July 9, 2024 • 58 mins
Whatever happened to Born This Way? Beyond notes, and placing the tiara on the coma patient. Orthopaedic shoes on each hand and a retainer stabilizing the ankle. Should you walk the room or stand dead center? A plan to heal Kate’s microbiome…add up the plant points and see who wins! You don’t have to hit someone just because Big Volkswagen told you to. Calling all patent experts and technical drawers, Jacqueline is inventing. Questions about the moon, sun and earth inspire diagrams. It’s all relative and it’s all moving. Is a dried flower rotting in water? Linguistic challenges and typing full sentences into Google. Kate’s colonicist shares book recommendations. Normal person, normal life... and then, something happened. Trapped in a tab somewhere. Paranormal for paranormal’s sake. Dreams of flying above the city and sipping hibiscus under a mosquito net. Why are the ants screaming for the hose?
Mentioned: Flo Dose, NIRA Precision Laser, Dr. Will Bulsiewicz (@theguthealthmd), Journey of Souls by Michael Newton, and Many Lives, Many Masters by Brian L. Weiss.
Begging For: PureLift Pro, an instant pot, a technical drawer/patent expert
Edited and mixed by Allie Graham.
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hi, I'm Kate Berlance, I'm Jacqueline Novak. And this is poog,
an ongoing conversation about wellness between two obsessive friends, two
untamable intellects. This is our hobby, this is our hell,
this is our naked desire for free products. This is poog.
Today's topics Looslie speaking, we're remote viewing actors are real. Hello,
(00:25):
it's me. I just found out I had a major
COVID exposure.
Speaker 2 (00:30):
Oh really, Yeah, are you feeling it descend upon you? No?
Speaker 1 (00:35):
Are like I'm I feeling No, I'm immediately doing the
thing where I go m M. Because the person who
has COVID it seems like they probably contracted it the
day before I saw them. But we were in like
an airless room for two and a half hours talking.
Speaker 3 (00:50):
And sounds like a joy.
Speaker 1 (00:53):
Yeah, yeah, And so I don't fucking know, But what
can you do? You know, I'll tell you this, though,
I did have the pleasure where I had dinner plans
tonight and I hate to say it got to cancel. Yeah,
it's the greatest.
Speaker 2 (01:13):
I was looking forward to it too. It's funny though,
always something like better say that from when they're listening
I know. I just can't overstate the importance of the microbiome.
Speaker 1 (01:26):
And we're in Okay, okay, okay, I.
Speaker 2 (01:31):
My internet based research has gone to a doctorate level. Okay,
I'm listening to one podcast nightly. No, but actually i'm
watching it. You can imagine video.
Speaker 1 (01:43):
That's what we're gonna do with pood. We're gonna make
them watch this ship to.
Speaker 2 (01:45):
Make him watch and this is I'm watching this guy,
rich Roll, these guys every yeah, and I love him.
Speaker 3 (01:56):
His follow ups are astonishing. There's this other guy.
Speaker 2 (02:00):
I can't remember his name right now, but it makes
me laugh actually imagining them listening to Poog. Okay, because
obviously it's a different model, you know what I mean.
Speaker 1 (02:09):
Yeah, I had a all right, Yeah, I have a
story I want to tell you, or a thing that happened.
But it involves and we've gone into this. It revolves
a it involves a physical description of someone that we're
part of.
Speaker 2 (02:25):
It has to be not allowed, can't be done right, Yeah, exactly,
you won can't be ugly anymore? Yeah, but right, which
which we've talked about this, the fact that like I
don't say that about them or even it's heightening the
it's saying that it's the worst thing you could say
about someone, which is therefore heightening but completely you're revealing
(02:46):
that you think unattractiveness is no greater illegal.
Speaker 1 (02:52):
Yeah, exactly, And it almost has something to do you're
actually suggesting. If someone is saying that, they're almost suggesting
that the outside does reflect the inside. That's it's like
admonishing someone that's like, do you what I mean? You
know what I mean, Like it's a personal failing or
something like, don't say like.
Speaker 2 (03:10):
Don't right, don't It's like, don't draw attention to them,
to their failing, Like it's rude to call people out
for their failings, right, so so so.
Speaker 1 (03:20):
Right, it's like or even whatever happened to born this way?
Speaker 2 (03:24):
Yeah, yeah, that's great, Like like if someone else a ugly, God,
that's funny.
Speaker 1 (03:39):
Okay, So, by the way, this girl was not ugly. Okay,
just listen, okay, listen to this picture me. This is
a couple of nights ago, dulled up. Okay, at a
party leaving the leaving the party in the kind of
the valley area. People are kind of crowded, right, waiting
for the cars, and this woman and I'll just say
like she turned around and looked at me, and then
(04:01):
she kind of we're all kind of crowded together, and
she kind of smiled at me in this way, and
then in this tone that I found. I didn't like it.
It's kind of very earnest, kind of weird, nice tone,
she said, sorry, you're just I mean, okay, I want
to get exactly why she went. She looked at me
and she went and she kind of smileters with that sorry,
but god, you're just so pretty.
Speaker 2 (04:23):
And I went, okay, hold on, wait, okay, okay, okay,
let me just take it in now. You're satisfied with
your impression, right, because to me, it was like really
strong of something like I was like.
Speaker 1 (04:34):
No, no, it was just really to get fully sorry.
I yeah, and almost like pretending to kind of like sorry,
I just you're really pretty, like and I interpreted this
immediately as someone who's ugly saying that someone else is ugly,
but I was trying not to be ugly and being like,
it's like, it's only something you say to someone who's
(04:57):
kind of busted, Like I think she's almost looking at
me going here and by the way, I'm gonna I'm
gonna here's an unconventional looking woman who's dressed up, clearly
trying to appear attractive. I'm gonna give her what she wants,
and I'm going to because you know what you don't
say to someone who is strikingly beautiful objectively? I mean,
I guess some men do this. Can I just tell
(05:19):
you that you're beautiful?
Speaker 2 (05:20):
But no, no, Kate, it's I and I see saying
joke about this.
Speaker 3 (05:25):
I mean I was, I had a joke about this.
Speaker 1 (05:29):
I was like, that's when I couldn't do it.
Speaker 3 (05:31):
It couldn't be done.
Speaker 1 (05:32):
Okay, it was.
Speaker 3 (05:32):
It was it was too loaded.
Speaker 1 (05:34):
Okay. I knew that I had to bring.
Speaker 2 (05:37):
You this, Okay, because because and and we'll see if
I can even pull it off here, please please please,
I mean.
Speaker 1 (05:44):
To put it to put it simply.
Speaker 2 (05:47):
The experience of getting ready to go out, okay with
a bunch of girlfriends. Okay, let's just say, distinct difference
between the response I get when I come out in
my own fit thirty pounds heavier, you know, or or not?
Speaker 1 (06:05):
Right? Okay, So here's what it is, okay.
Speaker 2 (06:08):
Okay, So let's just say whatever, okay, normal.
Speaker 3 (06:14):
To them me whatever, come out.
Speaker 2 (06:18):
They'll give you real feedback okay, because they believe so okay, okay,
cur it is okay. So it be like I think
that belt is cutting you weird at the waist okay,
or something right totally okay, like great, or they're like,
m that's skirt. Okay, let's just say fifteen pounds higher
than that. I come out eyes glazed over.
Speaker 1 (06:39):
Okay, Yeah, here she is, missus okay, literally coldly. You
don't think that's small, of course.
Speaker 3 (06:50):
You know, like yeah, it's like yeah.
Speaker 2 (06:52):
And what's so sick that they think you're beyond notes?
Speaker 3 (06:56):
They think you're unhelpable.
Speaker 1 (06:58):
Yeah, exactly exactly.
Speaker 2 (07:00):
Where where when they see you as whatever, they accept
right as whatever?
Speaker 3 (07:06):
They go.
Speaker 2 (07:07):
I can take her from a ninety ninety nine yep,
totally percentile. No, no, the way she oh, you just
look really pretty and like, okay, this is incredible. Way
never We're talking about this for a really long time ago.
I think I knew it's not done for you, and.
Speaker 1 (07:25):
I was like, I was like, that is what you
say to someone who has elephant titus and is in
a ball gown.
Speaker 3 (07:33):
Okay, we talked about this early poog.
Speaker 1 (07:34):
Okay, can we say Titus anymore.
Speaker 2 (07:36):
Are yeah, yes, okay, no, but I just mean like
it's bringing in the tiara.
Speaker 1 (07:42):
She's gorgeous. You said it early poog Okay, what was it? Oh?
Speaker 3 (07:46):
Yeah, like laying the laying the tiara.
Speaker 2 (07:49):
Lips on patient Okay, yeah, yeah, who's.
Speaker 1 (07:52):
Just woma for a hundred days? Today's a hundred days
in a coma for her on one hundred day tiara? Okay,
I mean truly. And it was weird because she because
the way she said it to me too. I'm really
interested in this because except like I was kind of
I was kind of like, oh, because by the way,
(08:12):
it's a weird thing to say, because here's what makes
complete sense. And I would say this to a woman, right,
And I think it's really nice when you actually think
someone looks great, Like I think it's cool to say
something like or I have no trouble be like god,
I love what you're wearing, you know, or like, well
sometimes you have amazing hair, I love what you did
with your your makeup looks so cool.
Speaker 2 (08:33):
What the fuck ever? It is when it's real and
it's genuine, Oh, it.
Speaker 1 (08:38):
Sounds just different, right, And then there's something specific, but
her kind of two strangers like, by the way, I'm
not kidding. You could almost be talking to someone and
then make conversation go sorry, can I just say this
you're gorgeous or something I don't like? That's okay, I think,
but to turn to say to a stranger and this
is a see there are actresses around there like objective
(09:01):
you know pieces. And by the way, you and I
both hot pieces of ass. I remember one time texting
you something and you're like, I think I'm a hot
piece of ass. I was like such a cool thing
to say, I love that tide. No I think or
not not a hot piece of ass's piece of ass?
D there's something different, Chris says.
Speaker 2 (09:16):
I'm a piece of asso.
Speaker 1 (09:19):
Well, fucking hope.
Speaker 3 (09:20):
Sorry, but this is the truth.
Speaker 1 (09:21):
If the version you're not with is not constantly reminding
you of that, it was a huge problem. But yeah,
but you it's really funny, pa, but like saying the
way she said it to me. And and then here's
what's strange. And I didn't do this, but almost puts
this weird thing of so am I supposed to say,
(09:42):
duh you I mean, Kate, no you? And by the way, tonight, girl,
like what is this? So, I of course did a
I did a way over correction and did a kind
of me the old hat. I did a kind of
oh my god, whoa, well, thank you. I had to
do a bit because to me it felt so false
by the way, I of course felt completely good about myself,
(10:06):
fine about myself. I wasn't there like like it almost
put me. It made me feel almost like do I
look like first day of school? Clinging onto my books,
walking into the cafeteria, looking around with braces, you know,
a back brace, glasses with the like am I dress?
Speaker 2 (10:22):
You know what I'm saying, Like it's almost like sculosis frock. Yeah,
orthopedic shoe on your hand.
Speaker 1 (10:30):
Two orthopedic shoes on each hand, like you're really pretty
like or something.
Speaker 2 (10:36):
It was just a retainer stabilizing the ankle. Yeah, you've
got all the devices, but they're all they're all father
father at the scrap yard behind the medical facility, gonna
make us better, beautiful, She's gonna make.
Speaker 1 (10:55):
Her beautiful when up. Oh yeah, So I just I
was like, I just loved it.
Speaker 3 (11:09):
I was like, this is no done.
Speaker 1 (11:11):
Do not move on? Yeah, don't you dare move on?
Speaker 3 (11:14):
Okay, Okay, hold on.
Speaker 2 (11:16):
So your impression to me is so perfect, like thank you.
I'm experiencing exactly what you're describing when you.
Speaker 3 (11:23):
Do it, and it's a little bit of like.
Speaker 2 (11:27):
Yeah, like I if I were there standing next to you,
I could just feel like it'd be like, how dare you?
Speaker 1 (11:34):
You know what I mean, It's like just call me ugly.
It was so it was just odd. Was it was
just like really awkward. And by the way, I almost
because I was talking about I was like, I almost
there was part of me that goes, is there a
world where is there a world where she likes my comedies?
She's a had and she's but she's decided approach. But
(11:58):
I really felt like there's no way because I immediately
felt like, oh god, am I going to tell because
I need to tell Chocolate about this. And I was like,
is there like imagine the world where she's listening right like?
But I just really don't think. So I was just
some mangled well peace if she because you know what
you don't just I'm trying to imagine. I'm trying to
(12:18):
imagine let's say.
Speaker 2 (12:23):
No, wait, give me more. Did you say you're waiting
for valet? Yeah, sounds like a good party. Okay, by
the way, okay, now I'm going full truth. I was
concealing one detail to throw in case that were in
case she heard let me guess a premiere.
Speaker 1 (12:37):
No, No, we were at a bar. We're at the bar,
crowded bar, waiting to get a drink. Does it change
the context?
Speaker 2 (12:42):
Oh, you tried to conceal the detail just to throw
people off of this.
Speaker 1 (12:46):
In my nightmare that she hears this, I think.
Speaker 2 (12:50):
She's the other girl who told you you were pretty right. No,
I mean literally, I don't think that's even but let's
just say she's a dream, which she really might be.
Speaker 3 (13:02):
Yeah, right, she's backpeddling.
Speaker 2 (13:06):
I'm saying, I'm I'm trying to I'm trying to say
it's fine because even if she's like the greatest like
and she knows she didn't mean it, and she just
knows it came out weird and funny the next time
she ye, I'm the one.
Speaker 1 (13:20):
No, but I just meant I guess because part of
it is although part of it is that I wasn't
talking to and I wasn't super exactly exactly. Yeah, because
by the way, let's just say, I mean and how
would that be let's swush it up if she were
strikingly beautiful model, like top model level. And she turned
(13:40):
to me and said that yeah, it actually would feel
better if she was like, can I, well, then then
there's a story of well, then it's like she will
like it's still like being big dicked by someone or something.
It's still someone being like, I'll tell you exactly what
you are. I see you like there's something about it
(14:00):
that's dominant. There's something about it's dominating, and there's something
about it that's like it's a weird move because it's not,
because again it was it didn't feel like this is
a kind of authentic compliment of like this is like
something else. This is something else, and it made me feel.
