Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Ingredients and being many oaths.
Speaker 2 (00:12):
Fellow seekers of the dark, I'm your host day trail.
Speaker 1 (00:16):
Welcome to Nocturno. Tales from the Shadows.
Speaker 3 (00:21):
Join me as we dare to enter the flames of fright,
where the veil between worlds grotein and the haunting legends
and lore of Latin America stir to life.
Speaker 1 (00:33):
Retold with a twist on.
Speaker 3 (00:35):
This cold and windy night to Night's tale takes us
to a much warmer destination. The Jungles of Venezuela as
mysterious as they are deadly, but never more so than
when Doctor God freed Noche, also known in these parts
(00:59):
as Cornoche, call this rainforest home. The German doctor found
his way into folklore after inventing an embalming serum to
mummifi countless corpses, which begs the question where did so many.
Speaker 1 (01:16):
Bodies come from?
Speaker 2 (01:18):
How did Konnoche acquire them?
Speaker 3 (01:22):
There are many chilling theory accounts, so dreadful many locals
to this day will not step foot near the ruins
of Kornoches Haci and Puenavista, and so when a tour
guide rulingly trespasses upon this unsacred grounds, it begs another question,
(01:45):
is he simply brave or maybe a bit of.
Speaker 1 (01:48):
A moral decide for yourself?
Speaker 4 (01:53):
Ah ha, here they come, Now join.
Speaker 1 (01:56):
Us as we take in the frights.
Speaker 3 (02:01):
Shallow Gray, A tale of doctor Conocci.
Speaker 5 (02:17):
He didn't just invent it, assume the revolutionized mummification.
Speaker 6 (02:22):
No, don't even believe.
Speaker 5 (02:24):
He created the elixir of life, a potion for immortalities.
Speaker 7 (02:30):
The many have drive. No one has found there all
over and we areost there as a matter of fact.
Speaker 5 (02:37):
Yes, just through these trees is a clearing, and there
will we find conches Mausliu, the resting place of doctor
Conocci and his experiments. The mommy, Oh, notice how I
didn't say final resting place?
Speaker 8 (02:58):
Not really.
Speaker 7 (03:01):
You do well to remember because you never know what
you might find.
Speaker 9 (03:08):
On a night.
Speaker 7 (03:09):
So just this or what might find you?
Speaker 10 (03:17):
What do you?
Speaker 11 (03:18):
What do you do? O?
Speaker 12 (03:18):
My god?
Speaker 5 (03:19):
I said, what might find You're supposed to be mummies?
Speaker 13 (03:29):
Hey, mummy, bro cigarettes will kill you.
Speaker 12 (03:33):
Look, look there's another one. He's on his boat.
Speaker 7 (03:50):
Well, hey, I'm Roger.
Speaker 12 (03:52):
What it is?
Speaker 7 (03:53):
What I'm Don't let your guard down because.
Speaker 14 (03:57):
Yeah, yeah, sure, how long are they going to be
walking on?
Speaker 15 (04:01):
They are the good be alln for real, because I
think we want to head back Google.
Speaker 7 (04:11):
Fine, that's what, Just get back down the same path
where we can.
Speaker 13 (04:17):
Yeah, yeah, Roger, you have to share some of the
blank me.
Speaker 4 (04:30):
Was like the one on my phone?
Speaker 7 (04:31):
Was I the one smoking?
Speaker 14 (04:33):
Technically I didn't actually light it, so MEA is right.
Speaker 7 (04:36):
You took too long. You were supposed to be here
an hour ago.
Speaker 14 (04:39):
Exactly why the hell were you so late?
Speaker 7 (04:41):
I wasn't late.
Speaker 6 (04:42):
That stupid group was.
Speaker 7 (04:44):
Then I had to rush my whole presentation on the
way here.
Speaker 6 (04:47):
What do we do if we get another bad review?
Speaker 7 (04:49):
Change our name again?
Speaker 14 (04:51):
People don't like to book if your name?
Speaker 6 (04:53):
We need to keep walking.
Speaker 7 (04:54):
No way, I'm losing out on any more money.
Speaker 6 (04:56):
Where I'm going to endulp?
