Beanie Sigel | ROC Solid w/ Memphis Bleek - ROC Solid

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
What up, y'all.

Speaker 2 (00:00):
This is your main man, Memphis Bleak right here.

Speaker 3 (00:02):
Welcome to Rock Solid, a production of iHeart Radio and
The Black Effect Network in partnership with my gods over
at Drink Champs Big with the year Memphis come back
at it, niggas.

Speaker 4 (00:16):
Notice the difference chips more prone present, no stones.

Speaker 3 (00:21):
Yeah, y'all you already know what it is.

Speaker 4 (00:23):
Yours truly back with another one exclusive rock Solid podcast.
Like I told you when you see people sitting at
this desk and mean two things. One they my brother,
two they Solid And this man right here to the
left of me, Man, I didn't even know bro.

Speaker 3 (00:41):
Like brothers, fucking cousins. We we drew, we we enemies.
We brothers, we cousins, We family. That's all that matters.

Speaker 4 (00:51):
And I wouldn't be who I am today if we
never signed you the fucking Rockefeller.

Speaker 3 (00:57):
Appreciate you know what I'm saying. Welcome Meanie Siegel to
the mother fucking building. You know what I'm You know
what it is, rock Solid, My brother? How you been man?

Speaker 1 (01:06):
Great man?

Speaker 2 (01:07):
Great y'all Before we kick it off, you know I
ain't seen you since.

Speaker 1 (01:11):
The art of dialogue bullshit.

Speaker 3 (01:14):
Like so you know, I'm a good nigga and I
love my brothers, So I know how the internet spinshit
and chop shit up and make it seem like it
ain't what it is.

Speaker 4 (01:24):
And this is that and you. So when I spoke
to you and you said, Yo, bleek, you come on, man,
my brother. You know I would never go at your
neck like that, bro, I was.

Speaker 3 (01:33):
I was kind of relieved because I thought, damn, why
would seek shoot at me?

Speaker 1 (01:36):
So clear that up because we ain't get a chance
clear that up. For one.

Speaker 3 (01:45):
I understand how you felt because I didn't you see
the interview that dang di. I never saw that until afterwards.
I'm like, yo, will bleak man. And then when I said,
I said, oh, ship, that's you was talking about the

(02:05):
coming of age.

Speaker 1 (02:06):
Ship.

Speaker 4 (02:06):
But you know they're gonna put it to like it
was everything, and I'm like, I'm like, it's no.

Speaker 3 (02:11):
I'm gonna I'm gonna clear that up because not just
the coming to age, it was you met him and
her what they said who I was referring to, so
off camera we're just talking about, you know, writing versus,

(02:32):
and I'm like, no, I felt this though on you
meet him and her you got out on him. I spake, yo,
but that's crazy. You don't remember that session, my gee. Listen,
you don't remember you and Jane did y'all verse the
night before I came to the studio the next day.

Speaker 1 (02:50):
I wasn't there that you was.

Speaker 3 (02:52):
I remember what y'all played because y'all was working on
that is it? Was it Daddy's Home or what is it?
The slow so on that t T.

Speaker 1 (02:59):
Did, Oh Daddy, where You've been?

Speaker 4 (03:02):
Y'all was working on that, and y'all played you need
Him and hump from me. Remember, every record wasn't for everybody.
You don't remember me saying, Yo, how y'all niggas gonna
give me a record after y'all murdered it.

Speaker 3 (03:12):
I gotta take this record home right now. You don't
remember that? And I got word I left y'all niggas
in the stool. Well you know I was, and that
I was indulging in you.

Speaker 1 (03:25):
I know.

Speaker 2 (03:26):
I know in your mind you're like, how for growth?

Speaker 3 (03:29):
It's all because of you?

Speaker 2 (03:31):
You bro? Listen, Let's go back.

Speaker 4 (03:33):
Let's that's one when I first met you.

Speaker 3 (03:37):
Fucking where we was at right track? Studio?

Speaker 1 (03:40):
Nah, what studio we were that right train.

Speaker 3 (03:43):
It was one of the first. It was one of
those spots in the city.

Speaker 1 (03:47):
We was at because that's.

Speaker 4 (03:49):
When Recipees real rolling, you know what I mean, Black Friday,
That's when they brought you up to the stool.

Speaker 1 (03:56):
What studio that was the studio went.

Speaker 3 (04:00):
Hit Factory, No no Qua Quad Studio, Ward Studio, You
and banging, Can yo meet? We came on too, dirty body.
I'll never forget that because you was like, Yo, you
rode up here on the d R and I'm like, yeah,
you was like you wrote that ship over the bridge.
I'm like you, like, Yo, you're wiling, you wiling.

Speaker 2 (04:18):
I'll never forget that day.

Speaker 1 (04:20):
And we met. We did cool Love.

Speaker 2 (04:22):
Well wait, that's what I'm about to get to.

Speaker 3 (04:24):
Hold on, hold on, hold on, chill, let me get here, because.

Speaker 4 (04:29):
Dick, we met you spit. Sadik was like, Yo, ain't
nobody in the studio.

Speaker 1 (04:33):
The fuck with my man?

Speaker 4 (04:34):
I put anything on him and you started spitting and
I'm like, alright, cool whatever, Sun super nice but whatever.
Jay was like, Yo, I got this record, y'all should
do a record together, and.

Speaker 3 (04:44):
He had to hook on it.

Speaker 1 (04:45):
Yo's crew love.

Speaker 2 (04:46):
Remember we did cool Love. This is my thing.

Speaker 3 (04:50):
If you thought Jay helped me for you, you meet
him and huh I needed help for that niggergas? Why
the fuck you can't no hold on? Before we did Kolo,
we did a thousand bars first, right, we did a
thousand bars first. I didn't Yo, like.

Speaker 4 (05:09):
You violated on that too? Why are you you taught
me put a verse on that? Because you smoked it?
He was like, yo, am, come on, put a verse
on it.

Speaker 3 (05:17):
I'm like, hi, after you done with like sixty two
on their murdering.

Speaker 1 (05:22):
I ain't not to count bars?

Speaker 3 (05:23):
No, Yo, No, ain't count yo. Remember taught us? I
remember Jay trimming uh with the kulab love trim it
down because he was like, no, that's too bar. I'm like,
just I don't know do that ship? Yo? You know yo,

(05:46):
you probably don't remember this. You know who taught you?
How to who you first act?

Speaker 1 (05:50):
Yo?

Speaker 2 (05:50):
How you count the bars and break it down?

Speaker 1 (05:53):
You and and John?

Speaker 3 (05:55):
That's right? We was And I was thinking like, Yo,
how y'all niggas be breaking down the bar and know
where you at?

Speaker 1 (06:01):
Like that?

Speaker 3 (06:02):
None of those word none of my nigga crew love
thousand bars, even the joint on Foxy.

Speaker 4 (06:10):
Album ain't not counting. But I used to always them.
I'm just telling you them records. I used to feel like,
what the fuck is this nigga eating? The fuck is
this nigga smoking?

Speaker 3 (06:21):
I sell drugs, I carry guns, like my ship ain't
coming out like that?

Speaker 2 (06:27):
Like what the I gotta go get the shoot out
of something like what happic?

Speaker 3 (06:32):
Like, Yo, I'm telling you it's all your foot on
me because I used to go home and be hating
on you, like this nigga too nice? How fuck this
nigga took kids? You on my turfet? Nah, he wasn't
til who won?

Speaker 2 (06:47):
What bro Yes, When I got my confidence.

Speaker 1 (06:50):
I heard that, I knew. I'm like when I heard that,
I heard that beat, I said, no, man bleak killing me.
I remember I got something.

Speaker 3 (07:04):
Like, Yo, we gotta go line for line. I'm like,
all right, that's what I felt. That's the first record
we did that. I felt like, alright, cool, I'm on
some level now he ain't just embarrassing. And they go
on the record and yeah.

Speaker 4 (07:18):
Now, but you smoked me on that to four o'clive
six and Eggs, Yellow Boat Orange Bow Jackson, New York,
making it.

Speaker 3 (07:25):
Like come on, God, chill out.

Speaker 1 (07:28):
Remember this, I had to make that rap real.

Speaker 2 (07:33):
Yeah yo, yo, chill forgot about that. Yeah, we all
flushed at this.

Speaker 4 (07:39):
Not leave the projects until he go four five six
no buy, no boy, And he wasn't even gambling against nobody,
Like nah, am no, my raps is real.

Speaker 3 (07:51):
We're not leaving it a.

Speaker 1 (07:54):
Little marshy projects. We got some dice.

Speaker 3 (07:59):
I'm I mean we was out there for like frank
you out wow, not rolling four nigga like that.

Speaker 4 (08:09):
I'm like, yo, just put the ship on four five
six take the picture lesson, No nigga like nah, I
got a rolling em It.

Speaker 2 (08:15):
Gotta be real, yo, that's crazy.

Speaker 4 (08:18):
Like I took you the more I remember the first
time you took me to South Philly.

Speaker 3 (08:23):
Oh shit, no, first time you take me to No.

Speaker 1 (08:27):
No, no, no.

Speaker 3 (08:28):
This is the time I come to South Philly a
nigga like, no, em ship rail out here. We can't
just be moving the round like this. I need one
and you need one and you gave me. Listen, nigga
gave me a gun.

Speaker 4 (08:42):
You now when you a project nigga, a hood nigga,
I don't care where you from.

Speaker 1 (08:46):
You remember what I gave you?

Speaker 2 (08:48):
Certain guns.

Speaker 3 (08:49):
You just know. Wait, I ain't never seen one of these.

Speaker 2 (08:52):
This is nice.

Speaker 3 (08:53):
I need one of these back home, my nigga, you
gave me a baby? Why a baby?

Speaker 2 (08:58):
Why with the extended clip?

Speaker 4 (09:01):
I had this ship in my jacket, like, oh, I'm
really in these Philly streets.

Speaker 1 (09:05):
Yeah, it was going down at that time.

Speaker 4 (09:08):
As a fact, broo, what was it like for you
coming out of Philly signing to Rockefeller though?

Speaker 1 (09:15):
What was your mindset back there? Oh? Man, it was
it was. It was different.

Speaker 3 (09:20):
I couldn't believe it like I ain't because I didn't
want to be a rapper like i't in no demo.

Speaker 1 (09:28):
I wasn't trying to be a rapper. You know. I
knew how to rap.

Speaker 3 (09:32):
Shout out to rest in peace to my man right easy,
he he. He really showed me how to like stay
on song subject. But then he was trying to teach
me how to you know, No, this is a bar.
You gotta count it like this, And I wasn't trying.

Speaker 1 (09:52):
I'm I'm just.

Speaker 3 (09:53):
Gonna right, yeah, yeah, I have a way come out
and come out like but it's crazy because I was trying,
and I said this story a thousand times. I was
going to try and go to a dog fight, like
I was trying to go to a dog No, I
was my man.

Speaker 1 (10:13):
Murdered. Mill had a dog named Mike shut the murder. Murder.
He had a dog named Mike.

Speaker 3 (10:20):
Mikey was a grand chet killing everything. So allegedly, I
had just got I had just got some work, uh
from somebody, and I just got done. I had all
the money in my pocket and I'm like, damn.

Speaker 1 (10:43):
Murder. Mill called me, was like, yo, I want you
want to go battle these boys? Uh?

Speaker 3 (10:49):
They want the battles taint grand. I'm like, all right, bet,
so we go the battle of these guys. So happened
to be it was Philly most wanted for his most wanted.
So we went to the crib to battle Whimen battle them.
They managers wasn't there, so we ain't battle for the money.

(11:11):
We wound up rapping basketball and me shut out the Bubonik.

Speaker 2 (11:19):
Shout out.

Speaker 3 (11:23):
Men. After it was done, we exchanged numbers and so
Murder was like, no, we're gonna battle money. So we
battled for ten grand. I'll pull out my money. He
put out his money. Buboni kicked Murder on us. The
niggas they ain't had the money. But he went upstairs

(11:46):
and came back downstairs with five contracts.

Speaker 1 (11:51):
From different labels.

Speaker 3 (11:53):
One of them was for like a man dollars. One
of them was like five hundred. He was like that
ain't no money.

Speaker 1 (12:02):
Drop the contracts on the table.

Speaker 2 (12:04):
It was like, damn the battle for the contract.

Speaker 3 (12:07):
No, he just was showing us like nigga, y'all talking
about ten grand, this couple million. Right, he had contracts.
So we wind up battling. I don't even I ain't
even gonna call it the battle.

Speaker 1 (12:22):
We wind up rapping. At the end of the day,
we exchanged numbers.

Speaker 3 (12:26):
He pulled me to the side. I was like, yo, nice.
He was like, yo, my managers and came home. They
be back in a couple of days. We got a
meeting with Rock and Fellow Records. I want you to
come with it. So I'm like, all right back. So
they managers came back. I got the phone call. I

(12:48):
went up to their cred where they was at, and
he was like, yo, this they was telling you all
about it. Nice, So we just rapping right. We started
rapping it. They went crazy as like, yo, you gonna
come to New York with us and a couple of days,
we got a meeting.

Speaker 1 (13:04):
You gonna take you with us, But I'm like, all right,
bet I'm gonna go.

Speaker 3 (13:10):
But then a dog fight was hunting, so Mikey had
a fight that day, and I'm like, damn.

Speaker 1 (13:18):
Do I pay my tab or do I bet on Mikey?
Or do I go to New York?

Speaker 3 (13:27):
I said, fuck that about No, I was duck in
New York. Yo, I'm gonna put this yad.

Speaker 1 (13:36):
I was trying to duck New York.

Speaker 3 (13:37):
I had fifteen grand I knew I was gonna double
that up. I knew ain't nobody beating Mikey. So I'm
in the crab. They calling me. They're like, yo ready.
I'm like yeah, I'm ready. I'm speeding to get dressed.
I'm about to be out. Turned turned the phone off
so they can't call me. I'm hard assing. I get

(13:58):
out the curb out. Lived in an apartment. But as
soon as I get downstairs in the floor, it's world rolling.
The pickup truck ain't waiting for me outside. Subscraped, so
I had to go. You're like, da subscribed, Damn, Luke,
this called you five time?

