December 1, 2025 • 30 mins
Shakira, Bad Bunny, Rauw Alejandro are all top tier and brilliant artists, with brilliant talent all around them–meet Mr. NaisGai, the hitmaker behind some of our favorite tracks and hear his codigos as a leading Black creative in Latin music.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Me Scotra Sonson is Gata, We're right here back and
podcast music hand mass influence Adios on a commerce young
(00:24):
called mister nice Guy, A producer Tolos hits my Granda
than Momento, but amasa Ya the loss charts and Amenta
and DNA Como hits comativida comment and impact of Gloga
(00:46):
wors Spanglish bro. I'm gonna get into who nice guy is.
Nice Guy, according to his website, into the man himself
is a Grammy winning music producer. Louis Jane Gonzales Madonado
I Know that's right, has revolutionized the Latin music landscape
through his innovative production philosophy, blending raw emotional authenticity with
(01:09):
cutting edge sound design. From his route in Carolina, Puerto
Rico to his current base in Miami, Florida, his Journey
and Bodies evolution and modern Latin music production. Again, I
know that's right. Mamosolucion in Piracion Calavaracio honest dived the
(01:42):
insights the Delcasson Delano. The said A missed a nice
guy and it's episodi.
Speaker 2 (02:13):
Great.
Speaker 1 (02:13):
That's an I go right, right, you have grand Yeah,
that's where we're going, sorry.
Speaker 3 (02:19):
Okay, you can just have a normal compensation pretty much.
Speaker 4 (02:23):
Yeah, I'm just really holding his for sure.
Speaker 2 (02:28):
But that's actually like you're recording with that into Yeah,
back up audio, should I go like just talking? Okay?
Speaker 1 (02:37):
Yeah, Lisa, okay, I guess my hands and that's what
I got.
Speaker 4 (02:44):
Someone said he don't like.
Speaker 3 (02:47):
The inter on super now mister nice guy like nice
guy like Supermoto and Las Lady into okay, and but
lah I got for.
Speaker 5 (03:08):
Gun you know, I said, look, come on, go back,
and you know I'm going on mind Lando form or sing.
I didn't think I'm going in mine, he said, bea
(03:31):
red mind.
Speaker 2 (03:32):
I guess now.
Speaker 6 (03:36):
So I just came to that realization present that's why
that's the ry my grand a porker from there.
Speaker 4 (03:52):
Okay, then opinion semi hunter, yes, sownce again.
Speaker 1 (03:59):
He goes at presentmentment that is, want to handle the
black excellence of Latino excellence, of Puerto Rican excellence.
Speaker 2 (04:10):
Like yeah, I'm so happy for you, thank you, thank you,
appreciate that.
Speaker 7 (04:17):
Super come on represent the Calcare.
Speaker 2 (04:31):
Pacific went.
Speaker 5 (04:34):
You know, yeah it was it is like.
Speaker 2 (04:38):
Carolina, the Carolina to Rico.
Speaker 4 (04:42):
Oh my god, COONa saying.
Speaker 1 (04:47):
Right, Bonny, I'm your mea I I said, and okay
it's okay R. The Carolina poor to Rico Iago and
okay at the surprise like pan you know, the Carolina comt.
Speaker 2 (05:11):
And from.
Speaker 5 (05:18):
La Carolina no Slena you know you cosa bus to
Carolina to salle Pana doong the party, the block.
Speaker 2 (05:43):
Mario b.
Speaker 5 (05:45):
Du Pana, the jto like dam be, the brand Perienzia
ok song by Prando and the Puerto Rico, the Carolina
perto Rico pacifically.
Speaker 2 (06:12):
So come on connection.
Speaker 5 (06:18):
Entre la la Pivencia and Carolina he like they have
come on second nature.
Speaker 4 (06:30):
Yeah, I love that though. I love that because I
have I'm gonna saying.
Speaker 1 (06:37):
Because wow, I mean my mind met and some beet
specific amo.
Speaker 2 (06:44):
Yes, oh my god, you gotta.
Speaker 4 (06:47):
Don min s.
