November 19, 2024 • 31 mins
After a painful breakup, a young woman in Oaxaca, Mexico purchases a love spell to help her move on, but haunting visions reveal an unsettling connection between her and a local bruja (witch).
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Speaker 1 (00:11):
Greens and Ben Benniel's fellow seekers of the dark.
Speaker 2 (00:16):
I'm your host, dal Israel.
Speaker 1 (00:19):
Welcome to no Doorno Tales from the Shadows. By the
enchanted flame of this fire, we transcend time and space
to step into the chilling Lord and legends of Latin America,
stories passed down through the years and retold with a choice.
Speaker 3 (00:41):
Tonight's tale involves one of the more terrifying powers of
certain classes of baroahs or witches found in Southern Mexico
and Central America.
Speaker 1 (00:54):
Join me in a dream by the night sea, or
a young woman searching for love is the wrong place.
(01:16):
We'll soon discover the most uncanny of bonds in love Spell,
A tale of the Naguanity.
Speaker 4 (01:34):
How are you not freezing?
Speaker 5 (01:35):
Come here and let me hold you, Jack.
Speaker 6 (01:38):
We're not together anymore.
Speaker 7 (01:39):
Remember Look, I've been giving this a lot of thought,
and I want you back.
Speaker 5 (01:45):
I'm ready to go public with us. No more hiding,
no more sneaking around.
Speaker 8 (01:49):
Are you serious?
Speaker 7 (01:50):
Yes, I'm serious.
Speaker 5 (01:51):
I want to be with you, Sylvia, and I don't
care about my family's ignorant opinions.
Speaker 9 (01:57):
I swear if you're messing with.
Speaker 5 (01:59):
Me, let me warm me up. I love you, Sylvia.
Speaker 9 (02:06):
I love you too.
Speaker 10 (02:07):
Chat huh quick hot?
Speaker 5 (02:12):
Can you hit me the monocars?
Speaker 9 (02:17):
What is it?
Speaker 5 (02:18):
I mean, I'm not sure. It looks like a giant.
Speaker 7 (02:21):
Rat or something. See for yourself. Right over there against
the surf.
Speaker 9 (02:26):
I don't see. Oh wait, oh my god, it's alo.
What you know those dogs from Mexico that are totally hairless.
Speaker 7 (02:36):
That's a dog.
Speaker 5 (02:37):
Damn.
Speaker 7 (02:38):
I can see where two pabas come from.
Speaker 9 (02:40):
Shut up, I think they're cute.
Speaker 8 (02:42):
Poor thing.
Speaker 9 (02:43):
It must be lost. Don't call it hi, Hi spen baby?
Speaker 11 (02:51):
Are you lost?
Speaker 5 (02:52):
Stundikes? There's a face only a mother could love. Easy there,
big boy, I don't.
Speaker 7 (03:00):
Think she likes It's not funny. Made me that piece
of drift to it?
Speaker 9 (03:04):
Jack?
Speaker 10 (03:08):
Jack, don't I can't stay back, Jack?
Speaker 12 (03:17):
So you.
Speaker 9 (03:36):
Mom?
Speaker 13 (03:37):
Dad?
Speaker 9 (03:38):
Where where's Jack?
Speaker 14 (03:39):
Okay?
Speaker 13 (03:40):
Jack?
Speaker 14 (03:40):
No, no, no, no, no, no. It was just a dream.
Speaker 4 (03:44):
It's just a dream.
Speaker 15 (03:46):
Where the Okay, okay, take it.
Speaker 16 (03:49):
This ridiculous. It's the middle of the morning and you're
heaving nightmares. Did you take your night tryst? The doctor
told you not to skip any doses here, Okay, Dad.
Speaker 9 (03:57):
Jesus and I had like three express for breakfast. Can
you not yell at me.
Speaker 2 (04:01):
I'm not yelling.
Speaker 13 (04:03):
I just work.
Speaker 17 (04:05):
Yeah, let's just all calm down.
Speaker 5 (04:07):
You know what.
Speaker 16 (04:08):
You tool should just fly back early. I can book
the tickets right now. You don't need to worry about me.
I can handle the funeral on my own.
Speaker 7 (04:16):
You don't have time.
Speaker 16 (04:16):
I knew it wasn't a good idea to bring Sylvia here.
Oh my, I've probably done to get her nightmares under control?
Speaker 2 (04:24):
Was I thinking?
Speaker 15 (04:25):
Okay?
Speaker 12 (04:25):
Yeah?
Speaker 15 (04:27):
Can you just stop facing for a second. Celvia is fine, Okay,
it's her first time in Nikiko for a funeral. No less,
she's going through a breakup and she's just transitioned.
Speaker 9 (04:41):
This is just her body's way of processing all this change.
Speaker 15 (04:45):
A nightmare here and there is.
Speaker 14 (04:47):
To be expected.
Speaker 9 (04:48):
Can you please not talk to me like I'm not here?
Speaker 16 (04:52):
We shouldn't have brought her Valentina, she's not well.
Speaker 14 (04:55):
You're making a mountain out of a molehill.
Speaker 9 (04:57):
Hey, can you guys stop the The nightmare is over.
Speaker 17 (05:01):
I'm so sorry.
Speaker 5 (05:05):
Why not see you? Senor Shoe took a.
Speaker 13 (05:11):
Yeah, I have to take this.
Speaker 18 (05:16):
What's wrong with me?
Speaker 13 (05:17):
Mom?
Speaker 14 (05:17):
I'm no more.
Speaker 15 (05:19):
Absolutely enough is wrong with you either. You just need
to unwind and reconnect with yourself. Your dad, on the
other hand, I think the funeral is really getting to him.
Speaker 18 (05:32):
Yeah, that must be it.
Speaker 15 (05:33):
Okay, ah, that was the funeral director. Oh good, finally, yeah.
Speaker 16 (05:40):
Finally, you can meet us this morning if we hurry.
Speaker 5 (05:46):
I'm sorry we have to leave you like this.
Speaker 19 (05:48):
Miha.
Speaker 9 (05:49):
No, I'm sorry, Dad.
Speaker 8 (05:51):
I didn't mean to stir up all this drama.
Speaker 4 (05:53):
Your mom just died, and I know you're just worried.
Speaker 9 (05:56):
And looking out for me.
Speaker 16 (05:58):
I mean, there's nothing to be sorry about my mother.
She was complex, to say the least. There's a reason
we never brought you here. I wish we didn't have
to drag you along for all this up.
Speaker 15 (06:09):
And on the bright side, we are in Mexico and
Sylvia has never had a chance to explore her roots.
Maybe we should think about extending our trip a little
after the funeral.
