Jill Scott (Part 2)

One of Questlove and Team Supreme's most anticipated interviews, Jill Scott, is finally here! Her relationship with The Roots introduced her to the world through a Grammy award winning song called, “You Got Me”. Hear the story of how a talented girl from North Philly joined forces with some of Philly’s finest to stake her claim in this world of soul music and take it far beyond expectations into the lands of television and film.

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Episode Transcript

Speaker 1 (00:00):
Quest Love Supreme is a production of I Heart Radio.
Ladies and gentlemen, Welcome back. My name is Quest Love.
Last week we had this long overdue talk with our friend,
our love, Jill Scott. Coming up without further ado, Part
two of our exciting interview on Quest Love Supreme, the

(00:21):
One and Only Miss Jill Scott. It's like our first
real extended conversation is lasted more than an hour in
our twenty years of knowing each other. Now I understand
why she ended up working with Jesse Jail. And because

(00:47):
I was trying, I called. I called James Poyser because
I knew him from the Jam sessions. I called every
producer that I knew of, every studio that I knew of,
to find out if they needed a writer or a singer.
And for six months, nobody said anything. And then one day, um,
I saw Jazzy Jeff on the street talking to Rich
Medina and I was like, what's up. I'm just annoyed,

(01:09):
you know, heading to the theater, go sweep floors and
clean toward us. And I walked away and Jeff was like,
who's that and and Rich told him that's Joe Scott.
He was like that's Jill Scott. She calls my studio
every day. And then um, they called me in to
see if I could write a song, but I, you know,

(01:31):
still lying. I was like, yeah, yeah, write song. And
I tried it and it worked out. It just and
it kept working out, and it just until album happened.
What was the first song that you wrote? The first
song I had a touch of jazz? The first song
that I ever wrote. Well, the hook I ever wrote

(01:52):
was you got me? Wait a minute, dog, That's what
she said. She I know that, but I still was
hoping to get clearing the that my song wasn't your
first got but ess that's what you get. Are you serious?

(02:18):
I am for all listening to this episode. That's a
life lesson. You stepped into some ship, into an opportunity.
I would have thought that by that point you, I mean,
you handled it like you've been doing this ship for
seven eight years. You I've never once heard you say

(02:38):
this is the first song I ever wrote. Wait, doesn't
feel to be Drake famous? Did you like your shout out? Yeah?
This is this is his second one? Oh yeah wait
we got to to Drake icons on a lot. What
what did he say to you. I missed it. He
talked about his question on Jill Scott on this new album. Yeah, okay,

(03:00):
I'm gonna listen to that. All the kids are listening
to it. It's very sweet, yo. But Joe once, you
one of the one of the rare artists that actually
got the whole touch of jazz involved in your record,
because it's not like too many artists that have ever
Everybody right, Yeah, what was it like at the point
where they were together like magic magic? I missed that,

(03:25):
I think. I mean, that's the thing I missed the most.
We had so much fun. And every room they were working,
every room, five rooms, four rooms or whatever it was
at the time. You just walk out of one and
go into the next a totally different energy, and then
you go in the next room and laugh hysterically. The Doll,
of course, was hilarious and still is. And Andre is

(03:46):
learning how to play the guitar at the time, and
Keith is straight out of church, so all of his
stuff everything, and he puts his fingers to on the keys.
It just feels like like old soul because his the
church that he was in his father as a pastor,
and it just felt old and enrich and everything. It was.

(04:06):
We had fun. We didn't have any money. We shared
cheese steaks, we cut out, cut out the McDonald's bags
to to go to great not great adventures all road.
In Drey's car it had a hole in the floor
if he sat in the front seat, not fall asleep
and let your feet fall in the hole because it

(04:28):
was a wrap wrap. We were broke and it was
fun and it was probably still the best time I
ever had work. You were working on the album or
what would become the album. This was before Hidden Beach
even came into the picture. Yeah. I had been calling
Jeff and finally he'd seen me and he said, okay,

(04:51):
you can come in. I called again and said why
did you come down? And none of the guys wanted
to give me any music, So I kind of hung around,
stood around, hung around us. Well do you have anything
that you you know, that I could take? And they
were like, oh no, no, we're working with Will Smooth,
you know. And I was like, uh, well, the studio.

(05:13):
I gotta find a way to come back here. You know,
the lobby, the wood is exposed. Can I staying in
polyer thing the lobby? So to look very serious, and
Jeff was like, oh, that would look nice, and I said, well,

(05:34):
you know, can I do it? And he was like,
all right, I'll give you. You know, I'll give you
money for supplies. And I stayed in polyer thing the
lobby and was going on in the other rooms, and
you know, they would come out and lead a door
open and let me hear sometimes or I would you know,

(05:55):
go in for a minute and to sell I like that.
And then eventually they gave me a tape and they
had seven songs on them, and those seven songs ended
up being on who is Jill Scott? And the Rain
was after that? Right, I'm sorry, you said, Will Smith.
So I just automatically went to the rain. It happened
later after after they let's start letting me right and

(06:16):
then uh sing because I had to let him know.
I wasn't planning on singing, but I had to let
him know how it went. And they were like, oh,
that was that was good? Wait minute you sing? I
was like, yeah, Joe was be ready in one of
them seven songs. Um, be ready came later? Okay, be

(06:39):
Ready came later. I love that song. But that's the
most amazing story I've ever heard one thing we never
um thought about, like your voice? How did you develop
your voice? You said you didn't like really sing in
choirs or church or whatever. How did you develop your style?
I did sing um it at girls High, but we

(07:01):
sang classical music primarily, and that just it just felt
nice to me. And then they sent me on some
school trip and I saw Kathleen Battle sing and was like,
oh my god, I didn't even know there was a
such thing as a black opera singer, like this is dope.
And then mostly honestly, I just started being a mimic.
I mimicked uh Anita Baker, I mimicked Phillis him in

(07:28):
Kathleen Battle, mimic her that, I think. I think that's
just where it started. You know, I didn't have any
plans to to sing at all. I'm still amazed. I'm
still like, what do you want me to? What? Al Right? Okay?
So yeah, Jeffy he said the same thing about He said,

(07:49):
like when y'all first started working that, and you can,
you know, tell me if it's He was saying that
they kind of had to convince you, I guess, to sing,
like you know, they were more so interested in doing
the poetry, but he was like, yo, what the hell, Like, no,
you need to do that ship, you know what I'm saying.
He was kind of pushing you to do it. Yeah. Yeah.
He was definitely a motivating for us. And then I

(08:12):
think when I when I started singing in front of people,
this was before that. I mean yeah, this was before
hit a Touch of Jazz or Hidden Beatch or any
of that. Richmond, Dina and I we were sitting outside
my house in Norcelly and things had gone real bad.
I knew all the drunk there was a knew all
the crack kids. Nobody ever bothered me. You know, somebody

(08:34):
would like try to run up on me or whatever,
and then they've seen me like oh hey hey, hey
hey Jill. And if they were real hot to be
like Jill, Jill, you know right, you know, they gut
to give you a double do. That's right, right, what's
up here? Mirror? Then some guy pulled up on us

(08:55):
and tried to rob us sitting in front of my
house and shot at us. Actually Richard pulled off and
the guy shot at us, and everything I think was different.
We had a poetry reading the next day and I
went to it in my pajamas because I couldn't figure
out how to put clothes on. Like, my safety was gone.

