September 16, 2025 • 62 mins
Ask and you shall receive! This week’s guest is our #1 most requested—by a landslide—LUENELL! Amid her nonstop touring schedule, she blesses the "Outlaws" studio to chop it up with TS Madison, and listen… we’re already nominating this episode for the "Outlaws" Hall of Fame.
First, Luenell dives into her roots in small-town Arkansas and why she goes by just one name. From there, the conversation takes off: her wild bank robbery story (and how she got caught), a brief stint as a sex worker, why she was unable to watch Princess Diana’s funeral, overcoming addiction, and the surprising ways prison taught her to appreciate life’s little things.
We also get a behind-the-scenes look at her illustrious comedy career, working with fellow legends like Adam Sandler and Eddie Murphy—whether that’s hanging upside down on a stripper pole or voicing cartoon characters with the "Hotel Transylvania" franchise. Plus, Luenell spills on reconciling with Leslie Jones while filming "Coming to America 2."
Madison and Luenell also unpack Hollywood’s brutal beauty standards, how a surprise FaceTime from Rihanna landed her a Savage X Fenty modeling gig, and how that experience paved the way for her (now retired) OnlyFans.
"Outlaws" is hosted by TS Madison, and is part of the Outspoken Network from iHeartPodcasts, co-produced by Turtle Run Entertainment.
See omnystudio.com/listener for privacy information.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Every time I open up my mouth up and goes out.
Speaker 2 (00:03):
Don't wait twenty two inches b B.
Speaker 1 (00:06):
D bed yourself.
Speaker 3 (00:08):
He is up, Get a job o ricking honey, rick Hodon,
he chasing.
Speaker 1 (00:28):
I'm black like that stout live and it's color easy.
This is Outlaws, but cheers medicine. Is it on? Is
it on? Honey? Is this bitch recording? What's some YouTube? Land?
Speaker 2 (00:46):
Twitter and instagram lands, snapchat, grind the scruff B G
C Jack and all that other ship. This is t
S Medisine coming to you live, live and always and
forever in color from the Outlaws Podcast with none other
than me.
Speaker 1 (00:59):
Bitch.
Speaker 2 (00:59):
Let me tell you some that I am so excited
because y'all have been requested. Y'all have been writing, you
have been tweeting, you have been instagramming, y'all been doing
us stuff. My guest today is the legend, the legend, bitch,
the fucking legend.
Speaker 1 (01:15):
I don't even know how to say, nothing else but
the legend bitch. Lunell.
Speaker 2 (01:26):
Listen, this has been my girl for so long, like
we fell in love with each other at first at
first sight. I want to tell you that the reason
why I love Lunelle because because Lunelle's story is very
and she's very unapologetic about who she is. She's unapologetic
about where she's from. Uh, she has been a comedian
(01:47):
for so long. I'm not gonna do the thing of
like talking about her. What I'm gonna do is, I'm
gonna turn it over to Lunelle. Because there's a section
of our show it's called talk your Ship, And on
this section of our show, I allow the guests to
talk to ship. I want you to tell me who
you are, what you do, what you're proud of. This
(02:09):
is your time to shine, So don't hold back. All right,
So this is that's the white's that.
Speaker 1 (02:12):
Already, it's starting with me talking my chip.
Speaker 2 (02:15):
That's the white way of saying it. But the Nigger
way of us saying this ship is bitch. I want
you to look in that camera tell little holes but
you they can't fuck with you because you did this.
Speaker 1 (02:24):
You did this. You don't want this. You this bitch.
Speaker 2 (02:26):
I got this and that I'm not. No, I'm the
boss up in this bitch, and I don't want all
your accolades. I want you to run them down, all
this all who you know, what you do, how you
do I want you to run that ship down. I
don't want I don't want any modesty. I don't want
no humility, none of that ship.
Speaker 1 (02:44):
I want you to look at. My name is Lunelle,
and okay, baddie, I okay, Hi, everybody? What up outlaws?
That lunatics? My people is I'm Lunelle. One name, last name.
I don't use it because I don't want to be
affiliated with the people affiliated with that name. Okay, Okay, So,
(03:09):
like Malcolm x X, I am very appreciative to be
here because before I talk about me, I want to
talk about you. I don't like everybody, Okay, I don't
(03:29):
like everybody for several different reasons. But when I fuck
with you, I fuck with you. And one of the
reasons that I fuck with you is because your articulation.
Everybody can't articulate. You are able to express things from
a sensible, all inclusive type of thing, not just your
(03:53):
way the way you know. And I've listened to you,
and I've watched several interviews, and I've been your friend.
I've been on on your side, and I think that
when you own your truth and you know who the
fuck you are, you can stand in that shit, and
you do that, and that one my soul. Okay, now
as far as me, now, Maddie's talking about don't hold
(04:16):
back and don't do this and don't be modest, but
I think that braggadociousness is gross. Like I don't do that.
I will say some things. So I was born in Tallet, Arkansas,
population like maybe two hundred if there's somebody pregnant right now.
Other than that, it might be about one sixty, small
(04:41):
rural country town, not even a city. It's not even
on the map where I was born. If you get
a map of black townships and settlements, you'll find Tallet, Arkansas.
I'm there. Maybe we made it to a map somewhere now,
but we weren't even on the map. One of my
grandfather's house with a midwife. I didn't have a birth
(05:04):
certificate till I was like a couple of months old.
I have seven brothers and sisters on the eighth of
eight children. I have like seventeen nieces and nephews, and
I'm very proud to be an auntie. I have one
daughter and shares no children. Yet we're fine with that.
(05:26):
So I'm not a grandma. That's how you get blocked
on my Instagram. I'm a motherfucker. Say what up, granny
block bitch. I'm not a grandmother. I don't play grandmothers.
I'm not trying to be your grandmother. But when I
am one, you will know. But you call me eighty because
that's a you know, I'm from Arkansas, so that's a
word of endearment, a title of endearment to me. Some
(05:47):
women don't like to be called anti, but I think
they got some They misunderstood. They misunderstand the connotation. That's
the love language for us black people. Okay. I've been
in the game, the entertaining game, for like almost thirty
five years, and been doing stand up for like thirty two.
The first the realm of entertainment I was ever in
(06:12):
was in church choir because that's like, you have rehearsal
on Wednesday, you have a show on Sunday, and you
better than not fuck up as you hear about it
the next Wednesday from some mean choir directors. You know
that you have. So that's why I got my first
exposure to being in front of people besides playing Missus
Santa Claus in like kindergarten or some shit like that,
(06:35):
and then I went into theater because even though I
was born in Arkansas and raised in Oakland, California, my
parents are the people who are raising me. Got me
out of Oakland and moved me to the suburbs. They
were well to do black folks. Even though my uncle,
who was substituted against my father, was the head of
(06:58):
custodians and my mom, who is really my aunt, was
a nurse. But those are viable jobs in the day,
and you could make money at that time.
Speaker 2 (07:09):
They did.
Speaker 1 (07:10):
They moved us from Oakland to a place called Castro Valley,
very white, very suburban. I was educated in all white
schools all the way through college. I have a Bachelor
of Arts degree in English literature. Because I was in
the white schools, I would try out for the plays,
(07:31):
but I could never be the lead in the play
because I was black and and he gets a gun.
You know, they don't want to make the bits with
the gun be black. So I was always in the background.
So I would go from from Castro Valley back to
Oakland to the theater company to Oaka Mo Ensemble Theater Company. There.
I feel that being coming from the theater, it's made
(07:53):
me a better stand up, because you learn more about
how to work a whole stage, not just stand in
one place. You work through your through your stage fright
or whatever like that. You learn how to work the balconies.
There's people up there too, you gotta acknowledge them too,
and all this kind of stuff. Anyway, I moved on
from there and got to audition for two movies in
(08:18):
the Bay Area. My first movie was So I Married
an Axe Murderer, which is Mike meyers first movie before
he ever did Austin Powers or anything like that. Got
that film that. Then there was another movie that I
auditioned for when I was pregnant. I think the director
in them, which was Michael Bay and Jerry Bruckheimer. I
(08:41):
think they thought I was just fat, but I was
actually pregnant. But now I'm fat and I'm not pregnant,
so there's that. But I got that movie and I
was the Rock starring Sean Connery and Nicholas Kate. That's
the movie that got me my Screen Actors Guild card.
After that, I moved to LA and that's when my
(09:01):
comedy career actually started in Long Beach People. Then it
started in Oakland, but it didn't just started in Long Beach.
And that's because I had a roommate. I was working
at the bank and I had we had a lovely
three bedroom apartment in Long Beach and my girlfriend, who
was a call girl. She was a tall, beautiful British girl.
(09:23):
She looked like Shardy but thicker like you. And she
had a beautiful accent, and she could talk to pat
any man. She's just charming and lovely and everything like this, right,
So what if her tricks fell in love with her
made her stop hooking? They started dating. This guy ran
a comedy club in Long Beach. It was called Miss
(09:43):
Wiz back in the day. And he would be at
the house and I'd be talking shit or whatever, and
he said, you know, you're really, really funny. You need
to come down to my comedy club. The minute you
walk in, I'm gonna put you on. I was like,
I don't want to be no motherfucking comedian. I want
to see background for Luther vandros See. The drugs was
(10:04):
good back then, Maddie. I just knew I was gonna
be a background Luther A. Shit, can't tell me I
wasn't gonna be a backbound singer for Luther. But uh,
one summer day, me and my girls were sitting on
the patio of sat apartment in Long Beach making and
made the margeritas in the sort of like this is
(10:28):
so like this, and have made some margheritas in the
blender cheers, and I had thought about something that had
happened to me and some stories that had happened to
me even to this day. I'm not a joke teller.
I'm more of a storyteller. And I thought of this story,
and I thought it was funny, and I said, well,
(10:48):
let's go down to this club and see what this
boy talking about. Your boy, right, So we all get
in the car. I'm going somewhere with the story. We
all get in the car and we go down to
Miss Wizz to the club. And the minute I walked
in and say, oh, you made it, you're here, I'm
gonna put you on next, I'm like, okay. So he did,
(11:08):
and I went up on stage and I talked about,
you know, the situation and everything, and actually killed it.
I've never been booed in my life. Everybody says everybody's
been booed, not me. I've never been booed. I've got
the silent treatment. I've gotten crickets before, but I've never
been booed. So I did my first show, killed it.
(11:29):
I stepped off the stage in this little short, dark
skinned black man came up to me and he said,
you know, you use a funny little bit and I said, well,
thank you. He said, you need to come out of
my club, and he gave me his card. And I
was the late great Robin Harris. So I met Robin
Harris on the first day that I ever did comedy ever,
(11:50):
and I went down to his club. And then you
meet a young DL, a young Jamie Fox, a young
you know, Gary Oh, and young people who are mogul now.
And then they used to have a fessel in Atlantic
call laffa Palooza. I used to come down for that,
and this shit just sort of snowballs. Comic views started.
Now black people can be on TV doing comedy on
(12:13):
a weekly then their daily basis, and then Depth Jam
came after that, and then some of the movies came.
But I never got into any of the you know,
I was never part of Fridays or never part of
you know, Different World or anything like that. And I
could I figured out why I've just come to know
why recently. We'll get into that, yes, and so anyway,
(12:37):
those things have led me to where I am today.
There's been a lot of tragedies along the way. You know.
I served a time in jail for robbing a bank
because the bank and the bank was going to go
out of business. And I knew it. I was working
at the bank, see, and I had been working at
previous banks before, and so I knew this. I said,
(13:00):
this bank about to go out of business. I could
tell because they weren't doing things correctly. I had been
everything in the bank, from new accounts to bookkeeper, to
a regular tailer to vault teller. And that's where they
fucked up. They let me in the vault. Oh bitch,
but you don't go in by yourself. But I don't
know whether they didn't have cameras. Then this is, you know,
(13:22):
twenty something years ago I've been I'm a law abiding
citizen now slightly slightly slightly, wouldn't he be? And so
I went into the vault with this girl. But the
bitch turned their head. I don't know. I just reached
out grass so when they put it in my apple
bosom and worked the rest of the day. I got home,
that motherfucking money was wet and I'd been sweating all day.
(13:43):
But I took it. You know, I didn't take it
because I was trying to help nobody. I just took
the fucking money because I knew they was going out
of business. They wasn't paying well. The tailers are the
face of the bank. You're the reason that people bank
at the bank. Yes, not because of the supervisor, because
of the tailers. And I like, we wasn't getting paid right.
You know, you worked two weeks and get a check
(14:04):
for two hundred and thirty five dollars. Now this was
twenty years ago, Okay, okay, Still, you know I didn't
feel like it was right, so I made it right.
How much did you take you now fifty thousand dollars? Oh,
but fifty thousand dollars back then it was like like
one point five million dollars. And uh So, anyway, I
got away with it for over ten years. And the
(14:28):
if I had not taken so much money, I would
have just got away with it because they, you know,
finally did bust me because the fans came in and everything,
and I admitted to it and I went to jail
and then I got out on my own recognizance. They said,
when you come back to jail, we're gonna send you.
