December 10, 2025 • 30 mins
Conociendo a La Exce, el artista favorita de tus artistas favoritas en el Trap y el Reggaeton.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Me Scotra son son Is, I'm gatta. I'm an executive producer,
Rayaton historian, Ossa, the culture's favorite Regaton historian, lecturer, entrepreneur
and recording artists. And this is Regaton. This is a
space where I'll be interviewing artists on culture, music, politics,
and sometimes we even get personal yaka flows. Spanglish is
(00:26):
that this is the language that best reps us latinos
for akito every week right here, make sure that's happened
in n movie Me and La musica duos are pretty popular.
You have Plumbe Nane, Alexei, Fido, Jolie Randi, Led Michael I,
(00:46):
Manuel Kimika and why Yaga Maki Luhanga, Zanny Lennox. The
list goes on and on, and is Nico istorikaming Rapero
and what happens when someone wants to take a step back.
(01:07):
We've been seeing it more and more as time goes on.
And really they always turn out to be blessings in disguise,
because look at how the artists shine on their own
It's beautiful. Maldi Chancho Yahora zion Elenox. I'm not happy
about alos di amante negros. They're playing with me, but
look at how they're shining on their own Well, today's
(01:27):
guests is someone who decided to take a step back
and wants to shine in their own right. Asu called Babani.
We sing little Kirino su provio, pression lixe, the Giglo
elix O, Antonio, mene como del duo gigo elysee Hondo,
(01:51):
the track, reggaeton Osa, el Movimentoa Aki and regatta. Okay,
so yes, that's the Cleveland is Miami Beach a Clevelander.
(02:12):
Now I'm excited because I'm here.
Speaker 2 (02:15):
Like.
Speaker 3 (02:17):
Raa, I'm excited, Oh.
Speaker 1 (02:21):
My god, I'm sitting here next to you. I'm I'm like,
I'm very happy and proud of you, like as as
a fan, as someone who has like the part of
your journey from like from years, like like as a
as a fan, like I'm happy for you.
Speaker 3 (02:44):
Super but.
Speaker 2 (02:52):
Almost into atominos and Ceo fad party approach the corea
the media chos super persip.
Speaker 1 (03:13):
Malo when I go Losman b your c into proper
to prop on the.
Speaker 2 (03:21):
Risk Jos Creado and Puerto Rico. Mamma, there there there
is a tours by sucking. Yes, yes, I mean and
Toursdays and Tom someone K mccleollen, Trelo, Dominicano Puerto.
Speaker 3 (03:41):
So yeah, either told me via s im for Muslium,
the even for Massive.
Speaker 1 (03:46):
So we don't know the theban Isla and some Thursday Marsa.
Oh my god, am.
Speaker 3 (03:57):
Lejo si.
Speaker 2 (03:59):
Lego, yes, costa, I love.
Speaker 1 (04:07):
The lamb different different ivela hante come on, come on,
you know like Porcade and ser Perto, Ricanda, Paquina found
the moxicam, the found the Mosica and movient either okay, y,
(04:37):
I go like touras and different, like I teach people
like the history and and whatnot, and.
Speaker 3 (04:50):
The the ma area.
Speaker 1 (04:58):
Loan that was. It was very like gonna go ahead
and not what I said. If you're no, no, no wow, No,
louis the Tan Christian there, louis Christian there.
Speaker 2 (05:21):
So I didn't know that.
Speaker 1 (05:23):
I didn't know that. I'm like, okays there for l VI,
the cREL the different persona, different industrials and timeto like persona.
Speaker 2 (05:57):
Mo.
Speaker 1 (05:58):
I'm looking at you and I'm like different directors because
I love what I'm looking at. I mean, that's like you.
You love to express yourself in different ways. Boys. I
like said down the commune so quan as a momentum.
Speaker 2 (06:19):
Musica Mira Empiresol sing sing jo plan yoa projects like
Rio Puerto Rico, Yola by.
Speaker 3 (06:46):
At the main Carol in town.
Speaker 1 (06:59):
The s.
Speaker 2 (07:03):
Y Yeah, madam, you know you don't know you're yeah
see you know you see me Comparens Yeah, and.
Speaker 3 (07:21):
For talent.
