Pauly Shore

Pauly Shore rejoins his buuuuddy and partner in bio-crime, Stephen to talk service animals, The Comedy Store, Bio-Dome 2 and what it was like making the movie that Alec Baldwin warned would ruin Stephen's career and 90s classic, Bio-Dome! Free Mahi Mahi! 

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Episode Transcript

Speaker 1 (00:00):
All right, welcome back to one bad movie. This is it,
This is the one we've all been waiting for sieving.

Speaker 2 (00:08):
Oh man, people are jacked up, dude, Yeah, they kind
of listen. I just went and did for the first
time an autograph signything. The number of people that want
to see Biodome two is mind blowing.

Speaker 1 (00:23):
Yeah, we finally got the one and only poly Shore
on the pod, the nineties comedy legend, star of cult
hits like Ensino Man, Jerry Duty, son in law, and
most importantly, you're co star of Biodome.

Speaker 2 (00:36):
Biodome the comedy extravaganza, Stoner, dumb and dumber, so to speak.
But really it's a poly Shore vehicle. I just I'm
so stoked to know him, and and I gotta be
cool right now in this intro because I want to
choke his little neck. He's so crazy. Uh but I

(00:57):
love him. You know, He's just you can't He's like
a rash, you know what I mean.

Speaker 1 (01:02):
It was like you guys picked up from the last
day of filming of Biden. You guys instantly picked it up.
It was fun to just sit back and watch and
uh just hear what you guys would have pitched for
Biodome too.

Speaker 2 (01:12):
But then in the interview on One Bad Movie with
Pauli Shore, I must admit, remember when he teared up.
Oh yeah, okay, don't say anything more, just remember it
was it was. It was a very interesting interview with
my dear friend Paulie Shore, who I loved to death,
who came on One Bad Movie and he was funny,
and it was the Weasel a little bit here and there,

(01:35):
but it was mostly Steven and Paulie and Bud and Doyle,
so to speak, kind of chipmunking and giggling and squirreling
and having fun. But then Paulie now is you know,
in his stand up work and stuff, and he's touring
and he's doing this, and he's put you know, he's
playing at Joe Rogan's place wherever that is in Texas

(01:56):
or something. He's Mothership, yeah, and he's just he's just
he's really kick an ass. Those guys. You know, the
way to you know, do well and be successful and
stand up is changed, yeah, you know, But just for
for Paula to reflect on all of that of his
success now, his mom, the comedy store, all his retro nests,

(02:19):
it kind of was interesting to talk about in the interview.

Speaker 1 (02:23):
Yeah, it was very, very hilarious, but also it was
very heartfelt, which anyway, all right, Oh and we should
also know that jingling that you may hear in the
background if you're not on the YouTube is Polly's dog
who was running through this set in the.

Speaker 3 (02:38):
Studio here and there.

Speaker 2 (02:39):
What's the dog's name again?

Speaker 3 (02:40):
I don't know.

Speaker 1 (02:40):
Sure, he kept calling it Chinese, and he called me
Chinese as well, so I was very confused.

Speaker 2 (02:45):
Yeah, yeah, yeah, Paul, he's got his own.

Speaker 3 (02:48):
I loved it, all right.

Speaker 1 (02:50):
Everybody, don't forget to like and subscribe the episode, Yes,
put in your favorite parts about it in leading a review,
and most importantly.

Speaker 2 (02:59):
Share with your friend Harriet, with your.

Speaker 1 (03:01):
Friends, follow us on social at one bad movie across
social media, all right, without further.

Speaker 3 (03:07):
Ado, guys, the one and only Pollie.

Speaker 4 (03:10):
Sure not in a dona creating those bad lips.

Speaker 2 (03:20):
Be so bad.

Speaker 5 (03:21):
It's good because.

Speaker 4 (03:25):
Sets out you see lasts, this sun this dude, it's
so bad.

Speaker 2 (03:31):
It's good. The one bad movie. So you have a
license and a permit.

Speaker 5 (03:37):
For buster, Well, it's just the document.

Speaker 2 (03:42):
It's not like a so I go buster.

Speaker 6 (03:45):
You come here.

Speaker 5 (03:45):
Bye?

Speaker 6 (03:46):
Sir, you're my dog by sir, but my man, that's cool.

Speaker 5 (03:54):
Where is he.

Speaker 2 (03:56):
Play your microphone? Closer? You do a podcast? You know
what's up?

Speaker 5 (04:02):
Yeah? I don't know if mine's called don't you think
of our show? I don't know if I don't know
if mine's a podcast. Mine's more of like a mushroom trip,
a variety show.

Speaker 2 (04:11):
We'll call it a modern variety show.

Speaker 5 (04:14):
It is.

Speaker 3 (04:15):
Can you just just three inches from your mouth?

Speaker 5 (04:18):
More like like this?

Speaker 7 (04:19):
You like this? Closer almost eat it? Like closer to no,
like Chinese closer. We're good here, you're good there?

Speaker 5 (04:30):
Yeah?

Speaker 6 (04:33):
What is he doing with that light?

Speaker 5 (04:35):
Broll me?

Speaker 2 (04:35):
If I'm having too many flyaways? We're just kidding.

Speaker 5 (04:40):
That's good for me, as long as it's good for
you. You got to check the thing, busser. Where's buster? So
you set this up wherever?

Speaker 2 (04:48):
Right, Well, this we do in l A. Now just here,
we did set it up wherever. We did a bunch
at a house. But with this background.

Speaker 6 (04:57):
I use this background.

Speaker 2 (04:59):
This is my little set up.

Speaker 6 (05:00):
So this is your background.

Speaker 2 (05:02):
This is my set.

Speaker 6 (05:04):
Yeah, your set.

Speaker 5 (05:05):
So you travel with this this background all the time.

Speaker 2 (05:10):
Not to New York. We kind of read you it
again in New York if we have to.

Speaker 5 (05:16):
Are you guys ready, Yeah, we're good. Yes, let's dive in.

Speaker 6 (05:19):
Okay, let's go.

Speaker 5 (05:20):
Hey, first of all, buster Buster, you're my dog, buster Buster,
You're my dog. First of all, I think this is
a good idea for you because you've been in a
lot of bad movies. You missed my joke, dude, that
was like a good joke.

Speaker 2 (05:36):
How many bad movies I've been in?

Speaker 5 (05:37):
Buster? Yeah? Well you know you had you were there
was You're very much like Nicholas Cage.

Speaker 6 (05:43):
You know what I mean?

Speaker 5 (05:44):
There was like there was a timer you needed a
way better actor. No, but Chinese, there was a timer
you needed in the cheddar Bro. That is what I'm saying.

Speaker 2 (05:53):
You had a little cash cowboy, the chatter I.

Speaker 5 (05:56):
Remember I did that. You did a lot of movies, dude.
How many movies is this guy?

Speaker 2 (06:04):
So listen?

Speaker 5 (06:05):
So many?

Speaker 2 (06:05):
The funny thing is so many movies. You don't remember
a lot of the movies, right, don't so. Jared, Thank
goodness he's here because I said to him, he's like literally,
when we were developing one bad movie, he's like, well,
how many bad movies do you think you've been in.
Here's the one sensible person in the room to ask

(06:26):
the simple question. I went, well, Sharks and Dennis and Heartbeat.

Speaker 6 (06:31):
What is.

Speaker 2 (06:33):
A few more?

Speaker 6 (06:33):
Well, let's name him bro. I can't remember.

Speaker 2 (06:35):
I just said that.

Speaker 5 (06:36):
You can't remember him, right, No, I had, So I
came up with like, I came up with like ten
seven seven.

Speaker 2 (06:45):
I could remember, like, you know, just what they were
about kind of, And then there was that, and then.

Speaker 5 (06:50):
He you were going from movie to movie to movie
to movie, the movie movie movie.

Speaker 2 (06:54):
Is you that money making era we're talking about?

Speaker 5 (06:56):
There was like a but you were also just doing
movies from random like Israeli producers or this Persian. He
guy's got cash and getting random. Yeah, you know, are
you good? Are you mad at us? Uh? Oh? Because
we worked with some really cool but what tenness? He's

(07:16):
trying to fix the thing. See he's got a hair
in the gate.

Speaker 2 (07:21):
Gona, We've got a chicken in the gate. Look at
this man. We're gonna have creepy glitches because we're gonna
talk about biodome.

Speaker 5 (07:31):
We're gonna talk about that.

Speaker 2 (07:33):
The mystery of biodome.

Speaker 6 (07:36):
Yeah, mm hmm hmm.

Speaker 2 (07:42):
Buster with my maid, Buster Pollie Shore is in the
house Maid.

Speaker 5 (08:00):
He's beautiful, He's amazing. Right, I love it so much.

Speaker 6 (08:05):
Chinese suck Buster, that's you. You're my service animal man.

Speaker 8 (08:10):
Mommy, mommy, mommy, Watch your tea, Watch your tea.

Speaker 5 (08:23):
Oh no, it's a good dog. I ate a half
a sandwich. That's what happens.

Speaker 2 (08:36):
We'll talk about my one bad movies later. Okay, Jared,
how's my makeup? Is it? Okay? Sure? Okay? I was freshest.

Speaker 6 (08:46):
Look at us, right, but in Crusty Doyle Bro.

Speaker 2 (08:50):
Word great, I look off.

Speaker 6 (08:52):
Now we look crusty, bro We're all krusty.

Speaker 2 (08:55):
Do we look like but toile Wood? Kind of maybe?
Now if they had some sense of anything.

