April 28, 2025 • 41 mins
DR & PR Have an undeniable magic. And within all that talent, are genres that can often go overlooked because of the sauce they give us with Perreo & Dembow. RaiNao & Martox? Are carving their unique paths in alternative movements, these are their stories.
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Episode Transcript
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Speaker 1 (00:02):
Me Skoda son son Is, I'm data. I'm an executive producer.
Get on historian, Oh the culture's favorite.
Speaker 2 (00:10):
Get on historian. The culture is principle.
Speaker 1 (00:13):
Get on historian, lecturer, recording artists, curator.
Speaker 2 (00:18):
Soon to the author, and this is.
Speaker 1 (00:22):
This is a space where I'll be interviewing artists on
culture and music politics, and sometimes we even get personal
akita inflows p English, because that's what best reps you
is latinos, So make sure that's happened every week. M
(00:48):
is something I grew up with, believe it or not,
but in English, I love me a guitar, and I'm
glad that in my experience, I never Teeter Tard with
this insane question of what can say quote unquote actual
music or gave music. I was just living and experiencing it.
Yo Yo viva oh Si Yomi ganas Ya Moore. Living
(01:23):
in Puerto Rico, TA mean was such a blessing. I
immersed myself in the music scene, and I have to
be honest, I had to open my mind a bit
when I lived there, because rock and roll isn't the
first thing that comes to mind when I hear a
dr or pr I had to check myself like, okay, wow, gringa,
am I subscribing to stereotypes. Well, that was quickly shot
(01:45):
down with exposure and through I joined in on a
live recording session with these two bands, Martos and Solo
Fernandez in a studio where the legendary one Luis.
Speaker 3 (01:56):
Gera actually records.
Speaker 1 (01:58):
I saw them right record Vibe out, I saw them
play live. I met other roqueros and checked myself before
I wrecked myself through Paya and when I lived in
Puerto Rico, I feel like, both online and in person,
I'm constantly reminded Puerto Ricans will not let you forget it.
And even from the beginning of this platform, the other
(02:21):
scenes exist because everyone was quick to let me know
all Puerto Ricans don't even like reggaeton. In fact, some
even hate it, and so instead a lot of them
listen to rock. And so today's episode is with an
artist who fuses both genres. Right now an amazing, soulful
(02:42):
visionary artist from Bee Fure, And in today's Goligo, we
have the dope Dominican alternative artist duo Martox Lama by Gan.
Speaker 2 (03:02):
Okay Son. You don't call.
Speaker 1 (03:07):
Gatavan en vivo that's the Cleveland and South Beach shout
out to them and your not be hand that.
Speaker 4 (03:16):
Love like no go mon, Yeah.
Speaker 1 (03:30):
Of course, of course no Vamon Mola like them, I said, honestly,
So we're gonna go there Tambila the Puerto RICANSA.
Speaker 5 (03:45):
No, We're going t come Momento.
Speaker 4 (03:55):
Yeah, no, I'm gonna get.
Speaker 2 (04:06):
Like two done.
Speaker 1 (04:09):
Like I've I've been watching from like the beginning, like
the beginning, beginning, beginning Viana.
Speaker 2 (04:16):
Who honestly got him? Just like have you heard that
right now?
Speaker 1 (04:20):
Now? I'm like, okay, whatever you say, my love Rihanna Persona, yeah,
I know you and seventy seven seventy seven Emerre Don
the Vianna really okay, yes you know yeah.
Speaker 4 (04:48):
For super Supersym, I don't know, but seventy seven it's
a little messy.
Speaker 6 (04:55):
So I want to say, like that's that's Ther's home.
Speaker 2 (05:07):
I love it.
Speaker 5 (05:07):
Yeah, classical, yet.
Speaker 2 (05:22):
I love it.
Speaker 1 (05:23):
You know. I was like, look at her, look at her,
go like look at the people. It was infectious.
Speaker 2 (05:34):
It was just so nice to see, like.
Speaker 1 (05:39):
Let's go to the beginning of now, which is like
I really love from you, Like you're such an interesting
person to.
Speaker 2 (05:49):
Look at and you've always been like from the beginning.
Speaker 3 (05:57):
Like how what is that for you?
Speaker 2 (05:58):
Because that's not a team, that's you. That's right now.
Speaker 4 (06:01):
Gia said, come get Domino and come yo man i
persona jo majo sake yes, being in portant and and
they're connect music connect Joyne Montre in Seramente, Mao in
(06:22):
Lamente and Bengo to tatro seen Jo Claro youngl Grato
Ramenta and musical Pasogo joel I Commi Musica Plano Israel,
(06:46):
Sempre Taming music Negoza, the Jasa condo in Tico.
Speaker 5 (06:59):
Endo. I don't know so.
Speaker 2 (07:15):
It is.
Speaker 1 (07:18):
And I feel like that's what like posts people at Mamo. Yeah,
that's actually what pulled me in person Cala cancion like
represents you like in a way that's like different from
the rest. Right, but see to Una said, you know
this one really I love how this song really represents
(07:39):
me in this way.
Speaker 4 (07:43):
Rondo principio super yo another present Feta Influenzia is of
(08:04):
course as.
Speaker 5 (08:09):
Whereas in.
Speaker 4 (08:13):
M Bigo is lament Una Victoria let big Guy, Algom
personal Ami alajand so mental transition and Lano amid So.
Speaker 2 (08:41):
Okay, love it seem and shifting a little bit as
the Puerto Rico period Puerto Rican.
Speaker 1 (08:56):
The Communidan queer and pees in that morning, like I
don't know how many balls that I've gone to over there.
Speaker 5 (09:06):
Yeah see, I just come on, come on, jo simple,
let you about me. No, you're my motto, You're my
(09:27):
mat and no person person so whatever and.
Speaker 4 (09:59):
Solid that Linda mosaa you know.
Speaker 5 (10:05):
Boys boys, yeah, old.