Speaker 1 (14:16):
You ready? I'm like, yeah, I'm ready. Come on we out.
In my mind, I'm like fuck, Like damn, that's fifteen
grand at.

Speaker 3 (14:26):
That time, I'm like, fuck, you had that serious paper.
So I get in the car. I'm dressed for the
dog fighting everything. I got a dog Tims because I
know it's she's gonna get dirty real roller.

Speaker 1 (14:40):
Getting the truck.

Speaker 3 (14:41):
Roller was like, you know we're gonna make it stop first, Fluke,
we ain't going up there like that.

Speaker 1 (14:50):
I gotta get some feet, yo, that's ships out.

Speaker 2 (14:57):
He moving like that.

Speaker 3 (14:58):
I can't go up like that. I got I gotta
get you some feet. So we wind up going to leaves,
grab some sneeze. We took that trick, old Rod.

Speaker 1 (15:10):
I'm sorty calling.

Speaker 3 (15:16):
By the time we hit the tongue over Mikey won
bess my dang, I go do the go do the meeting,
go out there.

Speaker 1 (15:29):
I wasn't supposed to rap.

Speaker 3 (15:30):
I just was just just gone, yeah, just bonic in
the bonic didin't go that day.

Speaker 1 (15:38):
He ain't show up. It was just miss uh mister
and nas. So they battle the walls. It was over.
I'm sitting in the back.

Speaker 3 (15:46):
I'm smoking the way, pissed off because I missed out
on the dog fight.

Speaker 1 (15:51):
Then one of the guys they was rapping with.

Speaker 3 (15:54):
He said slick ship. Like I guess they knew we
was coming. So he says, slick Philly shit. Bout some
cheese steak shit. So Jay was doing It's All Good
a week ago with too Short. So I'm sitting in
the back. So Ja was like, that's it. Ain't nobody
else rapping. I was like, fuck it, I rap, I

(16:19):
raped after I rap, ain't nobody rapping more?

Speaker 1 (16:23):
And Jay was like, that's it. I looked, ain't nobody
rapping again?

Speaker 3 (16:27):
I went in again and he asked him again. He
was like it's over. But Jay had to face. He
was sitting back and I'm like, I know I'm killing
this shit.

Speaker 1 (16:39):
I'm like hey, I'm like, man, I ain't rapping no more.
So Jay was like that's it. So I went why
I was there?

Speaker 3 (16:47):
So why? I started cursing out the balls that was
from New York and He's like, y'all, at these niggas
come up here, y'all ain't gonna rap. So I was like, Yo,
put that bead on. Y'all just was rapping too. Back
then it was the roller real, so he put that
joint on and I racked to that ship, stop set
back rolled my l Then Jay got up. He ain't

(17:10):
say nothing to me. Dang an't say nothing, bitch. They
all went in the hallway or wherever they went. Yea
shit deep roller and Stevie g damn stey word. So
when they came back, and I'm pissed because I'm like,
I know I'm smoking this ship, but Ja had the
poker face on. So I'm like, man, I don't give

(17:34):
a fucking up my meeting himyway. So as we leaving,
shaking everybody hand. I remember my hiking j hand. He
ain't let my hand got It's like, I'm gonna be
hollering at you. Playboy's like all right. Then we went
in the hallway. When we got on the elevator, everybody

(17:56):
went crazy. Yo, they don't want you to leave, nigga.

Speaker 1 (18:00):
I got to go and I was like, Oh, we're
gonna get a hotel room.

Speaker 3 (18:03):
Jay want you to stink, nigga. I just gave Poco
fifteen hundred packs. Shot out Poco my nigga this Friday.
And I remember it was a frid that I just
lost out on fifteen grands, won a dog fight. I
just gave Poco fifteen hundred pack. He or me a stack.

(18:24):
I got to go, I'm not staying up here. They
begging me to stay in New York. Like, Bro, take
me to the train. I'm out.

Speaker 1 (18:33):
We left two day Dad.

Speaker 3 (18:35):
It was like, we gotta go back to New York's right,
went back up rapping, jaying them again at the office.
It was on from there, Yo, Bro, Everything just happened
so fast, because I felt like you came up, you
rapped like you said, you came back and you were signed.
And then we went on We did Crew Love thousand

(18:56):
bars for Clue, and then we went on The Hard
Night Life to It thousand bards the Clue.

Speaker 2 (19:04):
After we were on tour, I think we was on
Hard Knocked Life.

Speaker 3 (19:07):
Already and we came home and you did that because
remember I wasn't supposed to be on the record, and
you was like, Yo, now we need to put me
on this record because remember I think.

Speaker 1 (19:15):
That was before we left.

Speaker 3 (19:16):
Think so yeah, because you know my timeline, Bro, Yeah,
I think that was yep, yeah, I think that was before.
That's what I remember. Jay was like, Yo, you gotta
stop rapping too long. That's too long.

Speaker 1 (19:34):
I'm like man, I don't know why to do that
ship yo, But my.

Speaker 3 (19:37):
Nigga, you you. I feel like you pioneered and change
the game, not only for Philadelphia but for new artists.
Because think about this, right, I always this is my
personal opinion.

Speaker 4 (19:50):
I never said nothing to you on tour, my nigga,
think about it. Everybody on tour and a hard knocked life.
Joab Rule he winging to come out. Can I get her?

Speaker 3 (20:00):
They take your shirt off, they going crazy. Yeah, I'm
waiting to come out. It's all right.

Speaker 2 (20:05):
They know Jay, they barely know me, but I get
a little bit of love.

Speaker 4 (20:09):
And you was coming down, no song, no beat, acapella
and destroying shit.

Speaker 3 (20:17):
Like my nigga, how did that feel?

Speaker 1 (20:20):
Just knowing?

Speaker 2 (20:20):
Did you know in your mind? Like da these nigga,
I'm shine every.

Speaker 1 (20:24):
Night, nigga.

Speaker 3 (20:26):
After the Fride, the second show, second, the third show,
the first joint, Scared to Death pushed me to thirty
thousand people in Areader. It's a fact, doctors, your hardist
Beingie Sella, you come out, come out acapella and they
went crazy every night. Bro, And I remember the third,

(20:48):
the second time, second show, I did it. Then I
wanted to switch it up.

Speaker 1 (20:54):
Jay was like, nah, do the same joint, and I
did it.

Speaker 3 (20:59):
But the third night when I was coming out, when Medi,
it was like, oh worry, I look and I seen
red Man math Man.

Speaker 1 (21:11):
I've seen X.

Speaker 3 (21:12):
Standing on the side where and it was like, Yo,
these niggas winning and see me do this. I can
polish shit right. I'm like, oh shit, it's on.

Speaker 1 (21:20):
I want hell. Yeah. I was like he was on.

Speaker 3 (21:23):
Yeah, you got one my nigga, like you came to Rockefeller,
my nigga. Like remember I was the first artist. It
was me, Sauce jazz O, then the Wonds in Rough, No,
the Rangers wasn't wasn't there yet. It was Diamonds in
the Rough uh and rap Yeah.

Speaker 4 (21:41):
And then all of a sudden, everybody just started dropping dropping.
Nobody was around no more did it comes Segul.

Speaker 3 (21:48):
First it was me. I was that nigga. It's like
in high school, that nigga on campus. Then a new
fly nigga come through, all the bitches looking at him,
man like yo, who this nigga think he is in
my can't my set?

Speaker 2 (22:01):
Like That's how it was for me.

Speaker 4 (22:03):
And then one nigga, when I heard you, I was like, yeah,
I gotta go to the gym and workout. I can't
just fight this nigga.

Speaker 3 (22:11):
These niggas got last Dragon skills over me. I can't
just fight these niggas. Yeah, like yo, and you know
what else? I taught you how to play seatling. You
ain't really know how to play seat on the hard now, Yo.
That money was rotating in the back of that bus.
Every other day, another nigga was rich like about that.
Every other day somebody else was rich. One day, beans

(22:34):
got all the money. Yeah, I won twenty grand last night.
Tomorrow jall won all that shit. The next day I
got it, yo.

Speaker 2 (22:42):
That money was rotating pockets or every day.

Speaker 4 (22:45):
But yo, bro, you know on that tour, I didn't
understand the little Kim line until the hard not life.
Tall niggas can't eat without padem. Yeah, but we was
lying enough for that p deem. Your's predeemed day.

Speaker 3 (22:59):
Niggas like if we up my name when out last
straight up bring that?

Speaker 1 (23:03):
What was we here?

Speaker 3 (23:04):
Like, we's getting like almost like five hundred about to
say it was something?

Speaker 2 (23:08):
Yeah, we right, like five hundreds.

Speaker 3 (23:10):
I came off that tour with like sixty thousand world
up all on dice yo and something else.

Speaker 4 (23:17):
Yo, you was killing the dice. I ain't gonna front
because you and Jay and Noll y'all used to gamble too.

Speaker 3 (23:21):
Like he came out.

Speaker 1 (23:23):
He was burning me.

Speaker 3 (23:24):
So look because he I'm gonna get you. So we
had to remember Harry Day. We had the landing this
but there was changing to sell. So I used to
go collect everybody joint. So before the throwing, we do
sound check. We wasn't going back to the hotel. At

(23:45):
the sound check, man, he was outside selling backstage landing
Yill Yo, chill, y'all niggas was outside hustling or the
tour brown, I love it. I ran into a nigga.
Years later, I do a show, so a nigga came
up to He was like, Yo, what's up?

Speaker 1 (24:07):
Now? I'm out now. He was like, you don't remember me?
He's like, nah, what's up? He's like, you don't remember
on Hard Knocked Life tour? You sold me them faith.

Speaker 2 (24:22):
Yo?

Speaker 1 (24:22):
Yeah, said you show me them faith backstage passes. I'm
gonna remind us.

Speaker 3 (24:28):
I got rock with you, I said, man, who you with?
It's like me and three of my owns. Come on,
y'all getting them with me. Y'all, I'm gona remind you
of son you probably forgot. You know, we got a
Rockefeller nigga down with us running around that you initiated
back in the days.

Speaker 1 (24:43):
You remember in the Lima.

Speaker 3 (24:46):
You told him. He was like, Yo, I do anything
to be down. I'm not gonna say what city because
nigga might come looking for us. But it was like, Yo,
I do anything to be down with Rockefeller and he
was like, word anything. You was like, let me stab
you in your leg?

Speaker 2 (25:00):
This you don't remember what I said?

Speaker 3 (25:02):
And the nigga was like, Dad, he was like, I
don't remember. I don't remember. I remember a lot.

Speaker 1 (25:15):
I said a lot of ship. I don't remember that.

Speaker 3 (25:18):
Yo. Know he was on some ship, my nigga. He
was on some ship where you came around.

Speaker 4 (25:23):
It definitely took the gig used to him like this
nigga differently stabbed a nigga nigga every every time you
used to go to I can't say the city. Every
time we used to pop up in this city, Homie
used to be there like, Yo, I'm damn, what do
you say? Remember you stabbed me? To this day, I
see Homie bro to this day, he Rockefeller for Life, Rock,
Sally Waite, Nigga.

Speaker 1 (25:45):
My bad, Yo.

Speaker 2 (25:49):
They say I'm the first y n Yo, he was
on some ship back then.

Speaker 4 (25:54):
But like being like it was a lot of artists
that came out of IM gonna say a lot of artists.

Speaker 3 (26:00):
Yeah, you was like one of the main artists to
come out of Philly to really put Philadelphia.

Speaker 1 (26:06):
On the map.

Speaker 4 (26:07):
Like you, it was at a point where you had
then there everybody was under you. I met Phillies most
wanted through you. I met dutcha stage through you. I
met the whole state prop through you. Like everybody was
under you at one point? Was that your mindset? Like, Yo,
I'm gonna put Philly on and I'm I'm I'm.

Speaker 3 (26:28):
A sugar Knight, Like not even sug Knight, doctor Drader ship,
that's a better analogy.

Speaker 1 (26:32):
I mean that was that was.

Speaker 3 (26:34):
That was the mindset from the rip. Like I didn't
even hate my contract.

Speaker 1 (26:39):
Yet I bought the figures up there free everybody, y'all.

Speaker 3 (26:45):
I just want to be a figure, yo, Chill you
wanted to be major your whole ship. Not even Matt
J metchall. I remember we had a detailed shot twelve
to twenty from War and the Figures used.

Speaker 1 (27:03):
To come down.

Speaker 3 (27:04):
They was the nicest niggas in the city. Like to
me back then, they was on. You couldn't they was signed.
They had a deal in my eyes, like they had
a mixtape floated and if you was in the city
and you listened to rap and you was Figures, was it?

(27:25):
So when I met them and I rapped with them
like I was on, they used to come down.

Speaker 1 (27:33):
Yeah, I used to want to be a figure, like.

Speaker 3 (27:35):
A crazy learning some sh today nigga ain't that I used.

Speaker 1 (27:40):
To want to be.

Speaker 3 (27:42):
And it's so crazy because all this ship was happening
within Like I'm gonna say a too much span like
meet and the Figures rapping for them, then I'm coming down.

Speaker 1 (27:59):
Then.

Speaker 3 (27:59):
My young me and me used to UH Mason Can
performed at this spot we had called Bobby Dances, So allegedly.

Speaker 1 (28:13):
We had what they called bandos.

Speaker 3 (28:17):
We had like five band neules, so all the bros
they would go out on these trips. I would never
go because I get to ulilize all the bandids to
the wind.

Speaker 1 (28:30):
So I talked my younger not to go. We wound
up going to UH Dances.

Speaker 3 (28:36):
They had a rap battle help so whenever the prize is,
I forget what the prize money was, but we had
that on us. I think me and me and we
had crazy money on us. So I'm like, whether win
out the battle, I want to battle on for the prize.

(28:58):
But I think the prize money I was like five
anywhere between five ten thousand, whoever won, so.

Speaker 1 (29:04):
They picked the winner, we put out the money.