(09:18):
Everything I knew that was my own, this is my hood,
these are my crack kids, this is my drug dealers,
this is my block. You know, I'm safe was gone.
And I instead of writing or reciting the poem I
had written, I just started singing. And that was That

(09:39):
was the beginning. Must have been too, No, couldn't have
been two thousand, probably nine, eight nineties, yeah, probably, And
that's when I was like, I think I could do this.
You know, I probably could do this. I'll just try
to be a writer because Lord knows, I don't want

(10:01):
to be famous. Wow. And so what was that like? Well,
first of all, there's a question I had about your plot.
The house that the video to long walk is connected to.
Is that your childhood home? Yes, And the same house
is getting in the way you're just sitting in front.

(10:23):
The one that I came out of for for getting
in the way is across the street from my house.
I passed my house right and the one um that
I was sitting on the steps for a long walk,
that's a neighbor's I gotta say uh, the intro to
Long Walk not fully strong. The intro well, no, no, no no,

(10:43):
I don't even mean the video. Of course the video
too because you're smiling all that stuff, but that that
the ten seconds, the first fifteen seconds of long Walk,
the song, it's probably like I have like my top
five half the adrenaline moments, like things I have to
hear if I need to like get any mood of

(11:05):
happiness or whatever. Long Walk and Herb Albert's Route one
on one or those two songs, which is we don't
look up Herb Albert's. People associated that with the Dentist
Office happy song. But yeah, man, it's something that like,

(11:27):
do you ever get tired of people's fandom of because
I feel as though they don't give your entire catalog
a fair shot, only because I think that sort of
like your association with Whiz, I think the cinema, the
sentimental attachment to discovering you as an artist, as a fan,

(11:49):
discovering you as an artist, and what the soundtrack of
that album for everyone in two thousand, like it was
perfect because no one saw it coming, and nobody saw
it coming like literally on I will say the soundtrack
to the Voodoo tour was like just playing it every

(12:12):
seven if I'm not playing it, Anthony Hamilton's playing in
the back even the and you know, D'Angel is still retro,
like he wouldn't dare listen to anything older than like
thirty years Like even he's rocking that ship because no
one is expecting it. Like how how was it the
first go around in your taste of celebrity and your

(12:35):
relationship with your family, your relationship with your friends, and
I might have to move out of this neighborhood like separation?
Can you come back? Is? What's Thanksgiving? Like? In Thanksgiving
two thousand and one? Like what was it? What was
it like the first year and a half that after
that album came out? Well it, Um, I could say

(12:58):
there were a lot more people at the family union
then never showed up for sure. Who yeah, man, Um,
I didn't expect anything, So I got way more than
I expected because I wasn't expecting anything. But um, lizel
and I were living together and uh and our little

(13:20):
second floor walk up and people were riding by playing
the music at three or four o'clock in the morning,
you know, just the highest capacity, just so loud. And
I first Honestly, I was blown I just was blown away.
I didn't expect anything, so I was really um. I
didn't know how to take it, didn't didn't know what

(13:41):
to feel about it either. Oh, it just started to
hurt and went way because people there were the presumption
that they knew everything about me or who I was
instead of just meeting me, and that hurt. It hurt me,
like I've got I know her from this that she's

(14:08):
like this. So she was like that, and I'm like,
I'm still growing, I'm still figuring it out. I I
I don't know. I'm out here trying to live and
you still have And they gave you the earthy label too,
which for us at black radio trying to play your radio,
play your song, we've been trying to make people understand
the difference in earthy and neo soul people and regular

(14:30):
old folks, and the fact that they were regular old folks.
She wrote a song about beating up bit as like
why can't she be there's nothing conscious about this, but
they put you in that bubble. Bubbles happened, you know.
I didn't like that either. I just didn't like the
world thinking that they knew who or what or why

(14:52):
I was even here before I did. You know, I'm
still figuring it out twenty years later. You know, who
is Jill Scott? So much has changed, you know, it's
way different than it was last year. You know, I'm
a mother of a eleven year old. Now that's way
different from chin. I don't care who you talk to.

(15:12):
You taught, now, aren't you? They have to? You know,
we're in the middle of a pandemic. What does that mean? Who? Who?
Who do I become in the middle of a pandemic?
Or who does anybody become? You know, I'm I still
like simple things, no matter how fancy my life may appear.

(15:32):
I still hug trees. I think they're the bomb. I
do argument about you being earthy, but that's fine, that's
what them. You know. I'm still very very simple in
these ways, and I I treasured that about myself and
I just take it all with with a grain of
salt all the time, all the time. I don't need

(15:55):
I don't I don't need the athlete so much. What
I need is to be able to pay all my bills,
and I need to be able to go on vacations
and enjoy them. I need to be able to help
my people where I can. I need to be able
to not worry that I'm headed back where it came from,
because I don't want to go. I don't want to
be shot at. I don't I don't want to have

(16:17):
to send off, you know, crackheads trying to shoot at me.
I don't want that life. So you have nightmares of
one day this could be over and I'll be back
at blah blah blah. I have nightmares of not having
food in the pantry. That is That's a big one.
It comes from um quite some time, where neighbors Jehovah's

(16:43):
witnesses particularly, we're coming by dropping off baskets of food
because we didn't have any. And you know, it's not
like I'm really pulling out of violin for sad songs.
This is my existence, this is my life, and these
are the things that keep me grounded. I know that
it only takes one wrong phrase or one wrong song,

(17:07):
or one wrong role or you know, to have to
have a society cancel you or or or shoot you
away and not value you know, what you bring to
the table. I don't think that I'm the greatest singer.
I think that I offer a lot of spirit. I
think that would ever, Uh, if it's passion or lust,
if it's if it's fear, or um, pain or or happiness, um,