Speaker 2 (06:50):
Miggy Wood join a lot time. I don't know.
Speaker 4 (06:55):
There's a lot of people seven off the top of
his head. No, that's amazing. That's amazing. Yes, and.
Speaker 2 (07:06):
Has some Grammys.
Speaker 1 (07:09):
And you know los premiers mana cosa anda and goas
like tra Cosa in loke a lot is Talento. Yes,
MOI evident. So you've worked on amazing products. Alma is
(07:35):
so very okay, then okay, specific musicamplo qui fa separance?
Speaker 2 (07:44):
Yeah, like what was process?
Speaker 4 (07:47):
So artistico because you're an artist too, you know, even producer.
Speaker 2 (07:52):
Yeah yeah, I know Ramant, I know.
Speaker 5 (07:59):
Conto deb is young by jam Bung and Jan come
on Happy Medium and lo I locate a la bar
(08:27):
yea I see come on not remente whereo.
Speaker 2 (08:35):
And Alejandro.
Speaker 5 (08:38):
Junto Jose like say lo he say okay, pa j
Lama that a long or so.
Speaker 2 (09:12):
And has come to life. Ok So, so yeah you're
gonna want to.
Speaker 1 (09:26):
Yeah, it's not a lost call goes the profile own
call you like my hand is the comp.
Speaker 2 (09:36):
To prop your swing and say oh my god one day?
Speaker 4 (09:41):
How can sells don't call?
Speaker 1 (09:45):
You're like qualifying guess on come say okay, so like
all okay with.
Speaker 2 (09:55):
You?
Speaker 4 (09:55):
Then send memo.
Speaker 2 (09:56):
Process so I can started.
Speaker 5 (09:58):
And the pheres Jeli ria no focal sadanto and call
grand look grande trajando and contra thesa sono man.
Speaker 2 (10:27):
Tiros and contra uh look look at a man streak
and super interest the ro no no tian mains feam
(10:51):
so like.
Speaker 5 (11:06):
Grande and on the ground blementato.
Speaker 2 (11:19):
I did time person down on the ground, I lo
grande the.
Speaker 5 (11:31):
Ram and parment local barsa on the ground. Then I said, yeah,
anyway to.
Speaker 1 (11:44):
Underground in the context of Puerto Rican and I different
there's different definitions of it for k I ittorica underground.
Speaker 4 (11:56):
The sentimental Okay, I'm gonna say it's.
Speaker 2 (12:04):
See okay, okay, No.
Speaker 4 (12:12):
The k I I n s a a specificate door right,
and then Florence can and on main stream.
Speaker 2 (12:19):
Yeah, okay, on the.
Speaker 5 (12:22):
Grounds local hinting and away on the ground, Puerto Rico
and Mona.
Speaker 2 (12:31):
Look look.
Speaker 5 (12:33):
On the ground and Puerto Rico Mando like that popping
and look the grand annoyance non solament hand.
Speaker 2 (12:46):
On the ground, the boy all right on the ground,
quick said house. But I said, uh, but the process.
Speaker 4 (13:12):
Yeah, so he gets something he loses.
Speaker 1 (13:24):
No, it means that you're very attentive and noa I
already understand that.
Speaker 4 (13:30):
But your hand and handed you're.
Speaker 1 (13:33):
Fan the fan. So I mo fan.
Speaker 4 (13:46):
Puerto Rican per.
Speaker 2 (13:50):
Conveland. It's like aspect the tennis apropri right, Yeah, yeah, yeah,
did you ramente and the on the ground.
Speaker 6 (14:12):
Yeah.
Speaker 2 (14:13):
Also today all win around the program.
Speaker 4 (14:24):
Yeah.
Speaker 5 (14:25):
Also I meant nuendo and then they gain I guess
par laos, come on, come on, cork, I don't know.
There's a lot of really big voice station and audiom
(14:52):
whatever for the loop nuendo.
Speaker 2 (14:57):
If crime a big and like PoCA the annoying lined out.
Speaker 5 (15:18):
In the musica popian momento, the la local musica cantando
and television in front whar me and sando loca and
(15:42):
laploys abas and de facto are you not now young?
