4 (01:39:56):
Good and damn will two hundred Why okay, why am?
I don ain't sy shit?

Speaker 2 (01:40:00):
I don't know what's going.

Speaker 6 (01:40:01):
On, but Dona, I'm saying, I don't get fu two
undred million dollars though I'm gonna fuck up, I am.

Speaker 2 (01:40:08):
I still need million, just twenty million. I don't think it's.

Speaker 4 (01:40:12):
Number that throwing niggas off that that you do put
a zero on ship so you.

Speaker 2 (01:40:19):
It could be twenty million.

Speaker 4 (01:40:20):
Yeah, I'm saying it's.

Speaker 6 (01:40:21):
A number that making Nicky seem a little like I said,
Nikki was super cool back and the day now it's
coming across crazy.

Speaker 4 (01:40:26):
They throw a zero on everything.

Speaker 2 (01:40:28):
That's a fact.

Speaker 5 (01:40:28):
I agree with him on that one. Tho, she definitely
threw a zero on that one right through.

Speaker 2 (01:40:31):
Two zeros when people won't fit money start trolling the
ass on Twitter.

Speaker 4 (01:40:35):
So you say they never add those zeros that many
zeros on something though? That was that's crazy now.

Speaker 5 (01:40:40):
To get her ball that I got her balls round
up though. That's the thing right there. So now it's
like this, right, it's crazy because I got to go
through the comment sections. Right, what's gonna really been there
being crazy is that the fact that it's gonna be
the be high versus the balls because you read the
comments stuff being.

Speaker 4 (01:40:54):
Like yo to be.

Speaker 5 (01:40:56):
I was like, Yo, listen, you got one more time
to say something about Beyonce and we on your ass.

Speaker 4 (01:41:02):
You know what I'm saying.

Speaker 1 (01:41:02):
You got classic toxic fan bases.

Speaker 4 (01:41:08):
Y'all niggas, y'a niggas, y'all under y'all under the.

Speaker 2 (01:41:15):
Going at it. They're gonna go.

Speaker 6 (01:41:16):
They don't go at it, nigga. But the beehive is crazy.
The beehive might erase Nikki.

Speaker 4 (01:41:20):
I don't know the bombs. Just play the b hot nigga.
What the beehive nigga. Yeah, they're crazy, nigga. Nigga crazy.
They better be quiet, they better stand down.

Speaker 2 (01:41:33):
They gotta make you gotta read the joke.

Speaker 5 (01:41:36):
And they be in the chat like you got one
more time to say something bout mister Carnor and were
on your ass.

Speaker 2 (01:41:43):
Going crazy.

Speaker 4 (01:41:44):
It's to be better live this long, to be honest
with you.

Speaker 2 (01:41:49):
That's funny. That's the fact they a little bit be
in a minute, it's coming because she looks like she's firally.

Speaker 5 (01:41:56):
You think you say something about be it's gonna be over,
but it's gonna get ugly.

Speaker 2 (01:42:00):
It's gonna be barred versus the be be hot versus
the bobs.

Speaker 4 (01:42:05):
Be Let me ask you a question, what ch'all think
about carry Hilston last album?

Speaker 1 (01:42:11):
She put another album out exactly, Bet come up real
quick about to carry you. I don't think you can
do that. They can't do that to Nikki though.

Speaker 5 (01:42:23):
Man, Nikki done became to such a such like a
big like icon pop star like that, though, be that's
what I understand why she's doing this for.

Speaker 4 (01:42:30):
I think it's more.

Speaker 5 (01:42:31):
I think it's they said it even comes from like
the Wayne ship, like Wayne getting snuffed from the super Bowl.
It comes from there, you know what I'm saying. Like
I don't, I don't know where you know what I'm saying.
It's a little bit more onto it. But they said
it's mostly because of the Westerland, because of the because
of that title ship. Though, that's why she brings.

Speaker 1 (01:42:50):
You gotta hit your queen's connects. Yeah, gets' gonna find out.
I'm gonna find out what's going on. I was trying
to find out what it was. I'm like, why she
going at home like this for this is easy? And
it was like the most I did when the research
was that it was because of the title ship. It's
because of the title ship, and like every so other ship,
bring it up. I mean since he sold the ship.

Speaker 4 (01:43:10):
I don't know, man. Sometimes Nikki makes me wonder if
she's on drugs. Sometimes no, no, no, no no.