Speaker 5 (06:23):
No, no, no, no, no, let's just get through the
funeral and head home.
Speaker 15 (06:27):
We'll talk about it now.
Speaker 5 (06:28):
There's nothing to discuss.
Speaker 15 (06:29):
Okay, then, Selvi, why don't you get out of this
stuffy room and go enjoy the pool a little sunshinel
do you good?
Speaker 9 (06:40):
Yeah, you're right, Just don't leave.
Speaker 5 (06:42):
The hotel by yourself.
Speaker 9 (06:43):
Okay, yes, she's sixteen, that's six.
Speaker 16 (06:46):
It's a dangerous place, especially especially for what Just stay
in the hotel. Okay, let's get going, Valentina. I don't
want to miss the priest again.
Speaker 5 (06:56):
God for you?
Speaker 7 (06:59):
Oh what's up? Why are you calling Jack?
Speaker 4 (07:11):
I need to tell you about this dream and we
were back together, and.
Speaker 7 (07:15):
God, Sylvia, how many times do I have to tell
you it's over?
Speaker 6 (07:20):
What are you talking to?
Speaker 11 (07:21):
Babe?
Speaker 7 (07:22):
No one? Who is that? Just stop calling Jack? We're done?
Speaker 9 (07:27):
Jack, freaking asshole? Where is your Olympia?
Speaker 10 (07:39):
I'm in here.
Speaker 16 (07:41):
I'm so sorry.
Speaker 14 (07:42):
I thought it was empty.
Speaker 11 (07:43):
I can come back later.
Speaker 20 (07:45):
Okay, okay, I'm fine.
Speaker 7 (07:50):
Or no, I don't.
Speaker 10 (07:53):
I don't know.
Speaker 9 (07:55):
Oh my god, Oh God, I mean me.
Speaker 14 (08:00):
You're a man, let me guess boy trouble.
Speaker 20 (08:04):
Yeah, you could say that. I finally confronted my boyfriend
for keeping our relationship with secret, and instead of being understanding,
he just ended it. And now he's already with some
other girl, and I.
Speaker 14 (08:21):
Just I've been there. No man is worth the amount
of pay. Those dark circles under your eyes are telling
a story. Maybe you need to get some rest and
slip it off.
Speaker 20 (08:35):
I wish, but I have these terrible nightmares like every night,
and I don't know what to do.
Speaker 19 (08:43):
Oh girl, every night.
Speaker 15 (08:46):
This sounds like more than just a heartbreak.
Speaker 14 (08:50):
What you need is a I know of a really
good one not too far away from here.
Speaker 9 (08:57):
What's a good ondetta? You know someone who makes spells
and stuff? I love spell and you'll be ood a
love spell.
Speaker 6 (09:07):
I know how it sounds, but.
Speaker 14 (09:09):
I'm telling you. My cousin went from single to engage
in like a week. She swears by this cornder. I
am that.
Speaker 4 (09:20):
Sounds amazing, but I can't.
Speaker 6 (09:23):
My dad would kill me.
Speaker 7 (09:24):
If you know.
Speaker 17 (09:24):
I love the hotel.
Speaker 15 (09:27):
Soothe yourself, but her shop is just around the corner.
Speaker 14 (09:31):
If you change your mon.
Speaker 4 (09:40):
Hello, Wow, does anybody here?
Speaker 9 (09:51):
Oh?
Speaker 2 (09:55):
Let me?
Speaker 14 (09:56):
You're here when they broken her?
Speaker 4 (10:00):
How did you know that?
Speaker 14 (10:01):
Believing cause of angst and that both reasons the daunt
of time. I know it when I see it. I'm
Doni a Bertola and you are Sylvia Chechak. Should have
you seen? Let's see what the gods have to say? Ah,
(10:25):
Reverend Villas for fever.
Speaker 15 (10:28):
Mm.
Speaker 4 (10:30):
The tower that doesn't look very promising.
Speaker 14 (10:34):
Crumbling the seat and broken promises will never stand the
test of time. This boy, my dear, is not worth
your tears, but I still love him. I've seen more
heartbreak than all the telenovelas combined. This boy will never
be your equal. And see as for the last God strength.
(11:02):
You see the woman here that's you? What do you
see in her?
Speaker 4 (11:06):
She looks brave and free? But what about that creature
in the card?
Speaker 9 (11:13):
It looks scary.
Speaker 14 (11:15):
Let me ask you, child, have you had nightmares of
wild animals lately?
Speaker 9 (11:20):
Yes, every night?
Speaker 14 (11:23):
Beasts of the night, Oh day whisper secrets to those
who listen, You know what does that mean? It means
your subconscious has quite the menagerie one last God.
Speaker 9 (11:40):
The lovers.
Speaker 10 (11:41):
That's a good sign.
Speaker 13 (11:41):
Right.
Speaker 14 (11:42):
Indeed, even as we speak, your soulmate searches for you.
Oh my God, your one true love is closer than
you think. Really, yes, very very close, perhaps even right
here in Wahakah. But you are blocked. I'm afraid, And
(12:06):
for this I will make you a love spell to
open your mind, body and soul and call your true love.
Speaker 4 (12:15):
For Okay, Okay, wow, that sounds intense, but let's do it.
Speaker 14 (12:22):
True love is no light matter. Are you sure you
want this, oh more than anything. Very well, let me
gather my things.
Speaker 4 (12:38):
That that that knife looks really old?
Speaker 6 (12:41):
Is it an antique?
Speaker 7 (12:42):
Give me your hand, oh my hand?
Speaker 14 (12:45):
Oh yes, a few drops of bloody solidachs.
Speaker 9 (12:49):
That's a lot more than a few drops there.
Speaker 17 (12:52):
All done.
Speaker 14 (12:54):
That wasn't so bad, was it?
Speaker 21 (12:55):
Now?
Speaker 14 (12:56):
I will just add a bit of this and some
oh pinch of merrow harvested on a new moon. Clow
off the rooms and only wonder for good measure. One
wouldn't want to open the room.
Speaker 5 (13:18):
Doors after all.
Speaker 14 (13:22):
Close your eyes and drink this. It's for unseen yet
it's presence, fell.
Speaker 12 (13:34):
Seve.
Speaker 9 (13:42):
Wow, I really thought something, I really did.
Speaker 14 (13:46):
Your true love will find you soon. Oh my god,
I lost attention to your dreams. And last but not least,
that will be three hundred pesos dollars preferred. But I
also take denmo. The QR code is over by the door,
and tips.
Speaker 9 (13:59):
Are well right, of course, let me just uh.
Speaker 11 (14:07):
Done.
