March 5, 2025 • 51 mins
Legendary leading man and big brother Alec joins Stephen with their sister Beth to talk his favorite movies, actors he admires, why he was in love with Kelly Lynch and working on The Shadow in an interview so epic, it had to be two episodes!
#thebaldwins #onebadmovie #alecbaldwin #theshadow
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Episode Transcript
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Speaker 1 (00:00):
This is my favorite episode. Welcome to everybody to One
Bad Movie. Stephen is completely bla He doesn't know what
we're recording right now, and I love that because in
a second he will know. This was my favorite episode.
This was our first remote recording of One Bad Movie.
This was what I like to call home movies. One
(00:22):
Bad Movie. This is with big brother Alec and your
sister Beth.
Speaker 2 (00:27):
Is the next episode for this.
Speaker 3 (00:29):
What we're recording right now. Oh, I thought you meant
we're gonna roll it out next No, no, I'm doing it. Well, Okay,
so you're doing the intro to One Bad Movie on location, Yeah,
where Alec Baldwin and Stephen Baldwin co host to interview
our eldest sibling, Elizabeth Baldwin.
Speaker 1 (00:44):
I think at times Alec was interviewing both of you
because he's just he's always in big brother mode, even
though he's not the oldest.
Speaker 3 (00:52):
Well, he was trying to scold me on occasion, but
big sister straightened him out as usual.
Speaker 1 (00:58):
Yeah, you guys have a very great chemistry. Reminds me
of my siblings. It's an East Coast thing.
Speaker 3 (01:02):
There is a sibling pecking order for sure.
Speaker 1 (01:06):
This is great I think movie fans will love it,
siblings will love it.
Speaker 3 (01:09):
And you know what, well, it's unique because it's again
it's behind the scenes. It's two Baldwin brothers telling movie stories.
Well big sister.
Speaker 1 (01:19):
Supervisors and gets a little loss at times and is
so just not Hollywood. I love her to death, all right?
Coming up now this episode best episode Home Movies, one
bad Movie or should we call it one bad Movie
Home Movies Edition?
Speaker 3 (01:37):
We should call it one bad Movie Beth Baldwin Home
Movie Edition. We'll give Beth the credit rate now.
Speaker 4 (01:51):
Great, bad, lips so bad, guilty mass this sun so bad?
Speaker 2 (02:08):
Wow. The only thing I need not for you to
bother with, but I'll go do it.
Speaker 5 (02:13):
Is I want some water.
Speaker 2 (02:14):
I need a big glass of ice water to get it. No,
I'll go. Let's roll. No, no, no, no, no, Why
I'm being polite, Sit down and shut up? Here we go.
Come on?
Speaker 5 (02:27):
Are you rolling on this? I need this on? I
need this?
Speaker 2 (02:30):
So we're rolling. Let's go because I want to open
by asking you a question. Are we rolling? Okay? Are you?
Are you? Oh? I can't do that, it's going to
affect the camera.
Speaker 3 (02:49):
Hey, everybody, I'm Steve Baldwin. Welcome to One Bad Movie.
We're here today with Alec Baldwin, big brother and bigger
sister Elizabeth Baldwin.
Speaker 2 (02:56):
Welcome testing one, two three. I want to ask you this,
which is I see this a little bit of set
dressing here, a minimum of set dressing. Actually a very
low budget set dressing, I say. But the question is
is why do you you think that these are my
bad movies? That's not they're not bad movies. You don't
know what a bad movie is. If you think that's
a bad movie, well, well we could just be interesting.
(03:20):
Let me let them respond, because we're not on Fox. No, no,
not a talk show.
Speaker 5 (03:25):
Am I going to just shut up the whole time?
And you're going to go like this, shut up?
Speaker 2 (03:29):
No, I'm not gonna do it the whole time. But
when I go like this, that means shut up anyway.
Go ahead. What's your response? Why these Why did you
pick these films? Welcome to One Bad Movie? Could you
answer my question?
Speaker 3 (03:41):
Show this One bad Movie is a conversation amongst folks
who have different perceptions and perspectives of their interpretation.
Speaker 2 (03:51):
Of Okay, what a bad movie is. Okay, so you
off wrote it into a little promo there. What's the
answer to my question? What about these films? Why do
you think their best titles? What are those titles? Last
Shot I with Matthew Brodrick and Path to War. I
did John Frankenheimer's last project. He died right after that
with Michael Gamp. Okay, so let's let's let's there's so
many other films I've put on this piece.
Speaker 3 (04:09):
Frankenheimer. We love him. Yeah, but the Broaderick Project, that
was a great film.
Speaker 2 (04:16):
No, but it wasn't a bad film. It was a
bad film. Okay, it wasn't a bad film. It wasn't.
Let me take this again. The Last Shot wasn't was
not a bad film. I didn't hear the t the
first time. Sorry, Okay, it's okay. Well I know you're
hearing him, pair, but go ahead. Last Shot was Jeff Nathanson.
(04:36):
Jeff Nathanson who wrote Catch Me if you Can. Great writer.
He directed his first project. It was a very good script,
very good script. Tony Shaloub killed he was so funny.
Speaker 3 (04:45):
Okay, well, then here also on one bad movie.
Speaker 2 (04:49):
Uh.
Speaker 3 (04:49):
We invite actors like yourself to explain or express from
their history and memory an experience on a film that
wasn't so wonderful.
Speaker 2 (05:00):
Well, that's divide it into the shooting of the film
and then the quality of the film afterward or both.
Speaker 3 (05:04):
Right, do you remember a long time ago we were
in New York, I mean over a decade ago, and
you were talking to me, I'm gonna they don't ramble Bell.
You were talking to me because I said, oh, I'm
going to do this movie. And I had made you know,
the joke, the jokes. I've made a hundred films, more
than one hundred films, and twenty seven were just bad,
(05:25):
just bad.
Speaker 2 (05:26):
So you had a certain genre you were into.
Speaker 3 (05:28):
For sure, a certain season of bad movies. So you
went on to explain to me one time way back
when when I said, you know, I think I think
this thing's not going to turn out as I as
I had hoped, And you went, oh, yes, yes, you
had this great wisdom where you said to me, you know,
I had an experience on a film once where they
said we're shooting in Tahiti. This yeah, you know the story,
(05:52):
and then they get on the boat with him and
it leaves the doc and.
Speaker 2 (05:55):
They went to Newark, Staten Island, No but but I'm watching,
but I want to finish something. First of all, one
of the funniest lines I've ever heard of my life.
Shaloub plays a kind of B or a C level
D list mobster who runs Providence, Rhode Island. The movie
was it was a funny script. I love the script.
(06:15):
Jeff was a really great writer. And Jeff has Shaloub,
who's the local mobster, the head of the mob, sitting
there and he's watching this enormous TV, the biggest TV
I've ever seen in my life. And he's watching rugby
and his henchman, big tough guy, brings me in. Hees boss,
he's here, and all of a sudden you see Shaloub
(06:35):
to hold his fingerplike that say he's watching the rugby match,
and he says this great line. He says, last week
the guy in the bottom of the pile put his
finger up the other guy's ass. He pauses and says,
whatever happened to sportsmanship? We all were sobbing. He had
(06:57):
a great line. Then he stands up and half his
face is like pizza. He got burned. And he turns
to me and I was like, look at him. I
go and I see his face for the first time
he looks at me. He goes, I see you looking
at my face? Like what you looking at that? He goes,
my wife. I was handcuffed to the bed and she
(07:20):
poured a light of fluid on me and set me
on fire, and my eyes are balting going and he goes,
six months later our marriage was over. He's no, he
is probably one of the five funniest guys I've ever seen. Anyway,
So Favreau was on his show Dinner for five in
(07:40):
the old days, and Favreau is there. I'm like watching
this scene at like three o'clock in the morning. I
can't sleep. And Favreau says to the assembled guests, the
famous people there, Gary Fisher or whatever. He says, well,
it really comes out of these three things, does it?
Cast script director, he goes, and you can afford to
take a chance on one maybe wow, but if you're
asked to take a chance on two, don't do the movie.
(08:02):
I was like, why the didn't I hear it is
twenty five years ago? Why the heck?
Speaker 3 (08:15):
You're free to express yourself here.
Speaker 2 (08:16):
Yeah, you're free to Oh you don't preferred.
Speaker 5 (08:19):
No, I just saying.
Speaker 2 (08:23):
By swearing well, I leave the room.
Speaker 5 (08:26):
I leave the room, all.
Speaker 2 (08:28):
Right, So I'm sorry, you're the host. Continue this is
the way it always.
Speaker 3 (08:35):
Always, not now, but further down the conversation here this afternoon,
because we're gonna be here for the next two three
four hours. So you are a jot think about think
about your going to Tahiti. But you went to Staten Island.
And then when I talked to you the other day,
because we were supposed to just interview Sissy about movies.
Speaker 2 (08:56):
Right, we're gonna do a little bit. Okay, so we're
going we.
Speaker 3 (08:57):
Can do that, but you went into this what's another
way to say diatra.
Speaker 2 (09:05):
Monologue?
Speaker 5 (09:06):
Monologue? What monologue?
Speaker 3 (09:08):
You presented me with a fast monologue, which you're brilliant at.
Speaker 2 (09:12):
No, come on, let's get down to the show, rather
than you commenting on the show. But we haven't even
done the show, so welcome to show. Come on, come on,
go ahead.
Speaker 3 (09:20):
So you started talking about old films. We made a list.
We're a little prepared with that. They have some questions
for you later. What do you want to talk.
Speaker 2 (09:27):
About, guy? What kind of a hosting school did you
go to? What do you want to talk about? You
just you you decide what we talk. But let me
just say this. Myself and my three brothers went into
the film and television business, and my two sisters didn't.
And when I was young, and I won't come on
to my usual spiel about me being young and Dad
and million dollar movie and which was my life? You know,
(09:49):
Dad would come home and he this is back of
the days. I'll just tell us quickly. The New York
Times is there, and those very pithy movie quotes, like
two lines these shows whoever wrote it was really funny.
And Dad would sit there and I used to walk
into my mother in bed. I go, who's gonna let
Dad in? Like I felt, we had to lock the
door and have security. And then I'd let Dad in,
(10:10):
and my mother would just sit there, go ah, go
to sleep. I'd wait for Dad. He'd come home. He'd
eat a little something. We go in the living room,
We get the New York Times. He go, Wow, five
Graves to Cairo with Franchow. Tone, that's a heck of
a movie. And I say, let's watch a little He goes, no, no, no,
it's eleven thirty. You got to go to bed. I'd say,
(10:30):
we were going to watch the Late Show. We're back
when it's called the Late Show. Then it was a
late late show. Then at three o'clock, the late Late
Late Show. They'd show a movie on CBS. They'd chow
the Late Show, and I'd sit there and go, We'll
just watch a couple of minutes, and he goes, all right,
but you got to go to bed. In ten minutes,
I go great. We'd watch five Graves to Cairo. We
watch a Sorry Wrong Number with Barbara Stanwick and Burt Lancaster.
(10:55):
We watch this and this and this. But what would
happen within ten minutes? Dad would pass out full sp
He'd be laying there on the couch and I'd watch
the whole movie till one o'clock in the morning. And
I watched so many movies. I always say, there's a
guy named Ted Molly. Back in the days when they
had booth announcers on w P I X and O R,
so they had somebody live if there was a technical problem,
(11:17):
because they were often how old were you then a child?
It was like ten ten. And the point is Ted
Molly would be in a booth and they had in
case it was a technical problem, which often there were.
We are experiencing technical difficulties. It'll be back in a moment.
There was a test pattern, or it's like their logo,
and I would sit there and you'd hear him do
(11:38):
the promos for the next week. The million dollar movie
was over. What movie's theme song? Is the theme song
for a million dollar movie? What movie? I'll give you
a choice, ready, Spartacus high Noon, Gone with the Wind?
Or how the West was one? Which one of the
theme songs?
Speaker 5 (11:56):
Two?
Speaker 3 (11:58):
Which is what are the four choices of the theme song?
Speaker 2 (12:01):
Too? What?
Speaker 5 (12:03):
I didn't hear that part.
Speaker 2 (12:04):
Either million dollar movie would have a theme song. There
was the theme song of the famous movie Spartacus high Noon,
Gone with the Wind? Or I'm gonna go, go ahead,
You're gonna guess, Go guess Spartacus. What's your guess? I
have no idea, don't have any idea? Which the four guests?
One just roll the dice, don't live the cautious life.
Speaker 5 (12:25):
One in the family that does.
Speaker 2 (12:27):
Right, But let for now, for the purpose of the show,
let it roll those dice down the felt go.
