September 8, 2025 • 38 mins
The incomparable, Dominican producer genius, Cromo La X Y lo real from the leading Afro Cuban Jazz singer Dayme Arocena. B2B Codigos para mi gente on the rise.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
I said it before and I'll say it again.
Speaker 2 (00:03):
I love the ar is.
Speaker 3 (00:10):
Nobody is touching them. Their transsetters something that is often
demonized with women. But men have their moments.
Speaker 4 (00:21):
A lot of moments.
Speaker 3 (00:21):
If we're gonna be honest, the truth is, I don't
get why we demonize women in.
Speaker 1 (00:25):
The first place.
Speaker 3 (00:25):
But the la la gocro, the living being and some
of my favorites or anything really who get there by that?
And anybody paying attention knows that the R has been underestimated.
Speaker 1 (00:43):
But that's no longer the case.
Speaker 3 (00:46):
Elf Domicano, for example, is.
Speaker 1 (00:50):
Finally recognized for setting the tone.
Speaker 3 (00:53):
Well today I want to get into all of that
and what it means to be part of El movimento,
putting deer on the map with kroma Akis here and.
Speaker 5 (01:07):
Cause the factor and that's I got away. That's don't don't.
Speaker 3 (01:11):
You must not com handle Mada dam and mad ok
Kramaakis come don't bo a Simon gang yoh say it's
a concept.
Speaker 5 (01:35):
Many thing.
Speaker 4 (01:36):
I love it.
Speaker 5 (01:38):
So sinking. I like I'll go like comment that's yeah,
like sound d J I wanna apply for.
Speaker 6 (01:55):
You know I said that Djo come over your okay
a party equal and musica into the second.
Speaker 2 (02:04):
Okay the.
Speaker 6 (02:11):
Mass musica okasano the music.
Speaker 5 (02:25):
It's like yes, yes, I want.
Speaker 6 (02:31):
Minica man also then okay Ramanatin Fluimo and Latina so
Loo represents.
Speaker 3 (02:44):
Dominica because Dominicans is Dominican season, honestly.
Speaker 7 (02:49):
The.
Speaker 6 (02:51):
Latina Calacum, Transta, the different INChO different No Ncano, Puerto Rico,
Roum Biendo when they swelled out from Biendo, Muncherkid and Swell,
the Uncharity and DNA mun Charity that colum yeah, and
Moto Latino game.
Speaker 5 (03:10):
Okay, okay, you're doing lou groan. Oh say.
Speaker 4 (03:19):
Grandma like is I say, sink on cat play?
Speaker 2 (03:23):
I guess it cat got him play.
Speaker 6 (03:29):
I say ekp Neutra conself tom much on m and
don't said gat They do sing.
Speaker 2 (03:39):
Like posa. Okay, okay, I say, but the probably nothing.
Speaker 6 (03:42):
When I said who they are for the cos I
can't domain, I said what I said for the lock
at my home new from Silada, they.
Speaker 3 (03:48):
Say, okay to get kay, okay, okay, what in montom
come on?
Speaker 2 (03:56):
Comes?
Speaker 5 (03:56):
I know you when you just said battle see if
popolo of them?
Speaker 2 (04:01):
Okay the the ahead then go said and you seem
to go to.
Speaker 6 (04:08):
He said, yeah, okay, do you can get care and
present wo the MoMA por lok comments but no, uh
you can can get them inside. Come okay, look at
your hotel and handed out of care. Come okay, seem
dam pien tho un support. Come on over they got
thirty They came you to get it to come coente
(04:31):
and it goes okay, come okay, says yeah clam sup
hant go to keypole said get that YadA to the
n k k he to know what stay there and
don't say.
Speaker 2 (04:40):
And it's a person.
Speaker 6 (04:41):
So you're in dan look at tea and come and
press and turns.
Speaker 4 (04:48):
Oh you're a baudas producer. I allow myself into process.
Speaker 3 (04:54):
So like come on you god, like can't say so
song is quite in my mind here like tell me something.
Speaker 6 (05:00):
The musica so homemade and bran mm pedo and you
cantando royal prosi and royo boa cantal royal composi at.
Speaker 2 (05:14):
Clando dole supposa is a processor. Second, come okay an.
Speaker 6 (05:20):
Quinto come up as soon as you had come on
your tal diferente lokela musica jo sam patcho ma clara
conta Clara commun coomny capri proci and it's just a
complemento e k o prass processor though.
Speaker 3 (05:38):
S heydo alama, so wanna helped you?
Speaker 2 (05:46):
No?
Speaker 3 (05:46):
Yeah, actoria QUI saw like you know, they like sorry
contake like that resonates with you, like wanna that stays with.
Speaker 4 (05:58):
You often, you know.
Speaker 6 (05:59):
Man, okay, tell you to YOURNDO a paper, okay, So
he said, amore the financial muchan thing?
Speaker 2 (06:12):
Anything do to Okay. I said, of course I've seen
implement the problem never work.
Speaker 6 (06:16):
I your airport and I'm looking at miss okay, no more,
You'll move to Amente and when my cos you din'
okay okay, so.
Speaker 2 (06:23):
He said, walk in the metal ham in hand and.
Speaker 6 (06:26):
Said see you when I put okay sometime and said
mess second time he toldn't tell you yeah, and.
Speaker 7 (06:36):
So my.
Speaker 5 (06:39):
Hair like, okay, do this okay, what want your buying?
Speaker 6 (06:45):
And Momento Pacifi go don the yo the financia they
d endo d'ma cohead and said you four year pronounce
your hmm yeah your men forty Momento yeah yeah yeah,
Tomento say some Momento.
Speaker 2 (07:00):
Except for myhnicom server. I then that I sent lever.
I say gonta yankee, hm say that one more time?
I had that. I say, good.
Speaker 3 (07:11):
Yankee y seel yeah, oh my god, I love the
uh Dominican accident.
Speaker 5 (07:17):
My goodness, he s wanna again the go the last
uh agin what I happened?
Speaker 2 (07:26):
Eh and bela, I'm not plasona e chapton. I couldn't care.
Quota what id you that?