I was like, okay, pubel, and I came back. I
absconded and came back to open. But my neighbors in
(14:50):
the paper every week because I was doing comedy shows
every week. I was like, oh my god, my god,
they're gonna get me one day. But what happened was
when I had my baby, I filed for Wick and
the milk and programs and all that and them, so
security numbers crossed up and they came to the bad
and they got me until we back along Beach and
put me in jail. I had a new kid, and
(15:10):
it was very depressing and all that. So all those things,
like every comic has got stories like this, because comics
are always on the verge of becoming some kind of
thug or gangster. Really, we're just unconventional people don't like
to be told what to do. We've had jobs, all
of us that didn't work out, you know, because God
(15:33):
had another path for us. Who you try to do
the right thing, then you have to do what God
tells you to do. And no matter what my content
or not, no matter what my language, the point is
that my heart likes to make people happy and to
talk about what's real, because I don't, you know, I'm
not in there like why the chicken cross the road
(15:54):
type shit. I'm like, you know, more like where do
you get these unqualified presidential assassination shooters? Right? I know
what some niggas in the hood that do that that're
off your time. Don't steal my tagline dad, period. So anyway,
you know, I'm maybe some accomplishments and stuff like that,
(16:16):
and all that shit is really irrelevant because I'm just
here to be here and be open book by whatever
you want to talk about. But I don't want to
sit and just be like I've done this, don that,
do this, do that. There's people who would get a
whole nut doing that, but I don't. I don't get
off doing that. If you want to know about me,
you can google me to have the shit is wrong.
(16:37):
You figure out what's wrong. I't got time to be
doing all that shit.
Speaker 2 (16:50):
So, lou Nell in that story, I want to go
back to a part where you said that you that
you took fifty thousand, and you went on about your business.
Speaker 1 (17:02):
Oh, I lived, I tipped, I valeted, I drank foover,
I ate. Well, I didn't do a motherfucking thing. No,
I think I paid for my parential figures at that
time to come to Long Beach. I put them up
in the Sherton. I got him a sweet. I paid
(17:23):
for the mills, valet and drinks. They should have known.
I stole some money then. I hadn't been able to
do a motherfucker. I was from a bunch of anguish
and shouldn't tell them. They should have known. But just
like every good parent, they take the perks, they'll take
the hot due to finish it out.
Speaker 2 (17:41):
So they got you because you went back home and
you motherfucker went back.
Speaker 1 (17:46):
To the to the comedy club, telling Joe it was
the baby. It was the baby that got me caught.
It was you going out for the wig.
Speaker 2 (17:55):
Yeah, and they like, hold on, now, the last four
did this is three three, he's seventy three.
Speaker 1 (18:01):
And this bitched out here and we've been looking for
these last row right here. I need some milk.
Speaker 2 (18:06):
It's that bitch. My baby needs a bill. I Doe
ran out that fifty thousand dollars.
Speaker 1 (18:10):
Bitch. I don't know ifucker lived there.
Speaker 2 (18:11):
Fifty thousand dollars up and they told you, hey, ma'am.
Speaker 1 (18:16):
No it was oh. I was watching Young and Restless,
just had breakfast. Did Victoria fall off the cliff by
this time? No, she had not fallen off the clifford
at that time.
Speaker 2 (18:30):
At that time, she did not yet. No, so you
missed Victoria falling off the cliff. Yes, I missed the Royal.
Speaker 1 (18:38):
I missed Pristans Diana's funeral because she while I was
locked up the car accident happened. They showed all the coverage,
but the day, the day of the funeral, we got
locked down and we couldn't watch some TV, so I
didn't get to see that. So they knocked on the door,
(18:58):
and the first thing they said, my girlfriend was there.
Thank god. She answered the door and I heard, you
know what a fed voice sounds like, you know, don't something,
you're here here, just the residence of uh uh dunel whatever.
And she said, well, she's not here right now because
she's gangster bitch suits you know, not to say yeah,
(19:20):
come on in white men with suits on. She's like,
she's not here right now. And I'm like, and so
I had the baby and shit, and they said, well,
do you know where she is? Like, I don't know
where she is. So I put the baby down on
the couch and I opened the sliding glass door and
(19:42):
I dip out, and I hop over the banister and
I take the fuck off. But they're the Feds, so
of course they had the buildings surrounded. So they got
me in the driveway. My girlfriend, luckily was able to
keep the baby. I do have a baby daddy, and
he came and got the kid. And you know, when
you go to jail, diddy, that goes through all your shit.
(20:02):
Somebody's got to pack up your place. Well, for mine,
they did. And you know, if you got jewelry and stuff,
don't nobody know how long you're gonna be gone. So
all day you get stole from when you go to jail.
Just in case, then y'all go to jail. Yeah, your
ship they're confiscated. They're gonna get it. How long did
you how long did you stay in Well, since they
(20:23):
had not gone my priors, they thought that this was
like my first offense offense, so they were gonna give
me a year. But I think if you get a
year and a day, you go to prison. But my
first offense, I didn't have to go to prison, So
I did like four months in eighteen days in the county.
(20:44):
Oh you did good for fifty thousand. Yeah. No, no, no,
not not no, not not. But I'm saying what I'm
saying that I don't regret it. I don't regret it
because nobody can. When I talk to my daughter. It's
not something I read. This is something I know. Nobody
can tell me about jail. I've been there. Nobody can
(21:05):
tell me about appreciating what you have more than a
motherfucker's been to jail. I appreciate hot water, I appreciate silverware.
I appreciate not eating my pancakes with the spoon. I
appreciate salt and pepper. You know. I appreciate a pillow.
I appreciate all that that you take for granted, toilet
(21:26):
paper when you need it, damn underwear that fits. Damn. Yeah.
So you've never been incarcerated, Maddie, Yes, I think from
my Google alf say.
Speaker 2 (21:43):
Yes, I have been incarcerated. How long did you do
I didn't stayed very long. The times did I went
well because they with an as period, I did do
it it was time for you boosting whatever you doing, well,
it was actually for a driver's license.
Speaker 1 (21:56):
This is the Lord. Let me tell you what the
Lord did.
Speaker 2 (21:58):
The Lord covered me through the prositus because when I
was aprost me, he covered you.
Speaker 1 (22:05):
A yeah, he covered me. But I was on the
freet for a minute. I only hold for two weeks.
And what happened in them two weeks through there? Well, okay,
first of all, how did you become a prostitute? Lunel?
Speaker 2 (22:17):
Because I met this guy named Freddy. Okay, listen to
it now, how did you become a prostitute?
Speaker 1 (22:24):
Well? I was at a place in Oakland called Lake
Merritt where a lot of people used to congregate, where
the finest of the fine would be out there and
lay out there and you could lay out on a
blanket and listen to music and stuff like that. And
this guy met this guy and he was fine and
his name was Freddie, and so you know, googly eyes
(22:46):
and stuff, and then you know, you fucking a couple
of times in this love and then he'd be like, yo,
I need you to do something for me, and then
that's when the ship comes in. So he had to
test the good at first, well, they all do, but
then they don't fuck you no more, because that's the
mind fucker of a pimp. They'll give you the dick,
but then they'll pull back because they're not really here
(23:07):
to fuck you. They need you that push you to
make them some money so they can't be gauging you
out anyway. The boy, you learn. So what happened was
I think that I was on the street on Sam
Pablo and or a family friend who was a cop
(23:30):
saw me and pulled over, What the fuck are you
doing out here? I just came from theater. I still
got all my shit. He didn't believe me, so I said, well,
just He said get in the motherfucking car, and I
did you and he said, you want me taking her home?
I was like, no, taking on my friends out over
on Chestnut and okay, but that was where the player was.
(23:52):
So he let me out and I went in the
motherfucking see that the polices are. Said, what the fuck
are you doing? Bring the police here? I didn't know,
and then so I lay down and went to sleep
because I needed some sleep. He did too, But what
I didn't know is that the white hose was in
the bed with him. So I woke up and I
looked in there because I called myself, gonna go get
(24:12):
in bed with him. It's two white inches in the
bed with Freddy. So I took the gun, the dope
and the money, and I ran and ran and got
a greyhound bus and I went to La Lunel. You're
gonna take If they don't give you the money, you're
gonna take you. That's it. But I don't have to
do that. No more, give it to me. My crime
(24:34):
is over. Man, we're trying from the back of No,
I wouldn't. I don't have to steal the money. I
know you got to steal it. But if they don't
pay you your money, you ain't gonna show up. But
if they don't give it to you, gonna take their beds. Well,
in some way or another, I will because I'm that
way too.
Speaker 2 (24:48):
No, I get my money, Oh I know, I know.
But sometime we as colored folk, we get our money.
But sometimes we got to shake down.
Speaker 1 (24:57):
No. Because see I have a team now and I
don't have to resort to the gangster tactics of the
past that we used to. You know, people who give
you bad checks and that don't happen no more, okay,
but you still know how to get there if you
need to please. Once a gangster, always and gangster, you know.
Speaker 2 (25:21):
So so so Lunel, you know what is that movie
that you were? I know the name of it, but
you were a scripper?
Speaker 1 (25:31):
Uh, that's my boy. It's an Adam Sandler, Adam sand
la Field. He Earra played my daughter baby and a
bunch of stars in it. What I tell you, my
ts were out there. You those were your was your
real TVs? Know of course now mm hmm. What they
did was and that's a really good movie. It's really fun,
(25:51):
you guys very much.
Speaker 2 (25:52):
So you remember it. It's an Adam Sandler movie. It's
because that's my boy. And she was, she was scripping,
she was a scripple.
Speaker 1 (26:00):
What happened? Okay? So you know at one point I
had to be upside down on the stripper pot. I
was eating eggs and drinking orange shoes. Right, it went
all over my face. If those were my real titties,
they'd have been in my mouth yet right upside down.
So they made a cast on my titties and they
made this braw that had nipples on it. And then
(26:23):
they painted it to match my skin tone, and then
they made an outfit around it and sewed me up
in that and flipped you over. It is crazy. Yes
you do.
Speaker 2 (26:38):
And that's what I love you for. Like that you're
not You're not afraid. You know, you're no holes barred
with it. What was it like meeting Adam Sandler?
Speaker 1 (26:47):
Like with this? Was he like.
Speaker 2 (26:51):
You're a person that you coming are with when you
when you meet you, and it's just like he's a comedy.
He's he's funny, but you're funny.
Speaker 1 (27:02):
What was it? Did he say, I've been watching you
and it's like you're so funny. Well, no, the the
audition came through. My agents said you got an audition
and it's a movie called It was called something Else
first they mess changed it and then they said you're
gonna be an auditioned for Adam Sandler. And I'm like,
(27:26):
come on, I said, Adam Sandler don't know who I am.
They like, he very much knows who you are. He
wants you to audition for this movie. For audition and
I got it. But then working with Adam he's really really,
really really cool, saw to the earth type guy. He
plays basketball with the guys during you know, when they
(27:49):
have to turn this set around and do whatever like that,
change the cameras. He's used the same black cameraman for
like eight nine movies. But then that guy passed way
and was really really hurt by that. He you know,
got his crew and he fucked with the same people,
but he read you out. He provided my daughter with
her very first first class flight because that movie was
(28:11):
filmed in Boston. But I missed my kid and he
flew her out for me, and then he provided a
mescuse for me. My girlfriend was a masseeuse, but she
got to get on the payroll because you know, bitch
them stripper moves is not easy, and what you think
is gonna hurt is really your wrists and like your
(28:33):
inner thighs, because you got to do a lot of
this and a lot of this, and a lot of
this and a lot of this, and my fucking wrist is.
So I had Missus to help me pull myself together,
you know, because I was a mess, And I got
him trained by a four figured whole dance instructor, so
(28:53):
she knew how to distribute the weight. Plus I had
on these heels, and shit was just it was madness.
And then it was really really fun to do because
there was a lot of celebrities in the movie. Tony Orlando,
Todd Bridges, the coach of the Jets, Ryan, you know
(29:16):
whoever the Jets coach was, that's my soon. So you
know the money don't stop look TMZ. They must found
out I was here a girl. I didn't tell them.
They always knowing something and know some and so you know,
oh Rex, Ryan, that's who the coach was. And just
(29:40):
you know, Sierra of course, and just a lot of
Susan Sarandon's daughters in the surrounding is in it. So
and and and James Kahn was in it. I couldn't
believe we went to the table read that I was
sent across from all these people. So that was a
really fun experience. And then he hired me for Hotel
Transylvania one and two to do voices in that. So
(30:05):
I actually did three movies with Adam Sandler, Wow, and
Eddie Murphy. You did Dope and it is My Name
and coming to America, yes, oh my god, oh ship
also in coming to America too. Can I ask you questions?