Speaker 5 (12:33):
Ahead, So give me the choices again.
Speaker 2 (12:35):
God damn it, I was afraid you'd say that Spartacus
High Noon Gone with the Wind theme from Million Dollar
Movie was from Gone with the Wind, and Ted Molly
would come on and go tune in next week on
Million Dollar Movie when Barbara Stanback tells Gary Cooper where
(12:56):
he can go in Ball of Fire and the be
live in the booth announcing, And I just love that,
Ted Molly. It was a live guy talking to you
in your home. They don't have that any more. Thing's
taped down. But anyway, I thought that story would thrill you.
So hold on, I'm just gonna light up a little bit. Clo.
You guys stalk good. You're a jerk. Go ahead, you
(13:22):
under see him.
Speaker 3 (13:22):
How cool it is for you to talk about these
films because a lot of people who are gonna see
one bad movie, especially young people, they don't know Zam,
they don't know Bib. So it's fun to hear you
talk about this. And now I have another weird question
when he's talking about being ten and these programs? What
did you watch?
Speaker 2 (13:40):
Did you you TV? What did you do all day
when we were doing? When I was doing, when I
was doing? Where were you when you started dating Charlie
when you were twelve fifteen? You started?
Speaker 5 (13:50):
Yes, Charlie I was doing. I was doing laundry, I
was doing cleaning. I was doing a lot of different things.
Speaker 2 (13:59):
What did you do for? What did you want? We
be in the den watching f Troop and Gilligan's Island
and the Monsters.
Speaker 5 (14:06):
I was cooking and cleaning.
Speaker 2 (14:08):
What would you watch? Did you watch any TV?
Speaker 5 (14:10):
No?
Speaker 2 (14:11):
You didn't know, that's the answer. People who don't watch TV,
they don't become actors and watch movies.
Speaker 5 (14:16):
I was a caretaker, so I was always caretaking.
Speaker 2 (14:18):
I snuck into the.
Speaker 3 (14:19):
Exorcist, Baldwin brother movie not to put you on the special,
and don't see one of mine?
Speaker 5 (14:26):
No, there's, there's there's.
Speaker 2 (14:27):
Oh, don't worry all right? Now, which movie of mine
is your favorite movie of all your brothers?
Speaker 3 (14:36):
Let's start the question.
Speaker 2 (14:37):
Yeah, let's just leap frog to the end here. Which
what movie do you love of mine?
Speaker 5 (14:42):
I like The Edge and it's complicated.
Speaker 2 (14:45):
Thank you. That's a great, that's true.
Speaker 5 (14:47):
Great.
Speaker 2 (14:47):
One of them might die and a bare pity the
other one. I die.
Speaker 5 (14:53):
You. I liked it because of Anthony Hopkins.
Speaker 2 (14:56):
I know I did. She comes walking up to the
set and Anthony Hoppins is laying on an air mattress,
because he had hurt his back and he's reading the
paper and I woke he was the loveliest person. I
was the best time I've ever read. I love I
worship him. And I walk up to him and I go, Tony,
if you don't mind, I'd like you to meet my sister.
And he gets up, No, no, excuse me, I'm telling you.
Speaker 3 (15:16):
Here's the hand.
Speaker 2 (15:17):
I woke up. I walk up to him and I go, Tony, well,
like you meet my sister. And he takes the newspaper,
puts it down, picks himself up off the ground, and
as he's approaching you, he only stands and reveals himself.
He's like, he's like, he's like he's in on the
West end of London with Olivier and he and you're
being put your hand, You're gonna put your hand down,
and no, no, put your hand down. He goes, Elizabeth,
(15:41):
my pleasure to meet you. And my sister Beth married
twenty five years, six children. My sister was like like
twitching or ask going, ah.
Speaker 5 (15:53):
It was I just I got to wash that hand.
Since really, yes, it was wonderful.
Speaker 2 (15:59):
You a little jolt, he got around, He got around. Yes,
anyway ahead who knew. Yes, so that's her favorite movie
of mine. What's your favorite movie of Stevens.
Speaker 5 (16:12):
Stevens, I like Flintstones, Yes, yes, Flintstone's and I like
no Mommy was. Mommy didn't like threesomes, only one.
Speaker 2 (16:25):
Didn't understand only one movie. You say, come on, what's
you don't be silly? What's his best movie? Come on?
Speaker 5 (16:33):
Wait? Are we talking about threesome? Right?
Speaker 2 (16:35):
Didn't know we're talking about what, my god, you're liking.
Speaker 3 (16:38):
But mommy never.
Speaker 5 (16:39):
Saw three Yes she did, yes, she did, but she
didn't understand what threesome meant till she saw the movie. No,
she did not.
Speaker 2 (16:49):
His best movie is Usual Usual Suspect. There you go.
Speaker 5 (16:52):
I want to call it the unusual Suspect because you're
so unusual.
Speaker 2 (16:57):
My brother Steven, my brother Stephen's career. I always say,
this goes into another chapter. He does Usual Suspects. Everyone's
getting nominated, the movie wins Best Screenplay or Kevin wins whatever.
It's it's a huge success. It's a juggernaut, you know.
Great people always want like a great drama, clever drama.
And then after that, Stephen moves into what I call
the the uh no, no, no, No, the Biodome was
(17:20):
uh you know, uh some like it hot compared to
this series of movies you did. The he goes and
does what I call I want to call uh the
the hay Baale series of movies. He does. Steven's under
the truck, He's in the barn, He's under the truck.
And the young and the young Can I finish the young?
(17:42):
It's all gonna come back to you right now when
I finish. And he's under the truck and the girl
comes in and she's like popping out of some farmer
girl outfit. And then uh, she comes in and Stephen
slides out from under the truck and she's like look
at him, and she's like, what are we gonna do? Now?
He stands somebody, He's like cut too, you know, ah
behind a hay Bell like completely going at it. You
(18:03):
know he did like I mean, Skin a Max. They
called it skin a Max. How many skin Max movies
did you make? Like ten hey Bell hay Bell series,
Jared soft Soft, I think I ever did a skin well,
no lounge Zebra. What's the woman's name? Who you the
famous actress that was in all those young movies? And
(18:23):
she was young and very beautiful, which I don't know
the name of the movie. Who's a young beautiful girl
that was in a bunch of Was she in David
Lynch films or something? Who's are really pretty? Oh? I
know you're talking.
Speaker 3 (18:38):
That's just that's that's that's a very small film that
I did with. I can't remember that girl's name. What's
the name of the mole on her face? Oh? I
know who it is. I remember she was in a
David Lynch Yes, what's her name? Wasn't she on the
series too?
Speaker 2 (18:56):
Was she on Twin Peaks? Was she in Twin Peaks?
Let's look it up, you guys talk? No, no, not
laughing for them, but from Twin Peaks?
Speaker 3 (19:04):
The other one, very pale faced, one that looks like
Elizabeth Taylor.
Speaker 2 (19:08):
Yeah, very pretty.
Speaker 3 (19:10):
We've been doing this Lyn Finn Sherylyn Finn.
Speaker 2 (19:14):
What are they gonna do now? Billy worked with Steady
that the movie is a great film. No one wipes
the grease off their hands prior to sex like you
do it because you cleaned your hands. You were like
a decent guy. There's a lot of other actors would
have been Let me grab her with my filthy hands,
and you were like, no, I'm gonna wash the grease
(19:35):
off my hands. You wiped it off on your pants
and then ah ah, decent. Anyway, what's your favorite film?
You did?
Speaker 3 (19:46):
Is Zebra Lounge? Why what's that girl's name?
Speaker 5 (19:50):
No, he's not answering that, he didn't.
Speaker 2 (19:51):
Here's two gals.
Speaker 5 (19:52):
The one was that your favorite film?
Speaker 2 (19:54):
He just asked, gonna look it up now?
Speaker 5 (19:57):
Of yours?
Speaker 3 (19:58):
What's my favorite? Of mine? Is a Flintstones Viaba Rock Vegas. Oh,
because that's your favorite. Whenever I watched flint Stones as
a kid, the animated cartoon, I always kind of wished
I could have been Barney. Oh, isn't that weird? And
then played him in a movie. Christy Swanson Christie swantson.
Who's the other girl's name?
Speaker 2 (20:18):
Brandy Ldford? Yeah, Garrah Pearl Mutter.
Speaker 3 (20:23):
I have Brandy Ludford and Zebra Lounge.
Speaker 4 (20:27):
That is.
Speaker 2 (20:29):
Life changing, Stephanie, for you or for us, well.
Speaker 3 (20:34):
For for some folks that have seen it in the past.
I've been in airports and people have come by and gone,
you know, Zebra. One of my favorite films is Zebra Lounge.
Speaker 2 (20:48):
Naughty. That was for you, Jared, that was for your
bad Who's the woman I am communicated with? And wait
for it, I'm sorry? What what did you discover? Christie
Swanson who went to prison?
Speaker 3 (21:06):
Wow, she's amazing. Carlyne Famous, the other channel that was
in all the Spike Lee films that moved to Italy
and now just turned up in Coppola's new film. What's
her name? A little Italian chick with the mall on
her face? Again?
Speaker 2 (21:22):
Who I mean? I have a crush on Carlo Carloggina?
Who carlog Gina?
Speaker 3 (21:29):
No, she's older than the gal I'm referring to.
Speaker 2 (21:31):
I believe.
Speaker 3 (21:32):
How old is the look up Megalopolis?
Speaker 2 (21:35):
We're spending a lot of time looking up things, which
is always the name of seeing the old days. When
you came on the show, you knew. We hear the.
Speaker 3 (21:40):
Fishburned voiceovers on Megalopoulos.
Speaker 2 (21:44):
Amy Locane. I've been writing to her in prison. She
got drunk driving.
Speaker 3 (21:50):
What's the gal's name in Megalopolis?
Speaker 2 (21:55):
I'd love to, he said, you should have. He was
too busy talking about meg Alby Plaza. Chloe Fine mel fantastic,
romy Mars Talia Shire called his sister Sonya amar Isabelle
(22:15):
Kusmann Charlene Amoya, Madeline Guardella.
Speaker 3 (22:20):
I'm wrong.
Speaker 2 (22:21):
Don't tell me that you slept with this many women.
You don't remember any of these women, none of them. Carlow,
you didn't. I like that. He can't hear me. That's great, Catherine,
it's the fourteen. Trust me.
Speaker 5 (22:33):
I heard what he said. Mean select them and you
can't remember.
Speaker 3 (22:42):
That's what is the very cute, little attitudinal Italian girl
from Brooklyn or the Bronx.
Speaker 2 (22:51):
What else has she been in? We're wasting a lot
of valuable times.
Speaker 3 (22:56):
She's on a big series right now, and I think
I'm confusing it with Megalopolis, So I just kiss my ass.
Speaker 2 (23:03):
She's a show. She's on a show called like Tucson,
m D. And he's confusing that with megals. Okay, Okay,
that's cool. Okay. Let me ask a question. What was
your experience then with TV and movies? When you were young?
You never went to the movies and you didn't care
about that. What would you do for fun? Don't answer that,
but the what would you do for fun? You mean
(23:25):
Charlie brook going to you wuldn't go to the movies?
Speaker 5 (23:27):
No, we went to the beach down to tobay to
a park. Okay, why are you looking at me like that?
Speaker 2 (23:34):
Okay, but you didn't go to any indoor spaces. Shall
we say?
Speaker 5 (23:38):
Oh, I watched television.
Speaker 2 (23:40):
I watched you like.
Speaker 5 (23:42):
I like Wizard of Oz, I liked you know. Dad
would make me us watch certain things.
Speaker 2 (23:47):
We weren't. You want a TV watch and you didn't
watch like Bewitched and things like that. No, you never
sat down in front of the TV in your childhood.
Speaker 5 (23:54):
Because I was always sickly.
Speaker 2 (23:57):
Well you were. Assume one goes hand in hand with
the other. Sickly. You're watching TV.
Speaker 5 (24:01):
You can't breathe. You can't, you can't. I couldn't breathe
all the time. I wouldn't feel well.
Speaker 2 (24:06):
So asthma killed your acting?
Speaker 5 (24:07):
Yes, yes, asthma.
Speaker 2 (24:09):
That's tough about all teah. Yeah, that's rough. Steve, What
are you looking up now? Megalopolis the TV series? What
are you looking up? Guys? They may be that may
be in the hopper right now. I don't know.
Speaker 3 (24:28):
Hold on, I'll find it. For crime at these sakes me.
Speaker 2 (24:33):
Series, Look at this, Steeve. We can't do that. That's
dead air. It's dead air. We're doing it. We're gonna
be I can't can't stay much longer. I canna leave
it about ten weeks. I'm joking. Put the phone down.
