Lil Cease | ROC Solid w/ Memphis Bleek - ROC Solid

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
What up, y'all. This is your main man, Memphis Bleak
right here.

Speaker 2 (00:02):
Welcome to rock Solid, a production of iHeart Radio and
the Black Effect Network in partnership with my guys over
at Drink Champs.

Speaker 3 (00:13):
Big with the year Memphis.

Speaker 1 (00:15):
I'm Black Caddy, niggas.

Speaker 3 (00:17):
Notice the difference, just more pro president.

Speaker 1 (00:19):
No stones, y'all already know what it is.

Speaker 2 (00:22):
Your true m Greasy back with another motherfucking edition of
Rock Solid. And you know I got my bro with me.
It's Brooklyn. You already know. He a legend. He doing
what he do respect. We started in the game around
the same age. Listen, he hung with my favorite rapper

(00:43):
J is my bro, Bud Jay. I love you, no Bis,
you know what I'm saying. So I gotta welcome my
bro Seeds to the motherfucking building.

Speaker 3 (00:52):
Your It is my brother, man love.

Speaker 1 (00:56):
I'm getting low, brother, you know what I'm saying. That's right,
the real getting load about that year my man chilling
man say, I've seen you out there in Jamaica doing
your thing.

Speaker 4 (01:07):
Man.

Speaker 1 (01:08):
Yeah, yeah, yeah, I was out there with that with
big kids. That's what shocking. Tiana CJ.

Speaker 3 (01:13):
Yeah, Tyler, you know I never met I never met Big.

Speaker 1 (01:16):
Kids, get the fuck out.

Speaker 3 (01:18):
We never met Cjana neverme on we gotta make that happen.

Speaker 2 (01:22):
Ever, Bro, I'll be seeing you, and I respect how
you hold them down.

Speaker 3 (01:26):
You like the big up.

Speaker 2 (01:27):
You know that they need the guidance that they need
to make sure they're crashing out and wilding out. So
I respect from Afar. You know, I never told you,
but I'd rather tell you now.

Speaker 1 (01:37):
It's Adell.

Speaker 2 (01:37):
I respect how you hold that dad and said that,
appreciate what made.

Speaker 1 (01:40):
You step into that role.

Speaker 3 (01:44):
To me, it wasn't even like stepping into a role.
It was just something that's just like you know, where
we come from. It's kind of like mandatory, you know
what I mean. You know, when Big passed away, I
was about to turn eighteen, you know what I mean.
So that wasn't like that was something that was in
my head to be like yo, yo, I'm gonna make
sure you know I'll do this and do that. It
was just something that just comes with the territory, like yo,
that's bro. He got two kids out here. She was

(02:04):
only like three at that time, I think, and his
summer's only like seven months six months wow. So it
was like, you know, at the end of the day,
I'm like, I want to keep the attachment to big
because this is what he left here.

Speaker 1 (02:14):
That's right outside of his mom, you.

Speaker 3 (02:15):
Know what I mean. You know it was just Grandmams
his family. Yeahs at Peter Mims Wallace too. So that
was just something that kind of just came, like it's natural.
It's like, you know, I mean, like, gotta be you
know what, I gotta be there, boy in here. But
look it's a little son. I gotta make sure he
got he got to know who. We gotta know who.
Junior Mafi is like that. That's right, Me and his daughter,
we both leos. He August tenth from August twentieth, you

(02:36):
know what I mean.

Speaker 1 (02:37):
So I got birthdays coming up, many were going out.

Speaker 3 (02:40):
We're going out the country again.

Speaker 2 (02:41):
Yeah, that's the season, just finishing. We'll let the Leos
do they thing, no doubt.

Speaker 3 (02:45):
You know what I'm saying.

Speaker 1 (02:46):
Leo time man, lions Man, lion.

Speaker 2 (02:48):
Hard baby, Yo, I'm gonna go back in the day.
This is before I even I even knew you. I
saw you in Marcy. I think this was like ninety five.
This is right when y'all my nigga y'all was killing everything,
riding through Brooklyn, big land cruisers everywhere, everywhere y'all went,
And it was Marsie Day ninety five and y'all pulled

(03:10):
up to the hood on murdering no strength, fucking with
the homies from the other my bros from the other
Turtle Turtle, Yeah, you.

Speaker 3 (03:18):
Know, they all the black and all of them, my
brother Turtle man.

Speaker 1 (03:21):
And I remember the dollar word out.

Speaker 2 (03:23):
I remember sitting there being like, damn, this is how
it feels when niggas get on. They ain't crushing my
g So I just want to know what was your
mind state just and the rider.

Speaker 3 (03:36):
Was on, Bro and the whole Junior Mafia movement man, Like.

Speaker 1 (03:39):
I mean, you know, for me, it was you know,
we didn't expect that, Bro.

Speaker 3 (03:44):
You know what I'm saying, Come on, you know, we
didn't prepare for the way kids in the New generation
talking about how they saw their time coming, and you know,
they like they knew this was gonna happen, that was
gonna happen because everything that they have today today advantage
now you know us in our time, Nah, it was
a you're stinging cracked rock or you got a wicked
jump shot you. That's you know, that's all we There's

(04:05):
nothing else we did. We brew, we broke deam you
know on the block, right, but that's it. We ain't
have cell phones. You had to really use that wyatt
and take through your whole house, or you had to
wait on that.