Speaker 5 (09:05):
There's just a lot of sadness in the world now, right,
you know what I mean, there's a lot of angst.

Speaker 2 (09:11):
Yeah.

Speaker 5 (09:12):
So that's that makes us, I think more burnout than
it would have been if the internet never came. I
think if the internet never came, I think everyone would
be a little bit more lovely.

Speaker 2 (09:25):
Good call.

Speaker 6 (09:27):
We were part of that time, a beautiful era.

Speaker 2 (09:31):
Sure.

Speaker 5 (09:32):
You know, people are like, why do you talk about
the past, because it was a really sweet.

Speaker 6 (09:36):
Time, better times, way better time.

Speaker 5 (09:40):
Yeah. I mean, Sunset Strip was you know, where I
was born, was just a fun place to be and
now it's like Armageddon. Dude. You know, it's just it's
not it's not enjoyable, you know, just walking down Sunset
there's just like, I mean, he went to you know,
he went to the deli what's it called, my daughter's
deli for a sandwich. Thinks that was nice to you.
But I'm just saying that it's yeah sandwich. No, I say,

(10:07):
get me whatever this guy has, I don't care. Yeah,
but but yeah, so I think that's part of the
reason why I think we're worn out kind of. You know,
that makes sense because it is you know, like just
constantly tweeting or instagramming or that, you know what I mean. YouTube,

(10:30):
But you take that stuff.

Speaker 2 (10:32):
You keep your stuff for work reasons pretty.

Speaker 5 (10:34):
Absolutely, yeah, But it's not you.

Speaker 2 (10:37):
It's your team.

Speaker 5 (10:38):
Well I mean I I yeah, I mean, you're right, Yeah,
I mean we you know, I have people that from
my podcast we post our clips and I have a
girl named Beth Hoops she does my my postings. Yeah.

Speaker 6 (10:52):
But still, you know, it's all the time, you know,
it's all the time.

Speaker 2 (10:57):
Shame is for here, for one bad movie.

Speaker 6 (11:00):
So yeah, you got to keep going so all the time.

Speaker 2 (11:02):
We have a bunch of fans.

Speaker 6 (11:04):
Pretty quick, I'm sure it's so it's going very well.

Speaker 5 (11:08):
Yeah, and I know a lot of people are looking
at this right now and they're saying, Biodome is not
one bad movie. I mean, at the time when it
came out, some people maybe you know, the critics definitely
thought it.

Speaker 6 (11:19):
Was one bad movie.

Speaker 5 (11:20):
But once no, they did bro and and but you know,
with with with time, that film has has and will
always be like a like a section in people's lives.
I mean, I mean, it's very embedded into into several
millions of kids. You know, they're you know, growing up

(11:41):
with it.

Speaker 2 (11:42):
It's weird to ever have somebody walk up to you
and say, that's the best movie I've ever seen.

Speaker 6 (11:49):
Yeah, I know.

Speaker 2 (11:52):
You have other films in your filmography that, yeah, for
the and like it's really cool now because like I
get to explain to my daughter, a lie, I'll be
like or younger people today, not necessarily about me, it's
different about you. You were specifically a you carried movies
that were successful. That's one some of those movies. Some

(12:16):
stoners are like, no, dude, it's the best movie. It's
their funniest film. So it is weird, especially with Biodome,
because it just worked. I followed your leave brilliantly.

Speaker 5 (12:31):
Yeah.

Speaker 1 (12:31):
Can I ask how did you get how did that
come to be? How did Biodome come to be? What
was the story behind what's the story behind you guys
getting Biodome and working together?

Speaker 5 (12:42):
Oh? Yeah, how did you not hear him three times
that he said? I heard him perfectly. It's not just me, Yeah, no,
I heard him perfectly. Basically what happened was is I
was starring in films and this film came to me
and Steve was hot off of but I think it
was Usual Suspects, and he was very close with bracker Boy,

(13:04):
who did Dumb and Dumber and a whole bunch of
other really silly comedies. And he's like, yo, you two guys.
And I was a fan of Stevens, you know. I
thought he was very sexy and a great actor.

Speaker 6 (13:18):
And Hollywood royalty. And I was a fan.

Speaker 2 (13:24):
But I had to be funny enough. Yeah, and I
was intimidated. Chris drewsdy infamous phone call where I won't
say the quote, but I called a friend and I said, hey, man,
you know everybody's excited to do like you know, this
and that and this and that. But man, I think
paul he's funny. Man, he's funny. And I just think

(13:44):
that if we do this kind of our Mutt and
Jeff kind of Stoner's version, I think I could get
Paulie enough on the reactionary thing with the comedy time,
it could be pretty funny. But it was funnier than that,
in my opinion, because when we well.

Speaker 5 (14:04):
You've followed my lead, but now you've followed my lead, like,
but a lot of the time.

Speaker 2 (14:08):
You would say to me, bro just shut up, like
you literally, I want to pay you a compliment quickly,
and I just don't want to forget this. It's the
free mahi mahi story. Only twice in my career, and
you're gonna think I'm full of shit.

Speaker 5 (14:20):
They just go free mahi mahi, free mahi mahi.

Speaker 6 (14:24):
If you will, Oh, hey, go on.

Speaker 5 (14:27):
How many times he just capable said that to me
in the last thirty years? Yeah, yeah, over one hundred.

Speaker 2 (14:33):
Yeah, in thirty years, I've had at an airport, at
a Starbucks, at a bro Seck, free mahima.

Speaker 5 (14:39):
Right, that's like because that was like an im it
was it wasn't an improv. Improv right, complete total improvisation.

Speaker 2 (14:46):
On your part.

Speaker 5 (14:47):
Yeah.

Speaker 2 (14:48):
The only other time that ever happened to me was
on Casualties of War. Michael J. Fox to pay you
a compliment.

Speaker 5 (14:54):
Oh wow.

Speaker 2 (14:55):
We were shooting a scene and he was standing with
one of the extras and the extra to Vietnam film.
So this little kid has to say to him, you know,
like oh, you know, blah blah blah and Vietnamese, and
he goes, oh, look, and he takes a Hershey bar
and he goes, oh, Hershey Bar number one. He goes,
hurrshey bar. That's the line, Hershey Bar number one. And
we're rehearsing the scene and Michael J. Fox goes the

(15:17):
Great Ammerican, Great American chocolate bar. He during the rehearsal,
he sings the Hershey song and he does it like
two or three times in the rehearsal, and I look
at him before we shoot and I go to Mike Fox,
You're not really gonna sing the song, are you. Mike
Fox goes, just like this.

Speaker 5 (15:34):
Make a couple of movies.

Speaker 2 (15:36):
You're God is like your second or third film. Make
a couple of movies, then come back and ask me
that question again.

Speaker 6 (15:44):
Why did he say that?

Speaker 2 (15:45):
He was just kicking me in the nuts a little
bit like going on, Mike Fox. You don't have to
ask me if I'm making the right choice. Subtext of
what you saying, got it?

Speaker 5 (15:57):
Got it?

Speaker 2 (15:57):
But he improved it in the film.

Speaker 6 (16:00):
Mm hmm.

Speaker 2 (16:01):
And it really I wasn't questioning or judging the choice.
I was asking him, were you just doing that for rehearsal?
But he did it for the film only because for
the character that improv worked. Bro, we're on the set.
I remember it like it was yesterday, and you're like,

(16:22):
m and the director's there and everybody's there and we're
doing it, you know, and you're member and you literally went,
wait a second, wait a think it still really is?
Let me just you literally just blurted it out. Let
me do one like still rolling. It was like one
of those, and you were like, look, and we have

(16:44):
to set the mahi free like free. You just set
it in this incredible mischievous panic and uh it was.
It was priceless. And the best part is, I'm just
like Mike Fox, I'm going free. I'm you know, I'm.

Speaker 5 (17:04):
Rolling with it, going to figure it out.

Speaker 2 (17:06):
If this makes the cut, I'll be surprised. So you
didn't make the cut. It's one of the quotes of the.

Speaker 6 (17:19):
On son in law.

Speaker 5 (17:20):
I did this Steven Tyler PJS because there's that part
where I come out from the dorm room like Steven
Tyler PJ. Steven Tyler pj's and that was it. I
did it the exact same way that you just said
about free my might that we had already done a
couple takes. I'm like, keep I'm yelling, don't stop, don't stop.
And I just came out and I go Steven Tyler, PJ.
Steven Tyler and I run back in and that line,

(17:42):
like people everywhere was like they do that to me, Like,
I'll go, I'll do like comic cons, you know, if
you don't know what to comic con is basically when
actors sign autographs to the fans that are all on
the spectrum and and they come up to your table
and they basically cause play and they basically come up
to and they start doing free my my all that shit.

Speaker 6 (18:02):
So I was just doing some materials. Sorry, that was on.

Speaker 5 (18:05):
Sometimes I slide in. Sometimes I slide in some of
my material. I got new comic con jokes, so I
was just practicing.

Speaker 2 (18:12):
Sorry, when's your next comic con?

Speaker 5 (18:15):
I don't know.

Speaker 6 (18:16):
I might do it in uh Lexington, Kentucky.

Speaker 5 (18:18):
I enjoy it.

Speaker 2 (18:19):
Now, you said you were gonna help me get on
some comic cons.

Speaker 6 (18:22):
Yeah, I'm gonna hook you up with Freds. Yeah, I'll
hook you up with Fred Yeah.