Speaker 4 (10:12):
Felie Pasio Rico sevra.
Speaker 1 (10:19):
Como yea comtista and then you know Dono soles Son
King Soymia and like.
Speaker 2 (10:31):
Like you know the that this is like what it is.
Speaker 4 (10:38):
To come the la persona ke the priciple, my piano
omne Andra and co andering as Maso being Clara, the
pricipio b mio.
Speaker 5 (10:59):
And era okay right now to put princip okay person
Joe or sorry look in ya je.
Speaker 3 (11:38):
Impression nante, Wow you're not.
Speaker 1 (11:52):
If I had to describe your like in the Divine Famine,
that's like how I think, like if I had to
describe right now, it's like she's in the divine fam
im my sos.
Speaker 2 (12:00):
Like in Urguela likes then and talk to women like
what does what does that feel like.
Speaker 5 (12:07):
For you.
Speaker 4 (12:11):
Yo child, sh no, I know, I meant.
Speaker 5 (12:23):
Viro jo silgo pele the boy and the boy.
Speaker 4 (12:35):
Lets you look at denestraspectia that the the the e
bomente e boy and then dureta crazy k I k
(12:57):
keo general.
Speaker 5 (13:19):
Y yeah, see yam for whatever.
Speaker 1 (13:24):
One thing that I do wanna ask you is like
gomo reino qu renow porque Wow. If you're an artist,
you have fans, I fig it crazy. This industry can
get crazy. Being a Puerto Rican woman can be crazy,
like being queer. Like there's a lot of levels right
and it calls for like a lot of attention often
(13:46):
and in the midst of all of that.
Speaker 2 (13:47):
You're creating so reco.
Speaker 4 (13:57):
Yoro I bo inca in so feli paradrite pero and
tiendo pedo redo my royal, the persona U la quiero
gerandeo tm do com hanting pertea come my bay Sara
(14:25):
catasa googo terrabia al la canicano since since erna arena
and bella.
Speaker 5 (14:39):
Pero siago yum vidola persona a.
Speaker 4 (14:42):
Ken cap and co terapia and the drinconer dio you
ramenta with perrosa in Melinda implemented preste, but I can
get a ramenta.
Speaker 5 (14:58):
Persona Kelsi since.
Speaker 2 (15:06):
Like right you surnament likes salm.
Speaker 1 (15:16):
S a goke and on smo likea like you was
the same.
Speaker 2 (15:23):
The same time man whatever, like he was like very
depressed yo.
Speaker 1 (15:30):
So I like.
Speaker 2 (15:33):
Either and it's.
Speaker 1 (15:35):
Something that hintsa you know lo then vi and I'm
just like that's it.
Speaker 2 (15:45):
It's bad vibes like if it's only okay, like right.
Speaker 1 (15:56):
Right either quite da, but it's a gokey reloke affect,
like like sagoge thinking about you and like your message.
I feel like I'm trying to baranzan so seeple not
iData to Florence because a musica like Juana like Chin
(16:22):
like Mada like today's gonna be good, you know, and
Aso tan same place and tempo also because it's a
it's a camel dat too, you know.
Speaker 2 (16:31):
But that's a love So thank you.
Speaker 4 (16:39):
Mano lokay, now there you are mine, so forget about me,
and I'm in.
Speaker 5 (16:57):
Is a person because it's in Sela.
Speaker 1 (17:07):
Of course, Gether says, I need to ask because you're
Puerto Rican and they're so oh much.
Speaker 2 (17:14):
Gether says very isla.
Speaker 4 (17:16):
Can I see bad Fila cann nt en them is
impatis and local polo personal improprio no gruto and Empo
(17:37):
Puerto Rico siliments.
Speaker 5 (17:46):
Away you car Puerto Rico, Puerto Rico.
Speaker 1 (17:53):
Yellow po tagle is pork right now.
Speaker 4 (18:01):
I receive your dancing surname Melisa now right now, and
the surname.
Speaker 5 (18:11):
J econ Prora and then me remember.
Speaker 4 (18:24):
Dia come back to Lona Philosophy area, you know, mentor.
Speaker 1 (18:35):
And my goodness, right now I can be an momento. Listen,
We'll be right back after these messages and coming up
is an amazing interview with two Dominican amazing artists.
Speaker 3 (18:50):
Dual Man talks the personal Yosi.
Speaker 1 (19:04):
I was reminded to keep an open mind when thinking
of the diversity in music of Mana and wonderfully refreshed
on the range of.
Speaker 3 (19:13):
Right now.
Speaker 1 (19:15):
I remember when she first stepped out onto the scene.
I was like, oh, she's ecentric, bro, she's.
Speaker 3 (19:21):
A little weird.
Speaker 1 (19:22):
But before you gather me, weird doesn't mean bad. It
just means not typical, not cliche, not basic.
Speaker 3 (19:30):
Weird is good. WE love weird.
Speaker 1 (19:32):
I think the world needs more weird. The first time
I saw her. I was watching her concert backstage and
I pulled up with Viana Si Persona and Jenny Malta
shout out to her to watch Vianna open up for her.
Speaker 3 (19:48):
I love their song.
Speaker 1 (19:50):
It's queer excellence to me, I think right now's entire
philosophy of taking advantage of the moment. Right now it's epic,
not just her musical philosophy and discography, but to all
of us weird those paying attention to the ways of
the world, working on and trying to figure out how
to make best sense of what's going on, but also
(20:14):
stay active while stay motivated. That's hard and for her
music to do that, that's powerful me hand salmental Ma
must have seen sal. You can't praise sad emotions away
all the time. Sometimes it requires medication, therapy and or help.
And that's okay. I speak from experience. I don't relish
(20:37):
and putting all my story out there just yet because
the Internet is harsh.
Speaker 3 (20:40):
People are not nice. It's a cruel place.
