May 19, 2025 • 36 mins
Mental Health, State of the world, Reggaeton & Musica Alternativa. La Guru & Gata get into a rollercoaster of a conversation about “the things that matter.”
Disclaimer: Themes of Suicide, Mental Health are discussed in this episode. If you need help, know there are resources: Call 988 for help, you're not alone.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Mihn. For those of you still getting to know me
at heart, I'm a true side girl. It's true who
celebrates all things Susia and sex positive. It's actually an
emot her center. It's the truth. Yo, your girl loves Perrero, Yes,
and also hard.
Speaker 2 (00:30):
Rock metal Grand both on the world.
Speaker 1 (00:35):
Saved me as an emo teenager. That's right hot topic
Jordan's and Perrero. I was outside. I've been to some
dark places in my short life. The truth is salumental
is something I don't take for granted because I know
what it's like to not want to be here. It's
the truth with us said when bian Antiana dropped, I
(00:58):
felt so seen because I've had to calm myself out
of the darkness because of depression and anxiety and the
direction the world is going with this kindidacy. I am healthy,
but wow, my mind wanders. If I'm honest, Yeah, in
twenty twenty five, sad girl or sad boy music is
(01:19):
like the thing in Reggaeton Eldsamone that my ex hurt me.
Speaker 2 (01:24):
But I've healed and I don't know them anymore.
Speaker 1 (01:27):
Ask music not my cup of tea personally, but I
understand on one end, I really miss Susier Ya. On
the other I'm happy that more people are tapping into
their emotions, the artists and their audiences.
Speaker 2 (01:41):
Now, speaking of artists.
Speaker 1 (01:43):
Shout out to a little rock of Tamotumbao from Miami
Homie for putting me onto one of the most breathtaking
artists I've yet to come across, La Guru. She's a
Colombian powerhouse on the rise who stole the heart of
Reggaeton's superstar Gotto G and others alike. She's up next, y'all,
and she's right here, so buckle up this one, like
(02:06):
the rest, is really good. She made me cry, y'all,
like she really did. Recorded straight from the Clevelander in
South Beach, Miami, Florida.
Speaker 2 (02:16):
Shout out to them, this is.
Speaker 1 (02:25):
In this episode, Me and my special guests will be
talking about things that are particularly difficult.
Speaker 2 (02:31):
And if you find yourself in.
Speaker 1 (02:32):
A place of crisis, know that there are resources out
there for you, like the Crisis Lifeline at nine A
eight like nine one one, but nine eight eight points.
Know that there are resources out there. And then you're
not alone.
Speaker 3 (02:49):
What do you?
Speaker 4 (02:54):
How are you?
Speaker 5 (02:55):
And Hill? We went to see you.
Speaker 1 (03:07):
You're a go getter like I, first of all, I'm
glad you're good and you're a go getters looking mom
like my person to Albert shout out to Albert like
I'm like okay, like that's where we're going. But ma,
(03:27):
they oon handed up throw like atista to mama.
Speaker 4 (03:31):
So again think hair like I don't know because I
love that.
Speaker 1 (03:36):
I'd say, Joe person in this person.
Speaker 5 (03:44):
Style.
Speaker 6 (03:44):
Yes, jul as antas is as coosas proud formulas conti arkansas,
come on, mista di cost be very mus limits.
Speaker 1 (04:07):
My granta so like est libre express.
Speaker 4 (04:14):
Like a via golta like you ought to like be
happy with how.
Speaker 3 (04:19):
You're expressing yourself.
Speaker 4 (04:20):
So absolutely I love that. Pla mira yolos pero.
Speaker 6 (04:27):
Channel just in columbianatra Calumbia versina.
Speaker 4 (04:34):
If sounds like yes, yes alama the como employe and
and touard.
Speaker 5 (04:45):
And absolutemente to.
Speaker 6 (04:51):
Then said selero Mi famili rises to and in Britain,
to your intol and la jamo as a flavor to
siestas verdi and henoso crazy crazy con las alsa con
musica is the cantina and the speech of condos romanticos.
Speaker 5 (05:16):
La tantas caused us moment.
Speaker 6 (05:21):
Presenter absolutamente presents a creole and Amilia on the toy
Scholar the to ya MUSICAA and sas musica.
Speaker 5 (05:37):
S Yes, Moloko job.
Speaker 6 (05:42):
Sests muloco para prefer Autopa Como was a spark the
Chika baya an m t V or loa via music Yes,
yah easy joys away, so come and where's It's just
(06:06):
fassy Cantar fussy Lard, fuzzy Fuzzy Seme is a fussy
cat from Process Pro is a fussy jagar. A new
artistic called jas as I was in Contanta influence head
the super talentos has k spial on.
Speaker 5 (06:28):
To the Heptastado looks. Monuel was the masket Mirrum.
Speaker 1 (06:37):
I love that, Yes, a lot of indress.
Speaker 5 (06:45):
Amy my house okay, oh I.
Speaker 4 (06:47):
Love I can see that.
Speaker 2 (06:48):
I can see that.
Speaker 1 (06:50):
Yeah yeah yeah.
Speaker 6 (06:51):
Yeah school, Yes, I fearmb main Spira Montum Britney Britney
for comes as pop stars because you're gonna see yes,
he's super Dan.
Speaker 5 (07:02):
This is im Okay, wow more okay, so we have your.
Speaker 6 (07:07):
Story three years and will just call us for your
own equal in my gusta monton when Carol missed and Montone, okay,
are you not.
Speaker 5 (07:20):
Experimental? Lokays say that's grand.
Speaker 6 (07:23):
They very low different they know pantaga, I said, okay, okay,
that's as yournest massa mass glad as the care that
is okay, okay because statis posa.
Speaker 1 (07:37):
I it makes sense, so not that And like what's
beautiful is like your well is another par on a
persona already done. So like that's that's beautiful. I love
that And I'm not just saying that you're when to
go to get we have you know what floorid and
norma no, I see it here and like honestly.
Speaker 2 (08:00):
Cas what for God?
Speaker 4 (08:01):
And and then see las yes, lads, honestly like a
love the like.
Speaker 3 (08:10):
What was that?
Speaker 5 (08:11):
Like a momentary media and the persona racago s.
