September 15, 2025 • 44 mins
Vibing with Puerto Rican Artist on the rise, Bodine on pretty privilege and pretty punishment in Latin music. Politickin on the biggest topics of today: Supreme Court, ICE, Palestine And More.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Ay Mana, I am sitting down with one of the
hardest artists ever laid Ivan, Yes, I mean physically look
at Voting, Latta Brika Piano Conati too.
Speaker 2 (00:17):
This girl is sassy.
Speaker 1 (00:18):
She might be the sassiest artists have ever sat down with,
but not in a bad way.
Speaker 2 (00:22):
Stay with me, come and.
Speaker 1 (00:27):
Improvised medosaspanglish.
Speaker 2 (00:32):
And vivo boing ma profundo.
Speaker 1 (00:37):
Stay with me so form my song classic and piano
compos her dreams about making music for film. Masco is
honestly stayed with me in my heart forever, lasnd the
(00:58):
battles that she has to encounter as a woman in
this industry. Oh, I relate voting a laya or guanci
Stema literally wants to change your voice while you're recording
or we're going into it, said Henuina. The sak the
(01:21):
seed and then handle you hear that, women, we are
not asking for permission.
Speaker 2 (01:27):
We're simply out here. We're doing what we need to do,
what we have to do.
Speaker 1 (01:30):
And we're existing exactly as we want.
Speaker 2 (01:32):
I know that's fucking right.
Speaker 1 (01:34):
A Lamino either Como La and Pujano de Lostios and meladin.
Speaker 2 (01:48):
As.
Speaker 1 (01:49):
This episode is not just an interview or conversation in Memoria.
So get ready to laugh, to reflect until Vive Mucho
mascolm podcast etosdura Viva. This is my conversation with Boding
and my analysis this week.
Speaker 2 (02:09):
Buckle up, y'all, this.
Speaker 1 (02:12):
Week and every week, Adelante. I just I can't, y'all.
There's so much going on in the world. I cannot
like be all artists and rainbows. And I also don't
want to separate it either. I do want it as
part of the episode. So every week from this week
going forward, we're getting a recap of the news because
we need to talk about louder and louder and louder
(02:34):
everything that's going on. I'm talking about this president man Trump.
I'm talking about Ice and these raids. I'm talking about
the genocide and Palestine. I'm talking about the increased militarization
in Puerto Rico, everything that's going on in Chicago with
Trump and this DK war DeMeo and this random ass
bombing in Venezuela towards a boat of dintrafrigantes that had
(02:58):
eleven people on board.
Speaker 2 (03:00):
We're gonna get all into it.
Speaker 1 (03:17):
Guess about me, hands, I got to and Bodesta and
Clevelander and stuff, Miami Beach shut out to Clevelander.
Speaker 3 (03:29):
It's like, now I'm very excited because I'm interviewing.
Speaker 4 (03:34):
Boom period.
Speaker 3 (03:39):
Hey go on, just thank you for being here.
Speaker 4 (03:41):
Thank you for having me here. I'm so excited to
be here.
Speaker 1 (03:44):
Oh well, let's get into let's get into it. First
of all, congrats on your your Sonia.
Speaker 3 (03:49):
I love it. It's cute. It's outa you like that out? Yeah.
Speaker 2 (03:56):
First of all, we.
Speaker 1 (03:58):
Had to start there because I was like, oh, yeah,
like how what whe where?
Speaker 3 (04:03):
How I want to hear it from you?
Speaker 4 (04:05):
That's a great question.
Speaker 5 (04:06):
I mean there's some layers to it, but definitely, I
when it comes to my visual part, I always try
to find something that is simple but yet revealing, just right.
Speaker 3 (04:16):
There on the line.
Speaker 4 (04:17):
We like to go right there on the line. Okay,
sexy is the sexy.
Speaker 1 (04:21):
Yeah, just a lot of people understand.
Speaker 4 (04:25):
Yeah, yeah.
Speaker 5 (04:25):
I mean I have someone that that I collaborate with,
Mario Solads big shout out New York, you know. But
I I tried to find my inspose, you know, for.
Speaker 4 (04:37):
That specific specifically.
Speaker 6 (04:38):
One I had the inpo of Evie Queen.
Speaker 4 (04:41):
I love Restyle.
Speaker 5 (04:42):
How she came out and you know, she's the queen
and yeah, period, and so we got a lot of
flavors from there. But also I never mentioned this before,
but I'm also very inspired by Lady Gaga. Okay, and
so she has this moment where she has this caution
tape and.
Speaker 7 (05:00):
Exactly yellow yes, And I said to myself, what if
we because I feel like that's like a danger moment,
feeling dangerous but bossy and you.
Speaker 4 (05:13):
Know, conquering the world.
Speaker 5 (05:14):
And I was just like, this caution tape moment needs
to come for this video.
Speaker 4 (05:19):
So we put on the question tape custom.
Speaker 5 (05:22):
Made and then it was more meant for the video actually,
and then my Silas was like, Boa, let's just wrap
you up, you know, but I'm like, they will not.
Speaker 4 (05:33):
That's it.
Speaker 3 (05:34):
That's the fit. And we did a fitting.
Speaker 5 (05:36):
We spray gluted with the hairspray sticked on the bod.
Speaker 4 (05:41):
So, guys, if you want to do it, just goes.
Speaker 3 (05:43):
It works. We need a tutorial. I love it.
Speaker 4 (05:46):
That's a good idea.
Speaker 3 (05:47):
Yeah, do it for the girl. I love it.
Speaker 1 (05:51):
Oh my god, No, Felas, It's really cute both visually
conceptually sonically.
Speaker 3 (05:56):
Like what I'm hearing as well, like it's it's dope,
like if.
Speaker 5 (05:59):
You I think, you know, I try to explain this
to artists that that's the fun part right about being
an artist, that you need to have the patience and
the love for finding your pen, finding who you are
visually and aesthetically sonically. And I think that that's the
game like who stays and who leaves, you know, and okay,
(06:20):
and having that patience game and finding yourself. And I
think I'm in that situation right now where I found
my pen. I found my you know, in sthetedly what
I want to represent and we're.
Speaker 4 (06:31):
Having fun with it. Yeah.
Speaker 1 (06:33):
I love that and so anergaming and everything that you're
putting out there.
Speaker 3 (06:37):
So good for you.
Speaker 2 (06:39):
Let's go back.
Speaker 3 (06:42):
How did you like? No, Like, okay, this is what
I'm doing music? Is it for me?
Speaker 4 (06:49):
Yeah?
Speaker 3 (06:49):
What was that like for you?
Speaker 1 (06:51):
Because it's on how the Acius move It's one that
I'm making my phone right now, you.
Speaker 5 (06:54):
Know, to go really into that question, I think it's
harder to find your.
Speaker 4 (07:06):
Music team than actually making the music.
Speaker 3 (07:09):
Yeah, and people who believe in you.
Speaker 8 (07:11):
Yeah.
Speaker 3 (07:12):
Yeah, So.
Speaker 5 (07:14):
I think when that happened that I found my team
that I said, I'm going to do this.
Speaker 4 (07:18):
But when I found my.
Speaker 5 (07:19):
Team, when I found my producers big shout out to
Zay who was nominated for the Grammys this year this
week and Black ninety five, well we connected.
Speaker 6 (07:29):
Then I felt, Okay, this is a moment.
Speaker 5 (07:32):
I really I'm going to go into this crazy world
because it's a crazy world. Yeah. And since then we
clicked and we've been growing and trusting the process and
each other.
Speaker 6 (07:41):
And I said to myself, I'm going to do this.
Speaker 3 (07:44):
Okay, love it. I love it.
Speaker 1 (07:48):
No, Yeah, you have that audacity, You have to have confidence,
have to know what you're going to say or at
least have a plan to try to figure.
Speaker 3 (07:55):
It out in the process.
Speaker 5 (07:55):
So yeah, and be you know, get exposed in the
sense of failure, you know, be ready to fail, Be
ready to be exposed of like, hey, maybe you're not
that great of a writer the beginning or understanding what
what is the best kind of music for your vocal
or for your lyrics, And you need to be kind
(08:17):
of aso and come humble. And it's because you have
to fail. And so if you're not prepared to go
through that, this is not for.
Speaker 4 (08:27):
You, honey.
Speaker 3 (08:27):
Yeah, yeah, I love your energy, girl, I love it
so damn, I just I love now.
Speaker 1 (08:36):
I love your energy, Like honestly, it's it's infectious.
Speaker 3 (08:39):
So you're not shy, Oh.
Speaker 4 (08:41):
My god, I'm so shy.
Speaker 7 (08:42):
No, you're not actually not that, but yeah, who can't
see her right now she's trying this really cute matchtop
Like I'm not checking out.
Speaker 3 (08:51):
As this is all platonic.
Speaker 1 (08:52):
All respectful were like, no, it's giving, you know it's
it's giving.
Speaker 3 (08:56):
I'm here, what's up? And I love that?
Speaker 1 (08:58):
No to Tom because your music, your themes, they like
it's like I'm realizing, like there's like a sort of dichotomy.
You have this sort of like oh I'm sexy and
I'm here, what's up? And it's also like sad girl
like vibe that's going on and I love it.
Speaker 3 (09:14):
We love duality, so yeah.
Speaker 5 (09:17):
Let me have you about the sad girl, Like I
noticed that my pant has two sides, or we're really
sad or really horny.
Speaker 1 (09:24):
Like they're like, ah okay, because girls bad starts too.
Speaker 4 (09:29):
Hello, yes exactly. We love sex. I mean I celebrate sex.
Speaker 5 (09:33):
I think it's just important to have a healthy sex life,
talk mental health everything, and I think what's happening now
in music if we're for a woman, and in regaton particularly,
I feel that women are just don't give up. Yeah,
and we're just saying what we want to say and doing.