Speaker 7 (04:58):
What nothing one is? We need to keep making money,
So the best way to do that is.
Speaker 6 (05:06):
What do we do? We did get their credit card
and though.
Speaker 7 (05:10):
Oh right, so not all bad news, but still that
hasn't been enough.
Speaker 9 (05:16):
Guys, my stomach's doing this thing.
Speaker 7 (05:19):
Uel. If you're going to do what I think you are,
take the shovel. Yeah you still me a.
Speaker 11 (05:26):
Pair of boots from last time here.
Speaker 7 (05:32):
I think I found the answer you want us to
do what we need a better presentation, rustle us some
what factor? And this is how we do it?
Speaker 6 (05:49):
Uh huh?
Speaker 7 (05:49):
So you want us to bury ourselves just then then
you jump out when the stupid tourist least expected.
Speaker 14 (05:57):
Can we grab them at least like their uncle?
Speaker 15 (06:00):
M hmm, okay, that's right.
Speaker 6 (06:03):
Nothing.
Speaker 7 (06:04):
Think were there where? The dear it is loose.
Speaker 12 (06:07):
Where right there?
Speaker 7 (06:08):
Under's memorial plague.
Speaker 16 (06:15):
You know, the more I think about this, the more
I think it's it's a pretty good idea.
Speaker 7 (06:22):
I know people are going to be terrified.
Speaker 4 (06:26):
And rightfully so to many.
Speaker 6 (06:28):
I stopped being afraid of doctor Conocci.
Speaker 7 (06:31):
They don't give him enough respect for what he did.
Speaker 12 (06:35):
Hassle, what is that? What I just asked? All?
Speaker 10 (06:39):
I just hit something and it's like.
Speaker 16 (06:44):
Something seemed very dead.
Speaker 7 (07:05):
Were from the cold long enough to star with me?
Speaker 12 (07:14):
Away?
Speaker 9 (07:31):
Living? O?
Speaker 12 (07:47):
What year is this?
Speaker 17 (07:51):
What's two thousand and two thousands?
Speaker 1 (07:56):
Heaven?
Speaker 9 (07:56):
Smith?
Speaker 4 (07:57):
And what is the cholera epidemic? It's not really the
thing anymore, Undebau, Are you are you going.
Speaker 12 (08:05):
To kill me? Kill you?
Speaker 8 (08:07):
No, my dear boy.
Speaker 4 (08:08):
You see death, death is the enemy. Ones must be defeated.
Speaker 18 (08:13):
Okay, there are my manners allow me to introduce myself.
I'm Dr August Gottfried, no otherwise.
Speaker 8 (08:22):
Known in this part of the world is doctor chat.
Speaker 9 (08:27):
By.
Speaker 18 (08:28):
I see my reputation precedes me, and I'm sure you
have questions, but sadly I haven't much time.
Speaker 7 (08:34):
What is your name?
Speaker 4 (08:35):
By the day, I'm Roger, Roger. I feel the hands
of fate working with us. You see, I was in
need of some help and here you are. And so
I ask you, what is it you want?
Speaker 6 (08:49):
What I want to live?
Speaker 18 (08:51):
Yes, yes, I'm sure there is all macabre and frightening,
but to get over it.
Speaker 4 (08:56):
Think what is driving you? What is it you truly want? Well,
I guess what I want. What I need is money, money, yes,
lots of it.
Speaker 18 (09:10):
I'm just a seck of Oh this is a cholera
what No, no, no, I'm seak of Dean Fronk.
Speaker 12 (09:19):
And there it is.
Speaker 4 (09:20):
You Help me and you will have your money. Really,
what do you need me to do?
Speaker 18 (09:25):
Bring me a body, a body, a body, a corpse,
as a fresh as a better. Do that and I
will show you where to find the elixir of life.
Speaker 8 (09:34):
The elixir of life?
Speaker 4 (09:35):
Are you going to repeat everything I say?
Speaker 12 (09:37):
No?
Speaker 4 (09:37):
No, no, okay, in this century of the two thousands?
Have they found a cure for death?
Speaker 6 (09:42):
You for the Sorry, No, no they haven't.
Speaker 9 (09:46):
Was that?