Speaker 2 (07:25):
Is in numbers in cats in musica Ma Grevy ai
Yah and.
Speaker 3 (07:34):
Lottali show they ca yeah we met when the CEO
make due to Constante and.
Speaker 2 (07:47):
You know tall you know, then Hic.
Speaker 1 (07:52):
You know, then.
Speaker 2 (07:54):
Boca you know, super cultura lamp and you are and
Malaco moment.
Speaker 3 (08:06):
Can music and the music the Dominicana my crab to
you go, I said, looks and mala musi Guy in
the comment in Colcodo so.
Speaker 2 (08:29):
Mana morella music and then all the crew they are different.
Speaker 3 (08:34):
The tip of the.
Speaker 1 (08:39):
Ya mensa tennis referred to we are lost s Riano
like what is that about?
Speaker 3 (08:51):
Yeah, come from and Rico ready last kay.
Speaker 2 (09:06):
And gonell musica familiar yeah, am, and the person myself
pace musical, some persona at the being creative.
Speaker 3 (09:25):
You're messing Dominicano, then the man and someone then guy yeah.
Speaker 2 (09:38):
Yo my loy fruit one Dominicano now Almo familiar, yeah,
my Tonicano.
Speaker 1 (09:48):
Me mis's gotta some songs. We'll be right back right
after these messages somewhere, yes, okay, and you and I
will try and whatever they try. I see. It's very
like Panamanello leJOS and Dominicanos, your Macrian Boston. It wasn't
ebany to nay both and Ivani. It's like really funny,
(10:20):
like okay, it is what it is, pro but influence
and like I just wanted to go there present. But
come on when Vitoria boy, you know, poco o so
(10:41):
list dodo boys like con for Maron, what's that storyo?
Speaker 2 (10:58):
Pre was why doesn't pre canto soul? You wanna ton
me out po? And then come also yaamo two yo
cam at the Primericanti yes revolution the momento, the trablato
(11:23):
and Puerto Rico and.
Speaker 3 (11:26):
Say the so and as a momento.
Speaker 2 (11:33):
And then yeah at the yeah and prende megamino at
the parolo.
Speaker 3 (11:45):
Premou give me in fuelte and musical man yo. Then and.
Speaker 2 (12:06):
Come o you to Guerra okay, okay, join persano.
Speaker 3 (12:20):
Roic no no no you si comedy. I see group
resolute coup.
Speaker 2 (12:37):
My chance said, absolved to and beside and I was, ta, no,
that's a solid And then you commune, so know you coming?
So they tell THEE I mean to know the commune,
so he se, tokay at the cour Roman and my
(13:14):
old moment about love fanatico Yeah yeah yeah.
Speaker 1 (13:21):
Ma reparty emerda, I moved those and reto you know
like Nova Joria travel yea mental prison like and the
videos Alexis plumbey we see them day like, oh my god,
let's eat. There's so many, you know, andretos quiet tennis
(13:43):
superve like so m reparty like ye and even see
Clara Port see Lives Stava you know. So it's like
you you're gonna get here regardless of whether you're with
your partner or not. So like I'm excited for you
solo Mamo.
Speaker 2 (14:04):
Joe that the temp bin em blant sagam dico and
when Sally and dicko the you know porado Okay, I
(14:30):
mean okay, So you Musica normally met com group by
he you know Marie soon you know, and he yes,
(14:51):
okay at McKay cor okay, saying to to to axiom
to axiom in spiral to see you to a spiral, okay, como.
Speaker 3 (15:12):
They can built and you go in and.
Speaker 2 (15:16):
No, yeah, but see you see you know me me
me assom and then to see you know me man
and here to see you know me stinto toy comprassion
no com comodo jel you know I have implemented on.
Speaker 3 (15:45):
Not a a uh ya Prussia.
Speaker 1 (15:56):
Where's the town on a like price lever? Oh yeah, okay,
come on and then flow my like okay, so shout
out to nasty like and don't say, oh my god
like you like that sal way. It's kind of like
(16:31):
history here because it's like nasty and it's you gonna
drap like Venean drop Latino. I'm ma like, I'm ma
like it wasn't it was the most popular like does
mean those like like it's honestly does mean let's say
(16:53):
that wow, let me expand it a little bit. It's
like honestly drop was honestly so like exciting. So I'm
very happy port your seat like guando and like wow
like pork and handle and usa is I said, come okay,
(17:17):
like how do I call it? This assumption as assumed
to like no barrio you'll be like I don't want
to talk about romantic ship all the time, like.