Speaker 1 (04:16):
Get that number and be like, nah, nobody used the phone.

Speaker 3 (04:19):
I'm waiting on a call and keeping coins in your
pocket in case you gotta.

Speaker 1 (04:22):
Throw a down a corner.

Speaker 2 (04:23):
That motherfucker sh it that back of the day when
he was on the block, manber, you had to keep
a calling car just in case your ass went to
the book, no doubt, right, fuck that noose was the day,
but that it was just, you know, it was it
was something we didn't expect me, you know, like you
know when big start getting on, we ain't think it's
gonna get to that level.

Speaker 1 (04:41):
You know, we all knew he was dope. You know,
the world was spreading around and you know, through the.

Speaker 3 (04:44):
Bubble and ship, so it's like, okay, once you got
a record deal, it was.

Speaker 1 (04:48):
Like a right smooth you know it.

Speaker 3 (04:49):
Ship ship dope. You know it's taking us off the streets,
you know, I mean, we're going to soundtrack studios now
Chunk King and he's doing ship with super Cats, you
know what I mean, ever doing you know every d
doing ship with uh Mary Jay, the Real Love. So
it's like all right cool and then got Ready to
Die man like when they dropped that Juicy and that's
when I was just.

Speaker 2 (05:08):
Like, oh ship, I ain't gonna front y'all. Niggas were
Brooklyn alive, bro y'all, y'all bought. It was a different
time when that Ready to Die drop. It was a
different time, my nigga Like, yeah, niggas.

Speaker 1 (05:20):
That what was one of this ship?

Speaker 2 (05:21):
Then?

Speaker 3 (05:21):
Hell yeah, it was on some big on some big
level ship like.

Speaker 2 (05:25):
The West Coast period running everything like like we had
our groups that was doing making noise like always give
respect to EPMD. They was putting up it was doing then.

Speaker 3 (05:40):
Who came out before? So you have one too, like
it was there West.

Speaker 2 (05:43):
Coach was fucking putting up numbers like no other. And
then when the Bad Boys movement came, y'all niggas just
shifted it back to the East and tension. It was
like damn, and I knew. I'm like, I know, bro,
like I know it feels like I remember we did
a show one time when you fuck in Connecticut, and

(06:04):
this was when Big, after Big hurt his leg, you
pushed them out of the wheelchair and y'all shut it down.
And I'm even sitting there like this, like damn my nigga,
Like remember this is when Jay was on to come up.

Speaker 1 (06:15):
So he wasn't really eating.

Speaker 2 (06:16):
Oh, we were still trying to get there, yall. Niggas
was shutting shit down. Man, I was just happy to
be there. So I always wanted to ask you, what
was it like just even hanging with Big, like a
studio session any of that shit.

Speaker 1 (06:33):
I mean, look at it like this.

Speaker 3 (06:34):
It's like it's like me asking you how it is
like hanging out with Whole or the whole before the
holes that people know today, like before he was on, before.

Speaker 1 (06:44):
He was popping. I'm gonna tell you now it's a
line carpet.

Speaker 2 (06:53):
It's like, nigga, like, yo, let me hold your car,
and they just let you a lines carpet and you
just that's my life bench. So I could just imagine
y'all had the error when it was no cameras, no
cell phones, no social media, nothing, and y'all had that eerror.

Speaker 1 (07:09):
So but yeah, I was fun. Man Bell he was
you know, he was a real one.

Speaker 3 (07:13):
You know what I'm saying. He was real. His whole
thing was, you know, if I can get right, I'm
gonna try to get anybody else in position. He already
did that. He's just what His first album came out
in nineteen ninety four, Junior Mafia came out nineteen ninety five.

Speaker 1 (07:27):
That's like, you know, like, all right, that.

Speaker 3 (07:29):
Boy, that's just for those albums. You know what I'm saying.
The album was on some shit. You're mad. He recognized
he he was smart enough to recognize like the growth
where he was going, you know what I mean.

Speaker 1 (07:39):
He was like, Oh, I could really just run this ship.

Speaker 3 (07:42):
You know what, This little nigga don't rap, and I'm
gonna write him some shit. You know what if they
buying into my shit, they're gonna definitely buy into this ship.

Speaker 1 (07:51):
So you never even wanted to be a rapper. Nah,
I was cool with.

Speaker 3 (07:55):
Just hanging bro Like I loved the music though, Like
you know, as a young kid, that's all we had,
you know what I'm saying, Like we're buying batteries for
radios and ship.

Speaker 1 (08:04):
Yeah, they all day in the basement, like.

Speaker 3 (08:05):
You know, when they open up the bottom gear, we
go down there. Yeah, yeah, you know what I'm saying, basement.
So and growing up like that, you just never you know,
you're young. You don't never think how other rappers, how
they how they So that's you coming from this.

Speaker 1 (08:19):
You don't think you're gonna make it that far.