Speaker 9 (14:08):
Thank you again, Donato, I really appreciate it. Donia Bartola,
where's she go? I'll just see myself out, okay, smooth,
(14:38):
But I was enjoy.
Speaker 13 (14:41):
Ship.
Speaker 9 (14:43):
Excuse me, del scope, Yes, miss, could I get.
Speaker 8 (14:48):
Another double espresso?
Speaker 2 (14:50):
Another one?
Speaker 17 (14:51):
Are you sure you you won't be able to sleep
to night?
Speaker 8 (14:54):
That's kind of what I'm going for, Okay, hardcore?
Speaker 12 (14:57):
Huh, don't one expressive for the night?
Speaker 5 (14:59):
Al coming right up?
Speaker 9 (15:01):
Thanks so much.
Speaker 19 (15:03):
Hey, I hope this doesn't.
Speaker 14 (15:05):
Weird you out, but well, my break is coming up,
and I was kind of wondering if maybe you want
to hng out or something.
Speaker 12 (15:15):
Are you asking me.
Speaker 13 (15:16):
On a date?
Speaker 16 (15:17):
No?
Speaker 12 (15:17):
No, well I mean yes, yes, but I don't.
Speaker 2 (15:20):
I don't mean no disrespect.
Speaker 8 (15:22):
I don't even know your name, right right, of.
Speaker 12 (15:24):
Course I'm got respect.
Speaker 17 (15:26):
Clearly, I'm not great at this.
Speaker 19 (15:28):
I'll just I'll be right back with your coffee.
Speaker 8 (15:31):
Wait, Carlos, I'd love to go on a date with you, so.
Speaker 9 (15:43):
Did I tell him? Get your own damn pizza and
proceed to eat the entire thing just out of sight. O.
Speaker 12 (15:52):
Nice.
Speaker 17 (15:53):
I can't remember the last time of anyone when you
left so hard.
Speaker 12 (15:58):
Us.
Speaker 10 (16:00):
Yes you are?
Speaker 12 (16:03):
Hey?
Speaker 9 (16:06):
Wait, you really think I'm funny?
Speaker 8 (16:09):
Nobody thinks I'm funny.
Speaker 17 (16:10):
You're not just funny, You're You're beautiful, smart, cool.
Speaker 9 (16:17):
I really really like you, Carlos.
Speaker 7 (16:19):
I really like you too.
Speaker 12 (16:24):
Holy Ship, did you see that what said?
Speaker 7 (16:27):
Something just swam by my feet.
Speaker 12 (16:28):
It looked pretty big.
Speaker 9 (16:30):
Yeah, good one.
Speaker 12 (16:31):
No, no, no, no, I'm serious.
Speaker 10 (16:37):
Oh my god, all these we need to get out
of the water.
Speaker 12 (16:51):
Wait wait, wait, I think it's not I don't see.
Speaker 18 (16:53):
It out.
Speaker 17 (17:21):
Man, Senora, your double espresso?
Speaker 12 (17:41):
Hey you, missmiss you.
Speaker 9 (17:43):
Okay, Carlos, you're alive.
Speaker 12 (17:47):
I'm so sorry, mister you.
Speaker 17 (17:48):
You must have mistaken me for someone else.
Speaker 10 (17:51):
But we went on a date and and and and
the crocodile.
Speaker 11 (17:56):
Crocodile.
Speaker 9 (17:58):
Oh my god, it was all the tree.
Speaker 8 (18:02):
I'm so sorry.
Speaker 13 (18:05):
Wait, you forgot.
Speaker 9 (18:17):
Your coffee, thanks dad, And.
Speaker 5 (18:23):
You took your night trus up on. Yep, she can't
hear you with her headphones.
Speaker 6 (18:31):
I wish you would just encourage her to sleep.
Speaker 14 (18:34):
This can't be.
Speaker 5 (18:34):
Healthy and risk more nightmares. I don't think so.
Speaker 13 (18:41):
Fine.
Speaker 15 (18:42):
Sylvia can do what she wants, but you need to
get some sleep before the funeral tomorrow.
Speaker 5 (18:47):
I want to keep an eye on Sylvia.
Speaker 14 (18:48):
What is really going on with you?
Speaker 15 (18:51):
Is this about Sylvia's transition? May you understand the world
can be a scary place, but hovering over her like
a hawk and worrying about every little thing isn't doing
her any good.
Speaker 16 (19:02):
You think this is about her transition, This is about
her nightmares.
Speaker 5 (19:09):
My mother used to have these nightmares like that.
Speaker 16 (19:12):
She was cursed. It was a terrible, terrible affliction.
Speaker 10 (19:16):
A curse is dorda.
Speaker 17 (19:18):
You don't really believe that she could.
Speaker 13 (19:20):
I saw it with myself when I was a boy.
Speaker 16 (19:22):
You saw what exactly, I don't know, something monstrous in
her eyes.
Speaker 5 (19:29):
I worry for her, Sylvia.
Speaker 7 (19:31):
I worry she has it too more.
Speaker 15 (19:35):
You're carrying the weight of the world in your shoulders.
Speaker 17 (19:38):
Neat rest.
Speaker 15 (19:40):
Your mother had a mental illness, not a curse. And
Sylvie is fine. She's just an ordinary teenager.
Speaker 5 (19:48):
God. I hope you're right. Valentina.
Speaker 12 (19:50):
Yeah, an't on her that the factor that shine a won.
Speaker 21 (20:04):
You and your infatation adminish nor urbans through the hall.
Speaker 13 (20:10):
I've had.
Speaker 7 (20:13):
You also in the.
Speaker 4 (20:20):
Holy ship. Mom, look up, affair, What is it? All
those birds and the rafters birds?
Speaker 12 (20:30):
What do you mean.
Speaker 17 (20:32):
She gains you?
Speaker 12 (20:33):
The birds?
Speaker 17 (20:35):
They're all looking at me money, What what are you
talking about?
Speaker 13 (20:38):
There aren't any.
Speaker 8 (20:39):
Birds can be pretty?
Speaker 10 (20:41):
Give them away from me.
Speaker 12 (20:54):
Here are you clean?
Speaker 5 (21:00):
Crash and thank you for coming. And again we're so
sorry for the disturbance.
Speaker 14 (21:13):
So sorry.
Speaker 20 (21:17):
I'm so sorry, Dad, I'm so sorry for ruining the funeral.
Speaker 13 (21:20):
Dad.
Speaker 10 (21:21):
I don't know what happened.
Speaker 9 (21:22):
I'm ast fallen asleep.
Speaker 5 (21:23):
Yeah, we just want to make sure you're okay. If rosales,
he's going to offer you a blessing.
