June 2, 2025 • 35 mins
Producers and Songwriters are often noted in Music history, but in Latin? Notably in El Movimiento “Urbano” dancers are notoriously overlooked. Meet La Chocolatosa the choreographer, singer-songwriter who worked closely with La Delfi (RIP), El Alfa, Tokischa and other legends. This is her story.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
This episode is giving big Dominican energy, big Batty energy,
Big Gada excellence energy. So it's no secret that the
dances and Dumbo are infectious. They're unavoidable. Just the other day,
I saw like Jim Jones, yes from Dip, sat in
the studio about to hop on his first Latino track
(00:24):
since Where You Fly High? Remember that track he did
with Donald marl enthego, oh my god, you have to
be there. But anyway, this is definitely a sign of
Dominican's influence on the rise. Again, speaking of influence, y'all
(00:47):
know that I'm a proud Dominican by association. I could
already feel the irol guess gotta you told us the
story of Bunny and the Bunny leJOS and where you
were raised.
Speaker 2 (00:57):
And la la la. Okay, don't forget it.
Speaker 1 (01:00):
But more importantly, I want to say this, Okay, I'm
deep enough in the culture that I can understand the following.
First generations born in the United States are Americans. Some Americano.
Our experiences are Americans. We may visit our parents' homeland
(01:21):
in the summers and bos Akuba baso, but al finale,
some Americano, there's a detachment. It's valid. I get it,
I laves, let's get into it, getting to today, speaking
(01:49):
of these dances, speaking of expressing yourself through your body,
speaking of all things great, I'm excited.
Speaker 2 (01:59):
I'm speaking with.
Speaker 1 (02:01):
A Haitian Dominican pioneering choreography singer, songwriter.
Speaker 2 (02:06):
And she's a dear friend of mine.
Speaker 1 (02:08):
She happens to be a badass creative who worked on
music videos with Lasha and most notoriously, at least to me,
La makes she rests in peace. I can't wait for
y'all to get to know her. I won't delet you
any further. We're gonna keep it real right here, but.
Speaker 3 (02:51):
Historic, like a math moment, not.
Speaker 4 (03:07):
Sunday the Johnny continue.
Speaker 3 (03:16):
Come not atky count No, no, no, Satan Lady. That
was the standing the woolsic it.
Speaker 4 (03:33):
Okay, preter turmotion grass yes or kay.
Speaker 3 (03:45):
Yes yes we are passio comments see.
Speaker 4 (03:55):
Okay made by Larina, Okay create make hat this pram
atil that say so let me tell you put over
cool you're thinking.
Speaker 3 (04:09):
Mondo and Mamma yes strapper your comments. I started from
the bottom.
Speaker 4 (04:18):
Now we're here, out of there and oh you know,
as you know, problems that can snow usually meet so
let me polemos in other way exact the copper comment
and the said Larina pokemon head tom not okay and
(04:41):
my call I just so get the parameter you so
you know the last by Larina must be no solmon
you Larin read the commisso in you themnican your by
the premier.
Speaker 3 (05:00):
Then the low came.
Speaker 4 (05:04):
To say, you know gone.
Speaker 3 (05:08):
Now pass you see.
Speaker 4 (05:09):
Why lardy Larina n s n la berry bla berry
the city is the face but had five record.
Speaker 3 (05:25):
Con no so los.
Speaker 4 (05:31):
Know so like sym ymints and tato se no louja
toglament to ok to mor okay sig to comingo. You
know splament can love Larina no ghana but no megok
(05:57):
like I say really that ebody algoo tm j b
j Larina tu liter.
Speaker 3 (06:12):
Co masket.
Speaker 4 (06:15):
It's none of the fasting, you know, come on, come on, literaments,
so employed your soy in the consider la premiers by
Larina kid tuelki mineola and okay.
Speaker 3 (06:30):
Okay you poor start on the school larna to.
Speaker 4 (06:43):
To the paro.
Speaker 3 (06:44):
Just to the communication.
Speaker 4 (06:48):
Technique and pro for the realms the trusty cameras.
Speaker 3 (06:55):
Yes see in Musica used to presi cantam b mejia
ya yo.
Speaker 4 (07:14):
Pista, it's my inter sante to come in and pork.
Speaker 3 (07:26):
On primo cant.
Speaker 4 (07:29):
Pret pork different form com blarina so ca doesn't make
carnt pork to Mahinas tennis owner perspective cambing.
Speaker 3 (07:48):
Los com and see and come and.
Speaker 4 (07:57):
So your you and ru Li you just look okay,
cam your care, look at your care, your my woosta
like you Caro to cant medic care.
Speaker 3 (08:23):
Musica for a week.
Speaker 4 (08:24):
Okay, So the pome in odif mask common remarks Norman Canta,
so my tolest person.
Speaker 3 (08:40):
You see no productress me.
Speaker 4 (08:43):
So you're like a medi miss mass youre ou.