Speaker 3 (29:08):
I want to battle whether win. I said, I bad
a you for that, So I wound up getting on
stage battle. It went for me battle one person. They're
like five six niggas.

Speaker 1 (29:20):
They didn't want to get that bread out, so I'm
bad on him. So then there's I see another nigga
had all out. He's snapping.

Speaker 3 (29:30):
I'm like, all right, you can get it too, pull
him on the stage. So I'm thinking I'm about to
go at it with him. He stood right next to me.
He started going at them niggas.

Speaker 1 (29:41):
That was Freeway.

Speaker 3 (29:42):
No fucking wat how I met Free.

Speaker 1 (29:46):
So I'm bad on these five niggas.

Speaker 3 (29:48):
I pulled Free I ain't I ain't even knowing. I'm
thinking he trying to get at me. Pull him on stage.
That niggas stand next to me started killing them niggers.

Speaker 1 (29:58):
That was Freeway Fether.

Speaker 3 (30:02):
I get on, Yo, we're gonna change numbers. I'm gonna
get with you. And within two weeks time, that's when
I'm at most. One that went up in New York
Rockefeller came.

Speaker 1 (30:16):
Back called Free. He pulled up on a block. I'm like, Yo,
what's on they talking about? They gonna sign me?

Speaker 3 (30:22):
You gotta come up with And that's how I met Free,
and that's how I free got came up to the rock.

Speaker 1 (30:28):
And that's crazy.

Speaker 2 (30:29):
I ain't know that, man.

Speaker 4 (30:30):
I always when I interviewed went I because you know,
of course I had gunner up here. I had no
clue that all of y'all were from different hoods.

Speaker 1 (30:39):
When you look at state property, that's the entire city.

Speaker 3 (30:44):
I'm from South Philly, Free from North You got P
D and O and Plans No West West, and you
got Chris Neve Nicetown.

Speaker 1 (30:57):
But that's Uptown. That's the city. That's crazy. That's dope, man.

Speaker 3 (31:01):
Like the city Like when they speak, you can't talk
of Philly hip hop without mentioning Beanie siegu and state property.

Speaker 1 (31:09):
Yeah, like I know, Like, how does that make you feel.

Speaker 3 (31:12):
To know like no matter what man like you mean
history you put on for the city and it's see
many like it's just like the bell, my nigga. You
cracked the city like like the bell, my nigga. Like
that gotta make you feel like I did my job, nigga, it.

Speaker 1 (31:28):
Is what it is.

Speaker 3 (31:29):
I don't yo, they tell me every day, I don't
know who I am. I'm a roguler. Anybody will know?
Mean you could you liable to see me in Walmart
tomorrow target shot?

Speaker 1 (31:41):
Right?

Speaker 3 (31:41):
But that's that's how we grew up in our time.
Member bro, Remember on the hall now we ain't know
no niggas out of town to call it no.

Speaker 2 (31:48):
Remember how we used to go get the weed.

Speaker 1 (31:50):
We used to go for it.

Speaker 3 (31:51):
We used to go to the mall and look for
a nigga who looked like us and run dawn fair
with up. Whatout yo?

Speaker 1 (31:57):
What up you got that?

Speaker 3 (31:58):
Niggas be like, yeah, we'll stay now.

Speaker 1 (32:00):
I'm mytel are still a turtle top, Yo. Take me
to the nearest project, yo. Shout out to my shottown niggas.

Speaker 4 (32:07):
Yo, I've been through to this ship on the road
with you brough and a lot of shit. You probably
don't remember. Listen, I'm gonna tell you too. Let's see
if you remember these two incidents.

Speaker 3 (32:18):
Right.

Speaker 4 (32:19):
You had to show in Bosston one time, you like, yo,
m I got to show and bossed at what you're doing.

Speaker 2 (32:25):
I'm like, I ain't doing shit. You're like, yo, pull
up this when?

Speaker 3 (32:28):
Who want what?

Speaker 2 (32:29):
Just came out? Like em you gotta pop out, gotta
pop out with me.

Speaker 3 (32:33):
I'm like, all right, i'mna pull up.

Speaker 1 (32:34):
I'm pull up.

Speaker 3 (32:35):
There's no problem. Just let me know the time whatever.

Speaker 2 (32:37):
I meet you at the show, like yo, bleak, don't
come out too the intro or who want what?

Speaker 1 (32:42):
Come on? I don't want people to know you here.

Speaker 2 (32:45):
I'm like, all cool, my nigga, who want what?

Speaker 1 (32:48):
Drop?

Speaker 3 (32:48):
I come out?

Speaker 2 (32:49):
The crowd went so crazy. Ya't remember? They rushed the stage.

Speaker 3 (32:53):
Yeah, and my man pull out the gun beings on
the front of the stage like this, Yo, what's something
these niggas trying to rush us.

Speaker 1 (33:01):
I'm like, yo, see.

Speaker 3 (33:02):
Chill, they love us. You want to kill the fans?
My nigga like Yo, I don't remember that, y'a. I'm
looking at this.

Speaker 2 (33:12):
Nigga like, yo, chill.

Speaker 4 (33:15):
Then another incident, I think we was in Connecticut because
we was up north somewhere.

Speaker 1 (33:23):
It was your birthday. We was up north somewhere and
the girl.

Speaker 3 (33:27):
I'll never forget this nigga like I never forget my
kid's name. Shorty name was Bullet. She had the bullets
tattooed on her neck.

Speaker 1 (33:37):
She lives on a meet and greet like, Yo.

Speaker 4 (33:40):
I'm a beanie seagull Fan's your birthday. I loved I
brought you a gift, so.

Speaker 3 (33:48):
You know me.

Speaker 2 (33:49):
We all see this side of the autographs.

Speaker 3 (33:51):
I'm over here like I brought you a gift.

Speaker 1 (33:55):
What she bought him? Let me see.

Speaker 4 (33:56):
She get this nigga a box so brand new three
eighty and I'm looking at this bitch like, bitch, you
ain't like me.

Speaker 3 (34:07):
You don't like me too. That was the ill ship
the world up, bro, we have me. She bought me
a gun brand new and the box was like this
for you.

Speaker 1 (34:20):
I'm looking out, oh.

Speaker 2 (34:21):
Ship the fucks straight up?

Speaker 1 (34:26):
Yeah, like man gap shout out the bullet.

Speaker 3 (34:32):
You remember, I'm gonna tell you another incident. You remember
the time we was in La and she'll try to
run down on niggas. Remember he was in front of
the club niggas like, yo, she'll coming through. And he
pulled up with all the niggas.

Speaker 1 (34:45):
Ship right here.

Speaker 4 (34:46):
Used to have all the slammers all the time, and
you would never know. You'd just be like whatever we
went the ship whatever it beams like, nah, I am
telling niggas pull up. He was in front of the
club in l A. Niggas like, She'll say, coming through.
You wanna highlight niggas. So mad nigg was leaving member
He's like, man, fuck that, tell.

Speaker 2 (35:02):
That nigga pull up. We here, it don't matter.

Speaker 3 (35:04):
Pull up. I'm like, all right, cool what we I'm
like beings just only us.

Speaker 4 (35:08):
What we're gonna do that nigga like, nah am, I
got that joint pulled out the same baby why from
Philly in La.

Speaker 3 (35:18):
But listen this post nine eleven, Yeah, here to break
the Jones down. I was about to get to that
till I was about to get to that because that
was another thing we on tur right.

Speaker 4 (35:30):
I'm a project baby to the death. We get to
the airport, we got a gun, were throwing the gun away.
We buy another one in the next state. I tell
one of my man's get on the highway, dry that up.

Speaker 3 (35:43):
Not my man. My man, like, what give me the gun.
I'm gonna break of the party. You hold this, you
hold that, you take this part. We ain't fly with
the bullets though, Mamber. We left the bullets. Nigga took.
Put every piece of the gun in different bags. We
checked our bag post nine eleven. It's pre nine eleven.

(36:04):
We land in Miami. My man put the gun back together. Yo,
were good.

Speaker 1 (36:10):
Yeah, Yo.

Speaker 3 (36:11):
If we're back and I'm met a couple of niggas out,
there's this we y'all got with people?

Speaker 1 (36:18):
They take that checking in, we checking, We tapped, We
tapped in. That's a thing.

Speaker 3 (36:24):
It's a big difference every time. You know, we on
our way, that's right. Niggas to be waiting at the
hotel situations, that's right.

Speaker 2 (36:33):
Situate you get them things.

Speaker 1 (36:34):
It's a difference between checking in and Tampa.

Speaker 3 (36:37):
See checking we got the tappan. You got whatever you at.
Checking is because I think you soft and you get protection.
Tapping in. Niggas gonna give you that pistol. How of
these niggas don't want the pistol. They want the road,
Like the homie here, you hold it, and that's why
they gotta pay.

Speaker 1 (36:55):
I used to.

Speaker 3 (36:57):
I used to leave at straight. Yo.

Speaker 1 (37:00):
We left many guns on the rock.

Speaker 3 (37:04):
We got clipped from a toy bus company because you
and me left for Gus.

Speaker 1 (37:08):
On the bus.

Speaker 2 (37:08):
Them niggas like we never given the bus the rocke.

Speaker 1 (37:17):
My nigga.

Speaker 4 (37:18):
Then like that happened all of that tour life, my nigga,
Like then, my gu let's speed up to I want
to get.

Speaker 2 (37:27):
To state property. Let's speed Let's bring state property.

Speaker 3 (37:31):
Because you had Owen Sparks, p d Krack Freeway, Chris
and Neve and y'all motherfuckers just took over about Force,
the movie, the albums, the clothes, like I watched it.

Speaker 4 (37:49):
So I just want to know for the people that
don't know, what was your mindset? Just all that ship happened,
because it happening so fast.

Speaker 3 (37:55):
Bro, I just was watching what was going on. Jay
they did Rocket Rocker were yup. It's like, yo, I
wanna do state property glue yup. So I just was
presenting any idea that I had. I just presented it
the movies, like just presented it.

Speaker 1 (38:13):
Yo. We should be doing this, we should be doing this.
That's a fact.

Speaker 2 (38:19):
It just happened like and we was always close. I
remember when you got the ben leads.

Speaker 3 (38:23):
I remember when beings well both bed leads. Nigga called
me your y'all just heard Jay about to get rid
of his Bentley. You should call him and tell him
give it to you.

Speaker 1 (38:32):
It's like, what, yeah, you talking how to that I
could have had that joint?

Speaker 3 (38:37):
Couldn't get three yup, he was gonna get three. I'm like, nah,
you don't need all three bets.

Speaker 1 (38:42):
But this hot.

Speaker 3 (38:43):
But to tell you the story on how I got it.
So the blue bet this how I got it. I
ain't cash out one of them joints. So Dame had
the blue one. Remember big book at the Brown Joint.
I forget what showing we are, But everybody was backstage

(39:04):
and a rom you know it was we was the
big was the big group.

Speaker 1 (39:10):
So we're in the apron. So I go in the
a ram so you know it's Jay and Dang Biggs.
Puff was back there. Uh, Steve stout all the big wigs.

Speaker 3 (39:26):
So I think Puff was just talking cast ship and
he was talking ship to Dang. So Puff was saying
something he couldn't find. It's Bentley. He was like, I
don't know where I parked it. He had the powder
blue to zor cool, so it's that.

Speaker 1 (39:46):
Yeah. He was like, yeah, I got the narsee Bigs
just brought that. And Puff was like, hold on, you
got what. He was like, I got the I got
the Nars. You got the four door? He was like yeah.

Speaker 3 (40:00):
He said you drive your own Bentley, Yo, ship I
remember that. I swear rich beef. He said, Papa, say
you drive your own Bethley. He was like, I can't
even find mine, yo, I don't know where I parked it.

Speaker 5 (40:18):
And since that day.

Speaker 1 (40:21):
They ain't never driving no more. He gave you the key, like,
uh no, I ain't give it to me. He just
couldn't find me. No. He he stopped driving this now asked,
but what you're doing with that? Right?

Speaker 3 (40:34):
Get that?

Speaker 1 (40:35):
Like what you put down on that? Let me get that,
and he gave me the number. Came up to the
next day cashier's check here, let me get that. Let
me get that, and then I think we was going through.

Speaker 3 (40:48):
Uh.

Speaker 1 (40:50):
I think Jane Niles was going at it now went
in on. No. I was like, man, Janet want me to.

Speaker 3 (41:00):
Biggas was like, giddy, Your Biggs always used to be
the sightling, wasn't the back. You you gag always pulled
me to the side. Get that, nigga, that's right. So
that's when we went up. I did the the hot
ninety seven shot high nine seven shit.

Speaker 1 (41:20):
Especial Delivery joint. I remember it was my birthday. I
come up. Jordie Bentley up there.

Speaker 3 (41:27):
So my mom was like, yo, I think my mom
came up. It was my birthday. We're in the studio.
She laid it, I'll cook. So all of them left,
so I go downstairs.

Speaker 1 (41:37):
I'm like, come on, man, paku. I go downstairs. I'm
looking for the car and it's not there. I'm like,
we're in my car.

Speaker 3 (41:46):
They was like, oh, your mom she left. How she
take the car?

Speaker 2 (41:52):
Yeah?

Speaker 3 (41:53):
Mom like motherfuck like, nah, your car downstairs.

Speaker 1 (41:58):
I'm like, it's not there. I don't see it. He
was like, come downstairs, man. So it's like you don't
see it. I said, no, I was parked right there.
Well your caring this one is parking.

Speaker 3 (42:11):
Gave the keys. It's like, happy birthday. Dang, that's how
I got the brown one.

Speaker 1 (42:18):
Dang, that's how that went.

Speaker 2 (42:19):
That's fire.

Speaker 3 (42:20):
I ain't never know that, but I know we used
to switch, Like you know what, I mean, I know.
We used to switch car. We switched yeah a lot.
We used to switch cause I called Ben to be like, yo,
shit hid in New York. Let me hold the big real,
quick take the bits on it. He'd be like, yo, blink,
we did some ship in the big. Take the big.
Let me get the big bullshit. We used to switch
cars on the turnpike. My nigga. At least every six months,

(42:44):
me and this nigga be meeting on the turnpike, switching
the visa all the time. My niggas crazy, like that's.

