October 13, 2025 • 62 mins
En este episodio nos acompaña Larissa Gloriel, pleasure coach puertorriqueña reconocida por su trabajo acompañando a mujeres y personas diversas en el camino hacia una relación más libre, consciente y placentera con su cuerpo. Hablamos sobre la importancia de redefinir el placer, romper con la culpa y los tabúes heredados, y aprender a escucharnos desde la autenticidad. Larissa comparte herramientas prácticas para reconectar con el deseo, cultivar la intimidad emocional y reclamar el placer como una forma de bienestar y poder personal.
Una conversación honesta, educativa y llena de insight sobre lo que significa realmente vivir en placer.
Gracias por demostrar amor escuchando, descargando y compartiendo.
Siguenme Reggaeton Con La Gata
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Second Monto album man ganto you known verguenzam so to
regaton mahina snatto then go tao so.
Speaker 2 (00:22):
Vario desperate test or awakening.
Speaker 1 (00:27):
Is it rea and calla movento si el pero a
pificaia in Puerto my Puerto viva and Vestremundo said and
released Hello contoo comina et persodios Nazi for work suen
(00:51):
pres Larisa said coach the Puerto Rico amro mo chi
la so historia sup political for mother said so gran
flora massu qut bar its aprende the political mantagan su
misa sink misca some sony brotus tonno prend and it's
(01:18):
a conversation.
Speaker 2 (01:19):
Sorry, l place and dot com Larissa laree.
Speaker 1 (01:39):
My vamis got some sony s gotamas.
Speaker 2 (01:48):
Yaki nador.
Speaker 1 (01:52):
So sex coach, I can requill you miramimo.
Speaker 2 (01:59):
Larisa comastas real need to.
Speaker 3 (02:02):
And that's a questioned to be able to see your
noma one.
Speaker 2 (02:09):
Lamp Yeah and sae the turp I take on precip maintain.
Speaker 1 (02:22):
Like precy but x o or sex coach or cocase paraday.
Speaker 3 (02:30):
For me are doing pida so sex coach okay, Nancese,
Yeah they arena.
Speaker 4 (02:35):
Sex coach is a tenager or through expert in.
Speaker 3 (02:47):
Is jo I sent named football into Magelo and noma
with blasted yamo the sex so SX one in the
senually that as you get job there was mass SSS practicals.
Speaker 4 (03:04):
But I get l to a boy sexual be poly
devo pork algas to your son sex coach, but Joey
not in a pleasure coach.
Speaker 3 (03:21):
Okay, we will be us plass and as sexual pre
okay laso.
Speaker 4 (03:29):
And best as he gets you extra boro nobis and
sex so.
Speaker 3 (03:36):
Passi extra and t conan so clean that okay in
axually that but luego, oh my.
Speaker 1 (03:49):
God, okay for the so because wow mementos plotndo pas
what you gaus a clean vega but.
Speaker 4 (04:07):
Actually real snort. Then I forget them momento.
Speaker 3 (04:14):
Una with said they go to ilse and other influence
yea that working on new bar place nothing dambi doctor passio,
the outo, the coridiento, calino compart.
Speaker 4 (04:43):
Digo aunt the compart.
Speaker 1 (04:47):
Man Canta man canta okay not okay, I more okay
man corsa so sa and oh my god, hello, we're
just gonna do that because mankant meganta so es cone
(05:14):
aa and the hansa Organista and s price department, the
qualas stereo teples, my grand.
Speaker 5 (05:27):
You know.
Speaker 2 (05:29):
That they project onto view qual song.
Speaker 4 (05:34):
The people engaged and b.
Speaker 2 (05:38):
And then ok like eto nois oh, let me not
project myself.
Speaker 1 (05:45):
I hand the getta cone and the other k etho
nois on the this is not something etonos algomos. They
they investing that mass quana sonos acting todays cam venn
land masks mask.
Speaker 4 (06:07):
C COmON and the prophecy at all talmented, the.
Speaker 3 (06:19):
Lad the la la.
Speaker 4 (06:24):
Phenomenal import of people sun the sexual in the.
Speaker 3 (06:29):
Lavola that they in sut oh that they are sucia
the super tormented guy and bred on sexual.
Speaker 2 (06:42):
It's all. It's all.
Speaker 3 (06:45):
Us say yap feminly ceo to soil and taliment manzalo
theo C and them are so axually I mean extorable
so plazir and not backings and a persona I.
