Ty Dolla $ign

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
R and B money, Honey, we are.

Speaker 2 (00:07):
Thanks.

Speaker 1 (00:09):
Take Valotie, we are the authority on.

Speaker 2 (00:14):
All things R and B.

Speaker 1 (00:17):
Ladies and gentlemen money and miss Tank Valentine and this
is the money the authority.

Speaker 3 (00:26):
Come on talking about all.

Speaker 2 (00:28):
Things R and B.

Speaker 1 (00:31):
Yeah, yeah, yeah, don't make dollars, don't It don't make.

Speaker 3 (00:38):
Sense you feel me?

Speaker 4 (00:41):
You know, sometimes you need to make sure that as
we are throwing our gifts sometimes and extending our services
all over the world in the universe, that there is
a reciprocation that something comes back to let us know
we are doing a good job. What I'm trying to

(01:02):
say is this man has many dollars. Aha, so many dollars.
Then he had to put the dollar in his Cockta him,
Ladies and gentlemen, our brother be very own.

Speaker 2 (01:21):
Yeah, yeah, appreciate y'all. Man absolutely sitting next to some
legends right now.

Speaker 1 (01:28):
Listen, brother, I'm starting it off like this, nigga, you.

Speaker 2 (01:32):
Cold appreciate you, bro.

Speaker 1 (01:36):
Man, I'm listening to free TC all I hear is
Ella I said.

Speaker 2 (01:45):
Man. Shout out to everybody involved on that one Chords
Battle Cash, James Fauntleroy, Brandy, the Homies, D n D.

Speaker 5 (02:00):
Yeah, Benjamin right with the strings.

Speaker 2 (02:04):
It was a movie.

Speaker 1 (02:06):
Because I'm a right on the strings, disrespectful.

Speaker 3 (02:12):
Do your google, do your Googles.

Speaker 1 (02:16):
And I'm just sitting there listening to it, like because
I'm an intro guy. I'm an I'm an intro interlude
song like when you do those kinds of things. I'm
listening to see what you're doing because I come from
the jo to see you understand what I'm saying. I
come from DeVante swang with inter losing intros are everything

(02:39):
that right there, My brother, I.

Speaker 3 (02:41):
Appreciate you now you aren't fucking around. You were sucking around,
and that we're gonna're gonna start off here right because
we're gon We're gonna just we're gonna say it. I
know y'all be talking about here rapper. This man is
an R and B singer. I don't fuck what nobody
I know. I know he was on the Freshman double

(03:03):
Lex hel cover, which are you the only singer that
might have ever got that?

Speaker 5 (03:08):
That same year it was me in August. I was
seen that.

Speaker 2 (03:12):
Wow.

Speaker 5 (03:14):
Okay, yeah man, Okay, so they didn't have some R
and B shit on there.

Speaker 3 (03:18):
But they throw you in this category of being a rapper.
It's just it's just because I look like this. I
woke up like this, You feel me? Do you think
do you think that's what it is though? Do you
think it's because of the content.

Speaker 5 (03:32):
It's the content. It's because I look like this.

Speaker 2 (03:34):
But it's always melody and everything I've ever dropped, and
there's never been like a mono tone type. You know,
there's many people I can name, but it's it's I've
never rapped. If you really like pay attention, you can't
find one verse where it's rapped.

Speaker 1 (03:50):
It's all saying yeah, is it because they don't know
where to put you?

Speaker 2 (03:54):
Yeah, Because it's like when I came in the game,
R and B was like, it never was like what
I was doing, you know what I mean. There's other
people that kind of tapped in, but never just as
far as I was at with it with the lyrics
and the content and shit.

Speaker 5 (04:12):
So they had to kind of make a new thing
for me. But people kept it in hip hop, and
then there.

Speaker 2 (04:16):
Was more after me, like absolutely absolutely, you know the
same kind of thing talking crazy but with melody.

Speaker 1 (04:24):
You know, because I just don't think people truly understand
how gifted you are. You know what I mean, just
as they may try to, because I think putting you
in a rap category really diminishes all of the gifts

(04:48):
that you have, like you are, you are all things.
You can walk in that lab by yourself and get
it completely done, and that's not what's talked about enough.

Speaker 2 (05:01):
Yeah, I appreciate you for saying that, bro, real deal. Lately,
I've been getting into this streaming world and ship. I
got a twitch and it's a twitch last Ti Dollar Sign. Yeah, yeah,
I got a fitch as well with you know how
they say fenced to. I got just like the studio

(05:23):
one too, if you know, you know. But I'm glad
for that platform because people now get to see It's
like like you said, people try to be like, oh,
I didn't know you could play keys. I didn't know
you played guitar, you play bass, I didn't know you
make beats.

Speaker 5 (05:36):
I didn't know you do this.

Speaker 3 (05:37):
I didn't know.

Speaker 5 (05:38):
I didn't even know you sing.

Speaker 2 (05:39):
Like that, which is crazy to me because it's like,
if you've ever been to a Tie Dollar Sign show,
you would know, and so many people have been, and
so many people have put it online, but somehow there's
this confusion or this narrative that I'm the rap guy.

Speaker 5 (05:54):
But thank you for saying that, bro, because I'm so
far from that.

Speaker 1 (05:59):
And and so I think we can even we can
even start there, like we can even go go back
to where it was. It was you the musician, Yeah,
playing Forreure.

Speaker 3 (06:16):
Yeah, yeah, yeah, it's one of the guys. He was
one of the guys. He was you know, I mean,
he was one of the cats.

Speaker 2 (06:24):
Man, you're playing like this is not so you just
I just seen Tank at the Brandy Monica show. So
I was telling whoever I was with that day, like
nah Me and Brandy go back back back. I'm talking
about tour. I was nine years old, Brandy and y
J was singing backgrounds. I was playing keys. Uh premature,

(06:45):
you feel me. Shout out to all the guys, Shout
out to Chris and them. It was a lesson, you
know what I'm saying. From early it was. It was
it was like smoking weed for the first time.

Speaker 3 (06:56):
They were nine.

Speaker 5 (06:57):
I was nine years old blood playing keys.

Speaker 3 (07:00):
Nine year old keyboard player is insane.

Speaker 5 (07:03):
But then people don't know I'll play keys.

Speaker 1 (07:04):
But you gotta understand something, right, You got understand something
like I saw I saw Immature in concert in the
kid band I saw. I was there Baltimore Arena, right,
and I'm like, I'm not saying to watch No Kids before.

Speaker 3 (07:20):
I'm like, yeah, tripping.

Speaker 1 (07:21):
I mean, I like their music and everything, but I'm
not gonna stay and watch No Kids Before them Like
my my little girl group reformed, I'm gonna get on
out of here. My cars blocked in, I can't leave.
I'm say I'm staying checking out. Niggas went crazy. It's
like I had never seen. I was like from real superstarshit,

(07:42):
from the band, to the dancers, to them, the performance.

Speaker 3 (07:47):
Everything.

Speaker 1 (07:48):
I was like, Oh, this is another It's another level.
Like at the time, I had a singing group, gospel group.
We used to we used to go around DC, Maryland,
Virginia go crazy. I said, I I was watching that
show to.

Speaker 5 (08:01):
Hear some of that he was going.

Speaker 1 (08:02):
I was going dumb. I was running every note, every
every word, every word. I couldn't get it together. But
as I'm watching, as I'm watching this this Immature show,
I'm like, man, we were in our twenties. No, we're
nineteen twenty. We're dope. We're fired. We can't follow them.

(08:24):
We can't follow nothing they're doing. Our band ain't like THEIRS,
our sound ain't like THEIRS, Our our show isn't like THEIRS.
I'm talking like, I don't think people understand the level
that immature was on. From top to bottom.

Speaker 2 (08:42):
It was pro shit.

Speaker 1 (08:45):
At nine years old, it was pro shit.

Speaker 5 (08:49):
That was that dude, Chris Stokes man, he had he
had his ship together, he had the vision.

Speaker 1 (08:54):
So how do you even get that call at not
My dad was.

Speaker 5 (08:58):
Homies with him. Basically.

Speaker 2 (08:59):
My dad had this store right here on Santa Monica
and Vine Nadine's right.

Speaker 5 (09:06):
Next to Paramount.

Speaker 3 (09:07):
Yeah, and.

Speaker 2 (09:09):
Everybody used to come through there from the Easy Ease
or Gee, anybody from that time, and Chris Stokes was
one of them, and uh, you know, some producing ship
and they was producing together. And one day my pops
was like, yo, you should try out for this band
that they got going on. So I tried out playing keys.
Next thing you know, I'm on fucking solo training at

(09:32):
the time.

Speaker 3 (09:32):
I'm on our.

Speaker 2 (09:32):
Senio Hall show, Nigga all the you know, the ship
at the time. So it was a crazy experience. It definitely,
like I said, it was like for me smoking weed
for the first time and just loving it, you know.
And now I'm just just been chasing that that ship.

Speaker 1 (09:50):
But you but you start you started in church.

Speaker 2 (09:53):
Nah, just started right there because your dad, My dad
was in the lakeside and.

Speaker 5 (09:58):
He was another boy.

Speaker 1 (10:00):
When did you start playing keys?

Speaker 3 (10:01):
Though?

Speaker 2 (10:03):
Right then? Like really from when I was fourt you
my pops is like he said, when I was four
years old, he was putting together Jermaine Jackson show like
on some m D.

Speaker 5 (10:15):
Ship Wow, and like that for real and it's crazy.

Speaker 2 (10:20):
He said. He went to the bathroom one time after
trying to learn this part, and all of a sudden
he just hears the melody play he walks out his
knee just by ear at four years old.

Speaker 5 (10:30):
So I've been on it.

Speaker 1 (10:32):
Wow, you know.

Speaker 3 (10:33):
I'm coming back like I don't know.

Speaker 2 (10:34):
Side man.

Speaker 1 (10:38):
We did a show and in Cincinnati together we almost
got arrested, almost got arrested.

Speaker 3 (10:51):
I incited a riot.

Speaker 5 (10:53):
That's crazy.

Speaker 1 (10:54):
So they had you know how they have like in
the park when you do the big shows in the park,
they'll have like this v P set with the little
lawn chairs out and that's like twenty yards and then
they have the fence with the general population did. The
VIP wasn't giving me then, and I'm out there and
they screaming, going crazy. But they too far. I said, listen,

(11:16):
if you're my real fans, I need y'all to jump
them fences and get up.

Speaker 4 (11:19):
No, they jumped the fences, baby, they came to see
up player the fire marshals.

Speaker 5 (11:27):
But I know a lot of us artists have took
that same opportunity.

Speaker 2 (11:32):
They too far.

Speaker 1 (11:34):
I got a fill of people and you know the
fire martial trouble. Yeah, I did many shows side.

Speaker 5 (11:40):
You ever stage dive before?

Speaker 2 (11:42):
Have these stage before?

Speaker 1 (11:44):
I've never stage dived because I was on tour with
the King of stage DIVINGE Wow, genuine. So my stage
diving was part of security going to get him with
stage dive every show.

Speaker 3 (12:03):
Imagine stage diving at the fast. He's the only nigga
I know who's ever done that.

Speaker 2 (12:10):
He's we're talk of black people at the House of
Blues because I learned it's like certain things you could
do with white crowds and certain things you can't.

Speaker 1 (12:20):
You know, black people going like like going out throwing
water and.

Speaker 2 (12:28):
Hot No. Man, we must have did that ship in
New Orleans one time. Brother, Then they have to fight
the whole club and ship. It was crazy.

Speaker 1 (12:36):
You gotta understand, at this time, Genuine is he's you know,
he's he's Jesus. Yeah, at this time, this is ninety
seven Jesus and he's jumping out into that crowd and
they are tearing him to pieces. He's trying to sing

(12:58):
Pony in the crowd.

Speaker 2 (13:01):
Floor.

Speaker 1 (13:05):
It's all you hear, all you hear. And the security
guys are too big to get in to move the
ladies around to so here comes Little on me. At
this time, I'm like one fifty five, one sixty and
I'm just you know. So you see me with Genuine

(13:25):
on my shoulder walking back to the stage. No, I
never wanted to stage dive ever. Again, I watched him
do it. I watched him get sued.

Speaker 3 (13:38):
A lot of shit to come along with a lot
of ship.

Speaker 1 (13:41):
I watched them Terra's closed, I washed them, scratches back
in his face, everything Jewelry. I said, no, sir, Yeah,
so you staged though.

Speaker 2 (13:52):
I used to stage dive, and then I've seen one
of the homies get sued for stage diving, and I
never did it again because I noticed it's just like
that one point where the artistry goes to another level.

Speaker 5 (14:04):
Niggas be looking at.