Speaker 3 (08:48):
Musica sad.
Speaker 4 (08:53):
America, t o m ki care government casonando manyana you
to oh.
Speaker 3 (09:06):
You know, to the pend and the tomo co.
Speaker 4 (09:10):
Candol. We are provaces a moment to proceed travah.
Speaker 3 (09:18):
No Clark going on sah yes said okay, you're saying
Dominican and q in my math.
Speaker 4 (09:33):
I mean with mims IIan p like QUI to your
quimo killed.
Speaker 3 (09:45):
Or clar. I don't know what you know.
Speaker 4 (09:50):
For me like coo you see Dominican, yeah, per pre
em fatisto pongo that Dominicans Dominican and perro mimam is ida.
Speaker 3 (10:05):
Means sal.
Speaker 4 (10:10):
Amm and and and and Alto port said, my n
t posit for the mask and encounter. Tell me, my man,
come on, it's a k cele brando con aspect to
(10:31):
the the masla to care. Come on luten for the
no no for.
Speaker 5 (10:38):
The for the.
Speaker 3 (10:40):
You know counta so no possibly that okay, p o
k by land Yeah, okay, you b to s.
Speaker 4 (11:00):
Some memo lest can okay proper nimpulta and to any
pride to the prop man tossing clerk he lose me
I get you got to make them no me hanging
(11:22):
Come in my poss okay, ye, respecto, you repet for me.
Speaker 3 (11:34):
Look at the okay in the great Army from.
Speaker 4 (11:38):
The co chandos fruit the lookatea case locat our commutis.
Speaker 6 (11:48):
Here.
Speaker 3 (11:49):
You know okay you can fine yes okay, yeah, yes,
and you like my pots what's known to loyo loyo Okay,
(12:17):
come on, come in okay.
Speaker 4 (12:29):
Mob televanta. You know the my posment the stra not.
Speaker 3 (12:42):
S it's the ide me it isn't one Marcello. Then no,
I say cantatory a break.
Speaker 5 (12:53):
I mean.
Speaker 3 (12:55):
Suppose the low.
Speaker 4 (12:58):
Seal, so begall hand.
Speaker 3 (13:04):
Calling on your I said quanta comment, okay, come hold,
I mean miss my se.
Speaker 4 (13:15):
Focada and no penstar because negatived avast mass called loco
cento simpri claris town not on opinion. The persona petempro
is meal. So you're getting building of pero on selman
(13:35):
many my long okra community to a solo mam, you
persona k leg.
Speaker 3 (13:51):
And come on to money for set.
Speaker 4 (13:58):
This is no no booster, no ma, who's don medicine
bosky to why you bos sah?
Speaker 3 (14:06):
Yeah? Okay your can I just say, okay, so you
like the you, You're okay, medi can take a case.
That's the brigade. I can't love docs dally dally.
Speaker 4 (14:23):
Tunnel versions listen English tunnel versions, tunnel vasions.
Speaker 3 (14:28):
Ye can means not to salved No this trial, this
my medical not afe care. I get to the home people.
(14:49):
Some man better. I guess you know it's better. You
can tell me not okay.
Speaker 4 (14:53):
He's saying, quanto one impact in coming a past.
Speaker 3 (15:06):
Socialist, the patrolling the.
Speaker 4 (15:11):
Yak some hour in the same your commen say, and
the s and your personality talking because.
Speaker 3 (15:18):
You jose by the away you see like the livery
and may I s.
Speaker 4 (15:35):
Going to permeate the means coming So Instagram a commal
content is recurse, tust located this all okay, okay, I
see n I theything say you got love come from there?
(15:59):
Thing gont be gonna say tom and the you know
okay comments, the Instagram present you chem you know common tista,
the communal tista, plical believe larna, you know you tell
me to a press real to Mundo Basil Colla and
(16:30):
Cosello in pristol and we wanted to oh.
Speaker 5 (16:36):
Cy the.
Speaker 7 (16:41):
High pay and DNA sul Ulu sum apparent nearly the
air colors personas because because negatives our klan.
Speaker 4 (16:55):
Some persons. Yeah, Stan for Castado, Yeah, Catunolista.
Speaker 3 (17:03):
Yeah, moment you try that song. So I had to
put a whole kay only.
Speaker 2 (17:22):
Time and go go now.
Speaker 1 (17:24):
You just have to be there if you don't know
what that little jingle is, and I don't know. I
don't think you know them about meter, but that's okay
because you're gonna learn more about it here. I don't
call that wills some way and will be right back
after these messages.
Speaker 3 (17:43):
Fends and the story.
Speaker 4 (17:49):
Okay they they a moment again, but they have that
Floris sargon that problem. Just last person, I said, and
I can tell you out the to coma to to
(18:09):
person ok to sati to the tokira PAOs case and
your toka okay form mea mosa projeto.
Speaker 3 (18:22):
And some personal so yaga and because la mano you.