Speaker 4 (07:09):
Would want the men in the in the important line
or babo or the maras.
Speaker 3 (07:21):
One day the moment madelement top lass I used them
the la so letting ye come on the goo goo
goo goo No no temporary, they'll su plas you get assassa.
Speaker 4 (07:39):
So some solo them there come on no noever, Keter
from the.
Speaker 3 (07:46):
Bank, cater from the plank, Keter from.
Speaker 1 (07:50):
The plans context. So it was more impression and go
commocho ignorancia and sar la dina parola machi the inmento
peral menate plas yona.
Speaker 2 (08:14):
So when I'm so you know her tam that I'm
outside not everyone know that your pa forma.
Speaker 1 (08:22):
I like what I like, and I say I'm a
grown ass woman yok man fasting. Now that Africa peral
mag you and Mosica men do perspective, so placement plus
(08:44):
what place I plassing is I'm.
Speaker 4 (08:49):
Looking of swearing sally uh, which.
Speaker 3 (08:58):
Place is namanac la place tambien is una manera the
EXEXI stemos purget mucho and themola burguet set ango seros
bio dollas its its termo and dance. I mean the
(09:24):
unimpo people are implemented. The cansana rabido quesadante and then
more and place Jo from Nato prodio tambo experimental simple and.
Speaker 4 (09:51):
Knows the mundo para business apples outside.
Speaker 3 (10:00):
Don't know you left the window solo rah Soloa represented
a persona Jo Barago Samara and paramente, then plain and
(10:22):
blamente amnna.
Speaker 4 (10:25):
Get no none person very meant that.
Speaker 3 (10:29):
Yeah, the vido, thema padrinokea former side is redramente.
Speaker 6 (10:44):
Sino, the lamerica, la veta no ja persona been sal
so rosino left, the point, the slop, the burling, the.
Speaker 2 (11:01):
Men moiling, the mentor wow, you speak like so beautifully,
but wow.
Speaker 1 (11:15):
Places plana placeres vi plasceres, a'm a propios Linda's oh
my god, the yourta and the okay peg.
Speaker 2 (11:37):
To premier parlam like it's.
Speaker 1 (11:42):
A story as as soon as story, a personal like
you like mahin ok that a moment amina project comaid Lucio.
Then press a process.
Speaker 7 (12:06):
Of my dad, okay baganda when I know that actually okay,
it's down, and the mama forget.
Speaker 4 (12:16):
Under the prial and so Reguardo k.
Speaker 3 (12:21):
Okay, i'm grio bajogium and migasa comnola the perosi Puerto
Rico is moulosa nae stia down and a region asa
(12:50):
in grauno o k and so and then yeah block
and all the chan.
Speaker 4 (13:05):
And those says Jo super side Jos Alosanta lin Co.
See that's there so moon loud yo go I not
and eat tampon and I can see there.
Speaker 3 (13:42):
Joorging it a casa joram doma mommy and like wu
am in hereo.
Speaker 4 (13:50):
Ex o cien no and cien si do my free
in momly with Mami. Yeah, I that equal what is
from okay, no.
Speaker 8 (14:04):
Come to it, mam jrm basso child and you don't
know me La, it's your okay what that okay and.
Speaker 4 (14:17):
You're gonna come and not important with your chedule snow
song Locomo and Quite.
Speaker 3 (14:28):
And Nasa they Nabila and Aquila tom and I jo
but they want clean ours.
Speaker 4 (14:37):
You're not gonna okay for And that's lead us, you know.
And Phila get and feeling it out if we were
we are in and well yeah Mama siemprem uh boo
(15:09):
Sai and your vim limed sons and so were.
Speaker 3 (15:19):
Bassda mano a land to a land.
Speaker 4 (15:28):
Pam.
Speaker 3 (15:36):
So sec partying case, Premium, Niro Priano tools.
Speaker 4 (15:50):
Allows and ming girls get mastivating your.
Speaker 5 (16:01):
I love that, No shout out to momy because like
I love that, Oh my god, okay cat okay juxta possession.
Speaker 1 (16:12):
Your smell me mama, miss Palace and Glacia loose.
Speaker 2 (16:19):
Like a Bible school pappy.
Speaker 1 (16:22):
They have okay yo mahin recipes and they have Okasa
latina Latino proghetti and don't dm that it's Americana.
Speaker 2 (16:30):
I don't but.
Speaker 1 (16:33):
And okay, it's okay you cochata hip hop and hell via.