Speaker 6 (07:32):
Und okay guillata ad you like m rome on sawah
I w and I do that.
Speaker 8 (07:36):
I wan my.
Speaker 6 (07:36):
Playsla, I came quentre SOOTHI xio, I can quintro Sweden
da quo, I see him and loke man un d
n okay you'll put it down chaps the metal the
e man twenty the k Yeah, so you then demento
dajok chapona you do your.
Speaker 3 (07:52):
Say you see me later at all walk part Francia
play gus Liamentai finance, y'am, look at the fan that
the sea.
Speaker 5 (08:04):
Come on Naga and one important that.
Speaker 4 (08:09):
I want your person, you know, hides and really.
Speaker 2 (08:14):
And dinner that he.
Speaker 9 (08:20):
Goes Grandma, I go on and my handle maybe and
him both like go through k get to what I influenced, y'all.
Speaker 5 (08:32):
Like then I have okay, okay, come on, don.
Speaker 3 (08:37):
Know the can have one your culture shift there, yeah,
can like I'm young Casillo pens when I te like
I said, I'll you know you want d drink?
Speaker 6 (08:46):
I say, I'll look it out and I guess and
deal that. Okay, you're up with Okay, influence and no
man who yo see no, come on can you in
you can you not the right right?
Speaker 2 (09:03):
Okay?
Speaker 5 (09:03):
But I see yeah, yeah, cause you do a lot
of shire.
Speaker 2 (09:07):
Yeah, Maria's amazing.
Speaker 10 (09:11):
Yeah, my god, mette geta and nandok.
Speaker 5 (09:25):
Chance la get getting into gonna get into the part.
Speaker 8 (09:30):
Of the day.
Speaker 6 (09:31):
It's sam kumo la and a person up and say
my continio he told them for super cloud or loka
ke to Pablo moment moment e k someone around to
(09:56):
see too.
Speaker 8 (09:58):
I like to do that.
Speaker 2 (10:00):
You get get the man da la la.
Speaker 6 (10:03):
You know we're gonna s over here that malapaha say,
don't know see blaming data door and there like course
I said, donne, so tell me tell you don't chici
mothers in cosa you see.
Speaker 4 (10:13):
Ia, Okay, do get hint say.
Speaker 10 (10:18):
Para you know, like, oh, okay, I'm a horn because
I'm what your brought up the glad.
Speaker 4 (10:24):
Yeah no see you when that goes?
Speaker 6 (10:25):
Okay, I said, I see yeah, no you see gom
okay Muchahanta, I'm okay see that Latin dance every done?
Hen then okay and ks from the minute do you
said see that hine set Parama port put it out
the DC and and if w Aftertaucho made Boko will
(10:49):
see you Una la.
Speaker 2 (10:50):
May lead you'll get all see her and.
Speaker 6 (10:53):
Memo and memo steel you put a man go out
some to time beefer ente m pork okay you might
you know that you okay? So I want to compose
you you know, okay dent to come set on my data.
You didn't okay with them focusing and yes gars on
the d n A I special figure that you said
(11:15):
that your dent he didn't look that focus.
Speaker 2 (11:23):
I can call you.
Speaker 3 (11:35):
Will be right back right after these messages that you
can same where around. So for your saying, but let's
(11:59):
get into I want to analyze that real quick and
unpack it behind them. Let's get into La la la.
Our cromola is a big deal. I wanted this interview
(12:20):
to be a little longer, but it's as real as
it could have been.
Speaker 4 (12:23):
For the moment.
Speaker 1 (12:24):
The truth is I interviewed him a couple.
Speaker 3 (12:27):
Of Latin Grammys. Ago, let's get into it. Your girls
are hustler, y'all. I don't wait around for opportunities. I
create them. I, for no reason at all, flew to
Vegas with the tripod and hit record and interviewed some
of the biggest shakers in the room of the industry
without knowing where this was even going. It's like I
(12:47):
manifested this show. Shout out to iHeart, my amazing partner.
And to get to the point here in La La La,
I wanted to talk about DR yet again. I know
what you're thinking, baby, glad okay, see glad okay. Yes,
and for good reason, let's get into it. Granmala Ekis
is a mastermind. He's one of the brilliant minds behind
(13:09):
the collective losu Fridos. If we ever thought, hmm El
Karib but especially DR needs a Gorilla's type band or
a Sia type artist where you see the art the
impact without knowing who's necessarily behind it.
Speaker 1 (13:26):
Well, that's what Losufridos is.
Speaker 3 (13:28):
It's a collective that pushes a Dominican aesthetic and sound forward,
but primarily in like Bachata. You can read more about
them in Rolling Stone or simply check them out. Mis
Dominica representation and acceptance in the mainstream has turned the corner.
Speaker 1 (13:46):
We can all say that with.
Speaker 3 (13:47):
Eyes wide open, I'm happy to see the impact of
bad Bani and Lalfa from all those years back.
Speaker 1 (13:54):
After years, Oh my.
Speaker 3 (13:56):
God, Dominicans have gone through it of discrimination and othering.
A lot of that is due to amazing Dominicans and editorials.
Time to get flowers yet again, to people like Isabelia
Herera who's now an apple, Jennifer Mota who's an amazing producer,
Marjho Estevez, to name a few.
Speaker 1 (14:16):
These women have.
Speaker 3 (14:18):
Cultivated the narratives that have pushed d R forward in
regards to its dignity and its integrity and its impact ula.
These are the women who have put d R on
And my third point, Akimi Hinter, is that it's a
ward season coming up.
Speaker 1 (14:37):
I've been.
Speaker 3 (14:42):
With the uptick of black fems entering the space on
a supported level. It's still not where I want it
to be. It's my point, log Digo. The double basis
of this episode is carried it in a way to
get to the meat of the advice one should take
to push themselves forward. So this episode, whether it's from
the wisdom of the Goligoskis or that of diamond ad Sena,
(15:06):
who you'll hear from next, is meant to give that
insight to those who are trying to figure out their
next move or guide those on that path. I like
Isa Ray am rooting for everyone black and talented. With
all of that said, we'll be right back right after
(15:26):
these messages way around, Let's get into diamond Ado Senda,
the second gordigo of this episode and of this week.