Speaker 1 (20:43):
What I do feel comfortable sharing at this moment as
advice is saying, okay, salumental mental health is your business.
If you need help, go get it. And that's sacred information.
Share it only with those who respect who you really
are and want the best for you. I know very
well if I share something like that and then made
(21:05):
it to the family group Chatmi, I'm going to jail.
Speaker 3 (21:09):
We kill somebody. Okay, we're not gonna do that. We're not.
We're not condoning that. I'm kidding. But also boundaries.
Speaker 1 (21:16):
But back to our first start today right now, I'm
happy for her from twenty twenty to now twenty million
monthly listeners on streamers, amazing features like Bad Bunnies with
Petal de Debbie Dea.
Speaker 3 (21:32):
Okay, my eyes are glued on her and what she
does next?
Speaker 1 (21:36):
Get into her like now, let's hear from a legendary
producer single duo and I'm making of I had the
joy of speaking with none other than Mardos Mios the Santiago.
Speaker 3 (21:58):
Let's get into it.
Speaker 1 (22:00):
Charges get on bel to floor, pork and Ridolphine and
I said, motos concertos, I'm paying attend to that.
Speaker 2 (22:12):
That that having the process so.
Speaker 1 (22:19):
Gets like story that Max comment and going to Seattle
son Mano son com go to Sierra.
Speaker 7 (22:25):
Where the U s most courso you know, saving.
Speaker 8 (22:38):
Persol Comican Tami Courso Indiana in no okay Indiana you
can taba Courso.
Speaker 9 (22:48):
Allow and the yeah okay, I said cover so you
are men coming number within the yeah yeah, Paracea.
Speaker 7 (23:10):
Super young the moment and then the imps.
Speaker 9 (23:23):
So we got a sound cloud find on the covers
or threemixes the can amos, Yeah market yago for and
those media you know in the ceremo, Tom pray command
serious yeah that.
Speaker 7 (23:43):
Como okay, yeah, okay, yeah yo.
Speaker 9 (23:50):
Part seem okay and then say yes gona that form.
Speaker 2 (24:05):
Or no gisar, that's nager gisar.
Speaker 1 (24:08):
But you know, oh my god, Quanda Santo's influence and
if we don't manday.
Speaker 8 (24:21):
Collective mandas romantical.
Speaker 1 (24:27):
Romantic noy okay, got your.
Speaker 7 (24:45):
Inclin see.
Speaker 2 (24:48):
Salad oy okay, okay, okay, okay.
Speaker 7 (24:59):
You see Camo s all that sat fluence and.
Speaker 9 (25:08):
The part Jotroni and ton said Promo.
Speaker 7 (25:18):
Said Tonio manos.
Speaker 1 (25:20):
In quanto porke your la vito and persona. You know
camel foy gonais.
Speaker 2 (25:29):
I said my.
Speaker 1 (25:31):
Musica like hello fire and BiVO like.
Speaker 2 (25:36):
That's okay, like part of like that wave Lo movimento.
The Sena is Milindo.
Speaker 1 (25:48):
Shout out to RICHI shout out to Solo Fernandez right
like it's so cool.
Speaker 2 (25:54):
As Nanny, you know, likes for myself and I'm after
toll people.
Speaker 7 (26:02):
That musica is that one.
Speaker 2 (26:06):
Alm like it's a movie.
Speaker 7 (26:10):
Get my name though, see and.
Speaker 9 (26:12):
That the band that either played to music lest last
from Italy. I chuck hand centa mucho ma person mention
(26:33):
Fernandes Nanny Crich just s that's portandos he the o
and necessary solamente conto and lie and sam.
Speaker 7 (26:56):
Put into the Santa the grand dark that.
Speaker 2 (27:02):
Okay, it's a matter, Okay, damn that's the dost mean.
Speaker 1 (27:08):
As present thousand different concertos like cord that's a fire.
Let's Catolica, way cool presentote Solo Fernandez this morning. Don't
remember that my cool colonia and doing Fanta Domingo.
Speaker 2 (27:34):
Okay, solo Colonial and bunt.
Speaker 1 (27:38):
Different like look cool or the light isler in cluiendo
is love light Okay, s consider grant.
Speaker 7 (27:47):
Present last okay firstival.
Speaker 2 (27:53):
E comma so I mean like that's insane.
Speaker 5 (28:00):
Come on.
Speaker 9 (28:04):
Local yell publicist.
Speaker 7 (28:10):
Form and so says apparent com public participate.
Speaker 1 (28:23):
Mass pocuson and me PORCUSONMPLO and Spotify, Caussie Medow Jones,
the Colcha menstallment wow, I mean to k S s l.
Speaker 2 (28:45):
And and was like, I'm so proud of you guys. Boys.
Speaker 9 (28:52):
Paramos bien okay, said premier album A young man had them.
Speaker 2 (29:01):
From look.
Speaker 7 (29:06):
From okay, see Labum Sandra and STM.
Speaker 2 (29:12):
That wow, come on Ardo okay, like now the sent
like that's insane. Yea that went that's insane. Came a
couple of features.
Speaker 7 (29:30):
And they say project.
Speaker 9 (29:34):
Handle sentimented most men okay, cool, the Three Chances and
the album pro se. The concerning albums you know, largo.
Speaker 2 (29:57):
Okay, I'm excited me across your kettl see no that
is yo focus.
Speaker 5 (30:05):
Uncle, but.
Speaker 2 (30:08):
Amino blaa son as I see yo yellow fork like
and they eat me venge right eat someone and.
Speaker 7 (30:26):
Okay but.
Speaker 1 (30:28):
Pork you know, but solo gisn ami no see okay,
that's two for my lesson is some gang bang a
persona reperto but the old man is that you know
(30:48):
what I'm saying, implement said persona.
Speaker 2 (30:52):
I guess because Industria and Mono like not sing the
first thing, but see so thank you.