Speaker 4 (18:30):
Can tell everyone to mi proet o ca the n
polo sud s.
Speaker 3 (18:39):
Maria no comment.
Speaker 4 (18:45):
Tolamented to pall.
Speaker 3 (18:48):
Go to and Lisander.
Speaker 4 (18:53):
Projet pray hint and put alysandos the pendltna the two
to be mass stylista paraos know is some momental some
persona in the rime persona the much persona okay the
(19:16):
person and la mano then yous k and Midi musical said.
Speaker 3 (19:21):
You mole farmer. Yeah no, you're.
Speaker 4 (19:33):
I mean not gonna come in talent n the local
becoming talent by params the personae vinal.
Speaker 8 (19:52):
P to me the end because that comment I mean
a kill like radio.
Speaker 3 (20:05):
Okay you listen photo your may mar your premia much
meant for music. See yes, I can't get said I
told to the mono class know you're a pressure as
well as wor So Kevin coming around Ral meant the
(20:30):
days for your mass devil.
Speaker 4 (20:36):
You even done, okay, getting okay, you charge from men
that you know. Okay, come okay, come on to para too.
Speaker 3 (20:48):
Are you that like plugging and.
Speaker 8 (20:54):
See pros to get cast.
Speaker 4 (20:58):
Man that's your concert semente and keno okay, can a.
Speaker 3 (21:05):
Qui hint come o I.
Speaker 4 (21:11):
Musica you know presciento the musica tosta maya coula Yeah
to the Pantomento is dis a Sipervian.
Speaker 3 (21:31):
You know, and uego is more different. Trado isla forma
mata com man okay, pero.
Speaker 4 (21:46):
Las to miento para twent in there, Yeah, you know
smento and.
Speaker 3 (21:58):
Ma lo mis sent me hallo sentiment you your metal
and they sent me into city.
Speaker 4 (22:16):
I gottatis later mantamenta plic and metal and come okay
flash pass record.
Speaker 3 (22:26):
And because.
Speaker 4 (22:29):
Your comments say you your when musica Boston in the musica,
ye that those means that is for moland concept for
your miss like your lev show is young elend ok
(22:55):
ok sao and come on or minu concio perando mamselle
and Steve and so hand.
Speaker 3 (23:10):
Got complete handle like a Bengal.
Speaker 4 (23:15):
Oh you cannot Herenda Bengal them and no blets upon me,
get upon me, Morena you and Trevit Darren Guando as.
Speaker 3 (23:34):
Local seconds young el came posa but you.
Speaker 4 (23:41):
Koco o and the l trences.
Speaker 3 (23:49):
Yeah, it's okay.
Speaker 4 (23:50):
You're gonna take keep your Santa the concerto, your person
of various persona and manday mem.
Speaker 3 (24:00):
Cause is young. But when I call some and you're
you know you're out for t never implemented. You know
this again? Come up?
Speaker 4 (24:12):
You know your top Okay, come on mental come home
to se if I only boy, Yes, come on, let's
so that like some of you know pass maspars so
missed the personas cap and cargo different see him and
(24:33):
memo publical k Okay plucky Okayusta and the musical but
in the lot cols and this time to something localsuming.
Speaker 3 (24:49):
Woo consuming is and say you put em doing your music.
You're telling only fan and said you're working as only fans.
Speaker 4 (25:00):
Your comedias maybe there because your pa you you're gonna say,
you know, cacamoom into the medio to your mainomy project
to your miss me tomscuse you I strophic slash.
Speaker 3 (25:20):
Why I said, why hello.
Speaker 4 (25:24):
Rous your calagu so you can saying you see your
cop steady master and you SAMs be there so you okay,
come on your okay your kids to same said physic
is you tell you I'm gonna commo to make my tast.
Speaker 3 (25:45):
Specific to put the tram main maint in.
Speaker 4 (25:53):
Okay, your your kids okay, you know, come on Mimo
comes toke to pcal final coming coming piano noister and
miss to your trust ca coming.
Speaker 3 (26:15):
You're okay, Memo for camber your as well parents has
only can see no.
Speaker 4 (26:31):
Jam relying me instead those milvent as those mills YO
can make.
Speaker 3 (26:43):
Is calling you too, he.
Speaker 4 (26:44):
Said, and relatio you finally met the apprentices.
Speaker 3 (26:57):
You said, you're okay. You know no time can.
Speaker 8 (27:04):
Hid uh there is a travel it's sad to sell and.
Speaker 4 (27:08):
You can be and you can you you think, okay,
my friend blow imperium and can report the c l
V there or yours. You have mosel be there alone.
You can link okay, course see either Mino bo behaving
(27:30):
because he can quick the control. We can rail colom
clar rail because I teach you get get my lamback
and my friend.
Speaker 3 (27:42):
Then look at pasta. It's looking to get it.
Speaker 4 (27:54):
Like, yes see it's something I'm gonna say. Yeah, uh
yourn put par my timos challenges. Okay, guys are no grassy.
