December 10, 2024 • 34 mins
When an ER nurse is killed by a possessed patient in a Mexican hospital, she is given a unique chance to return as a “ghost nurse” in order to help those transitioning... an opportunity she takes to avenge her death.
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Speaker 1 (00:10):
Ingredients and being many old fellow seekers of the dark.
I'm your host, Dally Israel. Welcome to Nocturno. Tales from
the shadows. Join me as we dare to enter the
flames of fright, where the veil between worlds wrote in
and the haunting legends and lore of Latin America stir
(00:33):
tolke retold with a twist, but be worn for as
we crossed to the other side, you never know what
nightmare awaits?
Speaker 2 (00:46):
Are you ready? Follow me? As we travel to a
hospital Mexico.
Speaker 1 (01:07):
Long have these halls echoed with a curious refrain. La
Blanchella the ghost nurse clad in immaculine iron uniform. There
have been many sightings over the past century, some reportedly good, others.
Speaker 2 (01:26):
Not so much. But what determines whether she is helpful
or harmful?
Speaker 1 (01:34):
Perhaps another nurse will help shed some life.
Speaker 2 (01:40):
Her chieft is just about to start. Join us. No
need to make an appointment.
Speaker 3 (01:48):
In ghost era, A tale of La Blanchallah.
Speaker 4 (02:11):
Hi, Nina, how are you?
Speaker 5 (02:14):
I'm working?
Speaker 6 (02:15):
Doctor sentos you It's got it and no, I'd just
like to wear this lab.
Speaker 4 (02:20):
Coat for fun.
Speaker 7 (02:22):
Yeah, Hey, quick question, isn't today or day off?
Speaker 6 (02:27):
Day? Off.
Speaker 5 (02:28):
What's that? Doctor?
Speaker 7 (02:30):
Oh you know when you take time for yourself.
Speaker 4 (02:33):
Need you do something wrong.
Speaker 6 (02:36):
As count?
Speaker 4 (02:38):
Uh can't tell if that's a joke or cry for help.
Speaker 6 (02:41):
Hah funny.
Speaker 7 (02:43):
Well, if you ever do get an actual day off,
you should let me take you out some more.
Speaker 6 (02:49):
Oh yeah, you know.
Speaker 7 (02:52):
Actually the target in my neighborhood is just it's really
really amazing, you know, for for errands.
Speaker 6 (03:00):
Tempting, but sorry, it's against my role.
Speaker 4 (03:03):
What not dating doctors?
Speaker 5 (03:05):
No, dating anyone funnier than me? Well on, step on?
Speaker 7 (03:08):
No, wouldn't that mean though, that you could date basically
the whole hospital.
Speaker 5 (03:14):
Wow, isn't it against your oath to choose violence?
Speaker 8 (03:18):
Huh?
Speaker 9 (03:18):
After that, maybe I will date the entire hospital.
Speaker 6 (03:20):
Sorry, back of the line, buster.
Speaker 7 (03:23):
Ouch, Uh, that's okay. I'll just check myself into the er.
Then you'll be forced to spend time with me.
Speaker 10 (03:32):
But at least you'll be getting that for it.
Speaker 2 (03:36):
I worked too hard and put you in the ear.
Speaker 5 (03:41):
Another life, perhaps.
Speaker 11 (03:44):
Perhaps what what?
Speaker 5 (03:47):
Nothing?
Speaker 1 (03:49):
I see?
Speaker 12 (03:50):
You got that look again?
Speaker 5 (03:52):
What look? Jacqueline?
Speaker 12 (03:53):
You know dog in heat?
Speaker 11 (03:55):
Ah?
Speaker 5 (03:56):
Oh my god, I'm gonna kill you.
Speaker 12 (03:58):
And usually you don't even know if it is They
know with your people pleasing ass? Why is he the
only one I know how to say?
Speaker 13 (04:04):
No?
Speaker 12 (04:05):
So today isn't your day off?
Speaker 5 (04:08):
I'd love to answer that, but you know, live startstake,
so have to get going.
Speaker 12 (04:13):
And they wrote you in your working room thirteen?
Speaker 6 (04:15):
Maybe why room.
Speaker 5 (04:19):
Thirteen is a code gray?
Speaker 12 (04:21):
Oh yeah, and you're hitting m He just seems unhinged
but negative for drugs, so who knows?
Speaker 14 (04:33):
Hi?
Speaker 5 (04:34):
Good evening, mister. Hello, where I see?
Speaker 1 (04:42):
Hello?
Speaker 11 (04:45):
What them?
Speaker 15 (04:50):
Stop?
Speaker 12 (04:51):
This isn't funny.
Speaker 5 (04:53):
Someone opened the door? Hello? Someone in here? Is someone
in here?
Speaker 15 (05:10):
Oh?
Speaker 11 (05:11):
My god?
Speaker 16 (05:17):
Okay, no, no, no, no, no, huh?
Speaker 5 (05:32):
What where am I? Where the hell am I?
Speaker 9 (05:38):
Hulling?
Speaker 5 (05:41):
Excuse me? Where am I?
Speaker 12 (05:44):
Where is this place?
Speaker 14 (05:45):
Oh?
Speaker 4 (05:46):
Oh you don't know?
Speaker 12 (05:48):
No no, no, I have no idea.
Speaker 4 (05:50):
Oh my dear, you're dead.
Speaker 5 (06:02):
No no, no, this can't be. I'm death.
Speaker 4 (06:05):
Oh and I'm afraid so now.
Speaker 5 (06:08):
Serving one billion?
Speaker 12 (06:10):
And the DMV Oh no no, no is this hell?
Speaker 4 (06:15):
No? No, no no no.
Speaker 14 (06:16):
People tend to think of life and death has two states,
but it's much more complicated than that. You see, under
normal circumstances.
Speaker 8 (06:24):
You have been sent to any number of waiting rooms.
Speaker 4 (06:26):
Wait, but this place.
Speaker 14 (06:28):
This place is research for supernatural deaths.
Speaker 6 (06:33):
Supernatural Oh my god, good gray?
Speaker 5 (06:40):
So he was what he was possessed? No, no, no,
I can't. I can't believe this.
Speaker 4 (06:44):
No.
Speaker 14 (06:44):
By the way, I am called Ricardo Rivas, nineteenth century
botanist extraordinari at your service.
Speaker 4 (06:53):
Okay, I'm Nina now serving one billion and.
Speaker 15 (06:59):
Six a will.
Speaker 4 (07:02):
That would be you?
Speaker 5 (07:12):
Uh hello, one one billion and six?
Speaker 11 (07:16):
Uh well, well, well, well, okay, let's see.
Speaker 17 (07:23):
Nina Navarro died of supernatural causes, attacked by an upper
level demon. That's rare, I am or from the admin
in charge of the Supernatural Death Division here in Afterlife.
Speaker 9 (07:36):
Cool cool, Well, as is.
Speaker 18 (07:39):
Sometimes the case in our division, you weren't technically supposed
to die yet? What Yeah, you're presumed d O D
that that's date of death wasn't until decades from now.
Speaker 5 (07:51):
Uh oh, well that sucks. Why did it happen then?
Speaker 9 (07:57):
Not clear? You see, those things aren't so black and white.
Speaker 18 (08:01):
I guess you could say it's a bit of a
cold gray area. What I'm sorry, kind of going through
some things that I try my hand at humor. Anyways,
So it's not just that you die before your time
if you notice your file looks different than the others,
(08:21):
and that is because you meet the criteria to become
wait for it, la.
Speaker 5 (08:28):
Blanchalla, la blanchada, the ghost nurse.
Speaker 9 (08:34):
That feels a bit reductive, but sure, the ghost nurse.
So you, specifically, you have the option to.