Speaker 6 (08:26):
Da esta litera como tondorela hi yae it's a sola
parties on conejia the practica mundo less than presas staaaay
connect and Montoni stay as a connecting kelos in esperana
(08:49):
cambio keloa chus implemented for poes percio is a loustambi
in connector.
Speaker 5 (08:59):
Chos in the Yeah there was a kind of play
federal the well mar and says.
Speaker 1 (09:09):
No a.
Speaker 5 (09:13):
There is somebody that.
Speaker 6 (09:16):
No banasschass so shut out pocology a poor que.
Speaker 5 (09:29):
They were like some podcast person as.
Speaker 3 (09:36):
Cambia.
Speaker 1 (09:36):
I of course have in the past have critics or
wherever it was applicable, right, and I've also applauded her
wherever applicable, which there's whole whole lot of applauding. At
the end of the day, she's the female artist who's
and nobody.
Speaker 4 (09:51):
Can take that away from her.
Speaker 1 (09:52):
But a key like what I absolutely love is an
actual example, a tangible example of a woman helping another
woman because said the mucho at us own a hand
blow like okay, because they like you know, that's in
memory and recorded in time, So like khudos to her
your because again you do a lot of different genres
(10:19):
like la boq come so like thetime at the poor.
Speaker 4 (10:30):
Fast then again see.
Speaker 1 (10:38):
Nat Studio and frumentos like come come when.
Speaker 6 (10:52):
Male escorts, the typo musica del momentos malices and movie
write them in France.
Speaker 5 (10:58):
Yeah, thats a pocas the d c M.
Speaker 6 (11:01):
Brenila Familia, the campanas marakas Jacono's instrumentals, ye a whole vibe,
beat me familiar armando l okay, you're meant prondo and
says cacio, come on, come on more lasar sign pschar tolos,
(11:27):
exponent santigo like poky la, pania a stu macracientes dimar antonia,
come on to a passos a perom paris, I'll go
be an interest and asta party medio, medio, caji ko, murbano, trap,
(11:48):
toss the tip of the hens con loke la, salsaos,
instrumentalstrom petas, mola strong, petas even and I can likely
do comp just do a billion temple in ja kea
comprabinillos and TiVos, common los street shops ya ya maya
abus carbinillos, you minio s alsam yeah una collection the
(12:12):
selsa danning cable, Julia's the mahina aurito definitely men tanta, musica,
kuma and alsam.
Speaker 5 (12:23):
La. Then career they ca her melodia.
Speaker 6 (12:27):
Sala compone melodyas literal, come home, utias dos melodica s s.
Speaker 5 (12:35):
Keni come okay, oh I was till and blast.
Speaker 6 (12:41):
Parana, so let me te kelo such tantot kaspiensu commosio
for cant took a because jaels tentas mom orquestata slam
is Mapania is a cola musica s also.
Speaker 1 (13:00):
I love it alight and it makes complete sons and
mancanta like your thought running the physical common vinyls and
you know, like like some morning I say, it's a feeling,
the different that form the poet artisticalment pests but pore
(13:21):
like Santa, so like good for you.
Speaker 3 (13:24):
I love.
Speaker 2 (13:27):
Yes Moti.
Speaker 5 (13:32):
Planto nomian for as a strong press yet in POSI
cannot removed and me music going forward, okay.
Speaker 6 (13:48):
Pass and as boss MONI had those great that's pet
that's great and.
Speaker 5 (13:58):
The animal we have.
Speaker 4 (14:00):
An old soul in the house. I love it well,
I love it.
Speaker 2 (14:04):
I love it.
Speaker 4 (14:05):
And speaking of.
Speaker 1 (14:06):
Soul, mansion at Amy Winehouse came, you know like that's
that's where her influences. No, no solo like physic am
cause I see it. But so I'm not so like
how she influences you, like sonically.
Speaker 5 (14:20):
Mmm, jocelent care who know Mosica is so historias.
Speaker 6 (14:32):
But because which are going to historias moss most defense,
I'm going let's go make a soundles like make a
hit No, it's never tequilos eien moment breslo don't defu
(15:00):
straw sam is mine and he has a market musica
in the way house the lord real birthday looking for
rot concunit to is this sto cento s important sintosa,
triste Samuel and Korea and fust person probably a police
(15:24):
and and so what was so your commun musicaa baas
a persona academy wesso because parent Manali and no so
supernal mo in the post much super persona for simo
artists is the most puenta musa para components processor fuerte
(15:50):
can list super alantica vision of my so says amen
spa partem in cercruda and put yourself you MusmA. And
the person I will let is to look at your so.
So it's procacy. That's the same.
Speaker 7 (16:10):
Break a lah guru like goula, go, oh my god,
I don't not want you to stop better than got
than our own break and take or I come and hand.
Speaker 2 (16:22):
Don't move. We'll be right back after this break.
Speaker 1 (17:06):
Amy wine house port right like a lando de pression
is yeah in twenty twenty four, twenty five Ente you
know like I don't want of them say yes, I'll
go okay, you know phone okay, can I say Sam
stay right right and yo tam bang like.
Speaker 2 (17:28):
Yo, well you'll.
Speaker 1 (17:32):
Bression like taming and ands. It's something that I take
very very seriously, and it's something that I've had ideations
for myself. So your boy, like, sometimes I feel like
great and sometimes balances are are not there, pro you know,
(17:54):
you find your way to like get through it. And
I consider myself an artist. I'm a multimedia artist and mama,
and I think that's a thread that I keep pulling
that keeps me going. And I you know, like I
you know, like of like switching it up as well,
because I'm an artists and because I want to express
(18:15):
myself in these different ways.
Speaker 2 (18:17):
What see liked for.
Speaker 4 (18:20):
Necessario Borge the.
Speaker 6 (18:23):
Fact that you're telling memosas tamperfundas the deep porque me.
Speaker 5 (18:29):
Joe as.
Speaker 6 (18:34):
Being the he oh, I'm into some camases, but pers.
Speaker 5 (18:43):
On usky mas three years.
Speaker 6 (18:50):
Yes, this says asta selasi bork amitas. And it doesn't
just cause us paid on.
Speaker 5 (18:58):
Sales.