Speaker 3 (08:22):
So to watch him go, to watch us go from
doing three hundred people, you know what I'm saying, the
five hundred people, you know what I mean? Then Juicy
come out, we fifteen hundred people. We're doing theaters now
you know they're no more clubs, Big Papa come out now,
all right, lot Rena, you know, Rena's just it's the
bottom and one more chance, come out now you know

(08:44):
it's over. Yeah, we're in the garden there. You know,
you move.

Speaker 1 (08:47):
You just watched the growth, and it's like for us,
it's like, you know, we were still us, you know,
we still I was out every time. You know what
I'm saying, It's like I saw.

Speaker 2 (08:57):
I always just wanted to know what was your experience,
because even just now it just blew my mind that
you didn't even want to be a rapper, Big, just
like fucking it. You know, I'm a I'm a right
for him. Young niggas came out and destroy shit. Yeah yeah,
got did it too. That's straight up how he did it.

Speaker 3 (09:13):
Yeah.

Speaker 1 (09:13):
Then you got Little Kim came on and just straight monsterdy.

Speaker 2 (09:17):
Like when you think of rap crews today, a lot
of rap crews if they are structured the way bad boy.
I ain't gonna say bad boy the way big structured
junior man, it's the Hahn Joe, the little homie that's
gonna hold it down.

Speaker 3 (09:33):
And then I got my ride to dot you yeah, lieutenant.

Speaker 1 (09:35):
Yeah.

Speaker 2 (09:35):
Strange type of shit, So I know you gotta feel
some type of pride to know. Man, it's a lot
of junior Mafias out here, man, no doubt put that hell.

Speaker 3 (09:45):
Yeah, because I mean, and you know, I'm proud for
when I'm happy because he did it on that before
he was twenty four years old, you know what I mean,
that's what bro he was. He was. He was on
and something like super early. You know what I'm saying,
Like we're just trying to put people in position, and
he did, you know, to know after you know, after
him passed, you know, and you know, I just came
straight from the streets and shot every video for us.

Speaker 1 (10:07):
Damn without being you know this nigga straight up to
block hustling.

Speaker 3 (10:11):
And he learned. He learned how to just get behind
the camera and shoot videos.

Speaker 1 (10:14):
And he did every video. It's crazy, you know, I
never met honey put the fuck out of here.

Speaker 3 (10:19):
Never, that's never. I all that and whatever, never saw.
But that's some Brooklyn ship though, you know, for shipped.
That's how ship used to happen. You try to avoid
it like that from being but being there. Everybody knows somebody,
that knows somebody.

Speaker 2 (10:36):
That's how yo. That's what I tell niggas. Once you
go outside, the world is as small as a dead,
small as big. The niggas win the crib.

Speaker 3 (10:43):
That's it.

Speaker 1 (10:43):
Especially in that world too.

Speaker 3 (10:44):
We all do music.

Speaker 1 (10:45):
It ain't like our whole neighborhood, do it. I remember
my first crib I got bro was in Leonia, New Jersey. Right,
he was outstading. It's on God.

Speaker 3 (10:55):
My first night in my crib, I go to the
seven eleven on the block.

Speaker 1 (10:59):
Yeah you know what I'm say.

Speaker 3 (11:00):
See this.

Speaker 2 (11:04):
I go in there, Mark deep in the store with
all the homies. Remember this is when the drama was in,
so I'm like, damn all right, let.

Speaker 3 (11:13):
Me go see what's up.

Speaker 2 (11:14):
It wasn't nothing. They showed mad love. I'm getting what
I needed to get. I'm leaving, y'all pulled up. I'm like, Yo,
this rapper Central. Why not get the fuck out of here.
I like these niggas, but I want to live around.

Speaker 1 (11:27):
These text was like it was like the Many, the
mini hood of rappers.

Speaker 3 (11:32):
Like if you made any amount of money in rap, you.

Speaker 2 (11:36):
Went over to George Washington and move the tea neck
and y'all niggas had the cribs with the elevators in there.

Speaker 3 (11:41):
Y'all was stunning.

Speaker 1 (11:43):
He was in Glen Point.

Speaker 3 (11:44):
I was jealous.

Speaker 2 (11:47):
Because remember I came to the crib one day with Jay.
He was kicking it with Big Me and you went
out smoking.

Speaker 1 (11:52):
But me and you, you was talking. I don't even
remember what you said that day, but I'm.

Speaker 2 (11:56):
Looking like this motherfucker living in the crib with elevators
in there.

Speaker 1 (12:01):
They got it's just outside with the and he die
with leather and I'm going back to Massy after this something. No,
that's crazy.

Speaker 3 (12:15):
You said that, because I'm like, you know what you
try to tell people about like stories and ship like that.

Speaker 1 (12:19):
I'm like, yo, like.

Speaker 3 (12:20):
Behind Hole really kicked it, yes, like like fucking two
records like and not that type of ship. But that
wasn't only like nah, they like kicked it. And even
after Big doy Hole still kept a buck like that.
Me and Kim and the whole team got our crib,
the inglewood pull up there all day, pull up the
pull up there all day, anytime we're doing any events.

