Episode Transcript
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Speaker 1 (00:14):
Were you a monster movie person growing up?
Speaker 2 (00:20):
I don't know about monsters, but I did. I did
like vampires, Like I was this monster. Yeah, I was like, yeah,
I mean I when I think of monsters, I think
of like.
Speaker 3 (00:32):
Godzilla and what.
Speaker 2 (00:35):
On the like the space crazy that I was never
really interesting.
Speaker 1 (00:40):
About the arm. The arm movements are not selling me
on what you're trying to say. Space. Which one are
you talking? Were you talking about like Independence Day aliens
you talk about?
Speaker 2 (00:50):
Yes, yes, that kind of stuff got the ones that
there was someone someone that was always with the with Godzilla,
it was Godzilla and against some else.
Speaker 4 (01:02):
Are you thinking of King Kong and Godzilla?
Speaker 3 (01:05):
No, there was.
Speaker 2 (01:06):
I was more alien like he had tentacles and like
that's probably Mathra you're thinking.
Speaker 3 (01:11):
Okay, okay, Keeley was kind into that.
Speaker 1 (01:13):
I know that aliens those are all regular creatures from
Earth that were irradiated in the nuclear bombs and that's
why they grew so big.
Speaker 3 (01:20):
And yes, I obviously.
Speaker 2 (01:24):
Obviously no, No, I was more. I did like vampires.
Buffy the Vampire Slayer was I loved that show, watched.
Speaker 3 (01:32):
It, you know, beginning to end. That was my my jam.
Speaker 2 (01:36):
Which so when flight came out and I wasn't really
stoked on Twilight.
Speaker 4 (01:40):
Twilight so much it was the best thing ever.
Speaker 1 (01:43):
I'm kidding. It was awful.
Speaker 3 (01:45):
You hated it.
Speaker 1 (01:46):
I just did. It just wasn't for me. I don't
feel like I was kind.
Speaker 2 (01:50):
Of moved past that, that love of the you know,
Angel and a Buffy the Vampire Slayer.
Speaker 3 (01:58):
When when he was done, I think I was done.
I think we were all.
Speaker 4 (02:01):
Is that David Rora Borealis? Is that the guy who
played Angel?
Speaker 1 (02:05):
Okay, that's how I thought.
Speaker 3 (02:06):
Okay, Heart the Rob, Yes.
Speaker 1 (02:11):
I have no idea what you just said Heart Rob
the Rob, And I'm like, what does Heart the Rob mean?
Speaker 5 (02:20):
Heart?
Speaker 1 (02:20):
Okay, Okay, I've never seen an episode of Buffy in
my life. I saw the movie, but I never actually
saw Buffy. So I'll have to go back and watch.
Speaker 3 (02:28):
Yeah, I mean I don't think I probably I probably
won't like it.
Speaker 1 (02:30):
Now, who knows you're gonna do a deep dive. We'll
figure it out. But welcome back to Magical Rewind, the
show that makes you want to grab your friends, your PJS,
and your popcorn and go back to a time when
all the houses were smart. The waves tsunamis and the
high School's musical. I'm Wilfordell and I'm Sabrina Bryan Oo.
It's time we dive into the only d com that
exposes the truth about online dating. It's the two thousand
(02:54):
horror comedy Mom's Got a Date with a Vampire. It's
another Halloween dcom. We're hit and all the Halloween ones
right now. As it originally aired on October thirteenth, two
thousand and this is well before what we were just
talking about, Twilight and the young adult vampire craze. So
once again Disney on the forefront. They always seem to
be right there, right at the front of every new
(03:16):
craze that's coming up, So once again ahead of their time.
Lots of grown ups in this film too, with a
focus we usually don't see on a full family, mostly
because we have some very familiar faces when it comes
to the post pubescent cast members.
Speaker 4 (03:29):
I don't ever want to say that sentence again.
Speaker 1 (03:32):
This movie was produced by a man who, frankly, we
think deserves a little bit of magical rewind love.
Speaker 4 (03:37):
His name was Don Shane. I hope I'm saying that right.
Speaker 1 (03:40):
It's Shai n and Don started his career making softcore,
low budget exploitation films. I know you're gonna be like,
why are you giving him love? But here we go.
He made films like Ginger Too Hot to Handle and
Girls Are for Loving actual title. Those are all movies
that he wrote indirected in the seventies that couldn't be
less ready for the Disney Channel. Bick, I mean geez.
(04:03):
But in nineteen ninety one he decided to move to
wait for it, Salt Lake City, Utah, which again has
become another character on Magical Rewind to produce movies, and
in turn he became a go to creative for the
Disney Channel and they're made for TV movies and was
later named the first president of the Motion Picture Association
of Utah, And so he became the liaison for Disney
(04:25):
and the state that would become synonymous with the DCOM,
working with and setting up crew members and location and
doing all the nuts and bolt stuff for the filming
in Utah, which is where, as we've talked about, ninety
percent of his decoms were shot.
Speaker 4 (04:37):
So here's why we think he.
Speaker 1 (04:38):
Deserves a little bit of love on the show, because
here's a list of the dcoms that this prolific man,
mister Shane produced Here We Go, Don't Look Under the Bed,
Mom's Got a Date with a Vampire, The Luck of
the Irish, Hounded, The poof Point, Double Teamed, Ride on Track,
Pixel Perfect, Going to the Mat, Halloween Town High and
(04:59):
Return to Halloween, Buffalo Dreams, Go Figure, Life is Rough,
Read It and Weep Minute Men, Dad Napped, Den Brother
and High School Musical one, two and three. Not rely
a list, to be honest, it's a terrible dcom list.
Speaker 3 (05:17):
Very short lived, very short lived.
Speaker 1 (05:18):
Yeah, so this man needed some love, because Wow, So
we found the man who brought the dcom to Utah,
a vital piece to the production team and the lore
of Murray High School. Shane unfortunately passed away in twenty
fifteen at the age of seventy four, but his effect
on the Disney Channel is still felt today, and so
we here at Magical Rewind want to say don Shane,
(05:39):
we speak your name, we see you, Thank you. Mom's
Got a Date with a Vampire is streamable on Disney
Plus right now, so you can listen to us first
and go check out the movie, or do that in reverse.
Speaker 4 (05:49):
But if you don't do either.
Speaker 1 (05:51):
You will be prosecuted. It's a law.
Speaker 4 (05:54):
Go check it out, Sabrina.
Speaker 1 (05:56):
This is the time where I ask you, what did
you know about Mom's Got a Date with the Vampire before?
It was a signed to us as our dcom homework,
our domework. No, I don't like that. Let's just say
docom homework.
Speaker 3 (06:05):
Okay, honestly nothing.
Speaker 2 (06:08):
Even when we started to know, we haven't gotten started
talking about the movie. But even as we started, I paused,
went and looked back to make sure it was a
d com. You know within the credits that it wasn't
something that was on ABC because a wonderful Yeah, there
were so many adults right from the start, and we'll
get into it, I know, but the content from the start,
(06:30):
the very clear dynamic of the family was.
Speaker 3 (06:33):
Very different than we've seen before.
Speaker 1 (06:35):
Yeah.
Speaker 2 (06:35):
So I honestly had no idea about this movie. But
I was excited because I love these Halloween.
Speaker 3 (06:40):
Movies that we're doing. They're fun. There is that time
of year. I'm for it.
Speaker 1 (06:44):
Let's get spooky, Let's get spooky. I like it. I
don't even know why I do this segment of the show.
Of course, I've never heard of this movie or having
anything to do with it now, before you call Malachi
van Helsing to investigate, let's get into the synopsis. Ldren
set their mother up. Well, set their mother up. That's
an interesting way to put it. We will get into
that later with a mysterious man not realizing he maybe
(07:07):
one of the undead Sabrina. Did you online date before Jordan? No?
Speaker 2 (07:14):
Thank god, never, never, never, not an app. Nope, they
I don't even think they had. They might have had
match dot com happening this okay, two thousand.
Speaker 3 (07:27):
And oh gosh, when did we meet? It was before
the whole situation. I can't even think of a year
right now.
Speaker 2 (07:34):
I think it was twenty ten. Twenty eleven is when
I met.
Speaker 1 (07:37):
Oh, okay, so you're closer to possibly. I mean that
there had happened some dating stuff.
Speaker 2 (07:42):
It was, but it wasn't big, and it wasn't too
long after that my friends started bumble and all of
that stuff, and oh my gosh. All I could just
pray was it worked out with Jordan? Because it looked
like a nightmare. It did not look fun good.
Speaker 3 (07:55):
I just, you know, I give it to people that
that's the only way they able to meet meet, you know,
new people.
Speaker 2 (08:03):
I understand the need for it because now thinking about
meeting someone in.
Speaker 3 (08:07):
A bar or out that feels weird now too.
Speaker 1 (08:11):
So it's like nine out of ten relationships now start online.
Number of dentists that recommend dent just it's.
Speaker 3 (08:18):
A lot of different work.
Speaker 2 (08:20):
And I do remember because I was on tour a
lot when I was kind of dating, so I did
have that our relationship or getting to know each other
happened over text, you know, so sending the message, waiting
for the reply. So I did have that as a
dating situation with people that i'd meet along the way
(08:40):
while we were on tour through friends, things like that.
But it was always through friends. It was never someone
I did not know and didn't have any idea of
their background at all. And that's where I think it
can get scary in my head. But you know, that
was tough enough. Waiting for someone to text you back
is like what do you know? And trying to be
(09:01):
witty and trying to show your personality. But some of
that text but yeah, with the people around you, it's
not really your personality because everyone's putting their two cents
on how to like respond, you know, oh.
Speaker 3 (09:12):
Right, right?
Speaker 1 (09:12):
That group dating, Yes, it's tough.
Speaker 2 (09:15):
That's how it was for me. I mean, it would
go he texts back, what did he say? Okay, okay,
what should we say?
Speaker 3 (09:19):
What do we say? And it's like, oh, oh, nightmare.
Speaker 1 (09:22):
That sounds awful. Yeah, that sounds awful. It really does.
Speaker 3 (09:25):
Anyway, you didn't right, No, no online dating.
Speaker 1 (09:28):
No online deb No. I found the internet like a
month ago.
Speaker 3 (09:31):
So no.
Speaker 1 (09:31):
I've known my wife now going on twenty five years. Wow.
I love it that we've.
Speaker 4 (09:37):
Known each other twenty five years. We've been together.
Speaker 1 (09:40):
Fourteen okay, and tomorrow is our eighth wedding anniversary.
Speaker 3 (09:44):
Wow.
Speaker 2 (09:45):
Yeah, we're kind of along the same timeline because Jordan
and I are about thirteen fourteen, and in a couple
of weeks on the sixth is our sixth year.