Speaker 1 (15:55):
Ye is you know what time it is?
Speaker 3 (15:58):
Let stand for and Mana, and this week is with
diamond Aro Sena, an amazing Africana artist who specializes in
jazz in mass Let's get into her.
Speaker 4 (16:20):
Main vest for.
Speaker 11 (16:23):
About allowed the three.
Speaker 3 (16:31):
You me hand the baron Chando and Persona por falis
Latin billboards, Oh my god, manamore Victoria propri plaas and
Persona like like wow, tennis in like it's just so infectious.
Speaker 4 (16:59):
More porto. So I I wanna be hippy star. That's
super cool.
Speaker 8 (17:12):
Say sorry and passidtri but I go ahead to my
own box. Come on to n pre before my philosophy
pet and pass the.
Speaker 11 (17:36):
Pass can have the Oh my god, Clark, I guess
to start port So thank you.
Speaker 3 (17:47):
For loose o caame my movie fishing am the coana
I eos in insis and amsica for me that joy
and la musica song the Demento mehinis your comso mano
(18:11):
keno no una refernensia into minasimo, momento mosica Damila door
and yeah and Bart you know no.
Speaker 8 (18:26):
Case adam mission a love.
Speaker 4 (18:29):
With that is musica right.
Speaker 3 (18:32):
Different instrumentals like gome my parents, what s historiajo.
Speaker 12 (18:37):
Fu al Musica Classicada chan examine and today as.
Speaker 8 (18:48):
It is to the full musica classic.
Speaker 12 (18:54):
Seket me for my singer mabm mu Alaha la music,
the la Mosica for the glodica inclusive mu and Foca
and Brown's chew and man and Starvinski and the side
better when end.
Speaker 5 (19:12):
Okay, you know doesn't we love it?
Speaker 8 (19:16):
We love to, but I'm not ire i grands or
whatever know that l al.
Speaker 12 (19:28):
Born in Sema blow to the lebo. I said you're
Africa and like the prodsica, you were like to give
it up then that and.
Speaker 8 (19:48):
You could get las get singing and play being bad.
He didn't know, hebas.
Speaker 7 (20:07):
Yeah, man, mos conto co provo, this contol.
Speaker 13 (20:21):
There's no down this ta basil said he Tom.
Speaker 3 (20:34):
Token Thando pan and Lando, don't shout out to Concord
Dolan billboards. They like okay, escape Then he said, oh
see likes an instrumental ess mosica like Tablando and musica
(20:57):
instrumental Land and come the friends. That's only propris like
instrumental at that you know it that your not a perspective,
you are not musica a process, so they're locates temperate. Okay,
question another musica lom.
Speaker 4 (21:21):
Forget that.
Speaker 8 (21:23):
You're presaying. You say, said, oh man, but who is your.
Speaker 12 (21:33):
La musica? But dad doesn't but connect that doesn't and
it's not gonna be. But I'm gonna not American that
you were connect connect mad and to say no, no man, okay, not.
Speaker 8 (21:54):
Saying hens a process?
Speaker 12 (21:57):
Okay, which information musical emotion information in musical either the
end of a process. Either the end is suppossibly that
the panadelic one and anxiety and even musical now is
(22:17):
tant influence. Okay, I the hint you know they come
over the music, come on over the music.
Speaker 8 (22:28):
I remember with you the one landon the platform. The
are you that the yes yeah why no as a
(22:49):
music and has a.
Speaker 4 (22:54):
I love that get.
Speaker 12 (22:59):
Cycle because says so sais it guando side Yeah Marande
you got to.
Speaker 8 (23:10):
Excel and y okay, nd the no mio come we
connect to baab that's Mahrabido in quo marabio.
Speaker 12 (23:26):
But a persona looka looking that, I said, one of
that commoney nick Nigana and then here has Ana. This
is a process of port. That design is quite real.
Yang It's okay. It's like you know, no, no pet
(23:48):
it's a complicas selling wy asia and if passio that
they're like dep he that tell your.
Speaker 8 (24:00):
Oh my ganimo.
Speaker 12 (24:01):
But okay, but again dozen book guests are poll said,
wundo better or index this some process? Look really when
I got the thing and possible leader then premiate quardo
leave us allows you the houn ecuy done garra or
(24:25):
Quardo made leave us and there or manual so some
monopa get compound and get greaving necessit w s processor
can't care, I guess as a leadic.
Speaker 8 (24:40):
Except psa.
Speaker 12 (24:44):
Okay and view then carry on so and different and
carry no looks I said the car carry.
Speaker 4 (24:59):
He this admit that.
Speaker 8 (25:05):
You know nor my poor any more more that that
if he don't more can exist.
Speaker 12 (25:18):
Mocha con I can exit, Boendo and the musical mocha
hand take Atriendo can the creamsicle and most mosica.
Speaker 8 (25:35):
He attend para the moucho.
Speaker 12 (25:39):
He cared said no, no, no, Maggie, get called the
person land and take a pony. Ali position also said
weber bullying adverts con canola, damn yellow. So to get
(26:05):
us how I love your musical son, and.
Speaker 8 (26:11):
You got the music is confession.
Speaker 12 (26:15):
All the music and look about it you see and
at the area's gonna be.
Speaker 8 (26:24):
Wanna down looking balabi.
Speaker 12 (26:29):
And when I down you to let work conversized work
to a more alge. In Gaia, they said, look called
the dinner has a bason.
Speaker 8 (26:38):
Inferende send them be the hammad a algae and c
I can can exceed it.
Speaker 12 (26:46):
And Boo, I mean mother, gona look together better, I
can contact the balance. Love that.
Speaker 1 (26:56):
First on my se in fantasy that.
Speaker 12 (27:01):
Gona beamy, gon be doing no down those MOVs.
Speaker 13 (27:06):
If you're left down to me, that's see ma la.
Speaker 1 (27:09):
Yeah, your face.
Speaker 4 (27:19):
Your press some more chambre da. It's another.