Speaker 4 (42:51):
The ship that I tell niggas all the time that
if we had Instagram and we had social media like
these kids today, it would have never been no.

Speaker 1 (43:00):
Nah, they'll be putting money on my books. Ship.

Speaker 3 (43:07):
We know drivers quick yo, your rest of peace, my man. Go,
oh my god, y'all listen. I remember g jumped out
your car. He was like, Yo, I don't give a fuck.

Speaker 1 (43:20):
I quit.

Speaker 3 (43:21):
I'm not driving these niggas no more.

Speaker 1 (43:24):
It's more guns in this card than it is people.

Speaker 3 (43:29):
You know that nigga go.

Speaker 1 (43:30):
He used to come to my crib.

Speaker 3 (43:31):
He used to be like, yo, bleak, how the fuck
you hanging with Beanie Ce. Why why why do you
always want to go to Philly and be with Beanie
c Or he goes carry all the guns. He got
more guns than he know people like you are he do.
One day they're gonna pull his fucking hen over all
of y'all gonna go to Jaim. But you know what,
we're not new I'm like, yo, Beans, don't give a

(43:52):
fuck man. This niggas really on some ship like he
don't care. Is when we had for some reason, a
lot of shit happened in Boston. We was coming from Boston.

Speaker 4 (44:01):
It was New Year's Eve, and you told Gordon, Yo,
I want to be back in Philly before the ball drop.
If we don't make it to Philly before the ball drop,
I'm slapping you and on my mother, y'all.

Speaker 3 (44:14):
Niggas was like at Axis six that they could go
and call me this nigga Beans put hands on me.
I look at the clock, it's like twelve oh five.
That's crazy.

Speaker 1 (44:27):
He told them.

Speaker 3 (44:28):
If we ain't in Philly before the ball drop, I'm
slapping you going.

Speaker 1 (44:33):
I don't remember that on some I pleased the fifth.
I pleased the fifth, y'all.

Speaker 2 (44:41):
He was on some ship back then. Phil do you
ever think back and look back and be like, what
it like this?

Speaker 4 (44:51):
Do you have any regrets that you feel like, damn, man,
I should have focused more on this and not been
on that.

Speaker 1 (44:59):
I mean site you could look I look back. Uh.
I didn't know I had a career. It was a
length to me, think about it, bleek. I went from.

Speaker 3 (45:16):
Being on a block by nine ounces coat getting in
front of nine ounces two months later being signed to
Rockefeller Records, and think about it. I was only Beanie
Siegull on the streets for two years, my nigga, it
seemed like it was a long time.

Speaker 1 (45:39):
But the truth and the reason and in between that
we did the Dynasty. I was booked. I remember when
you was going to turn yourself in.

Speaker 3 (45:51):
Like yeah, So I was only Beanie Sigul on the
streets probably two and a half years.

Speaker 1 (45:58):
So I didn't have time to sit back and look like,
all right, this is a career, you know what I mean.

Speaker 3 (46:04):
I was on it.

Speaker 1 (46:05):
I come from a block, whereas like fucking block, I
come from Philly.

Speaker 3 (46:11):
Niggas, man, you gotta look over your shoulder with everybody.

Speaker 1 (46:18):
So it's just me.

Speaker 3 (46:20):
South Philly. Anybody'll tell you that's from Philadelphia. There's no
reason for a North nigga, a southwest South, any part
of the city to come to South Felk. South Philly
just got a fucked up name.

Speaker 6 (46:36):
I ain't know that.

Speaker 3 (46:37):
Yeah, so y'all like the East New Yoga Philly, Like, yeah,
that's what I mean. Yeah, Brownsville, Crown, Hey, I mean
Kanasi they call that like the end of the niggas.
Don't care they killing they they still out people or
whatever right now.

Speaker 1 (46:51):
So, and it was just me.

Speaker 3 (46:56):
I had Deacon Roller on the passed away then you know, Sadik,
But it was just me by myself. I had nobody
that's from my town with me. So I'm doing all
this shit by myself. And I'm used to you got me. Yeah,
you say you got me? You got got me, that's right.

(47:17):
So that's how I'm right, right. I didn't care about him,
nothing else.

Speaker 4 (47:22):
But you had a lot of OG's around you because
you used to bring up a lot of niggas from Philly.
And I remember, like one thing, I'm gonna always say, man, brother,
your brother, news man, Yeah, your news From first day
I met him to today, he's always been the same
guy by his business about his family about his check,
never for the nonsense.

Speaker 1 (47:42):
Then you had she with you too, man. That's why
I said one she she was that guy.

Speaker 4 (47:47):
Man that I felt like that niggas to keep all
of us in check because he be telling you some shit.

Speaker 2 (47:52):
I'll be sitting there like, yeah, he fucking right, I
ain't need to do that.

Speaker 3 (47:57):
Like, what's up with she? Man?

Speaker 1 (47:59):
She good?

Speaker 2 (48:00):
Yeah, Man, I ain't seen him in man, that's what's
up man.

Speaker 4 (48:04):
Like out of all of y'all, y'all always brought a
lot of people up to New York from Philly, so
I always felt.

Speaker 3 (48:10):
Like it was part of them with me. It was
different people though all the time, because that was me. Like, man,
people a chance to shine, get off the city, not
even a shine, just to get away from what we
used to you know what I'm saying, y'all.

Speaker 4 (48:27):
Definitely I ain't gonna front y'all used to always used
to be like your bleak man were going on vacation.

Speaker 1 (48:31):
The city is.

Speaker 3 (48:32):
It's crazy right now.

Speaker 1 (48:33):
I don't even want to be out there. Y'all.

Speaker 3 (48:35):
Got the crib in Manhattan, remember y'all was hey, Yo
chis man, remembery going to this nigga crib? In the city.

Speaker 4 (48:41):
This nigga would not walk around the crib. Everything he
did was on the segway. It's when the segues first
came out. This nigga would go to the bathroom on
the segway, go to get something to drake on the segway.

Speaker 3 (48:52):
Roll the blood on the segway.

Speaker 4 (48:54):
Yo am, He's sitting there just turning around doing three
sixty M roll love m yoll play the beat bringing
be back like yo, y'all niggas or a house arrest
violent so like you know that's a big thing online
with the jail ship and you coming home to hoole
and they said, like, hole didn't take responsibility.

Speaker 3 (49:12):
Looking back, now, do you fought him for feeling that way?
Like if you take yourself out of that set out,
out of being yourself in that situation and put yourself
on the outside look at that, would you have made
the same choice he made or do you think you
would have made a difference? Jokes, I'd have got my
boy home, think so, yeah, I'd have got my boy home.

(49:37):
I don't I don't know how he felt because we
never had that conversation, so I can't speak on how
he felt. I could just only speak on what I
would have did if I.

Speaker 1 (49:48):
Had a chance to get any of my homies out
of jail.

Speaker 3 (49:55):
I don't care what I would have had it did,
but i'd have got him out.

Speaker 2 (49:59):
And how sight like you said looking back, he was reckless.

Speaker 3 (50:04):
See that's like putting that's like that's like me coach
signing on the car or a nigga who don't got.

Speaker 1 (50:10):
A license or drive drunk all the time? Would you
do that? I wouldn't do that.

Speaker 4 (50:14):
That's almost it's like, come on, bro, you had a life,
like think about it when you came home from that time, right,
because that was so that was the shooting at the club,
right that case, what shooting?

Speaker 1 (50:26):
That's when the screen.

Speaker 4 (50:30):
You know what I'm saying, it's outside shooting, But I'm
saying that was the shooting at the club with your
first case when you got locked up when you went
to the trout.

Speaker 1 (50:37):
Right. So what was said is if we're allowed, yeah, you.

Speaker 3 (50:47):
Take responsibility for this span would you be responsible for
his wearabouts? Meaning would you give us all the documents
that we need to know? He's going to be in
Saint Louis this day, he's going to be in Missouri.

Speaker 1 (51:05):
They just wanted to know where he'd be able to
give up the touring sketch him. See, I didn't know that.

Speaker 2 (51:13):
But my thing is, let me ask you a question.
What I was saying on now, let me.

Speaker 1 (51:16):
Finished answer that.

Speaker 3 (51:17):
So I couldn't look had my homie shackle ankle the
wrist and look him in his face and say nah,
Because let's say I Faouda came home and wild out

(51:39):
and shot somebody.

Speaker 1 (51:41):
Nothing could have happened to Jack, but you did. No,
I did.

Speaker 3 (51:46):
You did shoot nobody, but you wild out? Oh, bro,
you went back to jail taxivation.

Speaker 1 (51:51):
No, No, this was that was after Rockelfeller breakup. Bro.

Speaker 3 (51:55):
No, you got caught with a gun or some ill
shit like that when you was being.

Speaker 1 (51:59):
On the run. That's all the same case. That's all
the same.

Speaker 3 (52:05):
I had a state case for the gun, then I
had it was the shoot the fads picked cooked up.

Speaker 1 (52:11):
No, I had a tempted murder in the state. Yes,
I had the gun and the fast at the same time.

Speaker 3 (52:19):
That was all one case.

Speaker 1 (52:20):
No, it was two different, two different cases.

Speaker 2 (52:22):
That's what I'm trying to tell you. I remember I
was there, my nigga.

Speaker 4 (52:26):
You didn't come home with wild nigga went on the
high speed chase. No no, no no, that's when you
made the song with cam running listen. I caught attempted murder,
that's the first case, and I caught a gun case.
Both of those cases was in the state, both of
them the fat I beat the gun case. I still

(52:47):
had to go to court for the tempted murder.

Speaker 1 (52:50):
The fans picked up the guncase.

Speaker 3 (52:53):
It's still is it was. It was just run at
the same time. So when the fast picked it up,
I went to the federal crowds the fans. I was
out on bell for the attempted murder. I was trying
to get bail for the gun showing that ask would

(53:14):
you be responsible for us whereabouts? Just like there's no
where you're gonna be at towards schedule. This got in
the third same ship, you my brother, No new case,
you my brother. I'm gonna be all the way on
this mea.

Speaker 1 (53:29):
Me in jail.

Speaker 3 (53:30):
You ain't ship.

Speaker 2 (53:35):
At least this nigga got shown.

Speaker 3 (53:38):
Man like yo, this nigga keep going through all this
ship because you gotta think back. But let's take it back.
What remember the incident in baseline cut.

Speaker 2 (53:49):
Remember that I don't.

Speaker 3 (53:50):
Want to get into detail, but all of that pals
up to that. Yeah, you gotta remember that. Bro. There's
one thing that.

Speaker 1 (53:59):
You know what I'm saying, what happened in baseline?

Speaker 3 (54:03):
You fucking turned the ship into Hashimo? What do you
mean what happened in base?

Speaker 1 (54:08):
Nigga?

Speaker 3 (54:09):
You want me to run that. I don't want to
bring up open old wounds, but if you want, don't
do that. But I wasn't wrong, yo, I wasn't there.
Remember I came and it was just blood on the wall,
and I'm looking like, what the fuck going on?

Speaker 4 (54:28):
It's blood everywhere? And you like em nigga, stick up glared.
I said, your means listen, No, I don't know what's
going on.

Speaker 3 (54:35):
But you.

Speaker 1 (54:37):
I remember you were murdered.

Speaker 3 (54:39):
Call yeah, no, we came up there.

Speaker 1 (54:42):
Ya.

Speaker 3 (54:42):
You was like, Yo, what the fuck going on in
the stupid I don't think you should come back up
the baseline. He was like, Yo, don't come there.

Speaker 1 (54:50):
Like what you mean?

Speaker 3 (54:52):
It was like, Yo, don't come back up there there. Listen.
It was sister Tayi Si is the one who called me.
She was like, Yo'll bleak you in the city. Because
remember I was the one who came to baseline early
in the morning.

Speaker 1 (55:04):
Y'all. Nigga used to be.

Speaker 4 (55:05):
There vampire hours. Yeah, she called me like, they'll bleep
you in the city. I'm like, yo, I'm want my
way to the city right now. She was like, yo, please,
whatever you do, get to the studio now, beans in
them uphill wild.

Speaker 2 (55:18):
So I said, what they flipped on you?

Speaker 1 (55:20):
She was like, no, when you see you go and
see it wasn't no girl in there.

Speaker 3 (55:25):
Yeah it was.

Speaker 2 (55:25):
And she was the receptionist.

Speaker 1 (55:27):
She wasn't married over when.

Speaker 2 (55:28):
She was in the front.

Speaker 3 (55:30):
Remember it was remember the front.

Speaker 1 (55:31):
You had to go through the.

Speaker 3 (55:32):
Gele don't know this what happened. So I go to
Atlantic City. I want some money in Atlantic City. Smoked
them bribe about when like like eighty grand Atlantic City.

Speaker 1 (55:50):
I got a casino story. So we left for Atlantic City.
We go the studio, go to the studio. I'm in
a b room. We're chilling. You know, I'm on my
leisure pleasure.

Speaker 3 (56:08):
And just say that it's live basis. You hear me,
I'm on my leisure pleasure. So back then, you see
how short bleak chain is. Back then we used to
wear it.

Speaker 1 (56:19):
She is a motherfucker. So that men my leisure pleasure.
I go under. When I come up from out of
my joint stretch.

Speaker 3 (56:31):
I look on the floor and it's this mad hundred
dollar bills all over the floor. So I'm like, what
the fuck? So I checked my pockets, like damn, I
know I ain't good. So I'm picking up all the
money nigga caught me about. Yeah, when I was sleeping,

(56:52):
it's two fingering me money out of my pocket. This man,
it's all honeys. So I'm worrying about the money and
I'm like, damn.

Speaker 1 (57:00):
Then I look chain go on, so I'm not hold on.

Speaker 3 (57:09):
I'm not hold up.

Speaker 1 (57:11):
Fuck the money. It was about that rocker fella, like
that's a badge of honor. That's like a bulletpoof vest. Mens.

Speaker 3 (57:22):
You can't get upstairs in baseline without somebody busting you win, right,
So I wake up everybody that's with me.