Speaker 2 (18:25):
I talk to you about getting me on some h Yeah.

Speaker 5 (18:27):
It's fun. It's fun, very endearing, and it's very sweet
and you see a lot of your your colleagues there
and it's it's just it's beautiful. It's because we're at
that age now.

Speaker 2 (18:37):
I see Danny trey Hoo.

Speaker 6 (18:39):
You'll see Danny Treyjo.

Speaker 5 (18:40):
I see Danny trey ho I because my favorite part
about the comic cons is hanging out in the green room,
you know, because with all the people and they see
me coming like because they're stuck with me there because
I'm telling too. So I see like Shatner, He's like,
hits me with this cane. He's like, get that guy
out of here. Ron Pearlman, hell boy, you know he's
eating a sandwich and I'm like, Ron, you go get

(19:02):
the fuck out of here.

Speaker 4 (19:03):
Bro.

Speaker 6 (19:04):
Then Danny Trejo's there.

Speaker 5 (19:05):
You know, he likes me because he thinks some Mexican
Shotner story.

Speaker 2 (19:10):
Tell me a Shotner and tell me any tell me
like a moment you had with Shotner.

Speaker 5 (19:15):
He just always looks at me like I'm scum, you know,
not scum, but like it's.

Speaker 2 (19:20):
Not the word dumb, it said, he's that much more intelligent.

Speaker 5 (19:23):
Yeah, exactly, not like that. That's not a nice word.
That's not right, but just like get out of here,
kid like kind of like you know what I mean, goofy,
Like where you've.

Speaker 2 (19:32):
Ever seen him is just these yeah, never never anywhere else.

Speaker 5 (19:36):
Not really yeah, but they're horrible.

Speaker 2 (19:42):
Experience with Bill Shatner once when I was very young,
I'm sure, I walked up to him. I said, it's
a true story. I walked up to him. I said,
you know, gee whiz you know, yeah, you're probably like that,
and he literally just gave me this like scoff you know,
he scoffed at man.

Speaker 5 (19:56):
Right.

Speaker 2 (19:56):
He literally was like, that's the word, dude. He like
looked at me, went.

Speaker 5 (20:03):
Okay.

Speaker 2 (20:03):
He was like I was like, whoa.

Speaker 6 (20:06):
That's yeah, but you know you will do him it's cool.

Speaker 5 (20:12):
So one bad movie? Is that what I'm supposed to
talk about? What it's my one bad movie? James, Stephen
can name a couple of them. I mean, we'll be
here for hours.

Speaker 1 (20:20):
But Stephen, why don't you just set him up with
the question that we use for promos.

Speaker 2 (20:26):
Well, I wasn't injury duty. We talked about that.

Speaker 6 (20:29):
Is my dog?

Speaker 5 (20:30):
Okay, bust ust Chinese? Look at look at my dog?
Look at him right, turn around? No, I don't know
he's relaxing.

Speaker 2 (20:38):
There is he laying down?

Speaker 5 (20:39):
He's laying down for.

Speaker 3 (20:40):
The listeners at home and viewers. Polly's dog is here.

Speaker 2 (20:43):
So I tried to get you to talk about this
earlier in the green room. Well, I just simply said,
for example, I.

Speaker 6 (20:53):
Got a burp one sec. You got me a sandwich.

Speaker 2 (20:57):
Don't hurt yourself.

Speaker 6 (20:58):
But they we're not leaving.

Speaker 5 (21:01):
Sorry, Buster Momy. You know you know how people use
service dogs. They say it's like a scamm, not a scam.
I really need a service animal. Okay, go on, first question,
what's your one bad movie?

Speaker 2 (21:18):
The service dog?

Speaker 5 (21:20):
The service dog.

Speaker 2 (21:21):
That's a great idea for a movie.

Speaker 5 (21:23):
Yes, let's do it, James, Right, James write the movie
right here. I don't know, James, some of the films.

Speaker 2 (21:31):
I was trying to give you an example. So I
made a movie once called Sharks and Venice. Wow, where
I play a scientist and a shark expert that has
to go to Italy to Venice, Italy where there would
never be sharks in the canals of Venice.

Speaker 6 (21:46):
That's kind of cool.

Speaker 5 (21:47):
Yeah, that's dope. What's the name of.

Speaker 2 (21:49):
It, Sharks and Venice starring Steve Yeah.

Speaker 6 (21:53):
That's actually cool.

Speaker 5 (21:55):
You got to cut that up and put on your Instagram.
I better kill Yeah, good, you should do that. But
what's dude, that would be hilarious to promote this?

Speaker 2 (22:04):
What's a bad movie?

Speaker 5 (22:07):
I would have to say. I did a movie called
dream Date. It was a TV movie and it was
with Anson. Williams was the director, and I forgot who
was the star. I forgot who the star was, but
it was it was Prettynson.

Speaker 2 (22:29):
Williams is the director.

Speaker 6 (22:30):
Yeah, it was the director. When he was Williams.

Speaker 5 (22:33):
Hanson Williams was like in uh he was in a
happy Happy Days. Yeah, because Ron Howard was directing, so
he gets to what direct too?

Speaker 2 (22:45):
But Anson played what character? Unhappyness?

Speaker 5 (22:48):
I don't remember what his characters. He's part of the
Fawns and all that shit. Yeah.

Speaker 2 (22:52):
No, Anson was the dark haired guy. Yes, yeah I
remember Anson. Yeah he was cool, he was handsome.

Speaker 5 (23:00):
Yeah, sure, name me, James, name me a couple of
movies that can oh wow, whiskey business for Straight Straight
To That was for CMT.

Speaker 2 (23:12):
Wait you just said the name of that.

Speaker 5 (23:13):
Otherwise Guesthouse House or dream Date?

Speaker 2 (23:17):
Yeah, where's dream Date? James?

Speaker 1 (23:19):
James should be on there dancing played Potzi by the way.

Speaker 5 (23:23):
Yeah, Potsy right.

Speaker 2 (23:25):
Dream Date it's right here. Wow are you in this?

Speaker 5 (23:33):
Yeah?

Speaker 2 (23:35):
I love it? Rudy Paulie? Sure? Is that really? You stop?

Speaker 5 (23:48):
Let me see. Oh that's not from dream Day. That's
just another photo but it's what.

Speaker 2 (23:52):
They're using for that film on IMDb.

Speaker 5 (23:56):
There you go.

Speaker 6 (23:57):
That's what Squirrel, Tempest, Bloodstone.

Speaker 5 (24:01):
Right.

Speaker 6 (24:02):
Yeah, that was a really bad movie, like really bad.

Speaker 5 (24:07):
But the oh you know. I also did a movie
called Wedding Band. But my see, my movies were so bad,
they're actually pretty good. Like Wedding Band is like genius, dude,
what's it about. I play a bass player in a
wedding band And it was for IRS Pictures.

Speaker 2 (24:24):
I remember that.

Speaker 5 (24:25):
Yeah, I r S Pictures. Can you, James? Can you
find that one? Do you see it?

Speaker 6 (24:30):
Great film?

Speaker 2 (24:31):
And do you literally play a musician?

Speaker 6 (24:33):
Yeah?

Speaker 5 (24:33):
I play a bass player in a wedding band where
we go around in a van and we play different weddings.
But it's funny, dude, it's funny. Bro.

Speaker 3 (24:42):
That's got a good rating on IMDb.

Speaker 5 (24:44):
I'm sure because they're so bad they're good.

Speaker 2 (24:47):
I don't know.

Speaker 3 (24:47):
That's over two fifty votes for.

Speaker 6 (24:51):
People like it?

Speaker 5 (24:51):
Right, Yeah, I'm going to put that on my YouTube
page tomorrow.

Speaker 1 (24:56):
I have the video and you guess what the rating
is on a scale one to ten what.

Speaker 3 (25:00):
People have voted for it?

Speaker 5 (25:02):
No? What is it?

Speaker 3 (25:04):
Seven and a half?

Speaker 5 (25:05):
Not bad?

Speaker 1 (25:06):
No, that's really that's really good for IMDb. Anything above
a seven is that's a solid movie.

Speaker 5 (25:10):
And I did a movie called Phantom of the Mall,
which is pretty bad.

Speaker 6 (25:12):
But you know, again, so bad, so good.

Speaker 5 (25:15):
Right, Yeah, wedding band.

Speaker 6 (25:19):
That's not What was that one called Phantom of the Mall.

Speaker 5 (25:23):
That's Phantom, A Phantom of the Mall starring myself a
Morgan Fairchild.

Speaker 6 (25:29):
Yeah, remember Morgan Fairchild?

Speaker 2 (25:30):
Yeah, Eric's Revenge.

Speaker 5 (25:33):
Yeah, I don't believe it.

Speaker 3 (25:37):
What about your like your your.

Speaker 6 (25:41):
Way Chinese? You can't do that while we're filming.

Speaker 1 (25:44):
He's learning the rules of podcasts. Still twenty episodes in Uh?
What about like your biggest movies, like in your Running
for the nineties. Were there ever one that came out?
You're like, man, that just that one didn't hit the mark,
even if it like it did well theatrically.

Speaker 5 (25:58):
Oh no, I thought they all did. They all are good.
I mean, I like the Army and the jury and
the Biodomino. Oh shit, behind the wall, beneath your own feet.
You all tried to destroy him in your greed. You

(26:21):
tore everything precious from him.

Speaker 2 (26:24):
But Eric remembers what if Eric didn't really die in
that fire?