Speaker 2 (01:43:15):
I mean I'm not gonna put that on.

Speaker 4 (01:43:17):
But you know, I'm me saying one.

Speaker 2 (01:43:19):
I'm saying it's not unbelievable. Yeah.

Speaker 4 (01:43:22):
You know, man, you think you think she's just missing Safari?
You're right the same You're right him and the coach
won't say certain things. They be you know, towing the line.
Ship don't want to.

Speaker 5 (01:43:34):
Because I don't want to put that. I just don't
want to put that out on somebody like that.

Speaker 2 (01:43:37):
I don't know for sure.

Speaker 4 (01:43:38):
S people all the time.

Speaker 2 (01:43:41):
Wo.

Speaker 4 (01:43:42):
I can't fight nobody. I told you I can't beat
nobody else.

Speaker 2 (01:43:45):
Listen to this.

Speaker 4 (01:43:47):
This is this up that has bothered me too. Right,
this is they're celebrating them.

Speaker 1 (01:43:55):
This is what this man is.

Speaker 3 (01:43:58):
Mm hmm.

Speaker 4 (01:43:59):
I talked about his character bro in court.

Speaker 5 (01:44:04):
We heard stuff that came up.

Speaker 4 (01:44:06):
Did none of us know they out here celebrating.

Speaker 2 (01:44:12):
Yo and talking about YO.

Speaker 4 (01:44:13):
What gin't gonna do now?

Speaker 5 (01:44:14):
How Jean field now, Jean Good and the hood, I
could go open up my refrigerator.

Speaker 2 (01:44:22):
I'm not here to praise this isn't it.

Speaker 4 (01:44:25):
I'd rather see him buried.

Speaker 2 (01:44:27):
It's crazy Jean dials and he wants puffed buried. Did
he bury?

Speaker 4 (01:44:33):
Why?

Speaker 2 (01:44:35):
Wow?

Speaker 6 (01:44:36):
I feel like I feel like it's personal with him.
Now y'all feel y'all do't feel like it's kind of
personal with Jen.

Speaker 3 (01:44:40):
But to be at that person or something, Puffy must
know something about Jean to be that.

Speaker 5 (01:44:45):
Cut his water off, man, that's what that is. Man
cut his water off, man.

Speaker 4 (01:44:48):
This is okay, that's what.

Speaker 5 (01:44:50):
You're mad about me? Go do something you been holding
around all these motherfucking blog sites and all this ship
like that.

Speaker 1 (01:44:56):
I want to tell his I used to say this
ship about three years, like, Jean, bro, you was around
this dude.

Speaker 2 (01:45:02):
Why you didn't do nothing to him?

Speaker 4 (01:45:04):
Mm hmm, try to stop him something big afder what
you did with him? That's actually a good class.

Speaker 2 (01:45:12):
And what's funny is I think Jean didn't do nothing
with him.

Speaker 4 (01:45:16):
I'm not saying nothing that him. Don't have to be freaky,
but you know, just in gener.

Speaker 1 (01:45:20):
Like, I don't think I think it's just like, at
which place you gotta turn it, Jean, you gotta turn
into that old man from New Jack City. That's where,
because that's where we're at. You got what idollar? Your
soul belongs in hell.

Speaker 2 (01:45:37):
You gotta go to that level.

Speaker 4 (01:45:38):
You gotta meet him on the steps outside of the
court room. Oh, he got to go to that level. Wow?

Speaker 2 (01:45:43):
That because at this point.

Speaker 5 (01:45:45):
So much about this man.

Speaker 1 (01:45:46):
Man, right, you can't be this mad at this dude,
Like you spend a lot of time with him and
you ain't been with him a lot of time.

Speaker 2 (01:45:55):
Eventually, just do something to him or something, brocause it
just looked crazy.

Speaker 3 (01:45:59):
What is he just mad at him?

Speaker 1 (01:46:01):
Nobody knows, h I mean, yeah, he keeps saying all
this stuff happen. He blames Puff for Biggie dying.

Speaker 4 (01:46:08):
He black.

Speaker 1 (01:46:09):
I mean he saw some of the stuff that was
happening with the old ladies and all of that with
the girls that Puff was dating. He said he used
to see it all the time, and he tried to
stop him. But it's just damn, you want he dead,
You want to see him buried.

Speaker 2 (01:46:23):
That's just crazy. Yeah.