Speaker 4 (09:46):
I imagine it will fetch you quite a handsome sum
Are you.
Speaker 19 (09:50):
Kidding something like that? I bet I could sell it
for me. So I just need to find you a
fresh corpse.
Speaker 11 (10:03):
Huh.
Speaker 18 (10:04):
I'm afraid if it's beyond that timeline, I'll get again
have to resume my slumber for death things. Oh okay,
a gentleman's agreement there, I am from a handshake? Is
bounty not something that can be broken on pain of
(10:25):
dishonor and on pain of death?
Speaker 8 (10:28):
Do you understand?
Speaker 4 (10:30):
Yes, yes, I dind the bar. So if you're having accord, Oh,
I drive a truck, I see? And what is a truck?
Speaker 6 (10:47):
Mm hmm?
Speaker 7 (10:55):
Okay, hold on, yeah already, hold on.
Speaker 8 (11:01):
I'm coming, Roger, So you're alive? Of course, what are
you doing here?
Speaker 14 (11:10):
Get an answer or sex or calls?
Speaker 7 (11:13):
Would I? If I remember the correctly, you all abandon me.
Speaker 14 (11:17):
We all ran okay, I'll admit that, but we also
did come back for you.
Speaker 7 (11:22):
Oh yeah, when you know what? Never mind, I don't
even want to hear it.
Speaker 8 (11:28):
Okay, So what happened.
Speaker 15 (11:30):
What do you mean what happened? I? Uh, you know,
I run away just like you guys, only I got
lost for a bit. You got lost just for a second.
But I managed to get away from that monster.
Speaker 14 (11:43):
It was one of gunacious right.
Speaker 6 (11:45):
No, you said that was real?
Speaker 4 (11:48):
Sorry to disappoint, but no, was it?
Speaker 9 (11:51):
Then? What was it?
Speaker 7 (11:52):
Uh?
Speaker 9 (11:53):
It was?
Speaker 7 (11:55):
You know he was like a jungle pervert.
Speaker 14 (11:59):
A jungle pervert, that would be my guess. No, no,
that was not natural.
Speaker 7 (12:05):
The smell alone was you know what, one of the
big ticketways serious. My plans would have.
Speaker 14 (12:11):
Worked, probably, but it also would have been a lot
of work.
Speaker 9 (12:16):
Damn.
Speaker 14 (12:16):
It's too bad we can't find another content with that
old rich lady right.
Speaker 7 (12:20):
Well, with then a con. It's important to know when
to cut your looses. So I think we should all
take the night off.
Speaker 14 (12:27):
The night off, So no tour, eh, don't worry.
Speaker 7 (12:31):
Your fearless leader will figure out another way to make
us money.
Speaker 4 (12:34):
But to do that, I need to rest.
Speaker 7 (12:37):
So I'm just gonna close this.
Speaker 14 (12:41):
Roger, let us know if you change your mind.
Speaker 15 (12:44):
Okay, yeah, sure, by now, Sorry Mique, but that money
is all mine.
Speaker 11 (12:54):
Ah what now?
Speaker 8 (13:08):
Project Roger?
Speaker 10 (13:11):
Roger is that you be honest with me?
Speaker 4 (13:18):
Are you on drugs?
Speaker 9 (13:19):
No?
Speaker 6 (13:19):
No, no, just I just had a I just had
a rough night.
Speaker 10 (13:24):
You're going to have to do better than that this time.
Speaker 8 (13:27):
No more games, no more excuses, just.
Speaker 12 (13:29):
Rent you have it?
Speaker 7 (13:31):
I will very soon, very soon?
Speaker 12 (13:33):
How soon?
Speaker 7 (13:34):
Just a few more days?
Speaker 10 (13:35):
You have until Monday Todays or I could a vict
you right.
Speaker 7 (13:38):
Now, like I was saying, two days, Wow, so much time.
Speaker 4 (13:44):
This is your last chance, Roger.
Speaker 10 (13:45):
I don't want to see you on the streets, but
that's what's going to happen if I don't get rent
on Monday.
Speaker 7 (13:52):
I love the money with just two days? What a morning, Amli.
Speaker 8 (14:02):
I'm sorry they're probably hungry.