(17:33):
simple joys, whatever they may be, thought process. When I sing,
you can hear that. And that's my gift. I'm able
to convey emotions well. And I'm aware now you you
do that well and you, um, I always want to
tell you this, like you really played a big role,
probably annoyingly um for me. I was doing a session

(17:55):
with Jeff like some years ago, and um it was
a little brother song and me pooh. We were driving
up the Delaware and we had in our mind, okay,
it's wrap the rap rap time. We're about to damn
wrap this nig under the table, you know what I'm saying.
And so we're just like, all right, just wrap the
rap rap And so we get to the to the
spot and Jeff is just playing like all these kind

(18:16):
of R and B records, you know what I'm saying,
and they were dope. I mean, the ship was dope,
but it was not what we expected, you know what
I mean. And so we ended up doing a song
where pooh rhyme and I mean I ended up singing
on it, and so I was just singing because Jeff
had to flight and stuff, and so I'm just kind
of cutting vocals, not really thinking about it. And so
I came out the booth and I was like, Jeff

(18:36):
had this look on his face. I thought I funked up.
I said, man, what's wrong? He was like, man, you
need to be singing all this time. You need to
be singing. I was like, Jeff, Dude, I just kind
of did it because that's what we had. I don't
really want to do it. He was like, man, you
know who the same you know who else said that?
You know who else said that same ship. I was like,
who he said? Jill? And I was like, damn, like
word and he said at that time that he told me.

(18:59):
He said, man, sometimes people can see things in you
that you don't see in yourself. He was like, bro,
you got something keep doing. And that's something that I
always um. I always just want to share that with you.
You know you really when I when I heard when
when he heard when I heard him say that Jill
Scott didn't think she was a good singer, I said,
with nigga, God, damn, everybody musta say their voice then,

(19:22):
because I love your voice, you know what I mean?
But that was that was really that was really inspiring
to me. Jill. What is your preparation for acting and
how different how does it differ to your preparation for
singing and songwriting? Like what's your creative process? Are you meditation?

(19:45):
Is it? Like? What's what's your creative approach to it?
Probably terror is the first step for me, Like I
just don't want to look up so bad. I don't
want to be the weak link in the room. I
don't that that's I just don't want that. What was
the first one? Jail? Was it? Why did I get married? Yeah?

(20:07):
And the first TV show was Girlfriends and Marv mar
Brock i kill gave me an arc. She had never
even seen me act before and gave me an ARC.
And I was like, come on, God, like I'm just
like out here blessed like crazy and just like ridiculous
goodness gracious anyway, Um, how do I prepare like versus

(20:30):
is terror? And then there's homework because so I could
be prepared, I study a lot, a lot. I try
to take walks where I can and be still where
I can. And then I need to um move my body,
you know, so that I could feel that person you
know in me around me and then um, the famous

(20:52):
line is to be that guy. That's it. Be that
guy at all costs, whatever that means. Who challenge you
the most in this acting journey? Like as far as
like direction, Anthony Manuela he was he Um he directed

(21:13):
the challenge and Mr ripley, okay, I think in the
piano lesson Cold Mountain HBO serious correct. Yes. He auditioned
me six times, yes, for hours. It was the most

(21:34):
gruesome experience. At some point I was like, fuck you
either you want me or you don't, Like I can't
keep coming here, or I need you to come tomorrow.
Come to New York tomorrow, dude, Like I have other
things that I have to do. Seriously, you gotta know
by now if you want me or not. And his
auditions were brutal. Okay, say the lines, and now your

(21:56):
your left rib is cracked. Okay say the lines, and
now you have something stuck in your right eyelash. Go
now say the lines and you'r you can't stop um,
you can't stop drooling. Go. Wow, that sounds It was
obstacle after obstacle after challenge after m I don't know

(22:21):
what he was doing, but being Anthony Macguela, the man
won like eight oscars exactly. And you were the first
black woman to help to lead a HBO series. So ship, Yeah,
it wasn't gonna be Yeah, welcome in Front. I was.
I was really hurt when I didn't win an in
double a CP Image Award for that role. I was
really hurt because I shot that ship. I was. I

(22:45):
left there seven months pregnant. We worked in a hundred
and seventeen degrees casually and on location in Botswana for
seven months and yeah, three months the first time, four
months the next time. And I was just like, I

(23:05):
shot a show about Africa, you know, even though it's
a fictional in Africa and you live at every birthday
and now you're playing them where they usually play us exactly. Well,
if they get the opportunity, which is a real trish

(23:27):
to have that accent comfortably, we they I had was
studying an hour day every day for two months and
then um, when I got there, it was all wrong.
They gave me a zim accent and not a Motswana accent.
So I had to everything unlearned everything and relearn it

(23:47):
real fast. And the Motowanna women, the elder women would
sit around and if I got something wrong, they go yeah,
and I was like, that's not the sound I wanted
to hear. I did not want to let them down
in any way. And then when I got stuff right,
you hear them go my gang, you're a live for

(24:13):
my gag. What happened? What happened with the show? Why
did they do? Yes? He did? Yes, he did. I
he was he was so brilliant, and I thought that
he was a flirt. I didn't know what was going on.
He's so touchy, like stop touching me all the time.
I don't like it. And I smacked him because I
was like, it's too much. I don't know what you're doing.

(24:35):
And then his wife came and I had an opportunity
to see them together and I realized, oh my god,
he's not flirting. He's Italian. He's just he's just he's
just loving an Italian. And then after that our relationship just,
you know, flew. You know. He was brilliant. And it

(24:56):
was Sydney Pollock who was the executive producer, and Harvey
Weinstein was Tadi yeah, so, um, Sydney passed away first
and then Anthony passed soon after. You know, I tried
to get the show to continue, but um, nobody was

(25:17):
really interested. I don't know. I thought it was because
the show was too positive. You know, there wasn't a
bunch of disease and and murder and um you know,
war and and aids. You know, it's just people being
people in Africa, you know what I'm saying. Like it was,

(25:39):
it wasn't enough death and destruction, so you know, the
sweethearted show couldn't continue. Are there any ideas that you
would like to develop for future projects? Oh? Yeah, there's
one like those. Um, but I've had my finger on

(26:03):
one for quite some time after a few times trying
to get somebody to pick it up. But it looks
like I'm going to have to make a phone call
to Yo ask and I'm I'm working on it now,
and I'm it's the right thing to do with all
my heart. It's the right thing to do. Wonderful story.