Speaker 21 (21:29):
Yeah, man made the light of the Lord, dispelled the
darkness that surround you. Chi tell me, is there anything
that might have invited such darkness into your life? Have
you dabbled shay in your forbidding art? Perhaps with your boy? No?
Speaker 9 (21:46):
No, nothing like that.
Speaker 21 (21:48):
You can tell me.
Speaker 18 (21:49):
Although, so yesterday I went to see a corndetta named
Donia Bartola and she made me a love spell.
Speaker 14 (22:02):
Celia, I can't believe you.
Speaker 16 (22:04):
I know something wasn't right.
Speaker 4 (22:06):
And who's yeah to me?
Speaker 19 (22:10):
That woman is a witch?
Speaker 21 (22:12):
What ineg would jim shot? If I had known, I
never would have let you shut foot indist.
Speaker 2 (22:21):
Thank you father.
Speaker 5 (22:22):
I'll handle it from here, Sylvia, take us to the school.
Speaker 2 (22:26):
Ndetta, now show yourself burroh.
Speaker 9 (22:40):
No need to shut my goodness, you scared me.
Speaker 2 (22:44):
She does that?
Speaker 7 (22:45):
She? What have you done to our daughter?
Speaker 14 (22:49):
I should be asking you the same question, mister shutuk.
Why don't you tell your daughter and what you did?
Speaker 9 (22:57):
What is she talking about?
Speaker 12 (22:58):
Dad?
Speaker 16 (23:00):
Okay, there's something I need to tell you, something I
kept hidden from you for for too long. When you
were young, I hired someone to put a protection spell
on you.
Speaker 14 (23:10):
What some protection? Look at all that trouble.
Speaker 7 (23:15):
It's cost What did you do?
Speaker 12 (23:16):
Dad?
Speaker 16 (23:18):
There's been a curse in our family that's been carried
from generation to generations. I wanted to protect you, Sylvie,
but I feared this man everything.
Speaker 14 (23:30):
Don't you understand anything? It is a gift, not a curs.
Speaker 10 (23:40):
I sell, I get done, pretty dark.
Speaker 13 (23:45):
Done?
Speaker 12 (23:45):
Do you see?
Speaker 14 (23:46):
See?
Speaker 13 (23:49):
I see?
Speaker 10 (23:49):
I see a shadow.
Speaker 9 (23:51):
Let's getting closer, like a fog of pure darkness.
Speaker 14 (23:55):
Or your true love is coming now? For the true
love of any blue is her? Not stop resisting? A
for sunsee yet ever? Keen its presence felt, though not foresee?
Was there something in your dreams that you felt but
(24:18):
could not see? And what animal roars.
Speaker 19 (24:22):
In such a way?
Speaker 12 (24:24):
I don't know.
Speaker 10 (24:26):
Maybe a lion or a tiger?
Speaker 14 (24:29):
Look within sa a animal a jackuar.
Speaker 12 (24:40):
Let the roar enter, and Const'm afraid.
Speaker 14 (24:45):
The fear will end when you let it in. We
need to get around here, just between the counter, and
to keep in mind what you are about to see.
Men painful, But I assure you see if you.
Speaker 21 (25:00):
We'll be nine.
Speaker 12 (25:03):
No no, no, no luck.
Speaker 21 (25:06):
The child in conformation.
Speaker 11 (25:08):
Sif you're mad?
Speaker 14 (25:28):
She thinks it My smelling sounds are on sale for
five ninety nine.
Speaker 11 (25:38):
Yeah we are ill, are.
Speaker 12 (25:47):
Y don't reger?
Speaker 14 (25:49):
The first transformation is exhausting. You are a poor woman,
and no one must have tormented her from within like
a wild animal trapped.
Speaker 13 (26:00):
In that cage.
Speaker 3 (26:02):
I didn't know.
Speaker 13 (26:04):
I thought it was a curse.
Speaker 14 (26:06):
People are so afraid of what they don't understand. What
do you hold this gift? Of course, Sylvia is what
you call it? Shapeshifter the jaguar comes only to the
most powerful amongass Just does that mean you?
Speaker 3 (26:27):
You?
Speaker 5 (26:27):
You also, mister Shatto, I too as well.
Speaker 14 (26:36):
No far be manawal from the jaguar. Would you like
to see.
Speaker 19 (26:50):
H Jack?
Speaker 9 (27:17):
I thought you hated hiking in the rain?
Speaker 3 (27:20):
I do.
Speaker 7 (27:21):
But if it means I get a second chance?
Speaker 9 (27:25):
Who says you get a second chance?
Speaker 19 (27:27):
What do you mean?
Speaker 7 (27:28):
Isn't that why we're here?
Speaker 10 (27:32):
You don't know? That's saying it's better to show not tell.
Speaker 6 (27:36):
Yeah, I don't date cowards anymore, boy, Sylvia.
Speaker 7 (27:48):
What's wrong with your eyes?
Speaker 13 (27:59):
What the Hell's fun? Oh?
Speaker 14 (28:38):
T love?
Speaker 7 (28:39):
The first breakup.
Speaker 1 (28:41):
It's always the hardest, but it opens the door for
what we're truly meant to find. Be careful out there, friends,
there may be a quality lurking much closer than you think.
Speaker 19 (29:06):
Nocturno Tales from the Shadows was produced by Sonoro in
partnership with I Heartsmichael Dura Podcast Network. Produced and directed
by Luis Eduardo Castillo, developed and produced by Bettina Lopez.
Speaker 5 (29:22):
The executive produced by.
Speaker 19 (29:24):
Conel Byrne and Giselle Benzies for iHeart and Camilla Victoriano
and Josha Weinstein for Sonoro. This episode was written by
Stephanie Adams. Santos. Performances in this episode by Danny Trejo,
Kuei ten May, aswell Annie Henk, Bacolosano and Aida Gardinez,
(29:51):
Matthew Benavidez, Savanna Nicole Ruiz, Sila, Sheila Corci, Gustavor Rosse
and Arcopelas. Our production manager is Carinsa Chaies. Recording engineering
and sound designed by Cassandra Tinajerro and Andres Bayena. Casting
(30:14):
a coordination by Ansley Martinez Alex Gonzalez, Carenza Chaides and
Bettina Lopez. Voices recorded at the Invisible Studios and Out
Loud Audio in Los Angeles, The Relic Room in New York,
Panoramic Audio in Miami, Bill Carcery Productions in San Diego,
(30:36):
Matt Block Sound in San Juan, Puerto Rico, and Low
Key Entertainment in Lima Perula, with engineering by Charles Carroll,
Stephen George, John Anderson, Lester Dangler, JK. Hurrado, Brett Tubin,
Ethan Grafton, Manuel DuRane, Reno, Joao, Tito Cavallero, and Bill Carker,
Greens and Ben Benniel's fellow seekers of the dark.