Speaker 3 (17:44):
Come on, pression, the to you know, the little projects.
I wanna pression and.
Speaker 1 (17:55):
You're trying yava pork like Hector hectored father too, like
the character and I'm like, bro, like okay, this is nice,
but like can we go back to the street. So
like when trap became a thing, I was like, yes,
this is this is what I like.
Speaker 3 (18:14):
Pero moment jo o.
Speaker 1 (18:28):
No so don't know.
Speaker 3 (18:37):
Hip Ho said know a trap talent and defineted so
for b you port k s r u s o
K t ante tita oda.
Speaker 1 (19:02):
Saying and.
Speaker 3 (19:08):
You know, okay get are you okay?
Speaker 1 (19:18):
And the girls wanted it and con frequency like you
know like lad and like you can and the trap
right and cantar right and so no canta like I
(19:41):
I love that. I definitely was like listening to a
lot of your stuff and you're not They're gonna Marconi
and Parao Davis kuanta my god, like it's it's it's
amazing and so me pre won't I like Andre dos
(20:03):
s co heir algu momento and the s royal like
Onna when I usion miss gotta song songs will be
right back right after these messages. Uh uh, when I
(20:23):
thought you at the air mentor.
Speaker 2 (20:26):
Show, can you think k particular to Tudio, try not
mean an intro like Tomento.
Speaker 3 (20:49):
Then you think you think if we want pro tell
me trail core Yeah your.
Speaker 2 (21:03):
Yeah Italian, okay, l it's a moment to Sadamica.
Speaker 3 (21:12):
They can.
Speaker 2 (21:15):
Man canoni like crib mido momento only robb TiO he
called me more came can tambi.
Speaker 1 (21:35):
He can tambi. No, My ganta is so like that's
honestly like the momentos because he has an itorian that
makes the difference.
Speaker 3 (21:50):
So like I love that.
Speaker 1 (21:53):
Came like I said, yo, save okay, the were in
a caldura like the lapros attendance are right different like
and there well and.
Speaker 3 (22:12):
Your well yeah okay you will see that lad see
the view par okay, no consume so the you know
you will see that.
Speaker 2 (22:32):
Con and p Olympia So I was like, no letuping
it's a local tang and trapped de tro you don't
come local suso. Also okay, look and mundo parim different
perm knows and different rimouta and mi mimo musica Oka Gambia.
Speaker 3 (23:08):
The said the.
Speaker 2 (23:12):
Not too young to your grand tronica man tramlow and
your right una your and then your ty for my
well a musica.
Speaker 3 (23:27):
You're going to the henri loka.
Speaker 2 (23:32):
Mama because the king tabas okay okay okay yoga was
ta brenda numero the a t proper to delivery prop
(23:59):
your s o. Yes, the US will malt my original.
Speaker 1 (24:06):
Qua Puerto Rico a colonial right and la hunt by
I like it's a colony right like okay, getting at
all right, came positively right gisa no pero porena like
(24:35):
commercial alante cando okay ye lendae poets para Puerto.
Speaker 3 (24:48):
Rico your your.
Speaker 2 (24:53):
Your marque at the color PARTI nadimo jo when cohano,
I'm going to put too boo instances arta porto gery
gey velta ya allo you all your came market to
(25:18):
come up with togane come by don't know caron you
know I did all look at.
Speaker 3 (25:26):
And when when and.
Speaker 2 (25:31):
Other person and as emental gringo you know okay dan
pass you know then sign not then I cannot can.
Speaker 3 (25:41):
Paro come candy that what does he you know? Come
okay our Jennifer can said.
Speaker 2 (25:53):
Jennifer said, Albo, hello person, carue to your AHA's your
local media cosa umaho okay, I see rosuel okay. Also
(26:17):
look at us all by Pi Cresciano and Puerto Rican
Talent Puerto Rico and lo u s you know the
Puerto Rico sail Mundo and the Va Puerto Rico Mundo
by able To Rico. Not in the Caria Rigo You're
(26:45):
able to la Como Rico. The Captain sales love Yo
by Joe of Tobori.