Speaker 2 (16:39):
Candy shot No no, I'm like, I'm like whatever, and
so that like Hannah.
Speaker 1 (16:57):
Coucha broke at a they had America and pero mommy,
mommy know the okay.
Speaker 2 (17:13):
Okay, y do I got to something freaky aki and
I'm like okay.
Speaker 1 (17:24):
So so for pork theme anianti, oh my gosh, shut out.
Speaker 2 (17:31):
To mommy like that. Some calleno like to tresarak, you know.
Speaker 1 (17:40):
Informacyic in fi mass like dramatic or the call in
fia No the.
Speaker 2 (17:46):
Smell tantahnte.
Speaker 5 (17:50):
I I.
Speaker 1 (17:53):
Pres sam, let's be talking for real.
Speaker 3 (18:00):
Claro is in brement go sam sam andreo pernomeno ani
namuch forgets and say American avanda or a mere and
(18:21):
like we're not going to see in the I guen subrigas.
I'll give you Guendo's a simple yespo sa or no.
Speaker 4 (18:40):
Lage in the shas for Geno big deal and sad
lad Or. I see the moments a little see.
Speaker 3 (18:58):
You know we have to pick that you are like
all conillosa.
Speaker 2 (19:07):
Mm hmm no man can Kranda, Oh my god, okay.
Speaker 1 (19:14):
Storiata come on, come on six coach, guess I'll go
get Kistan Mahorn, come like wow your mant Casera, JOCKI.
Speaker 4 (19:30):
Sierra Kea, Stara mac Stoke. He's took the femo, the sexual.
I didn't see us crean tong machine pad.
Speaker 3 (19:57):
To Sto one sa they ken basamos, Nimbardinos and temposficim
the in coloos x Flora you know and Paul Wi
no friend to Pejo sing roba people RAPRESI I know
Bee Tamaki, sexos and Obama, I'm never sex Odio Porge yeah,
(20:27):
Lavia Basa get two, then contracted for Basio.
Speaker 4 (20:33):
And Laida not it a actor sexual and then.
Speaker 3 (20:40):
Say Nevarasano, super Nino, super Grigo, Sario Barapovida, Plena prasad
and then KXO and Vigo and Sario, there's so it
(21:00):
pleasant par.
Speaker 4 (21:02):
S I can I had yeahs I don't pull norns
form now he has six wie and h m hmm.
Speaker 1 (21:24):
It's got a so so on a second tone, don't move.
Speaker 7 (21:35):
H h h.
Speaker 2 (22:10):
H cool hand.
Speaker 1 (22:22):
Larista and honestly comas on like Linda and TECHNICAO you
only tha selet.
Speaker 2 (22:32):
Oh my god, okay, come am your.
Speaker 1 (22:41):
Googat pen sand it come on affect that alas poor
let's concourse as know, come so personal blanca. If they
think on a person this nega queer sma and don't
(23:03):
say they probat context h.
Speaker 2 (23:08):
U coosa and two.
Speaker 1 (23:13):
O co cell mos blanca ya as observo and the
limits expression get hand up and tomarom pausa came masses it.
Speaker 4 (23:32):
Is ever sexually as young they.
Speaker 3 (23:40):
The latina and yeah doesn't the leg a tame of
para the celles de loss form and io either okay,
I'm okay phenomenal important people sew now, but as vic
(24:01):
dobrita blasa when I hint the game there believes no.
Speaker 4 (24:09):
Tobero.
Speaker 3 (24:10):
See I look at experimental and that I didn't love,
you know yah in the.
Speaker 4 (24:15):
Mova automatic not the game the long you could get
low you know, no, I do not they like I said,
(24:39):
yeah and pero pero fantasia carrias to show it.
Speaker 9 (24:51):
Get bien ampio, he said, whether every dambi and get
buying the brig i depict that you are in personal
Latina Ya.
Speaker 4 (25:06):
You know this is sorry.
Speaker 2 (25:07):
I'm end so that.
Speaker 4 (25:11):
They gave a fantasia and not I love you give
me fantasy and.
Speaker 1 (25:17):
No your press, your dapen sando and the conversation king
last differenzias plaro, your your nazi and stasio. You saw
Americana that's the nescellenciamnicana and finance sa aqui iona obsession.
Speaker 2 (25:45):
Latino Americano, Yeah.
Speaker 1 (25:49):
Said commerce as your perro p o yo la commerceA young.
Speaker 2 (25:55):
Importa pork and mente nuestra.