Speaker 3 (28:10):
All work is gonna be Great's hang on.
Speaker 4 (28:16):
You know you know gray Moon, you knowuentamploments, you know
to proto many and the.
Speaker 3 (28:25):
Guy your I don't call it. No, you have friend tempos,
tempost the l t M padres No, okay, you.
Speaker 4 (28:40):
Can requiendo like saying you're say and that's okay, Okay.
Is this momentary styram but was a penalty?
Speaker 1 (28:54):
Was?
Speaker 3 (28:58):
Oh my god? Talk history see your carreer and co
on some square.
Speaker 4 (29:08):
Laro hellos hid.
Speaker 3 (29:17):
No not like you said, per lamb lamb y.
Speaker 4 (29:25):
Mira ages so indeli this m bing totleko silan alasa
chi and amego meal the lamb ya lookay some mene
(29:50):
toy racono b a n l m b and see
splm simn more come.
Speaker 3 (29:59):
I'm not.
Speaker 1 (30:10):
Yes, I'm so proud to be her friend. And let's
get into what she said because she dropped a lot
of drums. It's signed for la la la some analysis.
So for those who are able to catch it. Yes,
me and her have been developing a friendship. I admired
the heck out of her for years. I watched this
(30:32):
dark skinned black girl and music videos and go, a yo,
who's that? And to learn that she lived and worked
closely with Ladelphi warms my heart? Who doesn't saving and
it makes sense adds another layer to the queer history
of THEMBO.
Speaker 3 (30:49):
Is saving Yah.
Speaker 1 (30:55):
Cocodococo, contrary a popular belief only fans, is a lot
of work, y'all.
Speaker 2 (31:03):
I tried it.
Speaker 1 (31:05):
If I don't tell the truth, I tried it, angling
the camera, changing outfits, editing, marketing. I know it's a
task for her, but I'm glad she's making her coins
that she said without anyone touching her seeing I said, okay,
hold on deus now. She said several things that I'm
(31:25):
chewing on being queer and black and Latina.
Speaker 2 (31:28):
I relate. It's beautiful but can be exhausting.
Speaker 1 (31:32):
I give her a prop for doing what she needs
to do in order to survive, I say, and I'd
also be remiss if I didn't take this moment to
say that I hate that the industry doesn't support queer
people more yolo queer, and I mean on a monetary basis,
(31:56):
not just with these token ied kisses on red carpet
or parasu show and or to use proximity to queerness
for marketing that money. Chocolatosa's music is fun, raunchy and exciting.
The truth is being queer is beautiful and the reality
(32:17):
is it's no walk in the park. Look at all
of the initiatives that exist just to the terrorists from
simply living like existing internationally.
Speaker 5 (32:27):
All we want to do is live.
Speaker 1 (32:31):
Chocolas testimony echoes the reality of many creatives trying to
exist artistically and with dignity.
Speaker 2 (32:38):
Then spoon to mehnder something that.
Speaker 5 (32:41):
Shouldn't be rare.
Speaker 2 (32:42):
So that was a Norman.
Speaker 1 (32:46):
I hope for more that you're listening, take this into
consideration when you're clapping for non queer artists who use
proximity for marketing and purposes and support these creatives so they.
Speaker 3 (32:59):
Get a shot.
Speaker 1 (33:00):
To check out my playlist queer for More, and make
sure you get into lam Lamo. And I'm done to
know what one of y'all thinks, So let's get into it, promise.
Speaker 2 (33:12):
And answer some questions by one of you. Let's get
into it. So if you could do a collab that
are alive, who would be I would say.
Speaker 9 (33:30):
Typical genre and Ivy Queen for I just feel like
they're very epic females in both their categories of music,
and they're very much relevant and they have some like
spiciness to them. Get so what they're selling, So it
makes them like very very very relevant. You like pay
attention to them, like people are attracted to listen to
their music.
Speaker 6 (33:51):
Yeah, and Okay, thinking about Dominican contributions and music, you know,
I have this dope episode with like this forerographer who
worked Philadelphi and ala Fa and.
Speaker 3 (34:06):
You remember Ladelphi like came out.
Speaker 5 (34:08):
I do remember.
Speaker 9 (34:10):
And I feel like in the past it was very controversial,
like the topic of queerness probably and other categories of music.
But people are more accepting now and it seems like
it's more of a just like a more music thing,
and no one's really looking at how people, what they are,
how what they do. And also we have to keep
in mind like all the things that queer people go through,
and it makes things a little much harder for them.
(34:30):
But I'm glad that they're being more accepted now in many.
Speaker 5 (34:32):
Spaces and y'all know what time it is.
Speaker 1 (34:44):
Now, it's time for La Flores An heard Media Production
executive from Media. Our producer is Grace Gonzalez, engineer Hobbi Viz,
and shout out to my assistants Naomi Ao and Kla Kliston.