Speaker 6 (09:52):
What we want to do and show ourselves how we
want to do and just being you.
Speaker 4 (09:55):
Know, the boss. And it's so funny.
Speaker 5 (09:57):
I just came back from Columbia Melegan, by the way,
my first time.
Speaker 4 (10:00):
That's amazing that I can't. I mean, I I could
live there. I'm not kidding. And it was so interesting
because I was.
Speaker 5 (10:07):
Going from studio to studio and you know, I was.
Speaker 4 (10:12):
So and they're like, no, you should write something like Esli.
Speaker 5 (10:21):
I'm like no, I'm like, okay, girl, record that.
Speaker 3 (10:27):
That's fire that.
Speaker 2 (10:29):
I love it. So you're plum by.
Speaker 3 (10:32):
Type of girl. I think.
Speaker 4 (10:33):
I think I'm in those vibes right now. I'm in
that era definitely.
Speaker 3 (10:36):
Yeah.
Speaker 5 (10:37):
It's total liberating and I'm embrazening it totally. I'm having
fun with it, for sure.
Speaker 2 (10:53):
I'm with it.
Speaker 3 (10:53):
This is refreshing as fun. I'm right there with you.
Speaker 4 (10:56):
You don't even know.
Speaker 3 (10:57):
No, I love it. I love it. I feel I
felt see I know, so I got it. Came like,
you know, Gotlina.
Speaker 1 (11:11):
Softbok like they were like, Godalina, I'm like that's too long.
It's like gota like that goes like no, but yeah,
me complain like I love me some blambert. I. You
know when I when I splait in twenty eighteen, I
was not okay.
Speaker 2 (11:31):
I'm still not.
Speaker 4 (11:32):
Ok okay, I'm okay.
Speaker 3 (11:34):
I mean, guys, we were so ungrateful.
Speaker 1 (11:38):
We were so ungrateful as a culture. They were ahead
of their time and like we just truly didn't know.
And when it was there in front of us, like
are you kidding me?
Speaker 9 (11:48):
Just baby your taste, which I'm trying to tell you
we're right here, not okay.
Speaker 1 (11:56):
You know, they gave us all the bangers and this
is sorry, I'm like rambling a bit.
Speaker 3 (12:00):
I'm just so excited because I'm like, oh.
Speaker 1 (12:02):
Finally someone who were like yet to it, you know,
like they gave us all the bangers and it was
just honestly really refreshing.
Speaker 2 (12:08):
This reminded me.
Speaker 1 (12:09):
Sorry side note of a combo. I had way Nikki
down when he released the song. I was like, sir,
how did we get here? And he was like, you know,
I'm Bobby I was looking at all the nasty songs
that exist, and he was like, let's like go through
the concept.
Speaker 5 (12:24):
He's like, I have a song about that, yeah, and
all aspiring me.
Speaker 4 (12:29):
I have to take some notes here.
Speaker 3 (12:30):
With a second, I was like, okay, I'm not mad
at a.
Speaker 5 (12:34):
I mean, this is a new movement I feel for
a woman and let me let me tell you some
of my experience trying to really release this type of
music that I'm doing here. I even had to switch
management because there was a point where I remember, right
in the beginning, I was recording at the studio and
this manager pulled me aside and he's like, listen, I
(12:57):
don't think you should sing or say these things because.
Speaker 6 (13:04):
And I just said to myself, yeah, but then.
Speaker 5 (13:07):
You you're representing the wrong girl, because I'm here about
for you, yeah about you know roma. They say, look, Henuina,
what's wrong with celebrating sex?
Speaker 3 (13:23):
Like what's wrong?
Speaker 5 (13:26):
I don't know what's wrong with that? I like you,
you know, and it's inspiring to me. And like I said,
my pen is those two sides soccer girl and girl,
and long story short, I fired him.
Speaker 1 (13:39):
Okay, honestly, if and I'm working on work the first
reggaeton like okay, I go sayla primera pere but.
Speaker 3 (13:58):
Charge from what.
Speaker 1 (14:01):
And it was and that was in Switzerland, so like
I mean, it's Switzerland and Switzerland, I didn't.
Speaker 3 (14:07):
Even know this so and in Poland if I'm not mistaken.
Speaker 1 (14:09):
But the point is internationally, you cannot put that song
over and people chill, like people go nuts nuts and
they don't even know what she's saying, but.
Speaker 3 (14:19):
You know, and they think mendic.
Speaker 1 (14:21):
So it's like, look on this note of like sex
being commercial being acceptable, like that's a whole different ballpark.
And then I'm being being able to perform well if people.
Speaker 3 (14:31):
Want it, you know, like I'm so with you.
Speaker 1 (14:33):
I love your attitude because it's like women like sech
you know, it's just I love it personally.
Speaker 3 (14:41):
I don't know a fuck like you know saying you're not.
Speaker 2 (14:44):
Saying I'm not.
Speaker 5 (14:46):
I love it, you know, I think it's it's it's
so much fun, like I said, and I feel honored
to be and just this part of music and this
time of music call.
Speaker 4 (14:57):
And that's that's another topic.
Speaker 5 (15:01):
You know.
Speaker 4 (15:02):
I just wish really fork that like.
Speaker 5 (15:10):
Carol g And that was spicy to me because you know, personally,
I don't know.
Speaker 4 (15:20):
Mesa.
Speaker 5 (15:21):
They both have their flavors, they both have their you know, their.
Speaker 4 (15:27):
Like I'm dying for their collapse by the way, going
back to this salon, but you know, like here is
something like that.
Speaker 5 (15:37):
I hope man, especially Carol because I love Cattle. I
just hope that this is more like an awareness for
all the female artists into coming together in Bela and that.
Speaker 4 (15:49):
Understanding that there's enough space.
Speaker 5 (15:50):
A Laves joined THEO some girls that they're having troubles
with this deplico talk.
Speaker 4 (16:01):
It's it's not easy Ria say you Torment and Lutria.
They have a vision for you. They have songs for
you of.
Speaker 5 (16:13):
Like you should sing this or do that, and so
I I just think that this would just happened.
Speaker 6 (16:20):
Is it's spicy and it's kind of oh my god.
Speaker 4 (16:24):
It's like just not even about.
Speaker 5 (16:27):
Them between them too, but it's more like girls, come on,
let's get together, Like why are all these doing like
fifty remixes of like fifty guys on it, like remixes
like we need this.
Speaker 1 (16:41):
You know, I approve this message. It's something I've been
saying forever. I really hate this culture of like that
could be only be one for this one moment. I'm like, no, man,
she has something to say, she has something to say.
Speaker 3 (16:54):
You know who don't think like this.
Speaker 2 (16:55):
Men, men don't think like this.
Speaker 3 (16:58):
They take all the space and that's what they make
all the money. Okay.
Speaker 1 (17:02):
And then and then we and then we're bickering, and
then it's like and you know, it's just it's so
many nice and then don't got me wrong, I am
and you know that's a.
Speaker 3 (17:14):
Complete and that's aggravating Tumbian.
Speaker 1 (17:16):
So I'm with that one hundred percent because it's like
John twenty five, we're still doing it. Yeah, yeah, time
is changing, is changing, definitely.
Speaker 3 (17:26):
I am happy.
Speaker 1 (17:27):
On the same note, like there's a funding in this world.
It's a gatto gee shoutout who I'm now becoming obsessed with.
Speaker 10 (17:36):
It's a Boudine right now, you know, I Noah, like Nosha,
you know who has opened.
Speaker 3 (17:47):
A lot of doors, you know.
Speaker 1 (17:49):
And it's like also on the same note, I really
love YadA too, Tambian, because why do we have to
be perfect.
Speaker 3 (17:55):
Out the gate?
Speaker 4 (17:56):
Oh it's it's we can be here.
Speaker 3 (17:59):
So you're not the expectation, this.
Speaker 6 (18:02):
Expectation, you know, I I've had.
Speaker 4 (18:04):
Some cataso biandulo where.
Speaker 5 (18:08):
When I started in this industry, I I would say
I'm lucky and at the same time, maybe not that lucky.
You know.
Speaker 4 (18:16):
I'll explain this.
Speaker 5 (18:17):
Why I'm saying this is because I got invited to
record with these huge compos and recording artists and producers.
Speaker 4 (18:26):
I'm telling you huge, you know.
Speaker 5 (18:29):
But Ladria like right there, you know, super rookie. I
if I would walk into a cabina, I would be
so nervous, I'll be sweating everything on my body, you know,
out And I remember I absolutely failed. I didn't write well,
I didn't no chant yang and yangte yang eto in.
Speaker 3 (18:56):
I left.
Speaker 6 (18:56):
That session was from one to the morning until six
in the morning.
Speaker 3 (18:59):
Ohow.
Speaker 5 (19:00):
And I remember coming back home feeling as such a failure,
as such a you know. And the harsh part of
everything is that it was all surrounded by men.
Speaker 4 (19:10):
And because of the expectation and the high expectation.
Speaker 5 (19:13):
Of me, like from day one, and that moment of
not allowing me fail and giving some faith in me
and taking their time and pull your men because you know,
you can tell when talent is their talent is there,
you know, And No, the rejection was big, the the
knowing trash talk was really bad.
Speaker 4 (19:35):
I think it was really hard.
Speaker 5 (19:36):
No, I'm happy it happened because if you really want
to stay in this industry, and that's how, you know,
look at like, you need to humble yourself and allow
yourself to fail and then they Okay, yeah, there's gonna
be expectations and yeah you need to be perfect in
(19:58):
this and this and that way, and you need to
be able to dance like this and do that.
Speaker 6 (20:02):
But the only way to get to excellence is actually
at all.