Speaker 1 (26:02):
But they like the last exist existence in Latin America
and don't say no semplando pork pima lesso I come
on and colonial lismo. No Connette as lahne come Marcella
(26:28):
to tournaments and Marcella Asia they say lomnican com sima
nont and when when Plausa and it's like Alina like
(26:50):
and then Tica they come Lavez and dino alaves a
personas not damia.
Speaker 2 (27:03):
De mas I have predona okay aqui and estus. You know,
I'm anto. It goes from.
Speaker 1 (27:14):
Cares the people that hipperson look hyper sexualization perdonamat okay Latino,
the Latin American if impression p s a I love
Personaano America Latin.
Speaker 2 (27:33):
Like and and and Brenda pona sexy.
Speaker 1 (27:39):
Uta perro my ina personas and America Latina like not,
I'm coming.
Speaker 2 (27:45):
I'm not tropic there like it's like so soon as
so deep. You know you're.
Speaker 4 (27:53):
Not that.
Speaker 3 (28:00):
Work on the DNA, the venta via the nail kami
ya important one the problem mamo in gomona sentino, you
know the problem. I'm sam nabersona Lapin and potet. In
(28:23):
context of politicos for letting in the drum tamiandi na
at oriente raaf dobero see the lamente nogees e stavo
toros cem presexualisau the coulpe Latino in corpo dei gamon
(28:43):
then or ben let me go, damn I mean alam
mueres pero don't know me and go and get com
tam y now.
Speaker 4 (29:03):
Okama explorer to white boar the.
Speaker 3 (29:10):
Sanaxuali at sagorna perosi siantoke no white women Sahimian su
Gaian sulfurna the sea. No, okay, but I'm not called
(29:30):
mentawaisk meltwas tomor barak a million political sexual people to Bamo.
Speaker 4 (29:47):
Gonna as if Joe to la center.
Speaker 2 (29:51):
D for pregnant.
Speaker 1 (29:55):
And on your presence of perspective, you're not paralysed, you're oppressio.
Speaker 2 (30:03):
There's a lot of things.
Speaker 1 (30:04):
That your toy and yvel like see like your your
may I like remove myself because.
Speaker 2 (30:17):
You're saying, you know, the critic and then okay, you
the heck and and it's crazy goes and you the heck.
You're not critic ya.
Speaker 1 (30:25):
But bani cato reja your to flow fellies pro and
lallo pargo came open young you know, like fuen Marazulo
pero miro and and srito that couerdoguno ca ce yoga
(30:54):
sepan mo says press that one of the cora s
on the west being said that press said, okay, s yes,
different the.
Speaker 2 (31:05):
P republica, okay, the pression.
Speaker 1 (31:12):
Sima can comparison losombrie los I said, look at la
la sussmbre manyaras getting coming agna and lost colors come
on kmos.
Speaker 4 (31:26):
And and.
Speaker 2 (31:29):
I said losre see van, I said, Mara Persu, I.
Speaker 1 (31:36):
Said lossmbret looking looking like that Sufantasia complete ye and
don't say pongo question, And I'm like, am I putting
too much pressure?
Speaker 4 (31:48):
You like?
Speaker 1 (31:51):
Oh simplemented the alphianda no my sufi in the Valencia, Yes,
Lo ra mente, memosta.
Speaker 2 (32:02):
At the.
Speaker 1 (32:04):
Visual, the tropical, geta a villa, the costos and Andy.
Speaker 2 (32:11):
Guess a fruit book.
Speaker 4 (32:12):
I guess.
Speaker 1 (32:14):
Santa segura santificash mires I sat the seretary question, m
yao like pressio para to act right. So ex Strapper
(32:40):
so so I've done SAX work and I always talk
about it. I'm not going so so x Strapper socias
so historia la.
Speaker 2 (32:54):
Pero. It was like, but isava lan.
Speaker 1 (33:01):
Pro because you a question Valancia, Tambia and losa you
almost dan so, I'm okay your question naval.
Speaker 7 (33:15):
Yeah, no part can as a vague see say an Arisia, bread.
Speaker 4 (33:32):
And travel.
Speaker 3 (33:35):
It's like Teto's references save the moment pressure die and
l Dta de momento, Dambi and Petlandita. They were ski
okay yaquiera seria dain yatabino the entente as like it's
(34:00):
not necessary. I'm in the ta ning go saia, betrolfitre lueo,
the persona c bromaic activitta jo jon the p D
(34:21):
betro kay ars sen al basio ca call thembo and
Dana geh is gonna get done, put company she canna perso,
betro cay aga and s can be a BOLDI associating,
(34:46):
but it's not okay for s solo the n chapters.