Speaker 1 (09:57):
Okay.
Speaker 3 (09:57):
So yeah, we're good over it.
Speaker 4 (09:58):
Yeah, we're getting there, which which is good.
Speaker 1 (10:00):
So and Sue and I have both said this is it.
We're too tired to try to find anybody else. We're
together forever. That's just to have to happen. It's just
how it is.
Speaker 2 (10:07):
Now.
Speaker 4 (10:08):
What did you think of the movie.
Speaker 3 (10:11):
Well, the movie, I feel like.
Speaker 2 (10:15):
I right from the start I liked it. I thought
it was the perfect combination of it wasn't super scary. Obviously,
there were some major questions. Again, now I'm starting to
tap into the mindset of when it comes to magical situations,
I need, I.
Speaker 3 (10:33):
Need the will answers, the will rules.
Speaker 2 (10:36):
So there are a couple of missteps in that sense,
but in general, I liked it.
Speaker 3 (10:40):
It was a little fun.
Speaker 2 (10:41):
Little like I said, let's get spooky, but it's fun spooky,
it's not yet right.
Speaker 3 (10:47):
What about you?
Speaker 1 (10:48):
I honestly, and this is the god's honest truth, I
don't know how I feel about this movie. Okay, I
don't know. I didn't really love it, but I also
didn't dislike.
Speaker 4 (10:59):
It in any way, shape or form. I'm wondering if now.
Speaker 1 (11:02):
We're just watching so many back to back to back
that I'm just starting to get a little bit of whiplash.
Speaker 3 (11:07):
Uh huh.
Speaker 1 (11:07):
So it could be that a little bit. Maybe it
could have been that I'm exhausted. You know, there's a
lot of things that go into it. So I I
zipped through it the second time. Again, not a bad movie,
exactly what you said. It's yeah, it's a decom It's
it is now I'm I'm now able to look at
the time when these dcoms were made and be able
(11:28):
to point out the time, like I could tell this
was an early two thousands dcom. I could just you
could tell. Uh So, Yeah, didn't dislike it, didn't love it.
Maybe as I talk about it more, I'll lean one
way or another.
Speaker 2 (11:40):
But it could because we're just such a fan of musicals.
Speaker 1 (11:44):
Now, that's what it is. There was not enough musical numbers.
Nobody was dancing.
Speaker 3 (11:50):
It way past the line, and you know, there's just
no going back for you.
Speaker 1 (11:54):
Unless there is a big, choreographed dancing. I didn't buy
he was a vampire exactly.
Speaker 4 (11:59):
God, we're all in this together.
Speaker 3 (12:03):
There you go, Well, there you go. I knew it.
It only took us for five episodes.
Speaker 1 (12:09):
I am a secret musical fan. Okay, So mom's got
a date with the vampires. Directed by a name we
keep repeating here on Magical rewind Steve Boyam. He is
the legendary stuntman turned director who is behind some of
the best d comes ever Johnny Tsunami, Motocrossed and Stepsister
from Planet Weird. He since become a TV director with
episodes of Numbers, Criminal Minds, and The.
Speaker 4 (12:31):
Boys under his belt.
Speaker 1 (12:32):
The movie stars Matt O'Leary as Adam Hansen, the oldest son.
This was Matt's first gig ever in Hollywood. He'd go
on to star in Spy Kids two and three, appear
in Ryan Johnson's breakout film.
Speaker 4 (12:43):
Brick and and just a.
Speaker 1 (12:46):
Few years ago, pop up in five episodes of Agents
of Shield, which is I mean, he was the star
of the movie, your first ever gig, and you're that's
heavy lifting for your first job.
Speaker 3 (12:56):
I thought he'd agree.
Speaker 2 (12:57):
I would never have guessed this was his actual job.
That's insane.
Speaker 1 (13:01):
It was three great Disney kids. It really was. Once again,
you've got Laura Vandervoort is the daughter Chelsea, one of
the other kids. She's a Canadian actress and has been
a mainstay on the Canadian screen, which is the same
as an American television screen, by the way, just a
lot more apologetic. But you may know her as Supergirl
on Smallville or.
Speaker 4 (13:19):
As Lisa on v that's v not five.
Speaker 1 (13:22):
By the way. Miles Jeffrey is the youngest tailor, and
I recognize him the second he popped on screen. He's
worked a ton as a little kid, appearing in action
Classics Face Off, which I knew him from right away.
Great movie in a horrible way. Five episodes of Beverly
Hills nine oh two one zero and Boyam's other dcom
one of his other Dcom's Stepsister from Planet Weird. Even
before this movie. Those are movies that he did so
(13:45):
a vet, I mean a vet actor, and he was
probably seven when he did this movie. Eight years old. Yeah.
And then you've got the very familiar Caroline Ray plays
the titular mom. Lynette, the stand up comedian is very
well known to the Disney demo as Hilda Spellman on
Sabrina the Teenage Witch and as the voice of Linda
on Phineas and Ferb. She'd star in movies like Christmas
with the Cranks and The Perfect Man with Hillary Duff,
(14:07):
and from twenty nineteen to twenty twenty two she was
back on the Channel as the mom in Sydney to
the Max. Then you've got Charles Shaughnessy, who is Dmitri
the Natos, although he didn't really have that thicken accent.
Speaker 4 (14:20):
I added a little bit the questionable love interest.
Speaker 1 (14:22):
He is best known, of course as Maxwell Sheffield on
The Nanny and Shane Donovan on almost Ready for this
twelve hundred episodes of Days of Our Lives or in
small Yay in soap opera terms, one full season, yes,
twelve hundred episodes of Days of Our Lives. He'd also
appear on Hannah Montana, mad Men and reunite with Caroline,
(14:46):
this time as a witch on Sabrina just a year after.
Speaker 4 (14:50):
This movie aired.
Speaker 1 (14:51):
And in the Coleman Reynolds Chair, we have Robert Carrodine
as Malachi van Helsing. Robert will always be known as
Lewis Skullnik in the Revenge the Nerds movies, but he
also played Sam on Lizzie McGuire and the dcom and
appears in the movie Escape from La in a you
wouldn't even recognize him role. And he is the half
brother of David Carradine, who was of course from the
(15:13):
old school show Kung Fu?
Speaker 4 (15:22):
Did you recognize anybody in this one?
Speaker 2 (15:24):
I recognize the date, the dadmy Coleman seat. I recognized it,
but I could not figure out where those little movies.
I could not figure it out until luckily we get
our inframos out before and I.
Speaker 3 (15:41):
Went, that's where it was. And of course he's from
that movie, and so it was great.
Speaker 2 (15:47):
I loved so I got I did see that before
the second time I watched, so it made me love
it even more.
Speaker 3 (15:52):
I thought he was hilarious, So.
Speaker 1 (15:54):
He was great. He was great. I will give you
five dollars right now if you can tell me the
name of the fraternity that he was in in Revenge
of the Nerds and or the college that they were at.
Speaker 3 (16:06):
No. Ninety to fifty dollars. No, the delping.
Speaker 1 (16:12):
The money is not helping the del No. Well okay,
so no, they were the Lambda Lambda Lambda chapter of
Adams College, Thank you very much. Okay, this is why
I didn't need those dating apps at all, Sabrina, because
this was my life. The movie is exactly eighty five
minutes long, which is five below the ideal ninety, but again,
(16:34):
too little is better than too much in my opinion,
and was written by Robert Keats, a writer on Happy
Days name Happy Days and The Down and Out. In
Beverly Hill's TV adaptation, he shares credit with Lindsey. I
want to say this right, Nathon's I think who this
is the only imd listed Hollywood job is this movie? Okay,
so why don't you go put on a nice dress
(16:55):
because we're getting fanged here people. The movie opens, lying
no doubt that we are in for a spooky one.
Full moon bats, scary music, and the credits. We are
at a large castle, medieval looking even. A horse and
carriage pulls up, and a debonier man wearing a typical
vampire costume exits the carriage. He's followed by a pretty
(17:16):
woman in a white gothic dress. He welcomes her to
the castle of Count Krelski. Then Victor, another man dressed
similarly but with a goateee, and somehow a much less
evil feeling vibe yells out release how you monster? But
Maria is in Count Krelski's power. Now, Victor with the goatee,
begs her to come to him. Their love is more
(17:36):
powerful than a vampire's trance. She abruptly comes out of
her trance, screaming and running to her partner for an embrace.
Krelski is not impressed. The sound of the night will
chill the lovebird's soul, and then we hear a phone ringing, Now,
were you fool? Did you think this was going to
be the opening of the movie we were watching?
Speaker 3 (17:53):
Or did you know this was going to be like,
uh yeah, I was in it. First thing.
Speaker 2 (17:57):
I'm going, Wow, that mansion looks amazing, Like they're already
the set.
Speaker 3 (18:01):
I'm into. This is a big situation.
Speaker 2 (18:05):
And then the phone rings and I was like, oh, okay,
all right, they totally got me.
Speaker 3 (18:10):
They got heavy, I.
Speaker 1 (18:11):
Thought, because again the fantasy side of me was like, Okay,
we're going to the backstory of how the vampire was
actually created where this guy's from. It's the sixteen hundreds.
Speaker 4 (18:19):
Yeah, totally got me.
Speaker 1 (18:20):
That's great.
Speaker 4 (18:21):
Nope, not good opening. Good opening.
Speaker 1 (18:24):
This, of course, was a movie on TV the entire
time being watched by Adam, a young boy in present day,
fixated on the scares. Eventually, his older sister Chelsea answers
the phone call that keeps going, and it is a
boy she likes. It quickly becomes a battle of power,
her talking in the phone, him trying to watch and
recite the movie quotes as they are said. Krelski in
(18:44):
the movie goes in for the final bite, and we
see their younger brother Taylor barely watching from behind a pillow.
He's hiding because he's scared, and that's when their mom, Lynette,
gets home.
Speaker 4 (18:53):
From a late night at work, turns off the TV.
Speaker 1 (18:55):
It's time for homework and then dinner, and she's also like,
you know, you're not supposed to let him watch the
Scary Yeah. We are now up in Adam's room, which is,
like every other Disney trope, a great way to show
who our characters are. Is a shrine to pop culture vampires,
but mostly just the ones in the public domain. He
ignores his homework to thumb through a tabloid, The Weekly Secret,
(19:17):
with headlines about a vampire hunter, which, by the way,
these were some of my If you ever want to
read some of the best comedy writing in the world,
it is all written for comedy. I think you can
still get it. Go get the Weekly World News. It's like,
you know, vampire boys, they're hysterical.
Speaker 3 (19:34):
When we did The Tower of Tear.