Speaker 1 (20:08):
Sorry, yeah, you know, you know it's a very vocal process.
Speaker 3 (20:14):
Good for you for having that, like the way you
because it's like, no, I mean literally at a I
love you, like honestly, I'm literally living right now. I
love all of this.
Speaker 2 (20:30):
We'll be right back.
Speaker 3 (20:31):
Right after they's massaches and take no same way on.
Speaker 5 (21:00):
H m.
Speaker 10 (21:27):
H m.
Speaker 6 (21:33):
Hm.
Speaker 8 (21:37):
Landa Ador Medull Meduel, Yeah, trap Medale meeber count may
Day Menuelle Menuell Inclan Colannadavador of Mello.
Speaker 1 (22:05):
One thing that's going through my head because we've danced
around it as a topic, but we haven't you know,
gone there. It's like this this idea of the objectification
of women, right, it's different. You know, I'm just so
stuck on like the secrectation and so much chased on
and now women well, now women are like I like
to mon, and men are like you can only mon.
Speaker 2 (22:25):
If we say we want you to.
Speaker 5 (22:26):
You know what I mean.
Speaker 1 (22:27):
It's like, first of all, I'm thinking about Sorry, I'm
rambling a bit, I guess to the point, but I'm
thinking about when I interviewed we see, right, he was like,
the ones who actually dictate where Saton is going is
actually the.
Speaker 2 (22:40):
Women because.
Speaker 9 (22:44):
Rightlando, you know, the party's den it's done right, it's
the women who validate what I get, what I thought,
it's good, which one is danceable, which one people are
going to gravitate towards?
Speaker 3 (23:00):
And the men really do follow us on the whole
like system er like you know whatever. I often think
of it in a queer sense because it's like whatever.
Speaker 1 (23:12):
No, on this note of like objectification, like it's different
when women own that power versus when it's assigned to
us of like who how it's like we're dolls right
of Liken, Like, you know, if I'm stuck.
Speaker 2 (23:30):
On that part that you told me earlier.
Speaker 3 (23:32):
You have to be like, oh, yeah, that is really real.
Speaker 5 (23:35):
But you know, there's so many layers of this topic
that I could talk here until tomorrow. Really, the thing is,
person how I started in the industry was exactly like
that elodig or fatal. For some artists, Hey, it works
out and they're super successful. Yeah, but it was literally
I would walk in the room and be like, this
is the record.
Speaker 3 (23:56):
Learn this record.
Speaker 4 (23:57):
Come back next week Wednesday. You're going to record this record.
This is gonna be the video.
Speaker 6 (24:03):
This is how the producer, this is the people that
we're gonna use, the.
Speaker 4 (24:06):
Director for this video, and this is how it's going
to look like.
Speaker 2 (24:09):
And this is what we want for you.
Speaker 4 (24:11):
This is the whole plan.
Speaker 5 (24:12):
Now. Like I said, for some artists, it's super super
successful and it works and it's global and great, and
that artist is happy being that kind of artist.
Speaker 4 (24:23):
But I feel that with today.
Speaker 5 (24:25):
Everything going on and how many artists are out there
releasing music and being active and showing everything, you just
need to have it all.
Speaker 6 (24:34):
I'm sorry.
Speaker 4 (24:35):
You need to know.
Speaker 2 (24:38):
You need to know.
Speaker 5 (24:41):
You need to understand production, you need to understand who
your team is. Like I said in the beginning like
if you don't see.
Speaker 3 (24:53):
You know.
Speaker 4 (24:53):
And that's another thing. That's why I love my producers because.
Speaker 5 (24:55):
I've walked in rooms where other producers and other songwriters
are dictating me like no.
Speaker 11 (25:00):
No, no, no, ka, so I say, and I'm like, no,
I want that, And then and then my producers come
in there's like no no no no no no, yeah, yeah,
you know.
Speaker 6 (25:17):
So I mean, I don't know if that's a good
thing or bad thing.
Speaker 5 (25:20):
But really, like they meo and so it's so important
and I I've I've worked for that to find people
that understand my vision.
Speaker 4 (25:31):
I said, you know, look at so like I said,
it's just about EPO that doesn't want to step on
your toes, push you out of the marque, and you know,
be consistent that yeah, yeah, no, And in.
Speaker 1 (26:09):
Regards to that question is a bit of bad thing
temple tale, but more importantly, like I I can't see
that's a bad thing, like we need.
Speaker 3 (26:15):
More people in our corner, Yeah, we need Yeah. When
I go back to.
Speaker 1 (26:20):
Plao da Claro, a little birdie told me maybe Valentina
that you studied engineering.
Speaker 6 (26:31):
Well, I actually want My dream was to make music,
do you know scoring.
Speaker 4 (26:42):
It's also.
Speaker 5 (26:44):
Puerto Rico and Miramar and I studied classical piano, but
I went for a composition.
Speaker 1 (26:51):
And so.
Speaker 5 (26:53):
All that.
Speaker 4 (26:54):
That's something. It's a serious discipline.
Speaker 3 (26:56):
You know.
Speaker 5 (26:56):
And if it wasn't for that, I think that's really
my my core and why I am in music. I
love being a creative and I love bringing those roots
into what I do. It's definitely great to have those tools.
Speaker 1 (27:09):
What do you say, would you recommend more women get
into the technical aspect of the the production.
Speaker 3 (27:17):
Of their music.
Speaker 4 (27:18):
Yeah, I mean I I you know, I produce with
my two guys.
Speaker 6 (27:22):
I basically I'm not behind the computer like technically, but
I'm very aware of what progression they're playing, what key
there on?
Speaker 5 (27:30):
Maybe we need to keys up one key down effects,
this looks good, put it underwater, filter here, put a
rich girl there. I know some keywords that are just
very important. And to be fair, that was uh taught
from the street.
Speaker 2 (27:44):
Yeah, okay, I don't love the wrong with that.
Speaker 3 (27:46):
Yeah. Yeah, and we love university.
Speaker 4 (27:48):
Yeah, and that's that's like to be sure.
Speaker 5 (27:52):
I mean, I think.
Speaker 4 (27:54):
You know, mommy for for that opportunity, I don't know,
and action and get.
Speaker 3 (28:03):
Boling. I appreciate that and thinking back to like, you know,
sad girl.
Speaker 4 (28:09):
Right, okay, we're going back to sad girl.
Speaker 1 (28:13):
No, there's like a beauty to the emotional intelligence that
exzooms from your music, and it's giving your very tapped
in with your your health, Like, how does voting take
care of voting?
Speaker 5 (28:25):
Like?
Speaker 3 (28:25):
What does that look like?
Speaker 4 (28:28):
I always recommend because I have a I you know,
I my moon is a scorpio.
Speaker 1 (28:35):
Okay, really I have my dark Oh we got a
horse dog girl here?
Speaker 7 (28:39):
Yes?
Speaker 3 (28:41):
Does that make your birthday just fast?
Speaker 4 (28:42):
I actually did?
Speaker 3 (28:43):
Yeah.
Speaker 5 (28:44):
Yeah.
Speaker 6 (28:46):
I just think that my thing really is to be
as much as busy as possible.
Speaker 4 (28:54):
The more busier I am, I think the healthier I am.
Speaker 5 (28:58):
Meant that meant emotionally physically, because I have no time
to look at my phone, look at socials, I have
no time to listen to people telling me things to
put me out, because I'm just busy. I'm winning, I'm moving,
I'm making my move and eyes on the prize.
Speaker 4 (29:14):
And the busier I am.
Speaker 6 (29:15):
Recording, making videos, traveling, doing shows.
Speaker 4 (29:18):
I actually just booked another show today, so.
Speaker 3 (29:19):
I'm just so happy. Okay, that's got money.
Speaker 6 (29:23):
Yes, So the busier I am, the healthier and happier
I feel, but.
Speaker 5 (29:31):
Sad girl. It's okay, definitely henuina and deep for me.
It doesn't show up all the time, but I think
when it does show up, it's special. I'm not really
a romantic girl.
Speaker 3 (29:45):
Yeah, me neither. Okay, Yeah, that's kind of like my
romantic part.
Speaker 4 (29:50):
I guess I don't know.
Speaker 2 (29:51):
Yeah, yeah, that's that's just how.
Speaker 3 (29:53):
You tap into your feelings.
Speaker 1 (29:54):
Yeah, yeah, that's okay, that's okay. Look, I'm not a
himantic girl either, cheers to. I can appreciate Raki and Wine.
I can appreciate we sing them there. There are these
cute moments, but they go oh my god, me and
more gonna saying like movie and like, I just I'm
not that person. Maybe it's because I'm single. I don't know,
(30:15):
most likely, but like, I just that's not who I am.
I'm more so like I'm right there with you with
the okay exactly, I feel like you for me.
Speaker 2 (30:25):
Oh my dear, thank you so much for being here.
Speaker 3 (30:28):
This is a bone I'm running for you, and we
will be rooting for you. Tom being me handed if
approximate child.
Speaker 1 (30:43):
Will be right back right after these messages and wayleas
(31:45):
gotta so, sony is, let's get into some analysis, oura
miss meso. All right, Trump has been shifting the floor
(32:14):
from underneath us since the start of his second term.
Let's get into it. I'd be impressed if I wasn't
so disgusted. Buckle up, I'm gonna rip him a new one.
The president has effectively been carrying out the agenda detailed
by Project twenty twenty five, which was carriated by a
cohort of conservatives.
Speaker 2 (32:32):
Of all backgrounds.
Speaker 1 (32:34):
The truth is, Sevevama bla claro that for US radicals
or progressives, our highlights like.
Speaker 2 (32:40):
Oh my god, we're moving forward, We're moving the needle forward.
Speaker 1 (32:43):
Our highlights in that sense have truly affected the ego
of these people to the point that they organize. And
I'll say again, I'd be impressed if I wasn't so disgusted, milaasco.