Speaker 3 (01:46:25):
Him saying that is him feeling the way he's feeling
to that extreme is crazy.

Speaker 5 (01:46:29):
And he was showing up to the court days too.
He was showing up there like was showing up to
the court days a type of shit. That told me
one of the time, be I don't come on, bro,
like what that man did you to make you really
want a man to go to jail for life?

Speaker 1 (01:46:44):
Man?

Speaker 3 (01:46:45):
So could that caused you to lose your street car
hood card, hip hop card?

Speaker 1 (01:46:50):
No, because you know that shit personal, that shit with
gin and did he personal? But I've been saying it
for I'm like jen, like, what's up with you?

Speaker 4 (01:46:58):
Fool?

Speaker 2 (01:46:58):
Like do something to this du man?

Speaker 4 (01:47:00):
I got a question for you, Glasses. So you said
that situation is personal?

Speaker 3 (01:47:04):
How about this situation anybody telling any personal business to
the public?

Speaker 5 (01:47:11):
Is that?

Speaker 3 (01:47:11):
Okay?

Speaker 2 (01:47:13):
What? Oh you love Glasses?

Speaker 1 (01:47:17):
Now you just said yesterday he lost his job with
the corrections And did he have the FEDS investigating him
over Biggie being murdered?

Speaker 2 (01:47:24):
How could say that? Yes?

Speaker 1 (01:47:26):
But how could that be possible? You can't have people,
can't have Feds investigating you over Biggie murder. Like it
don't work that way, Like brothers can't put the Feds
on nobody. Maybe like if it was like a white
rich man.

Speaker 4 (01:47:39):
But I ain't.

Speaker 2 (01:47:39):
No brother can put the Feds on you.

Speaker 4 (01:47:41):
They trying to say did he is telling that like
Jean did it or something.

Speaker 2 (01:47:46):
No, he's saying that it was his fault. He lost
his job. That sense okay, like if he mad at
him that long but didn't do something to him.

Speaker 3 (01:47:55):
Bro.

Speaker 4 (01:47:56):
See, I think glasses make the perfect.

Speaker 6 (01:47:58):
I think we as black people, we gotta stop letting
our personal ship affect the whole. And I think in
this situation, Jean is letting his personal feelings for Puffy
affect what.

Speaker 4 (01:48:08):
He shouldn't bring this into this into the into this
court ship, like he should be happy. He should be
one Puffy to get out early as possible so he
can suck him up.

Speaker 2 (01:48:16):
He can suck him up. I don't get why he
ain't fucked him.

Speaker 4 (01:48:18):
Up yet, That's what That's what makes don't make sense
to me.

Speaker 2 (01:48:22):
He been telling all these stories and stuff. He stopped
puff doing his seeing puff and don't mean and Gene
the big old dude.

Speaker 1 (01:48:28):
He gotta be able to fight. Jus can fight, yes,
but he's a bodyguard, so he gonna do something.

Speaker 4 (01:48:34):
A big bodyguards just big.

Speaker 2 (01:48:35):
Sometimes well he gotta be able to do better than
Drake or or or Ja Cole.

Speaker 3 (01:48:39):
He gotta be all.

Speaker 4 (01:48:40):
He's willing to fight, though, I would imagine he's willing
to fight.

Speaker 6 (01:48:42):
And if Puffy wrongs you this bad or you feel
so bad about Puffy, stop thinking, stop taking your personal
ship and bringing it in into the whole scheme of ship,
and take it that ship and be personal with it.

Speaker 4 (01:48:52):
What's that bodyguard? The Plumber was gonna fight the dude
started to pull out a gun. He's spending on the Plumber.
I don't even know. I don't know.

Speaker 1 (01:49:00):
No, I don't watch none of that, you know, any
of that stuff, any of that stuff and all of
them channels and ship. I don't watch that ship, all
that ship with them people.

Speaker 4 (01:49:09):
Maybe you're not talking about them issue. Yeah, we're dude,
spin on air and the Plumber.

Speaker 2 (01:49:14):
Why would you even talk I wouldn't even talk about.

Speaker 3 (01:49:16):
That dude, I think, but says about the bodyguard. You know,
he was a big nigga, but he seemed like he
didn't even want You know.

Speaker 2 (01:49:23):
You can't watch that.

Speaker 4 (01:49:24):
That's not what we're talking about.