(26:26):
How is it? What inlved me? She told me it's
involving you. Because I'm going to call you and ask
you for some money. I'm also going to call you
and ask you for some insight. You know, she ain't
calling me. I didn't know I started some trust for

(26:47):
money or something like right now. I don't think I
trust for my money. She wouldn't. It would be a
special severs like, I don't know. It's a very special project.

(27:08):
And I know that I'm going to um have to
put in a lot of guts, a lot of guts.
Mirror is ready? Is this? Is it TV? Is it movie? Like?
What what kind of project? It's a film? It's film
the film. Yeah, a mirror is ready. He's receiving well
to these days. Look at he owes you for keeping
you in Paris in the hotel leaving he left standing

(27:32):
in a halfway house. They they was at the Rich
Call and they had you in a looking to the ship.
And you know he called for a year after that.
He was like, I'm trying to tell you I was
so scared. I was so scared. I was like, oh

(27:52):
they for what he did to the cohone crush. It
all works out. It really does. One thing I always
wanted to ask you. Some of my favorite songs of

(28:13):
yours are always just your short kind of interlude songs
like Crown royal here my hear my call. I think
it's the right. I just those are just gorgeous, sucking songs,
like what's your thought process and just making them short
versus like full you know, I guess verse, chorus, bridge,
whatever kind of songs. I think when it's done is done.

(28:35):
I just I just feel that way, like when it's done,
it's done. Keep I could, you know, keep forcing the issue.
But you know, when you bust a nuts, you didn't
know you know necessary, you don't necessarily have to go
back for more. It should be like that's what it was.
Is it all right? Can I ask for hear my

(28:56):
call specifically? Oh? Is yeah? That was you? That was
your idea? Oh he was starting for critic? Ah, I
get it. Is it still draining an emotional for you
to sing it? Or do you have a she's out
of my life relationship with it now where it's like

(29:18):
you can phone it in if you want to, Like
what if there's a night where you're just not in
the mood to rock that song, but you know that
there's expectations to or I've just never seen a song
in which people are boo who crying anytime? And I'm
seeing you probably like seven times yeah, in contact yea,
and mostly in the back room now because I'm sorry

(29:40):
about that. Sure that somehow they placed me like dead
row front row center, like Jill's first Philly show. That's horrible.
I'm sorry, i'se No, I'm just saying I won't do
that to you. I try to make sure that no. No.
I went to the back road because it was like,
you don't want to be in the front row center

(30:03):
in front of you, and I was like, oh god,
My point is, yeah, the reason why you're such an
amazing performers because it's it's it's heartfelt, and it's believable
and it's authentic. That song in particular, breaks people's hearts

(30:23):
so much every time they hear it. Are there times
where you're just like, Nope, no more, I'm not doing
this anymore. Like smells like teen Spirit. They well, the
audiences in Europe, they typically won't leave until I see it.
They will not leave what I say, no matter how
many lights come on, they will not waiting for it.

(30:46):
And I did ridiculously. I could barely finish the damn
you know, I go to the twy Why did you?
Why did you write there? Why did you say that?
Why damn it? And then record it and have the
audacity to to put it on a project so other
people can hear it. But I feel like that's the work.

(31:08):
You know. You want people to smile randomly or you know,
flirt or or be or feeling love, feel it, you know,
and if you need to to to mourn something, there
should be music for that too. There's music for cooking,
this music for cleaning. You know, there's there's all this
good music luckily for us. You know, humanity and music

(31:33):
we're so connected. And I struggle with that. You know,
I typically sobbed myself and then you know, it's a
whole audience for tears and it just says what it is.
And you know that means there's hugs to be given
because I need to feel better and so to you.
So you know, I typically come out and then you know,

(31:55):
before COVID, you know we have each other. It's it's just,
you know, it's not my favorite to do the sad songs,
but I'm here for it. And apparently the audience came
forward to man, I think it's well written. I have
to give myself some credit on that. I think that

(32:16):
my pen definitely poured out my heart at that time.
Can you only sing your songs? You? You think I
can't sing everybody's songs? No, I mean that song written
by someone else. Yeah, I can sing a song written
by somebody else for me if it's for you. Yeah, Okay, Okay,
I I have a question. Okay, first, let me give

(32:38):
your flowers for Rolling Hills. I love that song me
to I hope that's one. Maybe it'll be one of
the ones for versus you. Well, we'll see, but I
love I love that song. I love that. It's so
hard to choose because they're you know, they're asking me
for twenty of my favorite songs, and I'm like, my

(32:58):
my favorites are kind of obscure. You were like, I
don't know, don't go on the danger zone, the danger zone,
just the danger zone when when the artist picks out
all these songs and don't realize that these have nothing
to do with people love but the people, And then
you realize the reason for the record label, you go, oh, yeah,
I don't have one of those. I'm just saying you

(33:21):
and I all my masters are masters masters. Wow, dope,
the question I had so hate on me Yeah, Forgod,

(33:42):
shut up. We have confirmation, not at all the turmoil
and danger I've brought to your life. Man, I'm not sorry.
It's not true. It's not true at all. That was
sing you that would be hilarious. It was if he's

(34:04):
such a mild like no Seaton version, that would be hilarious,
surviving weird Tom. I'm just I'm just joking. What was

(34:28):
her guitar player's name? Were he? That was? Don't Dan
was the guitar player? Wait, you're telling me she married Dan.
She's just not married Dan. I believe you. Right now?
Is in uh Brighton, Brighton, England. Last time I spoke

(34:48):
to her, she was dating um. All right, who's saying
that duet with Nana Cherry seven seconds? Uh? The African
singer like Nina Cherry's last big hit in uh Uh

(35:10):
that's what you're saying. Yeah, that was your character, your moaning.
I didn't know you're speaking of tugs. That was amazing, Yeah,
it was. It was used to it. Yeah, she was
dating him. I don't. I don't know. Like the last
I heard, she was doing something with Spike, maybe a
commercial with Spike. But I don't care who she's dating.