Speaker 10 (31:01):
I guess that's what I'm thank you for playing good
people in mad records number.
Speaker 2 (31:16):
In Yes.
Speaker 7 (31:24):
For Mercado and Santiago Town and from group Jenny's to
Johnny when the Mundo is.
Speaker 1 (31:44):
And the s the.
Speaker 7 (31:47):
That's the passio for.
Speaker 9 (31:53):
Es So said, I'm not I'm gonna see mem.
Speaker 2 (32:02):
Yeah, I love that. Gum Okay. All people are the storytelling.
I guess the the lo.
Speaker 1 (32:17):
Lo Colore like Prescio, like sun Ya Santo Domingo, verse as.
Speaker 2 (32:26):
Tamen is assumed by vert So like mens miss my Flora.
I have them like go yoly, thank you for your
pa Yes, Pla.
Speaker 1 (32:38):
Influences Yoda sel ver Cambian political Defeasi Pasilo Mano right whatever,
gang Consusa Vierto, Lima Pta sas and like, but I
(33:05):
had a Keyota Landusia like the Masovia.
Speaker 7 (33:14):
The part of the lostists come on the.
Speaker 9 (33:18):
A friend different opportuniatist a Dominicano, the Sena t lo
lea porta a lot max A Mexico Ja Yeah, civo
(33:38):
you know the com yes com Henbroke Loso, Fernando a
Maria mucho conce com pasal Cosa a similar and Soto
commoti in thependent and TN said josiento ke question the ampo,
(34:00):
the LaBrie Gabrino bodo, the mask.
Speaker 7 (34:07):
Ye Dominican man como the employ all time, the.
Speaker 2 (34:17):
Course of the lost and.
Speaker 1 (34:22):
The semi horn, said Patento.
Speaker 9 (34:28):
Sand comtotos parte industry, the moment con de VISal seimentary
induce you know cay so limita minicano, qisa formla t
(34:51):
inducetri um come and Ernando the ultra party, the quala
so so kisap beneda on the venue had a cat
and grand you know, like I go to Peto an
artist tomandomplo del visalia presentage in the consiento the I
(35:20):
form a correct said former correct so the sony con
part and industry, then.
Speaker 7 (35:28):
Informers and artist.
Speaker 9 (35:35):
You know I proposed sell on the former investiga no
correct in terms of.
Speaker 7 (35:48):
Comar dependiente.
Speaker 1 (35:52):
And predo yan local is Dominican music week are you know?
Speaker 9 (36:06):
So you know chance they important case the people that
us yeah, pok look at your.
Speaker 7 (36:17):
Like like well so like the second then.
Speaker 9 (36:28):
Okay, so through mart project come pop Savage and Hannah.
Speaker 1 (36:41):
Yeah, I'm glad you want here because you shout out
to yea personal non no, I smeilled so hard. I'm
not going, my god, chajoo, no, comef can king like
get the temple, like what's up?
Speaker 2 (37:04):
You're ny an.
Speaker 7 (37:06):
Artist, you're present yak and like.
Speaker 9 (37:16):
Okay, so you're going and you look and sold. I'm
talking about the year and then that I can see Louis.
Suppose you set there.
Speaker 7 (37:36):
Costa and.
Speaker 9 (37:40):
See processes similar and so crum the crew when Samon
Betty can.
Speaker 1 (37:47):
Play poker, your parents on a saltmental coming because I
also like if I Namando ares.
Speaker 7 (38:06):
Why it's.
Speaker 1 (38:09):
Primaro wami is come on, Wami.
Speaker 2 (38:15):
Wami primo. I love it and it's like Amenta. He's
always smiling.
Speaker 1 (38:25):
But I guess the one not not on you, but
I s hand on it the same like race I
know likesa. Now you're always happy. Okay, I'm gonna skip
you keep going as Bard Yes, I just okay.
Speaker 7 (38:52):
Now that's manager. Yes, Sona, You'm so throw and plan
if he come with get not the cru.
Speaker 1 (39:30):
Organist young, I have ADHD. Sometimes I need more than
a battle. No, it's valid. So what's the grass in
hntamocha Wami and wighns.
Speaker 2 (39:56):
Child. Now that's enough. It happened from me.
Speaker 3 (39:59):
I want to hear from some of you.
Speaker 2 (40:02):
I'll go.
Speaker 1 (40:06):
Yes, my name is Gatha and your name is Catherine.
Speaker 2 (40:09):
Nice to me.
Speaker 1 (40:10):
To Catherine, where are you from. I'm from New York,
but my mom is from pont Okay and we love it.
Speaker 2 (40:16):
We love it.
Speaker 1 (40:17):
Get in your Spanish. If you can direct the collaboration
and that or alive, who would it be?
Speaker 5 (40:24):
Bye Bunny and Zarion Nano. Yeah, yeah, why.
Speaker 1 (40:28):
I just think that when you think about the old
school and new school together, I think it would be amazing.
Speaker 3 (40:33):
Hey, you know, Bye Bunny likes to.
Speaker 5 (40:34):
Do like bring that old school like wad them.
Speaker 6 (40:37):
Back to us.
Speaker 5 (40:38):
I think it would be a great collaboration. It just
looks that, you know, Zion Nannox are not together anymore.
Speaker 1 (40:45):
Lennox, you guys have to get back together so we
can get the collapse. Thank you so, Catherine. If you
are experiencing issues with mental health, know that there are
resources out there.
Speaker 3 (40:58):
You are not alone.
Speaker 2 (41:02):
Get me handsik. You know what time it is, It's
time for last floor.
Speaker 3 (41:06):
It's the Flowers.
Speaker 1 (41:09):
Is an iHeart Media production executive produced by Shaki Media.
Love You Nudia produced by Grace Gonzalez, Love You Grace,
Edited by Sebastian Payan, Sebastian the Loman, the lomne Haby
vibes with the audio engineer. Love you Habby, and shout
out to my production assistants Naomi Savello and Kayla Listen
(41:31):
Velomina Media, let's go. I'm your host, La Gata. See
you next week right here on the iHeart Radio app.