Speaker 2 (14:19):
The womans up to you at a bar and says,
I'm sorry, can I just say you're really proud?
Speaker 1 (14:25):
It wasn't even that.
Speaker 2 (14:26):
So here's what I'm trying to reduce the story to.
If I had no nuance and hadn't heard the impression. Okay, okay,
that's an experiment, but I'm saying, but.
Speaker 1 (14:34):
Part of it is I think we're all crammed there.
It's not like she came up to me to say that.
It was like we were at we were at the
it was like we're all facing forward, crowded bar, right.
She turns to me kind of to like move around,
looks at me, looks forward, and then comes back to
me to.
Speaker 2 (14:49):
Say, can I just say? But she didn't say can
I just say? She just said it like do.
Speaker 3 (14:54):
It for you again now?
Speaker 1 (14:54):
But like it it was like it was like, oh,
you're so pretty something like it was like you're I
wish I knew exactly the wording. It was like you're.
She didn't say, can I just say? It was just like, oh,
I You're so pretty something like that. It's like going away.
But it was really it was this real, like good
(15:15):
like I'm like this earnest like you know what, Like
you know, it's like, oh it was weird. It was weird,
and maybe it was and you know what it feels,
you know what? It could be a social anxiety response,
and I sent her laugh We're all scared out there.
Do you think they're.
Speaker 3 (15:34):
Like maybe she wasn't on one MG.
Speaker 1 (15:37):
Yeah maybe yeah, well I was literally on one MG.
Yeah I know That's why I'm saying it.
Speaker 2 (15:42):
I mean, I figured you would be given what you
were saying about how like socially it makes you sore?
Speaker 1 (15:46):
It does? It does socially make me sore? You know
when you feel because I felt I have felt some
like social tightness lately, where I'm like, I haven't wanted
to go to like parties. I haven't wanted to like
I'm like, I want one on one, I want like
three people. I don't. I don't and sometimes I really am.
You know, you pull energy from the bigger groups, right
or whooring out walking around, you know, walking a room,
(16:08):
walking the perimeter, seeing who's around. You know, when you
feel yourself it's.
Speaker 2 (16:13):
A stand dead center and I simply turn on an axis. No,
I like the perimeter, and I like it all. I
like elbowing past and then elbowing past in the other
direction and leaving. What do you think of That's a
good social anxiety trick. Okay, to act like you're headed
to something, it's just it's good. That's just how you're
making your way through the room. You're like, I'm aheaded
(16:35):
that way, praying to be stopped, pretending to look around
have been a part I've been at a party like
Kristener are standing there. We literally like standing some other
people more, I go, hi, I'm Jacqueline, you know, so nice,
and like they like they won't take not that happily
offer their names and then like silence. It's like amazing,
come on, motherfuckers, Like are you kidding? That's crazy, that's crazy.
(16:57):
It's like hello, yeah, it just seems like not cool
now not cool. But wait, wait, I'm not done with this.
Hold on, I'm not done with this thing. Yeah it
feels a little I mean, but it also has the
tone of.
Speaker 1 (17:13):
Like a ya. You know.
Speaker 3 (17:15):
It was very drama.
Speaker 1 (17:18):
It was very belittling because it was like if you
because by.
Speaker 2 (17:24):
The way, did she why did she feel age proximal
to you?
Speaker 1 (17:27):
Young or younger? Maybe I'm bad at that though I
really don't know. I constantly people think I think people
are older than me and they're younger than me, right,
Like I don't know about the age.
Speaker 3 (17:42):
But but no, I was just curious, like I'm just
trying to and did she have any friends with her?
Speaker 1 (17:50):
Okay, it's a really good detail. I didn't quite clock it.
I think maybe she was alone at the bar.
Speaker 3 (17:56):
Well maybe like she's at the bar to get the drink,
you know.
Speaker 1 (17:59):
She wasn't. Yeah.
Speaker 2 (18:00):
Yeah, well, by the way, I don't think or not.
I don't think there's a role in when she was alone,
because it just was.
Speaker 1 (18:05):
Like order am I tied? Didn't it didn't didn't get
that far.
Speaker 2 (18:09):
It's like a weird drink and you don't mention it,
like and it reveals it all.
Speaker 1 (18:14):
Yeah, I don't know. It was Zachary. It was here's
what here's all just say. It didn't make me feel good.
And that's what's interesting. I think what it feels like is.
Speaker 2 (18:27):
She was embodying the quarterback who who notices the girl yep, completely.
Speaker 1 (18:38):
And it's like I see you, like.
Speaker 2 (18:41):
Well completely and and and therefore elevating you, like you
don't know your like she probably thinks she's a dog
and or something exactly.
Speaker 1 (18:51):
I don't know.
Speaker 3 (18:52):
It's like I'm embellishing on your read of it.
Speaker 2 (18:55):
No, this is she could have a horrible voice, like
she could just have a like and then if she
turned and was like I it was the tone that
the education on the Holocaust. But you know what I mean,
Like it was like she could just always sound that way.
Speaker 1 (19:11):
You know, it was the tone it was. It felt belittling.
It just was like, because I'm just trying to think.
I'm sorry, but tell me I'm wrong. You're standing there,
there's an unbelievably attractive person. You say to them, sorry,
you're just gorgeous. I fucking don't think so.
Speaker 3 (19:33):
By the way, it is, you're yeah, okay, here it is. Yeah.
Speaker 2 (19:35):
If someone looks like they're a fucking supermodel, right, yeah,
you don't say shit because you're like, it's almost embarrassing
to say to the supermodel.
Speaker 1 (19:42):
Of course, I'm sorry, but you're so prediatous. You say
because you think you're making someone's day. She told me
like she was making my little day. And by the way,
let's just say, I'm at the grocery store and like,
you know, your hair pulled back it and someone goes, God,
like sorry, you go it okay or something. But when
you're trying, when I have.
Speaker 2 (20:05):
When I put primer on that night before the foundation
and I've been blending, you know, when someone's made the
effort then to say, do you think she thought you
were she was caught staring at you. No, and then no,
she needs to explain no, And again who knows what?
I don't think, But I mean, I also am not convinced.
(20:28):
I still think it's possible that it's just I mean,
you are stunning, oh, Jacqueline.
Speaker 1 (20:35):
Okay, but but I actually see and I worry that
I'm coming off with a girl with curly hair.
Speaker 2 (20:41):
Yeah yeah, it's doubting, totally A visibly.
Speaker 1 (20:46):
Yeah, I don't know. And I don't want to seem
callous in my retelling, like, oh no, you don't do
you know what I mean? But it just it was
it was interesting.
Speaker 4 (20:56):
There was a lot, there was a lot held in
that encounter, and oh yeah, almost because the crowd was
quite young, like I feel like there was there were
a lot.
Speaker 1 (21:07):
There are a lot of like gorgeous twenty seven year
olds running around, you know.
Speaker 2 (21:12):
They were like, you still got it, old lady. You're like,
I'm your age practically totally. I wonder if you're social anxiety, sorry,
(21:34):
you're social titan. It's the first thing I thought when
you said, I go, it's microbiome. Okay, it's not that, bitch,
You're like ninety nine point nine percent microbiome, and like, yeah,
oh my god, no, but you're taking the factories that
are less impressive. I too held those.
Speaker 1 (21:52):
Okay, what's the good to me? Giveings me down, Like.
Speaker 2 (21:55):
It's way worse. Did you hear what I just said?
Now I've got the numbers. You're prong, but you're pure microbiome,
so everywhere okay, like it? Okay, like ninety nine percent
of the DNA in your body is bacteria DNA Okay, Okay,
like you're only it's almost like you're one percent human.
Speaker 1 (22:17):
You're a super organism. Okay, it's a nightmare.
Speaker 2 (22:19):
Okay, Okay, but it's invisible, so it could be abstract. Okay,
so it's not disturbing, but like, let me just look
this up. So, like last night, I was watching an
interview on a rich role with doctor B. His book
is called Fiber Fueled. You may recall I texted you.
Speaker 1 (22:35):
He text me something about like healing.
Speaker 2 (22:38):
I said, like, we're going to heal your microbiome. Okay,
and wait, where is it, doctor B? Fiber uh microbiome DNA?
It's too hard to find. I can't damn all right,
I'll just take it back. But the point is the
(23:00):
answer plant diversity.
Speaker 1 (23:03):
Okay, tell me fido nutrients or whatever, polyphenals?
Speaker 3 (23:08):
Okay, who cares?
Speaker 1 (23:10):
You know? Everything? Everything?
Speaker 2 (23:12):
Answer is the same diversity of vegetables and plants.
Speaker 1 (23:17):
I love it.
Speaker 2 (23:18):
I believe it's literally all about So doctor B is
like he plays with your kids, like add up the
plant points and see who wins, like who has.
Speaker 1 (23:27):
The most I'll go over real well with the kids. Different. No,
does plant diversity? Yeah, I mean these are these are.
Speaker 2 (23:35):
No, they don't say plant diverse. And by the way,
kids do Okay, go like like you provide a competition.
Speaker 1 (23:42):
Like I don't. Does that really work with them?
Speaker 3 (23:45):
I think it fucking does. Dog.
Speaker 1 (23:47):
I feel like jelly beans in eyeshadow. But I'm like,
I don't think it.
Speaker 2 (23:52):
No, but no, But it's like, I mean, I don't
know what age, but I know there's an age that
if you go, whoever has the most lines in the.
Speaker 3 (24:02):
Leather way on the pleath winds.
Speaker 2 (24:05):
Okay, it's like it's like we're playing, we're playing, you know,
plant whatever. He's not like artistically, I'm with you. You
have to know that, Okay, of course, Like my reaction
is the same. But when you said it, I thought
about it. I was like, you know, I mean Punchbug
(24:27):
was a fun game throughout life, and all that is
is yelling out.
Speaker 1 (24:31):
I mean that's different reaction. Time and then you have
to hit something, but.
Speaker 3 (24:35):
You don't have to.
Speaker 2 (24:36):
But you see a if you see a beetle, you
oh that's right, yell punchbug made by the first person.
Speaker 1 (24:43):
Just long car ride.
Speaker 3 (24:45):
You're scanning, rapidly scanning.
Speaker 1 (24:48):
Well, guess what, I'm sorry now I'm jumping ahead to
a car. A car desire. I have to keep going.
Let's hear it. I want to sex a car. And
to be clear, not expensive and not it can be cheap,
just safe enough to take to dinner.
Speaker 2 (25:04):
You want like the dream, which is like you want
to find the like vintage dress that's somehow cheap. Yeah, exactly,
and like there you are with like a champagne saw exactly.
Speaker 1 (25:15):
Like I'm convinced.
Speaker 3 (25:16):
That's gonna run perfectly.
Speaker 1 (25:18):
I'm convinced that there are tons of cars that are
sitting basically unused in the elderly's car ports. Yeah. And
so this is my formal call out if anyone well
in Los Angeles, by the way, but you call for
two the vague you want one to Yeah.
Speaker 2 (25:36):
I mean we're a single family household, I mean a
single car household.
Speaker 3 (25:39):
Be nice to have two.
Speaker 1 (25:40):
Yeah, I mean a date car.
Speaker 2 (25:44):
I mean you think you think just because you said
I want a car first, I poof that like you're worried, Like, well,
you can't split a car, so I'm only gonna ask
for one. I mean, I'm just saying, like, if someone's
got one, yeah, sure we'll take first.
Speaker 3 (26:01):
Okay, I'll take a house. How's that, Kate. I'll take
a house and get one for Kate too.
Speaker 1 (26:07):
Okay.
Speaker 3 (26:07):
Now the first person that offers is a house.
Speaker 1 (26:09):
It comes to me. Okay, okay, that's fair, Okay.
Speaker 2 (26:12):
Okay, So I'm not a fucking asshole, all right, obviously
you'd get if there was only one, you'd get it,
all right.
Speaker 3 (26:18):
Yeah, oh that reminds me. That reminds me.
Speaker 2 (26:20):
But yeah, I'm just saying, if someone's got a garage
full of like their grandfather collected.
Speaker 1 (26:27):
Throw a couple of Grandpapa's cards.
Speaker 2 (26:29):
You know what I'm looking for Japanese in the listener community.
Speaker 3 (26:34):
I may have said this before.
Speaker 2 (26:35):
I keep writing it down and then forgetting a patent
expert slash technical drawing artist. Okay, okay, because my file
folders full of product and invention ideas, overflow really knows
that world. If someone's like patent guy and knows how
(26:55):
to search that. I mean, I'm not saying I couldn't
learn or do it.
Speaker 1 (26:58):
All the time.
Speaker 2 (27:00):
Okay, you're deep in the microbody. You don't have time
for this ship. Okay, that the amount I'm telling you.
They're good, their quality. They I just if someone just
devoted there just for fun, I refuse all. What a
stupid question. Of course, I mean some, but they're they're
(27:20):
throughout my day. I you know, it's like whatever I'm doing,
I see another.
Speaker 3 (27:26):
Way that it could be done.
Speaker 2 (27:27):
I know you always do and you can really you
can make money. And I think it's interesting, like you
can make a lot of money. Like I think we
knew the guy slank It. You knew that guy Slanket. Wait,
you know what slanket is? Oh wait, I don't, sorry,
sleeve blanket, Huggies, Oh, Snuggie Snuggies, Kate Huggies are diapers.
(27:53):
Oh okay, Snuggies was stolen from slank It.
Speaker 1 (27:55):
Yes, but I'm pretty sure slank It. That's the thing.
Speaker 2 (27:58):
I'm pretty sure slank It's still made this real cash
even though I bet so.
Speaker 3 (28:04):
It's sort of like it's like whatever.
Speaker 2 (28:07):
But the point is if someone if I rolled off
one hundred of my little ideas and solutions and this
person knows the catalogs or it goes well, I know,
I actually know a lot about you know, pet products, Okay, okay,
I got a few of those, like I know that
market whatever. I just think there's someone who could and
(28:29):
you know, could take percentage.
Speaker 1 (28:32):
Well maximize poog first, and then we'll start we'll start
filming Pug in person and then you can enter the
enter the pet invention industry ritual.
Speaker 3 (28:41):
Ritual.
Speaker 2 (28:42):
They're like in blackness with like two like green neon chairs,
you know, like floating and.