Speaker 2 (32:55):
This is not where I.
Speaker 1 (32:57):
Compare what's going on with the plot of the hamm Tell,
which for the record, it is so white for people
to look at this current situation and go as far
as to compare the two. I would laugh if I
wasn't so infuriated, Like, let's be freaking for real white
women blancitas. I'm talking to you white latinas as well.
(33:18):
I want you to recognize that what's funny about all
of this they can handmass tell like rhetoric online, is
that the author, Margaret Atwood, she made this book or
this fiction based off of inspiration of stuff that's happening
in real life. So instead of fearing the lore, how
(33:41):
about you just tap into like stopping these things in
real life, like look at the people of color around
you and say, ah, I can get involved in this,
like go get a cause. In twenty twenty five, I
need people to go pick a cause more forward and
in an example, I mean because people I could say
that and people are like, oh do it? Helloa Yona
swing Loka. Case in point, Let's think about the pregnant
(34:04):
black lady from Alabama. Forgive me, I don't remember her
name right now, who died and who was hooked up
to Michianes against her family's wishes, and whose body was
mutilated so her baby could be born at like two pounds.
If you need more examples, you're not paying attention at
all to what's going on to be ble of color.
And this is my exact point. Jana de Landre, the
(34:26):
Supreme Court, I mean Madre. The Supreme Court ruled that
people can be discriminated against according to their accents or
how they look. So it's open season and an even
more grandiose way. A cascade of high profile decisions from
the US Supreme Court has unfolded, and just today, the
Court lifted restrictions on roving immigration patrols in Los Angeles,
(34:51):
effective support for aggressive ICE tactics criticized.
Speaker 2 (34:55):
As racial profiling.
Speaker 1 (34:57):
Simultaneously, Chief Justice Robert issue a temporary stay allowing the
Trump administration to freeze nearly five billion dollars in foreign aid.
Speaker 2 (35:08):
Additionally, it's just a gift that keeps on giving.
Speaker 1 (35:11):
The Court agreed to fast track Trump's appeal of global tariffs,
aiming for oral arguments. In early November, Oh my god,
ICE is leveraging enforcement tools beyond arrests.
Speaker 2 (35:24):
What does that mean?
Speaker 1 (35:26):
While as of September ninth, attorneys reported that ICE has
revived a little used nineteen ninety six law to issue
fines and lawsuits aimed at pressuring migrants to self.
Speaker 2 (35:37):
Deport this marks a shift toward legal.
Speaker 1 (35:40):
And financial coercion as part of its expanded enforcement.
Speaker 2 (35:44):
Strategies, but that's not done just yet.
Speaker 1 (35:46):
In Chicago, Yo, what is that beef kka Trump din
on Chicago, La game, explain it to me like I'm five, please,
Because Federal Immigration Enforcement DIOS ramping up under Operation Midway
blitz o JAA. Beginning September ninth, Ice and DHS agents
(36:07):
descended on Lawndale, making three arrests tied to suspect it
trend Aragua gang activity.
Speaker 2 (36:13):
So he's really beaten on this drum, y'all.
Speaker 1 (36:15):
What I'm talking about is, I'm sure y'all saw the
bombing that happened in Venezuela by way of the President
talking about he needed to kill eleven narco trafficantes who
were on a boat. First of all, since when did
we need a bomb to get rid of a narco trafficante?
I don't remember people the United States using those type
(36:35):
of tactics when Pablo Escobar was around Orrisada Blanco. All
of a sudden, we need a bomb to get rid
of eleven people. You know what that really is, behint?
And I'll go ahead and just say it.
Speaker 2 (36:47):
It's giving.
Speaker 1 (36:48):
Let's normalize the ideology or the idea or the visual
of Trump just like using bombs at free will in
the name of national security. Since when do we need
a bomb eleven narco trafficantees when we have boats with guns?
Speaker 2 (37:05):
Like what on earth? But okay, Yono delante.
Speaker 1 (37:11):
Trenda aragoa activity, He's really gonna be on this drum
and like try to make this gang bigger than what
it is in the name of like using bombs all right. Meanwhile,
protests erupted downtown in La, with around two hundred demonstrators
blocking traffic and urging resistance.
Speaker 2 (37:30):
Calucia.
Speaker 1 (37:31):
Local churches have also rallied congregants to stay calm yet prepared,
offering support amid fears of widespread arrests or National Guard deployment.
Speaker 2 (37:41):
Madre on the note of.
Speaker 1 (37:42):
Venezuela, tensions escalate between the US and Venezuela, and Venezuela
is boosting troop deployments across coastal and border regions from
ten thousand to twenty five thousand personnel Atofo Local Caia like,
let's irritate them so that they'll retaliate, so that when
we go in and we kill them or whatever. It's like, oh, well,
(38:03):
it was justified. They did this, so I'm doing that.
Why do we start problems?
Speaker 2 (38:07):
Like, why do we start?
Speaker 5 (38:09):
Why?
Speaker 2 (38:10):
Oh my god.
Speaker 1 (38:11):
This move comes shortly after usn will strike as I
mentioned this now that killed eleven on a suspected drug
vessel and a mid continued US military build up in
the Caribbean. Despite the friction, Venezuela's foreign minister instants his
country does not seek conflict with the United States.
Speaker 2 (38:29):
Got to help us all.
Speaker 1 (38:31):
Palestina geviva Palestina.
Speaker 2 (38:33):
Live carajo.
Speaker 1 (38:34):
The narrative around Israel's actions in Gaza has sharpened this week,
Guando No. It's been a continuous escalation since October seventh,
but of course since nineteen forty eight, looks saw viagata
leli hens Yaknyaso. The International Association of Genocide Scholars, comprising
leading experts, released a resolution declaring Israel's conduct constitutes genocide
(39:00):
under international law. Me hnta, I just you know, it's
really crazy to me that like it's like written in
blood in so many ways courtesy of you know, I don't.
Speaker 2 (39:12):
Know, Israel.
Speaker 1 (39:14):
We're seeing babies decapitated, We're seeing babies looking at the rubble.
Speaker 2 (39:20):
For their parents.
Speaker 1 (39:21):
We're looking at parents looking in the rubble for their babies.
We're looking at a literal category five famine. But we
need like these sort of institutional declarations regarding what a
genocide is or is it to me? Because despite heavy
(39:42):
criticism that's occurring globally israela so I just in twenty
twenty five, generally, as a journalist, as a truth seeker,
as a humanitarian, as a humanist, I just don't understand.
And you know, if we're not going to respect legality
(40:06):
and in all of the different laws that he's broken
according to the International Criminal Court, then what good is
it that we're declaring this a genocide. I'm not denouncing it.
I'm saying, like, why are we caving into these things
when it's very clear that.
Speaker 2 (40:20):
This course of action is not functional?
Speaker 1 (40:23):
Okay, I'm not gonna move on because I could speculate
all day. Israel has issued a mass evacuation order for
Gaza City ahead of a major military operation, heightening fears
for civilians. Compounding the humanitarian crisis, Israel's Supreme Court mandated
provision of proper nutrition to Palestinian detainees after litigation revealed
(40:43):
dangerous deprivation in prisons. Again, it's very nice for this
to be written in black and white, so that years
from now, when there are conversations regarding who was responsible
and who committed which atrocity, that can go back and say, oh,
we were paying attention to this. You see, we mandated
(41:04):
proper nutrition. It's like, I don't know, I really am
wondering where the shame comes in in all of this.
The Warren, Gaza, the warre and Gaza Yahura. Is it
a war if they don't have like an actual, like
an army, an armed force recognized by the sovereign state,
(41:27):
is it a war? It's not giving that Mihinte continues
to escalate on multiple fronts legally militarily Leaker and Moraley,
and lastly, Puerto Rico is witnessing a rapid and controversial
uptick in US military presence. The militarization on the island
(41:47):
is getting a little bit crazy. The week before last
a high profile visit by Defense Secretary Hexas and General Kine,
and this sword ongoing and fibious training by the twenty
second you while the island braces for deployment of f
thirty five jets, warships and over a thousand marines. Though
officials framed this as part of counter narcotics operations. Many
(42:11):
Islanders perceive it as a return to militarization, voicing deep
protests over sovereignty, environmental risk, and the island's treatment as
a strategic military hub.
Speaker 2 (42:20):
Did you guys know this is a historian in.
Speaker 1 (42:23):
Me speaking that the first time that the United States
deployed a bomb on its own soil, it was in
Puerto Rico. I think perto Ricas have a very valid
reason to be upset. I think that there's precedent for this.
I just don't think that this is the time to be.
Speaker 2 (42:42):
Passive.
Speaker 1 (42:43):
Mihante Vegasa in the s right now say it. If
you have an animal, you're sick, Like Mihante, these are
very dire times. I want to make it a point
to recap what's going on in the world, give my
(43:05):
take on it, and more importantly, just let y'all know
that I actually give a damn on what's going on
in the world, because if we don't care at the
very least, oh my God, help us on.
Speaker 3 (43:19):
Wesa Mahanta, that's all I got for La la lave.
Speaker 2 (43:22):
Please let me know what you think is see.
Speaker 1 (43:28):
Mascota so as you know what time it is time.
Palas Flores is an iHeartMedia production co Executive producer shigiis
and Media The Ketto. Our producer is Grace Gonzalez The Kierto.
Our engineer Hobby Vibe the Gietto, and the show is
edited by Walking Cutler The Ghetto. Shout out to my
(43:50):
production assistant, Kaylagluistin and Naomi A.
Speaker 2 (43:53):
Savello.
Speaker 1 (43:54):
I am your host, Lagata, see're right here next week
on the iHeartRadio app.