Speaker 4 (14:09):
Is this a loss of it?
Speaker 11 (14:11):
Don't worry your money?
Speaker 15 (14:13):
Really have money, so shouldn't be torn by I just
need to figure out where to find a dead body,
A fresh one, fresh at the better right my idea?
So where do we find a recent lead?
Speaker 12 (14:32):
There?
Speaker 11 (14:34):
Dead body? It's not like you just can go to
the mercan.
Speaker 8 (14:40):
And pick one up.
Speaker 7 (14:41):
Can't you imagine.
Speaker 6 (14:44):
A blaze where they keep dead beeople?
Speaker 11 (14:53):
Am I?
Speaker 4 (14:54):
I think I might be a genius.
Speaker 20 (15:05):
Buenosiyas, Hello, sir, welcome to Jose. I first want to
say that we are here to serve you. We understand
this may be a difficult time for you. May I
ask what brings you to us today?
Speaker 11 (15:19):
That's quite the speel.
Speaker 15 (15:21):
Don't worry. I haven't lost anyone personally. I guess you
could say, I'm actually here to find someone.
Speaker 1 (15:30):
I'm not sure I understand.
Speaker 11 (15:33):
Who's uh making all the noise back there?
Speaker 1 (15:36):
Huh?
Speaker 4 (15:37):
I'm here alone?
Speaker 15 (15:38):
Oh well, anyway, the thing is, I'm in the midst
of a very very lucrative deal, but there's a bit
of should we say.
Speaker 8 (15:49):
Unique condition said.
Speaker 20 (15:51):
I'm sorry, but we don't allow solicitations in the premises.
Speaker 15 (15:54):
Oh no, no, no, no, I'm not trying to tell
you anything. I'm trying to explain that these very relucrative deal,
which I guess could potentially benefit you as well.
Speaker 11 (16:04):
For it to go through, I.
Speaker 15 (16:06):
Need well, I need a body, a body, see it
just been repeating right anyway, Yes, I would like to
take one of what I'm sure are many bodies.
Speaker 6 (16:19):
Of your hands.
Speaker 15 (16:20):
Please, Ah, I see any of them died within the
last day or so. The more recent the better.
Speaker 7 (16:29):
What are you doing?
Speaker 9 (16:30):
How?
Speaker 6 (16:31):
Hey, what are you d sir?
Speaker 9 (16:33):
You need to go. What why?
Speaker 6 (16:36):
I just want to pick up that buddy?
Speaker 4 (16:38):
Absolutely not Now you must.
Speaker 7 (16:40):
Live in me. Hey rude, Okay, I don't think you
understand how lucrative? So why don't you name your price?
Any price?
Speaker 17 (16:49):
I will have to pay you a little later though
more po oh, yeah you're lost. This wasn't even my
first choice. You were just the closest to my apartment.
Speaker 7 (17:08):
Okay, onto land, I'm very.
Speaker 4 (17:15):
Lookrative, now, very lookrative.
Speaker 12 (17:20):
Just need a buddy.
Speaker 7 (17:31):
You're making a mistake.
Speaker 4 (17:36):
Don't come back here.
Speaker 12 (17:38):
Chise my ass.
Speaker 7 (17:40):
So why is it so hard to find a fresh cords?
Speaker 4 (17:56):
I'm sorry, my boy, but all I'm hearing excuses?
Speaker 7 (18:00):
What if I I don't know?
Speaker 4 (18:01):
Do you want up from the cemetery?
Speaker 18 (18:04):
Roger, geez?
Speaker 4 (18:06):
That's fresh, as fresh as possible.
Speaker 6 (18:10):
That is the deed, got it?
Speaker 4 (18:13):
Sorry, but I still don't how.
Speaker 6 (18:15):
How am I supposed to find one?
Speaker 4 (18:18):
The method is of little consequence?
Speaker 6 (18:21):
Doctor.
Speaker 7 (18:22):
I really hate to say this, but I think I
might be out of ideas.
Speaker 18 (18:30):
Did I simply fight my silk? Did I fantake my
chance heading upon the elixir?
Speaker 9 (18:35):
No?
Speaker 4 (18:36):
You you made those things precisely my board.