(30:29):
You can ask you anything you want. What happened with
you and Leslie Jones. We actually made up, Okay, good,
We made up on the set of Coming to America
because we had had some misunderstandings and in the past,
(30:51):
and we really never sat down and talked about Uh,
I'm trying to be diplomatic in discreet Okay, Okay, were
but we know I'll tell you later.
Speaker 2 (31:03):
Yeah, yeah, but we respected because y'all, y'all queens, and
y'all y'all queens, and y'all y'all y'all in a good
space now.
Speaker 1 (31:10):
Are we both queens? Maybe that's why she didn't like me,
but that's not why. But we have misunderstandings, but I
think we squashed them pretty much. Now. I don't say
that we're gonna go on fucking the girl strip vacation together.
But I could work with anybody. I knew I had
(31:30):
to work with her. She was the star. She was
the star coming to America too. And I think it's
the best work she ever fucking did, better than Saturday
Night Live or any of that ship. I think she
was really really good in Coming to America too. If
you guys haven't seen that suggest city, it's very good.
People try to talk shit about that. Here's the thing
for me about coming to America too. I don't give
(31:53):
a fuck what nobody say. First of all, it was
an honor to work with Eddie our senio, John Amos
Garcel and a lot of the original people that was
in the first one. Second of all, we filmed on
Tyler Perry's studios. Say what you want about Tyler, and
there's a lot to say, but when you go on
(32:13):
that studio lot, you're in awe. Yeah. And then when
you go past the the studios that are named after
our black icon I see Davis and Ruby. D would
be Goldberg, Oprah Winfrey, Sidney Poigier, Cecily Tyson. If you
think about all the movies that these motherfuckers made for
(32:34):
white Hollywood, and they don't have the name on a
fucking thing in the studio nowhere, and Tyler honored on
them and Cecily before she passed as well. You know,
you got to give them props for that. Plus you're
running around Tyler Perry studio that he owns, and everybody's
dressed in the most fabulous African attire except me. I
(32:57):
wore American shit, but the dress to the nines because
Ruth Harder, who was the only black woman to win
an Emmy for wardrobe, and she did the wardrobe for
Black Panther and for Dolomite and for other things that
Eddie has been affiliated with, you know, to have her
(33:17):
be there and dress and they had the best hair
people all that. So I don't give a funk with
nobody saying and I think the motherfucking movie is funny.
Speaker 2 (33:23):
I do too. At least I really saw Wisley snips,
Oh my god, yes, he's like, this could mean yeah,
I don't. I don't he said, oh, but you don't
have a son with that nutsack bitch. It was so
much fun I didn't think he could get funnier than
(33:44):
Dolomite because he was funny Wed.
Speaker 1 (33:47):
He was funny as fucking Dolomite. And then he was
really really funny. Yes, because Dolabi he was funny. At
Dolomie he was. You do you have some heavy hitting
people under your belt. You're a heavy hitter.
Speaker 2 (34:10):
You've been through ups and downs in the in the business.
What is something that you feel most happy about that
you've overcame, Like, what is one of the most things
that you like, like I've overcame this, and I'm happy
that this that I got over this.
Speaker 1 (34:27):
Probably the pressure to be one of the beautiful bitches
of Hollywood, you know, probably overcame the pressure to like
I'm gonna have plastic true, I'm gonna get this neck
cut off. Then you want your arms done, Then you
want your titties done, then you want your belly done,
then you want your ass done. Then you know, it's
a vicious, addictive cycle. Yeah, and for who, Because I
(34:50):
know tons of beautiful and not so beautiful women down
in the South who would never even it's the pressure
of Hollywood. I you know, we would. I all like
to wake up and this be gone, or this be gone,
or this be gone. But the fact of the matter
is this is real fucking life. I'm a real fucking person.
I'm not defined by my belly or my neck or
(35:13):
my arms. And if a motherfucker can see past that
and see a genuine person inside, no matter what the
packaging is, then fuck them anyway. So I'm glad that
I got over that sense of the need to feel
a certain way or feel perfect or look a certain
type of way. I really just don't. I think that
might come with age too. I really just don't care,
(35:37):
you know, because you can get caught up in obsessions
and stuff like that. I'm not gonna get obsessed about that.
I'm proud that my daughter has seen the progress and
seen success. I'm glad that she has seen me move
from the studio from sleeping on somebody couch in somebody
garage to living in a tiny, tiny, any tiny motel,
(36:02):
to living in a studio, to getting in a house
to now getting in an estate. My daughter has seen
that progression and knows that it can be done. And
you don't have to do it the traditional way. You
don't have to work nine to five, get to go, watch,
sit down, retire, watch the prices right and die. You
(36:23):
don't have to live your life like that. And my
daughter is a dancer, a professional dancer. She's danced on
the Grammars, She's dance around Lizzo and stuff like that,
and she's got a talent for it. And she started
in church as a praise dancer. A lot of people
think I would grow up and have a ratchet ass kid.
I absolutely don't. My kid has a father, she has
(36:44):
both parents. My kid went to San Diego State University.
No student loan because Mommy paid for that. My kid
has made mistakes like everybody else. She's not out here pregnant,
she's not out here on drugs. She's not sipping lean
and taking molly and all that type of shit. She
likes a little tequila shots. But I'm not gonna begrudt
(37:06):
her that, you know, And I'm very very proud of her,
and I'm proud of me and her. You know, I
want to.
Speaker 2 (37:16):
Know, I want to piggyback off of you saying about
you struggling at a moment, because I think we all
do that as plus size girls, with this being not
being the status quo, or not being or or society
telling you you're not desirable, You're not this. I know
(37:37):
two niggas. I'm gonna tell you this. I know two
niggas that I was fucking around with. They was like,
you know what one of my fantasies is for Liu
Neil to sit on my face?
Speaker 1 (37:47):
Really, where is it is? I can accommodate that today.
I'm free right after this.
Speaker 2 (37:56):
So so it's like he said to me, you know,
he says ship and food.
Speaker 1 (38:02):
He said, Lunell freaking you new freaking in the motherfucker.
Speaker 2 (38:05):
I like Lunell, and I was like, that's my friend,
bitch on me telling me about my mother, especially while
were in bed, telling me my motherfucker frid bitch. But
here's the gag. After all of that, you got the
uh deal with Rihanna with the fine and after that,
like you went viral for that and.
Speaker 1 (38:26):
Then you dropped an only fan. Yeah, bitch, well happened.
Tell us what happened wrong? So it was almost Rona.
It wasn't Roona yet. And my uh one of my
friends is a tour bus driver. He drove with me
(38:49):
when when I was on tour before and he was
driving for her. I didn't know it. He called me
late one night on FaceTime. I'm laying in the bed
looking buses and shit like this, and he calls lady.
He says, Leanell, Danelle, what's up. I'm like, what's going on?
He said, we were just watching you on the TV
(39:10):
here on the tour bus. I said we who? He said,
my client? I said, who is your client? Boom? Rihanna
pops on the FaceTime a lot. I'ma broke my fucking
fingernail trying to screenshot. Am I having a. I was
like click, and she's like no, she's a big comedy fan.
She's a fan of mine. And I was like, well,
(39:32):
thank you so much. Oh my god, I can't believe this.
And I told her, I said, my daughter is a
big fan of your lingerie, which you made it in
bigger sizes. And she said I do. I said you do.
I said, we shoot. I want to be a feny model.
I just threw it out there and she said, okay,
let's make it happen. I was like, oh, right on,
(39:53):
right on, and kiki ki ki we got off the
front and I was like, oh, that was fun. That
was cool. You know, that was nice conversation, fantasy. That's great.
About two days later, I get a DM from Rihanna herself,
send me your email. So I sent her my email.
So contracts started coming. I was like what, and I
(40:14):
you know my manager. I'm like, who's my best friend? Like,
look at this rand me this contract so maybody could
be a model. So then it was done. You're gonna
get this one. You do the post on the story
when you do this weekly da da da da. So
then they send you a catalog and you pick out
the lingerie that you want to model, and they send
it to you and then you have to have a
(40:35):
photo shoot. You have to send the pictures in and
they picked the ones that are gonna use for the
story to post and all this. Now what happened was though,
when the lingerie showed up, I was like, uh oh,
what happened? I mean, because this shit is lingreie. I
(40:55):
got four brothers. You know, I'm not really trying to
post with hearts with my nipples sticking out, and my
brothers they didn't stick out. There was mesh, and then
I'm not really trying to show. So my my asset
is my back, not my front. Per see titties, asked
sam Hina Table. You know what I'm saying. So we
(41:17):
did it. We we took all these photos and they
were fucking great, and we was sending back and we
did that for two years. I even got to do
the the fenty fashion show that was on Amazon's parents
Hilton and Willow Smith and all these kind of people.
So now that's over. It's been two years. Been great.
(41:40):
My contract didn't get renewed up two years when I
was glad because it was work and it's very you know,
you gotta do a lot of tough tucking and hiding
and moving and queensing. Do you think that's why I
haven't got it? Because I got to do a lot
of tucking and hiding. You might have to talk a
little bit more than most. Our fens are very skimpy.
(42:03):
Do you like me do a lot of bagshots? So then, well,
the only fans came about, because that's about a year
or two after the Rona, Because I shot all through
the Rona. We did the fashion show where everybody's wearing
masks until we just had to take them off right
(42:24):
for the camera. You know, it was all that. You
remember all that? Yes, So I have got all these
great pictures. Now what am I just gonna have these
pictures on my phone? I think that I should display
them somewhere. Well, I can't keep running them on Instagram.
(42:46):
They've already been on Instagram for the ad. So I said, well,
maybe we'll start of only fans and I'll just be
able to put all these nice pictures up, you know.
And so we did that and that worked for about
a week. The makings of a port stop. Yeah, then
it was like show me a titty bust that pussy open?
Wait a minute.
Speaker 2 (43:06):
Wait a minute, lou New Wait wait a minute. So
these are the people inside the only fan said fuck that?
Speaker 1 (43:13):
Fuck oh that that First they came on because of
out of curiosity, like anybody can get a only Fanily
that helps you make my money. If you're a celebrity
and people really want to see you'd be surprised how
many people want to see a sixty year old pussy baby.
Oh no, I wouldn't be surprised. You'd be amazing. Who
want to suck a fifty year old dick? That's what
I'm not surprised. That's the fucking problem. I'm not fucking surprised.
(43:37):
That's what I do know. Mm hm so so so,
so I put all these pictures up. They're great booty shots.
Other and so they started asking for a couple of things,
and you know, the easy shit, like play with your
titties or whatever. I'm like, well, everybody just got to
know it's me because even if I take on my jewey,
my nails are like my brin yep. And so I'm like, okay,
(43:59):
what and I'm like worried. I'm like, somebody gone to
screenshot this and you know whatever like that. And then
so I said, now, I've got to tell my daughter
because I'm sure she got some little college boys out there.
I want to see a tie, you know. So, uh,
we had went out to lunch, right, we went out
(44:22):
to lunch. I'm like, I gotta tell her. I gotta
tell her. Well, we're eating lunch, and I say, hey,
by the way, i'm my only fans with a dick
in my hand hend me to hot sauce. That's how
I said it. She's like what I said, Okay, you
(44:44):
know I had all those Savage fifty pictures, right, I
think they're really pretty. So I started the only fans
that I put them on there. Listen, I tell my
fucking kid before somebody in the street gotta correct, okay,
And I'd rather act for forgiveness and permission, and you
don't run me. I'm your mother. Yeah, it's only gonna
hurt for a little while. So I told her that.
(45:07):
She's like mom, I said, she said, well, whose ham
is it? He said, who's dick is it?
Speaker 2 (45:12):
No?
Speaker 1 (45:12):
But yeah, who's dick is it? That's what she said.
I said, you don't know him, don't worry about it.
And so I did a couple of little things but
I never did no dick suckings. There's no there's there's
no there's no dick suckings. There's a couple of pussy
shots out there. But I had fucked this guy and
(45:33):
we took some pictures, so I had him sign away
with So I just I didn't have a photo session
with somebody photographed me fucking this guy. The guy, the guy.
The guy took pictures of it, and so then we
just used those and then I didn't do it no
more loud Nell listen. So so I gotta ask you.
Speaker 2 (45:52):
So the person after they saw the savage fender pictures,
they in the.
Speaker 1 (45:57):
It because you know, they messaged you on the inside,
tell me what they won't And it was like, fuck
that bust that bitch open, we're trying to see your urethruckt.
I was like, oh my god. And then who's gonna
shoot it for you? So like I'm not gonna have
no my girlfriend, nobody come over. I don't even get
(46:19):
Brazilian wax. I'm not doing it. I can't have nobody
come over. Okay, put the light on my pussy. I'm
not doing that. So then you try to do it yourself,
take pictures yourself put the phone on the timer as
a fat bitch. It's like, oh, I'm about to pass out.
I got my legs too high. So I didn't really
do a lot of that matter. If I didn't do
any of that, I just had a couple of dick
(46:41):
in my pussy pictures and that's it. But then, but
then after I got fifty bands for some of the shit,
and on New Year's Eve, I shut it down. That
was last year. Bye bye, what daddie O, my child?