Put the phone. I just want to figure out the
one girl's name. We don't care. I just just had
a weird glitch. Deadbie Masar, Oh, got you kidding me?
(24:58):
Debbie Maser, who was in Good Fellow Us to the
Coke Dealer with Ray.
Speaker 3 (25:02):
Right right, she's in a huge series. Would you look
it up on IMG before me? What she's doing right now?
Speaker 2 (25:06):
No, one of my favorite films. Ready, let's do it.
Everything here for me is a tip of the hat
to somebody I really liked. So I always like Matt Dylan.
I thought that was a good movie actor. It was
so interesting, good, good looking, but interesting. Baba did all
those s he hinting things with Coppola, h you know,
the Outsiders and so forth and uh and the one
(25:26):
with Nicky with that Outsiders or so Yeah, he was
a pony boy, I think, right, I forget one of
them anyway. I don't know the names of that, although
I have all those hinting books. But drug Store Cowboys
one of my favorite movies of all time. Wow, when
he's standing there with I worked with Kelly. And we're
sitting there on a boat smoking a cigarette. We're gonna
(25:47):
shoot on this boat in like Ponsha Trent in New Orleans.
And I go, just we're not talking, but I'm just
looking at her. And I go and the boat's coming
like this and the sun's out. It's hot as hell,
and I go, why am I so in love with you?
She takes the truck on the cigaret. She goes, it's
not me, Alec, she's from Chicago. I think she says,
it's not me. I mean, I get this all the time.
(26:09):
It's Diane, Diane. You're in love with Diane. You want
to know why, because she's everything a man wants. She's
a good partner and stands by you. Every man I
know they're in love with Diane. They think they're in
love with me, they're in love with Diane. I was like,
that's really that sounds right. Actually, yeah, that's really true.
I was in love with Diane. And she's in that
scene when she's in the house and they gotta and
(26:31):
they get the drugs and they're gonna takes the drugs
or whatever, and he's really like grinding his jaw. He's
really wasted on antheta means. And she looks at me,
and he goes, Diane, you gotta understand. We gotta go
out again. We gotta go hit another pharmacy. We gotta
go hit another pharmacy. Because hot right now was so hot.
We gotta go. We gotta go hit another place. Now
we're hot. And she looks. She always has a cigarette
(26:54):
her mouth in the room, and she goes, Bob, if
you're so hot, why don't you lay me down and
make love to me right now? And he looks at me.
He goes, Diane, we can do that anytime, because Dick
is probably like a cashew, you know what I mean,
And he just is not happening right now. Bob, if
you're so hot? And I was so in love. I
(27:16):
love that movie van zandt one of the greatest movies
Vanz that made them. I mean, it's very hard to
pull these movies off, and they're always a fine line.
In my mind. This might have been of them tipping
off the show off the cliff. But he did that
movie Elephant about his take on Columbine. Oh, that's one
of the most amazing movies. I love Van Zandt. He's amazing. Vanzad,
(27:37):
He's amazing.
Speaker 3 (27:39):
What questions do we have for Sissy?
Speaker 2 (27:42):
You like drug Stock Cowboy? This is gonna be it?
What what?
Speaker 3 (27:49):
It's a filmy drug Store Cowboy? You'd remember it if
if it.
Speaker 5 (27:53):
Was to see it.
Speaker 3 (27:54):
Kelly Lynch, I thought you had some questions about some
of your titles.
Speaker 2 (27:58):
She just said she doesn't really watch very many movies.
I was gonna say, like for me, the first movie
I watched on TV late at night that was a
thriller that scared me. Was sorry, wrong number. I watch
it every year. I watch it every year. Burt Lancaster
contracts people to murder his wife to get the insurance,
then finds out he doesn't need to, and in the
climax of the movie, he tries to stop the men
from going to the apartment and murdering his rich wife.
(28:21):
And it is one of the greatest movies ever made
in history. Like I always tell people, this is the
most brilliant thriller. It was a radio play, it was
a book.
Speaker 5 (28:29):
You were sneaking with Daddy and doing those things.
Speaker 2 (28:31):
And where were you? I was sleeping wheezing in the
other room.
Speaker 5 (28:34):
Yes, I had to be yes. I was sick.
Speaker 2 (28:37):
Weezer, Weezer, That's why I'm weez Sam Weiss now. But
I don't want to yammer on and on about my
you know, sound like I'm trying to be so intellectually
vain here about movies and so for But like for me,
I grew up in a childhood. People my age understand
there was no Internet, there was no VC. Right would
(29:00):
announce a movie playing on a network. NBC would have
the Sunday Night Movie or whatever it was, one of
the three. There was no Fox back then, there was
no satellites or cable, nothing. And they'd sit there and
they'd announce a movie they had come out in theaters
five years earlier, and they'd say next Sunday on the
Sunday Night Movie but sound of music, and we'dn't be
seeing there, going, oh my god. We're gonna sit in
(29:21):
our house, in your home, out of the drive to
a place and park and go by and it's free.
We're gonna watch on broadcast TV no cable back then.
It was rabbit ears and it was free. Commercials paid
for the bills. And I said, we'd all be glued
to the TV. The sound of music, Mary Poppins always,
Julie Andrews.
Speaker 5 (29:41):
You liked horror shows too.
Speaker 2 (29:43):
Well, they'd have Chiller theater. Yeah, they'd show all the
old Warner Brothers gangster films.
Speaker 3 (29:47):
Now, you tend to reflect on our childhood on occasion
and say that you would come home when you were
older and I was younger, and my friends would be
in the in the den and we'd be watching TV
later night and having some snacks.
Speaker 2 (30:02):
And exploring outer space on the TV and in here. Yeah.
Speaker 3 (30:06):
Sure, you guys were a little We had to have
a certain atmosphere for certain.
Speaker 2 (30:11):
It's a tribal ritual viewership.
Speaker 3 (30:13):
But my next question is back in those days, guy, Yeah,
you too created certain atmospheres for yourself, such as and
you watch certain programs yourself.
Speaker 2 (30:26):
So but so, give me the what was it Twilight?
Speaker 3 (30:29):
What was your guilty pleasures?
Speaker 2 (30:31):
Outer limits? No, No, Alfred Hitchcot, there was a tie, Alfred.
Remember back then you couldn't afford to be too choosy.
It was like you watched everything you watched mister ed,
You watched Gilligan's Island, you watched you know, all this
game shows. I love game shows. Password with Alan Luddon Jeopardy. Yeah, no, no,
(30:55):
Alan Luddon, and that would be what's They would be
what's my line? And the person would sign in you.
They wouldn't show me. You see his hand on the talukboard,
you know, they'd write Humphrey Boguard and the audience is
going crazy, and they'd sit down and the battles were
masked and they say, I take it from your the
response you were given you you're a star in the
world of entertainment? Is that correct? And he goes, yes,
(31:16):
he tried bog which to fake his famous voice. But
all those shows, what's my line? I've got a secret
password a match game, which I ironically wound up doing eventually,
what do you call the one with Hollywood Squares? Paul
(31:38):
the other day?
Speaker 5 (31:39):
Hefty?
Speaker 2 (31:42):
What did he do? They have him online all the
time doing this one. No, that's the other one. Paul
was the one like anybody what was the line he'd said?
He was great? What did he say? Like always sexual
innuendo and you almost got himself in trouble. But Charles
Nelson Miley, Yeah, yeah, we did him on this.
Speaker 3 (32:04):
And Charles Nelson Riley and then interestingly, I'm gonna segue
for a second because you were watching something before over
your shoulder. I saw you watching Who's the other comedian
you did? The movie? Was you were watching this morning?
Speaker 2 (32:19):
That daddy loved Jonathan Winters?
Speaker 3 (32:22):
What was that film?
Speaker 2 (32:24):
The Shadow? He was my uncle.
Speaker 3 (32:26):
I walked with you watching The Shadow for a second
and it was wild to see him because Dad love.
Speaker 2 (32:34):
Jonathan Winters was He calls me, I'm with you and mom.
And we rented that house up on the lake years
ago in the nineties with the summer of ninety three,
and I was gonna go shoot The Shadow that fall.
We shot it. Then the earthquake came out in the
middle of our shooting in January Northwardge earthquake. We had
to shut down for two weeks and then go out
(32:54):
to another location. But Winters is in his house and
to look a lake. I think he would live somewhere
in a nice part of the valley and une part
of the valley. The teeth like that. Like Dad, you
keep totally Winters. No, but Winters you could playing. He
wants me to call Marty Bregman was the producer. He says,
would you call him? He wants to talk to you.
And I was with you and Mom were renting a
(33:16):
house up there on the lake for the first time.
Up there, we rented a house. It was the thunderous
sound of crickets and we're right on the water. I
don't remember where we went. We can't ask moms. She's
not here. One of the problems. He's the archimist. But
they said he wants to talk to my col Winters
on the phone. Winters gets on the phone. He says, ah, well,
(33:38):
I want to ask you a question.
Speaker 5 (33:41):
That is.
Speaker 2 (33:43):
In this movie and this picture. You want me to
play the commissioner. Is that right? And I go, yes,
you're the police commission goes well, you often find in
movies that the guy that's the commissioner, he's kind of
an ass you know, I mean the water commissioner, or
the baseball commissioner, the police commissioner, you know what I mean.
(34:03):
The guy when he's a commissioner, he's kind of a
he's kind of an asshole. You're follow me and I go, whoa,
why so why do you want me to play the
commissioner in here movie? And I go, well, no, it's
not that at all. You're not a n assole, I
said You're like, you're you're I mean, you just show
up and if everybody's laughing, you're like one of the
five funniest men in history. And he's like, aw, it's
(34:24):
very and I say, well, no, we want you good.
I mean, I'm a huge fan of yours. I grew up.
You know. It's a mad, mad, mad Mad World. My
favorite comedy of all time. That's tied Mad Mad, Mad
Mad World and The Fortune Cookie with Jack Lemon and
Walter Matthow. The Chinese what do they know that's Walter Mathow.
(34:44):
So Winter shows up and he plays the party, plays
my uncle and he's so we were crying because he
had a recall mechanism. I always tell the same joke.
He had a recall mechanism where he couldn't remember his
lines because he wasn't great with his lines. He had
an assistant there whould prompt him and run with him.
And he said, there and going to be Lamont. This
is in the take, he go, Lamont, you gotta find
(35:05):
their shadow, Fella. It's bad for Gotham, it's bad for
the city, it's bad for the economy, it's bad for everybody.
But that's neither here nor there. Line. Yeah, so you
and I have to come up with a plan. We
don't find this film is gonna be disastrous for Gotain.
That's neither here nor there. Line to who his recall
(35:31):
line was, but that's neither here nor there. Could say
that's what he did to Stall and he said, but
that's not Here's like that. That was the cue for
the guy to be like okayne line, that's neither here
nor there. Oh no, we that movie was not a
good movie. And because it was, it wasn't one person's vision.
(35:52):
Russell mulkayhe was the director who had just to come
up with a biggest successful film. Good guy, smart guy,
very bright guy. But Marty intruded too much. It was
not like one person's vision, which a movie has to be.
That sure, you know, Marty was a very intrusive producer,
like Weinstein and those guys where they think they're gonna
we love Marty. Yeah, no, Marty was a great guy.
But anyway, okay, let's try to try to hit the
(36:20):
ball back. Now I'm gonna serve and you hit the
ball back ready if I can. And okay, so when
you were child kind of you're like Wizard of Oz Yeah,
like sound of Music. Yes, did you like Mary Poppins?
Speaker 5 (36:33):
Oh? Yes, I think I'm hurt.
Speaker 2 (36:35):
Now what kind of entertainment did you raise your children on?
Or do we want to get into that? Now that's
neither here nor there. What do you what did you
raise your children?
Speaker 5 (36:46):
I took them to the movies, but.
Speaker 3 (36:51):
Disney, Wolverine, Disney, Cinderella, Deadpool.
Speaker 5 (36:56):
I was so busy taking I can't even remember our face. No.
The first time I took them to a movie Scream,
I remember that. Jonathan and Jill like Scream. No, they
were like seven and eight. I did not know. I
did not know. Now I Scream, the one where you
(37:17):
walk in and we're sitting down front row and the kids.
We were in front row because we were late, and
the kids had to hold their head back to watch
the screen because we were so close. Well, Jonathan was
born in eighty seven, so early nineties eighty he was, Yeah,
he was born, and forgot what screen early.
Speaker 2 (37:38):
You're watching Scream? Watching Scream?