Speaker 6 (26:31):
Rob Estes. Rob Estes was in it. Remember him?

Speaker 2 (26:35):
Yes, handsome?

Speaker 5 (26:37):
He is handsome. You remember too, Eric Matthews is still alive.
What do you mean they freeze entertainment? I went and

(26:59):
saw this in a theater in Hollywood. It was hilarious.
It was hilarious.

Speaker 6 (27:05):
They're get a small theater like by the Chinese.

Speaker 5 (27:08):
It was a nightmare.

Speaker 2 (27:15):
Film.

Speaker 6 (27:15):
Yeah, it's a it's a dasher film.

Speaker 2 (27:18):
And what do they do to you in it.

Speaker 5 (27:19):
Do you get I played buzz I saved them all
from the from Eric blowing it up or something. How
you I don't remember.

Speaker 2 (27:28):
Were you on a skateboard?

Speaker 5 (27:30):
No, I was just working, you know. It was like
the nerdy kid at the mall. Oh yeah, yeah, yeah.

Speaker 2 (27:36):
I love that.

Speaker 5 (27:37):
Yeah.

Speaker 2 (27:38):
What was it called Phantom of the Mall?

Speaker 5 (27:40):
Phantom of the All Eric's Revenge. Yeah that's a bad movie, PAULI. Yeah,
it makes the cut officially as one bad movie. I
don't know, there's there could be debates out there, how many.

Speaker 2 (27:54):
I think anything that uses the word.

Speaker 5 (27:56):
Revenge in it. Yeah, yeah, it's a pretty bad movie.

Speaker 6 (28:00):
Yeah.

Speaker 2 (28:05):
Do you think we should never make a sequel to Biodome?

Speaker 5 (28:09):
I think we should if it was done properly and
it was done right. You know. I think that it
has to, you know, have that younger you know gen
Z crowd and then we're there so like there's just
a crow. Yeah no, but you know, the younger kids,

(28:33):
and I think we would be the older guys in it,
you know what I mean. I don't think we should
be like the main guys. I think they're like we
should have kids or something, right, No, should be Yeah, don't.

Speaker 1 (28:46):
You think that shows played out by now? Don't you
think that all the all the reboots, they all agree
we need to bring the younger kids.

Speaker 6 (28:53):
I agree, Yeah, I agree.

Speaker 5 (28:55):
It's all about the script and the idea. I mean,
they they didn't they do like Bill and Ted's like
recently thought I thought that was bad.

Speaker 2 (29:03):
I didn't see.

Speaker 5 (29:04):
Yeah, But then again, it was kind of cool though,
because those films they go like in different eras, and
I think that's pretty funny, Like Bill's all sudden, like
Bill and Tad all sudden, and then they're like the
Roman Times, you know what I mean. I think that's
pretty funny. But I don't know.

Speaker 2 (29:20):
But Biodome, where would it go?

Speaker 5 (29:22):
I don't know?

Speaker 2 (29:23):
Is there a Mars opportunity? Oh?

Speaker 5 (29:26):
Yeah, that was that one that we had that the
one guy wrote the thing Peter Horror, Peter Horr, Peter,
everybody Peter Horror, Peter or Peter. He wrote the treatment
Biodome Buden Doyle go to Mars, Mission, Mission to Mars.

Speaker 3 (29:42):
Yeah, how long ago?

Speaker 5 (29:43):
Was that a couple of years ago?

Speaker 2 (29:47):
But do you think it's so brilliant we should just
not do another one?

Speaker 5 (29:52):
I agree?

Speaker 1 (29:54):
Couldn't you do a spiritual sequel, you know, like Carlito's
Way is the spiritual sequel to Scarface, ask a team
up and do something in the vein.

Speaker 5 (30:03):
I don't know.

Speaker 6 (30:06):
I just think that.

Speaker 5 (30:09):
It was at a time where it was joyful and
it was very silly, and it was what's the word
it was.

Speaker 2 (30:28):
It was a different comedy algorithm.

Speaker 5 (30:31):
Yeah, it was.

Speaker 6 (30:35):
Now what's it wouldn't work now.

Speaker 2 (30:38):
I think it's because pardon me, I think it's because
storytelling has changed. You know, they don't. We've been talking
a lot on the podcast about how, you know, they
don't make them like they used to. You said it
a little while ago. Uh, you know, how they don't
make Jerry Maguire anymore.

Speaker 5 (30:54):
God, what a great film, you know. God what about
rain Man? Yeah, stuff like that.

Speaker 2 (31:00):
Yeah, I mean they they they make stuff like it now,
But it's not like that.

Speaker 5 (31:08):
I mean when Forrest Gump came out, or even like Titanic,
it brought you goose pumps, you know what I mean.
And it was because I think it was the movies,
and it was also the time of the movie. Like
I think if they came out with those things now,
I don't know if they would hit like they hit
back then.

Speaker 2 (31:25):
I could just depending on because that's Cameron. He can
do whatever.

Speaker 5 (31:29):
He's like, he's like a Spielberg, so you can just
do what ever he wants.

Speaker 2 (31:34):
But I don't know, I'm weird. I'm just I'm not.
All the big special effects stuff now bores me.

Speaker 5 (31:40):
Oh god. So that's just And what's so crazy is
this whole AI thing.

Speaker 6 (31:48):
It's just like it's.

Speaker 5 (31:49):
Like I'm hearing like they're going to be doing the
actors and like and this right here is an actual set.
But with the AI you can make a green screen
and you don't have to travel with this stuff. And
then they're going to do that with the actors because
they're they're talking about they're doing it. I mean, look
at the whole Donald Trump, Taylor Swift, you know thing

(32:11):
that was crazy, Like it looks real. Dude, it's scary.
It's scary what they can do with famous people.

Speaker 2 (32:19):
But you don't have to worry. You know why why
Robert Downey Junior is on the case already? Did you
see all the headlines down j.

Speaker 5 (32:31):
I like that. I like that.

Speaker 2 (32:35):
I'll have a banshee of lawyers knocking at your door.

Speaker 5 (32:39):
Wow, you can google that that's.

Speaker 2 (32:41):
He literally has already been threatening.

Speaker 5 (32:45):
The powers. That's like, that's like Doctor Dre and Metallica
and all that stuff coming out when Napster came out.
And they're like, all right, anyways, peace, we're still going
to get take the movie music for free. And they
still took it. And now you and now if she
can't be that, she can't someone's image it image?

Speaker 2 (33:05):
You mean, well, what's what are they going to do?
So they're going to steal Leonardo's likeness and put it
in a movie. And where's it gonna play that? No
one's gonna know.

Speaker 5 (33:14):
No everyone will know but Leo's. They'll just say it's
a public it's public domain. You know, he's famous, so
you can do it. And I'm not. I'm not. Uh
what's the word where you make make someone look bad? Not?
What's disparage? You're not disparaging him? You know? How do

(33:34):
how do people know right now that that me and you?
You're not in Upstate New York and I'm not in
Malibu right now? And this is AI. We look AI dude?
Maybe that's what the button Doyle button dog go a
I bro.

Speaker 3 (33:50):
They think they're in the biodome simulation.

Speaker 6 (33:53):
That's funny, bro, dog go AI, there you go?

Speaker 2 (34:00):
AI.

Speaker 5 (34:02):
Oh my god, it's scary, dude, I'm telling you, it's
so scary they're doing with scripts now.

Speaker 6 (34:09):
Writers are freaking out.

Speaker 5 (34:11):
Bro. No, I know that part of it, but it's
not to know that part of it.

Speaker 6 (34:14):
It's dude, freaking.

Speaker 2 (34:16):
Chinese uses A.

Speaker 5 (34:17):
You do, Yeah, he does, So you just write scripts
with it.

Speaker 3 (34:21):
No, because A I could never write a good script?

Speaker 5 (34:23):
Could you could get?

Speaker 6 (34:24):
You can get anymore.

Speaker 1 (34:26):
Script writing class to write a better what you could
get a college student who's never taken a screenwriting class
before to write a better script than AI?

Speaker 5 (34:32):
Ever? Could? I don't know that well.

Speaker 3 (34:35):
AI can't get its heart broken. AI can't get into
a fistfight. A. I can't do anything in the stories.

Speaker 5 (34:40):
Dude.

Speaker 2 (34:41):
You could literally like say to your phone, hey, AI,
write jokes like Pollie Shore.

Speaker 5 (34:47):
Let's do it, James, and it'll come back and they
might have made better than poly stars jokes like may
steal my own mande me steal my AI's jokes material.

Speaker 2 (34:57):
Oh that's a great idea for next year, Paul. You
sure AI better than Here's some jokes that I got.

Speaker 5 (35:07):
I thought it was funny that you came to my
show without telling me that you're at my York.

Speaker 6 (35:13):
Why don't you come say hi? Your dispatched You're.

Speaker 2 (35:15):
Like, well, no, I wanted to see you in your raw,
unadulterated pauliness. Ah and it was awesome, dude. Could you
really captivate an audience with your stand up? You really do?

Speaker 5 (35:30):
Thank you, thank you?

Speaker 2 (35:32):
But you made fun of me.

Speaker 6 (35:33):
That's okay, I did I do a whole thing?

Speaker 5 (35:36):
Now on, you too.

Speaker 2 (35:37):
Know the funniest thing if you remember your Baldwin brother's joke,
I'm a Baldwin.

Speaker 5 (35:45):
Oh yeah, go on, it's.