Speaker 3 (27:24):
See not.
Speaker 4 (27:27):
No process and you're not masters Grassi and.
Speaker 8 (27:36):
That if it's like that pocket love that.
Speaker 12 (27:43):
That weedon see that said God affective London and that
you see that all okay.
Speaker 4 (27:50):
So added.
Speaker 8 (27:54):
To say, no, I want to persa l tito the
one no I look had you.
Speaker 2 (28:08):
O L.
Speaker 8 (28:15):
Had a sentimental.
Speaker 3 (28:20):
Coatamenta covered the travitara for harmony, proton Mimo like okox.
Speaker 11 (28:34):
Young like x young in in the.
Speaker 3 (28:37):
Studio pro Mandar beats a different artista investor cre Juntos
and Studio Diego president Yo because Biando like Amica, Yes,
(29:00):
vest Cama looks when I come to America gets timeless,
It's gonna come.
Speaker 11 (29:09):
Well they you know, sorry, I'm American that can stay
on the test of time.
Speaker 4 (29:15):
They're not gonna know.
Speaker 5 (29:18):
You're okay.
Speaker 8 (29:19):
But don't get that in the long heavy is that
they stay that with you and most of the long
heavy that A can know how I dental oh na.
Speaker 12 (29:41):
Identical then like I said Bonito, Then I said Polica,
Then I said cool and.
Speaker 8 (29:51):
Heavy. Then they get on he.
Speaker 4 (29:54):
Hip hop.
Speaker 8 (29:56):
In clearly only in the p L A L.
Speaker 12 (30:03):
Mari Ante is real drug dealers, so they are so
you're not to DC and okay, okay, I got that.
Speaker 8 (30:10):
They they are more the yes, a romantic fantasy at all.
I'm gonna try you love that like the phone.
Speaker 4 (30:20):
Propos.
Speaker 12 (30:21):
You not gonna say, you know how I get it
but on the Saturday. But then' not gonna say, okay
that like I'm seeing the Barbie I'm about by baby
girl baby worried better land Land they get so s
I'll be it's like that. Do you see the Funda,
(30:46):
I get romantic the girl Land the sorry it goes.
I can know some cool not in the Butmison or
Danny coment Reale if time said, don't salababi girls so
al and then un the program.
Speaker 8 (31:09):
Really leader yeah so n kayla really leader.
Speaker 12 (31:17):
Not superficial dum here, I'm most superficially leader, and so
son your and and say I performed then their own
only event SuperFect so.
Speaker 8 (31:33):
Looking to you.
Speaker 12 (31:34):
But they said, I say down, found down, found there
only the bad Bonnie second the you I mean about
Bonnie after the year Puto Rico you got very weak,
but about the Rico standing your representer.
Speaker 8 (31:53):
A song by Joey say.
Speaker 12 (31:56):
You go to you missing the back and like fool
just that they went down yeah, so that so down
to so an Inuata and mariante in. Coller doesn't put
(32:21):
that in the same man telling Telemon wanna be total
and Flandna get get out London bet again Manum decided process,
but the process on the songmanticos.
Speaker 8 (32:41):
The processes on the process your president.
Speaker 11 (32:44):
Mo seconment, gonna.
Speaker 3 (32:49):
Your and me so it boyago you work by different
that there's different.
Speaker 4 (33:00):
Story. It's okay.
Speaker 3 (33:04):
Platform Lake and sign your from Landstria Platform la Prima
and Femina la la Primira not the guy okay, so
like but no connectando and it's a intersection Andre la Musica, Politicas.
Speaker 11 (33:34):
And feminist from as I go, it's like okay one.
Speaker 3 (33:44):
He says too, it doesn't really that okay, I see
existing accepta oh no, no retas finale movements, al finance,
movimentos existing, Nazi and lugars Mo Politicas and Panama Riega
(34:05):
underground and Puerto Rico contra Contra dreaming in.
Speaker 4 (34:13):
And Rouhio m Movi mientos on parallelos. The Afro.
Speaker 3 (34:23):
Musica also subs Manela and Done and so Aleen Dourras,
Linda cast And and Don Diamond and Kes versa wowna
(34:54):
jam and almos the jazz is and brother also Momento
felasy Lallas and to me more like if I see okay, okay, okay,
don't head to day uka Aga parade Flores and then
(35:16):
Negra Begaunica, individuan Medano like felasy that it's pretty moment
to Floresta has bad and it ja. Oh you know
your ma, your ma, Yes, propulities mon yes, yes, Vienna.
Speaker 8 (35:42):
Vienna is a great man now then he was young.
It's a while you.
Speaker 12 (35:55):
Connect. Hippob he gone. When I see on the musical
Lah went to the sala musica you might have sent
music the pulo. Oh wow, it's quite to hum by
(36:16):
geogracy pia music for si pa lass young economic did
you say, I is to log look look musica Latina
the them.
Speaker 8 (36:32):
Coo and jasko about dad is one they had there
come on and to the musica.
Speaker 12 (36:46):
Amblop a jazz appleto and hip hop.
Speaker 8 (36:50):
Ya go sag land.
Speaker 12 (36:55):
Land ndric Or said better and love Nowentaat.
Speaker 8 (37:02):
That was a super jazzy ptagular. It's a sentia.
Speaker 12 (37:09):
It is as a gana. They know they had they
met me the elid sat Music Your Isa and here
Poor Lena Gosna and Jazz Latino Macland Local Musical Latino,
The retong Boy the hand of the musicale better them
(37:35):
and takes a sa contribus.
Speaker 3 (37:36):
Grassy Hi dim mehnter at the dimeter and and thought
a lot of It's on.
Speaker 4 (37:44):
A supertraga like Armon and Regett called Gata Proxy Ma.
Speaker 2 (37:54):
Mo you.
Speaker 3 (38:01):
Me Scotta son Sonis It's time for last Florestas and
her Media production co executive producer Bernia Nette of SHAGIRI'SI Media.
Produced by Grace Constylist, added by Walking Coatler music by
Hobby Vibes. Shout out to my assistants Naomi A. Savello
and Kayla Ecleston. I'm your host Lagata. See you're right
(38:23):
here next week on the iHeartRadio app
I said it before and I'll say it again.