(47:06):
I know you not no speechless I am.
Speaker 2 (47:10):
I know you not.
Speaker 1 (47:10):
I am because I wouldn't not that I'm saying that
innocent it is. But you know he was like fun
that ship. I hadin't got to get the people what
they want. I gotta get what they want, and I'm
with it. And your nails was wrapped around the deck,
yeah girl, And you had it right by.
Speaker 3 (47:29):
So so it is.
Speaker 2 (47:30):
It is a few pussy shots out there. And I
seen you getting over the ball too wet and naked.
Oh my god, So soul lou Nel, please tell me,
please tell me that all that ship that dumb holes
(47:52):
was doing all that trash talking, you didn't give a
fuck about it.
Speaker 1 (47:55):
Who is trash hockey. Tell you know they were talking
about some uh because they do it to me. I mean,
of course you would talk tobast six year old bitch.
I'll be shaving with ship like that. Yeah, me, me
at the bank, bitch at the bank, met me at
the bank, at the bank the bank for the same
I didn't even start doing it for that reason. My
(48:17):
ship was innocent. But when the money started came in,
I did it for the same reason the little host
do it. And I've called them a little hose before
because that's what we are doing, like I tell you
to me too. But you know I didn't do it
for long because when the ship started getting outraged, Yeah yeah,
I really, I was like, I'm not really a point
start and I'm not really trying to stay down this lane.
(48:39):
And it's enough, you know, I don't you know, you
know my daughter knew about him. Shit, she would wasn't
her mother her outest moments, But you know she's fine.
You know, listening to you talk from the start of
this show all the way down to now, you have
lived full life. Yeah, not a good one all the time,
(49:01):
you know, but that's what life is all about.
Speaker 2 (49:04):
I'm gonna title the show meet me at the bank,
Meet me at the bank, because you started out at the.
Speaker 1 (49:10):
Bank, he ended up. That's a good analogy.
Speaker 3 (49:15):
They're dead.
Speaker 2 (49:17):
It's like because through all the ups and downs, through
everything you you you, it was about the progression of you.
It's about about maintaining a lifestyle, a life for you.
It was about survival. And I think, what what tends
to happen with people out there who who judge us
for having what what is the word I want to use.
Speaker 1 (49:41):
Having transgressions?
Speaker 2 (49:45):
Transgression? But what's the life having these unorthodox lives? They
judge us for having these things or whatever? When and
with the shoe was on the other foot, and it
was it was it was a need to survive. Who
knows what the fuck they would do?
Speaker 1 (50:01):
Well? I mean, you know, I could sit here and
tell another I slept in my car story I did.
I could sit here and tell you about how much
crack I cooked and smoked I did. I think that
survival is a very strong motivation. Yes, and when you don't.
(50:24):
I have seven brothers and sisters. They didn't help me
along this journey. They thought I was a fool. I'm
from Arkansas. Nobody in my family's ever been on TV
less it was like drunk driving some like that. Cops,
you know, yeah, cops. But you know, I didn't really
get a lot of support in the journey that I
was going on. But I serve a God who watches
(50:49):
out for me, who knows the desires of my heart
and knows that at the end of the day, I'm
really not a point st I really not a drudger,
and I'm really a worthwhile, viable person who likes to
make people who've been in those dark holds where I'm
at feel better about themselves. You know what I'm saying.
I did all this shit, the blister from flicking, the
(51:09):
fucking lighters from lighting the motherfucking pipe cooking, the motherfucking dop.
I lived in open We was infested, the school teachers,
the bus drivers, the mail men. Everybody was on crack.
It was. It was bananas. You beat it, and I
beat it. You beat it, you beat it cold turkey. Yeah,
fell in love. Put the pipe down. Haven't touched cocaine
(51:29):
in twenty seven years. Fell in love. I put the
pipe down. Was it your baby, daddy? Feel No, wait
a minute, my husband, it was your husband? Yeah, my
husband and my baby daddy, two different guys who knew
I did. But my baby Daddy's cool, Like I talked
(51:52):
to him every day. He's cool, We're good, but we didn't.
You know, he wasn't the love of my life. My
love my life was my husband. Are you still married
to him? You know you passed away like he's he's
with the anglies with the Lord and walks with you steal. Yes,
absolutely visits me all that. That's why I'm not out
here as thirsty as I used to be. I used
(52:14):
to be like, oh, I'm a sixty something, nobody's gonna
want me. These motherfuckers are intimidated by my job, and
they're bitches and they you know, like to suck dick
on the weekends and all this kind of shit. And
it's nobody out here. They're a bunch of fuck boys
and all that kind of stuff. I was worried about
not being with anybody anymore for the rest of my life.
(52:35):
I'm not worried about it anymore because if God sends
somebody to me and they're the right person, it's gonna happen.
If not, you know, I have my career and I
have my friends, and my family and my girlfriends and
my daughter, and I just have to deal with what
so many women, black women especially are dealing with now.
(52:57):
I know like fifty boss ass that have not had
sex with anybody in like ten years, because just open
your legs up to anybody these days could be a life.
It could be deadly. And these motherfuckers ain't about shit.
And you know, when you're twenty and twenty three and
twenty five and seventeen and all that, you can fucking
walk away. It's no big deal. But you know, we
(53:19):
got more invested in who we lay down with at
this age. And so for somebody to get this box
or even come upstairs in my house because we can
fuck downstairs, you got to be a cold motherfucker to
get upstairs in my house, to even come to my house,
because then they start clocking your dollars and looking around
and seeing this and all that. I don't want motherfuckers
(53:40):
to have the code to the security gate, you know,
to get into my community where the guard is. None
of that. So what I hear hear you saying is
that your sex life is nonexistent for now, just because
I could, I could fuck when I leave here there's
somebody I can fuck right down the street, but I
don't want that. The more I want to just I
(54:00):
have an ice box where my heart used to be.
I don't want to just fuck for play no more.
I want to have fun. I want to fuck somebody
and actually want to spend the rest of the day
with them. I don't have a lot of fucking time,
no way. I'm only in town like two days a week.
You know, I could fuck on the road if you
want to see somebody once a year and all the
(54:20):
type of shit. But I just need to you know,
we need to meet at a place of respect and understanding.
Realize that I'm a boss bitch. I'm not a regular asshole.
And if you can deal with that and all that
comes with that. We are going to get interrupted at dinner,
we are going to get interrupted at the concert. We
are going to get interrupted going anywhere. But people are
(54:44):
going to interrupt me. If you can deal with that,
then maybe we can move on from there. But if
that's intimidating to you, if that irritates you and you
know what you get it, then you know, if you
can't deal with that, and you can't deal with and
my lifestyle when I'm not even out so listening that
I'm not like here everybody, I'm here, you know. I
(55:05):
try to be very low key and be respectful to
whoever the fuck I'm with. But if you can't deal
with that, we can't go nowhere, nohing. And I'm not
for this shit, you know, Like I always say, if
a man wants you, he gonna make you know it. Yeah,
and you don't have to beg acts be confused and
no shit like that. And I'm just not I'm not
with the bullshit. You know, Let's have fun. If you
get on my nerves, you got to go. What's your sign?
(55:27):
Iceys All Day textbook March twelfth textbook, What do you?
I'm a Libra, but I'm a Piscey's Moon lovely, That's
why like that.
Speaker 2 (55:42):
Yes, yes, and I feel the same way that you feel.
And I'm glad that you're I'm glad you done did
all your freaking shit. You still do your freaking shit
if you want to. Yeah, you know what I'm saying.
Speaker 1 (55:52):
But it's just like I'm you in an era now
where everybody can just do it, can show you whatever.
And because the social media, guess who beat. I just yeah,
look at you. I took a picture when she wants
to looking. Look that's her. That's really hurt. Yeah, you
can't trust somebody. I'm gonna have to have a n
d A and to leave your phone in the car rule.
Speaker 2 (56:12):
But this, here's the thing, ladies and gentlemen watching this podcast,
I really want you to understand that.
Speaker 1 (56:20):
Don't you get it twisted?
Speaker 2 (56:22):
They plus they plus that bitch pork chops, grease the
pop got fat on him, and you love them grease
the pork chops. And even if you don't eat pork, bitch,
whatever got some good fat on it.
Speaker 1 (56:35):
You want to stay that's marbled with some fat and
not just all lean. Just fuck the gristle niggas.
Speaker 2 (56:44):
Nell.
Speaker 1 (56:45):
I love you. I love you like a let's do part.
I love you like a fat bitch, love chocolate chip cookies.
And I'm a fat bitch and I do like cho
I'm move a pork chop bitch.
Speaker 2 (56:55):
I'm a pork chopped bitch too. Trust I'm gonna get
me a piece before I leave you, a port like we.
Speaker 1 (57:00):
Been talking about. I don't eat pork, but I eat
bacon like the like bacon ain't Bacon is bacon. They
say they don't eat they don't eat pork, but they
eat pussy. Pussy is pork. You ever taste how sweet
that pork? Keep talking? Actually I have. I mean I
went to college. Oh that's where it happens. That's when
(57:22):
it starts in college for everybody. You don't win les
beyond no, no, no, betch no. Somebody probably slip eat something.
I don't know what happened. Yeah, it wasn't me. It
wasn't me.
Speaker 2 (57:41):
No.
Speaker 1 (57:42):
I mean, you know, you go through life, experiences.
Speaker 2 (57:43):
Everything, and that's why I appreciate you. You've lived life,
you still live in life. You have a with the
end of the show now, So I want to tell
people you have a Vegas residency.
Speaker 1 (57:55):
I do. I'm the only black female comic in Las Vegas.
But comedy residency. It's a Jimmy Kimmel's comedy club. You
know Jimmy kimmelk on TV. He has a comedy club
behind the link by the Big Ferris Wheel in Las Vegas.
I'm there every Sunday and Monday night at ten pm
for the last five years. I just signed for like
(58:16):
two more years, so I'll be there. I'll be there.
I'll be there. I do take a vacation, so you know,
we have to work that out. And then also I
just started doing a new thing here in LA. Because
we're in La. Everybody in La at a club called Flappers,
which is very popular. It's in Burbank and it is
the first Wednesday of every month. So I got like August, September, October, November,
(58:39):
December to do these and people can come out and
see because I don't do Los Angeles very often, but
now I got to. I got Flappers once a month
and you can come and see me there, and you
can also follow me on Instagram at lunell at l
U E N E l L. I would say, slide
me a DM, but you know, good luck with that,
(59:02):
because I used to at one point answer all my
d M me too, back in the day, but when
the shit got overwhelming. No, I don't have the only
friends anymore. Quite just stuck on that man I'm talking
about in my d M regular I G d M.
I used to answer all of the dms, but I
(59:23):
can't no more. It's too many. And so usually it's
just like, but you can shoot your shot, though I
might get you. You heard the lady. She said, tell
the man with the money to come in here and
pay me, period. And I don't have a racial or
religious reference anymore. Just meet me at the bank. I
got my iron. This little white Jewish man right now,
(59:43):
he got four homes and a castle, a castle, bitch, clue,
Nell said, what meet me at the bank. Let me
in the bank. Listen. I love you like I love you.
I love you, dann like fabus, love, cookie beach, little
a pork chob. Oh my god, that's love. That's love.
Speaker 2 (01:00:05):
You are always welcome over here at the Outlaws podcast
and everywhere where.
Speaker 1 (01:00:09):
And I'm just gonna close in saying how proud I
am of you, because this path you have chosen to
walk is not an easy no and it's family as
friends is everybody and all that shit, And when everybody
tell you no, no, no, no, the difference between the
people who make it and the people who don't are
people who don't take no for an answer. Here we are,
(01:00:30):
this is fucking iHeartRadio. You know you're not doing this
at the dining room table any fucking more. All you've
been able to do is elevate and people like you
and Laverne and others that have chosen this path, you know,
to just be your fucking self unapologetically, which is where
we are, is inspiration of other people who are sitting
in their bedroom watching this podcast right now. You know,
(01:00:54):
the one thing you have to do is you can't
hide from God. You have to be true to yourself whoever,
where the fuck that is. Be true to yourself, but
look good doing it, betch because some of human about
the fucking you heard what she said. You heard what
she said. Be true to yourself and look good while
you're doing.
Speaker 2 (01:01:10):
Kaitlyn Jenner, stop it, please, please hold please, God damn
bigfoot ass bitch.
Speaker 1 (01:01:16):
Ain't even trying to change it. Oh my god. Listen, Hi, guys,
I need I'm a Republican. Hi, get a chemical pill. Listen.
Put some goddamn domes on the back and rull some
grease on them. Feed oh of them? Fee? Oh my god?
Did you see that? All right, y'all? We gonna I'm.
Speaker 2 (01:01:45):
Outlaws is a production of the Outspoken Network from iHeart
Podcasts and Turtle Run Entertainment. Co created by Tyler ra
Benowitz and Olivia Piece. I'm your host Tis Madison. We
are executive produced by Tyler rabnowis Maya Howard, Tis Madison.