(35:35):
I haven't heard from I haven't heard from New probably
since Rich died. I talked to her. Come on, man,
where's the Black Lily will out there? Now? Loved her?
You know we need one. That was a great experience.
Black Lily was awesome. Why are you saying we could
black Lily. You don't just need to sign that says

(35:56):
all egos at the door. All ego at the door
saying can say everything and all egosine it'd be great, dude.
I mean, I know, I fucking Tracy and New Tracy
Mercedes like I see him all the time. It could happen,

(36:21):
just so great. There's some Lilyites that, oh you know,
they might wrap and now saying okay, all right, I
don't know, I'll just be throwing names out there. I'm
a stop. Yeah, okay, Jasmine down though, I don't know
so good. But we're talking about Black Lily. That's what
I'm Yeah, that's what I'm saying. Jasmine's Black Lily Asian

(36:41):
for teen that's what black Lily Asian performing the Black Lie.
They yeah, they would have once the like by the
time the first draft of Black Lily went on to
like get record deals and stuff, they were like the
they were like it was like toy story. They were
the broken toys left behind and they all grouped up

(37:05):
superpowered and then became a monster. And I was like, Yo,
what the funk happened? Like they started kicking our ass.
They were who you look forward to singing every week
and next thing, you know, you're amazing. Yeah. They just
to Kindred the family song. They're amazing. And they went

(37:27):
to Hidden Beach they did I forgot. Yeah, So what
happened with Hidden from your perspective, because just from a
consumer side, they had you and like we were like, yes, Jill,
like that was it was all Jilja Jill. Then they
did the it was Brenda Russell they did that. They

(37:50):
did Yeah, it was Paris Rain and then Valium yeah
one through eight. Yeah, So like, what was your experience
with them? How that relationship I guess kind of deteriorated
on your side? I I did. I thought that they
had some really good artists on their Hidden Kendred being

(38:11):
one of them. They you know that's Kendred and they're
so talented and the songwriting is so good and their
stage performance is so amazing. Like you need to put
more money into Kendred, but I didn't have a say
in what Hidden Beach did because they're the label. I'm
not the label, and um, I didn't like that. I
didn't like that, and it doesn't feel good to me

(38:33):
that I couldn't be of service in that way, you know.
I I watched them sign a lot of artists and
I was like, what are you doing? What are you doing?
And I thought I thought that we had a friendship.
I thought that we had this this family thing that
was happening. So when I realized it was just business,

(38:53):
you know, I was really disappointed. And then President Obama
was working on being in office and everything was about
the election, and they weren't being supportive and I didn't
feel like they were helping me at all with radio UM.
I didn't realize until later on how much, um, everything

(39:16):
that occurred had to do with my effort. So, you know,
I'm coming up with the album, I'm working out the images,
I'm you know, handing out flaggers, I'm you know, I
did a lot, coming up with every idea. I designed
the videos. The first you know, three videos, I was like,
this ain't what I did. I'm tired cause somebody else,

(39:37):
you know, like I can't, I can't do it all
and then you know, go to these I had pneumonia
I think like three times in two years because I
toured the first two years um without balance. That's one
of the things like with young artists. I'm like, yes, absolutely,
go out there and do the hustle, but you have
to have a balance or you will lose your mind

(40:01):
and you will lose your health. And the goal is longevity.
It's Frankie Beverly, that Middler longevity out here, and that's
what That's what I'm saying. That's what I want, that's
what I want. And I thought I was killing myself
trying to, you know, make it work for the label.
And I was like, ah, so I left and you

(40:23):
know that. I think the last number was like they
tried to sing for like Rankunion, what under? On what
grounds that I left that I was leaving and I
had a couple of records to let the left on that. Yeah,
and yeah, I was like family, huh yeah, because I

(40:46):
saw Okay, yeah, okay, yeah, Nico, let's talk about it. Okay,
So that ship they put out the jail Scott when
they starts and yeah, like what was I mean that
felt kind of just as a fan, I'm like, yo,
this feeling a little shady. But what was the story
behind it? The albums that they put out, the Hidden
Beach Records that they put out. It certainly didn't feel

(41:08):
good to me. And it wasn't like I had any
thing to say, you know, I had no say so
in them, you know, so you know, moving on. So
technically I'm just saying I just want to know I'm
doing this right. So technically, if I'm a real Jill
Scott fan, I buy up until the live album and

(41:31):
then the rest of them. Okay, all right, yeah, okay,
I like anyway, I like, like, yeah, Jail Hudson, that's
my nigger, Like he's dope. Yes, you're talking about Crown,

(41:51):
Royal Ground, Royal Imagination. I love that song and the
song I did with George Benson. Whenever you're around. I
love that. Like I'm gonna need somebody to call me
because I just love what I love. I can help you.
I can help you now, I can do I do.
This is what I do. I mean, it's just battle wrap,

(42:12):
you know what I mean? So you do? What about
the four hero song? You all think she should include
that in there because I do. I love that song.
I was about to ask you about that because Mark
Mac that's my nigga, But I love that song. I
love that man. I think that the way you plan
your verses is, first off, you gotta think of what
the other artist's biggest songs are and think you're going

(42:34):
to counter that with what you're gonna counter it with. Yeah,
that's how you Okay. So if you already know her Haymakers.
If you already know her Haymakers, then you know then
what's what I can do? And you gotta think of
your songs that you can use to own hay Maker
to get her to drop some bullshit. But you gotta
understand that I I'm thinking about the my audience, like

(42:55):
the people that come to my shows, like they know ship,
they oh ship and can't wait for that moment. But
you but this though, you can't think about your audience.
You kind of gotta almost think of the demographic that's
gonna be on I G Live and that may or
may not be the same people. So it's like you
gotta think about it from the standpoint of like I

(43:17):
because I was talking about this on Twitter the other
day it's like who picking a winner? And I put
that in very loose quotation marks because I mean, we
love both of y'all, and so there's no thank you,
you know what I mean. No, no one loses. I
mean this is a celebration, you know what it's for
the culture. Yeah. I love the way the Riz and

(43:40):
DJ Premier did this. I think that was my favorite one,
not being Teddy Riley at Jill right now, it's all
about nothing. And so what I want to say to
Jill because I don't know if she's aware, but you
do know that Erica is up on her tech ship
right now, right like, she's got her own streaming service.
She's performing in bubbles and ship like that and way
wait wait, the energy you bringing right now is like instigating. No, no, no, no, no,

(44:03):
this is I love both of them. I love both.
I means my sister, but I love both of the music.
Whatever what I'm saying is that I just want her
to understand who she's playing against, because I don't know
she's been, you know, playing attention, She's been in her
COVID world. So I'm just saying that Erica is gonna
come with technology, and do you think Amir Fonte, Bill
Steve that Jill should fight back with the simplicit No. Yeah, listen,

(44:25):
all you have to do, Jill, listen, here's the thing
about versus. All right, here's the mentality of versus and
this is all right. Yeah, here's here's an unsolicited corner.
We're your corner, people, you need to come Okay, So listen,

(44:47):
here's the thing. The thing that makes versus work. Versus
is all about Yo. These rich niggas are stuck in
their crib looking at their phone, just like us. That's
what makes it work. Like, that's the draw. The draw
is we're looking at celebrities and people who have done
all these great things. They're stuck inside their homes and
this is entertainment for us just as it is for them.