Speaker 2 (00:03):
I love the ar is.
Speaker 3 (00:10):
Nobody is touching them. Their transsetters something that is often
demonized with women. But men have their moments.
Speaker 4 (00:21):
A lot of moments.
Speaker 3 (00:21):
If we're gonna be honest, the truth is, I don't
get why we demonize women in.
Speaker 1 (00:25):
The first place.
Speaker 3 (00:25):
But the la la gocro, the living being and some
of my favorites or anything really who get there by that?
And anybody paying attention knows that the R has been underestimated.
Speaker 1 (00:43):
But that's no longer the case.
Speaker 3 (00:46):
Elf Domicano, for example, is.
Speaker 1 (00:50):
Finally recognized for setting the tone.
Speaker 3 (00:53):
Well today I want to get into all of that
and what it means to be part of El movimento,
putting deer on the map with kroma Akis here and.
Speaker 5 (01:07):
Cause the factor and that's I got away. That's don't don't.
Speaker 3 (01:11):
You must not com handle Mada dam and mad ok
Kramaakis come don't bo a Simon gang yoh say it's
a concept.
Speaker 5 (01:35):
Many thing.
Speaker 4 (01:36):
I love it.
Speaker 5 (01:38):
So sinking. I like I'll go like comment that's yeah,
like sound d J I wanna apply for.
Speaker 6 (01:55):
You know I said that Djo come over your okay
a party equal and musica into the second.
Speaker 2 (02:04):
Okay the.
Speaker 6 (02:11):
Mass musica okasano the music.
Speaker 5 (02:25):
It's like yes, yes, I want.
Speaker 6 (02:31):
Minica man also then okay Ramanatin Fluimo and Latina so
Loo represents.
Speaker 3 (02:44):
Dominica because Dominicans is Dominican season, honestly.
Speaker 7 (02:49):
The.
Speaker 6 (02:51):
Latina Calacum, Transta, the different INChO different No Ncano, Puerto Rico,
Roum Biendo when they swelled out from Biendo, Muncherkid and Swell,
the Uncharity and DNA mun Charity that colum yeah, and
Moto Latino game.
Speaker 5 (03:10):
Okay, okay, you're doing lou groan. Oh say.
Speaker 4 (03:19):
Grandma like is I say, sink on cat play?
Speaker 2 (03:23):
I guess it cat got him play.
Speaker 6 (03:29):
I say ekp Neutra conself tom much on m and
don't said gat They do sing.
Speaker 2 (03:39):
Like posa. Okay, okay, I say, but the probably nothing.
Speaker 6 (03:42):
When I said who they are for the cos I
can't domain, I said what I said for the lock
at my home new from Silada, they.
Speaker 3 (03:48):
Say, okay to get kay, okay, okay, what in montom
come on?
Speaker 2 (03:56):
Comes?
Speaker 5 (03:56):
I know you when you just said battle see if
popolo of them?
Speaker 2 (04:01):
Okay the the ahead then go said and you seem
to go to.
Speaker 6 (04:08):
He said, yeah, okay, do you can get care and
present wo the MoMA por lok comments but no, uh
you can can get them inside. Come okay, look at
your hotel and handed out of care. Come okay, seem
dam pien tho un support. Come on over they got
thirty They came you to get it to come coente
(04:31):
and it goes okay, come okay, says yeah clam sup
hant go to keypole said get that YadA to the
n k k he to know what stay there and
don't say.
Speaker 2 (04:40):
And it's a person.
Speaker 6 (04:41):
So you're in dan look at tea and come and
press and turns.
Speaker 4 (04:48):
Oh you're a baudas producer. I allow myself into process.
Speaker 3 (04:54):
So like come on you god, like can't say so
song is quite in my mind here like tell me something.
Speaker 6 (05:00):
The musica so homemade and bran mm pedo and you
cantando royal prosi and royo boa cantal royal composi at.
Speaker 2 (05:14):
Clando dole supposa is a processor. Second, come okay an.
Speaker 6 (05:20):
Quinto come up as soon as you had come on
your tal diferente lokela musica jo sam patcho ma clara
conta Clara commun coomny capri proci and it's just a
complemento e k o prass processor though.
Speaker 3 (05:38):
S heydo alama, so wanna helped you?
Speaker 2 (05:46):
No?
Speaker 3 (05:46):
Yeah, actoria QUI saw like you know, they like sorry
contake like that resonates with you, like wanna that stays with.
Speaker 4 (05:58):
You often, you know.
Speaker 6 (05:59):
Man, okay, tell you to YOURNDO a paper, okay, So
he said, amore the financial muchan thing?
Speaker 2 (06:12):
Anything do to Okay. I said, of course I've seen
implement the problem never work.
Speaker 6 (06:16):
I your airport and I'm looking at miss okay, no more,
You'll move to Amente and when my cos you din'
okay okay, so.
Speaker 2 (06:23):
He said, walk in the metal ham in hand and.
Speaker 6 (06:26):
Said see you when I put okay sometime and said
mess second time he toldn't tell you yeah, and.
Speaker 7 (06:36):
So my.
Speaker 5 (06:39):
Hair like, okay, do this okay, what want your buying?
Speaker 6 (06:45):
And Momento Pacifi go don the yo the financia they
d endo d'ma cohead and said you four year pronounce
your hmm yeah your men forty Momento yeah yeah yeah,
Tomento say some Momento.
Speaker 2 (07:00):
Except for myhnicom server. I then that I sent lever.
I say gonta yankee, hm say that one more time?
I had that. I say, good.
Speaker 3 (07:11):
Yankee y seel yeah, oh my god, I love the
uh Dominican accident.
Speaker 5 (07:17):
My goodness, he s wanna again the go the last
uh agin what I happened?
Speaker 2 (07:26):
Eh and bela, I'm not plasona e chapton. I couldn't care.
Quota what id you that?
Speaker 6 (07:32):
Und okay guillata ad you like m rome on sawah
I w and I do that.