The show was edited by Sebastian Fayang and another shout
out to Cleveland Er and Miami Beach.
Speaker 2 (35:05):
I'm your host, Lagata. See you next week right here
on the iHeartRadio app
This episode is giving big Dominican energy, big Batty energy,
Big Gada excellence energy. So it's no secret that the
dances and Dumbo are infectious. They're unavoidable. Just the other day,
I saw like Jim Jones, yes from Dip, sat in
the studio about to hop on his first Latino track
(00:24):
since Where You Fly High? Remember that track he did
with Donald marl enthego, oh my god, you have to
be there. But anyway, this is definitely a sign of
Dominican's influence on the rise. Again, speaking of influence, y'all
(00:47):
know that I'm a proud Dominican by association. I could
already feel the irol guess gotta you told us the
story of Bunny and the Bunny leJOS and where you
were raised.
Speaker 2 (00:57):
And la la la. Okay, don't forget it.
Speaker 1 (01:00):
But more importantly, I want to say this, Okay, I'm
deep enough in the culture that I can understand the following.
First generations born in the United States are Americans. Some Americano.
Our experiences are Americans. We may visit our parents' homeland
(01:21):
in the summers and bos Akuba baso, but al finale,
some Americano, there's a detachment. It's valid. I get it,
I laves, let's get into it, getting to today, speaking
(01:49):
of these dances, speaking of expressing yourself through your body,
speaking of all things great, I'm excited.
Speaker 2 (01:59):
I'm speaking with.
Speaker 1 (02:01):
A Haitian Dominican pioneering choreography singer, songwriter.
Speaker 2 (02:06):
And she's a dear friend of mine.
Speaker 1 (02:08):
She happens to be a badass creative who worked on
music videos with Lasha and most notoriously, at least to me,
La makes she rests in peace. I can't wait for
y'all to get to know her. I won't delet you
any further. We're gonna keep it real right here, but.
Speaker 3 (02:51):
Historic, like a math moment, not.
Speaker 4 (03:07):
Sunday the Johnny continue.
Speaker 3 (03:16):
Come not atky count No, no, no, Satan Lady. That
was the standing the woolsic it.
Speaker 4 (03:33):
Okay, preter turmotion grass yes or kay.
Speaker 3 (03:45):
Yes yes we are passio comments see.
Speaker 4 (03:55):
Okay made by Larina, Okay create make hat this pram
atil that say so let me tell you put over
cool you're thinking.
Speaker 3 (04:09):
Mondo and Mamma yes strapper your comments. I started from
the bottom.
Speaker 4 (04:18):
Now we're here, out of there and oh you know,
as you know, problems that can snow usually meet so
let me polemos in other way exact the copper comment
and the said Larina pokemon head tom not okay and
(04:41):
my call I just so get the parameter you so
you know the last by Larina must be no solmon
you Larin read the commisso in you themnican your by
the premier.
Speaker 3 (05:00):
Then the low came.
Speaker 4 (05:04):
To say, you know gone.
Speaker 3 (05:08):
Now pass you see.
Speaker 4 (05:09):
Why lardy Larina n s n la berry bla berry
the city is the face but had five record.
Speaker 3 (05:25):
Con no so los.
Speaker 4 (05:31):
Know so like sym ymints and tato se no louja
toglament to ok to mor okay sig to comingo. You
know splament can love Larina no ghana but no megok
(05:57):
like I say really that ebody algoo tm j b
j Larina tu liter.
Speaker 3 (06:12):
Co masket.
Speaker 4 (06:15):
It's none of the fasting, you know, come on, come on, literaments,
so employed your soy in the consider la premiers by
Larina kid tuelki mineola and okay.
Speaker 3 (06:30):
Okay you poor start on the school larna to.
Speaker 4 (06:43):
To the paro.
Speaker 3 (06:44):
Just to the communication.
Speaker 4 (06:48):
Technique and pro for the realms the trusty cameras.
Speaker 3 (06:55):
Yes see in Musica used to presi cantam b mejia
ya yo.
Speaker 4 (07:14):
Pista, it's my inter sante to come in and pork.
Speaker 3 (07:26):
On primo cant.
Speaker 4 (07:29):
Pret pork different form com blarina so ca doesn't make
carnt pork to Mahinas tennis owner perspective cambing.
Speaker 3 (07:48):
Los com and see and come and.
Speaker 4 (07:57):
So your you and ru Li you just look okay,
cam your care, look at your care, your my woosta
like you Caro to cant medic care.
Speaker 3 (08:23):
Musica for a week.
Speaker 4 (08:24):
Okay, So the pome in odif mask common remarks Norman Canta,
so my tolest person.
Speaker 3 (08:40):
You see no productress me.
Speaker 4 (08:43):
So you're like a medi miss mass youre ou.
Speaker 3 (08:48):
Musica sad.
Speaker 4 (08:53):
America, t o m ki care government casonando manyana you
to oh.
Speaker 3 (09:06):
You know, to the pend and the tomo co.