Speaker 2 (00:16):
I'm your host, dal Israel.
Speaker 1 (00:19):
Welcome to no Doorno Tales from the Shadows. By the
enchanted flame of this fire, we transcend time and space
to step into the chilling Lord and legends of Latin America,
stories passed down through the years and retold with a choice.
Speaker 3 (00:41):
Tonight's tale involves one of the more terrifying powers of
certain classes of baroahs or witches found in Southern Mexico
and Central America.
Speaker 1 (00:54):
Join me in a dream by the night sea, or
a young woman searching for love is the wrong place.
(01:16):
We'll soon discover the most uncanny of bonds in love Spell,
A tale of the Naguanity.
Speaker 4 (01:34):
How are you not freezing?
Speaker 5 (01:35):
Come here and let me hold you, Jack.
Speaker 6 (01:38):
We're not together anymore.
Speaker 7 (01:39):
Remember Look, I've been giving this a lot of thought,
and I want you back.
Speaker 5 (01:45):
I'm ready to go public with us. No more hiding,
no more sneaking around.
Speaker 8 (01:49):
Are you serious?
Speaker 7 (01:50):
Yes, I'm serious.
Speaker 5 (01:51):
I want to be with you, Sylvia, and I don't
care about my family's ignorant opinions.
Speaker 9 (01:57):
I swear if you're messing with.
Speaker 5 (01:59):
Me, let me warm me up. I love you, Sylvia.
Speaker 9 (02:06):
I love you too.
Speaker 10 (02:07):
Chat huh quick hot?
Speaker 5 (02:12):
Can you hit me the monocars?
Speaker 9 (02:17):
What is it?
Speaker 5 (02:18):
I mean, I'm not sure. It looks like a giant.
Speaker 7 (02:21):
Rat or something. See for yourself. Right over there against
the surf.
Speaker 9 (02:26):
I don't see. Oh wait, oh my god, it's alo.
What you know those dogs from Mexico that are totally hairless.
Speaker 7 (02:36):
That's a dog.
Speaker 5 (02:37):
Damn.
Speaker 7 (02:38):
I can see where two pabas come from.
Speaker 9 (02:40):
Shut up, I think they're cute.
Speaker 8 (02:42):
Poor thing.
Speaker 9 (02:43):
It must be lost. Don't call it hi, Hi spen baby?
Speaker 11 (02:51):
Are you lost?
Speaker 5 (02:52):
Stundikes? There's a face only a mother could love. Easy there,
big boy, I don't.
Speaker 7 (03:00):
Think she likes It's not funny. Made me that piece
of drift to it?
Speaker 9 (03:04):
Jack?
Speaker 10 (03:08):
Jack, don't I can't stay back, Jack?
Speaker 12 (03:17):
So you.
Speaker 9 (03:36):
Mom?
Speaker 13 (03:37):
Dad?
Speaker 9 (03:38):
Where where's Jack?
Speaker 14 (03:39):
Okay?
Speaker 13 (03:40):
Jack?
Speaker 14 (03:40):
No, no, no, no, no, no. It was just a dream.
Speaker 4 (03:44):
It's just a dream.
Speaker 15 (03:46):
Where the Okay, okay, take it.
Speaker 16 (03:49):
This ridiculous. It's the middle of the morning and you're
heaving nightmares. Did you take your night tryst? The doctor
told you not to skip any doses here, Okay, Dad.
Speaker 9 (03:57):
Jesus and I had like three express for breakfast. Can
you not yell at me.
Speaker 2 (04:01):
I'm not yelling.
Speaker 13 (04:03):
I just work.
Speaker 17 (04:05):
Yeah, let's just all calm down.
Speaker 5 (04:07):
You know what.
Speaker 16 (04:08):
You tool should just fly back early. I can book
the tickets right now. You don't need to worry about me.
I can handle the funeral on my own.
Speaker 7 (04:16):
You don't have time.
Speaker 16 (04:16):
I knew it wasn't a good idea to bring Sylvia here.
Oh my, I've probably done to get her nightmares under control?
Speaker 2 (04:24):
Was I thinking?
Speaker 15 (04:25):
Okay?
Speaker 12 (04:25):
Yeah?
Speaker 15 (04:27):
Can you just stop facing for a second. Celvia is fine, Okay,
it's her first time in Nikiko for a funeral. No less,
she's going through a breakup and she's just transitioned.
Speaker 9 (04:41):
This is just her body's way of processing all this change.
Speaker 15 (04:45):
A nightmare here and there is.
Speaker 14 (04:47):
To be expected.
Speaker 9 (04:48):
Can you please not talk to me like I'm not here?
Speaker 16 (04:52):
We shouldn't have brought her Valentina, she's not well.
Speaker 14 (04:55):
You're making a mountain out of a molehill.
Speaker 9 (04:57):
Hey, can you guys stop the The nightmare is over.
Speaker 17 (05:01):
I'm so sorry.
Speaker 5 (05:05):
Why not see you? Senor Shoe took a.
Speaker 13 (05:11):
Yeah, I have to take this.
Speaker 18 (05:16):
What's wrong with me?
Speaker 13 (05:17):
Mom?
Speaker 14 (05:17):
I'm no more.
Speaker 15 (05:19):
Absolutely enough is wrong with you either. You just need
to unwind and reconnect with yourself. Your dad, on the
other hand, I think the funeral is really getting to him.
Speaker 18 (05:32):
Yeah, that must be it.
Speaker 15 (05:33):
Okay, ah, that was the funeral director. Oh good, finally, yeah.
Speaker 16 (05:40):
Finally, you can meet us this morning if we hurry.
Speaker 5 (05:46):
I'm sorry we have to leave you like this.
Speaker 19 (05:48):
Miha.
Speaker 9 (05:49):
No, I'm sorry, Dad.
Speaker 8 (05:51):
I didn't mean to stir up all this drama.
Speaker 4 (05:53):
Your mom just died, and I know you're just worried.
Speaker 9 (05:56):
And looking out for me.
Speaker 16 (05:58):
I mean, there's nothing to be sorry about my mother.
She was complex, to say the least. There's a reason
we never brought you here. I wish we didn't have
to drag you along for all this up.
Speaker 15 (06:09):
And on the bright side, we are in Mexico and
Sylvia has never had a chance to explore her roots.
Maybe we should think about extending our trip a little
after the funeral.
Speaker 5 (06:23):
No, no, no, no, no, let's just get through the
funeral and head home.