Speaker 4 (34:53):
Let's see, let's do as a the.
Speaker 1 (35:08):
Grass pat the inter camere sport que and mela criquet
et funamente, LA's man hors and a hen plus the
conversation per three sixth rightmerandolo puntos que, smile or lot
(35:32):
tamos annalysano, lascosas gone grassia eco repetto said feminine and don.
Speaker 4 (35:43):
Okay not.
Speaker 1 (35:46):
Perro yr caro q.
Speaker 2 (35:50):
Where's it's got a song?
Speaker 1 (35:56):
So on a second dam goever, don't move hm okay
(36:35):
memo yo side the plus mahino okay tennis, I don't
mask santo.
Speaker 2 (36:48):
By tone, give my quite fa. I know you can
have something.
Speaker 4 (36:53):
Oh Ara makka, I give it, Rianda I give your.
Speaker 3 (36:59):
Side, and PORKI minde in a com purkapor, terna col pa,
blass and a mere even once una acting.
Speaker 4 (37:18):
Ament seem Joe and jo my boy uh saab and Joe.
Speaker 3 (37:27):
Comma just implements blaquarfa del mono, Kira simportant and prepo,
mass and context to politic appointment on the family in Orlando,
in dando and the racial anti concepti or de la
(37:50):
wordo sex wile Italian doro seso and affect too politico acting.
Speaker 4 (37:57):
Ama si saak what I mean Joe boy, I lie
Joe the ban or not evil?
Speaker 2 (38:16):
No, I mean perfect because yeah, like I but to
be okay personal nine. It's like they go yo.
Speaker 1 (38:31):
Ton is algo h right, Like you have to choose
your tone, your tone. It's accept than ana. They suit
me this right, sous theirselves, sous fantasias's.
Speaker 2 (39:00):
A go the BB right.
Speaker 1 (39:04):
Your saga when the okay, So you said that cee
yo ceo, Like it's like.
Speaker 2 (39:17):
S okay.
Speaker 1 (39:22):
For goes us, you know, like if mamsello maniana so
like I don't know, p s a go try something,
Go make a kink list.
Speaker 4 (39:38):
It's not a.
Speaker 2 (39:38):
Kings it's so bad, Like I don't know, like go
handle that.
Speaker 1 (39:44):
And go listen to and process so like, go get
one of okay, not a conversation sinlans mass and pertal like.
Speaker 2 (39:58):
And so musica. Yo, I can't start the stems. You
know a plumbery.
Speaker 1 (40:08):
So okay, now it says the independentamentast. You saw that
story in the back of my mind, like, I guess
I wund like a son it's gonna happen. I don't
know plum by your president Maldi independ on like they
(40:33):
were ahead of their time. They were a haad at
their time. But first of all, boat, that's a lot
love my swell no.
Speaker 4 (40:51):
Wow, thee.
Speaker 2 (41:00):
No man gan.
Speaker 1 (41:03):
Like my canto ere pork recono that the princip you're
like ETOs algon the celebra rightando vitoria do I get
real nerdy pa claro all underground called ahnte musica contract
(41:23):
manadura contract cream rose and governadon musicaa com press passio eso, sexo,
blam s ga tota musica, the celebrator, et cetera, the
(41:49):
cultura chapping a lot megandre two perspective queson like.
Speaker 2 (41:58):
To a press and the context so las the mass like, then.
Speaker 3 (42:07):
Well, okay, you're gonna get out of my horn, and
soad so sioni menox and to moving dam being banterero
sow I go flilika and joel brandi damba and if.
Speaker 4 (42:26):
The basil the g but I mean cbo and lama
e i salio and six in.
Speaker 3 (42:39):
Stoke astors and and mano six compamian and generacted.
Speaker 4 (42:46):
Pasio the pl go sari.
Speaker 3 (42:51):
Caf c basok basol se tafricainan dam ka.
Speaker 4 (42:57):
Henters and mounidran e goo locate and I get miranos
compasio the feltasa then through the saramento to.
Speaker 3 (43:13):
Listen to uscortt give okay so no sabero geogrigatawa since.
Speaker 4 (43:31):
Since the moment cressieno you're gonna get and then push
respective and I.
Speaker 3 (43:43):
Actually vomarico for the interest something dam bad.