Speaker 4 (09:10):
Candol. We are provaces a moment to proceed travah.
Speaker 3 (09:18):
No Clark going on sah yes said okay, you're saying
Dominican and q in my math.
Speaker 4 (09:33):
I mean with mims IIan p like QUI to your
quimo killed.
Speaker 3 (09:45):
Or clar. I don't know what you know.
Speaker 4 (09:50):
For me like coo you see Dominican, yeah, per pre
em fatisto pongo that Dominicans Dominican and perro mimam is ida.
Speaker 3 (10:05):
Means sal.
Speaker 4 (10:10):
Amm and and and and Alto port said, my n
t posit for the mask and encounter. Tell me, my man,
come on, it's a k cele brando con aspect to
(10:31):
the the masla to care. Come on luten for the
no no for.
Speaker 5 (10:38):
The for the.
Speaker 3 (10:40):
You know counta so no possibly that okay, p o
k by land Yeah, okay, you b to s.
Speaker 4 (11:00):
Some memo lest can okay proper nimpulta and to any
pride to the prop man tossing clerk he lose me
I get you got to make them no me hanging
(11:22):
Come in my poss okay, ye, respecto, you repet for me.
Speaker 3 (11:34):
Look at the okay in the great Army from.
Speaker 4 (11:38):
The co chandos fruit the lookatea case locat our commutis.
Speaker 6 (11:48):
Here.
Speaker 3 (11:49):
You know okay you can fine yes okay, yeah, yes,
and you like my pots what's known to loyo loyo Okay,
(12:17):
come on, come in okay.
Speaker 4 (12:29):
Mob televanta. You know the my posment the stra not.
Speaker 3 (12:42):
S it's the ide me it isn't one Marcello. Then no,
I say cantatory a break.
Speaker 5 (12:53):
I mean.
Speaker 3 (12:55):
Suppose the low.
Speaker 4 (12:58):
Seal, so begall hand.
Speaker 3 (13:04):
Calling on your I said quanta comment, okay, come hold,
I mean miss my se.
Speaker 4 (13:15):
Focada and no penstar because negatived avast mass called loco
cento simpri claris town not on opinion. The persona petempro
is meal. So you're getting building of pero on selman
(13:35):
many my long okra community to a solo mam, you
persona k leg.
Speaker 3 (13:51):
And come on to money for set.
Speaker 4 (13:58):
This is no no booster, no ma, who's don medicine
bosky to why you bos sah?
Speaker 3 (14:06):
Yeah? Okay your can I just say, okay, so you
like the you, You're okay, medi can take a case.
That's the brigade. I can't love docs dally dally.
Speaker 4 (14:23):
Tunnel versions listen English tunnel versions, tunnel vasions.
Speaker 3 (14:28):
Ye can means not to salved No this trial, this
my medical not afe care. I get to the home people.
(14:49):
Some man better. I guess you know it's better. You
can tell me not okay.
Speaker 4 (14:53):
He's saying, quanto one impact in coming a past.
Speaker 3 (15:06):
Socialist, the patrolling the.
Speaker 4 (15:11):
Yak some hour in the same your commen say, and
the s and your personality talking because.
Speaker 3 (15:18):
You jose by the away you see like the livery
and may I s.
Speaker 4 (15:35):
Going to permeate the means coming So Instagram a commal
content is recurse, tust located this all okay, okay, I
see n I theything say you got love come from there?
(15:59):
Thing gont be gonna say tom and the you know
okay comments, the Instagram present you chem you know common tista,
the communal tista, plical believe larna, you know you tell
me to a press real to Mundo Basil Colla and
(16:30):
Cosello in pristol and we wanted to oh.
Speaker 5 (16:36):
Cy the.
Speaker 7 (16:41):
High pay and DNA sul Ulu sum apparent nearly the
air colors personas because because negatives our klan.
Speaker 4 (16:55):
Some persons. Yeah, Stan for Castado, Yeah, Catunolista.
Speaker 3 (17:03):
Yeah, moment you try that song. So I had to
put a whole kay only.
Speaker 2 (17:22):
Time and go go now.
Speaker 1 (17:24):
You just have to be there if you don't know
what that little jingle is, and I don't know. I
don't think you know them about meter, but that's okay
because you're gonna learn more about it here. I don't
call that wills some way and will be right back
after these messages.
Speaker 3 (17:43):
Fends and the story.
Speaker 4 (17:49):
Okay they they a moment again, but they have that
Floris sargon that problem. Just last person, I said, and
I can tell you out the to coma to to
(18:09):
person ok to sati to the tokira PAOs case and
your toka okay form mea mosa projeto.
Speaker 3 (18:22):
And some personal so yaga and because la mano you.
Speaker 4 (18:30):
Can tell everyone to mi proet o ca the n
polo sud s.
Speaker 3 (18:39):
Maria no comment.
Speaker 4 (18:45):
Tolamented to pall.