Speaker 3 (26:57):
Canio se Al Momento Cambio.
Speaker 2 (27:03):
In the Independent Yevomo by boy okay jumbla am Puerto Rico.
And look at the policy you no no, no no,
(27:23):
she prantices.
Speaker 1 (27:28):
No fat and cano like stour and say like come
on lou and porque and like brat come on like
(27:49):
like like what do you do for your memo?
Speaker 3 (27:51):
Come come one?
Speaker 1 (27:54):
And and the meno the two salimental are you.
Speaker 3 (27:58):
Three being boy? She's been created your condo director at
the tip your mad I've been with them, so y
are you gonna tell me man o your course?
Speaker 4 (28:21):
Man?
Speaker 1 (28:21):
Are you you know? So?
Speaker 3 (28:22):
You but escape for menon?
Speaker 2 (28:26):
Can they have they not in the control the Aghway,
Ryan tamb Health CAA yes, look at.
Speaker 3 (28:40):
Mentalment. Uh oh.
Speaker 2 (28:46):
You see your gay so I see so that you
can at the almost your son Casey starting in Are
you gonna tell I can't help superpos.
Speaker 1 (29:14):
It's because I'm I'm again. I'm so excited like Gahan
sep like like what what should we be looking forward
from you?
Speaker 3 (29:26):
Okay, Mira, that's why Arna divided m Grande in all Musica.
(29:48):
See okay your.
Speaker 1 (29:52):
Pol period, I love it and men approxima, So I
gotta go.
Speaker 4 (30:07):
Excerpt you got child that is saving a Flo Diego
Donatas and I her Media Production co executive produced Shaking
Easy Mediadamo, produced by Grace Gonsalesdamo.
Speaker 1 (30:25):
Shout out to my production assistants Naomi A. Sevedo and
Kayla Ecleston and Tahabi vibes Al personal composer. It's a Gatta,
the hosts and co executive producer. See you right here
next week.
Me Scotra son son Is, I'm gatta. I'm an executive producer,
Rayaton historian, Ossa, the culture's favorite Regaton historian, lecturer, entrepreneur
and recording artists. And this is Regaton. This is a
space where I'll be interviewing artists on culture, music, politics,
and sometimes we even get personal yaka flows. Spanglish is
(00:26):
that this is the language that best reps us latinos
for akito every week right here, make sure that's happened
in n movie Me and La musica duos are pretty popular.
You have Plumbe Nane, Alexei, Fido, Jolie Randi, Led Michael I,
(00:46):
Manuel Kimika and why Yaga Maki Luhanga, Zanny Lennox. The
list goes on and on, and is Nico istorikaming Rapero
and what happens when someone wants to take a step back.
(01:07):
We've been seeing it more and more as time goes on.
And really they always turn out to be blessings in disguise,
because look at how the artists shine on their own
It's beautiful. Maldi Chancho Yahora zion Elenox. I'm not happy
about alos di amante negros. They're playing with me, but
look at how they're shining on their own Well, today's
(01:27):
guests is someone who decided to take a step back
and wants to shine in their own right. Asu called Babani.
We sing little Kirino su provio, pression lixe, the Giglo
elix O, Antonio, mene como del duo gigo elysee Hondo,
(01:51):
the track, reggaeton Osa, el Movimentoa Aki and regatta. Okay,
so yes, that's the Cleveland is Miami Beach a Clevelander.
(02:12):
Now I'm excited because I'm here.
Speaker 2 (02:15):
Like.
Speaker 3 (02:17):
Raa, I'm excited, Oh.
Speaker 1 (02:21):
My god, I'm sitting here next to you. I'm I'm like,
I'm very happy and proud of you, like as as
a fan, as someone who has like the part of
your journey from like from years, like like as a
as a fan, like I'm happy for you.
Speaker 3 (02:44):
Super but.
Speaker 2 (02:52):
Almost into atominos and Ceo fad party approach the corea
the media chos super persip.