Speaker 3 (14:06):
See where said dive. I'm sewing where the up? But
you know what you have?

Speaker 1 (14:13):
You also like you got that type of music. As
we talk about how talented you are in this musical space,
you also have those those pockets and zones that you
go into that lend to that mosh pit. You know
what I'm saying, Like, sometimes I get beside myself. So
I'm just telling you. If I was on stage with
you and you went into one of those records and
it and it looked it looked good out there.

Speaker 3 (14:35):
If it looked caucas nigga, is that what that was?

Speaker 2 (14:39):
That?

Speaker 1 (14:39):
Where you go with this kind of if it looks
white niggas, I'm actual permission, first, sure you mind if
I get a little bit of that you go into
one of them bonds and I just can't help myself.

Speaker 2 (14:53):
I definitely gotta ask. Now see this on camera? Yeah, actual,
So I can't sue me.

Speaker 1 (15:08):
So give me the journey in so many words, from
we already went from fort nine, from for to nine.
You're okay, So you're you're already You're already gifted, You're
already gifted from God. We got that, Like, you're a
child prodigy. How do you get from nine to you know,

(15:30):
being a pure musician and learning all these things from
tour and performance and all of these things to tie
dollar sign?

Speaker 2 (15:38):
There we go.

Speaker 5 (15:39):
So from nine.

Speaker 3 (15:43):
There was like.

Speaker 2 (15:45):
This one point where my dad was like, oh, you
got to back off of this immature shit. It was
some shit going on. Mm So I started my own groups.
I got a group with my brother and just a
home and then we ended up not doing that. And
then one of my my dad and them find this

(16:06):
girl and then it's me, my brother and this girl
in the group. Her name was in a helica shout
out to her and her family. We did that group
for a while, never ended up getting a deal. And
then I'm just back in school. I got to finish
middle school, I gotta finish high school, and uh, just
growing up in LA. It's like all right, yeah, you're
coming from that, but then it's La, you know what

(16:28):
I'm saying. And uh at my high school, my first
high school I went to was Hamilton. So at this
school that's school music academy. By the time I'm in
like what eleventh grade, I meet this little nigga name
O Marion, Right, Oh, is uh going to my school?

(16:53):
He just like a homie that always comes up dancing
and shit and rapping. He used to like freestyle, but
niggas never knew he sung. All of a sudden, I
don't see this nigga no more. He used to come
to the house we record. Everybody knew I made beats
and shit like that, but I wasn't like on the
singing shit so much.

Speaker 1 (17:09):
No more.

Speaker 2 (17:10):
After these groups, I was more so all right becoming
an la, you know, high schooler.

Speaker 5 (17:15):
But I'm making beasts.

Speaker 3 (17:16):
That's what I do.

Speaker 5 (17:17):
I'm pulling the bitches. Oh, disappear me Nipsey. Nipsey's at
the school too, a couple other hommies. Blah blah blah blah.

Speaker 2 (17:26):
Next thing, you know, this group come out of nowhere,
be two k with the same crew that I was
immature in them, right, but oh.

Speaker 5 (17:36):
Never we never had these commerce. I never even knew
he sung.

Speaker 2 (17:39):
None of that shit. Right, they should just blow out
the water. But I still got that bug. And me like,
I'm like, I can't wait, you know, to my ship.
So fast forward, fast forward when I'm like eighteen, and
I get out of high school somehow, Oh, through my

(17:59):
pops again.

Speaker 5 (18:01):
I get home to my apartment.

Speaker 2 (18:02):
I have my own apartment at this time, and when
I get there, it's this dude in my apartment named
John Lampkin, who's this drummer, and my dad let him.
I don't know he must let him in. My shit,
I don't even know how that nigga got into my
apartment to this day. Oh why, I didn't do nothing
to him, but we end up chopping it up. He

(18:22):
was listening to my music. He was like, oh, that
shit your dad played. If your shit is crazy, da
da da, I want to introduce you to one of
my peoples. So he introduces me to this guy named
Kamara Campbell. Kamara was working at Virgin Records. He was
also the guy that was producing with Doctor Dre at
the time. Eminem my name is Mary J. Blige, So

(18:44):
he started introducing me to all those people signed me.
I guess the deal fell through over there at Virgin,
but he's still putting me into scoring movies and shit.
So he's scoring movies at the time and like including me.
Some shit called Havana Nights, some shit called Biker Boys,
some ship called the cookout clean Latifa, and you can

(19:05):
hear my old music in there, like before I was
tied out signed.

Speaker 3 (19:08):
Right, are you singing on those songs?

Speaker 2 (19:10):
So yeah, it's just my songs at the time, like
the songs I had. After that, we end up stopped
working and ship whatever the deal fell through. He wasn't
getting paid no more, so he didn't have no more
money for me. So uh, I go back to the
drawing board. I'm just working, working, working, working, working all
the time to where I met this guitar center right

(19:31):
here on Sunset. I meet this dude name et Cetera.
I'm like just making beats on the keyboards. Me and
the homies used to just going there and just start
sequencing on the keyboards and ship.

Speaker 5 (19:44):
Hopefully somebody hear me, nigga.

Speaker 3 (19:47):
The guitar center is like La Fitness for hoopers exactly. Yes, yeah,
for the musicians, you can always and you can always
find a cold young nigga in a guitar center.

Speaker 2 (19:58):
And it's probably right now. But meet this dude name
Etcetera who's hearing the beats. He started rapping and ship.
I'm like, yo, come out to the car. I'm gonna
play some more. Shit he played me. I mean, I
play him some ship he rapp and he's like, oh,
whenever you come to New York, hit me up. At
the same time with I meet some other dudes out

(20:21):
there named Randy and all them who bring me out
to New York. While I'm in New York, somehow I
meet the g Unit dudes. I'm going over there playing
them beats, just like, uh, you know, just meet motherfuckers
are I was moving as a producer for real. When
I get to Etcetera's crib, he got this dude over

(20:43):
there named Corey. Corey's like this dude from Brooklyn with
a tone damn near exactly like Raphael Sadik, right. So
me and him just like start making songs. Next thing
you know, we made a whole tape together. Somehow we
got to Utah Salt Lake City Sundance Film Festival. Et

(21:03):
Cetera convinced us to go out there because you can
meet some producers or directors and maybe get the shit
in some films. Yeah, so we go out there. We
meet this other dude named pasy Peasy do we Man,
But he got a studio in his crib. So we

(21:23):
started hanging out with this guy all the time. Next thing,
you know, we end up in Utah for months, nigga Like,
I'm just out there, bro, So back and forth from
Utah to New York and shit five, my daughter is born.
I'm still doing you know projects with Corey. Next thing,

(21:45):
you know, me and Corey somehow meet this guy named
Venus Brown. Venus Brown is connected to Justin Timberlake and
where I Am. They end up signing us to a
situation with the Time Corey thing. We end up making
volume two of the mixtapes that we were making. One day,
Corey came to me, he was like, Man, this shit
don't work this time, Bro, I got to move back

(22:05):
to New York. I'm like, damn bro for real. Like yeah,
I'm like all right, bro, well we're gonna try to
push through, you feel me. Because of Justin and and
will I Am, We're meeting all these different people, We're
getting features from everybody doing all this different shit. Same time,
I met the homies from Saurai Creative partners, Tazarnod, shafiqu

(22:29):
O Mas and I'm playing for them same time, like
making beats. They're the first people to ever give me
a feature. Time Corey feature on them. Their project came
out on a vinyl. I'm like, oh, we're on a vinyl. Now,
digget like all type of shit. So it's that time
where Corey's like, you know what I gotta go. You
know it's not working. Next thing, you know, my big

(22:52):
homie from my hood, Big b He's like, Yo, I
got this kid that you need to meet. He from Bompton.
He running the streets right now. Like, I'm telling you
you need to work with them. This is what my
space is popping. I listened to the music and I'm
not fucking with it. It's like the song called Shia Model,
this song called I forgot the rest of the song names,

(23:14):
but the artist's name was YG right and it was
jerk music because that's what was popping in LA at
the time. So they come through and Mustard was like
the DJ. YG had a whole crew called Pushing, a
whole bunch of people from LA from all different hoods,
like all across the city, and we end up throwing

(23:37):
like a party at my ball in Hills House. And
when we throw the party, Mustard put on this song
called Geeked Up by dfo L. And when I'm hearing it.
Everybody get up, all the girls go crazy, everybody start
working on you know what I'm saying all the shit,
and I'm just like, why is this? Why is this
connecting like that? And I'm studying the beat and it's

(23:58):
just like drums only and vocals, and I'm like, all right,
jerk music, down South music? What all?

Speaker 5 (24:05):
Okay?

Speaker 2 (24:05):
The snap, the eight of waight, the high hat, that
all right, let me make something like this. Next morning,
we going through records and shipped me and my homie
chords and we come across this sample and we sample it.
We do a whole bunch of sampling the next morning
after that, I threw the drums and the beat ends
up being tutored in Bud. It's me on the song

(24:27):
doing the hook. My cousin TC forty eight hundred with
a verse y G comes through. Fucking this is the
second song we ever made. It wasn't my favorite song
that I ever made, because, like I said, I just
came from working with fucking Timberlake, will O Amos R
and b Shit, meeting niggas like fucking Benjamin Wright and
all the best of the best of the best, right,

(24:48):
and then this song right here is a song that
just gets us on fire, and we start having shows and.

Speaker 1 (24:55):
We get our first doing with the song, like you
got the song.

Speaker 5 (24:58):
I got the song in that stuff first.

Speaker 2 (25:00):
This is the first time because like I said, I'm
doing songs all these people in Hollywood and the big artists,
but this is the first time.

Speaker 5 (25:08):
It's like, Oh, let's go do this party. Let's go,
let's go to.

Speaker 2 (25:11):
This little party right here.

Speaker 3 (25:12):
It's like twenty ten to right.

Speaker 2 (25:14):
Two thousand and nine, twenty ten, and we're going and
doing the motorcycle clubs, we're doing hood days, We're doing
like all the little shit in the main LA, not Hollywood.
Then and then we might go out to fucking Orange
County and we might go out to wherever just wants
to book the shit. Because the jerk shit was booming
and there was parties and it was connecting, and I

(25:36):
started to do more beats, and I started to do
beats for the whole push in and like yg end
up going to jail. And then me and Joe Moses
was connecting like tough, and I did this song for
him called go Bitch, and that was just like piggybacking
off of the two of them Buddha, and we were
just doing all these little shows toil next thing, you know,
Hollywood called I think it was called Club Kiss or

(25:58):
some shit, and they was gonna give YG ten thousand
to come perform, and he gave me four hundred to
come do the Hook and gave Mustard four hundred to DJ.
And once I seen him walk away with that stack,
I'm like, oh shit, nigga, I'm about to take this
artistic serious nigga and make my own shit. I make
this project called House on the Hill. I'll bring it
to his same person that signed him, Max Goose. Shout

(26:22):
out to Max. But they end up letting Max Goose
go from dev Jam and they hired Karen Quack. So
I'll bring it to Karen Quack. Shout out to Karen Quack.
And I played the House on the Hill and she says, Man,
you're really fucking good, bro like, but let me be
honest with you.

Speaker 5 (26:40):
You're all over the place.

Speaker 2 (26:41):
You got a fucking R and B record, you got
some like turned up shit, you got some house music
on here. You got this because like you said in
the beginning, bro, I can tap into all the different things.
But she was like, yo, just just make me one
project is fully cohesive, right, and I swear to God
that would changed my life. I went and I made

(27:01):
Beach House one, and it was more just like all
me on the bees, me and my homie in a
three D and uh more slow R and B shit,
but still talking that shit. And then that's the first
thing that finally caught on. That's when I had my cabana.
Fast forward twenty twelve. I won't even talk about the
other one. There was some other song that I put

(27:23):
out where I sampled Swedish House Mafia and the fucking
radio station started to play it, and I'm even getting
booked in Phoenix and Texas and all this shit off
of this song.

Speaker 5 (27:36):
It was called All Star. And then I ended up
getting a ceased disease.

Speaker 3 (27:40):
And this is I knew that was coming. I think
said sweet House Mafia, like.

Speaker 2 (27:45):
Yeah yeah, So they gave me this season desist and
I had to take that down, but the Beach House
started working. I had that song my cabana. Then I
ended up getting a season desist from that because I
had a screwl likes and z tample in there, and
I just remade the beat on fruity loops and myself
and replayed everything and Young Jeezy featured on it. Then

(28:07):
I got my first deal, but it wasn't because of
that song. I got my deal with Atlantic because I
made this song called Fumble, and Fumble was supposed to
be on Beach House one, but somehow it got in
the hands of Trey's Songs, and Trey's Songs cut it,
put it out, ended up being one of the best
songs on his album at the time. And then from there,

(28:29):
wait but you didn't even know. I didn't even know
it was going to him at first, but then they
called me last minute, like, oh, he's going to put
it out.