Speaker 1 (19:37):
Yes, they're just so good, So go check it out. Yep.
So he's reading The Weekly Secret with the headline about
a vampire hunter. He skims it and has led to
a website www. Dot Malachi Vanhelsing dot com, which, of
course our producers checked and it is no longer I'm
going to say, no longer a working website in twenty
(19:58):
twenty four. I guess is it was never a working website,
but it's not up now. But in the movie it's
a site for a vampire hunter for hire. This obviously
interests young Adam, but when there's a knock on the door,
he quickly shuts off his screen and pretends to do
his homework. His mom then comes in and sits on
the bed and starts a very long speech, or is
about to start a long speech about divorce. Adam cuts
her off. Is this about dad's wedding invitation? Adam and
(20:20):
his siblings were told about this last weekend, but his
mom was clearly blindsided by it. She shrugs it off
when Adam reminds her, Hey, Mom, you're still the bomb.
So yeah, we're getting the family dynamic. They're obviously still
in touch with their dad, they're invited to the wedding,
but you know, the mom doesn't know anything about it. Okay,
an interesting way to kind of figure out what the
(20:41):
dynamic is. In class, we find out that the homework
that he did not do was a one page essay
about who they admire. But when Adam is called on
to read his in front of the class, he first
tries for a rain check, but he's then forced to present,
so he takes the podium and reads directly from that tabloid,
the Weekly Secret about that vampire hunter Malachi van Helsing.
(21:03):
When the teacher asked me, he's just making this up,
he finally reveals the tabloid. She makes fun of his source,
and the class laughs along. Wampwomp. I think that's a
new thing, right, wamp womp. That's like a I'm pretty
sure that's like, yeah, I think I said it. I
don't know, there you go. I'm not even sure you
could say it wrong. Frankly, wampomp. Maybe if I made
it a.
Speaker 2 (21:21):
Question, you know, it's like, it's that that cartoon sound?
Speaker 4 (21:26):
Is that what it is?
Speaker 1 (21:26):
Wompwomp. Okay, but you're not lying. Every time you do
a cartoon sound, you do a hand gesture. You do
every time.
Speaker 4 (21:35):
It's amazing.
Speaker 1 (21:36):
Even when you just womp womp, you still have the handjuster,
that's great, incredible learning so much. After school, Adam is
joined by his friend again. His brother got them backstage
passes for the Coolest band in town. It's the only
shirt that Adam wears the entire time. He has it
in multiple colors, a band called The Headless Horseman and
the concert is tomorrow. Hooray. Adam rides home he's so excited.
(22:00):
His mom has heard, unfortunately, about the vampire stunt that
happened at school and is not happy. Adam says he's
got a handle on it, but she reminds him when
you don't do your homework, you get grounded. So he
is punished for the weekend. But come on, tomorrow's the
Headless Horseman show. Mom's not budget. This is the way
it is. And on Adam's way up to his room,
he's insulted by his sister, which in turn gets her
(22:22):
grounded for the weekend. Two and now she's going to
miss a hot date with that dude I think his
name was Pete that called earlier. Oh well, don't do that.
Did you get grounded a lot? Were you a grounded person? No?
Speaker 3 (22:33):
I think I only got really grounded twice.
Speaker 1 (22:38):
Were you a real follower?
Speaker 3 (22:39):
Yes? I hated getting in trouble. I hated getting in trouble,
so total rule follower.
Speaker 2 (22:44):
Yeah, I mean I think I got grounded talking back,
like go to your room, that kind of stuff, but
not staying home, not being able to go.
Speaker 4 (22:51):
Do stuff right, like or we're taking your stuff or
doing that.
Speaker 1 (22:54):
Yeah. I mean my family wasn't big grounding family because
I tried not to do anything to get grounded. Yeah,
that's not to say I didn't do so I tried
my best not to get caught while doing something.
Speaker 2 (23:03):
Yes, yes, And my parents were so well known in
my area. I couldn't be out seen somewhere, you know,
like going to the movies without telling my parents, because
not everyone would know chance there was going to be
someone there that was going to be able to tell
my parents.
Speaker 1 (23:17):
So I also just became a master at hiding things.
I mean I smoked cigarettes for like seven years when
I was a kid without my parents knowing.
Speaker 3 (23:25):
Living in your parents' house, yeah, I.
Speaker 1 (23:27):
Didn't obviously didn't smoke in the house, and my parents
didn't smoke cigarettes. Yeah. I mean my parents and my
parents are very smart people, and I just became a
master at hiding all that. Wow, So I got very
good at it. We'll talk about how to do it
later in case you want to make sure your kids
aren't smoking they're a.
Speaker 3 (23:42):
Little Yeah, yes, I would like to learn all those things.
Speaker 4 (23:46):
But we are now up in Adam's room.
Speaker 1 (23:47):
He's still reading The Weekly Secret, but when his sister enters,
he says he may have a way out of their
grounding if they can get their mom on a day
tomorrow night. They'll leave when she leaves and be back
by the time she comes back, so he gets to
go to them. She gets to go on their date,
even though she hasn't been on a date since the
divorce and it's been so long since she was the
cool singer of a band. We find out Adam thinks
(24:09):
the Secrets Personal adge could really shake things up, and
this is where we realize that Adam is a little pimp,
because this becomes a thing that continues to happen throughout
the movie. So at first, he's pimping out his mom, right, Yes,
I would love to get del for further into it,
but I can't. He's just pimping out his mom.
Speaker 3 (24:27):
Yeah that was I mean, yeah, that.
Speaker 4 (24:31):
Woof is a good wamp wump whatever.
Speaker 1 (24:34):
Chelsea certainly isn't sold, so Adam says they'll email one
guy and set up a meeting in public in case
they're setting her up with a serial killer. They stumble
on a possible which ironically they are. They stumble on
a possible suitor who loves long walks under a full
moon but hates turtlenecks.
Speaker 2 (24:51):
Ah.
Speaker 1 (24:52):
They decide to email him at Wolfsbane at netherlink dot
ro and set up a surprise meet cute for their mom.
Speaker 4 (24:58):
We see the email landet.
Speaker 1 (24:59):
It's in tended mailbox, a computer in a Ma Cob manner,
a fireplace lights up on his own, and a coffin
slowly opens A hand, creeps out and presses the mouse
to read the date requested.
Speaker 4 (25:10):
A haunting laugh is heard. Loved this scene.
Speaker 1 (25:14):
I love how the vampire stays asleep until he gets
an email. And I just imagine how annoying like sales
announcements from the Gap or spam from some Nigerian prince
would be where it just keep.
Speaker 3 (25:27):
One at, like just from this one website.
Speaker 2 (25:30):
That's what I'm hoping, because otherwise he got no He
has no sleep, no rest.
Speaker 1 (25:34):
Now yeah, this guy keeps getting keeps getting spammed with stuff.
We are now back at the Hanson's house, the not
the band, but the family. It's family dinner and the
kids are guiltying their mom about how they used to
have Saturday morning breakfast with chocolate chip pancakes. They're seriously
tapping into this poor woman's need to keep things cheery
since the divorce she's going through a day after finding
(25:54):
out her ex husband has moved on and is starting
is getting married, so pretty manipulative in and all awful
of the kids at the end of the day. So yeah,
just not good. But they she of course wants to
keep them happy, so they quickly drive to the food
Master supermarket for chocolate chips, which we know is the
location of the rendezvous. Inside they do something very strange
(26:16):
to start off, which they save a little bit at
the end, but they are just there for chocolate chips
and they get a cart. I know, I don't know
why you need a cart for chocolate chips, only.
Speaker 2 (26:28):
If they'll like, I get a cart regardless, because that's
where I put Monroe or Ledger.
Speaker 3 (26:35):
It's instead of kicking Okay. So yeah, they had no
little kids though, no, so I was assuming like maybe that,
you know, but then he never got enough cart.
Speaker 4 (26:43):
Just go grab grab your chips and leave.
Speaker 1 (26:44):
Let's go.
Speaker 3 (26:45):
Yeah.
Speaker 1 (26:45):
Inside the Halloween decorated food emporium, Adam and Chelsea search
for the date that just you know, trying to figure
out who this guy could be. They split up just
as a man in a trench coat and hat enters.
He menacingly says, come to Papa, and Sallas Taylor and
his mom through the aisles. Come to Papa is very weird,
no matter who says it or waiting just for the right,
unless it's you are by yourself and talking to a pizza.
(27:08):
It's a weird thing to say. But just before the
family is ready to leave and the kids consider their
attempt to bus, they crash their cart into a handsome
man with an accent. He's Romanian or maybe Hungarian and
his name is Dmitri then Dentatos, Dmitri Dentatos, and the
flirting with Lynette is going swimmingly. He's on paper, it
(27:30):
looks like at least the perfect guy, good looking dude,
easy on the eyes.
Speaker 4 (27:34):
He's an er doctor, he's new to the area.
Speaker 1 (27:37):
He's fixing up the old matherhouse by the lake, and
he's also wearing a Canadian tuxedo. Score well, could go
wrong right exactly. After some pleasantries, they decide I'll check
out together and that other dude, the nearby trench coat
guy and hat sees this all going down now. Once outside,
doctor Dentatos asks Lynette out for tomorrow night, so boom,
(27:57):
he's he's jumping right on. Now let's get let's get
in this, and she says, yes, the plan has worked,
but they still don't know that's the guy they actually emailed.
They anyway, Yeah, this is where okay, I didn't understand that,
but they don't. The trench coat man, all of a
sudden is now talking on a flip phone, which, God,
I want one. I really want them to come back
because I missed my flip phone. No joke. If they
(28:19):
come back, I'm getting it tomorrow. I want a flip phone.
But he's talking to somebody who we never figure out
who he's talking to. He talks this person a couple times,
and he says he knows there's a vampire in that market.
He's so close he can taste it. Little Taylor overhears
this and becomes suspicious. Then he looks over at Dentados,
now walking to his car, and he sees him not
(28:41):
only ditch the shopping bags, he drops him like he
doesn't need the food, but he morse into a bat
utilizing special effects. Somewhere between Claymation and Y two KCGI.
Taylor is terrified. Where do we put these effects on
the DCOM scale?
Speaker 3 (28:56):
I thought it was pretty good. I did you not
like that?
Speaker 4 (29:00):
The bat was better than later?
Speaker 3 (29:02):
The later one is the one that was.
Speaker 4 (29:05):
When he walks up the wall.
Speaker 1 (29:06):
It's awful.
Speaker 3 (29:07):
It's ridiculous.
Speaker 1 (29:08):
It looks like I drew it myself in my room.
Speaker 3 (29:10):
Yes, but the that one was pretty good.
Speaker 1 (29:12):
It was okay, I did. I agreed.