Speaker 8 (07:36):
I wan my.
Speaker 6 (07:36):
Playsla, I came quentre SOOTHI xio, I can quintro Sweden
da quo, I see him and loke man un d
n okay you'll put it down chaps the metal the
e man twenty the k Yeah, so you then demento
dajok chapona you do your.
Speaker 3 (07:52):
Say you see me later at all walk part Francia
play gus Liamentai finance, y'am, look at the fan that
the sea.
Speaker 5 (08:04):
Come on Naga and one important that.
Speaker 4 (08:09):
I want your person, you know, hides and really.
Speaker 2 (08:14):
And dinner that he.
Speaker 9 (08:20):
Goes Grandma, I go on and my handle maybe and
him both like go through k get to what I influenced, y'all.
Speaker 5 (08:32):
Like then I have okay, okay, come on, don.
Speaker 3 (08:37):
Know the can have one your culture shift there, yeah,
can like I'm young Casillo pens when I te like
I said, I'll you know you want d drink?
Speaker 6 (08:46):
I say, I'll look it out and I guess and
deal that. Okay, you're up with Okay, influence and no
man who yo see no, come on can you in
you can you not the right right?
Speaker 2 (09:03):
Okay?
Speaker 5 (09:03):
But I see yeah, yeah, cause you do a lot
of shire.
Speaker 2 (09:07):
Yeah, Maria's amazing.
Speaker 10 (09:11):
Yeah, my god, mette geta and nandok.
Speaker 5 (09:25):
Chance la get getting into gonna get into the part.
Speaker 8 (09:30):
Of the day.
Speaker 6 (09:31):
It's sam kumo la and a person up and say
my continio he told them for super cloud or loka
ke to Pablo moment moment e k someone around to
(09:56):
see too.
Speaker 8 (09:58):
I like to do that.
Speaker 2 (10:00):
You get get the man da la la.
Speaker 6 (10:03):
You know we're gonna s over here that malapaha say,
don't know see blaming data door and there like course
I said, donne, so tell me tell you don't chici
mothers in cosa you see.
Speaker 4 (10:13):
Ia, Okay, do get hint say.
Speaker 10 (10:18):
Para you know, like, oh, okay, I'm a horn because
I'm what your brought up the glad.
Speaker 4 (10:24):
Yeah no see you when that goes?
Speaker 6 (10:25):
Okay, I said, I see yeah, no you see gom
okay Muchahanta, I'm okay see that Latin dance every done?
Hen then okay and ks from the minute do you
said see that hine set Parama port put it out
the DC and and if w Aftertaucho made Boko will
(10:49):
see you Una la.
Speaker 2 (10:50):
May lead you'll get all see her and.
Speaker 6 (10:53):
Memo and memo steel you put a man go out
some to time beefer ente m pork okay you might
you know that you okay? So I want to compose
you you know, okay dent to come set on my data.
You didn't okay with them focusing and yes gars on
the d n A I special figure that you said
(11:15):
that your dent he didn't look that focus.
Speaker 2 (11:23):
I can call you.
Speaker 3 (11:35):
Will be right back right after these messages that you
can same where around. So for your saying, but let's
(11:59):
get into I want to analyze that real quick and
unpack it behind them. Let's get into La la la.
Our cromola is a big deal. I wanted this interview
(12:20):
to be a little longer, but it's as real as
it could have been.
Speaker 4 (12:23):
For the moment.
Speaker 1 (12:24):
The truth is I interviewed him a couple.
Speaker 3 (12:27):
Of Latin Grammys. Ago, let's get into it. Your girls
are hustler, y'all. I don't wait around for opportunities. I
create them. I, for no reason at all, flew to
Vegas with the tripod and hit record and interviewed some
of the biggest shakers in the room of the industry
without knowing where this was even going. It's like I
(12:47):
manifested this show. Shout out to iHeart, my amazing partner.
And to get to the point here in La La La,
I wanted to talk about DR yet again. I know
what you're thinking, baby, glad okay, see glad okay. Yes,
and for good reason, let's get into it. Granmala Ekis
is a mastermind. He's one of the brilliant minds behind
(13:09):
the collective losu Fridos. If we ever thought, hmm El
Karib but especially DR needs a Gorilla's type band or
a Sia type artist where you see the art the
impact without knowing who's necessarily behind it.
Speaker 1 (13:26):
Well, that's what Losufridos is.
Speaker 3 (13:28):
It's a collective that pushes a Dominican aesthetic and sound forward,
but primarily in like Bachata. You can read more about
them in Rolling Stone or simply check them out. Mis
Dominica representation and acceptance in the mainstream has turned the corner.
Speaker 1 (13:46):
We can all say that with.
Speaker 3 (13:47):
Eyes wide open, I'm happy to see the impact of
bad Bani and Lalfa from all those years back.
Speaker 1 (13:54):
After years, Oh my.
Speaker 3 (13:56):
God, Dominicans have gone through it of discrimination and othering.
A lot of that is due to amazing Dominicans and editorials.
Time to get flowers yet again, to people like Isabelia
Herera who's now an apple, Jennifer Mota who's an amazing producer,
Marjho Estevez, to name a few.
Speaker 1 (14:16):
These women have.
Speaker 3 (14:18):
Cultivated the narratives that have pushed d R forward in
regards to its dignity and its integrity and its impact ula.
These are the women who have put d R on
And my third point, Akimi Hinter, is that it's a
ward season coming up.
Speaker 1 (14:37):
I've been.
Speaker 3 (14:42):
With the uptick of black fems entering the space on
a supported level. It's still not where I want it
to be. It's my point, log Digo. The double basis
of this episode is carried it in a way to
get to the meat of the advice one should take
to push themselves forward. So this episode, whether it's from
the wisdom of the Goligoskis or that of diamond ad Sena,
(15:06):
who you'll hear from next, is meant to give that
insight to those who are trying to figure out their
next move or guide those on that path. I like
Isa Ray am rooting for everyone black and talented. With
all of that said, we'll be right back right after
(15:26):
these messages way around, Let's get into diamond Ado Senda,
the second gordigo of this episode and of this week.