Speaker 15 (06:27):
We'll talk about it now.
Speaker 5 (06:28):
There's nothing to discuss.
Speaker 15 (06:29):
Okay, then, Selvi, why don't you get out of this
stuffy room and go enjoy the pool a little sunshinel
do you good?
Speaker 9 (06:40):
Yeah, you're right, Just don't leave.
Speaker 5 (06:42):
The hotel by yourself.
Speaker 9 (06:43):
Okay, yes, she's sixteen, that's six.
Speaker 16 (06:46):
It's a dangerous place, especially especially for what Just stay
in the hotel. Okay, let's get going, Valentina. I don't
want to miss the priest again.
Speaker 5 (06:56):
God for you?
Speaker 7 (06:59):
Oh what's up? Why are you calling Jack?
Speaker 4 (07:11):
I need to tell you about this dream and we
were back together, and.
Speaker 7 (07:15):
God, Sylvia, how many times do I have to tell
you it's over?
Speaker 6 (07:20):
What are you talking to?
Speaker 11 (07:21):
Babe?
Speaker 7 (07:22):
No one? Who is that? Just stop calling Jack? We're done?
Speaker 9 (07:27):
Jack, freaking asshole? Where is your Olympia?
Speaker 10 (07:39):
I'm in here.
Speaker 16 (07:41):
I'm so sorry.
Speaker 14 (07:42):
I thought it was empty.
Speaker 11 (07:43):
I can come back later.
Speaker 20 (07:45):
Okay, okay, I'm fine.
Speaker 7 (07:50):
Or no, I don't.
Speaker 10 (07:53):
I don't know.
Speaker 9 (07:55):
Oh my god, Oh God, I mean me.
Speaker 14 (08:00):
You're a man, let me guess boy trouble.
Speaker 20 (08:04):
Yeah, you could say that. I finally confronted my boyfriend
for keeping our relationship with secret, and instead of being understanding,
he just ended it. And now he's already with some
other girl, and I.
Speaker 14 (08:21):
Just I've been there. No man is worth the amount
of pay. Those dark circles under your eyes are telling
a story. Maybe you need to get some rest and
slip it off.
Speaker 20 (08:35):
I wish, but I have these terrible nightmares like every night,
and I don't know what to do.
Speaker 19 (08:43):
Oh girl, every night.
Speaker 15 (08:46):
This sounds like more than just a heartbreak.
Speaker 14 (08:50):
What you need is a I know of a really
good one not too far away from here.
Speaker 9 (08:57):
What's a good ondetta? You know someone who makes spells
and stuff? I love spell and you'll be ood a
love spell.
Speaker 6 (09:07):
I know how it sounds, but.
Speaker 14 (09:09):
I'm telling you. My cousin went from single to engage
in like a week. She swears by this cornder. I
am that.
Speaker 4 (09:20):
Sounds amazing, but I can't.
Speaker 6 (09:23):
My dad would kill me.
Speaker 7 (09:24):
If you know.
Speaker 17 (09:24):
I love the hotel.
Speaker 15 (09:27):
Soothe yourself, but her shop is just around the corner.
Speaker 14 (09:31):
If you change your mon.
Speaker 4 (09:40):
Hello, Wow, does anybody here?
Speaker 9 (09:51):
Oh?
Speaker 2 (09:55):
Let me?
Speaker 14 (09:56):
You're here when they broken her?
Speaker 4 (10:00):
How did you know that?
Speaker 14 (10:01):
Believing cause of angst and that both reasons the daunt
of time. I know it when I see it. I'm
Doni a Bertola and you are Sylvia Chechak. Should have
you seen? Let's see what the gods have to say? Ah,
(10:25):
Reverend Villas for fever.
Speaker 15 (10:28):
Mm.
Speaker 4 (10:30):
The tower that doesn't look very promising.
Speaker 14 (10:34):
Crumbling the seat and broken promises will never stand the
test of time. This boy, my dear, is not worth
your tears, but I still love him. I've seen more
heartbreak than all the telenovelas combined. This boy will never
be your equal. And see as for the last God strength.
(11:02):
You see the woman here that's you? What do you
see in her?
Speaker 4 (11:06):
She looks brave and free? But what about that creature
in the card?
Speaker 9 (11:13):
It looks scary.
Speaker 14 (11:15):
Let me ask you, child, have you had nightmares of
wild animals lately?
Speaker 9 (11:20):
Yes, every night?
Speaker 14 (11:23):
Beasts of the night, Oh day whisper secrets to those
who listen, You know what does that mean? It means
your subconscious has quite the menagerie one last God.
Speaker 9 (11:40):
The lovers.
Speaker 10 (11:41):
That's a good sign.
Speaker 13 (11:41):
Right.
Speaker 14 (11:42):
Indeed, even as we speak, your soulmate searches for you.
Oh my God, your one true love is closer than
you think. Really, yes, very very close, perhaps even right
here in Wahakah. But you are blocked. I'm afraid, And
(12:06):
for this I will make you a love spell to
open your mind, body and soul and call your true love.
Speaker 4 (12:15):
For Okay, Okay, wow, that sounds intense, but let's do it.
Speaker 14 (12:22):
True love is no light matter. Are you sure you
want this, oh more than anything. Very well, let me
gather my things.
Speaker 4 (12:38):
That that that knife looks really old?
Speaker 6 (12:41):
Is it an antique?
Speaker 7 (12:42):
Give me your hand, oh my hand?
Speaker 14 (12:45):
Oh yes, a few drops of bloody solidachs.
Speaker 9 (12:49):
That's a lot more than a few drops there.
Speaker 17 (12:52):
All done.
Speaker 14 (12:54):
That wasn't so bad, was it?
Speaker 21 (12:55):
Now?
Speaker 14 (12:56):
I will just add a bit of this and some
oh pinch of merrow harvested on a new moon. Clow
off the rooms and only wonder for good measure. One
wouldn't want to open the room.
Speaker 5 (13:18):
Doors after all.
Speaker 14 (13:22):
Close your eyes and drink this. It's for unseen yet
it's presence, fell.
Speaker 12 (13:34):
Seve.
Speaker 9 (13:42):
Wow, I really thought something, I really did.
Speaker 14 (13:46):
Your true love will find you soon. Oh my god,
I lost attention to your dreams. And last but not least,
that will be three hundred pesos dollars preferred. But I
also take denmo. The QR code is over by the door,
and tips.
Speaker 9 (13:59):
Are well right, of course, let me just uh.
Speaker 11 (14:07):
Done.
Speaker 9 (14:08):
Thank you again, Donato, I really appreciate it. Donia Bartola,
where's she go? I'll just see myself out, okay, smooth,
(14:38):
But I was enjoy.