Speaker 6 (18:58):
Cammente pocho legos yeastista senos y yeah, acausa the mima semo,
the falta kissas are usa professional pollajuaco reta or care
It's just do cologo see astonomy and said look could
(19:22):
and ferma comnicamentos puc personal lesson, I'm lemericament to my
locate local scale all those into lucas you know became
localo music as a mucusa the.
Speaker 5 (19:42):
Amiguerpo and says stok.
Speaker 6 (19:45):
Carpetsna thinking contracture path, all the arts alumental no I
sat so lo camino pouetolas persona so different is Carla
musam and contramas then as troll, the Nostra familia, the
ultra desire and Kelly Mosca Dandogamsa is the plano ste Mundo,
(20:11):
tantas cosas tantas, coss stampa, sando yu shiko tants stand
stampando tam estimus mass and stood is cokay wow contrast
on the persona Sta Si contrast star tistatia triste uriendo
for Keesta Loco's artistas since a were for Lucus down
(20:31):
pass and lucustam bibendo, the moskre mos com the wos garlas,
the masconomus last tampas and rods ma musque tienda Yeah, ibn.
Speaker 5 (20:45):
Elberda locum goo is mumano then sequenta. Ok, we've been
all going through the same ship, saying, then.
Speaker 6 (20:55):
If Basio and superchu su colas on questa condo con different,
that's estemundo material and it's satisfaction a sa passes. I
can't be that, said Propio. This the brindamster kasson this
(21:18):
trus perasonas they are no vansos simpristamos expecting simpri Stamos's.
Speaker 2 (21:24):
Making me cry.
Speaker 4 (21:29):
I'm just like, I'm really crying over here.
Speaker 7 (21:36):
Girl.
Speaker 1 (21:37):
Sorry, I don't really interrupt you wanna row? I'm a
head yeahs.
Speaker 5 (21:46):
Puentas those peta carrying and.
Speaker 6 (21:57):
Then bidia the star, Laus the starbieno ketagenomestagendo bravajal momento
via mins a persona comaratista on the midiasa papers, how
many schedules yestap person a kissas none any musical captista
(22:21):
esta comparandos is intendos inferior implemented. Is not the right time,
she said, yes, yes, it is your nastalisto dios universo
and the cream or well, I see no medics vero
comuno creole's day, so they will die korason no jega
(22:46):
or can understand maneyfesta lists tragendos prop present and then
all the olivers camera dau and the tomivia, the salumental,
the manifestasi on the the compriter, sue us, the tantas
causas Camelao, meloy and Dad. Come okay, come in introspective,
come okay wow because it's the compass see jo probably
(23:11):
go into okay Seuss Clarks ye rainake where is ikaria
was a print there myhole TOAs personastyavana rosa morevana sa
my instos print, Come remoke my token jai locomo and
(23:32):
po yestratao ste process is a mental saved the spirit
seven passandosutimus this decay as apric como moment canico come
on moment Okay party million those alertist take aunts days
(23:54):
artist aura, yes, come oke and token with pocos logre
and or yosta panama import the army until aut opera
ladas and tikomoke. They were dapomps your kay put kuna
ras on as much sanos condo intente im no my
fue per cave proposito ah ya argo kester esperando, yes
(24:18):
sustamente in pressando amirada is a kay steco siento secretary,
docsta pasando esporum proposito, jua in spirit and much persona
con solamentar tistas personas in henidal case intensolas cris intensstras,
k no competes to sows i a parteta and jus
(24:39):
personas for e serunaos serunaw in psa so laments persona
kmoat sad in spiraaria lepoito experiences the mon okay esta
esmo mas.
Speaker 4 (24:53):
D he picks up all the cupping beyond.
Speaker 1 (25:00):
It's like, what do I even say after that, because honestly.
Speaker 2 (25:04):
Like really put me, I never cried during an interview.
Speaker 4 (25:09):
Like this is this is the first for me, Gracia.
Speaker 5 (25:13):
Yes, it's not like yes, it's person doesn't way into me.
That person has kept starts to.
Speaker 3 (25:35):
Is that.
Speaker 4 (25:39):
I I'm a bit, I'm sorry, I'm a bit speechless.
Like honestly, I I really if.
Speaker 1 (25:46):
I was rooting for you before, oh, I'm routing for
you so much harder now, like amente, like my brother saying, like, honestly, you're.
Speaker 4 (25:57):
I just only get the vibe of a really good person.
Speaker 1 (25:59):
You know, someone who is honestly, really well balanced, who
has done that introspection as you've mentioned, someone who you
know is taking the time to really consider the weights
of the world, which is all I ever asked for
from artists.
Speaker 3 (26:14):
Right, I'm a critic.
Speaker 1 (26:16):
I've gone on record, I've put a lot of artists
feet to the fire, and a lot of people are like.
Speaker 3 (26:21):
I got the man.
Speaker 1 (26:22):
Oh, I'm like, I don't hate evolving, I don't hate god,
I don't hate bad money. In fact, I love this
culture so much that I want it to be better.
Right When I say things, it's not like I want
it to burn backay yo, so Industria, right, Like I
want to see us do better. I want us to
get all the money because if you get money, guess
what later it's going to come to me too and them.
Speaker 3 (26:43):
It's not about burning things down.
Speaker 1 (26:45):
It's just generally, you know, there's so many things going
on in the world, attention.
Speaker 5 (26:51):
People having your your attention.
Speaker 3 (26:53):
I don't play we let him.
Speaker 1 (26:55):
There's so many things going on in the world and
people are paying attention to you. You have to use
that and be very responsible, right, because there's too much
going on in the world. Job, there's too much going
on in the world to like be little dadling and
stuff that doesn't matter, you know, like that doesn't matter.
And I feel like being an artist is to be
(27:15):
in a position where you can truly influence other people
to like be better, to look at things from a
from a better perspective, to change behavior. My my platform
has inspired master's degrees. I haind that, but to let
(27:36):
me Platahoma get exist it right because of the work
that I do. And so no, I just there's so
many levels of what you have just said regarding mental health, introspection, voice,
you know, the caliber of what's going on in the
world that.
Speaker 4 (27:51):
Like you're not But no, honestly, I just like bravo,
I have I have no words.
Speaker 1 (28:05):
You said it perfectly and beautifully and with all of
the no ones that's that's even possible.