Speaker 5 (37:41):
No, no, no, So the person walks in I think
it's Scream. The person walks in in the bathroom, and
the knife goes through the bathroom into the person to
kill the person Okay, I say to Jill and Jonathan
get up now we are leaving. And I went out
and I said I want my money back because we
(38:01):
had no and I said.
Speaker 2 (38:03):
You're good movie programming that you're a part. That was great.
Speaker 5 (38:06):
No, I was. I was a mother first.
Speaker 3 (38:08):
That was disgusting, but I like the you want your
money back.
Speaker 2 (38:13):
I take the boys out of the movies and I'll say,
let's go see this.
Speaker 5 (38:17):
Uh.
Speaker 2 (38:18):
You know, Ralf is the big problem because he's nine
years old. That was really into everything, kind of forbidden.
Let's go see uh robot, what is it? Robot? Wild
Robot Wild. Let's go see wild Robot. And the other
two boys like, yeah, let's go see wild Robot. Raf
was like, I don't want to go see that. I
don't see that. What do you want to see? He goes,
(38:38):
and then he'll point to the poster for like Alien
Romulus with the with the with the monster is sucking
in the blood out of the guy's face. Really, oh,
I swear to god. He goes, I want to go
see that, and I'm like, wow, that's never that's pretty wild.
Oh no, he's into all that. He's alien. I showed him.
I showed him a section of regular. His new name
is Formulus. I just I showed him the original alien
(39:02):
A part of it right, thing comes out of John
hurt Spot. Oh, they went crazy. They were like, you know,
they're like, you're my sons are all like my brothers.
They're sitting there going, oh sick. I'm not gonna raft
it's a science fiction movie. They know it's not real.
You know, someone's they know some they know that some
demons not gonna stick his probe up their ass and
(39:25):
shoot an alien baby in there and the baby's going
to come out of their chest. That's what that's a movie.
Romeo doesn't like that. He doesn't like it. Nightmares and
he wakes up at night with nightmares, not all the time,
but with periodically. But the other boys, like you know,
Raff's like in his bunk bed, and Raffie was to
think it's going to turn into like a prison cell
(39:46):
when he's gonna be there smoking a cigarette and be like, dude,
what about Mexico. Tell that story?
Speaker 3 (39:55):
Remember remember I guess you were in the car with
the boys. You're talking about where you were gonna go
and to Marilla or if you could go somewhere stay
one of your sons was like, I choose to stay
here to Rof goes, I want to go to Mexico.
Speaker 2 (40:15):
The story telling so brilliant. No, I don't remember the details,
but it was like, you want to live in New York, Vermont,
Rea Stampton for you know New York ver Hono sapped.
Romeo says the city because he sucks up to his
mother all day long and his mother wants to live there.
Whatever his mother says. And then uh, Leo, I think,
said of Vermont. He loves Vermont, but he does nobody
talking about and Ralf would always say East Tampton. But
(40:37):
then one day Rolf, but he's just he's just playing
now he likes Brando. Yeah, so he said, yeah, nobody's
He'll sit there and I'll go where do you want
to live? He'll go Mexico. Yeah, I'll don't you shut up?
But well, I thought you would tell the story about
me in Mexico with doing the movie that Juror, which
(41:00):
was a weird experience. But so you take your kids,
But did you take your kids to the movies all
the time? Did you watch TV with them periodically?
Speaker 3 (41:10):
Yes?
Speaker 2 (41:12):
What would you watch with.
Speaker 5 (41:14):
We would watch movies that we would make it get
at the library, you know, like I would have to
control what they were watching.
Speaker 2 (41:21):
And now I'm gonnaquiz you. Ready now, and I'll lead you.
I'll say something to suggestion. You're gonna give me the
name of the movie. Okay, Christmas movie, Christmas movie, Christmas movie.
Hold on, and the knob comes off the staircase because
the house is falling apart. He can't pay the loan.
Christmas movie, Christmas movie. Jimmy Stewart. I'll give you a
(41:42):
big end here, Jimmy Stewart. No, no, no, okay, is
it a streetcle on thirty fourth Street. Okay, we're gonna
keep going. Get three guesses, okay, so your words. He
takes the thing he meets, He meets the ghost on
the bridge. He's gonna jump off the bridge and kill
himself with the snow was bounding down. He wants to
commit suicide. And uh, okay.
Speaker 5 (42:06):
I was busy having children.
Speaker 2 (42:09):
Why don't you watch You watched.
Speaker 5 (42:11):
All those movies then, and you're having children now.
Speaker 2 (42:15):
The movie is this movie is? What? What's the movie?
What's the movie? Miracle?
Speaker 5 (42:21):
I said the same thing.
Speaker 2 (42:23):
It's going great.
Speaker 5 (42:24):
I said the same thing. I said the same.
Speaker 2 (42:27):
It's a wonderful life.
Speaker 5 (42:29):
Okay.
Speaker 2 (42:31):
I'm going to give you. I'm going to give you
an easy one. Okay. I have a son who was
forced to leave this country, and some accidents should befall him.
If he should be shot by a police officer, you
hang himself in his jail cell or be struck by
(42:51):
a belt of lightning. I'm gonna hold some of the
people in this room responsible.
Speaker 6 (42:57):
Godfather, Oh my god, you wait, show what you want,
Show them what you want.
Speaker 5 (43:02):
That's because of the accent that you did. Then I know, okay,
and all of these people. He doubted me. He always does.
Speaker 2 (43:17):
Okay, famous police drama. Ready, trying to get this Ready,
I'm gonna take you for a walk without cuffsp me.
I'm gonna put one in your back.
Speaker 5 (43:30):
You're gonna put one in your back.
Speaker 2 (43:33):
Me, I'm gonna put one in your back. We're gonna
beep that out. Go ahead.
Speaker 3 (43:36):
So what do you think it is? It sounds like
al Pacino?
Speaker 2 (43:41):
She never I love you, you gotta help her cut.
I'll give you three choices. Ready, I'll give you three choices. Okay,
uh love actually never heard of you? Give it away?
Speaker 5 (43:53):
Okay, I never heard of that. They're all laughing. They're
giving me a hand. Good.
Speaker 2 (43:57):
Oh there you go out. That's two. You win one
more and you get it and you get a toaster freezer?
Got another one? Why am I forgetting? What was the show?
The game show, the legendary game? But yeah, let's I'm
gonna show you what you won behind the curtain, show
(44:18):
what she wanted to. Carol Marrow, show what she went
behind the car the curtain. Carrol and Carol Merrill, gorgeous
woman would show them that you want toaster freezer, whatever card?
You want a new car? All right, one more quiz
for you and then we're gonna take over now and
you could just take a nap over there if you
want to. I'm joking. But but interesting how that's why
(44:44):
they've got no TI in the business because they didn't
they want you. And we we watched TV to we
were gonna die from it. We're gonna die. And the
old TV is probably like a lot of radiation to
wear damage from watching TV.
Speaker 5 (44:58):
Popcorn and the brown and cleaning. You're watching the TV
and I'm running around, What.
Speaker 2 (45:03):
Else were you gonna do? I want to be a
part of it. Go get the brownies. You're not gonna
walk over here by themselves. Now one more? One more question? Ready? Okay,
one more? Okay, let me think. Take your time.
Speaker 5 (45:21):
Now, I know why I'm the way I am because
of you. Now it's coming clear than why I'm the way.
You were entertained and having a good time, and I
was running around for you, hysterical I was. I was
running God, Now I know, now I know I am.
Speaker 2 (45:39):
You wouldn't be here you are today.
Speaker 5 (45:41):
It would not be if I wasn't getting you the
pop born and the brownies and you could watch the
movie at the movie too.
Speaker 2 (45:50):
Sure, come on, come on, put the hand up, shut up.
We're gonna do one more. What's this thing I'm gonna do? Okay?
What movie is this? A man sitting there, nice white hair, Yeah,
one dog looking that way, one dog looking the other way,
and guy sticking to himself. What do you want from me? Huh?
(46:12):
What's that from?
Speaker 5 (46:12):
Give me another hint?
Speaker 2 (46:14):
Not to give you another hint. Think I'm funny? You
think I'm funny? What's funny about me? What's funny about me?
Speaker 5 (46:22):
Nothing?
Speaker 2 (46:23):
Okay, Okay, you're on the record about that.
Speaker 3 (46:26):
One more obvious one If there is one.
Speaker 5 (46:31):
I'm trying, Mam.
Speaker 2 (46:33):
We got to borrow a knife. We uh, yeah, we
hit a deer, he says one the other actor. We
hit a deer. Yeah, I got well, the thing got
stuck in the griller car. You say the paw, Paul,
He's saying, the paw, the paw, what do you call it?
And DeNiro says, the hoof, the hoof, the hoof got
stuck in the car. We need to cut it out. Mom,
(46:53):
you got a knife. Why don't you get married, settled
down with a nice girl or the mother says. He goes,
I do settle down with a nice girl every night.
I settled down with a nice girl. You know what
I mean, get married? As mother says, what movie is?
Is it no time for sergeants? Is it good fellas?
Speaker 5 (47:10):
Good fellows?
Speaker 2 (47:11):
Let's see you. I mean, I'm passing. I'm practicing. It's
like it's like a.
Speaker 6 (47:14):
It's like a race, and I'm dragging you over the
finished flight. I'm dragging you over the finish line. She
goes me, here, Carol Melo, show what she's won. It's
a man of freezer.
Speaker 5 (47:29):
I don't need one of those.
Speaker 2 (47:32):
Is a dishwasher from Norge. Years from now, you'll be
glad it's a Norge. Remember the old commercials rumor kids.
I know I learned those. Yeah, you were you were
like you know, you were robbing grocery stores. We jingles
with member with Grandpa's take a ring, and then a.
Speaker 3 (47:55):
Much smaller stores than grocery stores.
Speaker 2 (47:58):
You're robbing ice cream. Man.
Speaker 3 (48:02):
I have a question, and I'm gonna reverse it.
Speaker 2 (48:06):
I was gonna do a little Judo move, but I
won't do that. Oh please, don't judo me?
Speaker 3 (48:10):
So can I Can I pick good Judo? Can I
pick one of your favorite films in my opinion? Or
would you rather just go first and pick one of
what's one of my films that's your favorite.
Speaker 2 (48:26):
And your usual suspect I love that.
Speaker 3 (48:28):
Movie, and then probably after that you don't like any
of my No, I think.
Speaker 2 (48:33):
That you're in I mean Biodome. I mean, listen, that's
the joke we do. He says to me. I'll never
forget this. I remember where I was in the kitchen
in Woodland Hills when I was married, and he told
the funny. He goes, they want me to do this
movie Biodome. I go, whatever you do, don't do that movie.
Are your you nuts? Biodome? You in this pimple faced
(48:53):
comic from la and you're gonna be in a biodome
or whatever it is. Don't do the movie Biodome. The
movie Biodome comes out and out grosses the movie I
was in the same weekend. Oh wow, yeah, yeah, well
or whatever. Well, I think were very successful.
Speaker 5 (49:16):
You were good at that.
Speaker 2 (49:17):
But the thing is that you bring the one thing
you have to remember for them. For Daniel less so
because he's more kind of a husky, big powerful guy,
he's husky. But for you know, guys who were like
leading men, him and Billy and that kind of young
pretty leading men category. There's so many of them, and
you got like three, four or five movies to cut
yourself off from the back and distinguish yourself from them.
(49:40):
Because what happens is the ones who do that stay
and the ones who don't do that go and do
like medical shows on TV or like CSI. You know,
they're like a good looking guy who was like in
love with Ginger Square and the sexual tension between you
and Ginger goes off for like nine seasons and then
in the season finale you get married or she she
(50:00):
dies or whatever, and a fire whatever, that's just in
the future.
Speaker 3 (50:04):
I shouldn't do like a Zebra lounge two point zero.
Speaker 2 (50:07):
If they're paying you a lot of money, I would yeah, okay,
if there's a million dollars or more detached, I do it.
But I'm just saying that. You know what I mean,
which is when you come up. I learned very early
on that the leading man category there's very few seats.
If it's like a plane, there's very few seats in
first class.
Speaker 3 (50:23):
And I may want Barbie, so.
Speaker 2 (50:26):
You won't do Barbie. I won't do I bet you're
ask you're gonna do Barbie.
Speaker 3 (50:29):
That means my uh, that means we.
Speaker 2 (50:32):
Take a break by go Pete. I'd like you because
I want to have a cookie. I really don't care
about that.
Speaker 5 (50:38):
We can we just take a minute. Okay, we'll be
right back.
Speaker 2 (50:41):
You can get up after this.
Speaker 3 (50:44):
Pay friends, thanks for listening in, stay tuned.
Speaker 2 (50:47):
For part two, a big Brother.