Speaker 7 (18:40):
So you're saying that I should make a dead body.
Speaker 4 (18:43):
And how does one make a dead body? Oh, but
that would mean rosa, It would but I never but
could you could?
Speaker 6 (18:56):
I maybe?
Speaker 12 (18:57):
Or I don't know.
Speaker 4 (18:59):
I don't know, so why don't you?
Speaker 9 (19:04):
You know?
Speaker 18 (19:04):
My old as a doctor prevents me from harmings living
And this is unfortunate news for our deal.
Speaker 4 (19:10):
I mean, but if you cannot make good on your end.
Speaker 18 (19:13):
Perhaps I should approach one of your freunder about the agreement.
But what your friends tell me? Do you think they'd
be interested in the elixa in some millions? You seem
to think it will earn No no, no, no no
no no no no no, you need to do that.
Evidence too is the contrary.
Speaker 12 (19:31):
No no, no no.
Speaker 6 (19:32):
I'm the guy.
Speaker 8 (19:33):
I'm your guy.
Speaker 9 (19:34):
I can do it.
Speaker 7 (19:36):
Just need to figure out out.
Speaker 12 (19:38):
MM.
Speaker 4 (19:39):
Excellent, my boy.
Speaker 7 (19:41):
I knew I could count to you, right, So I
guess we'll just go out and.
Speaker 12 (19:48):
Do so much.
Speaker 4 (19:50):
And this is all for the great good, my boy.
You'll understand in time.
Speaker 18 (19:55):
Oh and Roger, yeah, don't forget. You only have twenty
four hours left.
Speaker 1 (20:02):
Do not disappoint me.
Speaker 6 (20:06):
No no, no, no, no no, don't worry about that.
Speaker 7 (20:22):
Good morning, Mali, did you leave a gay.
Speaker 15 (20:28):
Mm hmmm, so it was obsolete. I'm trying to think
of ideas. No, nothing yet. Maybe I should let the
creween on. What's happening?
Speaker 9 (20:40):
Bo?
Speaker 8 (20:41):
How would I even explain that?
Speaker 7 (20:43):
Amli Ami? Why so noisy? Amli?
Speaker 6 (20:49):
Oh no, you must be hungry.
Speaker 9 (20:52):
Let me.
Speaker 6 (20:55):
Wait? Oh my god, we're out of your food. No no, no,
no no no it's so finer. No no, no, no
no no, I have to have some left somewhere.
Speaker 11 (21:11):
Come on, I think I found the how.
Speaker 7 (21:28):
What are the options here on Mali? We need food,
We need a roof over our heads.
Speaker 6 (21:34):
We need to be the body. It's the way, just.
Speaker 10 (21:43):
Buncus, Roger, we haven't that how we need makes?
Speaker 9 (21:47):
Is this.
Speaker 6 (21:52):
Figure that I won't be able to pay?
Speaker 12 (21:59):
Must say? On?
Speaker 10 (22:00):
Uh hear?
Speaker 12 (22:11):
What what the heir you doing? My roll? I don't know?
Speaker 6 (22:17):
Oh my god, what do you haven't gone?
Speaker 12 (22:25):
Ask me? Roger? What are you doing?
Speaker 7 (22:30):
It's not what he looks like.
Speaker 12 (22:31):
I'm goinging.
Speaker 6 (22:31):
I'm going that police. No no no, no no no,
you don't need to do that.
Speaker 21 (22:38):
Then wait the girl Roger.
Speaker 7 (22:50):
Here, well, come on pick up.
Speaker 11 (22:58):
We can't.
Speaker 9 (23:02):
Still alive?
Speaker 7 (23:03):
Yeah, hell me Heli bana glad I caught you.
Speaker 6 (23:06):
Hey there's something I need.
Speaker 7 (23:08):
I need to ask you something really really important.
Speaker 9 (23:11):
Oh so uh he heard? Uh heard? What I mean?
It wasn't just my idea. Yes, we're gonna warn the
tour without you to night, but hey, we're gonna do
it in a in a totally different place.
Speaker 7 (23:23):
What Who the hell decided that? And who's going to
be giving the tour?
Speaker 9 (23:30):
They actually decided that I should do it.