Speaker 1 (28:51):
I saw school. Oh, I wonder do you know implicity?
Do you understand sun moon Earth? You know what's revolving
around what you just got? You just have that down.
Speaker 2 (29:01):
Because I encountered some confusion in myself, not in the
way like I think. Okay, I think a lot of people.
I don't know this, okay for sure, but I think
there's a lot of people out there who could produce
the correct answers and not actually be able to visualize it.
Speaker 1 (29:16):
Okay, Can I try and you tell me if I'm right,
because I really don't know.
Speaker 2 (29:20):
Okay, Well, it takes me a second because I picture it.
Speaker 1 (29:23):
Okay, hang on, so in my and I and this
is really vulnerable because it might be a way off.
Speaker 3 (29:28):
No, I know, and you can cut it if okay,
mat it.
Speaker 1 (29:30):
Okay, let me just try. I'm gonna try to. I'm
gonna try. Hang on sun, Okay, hold on. So let's
start with the sun. Okay, let's each door individual, Yeah, okay,
hang on, hand on all right.
Speaker 2 (29:40):
I'm I'm sorry. I know I'm saying to start with
the sun. Okay, but I don't know why I said that. Okay,
actually I do know why, but we'll talk about it after. Okay.
Speaker 1 (29:50):
Oh fuck, I'm already lost again. And I think this
also shows how confused I am.
Speaker 3 (29:58):
Okay mmmm mmmm.
Speaker 1 (30:04):
Okay, wait, so it's gonna be fun. What I thought
was this is the sun? Right? Wait?
Speaker 3 (30:09):
Wait wait it's blurry. Hold on, hold on, don't move.
Speaker 1 (30:11):
Okay, Yeah, okay, Sun, here's the Earth?
Speaker 3 (30:14):
Yeah, uh huh? Moon and where's it going?
Speaker 1 (30:18):
Goes around the Earth.
Speaker 2 (30:20):
No wait, you said earth Earth? Oh, Moon goes around
the Earth. Attar, you broke up. Okay, Okay, am I correct?
Here Sun Moon, here's Earth. Moon goes around the Earth,
and then the and then the Earth. And the moon
are traveling around the Sun.
Speaker 1 (30:33):
Yes, fuck yeah, I got it. Wait, I'm pretty sure.
Speaker 2 (30:37):
I mean, but but I think instead of thinking of
it as like the moon and the Earth going around
the Sun, it's more like the Earth goes around the
Sun and the Moon goes around the Earth.
Speaker 1 (30:48):
You know what I mean.
Speaker 2 (30:50):
Yeah, it's the same thing. It's the same thing in
the way your mind's working.
Speaker 1 (30:53):
Okay, because here's what I got confused.
Speaker 2 (30:55):
I didn't draw the I was like Sun, yeah, and
then Earth and that goes around that and then Earth. Oh,
don't forget. See this is this is the thing. Don't
forget the Earth is rotating.
Speaker 1 (31:09):
Because here's the thing. See. And this is what's crazy,
because I constantly go and you feel when you're driving right,
the moon follows you, always moving around. That guy is
constantly moving in a way that I almost don't understand.
Where Like I was looking out my window, gorgeous full moon.
I went, oh my god. Then I got excited. I went,
(31:30):
does this mean when the moon is full, I'll always
see it here? Well, the full moon always be thank you?
Will the moon always be full? So is it like
we got a great, great view of the full moon
at the front window. Do you know what I'm saying? Right?
Or going to be in the backyard one day?
Speaker 2 (31:48):
No? Right?
Speaker 1 (31:49):
Right? Right? Or is that great?
Speaker 2 (31:54):
So, like to be clear, my instinct is like there's
there's a lot of variable and so it's going to
show up in different places.
Speaker 3 (32:01):
Okay, Like it's not like that's my instinct.
Speaker 2 (32:04):
Now if I really go for it and try to
figure out that that question, right, you know, like I'm like,
is it always there? And like I don't know, okay,
So just I don't know, right, I can't answer it.
I'm confused, okay now. And by the way, like I
will defend at all costs the fact that it's confusing
(32:27):
when all of this all motion is relative here, you
know what I'm saying. So it's like it's all fucking moving.
So yeah, there's that. Okay, But Membory, you discovered there
was something you discovered on Poog. We were talking about like,
oh that the moon rises and falls.
Speaker 3 (32:50):
Well there's that, right.
Speaker 2 (32:53):
I always get confused, I mean the fact because I
forget but I think the moon has no atmosphere, right,
what so when they're standing on the moon, it looks
like they're standing on a rock in space.
Speaker 1 (33:05):
I think that's what those photos look like. God, they
look cool. Yeah, it still seems a little I don't
like about that.
Speaker 2 (33:10):
Yeah, so like the atmosphere is really kind of tricking
us here, see what I'm saying, Like, wait, hell, okay,
let me just double check that the moon has no atmosphere.
By atmosphere, you're talking about beyond good lighting. Yeah yeah, yeah, okay,
(33:37):
so oh right right right? So you know how the
Moon has less gravity, that's why they're bouncing around.
Speaker 1 (33:43):
Yea.
Speaker 2 (33:43):
So Earth has more gravity because it's a bigger object.
Speaker 3 (33:47):
That's the whole thing.
Speaker 1 (33:48):
That's why we age. Yeah, do you age on the moon?
Speaker 2 (33:53):
So?
Speaker 1 (33:54):
God, here we go back to interstellar so I'll never
forget it.
Speaker 2 (34:00):
Yeah, when he realizes that his kids are old because
he was gone for like a day, but it meant.
Speaker 1 (34:07):
Because they used that.
Speaker 3 (34:10):
Long, Like.
Speaker 1 (34:12):
It really is all happening at once.
Speaker 2 (34:14):
Einstein when when, oh no, I guess that took place in.
Speaker 1 (34:17):
I need to find this book. Sorry is blasting today.
I need to find this physics book that I read
years ago. The change my life. Of course I don't.
It's like you would love it, you would die. It's
it's such a small book. It's like seven lessons on physics.
It's like written in an Italian, it's an Italian guy.
It fucking rules. And I remember reading it on the beach,
tears streaming down my face, grasping basic physics. He makes
(34:42):
it so fucking clear. Yes, And it was like it
was pure poetry talking about I understood the connection between
temperature and time. I was like soaring. Oh, like I
need to go reading, reading, mandatory reading, mandatory, phone band,
two leaders of water a day, reapplying sunscreen, yeah, which
(35:04):
I don't do. Book. By the way, I was experiencing
so much. I was feeling so fucking tired. And then
I realized, you're not drinking water. And I hate I
hate saying it because when you when you're not drinking water,
you don't want.
Speaker 2 (35:16):
To Yeah, well just water, not feeling better for fine,
feeling better as a.
Speaker 3 (35:22):
Day, healthful drinks a day.
Speaker 2 (35:25):
So I mean I'm getting my hibiscus, obviously, I'm thinking
of adding.
Speaker 1 (35:30):
I have a question, how long can the hibiscus be
soaking before you have to throw it out? Like does
it get bad? Or can I have it for days? Soaking?
Huge question?
Speaker 2 (35:38):
Well, first of all, you better be finishing that court
within the day because you want three a day. I'm
just saying I forgot, like I made about it, So
is it good today?
Speaker 1 (35:48):
No clue?
Speaker 2 (35:49):
And I too am paralyzed it like it's got to
be flack of information? Really yeah, Like what's it's got
to be fun? I'm not sure. I mean, but like,
is a dry flowerotting and water?
Speaker 1 (36:01):
I'm all over now if you drive, is a dry flower.
Speaker 2 (36:04):
Rotting and watting and water? Or is it just let
me you can loose leaf? It's not can loose leaf? See,
these are the questions that exhaust me. Right, It's not
that can loose leaf? Tea you go bad? Okay, it's
can Like when you have to Google and it's like,
(36:25):
you know, it's like these linguistic challenges like.
Speaker 3 (36:31):
Soaked you know teah.
Speaker 2 (36:36):
H Like I I cold, like so sometimes I have
to do the thing where I pretend I'm like the
idiot who you know that? You know how like people
write in you see it. At least people also ask
and it's like they write these full sentences into Google like.
Speaker 1 (36:53):
Oh, of course I've done just did blah blah blah
and blah blah blah.
Speaker 2 (36:56):
Right, Oh you have sometimes, Oh, totally to.
Speaker 1 (37:00):
To get like you write in I Brew. You know
I cold brewed hibiscus three days ago. Can I drink it? Yeah? Yeah?
Speaker 3 (37:13):
Is cold breute? And forgot you're searching.
Speaker 2 (37:16):
There you go if you forget and leave the eggs
and nice tea for several days. I'm just seeing which
one is the best, because overnight tea, the good, the bad,
and the ugly cold breute can be kept for a
longer time.
Speaker 1 (37:30):
Wait while you're searching, I found the answer. Have you read? No,
I'm breaking with a new topic. Have you read Journey
of Souls? Because my kolonicists gave it to me.
Speaker 2 (37:41):
I was looking at that, and I was because to
say no, perfect, because I've obviously, you.
Speaker 3 (37:49):
Know, I read all of Monroe's works.
Speaker 1 (37:52):
I haven't read any of these kinds of books.
Speaker 2 (37:54):
And Many Lives, Many Masters, Brian Classic, I've meant to
meant to for nine years or nine years, you'll instantly
I own it. I actually instantly realize that.
Speaker 1 (38:07):
I'm going to microdose floo flow voice flow dose again,
go to outer space, read many Lives, many Masters.
Speaker 2 (38:15):
Actually I'm curious. I'm going to write in psilocybin, and
I'm going to try ask for projection and see if
there's any benefits because once you start leaving the body, okay,
once you start leaving the body, you start getting in
trouble over courd of course, you know, can you get
into this other realm where psychedelics are out of body experience?
(38:40):
And then but let me just look at Journey of Souls.
But this guy, Robert I think his name was Robert Monroe,
as for projection, they all right, he was journeys out
of the body, and you know, I die for it way.
I can't find you, and you're in a tab somewhere,
trapped in a tab. If you can imagine, isn't that
(39:01):
interesting that the universe some stuff is trapped in a
tab somewhere, all all realities happening at once, there's a
tab happening somewhere else where you have a different life.
Speaker 1 (39:13):
I thought, I'm fucking saying stupid shit. Cut me off.
Speaker 2 (39:18):
But Robert Monroe, this is like the only like way
I can like force myself into sort of relaxation exercise,
like is to be like to like be like maybe
I'll ask or project mm hmm. I mean we talked
about this like day one of poog like, this has
been one of my goals for a long time. You know,
(39:40):
you gotta be careful where you're trying to go. Some
you know you don't want to be in that there's
kind of the astral plane that's sort of just you know,
unsavory characters and kind of not the highest energies. Yeah,
you got to get make sure you blast up among
the angels.
Speaker 1 (39:53):
Yeah, for sure, that checks out.
Speaker 2 (39:56):
But his book, like, I just love the stories of
normal person, normal life, and then something happened, And.
Speaker 1 (40:03):
There's also some of the most terrifying stories I'll ever encounter.
Speaker 2 (40:07):
We've talked about it, talked about Mary Stein Burgin, right, No, okay,
Ian Jacqueline, Jacqueline, Jaquelin, Jacklin Jack and Jaquelin jackeln jackun
Jacklyn Jaquelin.
Speaker 1 (40:16):
Listen to this. You're not I kn't I get to
break this to you. Mary Steam Virgin, beloved actress. She's fine,
by the way. Sorry, I just want to say, okay,
she's fine. Sorry, I'm so sorry. Sorry, looks so scared. Listen,
she's fine. She mean, by the way. I'll look up
the story later, so it might be slightly butchered. But
(40:38):
here's the general what it is. She had surgery. I
think it was like me, it was something not crazy,
but she had to be put under. She comes out.
The woman came out of nowhere, speaking of composed music.
She's hearing music, She's seeing music. She's like, I can
understand music. Now she's writing. She has a fucking second
career as a quite prolific composer. She came out of
(41:02):
surgery and she's described it. She was like, I can't
describe it. I could just see the notes in the air.
I could hear them, I could feel them, like music
was all around me. She just out of coming from
I believe she had no previous previous music experience. She
came out of it and she could fucking compose, compose music.
Look it up, folks. She has another career now she's composed.
(41:23):
And they're like, she has like a fucking Grammy or
something from like composing or something.
Speaker 3 (41:28):
The unthinkable has happened. I'm speechless.
Speaker 2 (41:30):
Yeah, yeah, yeah, okay, I don't know if people understand
this is Okay. I sit down since I was a child, okay, okay,
I sit down at the piano and try to let
previous lives knowledge in where maybe exactly exactly. Okay, I
do this all the time. Okay, sit there and I go,
you know, you know.
Speaker 3 (41:48):
What I play?
Speaker 2 (41:49):
Yeah, totally okay, And I mean I can play a little,
but you know what I mean.
Speaker 1 (41:54):
Yes, of course, can you believe what I'm telling you?
So these guys all yeah.
Speaker 2 (42:03):
No, I just I just I mean I read these
things and they're the very stuff that gets me out
of bed in the morning. Okay, And I mean that one. Yeah,
Like I enjoy almost like paranormal for paranormal sake, like
that is.
Speaker 1 (42:20):
I know, I know, I mean I've never seen her
like this. Yeah, I'm like.
Speaker 3 (42:33):
Well, the stuff about the sort of.
Speaker 2 (42:36):
Beautiful, strange, spiritual happenings you know, in the hospital setting
are another favorite, another pet topic for me.
Speaker 1 (42:48):
What angels running in the halls of hospital streets y yeah, yeah,
and the the.
Speaker 2 (42:56):
You know, there's all sorts of ship, there's people see
all sorts some.
Speaker 3 (43:00):
Things in the veil. Listen.
Speaker 1 (43:17):
We talked about The Good Doctor, right, a terrifying movie
that's unbelievable. The Good Nurse, we talked about it, right, yeah,
of course, okay, extensively past because we raved and rained.
But I'll say, yeah, Eddie in that over the opening credits.
I go, he's a fucking master, this guy Anderson's acting. Yeah,
(43:39):
he's made, He's done some wild stuff. We'll leave it
at that. But damn sure.
Speaker 3 (43:43):
And I mean, can you blame an actor for.