Speaker 3 (50:49):
Alec and first born Sissy for more family shenanigans next
time on One Bad Movie, And if you haven't already,
please subscribe and leave a comment let us know how
you think we're doing
This is my favorite episode. Welcome to everybody to One
Bad Movie. Stephen is completely bla He doesn't know what
we're recording right now, and I love that because in
a second he will know. This was my favorite episode.
This was our first remote recording of One Bad Movie.
This was what I like to call home movies. One
(00:22):
Bad Movie. This is with big brother Alec and your
sister Beth.
Speaker 2 (00:27):
Is the next episode for this.
Speaker 3 (00:29):
What we're recording right now. Oh, I thought you meant
we're gonna roll it out next No, no, I'm doing it. Well, Okay,
so you're doing the intro to One Bad Movie on location, Yeah,
where Alec Baldwin and Stephen Baldwin co host to interview
our eldest sibling, Elizabeth Baldwin.
Speaker 1 (00:44):
I think at times Alec was interviewing both of you
because he's just he's always in big brother mode, even
though he's not the oldest.
Speaker 3 (00:52):
Well, he was trying to scold me on occasion, but
big sister straightened him out as usual.
Speaker 1 (00:58):
Yeah, you guys have a very great chemistry. Reminds me
of my siblings. It's an East Coast thing.
Speaker 3 (01:02):
There is a sibling pecking order for sure.
Speaker 1 (01:06):
This is great I think movie fans will love it,
siblings will love it.
Speaker 3 (01:09):
And you know what, well, it's unique because it's again
it's behind the scenes. It's two Baldwin brothers telling movie stories.
Well big sister.
Speaker 1 (01:19):
Supervisors and gets a little loss at times and is
so just not Hollywood. I love her to death, all right?
Coming up now this episode best episode Home Movies, one
bad Movie or should we call it one bad Movie
Home Movies Edition?
Speaker 3 (01:37):
We should call it one bad Movie Beth Baldwin Home
Movie Edition. We'll give Beth the credit rate now.
Speaker 4 (01:51):
Great, bad, lips so bad, guilty mass this sun so bad?
Speaker 2 (02:08):
Wow. The only thing I need not for you to
bother with, but I'll go do it.
Speaker 5 (02:13):
Is I want some water.
Speaker 2 (02:14):
I need a big glass of ice water to get it. No,
I'll go. Let's roll. No, no, no, no, no, Why
I'm being polite, Sit down and shut up? Here we go.
Come on?
Speaker 5 (02:27):
Are you rolling on this? I need this on? I
need this?
Speaker 2 (02:30):
So we're rolling. Let's go because I want to open
by asking you a question. Are we rolling? Okay? Are you?
Are you? Oh? I can't do that, it's going to
affect the camera.
Speaker 3 (02:49):
Hey, everybody, I'm Steve Baldwin. Welcome to One Bad Movie.
We're here today with Alec Baldwin, big brother and bigger
sister Elizabeth Baldwin.
Speaker 2 (02:56):
Welcome testing one, two three. I want to ask you this,
which is I see this a little bit of set
dressing here, a minimum of set dressing. Actually a very
low budget set dressing, I say. But the question is
is why do you you think that these are my
bad movies? That's not they're not bad movies. You don't
know what a bad movie is. If you think that's
a bad movie, well, well we could just be interesting.
(03:20):
Let me let them respond, because we're not on Fox. No, no,
not a talk show.
Speaker 5 (03:25):
Am I going to just shut up the whole time?
And you're going to go like this, shut up?
Speaker 2 (03:29):
No, I'm not gonna do it the whole time. But
when I go like this, that means shut up anyway.
Go ahead. What's your response? Why these Why did you
pick these films? Welcome to One Bad Movie? Could you
answer my question?
Speaker 3 (03:41):
Show this One bad Movie is a conversation amongst folks
who have different perceptions and perspectives of their interpretation.
Speaker 2 (03:51):
Of Okay, what a bad movie is. Okay, so you
off wrote it into a little promo there. What's the
answer to my question? What about these films? Why do
you think their best titles? What are those titles? Last
Shot I with Matthew Brodrick and Path to War. I
did John Frankenheimer's last project. He died right after that
with Michael Gamp. Okay, so let's let's let's there's so
many other films I've put on this piece.
Speaker 3 (04:09):
Frankenheimer. We love him. Yeah, but the Broaderick Project, that
was a great film.
Speaker 2 (04:16):
No, but it wasn't a bad film. It was a
bad film. Okay, it wasn't a bad film. It wasn't.
Let me take this again. The Last Shot wasn't was
not a bad film. I didn't hear the t the
first time. Sorry, Okay, it's okay. Well I know you're
hearing him, pair, but go ahead. Last Shot was Jeff Nathanson.
(04:36):
Jeff Nathanson who wrote Catch Me if you Can. Great writer.
He directed his first project. It was a very good script,
very good script. Tony Shaloub killed he was so funny.
Speaker 3 (04:45):
Okay, well, then here also on one bad movie.
Speaker 2 (04:49):
Uh.
Speaker 3 (04:49):
We invite actors like yourself to explain or express from
their history and memory an experience on a film that
wasn't so wonderful.
Speaker 2 (05:00):
Well, that's divide it into the shooting of the film
and then the quality of the film afterward or both.
Speaker 3 (05:04):
Right, do you remember a long time ago we were
in New York, I mean over a decade ago, and
you were talking to me, I'm gonna they don't ramble Bell.
You were talking to me because I said, oh, I'm
going to do this movie. And I had made you know,
the joke, the jokes. I've made a hundred films, more
than one hundred films, and twenty seven were just bad,
(05:25):
just bad.
Speaker 2 (05:26):
So you had a certain genre you were into.
Speaker 3 (05:28):
For sure, a certain season of bad movies. So you
went on to explain to me one time way back
when when I said, you know, I think I think
this thing's not going to turn out as I as
I had hoped, And you went, oh, yes, yes, you
had this great wisdom where you said to me, you know,
I had an experience on a film once where they
said we're shooting in Tahiti. This yeah, you know the story,
(05:52):
and then they get on the boat with him and
it leaves the doc and.
Speaker 2 (05:55):
They went to Newark, Staten Island, No but but I'm watching,
but I want to finish something. First of all, one
of the funniest lines I've ever heard of my life.
Shaloub plays a kind of B or a C level
D list mobster who runs Providence, Rhode Island. The movie
was it was a funny script. I love the script.
(06:15):
Jeff was a really great writer. And Jeff has Shaloub,
who's the local mobster, the head of the mob, sitting
there and he's watching this enormous TV, the biggest TV
I've ever seen in my life. And he's watching rugby
and his henchman, big tough guy, brings me in. Hees boss,
he's here, and all of a sudden you see Shaloub
(06:35):
to hold his fingerplike that say he's watching the rugby match,
and he says this great line. He says, last week
the guy in the bottom of the pile put his
finger up the other guy's ass. He pauses and says,
whatever happened to sportsmanship? We all were sobbing. He had
(06:57):
a great line. Then he stands up and half his
face is like pizza. He got burned. And he turns
to me and I was like, look at him. I
go and I see his face for the first time
he looks at me. He goes, I see you looking
at my face? Like what you looking at that? He goes,
my wife. I was handcuffed to the bed and she
(07:20):
poured a light of fluid on me and set me
on fire, and my eyes are balting going and he goes,
six months later our marriage was over. He's no, he
is probably one of the five funniest guys I've ever seen. Anyway,
So Favreau was on his show Dinner for five in
(07:40):
the old days, and Favreau is there. I'm like watching
this scene at like three o'clock in the morning. I
can't sleep. And Favreau says to the assembled guests, the
famous people there, Gary Fisher or whatever. He says, well,
it really comes out of these three things, does it?
Cast script director, he goes, and you can afford to
take a chance on one maybe wow, but if you're
asked to take a chance on two, don't do the movie.
(08:02):
I was like, why the didn't I hear it is
twenty five years ago? Why the heck?
Speaker 3 (08:15):
You're free to express yourself here.
Speaker 2 (08:16):
Yeah, you're free to Oh you don't preferred.
Speaker 5 (08:19):
No, I just saying.
Speaker 2 (08:23):
By swearing well, I leave the room.
Speaker 5 (08:26):
I leave the room, all.
Speaker 2 (08:28):
Right, So I'm sorry, you're the host. Continue this is
the way it always.
Speaker 3 (08:35):
Always, not now, but further down the conversation here this afternoon,
because we're gonna be here for the next two three
four hours. So you are a jot think about think
about your going to Tahiti. But you went to Staten Island.
And then when I talked to you the other day,
because we were supposed to just interview Sissy about movies.
Speaker 2 (08:56):
Right, we're gonna do a little bit. Okay, so we're
going we.
Speaker 3 (08:57):
Can do that, but you went into this what's another
way to say diatra.
Speaker 2 (09:05):
Monologue?
Speaker 5 (09:06):
Monologue? What monologue?
Speaker 3 (09:08):
You presented me with a fast monologue, which you're brilliant at.
Speaker 2 (09:12):
No, come on, let's get down to the show, rather
than you commenting on the show. But we haven't even
done the show, so welcome to show. Come on, come on,
go ahead.
Speaker 3 (09:20):
So you started talking about old films. We made a list.
We're a little prepared with that. They have some questions
for you later. What do you want to talk.
Speaker 2 (09:27):
About, guy? What kind of a hosting school did you
go to? What do you want to talk about? You
just you you decide what we talk. But let me
just say this. Myself and my three brothers went into
the film and television business, and my two sisters didn't.
And when I was young, and I won't come on
to my usual spiel about me being young and Dad
and million dollar movie and which was my life? You know,
(09:49):
Dad would come home and he this is back of
the days. I'll just tell us quickly. The New York
Times is there, and those very pithy movie quotes, like
two lines these shows whoever wrote it was really funny.
And Dad would sit there and I used to walk
into my mother in bed. I go, who's gonna let
Dad in? Like I felt, we had to lock the
door and have security. And then I'd let Dad in,
(10:10):
and my mother would just sit there, go ah, go
to sleep. I'd wait for Dad. He'd come home. He'd
eat a little something. We go in the living room,
We get the New York Times. He go, Wow, five
Graves to Cairo with Franchow. Tone, that's a heck of
a movie. And I say, let's watch a little He goes, no, no, no,
it's eleven thirty. You got to go to bed. I'd say,
(10:30):
we were going to watch the Late Show. We're back
when it's called the Late Show. Then it was a
late late show. Then at three o'clock, the late Late
Late Show. They'd show a movie on CBS. They'd chow
the Late Show, and I'd sit there and go, We'll
just watch a couple of minutes, and he goes, all right,
but you got to go to bed. In ten minutes,
I go great. We'd watch five Graves to Cairo. We
watch a Sorry Wrong Number with Barbara Stanwick and Burt Lancaster.
(10:55):
We watch this and this and this. But what would
happen within ten minutes? Dad would pass out full sp
He'd be laying there on the couch and I'd watch
the whole movie till one o'clock in the morning. And
I watched so many movies. I always say, there's a
guy named Ted Molly. Back in the days when they
had booth announcers on w P I X and O R,
so they had somebody live if there was a technical problem,
(11:17):
because they were often how old were you then a child?
It was like ten ten. And the point is Ted
Molly would be in a booth and they had in
case it was a technical problem, which often there were.
We are experiencing technical difficulties. It'll be back in a moment.
There was a test pattern, or it's like their logo,
and I would sit there and you'd hear him do
(11:38):
the promos for the next week. The million dollar movie
was over. What movie's theme song? Is the theme song
for a million dollar movie? What movie? I'll give you
a choice, ready, Spartacus high Noon, Gone with the Wind?
Or how the West was one? Which one of the
theme songs?
Speaker 5 (11:56):
Two?
Speaker 3 (11:58):
Which is what are the four choices of the theme song?
Speaker 2 (12:01):
Too? What?
Speaker 5 (12:03):
I didn't hear that part.
Speaker 2 (12:04):
Either million dollar movie would have a theme song. There
was the theme song of the famous movie Spartacus high Noon,
Gone with the Wind? Or I'm gonna go, go ahead,
You're gonna guess, Go guess Spartacus. What's your guess? I
have no idea, don't have any idea? Which the four guests?
One just roll the dice, don't live the cautious life.
Speaker 5 (12:25):
One in the family that does.
Speaker 2 (12:27):
Right, But let for now, for the purpose of the show,
let it roll those dice down the felt go.
Speaker 5 (12:33):
Ahead, So give me the choices again.