It all can be a ramant so okay, Aura, it's
over for this course.
Speaker 2 (16:06):
Who the.
Speaker 1 (16:08):
Sorry jeremany like look and dance all right, working in
dance all I love rhythms co.
Speaker 4 (16:21):
And fever picture all right in a semimo maxa sing
cale at timespect let's see what you got moment and
those are whatever You're okay como in sense you know,
so like.
Speaker 1 (16:41):
Okay, you know, but if you're not okay, we all
sport ks right then.
Speaker 4 (16:56):
Okay, So I'm going.
Speaker 2 (17:01):
No no repulsively simple centola is in.
Speaker 5 (17:09):
Pre Victoria Redlanto to mat you have to wander, and
you to a Panama the FuMO primo and slan and
then the it.
Speaker 2 (17:24):
And is the own people don't care b monico.
Speaker 5 (17:30):
So to Panama and Puerto Rican and they said, you
said the Puerto Rico. You know so then so yeah,
I go, okay, I would you see o ca I
(17:53):
sonido o G see?
Speaker 2 (17:55):
So I said to get on. They look out on
proto player and don't come. I know.
Speaker 5 (18:14):
Pan the Oda, the cancia as a local on.
Speaker 2 (18:23):
The Corea and then.
Speaker 5 (18:31):
You know the kids that are core right now, Ralejandro
or Leano, the Alex shows Dale him take his own
R m B singers are on the Pacifica.
Speaker 2 (18:54):
I can't help Brandy. So before it was popular.
Speaker 5 (19:02):
Yeah, I mentor mentor k y o okay, the credo,
the credo your own ante he is to think to
the credo and a more elemental but let's say you
(19:34):
o G. But some more samples the the the player
including a player and a live boom that let's say, okay,
dancing baby being.
Speaker 2 (19:55):
Okay, somet.
Speaker 5 (20:00):
And that's how I'm in there, out of young k
you know, That's how I'm in theres. On my mind,
that's all I'm in there. We seen young letts. Wow,
I ain't move on ya puts on a fift three.
I don't think when I air program then that the
only thought out and climb being off.
Speaker 2 (20:14):
God, I wanna thumb, but uh, that's what i'na get it.
I say, come on, ain't put dumb thing.
Speaker 1 (20:19):
Ain't got let that second that anybody taking all my words,
cause exactly I'm perfectly sat least I don't think I'm
not checking I.
Speaker 4 (20:27):
Guys, yeah, it's exactly right.
Speaker 1 (20:31):
Sad persons do that one night you saw that you
had they thot, I don't in there for the first
thou so in much case, get outside right one time
I input a hand blown, I won't goil you go
there eat a nice story of that. Go on, little though,
I have to say the negglace when you put on
put yourself on right? Are put there are people who
help you.
Speaker 4 (20:49):
They put you on right. Okay, I'll take one night.
Speaker 2 (20:51):
Sign you know, like then i'le say or whatever, but what.
Speaker 4 (20:55):
Thumb on a handle that go on a thoo let's
say they they're like pouring on the fly without it.
Speaker 2 (21:03):
And so yeah, another for Jose on the rand and
(21:26):
you in a moment talking. I need to get to
know myself better. You know, I know so much Ada
proadcast I know him. Yeah, I know you look for Jose.
Speaker 1 (21:54):
I love Yeah.
Speaker 2 (21:56):
So I've been on a journey recently getting to know
myself you. But look at my O back log from
you go on well yeall on happy Medium, and.
Speaker 1 (22:13):
My granda is so because I am pulling so honestly,
imagine moving and not knowing like where you are yourself.
Speaker 2 (22:21):
Like unless I feel because they right, sure.
Speaker 1 (22:23):
You have to calibrate and then figure out yeah, okay,
and then make a decision of how to become the
best version of you, because I want you to, like
especially with everything that you're doing that there's so much
going on.
Speaker 2 (22:37):
It's like where am I better?