Me Skoda son son Is, I'm data. I'm an executive producer.
Get on historian, Oh the culture's favorite.
Speaker 2 (00:10):
Get on historian. The culture is principle.
Speaker 1 (00:13):
Get on historian, lecturer, recording artists, curator.
Speaker 2 (00:18):
Soon to the author, and this is.
Speaker 1 (00:22):
This is a space where I'll be interviewing artists on
culture and music politics, and sometimes we even get personal
akita inflows p English, because that's what best reps you
is latinos, So make sure that's happened every week. M
(00:48):
is something I grew up with, believe it or not,
but in English, I love me a guitar, and I'm
glad that in my experience, I never Teeter Tard with
this insane question of what can say quote unquote actual
music or gave music. I was just living and experiencing it.
Yo Yo viva oh Si Yomi ganas Ya Moore. Living
(01:23):
in Puerto Rico, TA mean was such a blessing. I
immersed myself in the music scene, and I have to
be honest, I had to open my mind a bit
when I lived there, because rock and roll isn't the
first thing that comes to mind when I hear a
dr or pr I had to check myself like, okay, wow, gringa,
am I subscribing to stereotypes. Well, that was quickly shot
(01:45):
down with exposure and through I joined in on a
live recording session with these two bands, Martos and Solo
Fernandez in a studio where the legendary one Luis.
Speaker 3 (01:56):
Gera actually records.
Speaker 1 (01:58):
I saw them right record Vibe out, I saw them
play live. I met other roqueros and checked myself before
I wrecked myself through Paya and when I lived in
Puerto Rico, I feel like, both online and in person,
I'm constantly reminded Puerto Ricans will not let you forget it.
And even from the beginning of this platform, the other
(02:21):
scenes exist because everyone was quick to let me know
all Puerto Ricans don't even like reggaeton. In fact, some
even hate it, and so instead a lot of them
listen to rock. And so today's episode is with an
artist who fuses both genres. Right now an amazing, soulful
(02:42):
visionary artist from Bee Fure, And in today's Goligo, we
have the dope Dominican alternative artist duo Martox Lama by Gan.
Speaker 2 (03:02):
Okay Son. You don't call.
Speaker 1 (03:07):
Gatavan en vivo that's the Cleveland and South Beach shout
out to them and your not be hand that.
Speaker 4 (03:16):
Love like no go mon, Yeah.
Speaker 1 (03:30):
Of course, of course no Vamon Mola like them, I said, honestly,
So we're gonna go there Tambila the Puerto RICANSA.
Speaker 5 (03:45):
No, We're going t come Momento.
Speaker 4 (03:55):
Yeah, no, I'm gonna get.
Speaker 2 (04:06):
Like two done.
Speaker 1 (04:09):
Like I've I've been watching from like the beginning, like
the beginning, beginning, beginning Viana.
Speaker 2 (04:16):
Who honestly got him? Just like have you heard that
right now?
Speaker 1 (04:20):
Now? I'm like, okay, whatever you say, my love Rihanna Persona, yeah,
I know you and seventy seven seventy seven Emerre Don
the Vianna really okay, yes you know yeah.
Speaker 4 (04:48):
For super Supersym, I don't know, but seventy seven it's
a little messy.
Speaker 6 (04:55):
So I want to say, like that's that's Ther's home.
Speaker 2 (05:07):
I love it.
Speaker 5 (05:07):
Yeah, classical, yet.
Speaker 2 (05:22):
I love it.
Speaker 1 (05:23):
You know. I was like, look at her, look at her,
go like look at the people. It was infectious.
Speaker 2 (05:34):
It was just so nice to see, like.
Speaker 1 (05:39):
Let's go to the beginning of now, which is like
I really love from you, Like you're such an interesting
person to.
Speaker 2 (05:49):
Look at and you've always been like from the beginning.
Speaker 3 (05:57):
Like how what is that for you?
Speaker 2 (05:58):
Because that's not a team, that's you. That's right now.
Speaker 4 (06:01):
Gia said, come get Domino and come yo man i
persona jo majo sake yes, being in portant and and
they're connect music connect Joyne Montre in Seramente, Mao in
(06:22):
Lamente and Bengo to tatro seen Jo Claro youngl Grato
Ramenta and musical Pasogo joel I Commi Musica Plano Israel,
(06:46):
Sempre Taming music Negoza, the Jasa condo in Tico.
Speaker 5 (06:59):
Endo. I don't know so.
Speaker 2 (07:15):
It is.
Speaker 1 (07:18):
And I feel like that's what like posts people at Mamo. Yeah,
that's actually what pulled me in person Cala cancion like
represents you like in a way that's like different from
the rest. Right, but see to Una said, you know
this one really I love how this song really represents
(07:39):
me in this way.
Speaker 4 (07:43):
Rondo principio super yo another present Feta Influenzia is of
(08:04):
course as.
Speaker 5 (08:09):
Whereas in.
Speaker 4 (08:13):
M Bigo is lament Una Victoria let big Guy, Algom
personal Ami alajand so mental transition and Lano amid So.
Speaker 2 (08:41):
Okay, love it seem and shifting a little bit as
the Puerto Rico period Puerto Rican.
Speaker 1 (08:56):
The Communidan queer and pees in that morning, like I
don't know how many balls that I've gone to over there.
Speaker 5 (09:06):
Yeah see, I just come on, come on, jo simple,
let you about me. No, you're my motto, You're my
(09:27):
mat and no person person so whatever and.
Speaker 4 (09:59):
Solid that Linda mosaa you know.
Speaker 5 (10:05):
Boys boys, yeah, old.
Speaker 4 (10:12):
Felie Pasio Rico sevra.
Speaker 1 (10:19):
Como yea comtista and then you know Dono soles Son
King Soymia and like.