(12:40):
He coming full into the clips in the Battle of
the due Wagon like really on some ship like that,
and people, you know, I don't think he get enough
of that because I guess he had this like you know, pedestal.
Now people forget that he was he was a nigga
for project. He's still not.

Speaker 1 (12:57):
Niggas don't understand like he's billionaire hove to them.

Speaker 2 (13:01):
But when he see me and he around me, that
nigga is five third and four all he talking major ship.
Nigga seen me in Vegas and told me you you
ain't outside. You saw like nigga three blocks from me
walk You probably flew on that helicopter here and came.

Speaker 3 (13:22):
So I want to be like you didn't like that's
the love. But no, man, that ship is so like Jay.

Speaker 2 (13:30):
Your big relationship was was different because I remember when
they did I Love the Dog. Right when they first
did I Love the Dogs. It was this car washing
Brooklyn that Jay used to always take the range too.
It was downtown, right, and it's so ironic. This is
where he put the Barclazer because it was right there
on Flatbush Avenue.

Speaker 3 (13:50):
Oh yeah, know what you're talking about, right, yeah, right, yeah,
it used to be a car washed over there. He
came and picked me up.

Speaker 2 (13:55):
He's like, Yo, I want you to listen to this
record and give me your honest opinion and a.

Speaker 3 (13:59):
Nigga, I love the Dog.

Speaker 2 (14:01):
You know you hear his A yo two for five
yo better Hondred the night I gotta see nigga you.

Speaker 3 (14:09):
I was like, my nigga, Brooklyn Staff, I'm gonna tell
you something that you're gonna y'all really shooting dice during
that skip.

Speaker 1 (14:19):
No, we really just did that skip, but you hear
something even crazier.

Speaker 3 (14:22):
We're going. This is on rock solid. Yeah, everybody thinks
that was me swing.

Speaker 1 (14:27):
I think I thought that that was not me.

Speaker 3 (14:29):
Bro you die, that's that's Angeltty.

Speaker 1 (14:32):
That's d doe. Yo, you man doing that.

Speaker 3 (14:37):
I guess people think because he said I gotta see yes,
but it's like, you know, like yeah, I know, I
know talking about the honey I got it. See like
some people thinking like Yo, everybody to this day think
that's me. That is not me, Yo. That's on that intro.
That's why we were saying. I'm like, yo, but I swear.

Speaker 2 (14:55):
Right now, school ship, Yeah that's me that either became
a mad rapper again.

Speaker 1 (15:04):
But I can't even do that with nothing. So it's
like with me, I just like this, keep it a buck.

Speaker 3 (15:08):
Yeah, we just you know what I'm saying.

Speaker 1 (15:11):
He got it on me too. He never did be
a beat, but he always had that ship.

Speaker 3 (15:14):
You niggas that.

Speaker 1 (15:18):
Show. Yeah, yeah, shout out the buck yo.

Speaker 3 (15:25):
Stevie J. Too.

Speaker 2 (15:27):
I don't want to start no beef right, but you
know what it wasn't Stevie J. Name hit maker, No,
he was part of it. He was part of that crudo.
Oh the whole crew name yeah, yeah, the whole crew
was hit makers, all of them yo.

Speaker 3 (15:41):
One Jay a wow dude, man, Yo, Stevee J A
wow dude. I never met stevee J. Neither man, yo,
because you know why back in our time everything was
done like you was clicked up somebody back then.

Speaker 1 (15:57):
Then that's when you're like, all right, we see each other.
It's like, I'm that's my nigga.

Speaker 2 (16:00):
Stevie got is some drama producer that record for whole
I heard Puffin that was pissed where he was like
I'm rolling with Rockefeller.

Speaker 3 (16:09):
Them niggas got money.

Speaker 1 (16:11):
Is see, it wasn't that, you know what I mean,
Like he wasn't you know, he was just so ship.
He was a production. Yeah, he was on some ship.

Speaker 3 (16:22):
He wont on Saint James and you know, not ship
like that with us type of ship like no, no,
But he was one of the you know, he was
one of the hit men that came in there niggas.
He's he's still sick with it too, like talent wise
production man that Stevie j got hits. He made a
mark in this game.

Speaker 2 (16:38):
Marwanas just gave me super smoke for my last project.

Speaker 3 (16:42):
World Up.

Speaker 1 (16:44):
He got that smoke. Boy point different man.

Speaker 3 (16:47):
I'm telling you y'all.

Speaker 2 (16:47):
Niggas built the whole regime in this motherfucker like Kim
than with and that had a glorious marvelous career you
and yourself done.

Speaker 1 (16:57):
That's another thing. Why you only dropped one I wasn't
see was like a your album was.

Speaker 3 (17:03):
Crazy my nigga. Like the first album was fly of
my nigga word. Nobody never asked me that, right, you
know when I when Big, When Big was here, Big
was like Jocknam you know he's putting all that ship
together for you know what I'm saying. I was just
I was a straight entertainment who he Big? Yeah, So

(17:24):
sing was like, you know what verse if I write
to some ship, if you could recite it right with?