Speaker 5 (28:36):
Da da da dah. What you want to do with
this flit? Who's all on it? D D I'm like,
fuck it, let him get it.

Speaker 2 (28:42):
And that's what gave Sean Baron the power with Aaron
Bayshuk to be like, Yo, sign this kid, because we
were already going to Mike Karen, and Mike Karen was
trying to like sign it to his side. Shit, he
wasn't trying to sign me to Atlantic. And when he
brought me in the office, he told me, man, you're

(29:02):
really good Ty. You just like the way your position
right now. It's like you're like the West Coast baby
bash and I didn't know what you meant by that,
But then he met like local, and I was like,
I took offense to that because I'm like Nigga, I
make everything, Bro, My shit ain't no like local West
Coast shit. I'm not a rapper like what Nigga. So
luckily shout out to Mike Kronol because like a lot

(29:24):
of the things he said, maybe me who I am
today too, Like one of his quotes was, I don't
I don't want to be or I don't have to
be the first one to do it. I just want
to be the best one to do it. Like keep
me saying shit like that like that just fully like
changes my whole outlook. But fucking yeah, Aaron Bayshuck and
Sean barn made that shit happen twenty twelve, and I've

(29:46):
been on Atlantic ever since, and that's how we got
here today. Man, It's just been like those hurdles though,
you know what I mean, like immature all the way.

Speaker 3 (29:55):
So when they finally clicks right and you get your
deal and you start to start seeing some bread, do
you do the musician ship and do you buy more
equipment and buy a studio? Do you do the nigga shit.

Speaker 2 (30:10):
Like for you?

Speaker 3 (30:11):
What was like? What was your I'm successful now purchase
all right.

Speaker 2 (30:17):
So when I was eighteen and I had the Kamara situation,
I had already bought a car. Okay, I got shit
like that and then lost shit, fucking had car accidents,
had apartments, lost shit. Then I had to live with

(30:38):
girls do all that shit. Then fucking when I got
with Venus in them and will and uh justin, I
ended up getting another car. I ended up getting the crib,
still living with girls, off and on. But I got
the Boodha brown chain nigga. A fat ass chained me
and Corey got the chain. So I'm having a house nigga,

(30:58):
I'm having BMW, I'm having as chains and when YG
and them see me, I'm the nigga. They got the
big ass got the chain like, oh this nigga is
so everybody looking up to me type ship and then uh,
nigga money was going down to where I had the
house nigga, but my mother fucking water cut off you know,

(31:20):
my home cossole recipes at the time ended up giving
me a couple couple of dollars. You what I'm saying
to turn the lights back on type ship.

Speaker 6 (31:28):
I went through all that, you know, and uh it's
the music business kids, you know, absolutely you have all
that ship like you know, but uh I was able to,
you know, push to and get to hear bro I
did not realize that it was.

Speaker 1 (31:48):
It feels like you've been around forever. Nah, for sure,
it really feels like that, because I mean I start
two thousand, but I guess the the way you've impacted things,
it just it just it just feels massive.

Speaker 3 (32:05):
As the forty would call it. You have been a fixture. Yeah,
for sure, you know what I'm saying, especially me being
from the bar Areer, right, so I got to I
got to see it. Yeah, you know what I mean.
And being in l A at the time, but like
being from the Bay and understanding, like you said, you
get that record cracking and you're doing the motorcycle clubs,
you're doing four or five clubs in one night in
the hood and different places like we have a different

(32:27):
type of independence within California when we you know, we
do that Saint Louis Obispo, we do that. Baker's field,
we do the you know what I mean, our rest
nose and in between then get up to the bear
or get back to LA. So I got to see it,
especially when the booty cracked off for y'all because they
loved YG in the Bay. Yeah, I want to say

(32:49):
we probably fucked with Ygi heavier than anybody else in
the beginning for sure, Like the Bay was like, oh yeah.

Speaker 5 (32:56):
That was our biggest, our first arena.

Speaker 3 (33:00):
Because for us, you guys in our mind, whereas an
extension of Hiphi, yeah nah, to us, it was the
same shit, you know what I'm saying, because we had
had the Hiphee movement four oh five and you know
what I mean, all those records that were coming out,
and then what you guys did with it, to me

(33:21):
was smarter because y'all chose to go do deals. Yeah.
I literally like listen, Me and Keith the Sneak had
this conversation where Kick was like, Jay, they came to
the Bay looking for me, and I jumped out the car.
I was like, what do you mean you jumped out
the car? He said, I was so scared of the
next level that we're riding stretch of tel you know,

(33:44):
stretch Stretcher tell you this, jay I jumped out the car.
I did not want to meet with him. I wanted
to stay independent in my mind. I had this independent
mindset that we've always built in the Bay Area, right,
this whole thing. And I always preach to people because
I'd be talking about, you know, the p is major.
You're not making superstars independently. It's just it's just the reality.

(34:07):
And people have to start realizing that. And if they
can start naming me independent superstars, I'll agree.

Speaker 5 (34:13):
It's just the way that ships set up, set up
before you started.

Speaker 3 (34:16):
It's way too many things that are already in place.

Speaker 2 (34:18):
You live in a fucking tax paying society, My nigga,
you feel me. You gotta you gotta check in somebody.
You gotta check in somebody every type of business, you
know what I'm saying, Whether you want to tap into
the alcohol, you want to tap into music, you want
to type in the fucking food industry, clothing industry, it's
already fucking set.

Speaker 3 (34:37):
It's already set. And that's something that to me, So
you can have a big percentage understood that y'all understand
page something, y'all win. Did these major label deals and
got super popping, you know what I'm saying. So I
watched it happen, bro, But they also maintained their hustle too, absolutely.

Speaker 1 (34:58):
With that major that.

Speaker 3 (35:00):
Machine, with that machine behind it.

Speaker 7 (35:02):
Yeah.

Speaker 2 (35:02):
So to answer the question, like, I did some nigga
shit before, but you know, luckily I had a different
mistakes to get to a point where, all right, once
I got this house that I've been having for the
last ten years, Bro, I was never losing that motherfucker,
you feel me. I never went over my means and
started like doing dumb shit.

Speaker 3 (35:24):
So you didn't have the Ferrari that you left at
the airport and forgot that the Ferrari was the Hey,
niggas be telling those stories. I'm like, come on, bro,
you're floss and it's just too crazy, bro. But but
it's par for the core.

Speaker 1 (35:37):
If you really do this ship in your ledger back,
there are repossessions, there are full closure water bills, water
all of that ship. Yeah, like that's just what this is.
And I tell people, you gotta really love this ship

(36:00):
because the ups and downs that come with it. If
it ain't love, if it ain't rooted in that, if
it ain't rooted in I can't do nothing else. This
should break you. For sure, you'll be you'll be doing
something regular because this ain't. This is not regular. This
is not for the regular minded individual. You gotta be
out of your fucking.

Speaker 3 (36:21):
Mind to do what we do. What do y'all signed?
I always this is a random thing. I think for
myself and I get to ask y'all, what do you?
What do you when you have to sign occupation? Does
that ever fuck with you? When you sign? And like,
you know, just different ship, your tax is different thing.
That's like, what's your occupation? I never really know what

(36:42):
the fuck to put entertaining?

Speaker 2 (36:46):
But is that a job? I'll be putting boxer anywhere
I go when people be like coming up to me
and ship, so I know, are you what do you do?

Speaker 5 (36:59):
I'm a boxer?

Speaker 3 (37:00):
Yeah right here with don't brought that? That moment always
feels funny. I always feel like what happened? Question? It's like,
I love we are.

Speaker 1 (37:16):
We are completely in a very very unique space because
we are independent contractors and none of this is guaranteed,
and even with contracts, even with contracts, I got my
first apartment with my contract. But listen, that's what I
showed them. Even with contracts, you may get that front end,

(37:42):
but the rest of that money in that contract, no
matter who signed.

Speaker 7 (37:46):
It, it's not guaranteed to you. Where's the rest of
my fucking money. We all sign this, the president signed it. Well,
you know things aren't going That's not what the contract says.
Wow says, I give you these songs and you give
me my money. He's had this moment, he's re living it.

Speaker 1 (38:10):
I'm losing my losing my apartment through that.

Speaker 3 (38:15):
Hey this ship, bro, gim me something.

Speaker 1 (38:18):
I'm underslapping my car all that, bro under showered the gems.
But there was nothing else I was designed or built
to do. This was all or nothing that.

Speaker 5 (38:31):
He fucked me up with the shower at gym's part.

Speaker 1 (38:33):
Bro, Nigga, I know that twenty four hour fitness, I
know that life. You gotta keep it clean.

Speaker 3 (38:41):
You gotta put that towel on. They get tricky once
you get out and it's kind of wet, and it's like, okay,
now niggas be walking with their shoes on right here.

Speaker 1 (38:49):
So I got to put the towel on the floor
in the shower.

Speaker 3 (38:54):
Nigga. Hey, bro, this life is not for the week,
you got it?

Speaker 2 (38:58):
Not for the week.

Speaker 1 (39:08):
Okay, get me to free TC.

Speaker 2 (39:11):
Get me to that free Tcuh? Was that thirteen or fourteen?
I think it was thirteen.

Speaker 3 (39:20):
Fourteen. I think it came out in fifteen. Really yeah,
dropping fifteen?

Speaker 2 (39:25):
Damn well shit. Uh, so Beach House one came out.
I don't know if Beach House two came out before Freeze.

Speaker 5 (39:33):
I think he did.

Speaker 2 (39:35):
I'm just pushing, pushing, pushing, pushing, pushing, and then finally
it was that time. Why because I had songs that
blew up so paranoid. I felt like it was the
first So low, that's my ship out of here, tie
dollars on record?

Speaker 1 (39:53):
Hit who of my bitch man? And they know about it,
know about each other?

Speaker 5 (40:01):
That is a cold I say, inspiration supper club.

Speaker 1 (40:05):
I know.

Speaker 3 (40:07):
I had my thirty fifth birthday there man with a
with a Magnum bottle. My brother got it was this
tall ship he was cooking.

Speaker 5 (40:22):
I was really a superate club. Really had two of
my business and club.

Speaker 2 (40:26):
So uh. The next day I went and I had
this apartment right here in East Hollywood, Edgemont was the
street nigga right next to the Kaiser on top of
the hill. Overlooking the whole city. I thought I was on,
but uh, this is after. This is after having my

(40:47):
little studio right here off of Cosmo. I don't know
if y'all know Cosmo. That's like right by Vine in
between Kuwenga's the street right after Kowenga so Got where
Atlantic used to be was on Kowanga. But before that,
back in the day, my dad was signed to so Large,
which was right the exact spot.

Speaker 5 (41:07):
And then after that death Ro was there, and uh
my dad used to play on all the Deathro ship.

Speaker 2 (41:12):
So I was in the building there too, and after
that was the Underdogs we exactly we were there before. Yeah,
the history that next they bought that motherfucker too, maybe
bought that at that time too.

Speaker 5 (41:27):
I remember the face was right there.

Speaker 2 (41:29):
So on the next street was this this street called Cosmo,
and they had these little studios in there where you
could get one for like two hundred a month type ship.
It's like one little small glass room and everybody got
small rooms. And then it's the shared bathroom in the hallway.
You've ever been in one of them type of spots. Absolutely,
motherfuckers used to shower in there to niggas take a

(41:49):
little hole baths nigga with the little rag with the
sink and you just get you some deodorant from the
right eight anyway. Uh, I was sleeping in that motherfucker
you feel me before where I was able to stack
up some bread and go half with Parker, the same peasy,
the same one that was in Utah.

Speaker 5 (42:06):
So is this after Tudor Boody, this attitude and bro
you like me?

Speaker 8 (42:10):
Yeah?

Speaker 2 (42:11):
I said, like yeah, like really like Tudor Booty was
my song, but I gave it to yg because depth
Jam wanted to give him the deal. I wasn't really
having like that. I just produced the song. What they
give us for that song probably about three thousand dollars
and I split it with the homie like yeah, anyway, Uh,

(42:33):
fucking I was able to get this apartment East Hollywood
and I had the little set up in the living room.
Paranoid was the third song I made on that beat
from fucking with niggas like Mike Karen, he would have
you make seventeen songs to one beat, So I was
like keeping that same energy and uh. The third song
I made to this to that beat was Paranoid and

(42:57):
shout out to Mustard Man from there, I feel like
we like he's the whole game and absolutely, and he
became the biggest producer in the world and our sound
just took over. And uh after that, you know, I
just kept on making songs. People want to features all this.
Uh me and Wiz we end up teaming up. I
signed a Taylor game management Wiz and Will and they've

(43:21):
moved me around you on that tour. Yeah, I'm opening
opening up for Wiz. You know, they taking me everywhere.
They really like open the touring game for me for sure.