Speaker 5 (22:40):
Say, someone want said carrying carrying on like I want
come on right now, it's Michae, come on, come on,
get the weapon.
Speaker 2 (22:52):
Then came you know, you know look you know.
Speaker 5 (23:00):
Friendly or or or something that mind or to sorry,
I guess that's say, okay, I can.
Speaker 2 (23:08):
Look at reflect your hands or okay, some poboby don't
have perform that's I don't want that.
Speaker 4 (23:20):
It's perfect. Yeah, I'm we're wrapping up. I'm sorry, not
need to like literally taking no, no, nore, not going
and look at.
Speaker 1 (23:30):
I'm going why I'm like literally stepping up because I'm
like gada, look at me and Gott we're literally taking
I'm sorry, no, literally.
Speaker 4 (23:39):
This was great. I'm gonna do the outro. Get over
the shoulder, thank you, thank you.
Speaker 2 (23:45):
So that's.
Speaker 4 (23:51):
That story. Yeah, you get get and I love honestly. Okay, that's.
Speaker 2 (24:04):
So. I got scos and really quickly.
Speaker 4 (24:13):
Look at that.
Speaker 1 (24:14):
Actually as they are sitting, as you're sitting.
Speaker 4 (24:17):
Please, I'm sorry about that.
Speaker 1 (24:18):
You're fucking literally literally, that was it. Like I had
my questions, he answered that. He answered my question before
I answered, like I asked him, like, okay, well.
Speaker 4 (24:29):
I'll get it from the single and.
Speaker 1 (24:35):
Uh, mister nice guy dom col.
Speaker 2 (24:41):
Any.
Speaker 1 (24:41):
Then I come to mine in regards to production.
Speaker 2 (24:43):
Okay, hmm, so me some MoES.
Speaker 1 (24:48):
We'll be right back right after these messages. I can
know somewhere mes Cara son son is vamana Lisa lokamenta. Wow.
(25:18):
Oh yeah, look, massive conversation call nice guy a quanta
profundly that I in that transamo e consumo comes automatico, oh,
viamente marao ashakra abad Bunny and can rata solo the
(25:40):
latista strata the calla respectabular estoria intend la eta musica altoe. First,
you know that I loved its commi gratito Marande called
mutiple nomina hon gros at least young man or automatico.
Speaker 2 (26:07):
I think that's important, bro.
Speaker 1 (26:09):
I think after a certain point in the industry, it's
very easy to become numb, and that tells me that
he's not okay. Yes and gomoa proto. It's a mentally
that mentality, bro, it's all right, dam biengta Yes, bonnetto
(26:41):
and then the comin loos props spatia artist the authenticas.
Ye I agree, bro Like, I really, I really think
that his careful methodology is what makes the artist shine through.
(27:05):
Is a v if I do say so myself and
me Fasino a underground mister nice guy, I'll go the who.
I'll go clabe pass in the underground trap drills than
mainstream los mahines on the margians and love and then
(27:30):
tormented thes hits. I think that's true, bro, Ya mas
ls superintentionional and DJs a nineties. It's a repedible story,
you know that's I mean, you get my vote. I'm
a historian. I love anyone who loves old school, says
(27:58):
Lokho Cotillo Simprenova, Mela cREL esno solo music as okay
(28:21):
For me, this conversation was not just about heads or
Grammys or you know, awards in general. It was honestly
like electron integrity, artistic integrity, cultural consciousness and humility. Mister
Niska salon the historia influence EXPI can you tell I'm
(28:45):
reading because I am in music and those implementedando like
and repetes. Yes, it's a lad. I know that some
(29:07):
of you are listening like girl, This is producer number
fifty eight on this podcast, and I will gladly get
to one hundred eight because I think truly like artists
may be exciting, of course, but I'm also super intrigued
by who helps make the sound that we love happen,
(29:27):
so which I ask you, mister nice Skyper, but that
ISAs and I Hire Media Production Co executive produced Shake
Easy Media Diamo produced by Grace Gonsalees Diamo. Shout out
to my production assistants Naomi Eso and Kayla Ecleston, and
(29:50):
to Habbi Vibes, a personal and composer. It's Agatha the
hosts and co executive producer. See right here next week.