Speaker 3 (44:00):
It's a gritter upon like one.
Speaker 4 (44:03):
T CO Go to the Ether by Color at b
Ay Mana, I am sitting down with one of the
hardest artists ever laid Ivan, Yes, I mean physically look
at Voting, Latta Brika Piano Conati too.
Speaker 2 (00:17):
This girl is sassy.
Speaker 1 (00:18):
She might be the sassiest artists have ever sat down with,
but not in a bad way.
Speaker 2 (00:22):
Stay with me, come and.
Speaker 1 (00:27):
Improvised medosaspanglish.
Speaker 2 (00:32):
And vivo boing ma profundo.
Speaker 1 (00:37):
Stay with me so form my song classic and piano
compos her dreams about making music for film. Masco is
honestly stayed with me in my heart forever, lasnd the
(00:58):
battles that she has to encounter as a woman in
this industry. Oh, I relate voting a laya or guanci
Stema literally wants to change your voice while you're recording
or we're going into it, said Henuina. The sak the
(01:21):
seed and then handle you hear that, women, we are
not asking for permission.
Speaker 2 (01:27):
We're simply out here. We're doing what we need to do,
what we have to do.
Speaker 1 (01:30):
And we're existing exactly as we want.
Speaker 2 (01:32):
I know that's fucking right.
Speaker 1 (01:34):
A Lamino either Como La and Pujano de Lostios and meladin.
Speaker 2 (01:48):
As.
Speaker 1 (01:49):
This episode is not just an interview or conversation in Memoria.
So get ready to laugh, to reflect until Vive Mucho
mascolm podcast etosdura Viva. This is my conversation with Boding
and my analysis this week.
Speaker 2 (02:09):
Buckle up, y'all, this.
Speaker 1 (02:12):
Week and every week, Adelante. I just I can't, y'all.
There's so much going on in the world. I cannot
like be all artists and rainbows. And I also don't
want to separate it either. I do want it as
part of the episode. So every week from this week
going forward, we're getting a recap of the news because
we need to talk about louder and louder and louder
(02:34):
everything that's going on. I'm talking about this president man Trump.
I'm talking about Ice and these raids. I'm talking about
the genocide and Palestine. I'm talking about the increased militarization
in Puerto Rico, everything that's going on in Chicago with
Trump and this DK war DeMeo and this random ass
bombing in Venezuela towards a boat of dintrafrigantes that had
(02:58):
eleven people on board.
Speaker 2 (03:00):
We're gonna get all into it.
Speaker 1 (03:17):
Guess about me, hands, I got to and Bodesta and
Clevelander and stuff, Miami Beach shut out to Clevelander.
Speaker 3 (03:29):
It's like, now I'm very excited because I'm interviewing.
Speaker 4 (03:34):
Boom period.
Speaker 3 (03:39):
Hey go on, just thank you for being here.
Speaker 4 (03:41):
Thank you for having me here. I'm so excited to
be here.
Speaker 1 (03:44):
Oh well, let's get into let's get into it. First
of all, congrats on your your Sonia.
Speaker 3 (03:49):
I love it. It's cute. It's outa you like that out? Yeah.
Speaker 2 (03:56):
First of all, we.
Speaker 1 (03:58):
Had to start there because I was like, oh, yeah,
like how what whe where?
Speaker 3 (04:03):
How I want to hear it from you?
Speaker 4 (04:05):
That's a great question.
Speaker 5 (04:06):
I mean there's some layers to it, but definitely, I
when it comes to my visual part, I always try
to find something that is simple but yet revealing, just right.
Speaker 3 (04:16):
There on the line.
Speaker 4 (04:17):
We like to go right there on the line. Okay,
sexy is the sexy.
Speaker 1 (04:21):
Yeah, just a lot of people understand.
Speaker 4 (04:25):
Yeah, yeah.
Speaker 5 (04:25):
I mean I have someone that that I collaborate with,
Mario Solads big shout out New York, you know. But
I I tried to find my inspose, you know, for.
Speaker 4 (04:37):
That specific specifically.
Speaker 6 (04:38):
One I had the inpo of Evie Queen.
Speaker 4 (04:41):
I love Restyle.
Speaker 5 (04:42):
How she came out and you know, she's the queen
and yeah, period, and so we got a lot of
flavors from there. But also I never mentioned this before,
but I'm also very inspired by Lady Gaga. Okay, and
so she has this moment where she has this caution
tape and.
Speaker 7 (05:00):
Exactly yellow yes, And I said to myself, what if
we because I feel like that's like a danger moment,
feeling dangerous but bossy and you.
Speaker 4 (05:13):
Know, conquering the world.
Speaker 5 (05:14):
And I was just like, this caution tape moment needs
to come for this video.
Speaker 4 (05:19):
So we put on the question tape custom.
Speaker 5 (05:22):
Made and then it was more meant for the video actually,
and then my Silas was like, Boa, let's just wrap
you up, you know, but I'm like, they will not.
Speaker 4 (05:33):
That's it.
Speaker 3 (05:34):
That's the fit. And we did a fitting.
Speaker 5 (05:36):
We spray gluted with the hairspray sticked on the bod.
Speaker 4 (05:41):
So, guys, if you want to do it, just goes.
Speaker 3 (05:43):
It works. We need a tutorial. I love it.
Speaker 4 (05:46):
That's a good idea.
Speaker 3 (05:47):
Yeah, do it for the girl. I love it.
Speaker 1 (05:51):
Oh my god, No, Felas, It's really cute both visually
conceptually sonically.
Speaker 3 (05:56):
Like what I'm hearing as well, like it's it's dope,
like if.
Speaker 5 (05:59):
You I think, you know, I try to explain this
to artists that that's the fun part right about being
an artist, that you need to have the patience and
the love for finding your pen, finding who you are
visually and aesthetically sonically. And I think that that's the
game like who stays and who leaves, you know, and okay,
(06:20):
and having that patience game and finding yourself. And I
think I'm in that situation right now where I found
my pen. I found my you know, in sthetedly what
I want to represent and we're.
Speaker 4 (06:31):
Having fun with it. Yeah.
Speaker 1 (06:33):
I love that and so anergaming and everything that you're
putting out there.
Speaker 3 (06:37):
So good for you.
Speaker 2 (06:39):
Let's go back.
Speaker 3 (06:42):
How did you like? No, Like, okay, this is what
I'm doing music? Is it for me?
Speaker 4 (06:49):
Yeah?
Speaker 3 (06:49):
What was that like for you?
Speaker 1 (06:51):
Because it's on how the Acius move It's one that
I'm making my phone right now, you.
Speaker 5 (06:54):
Know, to go really into that question, I think it's
harder to find your.
Speaker 4 (07:06):
Music team than actually making the music.
Speaker 3 (07:09):
Yeah, and people who believe in you.
Speaker 8 (07:11):
Yeah.
Speaker 3 (07:12):
Yeah, So.
Speaker 5 (07:14):
I think when that happened that I found my team
that I said, I'm going to do this.
Speaker 4 (07:18):
But when I found my.
Speaker 5 (07:19):
Team, when I found my producers big shout out to
Zay who was nominated for the Grammys this year this
week and Black ninety five, well we connected.
Speaker 6 (07:29):
Then I felt, Okay, this is a moment.
Speaker 5 (07:32):
I really I'm going to go into this crazy world
because it's a crazy world. Yeah. And since then we
clicked and we've been growing and trusting the process and
each other.
Speaker 6 (07:41):
And I said to myself, I'm going to do this.
Speaker 3 (07:44):
Okay, love it. I love it.
Speaker 1 (07:48):
No, Yeah, you have that audacity, You have to have confidence,
have to know what you're going to say or at
least have a plan to try to figure.
Speaker 3 (07:55):
It out in the process.
Speaker 5 (07:55):
So yeah, and be you know, get exposed in the
sense of failure, you know, be ready to fail, Be
ready to be exposed of like, hey, maybe you're not
that great of a writer the beginning or understanding what
what is the best kind of music for your vocal
or for your lyrics, And you need to be kind
(08:17):
of aso and come humble. And it's because you have
to fail. And so if you're not prepared to go
through that, this is not for.
Speaker 4 (08:27):
You, honey.
Speaker 3 (08:27):
Yeah, yeah, I love your energy, girl, I love it
so damn, I just I love now.
Speaker 1 (08:36):
I love your energy, Like honestly, it's it's infectious.
Speaker 3 (08:39):
So you're not shy, Oh.
Speaker 4 (08:41):
My god, I'm so shy.
Speaker 7 (08:42):
No, you're not actually not that, but yeah, who can't
see her right now she's trying this really cute matchtop
Like I'm not checking out.
Speaker 3 (08:51):
As this is all platonic.
Speaker 1 (08:52):
All respectful were like, no, it's giving, you know it's
it's giving.
Speaker 3 (08:56):
I'm here, what's up? And I love that?
Speaker 1 (08:58):
No to Tom because your music, your themes, they like
it's like I'm realizing, like there's like a sort of dichotomy.
You have this sort of like oh I'm sexy and
I'm here, what's up? And it's also like sad girl
like vibe that's going on and I love it.
Speaker 3 (09:14):
We love duality, so yeah.
Speaker 5 (09:17):
Let me have you about the sad girl, Like I
noticed that my pant has two sides, or we're really
sad or really horny.
Speaker 1 (09:24):
Like they're like, ah okay, because girls bad starts too.
Speaker 4 (09:29):
Hello, yes exactly. We love sex. I mean I celebrate sex.
Speaker 5 (09:33):
I think it's just important to have a healthy sex life,
talk mental health everything, and I think what's happening now
in music if we're for a woman, and in regaton particularly,
I feel that women are just don't give up. Yeah,
and we're just saying what we want to say and doing.