(45:12):
I'm not fucking famous. I'm just I'm regular. But anyway,
So so that's the thing, so hold on, well I
certainly will. So. The thing is you can take it
to your car, like you can play records in your
car if you want to. Anything that makes it look
more intimate and makes it feel more like the audience.

(45:35):
You're like, yeah, mountaintop, So do it in your kitchen
and that ship is gonna be like, why are you
in the bubble on the mountaintop? I have I have
another thing to add to it, sensing you might need
a quasi haymaker that isn't below the belt, I would

(45:58):
actually have this is bad. I say that when she
hits you, I think when she hits you, she has
three haymakers. Tyrone's one of them. I feel like one
is one of them. An other side of the game, now, okay,

(46:21):
I would say, I don't think the other side. I
think other side is one. I would say more so
next lifetime, like that's probably the clot So my thing
is when she hits with Tyrone, whatever you play next,
I wish you had a TV track version of it
and you sang it live. Here you go. It's too much,

(46:43):
too much technical elements. You're doing too much paper paper.
This is do what you're doing too much. People just
want to see you drop the jams. They want to
see you drop the jam. Don't say if you pick
up your Teddy roddy guitar and just start saying doing

(47:05):
things with your voice outside of adding technical thing, because yeah,
but you woke, Jill, that's a fucking haymaker. Your voice
I'm saying, but that's the thing. If she just whatever device,
if there's Fender Road, if there's a Fender Offender Roads
version of He Loves Me and she does that ship live,
you think I will throw my phone. No, because that's

(47:30):
the thing, Like, because when I was doing I've kind
of been doing like cards for all these battles. The
thing with Erica, Okay, Erica has to survive Jill's first
If she can survive Jill's first album and Golden, she
might have a chance. The only problem is that Jill,
your first album, and I said it's on Twitter. Your
first album is a fucking mind field. Anything you can drop,

(47:53):
You can drop something off that ship. She can drop
the entire album strategically, you can drop Honey my lab
asses and just be like, you know what I mean,
like for real, for real, you know what I mean.
So the thing is like the big ones, you would
have to worry about Erica. Yeah, A mirror is right.
Tyrone is her hay maker. Uh Tyron. I think Tyron
will be that on and on that slight time and
Badu is M as much as Body is M is

(48:16):
a classic and I love it and I still you know,
is m is very top heavy. All the smokers on
Saturday side b is I mean, it's it's nothing bad
on it and it's remember no nigga Saturday. That's where
all the smoker is. That's where I'm smoking at. But
who is your scott like nigga? That album Nigga for

(48:37):
one to goddamn slowly surely it ain't not one miss
on that whole. So she does about them. Let me
a mirror. Let me ask you this, what are the
outside of album cuts that Jill should be including in
the verse? Make it nah fun? No, don't don't they dream? No,

(48:59):
don't they dream? Because because that because to the audience
one that wasn't like I mean, it wasn't a big record.
Like so it's like this, you got jams. I'm listening
to the best work best best to stay out of
all of this and in the thick of it, oh

(49:26):
you're going you're not jam all right, listen, you better
hit them niggs. That got them crying Royal because because
the thing is here, my hear my call. That could
be a hate maker for you. Like I think if
we're talking to hay makers like Golden, I think it's
probably like the hay make like you ain't getting up

(49:47):
from that whenever you dropped that, because that's just that
was a monster rector. Don't waste Colden, don't know, don't
waste it. No, no, no, So you gotta go hear
my call. You got Crown Royal, you got Rolling Hills,
you got damn um what's on the second album? Um Golden?
I like, no, no no, but it's another. What's the one? Um?
I like spring summer feeling. I don't know if I

(50:09):
would you whenever? I like that one? Whenever? Um My
love is sweet there tighter like yeah, nigga, yeah you
got that better at home? Don't sleep on bed at home?
I didn't like that terrible so sweet sweet summer feeling

(50:29):
about your music right now? Okay? Really um so, because
here's the thing, here's the breakdown, and you can just
use this information I have you. This is the thing
with between like Erica and Jill Battle. So like Erica

(50:49):
is more so like your your career jail. You've kind
of leaned more into like the adult like contemporary what
would be like urban a c kind of lane Erica's
records over the last couple of years, her last few
records she's kind of gone deeper more just in the
hip hop and kind of being I think a little
more experimental. But the thing with that is it just

(51:11):
kind of depends on demographic So to the contingent of
people that I referred to as the Ascot battalion, there
is Erica's the last two albums, Yeah, the Rolling Mark,
like the Boulet Niggas. Erica's last two records didn't really
connect with them, like they don't know, they don't know,

(51:31):
like New America the video they know just what But
that's it. But that's it. There's a lot of people
in the world. There's a lot of people listening period.
You don't know who's what, don't But for versus, that's
the thing, right, it's the it's one thing. If we're fighting,

(51:54):
it's Nick. Yeah, I'm gonna say, Jill, it's Nick. Even
Steve doesn't make an attempt, so I anyway, that's that's
unsolicited advice. We will give Erica the same advice to
just to be equal. Yeah, because you because you like
your catalog, you got I think you have more in

(52:15):
the tank than she is. And if you can get
her to play her big cards early, I think you're
just gonna win just off being able to go to
the distance alone. I think Eric would actually try to
play her centric cards. I don't think she'll play the
obvious cards. I bet you on and On won't even
come until like Layton Laton, Yeah, that would be smart.

(52:38):
I mean, you know, but but then, but what's she
gonna play before that? I mean, like she's gonna play
Gone Baby, Don't Be Long, which I love that song.
But I mean what I'm saying about, you're talking about
one of my favorite artists, and it appears to be
the case. That's how listen, this is the right attitude.

(53:05):
I don't we don't want to we don't even want
to apply that we're leaning one way or the other. No,
it's not a catfight. I don't want to tell you
want to be equal playing field is all I'm saying.
That's all I'm saying. That's what I'm It's gonna be
a great We're here to celebrate both of y'all. If
you start to singing live and ships when I'm just
gonna do. But the thing is, you know me, I'm

(53:28):
I'm really organic about all the stuff that I do.
You know what I mean, Like I want to be honest,
and if it comes to that and I feel like
I feel like singing, then that's what's gonna happen. Feels
like singing, Yes, that's right. Oh, I feel ever, you know,
really be dirty? You know, really, you know, really dirty?