Speaker 2 (30:00):
Katta
Me Scotra Sonson is Gata, We're right here back and
podcast music hand mass influence Adios on a commerce young
(00:24):
called mister nice Guy, A producer Tolos hits my Granda
than Momento, but amasa Ya the loss charts and Amenta
and DNA Como hits comativida comment and impact of Gloga
(00:46):
wors Spanglish bro. I'm gonna get into who nice guy is.
Nice Guy, according to his website, into the man himself
is a Grammy winning music producer. Louis Jane Gonzales Madonado
I Know that's right, has revolutionized the Latin music landscape
through his innovative production philosophy, blending raw emotional authenticity with
(01:09):
cutting edge sound design. From his route in Carolina, Puerto
Rico to his current base in Miami, Florida, his Journey
and Bodies evolution and modern Latin music production. Again, I
know that's right. Mamosolucion in Piracion Calavaracio honest dived the
(01:42):
insights the Delcasson Delano. The said A missed a nice
guy and it's episodi.
Speaker 2 (02:13):
Great.
Speaker 1 (02:13):
That's an I go right, right, you have grand Yeah,
that's where we're going, sorry.
Speaker 3 (02:19):
Okay, you can just have a normal compensation pretty much.
Speaker 4 (02:23):
Yeah, I'm just really holding his for sure.
Speaker 2 (02:28):
But that's actually like you're recording with that into Yeah,
back up audio, should I go like just talking? Okay?
Speaker 1 (02:37):
Yeah, Lisa, okay, I guess my hands and that's what
I got.
Speaker 4 (02:44):
Someone said he don't like.
Speaker 3 (02:47):
The inter on super now mister nice guy like nice
guy like Supermoto and Las Lady into okay, and but
lah I got for.
Speaker 5 (03:08):
Gun you know, I said, look, come on, go back,
and you know I'm going on mind Lando form or sing.
I didn't think I'm going in mine, he said, bea
(03:31):
red mind.
Speaker 2 (03:32):
I guess now.
Speaker 6 (03:36):
So I just came to that realization present that's why
that's the ry my grand a porker from there.
Speaker 4 (03:52):
Okay, then opinion semi hunter, yes, sownce again.
Speaker 1 (03:59):
He goes at presentmentment that is, want to handle the
black excellence of Latino excellence, of Puerto Rican excellence.
Speaker 2 (04:10):
Like yeah, I'm so happy for you, thank you, thank you,
appreciate that.
Speaker 7 (04:17):
Super come on represent the Calcare.
Speaker 2 (04:31):
Pacific went.
Speaker 5 (04:34):
You know, yeah it was it is like.
Speaker 2 (04:38):
Carolina, the Carolina to Rico.
Speaker 4 (04:42):
Oh my god, COONa saying.
Speaker 1 (04:47):
Right, Bonny, I'm your mea I I said, and okay
it's okay R. The Carolina poor to Rico Iago and
okay at the surprise like pan you know, the Carolina comt.
Speaker 2 (05:11):
And from.
Speaker 5 (05:18):
La Carolina no Slena you know you cosa bus to
Carolina to salle Pana doong the party, the block.
Speaker 2 (05:43):
Mario b.
Speaker 5 (05:45):
Du Pana, the jto like dam be, the brand Perienzia
ok song by Prando and the Puerto Rico, the Carolina
perto Rico pacifically.
Speaker 2 (06:12):
So come on connection.
Speaker 5 (06:18):
Entre la la Pivencia and Carolina he like they have
come on second nature.
Speaker 4 (06:30):
Yeah, I love that though. I love that because I
have I'm gonna saying.
Speaker 1 (06:37):
Because wow, I mean my mind met and some beet
specific amo.
Speaker 2 (06:44):
Yes, oh my god, you gotta.
Speaker 4 (06:47):
Don min s.
Speaker 2 (06:50):
Miggy Wood join a lot time. I don't know.