Speaker 1 (43:46):
Getting a little caught up in being an actor? Never?
Speaker 2 (43:49):
But I ever blame an actor for being an actor
for all of it. It's like, and like, what are
you supposed to just have a I always wanted to
do a campaign lotless rec Like.
Speaker 1 (44:00):
What about a shirt that says believe actors?
Speaker 2 (44:02):
I always thought that was interesting, but no one's ever
responding to it. No. I mean it's it's very funny,
but I think, by the way, and you know why
it's bad, right, you know why it's.
Speaker 1 (44:11):
Oh, bully victims. It seems like I'm making a joke,
but I'm not. Yeah right, I No, I'm literally talking
about actors. Yeah, it's not a reaction.
Speaker 3 (44:20):
So it's so it's like the yeah, it's right.
Speaker 1 (44:23):
It's like it seems like I'm you.
Speaker 2 (44:25):
Need we want that same language or a different language
to express that same thing. It would be like it
would almost be like have you listened to an actors today?
Trust actors or like trust actors. Yeah, actors are real. Yeah,
why don't you Yeah, Yeah, actors are real.
Speaker 1 (44:41):
It's good. Actors are real. It's good.
Speaker 3 (44:43):
Actors are real.
Speaker 1 (44:44):
Actors are real. Ours underline. Yeah. By the way, we
have had requests, and I think it's brilliant for Torn
Basil merch. Oh yeah, Torn Basil restaurmor when we come on,
we're leaving millions on the table. With that, millions to
mention the inevitable Torn Basil pop up in twenty twenty
seven once we get the podcasts figured out.
Speaker 3 (45:07):
Torn Basil Okay.
Speaker 2 (45:11):
A lot of people, by the way, are confused, and
we'll talk about it for understandable reason.
Speaker 3 (45:18):
In the press.
Speaker 2 (45:19):
Kate Borlant and I Zakolenovac spell poog capital p lowercase oog.
Speaker 1 (45:26):
Yeah.
Speaker 3 (45:27):
Now people are confused.
Speaker 2 (45:28):
Because the logo is capitalized is is Well, it's not
even technical capitalized.
Speaker 3 (45:34):
It's an infinity sign.
Speaker 1 (45:37):
That's right.
Speaker 2 (45:39):
There Actually aren't two o's in poog exactly. There's infinity
in poog.
Speaker 1 (45:43):
It's pog.
Speaker 3 (45:45):
Okay, so then you have that.
Speaker 2 (45:47):
And then because people will say it's goop backwards, and
goop is of course all caps.
Speaker 1 (45:52):
So I think peoples, all coops all caps really mm
hmm yeah, so people, I think, So what's all lowercase?
Speaker 3 (46:03):
Okay? Interesting?
Speaker 1 (46:04):
Okay, okay, great, we've been corrected.
Speaker 3 (46:07):
News.
Speaker 2 (46:08):
It is the article I read about us, okay or whatever?
The many articles all capped both now. But Robert Monroe,
which I want to say, who's out of food? Laid
down on his couch.
Speaker 1 (46:22):
Oh that's the soul guy.
Speaker 2 (46:24):
Yeah, laid down on his couch or a nap, I believe,
a Sunday afternoon, and suddenly felt his entire body vibrating
in this vibration, moving up and down and up and
down from the bottom of the toe to the top
of the him, et cetera, et cetera, and out.
Speaker 1 (46:39):
He goes, and he goes where out of his body?
Oh where does he go?
Speaker 3 (46:46):
Flying around wherevery damn well? Pleases?
Speaker 1 (46:49):
Okay, Miami and down baby, straight there, and then you
go up.
Speaker 3 (46:54):
A lot of them they zip up into space.
Speaker 2 (46:58):
I mean, do you have the dreams where you're flying
love the city and navigating it.
Speaker 1 (47:01):
Oh my god, up and down? Oh my god, something amazing.
Last night as I was falling asleep, it's coming. See
I've been way off my dream. I also told myself,
I don't deserve therapy till I learned how to submit
the super bill. I told you, because I had eighty
D freeze actually on the phone for forty five minutes. Still,
she goes, I know it's really hard. She was like,
they make it really hard anyway. So but I'm not
(47:24):
scheduling a new appointment until i've until I get the
super bill, but the until I figure out how to
submit it and whatever. The point is. I've been off
my dream stuff last night, Jacqueline, I'm drifting off. I
completely forgot about this. And you know every now and
then that happens. Have you had that where you're in
some mid space between waking and sleeping and then the
(47:45):
back of your eyes you see full faces people, like
a scene unfolding. Do you have that? You have that? Well?
My dad saying, my god, I'm seeing, but I'm seeing.
I'm seeing as i'm and I'm seeing, but it's always
black and white, like negative, like a negative.
Speaker 3 (48:03):
Okay if that looks very interesting, Ye, it's a negative.
Speaker 1 (48:05):
And I'm seeing people I don't know, and I'm seeing faces.
And as I was calling asleep, I'm like, oh right,
like and I was lucid enough to go.
Speaker 2 (48:14):
Like, of course, like this is this is the thing
I always do. Huh Sorry, no, I was interrupting, going
are you recognizing? Oh right, this like this is a
thing I do. Like no, no, I was recognizing. I knew, like,
oh I've done this, but I was like, oh right,
this is like I knew that I was seeing like
the universe or something. I don't know how to scrap it.
Speaker 1 (48:35):
Yeah, and I was like, oh these are you keeper
Like I was like, oh right, it's that dentse with
stuff with like faces and objects and things turning into
other things.
Speaker 2 (48:45):
Like it's very and then I'm and it's dense, not
blurry when it's or like when it's yeah, when it's
when there's when it's more detail than like right now,
if I just picture vaguely like a room and people
in it, like I have to actively populate it with
details or they're not there or it's kind of impressionistic,
right like if I'm just like people in a restaurant,
(49:05):
Like what does your brain do?
Speaker 1 (49:07):
Right?
Speaker 2 (49:07):
So it's like so when I'm when my eyes are
closed and I'm like suddenly like in the stage and
suddenly I'm seeing like clearly a movie. I'm like, oh
my god, Like how is it feels like it's not
your own brain exactly? Because how am I producing and
receiving the information simultaneously? I don't be like how so
(49:32):
so it feels like, no, I'm perceiving something.
Speaker 1 (49:36):
Yeah, but maybe you're remote viewing.
Speaker 3 (49:39):
I mean it could be also, I.
Speaker 1 (49:42):
Love as a term. I've never heard that in this context.
It feels like that, yeah, because it feels like I'm
watching something unfold.
Speaker 2 (49:50):
Yeah, some people think that as for projection. Like some
people are like, it's remote viewing. Like now it's sort
of becomes like it's just like remote viewing is, you know.
And they had like the men who Stare at Goats
remember the movie because it was like back in the
day they were trying to in war arcade in war
(50:14):
they were training people in remote viewing.
Speaker 3 (50:16):
Like they basically were.
Speaker 1 (50:18):
Like, hell, you look it up really quick.
Speaker 2 (50:21):
I mean it's that's yeah, I mean where the weapons
are whatever the Yeah, so yeah, unit of psychic soldiers
who've been h this is what the movie is, can
walk through walls and kill goats by fixed gazes. But
the real true story nonfiction book concerning the US armies,
(50:49):
exploration of New Age concepts and the potential military applications
of the paranormal refers to the attempts to kill goats
by staring at them and stopping their hearts. So remote, Yeah,
I sit there and meditate and you know, view the
ship behind the wall whatever. Okay, but but some people
(51:10):
talk about that. But then the other people who talk
about astral projection are like experiencing an astral body. Usually
like they leave their body, they look down, they see themselves,
and a lot of times there's a silver cord connecting
the astral body and the physical body, and the silver
cord stretches the farther they go, it's thinner.
Speaker 1 (51:32):
I'm done. But if you get lost, you got to
just pull your way back via the cord and then
you're right back in bed.
Speaker 2 (51:38):
Yeah, a lot of them describe it as a slamming.
I read like fifteen books on astral project astral projection.
Yeah boom, like, but I got it. I really got
to get my shit together. I mean, I want to
do it so bad. But anyway, so some people say
that astral projection is just remote viewing. Now you go,
(51:59):
what what's the difference. One is a perception of you know,
it's like, oh, you're just projecting. I don't know, it's
too annoying. It's too annoying. It's do annoying. I'm sorry
to describe. But whatever, it's interesting.
Speaker 1 (52:12):
Okay. Wow, So I'm looking at a kobocha squash I
have on my counter thoughts.
Speaker 2 (52:31):
Okay, so are you wondering about the benefits of thinking sweet? No?
Speaker 1 (52:37):
What's that? Oh no, Actually, I just was thinking, like,
are you have you been into kobocha squash? Squash? And
what I did? Because I've never cooked it in my home.
I've never cooked it.
Speaker 3 (52:48):
What about squash delicata delicious?
Speaker 1 (52:50):
Because, by the way, summer obviously these are not seasonal items.
Speaker 2 (52:55):
What about all the the articles that are like that
are like trying to get ready or summer's was because
you know, like zucchini grows like rabbits.
Speaker 1 (53:03):
Yeah, right, what a problem?
Speaker 2 (53:06):
They have?
Speaker 1 (53:08):
Squashed infestation and dreaming of thought. A couple ants in
the other room. Never good. Yeah, don't worry, I'm not
really worried. There was no assumption eleven ants were fine.
You gotta be you gotta just connect, You got to
be part of nature. They're hot. Yeah, indoor outdoor. It
is crazy into outdoor lifestyle. It's crazy to turn the
hose on. The ants go crazy. It's like, oh, they're
(53:30):
dying of thirst. They just want water. They come out dancing,
screaming they want water. Yeah, I do, oh my god,
to find it in the soil. Turn it down the hose,
you know, because I'm figuring out, you know, letting the
grass dive and do native plants all of that. Right,
it's kind of saddling grass, even though it's like, you know,
it's for the best. Watching something it was a live
die just doesn't sit right with me.
Speaker 2 (53:52):
But life cycle, yeah, just must just be that. It
only it only transforms to is just feeds the soil
and produces the new Although you'll be covering it with.
Speaker 1 (54:04):
Cacti, I will do. It's not gonna cactie.
Speaker 3 (54:08):
Oh yeah, I know. It's going to be a low
water star grass or whatever.
Speaker 1 (54:12):
Yeah, we're gonna do some stars maybe. But then also
against you know.
Speaker 3 (54:15):
What I ordered.
Speaker 2 (54:16):
But I'm struggling because I'm deciding again if I'm a
night worker for real, like like I almost want to
go back to like creative work at night.
Speaker 1 (54:24):
And have a friend like that it's like I can't
really start till like six.
Speaker 2 (54:27):
Yeah, and like prolific, I kind of generate think that
might be the truth for me, because there's a settling
down of the mine that's ady d When tired, you
do better the whole thing. During the day, I'm like,
there's it's like I'm too alive.
Speaker 1 (54:44):
Yeah, I don't know, makes sense.
Speaker 2 (54:45):
So I'm just thinking during the day should just be rabid,
sort of psychotic.
Speaker 1 (54:50):
Hanging out with me.
Speaker 3 (54:51):
Yeah, and then at night, okay, settle in.
Speaker 2 (54:54):
But the mosquitoes at twilight, Oh, it's a real issue.
Speaker 3 (54:59):
Have And so I ordered a net.
Speaker 2 (55:03):
Okay, because just as I'm getting started out there at
this lovely hour out they come. I see one a
light on my ankle, you know, and it's like and
so I ordered one of those those nets that hangs
from above, and I'm gonna drape it. I'm getting my
outdoor desk going again on the patio, dragged my kitchen.
Speaker 3 (55:22):
Table out there.
Speaker 2 (55:25):
And then have the net over it, and the net
is gonna go over it and I'm gonna sit there.
And I'm also thinking of getting some kind of fire feature,
you know, like a little tabletop, a little glass rectangle
with nine stones in it and flames. Oh wow, you
mean actual flames. Yeah, your desk is a fire be right,
They're like tabletop. But yeah, the spirit is I don't
(55:49):
think I could pull off.
Speaker 3 (55:50):
Well.
Speaker 2 (55:50):
Actually, some of the neighbors do. I was like fire.
They do it and I enjoy it on Friday night too.
I smell it.
Speaker 1 (55:59):
I can. I can't believe me.
Speaker 2 (56:01):
I'm really excited about my mosquite mosquito net sen us
is not true.
Speaker 3 (56:06):
Out there sipping hibiscus.
Speaker 1 (56:09):
Mmmm uh.
Speaker 2 (56:12):
Just think if there's any begging you want to do,
like any distinct begging.
Speaker 1 (56:17):
I mean, listen, I am looking for every.
Speaker 3 (56:21):
That's right. I know we brought up before, but I'm serious.
Speaker 1 (56:23):
We want that.
Speaker 2 (56:24):
I have to say every week that passes, I go,
do I cave? Do I buy the Pure Lift? Where
are you Pure Lift? There are some of the They
are tough to get on the phphone wads of the industry.
So far I need to I mean storm cave before
they did realize up a couple pros.
Speaker 1 (56:43):
Please, Yeah, suttle for a disc. Can I tell you
I got started? Oh? How is it? Look at that
big mouth? Wow? Show us what you're doing with the Nira,
I hear it.
Speaker 2 (57:01):
And what's it doing, Jacqueline, I'm working the neck.
Speaker 1 (57:04):
What's it doing?
Speaker 2 (57:06):
You mean?
Speaker 1 (57:07):
What am I feeling? Or what is it doing? And
what's it doing? Look at look at her? Look at her?
Git her something about you don't know what it's doing.
What do you mean?
Speaker 2 (57:20):
It's it's it's lasering the skin, stimulating new collagen or whatever.
Speaker 1 (57:26):
I love that gotta stimulate collagen. I'm back on, back
on glashaw fell way off.
Speaker 2 (57:35):
I uh, I'm back on incorporating cheeks, cheek squats. All right, Well,
keep watching for torn gasel merch because it's time.
Speaker 1 (57:50):
Keep watching the time. Okay, bye, I love you, I
love you very much. That what's food. If you enjoyed Poog,
please subscribe, rate and review. If not, we will press charges.
Pooh is a production by Will Ferrell's Big Money Players
and iHeart Podcasts.