Speaker 4 (29:14):
I thought. I was like, okay, that's.
Speaker 3 (29:15):
Two thousand, two thousand.
Speaker 1 (29:17):
Yeah.
Speaker 4 (29:18):
Yeah, here's the thing.
Speaker 1 (29:19):
Also, I want to know what the CGI, what the
what the special effects budget was, because it was Yeah,
I would like to have seen it was it was.
Speaker 4 (29:27):
Okay, again, we've seen better.
Speaker 1 (29:30):
Yeah, I thought even what Twitches was two thousand and six,
So even six years we can see the big difference
in what we saw there. Even though Smoke Monster wasn't
good and we didn't like it, the CGI was certainly
better than this stuff was. Yeah, so we're getting there,
but on the other side of the spectrum. Because all
this has happened, Chelsea can now go on her date
(29:50):
and Adam is ready for the concert. So he tells
his friend on one of those awesome see through home phones.
Did you ever have one of those? We could see
all the guts of it.
Speaker 3 (29:59):
Oh yes, yes, yeah.
Speaker 4 (30:00):
Those things are cool. Let's make it plastic.
Speaker 1 (30:03):
Yeah, I love those. But unfortunately his friend gave gave
his ticket away to some other kid named Boomer. Adam
can't believe it, so he forces a meet up with
his friend and Boomer in a funky diner and tries
to trade some stuff for the backstage passes back for
his concert. He's got like, you know, footballs and baseballs
and baseball cards. You think he's got comic books and
(30:26):
the trade uh is rejected by Boomer.
Speaker 4 (30:29):
So what does Adam do?
Speaker 1 (30:30):
He falls back on the old mainstay of being a
pimp yep, and he offers up a date with his
sister since Boomer has the hotspur. Boomer says, if he
can guarantee a kiss on the lips, he's got himself
a deal too far?
Speaker 3 (30:44):
Why too far, Adam?
Speaker 4 (30:46):
You can one too far? I think it's all too far?
Speaker 3 (30:49):
Yes, but I mean sure, but no, you cannot. That
is that is like a kiss. It is like a no, no, no, no,
come on.
Speaker 1 (31:00):
But Adam's got his ticket back. He just had to
turn his sister into a prostitute.
Speaker 4 (31:04):
Yes, kid Holmes favorites awful bad.
Speaker 1 (31:10):
This kid is set up for sus there's some serious
red flags where that's the first go to. This kid has,
let's pimp somebody out. Back at home, Taylor still has
the doctor's bat transformation on his mind. Obvi. He has
some questions for his vampire expert brother Adam and learns
all about the trance these monsters usually have on their
female prey. This is where the we can address that
thing you were talking about back at the beginning, where
(31:33):
at least they use, like in almost like a scream
kind of way, they at least use Adam as a
repository of all the vampire knowledge, so he can kind
of say, no, here are the rules, this is the trance,
this is the kind of which is an interesting way
to go. So at least we kind of had some
idea of what was happening. Adam suggests you could kill
a vampire with a vampire hunter from that tabloid he has,
(31:54):
and then we get the titular line from Taylor quote,
but Mom's got a date with a vampire. But of
course Adam doesn't believe it for a second. We asked
this a lot. Do you think there's a better title
for this movie or do you think this is it?
Speaker 3 (32:07):
I mean, I think it's straightforward.
Speaker 1 (32:09):
I like it.
Speaker 4 (32:09):
Actually Mom's got a date with a vampire, and it's like, what,
that's what it is?
Speaker 3 (32:13):
This happened? I thought it was.
Speaker 2 (32:14):
Kind of, you know, straightforward, but also, how does that
go down?
Speaker 1 (32:19):
I'm I'm interested doctor Tantado's I think that's his name.
I'm probably saying his name wrong the entire time. The
doctor arrives in what at the time, if not a
little earlier, would have been considered an awesome Ferrari, but
actually back in the day it was terrible ferrari, called
the Ferrari Mondal. They were not well made or well
running automobiles, and they don't drive particularly well.
Speaker 4 (32:40):
Sorry I go off on that.
Speaker 1 (32:41):
But he won't enter the house until Adam invites him in,
which is one of these things we learned already is
a vampire trait.
Speaker 4 (32:49):
Upstairs, Lynette is nervous.
Speaker 1 (32:51):
She thinks it's too late in her life to date,
but the kids convince her to go through with it,
not because they want their mom to get out there,
but because they want her out of the house with
whatever guy shows up. I don't care if this guy's
got sixty bodies buried in his backyard. I want to
see the headless horseman.
Speaker 3 (33:04):
Yeah.
Speaker 4 (33:05):
So they convinced her to go through with it.
Speaker 1 (33:07):
Dmitri reveals they have dinner at Ryan Fields or Ryan Felds,
which is a fun nod to Dracula servant in the
Bram Stoker novel. Then they're going dancing. Then a horse
drawn carriage drive moonlight. A scared tailor looks on from upstairs,
and then he finally goes and calls Malachi van Helsing
from the tabloid and leaves a message. We cut to
an exotic car dealership where a salesman is chatting with
(33:28):
Van Helsing. So the Ferrari that's there, the yellow Ferrari
that's there, is a great Ferrari. That's a three fifty five.
That's a very good Ferrari. Okay, that was a later Ferrari.
That was a mid mid nineties. I think the first
one started in ninety five. That was I had that car.
That was a great So that was a beautiful car.
Speaker 3 (33:45):
And then you had that car.
Speaker 1 (33:48):
I bought it when I was twenty two.
Speaker 3 (33:51):
And you didn't get a ticket in it. I got
a ticket in it.
Speaker 1 (33:55):
I didn't cat. I just sold it in twenty twenty.
I had it for twenty five years.
Speaker 2 (34:00):
Wow.
Speaker 1 (34:01):
And I only sold it because it was just sitting
in the garage and just kept bumping into it. Very
expensive thing. I would pile my mail on. Yeah, yeah,
so it was. But that so that's that's a good car. Okay,
the one he was in not so good?
Speaker 3 (34:13):
Got it?
Speaker 1 (34:14):
But I'm a collector's piece, don't get me wrong. But
not a great car. I'm sorry I go too much
on it. So anyway, A scared tailor looks from upstairs.
He calls Malachi. We cut through the exotic car dealership
where a salesman is chatting with Van Helsing and he's
ignoring his sales pitch. Van Helsing does he's does some
cool things. So this time he drops a piece of
coal on the floor. He crushes it with his foot
(34:34):
and then he smacks it with a clipboard. As a
result of that, half a dozen footprints poof. They light
up with fire, and it is proof that a vampire
was there. The salesman reveals he suggested Main Street for
some food for Dmitri to go, and now the vampire
hunter knows exactly where they're going to be. Question the
salesman who saw the footprints light up says, glowing footprints.
Speaker 4 (34:55):
I knew that dude was a freak. What do you
think he means by that?
Speaker 1 (35:00):
And how do you glowing footprints elicit that response?
Speaker 3 (35:04):
I don't know. He was just from the beginning of
his whole little thing.
Speaker 2 (35:10):
He was kind of a funky little character to have
because he comes up like fun Yeah, he was funny,
but just kind of that was such an odd thing. Oh,
I knew instead of being like, what who is this person?
I just sold a card to? Right?
Speaker 1 (35:27):
Or how did you just light all this stuff on
fire with a clip for you? Yeah?
Speaker 3 (35:31):
Yes, coming looking like Inspector Gadget, like.
Speaker 1 (35:35):
Because he did look like Inspector Gadget.
Speaker 2 (35:38):
Wow, Inspector Gadget.
Speaker 3 (35:41):
I thought he was the vampire.
Speaker 1 (35:43):
He did look like inspect go, go gadget here vampire
stuff with this gadget.
Speaker 3 (35:48):
Cale and a clip that he asked for.
Speaker 4 (35:51):
That's such a good call. He does. He looks like
Inspector Gadget.
Speaker 1 (35:56):
Yeah, it was weird.
Speaker 3 (35:57):
It was kind of weird. I don't know. What that was.
Speaker 4 (35:59):
Yeah, I was a strange respondect.
Speaker 2 (36:01):
When it's something weird like that, you think that character
is going to come back into play somewhere.
Speaker 3 (36:05):
But oh, we never see him again.
Speaker 1 (36:07):
He is gone. That's gone. We hardly knew yee car
salesman man. We are now back at home while Adam
and Chelsea get ready for their respective nights out, and
then they hear the garage door open. It's Taylor escaping
on his bike to save his mom. He's the only
(36:28):
one that's gonna go save her, so they race after him.
He cannot ruin their plan. At Renfields, Lynette says she
isn't worldly enough for Dmitri, and Dmitri just wants her
to avoid the garlic bread and ask her to order
steak because it's quote good for the blood. Meanwhile, Taylor,
in the big City passes a movie theater showing Lost
Boys another very cool Easter Egg, but just as he
(36:48):
finds Renfields, Adam and Chelsea nab him. He has to
go home. It's time. Taylor is adamant that Dmitri is
a vampire, so Adam to kind of placate him is like, fine,
let's go into the restaurant. If I can prove to
you a vampire, can we please just go home? He says, fine,
the deal, we'll do that. So they walk in. They
go up to the doctor. They ask, once and for all,
are you of vampire? As a result, Dmitri offers the
(37:11):
quote unquote spoon test. This is obviously just placating the
little kid, saying a vampire can't hang a spoon on
his nose or he'll explode. Everyone plays along and he
passes the fake test. Taylor says he's satisfied, so they leave,
but on their way out, Adam catches a look in
the mirror and realizes Dmitri has no reflection and fangs.
And that made me think, how does nobody else in
(37:32):
the restaurant notice this giant mirror where there's clearly no
reflection of one Maybe.
Speaker 2 (37:39):
Not the reflection, but when he looks at he looks
back at him to see the fangs. His mom's sitting
right in front of him. How does she not see
the fangs the reflection. If you're not paying attention, you're
in a crowded resh.
Speaker 1 (37:53):
They couldn't notice that, though.
Speaker 2 (37:55):
Right, somebody could, but not as much as if this
guy is sitting there talking to a woman and with thangs,
and it's not Yeah.
Speaker 1 (38:02):
That's true.
Speaker 6 (38:03):
I have a point that the things though, okay, yeah,
well only he sees the things when he looks at
the vampire, so like, he looks in the mirror, doesn't
see the mirror, then looks back at the vampire, and
the vampire looks directly at him, and he's like, but
then when he cuts away, he's just talking to the mom.
So it was like it was a mind meld basically.
Speaker 4 (38:24):
Okay, he's doing that just for the kid.