Speaker 2 (12:35):
God damn it, I was afraid you'd say that Spartacus
High Noon Gone with the Wind theme from Million Dollar
Movie was from Gone with the Wind, and Ted Molly
would come on and go tune in next week on
Million Dollar Movie when Barbara Stanback tells Gary Cooper where
(12:56):
he can go in Ball of Fire and the be
live in the booth announcing, And I just love that,
Ted Molly. It was a live guy talking to you
in your home. They don't have that any more. Thing's
taped down. But anyway, I thought that story would thrill you.
So hold on, I'm just gonna light up a little bit. Clo.
You guys stalk good. You're a jerk. Go ahead, you
(13:22):
under see him.
Speaker 3 (13:22):
How cool it is for you to talk about these
films because a lot of people who are gonna see
one bad movie, especially young people, they don't know Zam,
they don't know Bib. So it's fun to hear you
talk about this. And now I have another weird question
when he's talking about being ten and these programs? What
did you watch?
Speaker 2 (13:40):
Did you you TV? What did you do all day
when we were doing? When I was doing, when I
was doing? Where were you when you started dating Charlie
when you were twelve fifteen? You started?
Speaker 5 (13:50):
Yes, Charlie I was doing. I was doing laundry, I
was doing cleaning. I was doing a lot of different things.
Speaker 2 (13:59):
What did you do for? What did you want? We
be in the den watching f Troop and Gilligan's Island
and the Monsters.
Speaker 5 (14:06):
I was cooking and cleaning.
Speaker 2 (14:08):
What would you watch? Did you watch any TV?
Speaker 5 (14:10):
No?
Speaker 2 (14:11):
You didn't know, that's the answer. People who don't watch TV,
they don't become actors and watch movies.
Speaker 5 (14:16):
I was a caretaker, so I was always caretaking.
Speaker 2 (14:18):
I snuck into the.
Speaker 3 (14:19):
Exorcist, Baldwin brother movie not to put you on the special,
and don't see one of mine?
Speaker 5 (14:26):
No, there's, there's there's.
Speaker 2 (14:27):
Oh, don't worry all right? Now, which movie of mine
is your favorite movie of all your brothers?
Speaker 3 (14:36):
Let's start the question.
Speaker 2 (14:37):
Yeah, let's just leap frog to the end here. Which
what movie do you love of mine?
Speaker 5 (14:42):
I like The Edge and it's complicated.
Speaker 2 (14:45):
Thank you. That's a great, that's true.
Speaker 5 (14:47):
Great.
Speaker 2 (14:47):
One of them might die and a bare pity the
other one. I die.
Speaker 5 (14:53):
You. I liked it because of Anthony Hopkins.
Speaker 2 (14:56):
I know I did. She comes walking up to the
set and Anthony Hoppins is laying on an air mattress,
because he had hurt his back and he's reading the
paper and I woke he was the loveliest person. I
was the best time I've ever read. I love I
worship him. And I walk up to him and I go, Tony,
if you don't mind, I'd like you to meet my sister.
And he gets up, No, no, excuse me, I'm telling you.
Speaker 3 (15:16):
Here's the hand.
Speaker 2 (15:17):
I woke up. I walk up to him and I go, Tony, well,
like you meet my sister. And he takes the newspaper,
puts it down, picks himself up off the ground, and
as he's approaching you, he only stands and reveals himself.
He's like, he's like, he's like he's in on the
West end of London with Olivier and he and you're
being put your hand, You're gonna put your hand down,
and no, no, put your hand down. He goes, Elizabeth,
(15:41):
my pleasure to meet you. And my sister Beth married
twenty five years, six children. My sister was like like
twitching or ask going, ah.
Speaker 5 (15:53):
It was I just I got to wash that hand.
Since really, yes, it was wonderful.
Speaker 2 (15:59):
You a little jolt, he got around, He got around. Yes,
anyway ahead who knew. Yes, so that's her favorite movie
of mine. What's your favorite movie of Stevens.
Speaker 5 (16:12):
Stevens, I like Flintstones, Yes, yes, Flintstone's and I like
no Mommy was. Mommy didn't like threesomes, only one.
Speaker 2 (16:25):
Didn't understand only one movie. You say, come on, what's
you don't be silly? What's his best movie? Come on?
Speaker 5 (16:33):
Wait? Are we talking about threesome? Right?
Speaker 2 (16:35):
Didn't know we're talking about what, my god, you're liking.
Speaker 3 (16:38):
But mommy never.
Speaker 5 (16:39):
Saw three Yes she did, yes, she did, but she
didn't understand what threesome meant till she saw the movie. No,
she did not.
Speaker 2 (16:49):
His best movie is Usual Usual Suspect. There you go.
Speaker 5 (16:52):
I want to call it the unusual Suspect because you're
so unusual.
Speaker 2 (16:57):
My brother Steven, my brother Stephen's career. I always say,
this goes into another chapter. He does Usual Suspects. Everyone's
getting nominated, the movie wins Best Screenplay or Kevin wins whatever.
It's it's a huge success. It's a juggernaut, you know.
Great people always want like a great drama, clever drama.
And then after that, Stephen moves into what I call
the the uh no, no, no, No, the Biodome was
(17:20):
uh you know, uh some like it hot compared to
this series of movies you did. The he goes and
does what I call I want to call uh the
the hay Baale series of movies. He does. Steven's under
the truck, He's in the barn, He's under the truck.
And the young and the young Can I finish the young?
(17:42):
It's all gonna come back to you right now when
I finish. And he's under the truck and the girl
comes in and she's like popping out of some farmer
girl outfit. And then uh, she comes in and Stephen
slides out from under the truck and she's like look
at him, and she's like, what are we gonna do? Now?
He stands somebody, He's like cut too, you know, ah
behind a hay Bell like completely going at it. You
(18:03):
know he did like I mean, Skin a Max. They
called it skin a Max. How many skin Max movies
did you make? Like ten hey Bell hay Bell series,
Jared soft Soft, I think I ever did a skin well,
no lounge Zebra. What's the woman's name? Who you the
famous actress that was in all those young movies? And
(18:23):
she was young and very beautiful, which I don't know
the name of the movie. Who's a young beautiful girl
that was in a bunch of Was she in David
Lynch films or something? Who's are really pretty? Oh? I
know you're talking.
Speaker 3 (18:38):
That's just that's that's that's a very small film that
I did with. I can't remember that girl's name. What's
the name of the mole on her face? Oh? I
know who it is. I remember she was in a
David Lynch Yes, what's her name? Wasn't she on the
series too?
Speaker 2 (18:56):
Was she on Twin Peaks? Was she in Twin Peaks?
Let's look it up, you guys talk? No, no, not
laughing for them, but from Twin Peaks?
Speaker 3 (19:04):
The other one, very pale faced, one that looks like
Elizabeth Taylor.
Speaker 2 (19:08):
Yeah, very pretty.
Speaker 3 (19:10):
We've been doing this Lyn Finn Sherylyn Finn.
Speaker 2 (19:14):
What are they gonna do now? Billy worked with Steady
that the movie is a great film. No one wipes
the grease off their hands prior to sex like you
do it because you cleaned your hands. You were like
a decent guy. There's a lot of other actors would
have been Let me grab her with my filthy hands,
and you were like, no, I'm gonna wash the grease
(19:35):
off my hands. You wiped it off on your pants
and then ah ah, decent. Anyway, what's your favorite film?
You did?
Speaker 3 (19:46):
Is Zebra Lounge? Why what's that girl's name?
Speaker 5 (19:50):
No, he's not answering that, he didn't.
Speaker 2 (19:51):
Here's two gals.
Speaker 5 (19:52):
The one was that your favorite film?
Speaker 2 (19:54):
He just asked, gonna look it up now?
Speaker 5 (19:57):
Of yours?
Speaker 3 (19:58):
What's my favorite? Of mine? Is a Flintstones Viaba Rock Vegas. Oh,
because that's your favorite. Whenever I watched flint Stones as
a kid, the animated cartoon, I always kind of wished
I could have been Barney. Oh, isn't that weird? And
then played him in a movie. Christy Swanson Christie swantson.
Who's the other girl's name?
Speaker 2 (20:18):
Brandy Ldford? Yeah, Garrah Pearl Mutter.
Speaker 3 (20:23):
I have Brandy Ludford and Zebra Lounge.
Speaker 4 (20:27):
That is.
Speaker 2 (20:29):
Life changing, Stephanie, for you or for us, well.
Speaker 3 (20:34):
For for some folks that have seen it in the past.
I've been in airports and people have come by and gone,
you know, Zebra. One of my favorite films is Zebra Lounge.
Speaker 2 (20:48):
Naughty. That was for you, Jared, that was for your
bad Who's the woman I am communicated with? And wait
for it, I'm sorry? What what did you discover? Christie
Swanson who went to prison?
Speaker 3 (21:06):
Wow, she's amazing. Carlyne Famous, the other channel that was
in all the Spike Lee films that moved to Italy
and now just turned up in Coppola's new film. What's
her name? A little Italian chick with the mall on
her face? Again?
Speaker 2 (21:22):
Who I mean? I have a crush on Carlo Carloggina?
Who carlog Gina?
Speaker 3 (21:29):
No, she's older than the gal I'm referring to.
Speaker 2 (21:31):
I believe.
Speaker 3 (21:32):
How old is the look up Megalopolis?
Speaker 2 (21:35):
We're spending a lot of time looking up things, which
is always the name of seeing the old days. When
you came on the show, you knew. We hear the.
Speaker 3 (21:40):
Fishburned voiceovers on Megalopoulos.
Speaker 2 (21:44):
Amy Locane. I've been writing to her in prison. She
got drunk driving.
Speaker 3 (21:50):
What's the gal's name in Megalopolis?
Speaker 2 (21:55):
I'd love to, he said, you should have. He was
too busy talking about meg Alby Plaza. Chloe Fine mel fantastic,
romy Mars Talia Shire called his sister Sonya amar Isabelle
(22:15):
Kusmann Charlene Amoya, Madeline Guardella.
Speaker 3 (22:20):
I'm wrong.
Speaker 2 (22:21):
Don't tell me that you slept with this many women.
You don't remember any of these women, none of them. Carlow,
you didn't. I like that. He can't hear me. That's great, Catherine,
it's the fourteen. Trust me.
Speaker 5 (22:33):
I heard what he said. Mean select them and you
can't remember.
Speaker 3 (22:42):
That's what is the very cute, little attitudinal Italian girl
from Brooklyn or the Bronx.
Speaker 2 (22:51):
What else has she been in? We're wasting a lot
of valuable times.
Speaker 3 (22:56):
She's on a big series right now, and I think
I'm confusing it with Megalopolis, So I just kiss my ass.
Speaker 2 (23:03):
She's a show. She's on a show called like Tucson,
m D. And he's confusing that with megals. Okay, Okay,
that's cool. Okay. Let me ask a question. What was
your experience then with TV and movies? When you were young?
You never went to the movies and you didn't care
about that. What would you do for fun? Don't answer that,
but the what would you do for fun? You mean
(23:25):
Charlie brook going to you wuldn't go to the movies?
Speaker 5 (23:27):
No, we went to the beach down to tobay to
a park. Okay, why are you looking at me like that?
Speaker 2 (23:34):
Okay, but you didn't go to any indoor spaces. Shall
we say?
Speaker 5 (23:38):
Oh, I watched television.
Speaker 2 (23:40):
I watched you like.
Speaker 5 (23:42):
I like Wizard of Oz, I liked you know. Dad
would make me us watch certain things.
Speaker 2 (23:47):
We weren't. You want a TV watch and you didn't
watch like Bewitched and things like that. No, you never
sat down in front of the TV in your childhood.
Speaker 5 (23:54):
Because I was always sickly.
Speaker 2 (23:57):
Well you were. Assume one goes hand in hand with
the other. Sickly. You're watching TV.
Speaker 5 (24:01):
You can't breathe. You can't, you can't. I couldn't breathe
all the time. I wouldn't feel well.
Speaker 2 (24:06):
So asthma killed your acting?
Speaker 5 (24:07):
Yes, yes, asthma.
Speaker 2 (24:09):
That's tough about all teah. Yeah, that's rough. Steve, What
are you looking up now? Megalopolis the TV series? What
are you looking up? Guys? They may be that may
be in the hopper right now. I don't know.
Speaker 3 (24:28):
Hold on, I'll find it. For crime at these sakes me.
Speaker 2 (24:33):
Series, Look at this, Steeve. We can't do that. That's
dead air. It's dead air. We're doing it. We're gonna
be I can't can't stay much longer. I canna leave
it about ten weeks. I'm joking. Put the phone down.
Put the phone. I just want to figure out the
one girl's name. We don't care. I just just had
a weird glitch. Deadbie Masar, Oh, got you kidding me?