Speaker 2 (10:31):
Like you know the that this is like what it is.
Speaker 4 (10:38):
To come the la persona ke the priciple, my piano
omne Andra and co andering as Maso being Clara, the
pricipio b mio.
Speaker 5 (10:59):
And era okay right now to put princip okay person
Joe or sorry look in ya je.
Speaker 3 (11:38):
Impression nante, Wow you're not.
Speaker 1 (11:52):
If I had to describe your like in the Divine Famine,
that's like how I think, like if I had to
describe right now, it's like she's in the divine fam
im my sos.
Speaker 2 (12:00):
Like in Urguela likes then and talk to women like
what does what does that feel like.
Speaker 5 (12:07):
For you.
Speaker 4 (12:11):
Yo child, sh no, I know, I meant.
Speaker 5 (12:23):
Viro jo silgo pele the boy and the boy.
Speaker 4 (12:35):
Lets you look at denestraspectia that the the the e
bomente e boy and then dureta crazy k I k
(12:57):
keo general.
Speaker 5 (13:19):
Y yeah, see yam for whatever.
Speaker 1 (13:24):
One thing that I do wanna ask you is like
gomo reino qu renow porque Wow. If you're an artist,
you have fans, I fig it crazy. This industry can
get crazy. Being a Puerto Rican woman can be crazy,
like being queer. Like there's a lot of levels right
and it calls for like a lot of attention often
(13:46):
and in the midst of all of that.
Speaker 2 (13:47):
You're creating so reco.
Speaker 4 (13:57):
Yoro I bo inca in so feli paradrite pero and
tiendo pedo redo my royal, the persona U la quiero
gerandeo tm do com hanting pertea come my bay Sara
(14:25):
catasa googo terrabia al la canicano since since erna arena
and bella.
Speaker 5 (14:39):
Pero siago yum vidola persona a.
Speaker 4 (14:42):
Ken cap and co terapia and the drinconer dio you
ramenta with perrosa in Melinda implemented preste, but I can
get a ramenta.
Speaker 5 (14:58):
Persona Kelsi since.
Speaker 2 (15:06):
Like right you surnament likes salm.
Speaker 1 (15:16):
S a goke and on smo likea like you was
the same.
Speaker 2 (15:23):
The same time man whatever, like he was like very
depressed yo.
Speaker 1 (15:30):
So I like.
Speaker 2 (15:33):
Either and it's.
Speaker 1 (15:35):
Something that hintsa you know lo then vi and I'm
just like that's it.
Speaker 2 (15:45):
It's bad vibes like if it's only okay, like right.
Speaker 1 (15:56):
Right either quite da, but it's a gokey reloke affect,
like like sagoge thinking about you and like your message.
I feel like I'm trying to baranzan so seeple not
iData to Florence because a musica like Juana like Chin
(16:22):
like Mada like today's gonna be good, you know, and
Aso tan same place and tempo also because it's a
it's a camel dat too, you know.
Speaker 2 (16:31):
But that's a love So thank you.
Speaker 4 (16:39):
Mano lokay, now there you are mine, so forget about me,
and I'm in.
Speaker 5 (16:57):
Is a person because it's in Sela.
Speaker 1 (17:07):
Of course, Gether says, I need to ask because you're
Puerto Rican and they're so oh much.
Speaker 2 (17:14):
Gether says very isla.
Speaker 4 (17:16):
Can I see bad Fila cann nt en them is
impatis and local polo personal improprio no gruto and Empo
(17:37):
Puerto Rico siliments.
Speaker 5 (17:46):
Away you car Puerto Rico, Puerto Rico.
Speaker 1 (17:53):
Yellow po tagle is pork right now.
Speaker 4 (18:01):
I receive your dancing surname Melisa now right now, and
the surname.
Speaker 5 (18:11):
J econ Prora and then me remember.
Speaker 4 (18:24):
Dia come back to Lona Philosophy area, you know, mentor.
Speaker 1 (18:35):
And my goodness, right now I can be an momento. Listen,
We'll be right back after these messages and coming up
is an amazing interview with two Dominican amazing artists.
Speaker 3 (18:50):
Dual Man talks the personal Yosi.
Speaker 1 (19:04):
I was reminded to keep an open mind when thinking
of the diversity in music of Mana and wonderfully refreshed
on the range of.
Speaker 3 (19:13):
Right now.
Speaker 1 (19:15):
I remember when she first stepped out onto the scene.
I was like, oh, she's ecentric, bro, she's.
Speaker 3 (19:21):
A little weird.
Speaker 1 (19:22):
But before you gather me, weird doesn't mean bad. It
just means not typical, not cliche, not basic.
Speaker 3 (19:30):
Weird is good. WE love weird.
Speaker 1 (19:32):
I think the world needs more weird. The first time
I saw her. I was watching her concert backstage and
I pulled up with Viana Si Persona and Jenny Malta
shout out to her to watch Vianna open up for her.
Speaker 3 (19:48):
I love their song.
Speaker 1 (19:50):
It's queer excellence to me, I think right now's entire
philosophy of taking advantage of the moment. Right now it's epic,
not just her musical philosophy and discography, but to all
of us weird those paying attention to the ways of
the world, working on and trying to figure out how
to make best sense of what's going on, but also
(20:14):
stay active while stay motivated. That's hard and for her
music to do that, that's powerful me hand salmental Ma
must have seen sal. You can't praise sad emotions away
all the time. Sometimes it requires medication, therapy and or help.
And that's okay. I speak from experience. I don't relish
(20:37):
and putting all my story out there just yet because
the Internet is harsh.
Speaker 3 (20:40):
People are not nice. It's a cruel place.
Speaker 1 (20:43):
What I do feel comfortable sharing at this moment as
advice is saying, okay, salumental mental health is your business.
If you need help, go get it. And that's sacred information.