Speaker 18 (08:42):
Either pass on to the next stage of afterlife or
return to the mortal world.
Speaker 6 (08:47):
Okay, what happens? What happens if I don't want to
be a ghost?
Speaker 5 (08:53):
What if I pass on?
Speaker 9 (08:55):
Then everyone you know will die?
Speaker 5 (08:58):
Oh my eventually? Oh, come on of it.
Speaker 15 (09:03):
The options are these, pass on and maybe see your
loved once again, maybe not, or become a plunder and
see some of them at the hospital.
Speaker 9 (09:14):
A hospital, might I add, where you can continue your
chosen profection.
Speaker 18 (09:20):
Okay, so I'll be helping people more or less.
Speaker 5 (09:25):
What does that mean?
Speaker 18 (09:26):
Well, technically speaking, you'll be helping death stay on schedule. Okay,
getting patients as close to their presumed DoD as possible.
Speaker 5 (09:36):
I'm sorry.
Speaker 18 (09:37):
Yes, they're usually pretty punctual, but as you know, things
can get messy in hospitals.
Speaker 4 (09:43):
Wow.
Speaker 5 (09:44):
Okay, that that seems a.
Speaker 9 (09:47):
Little and now I know it's a bit daunting. You
can take your time.
Speaker 5 (09:51):
No, no, no, no, you know what, I'm gonna do it. Yep,
I'm gonna do it.
Speaker 18 (09:55):
That's it, And this is why we love nurses for
this job.
Speaker 4 (09:59):
Marvel.
Speaker 9 (10:00):
We'll get the paperwork started. I suppose there is only
one thing left to do, WI you job, bring it in.
Speaker 11 (10:10):
Oh my god, here is.
Speaker 9 (10:15):
Your planchada uniform?
Speaker 5 (10:18):
What's this from the nineteen twenties thirties? Actually? Oh so
is it too late to change my mind?
Speaker 11 (10:27):
Nursery one.
Speaker 8 (10:34):
Eyes this eve, I don't believe it.
Speaker 6 (10:39):
Yeah, I just finished a week of training and I'm
gonna be one of last planchadas.
Speaker 5 (10:44):
Wow, that's so crazy to say.
Speaker 4 (10:46):
I don't know what that is, but it sounds important.
Speaker 5 (10:49):
Yeah, you know what it kind of is.
Speaker 9 (10:52):
Really.
Speaker 6 (10:52):
The only drawback is this damn uniform.
Speaker 5 (10:56):
This is just so old.
Speaker 14 (11:00):
I mean the fashion is fresh ricardo form feeding Hi
so much?
Speaker 9 (11:07):
Ankle pepa?
Speaker 5 (11:09):
My eyes are up here?
Speaker 4 (11:24):
Is that death? Yes?
Speaker 5 (11:27):
What's he doing here that?
Speaker 4 (11:28):
I don't want to know?
Speaker 14 (11:30):
But must be very important to come here itself?
Speaker 4 (11:35):
Ah, there you are?
Speaker 5 (11:38):
This way to this all right, I gotta follow the courier,
but but.
Speaker 3 (11:43):
See you around I hope, so good luck.
Speaker 4 (11:46):
I regard my startling wild flower.
Speaker 13 (12:03):
It's okay to be nervous.
Speaker 4 (12:04):
No, I'm not.
Speaker 13 (12:06):
I'll lest You're in a little secret. This elevator here,
it plays mood music, okay, meaning it reflects the mood
of the passenger, which is how I can tell.
Speaker 2 (12:16):
Oh you're nervous.
Speaker 5 (12:18):
Oh really?
Speaker 6 (12:18):
Uh hm, well that seems a little inpasive.
Speaker 2 (12:22):
No.
Speaker 13 (12:23):
No, it's used to help the SDD decipher the true
nature of the departed souls or supernatural deaths. Sometimes the
soul can be corrupted or worse.
Speaker 5 (12:33):
And what do you do when that happens.
Speaker 13 (12:35):
Well, an emergency protocol is triggered and the elevator that
sends straight down to the underworld. Some call it McLean
or Shiva Labah or hell, whatever your take. It's where
they send all the malevolent souls.
Speaker 5 (12:48):
Okay, hey, we are in. I know I don't need.
Speaker 6 (13:01):
Oxygen, but it's good to be back.
Speaker 5 (13:05):
Imps. Oh can I think the sort?
Speaker 4 (13:09):
Yes?
Speaker 13 (13:10):
No, not unless we want them to. Oh well that's
how supposed to work anyway. Okay, Well you luck, my dear.
I'll be back later to check it.
Speaker 5 (13:20):
Oh you're leaving okay, uh bye? Okay? Oh wow, I
really can't see everyone's DoD. Oh my god, this is
really trippy. Oh he's the old just changed.
Speaker 6 (13:37):
Oh that's not good.
Speaker 5 (13:39):
Oh my god. Hey hey that's jack La doglit. Oh right,
she can't hear me.
Speaker 12 (13:46):
I just don't understand why that piece of ships still here.
Speaker 19 (13:50):
I mean, he's in a coma.
Speaker 5 (13:51):
So where are you two headed? I guess I'll just
tag along.
Speaker 19 (14:01):
Hey, you're going to be okay, maybe you should take
the day.
Speaker 12 (14:06):
I've already taken the week, So no, I need to
be busy right now.
Speaker 19 (14:11):
Okay, Well, mister Agustine might need his Branda just changed,
so all right, I'll leave you to it.
Speaker 5 (14:27):
Oh chaplin got ill?
Speaker 4 (14:32):
Oh you're back? What? Yeah, you didn't realize you were
working tonight?
Speaker 5 (14:37):
Oh oh you meant her? Okay, right, I switched.
Speaker 4 (14:39):
Oh okay, Well you know.
Speaker 12 (14:42):
It's pretty obvious you've been avoiding me.
Speaker 4 (14:44):
What. Uh No, I've just been busy him.
Speaker 12 (14:48):
It's okay to talk about her.
Speaker 4 (14:49):
You know I know that. But like I said, I
I've been swamped lately.
Speaker 12 (14:58):
Okay, then why are so many patients waiting to see you?
Speaker 5 (15:02):
I saw the list.
Speaker 12 (15:03):
There's that kid, Eric, there's one way, there's.
Speaker 4 (15:06):
What are you doing? Are you keeping tabs on me.
Speaker 12 (15:09):
No, I just I just feel like Nina would have
wanted us to.
Speaker 4 (15:14):
Okay, you know what, Yeah, I can't do this right now. Okay,
I can hear. I have to go, got it. I'm sorry.
Speaker 5 (15:27):
I maybe I wanted to talk about her, asshole. I'm
right here.
Speaker 12 (15:34):
I can't believe he don't want to talk about whatever.
Speaker 6 (15:36):
I don't even want to think about him anymore. So
I guess you guys, are you know taking this pretty hard?
Speaker 2 (15:43):
Okay?
Speaker 1 (15:43):
Got it?
Speaker 5 (15:44):
Wait, Jackie, it's the wrong bottle.
Speaker 6 (15:47):
There's the right one.
Speaker 12 (15:48):
Uh?
Speaker 5 (15:48):
Here is what did they say? It goes training?
Speaker 6 (15:51):
You have to focus on the tingly feelings.
Speaker 5 (15:55):
Okay, try to bring them all together holding in my
hand and okay, okay, okay, there we go.
Speaker 12 (16:08):
Damn we just quarrels took what the Oh yeah, let's go.
Speaker 11 (16:17):
I did it?
Speaker 12 (16:18):
Oh ship God, damn, I almost gave you the wrong prescription.
Speaker 5 (16:23):
Oh it's so stupid.
Speaker 12 (16:23):
Okay, let me see. This is the right one. Okay,
that was lucky.