Speaker 1 (03:13):
Malo when I go Losman b your c into proper
to prop on the.
Speaker 2 (03:21):
Risk Jos Creado and Puerto Rico. Mamma, there there there
is a tours by sucking. Yes, yes, I mean and
Toursdays and Tom someone K mccleollen, Trelo, Dominicano Puerto.
Speaker 3 (03:41):
So yeah, either told me via s im for Muslium,
the even for Massive.
Speaker 1 (03:46):
So we don't know the theban Isla and some Thursday Marsa.
Oh my god, am.
Speaker 3 (03:57):
Lejo si.
Speaker 2 (03:59):
Lego, yes, costa, I love.
Speaker 1 (04:07):
The lamb different different ivela hante come on, come on,
you know like Porcade and ser Perto, Ricanda, Paquina found
the moxicam, the found the Mosica and movient either okay, y,
(04:37):
I go like touras and different, like I teach people
like the history and and whatnot, and.
Speaker 3 (04:50):
The the ma area.
Speaker 1 (04:58):
Loan that was. It was very like gonna go ahead
and not what I said. If you're no, no, no wow, No,
louis the Tan Christian there, louis Christian there.
Speaker 2 (05:21):
So I didn't know that.
Speaker 1 (05:23):
I didn't know that. I'm like, okays there for l VI,
the cREL the different persona, different industrials and timeto like persona.
Speaker 2 (05:57):
Mo.
Speaker 1 (05:58):
I'm looking at you and I'm like different directors because
I love what I'm looking at. I mean, that's like you.
You love to express yourself in different ways. Boys. I
like said down the commune so quan as a momentum.
Speaker 2 (06:19):
Musica Mira Empiresol sing sing jo plan yoa projects like
Rio Puerto Rico, Yola by.
Speaker 3 (06:46):
At the main Carol in town.
Speaker 1 (06:59):
The s.
Speaker 2 (07:03):
Y Yeah, madam, you know you don't know you're yeah
see you know you see me Comparens Yeah, and.
Speaker 3 (07:21):
For talent.
Speaker 2 (07:25):
Is in numbers in cats in musica Ma Grevy ai
Yah and.
Speaker 3 (07:34):
Lottali show they ca yeah we met when the CEO
make due to Constante and.
Speaker 2 (07:47):
You know tall you know, then Hic.
Speaker 1 (07:52):
You know, then.
Speaker 2 (07:54):
Boca you know, super cultura lamp and you are and
Malaco moment.
Speaker 3 (08:06):
Can music and the music the Dominicana my crab to
you go, I said, looks and mala musi Guy in
the comment in Colcodo so.
Speaker 2 (08:29):
Mana morella music and then all the crew they are different.
Speaker 3 (08:34):
The tip of the.
Speaker 1 (08:39):
Ya mensa tennis referred to we are lost s Riano
like what is that about?
Speaker 3 (08:51):
Yeah, come from and Rico ready last kay.
Speaker 2 (09:06):
And gonell musica familiar yeah, am, and the person myself
pace musical, some persona at the being creative.
Speaker 3 (09:25):
You're messing Dominicano, then the man and someone then guy yeah.
Speaker 2 (09:38):
Yo my loy fruit one Dominicano now Almo familiar, yeah,
my Tonicano.
Speaker 1 (09:48):
Me mis's gotta some songs. We'll be right back right
after these messages somewhere, yes, okay, and you and I
will try and whatever they try. I see. It's very
like Panamanello leJOS and Dominicanos, your Macrian Boston. It wasn't
ebany to nay both and Ivani. It's like really funny,
(10:20):
like okay, it is what it is, pro but influence
and like I just wanted to go there present. But
come on when Vitoria boy, you know, poco o so
(10:41):
list dodo boys like con for Maron, what's that storyo?
Speaker 2 (10:58):
Pre was why doesn't pre canto soul? You wanna ton
me out po? And then come also yaamo two yo
cam at the Primericanti yes revolution the momento, the trablato
(11:23):
and Puerto Rico and.
Speaker 3 (11:26):
Say the so and as a momento.
Speaker 2 (11:33):
And then yeah at the yeah and prende megamino at
the parolo.