Speaker 2 (35:48):
Just your boyfriend. Yeah, keep going, well I'm a bald
Oh yeah yeah girl, yeah yeah, I forgot how nothing
you got?

Speaker 6 (36:00):
He's got something.

Speaker 2 (36:01):
That's a terrible joke, the terrible joke terrible?

Speaker 1 (36:05):
Should I read him to you or do you want
to read them? Alow to try to do it? Do
you want to react to him?

Speaker 5 (36:09):
Read it?

Speaker 2 (36:10):
What am I doing?

Speaker 1 (36:10):
You're going to read the jokes that chat ept came
up with to sound like poly short.

Speaker 5 (36:15):
So you said that the AI you said, do materials
like poly short? Yeah? What does it say?

Speaker 2 (36:23):
Did you really just do this okay, like you, the
AI says on the subject of working out, Bro, I
hit the gym yesterday, totally crushed it. I did one
push up and then celebrated with a burrito. It's called
balance bra. You work the biceps and then feed the soul.

Speaker 5 (36:50):
That's a great joke. Say that. Say that on relationships.

Speaker 2 (36:56):
Dating these days is wild.

Speaker 7 (36:58):
Man.

Speaker 2 (36:59):
I met this role on a dating app. She was
all like, what's your sign? I told her stop because
you're going too fast girl. I'm still trying to find
my wallet.

Speaker 6 (37:10):
Another good joke, right, yeah, these are good jokes.

Speaker 2 (37:13):
So this is chat GPT of you.

Speaker 5 (37:19):
There you go.

Speaker 1 (37:20):
That's Steven. Let Polly read the third one. I want
to hear it.

Speaker 2 (37:27):
Read the third one?

Speaker 3 (37:28):
Yeah, let him let him? Yeah yeah, let him read
the third one.

Speaker 2 (37:34):
Bro, we both need glasses.

Speaker 3 (37:37):
Just pull the micloser.

Speaker 2 (37:38):
What happened? Uh uh something happened on it went away?

Speaker 3 (37:46):
We're gonna have to lose all this.

Speaker 2 (37:49):
Like that third one comes.

Speaker 5 (37:50):
Yeah, we need reading glasses. When did you start with
the reading glasses?

Speaker 2 (37:53):
Long time ago? I'm almost sixty.

Speaker 5 (37:57):
Wow, that's crazy. How old's billy? Oh, Steve, howld's Billy?

Speaker 3 (38:05):
Can it bring it back?

Speaker 2 (38:05):
Are you rased it? Oh, that's brilliant, Billy straight. He's
working like a banshee.

Speaker 5 (38:11):
Wow.

Speaker 2 (38:12):
It's all over the world, work and working.

Speaker 5 (38:14):
Acting, acting Tavistar, Billy Baldwin. Wow.

Speaker 2 (38:17):
And he's got his beautiful wife and the kids are
all over the place.

Speaker 5 (38:21):
Wow. Where do they live here in Hollywood?

Speaker 2 (38:25):
Oh?

Speaker 5 (38:25):
Wow?

Speaker 6 (38:27):
I haven't seen him forever?

Speaker 2 (38:30):
Kids are going to school. Yeah, he's been working a lot.
What's next for PAULI sure.

Speaker 6 (38:39):
You got it?

Speaker 5 (38:40):
I'm reading my AI stand up comedy. So you typed in?
You typed in?

Speaker 2 (38:45):
What check? Yo? Bro?

Speaker 6 (38:48):
Dating in twenty twenty four is wow.

Speaker 5 (38:49):
Bro, It's almost like you're eating it through a Burritos disappointment.

Speaker 2 (38:54):
Man.

Speaker 5 (38:55):
Oh, she's cute, she's into crystals. Bust or stop it next?
I don't like you?

Speaker 6 (39:03):
Make sure?

Speaker 2 (39:04):
I sure?

Speaker 5 (39:05):
I need to text answers. I met this chick night.
I'm a foodie, I think, and I'm sweet. I don't
know how to read. Okay.

Speaker 6 (39:12):
The third one.

Speaker 5 (39:12):
Dating appster Gnarli Dude, it's like playing the lotto. So
dating appster narlely, Bro, it's like playing the lotto. You match,
you chat and then you vibe and she's like bye,
by the way, I live with my twelve cats and
my ex I'm out buddy. I gohosted her faster than
a Friday night text.

Speaker 9 (39:32):
But this is just so funny because this is what
the AI thinks of you. Let's do me, let's just
do it. Yeah, yeah, let's do jokes by Stephen bald No,
I would just put a monologue in. Acting monologue by
Stephen Baldwin.

Speaker 2 (39:45):
Wow. Yes, that's a great idea.

Speaker 5 (39:49):
Yeah yeah, yeah, yeah, yeah yeah, Acting monologue by Stephen Baldwin. Wow.

Speaker 2 (39:55):
Yeah, right, hold on any of my glass.

Speaker 1 (40:01):
Should we get AI to write the logline for Biodome too.

Speaker 6 (40:05):
Yes, Biodome two.

Speaker 3 (40:06):
Yeah, that's if.

Speaker 2 (40:08):
You put enough information in.

Speaker 6 (40:10):
Why don't we just have the AI Chinese? I got it.

Speaker 5 (40:14):
We should have the AI write the script for Biodome too,
and then we should just read it like this on
a green screen and that's it, and then just clip
it and just put just.

Speaker 6 (40:24):
Put it out on the throw free free.

Speaker 2 (40:27):
If we don't make any money on it, they can't
sue us.

Speaker 6 (40:29):
No, just put it out.

Speaker 2 (40:31):
Brad Cravoi would never sue us.

Speaker 5 (40:35):
No, we wouldn't. We would just put it out for
our own fun. That would be fun.

Speaker 1 (40:40):
Well we're waiting. Did you guys get in trouble on
the set of Biodome.

Speaker 5 (40:43):
Well, Steven would with me a lot. You know.

Speaker 6 (40:46):
He would like literally like I did.

Speaker 5 (40:50):
Man, Yeah, he would chase me, you know what I mean,
because I'm like all about like on camera, I'm like
knots when we were acting, and then off camera kind
of mellow, and then he was still kind of in character,
and then he would just chase me until I squealed,

(41:10):
and then I get pissed and I'd be like, do
it back off to leave me the which made him
laugh even more. Remember, because you were always fuck with me.

Speaker 2 (41:19):
Because I knew I had to keep like a little
bit of the characteration.

Speaker 6 (41:23):
Yeah, the antagonistic yeah.

Speaker 2 (41:26):
You know, tugging on your coat tail, you know.

Speaker 5 (41:29):
For like bugging me.

Speaker 2 (41:30):
Well, yeah, you were like you know in the in
the real characters, you were the provider, you were like
the dad, you were the older brother.

Speaker 5 (41:38):
Yeah.

Speaker 2 (41:38):
Yeah, yeah, because we always did it your way.

Speaker 5 (41:41):
Yeah. Yeah, So if.

Speaker 2 (41:42):
I wanted to live a snap, you know, I had
to you know, yeah, I had to resort to your leadership,
so to speak.

Speaker 5 (41:50):
Yeah. No, it was cool, it was fun.

Speaker 2 (41:54):
Well, we never did anything bad. We couldn't. It was
such a you know, professional production.

Speaker 6 (42:00):
Yeah, it was fun. I mean, I really, I really.

Speaker 2 (42:03):
And then there were other great actors in him Great, Yeah,
what's his name? The lead?

Speaker 6 (42:07):
William and William Atherton.

Speaker 5 (42:10):
Brilliant. Yeah. Well that's the thing about comedy. A lot
of people don't know the best comedy is when comedy
comedic actress play off of straight actors like dramatic actors.
So if you look at Eddie Murphy films, especially the
early ones, he was always goofy, you know, but everyone
was so serious around him, which made him pop. And

(42:32):
then Son in Law, where I played off of Lane Smith,
the father, you know, where I was goofy and he
was just like just staring me Downe's serious.

Speaker 6 (42:41):
That's where all the comedy comes in, you know.

Speaker 2 (42:43):
I loved with Bill. There's that clip where they throw
us out, yes, and he's like, right, the idea where
we are here and you are there, but then we
complain and Bill's take his And I remember filming it
because I remember going, is he really gonna just walk

(43:04):
away and not say anything? Does that read as cold
as saying something mean and turning? And it's so cold
when we're we complained, and he just doesn't even ignore.
He just turns and he just walks that. He just
says the new rule and walks away.

Speaker 6 (43:25):
It was very fun Yeah, he's very funny. Yeah, he was.

Speaker 5 (43:28):
He was great to work with. And Kylie, of course,
Kylie was was fun to work with. And Joey Lauren
Adams was brilliant, brilliant, really funny, squarely and then Hillary, right,
your girl. Yeah, what was her last name?

Speaker 2 (43:48):
Dara?

Speaker 5 (43:50):
That was dark Dakmanovich. No, I'm talking about your girlfriend
and the brunette Joey's part. Yeah, yeah, that was yeah, Hillary,
I think Teresa Hill.

Speaker 6 (44:02):
There you go, Teresa Hill. Who did I say? Hillary?

Speaker 3 (44:06):
Hillary?