Speaker 1 (57:32):
You got my change, got my change, but nobody got
the change. Everybody done. Wait.

Speaker 3 (57:38):
Mom, I'm like, yo, I woke up to see the
money hanging out in my pocket.

Speaker 1 (57:43):
It's all on the floor.

Speaker 3 (57:45):
I must have came out and they did, so I said, Okay,
I go to the front for some reason. Today, the
cameras ain't working. I need to know who came up in.

Speaker 1 (58:02):
That chain. Don't come up fuck the money, mop this ship.
Cameras ain't working. Mop this ship. But but did this stuff.

Speaker 3 (58:17):
Not only did they take the chain, he stole g
the records, their summer sit. They ain't putting that ship together.
They ain't just take the chain. Remember Jay music, but
they don't talk about that. They stole the music too,

(58:37):
but they don't talk.

Speaker 1 (58:38):
They just talk.

Speaker 3 (58:39):
So Shoe ain't left. Ship went and left.

Speaker 1 (58:41):
Ship won't left. But I paid for it though.

Speaker 3 (58:44):
That's what I'm about to tell.

Speaker 1 (58:45):
Ship lost me like him before.

Speaker 3 (58:48):
And that was before what your second album? I don't
know that was around the second like going to Air
that was. I think it was either the third album
or the second album.

Speaker 1 (58:56):
I gotta remember. That's what I was saying. Beans.

Speaker 3 (58:58):
It was so much sh that Nigga's like, yo, I
don't think hold me listening he gonna get it.

Speaker 1 (59:03):
I can't. I can't matter on what I done. Nothing.

Speaker 3 (59:08):
If you when you already said you wanna leave me
in jail, donna matter what I did nothing When that
happened to nobody but me, I'm not gonna leave my
homie in jail under those circumstances.

Speaker 1 (59:22):
But that's what under the break. I get it because
I look back and like, damn, I was drawn.

Speaker 3 (59:28):
We all was drunk, like I was. Not just that,
not just that. Ever, I understand because another level, it's
another incident that happened.

Speaker 1 (59:43):
I don't want they're gonna talk about that off care.

Speaker 3 (59:47):
But I feel, but I feel Jake, I felt, and
that might have been a nil in the coffee. It's
another incident happened. I don't want to talk about it,
but Jay, mine was in the studio. I didn't know,
and something happened, and that might have been an AWL

(01:00:09):
in the off So something happened with mom around.

Speaker 1 (01:00:13):
No, nothing happened to mine.

Speaker 4 (01:00:14):
No, No, not hastening, but with her being around, I
never happened. Yeah, I did never know that that might
have been a nil in the car. Yeah, that's crazy
to me.

Speaker 1 (01:00:24):
I understanding Jay.

Speaker 3 (01:00:26):
Yeah, he's a silent assassin.

Speaker 2 (01:00:28):
He don't talk and he's not gonna tell you what
he thinking.

Speaker 1 (01:00:30):
He's just gonna move.

Speaker 4 (01:00:32):
So that might have been in is different when it
come to that, And I'm like, like, and you were around, like,
remember me, I grew.

Speaker 3 (01:00:40):
Up with these niggas like I'm always little grow in
the eyes. They never like I always felt like they
never gonna let me grow up. Like it's like my son,
my son twenty two, but the nigga you still a
baby to me. I don't know the fuck how old
you beat you, my son? And that's how I feel,
Jay and them little grow me that they don't just
allow the nigga to grow up. Like remember you used

(01:01:02):
to get them invited to all the all the gambling
I was never remember used to be at all the
gambling events with my Kaiser, all of y'all. But they
quit that bread because you was taking that bread, remember you.
Oh damn yo, you tell about y'all what you did

(01:01:22):
to me?

Speaker 1 (01:01:23):
Y'all?

Speaker 3 (01:01:23):
What where's in Vegas? Where's in Vegas? I lose all
my all the bread I had on you were sitting now.
I think you was playing three Cards poor with Frandly.

Speaker 1 (01:01:38):
You ain't even how to play Snigger, the.

Speaker 3 (01:01:42):
Thirty Rats, thirty Rock. I'll never forget, I tell you.

Speaker 1 (01:01:45):
I said, let me get a dom t get back.

Speaker 3 (01:01:48):
Yeah. He said no, no, I said no, no, no,
he said no. I said, okay Yo out Western Union,
some money to the table. I beat him sixty seventy.

Speaker 1 (01:02:05):
Some stupid nigga, you better put like two more zeros
behind it. Some shit.

Speaker 3 (01:02:10):
I wind up winning a box something Lenny, I said,
tell a story because I had to get his chips.
The Lenny like, find nigga, Yo, you want some shit,
and he wound up losing.

Speaker 1 (01:02:21):
I got on him jet.

Speaker 3 (01:02:24):
And I was doing that shit. No, don't give me
all hundreds. I want hundreds, twenties. I had to book back,
so Blee still think I'm broke. He was like, yeah,
he's showing off his money to Jay. I'm like, yeah, Jay,
this nigga won't let me get ten thousand. He didn't

(01:02:44):
even know what he was doing. And I told him, Yo,
put the money right there. Blee put it right there, Yo.
He put the money on the joint. This nigga had
a straight or royal flush. You flush won like thirty
sixty thousand.

Speaker 1 (01:03:03):
And I got on that plane with a buck.

Speaker 3 (01:03:05):
Something in the book back back, poured it out on
the ta. Bleak, let me get I say, Bleak, let
me get this thousands until we get back. He said nah.

Speaker 1 (01:03:15):
He was like, you something something something I said, I
don't need it. Who want to play? Guts zipped?

Speaker 3 (01:03:20):
Open the book bag? Dump that shit off, like like, yo,
you know what, you don't remember what I told you?

Speaker 1 (01:03:28):
After that?

Speaker 4 (01:03:28):
A nah, nigga, you gotta teach you how to play craps.
Fuck that fuck three. We gotta go to play craps.

Speaker 1 (01:03:37):
They know what he was doing. Won thirty thousand, Yo,
Where you give me ten grand? Yo? I was on
some bullshit. I don't remember that.

Speaker 3 (01:03:44):
I thought I would have gave it to you now
some bullshit. I gave Jim Jones ten grand for a
bad and I ain't give it to my dog. No,
I ain't give it some bullshit.

Speaker 1 (01:03:51):
I was on some bush. No, but I know why
you didn't give it to me, because remember I had money.
I had create but I lost it. I had like
forty thousand. He was like, Bro, you didn't just lose
all that brother.

Speaker 3 (01:04:04):
Nah.

Speaker 2 (01:04:05):
Yo, niggas don't understand the crazy shit we was.

Speaker 1 (01:04:08):
Doing back then.

Speaker 2 (01:04:09):
My nigga, you had a fucking alligator. Yeah, And I
remember asking this nigga.

Speaker 3 (01:04:14):
He and the Bentley the alligator in the passenger seat
with a diamond collar. Yo, beans, you want to alligate word.
You're like, yeah, look that.

Speaker 2 (01:04:24):
This shit just bit big face. You better look out.
And I'm like, yo, what's the name of the gata?
Nigga said Ili sure for Ali Gata y yo sh.

Speaker 3 (01:04:38):
I'm looking at this nigga like, yo, he's definitely on
the next level.

Speaker 4 (01:04:42):
Shit nigga riding around the city with a fucking alligator,
my nigga.

Speaker 1 (01:04:47):
So look, I got clearing shut up too. What happened?
Because free was on free to the joint.

Speaker 3 (01:04:56):
But cousin he what cousin he do?

Speaker 1 (01:04:59):
Lion? Yo?

Speaker 2 (01:05:00):
Shit to you what he said?

Speaker 3 (01:05:04):
His name?

Speaker 1 (01:05:05):
Cousin he right?

Speaker 2 (01:05:06):
He said, you named him because of But why he said,
because I don't know?

Speaker 1 (01:05:10):
He didn't because you was were trying to figure out
why why.

Speaker 3 (01:05:14):
I'm like, your name start with an ie hi your
name because he he was like, beans, just start calling
me because of out of nowhere. He never gave a
real explanation. Now that you said he, I'm getting why
I told you y'all was up there doing you're doing
a line of line.

Speaker 2 (01:05:31):
Yo, chilly.

Speaker 1 (01:05:32):
You know where cousin he come from.

Speaker 3 (01:05:35):
He had these classes, not h Don't fucking tell.

Speaker 1 (01:05:39):
Me you had these round joys there was Mosquino Joys.

Speaker 3 (01:05:43):
They was the same year the Buggy Eye E Class
came out. Yo, So cousin he come from the bed
he class Yo ship. Yeah, start he didn't keep it
real about that. That's where he come from. Biggas said

(01:06:03):
the Bluggy Eye bigs or ye, crazy's gonna get you.
Let's get into state property man, Yeah, fucking movie. How
would that like?

Speaker 1 (01:06:16):
Who I did that? Like?

Speaker 4 (01:06:18):
That was a crew from Philly, like a real crew.
That's they wasn't named state property else, Like the story.

Speaker 3 (01:06:25):
Was real, right, So the story was about a crew
from Philly called the JBM Junior Black Mafia.

Speaker 1 (01:06:33):
So when I got with Big Trying and I write
this script, the name.

Speaker 3 (01:06:38):
Of the movie was called JBM, and I was like, no,
we can't do that because it's still people to this
day that's got a pilsing trying to come on from
that ship.

Speaker 1 (01:06:50):
So we gotta change that. So it went from JBM
to ABM. Yeah that was our name in the movie. Yeah,
that ABM. So we had this with you. So a
lot of ship was just too close to the real ship.
So that's where we did that. And then a lot
of the dialogue, I'm like, Bro, we can't do this.

(01:07:15):
So we switched it up and a lot of you
remember we just reading the scripts. It's like like that,
we can't do that.

Speaker 3 (01:07:26):
Remember every day who they call Day's side. We'll just
get together. Look, they want us to say this, but
we're gonna figure like this. So that whole State Property movie,
we a property.

Speaker 4 (01:07:40):
Bro, and none of us had an idea that we
was gonna make a coke classic like that movie is
a fucking class class this day.

Speaker 2 (01:07:46):
Bro, Like, more people know me for Bleaz than my music.

Speaker 3 (01:07:50):
Yeah, it's crazy.

Speaker 1 (01:07:51):
You know that's sh happen than me.

Speaker 3 (01:07:53):
I tell you no bullshit.

Speaker 2 (01:07:54):
I get more people like yo that blens character than
niggas walking.

Speaker 3 (01:07:57):
Up on some music. Shit, say I get that as bees,
which you know what I get more than anything what
they will stup.

Speaker 1 (01:08:06):
From bier souls, younger kids.

Speaker 3 (01:08:10):
They.

Speaker 4 (01:08:13):
Damn that's another thing. Man, like not only making history
rapping in Philly.

Speaker 3 (01:08:18):
My nigga, if I'm not mistaken, you put Kevin Lona's
first movie. Nah, I can't say that his first movie.

Speaker 1 (01:08:26):
It was, but I'm not gonna take that credit. Nah,
you did it, You know I didn't.

Speaker 3 (01:08:31):
You was with dang right, Dan did it right?

Speaker 1 (01:08:34):
You?

Speaker 3 (01:08:34):
You was the media acting right? Why are you gonna
sound it was with Dang because you was you was
on the movie tip. I ain't talking about the breakup
Dame with Dame on some ship like that. I'm talking
about you don't do that, you know. You and Dang
was clicked. We was, but you was blood. He was caused.

Speaker 1 (01:08:52):
Y'all was caused. I was new to in this documented yo.

Speaker 4 (01:09:01):
You wasn't a little neutral, but there it was new things.
You y'all chose a little bit of side because when
the smoke got.

Speaker 3 (01:09:07):
On, choose no side that you did document it. Think
about this, I'm right, all right, go back and look
at look at the document. When I got picked up
from the jail, I was asked on the tour bus.
They came and got me who was I going with?
And I said, to this day, that's like asking a child.

Speaker 1 (01:09:28):
What parent? What parent?

Speaker 3 (01:09:29):
That we've seen that for this, yep, I didn't think
a side.

Speaker 1 (01:09:33):
Now Dang was coming to see me. It was coming
to the jail. But I never chose the side.

Speaker 4 (01:09:41):
I felt like y'all did on me because remember when
it was getting when the smoke with dipset was getting
real like when it was becoming.

Speaker 3 (01:09:51):
A niggas ain't only it ain't only tension in the air.
Niggas is talking on the radio. Niggas is making records.
This is on the mixtape case Slave Rest in Peace
Talking Ship. Y'all did records together.

Speaker 1 (01:10:04):
Oh you you did records.

Speaker 3 (01:10:07):
Cam is on running You pick Up.

Speaker 1 (01:10:10):
I was way before that pick up.

Speaker 3 (01:10:12):
No, this was all in the.

Speaker 2 (01:10:13):
Middle of it at the same time beings.

Speaker 3 (01:10:15):
But Cam got on running when I was in jail.
I wasn't Homeway dam was on that. That's another point view.
That's a good coin.

Speaker 1 (01:10:22):
Remember us keep it rock solid.

Speaker 3 (01:10:24):
The Gunners was one solid.

Speaker 1 (01:10:28):
The Gunners was on Joel's album. So did they pick
us hardy? It looked like y'all was down to day.
How when I was in the jail South, I heard
all them ship never all them ship. Listen I got.
I was in jail at my sound. What song was

(01:10:50):
they did? It's time to Set it Off?

Speaker 4 (01:10:53):
Set it Off? It wasn't set it off. They was
on Santana album Santanna wasn't on the album. They were
on his albums on on his.

Speaker 3 (01:10:59):
Album Once Set It Off. I was in jail when
that came out. Yes, book, NIF said, uh.

Speaker 1 (01:11:10):
Something about me?

Speaker 3 (01:11:11):
Were those thinking you hear?

Speaker 1 (01:11:14):
He said? He said, niggas wanna I forget the.

Speaker 3 (01:11:18):
Line in Paris? Yeah, I remember, but he said. The
smartest choice that we made were running with coach Carter.
So coach Carter was jay Neif told you on that.