Speaker 3 (11:45):
Premou give me in fuelte and musical man yo. Then and.
Speaker 2 (12:06):
Come o you to Guerra okay, okay, join persano.
Speaker 3 (12:20):
Roic no no no you si comedy. I see group
resolute coup.
Speaker 2 (12:37):
My chance said, absolved to and beside and I was, ta, no,
that's a solid And then you commune, so know you coming?
So they tell THEE I mean to know the commune,
so he se, tokay at the cour Roman and my
(13:14):
old moment about love fanatico Yeah yeah yeah.
Speaker 1 (13:21):
Ma reparty emerda, I moved those and reto you know
like Nova Joria travel yea mental prison like and the
videos Alexis plumbey we see them day like, oh my god,
let's eat. There's so many, you know, andretos quiet tennis
(13:43):
superve like so m reparty like ye and even see
Clara Port see Lives Stava you know. So it's like
you you're gonna get here regardless of whether you're with
your partner or not. So like I'm excited for you
solo Mamo.
Speaker 2 (14:04):
Joe that the temp bin em blant sagam dico and
when Sally and dicko the you know porado Okay, I
(14:30):
mean okay, So you Musica normally met com group by
he you know Marie soon you know, and he yes,
(14:51):
okay at McKay cor okay, saying to to to axiom
to axiom in spiral to see you to a spiral, okay, como.
Speaker 3 (15:12):
They can built and you go in and.
Speaker 2 (15:16):
No, yeah, but see you see you know me me
me assom and then to see you know me man
and here to see you know me stinto toy comprassion
no com comodo jel you know I have implemented on.
Speaker 3 (15:45):
Not a a uh ya Prussia.
Speaker 1 (15:56):
Where's the town on a like price lever? Oh yeah, okay,
come on and then flow my like okay, so shout
out to nasty like and don't say, oh my god
like you like that sal way. It's kind of like
(16:31):
history here because it's like nasty and it's you gonna
drap like Venean drop Latino. I'm ma like, I'm ma
like it wasn't it was the most popular like does
mean those like like it's honestly does mean let's say
(16:53):
that wow, let me expand it a little bit. It's
like honestly drop was honestly so like exciting. So I'm
very happy port your seat like guando and like wow
like pork and handle and usa is I said, come okay,
(17:17):
like how do I call it? This assumption as assumed
to like no barrio you'll be like I don't want
to talk about romantic ship all the time, like.
Speaker 3 (17:44):
Come on, pression, the to you know, the little projects.
I wanna pression and.
Speaker 1 (17:55):
You're trying yava pork like Hector hectored father too, like
the character and I'm like, bro, like okay, this is nice,
but like can we go back to the street. So
like when trap became a thing, I was like, yes,
this is this is what I like.
Speaker 3 (18:14):
Pero moment jo o.
Speaker 1 (18:28):
No so don't know.
Speaker 3 (18:37):
Hip Ho said know a trap talent and defineted so
for b you port k s r u s o
K t ante tita oda.
Speaker 1 (19:02):
Saying and.
Speaker 3 (19:08):
You know, okay get are you okay?
Speaker 1 (19:18):
And the girls wanted it and con frequency like you
know like lad and like you can and the trap
right and cantar right and so no canta like I
(19:41):
I love that. I definitely was like listening to a
lot of your stuff and you're not They're gonna Marconi
and Parao Davis kuanta my god, like it's it's it's
amazing and so me pre won't I like Andre dos
(20:03):
s co heir algu momento and the s royal like
Onna when I usion miss gotta song songs will be
right back right after these messages. Uh uh, when I
(20:23):
thought you at the air mentor.
Speaker 2 (20:26):
Show, can you think k particular to Tudio, try not
mean an intro like Tomento.
Speaker 3 (20:49):
Then you think you think if we want pro tell
me trail core Yeah your.
Speaker 2 (21:03):
Yeah Italian, okay, l it's a moment to Sadamica.
Speaker 3 (21:12):
They can.
Speaker 2 (21:15):
Man canoni like crib mido momento only robb TiO he
called me more came can tambi.
Speaker 1 (21:35):
He can tambi. No, My ganta is so like that's
honestly like the momentos because he has an itorian that
makes the difference.