Share it only with those who respect who you really
are and want the best for you. I know very
well if I share something like that and then made
(21:05):
it to the family group Chatmi, I'm going to jail.
Speaker 3 (21:09):
We kill somebody. Okay, we're not gonna do that. We're not.
We're not condoning that. I'm kidding. But also boundaries.
Speaker 1 (21:16):
But back to our first start today right now, I'm
happy for her from twenty twenty to now twenty million
monthly listeners on streamers, amazing features like Bad Bunnies with
Petal de Debbie Dea.
Speaker 3 (21:32):
Okay, my eyes are glued on her and what she
does next?
Speaker 1 (21:36):
Get into her like now, let's hear from a legendary
producer single duo and I'm making of I had the
joy of speaking with none other than Mardos Mios the Santiago.
Speaker 3 (21:58):
Let's get into it.
Speaker 1 (22:00):
Charges get on bel to floor, pork and Ridolphine and
I said, motos concertos, I'm paying attend to that.
Speaker 2 (22:12):
That that having the process so.
Speaker 1 (22:19):
Gets like story that Max comment and going to Seattle
son Mano son com go to Sierra.
Speaker 7 (22:25):
Where the U s most courso you know, saving.
Speaker 8 (22:38):
Persol Comican Tami Courso Indiana in no okay Indiana you
can taba Courso.
Speaker 9 (22:48):
Allow and the yeah okay, I said cover so you
are men coming number within the yeah yeah, Paracea.
Speaker 7 (23:10):
Super young the moment and then the imps.
Speaker 9 (23:23):
So we got a sound cloud find on the covers
or threemixes the can amos, Yeah market yago for and
those media you know in the ceremo, Tom pray command
serious yeah that.
Speaker 7 (23:43):
Como okay, yeah, okay, yeah yo.
Speaker 9 (23:50):
Part seem okay and then say yes gona that form.
Speaker 2 (24:05):
Or no gisar, that's nager gisar.
Speaker 1 (24:08):
But you know, oh my god, Quanda Santo's influence and
if we don't manday.
Speaker 8 (24:21):
Collective mandas romantical.
Speaker 1 (24:27):
Romantic noy okay, got your.
Speaker 7 (24:45):
Inclin see.
Speaker 2 (24:48):
Salad oy okay, okay, okay, okay.
Speaker 7 (24:59):
You see Camo s all that sat fluence and.
Speaker 9 (25:08):
The part Jotroni and ton said Promo.
Speaker 7 (25:18):
Said Tonio manos.
Speaker 1 (25:20):
In quanto porke your la vito and persona. You know
camel foy gonais.
Speaker 2 (25:29):
I said my.
Speaker 1 (25:31):
Musica like hello fire and BiVO like.
Speaker 2 (25:36):
That's okay, like part of like that wave Lo movimento.
The Sena is Milindo.
Speaker 1 (25:48):
Shout out to RICHI shout out to Solo Fernandez right
like it's so cool.
Speaker 2 (25:54):
As Nanny, you know, likes for myself and I'm after
toll people.
Speaker 7 (26:02):
That musica is that one.
Speaker 2 (26:06):
Alm like it's a movie.
Speaker 7 (26:10):
Get my name though, see and.
Speaker 9 (26:12):
That the band that either played to music lest last
from Italy. I chuck hand centa mucho ma person mention
(26:33):
Fernandes Nanny Crich just s that's portandos he the o
and necessary solamente conto and lie and sam.
Speaker 7 (26:56):
Put into the Santa the grand dark that.
Speaker 2 (27:02):
Okay, it's a matter, Okay, damn that's the dost mean.
Speaker 1 (27:08):
As present thousand different concertos like cord that's a fire.
Let's Catolica, way cool presentote Solo Fernandez this morning. Don't
remember that my cool colonia and doing Fanta Domingo.
Speaker 2 (27:34):
Okay, solo Colonial and bunt.
Speaker 1 (27:38):
Different like look cool or the light isler in cluiendo
is love light Okay, s consider grant.
Speaker 7 (27:47):
Present last okay firstival.
Speaker 2 (27:53):
E comma so I mean like that's insane.
Speaker 5 (28:00):
Come on.
Speaker 9 (28:04):
Local yell publicist.
Speaker 7 (28:10):
Form and so says apparent com public participate.
Speaker 1 (28:23):
Mass pocuson and me PORCUSONMPLO and Spotify, Caussie Medow Jones,
the Colcha menstallment wow, I mean to k S s l.
Speaker 2 (28:45):
And and was like, I'm so proud of you guys. Boys.
Speaker 9 (28:52):
Paramos bien okay, said premier album A young man had them.
Speaker 2 (29:01):
From look.
Speaker 7 (29:06):
From okay, see Labum Sandra and STM.
Speaker 2 (29:12):
That wow, come on Ardo okay, like now the sent
like that's insane. Yea that went that's insane. Came a
couple of features.
Speaker 7 (29:30):
And they say project.
Speaker 9 (29:34):
Handle sentimented most men okay, cool, the Three Chances and
the album pro se. The concerning albums you know, largo.
Speaker 2 (29:57):
Okay, I'm excited me across your kettl see no that
is yo focus.
Speaker 5 (30:05):
Uncle, but.
Speaker 2 (30:08):
Amino blaa son as I see yo yellow fork like
and they eat me venge right eat someone and.
Speaker 7 (30:26):
Okay but.
Speaker 1 (30:28):
Pork you know, but solo gisn ami no see okay,
that's two for my lesson is some gang bang a
persona reperto but the old man is that you know
(30:48):
what I'm saying, implement said persona.
Speaker 2 (30:52):
I guess because Industria and Mono like not sing the
first thing, but see so thank you.
Speaker 10 (31:01):
I guess that's what I'm thank you for playing good
people in mad records number.
Speaker 2 (31:16):
In Yes.