Speaker 3 (28:10):
I appreciate that.
Speaker 5 (28:11):
Like before coming here, I was talking to my manager
and the Mosica.
Speaker 6 (28:22):
They were us, okay, propositos cam be a lhuelo, not
only just as an artist, as a female artists.
Speaker 5 (28:32):
But I don't est Neusta.
Speaker 6 (28:33):
They were that then Latins young then in respecto then
I let me as young.
Speaker 5 (28:39):
Is alois on.
Speaker 6 (28:43):
The Ultimus Castles, the artistas from Ninas and.
Speaker 5 (28:51):
The the Valencia, the.
Speaker 6 (28:55):
Espersons Homeris. You said like them, Pam and.
Speaker 3 (29:02):
This he fas So yeah, absolutely, that's all that.
Speaker 1 (29:15):
I don't wanna end this conversation, but we have to
for time. And so of course you're an artist and
we've been talking about, you know, things around music, but
not quite music yourself.
Speaker 3 (29:25):
So my last question is okay, then.
Speaker 5 (29:36):
That's it.
Speaker 4 (29:38):
I appreciate that.
Speaker 3 (29:43):
I'm gonna hug you so hard right now.
Speaker 4 (29:45):
We had that. She made me cry.
Speaker 3 (29:46):
I never cried in.
Speaker 4 (29:47):
The interview before me hant so I got.
Speaker 1 (29:56):
I mean it's called O some sonas isn't amazing? I
honestly couldn't get enough. Well, I'll let you know what
my thoughts are. Right after these messages and after that
some rappellito with some of you take some ways, it's
(30:53):
time for la la la analysis.
Speaker 2 (30:55):
Let's get into it.
Speaker 1 (30:57):
First of all, I've interviewed hundreds of artists into the
Anti sorry, and nobody has ever made me cry before nobody.
This was my first time crying. I was crying, my
producer was crying, her manager was crying. She was crying,
Santo yo lagoru. She got us good. But she was
really hitting on all the gems when it comes to
(31:17):
empathy and sympathy in the world, two emotions that are
getting farther and farther away from society. Speaking as I
getting out on Medigana, this country has never been more polarized,
left versus.
Speaker 2 (31:29):
Right, up versus down.
Speaker 1 (31:31):
It seems like everybody's on opposite side and dolo laws
like Robi Wade or being overturned, queer rights to threaten
at every angle. Never mind the fact that institutional slavery
is still legal already in prisons.
Speaker 2 (31:45):
He got me hands.
Speaker 1 (31:45):
I remember the thirteenth Amendment and the fact that even
though the US only has five percent of the world's population,
it houses twenty two percent of.
Speaker 2 (31:55):
The world's prisoners. Think about that for a second.
Speaker 1 (31:58):
And majority of them, of course, are black and brown,
and lately the highest demographic are black women.
Speaker 2 (32:04):
I be scared, y'all. I be scared. We are being
policed at a on normal rate. And now I'm not
off topic.
Speaker 1 (32:13):
The muchanse where I'm going is I want you to
understand what's been at the base of some of the
deeply institutional messed up things in society that have been
weighing on my heart for quite some time as a historian,
media professional and their public speaker.
Speaker 2 (32:33):
I've been like, really put off with.
Speaker 1 (32:36):
The white supremacist efforts of destroying media literacy like misinformation
and ultimately people who hate each other.
Speaker 2 (32:46):
Let's talk about it. Laguru was really tapping on the door.
Speaker 3 (32:51):
Bro.
Speaker 1 (32:52):
I've met hundreds of artists throughout the course of my career,
and honestly, I was blown away by her. It's why
she has a spotlight of this episode, Guru. I hope
your her star shines bright forever. You forever have a
fan here. Your take on what's missing in the world
(33:13):
and just how not normal it is so be functioning
during like atrocities, the genoside and Palestine or anyone who
has less infrastructure in their life is spot on. And
I think it was beautiful and I'm gushing forever you
forever have a fan here. And now you know what
(33:34):
time it is. It's time for me to speak with
one of y'all. It's time for let's get into it.
Speaker 2 (33:43):
For pretty people.
Speaker 1 (33:44):
I'm Gota and I'm here.
Speaker 2 (33:45):
With late Where you guys from aware are Puerto Rico period?
Speaker 4 (33:55):
You guys ready for some questions?
Speaker 2 (33:58):
Okay, period for more? Yeah, but let's go okay, all.
Speaker 4 (34:04):
Right, So what a song has your attention right now?
Speaker 3 (34:08):
Okay?
Speaker 2 (34:08):
So mine is HB by Maluma.
Speaker 1 (34:11):
Period I absolutely love?
Speaker 2 (34:13):
Right now is Sasa and lat Gay Yeah? Hands up.
Speaker 4 (34:17):
But we don't discriminate over here.
Speaker 1 (34:19):
Period day. Why does h people you in the.
Speaker 2 (34:27):
Beat the beach just some nice just like makes you
want to move and dance have a good time.
Speaker 1 (34:32):
And for you, I love the be I love moving
my hips and we do the.
Speaker 4 (34:39):
So I'm speaking of Sasa. I get done.
Speaker 1 (34:41):
I imagine you listen to by Buddy's new album.
Speaker 2 (34:46):
Amazing Emotions every day.
Speaker 4 (34:49):
That bunny is amazing. He's an artist.
Speaker 1 (34:54):
Exactly. Oh my god. And last question, if you can
make Bad Bunny collaborate with any artist.
Speaker 3 (35:01):
Who would be Daddy Yankee.
Speaker 1 (35:04):
They have to have a song, they have a song.
Speaker 2 (35:11):
I want to bring it back to like some crazy
pop smoke pis I mean crazy like I wish you
could bring it back, but like yeah, I want to say, period.
Speaker 4 (35:21):
Thank you homage.
Speaker 2 (35:32):
We Handleen. Do you know what time it is?
Speaker 1 (35:35):
It's time for Left Florist as an iHeartMedia production executive
producer by Shakes Media. Our producer is Grice gonstylist engineer
Hobbie Vibes, editor Solati Bayan, and my production assistance Kay
Listen and Naomi. Another shout out to Cleveland or Miami Beach.