Speaker 1 (17:29):
I was like yeah, But I was rocking with him
a year before that, so.

Speaker 3 (17:33):
He's already schooling me to that, you know, the sort
of stage presence and sitting around and sitting in interviews
with him and learning how to you know, talking interviews.

Speaker 1 (17:41):
And answer questions. So you know, I was He like,
all you need now is okay, if you could pull
this up, we good.

Speaker 3 (17:48):
And he put me around a bunch of rappers even
know like the majority of you, the Junior Mafia day Rat.

Speaker 1 (17:54):
God bless the dad.

Speaker 3 (17:54):
My boy Chico, Uh, you know you got banged got
trife all on raps. You know what I mean, y'all
store the r P Bristown, y'all stole my guy. That
was my guy.

Speaker 2 (18:05):
Me and Britin was supposed to be me and Bristol
was supposed to be a group. We had a deal
on the table and the next thing I know, he like.

Speaker 1 (18:13):
Yo, I'm junior Mafia Like huh, Like he didn't hear
no more. But that's my brokou nice to tell him.
Niggas left me for.

Speaker 2 (18:29):
I was happy to see my dog link up with
family though. Yeah, like he went with niggas we ain't
fuck with. So it was always loved.

Speaker 1 (18:37):
Man. I was sad to see bro Gold like that.

Speaker 3 (18:39):
You know what I'm saying, Dog that Yeah, that sent
me back. I just had I was just about to
move here, no where when he was sick. He was
sick for a few years. Yeah, I just wasn't saying nothing,
you know what I mean. And that's how I like,
that's how niggas isa. He was just staying strong too.
He was still with Corn Records shooting videos. That was
like I think that was like a comfort, but you know,

(19:00):
super laying back, quiet, chill and always down to work.
That's always bro Pashion was that like, let's go to music. Yeah,
that nigga go anywhere. That studio could being in the
basement of Fabrican projects.

Speaker 1 (19:12):
He's gone, You're all right, yo, let's go.

Speaker 2 (19:15):
We were deal on the table bro before I signed
the Rocketfeller solo who wanted to sign me and bris Style.

Speaker 3 (19:21):
As a group. That's why.

Speaker 2 (19:23):
Yeah, and nobody know that because we never said it.
Because he did the deal with y'all and then I
just ended up doing.

Speaker 3 (19:30):
I ain't know Bristin and I ain't know Bristol until
like like maybe like the beginning of ninety nine, because
he came around Bang broke him to the house. Man.

Speaker 1 (19:38):
I met him through be High.

Speaker 3 (19:40):
I met him through my manager be High Bee.

Speaker 1 (19:43):
How was outside man?

Speaker 2 (19:44):
I fro, I was a manager that was in street
that Yo, I go, Fred, you used to know everybody
be Yo, this is my man, my man from over here.

Speaker 1 (19:53):
I need to link up the niggas that be outside.
They go anywhere. Everybody over here you need right, You're like, yo,
how the fuck these people over here? Course gon't go
to ther Brons were going over here. But back to
my question, why you only drop one album? So right

(20:13):
after Big did that, you know, I was like, you
know what, I got to figure this ship out, you
know what I'm saying.

Speaker 3 (20:19):
Like, because when he was doing my ship you want
to do, he wanted to take it over bro for me.
So I'm like, now I need like what I'm gonna
do Now he's gonna do my old puppy love album
or what. I'm like, you know what, I want to
continue to still do it. Yeah, I gotta do that
for him. And I'm like and the first time to
when I when I learned how to jot down ship,
Kelly Price hit me and she was like, I want

(20:40):
you to get on my album. And it was like
and she was like how much you want?

Speaker 1 (20:44):
I was like, nah, I do because she was.

Speaker 3 (20:45):
On a bad boy.

Speaker 1 (20:46):
I said, I'll do it for free for you.

Speaker 3 (20:48):
You know.

Speaker 1 (20:48):
She was like, I want to give you something. I
was like, I do it for free just when I
work on my ship.

Speaker 3 (20:52):
Just send me back. And uh, she was like, yo,
I wanna give you, give you five K. I was
gonta give me nothing, but and this is ninety eight.

Speaker 1 (21:02):
Is like twenty K.

Speaker 3 (21:03):
You know what I'm saying. K got a real budget in.

Speaker 1 (21:06):
The time so I'm like, all right, that's what you
want to get me? Cool.

Speaker 3 (21:09):
So now I'm sitting with that at the five, like,
Who're gonna write this for me? I'm like, Dad, I
need this five. I got everything he taught me about.
You wanna know about what you say? It's how you said.

Speaker 1 (21:23):
You know what I'm saying. He was like, you just
floor like this so you could do it like this.
So everything he was teaching me, that was my first rhyme.

Speaker 3 (21:29):
I wrote.

Speaker 1 (21:30):
No Way was the Kelly Price fee two eight bars
and that ship, and I went and played it for
the whole crib. Kim Money l the first thing they
always like, you wrote that no Way? Yeah, and they
was like fire.

Speaker 3 (21:43):
So after that, you know what that what that was?
That's the battery.