Speaker 2 (58:10):
Created and hosted by Kate Berland and Jacqueline Novak.
Speaker 1 (58:13):
Executive produced by Lyra.
Speaker 3 (58:15):
Smith, edited mixed by Ali Graham, music.
Speaker 1 (58:17):
By theta hammil artwork by Robert Bady.
Speaker 2 (58:19):
Follow Poog on Instagram at Poog podcast or on TikTok at.
Speaker 1 (58:24):
This is Poog.
Speaker 2 (58:29):
Girl.
Speaker 1 (58:31):
Okay so confusing,
Hi, I'm Kate Berlance, I'm Jacqueline Novak. And this is poog,
an ongoing conversation about wellness between two obsessive friends, two
untamable intellects. This is our hobby, this is our hell,
this is our naked desire for free products. This is poog.
Today's topics Looslie speaking, we're remote viewing actors are real. Hello,
(00:25):
it's me. I just found out I had a major
COVID exposure.
Speaker 2 (00:30):
Oh really, Yeah, are you feeling it descend upon you? No?
Speaker 1 (00:35):
Are like I'm I feeling No, I'm immediately doing the
thing where I go m M. Because the person who
has COVID it seems like they probably contracted it the
day before I saw them. But we were in like
an airless room for two and a half hours talking.
Speaker 3 (00:50):
And sounds like a joy.
Speaker 1 (00:53):
Yeah, yeah, And so I don't fucking know, But what
can you do? You know, I'll tell you this, though,
I did have the pleasure where I had dinner plans
tonight and I hate to say it got to cancel. Yeah,
it's the greatest.
Speaker 2 (01:13):
I was looking forward to it too. It's funny though,
always something like better say that from when they're listening
I know. I just can't overstate the importance of the microbiome.
Speaker 1 (01:26):
And we're in Okay, okay, okay, I.
Speaker 2 (01:31):
My internet based research has gone to a doctorate level. Okay,
I'm listening to one podcast nightly. No, but actually i'm
watching it. You can imagine video.
Speaker 1 (01:43):
That's what we're gonna do with pood. We're gonna make
them watch this ship to.
Speaker 2 (01:45):
Make him watch and this is I'm watching this guy,
rich Roll, these guys every yeah, and I love him.
Speaker 3 (01:56):
His follow ups are astonishing. There's this other guy.
Speaker 2 (02:00):
I can't remember his name right now, but it makes
me laugh actually imagining them listening to Poog. Okay, because
obviously it's a different model, you know what I mean.
Speaker 1 (02:09):
Yeah, I had a all right, Yeah, I have a
story I want to tell you, or a thing that happened.
But it involves and we've gone into this. It revolves
a it involves a physical description of someone that we're
part of.
Speaker 2 (02:25):
It has to be not allowed, can't be done right, Yeah, exactly,
you won can't be ugly anymore? Yeah, but right, which
which we've talked about this, the fact that like I
don't say that about them or even it's heightening the
it's saying that it's the worst thing you could say
about someone, which is therefore heightening but completely you're revealing
(02:46):
that you think unattractiveness is no greater illegal.
Speaker 1 (02:52):
Yeah, exactly, And it almost has something to do you're
actually suggesting. If someone is saying that, they're almost suggesting
that the outside does reflect the inside. That's it's like
admonishing someone that's like, do you what I mean? You
know what I mean, Like it's a personal failing or
something like, don't say like.
Speaker 2 (03:10):
Don't right, don't It's like, don't draw attention to them,
to their failing, Like it's rude to call people out
for their failings, right, so so so.
Speaker 1 (03:20):
Right, it's like or even whatever happened to born this way?
Speaker 2 (03:24):
Yeah, yeah, that's great, Like like if someone else a ugly, God,
that's funny.
Speaker 1 (03:39):
Okay, So, by the way, this girl was not ugly. Okay,
just listen, okay, listen to this picture me. This is
a couple of nights ago, dulled up. Okay, at a
party leaving the leaving the party in the kind of
the valley area. People are kind of crowded, right, waiting
for the cars, and this woman and I'll just say
like she turned around and looked at me, and then
(04:01):
she kind of we're all kind of crowded together, and
she kind of smiled at me in this way, and
then in this tone that I found. I didn't like it.
It's kind of very earnest, kind of weird, nice tone,
she said, sorry, you're just I mean, okay, I want
to get exactly why she went. She looked at me
and she went and she kind of smileters with that sorry,
but god, you're just so pretty.
Speaker 2 (04:23):
And I went, okay, hold on, wait, okay, okay, okay,
let me just take it in now. You're satisfied with
your impression, right, because to me, it was like really
strong of something like I was like.
Speaker 1 (04:34):
No, no, it was just really to get fully sorry.
I yeah, and almost like pretending to kind of like sorry,
I just you're really pretty, like and I interpreted this
immediately as someone who's ugly saying that someone else is ugly,
but I was trying not to be ugly and being like,
it's like, it's only something you say to someone who's
(04:57):
kind of busted, Like I think she's almost looking at
me going here and by the way, I'm gonna I'm
gonna here's an unconventional looking woman who's dressed up, clearly
trying to appear attractive. I'm gonna give her what she wants,
and I'm going to because you know what you don't
say to someone who is strikingly beautiful objectively? I mean,
I guess some men do this. Can I just tell
(05:19):
you that you're beautiful?
Speaker 2 (05:20):
But no, no, Kate, it's I and I see saying
joke about this.
Speaker 3 (05:25):
I mean I was, I had a joke about this.
Speaker 1 (05:29):
I was like, that's when I couldn't do it.
Speaker 3 (05:31):
It couldn't be done.
Speaker 1 (05:32):
Okay, it was.
Speaker 3 (05:32):
It was it was too loaded.
Speaker 1 (05:34):
Okay. I knew that I had to bring.
Speaker 2 (05:37):
You this, Okay, because because and and we'll see if
I can even pull it off here, please please please,
I mean.
Speaker 1 (05:44):
To put it to put it simply.
Speaker 2 (05:47):
The experience of getting ready to go out, okay with
a bunch of girlfriends. Okay, let's just say, distinct difference
between the response I get when I come out in
my own fit thirty pounds heavier, you know, or or not?
Speaker 1 (06:05):
Right? Okay, So here's what it is, okay.
Speaker 2 (06:08):
Okay, So let's just say whatever, okay, normal.
Speaker 3 (06:14):
To them me whatever, come out.
Speaker 2 (06:18):
They'll give you real feedback okay, because they believe so okay, okay,
cur it is okay. So it be like I think
that belt is cutting you weird at the waist okay,
or something right totally okay, like great, or they're like,
m that's skirt. Okay, let's just say fifteen pounds higher
than that. I come out eyes glazed over.
Speaker 1 (06:39):
Okay, Yeah, here she is, missus okay, literally coldly. You
don't think that's small, of course.
Speaker 3 (06:50):
You know, like yeah, it's like yeah.
Speaker 2 (06:52):
And what's so sick that they think you're beyond notes?
Speaker 3 (06:56):
They think you're unhelpable.
Speaker 1 (06:58):
Yeah, exactly exactly.
Speaker 2 (07:00):
Where where when they see you as whatever, they accept
right as whatever?
Speaker 3 (07:06):
They go.
Speaker 2 (07:07):
I can take her from a ninety ninety nine yep,
totally percentile. No, no, the way she oh, you just
look really pretty and like, okay, this is incredible. Way
never We're talking about this for a really long time ago.
I think I knew it's not done for you, and.
Speaker 1 (07:25):
I was like, I was like, that is what you
say to someone who has elephant titus and is in
a ball gown.
Speaker 3 (07:33):
Okay, we talked about this early poog.
Speaker 1 (07:34):
Okay, can we say Titus anymore.
Speaker 2 (07:36):
Are yeah, yes, okay, no, but I just mean like
it's bringing in the tiara.
Speaker 1 (07:42):
She's gorgeous. You said it early poog Okay, what was it? Oh?
Speaker 3 (07:46):
Yeah, like laying the laying the tiara.
Speaker 2 (07:49):
Lips on patient Okay, yeah, yeah, who's.
Speaker 1 (07:52):
Just woma for a hundred days? Today's a hundred days
in a coma for her on one hundred day tiara? Okay,
I mean truly. And it was weird because she because
the way she said it to me too. I'm really
interested in this because except like I was kind of
I was kind of like, oh, because by the way,
(08:12):
it's a weird thing to say, because here's what makes
complete sense. And I would say this to a woman, right,
And I think it's really nice when you actually think
someone looks great, Like I think it's cool to say
something like or I have no trouble be like god,
I love what you're wearing, you know, or like, well
sometimes you have amazing hair, I love what you did
with your your makeup looks so cool.
Speaker 2 (08:33):
What the fuck ever? It is when it's real and
it's genuine, Oh, it.
Speaker 1 (08:38):
Sounds just different, right, And then there's something specific, but
her kind of two strangers like, by the way, I'm
not kidding. You could almost be talking to someone and
then make conversation go sorry, can I just say this
you're gorgeous or something I don't like? That's okay, I think,
but to turn to say to a stranger and this
is a see there are actresses around there like objective
(09:01):
you know pieces. And by the way, you and I
both hot pieces of ass. I remember one time texting
you something and you're like, I think I'm a hot
piece of ass. I was like such a cool thing
to say, I love that tide. No I think or
not not a hot piece of ass's piece of ass?
D there's something different, Chris says.
Speaker 2 (09:16):
I'm a piece of asso.
Speaker 1 (09:19):
Well, fucking hope.
Speaker 3 (09:20):
Sorry, but this is the truth.
Speaker 1 (09:21):
If the version you're not with is not constantly reminding
you of that, it was a huge problem. But yeah,
but you it's really funny, pa, but like saying the
way she said it to me. And and then here's
what's strange. And I didn't do this, but almost puts
this weird thing of so am I supposed to say,
(09:42):
duh you I mean, Kate, no you? And by the way, tonight, girl,
like what is this? So, I of course did a
I did a way over correction and did a kind
of me the old hat. I did a kind of
oh my god, whoa, well, thank you. I had to
do a bit because to me it felt so false
by the way, I of course felt completely good about myself,
(10:06):
fine about myself. I wasn't there like like it almost
put me. It made me feel almost like do I
look like first day of school? Clinging onto my books,
walking into the cafeteria, looking around with braces, you know,
a back brace, glasses with the like am I dress?
Speaker 2 (10:22):
You know what I'm saying, Like it's almost like sculosis frock. Yeah,
orthopedic shoe on your hand.
Speaker 1 (10:30):
Two orthopedic shoes on each hand, like you're really pretty
like or something.
Speaker 2 (10:36):
It was just a retainer stabilizing the ankle. Yeah, you've
got all the devices, but they're all they're all father
father at the scrap yard behind the medical facility, gonna
make us better, beautiful, She's gonna make.
Speaker 1 (10:55):
Her beautiful when up. Oh yeah, So I just I
was like, I just loved it.
Speaker 3 (11:09):
I was like, this is no done.
Speaker 1 (11:11):
Do not move on? Yeah, don't you dare move on?
Speaker 3 (11:14):
Okay, Okay, hold on.
Speaker 2 (11:16):
So your impression to me is so perfect, like thank you.
I'm experiencing exactly what you're describing when you.
Speaker 3 (11:23):
Do it, and it's a little bit of like.
Speaker 2 (11:27):
Yeah, like I if I were there standing next to you,
I could just feel like it'd be like, how dare you?
Speaker 1 (11:34):
You know what I mean, It's like just call me ugly.
It was so it was just odd. Was it was
just like really awkward. And by the way, I almost
because I was talking about I was like, I almost
there was part of me that goes, is there a
world where is there a world where she likes my comedies?
She's a had and she's but she's decided approach. But
(11:58):
I really felt like there's no way because I immediately
felt like, oh god, am I going to tell because
I need to tell Chocolate about this. And I was like,
is there like imagine the world where she's listening right like?
But I just really don't think. So I was just
some mangled well peace if she because you know what
you don't just I'm trying to imagine. I'm trying to
(12:18):
imagine let's say.
Speaker 2 (12:23):
No, wait, give me more. Did you say you're waiting
for valet? Yeah, sounds like a good party. Okay, by
the way, okay, now I'm going full truth. I was
concealing one detail to throw in case that were in
case she heard let me guess a premiere.
Speaker 1 (12:37):
No, No, we were at a bar. We're at the bar,
crowded bar, waiting to get a drink. Does it change
the context?
Speaker 2 (12:42):
Oh, you tried to conceal the detail just to throw
people off of this.
Speaker 1 (12:46):
In my nightmare that she hears this, I think.
Speaker 2 (12:50):
She's the other girl who told you you were pretty right. No,
I mean literally, I don't think that's even but let's
just say she's a dream, which she really might be.
Speaker 3 (13:02):
Yeah, right, she's backpeddling.
Speaker 2 (13:06):
I'm saying, I'm I'm trying to I'm trying to say
it's fine because even if she's like the greatest like
and she knows she didn't mean it, and she just
knows it came out weird and funny the next time
she ye, I'm the one.
Speaker 1 (13:20):
No, but I just meant I guess because part of
it is although part of it is that I wasn't
talking to and I wasn't super exactly exactly. Yeah, because
by the way, let's just say, I mean and how
would that be let's swush it up if she were
strikingly beautiful model, like top model level. And she turned
(13:40):
to me and said that yeah, it actually would feel
better if she was like, can I, well, then then
there's a story of well, then it's like she will
like it's still like being big dicked by someone or something.
It's still someone being like, I'll tell you exactly what
you are. I see you like there's something about it
(14:00):
that's dominant. There's something about it's dominating, and there's something
about it that's like it's a weird move because it's not,
because again it was it didn't feel like this is
a kind of authentic compliment of like this is like
something else. This is something else, and it made me feel.
Speaker 2 (14:19):
The womans up to you at a bar and says,
I'm sorry, can I just say you're really proud?
Speaker 1 (14:25):
It wasn't even that.
Speaker 2 (14:26):
So here's what I'm trying to reduce the story to.
If I had no nuance and hadn't heard the impression. Okay, okay,
that's an experiment, but I'm saying, but.
Speaker 1 (14:34):
Part of it is I think we're all crammed there.
It's not like she came up to me to say that.
It was like we were at we were at the
it was like we're all facing forward, crowded bar, right.