Speaker 1 (38:26):
I got it, that makes sense. I would have gone
more circumspect with it, though if I was directing, it
would have been a harder thing to direct. But I
would have when he took the spoon away, see the
spoon test, he would have held up the spoon to
show his brother as he was walking away, and the
guy wouldn't have reflected in the spoon, which then would
have made him instead, there's just a giant mirror. It's like,
(38:46):
how did nobody notice that there is a.
Speaker 3 (38:48):
Giant mirror, that very big mirror. That's true?
Speaker 1 (38:50):
Yes, good, yes, So they dropped Taylor back off at
home with a babysitter and Andy tells his sister about
the revelation.
Speaker 4 (38:56):
So he's like, okay, good bye, Taylor.
Speaker 1 (38:58):
Yeah, he's actually a vapire.
Speaker 3 (38:59):
We got to go.
Speaker 1 (39:00):
So they gotta go back to Ryinfield. It was a funny,
funny turn. They gotta go back to Ryinfield. She's skeptical
but agrees to help. She doesn't believe it, but she's like,
I can't believe you're doing this to me. Fine, So
we're back at the house. It's Taylor's bedtime. But guess
who's at the door. Malachi van Helsing. He asked Taylor
about all which okay, first of all, the babysitter doesn't
seem shocked at all that a strange man in a
(39:22):
trench was.
Speaker 3 (39:23):
The worst babysitter.
Speaker 2 (39:26):
Oh my, worst nightmare for any parent to leave their
child at home with a babysitter like this.
Speaker 1 (39:32):
I mean, my god, a man in a trench coat
like this is my friend I met at the park
in a trench coat. Hey, how are you come on in?
That sounds odd to me.
Speaker 3 (39:41):
He needs to go to bed. Yeah, what are you
doing in this house?
Speaker 4 (39:46):
The hell out of my house. I'm gonna call the police.
Speaker 3 (39:48):
Says something. Oh my gosh, it was not the.
Speaker 1 (39:51):
Worst good But anyway, we of course know this is
Malachai van Helsing. He asked Taylor about this Dmitri guy
and where he is.
Speaker 4 (40:00):
Now.
Speaker 1 (40:01):
With all the info, Van Helsing is off to Rhinefields
to save Lynette and the two kids, but we know
the couple have left to take a walk, and Lynette
then comes upon her old favorite rockabilly club, a musical
genre she guilts Dmitri into, also saying that he loves
of course you love because this guy is just he's
trying to get some neck. Yeah, that's all, that's all
he wants.
Speaker 3 (40:21):
He's just trying to get some neck, trying to.
Speaker 1 (40:23):
Get some neck. And I'm just gonna I will say rockabilly.
Of course I love rockabilly. The kids then find a
back entrance and Adam sneaks into witness a Royal Crowns
concert entering the late nineties early two thousands trend of
swing dancing. Thank god that went away?
Speaker 4 (40:41):
Do you remember this trend?
Speaker 1 (40:42):
Or no? Do you did?
Speaker 2 (40:45):
You?
Speaker 1 (40:45):
Really?
Speaker 2 (40:45):
Oh god, okay, I don't remember, like rockabilly music having
to be swing dancing music though that I didn't recognize
the kind of music that was playing from.
Speaker 1 (40:58):
What different rockabilly swing are different, but it's still all
of that trending.
Speaker 2 (41:03):
More like fifties, like remember the Gap commercials, Like that
was swing music.
Speaker 1 (41:08):
Stop shopping at the Gap.
Speaker 3 (41:09):
It was a lot more. It seemed more like.
Speaker 1 (41:13):
Like like stray Cats, kind of like orchestra kind of yeah,
I agree, and the band I thought was good, but
it was it's that kind of the Oh. The swing
dancing was just such an affectation, like where we're going
to We're going swing dancing. So Adam Adam talks another
male club goer into going and asking his mom to dance.
Speaker 4 (41:33):
This guy he's working angles.
Speaker 1 (41:35):
He is always working angles at him, and though Dimitri
says he's cool with it, he mine controls the guy
to leave, forcing him to involuntarily backtrack off the floor.
So guy's got some powers. At the same time, Van
Helsing is on his way to Main Street when he
realizes Taylor has been hiding in the back seat the
whole time. He's angry at first, but eventually lets the
kid tag along because why not. And in the club,
(41:56):
Adam lets the Royal Crowns know that the singer from
Cowgirl Blue Ooz is in attendance. That's his mom from
the band barely mentioned earlier in this movie. They asked Lynette,
of course, to join them on stage, and she just casually,
with a big smile, struts up to the microphone. She
doesn't even say no, she's been so long. She's like, hell, yeah,
I'm going up there. And she asked if they remember
(42:16):
the song maybe, and of course they all sound perfect together.
And I don't think Caroline Ray was singing, do you.
Speaker 3 (42:23):
I wasn't sure.
Speaker 2 (42:24):
As this is coming along, you see where it's going,
and I go, oh.
Speaker 3 (42:27):
I don't. Did she sing in Sabena the Teenage? Which
did she maybe a singer?
Speaker 2 (42:33):
I don't trying to think back of the things I've
seen her in and go oh, because that's very much
Disney going, Oh, let's get her.
Speaker 3 (42:41):
She'd be great because she can sing, you know.
Speaker 4 (42:43):
That, get her.
Speaker 1 (42:43):
It would make sense, as she could say totally.
Speaker 3 (42:46):
And I don't remember.
Speaker 1 (42:47):
I don't mean it might be her, it might not.
We do not know here at Magical Rewind, which is
one of our hashtags hashtag mag hashtag Magical Rewind, we
don't know. During the performance, a bounce kicks Adam out
for being too young, but after finding out he's actually
Lynette Hansen's kid, he also agrees to kick out Dimitri
for stalking her. So a trio of these big bulky
(43:09):
dudes tossed the likely vampire out the back door, right
where Chelsea is on her phone. She watches on as
he is so upset, so he bends their bikes and
anger dusts himself off and then climbs up the building
wall at a perfect ninety degree angle. These fat a
good one were really bad.
Speaker 3 (43:28):
Yeah. First of all, if he can become a bat,
why wouldn't he just fly?
Speaker 1 (43:34):
I thought the same thing, Well, transport yourself, you can
do that. He does the zippy thing where he gets
super super cool.
Speaker 2 (43:39):
Why would you need to fully do this whole walk
up where someone could really see you, like you know,
the bat thing seemed like happened really fast.
Speaker 1 (43:47):
Yeah.
Speaker 2 (43:48):
Also at this point, my question is he can sense
the kids sometimes but not all the time. How did
he not know that Adam was in the club, but
he knew else he was in.
Speaker 1 (44:01):
The alley bushes and then the bushes later and then.
Speaker 2 (44:04):
Yeah, later on in the butch, Like, how does he
because he talked there's a there's an idea of him
where he senses things. Then there's also an idea later
on we find out where he smells and why is
this not the same constant? You know, I've got my
I've got my will brain on going up.
Speaker 1 (44:22):
Thank you.
Speaker 3 (44:23):
You guys are not following the roles.
Speaker 1 (44:25):
Follow the roles.
Speaker 4 (44:26):
Follow the roles.
Speaker 1 (44:27):
I also apologize for your will brain. There's a lot
of baggage that comes to Yes, so not good effects.
Speaker 3 (44:34):
No, we're just I could have seen the bad thing
again and been totally fine.
Speaker 4 (44:40):
Been fine, and it kind of brought it back.
Speaker 1 (44:41):
Yeah, these effects aren't very special.
Speaker 2 (44:44):
Uh.
Speaker 1 (44:45):
In Van Helsing's car, the Vampire Hunter and Taylor realized
they just missed the couple at Reinfields.
Speaker 4 (44:50):
Now they're over at the rockabilly bar.
Speaker 1 (44:51):
Lynnette wraps up the song and is somehow helped off
stage by Dimitri. He's back inside. He did his vampire
thing to get back in. Is now kicked out in
a much more polite manner and sees Chelsea. She's now
a full on vampire believer. She's like, yeah, okayy's out
of vmpire thing. Yeah, he's a vampire and fills in
Adham on the bike, bending slash wall walking bit, just
in time to watch Dimitri's car speedby. I'm amazing that
(45:15):
incredible that it started. It wasn't reliable anyway, I'm sorry.
Inside the sports car, Lynette is still high from her performance.
It's the first time she's sung in like fifteen years,
and she wants this moment to live forever. And of
course it's Kelski. I'd like to say it says that
it can be arranged. Dmitri says that can be arranged,
but not as creepy as I just said it. A
(45:36):
now stranded, Chelsea and Adam think their mom would probably
want to take her date to the Harvest Festival next
It's about five miles away, but Adam has a plan.
He gets his friend now with Boomer, and his friend's
brother to pick them up on their way to the
Headless Horseman show at the festival.
Speaker 4 (45:52):
I just want to stop here, very briefly.
Speaker 1 (45:53):
Did you think at some point we were going to
get a Headless Horseman song or see them in concert.
I was waiting for that big piece where I was like,
obviously we're gonna end up at the Headless Horseman concert.
Speaker 4 (46:03):
At some point I.
Speaker 2 (46:04):
Didn't because we had this rockabilly song already, I feel
like it would have been way too many. What would
be the point of them having any type?
Speaker 1 (46:11):
I thought we were going to see something in the
crowd with the headless Horsemen.
Speaker 4 (46:13):
They were going to look like vampires.
Speaker 1 (46:15):
Something was gonna happen with the headless Horseman because they'd
been built up so long. But nothing was just a.
Speaker 2 (46:22):
Creepy ride with the creepy Boomer. The poor Chelsea know
what's going on?
Speaker 4 (46:28):
Oh who doesn't know that she's a piece of meat.
Speaker 3 (46:31):
Go in for it.
Speaker 1 (46:33):
It's awful. Then we get our biggest set piece, which
is a large scale carnival. Boomer wants to ditch the
concert to have his date with Chelsea, which exposes Adam's
gross deal from earlier. Chelsea leaves in disgust, obviously, and
Adam runs after. He admits it was a lousy move,
but he was quote unquote different then, and it was
this afternoon. I'm so glad that she did. I said
(46:54):
the same thing.
Speaker 4 (46:54):
I was like, it was just there's an hour ago.
Speaker 1 (46:56):
He apologizes, and she eventually forgives him, and they go
off to say their mom. This guy, I'm sorry, but Adam,
he's sneaky, he's got angles, he's pimping people out, he's
got lie after lie.
Speaker 4 (47:06):
He will be the perfect politician.
Speaker 1 (47:10):
He apologizes, She eventually forgives him, and they go off
to save their mom. Meanwhile, on their way to the concert,
Boomer and Friend see Dmitri's car.