Speaker 3 (43:30):
And uh.

Speaker 2 (43:33):
Fucking one night we go to record Plant rest in Peace,
which is one of the best studios in LA. We
said rest in Peace because it's not there no more
Record Plan.

Speaker 1 (43:43):
Record Plan is gone since when that.

Speaker 5 (43:45):
Ship been gone.

Speaker 3 (43:47):
Yeah yeah record Black, Yeah.

Speaker 5 (43:49):
Super terrible.

Speaker 2 (43:50):
But you know the studio right on the left when
you go in, you know, the first one on the left.
Were in there for a Whiz session and I'm in
there with all the homies. We make a song called
or Nah and this is for wizard Ship. But since
Paranoid blows up Atlantic, it's like, yo, you need to
drop like a little project. Let's do an EP so
I'm putting together the project and I'm like, yo, is,

(44:12):
let me just put this one on my ship. Bro.
I put that ship on my shoes and that was
the next one to blow up. Now, haven't announced it everywhere,
but we're just gonna announce it right here on R
and B Money. There's not a lot of niggas that
can say they got one of these, but now I
got one, motherfuckers. And that's called a diamond record. Because

(44:34):
Dimond Nigga shout out to Mustard, shout out to the Weekend.

Speaker 3 (44:40):
We did that. Niggas don't know what diamond that's Crean. Yeah,
that plaq's gonna look crazy.

Speaker 2 (44:45):
Ten.

Speaker 3 (44:46):
I can't wait till the only nig I knew growing
up who had that, obviously Michael Jackson. I'm playing like
that a human right was MC hammer?

Speaker 2 (44:56):
Wow? Yep, mc Hammer.

Speaker 3 (44:58):
When you would walk into Capitol Building, they used to
have hammers diamond plaques in there back in the day.
Like when he kept the lights on it, that motherfucker diamond.
He did diamond twice, Wow, and it just it looked unreal.

Speaker 2 (45:14):
Well, this is my second one too. You got to now, Yeah,
because me and post Malona is diamond of course, of course, yeah, yeah, yeah, yeah,
well that happened. So shout out to wiz Man, Like
I always got to say, whiz the goat of all goats.

Speaker 3 (45:32):
Just the coolest nigga.

Speaker 2 (45:33):
That's what I want to say. I feel like a
lot of people think you gotta be this asshole to
be an artist, and he is not. He's not, and
it is number one in the world or whatever the
fuck is going on at the time. He's the same guy,
always nice to everyone.

Speaker 3 (45:50):
And he's gonna try to give you be like them.
Is it Bombay? Yeah, that nigga tried to get I
was like, I'm not drinking that.

Speaker 5 (45:57):
They glad you didn't, Bro. I resonly went to the
doctor and they told me I had a fucking tumor
on my liver.

Speaker 3 (46:02):
Bro what what?

Speaker 2 (46:03):
Yeah?

Speaker 5 (46:04):
I went through a lot of Bombay bottles.

Speaker 2 (46:06):
Kids.

Speaker 5 (46:07):
Fuck alcohol, I know, I got my my Uh lebon Jean.
If you're going to celebrate, celebrate with us, fuck alcohol?

Speaker 2 (46:20):
Who edit that.

Speaker 1 (46:22):
You love alcohol? Right? What is it called again?

Speaker 2 (46:25):
It's called lebana Jean? Uh good money? Yeah, champagne is
the best taste in champagne in the world. Make sure
you celebrate with us at your next celebration. We also
got the whiskey lebon A Jean And if you're in
a whiskey or scotch, I'm sure you would love that.
We're doing tastings all around the world, so you know,
make sure you pull up. But if you just want

(46:48):
to pull up and you're one of those people that
don't want to drink and your friends just drink, then
you like me, nigga, come on, so you don't drink
the more very rare, very rare celebrations celebration, Yeah, but
you know they are aways. Want to make a celebration
for us. Celebration, lunch, celebration, dinner, celebration, club.

Speaker 3 (47:07):
Records every day. That it amazing. That is amazing.

Speaker 1 (47:16):
You touched on something that that I identified early. You
know you you and Mustard mm hmm, very very very
special connection.

Speaker 3 (47:29):
Yeah.

Speaker 1 (47:30):
I to me, you guys don't miss together. Yeah, you
don't miss was that when you when you guys established that.

Speaker 2 (47:41):
How like So the craziest, craziest, craziest thing about Mustard,
right is when he came to the table, he was
a dope ass DJ that just like the little the
little nigga that DJ is better than the grown men, right,
And that was him. He he wasn't doing beats, he
wasn't doing shit, bro.

Speaker 3 (48:02):
We would just.

Speaker 2 (48:03):
Bagging each other clown like, oh, nigga, look at your shirt?
Are you fat ass nigga? Fucking old ass niggas. Him
and YG were the first people that started that O
n conversation. Niggas like way back in two thousand and nine,
like calling me, you old ass nigga. You washed you this,
you that da da da da, And it's like we
never used to do that to our big homies. It
was like we always used to listen to it. But

(48:23):
then now it's even worse with the younger niggas, like
to YG. Now, I see, but fucking I remember it
was Mustard and Riches and they would just be talking
ship every day and then one day Mustard was like yo, bro,
because he would stay over time and just watch and

(48:44):
I'm like, damn, he's I wasn't never thinking he was
gonna say this. I was just thinking he was gonna
be like every other young nigga, just smoke weed and
drink and funck with the bitches. But you know, they
and then blame you nigga for not you know what
I mean, putting them on right, Yeah, But instead he was.

Speaker 5 (49:02):
Like, uh, let me get some sounds, bro.

Speaker 2 (49:05):
I'm like for what he was like, I'm a fuck
with this program this reason right, I'm like, all right,
So I gave him some sounds, all my drum sounds.
Next thing, you know, bro, he's starting to come back
with beats and them shit's just slapping like crazy shit
and fucking YG did a whole project with him. The
ship was working. I did some shit with him, and

(49:25):
the ship was working, and it's no better than that, bro, Like,
and everything was just organic organic like.

Speaker 5 (49:33):
Wow, like.

Speaker 3 (49:35):
DJ's no, yeah, they know.

Speaker 2 (49:38):
And he started he just learned, Bro, he was watching
and he did his own team. He was at first
it was like just him making beats and he got
with the guy Mike Free at the time, and whoever else. Like,
he just kept on putting together his different situations like
a real producer. And now he's mustard up today. He
one of the greatest to ever fucking do it like

(49:58):
a DJ.

Speaker 1 (49:59):
No, he knows. Like when you talk about DJ and
clubs and you're talking about holding people's attention and moving
them around and then taking them to this level and
then bringing them right back here just so you can
shoot them up even Like yeah, like that's a science
within within itself. But then to know how to create
the thing that does it, Yeah, that's mastery on a

(50:23):
whole another level. Like I give him credit on a
whole nother level too, because it's not just song. It's
not just knowing how to manage songs. Now you're managing
the creation of the thing that you're gonna plug into
that matrix along with these other songs. Yeah, like is
a maths scientist, he's a monster. And everything I hear

(50:44):
you two do together, I'm like, yeah, touchdown.

Speaker 2 (50:48):
I always remember this one moment where I was coming
off for twenty first Street about to make that right
on the bread to go towards Hollywood. This is like
my grandmother's owdaighborhood, and he was coming in like he
was coming from South Little Bret going north to turn
right on twenty first to go to my grandmother's house

(51:08):
because TC and everybody was over there. We had the
studio and he was like, hey, bro, I'm finna pass
you up on these beats. I'm like, what do you mean, nigga?
He was like, watch Nigga watch because I was always
making the beats and he said, this ship to me
and in the next week, Nigga Rack City dropped with him.

Speaker 3 (51:27):
From there, Nigga, it was over.

Speaker 2 (51:32):
A week and then from there, Nigga not like us, Nigga,
you know what I'm saying.

Speaker 3 (51:38):
Like now, y'all, y'all crew all together, man, and everybody
that's come up out of it has just been really successful.
And it's dope to see, you know, and everybody have
you know, they have their moments where people go different ways,
but the fact that y'all you know, have maintained, yeah,
that that that connection with each other. Yeah, it's dope

(52:01):
to see. It's really really dope to see a.

Speaker 2 (52:03):
Lot of people when got successful in their own ways.
But like I just got to always like point out
Yg Mustard, but especially Mustard because it's like like I said,
they gave Yg the first deal out of all of us,
and there was a lot of us that quit. There
was a lot of us that fell off, but there's
some of us that figured out how to you know,

(52:27):
get in where you fit in, you know, and.

Speaker 5 (52:29):
Mustard push a rod. There's a couple of us that.

Speaker 2 (52:35):
That figured it out, you know, and you just got
to shout out to people like that because they don't
make they don't make people like that every day.

Speaker 7 (52:41):
You know.

Speaker 2 (52:42):
They make a lot of people with excuses and a
lot of people that point fingers and shit. But niggas
that just like find their space and go all the way.
It's like that don't happen every day.

Speaker 1 (52:51):
Yeah, you called first of all, La. We talked about
La La.

Speaker 3 (52:55):
Yeah. La is incredible.

Speaker 2 (52:57):
Thank you, Bo.

Speaker 1 (52:58):
That's an incredible record.

Speaker 5 (53:00):
Appreciate that.

Speaker 1 (53:00):
Man.

Speaker 3 (53:01):
I love that record like wholeheartedly.

Speaker 2 (53:02):
Shout out to D and D. They started that one
you called Babyface for solid Yeah, yeah, yeah. They told
me when I come in here to this podcast that
probably one of the things that you would ask me
is like top five favorite R and B. Right, And
I couldn't like name like my favorite five songs, but

(53:25):
or the singer. I'll probably just go to the producers
of the times, like how you name fucking Davonte nigga
or Teddy or Babyface nigga like I went to the
other day. Shout out to Charlie Wilson, one of my
favorites ever, invited me to his show at the Hollywood
Bowl with.

Speaker 5 (53:46):
Him and Babyface nigga.

Speaker 2 (53:47):
When baby Face got on, it just takes you through
all of the journey, baby Face.

Speaker 1 (53:54):
It's crazy journey.

Speaker 3 (53:56):
It's crazy.

Speaker 2 (53:57):
Bro.

Speaker 3 (53:58):
You called baby Face, I called baby Face.

Speaker 2 (54:00):
I had to. I call all my favorite niggas that
I ever wanted to work with that I met from.
Like I said, the year two thousand when I first
started working with Kamara all the way until it was
time for Free TC and Babyface. One of them, Man
Jagged Edge was on my ship. All the niggas, man
R Kelly was on my ship.

Speaker 5 (54:19):
Nigga, Yeah, I said, another one of my favorites.

Speaker 2 (54:21):
Mind too, uhr shout out to man real player ship man.

Speaker 1 (54:32):
Yeah, you nice with it.

Speaker 2 (54:36):
Bro. You know, I almost got fucking canceled before cancel
was a thing because of that song, because horses in
the stable, because all this guy is.

Speaker 5 (54:45):
Fucking referring to women as horses, this and that, And
it wasn't even like that more.

Speaker 2 (54:50):
It was more of a poetic thing if you really
like that attention and fucking Tis wrote that song A
fucking woman, so suck by dick. Start there.

Speaker 1 (55:00):
It starts there.

Speaker 3 (55:05):
What made you go on the feature and collaborate or
was that ever an intention? Was that intentional for you?
Especially coming from Cali and obviously Nate Dog and you
know the run he had. Yeah, what he's meant to
the culture, like that intentional on some.

Speaker 2 (55:24):
Nate Doug ship. And when it started to happen, I
started to feel like Lil Wayne mm hmmm, because Little
Wayne is who I saw do that, like just be
the greatest and then just bless other people's songs and
saw some of them bring them to the next level
and then sign the biggest artists.

Speaker 5 (55:43):
And then you know, Leon Drake, I feel like, right now.

Speaker 3 (55:51):
We gonna get to We're gonna get to because our
favorite you know telling it you literally did a project
called featuring you know what I'm saying, Like you really

(56:13):
that race. It was like.

Speaker 2 (56:16):
Everybody was like, Oh, he's the future guy, he's the
hook guy, he's this guy. But like Tan pointed out,
we all know what I do if you really pay attention,
but the narratives.