(24:58):
Debbie Maser, who was in Good Fellow Us to the
Coke Dealer with Ray.
Speaker 3 (25:02):
Right right, she's in a huge series. Would you look
it up on IMG before me? What she's doing right now?
Speaker 2 (25:06):
No, one of my favorite films. Ready, let's do it.
Everything here for me is a tip of the hat
to somebody I really liked. So I always like Matt Dylan.
I thought that was a good movie actor. It was
so interesting, good, good looking, but interesting. Baba did all
those s he hinting things with Coppola, h you know,
the Outsiders and so forth and uh and the one
(25:26):
with Nicky with that Outsiders or so Yeah, he was
a pony boy, I think, right, I forget one of
them anyway. I don't know the names of that, although
I have all those hinting books. But drug Store Cowboys
one of my favorite movies of all time. Wow, when
he's standing there with I worked with Kelly. And we're
sitting there on a boat smoking a cigarette. We're gonna
(25:47):
shoot on this boat in like Ponsha Trent in New Orleans.
And I go, just we're not talking, but I'm just
looking at her. And I go and the boat's coming
like this and the sun's out. It's hot as hell,
and I go, why am I so in love with you?
She takes the truck on the cigaret. She goes, it's
not me, Alec, she's from Chicago. I think she says,
it's not me. I mean, I get this all the time.
(26:09):
It's Diane, Diane. You're in love with Diane. You want
to know why, because she's everything a man wants. She's
a good partner and stands by you. Every man I
know they're in love with Diane. They think they're in
love with me, they're in love with Diane. I was like,
that's really that sounds right. Actually, yeah, that's really true.
I was in love with Diane. And she's in that
scene when she's in the house and they gotta and
(26:31):
they get the drugs and they're gonna takes the drugs
or whatever, and he's really like grinding his jaw. He's
really wasted on antheta means. And she looks at me,
and he goes, Diane, you gotta understand. We gotta go
out again. We gotta go hit another pharmacy. We gotta
go hit another pharmacy. Because hot right now was so hot.
We gotta go. We gotta go hit another place. Now
we're hot. And she looks. She always has a cigarette
(26:54):
her mouth in the room, and she goes, Bob, if
you're so hot, why don't you lay me down and
make love to me right now? And he looks at me.
He goes, Diane, we can do that anytime, because Dick
is probably like a cashew, you know what I mean,
And he just is not happening right now. Bob, if
you're so hot? And I was so in love. I
(27:16):
love that movie van zandt one of the greatest movies
Vanz that made them. I mean, it's very hard to
pull these movies off, and they're always a fine line.
In my mind. This might have been of them tipping
off the show off the cliff. But he did that
movie Elephant about his take on Columbine. Oh, that's one
of the most amazing movies. I love Van Zandt. He's amazing. Vanzad,
(27:37):
He's amazing.
Speaker 3 (27:39):
What questions do we have for Sissy?
Speaker 2 (27:42):
You like drug Stock Cowboy? This is gonna be it?
What what?
Speaker 3 (27:49):
It's a filmy drug Store Cowboy? You'd remember it if
if it.
Speaker 5 (27:53):
Was to see it.
Speaker 3 (27:54):
Kelly Lynch, I thought you had some questions about some
of your titles.
Speaker 2 (27:58):
She just said she doesn't really watch very many movies.
I was gonna say, like for me, the first movie
I watched on TV late at night that was a
thriller that scared me. Was sorry, wrong number. I watch
it every year. I watch it every year. Burt Lancaster
contracts people to murder his wife to get the insurance,
then finds out he doesn't need to, and in the
climax of the movie, he tries to stop the men
from going to the apartment and murdering his rich wife.
(28:21):
And it is one of the greatest movies ever made
in history. Like I always tell people, this is the
most brilliant thriller. It was a radio play, it was
a book.
Speaker 5 (28:29):
You were sneaking with Daddy and doing those things.
Speaker 2 (28:31):
And where were you? I was sleeping wheezing in the
other room.
Speaker 5 (28:34):
Yes, I had to be yes. I was sick.
Speaker 2 (28:37):
Weezer, Weezer, That's why I'm weez Sam Weiss now. But
I don't want to yammer on and on about my
you know, sound like I'm trying to be so intellectually
vain here about movies and so for But like for me,
I grew up in a childhood. People my age understand
there was no Internet, there was no VC. Right would
(29:00):
announce a movie playing on a network. NBC would have
the Sunday Night Movie or whatever it was, one of
the three. There was no Fox back then, there was
no satellites or cable, nothing. And they'd sit there and
they'd announce a movie they had come out in theaters
five years earlier, and they'd say next Sunday on the
Sunday Night Movie but sound of music, and we'dn't be
seeing there, going, oh my god. We're gonna sit in
(29:21):
our house, in your home, out of the drive to
a place and park and go by and it's free.
We're gonna watch on broadcast TV no cable back then.
It was rabbit ears and it was free. Commercials paid
for the bills. And I said, we'd all be glued
to the TV. The sound of music, Mary Poppins always,
Julie Andrews.
Speaker 5 (29:41):
You liked horror shows too.
Speaker 2 (29:43):
Well, they'd have Chiller theater. Yeah, they'd show all the
old Warner Brothers gangster films.
Speaker 3 (29:47):
Now, you tend to reflect on our childhood on occasion
and say that you would come home when you were
older and I was younger, and my friends would be
in the in the den and we'd be watching TV
later night and having some snacks.
Speaker 2 (30:02):
And exploring outer space on the TV and in here. Yeah.
Speaker 3 (30:06):
Sure, you guys were a little We had to have
a certain atmosphere for certain.
Speaker 2 (30:11):
It's a tribal ritual viewership.
Speaker 3 (30:13):
But my next question is back in those days, guy, Yeah,
you too created certain atmospheres for yourself, such as and
you watch certain programs yourself.
Speaker 2 (30:26):
So but so, give me the what was it Twilight?
Speaker 3 (30:29):
What was your guilty pleasures?
Speaker 2 (30:31):
Outer limits? No, No, Alfred Hitchcot, there was a tie, Alfred.
Remember back then you couldn't afford to be too choosy.
It was like you watched everything you watched mister ed,
You watched Gilligan's Island, you watched you know, all this
game shows. I love game shows. Password with Alan Luddon Jeopardy. Yeah, no, no,
(30:55):
Alan Luddon, and that would be what's They would be
what's my line? And the person would sign in you.
They wouldn't show me. You see his hand on the talukboard,
you know, they'd write Humphrey Boguard and the audience is
going crazy, and they'd sit down and the battles were
masked and they say, I take it from your the
response you were given you you're a star in the
world of entertainment? Is that correct? And he goes, yes,
(31:16):
he tried bog which to fake his famous voice. But
all those shows, what's my line? I've got a secret
password a match game, which I ironically wound up doing eventually,
what do you call the one with Hollywood Squares? Paul
(31:38):
the other day?
Speaker 5 (31:39):
Hefty?
Speaker 2 (31:42):
What did he do? They have him online all the
time doing this one. No, that's the other one. Paul
was the one like anybody what was the line he'd said?
He was great? What did he say? Like always sexual
innuendo and you almost got himself in trouble. But Charles
Nelson Miley, Yeah, yeah, we did him on this.
Speaker 3 (32:04):
And Charles Nelson Riley and then interestingly, I'm gonna segue
for a second because you were watching something before over
your shoulder. I saw you watching Who's the other comedian
you did? The movie? Was you were watching this morning?
Speaker 2 (32:19):
That daddy loved Jonathan Winters?
Speaker 3 (32:22):
What was that film?
Speaker 2 (32:24):
The Shadow? He was my uncle.
Speaker 3 (32:26):
I walked with you watching The Shadow for a second
and it was wild to see him because Dad love.
Speaker 2 (32:34):
Jonathan Winters was He calls me, I'm with you and mom.
And we rented that house up on the lake years
ago in the nineties with the summer of ninety three,
and I was gonna go shoot The Shadow that fall.
We shot it. Then the earthquake came out in the
middle of our shooting in January Northwardge earthquake. We had
to shut down for two weeks and then go out
(32:54):
to another location. But Winters is in his house and
to look a lake. I think he would live somewhere
in a nice part of the valley and une part
of the valley. The teeth like that. Like Dad, you
keep totally Winters. No, but Winters you could playing. He
wants me to call Marty Bregman was the producer. He says,
would you call him? He wants to talk to you.
And I was with you and Mom were renting a
(33:16):
house up there on the lake for the first time.
Up there, we rented a house. It was the thunderous
sound of crickets and we're right on the water. I
don't remember where we went. We can't ask moms. She's
not here. One of the problems. He's the archimist. But
they said he wants to talk to my col Winters
on the phone. Winters gets on the phone. He says, ah, well,
(33:38):
I want to ask you a question.
Speaker 5 (33:41):
That is.
Speaker 2 (33:43):
In this movie and this picture. You want me to
play the commissioner. Is that right? And I go, yes,
you're the police commission goes well, you often find in
movies that the guy that's the commissioner, he's kind of
an ass you know, I mean the water commissioner, or
the baseball commissioner, the police commissioner, you know what I mean.
(34:03):
The guy when he's a commissioner, he's kind of a
he's kind of an asshole. You're follow me and I go, whoa,
why so why do you want me to play the
commissioner in here movie? And I go, well, no, it's
not that at all. You're not a n assole, I
said You're like, you're you're I mean, you just show
up and if everybody's laughing, you're like one of the
five funniest men in history. And he's like, aw, it's
(34:24):
very and I say, well, no, we want you good.
I mean, I'm a huge fan of yours. I grew up.
You know. It's a mad, mad, mad Mad World. My
favorite comedy of all time. That's tied Mad Mad, Mad
Mad World and The Fortune Cookie with Jack Lemon and
Walter Matthow. The Chinese what do they know that's Walter Mathow.
(34:44):
So Winter shows up and he plays the party, plays
my uncle and he's so we were crying because he
had a recall mechanism. I always tell the same joke.
He had a recall mechanism where he couldn't remember his
lines because he wasn't great with his lines. He had
an assistant there whould prompt him and run with him.
And he said, there and going to be Lamont. This
is in the take, he go, Lamont, you gotta find
(35:05):
their shadow, Fella. It's bad for Gotham, it's bad for
the city, it's bad for the economy, it's bad for everybody.
But that's neither here nor there. Line. Yeah, so you
and I have to come up with a plan. We
don't find this film is gonna be disastrous for Gotain.
That's neither here nor there. Line to who his recall
(35:31):
line was, but that's neither here nor there. Could say
that's what he did to Stall and he said, but
that's not Here's like that. That was the cue for
the guy to be like okayne line, that's neither here
nor there. Oh no, we that movie was not a
good movie. And because it was, it wasn't one person's vision.
(35:52):
Russell mulkayhe was the director who had just to come
up with a biggest successful film. Good guy, smart guy,
very bright guy. But Marty intruded too much. It was
not like one person's vision, which a movie has to be.
That sure, you know, Marty was a very intrusive producer,
like Weinstein and those guys where they think they're gonna
we love Marty. Yeah, no, Marty was a great guy.
But anyway, okay, let's try to try to hit the
(36:20):
ball back. Now I'm gonna serve and you hit the
ball back ready if I can. And okay, so when
you were child kind of you're like Wizard of Oz Yeah,
like sound of Music. Yes, did you like Mary Poppins?
Speaker 5 (36:33):
Oh? Yes, I think I'm hurt.
Speaker 2 (36:35):
Now what kind of entertainment did you raise your children on?
Or do we want to get into that? Now that's
neither here nor there. What do you what did you
raise your children?
Speaker 5 (36:46):
I took them to the movies, but.
Speaker 3 (36:51):
Disney, Wolverine, Disney, Cinderella, Deadpool.
Speaker 5 (36:56):
I was so busy taking I can't even remember our face. No.
The first time I took them to a movie Scream,
I remember that. Jonathan and Jill like Scream. No, they
were like seven and eight. I did not know. I
did not know. Now I Scream, the one where you
(37:17):
walk in and we're sitting down front row and the kids.
We were in front row because we were late, and
the kids had to hold their head back to watch
the screen because we were so close. Well, Jonathan was
born in eighty seven, so early nineties eighty he was, Yeah,
he was born, and forgot what screen early.
Speaker 2 (37:38):
You're watching Scream? Watching Scream?
Speaker 5 (37:41):
No, no, no, So the person walks in I think
it's Scream. The person walks in in the bathroom, and
the knife goes through the bathroom into the person to
kill the person Okay, I say to Jill and Jonathan
get up now we are leaving. And I went out
and I said I want my money back because we
(38:01):
had no and I said.