Speaker 1 (21:45):
Yeah, I'm like you the content, Okay, I saw you.
All I gotta do is this.

Speaker 3 (21:49):
So now when Kim had got a deal, I was like,
all right, you know, I'm gonna.

Speaker 1 (21:54):
Do this project.

Speaker 3 (21:56):
And then after I did the project, it ain't do
what it's supposed to do, but you know they're gonna
stout dude.

Speaker 2 (22:01):
Yeah, niggas like everybody think. Niggas loves everybody. Yeah, numbers
mean some numbers mean you're gonna make some money. But
at the end of the dance, a lot of albums
that did numbers that people don't respect, and it's a
lot of albums that didn't do numbers that are certified,
those classics and people like that.

Speaker 1 (22:19):
You can't tell them nothing about me. They say, albums
like that, keep your job.

Speaker 3 (22:22):
That's right.

Speaker 1 (22:23):
They gonna sound record.

Speaker 3 (22:24):
But if somebody know you could bring them back something
good and something dope, they're.

Speaker 1 (22:28):
Gonna always better on you if you make good music.

Speaker 2 (22:31):
I bought that album even though your album cover was
you was seven thirty for that picture.

Speaker 1 (22:35):
I was trying to have fun.

Speaker 3 (22:38):
Nobody, nobody and that was me, yeah, because that was
all everything that was telling me about He was like
just wild, Yeah, yeah, you ain't.

Speaker 1 (22:46):
You ain't. I don't want you to be that type
of nigga.

Speaker 3 (22:48):
On the block.

Speaker 1 (22:49):
And you know, but that's that's what the rap game is.

Speaker 2 (22:51):
A lot of these dudes go off images and try
to portray something that they not. And that's why one
thing Hoove always said to me, be yourself. Integrity and
authenticity is always gonna lie. Because when the lives run out,
the rhymes run out. And that ship always stuffed.

Speaker 1 (23:10):
That's a lot. That's a fact, you know what I mean,
when you ain't no more lives to test, right, Yeah,
we're right about and tell your ship and just be
you exactly.

Speaker 3 (23:19):
That was me. So after that, after I did my album,
it's just a lot of things that happened for us
amongst you you know, amongst the family, you know what
I mean. I know they know they wanted to do
another album, and you know, the Hot and seven shit happened,
you know what I mean, niggas with venue happened. Now
it's you know we yah, niggas went through some ship.

(23:41):
You know, It's like a lot of life is still
because we still we still was a test I'm saying.

Speaker 2 (23:47):
It's like I still had to move and represent the
legacy at the same time. So I already know that ship.

Speaker 3 (23:54):
This game.

Speaker 2 (23:54):
That's what a lot of people I'll be trying to tell,
like these new artists when they be trying to get
on and I'm like, you're fair. This game is not
a light switch. There's no on and off switch. Once
it's on, there's no turning it all in. So it's
either it's either two things. People gonna say to you
in this business. If you if you kill niggas are like, Yo,

(24:15):
you a legend, God, I respect you. If you go
the opposite way, only thing you're gonna here is yo,
what happened?

Speaker 1 (24:22):
Yo? What happened?

Speaker 3 (24:24):
Yo?

Speaker 2 (24:25):
You was with that y'ah was over there? Happened And
that's one question I ran from my whole life. I
never want niggas to ask.

Speaker 3 (24:35):
Me what happened?

Speaker 2 (24:36):
Bro.

Speaker 1 (24:37):
I always tried to make sure I'm gonna stand up
and hold it.

Speaker 2 (24:42):
Down on my own because I came in like you,
Jay Roe, come in to age one and two for me.
So people always think, because I say that that he
wrote everything, I would not be here. If that was
the case, count me, I'd have been back on the
bench and he just did the album.

Speaker 1 (24:57):
Now, yeah, I don't have no time.

Speaker 2 (25:01):
Back then, he was still trying to make sure he
was on ber level because you don't know, yo, be
I was j fucking measuristic bro poords like every time
b I dropped Jay in that studio like this, he
was the motivator for whole like they was boys.

Speaker 3 (25:22):
But I think they pushed each other many like you
could be in competitions for the competition gonna bring out
the best of us, you know.

Speaker 2 (25:30):
What I'm saying, Like, you know, them niggas had plans
like that Commissioner album, all that ship was.

Speaker 3 (25:36):
People think it was fake. Man, all my shit got everything.
I felt like that was part for me to to
bro like it was like all that I did that
album to fulfill that that mission, you know what I'm saying.
And I didn't think it was going to I didn't
think I was gonna be able to do that. I
didn't think I was gonna be able to of course,

(25:56):
I was confident, and I didn't think it was gonna
be something to wear like like you know, niggas like, yo,
nam bro, your ship was And I'm like, what with that?
Because I did that ship, you know what I mean? Like,
and one thing I was always you know, I was
around it, doog you know, like like you ain't gonna
never stop making no books.

Speaker 1 (26:12):
You can't make no bullshit music, don't I know? You
know the ship you're around you you know.

Speaker 3 (26:18):
What it is. It ain't even only that, man.