(35:56):
I'm your host, See you next week. Right here on
the iHeart Radio app. Will be interviewing in My Soul
and Jeremy. I gotta get it better there
Speaker 5 (36:09):
Mhm
Mihn. For those of you still getting to know me
at heart, I'm a true side girl. It's true who
celebrates all things Susia and sex positive. It's actually an
emot her center. It's the truth. Yo, your girl loves Perrero, Yes,
and also hard.
Speaker 2 (00:30):
Rock metal Grand both on the world.
Speaker 1 (00:35):
Saved me as an emo teenager. That's right hot topic
Jordan's and Perrero. I was outside. I've been to some
dark places in my short life. The truth is salumental
is something I don't take for granted because I know
what it's like to not want to be here. It's
the truth with us said when bian Antiana dropped, I
(00:58):
felt so seen because I've had to calm myself out
of the darkness because of depression and anxiety and the
direction the world is going with this kindidacy. I am healthy,
but wow, my mind wanders. If I'm honest, Yeah, in
twenty twenty five, sad girl or sad boy music is
(01:19):
like the thing in Reggaeton Eldsamone that my ex hurt me.
Speaker 2 (01:24):
But I've healed and I don't know them anymore.
Speaker 1 (01:27):
Ask music not my cup of tea personally, but I
understand on one end, I really miss Susier Ya. On
the other I'm happy that more people are tapping into
their emotions, the artists and their audiences.
Speaker 2 (01:41):
Now, speaking of artists.
Speaker 1 (01:43):
Shout out to a little rock of Tamotumbao from Miami
Homie for putting me onto one of the most breathtaking
artists I've yet to come across, La Guru. She's a
Colombian powerhouse on the rise who stole the heart of
Reggaeton's superstar Gotto G and others alike. She's up next, y'all,
and she's right here, so buckle up this one, like
(02:06):
the rest, is really good. She made me cry, y'all,
like she really did. Recorded straight from the Clevelander in
South Beach, Miami, Florida.
Speaker 2 (02:16):
Shout out to them, this is.
Speaker 1 (02:25):
In this episode, Me and my special guests will be
talking about things that are particularly difficult.
Speaker 2 (02:31):
And if you find yourself in.
Speaker 1 (02:32):
A place of crisis, know that there are resources out
there for you, like the Crisis Lifeline at nine A
eight like nine one one, but nine eight eight points.
Know that there are resources out there. And then you're
not alone.
Speaker 3 (02:49):
What do you?
Speaker 4 (02:54):
How are you?
Speaker 5 (02:55):
And Hill? We went to see you.
Speaker 1 (03:07):
You're a go getter like I, first of all, I'm
glad you're good and you're a go getters looking mom
like my person to Albert shout out to Albert like
I'm like okay, like that's where we're going. But ma,
(03:27):
they oon handed up throw like atista to mama.
Speaker 4 (03:31):
So again think hair like I don't know because I
love that.
Speaker 1 (03:36):
I'd say, Joe person in this person.
Speaker 5 (03:44):
Style.
Speaker 6 (03:44):
Yes, jul as antas is as coosas proud formulas conti arkansas,
come on, mista di cost be very mus limits.
Speaker 1 (04:07):
My granta so like est libre express.
Speaker 4 (04:14):
Like a via golta like you ought to like be
happy with how.
Speaker 3 (04:19):
You're expressing yourself.
Speaker 4 (04:20):
So absolutely I love that. Pla mira yolos pero.
Speaker 6 (04:27):
Channel just in columbianatra Calumbia versina.
Speaker 4 (04:34):
If sounds like yes, yes alama the como employe and
and touard.
Speaker 5 (04:45):
And absolutemente to.
Speaker 6 (04:51):
Then said selero Mi famili rises to and in Britain,
to your intol and la jamo as a flavor to
siestas verdi and henoso crazy crazy con las alsa con
musica is the cantina and the speech of condos romanticos.
Speaker 5 (05:16):
La tantas caused us moment.
Speaker 6 (05:21):
Presenter absolutamente presents a creole and Amilia on the toy
Scholar the to ya MUSICAA and sas musica.
Speaker 5 (05:37):
S Yes, Moloko job.
Speaker 6 (05:42):
Sests muloco para prefer Autopa Como was a spark the
Chika baya an m t V or loa via music Yes,
yah easy joys away, so come and where's It's just
(06:06):
fassy Cantar fussy Lard, fuzzy Fuzzy Seme is a fussy
cat from Process Pro is a fussy jagar. A new
artistic called jas as I was in Contanta influence head
the super talentos has k spial on.
Speaker 5 (06:28):
To the Heptastado looks. Monuel was the masket Mirrum.
Speaker 1 (06:37):
I love that, Yes, a lot of indress.
Speaker 5 (06:45):
Amy my house okay, oh I.
Speaker 4 (06:47):
Love I can see that.
Speaker 2 (06:48):
I can see that.
Speaker 1 (06:50):
Yeah yeah yeah.
Speaker 6 (06:51):
Yeah school, Yes, I fearmb main Spira Montum Britney Britney
for comes as pop stars because you're gonna see yes,
he's super Dan.
Speaker 5 (07:02):
This is im Okay, wow more okay, so we have your.
Speaker 6 (07:07):
Story three years and will just call us for your
own equal in my gusta monton when Carol missed and Montone, okay,
are you not.
Speaker 5 (07:20):
Experimental? Lokays say that's grand.
Speaker 6 (07:23):
They very low different they know pantaga, I said, okay, okay,
that's as yournest massa mass glad as the care that
is okay, okay because statis posa.
Speaker 1 (07:37):
I it makes sense, so not that And like what's
beautiful is like your well is another par on a
persona already done. So like that's that's beautiful. I love
that And I'm not just saying that you're when to
go to get we have you know what floorid and
norma no, I see it here and like honestly.
Speaker 2 (08:00):
Cas what for God?
Speaker 4 (08:01):
And and then see las yes, lads, honestly like a
love the like.
Speaker 3 (08:10):
What was that?
Speaker 5 (08:11):
Like a momentary media and the persona racago s.
Speaker 6 (08:26):
Da esta litera como tondorela hi yae it's a sola
parties on conejia the practica mundo less than presas staaaay
connect and Montoni stay as a connecting kelos in esperana
(08:49):
cambio keloa chus implemented for poes percio is a loustambi
in connector.