Speaker 4 (23:33):
I can believe this.
Speaker 9 (23:34):
I'm dealing with it up here, Roger.
Speaker 6 (23:36):
These are one things he can do what I do.
I started this whole thing.
Speaker 12 (23:42):
Oh so human.
Speaker 9 (23:45):
He's still there, Roger.
Speaker 6 (23:48):
Yeah, here me Bana.
Speaker 7 (23:51):
Sorry, must be a bad signal or something. Anyways, No, Miguel,
I get it.
Speaker 9 (23:58):
You know what.
Speaker 6 (23:59):
It's fine, really it is.
Speaker 7 (24:02):
But I listen, something else popped up recently, and I
think it's honestly.
Speaker 6 (24:07):
Going to be very very lucrative.
Speaker 9 (24:10):
Oh okay, how look good are we talking?
Speaker 6 (24:13):
Remember the old rich lady?
Speaker 9 (24:16):
You mean the easiest mark in history? Yes? I remember.
Speaker 7 (24:19):
Well, this is going to make that look like jump
j So before you tour tonight, why didn't you guys.
Speaker 6 (24:27):
Meet me at that?
Speaker 9 (24:31):
Look? Man? I don't know.
Speaker 7 (24:33):
Yeah, I'm telling you. You have no idea how the
deal life, stumbling.
Speaker 18 (24:39):
To Roger, my boy, abbe it for me in my
current state to say this, But you look terrible, Roger, Roger, doctor,
(25:03):
I'm sorry?
Speaker 12 (25:04):
Are you ill?
Speaker 9 (25:05):
No?
Speaker 1 (25:05):
This is my plan?
Speaker 7 (25:07):
Is this?
Speaker 9 (25:07):
Now?
Speaker 6 (25:08):
Allow me to explain.
Speaker 4 (25:10):
Don't do this right.
Speaker 15 (25:12):
My friends are still very concerned about their encounter with you,
but I managed to convince them to come here tonight. Anyway,
when they arrive, I will be hiding for it. Then
when they expected, I'll jump.
Speaker 4 (25:26):
Out and use this again.
Speaker 6 (25:29):
Yes, when I jump out, I will.
Speaker 7 (25:33):
So the first person I see it will be random.
Speaker 6 (25:37):
Oh with this is guys, the rest of us man
you from.
Speaker 4 (25:40):
The Ford, I see.
Speaker 7 (25:41):
And even if they come back here with the police,
I'll already be.
Speaker 6 (25:44):
Longer with the league.
Speaker 4 (25:47):
Roger, I have to be very honest with you.
Speaker 12 (25:50):
What you like the plan?
Speaker 4 (25:53):
You think it's a butt plan.
Speaker 18 (25:54):
No, my dear boy, I think it's a fine plan,
a fine plan. Indeed, I couldn't believe in this strategy
more if I thought of it myself. In fact, I
will even help you prepare for their arrival.
Speaker 1 (26:07):
Ready, So that's.
Speaker 6 (26:10):
It's happening.
Speaker 4 (26:12):
It's already happening.
Speaker 9 (26:14):
Now.
Speaker 4 (26:14):
Now, you mustn't fault Roger, keep your resolve and believe
I'm going to be rich, not surely. Glad to hear it,
my boy, glad to hear it. I'm curious what should
be your first purchase with your new Richards.
Speaker 6 (26:31):
Oh that's easy.
Speaker 8 (26:32):
Word would I'm gonna buy so March?
Speaker 9 (26:38):
What more?
Speaker 4 (26:38):
Sort brilliant?
Speaker 6 (26:52):
Very god?
Speaker 4 (26:53):
How's that?
Speaker 9 (26:55):
Now?
Speaker 4 (26:56):
The subterranean chamber is ready?
Speaker 8 (27:00):
Are you sure this is safe?
Speaker 6 (27:02):
It kind of looks like a coffin.
Speaker 4 (27:04):
It appears we are out of time. It's now or never,
my boy?
Speaker 11 (27:10):
All right, let's do this. Okay, I don't I don't know.
Speaker 4 (27:19):
Are we sure it'll be fine? Your plan is foolproof?
Speaker 12 (27:22):
Yeah?