Speaker 1 (15:55):
Ye is you know what time it is?
Speaker 3 (15:58):
Let stand for and Mana, and this week is with
diamond Aro Sena, an amazing Africana artist who specializes in
jazz in mass Let's get into her.
Speaker 4 (16:20):
Main vest for.
Speaker 11 (16:23):
About allowed the three.
Speaker 3 (16:31):
You me hand the baron Chando and Persona por falis
Latin billboards, Oh my god, manamore Victoria propri plaas and
Persona like like wow, tennis in like it's just so infectious.
Speaker 4 (16:59):
More porto. So I I wanna be hippy star. That's
super cool.
Speaker 8 (17:12):
Say sorry and passidtri but I go ahead to my
own box. Come on to n pre before my philosophy
pet and pass the.
Speaker 11 (17:36):
Pass can have the Oh my god, Clark, I guess
to start port So thank you.
Speaker 3 (17:47):
For loose o caame my movie fishing am the coana
I eos in insis and amsica for me that joy
and la musica song the Demento mehinis your comso mano
(18:11):
keno no una refernensia into minasimo, momento mosica Damila door
and yeah and Bart you know no.
Speaker 8 (18:26):
Case adam mission a love.
Speaker 4 (18:29):
With that is musica right.
Speaker 3 (18:32):
Different instrumentals like gome my parents, what s historiajo.
Speaker 12 (18:37):
Fu al Musica Classicada chan examine and today as.
Speaker 8 (18:48):
It is to the full musica classic.
Speaker 12 (18:54):
Seket me for my singer mabm mu Alaha la music,
the la Mosica for the glodica inclusive mu and Foca
and Brown's chew and man and Starvinski and the side
better when end.
Speaker 5 (19:12):
Okay, you know doesn't we love it?
Speaker 8 (19:16):
We love to, but I'm not ire i grands or
whatever know that l al.
Speaker 12 (19:28):
Born in Sema blow to the lebo. I said you're
Africa and like the prodsica, you were like to give
it up then that and.
Speaker 8 (19:48):
You could get las get singing and play being bad.
He didn't know, hebas.
Speaker 7 (20:07):
Yeah, man, mos conto co provo, this contol.
Speaker 13 (20:21):
There's no down this ta basil said he Tom.
Speaker 3 (20:34):
Token Thando pan and Lando, don't shout out to Concord
Dolan billboards. They like okay, escape Then he said, oh
see likes an instrumental ess mosica like Tablando and musica
(20:57):
instrumental Land and come the friends. That's only propris like
instrumental at that you know it that your not a perspective,
you are not musica a process, so they're locates temperate. Okay,
question another musica lom.
Speaker 4 (21:21):
Forget that.
Speaker 8 (21:23):
You're presaying. You say, said, oh man, but who is your.
Speaker 12 (21:33):
La musica? But dad doesn't but connect that doesn't and
it's not gonna be. But I'm gonna not American that
you were connect connect mad and to say no, no man, okay, not.
Speaker 8 (21:54):
Saying hens a process?
Speaker 12 (21:57):
Okay, which information musical emotion information in musical either the
end of a process. Either the end is suppossibly that
the panadelic one and anxiety and even musical now is
(22:17):
tant influence. Okay, I the hint you know they come
over the music, come on over the music.
Speaker 8 (22:28):
I remember with you the one landon the platform. The
are you that the yes yeah why no as a
(22:49):
music and has a.
Speaker 4 (22:54):
I love that get.
Speaker 12 (22:59):
Cycle because says so sais it guando side Yeah Marande
you got to.
Speaker 8 (23:10):
Excel and y okay, nd the no mio come we
connect to baab that's Mahrabido in quo marabio.
Speaker 12 (23:26):
But a persona looka looking that, I said, one of
that commoney nick Nigana and then here has Ana. This
is a process of port. That design is quite real.
Yang It's okay. It's like you know, no, no pet
(23:48):
it's a complicas selling wy asia and if passio that
they're like dep he that tell your.
Speaker 8 (24:00):
Oh my ganimo.
Speaker 12 (24:01):
But okay, but again dozen book guests are poll said,
wundo better or index this some process? Look really when
I got the thing and possible leader then premiate quardo
leave us allows you the houn ecuy done garra or
(24:25):
Quardo made leave us and there or manual so some
monopa get compound and get greaving necessit w s processor
can't care, I guess as a leadic.
Speaker 8 (24:40):
Except psa.
Speaker 12 (24:44):
Okay and view then carry on so and different and
carry no looks I said the car carry.
Speaker 4 (24:59):
He this admit that.
Speaker 8 (25:05):
You know nor my poor any more more that that
if he don't more can exist.
Speaker 12 (25:18):
Mocha con I can exit, Boendo and the musical mocha
hand take Atriendo can the creamsicle and most mosica.
Speaker 8 (25:35):
He attend para the moucho.
Speaker 12 (25:39):
He cared said no, no, no, Maggie, get called the
person land and take a pony. Ali position also said
weber bullying adverts con canola, damn yellow. So to get
(26:05):
us how I love your musical son, and.
Speaker 8 (26:11):
You got the music is confession.
Speaker 12 (26:15):
All the music and look about it you see and
at the area's gonna be.
Speaker 8 (26:24):
Wanna down looking balabi.
Speaker 12 (26:29):
And when I down you to let work conversized work
to a more alge. In Gaia, they said, look called
the dinner has a bason.
Speaker 8 (26:38):
Inferende send them be the hammad a algae and c
I can can exceed it.
Speaker 12 (26:46):
And Boo, I mean mother, gona look together better, I
can contact the balance. Love that.
Speaker 1 (26:56):
First on my se in fantasy that.
Speaker 12 (27:01):
Gona beamy, gon be doing no down those MOVs.
Speaker 13 (27:06):
If you're left down to me, that's see ma la.
Speaker 1 (27:09):
Yeah, your face.
Speaker 4 (27:19):
Your press some more chambre da. It's another.
Speaker 3 (27:24):
See not.
Speaker 4 (27:27):
No process and you're not masters Grassi and.