Speaker 5 (16:28):
You are so welcome, both of you. Wow, I'm already
questioning it. Maybe I should help everyday with some of
his patients. Well, being dead can kind of suck.
Speaker 11 (16:47):
Wow, wow, I noise? Oh excuse me?
Speaker 19 (16:57):
How long to see been in a coma since the
exact let's we Oh this is the guy.
Speaker 5 (17:02):
Good great, Oh my god, I can see it now.
The thing can sign. So that's what a demon looks like.
Speaker 11 (17:15):
Let's remove them.
Speaker 8 (17:24):
Excuse me, nurse?
Speaker 6 (17:25):
Uh, who's this kid talking to this?
Speaker 5 (17:29):
Hey? Are you talking to me?
Speaker 3 (17:32):
Yeah?
Speaker 1 (17:32):
Hi?
Speaker 11 (17:33):
Oh you you can see me? Oh oh, I'm sorry.
Speaker 5 (17:37):
I'm I'm not supposed to interact a talk with patients directly.
Speaker 12 (17:42):
Oh so sorry, So then you can't help me.
Speaker 5 (17:46):
I'm not supposed to No, bye bye? Did you what
did you see?
Speaker 4 (17:52):
The bad thing?
Speaker 5 (17:53):
The bad thing? It was hiding that man? Why? Why
why don't we get you back back into back?
Speaker 12 (18:02):
Come on, okay, let's go come back.
Speaker 5 (18:13):
There you go? Heh comfy mm hmm, oh my god.
Your do od is my what? Nothing?
Speaker 12 (18:24):
Just uh, I'm gonna take a look at your charge.
Speaker 5 (18:27):
Okay.
Speaker 6 (18:30):
Huh, Eric mancha appendicitis full recovery. But your do o
D why why is your time almost gone?
Speaker 4 (18:38):
I feel a lot better now, huh.
Speaker 2 (18:40):
But bad thing?
Speaker 5 (18:43):
Uh huh.
Speaker 4 (18:44):
He keeps talking to me in my dreams.
Speaker 2 (18:47):
He says really scary things.
Speaker 11 (18:49):
He said, oh, what's what.
Speaker 2 (18:57):
Here?
Speaker 15 (19:00):
You?
Speaker 17 (19:02):
And no?
Speaker 15 (19:06):
Good?
Speaker 11 (19:07):
Give me a boy?
Speaker 15 (19:08):
No?
Speaker 5 (19:12):
Oh, I didn't know to do that? Were got the
get that right now?
Speaker 11 (19:18):
That's the fuck?
Speaker 10 (19:20):
Uck my Oh look you touch this boy?
Speaker 11 (19:22):
Way we can stay.
Speaker 4 (19:37):
Harry again?
Speaker 11 (19:38):
Restrain him right day? D him flat, hold him for
the sedative.
Speaker 5 (19:57):
Oh I thank god, Eric, How are you?
Speaker 10 (20:00):
No?
Speaker 4 (20:00):
No, no, no, no, no no no.
Speaker 2 (20:04):
How yourself?
Speaker 1 (20:05):
Oh?
Speaker 13 (20:05):
Courier is your I thought saving your violation? You must
return to the SDD in after life.
Speaker 2 (20:12):
What no, no, America, this is a request.
Speaker 12 (20:27):
I feel like I should explain, not to me.
Speaker 6 (20:29):
No, no, courier please, she does not look happy?
Speaker 9 (20:39):
Non, no one, have you done?
Speaker 5 (20:41):
I was trying to help, I promise. I mean, really,
isn't that what the job is?
Speaker 9 (20:45):
Your job is to help death keep order?
Speaker 5 (20:47):
Okay, yes, but but if you could just let me
explain a little bit, I know I would tell you everything.
Speaker 9 (20:52):
Only did you have direct contact with the living? Your
actions cost one of them to move past their d
O D Yes, but he was just a child. I
get it. But we do not get to decide these things.
We don't maintain order. Then everything fulls apart. But it's
cold on caring and sometimes brutal. Yes, but this is
(21:12):
the afterlife. Do you understand?
Speaker 5 (21:14):
Yes, but what's going to happen to the kid?
Speaker 9 (21:18):
You should be more worried about yourself. Perhaps I was
wrong to make you applanchiada no order a police. Maybe
maybe it's Tanny passed on.
Speaker 20 (21:27):
I saw no, no, no, no, no, no, you mean
larrier at the paperwork, but norm seventh or eat dot e.
Speaker 12 (21:33):
Please my pleasure, don't do this.
Speaker 5 (21:35):
Don't do this ord of a polease.
Speaker 9 (21:37):
It's so chy.
Speaker 14 (21:38):
Hopefully no serving one.
Speaker 4 (21:54):
Is this seat taken?
Speaker 5 (21:57):
Ricardo?
Speaker 14 (21:59):
I over heard the courier's talk demon last business.
Speaker 5 (22:06):
What was I supposed to do? Just let him die,
Let nothing take him? How did I get here?
Speaker 6 (22:12):
You know?
Speaker 5 (22:14):
Maybe if I would have just said no to the
extra shift here, no to the colgre Maybe maybe if
I would have said yes to garrielton I just I
just have so much regret right now.
Speaker 4 (22:25):
You know, come close, my dady.
Speaker 14 (22:28):
Do you know what DI is most fantasmas to the air,
not through a waiting room in the afterlife.
Speaker 2 (22:37):
It's not love or hate. It's a regret.
Speaker 5 (22:42):
No, no, no, this can't be the last thing I do.
It just it can't.
Speaker 6 (22:47):
No, I have to do something. I think you're right, yes, but.
Speaker 5 (22:52):
What can I do?
Speaker 1 (22:54):
Oh?
Speaker 14 (22:54):
Well, for one, if I could, I joined you down
at the hospital and throw the hell out of that demon.
Speaker 6 (23:03):
Actually he pushed me and we made contact and I felt,
I felt tingly.
Speaker 3 (23:10):
That's it.
Speaker 5 (23:10):
I think I know how I can help the boy.
Speaker 4 (23:13):
Oh and how is that?
Speaker 14 (23:15):
Regardles?
Speaker 5 (23:16):
Please? Can I ask you for a huge thing?
Speaker 2 (23:20):
Absolutely, my dad, I have heard it.
Speaker 4 (23:29):
I demand to see the manager.
Speaker 14 (23:31):
I cannot suffer another moment in this place. I need
to be moved to more aproree accommodate the river.
Speaker 13 (23:37):
Please come down, crawl.
Speaker 4 (23:42):
One hundred and fifty years. Regard that right now, what's
the problem? Why tell you what my problem? No idea
with young man?
Speaker 11 (24:00):
Come on.
Speaker 13 (24:14):
The money, stop the elevator.
Speaker 5 (24:17):
Okay, yes, that's more life. Okay, first things first, I'm
gonna need some help. And there she is perfect, she's alone.
Speaker 4 (24:45):
Section.
Speaker 5 (24:46):
Okay, here we go, focus and focus everything tickling? Okay,
come on, I think this isn't it?
Speaker 16 (25:01):
Joh Hello Jack?
Speaker 20 (25:08):
Yeah?
Speaker 5 (25:09):
Yes, who's there?
Speaker 6 (25:11):
Jacqueline?
Speaker 11 (25:14):
Oh my god?
Speaker 14 (25:14):
What the.
Speaker 3 (25:16):
Talk?
Speaker 4 (25:18):
What's me?
Speaker 14 (25:19):
What?
Speaker 10 (25:20):
What?
Speaker 11 (25:20):
Nina? Look?
Speaker 5 (25:21):
Look look at me, Nina.
Speaker 19 (25:26):
What's going on?
Speaker 6 (25:27):
Jacqueline, be cool, Be cool, you jack Why are you screaming?