Speaker 3 (18:48):
Go to and Lisander.
Speaker 4 (18:53):
Projet pray hint and put alysandos the pendltna the two
to be mass stylista paraos know is some momental some
persona in the rime persona the much persona okay the
(19:16):
person and la mano then yous k and Midi musical said.
Speaker 3 (19:21):
You mole farmer. Yeah no, you're.
Speaker 4 (19:33):
I mean not gonna come in talent n the local
becoming talent by params the personae vinal.
Speaker 8 (19:52):
P to me the end because that comment I mean
a kill like radio.
Speaker 3 (20:05):
Okay you listen photo your may mar your premia much
meant for music. See yes, I can't get said I
told to the mono class know you're a pressure as
well as wor So Kevin coming around Ral meant the
(20:30):
days for your mass devil.
Speaker 4 (20:36):
You even done, okay, getting okay, you charge from men
that you know. Okay, come okay, come on to para too.
Speaker 3 (20:48):
Are you that like plugging and.
Speaker 8 (20:54):
See pros to get cast.
Speaker 4 (20:58):
Man that's your concert semente and keno okay, can a.
Speaker 3 (21:05):
Qui hint come o I.
Speaker 4 (21:11):
Musica you know presciento the musica tosta maya coula Yeah
to the Pantomento is dis a Sipervian.
Speaker 3 (21:31):
You know, and uego is more different. Trado isla forma
mata com man okay, pero.
Speaker 4 (21:46):
Las to miento para twent in there, Yeah, you know
smento and.
Speaker 3 (21:58):
Ma lo mis sent me hallo sentiment you your metal
and they sent me into city.
Speaker 4 (22:16):
I gottatis later mantamenta plic and metal and come okay
flash pass record.
Speaker 3 (22:26):
And because.
Speaker 4 (22:29):
Your comments say you your when musica Boston in the musica,
ye that those means that is for moland concept for
your miss like your lev show is young elend ok
(22:55):
ok sao and come on or minu concio perando mamselle
and Steve and so hand.
Speaker 3 (23:10):
Got complete handle like a Bengal.
Speaker 4 (23:15):
Oh you cannot Herenda Bengal them and no blets upon me,
get upon me, Morena you and Trevit Darren Guando as.
Speaker 3 (23:34):
Local seconds young el came posa but you.
Speaker 4 (23:41):
Koco o and the l trences.
Speaker 3 (23:49):
Yeah, it's okay.
Speaker 4 (23:50):
You're gonna take keep your Santa the concerto, your person
of various persona and manday mem.
Speaker 3 (24:00):
Cause is young. But when I call some and you're
you know you're out for t never implemented. You know
this again? Come up?
Speaker 4 (24:12):
You know your top Okay, come on mental come home
to se if I only boy, Yes, come on, let's
so that like some of you know pass maspars so
missed the personas cap and cargo different see him and
(24:33):
memo publical k Okay plucky Okayusta and the musical but
in the lot cols and this time to something localsuming.
Speaker 3 (24:49):
Woo consuming is and say you put em doing your music.
You're telling only fan and said you're working as only fans.
Speaker 4 (25:00):
Your comedias maybe there because your pa you you're gonna say,
you know, cacamoom into the medio to your mainomy project
to your miss me tomscuse you I strophic slash.
Speaker 3 (25:20):
Why I said, why hello.
Speaker 4 (25:24):
Rous your calagu so you can saying you see your
cop steady master and you SAMs be there so you okay,
come on your okay your kids to same said physic
is you tell you I'm gonna commo to make my tast.
Speaker 3 (25:45):
Specific to put the tram main maint in.
Speaker 4 (25:53):
Okay, your your kids okay, you know, come on Mimo
comes toke to pcal final coming coming piano noister and
miss to your trust ca coming.
Speaker 3 (26:15):
You're okay, Memo for camber your as well parents has
only can see no.
Speaker 4 (26:31):
Jam relying me instead those milvent as those mills YO
can make.
Speaker 3 (26:43):
Is calling you too, he.
Speaker 4 (26:44):
Said, and relatio you finally met the apprentices.
Speaker 3 (26:57):
You said, you're okay. You know no time can.
Speaker 8 (27:04):
Hid uh there is a travel it's sad to sell and.
Speaker 4 (27:08):
You can be and you can you you think, okay,
my friend blow imperium and can report the c l
V there or yours. You have mosel be there alone.
You can link okay, course see either Mino bo behaving
(27:30):
because he can quick the control. We can rail colom
clar rail because I teach you get get my lamback
and my friend.
Speaker 3 (27:42):
Then look at pasta. It's looking to get it.
Speaker 4 (27:54):
Like, yes see it's something I'm gonna say. Yeah, uh
yourn put par my timos challenges. Okay, guys are no grassy.
Speaker 3 (28:10):
All work is gonna be Great's hang on.
Speaker 4 (28:16):
You know you know gray Moon, you knowuentamploments, you know
to proto many and the.