Speaker 13 (14:41):
Ship.
Speaker 9 (14:43):
Excuse me, del scope, Yes, miss, could I get.
Speaker 8 (14:48):
Another double espresso?
Speaker 2 (14:50):
Another one?
Speaker 17 (14:51):
Are you sure you you won't be able to sleep
to night?
Speaker 8 (14:54):
That's kind of what I'm going for, Okay, hardcore?
Speaker 12 (14:57):
Huh, don't one expressive for the night?
Speaker 5 (14:59):
Al coming right up?
Speaker 9 (15:01):
Thanks so much.
Speaker 19 (15:03):
Hey, I hope this doesn't.
Speaker 14 (15:05):
Weird you out, but well, my break is coming up,
and I was kind of wondering if maybe you want
to hng out or something.
Speaker 12 (15:15):
Are you asking me.
Speaker 13 (15:16):
On a date?
Speaker 16 (15:17):
No?
Speaker 12 (15:17):
No, well I mean yes, yes, but I don't.
Speaker 2 (15:20):
I don't mean no disrespect.
Speaker 8 (15:22):
I don't even know your name, right right, of.
Speaker 12 (15:24):
Course I'm got respect.
Speaker 17 (15:26):
Clearly, I'm not great at this.
Speaker 19 (15:28):
I'll just I'll be right back with your coffee.
Speaker 8 (15:31):
Wait, Carlos, I'd love to go on a date with you, so.
Speaker 9 (15:43):
Did I tell him? Get your own damn pizza and
proceed to eat the entire thing just out of sight. O.
Speaker 12 (15:52):
Nice.
Speaker 17 (15:53):
I can't remember the last time of anyone when you
left so hard.
Speaker 12 (15:58):
Us.
Speaker 10 (16:00):
Yes you are?
Speaker 12 (16:03):
Hey?
Speaker 9 (16:06):
Wait, you really think I'm funny?
Speaker 8 (16:09):
Nobody thinks I'm funny.
Speaker 17 (16:10):
You're not just funny, You're You're beautiful, smart, cool.
Speaker 9 (16:17):
I really really like you, Carlos.
Speaker 7 (16:19):
I really like you too.
Speaker 12 (16:24):
Holy Ship, did you see that what said?
Speaker 7 (16:27):
Something just swam by my feet.
Speaker 12 (16:28):
It looked pretty big.
Speaker 9 (16:30):
Yeah, good one.
Speaker 12 (16:31):
No, no, no, no, I'm serious.
Speaker 10 (16:37):
Oh my god, all these we need to get out
of the water.
Speaker 12 (16:51):
Wait wait, wait, I think it's not I don't see.
Speaker 18 (16:53):
It out.
Speaker 17 (17:21):
Man, Senora, your double espresso?
Speaker 12 (17:41):
Hey you, missmiss you.
Speaker 9 (17:43):
Okay, Carlos, you're alive.
Speaker 12 (17:47):
I'm so sorry, mister you.
Speaker 17 (17:48):
You must have mistaken me for someone else.
Speaker 10 (17:51):
But we went on a date and and and and
the crocodile.
Speaker 11 (17:56):
Crocodile.
Speaker 9 (17:58):
Oh my god, it was all the tree.
Speaker 8 (18:02):
I'm so sorry.
Speaker 13 (18:05):
Wait, you forgot.
Speaker 9 (18:17):
Your coffee, thanks dad, And.
Speaker 5 (18:23):
You took your night trus up on. Yep, she can't
hear you with her headphones.
Speaker 6 (18:31):
I wish you would just encourage her to sleep.
Speaker 14 (18:34):
This can't be.
Speaker 5 (18:34):
Healthy and risk more nightmares. I don't think so.
Speaker 13 (18:41):
Fine.
Speaker 15 (18:42):
Sylvia can do what she wants, but you need to
get some sleep before the funeral tomorrow.
Speaker 5 (18:47):
I want to keep an eye on Sylvia.
Speaker 14 (18:48):
What is really going on with you?
Speaker 15 (18:51):
Is this about Sylvia's transition? May you understand the world
can be a scary place, but hovering over her like
a hawk and worrying about every little thing isn't doing
her any good.
Speaker 16 (19:02):
You think this is about her transition, This is about
her nightmares.
Speaker 5 (19:09):
My mother used to have these nightmares like that.
Speaker 16 (19:12):
She was cursed. It was a terrible, terrible affliction.
Speaker 10 (19:16):
A curse is dorda.
Speaker 17 (19:18):
You don't really believe that she could.
Speaker 13 (19:20):
I saw it with myself when I was a boy.
Speaker 16 (19:22):
You saw what exactly, I don't know, something monstrous in
her eyes.
Speaker 5 (19:29):
I worry for her, Sylvia.
Speaker 7 (19:31):
I worry she has it too more.
Speaker 15 (19:35):
You're carrying the weight of the world in your shoulders.
Speaker 17 (19:38):
Neat rest.
Speaker 15 (19:40):
Your mother had a mental illness, not a curse. And
Sylvie is fine. She's just an ordinary teenager.
Speaker 5 (19:48):
God. I hope you're right. Valentina.
Speaker 12 (19:50):
Yeah, an't on her that the factor that shine a won.
Speaker 21 (20:04):
You and your infatation adminish nor urbans through the hall.
Speaker 13 (20:10):
I've had.
Speaker 7 (20:13):
You also in the.
Speaker 4 (20:20):
Holy ship. Mom, look up, affair, What is it? All
those birds and the rafters birds?
Speaker 12 (20:30):
What do you mean.
Speaker 17 (20:32):
She gains you?
Speaker 12 (20:33):
The birds?
Speaker 17 (20:35):
They're all looking at me money, What what are you
talking about?
Speaker 13 (20:38):
There aren't any.
Speaker 8 (20:39):
Birds can be pretty?
Speaker 10 (20:41):
Give them away from me.
Speaker 12 (20:54):
Here are you clean?
Speaker 5 (21:00):
Crash and thank you for coming. And again we're so
sorry for the disturbance.
Speaker 14 (21:13):
So sorry.
Speaker 20 (21:17):
I'm so sorry, Dad, I'm so sorry for ruining the funeral.
Speaker 13 (21:20):
Dad.
Speaker 10 (21:21):
I don't know what happened.
Speaker 9 (21:22):
I'm ast fallen asleep.
Speaker 5 (21:23):
Yeah, we just want to make sure you're okay. If rosales,
he's going to offer you a blessing.
Speaker 21 (21:29):
Yeah, man made the light of the Lord, dispelled the
darkness that surround you. Chi tell me, is there anything
that might have invited such darkness into your life? Have
you dabbled shay in your forbidding art? Perhaps with your boy? No?