Speaker 5 (25:31):
You don't see you don't see what?
Speaker 4 (25:34):
She's right there?
Speaker 15 (25:36):
Who is?
Speaker 5 (25:36):
She can't see me? Dude? I need your help, Jackie.
What are you talking about? Tell her to leave? I
guess nothing. I think you can leave?
Speaker 12 (25:50):
Yes, okay, what is happening right now?
Speaker 5 (25:55):
And why the fuck are you dressed like that? I
know I look insane, but listen, I don't have much time.
I know this is super.
Speaker 12 (26:01):
Reasonable, but I need your help, like to pass on?
Speaker 5 (26:05):
No, that part covered. Actually, what I need is, hey,
do you trust me? Oh? Well, good, he's sleeping. Wait
that that's the boy.
Speaker 6 (26:18):
Yeah, okay, what are you doing helping?
Speaker 2 (26:26):
No, it's weird.
Speaker 9 (26:27):
Stop stop.
Speaker 12 (26:27):
I can move you by myself. Okay, be careful, okay, okay.
Speaker 5 (26:39):
How much trouble do you think I'll get in for this? Okay, listen,
we're just moving him to a sacred location.
Speaker 12 (26:45):
What's happening, Hi, Eric, I'm just going to move you
to another more comfortable room.
Speaker 5 (26:51):
Okay, okay, Hi, Hi, wait, he can just go.
Speaker 7 (26:57):
Joe's going okay, excuse me, excuse me, Jacqueline, what.
Speaker 8 (27:02):
Are you doing?
Speaker 10 (27:03):
Hi?
Speaker 14 (27:04):
Doctor santos Hi what are you doing with my patient?
Speaker 15 (27:07):
Oh? You know, just.
Speaker 12 (27:10):
Just moving him?
Speaker 9 (27:11):
Why tell him?
Speaker 6 (27:12):
Because it isn't safe.
Speaker 12 (27:13):
I need to move him to a safer location.
Speaker 4 (27:16):
No you don't.
Speaker 2 (27:17):
You need to leave him here?
Speaker 9 (27:20):
Oh no, what we have to go.
Speaker 5 (27:22):
We have to go now. I'm sorry, Gabe, but we
have to leave. You're just gonna have to trust me,
do I do?
Speaker 4 (27:27):
I need to call security?
Speaker 1 (27:29):
Oh?
Speaker 2 (27:30):
He's you.
Speaker 4 (27:32):
You are not okay, you're not supposed to be out
of bed.
Speaker 2 (27:37):
In fact, you were sedated.
Speaker 11 (27:39):
You over him? Come on, come on, oh shit, okay, okay, okay,
(28:04):
so what can you just to stand right there?
Speaker 12 (28:06):
What are you serious?
Speaker 4 (28:08):
Yes?
Speaker 5 (28:09):
Mm hmm what kind of elevator is that?
Speaker 10 (28:12):
No?
Speaker 5 (28:12):
No, no, no no, maybe maybe we should get security.
No no, no, no, no no, there's no time. Just
wait right here?
Speaker 4 (28:17):
Can you do that?
Speaker 1 (28:19):
Yeah?
Speaker 11 (28:19):
Yeah, I guess if you're sure.
Speaker 6 (28:21):
Okay, I'll be right back.
Speaker 11 (28:23):
Where's she going?
Speaker 12 (28:25):
It's okay, it's okay, we're gonna be okay, just hold
my hand.
Speaker 14 (28:29):
There you go.
Speaker 5 (28:30):
It's okay.
Speaker 11 (28:32):
Oh oh hey, hey, ask Oh you stay back, I'm
not playing with you.
Speaker 2 (28:41):
Come give him to me.
Speaker 5 (28:50):
Up here. I didn't.
Speaker 4 (29:09):
I did it?
Speaker 5 (29:10):
I think Okay I think I think everything is gonna
be okay. Now, Oh, what the hell is that? What's
it doing here?
Speaker 14 (29:21):
What?
Speaker 15 (29:22):
What?
Speaker 1 (29:22):
What is it?
Speaker 16 (29:24):
No?
Speaker 12 (29:25):
No, no, no, no, no, oh my god, Jack generally no, no, no, no,
I I don't.
Speaker 15 (29:30):
Feel so no.
Speaker 11 (29:34):
No no, I'm here.
Speaker 9 (29:45):
It's not nana, Nina, Nina?
Speaker 5 (29:53):
What was all that?
Speaker 7 (29:54):
I heard it?
Speaker 20 (29:54):
It sounded like, yes, yes, you have so closely altered
the dead schedule, the death itself had to re issue
all new dods to everyone in this hospital.
Speaker 9 (30:05):
Oh my god, I see the boy is safe. Are
your friend not so much?
Speaker 4 (30:12):
Why?
Speaker 5 (30:12):
Why is her number so low?
Speaker 15 (30:13):
That?
Speaker 5 (30:13):
This isn't right?
Speaker 9 (30:14):
This is the way things are now, given the state
of things need, Death has decreed that you must work
here or every one of the new dods have been meant.
Speaker 5 (30:24):
No, this isn't right.
Speaker 18 (30:25):
Death has also decreed you should fail to do your
job again, everyone in this hospital will die.
Speaker 12 (30:32):
What immediately?
Speaker 5 (30:34):
What the fuck?
Speaker 2 (30:41):
Oh?
Speaker 14 (30:44):
My ah?
Speaker 6 (30:48):
Fuck?
Speaker 2 (30:49):
I hate hospital bets.
Speaker 5 (30:54):
Hello, Gabriel, is that you? Yes?
Speaker 4 (31:04):
This is a dream, isn't it?
Speaker 13 (31:06):
Oh?
Speaker 5 (31:08):
I wish it was.
Speaker 4 (31:12):
Oh, I've missed you.
Speaker 5 (31:16):
Covered.
Speaker 14 (31:19):
I know.
Speaker 10 (31:38):
If you see that Baa, will she be there to
help or to her It's not a matter of motive,
but instead just a matter of time.
Speaker 2 (31:56):
Until next time Death Willing.
Speaker 4 (32:07):
Nocturno.
Speaker 14 (32:08):
Tales from the Shadows was produced by Sonoro in partnership
with Our Heartsmichael Tura Podcast Network. Produced and directed by
Luis Eduardo Cassillo, Developed and produced by Bettina Lopez.
Speaker 8 (32:23):
Executive produced by.
Speaker 14 (32:25):
Colonel Burn and Giselle Benzs for iHeart and Camilla Victoriano
and Josho Weinstein for Sonoro.
Speaker 4 (32:33):
This episode was written by.
Speaker 14 (32:36):
Ela Ja Sarrignana. Performances in this episode by Dani Trejo, Shannon,
Gisela Fernandomoye, My Name, Bill Philippe, Baujan Pacolosano, Adan, James Carrico,
kue Ten, Shila, Sheila Corci, Amador Placentia, Reggie de Leon,
(33:01):
and Pedro Hollywood River. Our production manager is Carinsa Chaies.
Recording engineering and sound designed by Cassandra Tinajerro and Andres Bayena.
Casting a coordination by Ansley Martinez, Alex Gonzalez, Carensa Chaides
(33:22):
and Pettina Lopez.
Speaker 8 (33:24):
Voices recorded at the Invisible Studios and Out Loud Audio
in Los Angeles, the Relic Room in New York Panoramic
Audio in Miami, Bill Carcery Productions in San Diego, Matt
Block Sound in San Juan, Puerto Rico, and low Key
Entertainment in Lima, Peru, with.