Speaker 3 (56:26):
And you know, I mean listen in this game too, though,
the intention is to be a guy. Yeah, So whatever
the fuck they want to say, you know what I mean,
the niggas all the ship we've done in music, niggas
we run up to me like you the podcast Nigga,
I am, yeah, I am actually like we've done some
cool ship. I'll take that, you know what I'm saying.

(56:47):
So I always look at those type of things as
that's just sometimes it can be a backhanded compliment in
some form of fashion, but for me, it's just like, no,
it's still a recognition for you know.

Speaker 1 (57:00):
Good work, because the only way it even becomes a
name is if it's successful.

Speaker 3 (57:04):
If it's successful, right, the only.

Speaker 1 (57:05):
Way they even can and and trying to trying to
diminish it, it never works, right, it never works.

Speaker 3 (57:13):
It's it's a huge especially when you got the type
of gift that you get, you know what I mean,
you you just continued the success is just it hasn't
stopped for you, bro, Like and even you know, like
you said bringing up a leon like now you're a
successful label head. Bro, Yeah that does not happen.

Speaker 2 (57:34):
Now, I know, bro, And just like with the music
or you know, the artistry part how it started this
way and then I thought it was about the boom,
and it was like back to square one, and then
again you thought it was about to boom.

Speaker 5 (57:48):
You were with even a.

Speaker 2 (57:48):
Bigger situation than back to square one, and then that
little situation where you never even think you know is
the one that ends up going and uh, same shit
bro out and started many record companies along the way
and signed many artists, but it was with this one,
like during the pandemic, when you don't even know what
the fuck is going to happen, and my keyboard player

(58:10):
Ali is like, Yo, you should check out this shit.

Speaker 5 (58:12):
Man, I got this artist you might want to hear.
I know you're gonna love this shit.

Speaker 2 (58:16):
I'm telling you this is that shit, and he plays
me a song called California Cation, which we end up
changing the name love Jones, which I ended up doing
the feature for the kid and it was going to
go on my album, and then it didn't go on
my album because I didn't end up dropping, and we
ended up signing them because the ship was just so good,
and the same guy that signed me to Atlantic, we

(58:38):
ended up making a label together. Sean Barrens my guy,
fucking Leon came across you know the table, and fucking
that was my favorite shit I had ever heard at
the time, and it still is to this day, and
I believed in it. It fucking had some type of
success in the beginning, but the type of success that

(58:58):
had the higher upset the label, like, Yo, maybe you
want to give him one of them club joints, and
maybe you want to put him with this guy and
put him with that guy, and da da da da.
And I actually called him and told him this information
and and then I called him back like minutes later,
like I feel like a fucking dickhead. I feel like
one of those record company guys. Don't ever let me
do that to you, or nobody do that to you. Nigga,

(59:20):
I love the shit and there was you love it,
and there's gonna be other people that love it. And
then the second album, he came back with Mutt, but
she stuck to his shit and didn't do no sequences,
didn't do no fucking eight a weights, didn't do the
shit that everybody else is doing, but stuck to his
shit and it fucking worked and it's the best shit.

(59:41):
So that's all I would like say to a new
artist out there, if y'all ask me, like, Nigga, do
you bro and believe in it, because if someone likes it,
there's you know what I mean, there's gonna be other
people that like.

Speaker 5 (59:52):
If you like it, there's gonna be other people that
like it.

Speaker 1 (59:54):
And I gotta tell everybody you know outside of music
world that it is something to be a successful artist.

Speaker 3 (01:00:06):
It is.

Speaker 1 (01:00:07):
It is something too that there's no joy, no other
feeling in the world. And you're going to do well,
You're going to make great money, like you're going to
do a tour, all these cool things. But it gets
different when you break an artist on your label.

Speaker 3 (01:00:24):
Ship gets different.

Speaker 1 (01:00:28):
Because you know, we as owners for a very long
time understand.

Speaker 3 (01:00:35):
Being in the black.

Speaker 1 (01:00:38):
When then back in checks start coming in on the
other side of success, I can only imagine what's getting
ready to come through the pipeline.

Speaker 3 (01:00:50):
And you become a destination now because it's something that
someone said to me some years ago about if you
can figure out a way to make a living and
be philanthropic, right because ultimately, like the love and the
things that we put into it is to ultimately help

(01:01:12):
someone else, right, especially when you sign artists or you
sign a writer, or you know, you get a writer
who cracks off for our producer, are now an artist,
Like that's giving back because not only have you helped
that artist, you've helped everyone connected to that artist, their
family members, the women and whatever their lives. And you
know what I mean, And you've you've brought someone else up.

(01:01:33):
So now you become that destination when people are like, yeah, man,
I'm a singer who could a man? I could go
to easy money, I could go to R and B money.
I can go to that. You know what I'm saying, Like,
you become that for the next generations that's coming up right,
because I guarantee if anybody thinks they have anything close
to what Leone is, they're gonna be like, I gotta

(01:01:55):
get the TI dollar sign. I gotta talk to Sean Barn.
You know what I'm saying. I remember when y'all did
that deal with Ethiopia. I remember, and she was like, Yo, Sean,
he partnered you know what I mean, He's partnered with
with time.

Speaker 2 (01:02:13):
You remember Matt who works with a Dreamville Now he's
working whatever with him.

Speaker 5 (01:02:21):
Boy, he used to be with them.

Speaker 2 (01:02:23):
I think that Matt brought me to Ethiopia a long
time ago to try to get my first publishing deal
and she turned me down.

Speaker 3 (01:02:29):
Bro.

Speaker 2 (01:02:30):
Wow, it's hurt because all the homies isopia. Yeah, I
thought that was gonna be my next thing. She believed
in Leon Bro, and I just want to like Big
Ethiopia for just being such a fucking boss bro, like yeah, yeah,
you know, shout out to her.

Speaker 3 (01:02:46):
Absolutely don't kill the Party.

Speaker 5 (01:02:51):
The bop on that.

Speaker 2 (01:02:54):
Man. Like, I just realized how that song went again
yesterday because I was just going through my phone and
going through all my old files. I had started that
song for a project I was working on called Sign
Language two, because I already put out The Sign Language
a long time ago. I was making two and two
was with me and Juicy J producing the whole project
and shit, and I did that song Don't Kill the

(01:03:15):
Party with Baby Kobe and Juicy J hopped on it,
and this is for that. But then fast forward twenty
twenty three is when I link with Ya up in
Japan and we were just gonna we were gonna do
another project and I was going to have him executive
produce my solo album. But then we started making songs

(01:03:35):
and then we ended up coming up with the whole
Vultures I did and did that, and then with that,
it's like going through my hard drive picking all my
best shit, going through his hard drive, picking all his
best shit to just speed up the processed type shit right,
and then we get.

Speaker 5 (01:03:48):
On each other songs.

Speaker 2 (01:03:50):
And a lot of people first heard Don't Kill the
Party as a potential song for Vultures three, but I
ended up being able to use it for Tycoon. So
it's just crazy also to see how songs you know
you could like. For instance, Grammy nominations just popped out,

(01:04:13):
and I got nominated for a Grammy alongside my brother
Jid and been Black. Thank you guys man that song
with Jed Nigga, this is before the pandemic. He came
to my crib and we did that song. I was
produced on it and sung and he did his part.

(01:04:34):
I'm talking about Nigga. This is before twenty twenty, but
now it just happened right now. Mutt was done in
twenty twenty two or twenty twenty three.

Speaker 5 (01:04:42):
So it's just crazy, like how.

Speaker 3 (01:04:43):
It works to what's your what's your favorite? I'm gonna
tell you what mine after you if you have one, Yeah,
what's your favorite feature you had?

Speaker 2 (01:04:52):
It's a very hard one because I'm gonna just say
Psycho though it's diamond.

Speaker 3 (01:04:58):
You know what I'm saying.

Speaker 2 (01:04:58):
It was very successful just the way that ship happened.
Post told me to come to the studio over here.
That was the first day I met that nigga m
Chopper like way back. I don't remember what year that was, but.

Speaker 3 (01:05:13):
Yeah, that's my favorite feature from you. It's back Seat.

Speaker 2 (01:05:19):
By Roddy rich Man, favorite feature and you're the in line.

Speaker 5 (01:05:26):
I'm a fucking sex.

Speaker 3 (01:05:32):
This niggas crazy because I don't had nothing to do.

Speaker 2 (01:05:35):
Nothing that's going on.

Speaker 3 (01:05:37):
Finished this ship. I'm a fucking sex.

Speaker 2 (01:05:40):
That's me and Mustard going back and forth on Instagram,
just talking ship to each other. Same way we met,
the same thing and we were just going back and
forth and I ended up putting it in the song.

Speaker 1 (01:05:52):
Mine, What's What's What's the idiom song?

Speaker 2 (01:05:56):
You got? Uh?

Speaker 5 (01:06:00):
I got a gang of idiom songs.

Speaker 3 (01:06:02):
It's it's recent though.

Speaker 2 (01:06:07):
With is it like some Brazilian like AFROBT type ship
or is it like like Relex.

Speaker 3 (01:06:13):
What's the one?

Speaker 2 (01:06:13):
What?

Speaker 1 (01:06:14):
What is it?

Speaker 3 (01:06:15):
Give me? I can't do this, O my god.

Speaker 1 (01:06:19):
First of all, back back taking real quick, and then
I'm gonna look up my favorite song.

Speaker 2 (01:06:22):
All right, Well what I want?

Speaker 3 (01:06:24):
Like I said, you're a.

Speaker 5 (01:06:27):
Man, what I want? That was supposed to be on
Me and Mustards collab album, so.

Speaker 3 (01:06:32):
Y'all yeah, because y'all never done a collab album together.

Speaker 2 (01:06:34):
One right before Vultures, and uh, the label at the
time was like, let's let uh you know, the Mustard
ship hasn't been hot lately, get back hot, and and
I'm like, what the fuck, nigga, Like we got nothing
but smashes on this ship And it was just like
my team at the time, everything, it just didn't happen, bro,

(01:06:57):
And maybe he's still yeah, like I was able to
put that song on on this album. One of the
other songs we were working on do It Stay Wet
that with me and Nipsey and it was me, Nipsey
and Cardi B at the time. Then it ended up
being me and Yay and Nipsey on Vulture.

Speaker 3 (01:07:16):
So you know, how many records do you think you've
written in life? If you just think, if you just
think what you think over.

Speaker 5 (01:07:24):
One hundred dollars, God, thank you, fort hundred thousand records.

Speaker 2 (01:07:27):
Yeah, Like I try to like do at least three
songs a day. Bro, You're still on that type of
still on that type of time even when the album
is dropped. That day, I'm still in the studio, like
making more songs. So do you still go in every day?

Speaker 5 (01:07:41):
Yes?

Speaker 2 (01:07:43):
To fast forward Kowanga, that building right there that we
talked about, Nigga bought a building on Kowanga, right down
the street. Nigga right down the street, remodeled the whole ship.
Fucking you got your studios, you got your label, you
got everything.

Speaker 3 (01:07:59):
The whole thing.

Speaker 2 (01:08:00):
So we're good.

Speaker 3 (01:08:01):
So so for you guys label, are you guys fully
staffed out or is it still you guys running it
like a small boutique.

Speaker 5 (01:08:11):
But I'm hiring all the people.

Speaker 2 (01:08:13):
We got everybody, We got publicists, we got you know, accounting,
we got attorneys, we got every an ours full shit.

Speaker 3 (01:08:21):
So that's hard, Bro. And it's just to see that
happen for an artist because it just doesn't happen that way,
right Like you just don't. Especially as an active artist.
You know, you'll see people that have you know, that
step to the side, they start focusing on other things.
But for you to have it as you're still climbing,

(01:08:44):
it's amazing to watch, Bro, especially in R and B,
because we don't we don't have a lot of reach
back in R and B, yeah, unfortunately, you.

Speaker 2 (01:08:51):
Know what I mean, That's true. I feel like it's
gonna come back, though.

Speaker 5 (01:08:54):
I feel like it's turning around.

Speaker 2 (01:08:55):
No. Absolutely, It's like as we saw what happened with
Wrap on the Top forty this last week.

Speaker 5 (01:09:01):
But then we see that that best R and B category,
which leon is heavy. It is crazy, it was major hits.

Speaker 2 (01:09:11):
Yes it is.

Speaker 5 (01:09:13):
So I'm happy about that.

Speaker 3 (01:09:15):
Have you been nominated for R and B Awards?

Speaker 2 (01:09:18):
Maybe?

Speaker 3 (01:09:19):
Do you get most of your stuff in hip hop?