Our simpervising producer is Jessica Krincch, and our producers are
(01:02:05):
Joey pat and Cormen Moral. Our video editor is Tyler Rebinowitz,
and our sound editor is Just crimechicch.
Speaker 1 (01:02:13):
Our associate producer is Trent high Toower.
Speaker 2 (01:02:15):
Special thanks to our producers assistant Daniel rebino Witz.
Speaker 1 (01:02:19):
Our theme song is composed by Wazi.
Speaker 2 (01:02:21):
Merrit Our show art is by Pablo Martinina Got You
Next Week, Honey,
Every time I open up my mouth up and goes out.
Speaker 2 (00:03):
Don't wait twenty two inches b B.
Speaker 1 (00:06):
D bed yourself.
Speaker 3 (00:08):
He is up, Get a job o ricking honey, rick Hodon,
he chasing.
Speaker 1 (00:28):
I'm black like that stout live and it's color easy.
This is Outlaws, but cheers medicine. Is it on? Is
it on? Honey? Is this bitch recording? What's some YouTube? Land?
Speaker 2 (00:46):
Twitter and instagram lands, snapchat, grind the scruff B G
C Jack and all that other ship. This is t
S Medisine coming to you live, live and always and
forever in color from the Outlaws Podcast with none other
than me.
Speaker 1 (00:59):
Bitch.
Speaker 2 (00:59):
Let me tell you some that I am so excited
because y'all have been requested. Y'all have been writing, you
have been tweeting, you have been instagramming, y'all been doing
us stuff. My guest today is the legend, the legend, bitch,
the fucking legend.
Speaker 1 (01:15):
I don't even know how to say, nothing else but
the legend bitch. Lunell.
Speaker 2 (01:26):
Listen, this has been my girl for so long, like
we fell in love with each other at first at
first sight. I want to tell you that the reason
why I love Lunelle because because Lunelle's story is very
and she's very unapologetic about who she is. She's unapologetic
about where she's from. Uh, she has been a comedian
(01:47):
for so long. I'm not gonna do the thing of
like talking about her. What I'm gonna do is, I'm
gonna turn it over to Lunelle. Because there's a section
of our show it's called talk your Ship, And on
this section of our show, I allow the guests to
talk to ship. I want you to tell me who
you are, what you do, what you're proud of. This
(02:09):
is your time to shine, So don't hold back. All right,
So this is that's the white's that.
Speaker 1 (02:12):
Already, it's starting with me talking my chip.
Speaker 2 (02:15):
That's the white way of saying it. But the Nigger
way of us saying this ship is bitch. I want
you to look in that camera tell little holes but
you they can't fuck with you because you did this.
Speaker 1 (02:24):
You did this. You don't want this. You this bitch.
Speaker 2 (02:26):
I got this and that I'm not. No, I'm the
boss up in this bitch, and I don't want all
your accolades. I want you to run them down, all
this all who you know, what you do, how you
do I want you to run that ship down. I
don't want I don't want any modesty. I don't want
no humility, none of that ship.
Speaker 1 (02:44):
I want you to look at. My name is Lunelle,
and okay, baddie, I okay, Hi, everybody? What up outlaws?
That lunatics? My people is I'm Lunelle. One name, last name.
I don't use it because I don't want to be
affiliated with the people affiliated with that name. Okay, Okay, So,
(03:09):
like Malcolm x X, I am very appreciative to be
here because before I talk about me, I want to
talk about you. I don't like everybody, Okay, I don't
(03:29):
like everybody for several different reasons. But when I fuck
with you, I fuck with you. And one of the
reasons that I fuck with you is because your articulation.
Everybody can't articulate. You are able to express things from
a sensible, all inclusive type of thing, not just your
(03:53):
way the way you know. And I've listened to you,
and I've watched several interviews, and I've been your friend.
I've been on on your side, and I think that
when you own your truth and you know who the
fuck you are, you can stand in that shit, and
you do that, and that one my soul. Okay, now
as far as me, now, Maddie's talking about don't hold
(04:16):
back and don't do this and don't be modest, but
I think that braggadociousness is gross. Like I don't do that.
I will say some things. So I was born in Tallet, Arkansas,
population like maybe two hundred if there's somebody pregnant right now.
Other than that, it might be about one sixty, small
(04:41):
rural country town, not even a city. It's not even
on the map where I was born. If you get
a map of black townships and settlements, you'll find Tallet, Arkansas.
I'm there. Maybe we made it to a map somewhere now,
but we weren't even on the map. One of my
grandfather's house with a midwife. I didn't have a birth
(05:04):
certificate till I was like a couple of months old.
I have seven brothers and sisters on the eighth of
eight children. I have like seventeen nieces and nephews, and
I'm very proud to be an auntie. I have one
daughter and shares no children. Yet we're fine with that.
(05:26):
So I'm not a grandma. That's how you get blocked
on my Instagram. I'm a motherfucker. Say what up, granny
block bitch. I'm not a grandmother. I don't play grandmothers.
I'm not trying to be your grandmother. But when I
am one, you will know. But you call me eighty because
that's a you know, I'm from Arkansas, so that's a
word of endearment, a title of endearment to me. Some
(05:47):
women don't like to be called anti, but I think
they got some They misunderstood. They misunderstand the connotation. That's
the love language for us black people. Okay. I've been
in the game, the entertaining game, for like almost thirty
five years, and been doing stand up for like thirty two.
The first the realm of entertainment I was ever in
(06:12):
was in church choir because that's like, you have rehearsal
on Wednesday, you have a show on Sunday, and you
better than not fuck up as you hear about it
the next Wednesday from some mean choir directors. You know
that you have. So that's why I got my first
exposure to being in front of people besides playing Missus
Santa Claus in like kindergarten or some shit like that,
(06:35):
and then I went into theater because even though I
was born in Arkansas and raised in Oakland, California, my
parents are the people who are raising me. Got me
out of Oakland and moved me to the suburbs. They
were well to do black folks. Even though my uncle,
who was substituted against my father, was the head of
(06:58):
custodians and my mom, who is really my aunt, was
a nurse. But those are viable jobs in the day,
and you could make money at that time.
Speaker 2 (07:09):
They did.
Speaker 1 (07:10):
They moved us from Oakland to a place called Castro Valley,
very white, very suburban. I was educated in all white
schools all the way through college. I have a Bachelor
of Arts degree in English literature. Because I was in
the white schools, I would try out for the plays,
(07:31):
but I could never be the lead in the play
because I was black and and he gets a gun.
You know, they don't want to make the bits with
the gun be black. So I was always in the background.
So I would go from from Castro Valley back to
Oakland to the theater company to Oaka Mo Ensemble Theater Company. There.
I feel that being coming from the theater, it's made
(07:53):
me a better stand up, because you learn more about
how to work a whole stage, not just stand in
one place. You work through your through your stage fright
or whatever like that. You learn how to work the balconies.
There's people up there too, you gotta acknowledge them too,
and all this kind of stuff. Anyway, I moved on
from there and got to audition for two movies in
(08:18):
the Bay Area. My first movie was So I Married
an Axe Murderer, which is Mike meyers first movie before
he ever did Austin Powers or anything like that. Got
that film that. Then there was another movie that I
auditioned for when I was pregnant. I think the director
in them, which was Michael Bay and Jerry Bruckheimer. I
(08:41):
think they thought I was just fat, but I was
actually pregnant. But now I'm fat and I'm not pregnant,
so there's that. But I got that movie and I
was the Rock starring Sean Connery and Nicholas Kate. That's
the movie that got me my Screen Actors Guild card.
After that, I moved to LA and that's when my
(09:01):
comedy career actually started in Long Beach People. Then it
started in Oakland, but it didn't just started in Long Beach.
And that's because I had a roommate. I was working
at the bank and I had we had a lovely
three bedroom apartment in Long Beach and my girlfriend, who
was a call girl. She was a tall, beautiful British girl.
(09:23):
She looked like Shardy but thicker like you. And she
had a beautiful accent, and she could talk to pat
any man. She's just charming and lovely and everything like this, right,
So what if her tricks fell in love with her
made her stop hooking? They started dating. This guy ran
a comedy club in Long Beach. It was called Miss
(09:43):
Wiz back in the day. And he would be at
the house and I'd be talking shit or whatever, and
he said, you know, you're really, really funny. You need
to come down to my comedy club. The minute you
walk in, I'm gonna put you on. I was like,
I don't want to be no motherfucking comedian. I want
to see background for Luther vandros See. The drugs was
(10:04):
good back then, Maddie. I just knew I was gonna
be a background Luther A. Shit, can't tell me I
wasn't gonna be a backbound singer for Luther. But uh,
one summer day, me and my girls were sitting on
the patio of sat apartment in Long Beach making and
made the margeritas in the sort of like this is
(10:28):
so like this, and have made some margheritas in the
blender cheers, and I had thought about something that had
happened to me and some stories that had happened to
me even to this day. I'm not a joke teller.
I'm more of a storyteller. And I thought of this story,
and I thought it was funny, and I said, well,
(10:48):
let's go down to this club and see what this
boy talking about. Your boy, right, So we all get
in the car. I'm going somewhere with the story. We
all get in the car and we go down to
Miss Wizz to the club. And the minute I walked
in and say, oh, you made it, you're here, I'm
gonna put you on next, I'm like, okay. So he did,
(11:08):
and I went up on stage and I talked about,
you know, the situation and everything, and actually killed it.
I've never been booed in my life. Everybody says everybody's
been booed, not me. I've never been booed. I've got
the silent treatment. I've gotten crickets before, but I've never
been booed. So I did my first show, killed it.
(11:29):
I stepped off the stage in this little short, dark
skinned black man came up to me and he said,
you know, you use a funny little bit and I said, well,
thank you. He said, you need to come out of
my club, and he gave me his card. And I
was the late great Robin Harris. So I met Robin
Harris on the first day that I ever did comedy ever,
(11:50):
and I went down to his club. And then you
meet a young DL, a young Jamie Fox, a young
you know, Gary Oh, and young people who are mogul now.
And then they used to have a fessel in Atlantic
call laffa Palooza. I used to come down for that,
and this shit just sort of snowballs. Comic views started.
Now black people can be on TV doing comedy on
(12:13):
a weekly then their daily basis, and then Depth Jam
came after that, and then some of the movies came.
But I never got into any of the you know,
I was never part of Fridays or never part of
you know, Different World or anything like that. And I
could I figured out why I've just come to know
why recently. We'll get into that, yes, and so anyway,
(12:37):
those things have led me to where I am today.
There's been a lot of tragedies along the way. You know.
I served a time in jail for robbing a bank
because the bank and the bank was going to go
out of business. And I knew it. I was working
at the bank, see, and I had been working at
previous banks before, and so I knew this. I said,
(13:00):
this bank about to go out of business. I could
tell because they weren't doing things correctly. I had been
everything in the bank, from new accounts to bookkeeper, to
a regular tailer to vault teller. And that's where they
fucked up. They let me in the vault. Oh bitch,
but you don't go in by yourself. But I don't
know whether they didn't have cameras. Then this is, you know,
(13:22):
twenty something years ago I've been I'm a law abiding
citizen now slightly slightly slightly, wouldn't he be? And so
I went into the vault with this girl. But the
bitch turned their head. I don't know. I just reached
out grass so when they put it in my apple
bosom and worked the rest of the day. I got home,
that motherfucking money was wet and I'd been sweating all day.
(13:43):
But I took it. You know, I didn't take it
because I was trying to help nobody. I just took
the fucking money because I knew they was going out
of business. They wasn't paying well. The tailers are the
face of the bank. You're the reason that people bank
at the bank. Yes, not because of the supervisor, because
of the tailers. And I like, we wasn't getting paid right.
You know, you worked two weeks and get a check
(14:04):
for two hundred and thirty five dollars. Now this was
twenty years ago, Okay, okay, Still, you know I didn't
feel like it was right, so I made it right.
How much did you take you now fifty thousand dollars? Oh,
but fifty thousand dollars back then it was like like
one point five million dollars. And uh So, anyway, I
got away with it for over ten years. And the
(14:28):
if I had not taken so much money, I would
have just got away with it because they, you know,
finally did bust me because the fans came in and everything,
and I admitted to it and I went to jail
and then I got out on my own recognizance. They said,
when you come back to jail, we're gonna send you.