Speaker 6 (09:52):
What we want to do and show ourselves how we
want to do and just being you.
Speaker 4 (09:55):
Know, the boss. And it's so funny.
Speaker 5 (09:57):
I just came back from Columbia Melegan, by the way,
my first time.
Speaker 4 (10:00):
That's amazing that I can't. I mean, I I could
live there. I'm not kidding. And it was so interesting
because I was.
Speaker 5 (10:07):
Going from studio to studio and you know, I was.
Speaker 4 (10:12):
So and they're like, no, you should write something like Esli.
Speaker 5 (10:21):
I'm like no, I'm like, okay, girl, record that.
Speaker 3 (10:27):
That's fire that.
Speaker 2 (10:29):
I love it. So you're plum by.
Speaker 3 (10:32):
Type of girl. I think.
Speaker 4 (10:33):
I think I'm in those vibes right now. I'm in
that era definitely.
Speaker 3 (10:36):
Yeah.
Speaker 5 (10:37):
It's total liberating and I'm embrazening it totally. I'm having
fun with it, for sure.
Speaker 2 (10:53):
I'm with it.
Speaker 3 (10:53):
This is refreshing as fun. I'm right there with you.
Speaker 4 (10:56):
You don't even know.
Speaker 3 (10:57):
No, I love it. I love it. I feel I
felt see I know, so I got it. Came like,
you know, Gotlina.
Speaker 1 (11:11):
Softbok like they were like, Godalina, I'm like that's too long.
It's like gota like that goes like no, but yeah,
me complain like I love me some blambert. I. You
know when I when I splait in twenty eighteen, I
was not okay.
Speaker 2 (11:31):
I'm still not.
Speaker 4 (11:32):
Ok okay, I'm okay.
Speaker 3 (11:34):
I mean, guys, we were so ungrateful.
Speaker 1 (11:38):
We were so ungrateful as a culture. They were ahead
of their time and like we just truly didn't know.
And when it was there in front of us, like
are you kidding me?
Speaker 9 (11:48):
Just baby your taste, which I'm trying to tell you
we're right here, not okay.
Speaker 1 (11:56):
You know, they gave us all the bangers and this
is sorry, I'm like rambling a bit.
Speaker 3 (12:00):
I'm just so excited because I'm like, oh.
Speaker 1 (12:02):
Finally someone who were like yet to it, you know,
like they gave us all the bangers and it was
just honestly really refreshing.
Speaker 2 (12:08):
This reminded me.
Speaker 1 (12:09):
Sorry side note of a combo. I had way Nikki
down when he released the song. I was like, sir,
how did we get here? And he was like, you know,
I'm Bobby I was looking at all the nasty songs
that exist, and he was like, let's like go through
the concept.
Speaker 5 (12:24):
He's like, I have a song about that, yeah, and
all aspiring me.
Speaker 4 (12:29):
I have to take some notes here.
Speaker 3 (12:30):
With a second, I was like, okay, I'm not mad
at a.
Speaker 5 (12:34):
I mean, this is a new movement I feel for
a woman and let me let me tell you some
of my experience trying to really release this type of
music that I'm doing here. I even had to switch
management because there was a point where I remember, right
in the beginning, I was recording at the studio and
this manager pulled me aside and he's like, listen, I
(12:57):
don't think you should sing or say these things because.
Speaker 6 (13:04):
And I just said to myself, yeah, but then.
Speaker 5 (13:07):
You you're representing the wrong girl, because I'm here about
for you, yeah about you know roma. They say, look, Henuina,
what's wrong with celebrating sex?
Speaker 3 (13:23):
Like what's wrong?
Speaker 5 (13:26):
I don't know what's wrong with that? I like you,
you know, and it's inspiring to me. And like I said,
my pen is those two sides soccer girl and girl,
and long story short, I fired him.
Speaker 1 (13:39):
Okay, honestly, if and I'm working on work the first
reggaeton like okay, I go sayla primera pere but.
Speaker 3 (13:58):
Charge from what.
Speaker 1 (14:01):
And it was and that was in Switzerland, so like
I mean, it's Switzerland and Switzerland, I didn't.
Speaker 3 (14:07):
Even know this so and in Poland if I'm not mistaken.
Speaker 1 (14:09):
But the point is internationally, you cannot put that song
over and people chill, like people go nuts nuts and
they don't even know what she's saying, but.
Speaker 3 (14:19):
You know, and they think mendic.
Speaker 1 (14:21):
So it's like, look on this note of like sex
being commercial being acceptable, like that's a whole different ballpark.
And then I'm being being able to perform well if people.
Speaker 3 (14:31):
Want it, you know, like I'm so with you.
Speaker 1 (14:33):
I love your attitude because it's like women like sech
you know, it's just I love it personally.
Speaker 3 (14:41):
I don't know a fuck like you know saying you're not.
Speaker 2 (14:44):
Saying I'm not.
Speaker 5 (14:46):
I love it, you know, I think it's it's it's
so much fun, like I said, and I feel honored
to be and just this part of music and this
time of music call.
Speaker 4 (14:57):
And that's that's another topic.
Speaker 5 (15:01):
You know.
Speaker 4 (15:02):
I just wish really fork that like.
Speaker 5 (15:10):
Carol g And that was spicy to me because you know, personally,
I don't know.
Speaker 4 (15:20):
Mesa.
Speaker 5 (15:21):
They both have their flavors, they both have their you know, their.
Speaker 4 (15:27):
Like I'm dying for their collapse by the way, going
back to this salon, but you know, like here is
something like that.
Speaker 5 (15:37):
I hope man, especially Carol because I love Cattle. I
just hope that this is more like an awareness for
all the female artists into coming together in Bela and that.
Speaker 4 (15:49):
Understanding that there's enough space.
Speaker 5 (15:50):
A Laves joined THEO some girls that they're having troubles
with this deplico talk.
Speaker 4 (16:01):
It's it's not easy Ria say you Torment and Lutria.
They have a vision for you. They have songs for
you of.
Speaker 5 (16:13):
Like you should sing this or do that, and so
I I just think that this would just happened.
Speaker 6 (16:20):
Is it's spicy and it's kind of oh my god.
Speaker 4 (16:24):
It's like just not even about.
Speaker 5 (16:27):
Them between them too, but it's more like girls, come on,
let's get together, Like why are all these doing like
fifty remixes of like fifty guys on it, like remixes
like we need this.
Speaker 1 (16:41):
You know, I approve this message. It's something I've been
saying forever. I really hate this culture of like that
could be only be one for this one moment. I'm like, no, man,
she has something to say, she has something to say.
Speaker 3 (16:54):
You know who don't think like this.
Speaker 2 (16:55):
Men, men don't think like this.
Speaker 3 (16:58):
They take all the space and that's what they make
all the money. Okay.
Speaker 1 (17:02):
And then and then we and then we're bickering, and
then it's like and you know, it's just it's so
many nice and then don't got me wrong, I am
and you know that's a.
Speaker 3 (17:14):
Complete and that's aggravating Tumbian.
Speaker 1 (17:16):
So I'm with that one hundred percent because it's like
John twenty five, we're still doing it. Yeah, yeah, time
is changing, is changing, definitely.
Speaker 3 (17:26):
I am happy.
Speaker 1 (17:27):
On the same note, like there's a funding in this world.
It's a gatto gee shoutout who I'm now becoming obsessed with.
Speaker 10 (17:36):
It's a Boudine right now, you know, I Noah, like Nosha,
you know who has opened.
Speaker 3 (17:47):
A lot of doors, you know.
Speaker 1 (17:49):
And it's like also on the same note, I really
love YadA too, Tambian, because why do we have to
be perfect.
Speaker 3 (17:55):
Out the gate?
Speaker 4 (17:56):
Oh it's it's we can be here.
Speaker 3 (17:59):
So you're not the expectation, this.
Speaker 6 (18:02):
Expectation, you know, I I've had.
Speaker 4 (18:04):
Some cataso biandulo where.
Speaker 5 (18:08):
When I started in this industry, I I would say
I'm lucky and at the same time, maybe not that lucky.
You know.
Speaker 4 (18:16):
I'll explain this.
Speaker 5 (18:17):
Why I'm saying this is because I got invited to
record with these huge compos and recording artists and producers.
Speaker 4 (18:26):
I'm telling you huge, you know.
Speaker 5 (18:29):
But Ladria like right there, you know, super rookie. I
if I would walk into a cabina, I would be
so nervous, I'll be sweating everything on my body, you know,
out And I remember I absolutely failed. I didn't write well,
I didn't no chant yang and yangte yang eto in.
Speaker 3 (18:56):
I left.
Speaker 6 (18:56):
That session was from one to the morning until six
in the morning.
Speaker 3 (18:59):
Ohow.
Speaker 5 (19:00):
And I remember coming back home feeling as such a failure,
as such a you know. And the harsh part of
everything is that it was all surrounded by men.
Speaker 4 (19:10):
And because of the expectation and the high expectation.
Speaker 5 (19:13):
Of me, like from day one, and that moment of
not allowing me fail and giving some faith in me
and taking their time and pull your men because you know,
you can tell when talent is their talent is there,
you know, And No, the rejection was big, the the
knowing trash talk was really bad.
Speaker 4 (19:35):
I think it was really hard.
Speaker 5 (19:36):
No, I'm happy it happened because if you really want
to stay in this industry, and that's how, you know,
look at like, you need to humble yourself and allow
yourself to fail and then they Okay, yeah, there's gonna
be expectations and yeah you need to be perfect in
(19:58):
this and this and that way, and you need to
be able to dance like this and do that.
Speaker 6 (20:02):
But the only way to get to excellence is actually
at all.
Speaker 1 (20:08):
Sorry, yeah, you know, you know it's a very vocal process.