Speaker 5 (44:07):
I'm so okay, we'll cut that part out. Hillary or no,
Teresa Hill. She was great. She was your girlfriend. Joey
Lauren Adams was my girlfriend. Yeah, but yeah, it was.
There's lots of yeah, but it was, it was. I

(44:28):
don't know, I mean, it just represents you know, I remember,
I think I've said this to you before. Whenever I
do a movie, I always prepare. However I'm going to
prepare and always kind of give myself some sort of
a direction of where I want the character character to go.
And then when I did Biodome, I said to myself,
you know, I knew what I'd done prior with my
other films. I said, I don't want to use the

(44:50):
R word here, but I want to make these guys
just like just so stupid, you know what I mean,
in a way like where the critics are just and
to go crazy, like meaning they're going to get these
guys are idiots. And that's kind of where I was,
and you know all that shit, you know what I mean?
And and and silly, silly. I wanted it to be

(45:13):
really silly, even sillier than my other films because my
other films. Not that these characters that we did weren't grounded.
They were grounded, but they were, you know, because we
were locked into the characters.

Speaker 6 (45:25):
But they were silly.

Speaker 2 (45:26):
But the premise was probably the most silly. So you know,
uh in Sino Man is a crazy premise.

Speaker 3 (45:34):
See it, fix your mic.

Speaker 2 (45:37):
You can't hear me. It's point gosh, how's that up? Better?

Speaker 5 (45:41):
So much better?

Speaker 2 (45:41):
I've pointed it right at my mouth.

Speaker 5 (45:45):
But yeah, I told myself, you know, as I'm preparing,
I just want this to be like the live version
of live action version of Beavis and butt Head, you know,
which is what I told myself, which was, those are
silly characters. Yeah.

Speaker 1 (45:58):
Did you do that a lot with your movies, like
think about like how to pretty much give f use
to the critics?

Speaker 5 (46:02):
No, no, no, it's mostly just this film. Yeah, it
was mostly just this film because I knew if you're
really silly and stupid and crazy, I just wanted to
I wanted it to be, like I said, Beavis and
butt heead but for live you know, like live.

Speaker 2 (46:19):
Yeahs accomplished.

Speaker 5 (46:21):
Yeah, it was cool. It's just fun.

Speaker 2 (46:28):
In the future, if you could play a serious role
as an actor, how do you go about it now?
Like you've created comedy characters just like because you were
trying in your mind, I think to maybe shift gears
in the future and do things with the more of

(46:50):
a serious bent.

Speaker 5 (46:52):
Well, whatever script is laid out in front of me
is what I jump into. So if it's a dramatic film,
that's what I'll jump into. But that's not laid out
for me right now. But if it does, yeah yet,
But if it does, then I'll just kind of shift
into that.

Speaker 2 (47:11):
But tell me, I want to just hear your heart
right now? Shifting into serious or more serious acting in
the future. Why do you want to do that?

Speaker 6 (47:20):
Because it's my favorite thing.

Speaker 2 (47:23):
The acting, The acting, you know, the challenge of the
acting mm.

Speaker 5 (47:28):
Just becoming a character that you know is is menacing
or you know, scary or something like that, unexpected, you
know different. I did a it's on YouTube. I did
a I don't know if you saw it. It's pretty gnarly.
I thought it was. I thought I did a good job.
Is called Sin City Psycho, and it's like a ten
minute short film where I play a sociopath and it's

(47:53):
like it's kind of like a little bit Dennis Dennis
Hopper a little bit what's his name, American psycho A
little bit that way. It's a character that I wrote.
It's a it's a it's a film idea that I
came up with. It was called it was called Sin
City Psycho, and it's basically about a serial killer that

(48:16):
kills women that come to Vegas that cheat on her husbands.
You know what I mean.

Speaker 6 (48:22):
It's like a slut vigilante. Does that makes sense.

Speaker 2 (48:26):
It's a great title, slut vigilanti.

Speaker 5 (48:28):
Yeah, No, but he's it's since city Psycho. So like,
so he meets this woman. He meets this woman and
she he finds out that that she's married and and
you know, kids and all that stuff. But in her eyes,
she's like, oh, I'm just in Vegas, you know, I'm
in Vegas. Like it's okay here, not with this guy.

(48:49):
And then no, no, so I mean you should pull
it up. It's gnarly. Let's do a serious it's gnarly, dude, Yeah,
it's it's pretty good.

Speaker 2 (48:57):
Let's do a series called Slut Vigilant.

Speaker 6 (49:00):
No, you can't do that these days?

Speaker 2 (49:03):
No, am I wrong again? James?

Speaker 5 (49:05):
Yeah? Since yes, Okay, now we're all shifting back to
Biodome too. From slat Virgilani from.

Speaker 3 (49:20):
So that the.

Speaker 5 (49:20):
Meetings, the title, that's what I'm saying. That's why they
don't need scriptwriters out Hey, do you scriptwriters out there?

Speaker 6 (49:32):
I'm sorry.

Speaker 5 (49:33):
This is what the strike was about, right, terrible, it's
a nightmare. So this is Biodome two, written by AI.
What's the title?

Speaker 2 (49:45):
You're never gonna believe what you're about to hear? Can
I read all this?

Speaker 5 (49:50):
All?

Speaker 2 (49:50):
Right? Uh? Brad cvoy, we uh we may have outdone you.
Biodome two Echo Armageddon.

Speaker 5 (50:00):
Oh that's cool.

Speaker 2 (50:02):
Eco tagline saving the planet one questionable decision at a
time concept. In the decades since their original eco adventure,
Bud Squirrel, Macintosh poly Shore and Doyle Johnson Stephen Baldwin
have become accidental environmental influencers. After going viral for a

(50:26):
failed stunt in a refurbished biodome turned eco tourist attraction,
they're invited to consult and wreak havoc on a cutting
edge sustainable living experiment designed to combat climate change. The experiment,
spearheaded by two by two Ambas, ambitious young scientists TikTok,

(50:50):
famous climate activists Skuyler sky Vega, Florence Poe, and tech
billionaire turned eco warrior Jet mc allister Jacob Ilordi, aims
to test the ultimate green living concept, Biodome two point zero,
a self sustaining AI driven ecosystem that could reverse the

(51:11):
environmental damage on the global scale. But when Squirrel and
Doyle accidentally upload a party mode virus into the domesting
into the dome's operating system, the biodome turns into an
out of control, rave wreaking habit on the delicate eCos
that's a little bit, you know, the same as before. Tone,

(51:34):
a mix of Jurassic Parks eco crisis emergency with a
slapstick stoner humor of the original Biodome key scenes. A
new Biodome, same old budd and Doyle. The pair hilariously
fails to adapt to the high tech eco lifestyle, mistaking

(51:56):
hydroponic gardens for a buffet full of chaos the water
filtration system. I gotta read this last part because it's
just fascinating that the AI came up with this. Kylie
Jenner as herself unveiling the Biodome's new eco chick fashion

(52:17):
line during a pivotal scene Jeff Goldbloom playing an eccentric scientist.
This is not bad. This is not bad at all.

Speaker 1 (52:31):
Oh man, Yeah, you have to save that.

Speaker 6 (52:41):
We got to save the environment.

Speaker 2 (52:43):
But I might just do a bunch of these AI
things with the story for bios and just read them
like orson Wells in front of a fireplace.

Speaker 6 (52:51):
Yeah you all do.

Speaker 2 (52:55):
When he got drunk on the Ernest and Julia Gallo wines.
Remember you ever see those famous commercials. I'll show them
to you. I'm gonna send you.

Speaker 6 (53:02):
No, I know those commercials where he's staying.

Speaker 2 (53:05):
While you're out here, when he's wasted.

Speaker 6 (53:07):
Where he's staying while you're out here?

Speaker 2 (53:09):
I stayed with Irish Okay, my granddaughter? Oh wow, yeah,
seven thirty in the morning, dude. Really Oh she's running
grandpa around? Dude?

Speaker 6 (53:19):
Where is this in Beverly Hill's studio?

Speaker 5 (53:22):
Excuse me?

Speaker 2 (53:24):
Turkey sandwich.

Speaker 6 (53:27):
But not crazy AI. Shit, that's not bad.

Speaker 2 (53:32):
What's up? What's taking them so long?

Speaker 6 (53:35):
What's taking what's so long.

Speaker 2 (53:36):
Writing the script for the sequel to Biodome?

Speaker 5 (53:39):
I don't know. I thought Peter Hort did a good
job with that.

Speaker 2 (53:43):
So if there's a script, that's pretty good. What are
they doing? We don't know.

Speaker 5 (53:48):
I don't know.

Speaker 2 (53:49):
D very strange.

Speaker 5 (53:50):
What are you gonna do?

Speaker 6 (53:52):
I say you it's going it's going sound.

Speaker 2 (53:56):
We should make a pact right now to never make
a sequel to the That wouldn't be funny.

Speaker 6 (54:02):
Will after this interview?

Speaker 5 (54:15):
You should have her on here, Lori.

Speaker 6 (54:17):
Petty would be great.

Speaker 3 (54:18):
Yeah. We wanted to get her on for a tank girl.

Speaker 2 (54:22):
Yeah.

Speaker 6 (54:22):
Yeah, I have a number. Yeah, yeah, I have a number.

Speaker 3 (54:27):
Let's get her on.

Speaker 5 (54:28):
You'd be great for you.

Speaker 2 (54:29):
Yeah, why do you have Petty's number?

Speaker 5 (54:33):
Because she's an old, old old friend of an owner forever.
And then she just did some uh some interview with
me for in the Army. Now for my documentary that
I've been working on for a while that you're in.
You know?

Speaker 2 (54:50):
Am I in the documentary?

Speaker 4 (54:51):
Are?