Speaker 2 (01:09:21):
I get most of my stuff in hip hop for sure,
and I'll still be mad that, Like, for instance, that's
why they put Tycoon in the hip hop category because
I don't feel like it's a hip hop album.

Speaker 3 (01:09:30):
Crazy, but that's why I asked you that.

Speaker 2 (01:09:33):
Yeah, I hate that ship. I'm not a rapper, like
I said, I ain't never rap. If you put my
records against jay Z, like, it's never, it's not even
the same type of fucking music.

Speaker 5 (01:09:42):
Bro. My shit is like more adds up with a
Chris Brown or adds up with you know.

Speaker 1 (01:09:47):
But that's when where they have to do more. They
have to have more consideration in the thought process of
of just music period. When they're creating these categories and
things like that, because since these things have evolved, you
can't just throw them somewhere like this is something completely different.
And like you said, you haven't wrapped one? How did

(01:10:09):
you get that? How did you throw me over there?
Like you ask me?

Speaker 2 (01:10:13):
Let's talk about it. They didn't fucking they didn't nominate
Playboy Cardi this year, which is like, how the fuck
you didn't nominated play Boy Cardi? Fucking Eye of Music
was one of the biggest fucking albums this whole year.

Speaker 3 (01:10:25):
And then you wonder why the youth exactly support it
because I guarantee you if they would have nominated my son.

Speaker 2 (01:10:32):
Yeah, but like that that was the best ship in
hip hop.

Speaker 1 (01:10:36):
But it's like it's it's almost like is it not
hip hop?

Speaker 5 (01:10:41):
I don't know.

Speaker 1 (01:10:41):
Sometimes it just feels like it's anti impact, And I'm like,
how do you how do you do that? And I'm
talking to the and I'm talking to the voters, how
do you how do you fight against impact? Like you shouldn't.
You shouldn't, you shouldn't want to. Even if you don't
understand it, right, that should lead you to go get

(01:11:05):
into it and trying to figure it out like there's
no reason.

Speaker 2 (01:11:09):
This is the lessons in my whole career, bro, Because
it's like like if you if you rewind back to
oh nine, when I said my space ship was popping,
the jerk music shit was popping. I came from what
I came from, and then they tried to throw me
in this world, which I fucking hated that jerk shit.
Just be just to be honest, right, because it just
felt like lazy. It felt like no talent. It felt

(01:11:29):
like y'all used five sounds and y'all got a song
that's going, So how can I hate that the song's going?
And that's when I had to learn to never call
anything whack again anymore. You know what I'm saying, Like
to open my fucking ear ups right, to add your
sauce to it, Yeah, because this is what changed my ship.

Speaker 4 (01:11:44):
Right.

Speaker 2 (01:11:45):
So I think with the Grammys, it's like evolution, right,
what used to be cool sometimes it's not cool no more.
And there's certain new new ship right, and uh, I
just think they need to be more ahead for what's
coming because she be changing like every so many years.
And when it comes to Cardi, I feel like his

(01:12:06):
ship is a new thing. And then it's not only him,
you got like fucking fifteen other artists that tried to
sound exactly like that.

Speaker 1 (01:12:13):
You know what I mean, you know what has to
happen though from here's here's what what what? What doesn't happen? Yeah,
a guy like like Playboy Cardi. Sometimes there's a thing
that we call campaign campaigning, Yeah.

Speaker 3 (01:12:35):
Because easy money is on the campaign, hey, Leon right now,
like a motherfucker, it's campaign Yeah.

Speaker 2 (01:12:42):
Yeah.

Speaker 1 (01:12:43):
Grammy is one of those things where's running for something.
There's there's a lot of older voters. It's there's a
lot of older systems in place. But that campaigning and
you you you up a Playboy Cardi having that Grammy
conversation with your fans, are with the people who are
helping you produce and write these albums. That makes the

(01:13:06):
conversation different for sure. But if you never, but if
you never interject yourself into that conversation, because what's missing
is the youth in this place.

Speaker 3 (01:13:17):
Right.

Speaker 1 (01:13:17):
We need young voters, right, that's what we need to
understand all of this new landscape and all of these
new art I remember when Uzzivert was killing I was like,
UZI verning.

Speaker 3 (01:13:30):
Got nothing, and we need teams submitting right, and you
need team submitting right, like I Listen, it's a couple
of things that didn't happen for some people that I
had the conversation with them. I'm like, listen, you got
to cut some motherfuckers out because you got nominated for
this that, but you should have been nominated also exactly
for this, that and the other exactly.

Speaker 2 (01:13:50):
You know what I mean.

Speaker 3 (01:13:51):
So you know it's and it's also a learning process
for us because it hasn't always been inclusive, but it's
becoming more inclusive. I'm a voter. I've been a voter
for years now, and I'm promoting it to other people
in the music business that don't even know that they
could be voters, and I'm nominating them to be voters.

Speaker 2 (01:14:08):
I'm a voter as well, but it'll just be like,
what are we voting on?

Speaker 5 (01:14:14):
You know what I mean? Like they don't sometimes they
don't have the right category.

Speaker 3 (01:14:19):
Now, listen, there's definitely flaws.

Speaker 2 (01:14:21):
Absolutely when you speak about Leon, it's like he's making
a classic sound that's already been you know, at the
Grammars before in different kinds of ways, you know what
I mean. But when it comes to Cardi's music. I
feel like it's a newer type of music. It still
reminds you of like a black rock or a black

(01:14:42):
heavy metal like Da Da Da Da, And it's been
done before too.

Speaker 1 (01:14:46):
If we but begin, we have to figure out what
do we call it and where do we put it?
Because Playboy Carti can't be in the same category as
Chris Brown, but Playboy Cardi shouldn't be in the same
category as Nicki Minaj.

Speaker 3 (01:15:09):
So what what is it?

Speaker 1 (01:15:13):
I'm just thinking outright, what do like?

Speaker 3 (01:15:18):
We're they figured it out, but they figured it out
with it with the country Grammy now because they're doing
progressive and then they're doing That's what I'm saying. But
but also it's also somebody speaking up all because best
believe and listen. I'll say this right here, right now.
When we sat in there, before we walked out, I said, hey, board,

(01:15:40):
nice to meet you guys. Why don't you have a podcast, Grammy,
I would like to know that because there are a
lot of music like we're part of what we obviously
we do music too, but we're a part of music
from a podcast standpoint, and there are multiple podcasts that
are music based.

Speaker 2 (01:15:59):
Podcast It just happens a year late, because it's like
when you go back to the Maclamore Kendrick here, you
know what I mean, Like.

Speaker 3 (01:16:07):
Tricky, how did that happen? Tricky?

Speaker 2 (01:16:11):
And then you guys said podcast, which I feel like
podcast should have been in last year, and then now
you should have had the stream run, you know what
I mean?

Speaker 3 (01:16:20):
The next time I go up there and I'll be
like so TI said, because.

Speaker 5 (01:16:25):
Because it's all these little things, they don't really speak.

Speaker 3 (01:16:27):
On it, and we don't speak to the white people. Right.
It's one thing to yell from from outside, and it's
another thing to be in the club and be like hey.

Speaker 1 (01:16:36):
Hey, yeah, yeah, what about Yeah.

Speaker 2 (01:16:40):
It just sucks because it's like, this is the I
M Music year, so that ship should be happening this year.
Figure that ship out next year. Okay, now we have
a fucking rage hip hop fucking category.

Speaker 6 (01:16:53):
You know.

Speaker 1 (01:16:54):
I feel like as music evolves so quickly that these
these these institutions they have to they have to be
able to pivot as well. I mean, it's it's it's
buildings of people or smart people who should be able
to say, hey, this is happening now and we need

(01:17:15):
to get in front in front of it in some way,
shape or form, even if it's just acknowledging it, like
we need to we need to be in the game.
We can't be behind the game because for a lot
of us, that platform is just so important, right and
they should be leading us as opposed to play is

(01:17:35):
supposed to be playing ketchup.

Speaker 3 (01:17:37):
You know, we the voices now though, you know what
I mean, your your voice is strong, brothers, you know
what I mean. They got it. They got to know
how you feel, and they want to meet with you.
They would love to take a tie dollar sign meeting
and they'll all show up. So go tell them how
you feel.

Speaker 5 (01:17:51):
For sure.

Speaker 8 (01:17:53):
Midnight hour, midnight programming for that joint midnight hour is
special to me.

Speaker 2 (01:18:03):
I appreciate you, man. I always say, Uh. Skrill X
to me was like, uh, the doctor Dre of dance music.
He's like the greatest. Why it's actually him that Nigga's
hands on on the laptop, mixing the ship, like producing

(01:18:24):
this ship, doing everything like he's.

Speaker 5 (01:18:25):
Him for real.

Speaker 2 (01:18:27):
And any genre you want to go, he can go
R and B. He could go rocky go, hip hopy
go whatever.

Speaker 3 (01:18:31):
He's just like his music.

Speaker 2 (01:18:33):
One of us so shout out to scrill X. Hit
Maker was also involved on that record, and he got
the chords played on that. You know.

Speaker 5 (01:18:43):
That, Yeah, shout out to him Maker, you still got
a nigga.

Speaker 2 (01:18:51):
He liked that.

Speaker 1 (01:18:52):
You still hot nigga. I was in the mall. I
cannot remember what story I was in and and music
freezes me.

Speaker 3 (01:18:59):
Yeah know what I mean.

Speaker 1 (01:19:01):
Just it's been like that since Charlie Brown Christmas. It'll
it'll freeze me. And I can't remember what story I
was saying. And I heard that's just I was like,
that's crazy. And what started it was muffled bo babe, babe,

(01:19:22):
let's go, let's go.

Speaker 5 (01:19:26):
I'm sorry, I tell you about to start singing this
song and that.

Speaker 1 (01:19:35):
I was stuck. I was like, I said, nigga's tied
dollars sign.

Speaker 3 (01:19:40):
It's crazy, So where the fuck is what is this?

Speaker 2 (01:19:45):
Bro?

Speaker 1 (01:19:46):
Incredible? That's my world anyway, that's secretly my world. Like
like I've been making Jay to go to the house
clubs and medio clubs. We's in there one January first
and I was like this and this nigga was sitting
like that, fuck this nigga. I was feeling, Hey, I'm

(01:20:08):
over in the pizza with M. K. Harris getting it
and it was like, so put your shirt back on.

Speaker 3 (01:20:15):
I will not put your shirt back on his crate.
Here's the crazy thing.

Speaker 1 (01:20:19):
I'm in vi P. And they're like, so put your
shirt on.

Speaker 3 (01:20:23):
I was like, what you mean, I'm in VI I P.

Speaker 1 (01:20:25):
That is why you must put your shirt on.

Speaker 5 (01:20:26):
Now.

Speaker 1 (01:20:26):
If you want to have your shirt off, you have
to go with the regular people. I said, that's wow.
But he was a built due too. He's like, I
understand because I want to show myself too, but you
can't in vi P. I was like, all right, I
respected you, you, fellow buff man, Like put my shirt
back on? What we are we getting a tour?

Speaker 2 (01:20:49):
Like what are we?

Speaker 3 (01:20:50):
What are we getting with?

Speaker 2 (01:20:51):
We're putting the tour together right now and I've just
been getting the team all the way right. But you
have a lot happened too. Yeah, there's been a lot
of moving parts going on to get to this next
level that we're going to.

Speaker 5 (01:21:07):
But the next level is happening for you. What is that?

Speaker 2 (01:21:10):
The next level is just up? Everything up bro. That's
the motto, everything up bro, everything next level. You know
what I'm saying, Everything level up and there's still shit
I haven't done. I haven't performed at the Super Bowl.
I'm so glad to see my little bro Mustard and
Kendrick up there. You know what I'm saying. Kendrick was

(01:21:31):
on LA, Mustard's been on all my ship. I'm always
happy for my brothers, you know what I mean to
get to that level. There's still the World Cup, you
know what I'm saying. One thing people don't do that.
I noticed that I had to call my brother and
really give him as full flowers on and speak on.
When they talk about the West Coast, they don't bring

(01:21:54):
up my nigga, Will I Am enough? And I feel
like I feel like when it really talks about when
we really want to talk about the king of Kings
of l A, who else did the fucking Super Bowl
three times?

Speaker 5 (01:22:06):
Nigga? Or it might before? And who else did the
World Cup?

Speaker 3 (01:22:10):
You tell me all things LA, the.

Speaker 2 (01:22:14):
Exactly everything l A.

Speaker 3 (01:22:16):
You feel you don't get more LA than Will I Am.

Speaker 2 (01:22:18):
I'm just trying to, you know, do the things that
Will did and go past that, you know what I'm saying.
That's my motherfucker.