Speaker 9 (21:46):
No, nothing like that.
Speaker 21 (21:48):
You can tell me.
Speaker 18 (21:49):
Although, so yesterday I went to see a corndetta named
Donia Bartola and she made me a love spell.
Speaker 14 (22:02):
Celia, I can't believe you.
Speaker 16 (22:04):
I know something wasn't right.
Speaker 4 (22:06):
And who's yeah to me?
Speaker 19 (22:10):
That woman is a witch?
Speaker 21 (22:12):
What ineg would jim shot? If I had known, I
never would have let you shut foot indist.
Speaker 2 (22:21):
Thank you father.
Speaker 5 (22:22):
I'll handle it from here, Sylvia, take us to the school.
Speaker 2 (22:26):
Ndetta, now show yourself burroh.
Speaker 9 (22:40):
No need to shut my goodness, you scared me.
Speaker 2 (22:44):
She does that?
Speaker 7 (22:45):
She? What have you done to our daughter?
Speaker 14 (22:49):
I should be asking you the same question, mister shutuk.
Why don't you tell your daughter and what you did?
Speaker 9 (22:57):
What is she talking about?
Speaker 12 (22:58):
Dad?
Speaker 16 (23:00):
Okay, there's something I need to tell you, something I
kept hidden from you for for too long. When you
were young, I hired someone to put a protection spell
on you.
Speaker 14 (23:10):
What some protection? Look at all that trouble.
Speaker 7 (23:15):
It's cost What did you do?
Speaker 12 (23:16):
Dad?
Speaker 16 (23:18):
There's been a curse in our family that's been carried
from generation to generations. I wanted to protect you, Sylvie,
but I feared this man everything.
Speaker 14 (23:30):
Don't you understand anything? It is a gift, not a curs.
Speaker 10 (23:40):
I sell, I get done, pretty dark.
Speaker 13 (23:45):
Done?
Speaker 12 (23:45):
Do you see?
Speaker 14 (23:46):
See?
Speaker 13 (23:49):
I see?
Speaker 10 (23:49):
I see a shadow.
Speaker 9 (23:51):
Let's getting closer, like a fog of pure darkness.
Speaker 14 (23:55):
Or your true love is coming now? For the true
love of any blue is her? Not stop resisting? A
for sunsee yet ever? Keen its presence felt, though not foresee?
Was there something in your dreams that you felt but
(24:18):
could not see? And what animal roars.
Speaker 19 (24:22):
In such a way?
Speaker 12 (24:24):
I don't know.
Speaker 10 (24:26):
Maybe a lion or a tiger?
Speaker 14 (24:29):
Look within sa a animal a jackuar.
Speaker 12 (24:40):
Let the roar enter, and Const'm afraid.
Speaker 14 (24:45):
The fear will end when you let it in. We
need to get around here, just between the counter, and
to keep in mind what you are about to see.
Men painful, But I assure you see if you.
Speaker 21 (25:00):
We'll be nine.
Speaker 12 (25:03):
No no, no, no luck.
Speaker 21 (25:06):
The child in conformation.
Speaker 11 (25:08):
Sif you're mad?
Speaker 14 (25:28):
She thinks it My smelling sounds are on sale for
five ninety nine.
Speaker 11 (25:38):
Yeah we are ill, are.
Speaker 12 (25:47):
Y don't reger?
Speaker 14 (25:49):
The first transformation is exhausting. You are a poor woman,
and no one must have tormented her from within like
a wild animal trapped.
Speaker 13 (26:00):
In that cage.
Speaker 3 (26:02):
I didn't know.
Speaker 13 (26:04):
I thought it was a curse.
Speaker 14 (26:06):
People are so afraid of what they don't understand. What
do you hold this gift? Of course, Sylvia is what
you call it? Shapeshifter the jaguar comes only to the
most powerful amongass Just does that mean you?
Speaker 3 (26:27):
You?
Speaker 5 (26:27):
You also, mister Shatto, I too as well.
Speaker 14 (26:36):
No far be manawal from the jaguar. Would you like
to see.
Speaker 19 (26:50):
H Jack?
Speaker 9 (27:17):
I thought you hated hiking in the rain?
Speaker 3 (27:20):
I do.
Speaker 7 (27:21):
But if it means I get a second chance?
Speaker 9 (27:25):
Who says you get a second chance?
Speaker 19 (27:27):
What do you mean?
Speaker 7 (27:28):
Isn't that why we're here?
Speaker 10 (27:32):
You don't know? That's saying it's better to show not tell.
Speaker 6 (27:36):
Yeah, I don't date cowards anymore, boy, Sylvia.
Speaker 7 (27:48):
What's wrong with your eyes?
Speaker 13 (27:59):
What the Hell's fun? Oh?
Speaker 14 (28:38):
T love?
Speaker 7 (28:39):
The first breakup.
Speaker 1 (28:41):
It's always the hardest, but it opens the door for
what we're truly meant to find. Be careful out there, friends,
there may be a quality lurking much closer than you think.
Speaker 19 (29:06):
Nocturno Tales from the Shadows was produced by Sonoro in
partnership with I Heartsmichael Dura Podcast Network. Produced and directed
by Luis Eduardo Castillo, developed and produced by Bettina Lopez.
Speaker 5 (29:22):
The executive produced by.
Speaker 19 (29:24):
Conel Byrne and Giselle Benzies for iHeart and Camilla Victoriano
and Josha Weinstein for Sonoro. This episode was written by
Stephanie Adams. Santos. Performances in this episode by Danny Trejo,
Kuei ten May, aswell Annie Henk, Bacolosano and Aida Gardinez,
(29:51):
Matthew Benavidez, Savanna Nicole Ruiz, Sila, Sheila Corci, Gustavor Rosse
and Arcopelas. Our production manager is Carinsa Chaies. Recording engineering
and sound designed by Cassandra Tinajerro and Andres Bayena. Casting
(30:14):
a coordination by Ansley Martinez Alex Gonzalez, Carenza Chaides and
Bettina Lopez. Voices recorded at the Invisible Studios and Out
Loud Audio in Los Angeles, The Relic Room in New York,
Panoramic Audio in Miami, Bill Carcery Productions in San Diego,
(30:36):
Matt Block Sound in San Juan, Puerto Rico, and Low
Key Entertainment in Lima Perula, with engineering by Charles Carroll,
Stephen George, John Anderson, Lester Dangler, JK. Hurrado, Brett Tubin,
Ethan Grafton, Manuel DuRane, Reno, Joao, Tito Cavallero, and Bill Carker,
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