Speaker 1 (01:49:25):
Look good, that's a TV show, Bodyguard. We're talking about
the real Geene deal was the real deal.

Speaker 4 (01:49:30):
Official.

Speaker 2 (01:49:32):
He shout out to Larry Love. That's what he said.

Speaker 1 (01:49:35):
He said, because he was involved in the murdered guarding Puff,
he became part of the investigation. I agree he should
have put hands on him. He wrote a whole book
should have been punched on Cuff. Just be mad and ship.
He just and it makes you sound bitter, and.

Speaker 4 (01:49:49):
That's the word. He sounds bitter.

Speaker 5 (01:49:51):
He turns his one off, he said, turned his one
off man hit him up paper from pluff. This that
this you know to the looks no more about the
personal job and I got you bro, Like.

Speaker 2 (01:50:02):
Mitchell said, Gen can't get close to Diddy. I doubt it.
Diddy don't seem like he the type of person duging nothing.

Speaker 6 (01:50:07):
But but uh, it seemed like a lot of people
that came out against Diddy was mad because they got
their water turned off.

Speaker 2 (01:50:15):
That's what it wanted a lot.

Speaker 6 (01:50:18):
And then on top of that, Jean Gen come across
bitter like g said, But he also come across and
I no disrespect, like I don't want call I'm not
calling no bitch and no puss anything like that. But
he come across a little soft because he probably should
have said did something in and there.

Speaker 4 (01:50:30):
Like when you was there.

Speaker 2 (01:50:31):
That's how I felt you.

Speaker 4 (01:50:32):
You should have done something. You was around in it.

Speaker 6 (01:50:34):
Like people said he didn't get around them, Now you
was around them, and you just did like dislike the
lot of shit he was doing.

Speaker 4 (01:50:39):
Talk speak up.

Speaker 3 (01:50:40):
Now.

Speaker 1 (01:50:40):
That's how I feel about Mason and like, like everybody know,
I love mas being fan of Mace.

Speaker 2 (01:50:45):
But it's like y'all got so much to say about
this nigga. Man.

Speaker 1 (01:50:48):
You never hear me talking shit about what bird Man
or mac ten did, because if they did some weird
shit in front of me, we had a problem right
on the spot. They would have been writing about it
in the paper. They'd been writing aboudy right then and there.
If if mac Tin was over there just slapping girls
up and beating them up and letting people in his
back door and all this old crazy shit, we'd have
a problem on the spot. If I'm with Stunner man,

(01:51:10):
the Stunner got all this old shit going on, we'd
have a problem. We would have a problem instantly, like
our beings would have clashed right there. That's why I
don't have anything bad to say about a mac Tin
or a birdman or Lil Wayne. I never saw this
shit nobody else talking about, and I would be around him.
I never saw that shit. Or maybe they just wouldn't

(01:51:31):
do it in front of me either, that they just
it was something different. But I don't believe that the
people that's doing this. So that's what bothers me about
Gene dial Like if you saw Puff doing all this
unsavory shit that you say you witness because that's a
big part of what he does when he's creating content
is talk about what he witnessed. If you saw all
this and you witnessed this, bro handle your business.

Speaker 6 (01:51:53):
My thing is, if you've seen it, everybody make a
mistake or do everybody go back and be like, man,
I should have handled that differently. You know, there's a
lot of time, but my thing is years and years
of handling it wrong. Though, Like I can understand he
seen Puff doing some ship one day, he was like uh,
and then he went to sleep and he was like, man,
I probably should have said something about that. And then
you see him the next day and then a month
after that and the two months after that, and you

(01:52:15):
just let the ship side for years.

Speaker 4 (01:52:17):
Noga, we we.

Speaker 1 (01:52:18):
Could let women be unaccountable like they could do some
goofballs ship like somebody mistreat them and then they come
back and let them and then still like them. But men,
we we ain't letting We already got ladies. We already
gotta let ladies get away with that. We ain't letting
you UDEs get away with that.

Speaker 4 (01:52:31):
That's g thoughts. I don't think you should let the
way women get away.

Speaker 2 (01:52:33):
That's just how it go. Women can't even be cold outside.

Speaker 1 (01:52:36):
Man, you left your jacket home and you got a
jacket on and your old lady cold and then be
found that.

Speaker 2 (01:52:41):
In society, can't walk in the puddle. Day coming on,
guys and you sitting in the car, we're gonna talk
about you.