Speaker 14 (33:46):
Engineering by Charles Carroll, Stephen George, John Anderson, Lester Dangler, JK. Hurrado,
Brett Tubin, Ethan Grafton, Manuel Duran, Rojo a Dio and
Bill Corkery
Speaker 10 (34:05):
H
Ingredients and being many old fellow seekers of the dark.
I'm your host, Dally Israel. Welcome to Nocturno. Tales from
the shadows. Join me as we dare to enter the
flames of fright, where the veil between worlds wrote in
and the haunting legends and lore of Latin America stir
(00:33):
tolke retold with a twist, but be worn for as
we crossed to the other side, you never know what
nightmare awaits?
Speaker 2 (00:46):
Are you ready? Follow me? As we travel to a
hospital Mexico.
Speaker 1 (01:07):
Long have these halls echoed with a curious refrain. La
Blanchella the ghost nurse clad in immaculine iron uniform. There
have been many sightings over the past century, some reportedly good, others.
Speaker 2 (01:26):
Not so much. But what determines whether she is helpful
or harmful?
Speaker 1 (01:34):
Perhaps another nurse will help shed some life.
Speaker 2 (01:40):
Her chieft is just about to start. Join us. No
need to make an appointment.
Speaker 3 (01:48):
In ghost era, A tale of La Blanchallah.
Speaker 4 (02:11):
Hi, Nina, how are you?
Speaker 5 (02:14):
I'm working?
Speaker 6 (02:15):
Doctor sentos you It's got it and no, I'd just
like to wear this lab.
Speaker 4 (02:20):
Coat for fun.
Speaker 7 (02:22):
Yeah, Hey, quick question, isn't today or day off?
Speaker 6 (02:27):
Day? Off.
Speaker 5 (02:28):
What's that? Doctor?
Speaker 7 (02:30):
Oh you know when you take time for yourself.
Speaker 4 (02:33):
Need you do something wrong.
Speaker 6 (02:36):
As count?
Speaker 4 (02:38):
Uh can't tell if that's a joke or cry for help.
Speaker 6 (02:41):
Hah funny.
Speaker 7 (02:43):
Well, if you ever do get an actual day off,
you should let me take you out some more.
Speaker 6 (02:49):
Oh yeah, you know.
Speaker 7 (02:52):
Actually the target in my neighborhood is just it's really
really amazing, you know, for for errands.
Speaker 6 (03:00):
Tempting, but sorry, it's against my role.
Speaker 4 (03:03):
What not dating doctors?
Speaker 5 (03:05):
No, dating anyone funnier than me? Well on, step on?
Speaker 7 (03:08):
No, wouldn't that mean though, that you could date basically
the whole hospital.
Speaker 5 (03:14):
Wow, isn't it against your oath to choose violence?
Speaker 8 (03:18):
Huh?
Speaker 9 (03:18):
After that, maybe I will date the entire hospital.
Speaker 6 (03:20):
Sorry, back of the line, buster.
Speaker 7 (03:23):
Ouch, Uh, that's okay. I'll just check myself into the er.
Then you'll be forced to spend time with me.
Speaker 10 (03:32):
But at least you'll be getting that for it.
Speaker 2 (03:36):
I worked too hard and put you in the ear.
Speaker 5 (03:41):
Another life, perhaps.
Speaker 11 (03:44):
Perhaps what what?
Speaker 5 (03:47):
Nothing?
Speaker 1 (03:49):
I see?
Speaker 12 (03:50):
You got that look again?
Speaker 5 (03:52):
What look? Jacqueline?
Speaker 12 (03:53):
You know dog in heat?
Speaker 11 (03:55):
Ah?
Speaker 5 (03:56):
Oh my god, I'm gonna kill you.
Speaker 12 (03:58):
And usually you don't even know if it is They
know with your people pleasing ass? Why is he the
only one I know how to say?
Speaker 13 (04:04):
No?
Speaker 12 (04:05):
So today isn't your day off?
Speaker 5 (04:08):
I'd love to answer that, but you know, live startstake,
so have to get going.
Speaker 12 (04:13):
And they wrote you in your working room thirteen?
Speaker 6 (04:15):
Maybe why room.
Speaker 5 (04:19):
Thirteen is a code gray?
Speaker 12 (04:21):
Oh yeah, and you're hitting m He just seems unhinged
but negative for drugs, so who knows?
Speaker 14 (04:33):
Hi?
Speaker 5 (04:34):
Good evening, mister. Hello, where I see?
Speaker 1 (04:42):
Hello?
Speaker 11 (04:45):
What them?
Speaker 15 (04:50):
Stop?
Speaker 12 (04:51):
This isn't funny.
Speaker 5 (04:53):
Someone opened the door? Hello? Someone in here? Is someone
in here?
Speaker 15 (05:10):
Oh?
Speaker 11 (05:11):
My god?
Speaker 16 (05:17):
Okay, no, no, no, no, no, huh?
Speaker 5 (05:32):
What where am I? Where the hell am I?
Speaker 9 (05:38):
Hulling?
Speaker 5 (05:41):
Excuse me? Where am I?
Speaker 12 (05:44):
Where is this place?
Speaker 14 (05:45):
Oh?
Speaker 4 (05:46):
Oh you don't know?
Speaker 12 (05:48):
No no, no, I have no idea.
Speaker 4 (05:50):
Oh my dear, you're dead.
Speaker 5 (06:02):
No no, no, this can't be. I'm death.
Speaker 4 (06:05):
Oh and I'm afraid so now.
Speaker 5 (06:08):
Serving one billion?
Speaker 12 (06:10):
And the DMV Oh no no, no is this hell?
Speaker 4 (06:15):
No? No, no no no.
Speaker 14 (06:16):
People tend to think of life and death has two states,
but it's much more complicated than that. You see, under
normal circumstances.
Speaker 8 (06:24):
You have been sent to any number of waiting rooms.
Speaker 4 (06:26):
Wait, but this place.
Speaker 14 (06:28):
This place is research for supernatural deaths.
Speaker 6 (06:33):
Supernatural Oh my god, good gray?
Speaker 5 (06:40):
So he was what he was possessed? No, no, no,
I can't. I can't believe this.
Speaker 4 (06:44):
No.
Speaker 14 (06:44):
By the way, I am called Ricardo Rivas, nineteenth century
botanist extraordinari at your service.
Speaker 4 (06:53):
Okay, I'm Nina now serving one billion and.
Speaker 15 (06:59):
Six a will.
Speaker 4 (07:02):
That would be you?
Speaker 5 (07:12):
Uh hello, one one billion and six?
Speaker 11 (07:16):
Uh well, well, well, well, okay, let's see.
Speaker 17 (07:23):
Nina Navarro died of supernatural causes, attacked by an upper
level demon. That's rare, I am or from the admin
in charge of the Supernatural Death Division here in Afterlife.
Speaker 9 (07:36):
Cool cool, Well, as is.
Speaker 18 (07:39):
Sometimes the case in our division, you weren't technically supposed
to die yet? What Yeah, you're presumed d O D
that that's date of death wasn't until decades from now.
Speaker 5 (07:51):
Uh oh, well that sucks. Why did it happen then?
Speaker 9 (07:57):
Not clear? You see, those things aren't so black and white.
Speaker 18 (08:01):
I guess you could say it's a bit of a
cold gray area. What I'm sorry, kind of going through
some things that I try my hand at humor. Anyways,
So it's not just that you die before your time
if you notice your file looks different than the others,
(08:21):
and that is because you meet the criteria to become
wait for it, la.
Speaker 5 (08:28):
Blanchalla, la blanchada, the ghost nurse.
Speaker 9 (08:34):
That feels a bit reductive, but sure, the ghost nurse.
So you, specifically, you have the option to.
Speaker 18 (08:42):
Either pass on to the next stage of afterlife or
return to the mortal world.
Speaker 6 (08:47):
Okay, what happens? What happens if I don't want to
be a ghost?