Speaker 5 (54:51):
Yeah?

Speaker 3 (54:52):
What's the name of it.

Speaker 5 (54:53):
It's called Once upon a Time in Hollywood. It's like
a six to six part seven part ser It's pretty fun.
Oh dude, no one knows about it?

Speaker 3 (55:05):
Is this breaking news?

Speaker 5 (55:06):
Now? They do?

Speaker 3 (55:06):
What is this breaking news?

Speaker 6 (55:08):
Is this the first kind of breaking news for a long time?

Speaker 2 (55:11):
Getting a scoop here? You're in bad movie?

Speaker 6 (55:14):
You're in it.

Speaker 2 (55:15):
Once upon a Time in Pollywood. I love the title. Yeah,
it's almost good as Biodome two Echo, Echo of Chambers,
No Armageddon.

Speaker 5 (55:28):
No. What I did was I've been for for probably
eight years. I've been working on this docu series of
my life. I've gotten over sixty interviews. I mean, I
have everyone in it. I mean people, a lot of
people have passed and I have their interviews.

Speaker 6 (55:44):
You know, and you're in it too.

Speaker 5 (55:45):
I did. I went to your hotel probably five years ago, remember,
with the audio, and I did this whole thing.

Speaker 6 (55:52):
It's brilliant. It's so good, dude.

Speaker 2 (55:54):
It was just audio.

Speaker 6 (55:56):
It's everybody's audio.

Speaker 5 (55:57):
It's it's stylistically it's almost like Amy Winehouse documentary, except
I don't die and you know, but but it's like, uh,
it's all like old kind of super eight footage and
it's kind of shutter stock and and it's got old
you know clips, and but it's all done through audio.

(56:18):
The thenar the story story is told through like all
these audios mix it's hope. You remember you're there.

Speaker 6 (56:27):
Remember you were there.

Speaker 5 (56:28):
The other day at my house and you saw those
two guys they were working. That's what we were working on.
It's beautiful. It's a beautiful, very beautiful.

Speaker 2 (56:36):
And it already has distribution. No, you're just going straight
through polytube.

Speaker 5 (56:41):
No, I'm just producing it. And when the time comes,
you know, they all and it's ready. It's not ready yet.
But you asked me how I got Lori Petty's phone number,
because she did she did some audio. I got David
Allen Greer you got, I got he was also in
the army. And then I got a shot on Sean
Aston who didn't Sino man, and I got to your

(57:03):
career to do jury duty, and I got who else
what was a son in law? I got Patrick Renna
from son in law and then yeah, and then.

Speaker 6 (57:14):
I got executives.

Speaker 5 (57:15):
I got Jeffrey Katzenberg in there, and I got Rotenberg
and Vnnett and everyone is in it. It's pretty wild.
It's really what you've gotten, dude. You got to see
the one man show. I have to trip. It's cool.
It's it's really interesting. It's called that one is called
Stick with the Dancing. That's the title of it. You

(57:36):
know why it's called that.

Speaker 2 (57:38):
Because your parents said you should stick with.

Speaker 5 (57:40):
The Yeah, my mom, Yeah, it was funny. It was
I was showcasing for my mom at the store after
I've been doing stand up for a couple of years.
Do you have a cramp? Sorry? Anyways, my leg and uh,
and I showcased it from in front of my mom
and she was there with sitting in her booth in

(58:00):
between Louis Anderson and Paul Mooney. And I was showcasing
for my mom and I finished my set and I
ended with pop locking and I said, how do I do?
She's like, stick with the Dancing and that's the title
of it. And it's the one man show is all
about my childhood leading up to you know, making it.

(58:23):
And then did she really feel that way or she
was with you? No, I think she really felt that way. Yes,
she really felt that way because I wasn't ready. You know,
it's like, but my dancing was great. You're dancing is fantasic.
You move your body like a noodle.

Speaker 6 (58:39):
You know what I mean?

Speaker 5 (58:40):
You used to she would always just to save me, Paul,
Your leg used to be like this. They were in knockknees,
but now they're so beautiful.

Speaker 2 (58:47):
What happened that?

Speaker 5 (58:50):
What you do? My mom was funny? Well, you know
it from Roseanne. You know, it's hard for me to
talk about my mom. Yeah. Yeah, it's hard for me
to talk about my mom and my dad.

Speaker 2 (59:03):
But they're both such pillars.

Speaker 6 (59:07):
Dude, it's not even that there are so inside of me.

Speaker 2 (59:11):
But that's wonderful legacy. Homemide. Yeah, you're their legacy.

Speaker 6 (59:16):
Yeah, they're so inside of me. You know, I miss
them a lot, But.

Speaker 5 (59:23):
It doesn't Yeah, it doesn't get easier. You know, it's
like a stock and the emotion your parents, it just
goes up and down, like sometimes you're cool and then
all of a sudden, You're like, it's just like there.
And when I do the The One Man Show, She's
in it a lot, you know. So I just did
it last night, so I'm still kind of emotional from it.

Speaker 7 (59:43):
Wow.

Speaker 5 (59:43):
Yeah, yeah, So I go back, I go back into
that in that space, and everyone at the comedy Store
freaks out on my show because it's a whole new
generation of comedians. And I'm kind of like the last
person telling the story about how the comedy store was
back in the day. I'm like the last colonel there.
And then after like in ten, fifteen, twenty thirty years,

(01:00:04):
I'll be gone or whatever it is, and then like
it'll just be It'll be stories and spirits of me
and my mom and and in the store. You know,
the store will always be there. It's not going anywhere,
you know. It's like, you know, it's a college. She
set it up that way. It's weird. I drive by
it a lot, you know, and I'm like, God, my
mom created right because she did that right, you know.

Speaker 2 (01:00:26):
But I had fun recently again, I was when I
talk to young people now about making movies doing I
get to sit to young people about you comedy wise, dude,
you did what not a lot of guys.

Speaker 6 (01:00:43):
Could thank you.

Speaker 2 (01:00:45):
You really parlated into your own brand hugely successfully. You know.
I think now you're going to probably have more success
in the next fifteen twenty years than you ever had
before because you're monitoring it differently, and you're producing independently,
and you're taking the acting part of it very much

(01:01:06):
more seriously. So it's going to be interesting to see
what's in your future with the acting. You were talking
to me about some stuff a couple of months ago,
and but what's the first thing I said to you?
Find an acting coach, Find somebody you like that asks
you the questions in the peeling of the material and

(01:01:29):
the dissecting of the material, stuff like that. But you'll
figure it out, because you're if you could do that
with comedy, if you could do this with the one
man show, you can start writing and producing whatever you
want for you you could beco up your own Woody
Allen for the next twenty years.

Speaker 5 (01:01:46):
Yeah, no, I And that's you know, that's why I'm
getting off the road, you know what I mean. And
a lot of that being on the road was the
thing that was kind of keeping me from doing that.

Speaker 2 (01:01:58):
Having the time yeah.

Speaker 5 (01:01:59):
Having the time because you know, you know, you can't
like constantly be doing you know what I mean stuff
on the road, and then you know you just can't.
You can't have that much bandwidth in your brain, you
know where you're like, oh shit, now I'm going to
go home and that two weeks while I'm home, while
I'm not on the road, I'm going to act like no,
you got to stop. It's like literally called turkey. Well

(01:02:21):
it's also.

Speaker 2 (01:02:22):
Again for people who don't know you. You you, they
don't know you've, Like you said a couple hours ago
when we were talking, you've been touring for thirty years.
You've been touring as a stand up comic for thirty years.
So kind of kicking back now and producing a little
bit more or writing a little bit more.

Speaker 6 (01:02:43):
I just want to breathe.

Speaker 2 (01:02:46):
Didn't take the time.

Speaker 6 (01:02:49):
I just want to be able to breathe again.

Speaker 2 (01:02:51):
Do it. You are doing it.

Speaker 5 (01:02:54):
That's what's cool. Yeah, I just want to be able
to breathe again.

Speaker 6 (01:03:02):
You do not be like and I need to focus
on that good.

Speaker 2 (01:03:07):
I think it's wonderful, bro.

Speaker 5 (01:03:09):
Yeah, yeah, and that's kind of where my focus is
for next year. You know, it's just.

Speaker 2 (01:03:18):
You know, a little more focus on you.

Speaker 5 (01:03:20):
Me sell mental what's it called mental? They call it
the mental health or whatever it's called, and they call it.
But just like, well, try to get rid of some
of my angst, you know, with my family and the
world and the tragedy that's going on that my heart breaks,
you know that the wars and all that shit over there.

(01:03:42):
Just you know, but but I'm part of the sickness
because I watch it and you know what I mean,
because you know, my heart, my heart hurts for those people,
you know, because it's just I've never seen so.

Speaker 6 (01:03:55):
Many wars in my life, have you.

Speaker 5 (01:03:58):
I mean, it's just usually growing up, it's always maybe
one maybe and that was it. Now it's like strategy,
but that's part of you know, what I need to
take care of myself is like, you know, try to
try to do that. So yeah, so I.

Speaker 3 (01:04:22):
Have a question for you if we want to take
it off topic from that.

Speaker 5 (01:04:25):
Yeah.

Speaker 1 (01:04:25):
In fact, a little bit, Steven mentioned you could be
your own Woody Allen and you're talking about your mom
running the comedy store. Have you ever thought about making
that a series, like make a scriptive series about your
mom and the day and If so, who would you
cast as your mom?