Speaker 4 (43:54):
So gas.
Speaker 2 (43:56):
Memo no.
Speaker 1 (44:00):
That noaa, I like this idea pero claro you know
you know what I didn't. I wasn't you know, like
alaiao like the boy like later a teenager not early
(44:22):
but no sexolo like and those means says and those
septimo and don't say no you're not baby musica with
no reason like you know, but yo marm Cream, Boston Ambient,
(44:45):
the Super super Like Reggaeton and Bostone, Hang and the
Harvard and Boston Nikki jam Se Creo and Lawrence, the Massachusettsostone,
i Allo and the list. You know, you know your
time and it's some affecta per eskay Not and Lime Wire,
(45:17):
Live Wire, Ecosa and Aquela. But but Lars time being like,
oh no, your calla can become pleta, like you know
what I mean. So the freaking in high school because
I say like no, let see like.
Speaker 10 (45:36):
Like seem tramling can and then they're being yeah, but
they're obviously sao.
Speaker 3 (46:00):
In them there bar so you know, going down though
it's preen game looking the tan in a mutual look
at that Bana Sono is in acting. Yeah, you don't
get what's a combine into and tolla still so it's
(46:21):
all that was a community in.
Speaker 4 (46:27):
I can see now Ballet.
Speaker 1 (46:42):
Snasa that's not predicting that came and Sonatas and sports
Ago no mancantamada like menkanta la.
Speaker 2 (46:54):
Coming. They're like I came ASSOCII and you're so mar Romantico. No,
don't say gas.
Speaker 1 (47:11):
It's like it's not like im but don't see mask
like a'm a makaputa playlist. Yes, like, oh my god.
Side note it not to my ma and I likes
(47:34):
my ma. Side note, you're come on your mama right,
So your your the like complasts and your thing memorials,
(47:57):
your moola and freaking guy pass and Tomisagos Sonny Media. Yeah, no,
mostel and Echo Cho m and Ao Sally you know,
(48:20):
Core and a lot speakers by your cap like your
freaking up mama under the casco.
Speaker 11 (48:34):
No, no, no, no, when my little has to none
and then and and now.
Speaker 2 (48:48):
Mer mom and t I see and coming. No when
m R Patta.
Speaker 1 (48:59):
And people that iPod iPhone the iPhone and the people
that side cake and Razor to the next, Oh my god,
saw this was like a perfect time in peril.
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I heard media production calls that could.
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Produce shakes the media. The Kiero produced by Grace Gonzalez.
The Piero edited by Joaquin Cutler. Like Kerto, shout out
to my production assistants Naomi A.
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Savello and Kayla Ecleston I'm your host and E P.
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Coucha broke at a they had America and pero mommy,
mommy know the okay.
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Okay, y do I got to something freaky aki and
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Pres sam, let's be talking for real.
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Claro is in brement go sam sam andreo pernomeno ani
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like we're not going to see in the I guen subrigas.
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Mm hmm no man can Kranda, Oh my god, okay.
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pleasant par.
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say they probat context h.
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yeah and pero pero fantasia carrias to show it.
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No your press, your dapen sando and the conversation king
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to tournaments and Marcella Asia they say lomnican com sima
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personas not damia.
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Not that.
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ya important one the problem mamo in gomona sentino, you
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(28:23):
context of politicos for letting in the drum tamiandi na
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then or ben let me go, damn I mean alam
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mentawaisk meltwas tomor barak a million political sexual people to Bamo.
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P republica, okay, the pression.
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At the.
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Visual, the tropical, geta a villa, the costos and Andy.
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so so I've done SAX work and I always talk
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Pro because you a question Valancia, Tambia and losa you
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And travel.
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memo yo side the plus mahino okay tennis, I don't
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Oh Ara makka, I give it, Rianda I give your.
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Side, and PORKI minde in a com purkapor, terna col pa,
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Ama si saak what I mean Joe boy, I lie
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Ton is algo h right, Like you have to choose
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And go listen to and process so like, go get
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Perfect song that's very like honestly yes exactly my head
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I heard media production calls that could.
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Produce shakes the media. The Kiero produced by Grace Gonzalez.
The Piero edited by Joaquin Cutler. Like Kerto, shout out
to my production assistants Naomi A.
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Savello and Kayla Ecleston I'm your host and E P.
Lagata You're right here next week, okay. And I heart
and everywhere you listen. If you listen, download there and
show some love, love out loud.
Speaker 4 (01:01:48):
This is you know. Cando
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