Speaker 4 (47:17):
And appear to have something up their sleeve. We're now
back on the fair grounds.
Speaker 1 (47:21):
Adam steals some employee walkie talkies because he just walks
in and takes what he wants, and the siblings split up.
Chelsea immediately sees them from the ferris wheel. They're getting
off the scrambler Kelseky, which is really who he is,
but we will keep saying Dimitri since it won't so
we don't mess people up. Dmitri wants to leave, and
Lynette thinks he's moving way too fast. She's thrilled she
found herself again tonight. That's someone she hasn't been in many,
(47:42):
many years, and truthfully, she just feels that her connection
with Dimitri isn't clicking. And I really loved this part. Yes,
I loved where she's like, yeah, he's supposed to be
the perfect guy. He's the doctor, he's swab, he's rich,
he likes rockabilly. He's doing everything she wants, and she's like, yeah, nah,
feeling it, bro.
Speaker 2 (48:01):
Well, I think it was more so just going I
didn't need to find someone, I just need to find
myself again. I've been a mom, you know, she had
that speech. Yeah, I've been a mom for so many years.
I was a wife. Now I'm divorced. Now I'm just
trying to grind with work. Is more so about finding herself,
which I thought was really cool and very like.
Speaker 3 (48:22):
I feel. I mean, I don't know.
Speaker 2 (48:23):
I don't remember movies that this time giving that message,
especially to young kids, not about finding so many Disney things,
is about finding your prince. It's about finding this. This
was about finding herself, and I love that.
Speaker 1 (48:36):
It was a divorce mom going like, no, this is
this is great, thank you for doing this. But I
don't I'm not even I don't need this right now,
not into you, bro. She tries to change the subject
to bumper cars, but of course Dimitri is not having
this and he blocks her from leaving. He's tired, he's hungry,
he hates the carnival. He hates rockabilly music, which is
(48:56):
probably his best quality. He grabs her and starts putting
her under his spell. Thinking on his toes, Adam throws
a carnival game baseball and it nails Dimitri in the
back of the head, shifting his focus off the nete.
He then does what he should have done, I think,
getting back into the club and instantly appears next to
Adam and drags him off. So he's got the vampire
(49:17):
super speed, leaving Lynette hypnotized and Chelsea watching it all
stuck on the ferris wheel, now exposed as a terrible
lookout point. Are you a carnival fan?
Speaker 3 (49:33):
I am? I like him?
Speaker 2 (49:35):
Yeah, yeah, I will go on all the crazy rides
they have gotten. I used to when I was younger,
but they have gotten really crazy and just knowing they
go from city or you know, county to county.
Speaker 4 (49:49):
With probably very little maintenance.
Speaker 3 (49:51):
Yeah little maintenance. How fast do they have?
Speaker 2 (49:54):
How much time do they have to actually set these
these rides up?
Speaker 3 (49:57):
Sketchy?
Speaker 2 (49:59):
No, thank you you. I don't go on most of them,
but I will go on a few of them.
Speaker 1 (50:02):
What's your favorite food to get at a carnival though?
Speaker 2 (50:04):
Ooh, I love deep fried oreos, deep fried pickles.
Speaker 1 (50:11):
Anything like, do you like just fried dough, like good
fried dough with the powdered sugar on the top.
Speaker 3 (50:16):
A little bit.
Speaker 2 (50:16):
I'd rather go for like the oreos or something else
in between. Yeah, and I love the corn. I love
pull pork sandwiches. All carnival food is good. I think
I love popcorn.
Speaker 1 (50:27):
I love that.
Speaker 3 (50:28):
And the beer is always very tasty.
Speaker 4 (50:30):
I mean it's a big beer.
Speaker 1 (50:32):
Guy.
Speaker 2 (50:32):
Well, it's just always hot and it's always nice. It's
just kind of refreshing.
Speaker 1 (50:35):
The hot day. And nice beer is good.
Speaker 3 (50:38):
Yeah.
Speaker 1 (50:39):
Dmitri of course does not get this. Wasn't Adam the
one who emailed him. Adam is shocked to hear that
Dimitri is Wolf Spain. He's the only person now at
this point who doesn't realize it's the same guy.
Speaker 4 (50:48):
I mean, wouldn't you have figured this out? Is just
in the supermarket?
Speaker 1 (50:52):
Well anyway, Dimitri slash Wolfbane tells Adam to leave him
alone if he wants to stay alive. He's here for
his mom and he or she really has no say
over it. He transports back to Lynette and commands her
to walk away with him. Adam is now sulking at
a picnic table, telling Chelsea it's time to give up.
He just gave me. Mom's dead. Mom's dead. Bro, let's go.
Speaker 2 (51:11):
It's out.
Speaker 3 (51:12):
We're done.
Speaker 4 (51:13):
We're done.
Speaker 2 (51:14):
Figure out how we're going to keep this mortgage going.
I mean, we've got big.
Speaker 1 (51:19):
I tried once. It didn't work. Immediately, I am giving
up playing guitar.
Speaker 3 (51:24):
If Goger gives up on me, I'll come back to
haunt him.
Speaker 1 (51:30):
Do your job.
Speaker 3 (51:32):
Life horrible because you gave up really quickly.
Speaker 1 (51:35):
Eventually, Adam realizes the vampire is probably on his way
to his mansion, which they remember from being barely mentioned
earlier in the movie. It's the old Mather House by
the lake, the one that's supposed to be haunted. So
they call a cab, but while in the parking lot,
Wolf Spain Ferrari won't start, and they make it seem
like it was Boomer and his friends, but really it
was just not a reliable model. Simultaneously, Van Helsing also
(51:57):
knows where they're going and tear leads them to the lake.
They share a sandwich, which is very nice, and eventually
perform another fire trick to decide which direction to go in.
Speaker 4 (52:08):
The cab pulls up.
Speaker 1 (52:09):
And we get what can only be called it now
a racist stereotype portrayal of the cab driver that we
wouldn't see today. Adam and Chelsea enter the mansion hoping
to find Dimitri's coffin. They both go upstairs, not knowing
the Ferrari just left the carnival and it's finally back
up and running. Once they find the coffin, which looks
like it should weigh three tons.
Speaker 2 (52:30):
Right, and what we as just viewers know about vampire coffins,
they're heavy.
Speaker 1 (52:38):
You just are heavy.
Speaker 2 (52:38):
Yeah, there's one of the caskets, right, it's all of
a casket and it takes what nine six guys, three
on each side to do a casket walk or kids could.
Speaker 1 (52:52):
Not two teenagers apparently. Adam decides he wants to put
the coffin in the lake, knowing it will draw in
Wolf Spain. When the Ferrari does eventually into the driveway,
Wolf Spain walks a brain dead Lynette into her new home,
but he smells humans, specifically Adam. He realizes his coffin
has gone and he screams timed perfectly with the kids
(53:12):
dumping it into the lake. So somehow these two kids
lifted it up out of the window dropped it down
at least one story. It landed without a crash because
we didn't hear.
Speaker 3 (53:22):
That any crack. Yeah.
Speaker 1 (53:23):
They then run down, they grab it, and they put
it in the lake. It's floating, so he jumps on it,
which I.
Speaker 3 (53:30):
Wouldn't expect it to float.
Speaker 4 (53:33):
I guess it would depend. Is it Archimedes?
Speaker 1 (53:35):
Is that it's it's so the floating would would be
in relation to the weight of the buoyancy of blah
blah blah blah blah, and then if the water doesn't
come too high.
Speaker 4 (53:46):
But I think it is.
Speaker 1 (53:46):
I think it's archamedies with Adam on it. Yeah, well,
I mean again, think about how much it comes away
they still float. Well, all right, fine, again, I think
it's all Archimedes. I could be wrong. For all of
our all all of our fluid dynamic scientific fans, please
send us emails telling me I'm wrong, which I'm sure
I am, But I think it's arch comedies. But anyway,
(54:09):
he realizes his coffin's gone and he screams time perfectly
with the kids dumping into the lake. Adam yells out
to antagonize the vampire, then boards the coffin like it's
a boat. Knowing damn well that vampires can't cross water
unless they're in their coffin, wolf Spain stands at the
dock watching the young boy float away. He asks what
Adam wants, and it's a one for one trade the
coffin for his mom. The vampire thinks it over quickly
(54:31):
and then concludes no, and he quickly transports himself to Chelsea,
who's lot in the woods, grabs her, brings her back,
and says he has a new trade, the coffin for
his sister, but she's a little young to be his queen. However,
she would be a lovely vampire princess. He encourages Adam
to stay out until sunrise if he wants, but when
he does return, he'll not only be an orphan, but
(54:53):
an only child. Adam stops him, fine, if he brings
the coffin back to the dock, will wolf Spain free
his sister. Accept that's the possibility, even though Chelsea doesn't
want to make the deal. He starts to paddle in
and on the other side of the estate, Van Helsing arrives,
leaving Taylor in the car holding a huge bundle of garlic.
Adam and Chelsea, once again superheroes, carrying the coffin back
inside for Wolf Spane. So obviously they've found a way
(55:15):
to get it out of the water together, drag it
up the stairs.
Speaker 3 (55:20):
They're both completely dry.
Speaker 1 (55:24):
Right, Maybe they didn't go up the stairs because now
there's the piano. The piano's in that room, so they're
just bringing it into the first floor, right, But.
Speaker 3 (55:30):
Still to get it out of the water, they'd have
to get in, get under it, lift it up.
Speaker 4 (55:36):
And even that, how the hell do you get that?
Speaker 1 (55:40):
That's the part about this vampire movie.
Speaker 2 (55:42):
That's the Disney cartoon effects, and.
Speaker 4 (55:45):
We are fine with it.
Speaker 1 (55:50):
Adam and Chelsea carry the coffin back inside for Wolf Spain,
who admits he's not going to hold up his end
of the bargain. He simply can't trust vampires these days.
And then Van Helsing walks in the beaking tongues to
each other, and Wolf's bane darts at his enemy. Now.
I don't know if it was tongues or was it
in Romanian, I don't know.
Speaker 4 (56:07):
I don't know.
Speaker 3 (56:08):
I started to get.
Speaker 1 (56:09):
Here, Empire, I don't know. Yeah, the had you till here.
Speaker 2 (56:12):
Yeah, it was kind of like, okay, I Yeah, I'm
starting to have to just kind of move along with them,
right myself?
Speaker 3 (56:20):
Just okay, we'll just move forward.
Speaker 4 (56:22):
That's why I didn't know what I thought about this movie.
Speaker 3 (56:26):
Now you're pulling me back from what I'm thinking.
Speaker 4 (56:28):
I just don't It's not bad. I just don't know
what I think about it.