Speaker 3 (21:50):
So like I love that.
Speaker 1 (21:53):
Came like I said, yo, save okay, the were in
a caldura like the lapros attendance are right different like
and there well and.
Speaker 3 (22:12):
Your well yeah okay you will see that lad see
the view par okay, no consume so the you know
you will see that.
Speaker 2 (22:32):
Con and p Olympia So I was like, no letuping
it's a local tang and trapped de tro you don't
come local suso. Also okay, look and mundo parim different
perm knows and different rimouta and mi mimo musica Oka Gambia.
Speaker 3 (23:08):
The said the.
Speaker 2 (23:12):
Not too young to your grand tronica man tramlow and
your right una your and then your ty for my
well a musica.
Speaker 3 (23:27):
You're going to the henri loka.
Speaker 2 (23:32):
Mama because the king tabas okay okay okay yoga was
ta brenda numero the a t proper to delivery prop
(23:59):
your s o. Yes, the US will malt my original.
Speaker 1 (24:06):
Qua Puerto Rico a colonial right and la hunt by
I like it's a colony right like okay, getting at
all right, came positively right gisa no pero porena like
(24:35):
commercial alante cando okay ye lendae poets para Puerto.
Speaker 3 (24:48):
Rico your your.
Speaker 2 (24:53):
Your marque at the color PARTI nadimo jo when cohano,
I'm going to put too boo instances arta porto gery
gey velta ya allo you all your came market to
(25:18):
come up with togane come by don't know caron you
know I did all look at.
Speaker 3 (25:26):
And when when and.
Speaker 2 (25:31):
Other person and as emental gringo you know okay dan
pass you know then sign not then I cannot can.
Speaker 3 (25:41):
Paro come candy that what does he you know? Come
okay our Jennifer can said.
Speaker 2 (25:53):
Jennifer said, Albo, hello person, carue to your AHA's your
local media cosa umaho okay, I see rosuel okay. Also
(26:17):
look at us all by Pi Cresciano and Puerto Rican
Talent Puerto Rico and lo u s you know the
Puerto Rico sail Mundo and the Va Puerto Rico Mundo
by able To Rico. Not in the Caria Rigo You're
(26:45):
able to la Como Rico. The Captain sales love Yo
by Joe of Tobori.
Speaker 3 (26:57):
Canio se Al Momento Cambio.
Speaker 2 (27:03):
In the Independent Yevomo by boy okay jumbla am Puerto Rico.
And look at the policy you no no, no no,
(27:23):
she prantices.
Speaker 1 (27:28):
No fat and cano like stour and say like come
on lou and porque and like brat come on like
(27:49):
like like what do you do for your memo?
Speaker 3 (27:51):
Come come one?
Speaker 1 (27:54):
And and the meno the two salimental are you.
Speaker 3 (27:58):
Three being boy? She's been created your condo director at
the tip your mad I've been with them, so y
are you gonna tell me man o your course?
Speaker 4 (28:21):
Man?
Speaker 1 (28:21):
Are you you know? So?
Speaker 3 (28:22):
You but escape for menon?
Speaker 2 (28:26):
Can they have they not in the control the Aghway,
Ryan tamb Health CAA yes, look at.
Speaker 3 (28:40):
Mentalment. Uh oh.
Speaker 2 (28:46):
You see your gay so I see so that you
can at the almost your son Casey starting in Are
you gonna tell I can't help superpos.
Speaker 1 (29:14):
It's because I'm I'm again. I'm so excited like Gahan
sep like like what what should we be looking forward
from you?
Speaker 3 (29:26):
Okay, Mira, that's why Arna divided m Grande in all Musica.
(29:48):
See okay your.
Speaker 1 (29:52):
Pol period, I love it and men approxima, So I
gotta go.
Speaker 4 (30:07):
Excerpt you got child that is saving a Flo Diego
Donatas and I her Media Production co executive produced Shaking
Easy Mediadamo, produced by Grace Gonsalesdamo.
Speaker 1 (30:25):
Shout out to my production assistants Naomi A. Sevedo and
Kayla Ecleston and Tahabi vibes Al personal composer. It's a Gatta,
the hosts and co executive producer. See you right here
next week.
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