She turns to me kind of to like move around,
looks at me, looks forward, and then comes back to
me to.
Speaker 2 (14:49):
Say, can I just say? But she didn't say can
I just say? She just said it like do.
Speaker 3 (14:54):
It for you again now?
Speaker 1 (14:54):
But like it it was like it was like, oh,
you're so pretty something like it was like you're I
wish I knew exactly the wording. It was like you're.
She didn't say, can I just say? It was just like, oh,
I You're so pretty something like that. It's like going away.
But it was really it was this real, like good
(15:15):
like I'm like this earnest like you know what, Like
you know, it's like, oh it was weird. It was weird,
and maybe it was and you know what it feels,
you know what? It could be a social anxiety response,
and I sent her laugh We're all scared out there.
Do you think they're.
Speaker 3 (15:34):
Like maybe she wasn't on one MG.
Speaker 1 (15:37):
Yeah maybe yeah, well I was literally on one MG.
Yeah I know That's why I'm saying it.
Speaker 2 (15:42):
I mean, I figured you would be given what you
were saying about how like socially it makes you sore?
Speaker 1 (15:46):
It does? It does socially make me sore? You know
when you feel because I felt I have felt some
like social tightness lately, where I'm like, I haven't wanted
to go to like parties. I haven't wanted to like
I'm like, I want one on one, I want like
three people. I don't. I don't and sometimes I really am.
You know, you pull energy from the bigger groups, right
or whooring out walking around, you know, walking a room,
(16:08):
walking the perimeter, seeing who's around. You know, when you
feel yourself it's.
Speaker 2 (16:13):
A stand dead center and I simply turn on an axis. No,
I like the perimeter, and I like it all. I
like elbowing past and then elbowing past in the other
direction and leaving. What do you think of That's a
good social anxiety trick. Okay, to act like you're headed
to something, it's just it's good. That's just how you're
making your way through the room. You're like, I'm aheaded
(16:35):
that way, praying to be stopped, pretending to look around
have been a part I've been at a party like
Kristener are standing there. We literally like standing some other
people more, I go, hi, I'm Jacqueline, you know, so nice,
and like they like they won't take not that happily
offer their names and then like silence. It's like amazing,
come on, motherfuckers, Like are you kidding? That's crazy, that's crazy.
(16:57):
It's like hello, yeah, it just seems like not cool
now not cool. But wait, wait, I'm not done with this.
Hold on, I'm not done with this thing. Yeah it
feels a little I mean, but it also has the
tone of.
Speaker 1 (17:13):
Like a ya. You know.
Speaker 3 (17:15):
It was very drama.
Speaker 1 (17:18):
It was very belittling because it was like if you
because by.
Speaker 2 (17:24):
The way, did she why did she feel age proximal
to you?
Speaker 1 (17:27):
Young or younger? Maybe I'm bad at that though I
really don't know. I constantly people think I think people
are older than me and they're younger than me, right,
Like I don't know about the age.
Speaker 3 (17:42):
But but no, I was just curious, like I'm just
trying to and did she have any friends with her?
Speaker 1 (17:50):
Okay, it's a really good detail. I didn't quite clock it.
I think maybe she was alone at the bar.
Speaker 3 (17:56):
Well maybe like she's at the bar to get the drink,
you know.
Speaker 1 (17:59):
She wasn't. Yeah.
Speaker 2 (18:00):
Yeah, well, by the way, I don't think or not.
I don't think there's a role in when she was alone,
because it just was.
Speaker 1 (18:05):
Like order am I tied? Didn't it didn't didn't get
that far.
Speaker 2 (18:09):
It's like a weird drink and you don't mention it,
like and it reveals it all.
Speaker 1 (18:14):
Yeah, I don't know. It was Zachary. It was here's
what here's all just say. It didn't make me feel good.
And that's what's interesting. I think what it feels like is.
Speaker 2 (18:27):
She was embodying the quarterback who who notices the girl yep, completely.
Speaker 1 (18:38):
And it's like I see you, like.
Speaker 2 (18:41):
Well completely and and and therefore elevating you, like you
don't know your like she probably thinks she's a dog
and or something exactly.
Speaker 1 (18:51):
I don't know.
Speaker 3 (18:52):
It's like I'm embellishing on your read of it.
Speaker 2 (18:55):
No, this is she could have a horrible voice, like
she could just have a like and then if she
turned and was like I it was the tone that
the education on the Holocaust. But you know what I mean,
Like it was like she could just always sound that way.
Speaker 1 (19:11):
You know, it was the tone it was. It felt belittling.
It just was like, because I'm just trying to think.
I'm sorry, but tell me I'm wrong. You're standing there,
there's an unbelievably attractive person. You say to them, sorry,
you're just gorgeous. I fucking don't think so.
Speaker 3 (19:33):
By the way, it is, you're yeah, okay, here it is. Yeah.
Speaker 2 (19:35):
If someone looks like they're a fucking supermodel, right, yeah,
you don't say shit because you're like, it's almost embarrassing
to say to the supermodel.
Speaker 1 (19:42):
Of course, I'm sorry, but you're so prediatous. You say
because you think you're making someone's day. She told me
like she was making my little day. And by the way,
let's just say, I'm at the grocery store and like,
you know, your hair pulled back it and someone goes, God,
like sorry, you go it okay or something. But when
you're trying, when I have.
Speaker 2 (20:05):
When I put primer on that night before the foundation
and I've been blending, you know, when someone's made the
effort then to say, do you think she thought you
were she was caught staring at you. No, and then no,
she needs to explain no, And again who knows what?
I don't think, But I mean, I also am not convinced.
(20:28):
I still think it's possible that it's just I mean,
you are stunning, oh, Jacqueline.
Speaker 1 (20:35):
Okay, but but I actually see and I worry that
I'm coming off with a girl with curly hair.
Speaker 2 (20:41):
Yeah yeah, it's doubting, totally A visibly.
Speaker 1 (20:46):
Yeah, I don't know. And I don't want to seem
callous in my retelling, like, oh no, you don't do
you know what I mean? But it just it was
it was interesting.
Speaker 4 (20:56):
There was a lot, there was a lot held in
that encounter, and oh yeah, almost because the crowd was
quite young, like I feel like there was there were
a lot.
Speaker 1 (21:07):
There are a lot of like gorgeous twenty seven year
olds running around, you know.
Speaker 2 (21:12):
They were like, you still got it, old lady. You're like,
I'm your age practically totally. I wonder if you're social anxiety, sorry,
(21:34):
you're social titan. It's the first thing I thought when
you said, I go, it's microbiome. Okay, it's not that, bitch,
You're like ninety nine point nine percent microbiome, and like, yeah,
oh my god, no, but you're taking the factories that
are less impressive. I too held those.
Speaker 1 (21:52):
Okay, what's the good to me? Giveings me down, Like.
Speaker 2 (21:55):
It's way worse. Did you hear what I just said?
Now I've got the numbers. You're prong, but you're pure microbiome,
so everywhere okay, like it? Okay, like ninety nine percent
of the DNA in your body is bacteria DNA Okay, Okay,
like you're only it's almost like you're one percent human.
Speaker 1 (22:17):
You're a super organism. Okay, it's a nightmare.
Speaker 2 (22:19):
Okay, Okay, but it's invisible, so it could be abstract. Okay,
so it's not disturbing, but like, let me just look
this up. So, like last night, I was watching an
interview on a rich role with doctor B. His book
is called Fiber Fueled. You may recall I texted you.
Speaker 1 (22:35):
He text me something about like healing.
Speaker 2 (22:38):
I said, like, we're going to heal your microbiome. Okay,
and wait, where is it, doctor B? Fiber uh microbiome DNA?
It's too hard to find. I can't damn all right,
I'll just take it back. But the point is the
(23:00):
answer plant diversity.
Speaker 1 (23:03):
Okay, tell me fido nutrients or whatever, polyphenals?
Speaker 3 (23:08):
Okay, who cares?
Speaker 1 (23:10):
You know? Everything? Everything?
Speaker 2 (23:12):
Answer is the same diversity of vegetables and plants.
Speaker 1 (23:17):
I love it.
Speaker 2 (23:18):
I believe it's literally all about So doctor B is
like he plays with your kids, like add up the
plant points and see who wins, like who has.
Speaker 1 (23:27):
The most I'll go over real well with the kids. Different. No,
does plant diversity? Yeah, I mean these are these are.
Speaker 2 (23:35):
No, they don't say plant diverse. And by the way,
kids do Okay, go like like you provide a competition.
Speaker 1 (23:42):
Like I don't. Does that really work with them?
Speaker 3 (23:45):
I think it fucking does. Dog.
Speaker 1 (23:47):
I feel like jelly beans in eyeshadow. But I'm like,
I don't think it.
Speaker 2 (23:52):
No, but no, But it's like, I mean, I don't
know what age, but I know there's an age that
if you go, whoever has the most lines in the.
Speaker 3 (24:02):
Leather way on the pleath winds.
Speaker 2 (24:05):
Okay, it's like it's like we're playing, we're playing, you know,
plant whatever. He's not like artistically, I'm with you. You
have to know that, Okay, of course, Like my reaction
is the same. But when you said it, I thought
about it. I was like, you know, I mean Punchbug
(24:27):
was a fun game throughout life, and all that is
is yelling out.
Speaker 1 (24:31):
I mean that's different reaction. Time and then you have
to hit something, but.
Speaker 3 (24:35):
You don't have to.
Speaker 2 (24:36):
But you see a if you see a beetle, you
oh that's right, yell punchbug made by the first person.
Speaker 1 (24:43):
Just long car ride.
Speaker 3 (24:45):
You're scanning, rapidly scanning.
Speaker 1 (24:48):
Well, guess what, I'm sorry now I'm jumping ahead to
a car. A car desire. I have to keep going.
Let's hear it. I want to sex a car. And
to be clear, not expensive and not it can be cheap,
just safe enough to take to dinner.
Speaker 2 (25:04):
You want like the dream, which is like you want
to find the like vintage dress that's somehow cheap. Yeah, exactly,
and like there you are with like a champagne saw exactly.
Speaker 1 (25:15):
Like I'm convinced.
Speaker 3 (25:16):
That's gonna run perfectly.
Speaker 1 (25:18):
I'm convinced that there are tons of cars that are
sitting basically unused in the elderly's car ports. Yeah. And
so this is my formal call out if anyone well
in Los Angeles, by the way, but you call for
two the vague you want one to Yeah.
Speaker 2 (25:36):
I mean we're a single family household, I mean a
single car household.
Speaker 3 (25:39):
Be nice to have two.
Speaker 1 (25:40):
Yeah, I mean a date car.
Speaker 2 (25:44):
I mean you think you think just because you said
I want a car first, I poof that like you're worried, Like, well,
you can't split a car, so I'm only gonna ask
for one. I mean, I'm just saying, like, if someone's
got one, yeah, sure we'll take first.
Speaker 3 (26:01):
Okay, I'll take a house. How's that, Kate. I'll take
a house and get one for Kate too.
Speaker 1 (26:07):
Okay.
Speaker 3 (26:07):
Now the first person that offers is a house.
Speaker 1 (26:09):
It comes to me. Okay, okay, that's fair, Okay.
Speaker 2 (26:12):
Okay, So I'm not a fucking asshole, all right, obviously
you'd get if there was only one, you'd get it,
all right.
Speaker 3 (26:18):
Yeah, oh that reminds me. That reminds me.
Speaker 2 (26:20):
But yeah, I'm just saying, if someone's got a garage
full of like their grandfather collected.
Speaker 1 (26:27):
Throw a couple of Grandpapa's cards.
Speaker 2 (26:29):
You know what I'm looking for Japanese in the listener community.
Speaker 3 (26:34):
I may have said this before.
Speaker 2 (26:35):
I keep writing it down and then forgetting a patent
expert slash technical drawing artist. Okay, okay, because my file
folders full of product and invention ideas, overflow really knows
that world. If someone's like patent guy and knows how
(26:55):
to search that. I mean, I'm not saying I couldn't
learn or do it.
Speaker 1 (26:58):
All the time.
Speaker 2 (27:00):
Okay, you're deep in the microbody. You don't have time
for this ship. Okay, that the amount I'm telling you.
They're good, their quality. They I just if someone just
devoted there just for fun, I refuse all. What a
stupid question. Of course, I mean some, but they're they're
(27:20):
throughout my day. I you know, it's like whatever I'm doing,
I see another.
Speaker 3 (27:26):
Way that it could be done.
Speaker 2 (27:27):
I know you always do and you can really you
can make money. And I think it's interesting, like you
can make a lot of money. Like I think we
knew the guy slank It. You knew that guy Slanket. Wait,
you know what slanket is? Oh wait, I don't, sorry,
sleeve blanket, Huggies, Oh, Snuggie Snuggies, Kate Huggies are diapers.
(27:53):
Oh okay, Snuggies was stolen from slank It.
Speaker 1 (27:55):
Yes, but I'm pretty sure slank It. That's the thing.
Speaker 2 (27:58):
I'm pretty sure slank It's still made this real cash
even though I bet so.
Speaker 3 (28:04):
It's sort of like it's like whatever.
Speaker 2 (28:07):
But the point is if someone if I rolled off
one hundred of my little ideas and solutions and this
person knows the catalogs or it goes well, I know,
I actually know a lot about you know, pet products, Okay, okay,
I got a few of those, like I know that
market whatever. I just think there's someone who could and
(28:29):
you know, could take percentage.
Speaker 1 (28:32):
Well maximize poog first, and then we'll start we'll start
filming Pug in person and then you can enter the
enter the pet invention industry ritual.
Speaker 3 (28:41):
Ritual.
Speaker 2 (28:42):
They're like in blackness with like two like green neon chairs,
you know, like floating and.
Speaker 1 (28:51):
I saw school. Oh, I wonder do you know implicity?
Do you understand sun moon Earth? You know what's revolving
around what you just got? You just have that down.
Speaker 2 (29:01):
Because I encountered some confusion in myself, not in the
way like I think. Okay, I think a lot of people.
I don't know this, okay for sure, but I think
there's a lot of people out there who could produce
the correct answers and not actually be able to visualize it.
Speaker 1 (29:16):
Okay, Can I try and you tell me if I'm right,
because I really don't know.