I was like, okay, pubel, and I came back. I
absconded and came back to open. But my neighbors in
(14:50):
the paper every week because I was doing comedy shows
every week. I was like, oh my god, my god,
they're gonna get me one day. But what happened was
when I had my baby, I filed for Wick and
the milk and programs and all that and them, so
security numbers crossed up and they came to the bad
and they got me until we back along Beach and
put me in jail. I had a new kid, and
(15:10):
it was very depressing and all that. So all those things,
like every comic has got stories like this, because comics
are always on the verge of becoming some kind of
thug or gangster. Really, we're just unconventional people don't like
to be told what to do. We've had jobs, all
of us that didn't work out, you know, because God
(15:33):
had another path for us. Who you try to do
the right thing, then you have to do what God
tells you to do. And no matter what my content
or not, no matter what my language, the point is
that my heart likes to make people happy and to
talk about what's real, because I don't, you know, I'm
not in there like why the chicken cross the road
(15:54):
type shit. I'm like, you know, more like where do
you get these unqualified presidential assassination shooters? Right? I know
what some niggas in the hood that do that that're
off your time. Don't steal my tagline dad, period. So anyway,
you know, I'm maybe some accomplishments and stuff like that,
(16:16):
and all that shit is really irrelevant because I'm just
here to be here and be open book by whatever
you want to talk about. But I don't want to
sit and just be like I've done this, don that,
do this, do that. There's people who would get a
whole nut doing that, but I don't. I don't get
off doing that. If you want to know about me,
you can google me to have the shit is wrong.
(16:37):
You figure out what's wrong. I't got time to be
doing all that shit.
Speaker 2 (16:50):
So, lou Nell in that story, I want to go
back to a part where you said that you that
you took fifty thousand, and you went on about your business.
Speaker 1 (17:02):
Oh, I lived, I tipped, I valeted, I drank foover,
I ate. Well, I didn't do a motherfucking thing. No,
I think I paid for my parential figures at that
time to come to Long Beach. I put them up
in the Sherton. I got him a sweet. I paid
(17:23):
for the mills, valet and drinks. They should have known.
I stole some money then. I hadn't been able to
do a motherfucker. I was from a bunch of anguish
and shouldn't tell them. They should have known. But just
like every good parent, they take the perks, they'll take
the hot due to finish it out.
Speaker 2 (17:41):
So they got you because you went back home and
you motherfucker went back.
Speaker 1 (17:46):
To the to the comedy club, telling Joe it was
the baby. It was the baby that got me caught.
It was you going out for the wig.
Speaker 2 (17:55):
Yeah, and they like, hold on, now, the last four
did this is three three, he's seventy three.
Speaker 1 (18:01):
And this bitched out here and we've been looking for
these last row right here. I need some milk.
Speaker 2 (18:06):
It's that bitch. My baby needs a bill. I Doe
ran out that fifty thousand dollars.
Speaker 1 (18:10):
Bitch. I don't know ifucker lived there.
Speaker 2 (18:11):
Fifty thousand dollars up and they told you, hey, ma'am.
Speaker 1 (18:16):
No it was oh. I was watching Young and Restless,
just had breakfast. Did Victoria fall off the cliff by
this time? No, she had not fallen off the clifford
at that time.
Speaker 2 (18:30):
At that time, she did not yet. No, so you
missed Victoria falling off the cliff. Yes, I missed the Royal.
Speaker 1 (18:38):
I missed Pristans Diana's funeral because she while I was
locked up the car accident happened. They showed all the coverage,
but the day, the day of the funeral, we got
locked down and we couldn't watch some TV, so I
didn't get to see that. So they knocked on the door,
(18:58):
and the first thing they said, my girlfriend was there.
Thank god. She answered the door and I heard, you
know what a fed voice sounds like, you know, don't something,
you're here here, just the residence of uh uh dunel whatever.
And she said, well, she's not here right now because
she's gangster bitch suits you know, not to say yeah,
(19:20):
come on in white men with suits on. She's like,
she's not here right now. And I'm like, and so
I had the baby and shit, and they said, well,
do you know where she is? Like, I don't know
where she is. So I put the baby down on
the couch and I opened the sliding glass door and
(19:42):
I dip out, and I hop over the banister and
I take the fuck off. But they're the Feds, so
of course they had the buildings surrounded. So they got
me in the driveway. My girlfriend, luckily was able to
keep the baby. I do have a baby daddy, and
he came and got the kid. And you know, when
you go to jail, diddy, that goes through all your shit.
(20:02):
Somebody's got to pack up your place. Well, for mine,
they did. And you know, if you got jewelry and stuff,
don't nobody know how long you're gonna be gone. So
all day you get stole from when you go to jail.
Just in case, then y'all go to jail. Yeah, your
ship they're confiscated. They're gonna get it. How long did
you how long did you stay in Well, since they
(20:23):
had not gone my priors, they thought that this was
like my first offense offense, so they were gonna give
me a year. But I think if you get a
year and a day, you go to prison. But my
first offense, I didn't have to go to prison, So
I did like four months in eighteen days in the county.
(20:44):
Oh you did good for fifty thousand. Yeah. No, no, no,
not not no, not not. But I'm saying what I'm
saying that I don't regret it. I don't regret it
because nobody can. When I talk to my daughter. It's
not something I read. This is something I know. Nobody
can tell me about jail. I've been there. Nobody can
(21:05):
tell me about appreciating what you have more than a
motherfucker's been to jail. I appreciate hot water, I appreciate silverware.
I appreciate not eating my pancakes with the spoon. I
appreciate salt and pepper. You know. I appreciate a pillow.
I appreciate all that that you take for granted, toilet
(21:26):
paper when you need it, damn underwear that fits. Damn. Yeah.
So you've never been incarcerated, Maddie, Yes, I think from
my Google alf say.
Speaker 2 (21:43):
Yes, I have been incarcerated. How long did you do
I didn't stayed very long. The times did I went
well because they with an as period, I did do
it it was time for you boosting whatever you doing, well,
it was actually for a driver's license.
Speaker 1 (21:56):
This is the Lord. Let me tell you what the
Lord did.
Speaker 2 (21:58):
The Lord covered me through the prositus because when I
was aprost me, he covered you.
Speaker 1 (22:05):
A yeah, he covered me. But I was on the
freet for a minute. I only hold for two weeks.
And what happened in them two weeks through there? Well, okay,
first of all, how did you become a prostitute? Lunel?
Speaker 2 (22:17):
Because I met this guy named Freddy. Okay, listen to
it now, how did you become a prostitute?
Speaker 1 (22:24):
Well? I was at a place in Oakland called Lake
Merritt where a lot of people used to congregate, where
the finest of the fine would be out there and
lay out there and you could lay out on a
blanket and listen to music and stuff like that. And
this guy met this guy and he was fine and
his name was Freddie, and so you know, googly eyes
(22:46):
and stuff, and then you know, you fucking a couple
of times in this love and then he'd be like, yo,
I need you to do something for me, and then
that's when the ship comes in. So he had to
test the good at first, well, they all do, but
then they don't fuck you no more, because that's the
mind fucker of a pimp. They'll give you the dick,
but then they'll pull back because they're not really here
(23:07):
to fuck you. They need you that push you to
make them some money so they can't be gauging you
out anyway. The boy, you learn. So what happened was
I think that I was on the street on Sam
Pablo and or a family friend who was a cop
(23:30):
saw me and pulled over, What the fuck are you
doing out here? I just came from theater. I still
got all my shit. He didn't believe me, so I said, well,
just He said get in the motherfucking car, and I
did you and he said, you want me taking her home?
I was like, no, taking on my friends out over
on Chestnut and okay, but that was where the player was.
(23:52):
So he let me out and I went in the
motherfucking see that the polices are. Said, what the fuck
are you doing? Bring the police here? I didn't know,
and then so I lay down and went to sleep
because I needed some sleep. He did too, But what
I didn't know is that the white hose was in
the bed with him. So I woke up and I
looked in there because I called myself, gonna go get
(24:12):
in bed with him. It's two white inches in the
bed with Freddy. So I took the gun, the dope
and the money, and I ran and ran and got
a greyhound bus and I went to La Lunel. You're
gonna take If they don't give you the money, you're
gonna take you. That's it. But I don't have to
do that. No more, give it to me. My crime
(24:34):
is over. Man, we're trying from the back of No,
I wouldn't. I don't have to steal the money. I
know you got to steal it. But if they don't
pay you your money, you ain't gonna show up. But
if they don't give it to you, gonna take their beds. Well,
in some way or another, I will because I'm that
way too.
Speaker 2 (24:48):
No, I get my money, Oh I know, I know.
But sometime we as colored folk, we get our money.
But sometimes we got to shake down.
Speaker 1 (24:57):
No. Because see I have a team now and I
don't have to resort to the gangster tactics of the
past that we used to. You know, people who give
you bad checks and that don't happen no more, okay,
but you still know how to get there if you
need to please. Once a gangster, always and gangster, you know.
Speaker 2 (25:21):
So so so Lunel, you know what is that movie
that you were? I know the name of it, but
you were a scripper?
Speaker 1 (25:31):
Uh, that's my boy. It's an Adam Sandler, Adam sand
la Field. He Earra played my daughter baby and a
bunch of stars in it. What I tell you, my
ts were out there. You those were your was your
real TVs? Know of course now mm hmm. What they
did was and that's a really good movie. It's really fun,
(25:51):
you guys very much.
Speaker 2 (25:52):
So you remember it. It's an Adam Sandler movie. It's
because that's my boy. And she was, she was scripping,
she was a scripple.
Speaker 1 (26:00):
What happened? Okay? So you know at one point I
had to be upside down on the stripper pot. I
was eating eggs and drinking orange shoes. Right, it went
all over my face. If those were my real titties,
they'd have been in my mouth yet right upside down.
So they made a cast on my titties and they
made this braw that had nipples on it. And then
(26:23):
they painted it to match my skin tone, and then
they made an outfit around it and sewed me up
in that and flipped you over. It is crazy. Yes
you do.
Speaker 2 (26:38):
And that's what I love you for. Like that you're
not You're not afraid. You know, you're no holes barred
with it. What was it like meeting Adam Sandler?
Speaker 1 (26:47):
Like with this? Was he like.
Speaker 2 (26:51):
You're a person that you coming are with when you
when you meet you, and it's just like he's a comedy.
He's he's funny, but you're funny.
Speaker 1 (27:02):
What was it? Did he say, I've been watching you
and it's like you're so funny. Well, no, the the
audition came through. My agents said you got an audition
and it's a movie called It was called something Else
first they mess changed it and then they said you're
gonna be an auditioned for Adam Sandler. And I'm like,
(27:26):
come on, I said, Adam Sandler don't know who I am.
They like, he very much knows who you are. He
wants you to audition for this movie. For audition and
I got it. But then working with Adam he's really really,
really really cool, saw to the earth type guy. He
plays basketball with the guys during you know, when they
(27:49):
have to turn this set around and do whatever like that,
change the cameras. He's used the same black cameraman for
like eight nine movies. But then that guy passed way
and was really really hurt by that. He you know,
got his crew and he fucked with the same people,
but he read you out. He provided my daughter with
her very first first class flight because that movie was
(28:11):
filmed in Boston. But I missed my kid and he
flew her out for me, and then he provided a
mescuse for me. My girlfriend was a masseeuse, but she
got to get on the payroll because you know, bitch
them stripper moves is not easy, and what you think
is gonna hurt is really your wrists and like your
(28:33):
inner thighs, because you got to do a lot of
this and a lot of this, and a lot of
this and a lot of this, and my fucking wrist is.
So I had Missus to help me pull myself together,
you know, because I was a mess, And I got
him trained by a four figured whole dance instructor, so
(28:53):
she knew how to distribute the weight. Plus I had
on these heels, and shit was just it was madness.
And then it was really really fun to do because
there was a lot of celebrities in the movie. Tony Orlando,
Todd Bridges, the coach of the Jets, Ryan, you know
(29:16):
whoever the Jets coach was, that's my soon. So you
know the money don't stop look TMZ. They must found
out I was here a girl. I didn't tell them.
They always knowing something and know some and so you know,
oh Rex, Ryan, that's who the coach was. And just
(29:40):
you know, Sierra of course, and just a lot of
Susan Sarandon's daughters in the surrounding is in it. So
and and and James Kahn was in it. I couldn't
believe we went to the table read that I was
sent across from all these people. So that was a
really fun experience. And then he hired me for Hotel
Transylvania one and two to do voices in that. So
(30:05):
I actually did three movies with Adam Sandler, Wow, and
Eddie Murphy. You did Dope and it is My Name
and coming to America, yes, oh my god, oh ship
also in coming to America too. Can I ask you questions?
(30:29):
You can ask you anything you want. What happened with
you and Leslie Jones. We actually made up, Okay, good,
We made up on the set of Coming to America
because we had had some misunderstandings and in the past,
(30:51):
and we really never sat down and talked about Uh,
I'm trying to be diplomatic in discreet Okay, Okay, were
but we know I'll tell you later.
Speaker 2 (31:03):
Yeah, yeah, but we respected because y'all, y'all queens, and
y'all y'all queens, and y'all y'all y'all in a good
space now.
Speaker 1 (31:10):
Are we both queens? Maybe that's why she didn't like me,
but that's not why. But we have misunderstandings, but I
think we squashed them pretty much. Now. I don't say
that we're gonna go on fucking the girl strip vacation together.