Speaker 3 (28:25):
Guy your I don't call it. No, you have friend tempos,
tempost the l t M padres No, okay, you.
Speaker 4 (28:40):
Can requiendo like saying you're say and that's okay, Okay.
Is this momentary styram but was a penalty?
Speaker 1 (28:54):
Was?
Speaker 3 (28:58):
Oh my god? Talk history see your carreer and co
on some square.
Speaker 4 (29:08):
Laro hellos hid.
Speaker 3 (29:17):
No not like you said, per lamb lamb y.
Speaker 4 (29:25):
Mira ages so indeli this m bing totleko silan alasa
chi and amego meal the lamb ya lookay some mene
(29:50):
toy racono b a n l m b and see
splm simn more come.
Speaker 3 (29:59):
I'm not.
Speaker 1 (30:10):
Yes, I'm so proud to be her friend. And let's
get into what she said because she dropped a lot
of drums. It's signed for la la la some analysis.
So for those who are able to catch it. Yes,
me and her have been developing a friendship. I admired
the heck out of her for years. I watched this
(30:32):
dark skinned black girl and music videos and go, a yo,
who's that? And to learn that she lived and worked
closely with Ladelphi warms my heart? Who doesn't saving and
it makes sense adds another layer to the queer history
of THEMBO.
Speaker 3 (30:49):
Is saving Yah.
Speaker 1 (30:55):
Cocodococo, contrary a popular belief only fans, is a lot
of work, y'all.
Speaker 2 (31:03):
I tried it.
Speaker 1 (31:05):
If I don't tell the truth, I tried it, angling
the camera, changing outfits, editing, marketing. I know it's a
task for her, but I'm glad she's making her coins
that she said without anyone touching her seeing I said, okay,
hold on deus now. She said several things that I'm
(31:25):
chewing on being queer and black and Latina.
Speaker 2 (31:28):
I relate. It's beautiful but can be exhausting.
Speaker 1 (31:32):
I give her a prop for doing what she needs
to do in order to survive, I say, and I'd
also be remiss if I didn't take this moment to
say that I hate that the industry doesn't support queer
people more yolo queer, and I mean on a monetary basis,
(31:56):
not just with these token ied kisses on red carpet
or parasu show and or to use proximity to queerness
for marketing that money. Chocolatosa's music is fun, raunchy and exciting.
The truth is being queer is beautiful and the reality
(32:17):
is it's no walk in the park. Look at all
of the initiatives that exist just to the terrorists from
simply living like existing internationally.
Speaker 5 (32:27):
All we want to do is live.
Speaker 1 (32:31):
Chocolas testimony echoes the reality of many creatives trying to
exist artistically and with dignity.
Speaker 2 (32:38):
Then spoon to mehnder something that.
Speaker 5 (32:41):
Shouldn't be rare.
Speaker 2 (32:42):
So that was a Norman.
Speaker 1 (32:46):
I hope for more that you're listening, take this into
consideration when you're clapping for non queer artists who use
proximity for marketing and purposes and support these creatives so they.
Speaker 3 (32:59):
Get a shot.
Speaker 1 (33:00):
To check out my playlist queer for More, and make
sure you get into lam Lamo. And I'm done to
know what one of y'all thinks, So let's get into it, promise.
Speaker 2 (33:12):
And answer some questions by one of you. Let's get
into it. So if you could do a collab that
are alive, who would be I would say.
Speaker 9 (33:30):
Typical genre and Ivy Queen for I just feel like
they're very epic females in both their categories of music,
and they're very much relevant and they have some like
spiciness to them. Get so what they're selling, So it
makes them like very very very relevant. You like pay
attention to them, like people are attracted to listen to
their music.
Speaker 6 (33:51):
Yeah, and Okay, thinking about Dominican contributions and music, you know,
I have this dope episode with like this forerographer who
worked Philadelphi and ala Fa and.
Speaker 3 (34:06):
You remember Ladelphi like came out.
Speaker 5 (34:08):
I do remember.
Speaker 9 (34:10):
And I feel like in the past it was very controversial,
like the topic of queerness probably and other categories of music.
But people are more accepting now and it seems like
it's more of a just like a more music thing,
and no one's really looking at how people, what they are,
how what they do. And also we have to keep
in mind like all the things that queer people go through,
and it makes things a little much harder for them.
(34:30):
But I'm glad that they're being more accepted now in many.
Speaker 5 (34:32):
Spaces and y'all know what time it is.
Speaker 1 (34:44):
Now, it's time for La Flores An heard Media Production
executive from Media. Our producer is Grace Gonzalez, engineer Hobbi Viz,
and shout out to my assistants Naomi Ao and Kla Kliston.
The show was edited by Sebastian Fayang and another shout
out to Cleveland Er and Miami Beach.
Speaker 2 (35:05):
I'm your host, Lagata. See you next week right here
on the iHeartRadio app
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