Speaker 1 (01:22:24):
You guys, have you the bar done? Music?

Speaker 2 (01:22:26):
Together, Like I said, Bro, two thousand whatever that year
is right before the YG ship is me Venus Brown
Corey justin Timberlake and Will I am right and still
to this day, Will I am pulls up. He did
a whole version of the Vultures album that didn't come
you know out and the Will is always with me, Bro,
so shout out to Will.

Speaker 3 (01:22:48):
Were just we were talking about Will earlier with Big
with beat by Dre.

Speaker 1 (01:22:53):
Yeah, he came to my U. He came to my
play in Broadway.

Speaker 2 (01:22:57):
Yeah, I will pull up.

Speaker 3 (01:22:58):
We'll pull up.

Speaker 1 (01:22:59):
And I was like, Will, Man, I need a song.
That's the first thing, that first thing that came to.

Speaker 2 (01:23:12):
You.

Speaker 1 (01:23:12):
I said, Hey man, I need a rocket I said,
I need a smash. He said, hm hmm. What kind
of smash I said. I said, like like take me
somewhere and I've never been. He said, like a rocket ship.
I said yes. He said, h okay, come out the studio.

(01:23:32):
I said, okay, we'll call you.

Speaker 2 (01:23:35):
I have a call you.

Speaker 1 (01:23:36):
I don't got his number, advertise here now he right
down the street. Yes, yeah.

Speaker 3 (01:23:42):
Will was one of those type of people to like
you said that, you know he's just over He will
right a corner.

Speaker 1 (01:23:48):
No, he's always, always solid, always waiting.

Speaker 3 (01:23:53):
To buy one of these cars, even made the car
and make the music and ship wait to that car.

Speaker 2 (01:23:58):
He was the first rapper I knew there was, like
in his own cars. And he's having like studio buildings
with fucking fingerprint to get to the next door and
a big inspiration in my life.

Speaker 1 (01:24:09):
We were having like one of those conversations one night
at the studio and I said, I said, if you
weren't doing music, what would you be doing? And he said,
I won't say. The computer company he said, he said,
I'd be working there. I said what? And then he

(01:24:32):
started telling me all the think tank things that he
does with the computer companies. Yeah, literally picking his brain
and he's evaluating things and telling them.

Speaker 3 (01:24:43):
He different.

Speaker 2 (01:24:44):
Yeah, he different.

Speaker 5 (01:24:47):
And like you said, he came from East l A.

Speaker 3 (01:24:49):
And well he got the song right now too, he
got the he sampled.

Speaker 2 (01:24:54):
The Maria Maria exactly.

Speaker 3 (01:24:56):
Yeah, yeah, no, he he sampled that.

Speaker 2 (01:25:00):
And that's how I'm motion on the charts.

Speaker 1 (01:25:02):
Yeah, yeah, East La Zion. The other day we ride
the car, Daddy turned that up. What's that song? I
didn't I know? That was what I am tell him.
The kids still love him, the kids.

Speaker 2 (01:25:16):
The reason why I called him to give him that
love is I was in London and like it was
this group that pulled up on me, like four white girls,
like young. They had to be like twenty something, and
they were screaming to the top of their lungs where's
the love? And this is twenty twenty five, like two
months ago, and that song came out whenever the fucker

(01:25:36):
came out and they're just like, will nigga, this is crazy, Bro?

Speaker 3 (01:25:39):
You really like him?

Speaker 2 (01:25:40):
Bro. I don't know when's the last time you heard that,
but just in case, I don't know what kind of
day you haven't because you know how it be like yeah, nigga,
you just gotta.

Speaker 5 (01:25:49):
Know, bro, keep going if you still care about this
ship and you still love it.

Speaker 3 (01:25:54):
Like where right now?

Speaker 1 (01:25:57):
Brother, brother dollar Sign. That's one of those special moments.
You start to talk about music mm hmm. Music that

(01:26:17):
is made of.

Speaker 5 (01:26:20):
It is a lot of money, a lot of money.

Speaker 1 (01:26:27):
We want to get into the mind of the Dollar Sign.

Speaker 2 (01:26:30):
I want to get into the mind.

Speaker 1 (01:26:33):
And understand the music that has been so inclined to
inspire your journey as by your journey, as we sit
here at this time the paper to know mister tie

(01:26:57):
Dollar signs.

Speaker 3 (01:27:05):
Top your top F, top F.

Speaker 2 (01:27:18):
You top the single? What a tip?

Speaker 3 (01:27:24):
And this.

Speaker 2 (01:27:28):
Were going to do? There? All this fingers. Come on now,

(01:28:01):
ladies and gentlemen.

Speaker 3 (01:28:02):
One of the greatest ever.

Speaker 2 (01:28:07):
So how we doing? We're doing Top five female singers,
Top five male singers?

Speaker 5 (01:28:12):
Are we doing?

Speaker 2 (01:28:13):
Top five R and B.

Speaker 1 (01:28:15):
Producers of twenty your top eighty five listen.

Speaker 3 (01:28:22):
Women?

Speaker 1 (01:28:22):
Are men?

Speaker 3 (01:28:24):
Just five?

Speaker 2 (01:28:24):
No order? Best singers?

Speaker 9 (01:28:29):
Tip five, Nigga the tip five, the top five, Top five,
Stevie Wonder Wonder.

Speaker 2 (01:28:41):
Yeah, like anybody who's doing runs of Man, that's Stevie Wonder.
We all got it from him. Kim Barell best female
ever to me.

Speaker 3 (01:28:51):
Fault God damn she sang a tanks with.

Speaker 2 (01:28:59):
That's like, yeah, you deserve that though, because you definitely
one of those Steve Wonder tank Brian McKnight, fucking uh
that nigga? Mario?

Speaker 5 (01:29:10):
I love Mario, h I love that nigga. Avery Wilson,
I love Leon. I know I just went over the.

Speaker 1 (01:29:25):
Twelve, but you know, what did you say that? I
don't think people are really listening to Leon.

Speaker 5 (01:29:34):
Man on the run?

Speaker 3 (01:29:36):
What that ship?

Speaker 1 (01:29:37):
So I don't, don't people are listening and understanding what
he's doing vocalocally because he slips it in pockets them
pocke so quick you can miss it. You think it's normal.
It's not normal.

Speaker 5 (01:29:55):
It's definitely not normal.

Speaker 1 (01:29:56):
But he just did in that small space is not normal.

Speaker 2 (01:30:00):
Then when it even gets more trickies when you go
to the show and you see it live and he's
fucking signing damn near better than the record because a
lot of people have trouble sounding like the record for
history is like clean clean. And I even got on
his head the other day, like, Yo, who you got
mixing your ship?

Speaker 3 (01:30:16):
Bro?

Speaker 2 (01:30:16):
He's like, Yo, I got the older homie who was
just you know, damn near beat cancer nigga and he's
up here with his cane nigga and he's fucking killing ship. Yeah.

Speaker 5 (01:30:25):
I'm like, bro, shout out to your whole squad, real
killing it.

Speaker 3 (01:30:29):
I can't wait to go to that tour too. That's
that's that's outright now.

Speaker 2 (01:30:32):
Females though, Kimbarell, fucking Brandy Nigga, Beyonce, Beyonce again, Beyonce Nigga,
playing with me Clark's sisters, ah.

Speaker 5 (01:30:45):
Nuts, I think that was five and the females.

Speaker 3 (01:30:47):
That's fine.

Speaker 2 (01:30:49):
There's so many more, though you want to leave out
nobody fucking I love Jasmine Sullivan. We can start getting
into the young ship. There's a lot of young ship.

Speaker 1 (01:31:00):
It's a lot of let's move on because I know
you got them for days. Yeah, top five R and
B songs ship, Yeah, that's gonna get tricky.

Speaker 3 (01:31:10):
Damn Nigga, we want it, bro.

Speaker 5 (01:31:15):
I can't even do that.

Speaker 1 (01:31:16):
Bro, you can't start just.

Speaker 3 (01:31:19):
Nigga. Just start naming jaf You listen to right.

Speaker 1 (01:31:21):
Now, you're just jams.

Speaker 3 (01:31:22):
Go down and playlist.

Speaker 2 (01:31:24):
Oh man, I can't do it like that, bro. Like
I said, I could just name people that just brand
periods of R and B, like Teddy Riley, like Babyface,
like motherfucking Tank Nigga, like r Kelly, like who am
I missing? Bro Stevie Nigga, Smokey Robinson.

Speaker 1 (01:31:46):
Smoky You just pick a song from each of those artists.

Speaker 2 (01:31:49):
I can't pick the song because it's just so many.
I can't do that because I'm gonna blame it on
the weed. You'll be smoking too much to just go
to a song at my head right now.

Speaker 1 (01:31:57):
You would be the first one to not I don't
know if you want to be the first to not
do it?

Speaker 2 (01:32:02):
Well, did they pick all those producers? Did these niggas
get you know, the information about the songs?

Speaker 1 (01:32:08):
Come on?

Speaker 3 (01:32:09):
He technically gave he gave us the category two, gave
us another category. I respect. That's why I'm saying ship.
She was I be saying ship. Yeah, I like that category.

Speaker 2 (01:32:20):
Ship.

Speaker 3 (01:32:21):
Niggas who ran this ship, Niggas.

Speaker 2 (01:32:22):
Who ran Yeah, niggas who ran this ship for pairs at.

Speaker 3 (01:32:25):
The time, I like it.

Speaker 2 (01:32:26):
Uh, Jamine Lewis, Jam and Lewis, Nigga, the Underdogs, Nigga,
Rodney Jerkins, bro How did you leave out Rodney Jerkins.

Speaker 1 (01:32:41):
Tim and Bob Dallas, Austin, Brian, Michael Cox.

Speaker 3 (01:32:47):
There's some niggas dry and they die.

Speaker 2 (01:32:53):
But let me let me I don't know if this
ever happened on the show, But what's your top five
arm B song?

Speaker 3 (01:32:59):
Can can't do that?

Speaker 2 (01:33:00):
You can't do that?

Speaker 5 (01:33:01):
Can you even think of them right now?

Speaker 3 (01:33:03):
Yeah?

Speaker 1 (01:33:03):
But you can't do that. That's let's just hear it.
If you can, what you're doing is you're stalling.

Speaker 2 (01:33:09):
I'm not sing.

Speaker 5 (01:33:10):
I'm trying to see if you could pick five songs,
I don't even be like.

Speaker 1 (01:33:13):
You have pick five song right now right now, I couldn't.
They wouldn't necessarily be My top is A tier has
two right now. Ever, right now you say, can you
think of right now, right now too? Of my right
now is right now?

Speaker 2 (01:33:28):
Yes, right now, yes it is. But then I go,
ka folded, Okay, Chris Brown, I'm.

Speaker 3 (01:33:37):
Gonna take residuals. I'm gonna take residuals like residuous.

Speaker 1 (01:33:41):
Too, I'm going residuals. I'm going still going herd damage.

Speaker 2 (01:33:48):
Her damage is crazy crazy, that's going one of the
best singers too cold.

Speaker 3 (01:33:53):
Yeah, hours and hours for like the last couple of years,
hours and hours.

Speaker 1 (01:33:57):
I'm going, I'm going, I'm going brand when you touch
me shh, Yeah, I'm going. I'm going Joe to see
my heart belongs to you?

Speaker 3 (01:34:12):
Are you're mixing it up? You're mixing it up.

Speaker 1 (01:34:16):
I'm just you know, I go places, man, this is
these are all top tier, they all live, they all
live on that top level. And I'm going Marvin gay
Distant Lover Live, I'm just I'm everywhere.

Speaker 2 (01:34:30):
Yeah, Marvin Gaye, what's going on for me? Not only
was he singing his ass off in the backgrounds with
the message anything Bob Marley bro that if you want
to consider that. R and B singing has so many
STEVIEE songs, I can't even name one. I'm like, but

(01:34:51):
I don't want to pick the wrong one because I
want to pick one. Who is a favorite, That whole
TP two R. Kelly albums, like that whole Voodoo D'Angelo albums.
What made me the whole Lauren Hill fucking her album

(01:35:12):
is what made me. I could go two albums on
Brandy two or three. You actually could, you could because
that's like what made my backgrounds?

Speaker 5 (01:35:24):
Who else?

Speaker 2 (01:35:25):
Man? And then, like I said, Kim, I'm trying to
pick what song that was, but it was like the
that that black and white cover from Kim Brell. I
don't know, man, I don't know the names of the song. Sorry, guys.