Speaker 1 (01:11:31):
Record he rocking with Ja. So how you pick a side?
Any side he picked?

Speaker 3 (01:11:38):
Yo, you've seen you you've seen girls jump double dutch, right, No,
it's two feet play both sides cut.

Speaker 1 (01:11:44):
You know what a pair of you know what a
pair of lymps to do too.

Speaker 4 (01:11:47):
They didn't say anything that's right, you know that when
they in front of this person that person.

Speaker 3 (01:11:53):
But that's just the way I'm never gonna say that's
the way it was. It's just the way it sings.

Speaker 4 (01:11:59):
But I never that none of that ever get in
the way of our relationship because I always felt like
if this was a real family, y'all niggas was really
like my down South cousins, my nigga like.

Speaker 3 (01:12:13):
Like and I would really get you was my brother.

Speaker 4 (01:12:16):
We started this ship, my nigga, all of y'all free
the gunners, all of y'all became my brothers, but you
was first, and me and you locked in together from
the beginning, and all of y'all became family to me,
and we all became family. And then come dipset and
then it just felt like everything shifted where it was
one side against the other side. But state property never

(01:12:41):
ever picked the side, never like y'all was on both.

Speaker 3 (01:12:45):
It was like we fuck with them.

Speaker 1 (01:12:47):
Y'all was me and Jay. It's a baseline when we
was having.

Speaker 3 (01:12:53):
A ball wall, yeah, you know, can't talk about that
on the pool and I interview and he like, yo,
I come in the room and she just got.

Speaker 2 (01:13:04):
We was in there chopping it up.

Speaker 1 (01:13:05):
That's killing word up.

Speaker 4 (01:13:07):
But like I look back at that type of ship
and just say to myself, like, dam just imagine if
we put all that ego bullshit to the side, because
if you think about.

Speaker 2 (01:13:16):
The problems, was about nothing that she was just I
don't even know that she was about nothing.

Speaker 3 (01:13:21):
Listen. I don't think it was about Cam Sadi, Jimmy, Setty, big.

Speaker 1 (01:13:26):
Face, me and you.

Speaker 3 (01:13:29):
I don't know what the started with. I just know
I'm riding with my mass see niggas to the death.
Whatever they said it was. When we ride you in
a whale slider yo bleaking the whil somewhere. They said,
China just came out with a potion to make it.
Let's get at the whole because we don't want niggas

(01:13:49):
he dunking bleaking the whale somewhere. I wasn't even mentioned
during that record. Yes you was.

Speaker 4 (01:13:56):
He said, beans millions, Beans made millions. But he'll tell
you if he wasn't in his feelings wrong record it's
the same.

Speaker 1 (01:14:03):
No, it's not.

Speaker 2 (01:14:04):
That's the Dynasty remix.

Speaker 1 (01:14:05):
In my life now, that's Diamonds Are Fan.

Speaker 3 (01:14:08):
That's not the same record. That's not it can made millions,
Beans made millions. That's a different record. That's what we're talking.

Speaker 1 (01:14:16):
One thing about me. That's what we talk about.

Speaker 3 (01:14:20):
I'm gonna get it.

Speaker 4 (01:14:21):
But I said, so you mad. You didn't get a
shout out on that on that No, not mad, But
I'm just saying you like that. Niggas ain't even mentioned.

Speaker 3 (01:14:29):
Me and that line.

Speaker 1 (01:14:30):
You know, No, I got my sally.

Speaker 3 (01:14:34):
You know how you you playing battleship?

Speaker 1 (01:14:36):
No my sally? Uh huh.

Speaker 3 (01:14:38):
He used to rhyme me up about that, cause you know,
when jail we had to drink. So here playing my man, Hitchy,
You're like, damn Cannon, your man ain't fucking with you.

Speaker 1 (01:14:50):
H This is how our first herding and the jail.
He was like, your man ain't fucking with you. Why,
I'm like, what you mean? He took off his herding.
He said, listen to it again? Right?

Speaker 3 (01:15:04):
What you talking about?

Speaker 4 (01:15:06):
He said, you know where on that record? Gus, that's crazy.
But look, you play battleship, you know how to go.
Hey dog, you sunk my battleship.

Speaker 1 (01:15:15):
I probably saw my own battle ship.

Speaker 3 (01:15:18):
I think I think that line played the part in
me because after that I can't have a conversation with
niggas that. I was like, hey dog, you are you
and A will see you see what I mean? So
when I used to start, when I used to part
of the will when DJ's and ship and be like, yo, Faan,

(01:15:44):
I need you to play this record and he's real DJs,
everybody's look at me, clue.

Speaker 2 (01:15:51):
Exactly.

Speaker 3 (01:15:52):
You don't need this?

Speaker 2 (01:15:53):
You good, nigga?

Speaker 1 (01:15:55):
What I need this? You're not good.

Speaker 3 (01:15:59):
I don't want to break glass in casey emergency.

Speaker 2 (01:16:01):
Y'all niggas want to see.

Speaker 3 (01:16:02):
Me break the glass, like shot me, stay away from it.

Speaker 1 (01:16:06):
At least you could break one.

Speaker 4 (01:16:07):
Nah, dog Nah, that ship might not break, it might
be PLEXI no, no, I never tried.

Speaker 1 (01:16:13):
To break it. You ain a wheal yo. It's bleak
good yo.

Speaker 3 (01:16:18):
But listen, he in a will somewhere.

Speaker 2 (01:16:21):
My man gotta die for that.

Speaker 3 (01:16:22):
I don't want that. I don't want that breath.

Speaker 1 (01:16:25):
You know.

Speaker 2 (01:16:26):
I told hold that or my daughter.

Speaker 3 (01:16:27):
We ain't told me that. He came to me and
was like, yo, em, you know that shit real? And
I told him I hope I never see that money.
You feel me. I want my man to live forever.

Speaker 1 (01:16:37):
That ain't That's what.

Speaker 2 (01:16:40):
I love it. I love the gesture, that's my brother.

Speaker 1 (01:16:42):
I love it.

Speaker 3 (01:16:43):
But I want my man to live forever. Man. You
know what I'm saying. I want a soul to live fever.

Speaker 1 (01:16:47):
I don't want no life.

Speaker 3 (01:16:49):
That's ball together. I want a ball when you go,
you did right, you know?

Speaker 4 (01:16:54):
And like that's another thing. Like I've been trying to
set this. You've been on all you know, Ice Ice
tea tall. Now y'all on another tour right now right yeah,
with the cash been trying to catch up with you
with the cash money ice Ty Tour, The l Al toy.
Y'all niggas on tall tour life. Been trying to catch

(01:17:14):
up with you to sit down. And when I spoke
to you, I spoke the freeway. I spoke to your
brother News. He was like, yo, if you want to
catch beans, and we got a new restaurant, pull up
to the restauranom I said, y'all got a new ut.
Hell yeah, pulling up, nigga.

Speaker 3 (01:17:29):
I'm a fat.

Speaker 2 (01:17:29):
I'm a fat nigga. I'm not any you feel me?

Speaker 4 (01:17:33):
So we here and my nigga beans Establishment sent Toucciese
original square pizza. I want to congratulate you, my brother.
This is the ship we work for. This is the
ship we dream of. This is the ship we can
leave our kids.

Speaker 3 (01:17:48):
You know what I mean.

Speaker 4 (01:17:48):
It's real and I'm in the staff. Were in the kitchen,
like you said, we walked through the kitchen on think
it's a gang. Now we're really in the kitchen.

Speaker 3 (01:17:59):
Kill me, real shit, man, I just want my slice
of the bar literally, even if it's square, literally, even if.

Speaker 1 (01:18:09):
What what gave you the idea to be like yo?

Speaker 4 (01:18:12):
Fuck that man, I'm getting in the food because you
always been a cooking ass nigga on tour.

Speaker 1 (01:18:15):
I ain't gonna lie.

Speaker 3 (01:18:16):
I mean, just me and my brother, my sister putting
our hands together and just think we I ain't getting
no younger.

Speaker 1 (01:18:23):
I ain't gonna be torn five.

Speaker 3 (01:18:24):
I ain't gonna you know, I'm I'm working on a
project right now with this aiding.

Speaker 1 (01:18:31):
I think just that they might get that and I'm
done with it.

Speaker 3 (01:18:35):
You're done, that said, I'm done with it.

Speaker 4 (01:18:38):
That's dope, though, man, Like I'm not a fan of
the AI shit because I watched the Terminator Dog.

Speaker 3 (01:18:43):
Yeah, John Connor, kid, you know what I mean. I
got the pistols, we ready. You still got the baby
white for me. I might need that again just the
case AI take over. But the way you use it AI,
I think that's the way AI is meant to be
used this store or something.

Speaker 1 (01:18:59):
You know. I'm on on DC. I hit you out
years ago about this. Let's go.

Speaker 3 (01:19:08):
I ain't even think about that.

Speaker 1 (01:19:09):
I think we the only two that this AI thing
will get accepted from. Now.

Speaker 3 (01:19:16):
That's dope, man, I ain't even think about d OC.
But like one of the things I always felt like, I'm.

Speaker 4 (01:19:22):
Like, man, you know, we lose a lives men, we
go to jail, We lose friends, we lose family, we
lose money. Like a nigga sacrifice a lot of things, man,
And I feel like if they want to.

Speaker 2 (01:19:34):
Take something from me, take something, take a talk, take
a finger.

Speaker 4 (01:19:39):
I know when I spoke to you and you was
like ell, man, like look what they did to me,
my g I I couldn't express it to you then
because you know, I was my first time seeing you.
But bro, like my nigga, that that shit shot in
my heart, my nigga, because I know you and I
know us. Our voice is how we made our live
and how we made our four y'all, we fed our family, man.

(01:20:01):
So for that to be taking away from you, my nigga,
your strength, your resilience that you use to push through
and still perform, still make music.

Speaker 1 (01:20:12):
And that's what's not like, man, because.

Speaker 4 (01:20:14):
It's like I said, you know, we could talk about
stuff off camera and deal with it, but it's people
out there who.

Speaker 2 (01:20:19):
Don't know what we discussed and might need that inspiration
all that shit.

Speaker 3 (01:20:23):
Rough man, know what I mean?

Speaker 1 (01:20:24):
You know what, I was far out of bams and
then go forever and the booth one take and now
my whole the way I record.

Speaker 3 (01:20:40):
It's different because I write, you know, we that's right,
picked it up from the big Oni.

Speaker 1 (01:20:45):
We don't right right. So when I'm writing in my head,
but when I go on the booth and.

Speaker 3 (01:20:52):
Try to delivery, I gotta do some shit. I gotta
punch in and I can take a lot. They give
the people what they want. But I figured it out
because I always played with the tracks and learned how
to use a lot utilize the tracks. So you know,
it's something that I always did, so I just figured

(01:21:12):
it out. That's a puzzle to put it together. And
I think this album right here is a well deserved
album that I think is really needed, like right now,
because you know, we come up right now and in
this music era, we in a deaf culture. Right now,
everything is just death. Everything is dying. They say drill music.
I call it the deaf culture. And I think this

(01:21:35):
this album, I'm really talking to the youngins, you know, and.

Speaker 1 (01:21:40):
And a lot of the music.

Speaker 3 (01:21:42):
And then I'm talking, you know, in their perspective because
I understand because I was a Waian.

Speaker 1 (01:21:51):
You reminded me, especially saying all the shit that I
used to do that's crazy.

Speaker 3 (01:21:56):
Yeah, it's just a few things I want to tell them.
We can't tell them every No, we can't tell them everything,
my gee, but just your resilience, your strength, you like
your inspiration.

Speaker 1 (01:22:08):
You inspired the whole generation.

Speaker 4 (01:22:10):
Out there, if somebody ever told you, or you don't know,
I remember, I took myself on the outside and had
to look at you know what I mean. I had
to accept what was lost, even though I might not
have took a physical loss like you, but my nigga,
to lose everything that you thought was your life, you
have to reset, start over and go another path.

Speaker 1 (01:22:29):
It's almost like losing everything too.

Speaker 3 (01:22:31):
So I had to take a step back from.

Speaker 1 (01:22:34):
Rock a lot of mind. I cannot say this.

Speaker 3 (01:22:42):
That played a part a lot of my the animosity.
I might not have knew how to express it.

Speaker 1 (01:22:51):
What it was like, what the fucky? Like?

Speaker 3 (01:22:54):
This can't be over?

Speaker 1 (01:22:55):
That's right? I felt, bro, Like what the fuck?

Speaker 3 (01:22:59):
I was raised off this, this mile, this thing of
ours forever like million feel me like I was even
hopeful one day we might even got back together. It's
a reunion ship. But it never happens. Twenty five years later, bro,
and it's still never happened.

Speaker 1 (01:23:15):
Nah. I think, I think, I don't know.

Speaker 4 (01:23:17):
I think certain niggas and the crew went too far. Yeah,
I think they went too far, too far. You know,
it's a lot of us.

Speaker 3 (01:23:24):
Still accept my icept minds and you and you, You
and Jay spoke about that, like y'all seen each other
at Clark Kent funeral. You know, y'ah accepted. And you
know I heard that from Biggs. I spoke the Bigs
the next day because I wanted.

Speaker 1 (01:23:37):
To tell him myself.

Speaker 3 (01:23:38):
I didn't want it to go through third party because
I ain't gonna say no names. A couple of people
from the crew with CJ, and I heard like Jame's
like hot beans doing it.

Speaker 1 (01:23:49):
Oh no, he's cool.

Speaker 3 (01:23:50):
Yeah, I'm cool the fuck. But like if I can
never tell a billionaire that's homie that he ain't seen
a year.

Speaker 1 (01:24:05):
To be like, no, he fucked up?

Speaker 6 (01:24:09):
He me, what do you mean I'm cool, nigga, I
ain't doing I'm grinding fundies, Ain't I'm cool?

Speaker 3 (01:24:23):
You crazy? That far from cool?

Speaker 1 (01:24:27):
Man? Yeah, I'm still waiting. You know, you're going through
some ship. But he ain't still.