Speaker 5 (08:53):
What if I pass on?
Speaker 9 (08:55):
Then everyone you know will die?
Speaker 5 (08:58):
Oh my eventually? Oh, come on of it.
Speaker 15 (09:03):
The options are these, pass on and maybe see your
loved once again, maybe not, or become a plunder and
see some of them at the hospital.
Speaker 9 (09:14):
A hospital, might I add, where you can continue your
chosen profection.
Speaker 18 (09:20):
Okay, so I'll be helping people more or less.
Speaker 5 (09:25):
What does that mean?
Speaker 18 (09:26):
Well, technically speaking, you'll be helping death stay on schedule. Okay,
getting patients as close to their presumed DoD as possible.
Speaker 5 (09:36):
I'm sorry.
Speaker 18 (09:37):
Yes, they're usually pretty punctual, but as you know, things
can get messy in hospitals.
Speaker 4 (09:43):
Wow.
Speaker 5 (09:44):
Okay, that that seems a.
Speaker 9 (09:47):
Little and now I know it's a bit daunting. You
can take your time.
Speaker 5 (09:51):
No, no, no, no, you know what, I'm gonna do it. Yep,
I'm gonna do it.
Speaker 18 (09:55):
That's it, And this is why we love nurses for
this job.
Speaker 4 (09:59):
Marvel.
Speaker 9 (10:00):
We'll get the paperwork started. I suppose there is only
one thing left to do, WI you job, bring it in.
Speaker 11 (10:10):
Oh my god, here is.
Speaker 9 (10:15):
Your planchada uniform?
Speaker 5 (10:18):
What's this from the nineteen twenties thirties? Actually? Oh so
is it too late to change my mind?
Speaker 11 (10:27):
Nursery one.
Speaker 8 (10:34):
Eyes this eve, I don't believe it.
Speaker 6 (10:39):
Yeah, I just finished a week of training and I'm
gonna be one of last planchadas.
Speaker 5 (10:44):
Wow, that's so crazy to say.
Speaker 4 (10:46):
I don't know what that is, but it sounds important.
Speaker 5 (10:49):
Yeah, you know what it kind of is.
Speaker 9 (10:52):
Really.
Speaker 6 (10:52):
The only drawback is this damn uniform.
Speaker 5 (10:56):
This is just so old.
Speaker 14 (11:00):
I mean the fashion is fresh ricardo form feeding Hi
so much?
Speaker 9 (11:07):
Ankle pepa?
Speaker 5 (11:09):
My eyes are up here?
Speaker 4 (11:24):
Is that death? Yes?
Speaker 5 (11:27):
What's he doing here that?
Speaker 4 (11:28):
I don't want to know?
Speaker 14 (11:30):
But must be very important to come here itself?
Speaker 4 (11:35):
Ah, there you are?
Speaker 5 (11:38):
This way to this all right, I gotta follow the courier,
but but.
Speaker 3 (11:43):
See you around I hope, so good luck.
Speaker 4 (11:46):
I regard my startling wild flower.
Speaker 13 (12:03):
It's okay to be nervous.
Speaker 4 (12:04):
No, I'm not.
Speaker 13 (12:06):
I'll lest You're in a little secret. This elevator here,
it plays mood music, okay, meaning it reflects the mood
of the passenger, which is how I can tell.
Speaker 2 (12:16):
Oh you're nervous.
Speaker 5 (12:18):
Oh really?
Speaker 6 (12:18):
Uh hm, well that seems a little inpasive.
Speaker 2 (12:22):
No.
Speaker 13 (12:23):
No, it's used to help the SDD decipher the true
nature of the departed souls or supernatural deaths. Sometimes the
soul can be corrupted or worse.
Speaker 5 (12:33):
And what do you do when that happens.
Speaker 13 (12:35):
Well, an emergency protocol is triggered and the elevator that
sends straight down to the underworld. Some call it McLean
or Shiva Labah or hell, whatever your take. It's where
they send all the malevolent souls.
Speaker 5 (12:48):
Okay, hey, we are in. I know I don't need.
Speaker 6 (13:01):
Oxygen, but it's good to be back.
Speaker 5 (13:05):
Imps. Oh can I think the sort?
Speaker 4 (13:09):
Yes?
Speaker 13 (13:10):
No, not unless we want them to. Oh well that's
how supposed to work anyway. Okay, Well you luck, my dear.
I'll be back later to check it.
Speaker 5 (13:20):
Oh you're leaving okay, uh bye? Okay? Oh wow, I
really can't see everyone's DoD. Oh my god, this is
really trippy. Oh he's the old just changed.
Speaker 6 (13:37):
Oh that's not good.
Speaker 5 (13:39):
Oh my god. Hey hey that's jack La doglit. Oh right,
she can't hear me.
Speaker 12 (13:46):
I just don't understand why that piece of ships still here.
Speaker 19 (13:50):
I mean, he's in a coma.
Speaker 5 (13:51):
So where are you two headed? I guess I'll just
tag along.
Speaker 19 (14:01):
Hey, you're going to be okay, maybe you should take
the day.
Speaker 12 (14:06):
I've already taken the week, So no, I need to
be busy right now.
Speaker 19 (14:11):
Okay, Well, mister Agustine might need his Branda just changed,
so all right, I'll leave you to it.
Speaker 5 (14:27):
Oh chaplin got ill?
Speaker 4 (14:32):
Oh you're back? What? Yeah, you didn't realize you were
working tonight?
Speaker 5 (14:37):
Oh oh you meant her? Okay, right, I switched.
Speaker 4 (14:39):
Oh okay, Well you know.
Speaker 12 (14:42):
It's pretty obvious you've been avoiding me.
Speaker 4 (14:44):
What. Uh No, I've just been busy him.
Speaker 12 (14:48):
It's okay to talk about her.
Speaker 4 (14:49):
You know I know that. But like I said, I
I've been swamped lately.
Speaker 12 (14:58):
Okay, then why are so many patients waiting to see you?
Speaker 5 (15:02):
I saw the list.
Speaker 12 (15:03):
There's that kid, Eric, there's one way, there's.
Speaker 4 (15:06):
What are you doing? Are you keeping tabs on me.
Speaker 12 (15:09):
No, I just I just feel like Nina would have
wanted us to.
Speaker 4 (15:14):
Okay, you know what, Yeah, I can't do this right now. Okay,
I can hear. I have to go, got it. I'm sorry.
Speaker 5 (15:27):
I maybe I wanted to talk about her, asshole. I'm
right here.
Speaker 12 (15:34):
I can't believe he don't want to talk about whatever.
Speaker 6 (15:36):
I don't even want to think about him anymore. So
I guess you guys, are you know taking this pretty hard?
Speaker 2 (15:43):
Okay?
Speaker 1 (15:43):
Got it?
Speaker 5 (15:44):
Wait, Jackie, it's the wrong bottle.
Speaker 6 (15:47):
There's the right one.
Speaker 12 (15:48):
Uh?
Speaker 5 (15:48):
Here is what did they say? It goes training?
Speaker 6 (15:51):
You have to focus on the tingly feelings.
Speaker 5 (15:55):
Okay, try to bring them all together holding in my
hand and okay, okay, okay, there we go.
Speaker 12 (16:08):
Damn we just quarrels took what the Oh yeah, let's go.
Speaker 11 (16:17):
I did it?
Speaker 12 (16:18):
Oh ship God, damn, I almost gave you the wrong prescription.
Speaker 5 (16:23):
Oh it's so stupid.
Speaker 12 (16:23):
Okay, let me see. This is the right one. Okay,
that was lucky.
Speaker 5 (16:28):
You are so welcome, both of you. Wow, I'm already
questioning it. Maybe I should help everyday with some of
his patients. Well, being dead can kind of suck.