Speaker 2 (38:03):
You're good movie programming that you're a part. That was great.
Speaker 5 (38:06):
No, I was. I was a mother first.
Speaker 3 (38:08):
That was disgusting, but I like the you want your
money back.
Speaker 2 (38:13):
I take the boys out of the movies and I'll say,
let's go see this.
Speaker 5 (38:17):
Uh.
Speaker 2 (38:18):
You know, Ralf is the big problem because he's nine
years old. That was really into everything, kind of forbidden.
Let's go see uh robot, what is it? Robot? Wild
Robot Wild. Let's go see wild Robot. And the other
two boys like, yeah, let's go see wild Robot. Raf
was like, I don't want to go see that. I
don't see that. What do you want to see? He goes,
(38:38):
and then he'll point to the poster for like Alien
Romulus with the with the with the monster is sucking
in the blood out of the guy's face. Really, oh,
I swear to god. He goes, I want to go
see that, and I'm like, wow, that's never that's pretty wild.
Oh no, he's into all that. He's alien. I showed him.
I showed him a section of regular. His new name
is Formulus. I just I showed him the original alien
(39:02):
A part of it right, thing comes out of John
hurt Spot. Oh, they went crazy. They were like, you know,
they're like, you're my sons are all like my brothers.
They're sitting there going, oh sick. I'm not gonna raft
it's a science fiction movie. They know it's not real.
You know, someone's they know some they know that some
demons not gonna stick his probe up their ass and
(39:25):
shoot an alien baby in there and the baby's going
to come out of their chest. That's what that's a movie.
Romeo doesn't like that. He doesn't like it. Nightmares and
he wakes up at night with nightmares, not all the time,
but with periodically. But the other boys, like you know,
Raff's like in his bunk bed, and Raffie was to
think it's going to turn into like a prison cell
(39:46):
when he's gonna be there smoking a cigarette and be like, dude,
what about Mexico. Tell that story?
Speaker 3 (39:55):
Remember remember I guess you were in the car with
the boys. You're talking about where you were gonna go
and to Marilla or if you could go somewhere stay
one of your sons was like, I choose to stay
here to Rof goes, I want to go to Mexico.
Speaker 2 (40:15):
The story telling so brilliant. No, I don't remember the details,
but it was like, you want to live in New York, Vermont,
Rea Stampton for you know New York ver Hono sapped.
Romeo says the city because he sucks up to his
mother all day long and his mother wants to live there.
Whatever his mother says. And then uh, Leo, I think,
said of Vermont. He loves Vermont, but he does nobody
talking about and Ralf would always say East Tampton. But
(40:37):
then one day Rolf, but he's just he's just playing
now he likes Brando. Yeah, so he said, yeah, nobody's
He'll sit there and I'll go where do you want
to live? He'll go Mexico. Yeah, I'll don't you shut up?
But well, I thought you would tell the story about
me in Mexico with doing the movie that Juror, which
(41:00):
was a weird experience. But so you take your kids,
But did you take your kids to the movies all
the time? Did you watch TV with them periodically?
Speaker 3 (41:10):
Yes?
Speaker 2 (41:12):
What would you watch with.
Speaker 5 (41:14):
We would watch movies that we would make it get
at the library, you know, like I would have to
control what they were watching.
Speaker 2 (41:21):
And now I'm gonnaquiz you. Ready now, and I'll lead you.
I'll say something to suggestion. You're gonna give me the
name of the movie. Okay, Christmas movie, Christmas movie, Christmas movie.
Hold on, and the knob comes off the staircase because
the house is falling apart. He can't pay the loan.
Christmas movie, Christmas movie. Jimmy Stewart. I'll give you a
(41:42):
big end here, Jimmy Stewart. No, no, no, okay, is
it a streetcle on thirty fourth Street. Okay, we're gonna
keep going. Get three guesses, okay, so your words. He
takes the thing he meets, He meets the ghost on
the bridge. He's gonna jump off the bridge and kill
himself with the snow was bounding down. He wants to
commit suicide. And uh, okay.
Speaker 5 (42:06):
I was busy having children.
Speaker 2 (42:09):
Why don't you watch You watched.
Speaker 5 (42:11):
All those movies then, and you're having children now.
Speaker 2 (42:15):
The movie is this movie is? What? What's the movie?
What's the movie? Miracle?
Speaker 5 (42:21):
I said the same thing.
Speaker 2 (42:23):
It's going great.
Speaker 5 (42:24):
I said the same thing. I said the same.
Speaker 2 (42:27):
It's a wonderful life.
Speaker 5 (42:29):
Okay.
Speaker 2 (42:31):
I'm going to give you. I'm going to give you
an easy one. Okay. I have a son who was
forced to leave this country, and some accidents should befall him.
If he should be shot by a police officer, you
hang himself in his jail cell or be struck by
(42:51):
a belt of lightning. I'm gonna hold some of the
people in this room responsible.
Speaker 6 (42:57):
Godfather, Oh my god, you wait, show what you want,
Show them what you want.
Speaker 5 (43:02):
That's because of the accent that you did. Then I know, okay,
and all of these people. He doubted me. He always does.
Speaker 2 (43:17):
Okay, famous police drama. Ready, trying to get this Ready,
I'm gonna take you for a walk without cuffsp me.
I'm gonna put one in your back.
Speaker 5 (43:30):
You're gonna put one in your back.
Speaker 2 (43:33):
Me, I'm gonna put one in your back. We're gonna
beep that out. Go ahead.
Speaker 3 (43:36):
So what do you think it is? It sounds like
al Pacino?
Speaker 2 (43:41):
She never I love you, you gotta help her cut.
I'll give you three choices. Ready, I'll give you three choices. Okay,
uh love actually never heard of you? Give it away?
Speaker 5 (43:53):
Okay, I never heard of that. They're all laughing. They're
giving me a hand. Good.
Speaker 2 (43:57):
Oh there you go out. That's two. You win one
more and you get it and you get a toaster freezer?
Got another one? Why am I forgetting? What was the show?
The game show, the legendary game? But yeah, let's I'm
gonna show you what you won behind the curtain, show
(44:18):
what she wanted to. Carol Marrow, show what she went
behind the car the curtain. Carrol and Carol Merrill, gorgeous
woman would show them that you want toaster freezer, whatever card?
You want a new car? All right, one more quiz
for you and then we're gonna take over now and
you could just take a nap over there if you
want to. I'm joking. But but interesting how that's why
(44:44):
they've got no TI in the business because they didn't
they want you. And we we watched TV to we
were gonna die from it. We're gonna die. And the
old TV is probably like a lot of radiation to
wear damage from watching TV.
Speaker 5 (44:58):
Popcorn and the brown and cleaning. You're watching the TV
and I'm running around, What.
Speaker 2 (45:03):
Else were you gonna do? I want to be a
part of it. Go get the brownies. You're not gonna
walk over here by themselves. Now one more? One more question? Ready? Okay,
one more? Okay, let me think. Take your time.
Speaker 5 (45:21):
Now, I know why I'm the way I am because
of you. Now it's coming clear than why I'm the way.
You were entertained and having a good time, and I
was running around for you, hysterical I was. I was
running God, Now I know, now I know I am.
Speaker 2 (45:39):
You wouldn't be here you are today.
Speaker 5 (45:41):
It would not be if I wasn't getting you the
pop born and the brownies and you could watch the
movie at the movie too.
Speaker 2 (45:50):
Sure, come on, come on, put the hand up, shut up.
We're gonna do one more. What's this thing I'm gonna do? Okay?
What movie is this? A man sitting there, nice white hair, Yeah,
one dog looking that way, one dog looking the other way,
and guy sticking to himself. What do you want from me? Huh?
(46:12):
What's that from?
Speaker 5 (46:12):
Give me another hint?
Speaker 2 (46:14):
Not to give you another hint. Think I'm funny? You
think I'm funny? What's funny about me? What's funny about me?
Speaker 5 (46:22):
Nothing?
Speaker 2 (46:23):
Okay, Okay, you're on the record about that.
Speaker 3 (46:26):
One more obvious one If there is one.
Speaker 5 (46:31):
I'm trying, Mam.
Speaker 2 (46:33):
We got to borrow a knife. We uh, yeah, we
hit a deer, he says one the other actor. We
hit a deer. Yeah, I got well, the thing got
stuck in the griller car. You say the paw, Paul,
He's saying, the paw, the paw, what do you call it?
And DeNiro says, the hoof, the hoof, the hoof got
stuck in the car. We need to cut it out. Mom,
(46:53):
you got a knife. Why don't you get married, settled
down with a nice girl or the mother says. He goes,
I do settle down with a nice girl every night.
I settled down with a nice girl. You know what
I mean, get married? As mother says, what movie is?
Is it no time for sergeants? Is it good fellas?
Speaker 5 (47:10):
Good fellows?
Speaker 2 (47:11):
Let's see you. I mean, I'm passing. I'm practicing. It's
like it's like a.
Speaker 6 (47:14):
It's like a race, and I'm dragging you over the
finished flight. I'm dragging you over the finish line. She
goes me, here, Carol Melo, show what she's won. It's
a man of freezer.
Speaker 5 (47:29):
I don't need one of those.
Speaker 2 (47:32):
Is a dishwasher from Norge. Years from now, you'll be
glad it's a Norge. Remember the old commercials rumor kids.
I know I learned those. Yeah, you were you were
like you know, you were robbing grocery stores. We jingles
with member with Grandpa's take a ring, and then a.
Speaker 3 (47:55):
Much smaller stores than grocery stores.
Speaker 2 (47:58):
You're robbing ice cream. Man.
Speaker 3 (48:02):
I have a question, and I'm gonna reverse it.
Speaker 2 (48:06):
I was gonna do a little Judo move, but I
won't do that. Oh please, don't judo me?
Speaker 3 (48:10):
So can I Can I pick good Judo? Can I
pick one of your favorite films in my opinion? Or
would you rather just go first and pick one of
what's one of my films that's your favorite.
Speaker 2 (48:26):
And your usual suspect I love that.
Speaker 3 (48:28):
Movie, and then probably after that you don't like any
of my No, I think.
Speaker 2 (48:33):
That you're in I mean Biodome. I mean, listen, that's
the joke we do. He says to me. I'll never
forget this. I remember where I was in the kitchen
in Woodland Hills when I was married, and he told
the funny. He goes, they want me to do this
movie Biodome. I go, whatever you do, don't do that movie.
Are your you nuts? Biodome? You in this pimple faced
(48:53):
comic from la and you're gonna be in a biodome
or whatever it is. Don't do the movie Biodome. The
movie Biodome comes out and out grosses the movie I
was in the same weekend. Oh wow, yeah, yeah, well
or whatever. Well, I think were very successful.
Speaker 5 (49:16):
You were good at that.
Speaker 2 (49:17):
But the thing is that you bring the one thing
you have to remember for them. For Daniel less so
because he's more kind of a husky, big powerful guy,
he's husky. But for you know, guys who were like
leading men, him and Billy and that kind of young
pretty leading men category. There's so many of them, and
you got like three, four or five movies to cut
yourself off from the back and distinguish yourself from them.
(49:40):
Because what happens is the ones who do that stay
and the ones who don't do that go and do
like medical shows on TV or like CSI. You know,
they're like a good looking guy who was like in
love with Ginger Square and the sexual tension between you
and Ginger goes off for like nine seasons and then
in the season finale you get married or she she
(50:00):
dies or whatever, and a fire whatever, that's just in
the future.
Speaker 3 (50:04):
I shouldn't do like a Zebra lounge two point zero.
Speaker 2 (50:07):
If they're paying you a lot of money, I would yeah, okay,
if there's a million dollars or more detached, I do it.
But I'm just saying that. You know what I mean,
which is when you come up. I learned very early
on that the leading man category there's very few seats.
If it's like a plane, there's very few seats in
first class.
Speaker 3 (50:23):
And I may want Barbie, so.
Speaker 2 (50:26):
You won't do Barbie. I won't do I bet you're
ask you're gonna do Barbie.
Speaker 3 (50:29):
That means my uh, that means we.
Speaker 2 (50:32):
Take a break by go Pete. I'd like you because
I want to have a cookie. I really don't care
about that.
Speaker 5 (50:38):
We can we just take a minute. Okay, we'll be
right back.
Speaker 2 (50:41):
You can get up after this.
Speaker 3 (50:44):
Pay friends, thanks for listening in, stay tuned.
Speaker 2 (50:47):
For part two, a big Brother.
Speaker 3 (50:49):
Alec and first born Sissy for more family shenanigans next
time on One Bad Movie, And if you haven't already,
please subscribe and leave a comment let us know how
you think we're doing
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