Speaker 3 (56:32):
But yes, kind of all right, you know.
Speaker 1 (56:35):
Yeah. So wolf Bane darts at his nemesis, missing and
locking himself outside, Van Helsing pulls out a wooden steak
and says this door won't hold him along. And he's right,
because five seconds later, the vampire pushes the door down,
instantly knocking Van Helson out, then throwing him into a piano.
Van Helsing has been useless at this point.
Speaker 3 (56:52):
That's exactly what I have down, useless.
Speaker 2 (56:55):
So this adult that has been in the movie, and
we're used to having more kids than adult, this adult
has been chasing and chasing, finally gets here. Why did
he even need to be there in the first place?
Home he gets knocked out within thirty seconds.
Speaker 4 (57:07):
Thirty seconds, thirty seconds. You've done nothing, And why stand
behind the.
Speaker 2 (57:13):
Door with the head careful I'm the little kid with
the garlet come.
Speaker 3 (57:17):
In because he's just as useful as you are.
Speaker 1 (57:19):
Exactly, thank you Van Helson for driving us Hunter of
the Year.
Speaker 4 (57:24):
No, exactly, this is god, this is just bad.
Speaker 1 (57:29):
It is set up that these two appear to have
fought all over the globe throughout time and justice. He's
about to finally bite into the neck of the vampire. Hunter.
Taylor appears and softly knocks Wolf Baite in the head
with the steak, which I love. I love. It's like, whack, stop.
Speaker 3 (57:42):
It laughing so hard. I don't know life, I just
needed to laugh at this point or what it was. Whack.
Speaker 1 (57:55):
I was hoping you'd spike him, but he didn't.
Speaker 3 (57:56):
Jill, don't use the pointing part. He just bomped him
on that.
Speaker 1 (58:00):
And then a second time the guy's like, what are
you doing? The second time Whack gets him a gun
and gets his attention. Wolf Spain by this point has
had enough. What is with this family? He is the
vampire and has the power here. He then takes control
of Adam and Chelsea's legs, drawing them closer and closer
to him. They yell, hoping to wake up their mom
for help, but she's not breaking the trance. Wolf Spain
maniacally laughs, ready to bite Adam. When the net finally
(58:23):
wakes up, only true love can break the trance of
a vampire. She pushes him backwards, right into the coffin
that Van Helsing and Adam open just on cue. They
shut the door quickly and Van Helson uses silver plated
stapler gun things. It was like a nail gun, but
silver plated to seal it. And if silver can kill
a vampire, I think it can. Why not use that
(58:45):
to kill a gun? To kill him? Yes, but it's Disney,
so they can't really kill him. So the plan now,
apparently that they just briefly say, is to get the
coffin to Van Helsing's vault in the South Pole and
then ship him to Finland.
Speaker 2 (59:03):
Why again, I'm all for killing the vampire. Okay, this
guy was about to try to kill this whole family now, right,
So I guess if Disney's not allowing that, But why
are we like sending first of all two places, We're
gonna take them to the South Pole, which is the
(59:24):
mouth Pole, which he says is the only never been there.
He's never been, so I guess there's something about the
South Pole and vampires that I'm not aware of.
Speaker 3 (59:32):
And then the second place is Finland and what does
that do?
Speaker 2 (59:36):
So you have a whole vault of of vampires locked
and why move them from the vault to Finland?
Speaker 4 (59:45):
Why are these poor fins now stop?
Speaker 2 (59:46):
Yes, with the vampire overload, I don't know.
Speaker 1 (59:50):
It's I don't get it either. I didn't understand that
even slightly. But anyway, that's so.
Speaker 4 (59:58):
Hey, we took care of it. So what's next. Well,
Taylor is.
Speaker 1 (01:00:01):
Hungry, so they're gonna go at breakfast and Lynette invites
the vampire Hunter to go with them. He wants some
chocolate chip pancakes, which is a euphemism for sex, and
luckily Lynette's got the chips boom, also a euphemism.
Speaker 4 (01:00:17):
He exclaims.
Speaker 1 (01:00:18):
Then it's a date, but the kids ask him to
avoid that word for right now. Taylor says their mom
doesn't date. Lynette disagrees she dates, just not vampires. And
then we have a really weird freeze frame as Wolf's
Bain says Happy Halloween and begs them to open the
coffin and there's your movie. And I'd personally like to
apologize to everyone in Finland. Who's gonna be I have
(01:00:40):
to deal with this vampire. There you go, there's your movie.
Speaker 4 (01:00:51):
Who Okay, Well, let's do real reviews.
Speaker 1 (01:00:54):
I think I have the five star this week and
the five stars from I'm gonna I'm going to spell
this and then say it.
Speaker 5 (01:01:02):
Okay, ja dash s i g h a dash o
dash h o f fa j so jug sigha, oh
huffa j Did I say that right?
Speaker 1 (01:01:15):
Probably not? And here's our five star review. The mom
actually has a date with a vampire. It's insane.
Speaker 4 (01:01:22):
When I watched, they couldn't breathe. Literally, I was drowning.
Speaker 1 (01:01:25):
Ten out of ten. Well watch again on February thirteenth,
twenty twenty two. Oh, I don't know why the date
is important.
Speaker 2 (01:01:32):
Well, I wonder how long ago he put this, this
five star review in.
Speaker 1 (01:01:36):
I do not know, but it is very specific. When
oh haffa Jay is going to watch this again?
Speaker 4 (01:01:43):
Man, what's our one star? Sabrina and I heard it.
Speaker 2 (01:01:46):
One star from unamid. This guy just can't stop. But
now his reviews put this one star us. Yeah, of
course it's unnamed. I felt sorry for the kids. Really
had to suck all right, succinct.
Speaker 3 (01:02:03):
Not a fun night, not a fun night.
Speaker 1 (01:02:05):
I personally think it's somewhere in between, undoubtedly. And now
to Sabrina's favorite part of the program. Our feature for
the week is a new game we have called the
Actor Factor. Many actors, as you know, have played vampires
over the years, either in TV or movies, and so
we will be given the name of an actor or
actors and we have to come up with the name
(01:02:26):
of the vampire they played. But also, and this is.
Speaker 3 (01:02:30):
Just a Sabrina always so hard, we have.
Speaker 4 (01:02:32):
To say it in our best vampires.
Speaker 2 (01:02:34):
Oh my no, yeah, yes, yes, I will do it
if you do. If you get up and do your
best vampire dance, how about we do that?
Speaker 3 (01:02:47):
Is there such a good I'm a bone.
Speaker 1 (01:02:49):
To pick with you.
Speaker 2 (01:02:49):
You keep doing all these things that will is very
good at, very trained at, gets paid lots of money
to do. Can we do something that I am actually
kind of good at, kind of get eight a dollar
or two have a better chance at winning.
Speaker 6 (01:03:04):
I wouldn't say, I just like you're being mean to yourself.
I think you haven't had the opportunity. I'm trying to
bring out that talent.
Speaker 2 (01:03:11):
I don't want to do it for the first time
in front of will thank you very much, because I'm
gonna make Will learn a dance in front.
Speaker 1 (01:03:19):
I'll do it. I will do it, I will do it.
Speaker 2 (01:03:23):
I will gosh, all right, No, what do vampires sound
like besides this one?
Speaker 4 (01:03:27):
We'll do it like this one.
Speaker 1 (01:03:28):
Then, by the way, there's plenty of vampires out there
that sound totally normal.
Speaker 3 (01:03:32):
Okay, my vampire voice is gonna sound just like my.
Speaker 2 (01:03:39):
All right.
Speaker 1 (01:03:39):
So number one, I think it's the easiest. Wesley Snipes, right,
and that is he's Wesley Snipe. What's his what's his
vampire character name?
Speaker 3 (01:03:51):
Is it Blade?
Speaker 1 (01:03:52):
Yeah? It is?
Speaker 2 (01:03:54):
I mean.
Speaker 3 (01:04:04):
You go a.
Speaker 4 (01:04:07):
Number two.
Speaker 1 (01:04:07):
We've got Gary Oldman and Gerard Butler.
Speaker 3 (01:04:13):
I don't remember them doing a vampire movie.
Speaker 1 (01:04:16):
They did.
Speaker 4 (01:04:17):
I think they played Dracula, didn't.
Speaker 3 (01:04:21):
Oldman?
Speaker 1 (01:04:22):
Yes, yes, all yeah. Number three is Alexander scars Guard.
And I know that this was in the movie Where
Are the Show? Where all the vampires and wolves are
just walking around naked having sex with each other the
whole time. I've never seen it in my life, but
this is the one that women really love. What's that?
What's the don't tell me the show is called Oh
(01:04:48):
come on, it's the one it's the one that what's
her name was in the How do you not understanding?
Speaker 3 (01:04:54):
Mike?
Speaker 1 (01:04:54):
Mike cues, what's her name? Obviously, what's her name? The
child actress who the then went off to she became
big in this and it's it's not supernatural.
Speaker 6 (01:05:04):
It's no, I'm calling it. It's Eric Northman. It's character
you played on the TV show True Blood.
Speaker 4 (01:05:11):
True Blood, Thank you true Blood. I know it's just
naked vampires having some weirdly.
Speaker 2 (01:05:16):
Because I did, I think, but again, Buffy the vampire
sleeve was over.
Speaker 1 (01:05:20):
I needed, well, these were Buffy Buffy people because they
were naked naked people.
Speaker 3 (01:05:25):
Yeah.
Speaker 4 (01:05:25):
Number four Kate Beckinsale.
Speaker 3 (01:05:27):
I had no idea she was in another vampire movie.
Speaker 1 (01:05:30):
She did. She was in a whole series called Underworld.
The problem is I don't remember the name of the
character she played in Underworld. She played Kate Beckinsale in Underworld.
Speaker 3 (01:05:42):
Not a character.
Speaker 6 (01:05:44):
The characters name is Selene Celine.
Speaker 1 (01:05:46):
Yes, of course. Actually the first one was great, very
good movie. And number five, man.
Speaker 2 (01:05:53):
I just see Lisa and Tara and all of the
I know this one, Oh, okay, okay, I do know
this one.
Speaker 3 (01:06:01):
Isn't it ed? Because that's how I did know that one.
Speaker 1 (01:06:13):
Okay, we got three and you did some voices.
Speaker 3 (01:06:19):
I feel like that's how she says his name. She
she wasless sleep the whole time.
Speaker 4 (01:06:25):
Okay, everybody, everybody in this town loves me.
Speaker 1 (01:06:28):
I don't know why, but I have all the best
looking guys in the world.
Speaker 4 (01:06:31):
Can we do some Sabrina sees.
Speaker 2 (01:06:38):
We can? One of the first ones up. I know
that this happened in a movie we were just doing.