But I could work with anybody. I knew I had
(31:30):
to work with her. She was the star. She was
the star coming to America too. And I think it's
the best work she ever fucking did, better than Saturday
Night Live or any of that ship. I think she
was really really good in Coming to America too. If
you guys haven't seen that suggest city, it's very good.
People try to talk shit about that. Here's the thing
for me about coming to America too. I don't give
(31:53):
a fuck what nobody say. First of all, it was
an honor to work with Eddie our senio, John Amos
Garcel and a lot of the original people that was
in the first one. Second of all, we filmed on
Tyler Perry's studios. Say what you want about Tyler, and
there's a lot to say, but when you go on
(32:13):
that studio lot, you're in awe. Yeah. And then when
you go past the the studios that are named after
our black icon I see Davis and Ruby. D would
be Goldberg, Oprah Winfrey, Sidney Poigier, Cecily Tyson. If you
think about all the movies that these motherfuckers made for
(32:34):
white Hollywood, and they don't have the name on a
fucking thing in the studio nowhere, and Tyler honored on
them and Cecily before she passed as well. You know,
you got to give them props for that. Plus you're
running around Tyler Perry studio that he owns, and everybody's
dressed in the most fabulous African attire except me. I
(32:57):
wore American shit, but the dress to the nines because
Ruth Harder, who was the only black woman to win
an Emmy for wardrobe, and she did the wardrobe for
Black Panther and for Dolomite and for other things that
Eddie has been affiliated with, you know, to have her
(33:17):
be there and dress and they had the best hair
people all that. So I don't give a funk with
nobody saying and I think the motherfucking movie is funny.
Speaker 2 (33:23):
I do too. At least I really saw Wisley snips,
Oh my god, yes, he's like, this could mean yeah,
I don't. I don't he said, oh, but you don't
have a son with that nutsack bitch. It was so
much fun I didn't think he could get funnier than
(33:44):
Dolomite because he was funny Wed.
Speaker 1 (33:47):
He was funny as fucking Dolomite. And then he was
really really funny. Yes, because Dolabi he was funny. At
Dolomie he was. You do you have some heavy hitting
people under your belt. You're a heavy hitter.
Speaker 2 (34:10):
You've been through ups and downs in the in the business.
What is something that you feel most happy about that
you've overcame, Like, what is one of the most things
that you like, like I've overcame this, and I'm happy
that this that I got over this.
Speaker 1 (34:27):
Probably the pressure to be one of the beautiful bitches
of Hollywood, you know, probably overcame the pressure to like
I'm gonna have plastic true, I'm gonna get this neck
cut off. Then you want your arms done, Then you
want your titties done, then you want your belly done,
then you want your ass done. Then you know, it's
a vicious, addictive cycle. Yeah, and for who, Because I
(34:50):
know tons of beautiful and not so beautiful women down
in the South who would never even it's the pressure
of Hollywood. I you know, we would. I all like
to wake up and this be gone, or this be gone,
or this be gone. But the fact of the matter
is this is real fucking life. I'm a real fucking person.
I'm not defined by my belly or my neck or
(35:13):
my arms. And if a motherfucker can see past that
and see a genuine person inside, no matter what the
packaging is, then fuck them anyway. So I'm glad that
I got over that sense of the need to feel
a certain way or feel perfect or look a certain
type of way. I really just don't. I think that
might come with age too. I really just don't care,
(35:37):
you know, because you can get caught up in obsessions
and stuff like that. I'm not gonna get obsessed about that.
I'm proud that my daughter has seen the progress and
seen success. I'm glad that she has seen me move
from the studio from sleeping on somebody couch in somebody
garage to living in a tiny, tiny, any tiny motel,
(36:02):
to living in a studio, to getting in a house
to now getting in an estate. My daughter has seen
that progression and knows that it can be done. And
you don't have to do it the traditional way. You
don't have to work nine to five, get to go, watch,
sit down, retire, watch the prices right and die. You
(36:23):
don't have to live your life like that. And my
daughter is a dancer, a professional dancer. She's danced on
the Grammars, She's dance around Lizzo and stuff like that,
and she's got a talent for it. And she started
in church as a praise dancer. A lot of people
think I would grow up and have a ratchet ass kid.
I absolutely don't. My kid has a father, she has
(36:44):
both parents. My kid went to San Diego State University.
No student loan because Mommy paid for that. My kid
has made mistakes like everybody else. She's not out here pregnant,
she's not out here on drugs. She's not sipping lean
and taking molly and all that type of shit. She
likes a little tequila shots. But I'm not gonna begrudt
(37:06):
her that, you know, And I'm very very proud of her,
and I'm proud of me and her. You know, I
want to.
Speaker 2 (37:16):
Know, I want to piggyback off of you saying about
you struggling at a moment, because I think we all
do that as plus size girls, with this being not
being the status quo, or not being or or society
telling you you're not desirable, You're not this. I know
(37:37):
two niggas. I'm gonna tell you this. I know two
niggas that I was fucking around with. They was like,
you know what one of my fantasies is for Liu
Neil to sit on my face?
Speaker 1 (37:47):
Really, where is it is? I can accommodate that today.
I'm free right after this.
Speaker 2 (37:56):
So so it's like he said to me, you know,
he says ship and food.
Speaker 1 (38:02):
He said, Lunell freaking you new freaking in the motherfucker.
Speaker 2 (38:05):
I like Lunell, and I was like, that's my friend,
bitch on me telling me about my mother, especially while
were in bed, telling me my motherfucker frid bitch. But
here's the gag. After all of that, you got the
uh deal with Rihanna with the fine and after that,
like you went viral for that and.
Speaker 1 (38:26):
Then you dropped an only fan. Yeah, bitch, well happened.
Tell us what happened wrong? So it was almost Rona.
It wasn't Roona yet. And my uh one of my
friends is a tour bus driver. He drove with me
(38:49):
when when I was on tour before and he was
driving for her. I didn't know it. He called me
late one night on FaceTime. I'm laying in the bed
looking buses and shit like this, and he calls lady.
He says, Leanell, Danelle, what's up. I'm like, what's going on?
He said, we were just watching you on the TV
(39:10):
here on the tour bus. I said we who? He said,
my client? I said, who is your client? Boom? Rihanna
pops on the FaceTime a lot. I'ma broke my fucking
fingernail trying to screenshot. Am I having a. I was
like click, and she's like no, she's a big comedy fan.
She's a fan of mine. And I was like, well,
(39:32):
thank you so much. Oh my god, I can't believe this.
And I told her, I said, my daughter is a
big fan of your lingerie, which you made it in
bigger sizes. And she said I do. I said you do.
I said, we shoot. I want to be a feny model.
I just threw it out there and she said, okay,
let's make it happen. I was like, oh, right on,
(39:53):
right on, and kiki ki ki we got off the
front and I was like, oh, that was fun. That
was cool. You know, that was nice conversation, fantasy. That's great.
About two days later, I get a DM from Rihanna herself,
send me your email. So I sent her my email.
So contracts started coming. I was like what, and I
(40:14):
you know my manager. I'm like, who's my best friend? Like,
look at this rand me this contract so maybody could
be a model. So then it was done. You're gonna
get this one. You do the post on the story
when you do this weekly da da da da. So
then they send you a catalog and you pick out
the lingerie that you want to model, and they send
it to you and then you have to have a
(40:35):
photo shoot. You have to send the pictures in and
they picked the ones that are gonna use for the
story to post and all this. Now what happened was though,
when the lingerie showed up, I was like, uh oh,
what happened? I mean, because this shit is lingreie. I
(40:55):
got four brothers. You know, I'm not really trying to
post with hearts with my nipples sticking out, and my
brothers they didn't stick out. There was mesh, and then
I'm not really trying to show. So my my asset
is my back, not my front. Per see titties, asked
sam Hina Table. You know what I'm saying. So we
(41:17):
did it. We we took all these photos and they
were fucking great, and we was sending back and we
did that for two years. I even got to do
the the fenty fashion show that was on Amazon's parents
Hilton and Willow Smith and all these kind of people.
So now that's over. It's been two years. Been great.
(41:40):
My contract didn't get renewed up two years when I
was glad because it was work and it's very you know,
you gotta do a lot of tough tucking and hiding
and moving and queensing. Do you think that's why I
haven't got it? Because I got to do a lot
of tucking and hiding. You might have to talk a
little bit more than most. Our fens are very skimpy.
(42:03):
Do you like me do a lot of bagshots? So then, well,
the only fans came about, because that's about a year
or two after the Rona, Because I shot all through
the Rona. We did the fashion show where everybody's wearing
masks until we just had to take them off right
(42:24):
for the camera. You know, it was all that. You
remember all that? Yes, So I have got all these
great pictures. Now what am I just gonna have these
pictures on my phone? I think that I should display
them somewhere. Well, I can't keep running them on Instagram.
(42:46):
They've already been on Instagram for the ad. So I said, well,
maybe we'll start of only fans and I'll just be
able to put all these nice pictures up, you know.
And so we did that and that worked for about
a week. The makings of a port stop. Yeah, then
it was like show me a titty bust that pussy open?
Wait a minute.
Speaker 2 (43:06):
Wait a minute, lou New Wait wait a minute. So
these are the people inside the only fan said fuck that?
Speaker 1 (43:13):
Fuck oh that that First they came on because of
out of curiosity, like anybody can get a only Fanily
that helps you make my money. If you're a celebrity
and people really want to see you'd be surprised how
many people want to see a sixty year old pussy baby.
Oh no, I wouldn't be surprised. You'd be amazing. Who
want to suck a fifty year old dick? That's what
I'm not surprised. That's the fucking problem. I'm not fucking surprised.
(43:37):
That's what I do know. Mm hm so so so,
so I put all these pictures up. They're great booty shots.
Other and so they started asking for a couple of things,
and you know, the easy shit, like play with your
titties or whatever. I'm like, well, everybody just got to
know it's me because even if I take on my jewey,
my nails are like my brin yep. And so I'm like, okay,
(43:59):
what and I'm like worried. I'm like, somebody gone to
screenshot this and you know whatever like that. And then
so I said, now, I've got to tell my daughter
because I'm sure she got some little college boys out there.
I want to see a tie, you know. So, uh,
we had went out to lunch, right, we went out
(44:22):
to lunch. I'm like, I gotta tell her. I gotta
tell her. Well, we're eating lunch, and I say, hey,
by the way, i'm my only fans with a dick
in my hand hend me to hot sauce. That's how
I said it. She's like what I said, Okay, you
(44:44):
know I had all those Savage fifty pictures, right, I
think they're really pretty. So I started the only fans
that I put them on there. Listen, I tell my
fucking kid before somebody in the street gotta correct, okay,
And I'd rather act for forgiveness and permission, and you
don't run me. I'm your mother. Yeah, it's only gonna
hurt for a little while. So I told her that.
(45:07):
She's like mom, I said, she said, well, whose ham
is it? He said, who's dick is it?
Speaker 2 (45:12):
No?
Speaker 1 (45:12):
But yeah, who's dick is it? That's what she said.
I said, you don't know him, don't worry about it.
And so I did a couple of little things but
I never did no dick suckings. There's no there's there's
no there's no dick suckings. There's a couple of pussy
shots out there. But I had fucked this guy and
(45:33):
we took some pictures, so I had him sign away
with So I just I didn't have a photo session
with somebody photographed me fucking this guy. The guy, the guy.
The guy took pictures of it, and so then we
just used those and then I didn't do it no
more loud Nell listen. So so I gotta ask you.
Speaker 2 (45:52):
So the person after they saw the savage fender pictures,
they in the.
Speaker 1 (45:57):
It because you know, they messaged you on the inside,
tell me what they won't And it was like, fuck
that bust that bitch open, we're trying to see your urethruckt.
I was like, oh my god. And then who's gonna
shoot it for you? So like I'm not gonna have
no my girlfriend, nobody come over. I don't even get
(46:19):
Brazilian wax. I'm not doing it. I can't have nobody
come over. Okay, put the light on my pussy. I'm
not doing that. So then you try to do it yourself,
take pictures yourself put the phone on the timer as
a fat bitch. It's like, oh, I'm about to pass out.
I got my legs too high. So I didn't really
do a lot of that matter. If I didn't do
any of that, I just had a couple of dick
(46:41):
in my pussy pictures and that's it. But then, but
then after I got fifty bands for some of the shit,
and on New Year's Eve, I shut it down. That
was last year. Bye bye, what daddie O, my child?
(47:06):
I know you not no speechless I am.
Speaker 2 (47:10):
I know you not.
Speaker 1 (47:10):
I am because I wouldn't not that I'm saying that
innocent it is. But you know he was like fun
that ship. I hadin't got to get the people what
they want. I gotta get what they want, and I'm
with it. And your nails was wrapped around the deck,
yeah girl, And you had it right by.
Speaker 3 (47:29):
So so it is.
Speaker 2 (47:30):
It is a few pussy shots out there. And I
seen you getting over the ball too wet and naked.