Speaker 3 (20:14):
Good for you for having that, like the way you
because it's like, no, I mean literally at a I
love you, like honestly, I'm literally living right now. I
love all of this.
Speaker 2 (20:30):
We'll be right back.
Speaker 3 (20:31):
Right after they's massaches and take no same way on.
Speaker 5 (21:00):
H m.
Speaker 10 (21:27):
H m.
Speaker 6 (21:33):
Hm.
Speaker 8 (21:37):
Landa Ador Medull Meduel, Yeah, trap Medale meeber count may
Day Menuelle Menuell Inclan Colannadavador of Mello.
Speaker 1 (22:05):
One thing that's going through my head because we've danced
around it as a topic, but we haven't you know,
gone there. It's like this this idea of the objectification
of women, right, it's different. You know, I'm just so
stuck on like the secrectation and so much chased on
and now women well, now women are like I like
to mon, and men are like you can only mon.
Speaker 2 (22:25):
If we say we want you to.
Speaker 5 (22:26):
You know what I mean.
Speaker 1 (22:27):
It's like, first of all, I'm thinking about Sorry, I'm
rambling a bit, I guess to the point, but I'm
thinking about when I interviewed we see, right, he was like,
the ones who actually dictate where Saton is going is
actually the.
Speaker 2 (22:40):
Women because.
Speaker 9 (22:44):
Rightlando, you know, the party's den it's done right, it's
the women who validate what I get, what I thought,
it's good, which one is danceable, which one people are
going to gravitate towards?
Speaker 3 (23:00):
And the men really do follow us on the whole
like system er like you know whatever. I often think
of it in a queer sense because it's like whatever.
Speaker 1 (23:12):
No, on this note of like objectification, like it's different
when women own that power versus when it's assigned to
us of like who how it's like we're dolls right
of Liken, Like, you know, if I'm stuck.
Speaker 2 (23:30):
On that part that you told me earlier.
Speaker 3 (23:32):
You have to be like, oh, yeah, that is really real.
Speaker 5 (23:35):
But you know, there's so many layers of this topic
that I could talk here until tomorrow. Really, the thing is,
person how I started in the industry was exactly like
that elodig or fatal. For some artists, Hey, it works
out and they're super successful. Yeah, but it was literally
I would walk in the room and be like, this
is the record.
Speaker 3 (23:56):
Learn this record.
Speaker 4 (23:57):
Come back next week Wednesday. You're going to record this record.
This is gonna be the video.
Speaker 6 (24:03):
This is how the producer, this is the people that
we're gonna use, the.
Speaker 4 (24:06):
Director for this video, and this is how it's going
to look like.
Speaker 2 (24:09):
And this is what we want for you.
Speaker 4 (24:11):
This is the whole plan.
Speaker 5 (24:12):
Now. Like I said, for some artists, it's super super
successful and it works and it's global and great, and
that artist is happy being that kind of artist.
Speaker 4 (24:23):
But I feel that with today.
Speaker 5 (24:25):
Everything going on and how many artists are out there
releasing music and being active and showing everything, you just
need to have it all.
Speaker 6 (24:34):
I'm sorry.
Speaker 4 (24:35):
You need to know.
Speaker 2 (24:38):
You need to know.
Speaker 5 (24:41):
You need to understand production, you need to understand who
your team is. Like I said in the beginning like
if you don't see.
Speaker 3 (24:53):
You know.
Speaker 4 (24:53):
And that's another thing. That's why I love my producers because.
Speaker 5 (24:55):
I've walked in rooms where other producers and other songwriters
are dictating me like no.
Speaker 11 (25:00):
No, no, no, ka, so I say, and I'm like, no,
I want that, And then and then my producers come
in there's like no no no no no no, yeah, yeah,
you know.
Speaker 6 (25:17):
So I mean, I don't know if that's a good
thing or bad thing.
Speaker 5 (25:20):
But really, like they meo and so it's so important
and I I've I've worked for that to find people
that understand my vision.
Speaker 4 (25:31):
I said, you know, look at so like I said,
it's just about EPO that doesn't want to step on
your toes, push you out of the marque, and you know,
be consistent that yeah, yeah, no, And in.
Speaker 1 (26:09):
Regards to that question is a bit of bad thing
temple tale, but more importantly, like I I can't see
that's a bad thing, like we need.
Speaker 3 (26:15):
More people in our corner, Yeah, we need Yeah. When
I go back to.
Speaker 1 (26:20):
Plao da Claro, a little birdie told me maybe Valentina
that you studied engineering.
Speaker 6 (26:31):
Well, I actually want My dream was to make music,
do you know scoring.
Speaker 4 (26:42):
It's also.
Speaker 5 (26:44):
Puerto Rico and Miramar and I studied classical piano, but
I went for a composition.
Speaker 1 (26:51):
And so.
Speaker 5 (26:53):
All that.
Speaker 4 (26:54):
That's something. It's a serious discipline.
Speaker 3 (26:56):
You know.
Speaker 5 (26:56):
And if it wasn't for that, I think that's really
my my core and why I am in music. I
love being a creative and I love bringing those roots
into what I do. It's definitely great to have those tools.
Speaker 1 (27:09):
What do you say, would you recommend more women get
into the technical aspect of the the production.
Speaker 3 (27:17):
Of their music.
Speaker 4 (27:18):
Yeah, I mean I I you know, I produce with
my two guys.
Speaker 6 (27:22):
I basically I'm not behind the computer like technically, but
I'm very aware of what progression they're playing, what key
there on?
Speaker 5 (27:30):
Maybe we need to keys up one key down effects,
this looks good, put it underwater, filter here, put a
rich girl there. I know some keywords that are just
very important. And to be fair, that was uh taught
from the street.
Speaker 2 (27:44):
Yeah, okay, I don't love the wrong with that.
Speaker 3 (27:46):
Yeah. Yeah, and we love university.
Speaker 4 (27:48):
Yeah, and that's that's like to be sure.
Speaker 5 (27:52):
I mean, I think.
Speaker 4 (27:54):
You know, mommy for for that opportunity, I don't know,
and action and get.
Speaker 3 (28:03):
Boling. I appreciate that and thinking back to like, you know,
sad girl.
Speaker 4 (28:09):
Right, okay, we're going back to sad girl.
Speaker 1 (28:13):
No, there's like a beauty to the emotional intelligence that
exzooms from your music, and it's giving your very tapped
in with your your health, Like, how does voting take
care of voting?
Speaker 5 (28:25):
Like?
Speaker 3 (28:25):
What does that look like?
Speaker 4 (28:28):
I always recommend because I have a I you know,
I my moon is a scorpio.
Speaker 1 (28:35):
Okay, really I have my dark Oh we got a
horse dog girl here?
Speaker 7 (28:39):
Yes?
Speaker 3 (28:41):
Does that make your birthday just fast?
Speaker 4 (28:42):
I actually did?
Speaker 3 (28:43):
Yeah.
Speaker 5 (28:44):
Yeah.
Speaker 6 (28:46):
I just think that my thing really is to be
as much as busy as possible.
Speaker 4 (28:54):
The more busier I am, I think the healthier I am.
Speaker 5 (28:58):
Meant that meant emotionally physically, because I have no time
to look at my phone, look at socials, I have
no time to listen to people telling me things to
put me out, because I'm just busy. I'm winning, I'm moving,
I'm making my move and eyes on the prize.
Speaker 4 (29:14):
And the busier I am.
Speaker 6 (29:15):
Recording, making videos, traveling, doing shows.
Speaker 4 (29:18):
I actually just booked another show today, so.
Speaker 3 (29:19):
I'm just so happy. Okay, that's got money.
Speaker 6 (29:23):
Yes, So the busier I am, the healthier and happier
I feel, but.
Speaker 5 (29:31):
Sad girl. It's okay, definitely henuina and deep for me.
It doesn't show up all the time, but I think
when it does show up, it's special. I'm not really
a romantic girl.
Speaker 3 (29:45):
Yeah, me neither. Okay, Yeah, that's kind of like my
romantic part.
Speaker 4 (29:50):
I guess I don't know.
Speaker 2 (29:51):
Yeah, yeah, that's that's just how.
Speaker 3 (29:53):
You tap into your feelings.
Speaker 1 (29:54):
Yeah, yeah, that's okay, that's okay. Look, I'm not a
himantic girl either, cheers to. I can appreciate Raki and Wine.
I can appreciate we sing them there. There are these
cute moments, but they go oh my god, me and
more gonna saying like movie and like, I just I'm
not that person. Maybe it's because I'm single. I don't know,
(30:15):
most likely, but like, I just that's not who I am.
I'm more so like I'm right there with you with
the okay exactly, I feel like you for me.
Speaker 2 (30:25):
Oh my dear, thank you so much for being here.
Speaker 3 (30:28):
This is a bone I'm running for you, and we
will be rooting for you. Tom being me handed if
approximate child.
Speaker 1 (30:43):
Will be right back right after these messages and wayleas
(31:45):
gotta so, sony is, let's get into some analysis, oura
miss meso. All right, Trump has been shifting the floor
(32:14):
from underneath us since the start of his second term.
Let's get into it. I'd be impressed if I wasn't
so disgusted. Buckle up, I'm gonna rip him a new one.
The president has effectively been carrying out the agenda detailed
by Project twenty twenty five, which was carriated by a
cohort of conservatives.
Speaker 2 (32:32):
Of all backgrounds.
Speaker 1 (32:34):
The truth is, Sevevama bla claro that for US radicals
or progressives, our highlights like.
Speaker 2 (32:40):
Oh my god, we're moving forward, We're moving the needle forward.
Speaker 1 (32:43):
Our highlights in that sense have truly affected the ego
of these people to the point that they organize. And
I'll say again, I'd be impressed if I wasn't so disgusted, milaasco.