Speaker 5 (01:04:39):
If you know, I'm I'm kind of doing my own
my own story with my mom, you know what I mean.

Speaker 6 (01:04:44):
So I have I have a book that I wrote.

Speaker 5 (01:04:48):
It's the book is very interesting because I wrote it
when I was twenty eight years old.

Speaker 2 (01:04:54):
Oh wow.

Speaker 5 (01:04:55):
So it's called How'd you Expect Me to turn Out?
And that's that's the title, and it's basically it's right
after I grew up all in the business, and after
all my movies and after everything in But back to
just answering your question, I wrote this book How'd you
Expect Me to turn Out?

Speaker 6 (01:05:14):
And I'm just holding on to it.

Speaker 5 (01:05:16):
And then I have my docuseriies called Once Upon a
Time in Hollywood, And then I had my one man
show Stick with the Dancing, and then I had to
deal with Adam Sandler for a while for you know,
my version of you know, Everybody Hates Chris meets the
Wonder Years, which is like a deal that I had
with Happy Madison, which is like the kind of like
the scripted version of But you know, I don't want

(01:05:40):
to go out with all that stuff. I'm not like
pushing it. But at the right time, like a stock,
you know, I'll have all these different things, and I'll
have partners to help kind of bring these things out.

Speaker 6 (01:05:55):
But that's why you got to watch the One Man Show.

Speaker 5 (01:05:58):
Because the life that I had is just so weird,
you know what I mean, which is why I wanted
to do it, do the One Man Show. I mean,
I went to Little League with Bob Dylan's kid. Bob
Dylan would sit in the stands and heckless kid, you know.
So I'd do a whole thing on that, and then
what else, you know, I have a whole thing about
my mom having a lot of after parties at the

(01:06:21):
house during the week. You know. She'd always call the
comedians from the comedy store to come to the Dohaney house, right,
and she would party and I and my mom. My
mom was from Wisconsin, so she talked like this, and
so everyone would be laughing downstairs, but her voice would
pierce through the laughter, being ah like that, and it

(01:06:44):
pissed me off because I had to wake up for school.
So I'd go downstairs to smoke filled room, you know
what I mean, to tell her to shut the up.
I had of school, and then she'd be in there
with Richard Pryor and Robin Williams and Richard Belzer and
all these guys. So while you were going through what
you're going through your family, you know, I was going
through what I was going through with my family, you know.

(01:07:05):
So so all these stories are in my One Man's Show,
and there's so many of them. And you know, going
to Beverly Hills High School with the Angelina Jolie, Nicholas Cage,
Lenny Kravitz, you know, and like that that era and
that time and Oingo Boingo playing my swim gym, you
know when I was a freshman at Beverly Hills High School,

(01:07:25):
or me stealing frozen bananas and hot dogs from Michael
Bay when he was you know, the guy working behind
the hot dogs stand at D's Beach.

Speaker 6 (01:07:34):
So all these stories are.

Speaker 5 (01:07:36):
In that One Man's Show. That's all I wanted him
to come. You know how I was inspired. I was
inspired by Mike Tyson's Undisputed Truth. I don't know if
you've ever seen that One Man's Show. It's so good.
It's so good. So Spike Lee directs a One Man's
Show in Brooklyn about Mike Tyson's life. You know, whether

(01:08:01):
you're a fan or not, it doesn't really matter. It's
just it's just brilliantly done. And he had like eleven
or twelve cameras, and and it's dramatic, and there's you know,
videos and photos that play and and and I was
kind of inspired when I saw that that's my that's my,
you know. And I did like the comedic version, you know,
but still dramatic. Yeah, but uh yeah, it's so yeah,

(01:08:28):
you know, all.

Speaker 2 (01:08:30):
Right, I think we're done, Jared, Okay, because I want
to finish this episode with seeing if Paulie, which I
know he's not kind of going to, but I just
want to see if we can agree to never make
a sequel to I just want to see if we can.

Speaker 3 (01:08:48):
I think the AI has served that for you, I see.

Speaker 2 (01:08:50):
I want to see if this episode can come out
and people will go, wow, did you see that episode
where Stephen and Paulie like just.

Speaker 5 (01:08:56):
Yeah, I think I think yeah, I think we I
think we should didn't do Biodome too. I know a
lot of people want us to do it, but I
think like some things are left better, you know, unsaid?
Was that the thing?

Speaker 2 (01:09:09):
Right?

Speaker 5 (01:09:09):
You know? Less is more, you know, And to be honest,
the movie itself did not do well. It's not like
it did one hundred million, right, you know when it
came out it did thirteen fourteen.

Speaker 10 (01:09:19):
A comedy cold classic as a comedy could classic's legendary,
yes it is, but it wasn't like you know, which
is weird because I think, like that movie is more
popular than I guess Wayne's World, right, and Wayne's World
did millions.

Speaker 6 (01:09:34):
Of dollars at the box office.

Speaker 5 (01:09:36):
Do people still talk about Wayne's World?

Speaker 2 (01:09:38):
Of course? Yeah?

Speaker 5 (01:09:39):
Still yeah, because I don't. Okay, so they're still into it, right, yeah, okay,
so there's a retro title. Yeah, and then what about
like all of his other films.

Speaker 3 (01:09:51):
Who's Mike Miners?

Speaker 5 (01:09:52):
Yeah?

Speaker 3 (01:09:53):
I think awesome powers, so awesome powers?

Speaker 5 (01:09:55):
Yeah, he's His stuff was brilliant. Yeah, you know what
I mean, This stuff was like another level.

Speaker 2 (01:10:02):
Yeah.

Speaker 5 (01:10:02):
He had a run too, you know, he had a
real good run. But his movies did hundreds of millions
of dollars. Biotome didn't do that, right.

Speaker 3 (01:10:13):
But didn't kill on like home video?

Speaker 2 (01:10:15):
But why can't you do Incino? Man?

Speaker 5 (01:10:17):
Now, I think the same reason why not to do Biodome? Now,
you know, it's just kind of left better on set.

Speaker 1 (01:10:25):
You know, have you been approached by anyone like that
for them to do a reboot.

Speaker 5 (01:10:29):
No. The thing is Disney owns it, so it's like
it's Disney's you know, in Son in Law and all
those films. So you know, if Disney called and they
had they wanted to do it, then I would do
it probably if it made sense. You know. We actually
have the the treatment for for Son in Law too,
the reboot. We have something. Yeah, it's called Father in

(01:10:50):
Law where I play the father, she plays the blah
blah blah, and then my daughter comes home with like
JD vance you know what I mean, like something like that,
and that's a good that's a good one. But yeah, yeah,
like someone like that.

Speaker 2 (01:11:07):
Can I play the Bill Clinton in that?

Speaker 5 (01:11:09):
Yeah?

Speaker 2 (01:11:09):
Exactly, play Bill Clinton in that.

Speaker 5 (01:11:12):
But we'll see, you know, we'll see. I mean who
you know, been talking to Hulu Hulo. Disney owns Hulu.
Hulu plays my films a lot and they do really well,
like the older films, the Son in Law and the
Disney ones, So we'll see.

Speaker 1 (01:11:28):
I don't know all the big names that you've worked with.
You worked a lot of people present company excluded. Who's
who's been your favorite? You worked like the one who
just made you laugh the most as long it's just like,
damn this, I want to work with them again.

Speaker 5 (01:11:39):
Well, like I mentioned Lane, you know, and as an
actor and son in law was so much such a
pleasure to work with because he played it so real,
similar to after Bill Atherton played the scientist, William Atherton
played the scientist. So any any of the people that
just didn't laugh around me, those are the best actors,

(01:12:00):
you know, the people that just keep the straight face.

Speaker 2 (01:12:03):
Yeah, and there were times when Bill even lost it. Yeah,
just in the ridiculousness of some of the stuff we
were doing.

Speaker 5 (01:12:13):
You know what the bottom line is, Stephen, you know,
and Sean Asten said it best and when I was
interviewing him for my film. The reason why I think not,
I think the reason why I know my films have
resonated all these years later is not just because there

(01:12:36):
were funny films, but because the audience can tell I
put my heart into everything, and that's what I and
that's what you get from me.

Speaker 6 (01:12:46):
You know, you get my heart.

Speaker 5 (01:12:49):
And that's and that's you know what I that's where
that that's what motivates me.

Speaker 2 (01:12:56):
Well, keep giving us your heart. I hope you'll continue
to do that, because I think the best of your
heart creatively is yet to come.

Speaker 3 (01:13:11):
Can I ask one last question? Real quick?

Speaker 2 (01:13:14):
Chinese bro?

Speaker 3 (01:13:16):
Or it'll be a forty minutes when it's all cut down?

Speaker 5 (01:13:18):
Uh? Can we?

Speaker 3 (01:13:19):
Can I ask about the Richard Simmons movie as it happened?

Speaker 5 (01:13:21):
Now?

Speaker 3 (01:13:22):
Can I not?

Speaker 6 (01:13:22):
I can't talk about that right now.

Speaker 5 (01:13:25):
We're done.

Speaker 6 (01:13:26):
Yeah, we're done.

Speaker 2 (01:13:27):
We're done, Pollie, thanks for doing one bad movie.

Speaker 4 (01:13:35):
Don't pay of creating those badlets.

Speaker 6 (01:13:43):
It's so bad.

Speaker 4 (01:13:44):
It's Goodsam, Please Sam, guilty mans this Sun.

Speaker 5 (01:13:53):
It's so bad.

Speaker 7 (01:13:54):
It's one bad