Speaker 1 (01:52:47):
Should we left ship ship gotta share your food with him,
you know what I'm saying, beach over eat your food,
let me We should, Yes, we should shout out to
Marcus Mitchell. Bob James talk about sugar, just how Jeane
talks about Diddy. Maybe there's animosity from bodyguard in general.

(01:53:09):
Bob James pressed sugar and then stop being it like
sug wouldn't bring him around no more. Bob Games can't
tell you a bunch of shit Sugar did like not
no buster ship because Gimes would have pressed him like
giants can't tell you no situations where Sug just slapping
girls and he ain't sit by and watch all that
shit happen.

Speaker 2 (01:53:28):
You know what I mean. You got it visually.

Speaker 1 (01:53:30):
If you don't think something right, you gotta stand up
for it, even when it's gonna cost you some money,
even when it's gonna cost you some money. Let me
go through the super chest before we get up out there, Sherry,
thank you for the twenty dollars.

Speaker 2 (01:53:43):
Shout out the King and Trafford always standing up for me, gotcha, Sherry?

Speaker 4 (01:53:48):
Good look, hold up.

Speaker 5 (01:53:50):
Hold up.

Speaker 6 (01:53:53):
Here, standing up for you, Sherry. He thinks me down
and you dogg and you saying all type of ship.
I've been here, nigga, I'm talking about South Trap.

Speaker 2 (01:54:03):
It's straight.

Speaker 1 (01:54:04):
Shout out the baseline. Thank you for the two dollars.
Phil got that money back at that pool hall.

Speaker 2 (01:54:08):
Yes he did.

Speaker 1 (01:54:10):
I'm praying, Shout out the base two dollars. Did you
fade him like Jay Solid Bob squabbled him down like
I remember he just did it to me. Shout out
to Petty pittigrass. Thank you for the ten dollars. My
little bro daddy beat up my mama when I was fifteen.
I called him when I was twenty seven and beat

(01:54:31):
him his friend at the family re union.

Speaker 2 (01:54:33):
No expiration on disrespect. I agree with glasses my man.

Speaker 4 (01:54:36):
No nigga, but that's a different case. Stuff. Come on, now,
that's this nigg that's got hit in the back of
his head when he was.

Speaker 2 (01:54:41):
Twelve, eighteen years ago.

Speaker 4 (01:54:44):
My mom, yes, off for a life.

Speaker 2 (01:54:47):
So you so, if somebody puts you in the back
your head, how long does that last?

Speaker 4 (01:54:50):
What's that? Because I'm gonna have that ship right then
and there, nigga after way.

Speaker 2 (01:54:53):
But let's they hit you.

Speaker 6 (01:54:54):
You just was unconscious, all right, So dude, I got
I got about a month or two that I can
handle that.

Speaker 4 (01:55:01):
So you said, that's the statue of limitation. If you
saw five months later, you like, you're.

Speaker 6 (01:55:05):
My twelve at twelve years old, the statue of limitations
just a couple of months at twelve, So I can.

Speaker 4 (01:55:09):
Just bust you in the head, nigga, I said, at twelve, nigga,
what set your limitation down?

Speaker 3 (01:55:14):
Coach?

Speaker 5 (01:55:15):
Right now?

Speaker 4 (01:55:16):
The statue of limitation for you.

Speaker 6 (01:55:19):
That level the older I got nigga, The older I
get nigga. The statual limitations go gets lower nigga.

Speaker 2 (01:55:24):
Hey, you push me right now.

Speaker 4 (01:55:25):
I don't do nothing to you today, and we're good tomorrow.
Fucking lie, I'm gonna come in with up. Came up, boy,
you got me.

Speaker 2 (01:55:33):
You did that. Shout out to Nick, Thank you for
the five dollars. If we ain't friends, it ain't friendly.

Speaker 1 (01:55:39):
Fade looking the lunch table, that part, Oh my god, man,
my man, Nick, you already know.

Speaker 2 (01:55:45):
Nick.

Speaker 4 (01:55:46):
That was all of them.

Speaker 2 (01:55:47):
Now there's one more that just came up. Putting on
a baseline.

Speaker 1 (01:55:53):
Shout out to Marcus Mitchell, thank you for the ten dollars.
My boy, appreciate that. Man shall be trying to keep
that lunch going. Stout out the baseline. Thank you for
the two dollars. Glasses got that Batman level of vengeance.
It's not vengeance, dog, Vengeance is the wrong word.