Speaker 2 (32:55):
This is not where I.
Speaker 1 (32:57):
Compare what's going on with the plot of the hamm Tell,
which for the record, it is so white for people
to look at this current situation and go as far
as to compare the two. I would laugh if I
wasn't so infuriated, Like, let's be freaking for real white
women blancitas. I'm talking to you white latinas as well.
(33:18):
I want you to recognize that what's funny about all
of this they can handmass tell like rhetoric online, is
that the author, Margaret Atwood, she made this book or
this fiction based off of inspiration of stuff that's happening
in real life. So instead of fearing the lore, how
(33:41):
about you just tap into like stopping these things in
real life, like look at the people of color around
you and say, ah, I can get involved in this,
like go get a cause. In twenty twenty five, I
need people to go pick a cause more forward and
in an example, I mean because people I could say
that and people are like, oh do it? Helloa Yona
swing Loka. Case in point, Let's think about the pregnant
(34:04):
black lady from Alabama. Forgive me, I don't remember her
name right now, who died and who was hooked up
to Michianes against her family's wishes, and whose body was
mutilated so her baby could be born at like two pounds.
If you need more examples, you're not paying attention at
all to what's going on to be ble of color.
And this is my exact point. Jana de Landre, the
(34:26):
Supreme Court, I mean Madre. The Supreme Court ruled that
people can be discriminated against according to their accents or
how they look. So it's open season and an even
more grandiose way. A cascade of high profile decisions from
the US Supreme Court has unfolded, and just today, the
Court lifted restrictions on roving immigration patrols in Los Angeles,
(34:51):
effective support for aggressive ICE tactics criticized.
Speaker 2 (34:55):
As racial profiling.
Speaker 1 (34:57):
Simultaneously, Chief Justice Robert issue a temporary stay allowing the
Trump administration to freeze nearly five billion dollars in foreign aid.
Speaker 2 (35:08):
Additionally, it's just a gift that keeps on giving.
Speaker 1 (35:11):
The Court agreed to fast track Trump's appeal of global tariffs,
aiming for oral arguments. In early November, Oh my god,
ICE is leveraging enforcement tools beyond arrests.
Speaker 2 (35:24):
What does that mean?
Speaker 1 (35:26):
While as of September ninth, attorneys reported that ICE has
revived a little used nineteen ninety six law to issue
fines and lawsuits aimed at pressuring migrants to self.
Speaker 2 (35:37):
Deport this marks a shift toward legal.
Speaker 1 (35:40):
And financial coercion as part of its expanded enforcement.
Speaker 2 (35:44):
Strategies, but that's not done just yet.
Speaker 1 (35:46):
In Chicago, Yo, what is that beef kka Trump din
on Chicago, La game, explain it to me like I'm five, please,
Because Federal Immigration Enforcement DIOS ramping up under Operation Midway
blitz o JAA. Beginning September ninth, Ice and DHS agents
(36:07):
descended on Lawndale, making three arrests tied to suspect it
trend Aragua gang activity.
Speaker 2 (36:13):
So he's really beaten on this drum, y'all.
Speaker 1 (36:15):
What I'm talking about is, I'm sure y'all saw the
bombing that happened in Venezuela by way of the President
talking about he needed to kill eleven narco trafficantes who
were on a boat. First of all, since when did
we need a bomb to get rid of a narco trafficante?
I don't remember people the United States using those type
(36:35):
of tactics when Pablo Escobar was around Orrisada Blanco. All
of a sudden, we need a bomb to get rid
of eleven people. You know what that really is, behint?
And I'll go ahead and just say it.
Speaker 2 (36:47):
It's giving.
Speaker 1 (36:48):
Let's normalize the ideology or the idea or the visual
of Trump just like using bombs at free will in
the name of national security. Since when do we need
a bomb eleven narco trafficantees when we have boats with guns?
Speaker 2 (37:05):
Like what on earth? But okay, Yono delante.
Speaker 1 (37:11):
Trenda aragoa activity, He's really gonna be on this drum
and like try to make this gang bigger than what
it is in the name of like using bombs all right. Meanwhile,
protests erupted downtown in La, with around two hundred demonstrators
blocking traffic and urging resistance.
Speaker 2 (37:30):
Calucia.
Speaker 1 (37:31):
Local churches have also rallied congregants to stay calm yet prepared,
offering support amid fears of widespread arrests or National Guard deployment.
Speaker 2 (37:41):
Madre on the note of.
Speaker 1 (37:42):
Venezuela, tensions escalate between the US and Venezuela, and Venezuela
is boosting troop deployments across coastal and border regions from
ten thousand to twenty five thousand personnel Atofo Local Caia like,
let's irritate them so that they'll retaliate, so that when
we go in and we kill them or whatever. It's like, oh, well,
(38:03):
it was justified. They did this, so I'm doing that.
Why do we start problems?
Speaker 2 (38:07):
Like, why do we start?
Speaker 5 (38:09):
Why?
Speaker 2 (38:10):
Oh my god.
Speaker 1 (38:11):
This move comes shortly after usn will strike as I
mentioned this now that killed eleven on a suspected drug
vessel and a mid continued US military build up in
the Caribbean. Despite the friction, Venezuela's foreign minister instants his
country does not seek conflict with the United States.
Speaker 2 (38:29):
Got to help us all.
Speaker 1 (38:31):
Palestina geviva Palestina.
Speaker 2 (38:33):
Live carajo.
Speaker 1 (38:34):
The narrative around Israel's actions in Gaza has sharpened this week,
Guando No. It's been a continuous escalation since October seventh,
but of course since nineteen forty eight, looks saw viagata
leli hens Yaknyaso. The International Association of Genocide Scholars, comprising
leading experts, released a resolution declaring Israel's conduct constitutes genocide
(39:00):
under international law. Me hnta, I just you know, it's
really crazy to me that like it's like written in
blood in so many ways courtesy of you know, I don't.
Speaker 2 (39:12):
Know, Israel.
Speaker 1 (39:14):
We're seeing babies decapitated, We're seeing babies looking at the rubble.
Speaker 2 (39:20):
For their parents.
Speaker 1 (39:21):
We're looking at parents looking in the rubble for their babies.
We're looking at a literal category five famine. But we
need like these sort of institutional declarations regarding what a
genocide is or is it to me? Because despite heavy
(39:42):
criticism that's occurring globally israela so I just in twenty
twenty five, generally, as a journalist, as a truth seeker,
as a humanitarian, as a humanist, I just don't understand.
And you know, if we're not going to respect legality
(40:06):
and in all of the different laws that he's broken
according to the International Criminal Court, then what good is
it that we're declaring this a genocide. I'm not denouncing it.
I'm saying, like, why are we caving into these things
when it's very clear that.
Speaker 2 (40:20):
This course of action is not functional?
Speaker 1 (40:23):
Okay, I'm not gonna move on because I could speculate
all day. Israel has issued a mass evacuation order for
Gaza City ahead of a major military operation, heightening fears
for civilians. Compounding the humanitarian crisis, Israel's Supreme Court mandated
provision of proper nutrition to Palestinian detainees after litigation revealed
(40:43):
dangerous deprivation in prisons. Again, it's very nice for this
to be written in black and white, so that years
from now, when there are conversations regarding who was responsible
and who committed which atrocity, that can go back and say, oh,
we were paying attention to this. You see, we mandated
(41:04):
proper nutrition. It's like, I don't know, I really am
wondering where the shame comes in in all of this.
The Warren, Gaza, the warre and Gaza Yahura. Is it
a war if they don't have like an actual, like
an army, an armed force recognized by the sovereign state,
(41:27):
is it a war? It's not giving that Mihinte continues
to escalate on multiple fronts legally militarily Leaker and Moraley,
and lastly, Puerto Rico is witnessing a rapid and controversial
uptick in US military presence. The militarization on the island
(41:47):
is getting a little bit crazy. The week before last
a high profile visit by Defense Secretary Hexas and General Kine,
and this sword ongoing and fibious training by the twenty
second you while the island braces for deployment of f
thirty five jets, warships and over a thousand marines. Though
officials framed this as part of counter narcotics operations. Many
(42:11):
Islanders perceive it as a return to militarization, voicing deep
protests over sovereignty, environmental risk, and the island's treatment as
a strategic military hub.
Speaker 2 (42:20):
Did you guys know this is a historian in.
Speaker 1 (42:23):
Me speaking that the first time that the United States
deployed a bomb on its own soil, it was in
Puerto Rico. I think perto Ricas have a very valid
reason to be upset. I think that there's precedent for this.
I just don't think that this is the time to be.
Speaker 2 (42:42):
Passive.
Speaker 1 (42:43):
Mihante Vegasa in the s right now say it. If
you have an animal, you're sick, Like Mihante, these are
very dire times. I want to make it a point
to recap what's going on in the world, give my
(43:05):
take on it, and more importantly, just let y'all know
that I actually give a damn on what's going on
in the world, because if we don't care at the
very least, oh my God, help us on.
Speaker 3 (43:19):
Wesa Mahanta, that's all I got for La la lave.
Speaker 2 (43:22):
Please let me know what you think is see.
Speaker 1 (43:28):
Mascota so as you know what time it is time.
Palas Flores is an iHeartMedia production co Executive producer shigiis
and Media The Ketto. Our producer is Grace Gonzalez The Kierto.
Our engineer Hobby Vibe the Gietto, and the show is
edited by Walking Cutler The Ghetto. Shout out to my
(43:50):
production assistant, Kaylagluistin and Naomi A.
Speaker 2 (43:53):
Savello.
Speaker 1 (43:54):
I am your host, Lagata, see're right here next week
on the iHeartRadio app.
Speaker 3 (44:00):
It's a gritter upon like one.
Speaker 4 (44:03):
T CO Go to the Ether by Color at b
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