Speaker 2 (01:24:34):
Waiting, he said, yeah, he said, yeah, still away, it's.

Speaker 1 (01:24:37):
Still away, yo, Hi, huh he ain't he ain't. You
ain't got a lot on this.

Speaker 3 (01:24:45):
On his plate.

Speaker 1 (01:24:45):
You're dealing with some ship right now. He's dealing with
some ship. And I don't even like I said, I don't.
We don't reward fish for swimming. You know what I'm saying.
You ain't got a lot of ship that. No reward
fish for swimming.

Speaker 3 (01:24:59):
No, sir, you killed that.

Speaker 1 (01:25:01):
I ain't heard that one.

Speaker 3 (01:25:02):
I heard a lot of statements about I ain't heard
that one. Damn killed that one. I like that one.
I remember being I wasn't with you, but I was
in Philly when what's my man name, fucking the comedian
he was down with dips Cat William Yeah, came to

(01:25:26):
Philly and brought you a fucking land bull.

Speaker 1 (01:25:30):
I had to get that back. I couldn't keep that,
gave it back.

Speaker 2 (01:25:33):
Yeah you're a good man. Yeah, you're a good man.

Speaker 1 (01:25:36):
Cat.

Speaker 3 (01:25:37):
Listen, that shit would have been a malleable right now.
So what happened was Cat came to a show, he
gave me the card, right, It's like, yeah, that's your
uh huh.

Speaker 1 (01:25:51):
I didn't know, Himan cav what's going through drama like that? Yeah,
so you know that was part of.

Speaker 3 (01:26:01):
The shit like you said, I put gather on, I'm
not taking I didn't take the calv on.

Speaker 1 (01:26:06):
That was Dame did that. So yeah, me and Cav.

Speaker 3 (01:26:10):
I was in the movie with his first movie where
he I don't take no credit for that, so he
gave me the lambot. So I got a show. So
that there, I got a show. Incident happened this documentary
and cav got me. I mean yeah, Cat Williams gotten

(01:26:30):
something with some niggas on the stage and I knew
him and they went too far with that shit.

Speaker 1 (01:26:38):
So it was on my watch. Yeah, So I couldn't
keep that. I wouldn't felt right as a man keeping that.
So go ahead, Cavi, I can't take that.

Speaker 3 (01:26:48):
You're good nigga man. You better than me though, like
I said, calve shit would have been on No Stringing
Park right now in front of the Chicken.

Speaker 2 (01:26:55):
Spot blizzle back, yeah, yo.

Speaker 3 (01:27:02):
Like, how do you feel about the state of Philadelphia
hip hop now?

Speaker 2 (01:27:08):
From where you took it to where it's at at.

Speaker 1 (01:27:14):
I think there's a lot of good talent in Philadelphia,
hell of a talent.

Speaker 3 (01:27:22):
I think it's too many big eyes in little eyes
in Philadelphia right now. And I think everybody should just
work with each other. Everybody want to make it, and
that's cool. Everybody want to be the one.

Speaker 1 (01:27:40):
I think.

Speaker 3 (01:27:42):
A lot of people put I won't even say pressure,
but they look at one person to be the savior,
and they look and you know, they think me is
the be all end off. And I think that's not

(01:28:03):
fair to me. M everybody who don't make it. They're like, yeah,
cause Meek should do this.

Speaker 1 (01:28:08):
Me should do that. He should put us on. That
ain't fear to me.

Speaker 3 (01:28:12):
And in my eyes, I think everybody work hard and
if every all the artists in the city come together.

Speaker 1 (01:28:21):
At some point, then Philly is unstoppable.

Speaker 3 (01:28:27):
As a fact, speaking to me, Meek is a phenomenal artist.
Young boy put Philly took it to another level. Oh no, listen,
when I listen to me as a from a fair,
I hear every one.

Speaker 4 (01:28:42):
Of y'all for state property in me. I had pete
krat I have freeway. I hear you like, he's no way.
Meek is a produ of state property that's undeniable.

Speaker 3 (01:28:53):
Every time he rhund, I hear different flows or different
shit that sound like I be like, mm, that's that
state pee bag? He in that you know what I'm saying, like,
that's everybody for that's anybody that said to the body,
she listen to me, you big younar Scarface U yo
U yo.

Speaker 4 (01:29:12):
That's another thing, man, Like do you feel like, damn
yours face should have made the album together.

Speaker 3 (01:29:17):
I wanted that so bad, man, because that macking.

Speaker 1 (01:29:22):
I think I wanted back before Kiss the Mac. I
wanted that. I used to bro. I used to.

Speaker 3 (01:29:31):
Yo, this is crazy. You remember Cisco drink drink Yeah, yeah,
recipes and my man skinny Toots. We used to drink
Cisco and listen to Scarface before we used to go
out rocking.

Speaker 4 (01:29:46):
God, Damn, I was on some real drill shit. Yeah
you're talking about the drill. Niggas bucketing. Y'all was drilling
before drill. That was drilling, gud. I think it like allegedly.

Speaker 1 (01:30:01):
We was doing it for the money. That's a fact.
They killing just to.

Speaker 3 (01:30:04):
Kill, because they're killing just because nigga said, Yo, you
pussy your Facebook at thirty five people liked it.

Speaker 1 (01:30:11):
Just killed in Philadelphia.

Speaker 3 (01:30:14):
Sad.

Speaker 1 (01:30:15):
But you it's only good as the last body.

Speaker 3 (01:30:18):
You caught, these young boys or some shit. I don't
even want no pussy, yo, chilled, Chill, chill, because I
just heard a song where niggas said half of these
killers is virgins, and I'm like, fact, it can't be facts, yo,
that's insane.

Speaker 1 (01:30:39):
Man.

Speaker 2 (01:30:39):
Before I wanted a gun, I wanted some pussy. Do
ye straight up?

Speaker 3 (01:30:43):
After the pussy, then I knew I needed more money,
So now I needed the gun to get more better,
you feel me, everything goes together. First it was the pussy.
The pussy showed you you ain't got enough money. Then
you needed the gun to give more money to get
more pussy.

Speaker 2 (01:31:00):
Like a going about, you feel me. It was a
cycle to this ship by g but.

Speaker 3 (01:31:06):
And it's so crazy because once you in it, like
I got a younger, he booked right now and talented.

Speaker 1 (01:31:17):
His name FS the Bender. We had we had some
conversations and he don't want to.

Speaker 3 (01:31:28):
Be.

Speaker 1 (01:31:31):
He don't want that part of it in his life.
He don't want to be what he is, the Bending,
But he feelings though it was too late. He wanted
he in his music. Oh my gods, music is phenomenal.
If he had a choice, he would do music all day,

(01:31:51):
every day.

Speaker 2 (01:31:53):
But he's so.

Speaker 1 (01:31:54):
Afraid of being a rapper.

Speaker 3 (01:31:56):
Twenty four to seven because you know his background, he
gonna get slipped. He's gonna, you know, get caught out
there slipping being a rapper and not being on top
of his business. And I think, like that's sad for him,
and like, you know, I rock with young boys. Music
is crazy, but he just caught up.

Speaker 1 (01:32:18):
You know.

Speaker 4 (01:32:19):
I feel like ship, I'm way home because I always say,
if you're on some criminal shiit like when you're killer
being the rappers one of the worst shits you want
to be because now your face is on the fly.

Speaker 3 (01:32:32):
They know where you're gonna be at.

Speaker 1 (01:32:34):
The face of beings, I mean chases. I feel sorry
for dudes, you know what I'm saying, Like.

Speaker 3 (01:32:41):
Like, do you looking back, do you feel like it's
anything you left on the table that you or you
just like non, I live with no regrets.

Speaker 2 (01:32:48):
I did everything I needed to do.

Speaker 1 (01:32:51):
I mean, uh nah m, I have no regrets. Man,
that's right. I have no regrets.

Speaker 3 (01:33:07):
I have no regrets because all my music come from
a world place. So if any of that changed, then
I wouldn't be.

Speaker 1 (01:33:17):
The artist.

Speaker 3 (01:33:21):
That people receive. The artists that people gotta have no regrets.
It's a couple of things that I wish I would
have done different. You know what.

Speaker 1 (01:33:29):
You know, sometimes we wear emotions.

Speaker 3 (01:33:31):
On our sleeves.

Speaker 1 (01:33:32):
And that's one thing, one thing that I feel as
though that.

Speaker 3 (01:33:39):
Out of anything that I ever did, I exposed family
business to the world, and that and that shit.

Speaker 1 (01:33:49):
Eat me up.

Speaker 3 (01:33:50):
That I feel you for even admitting that, because I
you know, I know a lot of shit going on
with John Oh Scheme no and all that I told
that's gonna free my dog. Y'all, my brothers. I love y'all, niggas,
y'all got problem to me. All of y'all in my family,
grew up with all of y'all. All of y'all was

(01:34:12):
introduced at the same time, so I treat all of
y'all the same.

Speaker 1 (01:34:14):
I never had a problem with none of y'all. So
when I spoke the oh that was my thing. It's like, yo,
my nigga is a thing to have a problem with niggas.

Speaker 3 (01:34:23):
But when you addressing personal shit and like family business,
then it's a line that you're going across that it's
like no point, it's no return, you know what I'm saying.
And that's where I feel like us as brothers. I
put it like this, I will never turn that camera
onto address you, my brother. I get on ninety five

(01:34:45):
and drive for Philly. Before I do that, y'all, I
pick up that phone.

Speaker 1 (01:34:49):
Yeah we call.

Speaker 3 (01:34:49):
I mean you too our text.

Speaker 4 (01:34:51):
I don't give a fuck if I gotta d M
you or write you on Facebook. But all of those
actions are gonna happen before I turn that them.

Speaker 1 (01:34:59):
Fact.

Speaker 3 (01:34:59):
So you know what I'm saying. And that's just mopping
because y'all, my brothers and I feel like fuck, if
a nigga want to fight me for being real or
telling you what I feel, the fuck it. We're gonna
be rumbling my nigga like brothers do. And then when
we're done, you're gonna understand what yo yo. Remember Ship
Knock like we were shooting the intro to the Hard

(01:35:21):
Knock Like like, y'all, that was some real young boy
ship nigga Jay was on supposed to Jay was instigating
that day too.

Speaker 2 (01:35:34):
Jay was instigating because Jay was fucking with me.

Speaker 1 (01:35:37):
This is back in the day.

Speaker 3 (01:35:38):
You know, when you first meet a nigga, the last
thing y'all niggas do is play with each other. Government
So that nigga Jay was calling me my middle name.
My middle name is d Shawn. So this nigga beams
like ah ah, that nigga. What else? It was your

(01:35:59):
lack my last name? Oh yeah, mister Cox Yo.

Speaker 2 (01:36:04):
So this nigga like your nigga, the elite Cox.

Speaker 1 (01:36:10):
So in Philly we are saying when you were younger,
you know, getting pussy you know co Yeah yeah, cock.
So I'm like this nigga last name, nigga.

Speaker 4 (01:36:25):
You don't get no cock yode I got so he didn't,
but yo, not because you don't understand.

Speaker 2 (01:36:32):
As a shorty growing up in school, I had to
fight for that every day every day.

Speaker 3 (01:36:39):
When I first met you and you you was mad.

Speaker 1 (01:36:42):
Oh I drilled.

Speaker 2 (01:36:45):
That nigga. Ja was like, yeamn, y'all, really you really
want to fight him for that?

Speaker 3 (01:36:48):
I'm like, yo, ja, yeah, we wanted to fight.

Speaker 1 (01:36:51):
I wanted to fight.

Speaker 3 (01:36:52):
I ain't gonna lie.

Speaker 1 (01:36:53):
I remember two times you was now that was it?
That was no what else? Matt, stay properly the movie.
Yes what happened? Remember they was ordering our food, our
breakfast every morning, and I think what I ordered some
pork ship, So.

Speaker 3 (01:37:13):
Order something, order egg and cheese with a biscuit with
the bacon.

Speaker 1 (01:37:20):
No bacon, egg and cheese. That's it. They keep bringing
these bacon, eggs and cheese.

Speaker 3 (01:37:28):
Jok.

Speaker 1 (01:37:30):
Fuck, so where's on the bus this the fourth day?
I did it again. She bring the box in. I'm
checking them. I just started throwing them.

Speaker 3 (01:37:44):
Fleet like, Noah, you was throwing all the throwing all
the biscuits clee like, I don't give a fuck.

Speaker 1 (01:37:53):
I ain't bacon now with today, I was slinging the joints, even.

Speaker 7 (01:38:03):
With the junior bacon cheese workers from with I don't know.
Even going the waffle house, manbody used to get the
ship smothering, covering yo ship this yo nothing chumps bleak
man went to.

Speaker 3 (01:38:18):
The wild flop and you know, uh we can't nothing
not the white house. Put the waffle and some eggs
everything else on the grill.

Speaker 1 (01:38:30):
I said, I know bleaking this, So excuse me, ma'am.
When was our order again?

Speaker 3 (01:38:38):
You ordered, uh three eggs scrambled with cheese and a wiffle,
I said, but what did he ordered?

Speaker 1 (01:38:46):
He ordered steak with the.

Speaker 3 (01:38:49):
Wiffle, and he wanted hash brown covered in chunks. I said,
what the fuck is covered in chunks?

Speaker 1 (01:38:59):
Your life?

Speaker 3 (01:39:00):
Yo? Na el the ass browns with the gravy and
chunks and amn on.

Speaker 1 (01:39:08):
I said, they don't want that. You're like, yes, the
fuck you he don't want that.

Speaker 2 (01:39:16):
You don't, my nigga, I don't.

Speaker 3 (01:39:18):
We used to have so much.

Speaker 1 (01:39:22):
Be like no ship you can't eat no three times.
I remember one more other time we was at Amsterdam.

Speaker 3 (01:39:33):
What I do with Amsterdam?

Speaker 1 (01:39:35):
Remember they had the uh the rod levers. They had
this trucky ass color rad levers.