Speaker 1 (01:35:42):
All right, guys, okay, okay, if you did good, I like,
I like what you did, then let's move on. Let's
make your super R and B artists like this artist
is is everything you would want in an artist, right,
So we're gonna pick it in pieces. We're gonna pick
who's vocal. You're gonna use for that artist, the perform
rmant style, the styling of the artists, the passion of

(01:36:03):
that artist, and who's going to produce for that artist.
Let's start here. What one vocal are you getting to
make your super R and B artist?

Speaker 3 (01:36:11):
One vocal?

Speaker 5 (01:36:13):
Ah, Super R and B artist vocal. I'm gonna go
with odd dollars.

Speaker 3 (01:36:20):
On dollar sign.

Speaker 2 (01:36:25):
That's going, nigga, that's going.

Speaker 3 (01:36:27):
Yeah, everything up.

Speaker 2 (01:36:31):
I'm hitting any run they throw every whatever.

Speaker 3 (01:36:33):
You better believe it.

Speaker 2 (01:36:34):
You better. I heard you do it. Performance style, performance style,
Chris Brown.

Speaker 1 (01:36:43):
Yes, hmmm, we're flying around the whole stadium at thirty
miles per hour.

Speaker 2 (01:36:50):
Yeh.

Speaker 1 (01:36:50):
Niggas trip, the styling of the artists, they look like
on stage, the drip of the artists.

Speaker 5 (01:36:55):
Did drip in twenty twenty six, Uh ship.

Speaker 3 (01:37:02):
Yeah, man, we talked about you know what I mean,
the niggas, I mean the French niggas back in the days.
You'll be listened. How have you want?

Speaker 1 (01:37:09):
I think my grip is like, I think I'm not
scared if you go there.

Speaker 2 (01:37:12):
I'm MYO. We don't talk about that enough, but I've
been doing it.

Speaker 6 (01:37:17):
Bro.

Speaker 1 (01:37:17):
I was I was hoping. I was hoping you were
going to say that I appreciate how mad at you?
The passion of the artist, the heart of the artists
who mean it.

Speaker 2 (01:37:25):
Yeah, the passion and heart. I got a crazy passion.
I'm still here. I'll take you know, hm, I'll take fail,
I'll take win, and I'll never stop and im and
I'm still here.

Speaker 3 (01:37:35):
You know what I'm saying.

Speaker 5 (01:37:37):
Why not with the same energy.

Speaker 3 (01:37:38):
Why now? What you're telling me is you're you with
Chris Brown moves.

Speaker 2 (01:37:44):
Yeah, that's the one thing. That's the one thing I
didn't like that much time on what I wish I
would have.

Speaker 1 (01:37:53):
Your feet feat and who's producing for this artist?

Speaker 5 (01:37:57):
Who's producing for that particular artist? Ship?

Speaker 2 (01:38:04):
Can I get a combo? Can I get Mustard and Camper?
Mustard and Camper because Mustard stands the people, the vibe
and Camper got them chords.

Speaker 3 (01:38:15):
Man, he's gonna give us Mustard and Camper is great.

Speaker 5 (01:38:18):
Yeah, those two together would be like, oh my god, razy.

Speaker 1 (01:38:22):
Yeah, Mustard in Camper. Who's writing for this artist?

Speaker 5 (01:38:28):
Shit me James fond Deloya and Krishan hit Maker.

Speaker 2 (01:38:39):
And let me just throw some female perspective in there.
I ain't never worked with her, but I love her words,
and like everything she's been doing is his chick named
Amy Allen.

Speaker 3 (01:38:48):
Amy Allen.

Speaker 5 (01:38:48):
Yeah, you ever heard of her?

Speaker 2 (01:38:49):
No, you ever heard of Sabrina Carpenter of course, like
she's writing on.

Speaker 3 (01:38:53):
Her writing on the record.

Speaker 2 (01:38:54):
I don't want to take anything for Sabrina because I
wasn't in the room. But from when I read the credits,
I see Amy's name on all the ship, so and
like she might be the inspiration. And then I heard
Amy solo records and I like her a lot.

Speaker 1 (01:39:07):
Okay, you're taking all this a whole nother place, Bro.

Speaker 5 (01:39:14):
It's not like the classic R and B ship, but
it's like her words is.

Speaker 3 (01:39:18):
Just music, you know. I mean, you know what I
want to before you before you go into that.

Speaker 5 (01:39:23):
And Tish, I'm gonna bring Tish to the table.

Speaker 3 (01:39:26):
Before you, before you, before we get to this last segment.
I want to tell you, bro, thank you for something.
And I'm saying this from the other side of the business.
So I have these bright ideas all the time, right,
and sometimes people be like, yeah, you're crazy, and it
sometimes like I'm rolling. So I had this bright idea.

(01:39:49):
I'm like, Tank, you know what I'm going to direct
your next video for the when we remix right, I
was like, I have a call, Ben Mark. I got
the I got the I got the whole concept in
my head and write this ship out. I've never done
it before, but I was like, I got something, and
I'm saying thank you from the other side of that
from just being a gracious artist. You Trey songs obviously

(01:40:14):
my brother Tank, but this is my first time directing
the video. You probably had no idea. He's just like, okay,
all right, all right, Jay, what's the next thing. You
know what I'm saying. But I wanted to personally say
thank you. You know what I mean, because that can
and understanding that from their side, the directors who do
that every day, that ship can be taxing, especially when

(01:40:34):
you're dealing with artists who ain't cool. You know what
I'm saying. So I just want to tell you I
appreciate it that bro.

Speaker 5 (01:40:40):
Man, appreciate y'all. Thank you for having me on the
mom and you kill me.

Speaker 3 (01:40:44):
Your verse is crazy on it. Have you seen the
choreography online to your verse? All the girls to do
the chur hard.

Speaker 2 (01:40:57):
Yeah.

Speaker 3 (01:40:57):
Man, appreciated brother, Thank you, brother.

Speaker 1 (01:41:00):
I can, I can Piggy back on that thing.

Speaker 5 (01:41:01):
Let's thank you, sir, Let's do another Yeah, all those
kse Swiss?

Speaker 3 (01:41:06):
Hey, yeah, right, that's hard.

Speaker 5 (01:41:08):
I ain't seen nothing in a while.

Speaker 3 (01:41:10):
What did I just say?

Speaker 1 (01:41:11):
He just literally yeah, I said, nigga, youre gonna make
me go a pair case Swiss.

Speaker 5 (01:41:16):
That's fine.

Speaker 1 (01:41:22):
I ain't saying no nigga. I ain't saying no names.
I ain't saying no names. I ain't saying no.

Speaker 2 (01:41:28):
Names are what you need?

Speaker 1 (01:41:33):
Don't see ship, and I ain't.

Speaker 3 (01:41:38):
Saying no name. So we had a very very important
part of the show. Yeah, will you tell us a story?
Funny er fucked up? Are funny and fucked up? Which
I know you probably got some of both the only

(01:41:59):
route to this game. And you can't say no names?

Speaker 5 (01:42:01):
Okay, funny and fucked up?

Speaker 3 (01:42:04):
What funny? What just fucked up?

Speaker 5 (01:42:06):
Mhm, funny and fucked up? Funny and fucked up? Funny
and fucked up.

Speaker 4 (01:42:11):
Uh.

Speaker 1 (01:42:18):
I'm trying to like, somebody got a somebody got a bad.

Speaker 5 (01:42:21):
Right before canceled, I'm like, can I say this?

Speaker 3 (01:42:28):
We got good added in too? So whatever?

Speaker 5 (01:42:30):
Right? Funny and fucked up?

Speaker 2 (01:42:33):
Damn. I'm just trying to think of what time period.
I should go what time period helped me? What time periods?
Should I go?

Speaker 1 (01:42:43):
Go go tutor them? Booted time period?

Speaker 2 (01:42:46):
Funny and fucked up to them? Booted time period? Oh,
ship nigga? When we uh just that whole time man?
Like all right, cool, I do this song, get YG
on it? Oh, sorry, no names. The record companies called
they want to sign Bro. They don't want to sign

(01:43:07):
MEW or Tcuh. Next thing, you know, it's time to
put the record out. The record comes out. We gotta
tell TC they don't want him on the record. Sorry
I said another name, So uh that comes out? Ship.

Speaker 5 (01:43:22):
I'm trying to think how this is funny? That's not
that funny?

Speaker 3 (01:43:26):
Sound? Yeah, they don't got to be both.

Speaker 2 (01:43:32):
I mean the video shoot, I just had my homeboy
do the video and we went to Darck Wilder Beach
and like I said, push in was a whole bunch
of us from all over the city, different hoods. And
we get to the beach, nigga guns are drawn, niggas
a big standoff on the parking lot.

Speaker 3 (01:43:52):
And you know what I'm saying, niggas that supposed to
be there together.

Speaker 2 (01:43:55):
Yeah, but it's like different hoods because like I said,
we all come all over, so it's all different hoods.
You got you got blood, you got power us, you
got grapes, you got everything, and uh and then end
up getting you know, being a successful video nobody got
shot and we got a million views in one week
and end up getting the record deals and we're here today.

Speaker 5 (01:44:17):
It's not that funny though.

Speaker 1 (01:44:18):
That's no, that's a good one. Stand off at the
video show.

Speaker 2 (01:44:21):
Stand off at the video shoot. Bro, I'm trying to
think what else is like funny funny though? I want
to have the funniest one on this show. Ever, I
can't think, Bro, I should have came more prepared.

Speaker 3 (01:44:36):
I'll call it in on the.

Speaker 1 (01:44:37):
Next brother Tie dollar sign. We are extremely grateful, extremely
grateful for your time, man, grateful for y'all. Thank you
for having me on the show. I'm actually a fan
of the show.

Speaker 2 (01:44:51):
I've caught a couple of them, and uh, you know,
it's just I honored to be in the room, you know,
alongside some legends that I respecting.

Speaker 3 (01:45:00):
The game and ship. Keep expanding, man, keep making room.

Speaker 5 (01:45:04):
Now we all funny, funny, funny, funny.

Speaker 3 (01:45:07):
He got a funny way.

Speaker 2 (01:45:08):
So this building right down the street it's across the street,
right down the street right now. It's called Keys. I
remember back in the day coming to some show at
that motherfucker. It was called Billboard Live, and I've seen
yo ass in there, nigga going crazy on the mic.

Speaker 5 (01:45:22):
I don't know if it was one of them R
and B.

Speaker 2 (01:45:24):
Wednesdays and Sundays and one of them ships, but I
remember you killed that shit, and I'm like, I just
can't wait to be at this motherfucker. And then one
day this is after Tutored and Booted, like after House
on the Hill, and we get our first show. This
is like the last week of it being Billboard Live
before they changed it to one oh to one, right,
and we get in there to do the show. About

(01:45:48):
seven people came to that motherfucker. Bro Me and Joe
Moses on stage all around homies I'm talking about. The
stage is filled up with homies. He came in the crowd, nigga,
and then we just have the homies go out.

Speaker 3 (01:46:03):
Understand the house Keys.

Speaker 2 (01:46:05):
And I haven't been there so many times performing it
that motherfucker see changes in the ship. But it'd be
like that sometimes, man, you know, sometimes you'll think it'll
be the biggest ship because you got this one thing
going and then you'll come and nobody shows up, and
then you'll go to another city and the ships the
fucking most packed shit in the world thase people can't
even get in. So you know, if you believe in yourself, bro,

(01:46:27):
just keep going. Like you said, it's got to be
that passion. You got to actually like have fun with
the ship and uh or else it'll eat you up.

Speaker 1 (01:46:35):
Those are the moments to tell you who you are
and if you want it. Yeah, it's it's the seven
people in the crowd that when you decide what what
it's really gonna be for you because with them seven people,
I'm still gonna take my shirt off exactly.

Speaker 2 (01:46:48):
Yeah, you feel me.

Speaker 3 (01:46:49):
I've seen it.

Speaker 1 (01:46:49):
I'm still gonna cook light out there.

Speaker 3 (01:46:52):
Tank cool, Cool, Let's get it. Let's see what we do.
That's what we do.

Speaker 1 (01:46:57):
Appreciate you, bro, We appreciate you. My name is Tank
and this is the R and B Money Podcast, the
authority on all things R and B.

Speaker 3 (01:47:08):
He's not a rapper, R and B singing not a rapper.
He is and a lot more is. He is all
things is all things, sing it, play it, write it,
get to know that.

Speaker 2 (01:47:23):
I appreciate y'all for saying that, Appreciate the platform, Appreciate
everybody that's out there tuning in, Appreciate everybody that's clipping
and ship and we'll be back for more man clipping.
Let's see what you do.

Speaker 3 (01:47:36):
Watermarks there Live from the sun roll wasn't the sun
Rolls

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Hosts And Creators

Tank

J. Valentine

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