Speaker 2 (26:20):
What I tell people, I heard two pieces of lights
about music in my life. One from one of my
homemianes in the hood always told me only corny niggas
make corny music. So number one, we ain't a calling.
It ain't nothing exhibit shit and they arrest my step pops.
You know, that's only two types of music in the world,

(26:42):
good and not good. So either you're gonna make something
good or that shiit just not good. And that's it, bro,
you know what I'm saying.

Speaker 1 (26:51):
So I knew, I knew, you know, I knew it
was you know.

Speaker 3 (26:54):
I was like, it's cool, but you know, it's always
that ship in your mind, you know what I'm saying.
And I wanted to do another one like right away,
like you know what I'm saying, But you know all
that ship, you know.

Speaker 1 (27:03):
Everything we just life was life, and you know that's
the first.

Speaker 3 (27:07):
I'm gonna step back to that first, no matter what,
because I was because I'm always felt like.

Speaker 1 (27:11):
This wasn't you know yea was this for me, you
know what I mean.

Speaker 3 (27:15):
And it's like, you know, it's just going on all
my moms and you know, your family and ship like
so I just shook for a minute and all that
shit happened with us. We couldn't really like you know,
and I was used to working a certain way. I
was used to, you know, having that at the fam
the bar. That's how we once all that ship kind
of like what like this real? I'm like, oh damn,
you know, what the fuck do I do from there?

(27:36):
But I was still still you know, I was still
working and figuring it out. You know what I'm saying.

Speaker 2 (27:41):
It's easy your way, how I feel you right. We
dealt with a lot of losses and hip hop. You know,
I watched a lot of a lot of people died that.
You know, sometimes these young artists. I'll be reading the
news like such and such died and this person died,
you know, just listening to they knowing they lifestyle. That

(28:01):
shit hit you and be like, damn, I feel like
I know homie like and that should make you feel away.
But nothing, nothing, nothing, nothing, nothing, nothing touched me like
b I, bro, I never forget where I was the
day I heard it, my nigga, I cried like.

Speaker 3 (28:20):
That was my brother some because y'all were my brothers.

Speaker 1 (28:22):
Like I know, we'd be in the studio, we come
to the crib.

Speaker 2 (28:27):
I remember telling b I at the Apollo show, Yo,
my nigga, when I get my album budget, I need
you on my album. And he told me, Yeah, Brooklyn,
I swear like no doubt on nigga, like yeah, come on, blink,
I got you. And I was like, oh man, I
can't wait your host I plan, give me my budget.
I gotta get my ship off.

Speaker 3 (28:47):
That's program. You know what I'm saying, Like he that
ship hit we homies lounk like you know what I'm saying,
like hit.

Speaker 1 (28:54):
Bro, Like I cried my nigga.

Speaker 2 (28:55):
So when like when you saying, yo, I came to
the home team, like when we were supposed to do
that getload deal. That ship wasn't about no music to me,
that shit wasn't about no money. Whatever you wanted to do,
we would have done. And that's why I never put
no pressure on you when ship didn't happen, because I,
like you said, life life, So you know I was

(29:19):
always on something. When seeds want to fuck with us,
he's gonna come back in. You know that they always
open bro that one two yard we did. We fuck
him on man and what's the other ship? Now do
it all again?

Speaker 3 (29:35):
On the on the made album. Two features on that
album didn't come and get me shipped with me? You
on bleak me yor beans?

Speaker 1 (29:42):
Yeah, yeah, like come on, bro, I mean we was working.

Speaker 3 (29:46):
I was with it.

Speaker 1 (29:47):
That wasn't even like no question what I'm saying. You know.

Speaker 3 (29:49):
I was down with that.

Speaker 2 (29:51):
But I came around when all that ship was going
and didn't matter. Man with the but it was it
was going down, but it wasn't going down on our side.

Speaker 3 (30:01):
The other side he was nah, I was cool, but I.

Speaker 2 (30:07):
It was.

Speaker 3 (30:08):
I was just like, yo, remember one time I hit you.

Speaker 1 (30:10):
I'm like, yo, Dang told me, Dang hit my phone.

Speaker 3 (30:14):
Yo.

Speaker 1 (30:14):
It's like, yo, come to the one for Peter Craig video.
And I just had met thumb star.

Speaker 3 (30:18):
Fucking you know, I went, y'all. So I'm thinking like,
all right, right, that's all like the team. So if
niggas hit me.

Speaker 1 (30:25):
I'm like, oh, I'm gonna go pull up you call
my phone, Yo, who hit you?

Speaker 3 (30:31):
To come up there? Dame told me to come up there.
Don't go up there yet. I was like, yo, wow,
I ain't asked you that. I'm like crazy, my man,
like I fucked you.

Speaker 1 (30:44):
That's how you know.

Speaker 2 (30:44):
It was probably some ship with day Man like back then,
but it definitely was major, major smoke.

Speaker 1 (30:51):
It was definitely Hall of Brooklyn at that time.

Speaker 3 (30:54):
And that's why that's what so for me coming in,
you know, from my situation without this is ship that
I'm just like all right, but nah I was, I
was I'm team one.