Speaker 2 (29:20):
Okay, Well, it takes me a second because I picture it.
Speaker 1 (29:23):
Okay, hang on, so in my and I and this
is really vulnerable because it might be a way off.
Speaker 3 (29:28):
No, I know, and you can cut it if okay,
mat it.
Speaker 1 (29:30):
Okay, let me just try. I'm gonna try to. I'm
gonna try. Hang on sun, Okay, hold on. So let's
start with the sun. Okay, let's each door individual, Yeah, okay,
hang on, hand on all right.
Speaker 2 (29:40):
I'm I'm sorry. I know I'm saying to start with
the sun. Okay, but I don't know why I said that. Okay,
actually I do know why, but we'll talk about it after. Okay.
Speaker 1 (29:50):
Oh fuck, I'm already lost again. And I think this
also shows how confused I am.
Speaker 3 (29:58):
Okay mmmm mmmm.
Speaker 1 (30:04):
Okay, wait, so it's gonna be fun. What I thought
was this is the sun? Right? Wait?
Speaker 3 (30:09):
Wait wait it's blurry. Hold on, hold on, don't move.
Speaker 1 (30:11):
Okay, Yeah, okay, Sun, here's the Earth?
Speaker 3 (30:14):
Yeah, uh huh? Moon and where's it going?
Speaker 1 (30:18):
Goes around the Earth.
Speaker 2 (30:20):
No wait, you said earth Earth? Oh, Moon goes around
the Earth. Attar, you broke up. Okay, Okay, am I correct?
Here Sun Moon, here's Earth. Moon goes around the Earth,
and then the and then the Earth. And the moon
are traveling around the Sun.
Speaker 1 (30:33):
Yes, fuck yeah, I got it. Wait, I'm pretty sure.
Speaker 2 (30:37):
I mean, but but I think instead of thinking of
it as like the moon and the Earth going around
the Sun, it's more like the Earth goes around the
Sun and the Moon goes around the Earth.
Speaker 1 (30:48):
You know what I mean.
Speaker 2 (30:50):
Yeah, it's the same thing. It's the same thing in
the way your mind's working.
Speaker 1 (30:53):
Okay, because here's what I got confused.
Speaker 2 (30:55):
I didn't draw the I was like Sun, yeah, and
then Earth and that goes around that and then Earth. Oh,
don't forget. See this is this is the thing. Don't
forget the Earth is rotating.
Speaker 1 (31:09):
Because here's the thing. See. And this is what's crazy,
because I constantly go and you feel when you're driving right,
the moon follows you, always moving around. That guy is
constantly moving in a way that I almost don't understand.
Where Like I was looking out my window, gorgeous full moon.
I went, oh my god. Then I got excited. I went,
(31:30):
does this mean when the moon is full, I'll always
see it here? Well, the full moon always be thank you?
Will the moon always be full? So is it like
we got a great, great view of the full moon
at the front window. Do you know what I'm saying? Right?
Or going to be in the backyard one day?
Speaker 2 (31:48):
No? Right?
Speaker 1 (31:49):
Right? Right? Or is that great?
Speaker 2 (31:54):
So, like to be clear, my instinct is like there's
there's a lot of variable and so it's going to
show up in different places.
Speaker 3 (32:01):
Okay, Like it's not like that's my instinct.
Speaker 2 (32:04):
Now if I really go for it and try to
figure out that that question, right, you know, like I'm like,
is it always there? And like I don't know, okay,
So just I don't know, right, I can't answer it.
I'm confused, okay now. And by the way, like I
will defend at all costs the fact that it's confusing
(32:27):
when all of this all motion is relative here, you
know what I'm saying. So it's like it's all fucking moving.
So yeah, there's that. Okay, But Membory, you discovered there
was something you discovered on Poog. We were talking about like,
oh that the moon rises and falls.
Speaker 3 (32:50):
Well there's that, right.
Speaker 2 (32:53):
I always get confused, I mean the fact because I
forget but I think the moon has no atmosphere, right,
what so when they're standing on the moon, it looks
like they're standing on a rock in space.
Speaker 1 (33:05):
I think that's what those photos look like. God, they
look cool. Yeah, it still seems a little I don't
like about that.
Speaker 2 (33:10):
Yeah, so like the atmosphere is really kind of tricking
us here, see what I'm saying, Like, wait, hell, okay,
let me just double check that the moon has no atmosphere.
By atmosphere, you're talking about beyond good lighting. Yeah yeah, yeah, okay,
(33:37):
so oh right right right? So you know how the
Moon has less gravity, that's why they're bouncing around.
Speaker 1 (33:43):
Yea.
Speaker 2 (33:43):
So Earth has more gravity because it's a bigger object.
Speaker 3 (33:47):
That's the whole thing.
Speaker 1 (33:48):
That's why we age. Yeah, do you age on the moon?
Speaker 2 (33:53):
So?
Speaker 1 (33:54):
God, here we go back to interstellar so I'll never
forget it.
Speaker 2 (34:00):
Yeah, when he realizes that his kids are old because
he was gone for like a day, but it meant.
Speaker 1 (34:07):
Because they used that.
Speaker 3 (34:10):
Long, Like.
Speaker 1 (34:12):
It really is all happening at once.
Speaker 2 (34:14):
Einstein when when, oh no, I guess that took place in.
Speaker 1 (34:17):
I need to find this book. Sorry is blasting today.
I need to find this physics book that I read
years ago. The change my life. Of course I don't.
It's like you would love it, you would die. It's
it's such a small book. It's like seven lessons on physics.
It's like written in an Italian, it's an Italian guy.
It fucking rules. And I remember reading it on the beach,
tears streaming down my face, grasping basic physics. He makes
(34:42):
it so fucking clear. Yes, And it was like it
was pure poetry talking about I understood the connection between
temperature and time. I was like soaring. Oh, like I
need to go reading, reading, mandatory reading, mandatory, phone band,
two leaders of water a day, reapplying sunscreen, yeah, which
(35:04):
I don't do. Book. By the way, I was experiencing
so much. I was feeling so fucking tired. And then
I realized, you're not drinking water. And I hate I
hate saying it because when you when you're not drinking water,
you don't want.
Speaker 2 (35:16):
To Yeah, well just water, not feeling better for fine,
feeling better as a.
Speaker 3 (35:22):
Day, healthful drinks a day.
Speaker 2 (35:25):
So I mean I'm getting my hibiscus, obviously, I'm thinking
of adding.
Speaker 1 (35:30):
I have a question, how long can the hibiscus be
soaking before you have to throw it out? Like does
it get bad? Or can I have it for days? Soaking?
Huge question?
Speaker 2 (35:38):
Well, first of all, you better be finishing that court
within the day because you want three a day. I'm
just saying I forgot, like I made about it, So
is it good today?
Speaker 1 (35:48):
No clue?
Speaker 2 (35:49):
And I too am paralyzed it like it's got to
be flack of information? Really yeah, Like what's it's got
to be fun? I'm not sure. I mean, but like,
is a dry flowerotting and water?
Speaker 1 (36:01):
I'm all over now if you drive, is a dry flower.
Speaker 2 (36:04):
Rotting and watting and water? Or is it just let
me you can loose leaf? It's not can loose leaf? See,
these are the questions that exhaust me. Right, It's not
that can loose leaf? Tea you go bad? Okay, it's
can Like when you have to Google and it's like,
(36:25):
you know, it's like these linguistic challenges like.
Speaker 3 (36:31):
Soaked you know teah.
Speaker 2 (36:36):
H Like I I cold, like so sometimes I have
to do the thing where I pretend I'm like the
idiot who you know that? You know how like people
write in you see it. At least people also ask
and it's like they write these full sentences into Google like.
Speaker 1 (36:53):
Oh, of course I've done just did blah blah blah
and blah blah blah.
Speaker 2 (36:56):
Right, Oh you have sometimes, Oh, totally to.
Speaker 1 (37:00):
To get like you write in I Brew. You know
I cold brewed hibiscus three days ago. Can I drink it? Yeah? Yeah?
Speaker 3 (37:13):
Is cold breute? And forgot you're searching.
Speaker 2 (37:16):
There you go if you forget and leave the eggs
and nice tea for several days. I'm just seeing which
one is the best, because overnight tea, the good, the bad,
and the ugly cold breute can be kept for a
longer time.
Speaker 1 (37:30):
Wait while you're searching, I found the answer. Have you read? No,
I'm breaking with a new topic. Have you read Journey
of Souls? Because my kolonicists gave it to me.
Speaker 2 (37:41):
I was looking at that, and I was because to
say no, perfect, because I've obviously, you.
Speaker 3 (37:49):
Know, I read all of Monroe's works.
Speaker 1 (37:52):
I haven't read any of these kinds of books.
Speaker 2 (37:54):
And Many Lives, Many Masters, Brian Classic, I've meant to
meant to for nine years or nine years, you'll instantly
I own it. I actually instantly realize that.
Speaker 1 (38:07):
I'm going to microdose floo flow voice flow dose again,
go to outer space, read many Lives, many Masters.
Speaker 2 (38:15):
Actually I'm curious. I'm going to write in psilocybin, and
I'm going to try ask for projection and see if
there's any benefits because once you start leaving the body, okay,
once you start leaving the body, you start getting in
trouble over courd of course, you know, can you get
into this other realm where psychedelics are out of body experience?
(38:40):
And then but let me just look at Journey of Souls.
But this guy, Robert I think his name was Robert Monroe,
as for projection, they all right, he was journeys out
of the body, and you know, I die for it way.
I can't find you, and you're in a tab somewhere,
trapped in a tab. If you can imagine, isn't that
(39:01):
interesting that the universe some stuff is trapped in a
tab somewhere, all all realities happening at once, there's a
tab happening somewhere else where you have a different life.
Speaker 1 (39:13):
I thought, I'm fucking saying stupid shit. Cut me off.
Speaker 2 (39:18):
But Robert Monroe, this is like the only like way
I can like force myself into sort of relaxation exercise,
like is to be like to like be like maybe
I'll ask or project mm hmm. I mean we talked
about this like day one of poog like, this has
been one of my goals for a long time. You know,
(39:40):
you gotta be careful where you're trying to go. Some
you know you don't want to be in that there's
kind of the astral plane that's sort of just you know,
unsavory characters and kind of not the highest energies. Yeah,
you got to get make sure you blast up among
the angels.
Speaker 1 (39:53):
Yeah, for sure, that checks out.
Speaker 2 (39:56):
But his book, like, I just love the stories of
normal person, normal life, and then something happened, And.
Speaker 1 (40:03):
There's also some of the most terrifying stories I'll ever encounter.
Speaker 2 (40:07):
We've talked about it, talked about Mary Stein Burgin, right, No, okay,
Ian Jacqueline, Jacqueline, Jaquelin, Jacklin Jack and Jaquelin jackeln jackun
Jacklyn Jaquelin.
Speaker 1 (40:16):
Listen to this. You're not I kn't I get to
break this to you. Mary Steam Virgin, beloved actress. She's fine,
by the way. Sorry, I just want to say, okay,
she's fine. Sorry, I'm so sorry. Sorry, looks so scared. Listen,
she's fine. She mean, by the way. I'll look up
the story later, so it might be slightly butchered. But
(40:38):
here's the general what it is. She had surgery. I
think it was like me, it was something not crazy,
but she had to be put under. She comes out.
The woman came out of nowhere, speaking of composed music.
She's hearing music, She's seeing music. She's like, I can
understand music. Now she's writing. She has a fucking second
career as a quite prolific composer. She came out of
(41:02):
surgery and she's described it. She was like, I can't
describe it. I could just see the notes in the air.
I could hear them, I could feel them, like music
was all around me. She just out of coming from
I believe she had no previous previous music experience. She
came out of it and she could fucking compose, compose music.
Look it up, folks. She has another career now she's composed.
(41:23):
And they're like, she has like a fucking Grammy or
something from like composing or something.
Speaker 3 (41:28):
The unthinkable has happened. I'm speechless.
Speaker 2 (41:30):
Yeah, yeah, yeah, okay, I don't know if people understand
this is Okay. I sit down since I was a child, okay, okay,
I sit down at the piano and try to let
previous lives knowledge in where maybe exactly exactly. Okay, I
do this all the time. Okay, sit there and I go,
you know, you know.
Speaker 3 (41:48):
What I play?
Speaker 2 (41:49):
Yeah, totally okay, And I mean I can play a little,
but you know what I mean.
Speaker 1 (41:54):
Yes, of course, can you believe what I'm telling you?
So these guys all yeah.
Speaker 2 (42:03):
No, I just I just I mean I read these
things and they're the very stuff that gets me out
of bed in the morning. Okay, And I mean that one. Yeah,
Like I enjoy almost like paranormal for paranormal sake, like
that is.
Speaker 1 (42:20):
I know, I know, I mean I've never seen her
like this. Yeah, I'm like.
Speaker 3 (42:33):
Well, the stuff about the sort of.
Speaker 2 (42:36):
Beautiful, strange, spiritual happenings you know, in the hospital setting
are another favorite, another pet topic for me.
Speaker 1 (42:48):
What angels running in the halls of hospital streets y yeah, yeah,
and the the.
Speaker 2 (42:56):
You know, there's all sorts of ship, there's people see
all sorts some.
Speaker 3 (43:00):
Things in the veil. Listen.
Speaker 1 (43:17):
We talked about The Good Doctor, right, a terrifying movie
that's unbelievable. The Good Nurse, we talked about it, right, yeah,
of course, okay, extensively past because we raved and rained.
But I'll say, yeah, Eddie in that over the opening credits.
I go, he's a fucking master, this guy Anderson's acting. Yeah,
(43:39):
he's made, He's done some wild stuff. We'll leave it
at that. But damn sure.
Speaker 3 (43:43):
And I mean, can you blame an actor for.
Speaker 1 (43:46):
Getting a little caught up in being an actor? Never?
Speaker 2 (43:49):
But I ever blame an actor for being an actor
for all of it. It's like, and like, what are
you supposed to just have a I always wanted to
do a campaign lotless rec Like.
Speaker 1 (44:00):
What about a shirt that says believe actors?
Speaker 2 (44:02):
I always thought that was interesting, but no one's ever
responding to it. No. I mean it's it's very funny,
but I think, by the way, and you know why
it's bad, right, you know why it's.