Speaker 3 (01:39:42):
They had dash so I think I ordered like six pair.
You ordered six pair and you was like, no, I
got so you was trying to get jam par. I'm like, no,
I'm getting these for my brother. Like man, I said,

(01:40:04):
I'm getting these and I'm taking these home with my brother.
You're like, let me get too pair of them.

Speaker 1 (01:40:09):
That's whole. That's Jayson.

Speaker 2 (01:40:12):
I remember that.

Speaker 3 (01:40:13):
No, no, my brother.

Speaker 1 (01:40:17):
He's like, you're gonna do that to the god I
said to who He was like, nah, you can't, I said,
Jay won't get these roy.

Speaker 4 (01:40:32):
I remember that, Yo. You know I still gotta be
better of us. In that smoke shopping afterdam the first
time we went together. You remember we didn't have no
black woods.

Speaker 3 (01:40:41):
Remember we were smoking snoop fucking blood raps on the
first time.

Speaker 1 (01:40:46):
Yeah, because look when you go away, you had to
push the button and then.

Speaker 3 (01:40:51):
The men and the menu were light up like that
in the Bulldog, Dang's still with the menu. You push
the button and men you like love. In the Amsterdam
we go to the Bulldog and light up yo, Yo, listen,
I remember the first time where it was walking. Remember
I jump because I didn't know the chicks in the

(01:41:11):
window was working.

Speaker 1 (01:41:12):
Oh yeah, yah yo night going through Yo, going through
the red light district.

Speaker 3 (01:41:18):
Remember niggas trying to take raz like nah, he smoked
so much in Amsterdam when you came.

Speaker 4 (01:41:25):
He stopped smoking. Stopped smoking. He stopped smoking. That's so
fast and stopped smoking. We blew it down so much
our first time in Amsterdam. We can't on Thatgga Bean said,
I quit. I don't smoke no more. It's like why
diiggas say, Yo, he smoked too much? Man, Nigga like,
I'm done. I'm not doing this ship no more. But
guess where he happened.

Speaker 3 (01:41:45):
Biggs, Biggs really Biggs gave me this ship cal Carojuana, Carojuana.

Speaker 1 (01:41:54):
It was we it was called Carojuana. Remember this. That
ship sent four people to the hospital. I smoke this ship.

Speaker 3 (01:42:07):
I'm in my crib.

Speaker 1 (01:42:08):
We're chilling, smoking this ship. And I look over and
I swore I seen the pool ball moving on the table. Yo.
Ship the fuck.

Speaker 3 (01:42:22):
Smoking this ship. I'm like, no, I put that ship down.
Next day, I go to uh, Chad West.

Speaker 1 (01:42:32):
Crab Chad West on track. Gee, I'm about to record.
Gotta have it. So I bring some of the weed
with so I tell you, I roll up, Chad. He
smoked the smoking the weeds he smoked. I go on
the booth to call my verse, so I record, lay boom, Chad,

(01:42:54):
you got that. You keep telling me, no, do it again?
Do it again.

Speaker 3 (01:43:00):
So I'm like, all right, I'm going in and doing it.
Come out, Chad, what's up? He was like, one more time?
Put a little So I come out the jaw out
the booth. I look at Chad.

Speaker 1 (01:43:17):
I'm like, Chad, what you mean? He stopped.

Speaker 2 (01:43:20):
Nigga ain't never press record. He was smoking the wig
and was on the list.

Speaker 3 (01:43:27):
And he said.

Speaker 1 (01:43:29):
He was like, Yo, what you putting this wig without? Nigga?

Speaker 3 (01:43:34):
You rolled it, yo, I ain't putting nothing in it.

Speaker 1 (01:43:37):
I go home. I'm telling everybody, Yo, Chad it parting,
he's smoking it.

Speaker 3 (01:43:44):
Then I smoked. I smoked this wig. Then something said,
you know you aren't supposed to smoke that ship, So
I put the l down. It was like, oh ship,
my ship started beating fast.

Speaker 1 (01:43:58):
I'm like, damn. It was like, nigga, go upstairs and
get in the shower, get that ship off. I went upstairs.

Speaker 3 (01:44:05):
I'm listening to to myself. Go upstair, I get out
this shop. In my head, someone was like, you know
that ship ain't gonna work. Lay the fuck down.

Speaker 1 (01:44:16):
So I laid out. I go downstairs. I tell my brother.
I'm like, yo, y'all gotta take you to the hospital.

Speaker 3 (01:44:24):
So now they laughing at me. Joe, She's like bogging,
they laughing. I get to the hospital. They're telling me
I'm having anxiety attacks.

Speaker 1 (01:44:34):
Off the wied.

Speaker 3 (01:44:35):
So I hide the weed, put in the shoe box,
put in my crib rest in peace to Uncle Doc.

Speaker 1 (01:44:41):
Yo, Uncle Doc always rumming in in my closet.

Speaker 3 (01:44:45):
He felt the pack, found.

Speaker 1 (01:44:46):
The pack, smoke the weed. Why was you there when.

Speaker 8 (01:44:52):
Uncle Doc Doc had to go to the spital. Yo,
shit Matt, Uncle Doc and cousin Carlos to the hospital.
Off heroll he was of them.

Speaker 2 (01:45:04):
Mac not telling the whole story. It's Herouina and it
was another one called hash Plant.

Speaker 1 (01:45:08):
Hash Plant, Yeah, I don't know Herojuanda. It was hash
Plant who.

Speaker 3 (01:45:17):
Was washing clothes. He was washing some of mac clothes
and found it in his pocket. He felt like about
four five hundred dollars.

Speaker 1 (01:45:26):
You know Max.

Speaker 5 (01:45:28):
He found four hundred about four hundred dollars and the
weed you took, the money got smoked. Hospital Yo. No
that's good money felt the No, that was hospital yo?

Speaker 1 (01:45:44):
Are you shock?

Speaker 3 (01:45:45):
Rested?

Speaker 1 (01:45:47):
I got. I used to dodge pleasures, so that was
no money.

Speaker 3 (01:45:53):
Of you fell asleep on the breakfast club. Hole was
hot at you.

Speaker 1 (01:45:57):
I think that you.

Speaker 3 (01:45:58):
I would never forget this day that nigga Hole was
so hot at this nigga. That nigga Charlote Maade was
saying Son that nigga be just kept saying no, no
nigga like Yo. But the nog j like you, what's
up with this?

Speaker 2 (01:46:20):
Like yo, Jake that nigga live.

Speaker 3 (01:46:22):
We was out last night, baby, I remember yo.

Speaker 1 (01:46:28):
I remember one and Enjoy I had the zoo. I
was in Dame office. You chill.

Speaker 3 (01:46:34):
I remember his ruler telling us indep don't wake that
beer about it hoppenmation. He alright, yeah, Yo, that was
that was that was That was my thing. That was
the thing between my mom my sister. They used to
argue with who's gonna wash my clothes?

Speaker 1 (01:46:53):
Wow? Because I was in there. That's right, yo, listen
bringing up sis.

Speaker 3 (01:46:59):
I've seen sister day manuck grown woman dad Lily. She
was the little yo, bro, beautiful, beautiful, everybody grew up.

Speaker 1 (01:47:08):
Amazing. Man.

Speaker 3 (01:47:09):
I seen your son in the city too, not too
long ago, like about the oldest, like about ye right,
like probably like about a year ago. He was up
there in your partying with me. No words, that's Lee.

Speaker 1 (01:47:23):
Oh that was that was Lee New York you know
in the mood y'all live in New York? Was that's
that was Lee thirty something? Oh no, it wasn't him. There.
He was short. He was short, brownskin beard.

Speaker 3 (01:47:39):
Yeah, had to be somewhere that it might have been
your son, because he definitely was like I'm being son
and I'm like, oh no, yeah, he said I'm beating something.

Speaker 2 (01:47:49):
He's like, bro, you know me, I'm beaning so used to.

Speaker 3 (01:47:51):
Be at the crib bleak and I'm like nigga, you
grown man, don't matter you beating something coming you coming out.

Speaker 4 (01:47:57):
You said the right day, let's go, and I did
get the club with us all night, make sure he
was a good guy home safe and all that man word.

Speaker 1 (01:48:06):
Yo.

Speaker 3 (01:48:08):
You put on and did so much for the city,
for the culture. You feel like the culture don't give
you the flowers you deserve.

Speaker 1 (01:48:16):
I don't care about that for those who know. No,
I can't eat flowers, yo. Ship that's right, you know
what I mean.

Speaker 3 (01:48:26):
I can't eat flowers.

Speaker 1 (01:48:27):
When people say you're your flyer, I don't want no
fucking flowers. Give me the check. I don't want the credit.
I don't want I don't even want the credit. It
is what it is, you know what I mean.

Speaker 3 (01:48:37):
My my thing is at the end of the day,
we all gonna die. So when I go I want
people that I know that my kids. Nah, that's mac son,
that seed son.

Speaker 1 (01:48:53):
You know where that is? That seed son?

Speaker 3 (01:48:55):
That's right, No, chill out, you ain't doing that. That
seed throwing. I seen nothing, that's that's it.

Speaker 1 (01:49:03):
That's it.

Speaker 2 (01:49:03):
Then you know you did your job. Manrant my own flowers.

Speaker 1 (01:49:07):
Yo. Yeah.

Speaker 3 (01:49:11):
People say I don't want to give you a flower,
specially through flowers before before I let you you know,
we get back to the santuc the party, no grand
open and ship. I just want to say, if this
is the last time you ever do an interview, a podcast,
anytime they hear you speak, is there any truth that

(01:49:34):
you feel like somebody got misconscrewed on that you want
to correct and want to let people know about seeing
I think I said it one thing that I that
I uh if I had any regrets, and I hate.

Speaker 1 (01:49:54):
That because I know better. I want my emotions on
my leave, talked about family business to.

Speaker 3 (01:50:02):
Them like that's one thing I always carry with me.
That that's it, Yo, Bro, I just want I don't
say this because I'll be over here and y'all over there.
I tell you this to your face. I tell free
this every day I tell Chris. But I love yall niggas,
y'all my brothers, bro. Like even when the break up,

(01:50:24):
people would think, Yo, he with Jay.

Speaker 1 (01:50:26):
He don't my nigga? Where was that?

Speaker 3 (01:50:29):
Even every day?

Speaker 1 (01:50:31):
How many show we still together? Kick it?

Speaker 3 (01:50:35):
Think about it. I'm in Philly every time. The yeah
this year the way your brother hit me, yo, it's
that time of year. Get broke.

Speaker 1 (01:50:42):
You back. I'm like, hell, yeah, I'll back. You know
you're coming for that turkey.

Speaker 3 (01:50:51):
Giving yo, that's right, give me Christmas, my nigga free
in the building, freezer freezing but not going tight seeing
in the motherfucker nigga.

Speaker 2 (01:51:04):
What's something my gut that it's a chip. I'm gonna
come around this way right here. Yeah, you sit here,
step over the.

Speaker 1 (01:51:14):
White you right there and bleink you in the middle.

Speaker 3 (01:51:20):
Freeze up in the motherfucking building.

Speaker 4 (01:51:23):
It's the first time we got an intimate intermission with
an extra guests on the show.

Speaker 1 (01:51:28):
You know what I mean.

Speaker 3 (01:51:29):
Welcome my motherfucking brother. Crash word up right, niggas crashing
ship with something. My guy crash that freest I just
told him, you're locked in name sense.

Speaker 1 (01:51:49):
What's something, my man?

Speaker 3 (01:51:50):
What you was doing? Man, pulling up, just moving around
the city. You're gonna have to come do for the
soft over. That's what something. You freeze the building? Man?

Speaker 4 (01:52:01):
You see you see my notes dog, my notes chair.
I was on my stephen a ship stephen Ay blizzle.
You know what I'm saying here in the building. Free
when what's going on?

Speaker 1 (01:52:12):
Man?

Speaker 9 (01:52:12):
It's got anything you want to tell people, let them
know what's coming out with me and Max saying here
kicking it right. Come on, I've been hitting you right,
I've been chasing them down right out my sneak song.

Speaker 4 (01:52:24):
You know what I'm saying, My brother, man, I appreciate
it all. No, you know, I love you, my brother,
no matter what the fuck go on in the public.
People could read and look into these interviews and see
what you see. But I want you to know this
is my family, man. This guy right here is the glue. Listen,

(01:52:45):
Flus live on the end of that.

Speaker 3 (01:52:50):
Funk all that boys, sh right, it's one of the realist, humbless,
honest person that you're That's a fact. Man Freeway, the realist. Ever, like.

Speaker 4 (01:53:03):
It's a lot going on, man, and like y'all gotta know,
Man Free is the glue because it's a lot of
ship that go on in Philly and one person I
could call and make sure everything is straight, Free no
matter if it's a problem with Because what I had
a couple of me and Gilly had a disagreement, Free,
put us on the phone. Me and Beans had a disagreement,

(01:53:24):
Free put us on the phone. If I have a
disagreement with traffic out here, free, gonna put me on
the phone with them.

Speaker 1 (01:53:30):
You are He's the.

Speaker 3 (01:53:32):
Glue and he makes sure shit right and I love
you for that, my brother, to make sure we're all good.

Speaker 4 (01:53:37):
Certain family stay together. And you know what this is, man,
It's rock solid. And if we watch Solent, you solid
and you my brother, and this is my family. So
when you see them, you see Bliinzi, you see the.

Speaker 3 (01:53:47):
Rocks rock solid.

Speaker 1 (01:53:49):
I just want my slice of the bar.

Speaker 3 (01:53:51):
Let's go, man, saying to even when it is square
ringing in the pan, y.

Speaker 1 (01:54:01):
Mark solid for life. I know it.

Speaker 3 (01:54:03):
Yeah, my guys, man, let's go forget about it. For
more podcasts from iHeart Radio, visit iHeartRadio app, Apple Podcasts,
or wherever you listen to your favorite shows at and
you can follow me on any social media platform under
the name Memphis Bleach. You see anybody fraud and flagging

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Beanie Sigel | ROC Solid w/ Memphis Bleek

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Beanie Sigel | ROC Solid w/ Memphis Bleek