Oh my god, So soul lou Nel, please tell me,
please tell me that all that ship that dumb holes
(47:52):
was doing all that trash talking, you didn't give a
fuck about it.
Speaker 1 (47:55):
Who is trash hockey. Tell you know they were talking
about some uh because they do it to me. I mean,
of course you would talk tobast six year old bitch.
I'll be shaving with ship like that. Yeah, me, me
at the bank, bitch at the bank, met me at
the bank, at the bank the bank for the same
I didn't even start doing it for that reason. My
(48:17):
ship was innocent. But when the money started came in,
I did it for the same reason the little host
do it. And I've called them a little hose before
because that's what we are doing, like I tell you
to me too. But you know I didn't do it
for long because when the ship started getting outraged, Yeah yeah,
I really, I was like, I'm not really a point
start and I'm not really trying to stay down this lane.
(48:39):
And it's enough, you know, I don't you know, you
know my daughter knew about him. Shit, she would wasn't
her mother her outest moments, But you know she's fine.
You know, listening to you talk from the start of
this show all the way down to now, you have
lived full life. Yeah, not a good one all the time,
(49:01):
you know, but that's what life is all about.
Speaker 2 (49:04):
I'm gonna title the show meet me at the bank,
Meet me at the bank, because you started out at the.
Speaker 1 (49:10):
Bank, he ended up. That's a good analogy.
Speaker 3 (49:15):
They're dead.
Speaker 2 (49:17):
It's like because through all the ups and downs, through
everything you you you, it was about the progression of you.
It's about about maintaining a lifestyle, a life for you.
It was about survival. And I think, what what tends
to happen with people out there who who judge us
for having what what is the word I want to use.
Speaker 1 (49:41):
Having transgressions?
Speaker 2 (49:45):
Transgression? But what's the life having these unorthodox lives? They
judge us for having these things or whatever? When and
with the shoe was on the other foot, and it
was it was it was a need to survive. Who
knows what the fuck they would do?
Speaker 1 (50:01):
Well? I mean, you know, I could sit here and
tell another I slept in my car story I did.
I could sit here and tell you about how much
crack I cooked and smoked I did. I think that
survival is a very strong motivation. Yes, and when you don't.
(50:24):
I have seven brothers and sisters. They didn't help me
along this journey. They thought I was a fool. I'm
from Arkansas. Nobody in my family's ever been on TV
less it was like drunk driving some like that. Cops,
you know, yeah, cops. But you know, I didn't really
get a lot of support in the journey that I
was going on. But I serve a God who watches
(50:49):
out for me, who knows the desires of my heart
and knows that at the end of the day, I'm
really not a point st I really not a drudger,
and I'm really a worthwhile, viable person who likes to
make people who've been in those dark holds where I'm
at feel better about themselves. You know what I'm saying.
I did all this shit, the blister from flicking, the
(51:09):
fucking lighters from lighting the motherfucking pipe cooking, the motherfucking dop.
I lived in open We was infested, the school teachers,
the bus drivers, the mail men. Everybody was on crack.
It was. It was bananas. You beat it, and I
beat it. You beat it, you beat it cold turkey. Yeah,
fell in love. Put the pipe down. Haven't touched cocaine
(51:29):
in twenty seven years. Fell in love. I put the
pipe down. Was it your baby, daddy? Feel No, wait
a minute, my husband, it was your husband? Yeah, my
husband and my baby daddy, two different guys who knew
I did. But my baby Daddy's cool, Like I talked
(51:52):
to him every day. He's cool, We're good, but we didn't.
You know, he wasn't the love of my life. My
love my life was my husband. Are you still married
to him? You know you passed away like he's he's
with the anglies with the Lord and walks with you steal. Yes,
absolutely visits me all that. That's why I'm not out
here as thirsty as I used to be. I used
(52:14):
to be like, oh, I'm a sixty something, nobody's gonna
want me. These motherfuckers are intimidated by my job, and
they're bitches and they you know, like to suck dick
on the weekends and all this kind of shit. And
it's nobody out here. They're a bunch of fuck boys
and all that kind of stuff. I was worried about
not being with anybody anymore for the rest of my life.
(52:35):
I'm not worried about it anymore because if God sends
somebody to me and they're the right person, it's gonna happen.
If not, you know, I have my career and I
have my friends, and my family and my girlfriends and
my daughter, and I just have to deal with what
so many women, black women especially are dealing with now.
(52:57):
I know like fifty boss ass that have not had
sex with anybody in like ten years, because just open
your legs up to anybody these days could be a life.
It could be deadly. And these motherfuckers ain't about shit.
And you know, when you're twenty and twenty three and
twenty five and seventeen and all that, you can fucking
walk away. It's no big deal. But you know, we
(53:19):
got more invested in who we lay down with at
this age. And so for somebody to get this box
or even come upstairs in my house because we can
fuck downstairs, you got to be a cold motherfucker to
get upstairs in my house, to even come to my house,
because then they start clocking your dollars and looking around
and seeing this and all that. I don't want motherfuckers
(53:40):
to have the code to the security gate, you know,
to get into my community where the guard is. None
of that. So what I hear hear you saying is
that your sex life is nonexistent for now, just because
I could, I could fuck when I leave here there's
somebody I can fuck right down the street, but I
don't want that. The more I want to just I
(54:00):
have an ice box where my heart used to be.
I don't want to just fuck for play no more.
I want to have fun. I want to fuck somebody
and actually want to spend the rest of the day
with them. I don't have a lot of fucking time,
no way. I'm only in town like two days a week.
You know, I could fuck on the road if you
want to see somebody once a year and all the
(54:20):
type of shit. But I just need to you know,
we need to meet at a place of respect and understanding.
Realize that I'm a boss bitch. I'm not a regular asshole.
And if you can deal with that and all that
comes with that. We are going to get interrupted at dinner,
we are going to get interrupted at the concert. We
are going to get interrupted going anywhere. But people are
(54:44):
going to interrupt me. If you can deal with that,
then maybe we can move on from there. But if
that's intimidating to you, if that irritates you and you
know what you get it, then you know, if you
can't deal with that, and you can't deal with and
my lifestyle when I'm not even out so listening that
I'm not like here everybody, I'm here, you know. I
(55:05):
try to be very low key and be respectful to
whoever the fuck I'm with. But if you can't deal
with that, we can't go nowhere, nohing. And I'm not
for this shit, you know, Like I always say, if
a man wants you, he gonna make you know it. Yeah,
and you don't have to beg acts be confused and
no shit like that. And I'm just not I'm not
with the bullshit. You know, Let's have fun. If you
get on my nerves, you got to go. What's your sign?
(55:27):
Iceys All Day textbook March twelfth textbook, What do you?
I'm a Libra, but I'm a Piscey's Moon lovely, That's
why like that.
Speaker 2 (55:42):
Yes, yes, and I feel the same way that you feel.
And I'm glad that you're I'm glad you done did
all your freaking shit. You still do your freaking shit
if you want to. Yeah, you know what I'm saying.
Speaker 1 (55:52):
But it's just like I'm you in an era now
where everybody can just do it, can show you whatever.
And because the social media, guess who beat. I just yeah,
look at you. I took a picture when she wants
to looking. Look that's her. That's really hurt. Yeah, you
can't trust somebody. I'm gonna have to have a n
d A and to leave your phone in the car rule.
Speaker 2 (56:12):
But this, here's the thing, ladies and gentlemen watching this podcast,
I really want you to understand that.
Speaker 1 (56:20):
Don't you get it twisted?
Speaker 2 (56:22):
They plus they plus that bitch pork chops, grease the
pop got fat on him, and you love them grease
the pork chops. And even if you don't eat pork, bitch,
whatever got some good fat on it.
Speaker 1 (56:35):
You want to stay that's marbled with some fat and
not just all lean. Just fuck the gristle niggas.
Speaker 2 (56:44):
Nell.
Speaker 1 (56:45):
I love you. I love you like a let's do part.
I love you like a fat bitch, love chocolate chip cookies.
And I'm a fat bitch and I do like cho
I'm move a pork chop bitch.
Speaker 2 (56:55):
I'm a pork chopped bitch too. Trust I'm gonna get
me a piece before I leave you, a port like we.
Speaker 1 (57:00):
Been talking about. I don't eat pork, but I eat
bacon like the like bacon ain't Bacon is bacon. They
say they don't eat they don't eat pork, but they
eat pussy. Pussy is pork. You ever taste how sweet
that pork? Keep talking? Actually I have. I mean I
went to college. Oh that's where it happens. That's when
(57:22):
it starts in college for everybody. You don't win les
beyond no, no, no, betch no. Somebody probably slip eat something.
I don't know what happened. Yeah, it wasn't me. It
wasn't me.
Speaker 2 (57:41):
No.
Speaker 1 (57:42):
I mean, you know, you go through life, experiences.
Speaker 2 (57:43):
Everything, and that's why I appreciate you. You've lived life,
you still live in life. You have a with the
end of the show now, So I want to tell
people you have a Vegas residency.
Speaker 1 (57:55):
I do. I'm the only black female comic in Las Vegas.
But comedy residency. It's a Jimmy Kimmel's comedy club. You
know Jimmy kimmelk on TV. He has a comedy club
behind the link by the Big Ferris Wheel in Las Vegas.
I'm there every Sunday and Monday night at ten pm
for the last five years. I just signed for like
(58:16):
two more years, so I'll be there. I'll be there.
I'll be there. I do take a vacation, so you know,
we have to work that out. And then also I
just started doing a new thing here in LA. Because
we're in La. Everybody in La at a club called Flappers,
which is very popular. It's in Burbank and it is
the first Wednesday of every month. So I got like August, September, October, November,
(58:39):
December to do these and people can come out and
see because I don't do Los Angeles very often, but
now I got to. I got Flappers once a month
and you can come and see me there, and you
can also follow me on Instagram at lunell at l
U E N E l L. I would say, slide
me a DM, but you know, good luck with that,
(59:02):
because I used to at one point answer all my
d M me too, back in the day, but when
the shit got overwhelming. No, I don't have the only
friends anymore. Quite just stuck on that man I'm talking
about in my d M regular I G d M.
I used to answer all of the dms, but I
(59:23):
can't no more. It's too many. And so usually it's
just like, but you can shoot your shot, though I
might get you. You heard the lady. She said, tell
the man with the money to come in here and
pay me, period. And I don't have a racial or
religious reference anymore. Just meet me at the bank. I
got my iron. This little white Jewish man right now,
(59:43):
he got four homes and a castle, a castle, bitch, clue,
Nell said, what meet me at the bank. Let me
in the bank. Listen. I love you like I love you.
I love you, dann like fabus, love, cookie beach, little
a pork chob. Oh my god, that's love. That's love.
Speaker 2 (01:00:05):
You are always welcome over here at the Outlaws podcast
and everywhere where.
Speaker 1 (01:00:09):
And I'm just gonna close in saying how proud I
am of you, because this path you have chosen to
walk is not an easy no and it's family as
friends is everybody and all that shit, And when everybody
tell you no, no, no, no, the difference between the
people who make it and the people who don't are
people who don't take no for an answer. Here we are,
(01:00:30):
this is fucking iHeartRadio. You know you're not doing this
at the dining room table any fucking more. All you've
been able to do is elevate and people like you
and Laverne and others that have chosen this path, you know,
to just be your fucking self unapologetically, which is where
we are, is inspiration of other people who are sitting
in their bedroom watching this podcast right now. You know,
(01:00:54):
the one thing you have to do is you can't
hide from God. You have to be true to yourself whoever,
where the fuck that is. Be true to yourself, but
look good doing it, betch because some of human about
the fucking you heard what she said. You heard what
she said. Be true to yourself and look good while
you're doing.
Speaker 2 (01:01:10):
Kaitlyn Jenner, stop it, please, please hold please, God damn
bigfoot ass bitch.
Speaker 1 (01:01:16):
Ain't even trying to change it. Oh my god. Listen, Hi, guys,
I need I'm a Republican. Hi, get a chemical pill. Listen.
Put some goddamn domes on the back and rull some
grease on them. Feed oh of them? Fee? Oh my god?
Did you see that? All right, y'all? We gonna I'm.
Speaker 2 (01:01:45):
Outlaws is a production of the Outspoken Network from iHeart
Podcasts and Turtle Run Entertainment. Co created by Tyler ra
Benowitz and Olivia Piece. I'm your host Tis Madison. We
are executive produced by Tyler rabnowis Maya Howard, Tis Madison.
Our simpervising producer is Jessica Krincch, and our producers are
(01:02:05):
Joey pat and Cormen Moral. Our video editor is Tyler Rebinowitz,
and our sound editor is Just crimechicch.
Speaker 1 (01:02:13):
Our associate producer is Trent high Toower.
Speaker 2 (01:02:15):
Special thanks to our producers assistant Daniel rebino Witz.
Speaker 1 (01:02:19):
Our theme song is composed by Wazi.
Speaker 2 (01:02:21):
Merrit Our show art is by Pablo Martinina Got You
Next Week, Honey,
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