(53:53):
You singing Erica song? Oh? Which one? I mean? I'm
trying to think you think Erica would ever play the
next lifetime? She wouldn't. If she's smart, she will, she'd
better play that ship certainly, certainly, Oh you think, Jill
seing certainly because that technically so you can certainly it

(54:14):
is not her song? Not just meant certainly isn't. Oh no,
I don't know you can you can't. I don't think
I'm just I think that's I'm in a house with
with with beams. What Grace saying when you said you
made that suggestion? Did she look at you crazy? Y'all
looking for a war? She's speaking for a celebration. I

(54:35):
want to be clear, we're celebrating, you're not. You're to
treat right exactly. You hugging the treat right now? You
help putting your playlist together, Jill, hit me up. I
will gladly curate help you whatever, like just as a

(54:56):
because because we all need it, like as a fan,
as an artist, like we have our favorites, but then
it's like, okay, what resonated with the people, and sometimes
it may not be the same thing. So if you
just need an outside perspective, I gladly offer my services
as can just. I know that y'all of friends and
sistems and whatnot, but that don't I don't mean that

(55:16):
in this battle. We gotta be like sister, I love you, girl.
I love you too, girl, I love you girl, I
love Oh my god, please don't love me to call
it a battle, Oh my god. We we just want
one round of mutual respect. That's the baby face, baby face,
Jill baby face. I don't do baby face with He's
shady face. He had all the shade, all right. So

(55:42):
that's that's it for our unsolicited advice. Yes, thanks, and
we only do it because we love you and we
don't need That's not a bat. It's a celebration, you said,
one one, one round of mutual and then war. And

(56:06):
you know, make sure make sure no one has their
phones on using your WiFi when you do this. Make
sure everyone goes in the airport mode so that you're
the only person using What about that that sound bite
of the black Party when it goes Jill, Are you

(56:28):
christ all right? Jill? No, I Jill, I'm glad that
we had you know what, you know what, it's weird.
I wish you did have a new album coming out
twenty years later called I Am Jill Scott. I can't

(56:51):
say enough how much you've literally changed my life and around.
That was your first attempt. I'm never going to get
over that, like I have a whole respect. I just oh,
I just the fact is I need you. I couldn't
remember the second song. The fact is I need you
because you said staying in probably your thing you start

(57:14):
with that, Yes, well that was that. That was a
hard hitting hole right there. Car that I didn't even
have a baby. Now, well yeah, you was doing things
that make them. Yeah. Anyway, the one in Paris is

(57:42):
my favorite. Live in Paris, risul in Paris, that's my favorite. Yeah, yeah, yeah,
I love there, I love I wanted. I wanted to
go to Paris so bad at a residency there and
at the Australian Opera House. It was it was happening.
I was so excited. Damn covid. Yeah, that's what you
was going to do. What about movies? You know, were

(58:04):
you gonna he was in the process of I mean,
there's a there was plenty of things. This is a
good working year. We'll see what we'll see what happens later.
But you know, on the other side of that coin,
this is refreshment. You know, there's a chance to refresh
and get our creativity back and and and rest. It's

(58:28):
a big reset man. Connect. Yeah, I want to ask you,
um your we didn't talk about your role in the
James rob movie. Um, get on up. What about it?
Was it? Was it a positive experience? Was it in

(58:49):
terms of your growth as an actress? Like, did you
feel that it was something that you, you know, you
had to rise to the challenger? Did it kind of
feel like put his hands on you? Yeah, you didn't
see it though, I didn't see he didn't actually touch

(59:10):
He didn't see him touch me. I just made you
think he did. But um, damn that that that movie? Actually?
Is this the one I wish I could do over?
I wish I could do that one over. Yeah. I
learned after what I should have done, and I'm disappointed

(59:30):
by that, What do you think you did wrong? I
should have punched him in his mouth. I should have
fought him. I should have fist fought him. Is that
what she did? Um? Yeah, damn. I went with I
went with what was written and instead I should have
I should have fought him, And I'm disappointed, Like, I

(59:51):
really wish I could go back to do that over.
So I learned again about homework and how important it
is to to do the home work. You know, so
even if nobody else understands it, well, you want everybody
to understand it, but you have to be uh, be
that guy if that's the generals, Be that guy. I

(01:00:13):
don't think I was that guy as much as I
would want to be. So that's the only role I've
had as farted. Like disappoints me. Did you think that
not hitting him? Do you think that made the character
look weaker or like? What was your what was your
reason behind it? Um? I thought that she was so
in love with him. In fact, Dede Brown is still
in love with James Brown today. She was so overwhelmingly

(01:00:37):
in love with him that, Um, you know, that's the
part that I highlighted. She was just almost obsessed with him,
but she did have some spunk and some fighting her
and I wish she had punched him in the mouth.
I wish I had allowed her, you know in the
film the punch him in the mouth. He deserved it
and it would have represented her a little better than
than what I did. So so you talked to interview

(01:01:00):
you with her and got to know her as to develop. Yeah,
beforehand and encouragement of the director in the production. That
was that was on my own. Um I there was
a young man working on set. I can't remember what
he did, but he told me that that was his grandmother,

(01:01:20):
and I was like, you gotta you gotta get me
in touch with your grandma, you know, because they were
on the newly web game together, so I got a
chance to see her ways, but I didn't get a
chance to it's on it's online, it's on YouTube. I think, Yeah,

(01:01:42):
they were real cute, They're real cute. They absolutely enjoyed
each other. But they fought. They definitely fought, and he
was whooping ass and I get I got it, like
I got it. You could. I could see how someone
could totally totally be like in love with this guy
and enjoyably suppressed He's powerful. It's powerful, man. I ain't

(01:02:08):
for me to that. I'm bush in your sleep for you.
Any thoughts of writing your memoir? I think about it often.
I think people would be completely surprised how I got

(01:02:31):
here and how I am able to stay here. Yeah,
I think about it often. There's a lot good. Do
you feel like the journey still happening for you to
even start writing your memoir. If I just wrote the
first fifteen years, if I just remember being in the world,
if I, if I could be right, I remember being

(01:02:53):
in the wall. If I wrote the first fifteen years
of this existence, it would be crazy. People would not
leave any of it. It's it's half mythology and folklore
with these brilliant sprinkles of simple is crazy. My existence

(01:03:13):
has been you gotta do? You have to do it?
Like James Taylor. James Taylor worked backwards, so he just
released his life between birth and like maybe two months ago,
but you know, started with the end of his life.
Once he like rehabbed himself and got his life together.