Speaker 11 (16:47):
Wow, wow, I noise? Oh excuse me?
Speaker 19 (16:57):
How long to see been in a coma since the
exact let's we Oh this is the guy.
Speaker 5 (17:02):
Good great, Oh my god, I can see it now.
The thing can sign. So that's what a demon looks like.
Speaker 11 (17:15):
Let's remove them.
Speaker 8 (17:24):
Excuse me, nurse?
Speaker 6 (17:25):
Uh, who's this kid talking to this?
Speaker 5 (17:29):
Hey? Are you talking to me?
Speaker 3 (17:32):
Yeah?
Speaker 1 (17:32):
Hi?
Speaker 11 (17:33):
Oh you you can see me? Oh oh, I'm sorry.
Speaker 5 (17:37):
I'm I'm not supposed to interact a talk with patients directly.
Speaker 12 (17:42):
Oh so sorry, So then you can't help me.
Speaker 5 (17:46):
I'm not supposed to No, bye bye? Did you what
did you see?
Speaker 4 (17:52):
The bad thing?
Speaker 5 (17:53):
The bad thing? It was hiding that man? Why? Why
why don't we get you back back into back?
Speaker 12 (18:02):
Come on, okay, let's go come back.
Speaker 5 (18:13):
There you go? Heh comfy mm hmm, oh my god.
Your do od is my what? Nothing?
Speaker 12 (18:24):
Just uh, I'm gonna take a look at your charge.
Speaker 5 (18:27):
Okay.
Speaker 6 (18:30):
Huh, Eric mancha appendicitis full recovery. But your do o
D why why is your time almost gone?
Speaker 4 (18:38):
I feel a lot better now, huh.
Speaker 2 (18:40):
But bad thing?
Speaker 5 (18:43):
Uh huh.
Speaker 4 (18:44):
He keeps talking to me in my dreams.
Speaker 2 (18:47):
He says really scary things.
Speaker 11 (18:49):
He said, oh, what's what.
Speaker 2 (18:57):
Here?
Speaker 15 (19:00):
You?
Speaker 17 (19:02):
And no?
Speaker 15 (19:06):
Good?
Speaker 11 (19:07):
Give me a boy?
Speaker 15 (19:08):
No?
Speaker 5 (19:12):
Oh, I didn't know to do that? Were got the
get that right now?
Speaker 11 (19:18):
That's the fuck?
Speaker 10 (19:20):
Uck my Oh look you touch this boy?
Speaker 11 (19:22):
Way we can stay.
Speaker 4 (19:37):
Harry again?
Speaker 11 (19:38):
Restrain him right day? D him flat, hold him for
the sedative.
Speaker 5 (19:57):
Oh I thank god, Eric, How are you?
Speaker 10 (20:00):
No?
Speaker 4 (20:00):
No, no, no, no, no no no.
Speaker 2 (20:04):
How yourself?
Speaker 1 (20:05):
Oh?
Speaker 13 (20:05):
Courier is your I thought saving your violation? You must
return to the SDD in after life.
Speaker 2 (20:12):
What no, no, America, this is a request.
Speaker 12 (20:27):
I feel like I should explain, not to me.
Speaker 6 (20:29):
No, no, courier please, she does not look happy?
Speaker 9 (20:39):
Non, no one, have you done?
Speaker 5 (20:41):
I was trying to help, I promise. I mean, really,
isn't that what the job is?
Speaker 9 (20:45):
Your job is to help death keep order?
Speaker 5 (20:47):
Okay, yes, but but if you could just let me
explain a little bit, I know I would tell you everything.
Speaker 9 (20:52):
Only did you have direct contact with the living? Your
actions cost one of them to move past their d
O D Yes, but he was just a child. I
get it. But we do not get to decide these things.
We don't maintain order. Then everything fulls apart. But it's
cold on caring and sometimes brutal. Yes, but this is
(21:12):
the afterlife. Do you understand?
Speaker 5 (21:14):
Yes, but what's going to happen to the kid?
Speaker 9 (21:18):
You should be more worried about yourself. Perhaps I was
wrong to make you applanchiada no order a police. Maybe
maybe it's Tanny passed on.
Speaker 20 (21:27):
I saw no, no, no, no, no, no, you mean
larrier at the paperwork, but norm seventh or eat dot e.
Speaker 12 (21:33):
Please my pleasure, don't do this.
Speaker 5 (21:35):
Don't do this ord of a polease.
Speaker 9 (21:37):
It's so chy.
Speaker 14 (21:38):
Hopefully no serving one.
Speaker 4 (21:54):
Is this seat taken?
Speaker 5 (21:57):
Ricardo?
Speaker 14 (21:59):
I over heard the courier's talk demon last business.
Speaker 5 (22:06):
What was I supposed to do? Just let him die,
Let nothing take him? How did I get here?
Speaker 6 (22:12):
You know?
Speaker 5 (22:14):
Maybe if I would have just said no to the
extra shift here, no to the colgre Maybe maybe if
I would have said yes to garrielton I just I
just have so much regret right now.
Speaker 4 (22:25):
You know, come close, my dady.
Speaker 14 (22:28):
Do you know what DI is most fantasmas to the air,
not through a waiting room in the afterlife.
Speaker 2 (22:37):
It's not love or hate. It's a regret.
Speaker 5 (22:42):
No, no, no, this can't be the last thing I do.
It just it can't.
Speaker 6 (22:47):
No, I have to do something. I think you're right, yes, but.
Speaker 5 (22:52):
What can I do?
Speaker 1 (22:54):
Oh?
Speaker 14 (22:54):
Well, for one, if I could, I joined you down
at the hospital and throw the hell out of that demon.
Speaker 6 (23:03):
Actually he pushed me and we made contact and I felt,
I felt tingly.
Speaker 3 (23:10):
That's it.
Speaker 5 (23:10):
I think I know how I can help the boy.
Speaker 4 (23:13):
Oh and how is that?
Speaker 14 (23:15):
Regardles?
Speaker 5 (23:16):
Please? Can I ask you for a huge thing?
Speaker 2 (23:20):
Absolutely, my dad, I have heard it.
Speaker 4 (23:29):
I demand to see the manager.
Speaker 14 (23:31):
I cannot suffer another moment in this place. I need
to be moved to more aproree accommodate the river.
Speaker 13 (23:37):
Please come down, crawl.
Speaker 4 (23:42):
One hundred and fifty years. Regard that right now, what's
the problem? Why tell you what my problem? No idea
with young man?
Speaker 11 (24:00):
Come on.
Speaker 13 (24:14):
The money, stop the elevator.
Speaker 5 (24:17):
Okay, yes, that's more life. Okay, first things first, I'm
gonna need some help. And there she is perfect, she's alone.
Speaker 4 (24:45):
Section.
Speaker 5 (24:46):
Okay, here we go, focus and focus everything tickling? Okay,
come on, I think this isn't it?
Speaker 16 (25:01):
Joh Hello Jack?
Speaker 20 (25:08):
Yeah?
Speaker 5 (25:09):
Yes, who's there?
Speaker 6 (25:11):
Jacqueline?
Speaker 11 (25:14):
Oh my god?
Speaker 14 (25:14):
What the.
Speaker 3 (25:16):
Talk?
Speaker 4 (25:18):
What's me?
Speaker 14 (25:19):
What?
Speaker 10 (25:20):
What?
Speaker 11 (25:20):
Nina? Look?
Speaker 5 (25:21):
Look look at me, Nina.
Speaker 19 (25:26):
What's going on?
Speaker 6 (25:27):
Jacqueline, be cool, Be cool, you jack Why are you screaming?
Speaker 5 (25:31):
You don't see you don't see what?