Speaker 7 (31:24):
For Mercado and Santiago Town and from group Jenny's to
Johnny when the Mundo is.
Speaker 1 (31:44):
And the s the.
Speaker 7 (31:47):
That's the passio for.
Speaker 9 (31:53):
Es So said, I'm not I'm gonna see mem.
Speaker 2 (32:02):
Yeah, I love that. Gum Okay. All people are the storytelling.
I guess the the lo.
Speaker 1 (32:17):
Lo Colore like Prescio, like sun Ya Santo Domingo, verse as.
Speaker 2 (32:26):
Tamen is assumed by vert So like mens miss my Flora.
I have them like go yoly, thank you for your
pa Yes, Pla.
Speaker 1 (32:38):
Influences Yoda sel ver Cambian political Defeasi Pasilo Mano right whatever,
gang Consusa Vierto, Lima Pta sas and like, but I
(33:05):
had a Keyota Landusia like the Masovia.
Speaker 7 (33:14):
The part of the lostists come on the.
Speaker 9 (33:18):
A friend different opportuniatist a Dominicano, the Sena t lo
lea porta a lot max A Mexico Ja Yeah, civo
(33:38):
you know the com yes com Henbroke Loso, Fernando a
Maria mucho conce com pasal Cosa a similar and Soto
commoti in thependent and TN said josiento ke question the ampo,
(34:00):
the LaBrie Gabrino bodo, the mask.
Speaker 7 (34:07):
Ye Dominican man como the employ all time, the.
Speaker 2 (34:17):
Course of the lost and.
Speaker 1 (34:22):
The semi horn, said Patento.
Speaker 9 (34:28):
Sand comtotos parte industry, the moment con de VISal seimentary
induce you know cay so limita minicano, qisa formla t
(34:51):
inducetri um come and Ernando the ultra party, the quala
so so kisap beneda on the venue had a cat
and grand you know, like I go to Peto an
artist tomandomplo del visalia presentage in the consiento the I
(35:20):
form a correct said former correct so the sony con
part and industry, then.
Speaker 7 (35:28):
Informers and artist.
Speaker 9 (35:35):
You know I proposed sell on the former investiga no
correct in terms of.
Speaker 7 (35:48):
Comar dependiente.
Speaker 1 (35:52):
And predo yan local is Dominican music week are you know?
Speaker 9 (36:06):
So you know chance they important case the people that
us yeah, pok look at your.
Speaker 7 (36:17):
Like like well so like the second then.
Speaker 9 (36:28):
Okay, so through mart project come pop Savage and Hannah.
Speaker 1 (36:41):
Yeah, I'm glad you want here because you shout out
to yea personal non no, I smeilled so hard. I'm
not going, my god, chajoo, no, comef can king like
get the temple, like what's up?
Speaker 2 (37:04):
You're ny an.
Speaker 7 (37:06):
Artist, you're present yak and like.
Speaker 9 (37:16):
Okay, so you're going and you look and sold. I'm
talking about the year and then that I can see Louis.
Suppose you set there.
Speaker 7 (37:36):
Costa and.
Speaker 9 (37:40):
See processes similar and so crum the crew when Samon
Betty can.
Speaker 1 (37:47):
Play poker, your parents on a saltmental coming because I
also like if I Namando ares.
Speaker 7 (38:06):
Why it's.
Speaker 1 (38:09):
Primaro wami is come on, Wami.
Speaker 2 (38:15):
Wami primo. I love it and it's like Amenta. He's
always smiling.
Speaker 1 (38:25):
But I guess the one not not on you, but
I s hand on it the same like race I
know likesa. Now you're always happy. Okay, I'm gonna skip
you keep going as Bard Yes, I just okay.
Speaker 7 (38:52):
Now that's manager. Yes, Sona, You'm so throw and plan
if he come with get not the cru.
Speaker 1 (39:30):
Organist young, I have ADHD. Sometimes I need more than
a battle. No, it's valid. So what's the grass in
hntamocha Wami and wighns.
Speaker 2 (39:56):
Child. Now that's enough. It happened from me.
Speaker 3 (39:59):
I want to hear from some of you.
Speaker 2 (40:02):
I'll go.
Speaker 1 (40:06):
Yes, my name is Gatha and your name is Catherine.
Speaker 2 (40:09):
Nice to me.
Speaker 1 (40:10):
To Catherine, where are you from. I'm from New York,
but my mom is from pont Okay and we love it.
Speaker 2 (40:16):
We love it.
Speaker 1 (40:17):
Get in your Spanish. If you can direct the collaboration
and that or alive, who would it be?
Speaker 5 (40:24):
Bye Bunny and Zarion Nano. Yeah, yeah, why.
Speaker 1 (40:28):
I just think that when you think about the old
school and new school together, I think it would be amazing.
Speaker 3 (40:33):
Hey, you know, Bye Bunny likes to.
Speaker 5 (40:34):
Do like bring that old school like wad them.
Speaker 6 (40:37):
Back to us.
Speaker 5 (40:38):
I think it would be a great collaboration. It just
looks that, you know, Zion Nannox are not together anymore.
Speaker 1 (40:45):
Lennox, you guys have to get back together so we
can get the collapse. Thank you so, Catherine. If you
are experiencing issues with mental health, know that there are
resources out there.
Speaker 3 (40:58):
You are not alone.
Speaker 2 (41:02):
Get me handsik. You know what time it is, It's
time for last floor.
Speaker 3 (41:06):
It's the Flowers.
Speaker 1 (41:09):
Is an iHeart Media production executive produced by Shaki Media.
Love You Nudia produced by Grace Gonzalez, Love You Grace,
Edited by Sebastian Payan, Sebastian the Loman, the lomne Haby
vibes with the audio engineer. Love you Habby, and shout
out to my production assistants Naomi Savello and Kayla Listen
(41:31):
Velomina Media, let's go. I'm your host, La Gata. See
you next week right here on the iHeart Radio app.
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