Speaker 6 (27:22):
But what if we may be instead?
Speaker 7 (27:25):
Hat in the chamber?
Speaker 8 (27:27):
Roger?
Speaker 7 (27:28):
Okay, okay, here we go.
Speaker 11 (27:34):
This is a little roumier than I thought.
Speaker 1 (27:36):
Prepare yourself.
Speaker 11 (27:41):
All right, I think I'm ready.
Speaker 4 (27:44):
Mind your head. Oh yeah, this is late naturally.
Speaker 8 (27:53):
M hm, that's that's a little sweaty.
Speaker 12 (28:04):
To do work.
Speaker 9 (28:07):
And here they called.
Speaker 8 (28:11):
They have to do this on the way.
Speaker 7 (28:23):
I thought he was supposed to be here already.
Speaker 15 (28:27):
Please give me the creep.
Speaker 6 (28:28):
No, we're never.
Speaker 12 (28:36):
You hear something ain't.
Speaker 17 (28:40):
I'm not joking.
Speaker 12 (28:41):
Listen, what is that?
Speaker 16 (29:09):
Maybe it's maybe it's Roger that sounds like okay, it's
coming first coming from it's underground.
Speaker 22 (29:19):
It's underground.
Speaker 12 (29:21):
It's that thing against No go back, fish start, just
get out frewhere. Oh my god, try, oh my god, be.
Speaker 14 (29:44):
Away, allow me to see.
Speaker 12 (30:14):
Rogier.
Speaker 18 (30:15):
Finally you return, Yes, just in the nick of time. Oh,
don't look so confused, my boy.
Speaker 4 (30:27):
The deal is done. You gave me a fresh corpse
that's three, to be exact, and I gave you the elixir.
Speaker 11 (30:40):
No, no, no, no no.
Speaker 4 (30:41):
I'm afraid struggling will do you no good.
Speaker 12 (30:44):
But do cheer up.
Speaker 4 (30:45):
You're no longer dead, but.
Speaker 1 (30:47):
Also not quite alive.
Speaker 4 (30:50):
You're in the in between now, a state I like
to call the shallow stray.
Speaker 2 (31:20):
Although it was a shallow grave that killed Roger, it
was ultimately his greed that did him in.
Speaker 1 (31:28):
In the end, the scheming tour guide got exactly what
he wanted.
Speaker 23 (31:34):
He has no room to complain, although it seems that
it will stop him from groaning about it until next time.
Speaker 22 (32:00):
Nocturno Tales from the Shadows was produced by Sonoro in
partnership with our Heartsmichael Dura Podcast Network, produced and directed
by Luis Eduardo Castillo, Developed and produced by Bettina Lopez.
Speaker 8 (32:16):
The executive produced.
Speaker 22 (32:17):
By Colonel Burn and Giselle Benzies for Ihart and Camilla
Victoriano and Josho Weinstein for Sonorot. This episode was written
by Elija Sarrignana. Performances in this episode by Dani Trejo,
Fernando Monroi, Philippe Baujan Sevastian Villa Lobos, My dem Bill, Louisa,
(32:45):
Sophia Pedro, Hollywood Rivera, Matthew Benavidez, Savanna Nicole, Ruis, Sophia Santi,
Gustavo Ross Amador Placentia and Danielle Figueroa.
Speaker 14 (33:01):
Our production manager is Carinza Chairees.
Speaker 22 (33:05):
Recording engineering and sound designed by Cassandra Tinajerro and Andres Bayena.
Casting a coordination by Ainsley Martinez, Alex Gonzalez, Carrenza Chaides
and Bettina Lopez. Voices recorded at the Invisible Studios and
Out Loud Audio in Los Angeles, the Relic Room in
(33:27):
New York, Panoramic Audio in Miami, Bill Carcery Productions in
San Diego, and Matt Block Sound in San Juan, Puerto
Rico and low Key Entertainment in Lima, Peru, with engineering
by Charles Carroll, Stephen George, John Anderson, Lester Danglar, J K. Hurrado,
(33:51):
Brett Tuben, Ethan Grafton, Manuel DuRane, Reno Jol Diito Cavalero
and Bill Corcery