Speaker 4 (01:56:07):
The right word.

Speaker 1 (01:56:09):
It's the wrong word. It's not vengeance, bro, It's justice.
Like my body won't be harmonious if I don't do something.

Speaker 4 (01:56:17):
That's what Batman call it too. It's harmon Batman call
it justice.

Speaker 2 (01:56:20):
In his own mind. We all know what it is.

Speaker 1 (01:56:22):
You have to have a harmonious relationship with yourself. No
Sinners live to lunch out every monthday was there Friday
right here noon Pacific Standard time on Digital soap Box
and on No Sinners by Glasses Malone.

Speaker 2 (01:56:36):
Please know next.

Speaker 1 (01:56:37):
Week we're transferring over officially to the No Seilans page
by Glasses Malone. Somebody put it in the comments, so
everybody's subscribed there. It's going to happen really fast, so
you guys are going to have to be ready. We
got some new content. If you're on YouTube, like this post.
If you're on Facebook, like this post. If you're on Twitter,

(01:57:01):
retweet the link let somebody else see it. We do
the stream and support the No Sentance podcast, the No
Sentners Podcast executive produced by Charlamagne the God, the Black
Effect Podcast Networking I heart.

Speaker 2 (01:57:12):
I'm gonna put it in the group chat.

Speaker 4 (01:57:15):
What's the new schedule for next week? Same schedule. We're
not changing it with that chance. It's still Monday, Wednesday, Friday, yep.

Speaker 2 (01:57:21):
And we're gonna do a dinner table if something big happens.

Speaker 4 (01:57:26):
You guys came up with yesterday when I was gone, so.

Speaker 2 (01:57:29):
We came up with toldal we wanted to talk to everybody.
We're gonna talk about everybody with it on Friday.

Speaker 4 (01:57:33):
Oh you're gonna be in different, ain't you.

Speaker 5 (01:57:37):
Yep?

Speaker 2 (01:57:39):
Okay, shout out to the mods. The mods could pin
that for me. Yeah, yep, this is pretty good.

Speaker 1 (01:57:48):
We got ninety four likes. Let's get to one hundred
lightsfore we get out of here one minute since he
seconds to get to one hundred likes.

Speaker 4 (01:57:56):
On the chapter.

Speaker 2 (01:57:59):
If you want you to double tapped the screen.

Speaker 5 (01:58:02):
You like King? You like the King?

Speaker 3 (01:58:06):
I like both of them? This go and no ceilings.
What you gotta say about that?

Speaker 4 (01:58:11):
Now?

Speaker 3 (01:58:12):
I ain't got nothing to say.

Speaker 2 (01:58:13):
What did you like working on the show for King?
Because he's so confident, fuckingational?

Speaker 3 (01:58:17):
So bus got me getting beat up by Will Smith?

Speaker 2 (01:58:22):
I got your Will Smith is a bitch of something.

Speaker 3 (01:58:26):
See you keep putting me in the corner like that.

Speaker 1 (01:58:28):
Throughout you would just say, hey, he's not a bitch.
Gee I I don't quite know, but we're not saying that.
We're saying you talking about him like.

Speaker 5 (01:58:35):
You Just what did I say that? Man?

Speaker 3 (01:58:36):
Say a bitch?

Speaker 1 (01:58:37):
Because you start talking about the dressing, you started to
popp it. You know you got that old mentality that
if a nigga wear.

Speaker 4 (01:58:42):
I started to popping, I ain't said doing some weird.

Speaker 1 (01:58:46):
Ship, Baseline said King. I said I would jump in.
He said he got your back. And the guy in
the sellings moses, you are making it glasses. You can't
get Jay Rock to pull up. I definitely could get
Jay Rock to pull up. That'll be cool.

Speaker 4 (01:58:57):
Tommy Rock to jump out.

Speaker 5 (01:58:59):
All right, what do y'all?

Speaker 2 (01:59:00):
We have to stay in a minute.

Speaker 1 (01:59:05):
Good looking out for tuning in to the No Sellers podcast.
Please do us a favorite, subscribe, rate, comment, and share.
This episode was recorded right here on the West coast
of the USA and produced about the Black Effect Podcast
Network and Notheart Radio.

Speaker 2 (01:59:18):
Yeah

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