Speaker 4 (06:55):
There's a lot of people seven off the top of
his head. No, that's amazing. That's amazing. Yes, and.
Speaker 2 (07:06):
Has some Grammys.
Speaker 1 (07:09):
And you know los premiers mana cosa anda and goas
like tra Cosa in loke a lot is Talento. Yes,
MOI evident. So you've worked on amazing products. Alma is
(07:35):
so very okay, then okay, specific musicamplo qui fa separance?
Speaker 2 (07:44):
Yeah, like what was process?
Speaker 4 (07:47):
So artistico because you're an artist too, you know, even producer.
Speaker 2 (07:52):
Yeah yeah, I know Ramant, I know.
Speaker 5 (07:59):
Conto deb is young by jam Bung and Jan come
on Happy Medium and lo I locate a la bar
(08:27):
yea I see come on not remente whereo.
Speaker 2 (08:35):
And Alejandro.
Speaker 5 (08:38):
Junto Jose like say lo he say okay, pa j
Lama that a long or so.
Speaker 2 (09:12):
And has come to life. Ok So, so yeah you're
gonna want to.
Speaker 1 (09:26):
Yeah, it's not a lost call goes the profile own
call you like my hand is the comp.
Speaker 2 (09:36):
To prop your swing and say oh my god one day?
Speaker 4 (09:41):
How can sells don't call?
Speaker 1 (09:45):
You're like qualifying guess on come say okay, so like
all okay with.
Speaker 2 (09:55):
You?
Speaker 4 (09:55):
Then send memo.
Speaker 2 (09:56):
Process so I can started.
Speaker 5 (09:58):
And the pheres Jeli ria no focal sadanto and call
grand look grande trajando and contra thesa sono man.
Speaker 2 (10:27):
Tiros and contra uh look look at a man streak
and super interest the ro no no tian mains feam
(10:51):
so like.
Speaker 5 (11:06):
Grande and on the ground blementato.
Speaker 2 (11:19):
I did time person down on the ground, I lo
grande the.
Speaker 5 (11:31):
Ram and parment local barsa on the ground. Then I said, yeah,
anyway to.
Speaker 1 (11:44):
Underground in the context of Puerto Rican and I different
there's different definitions of it for k I ittorica underground.
Speaker 4 (11:56):
The sentimental Okay, I'm gonna say it's.
Speaker 2 (12:04):
See okay, okay, No.
Speaker 4 (12:12):
The k I I n s a a specificate door right,
and then Florence can and on main stream.
Speaker 2 (12:19):
Yeah, okay, on the.
Speaker 5 (12:22):
Grounds local hinting and away on the ground, Puerto Rico
and Mona.
Speaker 2 (12:31):
Look look.
Speaker 5 (12:33):
On the ground and Puerto Rico Mando like that popping
and look the grand annoyance non solament hand.
Speaker 2 (12:46):
On the ground, the boy all right on the ground,
quick said house. But I said, uh, but the process.
Speaker 4 (13:12):
Yeah, so he gets something he loses.
Speaker 1 (13:24):
No, it means that you're very attentive and noa I
already understand that.
Speaker 4 (13:30):
But your hand and handed you're.
Speaker 1 (13:33):
Fan the fan. So I mo fan.
Speaker 4 (13:46):
Puerto Rican per.
Speaker 2 (13:50):
Conveland. It's like aspect the tennis apropri right, Yeah, yeah, yeah,
did you ramente and the on the ground.
Speaker 6 (14:12):
Yeah.
Speaker 2 (14:13):
Also today all win around the program.
Speaker 4 (14:24):
Yeah.
Speaker 5 (14:25):
Also I meant nuendo and then they gain I guess
par laos, come on, come on, cork, I don't know.
There's a lot of really big voice station and audiom
(14:52):
whatever for the loop nuendo.
Speaker 2 (14:57):
If crime a big and like PoCA the annoying lined out.
Speaker 5 (15:18):
In the musica popian momento, the la local musica cantando
and television in front whar me and sando loca and
(15:42):
laploys abas and de facto are you not now young?
It all can be a ramant so okay, Aura, it's
over for this course.