Speaker 5 (08:59):
Chos in the Yeah there was a kind of play
federal the well mar and says.
Speaker 1 (09:09):
No a.
Speaker 5 (09:13):
There is somebody that.
Speaker 6 (09:16):
No banasschass so shut out pocology a poor que.
Speaker 5 (09:29):
They were like some podcast person as.
Speaker 3 (09:36):
Cambia.
Speaker 1 (09:36):
I of course have in the past have critics or
wherever it was applicable, right, and I've also applauded her
wherever applicable, which there's whole whole lot of applauding. At
the end of the day, she's the female artist who's
and nobody.
Speaker 4 (09:51):
Can take that away from her.
Speaker 1 (09:52):
But a key like what I absolutely love is an
actual example, a tangible example of a woman helping another
woman because said the mucho at us own a hand
blow like okay, because they like you know, that's in
memory and recorded in time, So like khudos to her
your because again you do a lot of different genres
(10:19):
like la boq come so like thetime at the poor.
Speaker 4 (10:30):
Fast then again see.
Speaker 1 (10:38):
Nat Studio and frumentos like come come when.
Speaker 6 (10:52):
Male escorts, the typo musica del momentos malices and movie
write them in France.
Speaker 5 (10:58):
Yeah, thats a pocas the d c M.
Speaker 6 (11:01):
Brenila Familia, the campanas marakas Jacono's instrumentals, ye a whole vibe,
beat me familiar armando l okay, you're meant prondo and
says cacio, come on, come on more lasar sign pschar tolos,
(11:27):
exponent santigo like poky la, pania a stu macracientes dimar antonia,
come on to a passos a perom paris, I'll go
be an interest and asta party medio, medio, caji ko, murbano, trap,
(11:48):
toss the tip of the hens con loke la, salsaos,
instrumentalstrom petas, mola strong, petas even and I can likely
do comp just do a billion temple in ja kea
comprabinillos and TiVos, common los street shops ya ya maya
abus carbinillos, you minio s alsam yeah una collection the
(12:12):
selsa danning cable, Julia's the mahina aurito definitely men tanta, musica,
kuma and alsam.
Speaker 5 (12:23):
La. Then career they ca her melodia.
Speaker 6 (12:27):
Sala compone melodyas literal, come home, utias dos melodica s s.
Speaker 5 (12:35):
Keni come okay, oh I was till and blast.
Speaker 6 (12:41):
Parana, so let me te kelo such tantot kaspiensu commosio
for cant took a because jaels tentas mom orquestata slam
is Mapania is a cola musica s also.
Speaker 1 (13:00):
I love it alight and it makes complete sons and
mancanta like your thought running the physical common vinyls and
you know, like like some morning I say, it's a feeling,
the different that form the poet artisticalment pests but pore
(13:21):
like Santa, so like good for you.
Speaker 3 (13:24):
I love.
Speaker 2 (13:27):
Yes Moti.
Speaker 5 (13:32):
Planto nomian for as a strong press yet in POSI
cannot removed and me music going forward, okay.
Speaker 6 (13:48):
Pass and as boss MONI had those great that's pet
that's great and.
Speaker 5 (13:58):
The animal we have.
Speaker 4 (14:00):
An old soul in the house. I love it well,
I love it.
Speaker 2 (14:04):
I love it.
Speaker 4 (14:05):
And speaking of.
Speaker 1 (14:06):
Soul, mansion at Amy Winehouse came, you know like that's
that's where her influences. No, no solo like physic am
cause I see it. But so I'm not so like
how she influences you, like sonically.
Speaker 5 (14:20):
Mmm, jocelent care who know Mosica is so historias.
Speaker 6 (14:32):
But because which are going to historias moss most defense,
I'm going let's go make a soundles like make a
hit No, it's never tequilos eien moment breslo don't defu
(15:00):
straw sam is mine and he has a market musica
in the way house the lord real birthday looking for
rot concunit to is this sto cento s important sintosa,
triste Samuel and Korea and fust person probably a police
(15:24):
and and so what was so your commun musicaa baas
a persona academy wesso because parent Manali and no so
supernal mo in the post much super persona for simo
artists is the most puenta musa para components processor fuerte
(15:50):
can list super alantica vision of my so says amen
spa partem in cercruda and put yourself you MusmA. And
the person I will let is to look at your so.
So it's procacy. That's the same.
Speaker 7 (16:10):
Break a lah guru like goula, go, oh my god,
I don't not want you to stop better than got
than our own break and take or I come and hand.
Speaker 2 (16:22):
Don't move. We'll be right back after this break.
Speaker 1 (17:06):
Amy wine house port right like a lando de pression
is yeah in twenty twenty four, twenty five Ente you
know like I don't want of them say yes, I'll
go okay, you know phone okay, can I say Sam
stay right right and yo tam bang like.
Speaker 2 (17:28):
Yo, well you'll.
Speaker 1 (17:32):
Bression like taming and ands. It's something that I take
very very seriously, and it's something that I've had ideations
for myself. So your boy, like, sometimes I feel like
great and sometimes balances are are not there, pro you know,
(17:54):
you find your way to like get through it. And
I consider myself an artist. I'm a multimedia artist and mama,
and I think that's a thread that I keep pulling
that keeps me going. And I you know, like I
you know, like of like switching it up as well,
because I'm an artists and because I want to express
(18:15):
myself in these different ways.
Speaker 2 (18:17):
What see liked for.
Speaker 4 (18:20):
Necessario Borge the.
Speaker 6 (18:23):
Fact that you're telling memosas tamperfundas the deep porque me.
Speaker 5 (18:29):
Joe as.
Speaker 6 (18:34):
Being the he oh, I'm into some camases, but pers.
Speaker 5 (18:43):
On usky mas three years.
Speaker 6 (18:50):
Yes, this says asta selasi bork amitas. And it doesn't
just cause us paid on.
Speaker 5 (18:58):
Sales.
Speaker 6 (18:58):
Cammente pocho legos yeastista senos y yeah, acausa the mima semo,
the falta kissas are usa professional pollajuaco reta or care
It's just do cologo see astonomy and said look could
(19:22):
and ferma comnicamentos puc personal lesson, I'm lemericament to my
locate local scale all those into lucas you know became
localo music as a mucusa the.