Speaker 4 (25:34):
She's right there?
Speaker 15 (25:36):
Who is?
Speaker 5 (25:36):
She can't see me? Dude? I need your help, Jackie.
What are you talking about? Tell her to leave? I
guess nothing. I think you can leave?
Speaker 12 (25:50):
Yes, okay, what is happening right now?
Speaker 5 (25:55):
And why the fuck are you dressed like that? I
know I look insane, but listen, I don't have much time.
I know this is super.
Speaker 12 (26:01):
Reasonable, but I need your help, like to pass on?
Speaker 5 (26:05):
No, that part covered. Actually, what I need is, hey,
do you trust me? Oh? Well, good, he's sleeping. Wait
that that's the boy.
Speaker 6 (26:18):
Yeah, okay, what are you doing helping?
Speaker 2 (26:26):
No, it's weird.
Speaker 9 (26:27):
Stop stop.
Speaker 12 (26:27):
I can move you by myself. Okay, be careful, okay, okay.
Speaker 5 (26:39):
How much trouble do you think I'll get in for this? Okay, listen,
we're just moving him to a sacred location.
Speaker 12 (26:45):
What's happening, Hi, Eric, I'm just going to move you
to another more comfortable room.
Speaker 5 (26:51):
Okay, okay, Hi, Hi, wait, he can just go.
Speaker 7 (26:57):
Joe's going okay, excuse me, excuse me, Jacqueline, what.
Speaker 8 (27:02):
Are you doing?
Speaker 10 (27:03):
Hi?
Speaker 14 (27:04):
Doctor santos Hi what are you doing with my patient?
Speaker 15 (27:07):
Oh? You know, just.
Speaker 12 (27:10):
Just moving him?
Speaker 9 (27:11):
Why tell him?
Speaker 6 (27:12):
Because it isn't safe.
Speaker 12 (27:13):
I need to move him to a safer location.
Speaker 4 (27:16):
No you don't.
Speaker 2 (27:17):
You need to leave him here?
Speaker 9 (27:20):
Oh no, what we have to go.
Speaker 5 (27:22):
We have to go now. I'm sorry, Gabe, but we
have to leave. You're just gonna have to trust me,
do I do?
Speaker 4 (27:27):
I need to call security?
Speaker 1 (27:29):
Oh?
Speaker 2 (27:30):
He's you.
Speaker 4 (27:32):
You are not okay, you're not supposed to be out
of bed.
Speaker 2 (27:37):
In fact, you were sedated.
Speaker 11 (27:39):
You over him? Come on, come on, oh shit, okay, okay, okay,
(28:04):
so what can you just to stand right there?
Speaker 12 (28:06):
What are you serious?
Speaker 4 (28:08):
Yes?
Speaker 5 (28:09):
Mm hmm what kind of elevator is that?
Speaker 10 (28:12):
No?
Speaker 5 (28:12):
No, no, no no, maybe maybe we should get security.
No no, no, no, no no, there's no time. Just
wait right here?
Speaker 4 (28:17):
Can you do that?
Speaker 1 (28:19):
Yeah?
Speaker 11 (28:19):
Yeah, I guess if you're sure.
Speaker 6 (28:21):
Okay, I'll be right back.
Speaker 11 (28:23):
Where's she going?
Speaker 12 (28:25):
It's okay, it's okay, we're gonna be okay, just hold
my hand.
Speaker 14 (28:29):
There you go.
Speaker 5 (28:30):
It's okay.
Speaker 11 (28:32):
Oh oh hey, hey, ask Oh you stay back, I'm
not playing with you.
Speaker 2 (28:41):
Come give him to me.
Speaker 5 (28:50):
Up here. I didn't.
Speaker 4 (29:09):
I did it?
Speaker 5 (29:10):
I think Okay I think I think everything is gonna
be okay. Now, Oh, what the hell is that? What's
it doing here?
Speaker 14 (29:21):
What?
Speaker 15 (29:22):
What?
Speaker 1 (29:22):
What is it?
Speaker 16 (29:24):
No?
Speaker 12 (29:25):
No, no, no, no, no, oh my god, Jack generally no, no, no, no,
I I don't.
Speaker 15 (29:30):
Feel so no.
Speaker 11 (29:34):
No no, I'm here.
Speaker 9 (29:45):
It's not nana, Nina, Nina?
Speaker 5 (29:53):
What was all that?
Speaker 7 (29:54):
I heard it?
Speaker 20 (29:54):
It sounded like, yes, yes, you have so closely altered
the dead schedule, the death itself had to re issue
all new dods to everyone in this hospital.
Speaker 9 (30:05):
Oh my god, I see the boy is safe. Are
your friend not so much?
Speaker 4 (30:12):
Why?
Speaker 5 (30:12):
Why is her number so low?
Speaker 15 (30:13):
That?
Speaker 5 (30:13):
This isn't right?
Speaker 9 (30:14):
This is the way things are now, given the state
of things need, Death has decreed that you must work
here or every one of the new dods have been meant.
Speaker 5 (30:24):
No, this isn't right.
Speaker 18 (30:25):
Death has also decreed you should fail to do your
job again, everyone in this hospital will die.
Speaker 12 (30:32):
What immediately?
Speaker 5 (30:34):
What the fuck?
Speaker 2 (30:41):
Oh?
Speaker 14 (30:44):
My ah?
Speaker 6 (30:48):
Fuck?
Speaker 2 (30:49):
I hate hospital bets.
Speaker 5 (30:54):
Hello, Gabriel, is that you? Yes?
Speaker 4 (31:04):
This is a dream, isn't it?
Speaker 13 (31:06):
Oh?
Speaker 5 (31:08):
I wish it was.
Speaker 4 (31:12):
Oh, I've missed you.
Speaker 5 (31:16):
Covered.
Speaker 14 (31:19):
I know.
Speaker 10 (31:38):
If you see that Baa, will she be there to
help or to her It's not a matter of motive,
but instead just a matter of time.
Speaker 2 (31:56):
Until next time Death Willing.
Speaker 4 (32:07):
Nocturno.
Speaker 14 (32:08):
Tales from the Shadows was produced by Sonoro in partnership
with Our Heartsmichael Tura Podcast Network. Produced and directed by
Luis Eduardo Cassillo, Developed and produced by Bettina Lopez.
Speaker 8 (32:23):
Executive produced by.
Speaker 14 (32:25):
Colonel Burn and Giselle Benzs for iHeart and Camilla Victoriano
and Josho Weinstein for Sonoro.
Speaker 4 (32:33):
This episode was written by.
Speaker 14 (32:36):
Ela Ja Sarrignana. Performances in this episode by Dani Trejo, Shannon,
Gisela Fernandomoye, My Name, Bill Philippe, Baujan Pacolosano, Adan, James Carrico,
kue Ten, Shila, Sheila Corci, Amador Placentia, Reggie de Leon,
(33:01):
and Pedro Hollywood River. Our production manager is Carinsa Chaies.
Recording engineering and sound designed by Cassandra Tinajerro and Andres Bayena.
Casting a coordination by Ansley Martinez, Alex Gonzalez, Carensa Chaides
(33:22):
and Pettina Lopez.
Speaker 8 (33:24):
Voices recorded at the Invisible Studios and Out Loud Audio
in Los Angeles, the Relic Room in New York Panoramic
Audio in Miami, Bill Carcery Productions in San Diego, Matt
Block Sound in San Juan, Puerto Rico, and low Key
Entertainment in Lima, Peru, with.
Speaker 14 (33:46):
Engineering by Charles Carroll, Stephen George, John Anderson, Lester Dangler, JK. Hurrado,
Brett Tubin, Ethan Grafton, Manuel Duran, Rojo a Dio and
Bill Corkery
Speaker 10 (34:05):
H
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