(01:03:35):
Then the project before is like the hell he went
through as James Taylor, and then the real hell he
went through from childhood to twenty one that got him
to be a heroin Addict and all that stuff, like
him telling the story backwards almost it's cinematically maybe telling
your story backwards in that way from zero to one

(01:03:56):
or I because I think people feel like they need
to release their entire life story in one mean I
could do it. I could do it like may Angelo. Okay,
if you been some pieces at the stay some pieces
at the time. It's funny we're having that conversation when
we try to get like somebody's whole life story and

(01:04:18):
like an hour and start. So but Jill, I thank
you for doing us, and thank you for having me
your artistry, and we don't even have to call Jill
anymore for I still think she needs to do like
a drunk Hollywood. I'm trying to say holiday episode or

(01:04:40):
something like in person. I just a drunk holiday. So
we do those. Oh Christmas, Jill Man, listen crettes. I
no more drunk, no more drunk. I don't want no
more drunk, you know whatever. Yeah, that's what we do
to that Christmas turned upside down. I just last music question, Jill. Okay,

(01:05:13):
it's a shame record that a group, yes, or is
that you under an Alias or that. Another group of
singers it was. Aren't they amazing? Um? Oh god, I
can't remember everybody's name, it's been so long. I know
one was Keisha shit, I feel bad. Um the a

(01:05:33):
group They were singers that sang together all the time
and uh Keisha renee um. And I heard them. I
was like, would you mind playing with me? And they did?
They were I just loved them. They were incredible. I
can't believe I've forgotten all of their names. It'll hit
me later. In three of them. Yeah, they they just

(01:05:56):
were amazing. They reminded me very much of the the
emotions and it's like, yes, and Asa Franklin's background singers.
You know that they had that which I needed. Sponsor
circle back to shame. I just want to say, you
and Eve, do y'all ever circle back and have these
conversations of how y'all are so connected? How the roots? Okay?

(01:06:24):
I would just we did okay, okay, we did. We
We shot with this ring together with Regina Halls and
Brooklyn South Dono, and we had a chance to just
kick it on, you know, kick it every day. So
we talked about it how that song changed our lives
and here we are these years. That's what I was inferring.

(01:06:46):
But our mayor changes lives. That's what Look, that's what
the roots do. I mean the without your guidance, I mean,
stop stop, take this compliment, Take this compliment, Take this compliment.
Put that came down with Without your guidance and your vision.
You know, so many artists wouldn't have a career right now,
and you picked artists that all have longevity and Josh,

(01:07:10):
including yourself. Well, when she did the video that was
just like a long walk, I was over her and
I was motherfucker, that was your one long mistake. But
that's okay, because we forgive you for what your guest
blessed us. What was just yeah, you know yeah, and
Rafael di l did she did she did a video
biting a long walk exactly. Oh yes, I was like,

(01:07:36):
shut up, the one that you're playing in the drums
and the video that's because of the time my girlfriend
asked me to be in that video because she was
the director. Oh yeah, I don't, I don't know, and
you ain't a minute. And she she was the director

(01:07:58):
on With This Ring Wow. And she's a director on
my new favorite show with Carrie Washington and Reese Wetherspoon.
I'm watching that. By the way, I'm watching it, but
you're watching it. I'm both of those. Do you feel
like you're both of those women? And well, if I'm
lucky enough to be reading, I'll definitely feel Carrie's pain.

(01:08:21):
But yeah, I see you feel like I'm I feel
like I'm both of them. And that's that's great, you know,
just being able to relate. I can see the both ends.
I think it's really cool. I love that show. Don't
sunk with their kids either way. Don't do that. Don't
do that. All right, So for the fourth time, Yeah,
any last questions last, I thank you, thank you, Jill,

(01:08:42):
thank you, thank you. Yeah, that first time, I'm so
thank you. It was it was Bill' paper Bill hither
get get her on Sessory Street. You haven't anytime? Yes,
I've done. She cried most of the time, most of

(01:09:05):
the time, so you worked. Okay, I wasn't there. This
is before my time. It was awesome. Music director. You
gotta get Jill back on Seston Street to talk about
being in the wound. I want to hear all about it.
Anything she could probably do that. We try to do

(01:09:29):
a loaf of bread and stick a butter with Slane
and it didn't air at all. Bill it did it?
Did it? Finally signed the release Yeah somewhere. Yeah, hold okay,
I gotta watch that joint. She's not gonna do ship
did she did for somebody else? She's gonna dor own.
You know that song is a staple, A loaf of bread,

(01:09:49):
contain the milk and a stick up butter. At the time,
I thought I thought Slane X needed so. I loved
my experience on Sesame Street. It was wonderful. By the
time Mr snuffle snuffle up Against walked out, I just
I could not stop crying. I was I couldn't a
stop crying. I was talking to what's his name, Jesus,

(01:10:14):
I'm terrible with names, Kevin. I was talking to Kevin,
the guy who was playing Elmo. Yes, I was talking
to the brother. We're just standing there wrapping the He
put Elmo in his hand. I forgot the man was there.
Started hugging the man's hand in the puppet, talking only

(01:10:35):
to the man's who. I forgot the man was there.
That's how magical. It was, Just like boying. It was great.
I got in the I got in the nest, I
got in the trash can, I worked in the store.
I did it all. I hung out the window, I
did it all. The fiftieth anniversary on HBO has it.

(01:10:55):
Oh sweet, okay, I gotta see it. You think you
you think you're getting married? Against you? Oh shit? Yeah? Yeah, yeah,
she joining us coming to the compound. Oh ship, you
cannot big you really Hendrickson. That man living in the

(01:11:21):
house reclaimed wood. He living his best life. Yeah, eating
ladies and gentlemen RVF. Yeah, unpaid Bill dream dream and
my third wife Joe Scott, not me, hold on, hold

(01:11:43):
a second one, Grace, Oh the first one. I'll tell
you after it goes off the air. Anyway, I know
it's not so great. I'm your third wife. Oh big love.
Here we go. Living is big love, not question. Yeah,

(01:12:13):
but thank you, Thank you for doing this show on
behalf of the entire team Supreme. We say thank you
and we will see you on the next go rad
See thanks guy. What's Love Supreme. It's a production of

(01:12:37):
my Heart Radio. For more podcasts for my Heart Radio,
visit the I Heart Radio app, Apple podcast, or wherever
you listen to your favorite shows.