Speaker 5 (19:42):
Amiguerpo and says stok.
Speaker 6 (19:45):
Carpetsna thinking contracture path, all the arts alumental no I
sat so lo camino pouetolas persona so different is Carla
musam and contramas then as troll, the Nostra familia, the
ultra desire and Kelly Mosca Dandogamsa is the plano ste Mundo,
(20:11):
tantas cosas tantas, coss stampa, sando yu shiko tants stand
stampando tam estimus mass and stood is cokay wow contrast
on the persona Sta Si contrast star tistatia triste uriendo
for Keesta Loco's artistas since a were for Lucus down
(20:31):
pass and lucustam bibendo, the moskre mos com the wos garlas,
the masconomus last tampas and rods ma musque tienda Yeah, ibn.
Speaker 5 (20:45):
Elberda locum goo is mumano then sequenta. Ok, we've been
all going through the same ship, saying, then.
Speaker 6 (20:55):
If Basio and superchu su colas on questa condo con different,
that's estemundo material and it's satisfaction a sa passes. I
can't be that, said Propio. This the brindamster kasson this
(21:18):
trus perasonas they are no vansos simpristamos expecting simpri Stamos's.
Speaker 2 (21:24):
Making me cry.
Speaker 4 (21:29):
I'm just like, I'm really crying over here.
Speaker 7 (21:36):
Girl.
Speaker 1 (21:37):
Sorry, I don't really interrupt you wanna row? I'm a
head yeahs.
Speaker 5 (21:46):
Puentas those peta carrying and.
Speaker 6 (21:57):
Then bidia the star, Laus the starbieno ketagenomestagendo bravajal momento
via mins a persona comaratista on the midiasa papers, how
many schedules yestap person a kissas none any musical captista
(22:21):
esta comparandos is intendos inferior implemented. Is not the right time,
she said, yes, yes, it is your nastalisto dios universo
and the cream or well, I see no medics vero
comuno creole's day, so they will die korason no jega
(22:46):
or can understand maneyfesta lists tragendos prop present and then
all the olivers camera dau and the tomivia, the salumental,
the manifestasi on the the compriter, sue us, the tantas
causas Camelao, meloy and Dad. Come okay, come in introspective,
come okay wow because it's the compass see jo probably
(23:11):
go into okay Seuss Clarks ye rainake where is ikaria
was a print there myhole TOAs personastyavana rosa morevana sa
my instos print, Come remoke my token jai locomo and
(23:32):
po yestratao ste process is a mental saved the spirit
seven passandosutimus this decay as apric como moment canico come
on moment Okay party million those alertist take aunts days
(23:54):
artist aura, yes, come oke and token with pocos logre
and or yosta panama import the army until aut opera
ladas and tikomoke. They were dapomps your kay put kuna
ras on as much sanos condo intente im no my
fue per cave proposito ah ya argo kester esperando, yes
(24:18):
sustamente in pressando amirada is a kay steco siento secretary,
docsta pasando esporum proposito, jua in spirit and much persona
con solamentar tistas personas in henidal case intensolas cris intensstras,
k no competes to sows i a parteta and jus
(24:39):
personas for e serunaos serunaw in psa so laments persona
kmoat sad in spiraaria lepoito experiences the mon okay esta
esmo mas.
Speaker 4 (24:53):
D he picks up all the cupping beyond.
Speaker 1 (25:00):
It's like, what do I even say after that, because honestly.
Speaker 2 (25:04):
Like really put me, I never cried during an interview.
Speaker 4 (25:09):
Like this is this is the first for me, Gracia.
Speaker 5 (25:13):
Yes, it's not like yes, it's person doesn't way into me.
That person has kept starts to.
Speaker 3 (25:35):
Is that.
Speaker 4 (25:39):
I I'm a bit, I'm sorry, I'm a bit speechless.
Like honestly, I I really if.
Speaker 1 (25:46):
I was rooting for you before, oh, I'm routing for
you so much harder now, like amente, like my brother saying, like, honestly, you're.
Speaker 4 (25:57):
I just only get the vibe of a really good person.
Speaker 1 (25:59):
You know, someone who is honestly, really well balanced, who
has done that introspection as you've mentioned, someone who you
know is taking the time to really consider the weights
of the world, which is all I ever asked for
from artists.
Speaker 3 (26:14):
Right, I'm a critic.
Speaker 1 (26:16):
I've gone on record, I've put a lot of artists
feet to the fire, and a lot of people are like.
Speaker 3 (26:21):
I got the man.
Speaker 1 (26:22):
Oh, I'm like, I don't hate evolving, I don't hate god,
I don't hate bad money. In fact, I love this
culture so much that I want it to be better.
Right When I say things, it's not like I want
it to burn backay yo, so Industria, right, Like I
want to see us do better. I want us to
get all the money because if you get money, guess
what later it's going to come to me too and them.
Speaker 3 (26:43):
It's not about burning things down.
Speaker 1 (26:45):
It's just generally, you know, there's so many things going
on in the world, attention.
Speaker 5 (26:51):
People having your your attention.
Speaker 3 (26:53):
I don't play we let him.
Speaker 1 (26:55):
There's so many things going on in the world and
people are paying attention to you. You have to use
that and be very responsible, right, because there's too much
going on in the world. Job, there's too much going
on in the world to like be little dadling and
stuff that doesn't matter, you know, like that doesn't matter.
And I feel like being an artist is to be
(27:15):
in a position where you can truly influence other people
to like be better, to look at things from a
from a better perspective, to change behavior. My my platform
has inspired master's degrees. I haind that, but to let
(27:36):
me Platahoma get exist it right because of the work
that I do. And so no, I just there's so
many levels of what you have just said regarding mental health, introspection, voice,
you know, the caliber of what's going on in the
world that.
Speaker 4 (27:51):
Like you're not But no, honestly, I just like bravo,
I have I have no words.
Speaker 1 (28:05):
You said it perfectly and beautifully and with all of
the no ones that's that's even possible.
Speaker 3 (28:10):
I appreciate that.
Speaker 5 (28:11):
Like before coming here, I was talking to my manager
and the Mosica.