Not exactly this, but some cheatah references happened to me recently.
One of the last movies we did her. The actress
name is Kim Roberts. She played Adams Gosh, I can't
(01:07:00):
uh was it his English teacher? The teacher that k
Roberts played my foster mom and Cheetah Girls Lunch Cool.
She has a very small part in the Cheetah Girls.
Speaker 3 (01:07:14):
That happens.
Speaker 2 (01:07:14):
She comes out and gets me before one of my scenes,
and then she's there in the finale, so very very small.
She was a Canadian actor that I went looked and
good went, oh my gosh, and I just looked it
up real quick, made sure that I was right and
it's true.
Speaker 1 (01:07:28):
What's that cool?
Speaker 3 (01:07:29):
She did a great job. I thought she was a
great teacher.
Speaker 2 (01:07:31):
Nice and then we I thought you would one hundred
percent hit on this. It's not that you didn't notice.
But when he was grounded, then he was able to
go to lunch with his friends.
Speaker 3 (01:07:43):
Yeah, he was grounded, and he's about and he's he's
at lunch with friends.
Speaker 5 (01:07:47):
What happened to that when he got yes exactly?
Speaker 3 (01:07:52):
And then also did what did the actor or.
Speaker 2 (01:07:57):
Whoever played the main singer in the band? Did he
look like anyone to you?
Speaker 4 (01:08:02):
Well, I think that's a real band.
Speaker 3 (01:08:03):
Was it a real band?
Speaker 4 (01:08:04):
Yeah, that's the I think that's the Royal Crowns. Isn't
that the name of the band.
Speaker 3 (01:08:07):
I don't know. It was like.
Speaker 6 (01:08:09):
The Royal Crown Review or whatever. Like that's not like
a really well known band, but I think it might
be a real rockabilly band.
Speaker 4 (01:08:14):
Ye Oh, I thought that was. I thought they were
kind of like, well, a well known.
Speaker 3 (01:08:20):
Great they look like right?
Speaker 1 (01:08:22):
It was.
Speaker 2 (01:08:24):
Well, he looked like Jason Priestley. I had to rewind it.
No way, he giveing some random cameo, but he looked
like Jason He clearly it wasn't It was not okay,
good call, and then I talked about him with these
kids senses, I just couldn't understand. I had to ask you,
maybe you got it. I also felt that this fight
(01:08:45):
with Chelsea and Adam happened so forced you know, this
this coming of our connection and our friendship or whatever
it could have been later on, it didn't need to
be then, and it was all a fifteen seconds, so
it didn't really matter because I was here, and then
it wasn't and it was done. And then the last
thing was I feel like there is a flip phone this.
(01:09:07):
I noticed the flip phone in this movie, and there
is a flip phone of some sort out.
Speaker 3 (01:09:11):
It's not like the small one, but I wanted you.
Speaker 2 (01:09:13):
To know that there is some type of It's not
the big Samsung one that opens like a screen, is it,
because that's not the same.
Speaker 4 (01:09:19):
I want like a flip phone.
Speaker 2 (01:09:20):
Well, I know you do, but this would be the
version of twenty twenty four splip phone, and I think you.
Speaker 1 (01:09:25):
Should get it.
Speaker 4 (01:09:26):
Well, is it I want to get?
Speaker 1 (01:09:28):
I want to get I want like an old school
flip I want the smartphone, but I want a flip
phone like it's like a Star Trek communicator again.
Speaker 3 (01:09:34):
Okay, not not. You can't get the new Age one.
Speaker 1 (01:09:38):
I know I can get a way.
Speaker 3 (01:09:39):
This movie made me go flip phone that he wants
and there's one there.
Speaker 4 (01:09:45):
Really, I'm googling right now.
Speaker 1 (01:09:46):
Is really a new They.
Speaker 2 (01:09:47):
Keep showing a commercial where you go like this and
like it's when people are abroad and you can talk
to it and it'll translate for you.
Speaker 3 (01:09:55):
I feel like this is something.
Speaker 4 (01:09:56):
You twenty four it's oh, is it a razor?
Speaker 3 (01:10:00):
Flips open?
Speaker 4 (01:10:02):
Like there's the Galaxy Z.
Speaker 3 (01:10:04):
I can get the Samsung.
Speaker 1 (01:10:05):
Yes, that's yeah, it's a Samsung, which I can't. Can't
get a Samsung. Well, I can't get a same You
cannot give Danielle Fishle the the oh no, I can't
be on team Danielle when it comes to phones.
Speaker 3 (01:10:19):
Think iPhone is going to do it anytime soon, if
that's what you mean.
Speaker 1 (01:10:22):
iPhone needs to do something like there is a new
one though, I think, okay, I'm.
Speaker 3 (01:10:26):
Looking into it anyway.
Speaker 2 (01:10:27):
The flip phone of this movie, because it's been out
and it's the couple of times now that you've.
Speaker 3 (01:10:31):
Talked about a flip that's when I said I got
to do a spree season because they have one. I
keep seeing this commercial thinking of you.
Speaker 1 (01:10:37):
That's what I want one. I want one, but I
can't go to Samsung. I can't do that to myself
or my family. I love them too much. But all right,
well I can't send a green text.
Speaker 4 (01:10:45):
I think I'm leaving her. I can't. I can't do that.
Speaker 3 (01:10:48):
So that's maybe not maybe not maybe, but that is it,
you guys.
Speaker 1 (01:10:52):
But yes, again, those are good, so good.
Speaker 3 (01:10:55):
It was so awesome.
Speaker 1 (01:10:55):
Isn't Kim Robert the Jason Priest thing?
Speaker 4 (01:10:58):
That's cool?
Speaker 1 (01:10:59):
No?
Speaker 3 (01:11:00):
Oh he came on and I went, wait a minute,
and while, oh, no, that's not him, but he I
like him.
Speaker 1 (01:11:05):
Oh that's awesome. It's now the portion of our program
where we like to rate the film that we just saw,
and we've got some great options this week for we're
going to rate the film.
Speaker 3 (01:11:14):
You get to pick.
Speaker 1 (01:11:15):
I'm picking this week. Okay, so we're going one out
of ten obviously one being the worst, ten being the best,
or like everybody else does it, and here are options.
This week, we got one out of ten vampire Canadian tuxedos,
which again sounds like a weird sex thing. One out
of ten Coffin emails one out of ten, boomers, one
out of ten, see through home phones one out of ten,
glowing footsteps one out of ten, rockabilly clubs, one out
(01:11:38):
of ten, ferris wheeled lookout points, or one out of
ten trades involving kissing your sister. I am going to
because that got the best response from you. I'm going
to do one out of ten trades involving kissing your sister.
Speaker 3 (01:11:51):
All right?
Speaker 4 (01:11:52):
And do I go first this time?
Speaker 1 (01:11:54):
Or do you go first this time?
Speaker 4 (01:11:54):
I don't honestly don't remember that.
Speaker 3 (01:11:56):
I don't know. I wish someone would tell us, because
we could ever remember.
Speaker 1 (01:12:00):
I don't know.
Speaker 2 (01:12:00):
I'll go first, though, because I will say, I know
you went first last time.
Speaker 3 (01:12:04):
Okay, then you go first?
Speaker 1 (01:12:05):
You did? You did?
Speaker 4 (01:12:06):
You're right, so I'll go. I'll take one for the team.
Speaker 1 (01:12:08):
This time, all right, Because I honestly don't know what
I think about this movie. And that's not a joke.
I didn't hate it. I didn't love it. I do
not know what to think about this movie. That means
to me that it is a perfect five trades involving
kissing your sister. There you go, because it is. I
I didn't love it. I didn't hate it. I'm right
(01:12:28):
in the middle, that's me. I'm giving it a five
trades involving kissing your sister. I it is, you know,
it is what it is with this movie. I'd like
to watch it again maybe, but it was this. It
was a movie.
Speaker 4 (01:12:40):
That's how I felt about it.
Speaker 1 (01:12:41):
Like I finished, I was like, Okay, watch the movie, right, Yes, yeah.
Speaker 2 (01:12:45):
I do think we're doing them like on top of
each other a little bit right now, so we might
just kind of but I will say I love.
Speaker 3 (01:12:51):
The spooky season of Halloween, so sure, and I really don't.
I'm realizing I haven't seen a lot.
Speaker 2 (01:12:58):
Of Disney Channel scary Halloween type movies. The ones I've
watched are a lot more gory, so it is kind
of hard for me to figure out where I land
when it comes to a Disney spooky.
Speaker 4 (01:13:10):
Film like Halloween Town.
Speaker 2 (01:13:12):
Great, right, totally, but I mean just to see the
variations of it, right, can't always be Halloween Town.
Speaker 3 (01:13:19):
Sure, and so I liked it a lot.
Speaker 2 (01:13:22):
More than when we started this episode. I was planning
on giving it a seven. But now that, especially when
I started realizing to the end, I started kind of
just I don't want to say, wanting it to be over,
but I just kind of allowed things to move forward
and just kind of got past things. And I didn't
realize that until we started kind of sort of really
(01:13:42):
broke it down together, and it pushed it down to
a six point five trades involving kissing your sister, which
also hurt my score because it made me realize.
Speaker 3 (01:13:55):
Really what he was doing creepy, it was gross.
Speaker 2 (01:13:59):
So yeah, it's gonna be, oh gosh, six point five.
We'll do six point five because I can't go to
a six point twenty five. That just seems to say no, six,
but it's not a six, So six point five.
Speaker 1 (01:14:11):
Okay, there we go, Well, there we go. Thanks, thank
you everybody for joining us this week as we watched
our movie, Mom's Dating Vampire. Is that what it's called? Yes,
so join us next time because our next movie is
the two thousand and five family and Dog comedy and yes,
I am gonna say it the same way.
Speaker 4 (01:14:29):
Life is Rough.
Speaker 1 (01:14:30):
It is on Disney Plus and ready to stream. Now
we've talked about this before this dog better talk, better,
dog doesn't talk. We're gonna have a serious problem, people, because.
Speaker 3 (01:14:39):
We won't even have a full show. We will both
turn off the TV.
Speaker 1 (01:14:45):
We are done because the dog was not talking, so
hopefully the dog talks in life is rough. But again,
it is on Disney Plus stream, got it, yes and all.
It says a family and dog comedy, so hopefully. If
it's not, then we've got a serious problem. But remember
to subscribe to our feed and you can follow us
on the Instagram machine at the Magical rewind Pod. Thank
(01:15:05):
you so much for joining us. Enjoy us Pooky season
or I do this if you're animated.
Speaker 3 (01:15:10):
Is hey Poky bye?
Speaker 1 (01:15:14):
Everybody,