Speaker 2 (16:06):
Who the.
Speaker 1 (16:08):
Sorry jeremany like look and dance all right, working in
dance all I love rhythms co.
Speaker 4 (16:21):
And fever picture all right in a semimo maxa sing
cale at timespect let's see what you got moment and
those are whatever You're okay como in sense you know,
so like.
Speaker 1 (16:41):
Okay, you know, but if you're not okay, we all
sport ks right then.
Speaker 4 (16:56):
Okay, So I'm going.
Speaker 2 (17:01):
No no repulsively simple centola is in.
Speaker 5 (17:09):
Pre Victoria Redlanto to mat you have to wander, and
you to a Panama the FuMO primo and slan and
then the it.
Speaker 2 (17:24):
And is the own people don't care b monico.
Speaker 5 (17:30):
So to Panama and Puerto Rican and they said, you
said the Puerto Rico. You know so then so yeah,
I go, okay, I would you see o ca I
(17:53):
sonido o G see?
Speaker 2 (17:55):
So I said to get on. They look out on
proto player and don't come. I know.
Speaker 5 (18:14):
Pan the Oda, the cancia as a local on.
Speaker 2 (18:23):
The Corea and then.
Speaker 5 (18:31):
You know the kids that are core right now, Ralejandro
or Leano, the Alex shows Dale him take his own
R m B singers are on the Pacifica.
Speaker 2 (18:54):
I can't help Brandy. So before it was popular.
Speaker 5 (19:02):
Yeah, I mentor mentor k y o okay, the credo,
the credo your own ante he is to think to
the credo and a more elemental but let's say you
(19:34):
o G. But some more samples the the the player
including a player and a live boom that let's say, okay,
dancing baby being.
Speaker 2 (19:55):
Okay, somet.
Speaker 5 (20:00):
And that's how I'm in there, out of young k
you know, That's how I'm in theres. On my mind,
that's all I'm in there. We seen young letts. Wow,
I ain't move on ya puts on a fift three.
I don't think when I air program then that the
only thought out and climb being off.
Speaker 2 (20:14):
God, I wanna thumb, but uh, that's what i'na get it.
I say, come on, ain't put dumb thing.
Speaker 1 (20:19):
Ain't got let that second that anybody taking all my words,
cause exactly I'm perfectly sat least I don't think I'm
not checking I.
Speaker 4 (20:27):
Guys, yeah, it's exactly right.
Speaker 1 (20:31):
Sad persons do that one night you saw that you
had they thot, I don't in there for the first
thou so in much case, get outside right one time
I input a hand blown, I won't goil you go
there eat a nice story of that. Go on, little though,
I have to say the negglace when you put on
put yourself on right? Are put there are people who
help you.
Speaker 4 (20:49):
They put you on right. Okay, I'll take one night.
Speaker 2 (20:51):
Sign you know, like then i'le say or whatever, but what.
Speaker 4 (20:55):
Thumb on a handle that go on a thoo let's
say they they're like pouring on the fly without it.
Speaker 2 (21:03):
And so yeah, another for Jose on the rand and
(21:26):
you in a moment talking. I need to get to
know myself better. You know, I know so much Ada
proadcast I know him. Yeah, I know you look for Jose.
Speaker 1 (21:54):
I love Yeah.
Speaker 2 (21:56):
So I've been on a journey recently getting to know
myself you. But look at my O back log from
you go on well yeall on happy Medium, and.
Speaker 1 (22:13):
My granda is so because I am pulling so honestly,
imagine moving and not knowing like where you are yourself.
Speaker 2 (22:21):
Like unless I feel because they right, sure.
Speaker 1 (22:23):
You have to calibrate and then figure out yeah, okay,
and then make a decision of how to become the
best version of you, because I want you to, like
especially with everything that you're doing that there's so much
going on.
Speaker 2 (22:37):
It's like where am I better?
Speaker 5 (22:40):
Say, someone want said carrying carrying on like I want
come on right now, it's Michae, come on, come on,
get the weapon.
Speaker 2 (22:52):
Then came you know, you know look you know.