Speaker 6 (28:22):
They were us, okay, propositos cam be a lhuelo, not
only just as an artist, as a female artists.
Speaker 5 (28:32):
But I don't est Neusta.
Speaker 6 (28:33):
They were that then Latins young then in respecto then
I let me as young.
Speaker 5 (28:39):
Is alois on.
Speaker 6 (28:43):
The Ultimus Castles, the artistas from Ninas and.
Speaker 5 (28:51):
The the Valencia, the.
Speaker 6 (28:55):
Espersons Homeris. You said like them, Pam and.
Speaker 3 (29:02):
This he fas So yeah, absolutely, that's all that.
Speaker 1 (29:15):
I don't wanna end this conversation, but we have to
for time. And so of course you're an artist and
we've been talking about, you know, things around music, but
not quite music yourself.
Speaker 3 (29:25):
So my last question is okay, then.
Speaker 5 (29:36):
That's it.
Speaker 4 (29:38):
I appreciate that.
Speaker 3 (29:43):
I'm gonna hug you so hard right now.
Speaker 4 (29:45):
We had that. She made me cry.
Speaker 3 (29:46):
I never cried in.
Speaker 4 (29:47):
The interview before me hant so I got.
Speaker 1 (29:56):
I mean it's called O some sonas isn't amazing? I
honestly couldn't get enough. Well, I'll let you know what
my thoughts are. Right after these messages and after that
some rappellito with some of you take some ways, it's
(30:53):
time for la la la analysis.
Speaker 2 (30:55):
Let's get into it.
Speaker 1 (30:57):
First of all, I've interviewed hundreds of artists into the
Anti sorry, and nobody has ever made me cry before nobody.
This was my first time crying. I was crying, my
producer was crying, her manager was crying. She was crying,
Santo yo lagoru. She got us good. But she was
really hitting on all the gems when it comes to
(31:17):
empathy and sympathy in the world, two emotions that are
getting farther and farther away from society. Speaking as I
getting out on Medigana, this country has never been more polarized,
left versus.
Speaker 2 (31:29):
Right, up versus down.
Speaker 1 (31:31):
It seems like everybody's on opposite side and dolo laws
like Robi Wade or being overturned, queer rights to threaten
at every angle. Never mind the fact that institutional slavery
is still legal already in prisons.
Speaker 2 (31:45):
He got me hands.
Speaker 1 (31:45):
I remember the thirteenth Amendment and the fact that even
though the US only has five percent of the world's population,
it houses twenty two percent of.
Speaker 2 (31:55):
The world's prisoners. Think about that for a second.
Speaker 1 (31:58):
And majority of them, of course, are black and brown,
and lately the highest demographic are black women.
Speaker 2 (32:04):
I be scared, y'all. I be scared. We are being
policed at a on normal rate. And now I'm not
off topic.
Speaker 1 (32:13):
The muchanse where I'm going is I want you to
understand what's been at the base of some of the
deeply institutional messed up things in society that have been
weighing on my heart for quite some time as a historian,
media professional and their public speaker.
Speaker 2 (32:33):
I've been like, really put off with.
Speaker 1 (32:36):
The white supremacist efforts of destroying media literacy like misinformation
and ultimately people who hate each other.
Speaker 2 (32:46):
Let's talk about it. Laguru was really tapping on the door.
Speaker 3 (32:51):
Bro.
Speaker 1 (32:52):
I've met hundreds of artists throughout the course of my career,
and honestly, I was blown away by her. It's why
she has a spotlight of this episode, Guru. I hope
your her star shines bright forever. You forever have a
fan here. Your take on what's missing in the world
(33:13):
and just how not normal it is so be functioning
during like atrocities, the genoside and Palestine or anyone who
has less infrastructure in their life is spot on. And
I think it was beautiful and I'm gushing forever you
forever have a fan here. And now you know what
(33:34):
time it is. It's time for me to speak with
one of y'all. It's time for let's get into it.
Speaker 2 (33:43):
For pretty people.
Speaker 1 (33:44):
I'm Gota and I'm here.
Speaker 2 (33:45):
With late Where you guys from aware are Puerto Rico period?
Speaker 4 (33:55):
You guys ready for some questions?
Speaker 2 (33:58):
Okay, period for more? Yeah, but let's go okay, all.
Speaker 4 (34:04):
Right, So what a song has your attention right now?
Speaker 3 (34:08):
Okay?
Speaker 2 (34:08):
So mine is HB by Maluma.
Speaker 1 (34:11):
Period I absolutely love?
Speaker 2 (34:13):
Right now is Sasa and lat Gay Yeah? Hands up.
Speaker 4 (34:17):
But we don't discriminate over here.
Speaker 1 (34:19):
Period day. Why does h people you in the.
Speaker 2 (34:27):
Beat the beach just some nice just like makes you
want to move and dance have a good time.
Speaker 1 (34:32):
And for you, I love the be I love moving
my hips and we do the.
Speaker 4 (34:39):
So I'm speaking of Sasa. I get done.
Speaker 1 (34:41):
I imagine you listen to by Buddy's new album.
Speaker 2 (34:46):
Amazing Emotions every day.
Speaker 4 (34:49):
That bunny is amazing. He's an artist.
Speaker 1 (34:54):
Exactly. Oh my god. And last question, if you can
make Bad Bunny collaborate with any artist.
Speaker 3 (35:01):
Who would be Daddy Yankee.
Speaker 1 (35:04):
They have to have a song, they have a song.
Speaker 2 (35:11):
I want to bring it back to like some crazy
pop smoke pis I mean crazy like I wish you
could bring it back, but like yeah, I want to say, period.
Speaker 4 (35:21):
Thank you homage.
Speaker 2 (35:32):
We Handleen. Do you know what time it is?
Speaker 1 (35:35):
It's time for Left Florist as an iHeartMedia production executive
producer by Shakes Media. Our producer is Grice gonstylist engineer
Hobbie Vibes, editor Solati Bayan, and my production assistance Kay
Listen and Naomi. Another shout out to Cleveland or Miami Beach.
(35:56):
I'm your host, See you next week. Right here on
the iHeart Radio app. Will be interviewing in My Soul
and Jeremy. I gotta get it better there
Speaker 5 (36:09):
Mhm
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