Speaker 1 (44:11):
Oh, bully victims. It seems like I'm making a joke,
but I'm not. Yeah right, I No, I'm literally talking
about actors. Yeah, it's not a reaction.
Speaker 3 (44:20):
So it's so it's like the yeah, it's right.
Speaker 1 (44:23):
It's like it seems like I'm you.
Speaker 2 (44:25):
Need we want that same language or a different language
to express that same thing. It would be like it
would almost be like have you listened to an actors today?
Trust actors or like trust actors. Yeah, actors are real. Yeah,
why don't you Yeah, Yeah, actors are real.
Speaker 1 (44:41):
It's good. Actors are real. It's good.
Speaker 3 (44:43):
Actors are real.
Speaker 1 (44:44):
Actors are real. Ours underline. Yeah. By the way, we
have had requests, and I think it's brilliant for Torn
Basil merch. Oh yeah, Torn Basil restaurmor when we come on,
we're leaving millions on the table. With that, millions to
mention the inevitable Torn Basil pop up in twenty twenty
seven once we get the podcasts figured out.
Speaker 3 (45:07):
Torn Basil Okay.
Speaker 2 (45:11):
A lot of people, by the way, are confused, and
we'll talk about it for understandable reason.
Speaker 3 (45:18):
In the press.
Speaker 2 (45:19):
Kate Borlant and I Zakolenovac spell poog capital p lowercase oog.
Speaker 1 (45:26):
Yeah.
Speaker 3 (45:27):
Now people are confused.
Speaker 2 (45:28):
Because the logo is capitalized is is Well, it's not
even technical capitalized.
Speaker 3 (45:34):
It's an infinity sign.
Speaker 1 (45:37):
That's right.
Speaker 2 (45:39):
There Actually aren't two o's in poog exactly. There's infinity
in poog.
Speaker 1 (45:43):
It's pog.
Speaker 3 (45:45):
Okay, so then you have that.
Speaker 2 (45:47):
And then because people will say it's goop backwards, and
goop is of course all caps.
Speaker 1 (45:52):
So I think peoples, all coops all caps really mm
hmm yeah, so people, I think, So what's all lowercase?
Speaker 3 (46:03):
Okay? Interesting?
Speaker 1 (46:04):
Okay, okay, great, we've been corrected.
Speaker 3 (46:07):
News.
Speaker 2 (46:08):
It is the article I read about us, okay or whatever?
The many articles all capped both now. But Robert Monroe,
which I want to say, who's out of food? Laid
down on his couch.
Speaker 1 (46:22):
Oh that's the soul guy.
Speaker 2 (46:24):
Yeah, laid down on his couch or a nap, I believe,
a Sunday afternoon, and suddenly felt his entire body vibrating
in this vibration, moving up and down and up and
down from the bottom of the toe to the top
of the him, et cetera, et cetera, and out.
Speaker 1 (46:39):
He goes, and he goes where out of his body?
Oh where does he go?
Speaker 3 (46:46):
Flying around wherevery damn well? Pleases?
Speaker 1 (46:49):
Okay, Miami and down baby, straight there, and then you
go up.
Speaker 3 (46:54):
A lot of them they zip up into space.
Speaker 2 (46:58):
I mean, do you have the dreams where you're flying
love the city and navigating it.
Speaker 1 (47:01):
Oh my god, up and down? Oh my god, something amazing.
Last night as I was falling asleep, it's coming. See
I've been way off my dream. I also told myself,
I don't deserve therapy till I learned how to submit
the super bill. I told you, because I had eighty
D freeze actually on the phone for forty five minutes. Still,
she goes, I know it's really hard. She was like,
they make it really hard anyway. So but I'm not
(47:24):
scheduling a new appointment until i've until I get the
super bill, but the until I figure out how to
submit it and whatever. The point is. I've been off
my dream stuff last night, Jacqueline, I'm drifting off. I
completely forgot about this. And you know every now and
then that happens. Have you had that where you're in
some mid space between waking and sleeping and then the
(47:45):
back of your eyes you see full faces people, like
a scene unfolding. Do you have that? You have that? Well?
My dad saying, my god, I'm seeing, but I'm seeing.
I'm seeing as i'm and I'm seeing, but it's always
black and white, like negative, like a negative.
Speaker 3 (48:03):
Okay if that looks very interesting, Ye, it's a negative.
Speaker 1 (48:05):
And I'm seeing people I don't know, and I'm seeing faces.
And as I was calling asleep, I'm like, oh right,
like and I was lucid enough to go.
Speaker 2 (48:14):
Like, of course, like this is this is the thing
I always do. Huh Sorry, no, I was interrupting, going
are you recognizing? Oh right, this like this is a
thing I do. Like no, no, I was recognizing. I knew, like,
oh I've done this, but I was like, oh right,
this is like I knew that I was seeing like
the universe or something. I don't know how to scrap it.
Speaker 1 (48:35):
Yeah, and I was like, oh these are you keeper
Like I was like, oh right, it's that dentse with
stuff with like faces and objects and things turning into
other things.
Speaker 2 (48:45):
Like it's very and then I'm and it's dense, not
blurry when it's or like when it's yeah, when it's
when there's when it's more detail than like right now,
if I just picture vaguely like a room and people
in it, like I have to actively populate it with
details or they're not there or it's kind of impressionistic,
right like if I'm just like people in a restaurant,
(49:05):
Like what does your brain do?
Speaker 1 (49:07):
Right?
Speaker 2 (49:07):
So it's like so when I'm when my eyes are
closed and I'm like suddenly like in the stage and
suddenly I'm seeing like clearly a movie. I'm like, oh
my god, Like how is it feels like it's not
your own brain exactly? Because how am I producing and
receiving the information simultaneously? I don't be like how so
(49:32):
so it feels like, no, I'm perceiving something.
Speaker 1 (49:36):
Yeah, but maybe you're remote viewing.
Speaker 3 (49:39):
I mean it could be also, I.
Speaker 1 (49:42):
Love as a term. I've never heard that in this context.
It feels like that, yeah, because it feels like I'm
watching something unfold.
Speaker 2 (49:50):
Yeah, some people think that as for projection. Like some
people are like, it's remote viewing. Like now it's sort
of becomes like it's just like remote viewing is, you know.
And they had like the men who Stare at Goats
remember the movie because it was like back in the
day they were trying to in war arcade in war
(50:14):
they were training people in remote viewing.
Speaker 3 (50:16):
Like they basically were.
Speaker 1 (50:18):
Like, hell, you look it up really quick.
Speaker 2 (50:21):
I mean it's that's yeah, I mean where the weapons
are whatever the Yeah, so yeah, unit of psychic soldiers
who've been h this is what the movie is, can
walk through walls and kill goats by fixed gazes. But
the real true story nonfiction book concerning the US armies,
(50:49):
exploration of New Age concepts and the potential military applications
of the paranormal refers to the attempts to kill goats
by staring at them and stopping their hearts. So remote, Yeah,
I sit there and meditate and you know, view the
ship behind the wall whatever. Okay, but but some people
(51:10):
talk about that. But then the other people who talk
about astral projection are like experiencing an astral body. Usually
like they leave their body, they look down, they see themselves,
and a lot of times there's a silver cord connecting
the astral body and the physical body, and the silver
cord stretches the farther they go, it's thinner.
Speaker 1 (51:32):
I'm done. But if you get lost, you got to
just pull your way back via the cord and then
you're right back in bed.
Speaker 2 (51:38):
Yeah, a lot of them describe it as a slamming.
I read like fifteen books on astral project astral projection.
Yeah boom, like, but I got it. I really got
to get my shit together. I mean, I want to
do it so bad. But anyway, so some people say
that astral projection is just remote viewing. Now you go,
(51:59):
what what's the difference. One is a perception of you know,
it's like, oh, you're just projecting. I don't know, it's
too annoying. It's too annoying. It's do annoying. I'm sorry
to describe. But whatever, it's interesting.
Speaker 1 (52:12):
Okay. Wow, So I'm looking at a kobocha squash I
have on my counter thoughts.
Speaker 2 (52:31):
Okay, so are you wondering about the benefits of thinking sweet? No?
Speaker 1 (52:37):
What's that? Oh no, Actually, I just was thinking, like,
are you have you been into kobocha squash? Squash? And
what I did? Because I've never cooked it in my home.
I've never cooked it.
Speaker 3 (52:48):
What about squash delicata delicious?
Speaker 1 (52:50):
Because, by the way, summer obviously these are not seasonal items.
Speaker 2 (52:55):
What about all the the articles that are like that
are like trying to get ready or summer's was because
you know, like zucchini grows like rabbits.
Speaker 1 (53:03):
Yeah, right, what a problem?
Speaker 2 (53:06):
They have?
Speaker 1 (53:08):
Squashed infestation and dreaming of thought. A couple ants in
the other room. Never good. Yeah, don't worry, I'm not
really worried. There was no assumption eleven ants were fine.
You gotta be you gotta just connect, You got to
be part of nature. They're hot. Yeah, indoor outdoor. It
is crazy into outdoor lifestyle. It's crazy to turn the
hose on. The ants go crazy. It's like, oh, they're
(53:30):
dying of thirst. They just want water. They come out dancing,
screaming they want water. Yeah, I do, oh my god,
to find it in the soil. Turn it down the hose,
you know, because I'm figuring out, you know, letting the
grass dive and do native plants all of that. Right,
it's kind of saddling grass, even though it's like, you know,
it's for the best. Watching something it was a live
die just doesn't sit right with me.
Speaker 2 (53:52):
But life cycle, yeah, just must just be that. It
only it only transforms to is just feeds the soil
and produces the new Although you'll be covering it with.
Speaker 1 (54:04):
Cacti, I will do. It's not gonna cactie.
Speaker 3 (54:08):
Oh yeah, I know. It's going to be a low
water star grass or whatever.
Speaker 1 (54:12):
Yeah, we're gonna do some stars maybe. But then also
against you know.
Speaker 3 (54:15):
What I ordered.
Speaker 2 (54:16):
But I'm struggling because I'm deciding again if I'm a
night worker for real, like like I almost want to
go back to like creative work at night.
Speaker 1 (54:24):
And have a friend like that it's like I can't
really start till like six.
Speaker 2 (54:27):
Yeah, and like prolific, I kind of generate think that
might be the truth for me, because there's a settling
down of the mine that's ady d When tired, you
do better the whole thing. During the day, I'm like,
there's it's like I'm too alive.
Speaker 1 (54:44):
Yeah, I don't know, makes sense.
Speaker 2 (54:45):
So I'm just thinking during the day should just be rabid,
sort of psychotic.
Speaker 1 (54:50):
Hanging out with me.
Speaker 3 (54:51):
Yeah, and then at night, okay, settle in.
Speaker 2 (54:54):
But the mosquitoes at twilight, Oh, it's a real issue.
Speaker 3 (54:59):
Have And so I ordered a net.
Speaker 2 (55:03):
Okay, because just as I'm getting started out there at
this lovely hour out they come. I see one a
light on my ankle, you know, and it's like and
so I ordered one of those those nets that hangs
from above, and I'm gonna drape it. I'm getting my
outdoor desk going again on the patio, dragged my kitchen.
Speaker 3 (55:22):
Table out there.
Speaker 2 (55:25):
And then have the net over it, and the net
is gonna go over it and I'm gonna sit there.
And I'm also thinking of getting some kind of fire feature,
you know, like a little tabletop, a little glass rectangle
with nine stones in it and flames. Oh wow, you
mean actual flames. Yeah, your desk is a fire be right,
They're like tabletop. But yeah, the spirit is I don't
(55:49):
think I could pull off.
Speaker 3 (55:50):
Well.
Speaker 2 (55:50):
Actually, some of the neighbors do. I was like fire.
They do it and I enjoy it on Friday night too.
I smell it.
Speaker 1 (55:59):
I can. I can't believe me.
Speaker 2 (56:01):
I'm really excited about my mosquite mosquito net sen us
is not true.
Speaker 3 (56:06):
Out there sipping hibiscus.
Speaker 1 (56:09):
Mmmm uh.
Speaker 2 (56:12):
Just think if there's any begging you want to do,
like any distinct begging.
Speaker 1 (56:17):
I mean, listen, I am looking for every.
Speaker 3 (56:21):
That's right. I know we brought up before, but I'm serious.
Speaker 1 (56:23):
We want that.
Speaker 2 (56:24):
I have to say every week that passes, I go,
do I cave? Do I buy the Pure Lift? Where
are you Pure Lift? There are some of the They
are tough to get on the phphone wads of the industry.
So far I need to I mean storm cave before
they did realize up a couple pros.
Speaker 1 (56:43):
Please, Yeah, suttle for a disc. Can I tell you
I got started? Oh? How is it? Look at that
big mouth? Wow? Show us what you're doing with the Nira,
I hear it.
Speaker 2 (57:01):
And what's it doing, Jacqueline, I'm working the neck.
Speaker 1 (57:04):
What's it doing?
Speaker 2 (57:06):
You mean?
Speaker 1 (57:07):
What am I feeling? Or what is it doing? And
what's it doing? Look at look at her? Look at her?
Git her something about you don't know what it's doing.
What do you mean?
Speaker 2 (57:20):
It's it's it's lasering the skin, stimulating new collagen or whatever.
Speaker 1 (57:26):
I love that gotta stimulate collagen. I'm back on, back
on glashaw fell way off.
Speaker 2 (57:35):
I uh, I'm back on incorporating cheeks, cheek squats. All right, Well,
keep watching for torn gasel merch because it's time.
Speaker 1 (57:50):
Keep watching the time. Okay, bye, I love you, I
love you very much. That what's food. If you enjoyed Poog,
please subscribe, rate and review. If not, we will press charges.
Pooh is a production by Will Ferrell's Big Money Players
and iHeart Podcasts.
Speaker 2 (58:10):
Created and hosted by Kate Berland and Jacqueline Novak.
Speaker 1 (58:13):
Executive produced by Lyra.
Speaker 3 (58:15):
Smith, edited mixed by Ali Graham, music.
Speaker 1 (58:17):
By theta hammil artwork by Robert Bady.
Speaker 2 (58:19):
Follow Poog on Instagram at Poog podcast or on TikTok at.
Speaker 1 (58:24):
This is Poog.
Speaker 2 (58:29):
Girl.
Speaker 1 (58:31):
Okay so confusing,
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com