Speaker 5 (23:00):
Friendly or or or something that mind or to sorry,
I guess that's say, okay, I can.
Speaker 2 (23:08):
Look at reflect your hands or okay, some poboby don't
have perform that's I don't want that.
Speaker 4 (23:20):
It's perfect. Yeah, I'm we're wrapping up. I'm sorry, not
need to like literally taking no, no, nore, not going
and look at.
Speaker 1 (23:30):
I'm going why I'm like literally stepping up because I'm
like gada, look at me and Gott we're literally taking
I'm sorry, no, literally.
Speaker 4 (23:39):
This was great. I'm gonna do the outro. Get over
the shoulder, thank you, thank you.
Speaker 2 (23:45):
So that's.
Speaker 4 (23:51):
That story. Yeah, you get get and I love honestly. Okay, that's.
Speaker 2 (24:04):
So. I got scos and really quickly.
Speaker 4 (24:13):
Look at that.
Speaker 1 (24:14):
Actually as they are sitting, as you're sitting.
Speaker 4 (24:17):
Please, I'm sorry about that.
Speaker 1 (24:18):
You're fucking literally literally, that was it. Like I had
my questions, he answered that. He answered my question before
I answered, like I asked him, like, okay, well.
Speaker 4 (24:29):
I'll get it from the single and.
Speaker 1 (24:35):
Uh, mister nice guy dom col.
Speaker 2 (24:41):
Any.
Speaker 1 (24:41):
Then I come to mine in regards to production.
Speaker 2 (24:43):
Okay, hmm, so me some MoES.
Speaker 1 (24:48):
We'll be right back right after these messages. I can
know somewhere mes Cara son son is vamana Lisa lokamenta. Wow.
(25:18):
Oh yeah, look, massive conversation call nice guy a quanta
profundly that I in that transamo e consumo comes automatico, oh,
viamente marao ashakra abad Bunny and can rata solo the
(25:40):
latista strata the calla respectabular estoria intend la eta musica altoe. First,
you know that I loved its commi gratito Marande called
mutiple nomina hon gros at least young man or automatico.
Speaker 2 (26:07):
I think that's important, bro.
Speaker 1 (26:09):
I think after a certain point in the industry, it's
very easy to become numb, and that tells me that
he's not okay. Yes and gomoa proto. It's a mentally
that mentality, bro, it's all right, dam biengta Yes, bonnetto
(26:41):
and then the comin loos props spatia artist the authenticas.
Ye I agree, bro Like, I really, I really think
that his careful methodology is what makes the artist shine through.
(27:05):
Is a v if I do say so myself and
me Fasino a underground mister nice guy, I'll go the who.
I'll go clabe pass in the underground trap drills than
mainstream los mahines on the margians and love and then
(27:30):
tormented thes hits. I think that's true, bro, Ya mas
ls superintentionional and DJs a nineties. It's a repedible story,
you know that's I mean, you get my vote. I'm
a historian. I love anyone who loves old school, says
(27:58):
Lokho Cotillo Simprenova, Mela cREL esno solo music as okay
(28:21):
For me, this conversation was not just about heads or
Grammys or you know, awards in general. It was honestly
like electron integrity, artistic integrity, cultural consciousness and humility. Mister
Niska salon the historia influence EXPI can you tell I'm
(28:45):
reading because I am in music and those implementedando like
and repetes. Yes, it's a lad. I know that some
(29:07):
of you are listening like girl, This is producer number
fifty eight on this podcast, and I will gladly get
to one hundred eight because I think truly like artists
may be exciting, of course, but I'm also super intrigued
by who helps make the sound that we love happen,
(29:27):
so which I ask you, mister nice Skyper, but that
ISAs and I Hire Media Production Co executive produced Shake
Easy Media Diamo produced by Grace Gonsalees Diamo. Shout out
to my production assistants Naomi Eso and Kayla Ecleston, and
(29:50):
to Habbi Vibes, a personal and composer. It's Agatha the
hosts and co executive producer. See right here next week.
Speaker 2 (30:00):
Katta
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