Speaker 8 (27:36):
That if it's like that pocket love that.
Speaker 12 (27:43):
That weedon see that said God affective London and that
you see that all okay.
Speaker 4 (27:50):
So added.
Speaker 8 (27:54):
To say, no, I want to persa l tito the
one no I look had you.
Speaker 2 (28:08):
O L.
Speaker 8 (28:15):
Had a sentimental.
Speaker 3 (28:20):
Coatamenta covered the travitara for harmony, proton Mimo like okox.
Speaker 11 (28:34):
Young like x young in in the.
Speaker 3 (28:37):
Studio pro Mandar beats a different artista investor cre Juntos
and Studio Diego president Yo because Biando like Amica, Yes,
(29:00):
vest Cama looks when I come to America gets timeless,
It's gonna come.
Speaker 11 (29:09):
Well they you know, sorry, I'm American that can stay
on the test of time.
Speaker 4 (29:15):
They're not gonna know.
Speaker 5 (29:18):
You're okay.
Speaker 8 (29:19):
But don't get that in the long heavy is that
they stay that with you and most of the long
heavy that A can know how I dental oh na.
Speaker 12 (29:41):
Identical then like I said Bonito, Then I said Polica,
Then I said cool and.
Speaker 8 (29:51):
Heavy. Then they get on he.
Speaker 4 (29:54):
Hip hop.
Speaker 8 (29:56):
In clearly only in the p L A L.
Speaker 12 (30:03):
Mari Ante is real drug dealers, so they are so
you're not to DC and okay, okay, I got that.
Speaker 8 (30:10):
They they are more the yes, a romantic fantasy at all.
I'm gonna try you love that like the phone.
Speaker 4 (30:20):
Propos.
Speaker 12 (30:21):
You not gonna say, you know how I get it
but on the Saturday. But then' not gonna say, okay
that like I'm seeing the Barbie I'm about by baby
girl baby worried better land Land they get so s
I'll be it's like that. Do you see the Funda,
(30:46):
I get romantic the girl Land the sorry it goes.
I can know some cool not in the Butmison or
Danny coment Reale if time said, don't salababi girls so
al and then un the program.
Speaker 8 (31:09):
Really leader yeah so n kayla really leader.
Speaker 12 (31:17):
Not superficial dum here, I'm most superficially leader, and so
son your and and say I performed then their own
only event SuperFect so.
Speaker 8 (31:33):
Looking to you.
Speaker 12 (31:34):
But they said, I say down, found down, found there
only the bad Bonnie second the you I mean about
Bonnie after the year Puto Rico you got very weak,
but about the Rico standing your representer.
Speaker 8 (31:53):
A song by Joey say.
Speaker 12 (31:56):
You go to you missing the back and like fool
just that they went down yeah, so that so down
to so an Inuata and mariante in. Coller doesn't put
(32:21):
that in the same man telling Telemon wanna be total
and Flandna get get out London bet again Manum decided process,
but the process on the songmanticos.
Speaker 8 (32:41):
The processes on the process your president.
Speaker 11 (32:44):
Mo seconment, gonna.
Speaker 3 (32:49):
Your and me so it boyago you work by different
that there's different.
Speaker 4 (33:00):
Story. It's okay.
Speaker 3 (33:04):
Platform Lake and sign your from Landstria Platform la Prima
and Femina la la Primira not the guy okay, so
like but no connectando and it's a intersection Andre la Musica, Politicas.
Speaker 11 (33:34):
And feminist from as I go, it's like okay one.
Speaker 3 (33:44):
He says too, it doesn't really that okay, I see
existing accepta oh no, no retas finale movements, al finance,
movimentos existing, Nazi and lugars Mo Politicas and Panama Riega
(34:05):
underground and Puerto Rico contra Contra dreaming in.
Speaker 4 (34:13):
And Rouhio m Movi mientos on parallelos. The Afro.
Speaker 3 (34:23):
Musica also subs Manela and Done and so Aleen Dourras,
Linda cast And and Don Diamond and Kes versa wowna
(34:54):
jam and almos the jazz is and brother also Momento
felasy Lallas and to me more like if I see okay, okay, okay,
don't head to day uka Aga parade Flores and then
(35:16):
Negra Begaunica, individuan Medano like felasy that it's pretty moment
to Floresta has bad and it ja. Oh you know
your ma, your ma, Yes, propulities mon yes, yes, Vienna.
Speaker 8 (35:42):
Vienna is a great man now then he was young.
It's a while you.
Speaker 12 (35:55):
Connect. Hippob he gone. When I see on the musical
Lah went to the sala musica you might have sent
music the pulo. Oh wow, it's quite to hum by
(36:16):
geogracy pia music for si pa lass young economic did
you say, I is to log look look musica Latina
the them.
Speaker 8 (36:32):
Coo and jasko about dad is one they had there
come on and to the musica.
Speaker 12 (36:46):
Amblop a jazz appleto and hip hop.
Speaker 8 (36:50):
Ya go sag land.
Speaker 12 (36:55):
Land ndric Or said better and love Nowentaat.
Speaker 8 (37:02):
That was a super jazzy ptagular. It's a sentia.
Speaker 12 (37:09):
It is as a gana. They know they had they
met me the elid sat Music Your Isa and here
Poor Lena Gosna and Jazz Latino Macland Local Musical Latino,
The retong Boy the hand of the musicale better them
(37:35):
and takes a sa contribus.
Speaker 3 (37:36):
Grassy Hi dim mehnter at the dimeter and and thought
a lot of It's on.
Speaker 4 (37:44):
A supertraga like Armon and Regett called Gata Proxy Ma.
Speaker 2 (37:54):
Mo you.
Speaker 3 (38:01):
Me Scotta son Sonis It's time for last Florestas and
her Media production co executive producer Bernia Nette of SHAGIRI'SI Media.
Produced by Grace Constylist, added by Walking Coatler music by
Hobby Vibes. Shout out to my assistants Naomi A. Savello
and Kayla Ecleston. I'm your host Lagata. See you're right
(38:23):
here next week on the iHeartRadio app
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I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com