Speaker 1 (31:04):
But that's how that's not the situation represented to me.

Speaker 4 (31:06):
It was through yow yeah, and I'm like, oh yeah,
of course my nigga is like, oh they hope like
you cruel niggas g k Yo, let's call nigga I
would ga k is borderline junior Mafia.

Speaker 3 (31:21):
That's no cousin though I know you know he's been.

Speaker 1 (31:24):
Junior may Joel was even bored. Jeda used to be
at the shows.

Speaker 2 (31:28):
That y'all know, like come back to the hood, like yeah,
I was out on the road by cousin and them
doing this, you know season them they had the joints, Yeah,
they had the bitches.

Speaker 3 (31:36):
He'd be like, they got they got no bitches and
we just had all these big you know that nigga
mouth was crazy.

Speaker 1 (31:42):
Don't know, you know, Jetah Wolf what yo.

Speaker 2 (31:45):
That's why I be I'll be mad that he didn't
become a streamer, like you're not like the constant not
and them nigga yelling at he definitely be one of
those Oh my fucking gud right now if he was
like that, now like you what, yo, nobody, no one
got hurt.

Speaker 1 (32:05):
K first one I heard the say big style. He's
not calling the best start the big style all day.

Speaker 2 (32:10):
He still say that this day. He's not gonna ever change.
It's big STAVESI cheetah K.

Speaker 3 (32:17):
That's what my favorite records we did with him. Man,
that's do it all again joint.

Speaker 1 (32:21):
That was my ship.

Speaker 3 (32:22):
Yeah man, gea man, that's my bro here. I ain't
take that note. Bro.

Speaker 1 (32:26):
It wasn't even that.

Speaker 3 (32:26):
It was just like things was happening and like you
told me, like yo, bro, this can't be or I
told you that.

Speaker 1 (32:31):
It was just like it was just ship going on.

Speaker 3 (32:33):
Like you know what I mean. Yeah, yeah, it was
like I was like, because I was, he was ready
to go, and then it just kind of like all right,
you know I've seen those ship going on and you
know what I mean, it was ship going on with
me too.

Speaker 2 (32:44):
But then they clipped me too, So those don't I
said you were safe. I wasn't even safe. They just
us out, being young, being the gunners, they threw us out,
put that five three four out. They put gunners, tough,
what brotherly love. For After that, it was like, listen,
we got Jay Cole, we got Rihanna, we got y'all.

Speaker 5 (33:08):
Old niggas budgets is closed up. I ain't gonna this business.
I respect it it.

Speaker 2 (33:20):
Business because I get it to myself, are you old
and you old and these new young?

Speaker 1 (33:25):
Look at what j Cole did.

Speaker 3 (33:26):
Man, For sure, I'd have moved out the way for
cold winningly, especially if I already did you know what
I mean, like, you know, that's right. Thing got how
we live today. I'm not out here. I'm not out here.
We're not out here trying to compete with nobody.

Speaker 2 (33:42):
And now I'm gonna want to be the old nigga
in the young boy what yeah, like yo, I'm cool.
It'd have been weird, Like think about what we was
coming up and niggas like Slick Rick or Rock Kim
and them still was like naw, young nigga, look out, we.

Speaker 3 (33:56):
Got this so damn oh, g let us lit.

Speaker 1 (34:00):
Yeah yeah, yeah, So that's how I feel, no doubt
if we you know, it's like they let the young
boys live.

Speaker 3 (34:06):
Niggas, let them live, let them rock.

Speaker 2 (34:07):
Then they'd be critiquing the young boys music like yo,
let the young boys live.

Speaker 3 (34:12):
They out here wallid let them wow, they getting paid.

Speaker 1 (34:16):
Wow, Let them have fun. We ain't get pimpled to win.

Speaker 3 (34:19):
We we bust our ass files.

Speaker 2 (34:22):
We went to jail if we would out, We went
to jail. Think about it. We got in the music
to stop wild, no doubt. These niggas gotten the music
to go fucking shit.

Speaker 3 (34:34):
Up to a hundred to bug out now yeah, fret,
but they got that in front of them. You know
what I'm saying, got tea. We ain't have that in
front of us, you know what I mean? Like you
was really straight off based off just your just you
alone you when you pull up niggas, it's all about you,
your morals, your integrity, like you know, we had to
show up, like you know what I mean.

Speaker 1 (34:54):
Like nowadays you ain't got to show up.

Speaker 3 (34:56):
I think you could sit behind these cameras and you
could do all this ship yell and not crazy and
go viral. I don't condone it, but I got accepted
because that's just what we that's what we're already living.

Speaker 1 (35:08):
Indulge myself into what we you know, just because who
we are.

Speaker 3 (35:12):
Man.

Speaker 2 (35:13):
But let me ask you a question because you know
I always hold Jay down on stage, and I watched
you hold Big down to hold Kim dwn, you know
what I mean?

Speaker 1 (35:22):
Then there I seen you even Well, I'm gonna save
that one.

Speaker 2 (35:25):
But I can't even really compare it to though, which
was more fun kill more Big? It's damn there like
the same, Kim got it super monsters and like it's
them they like the same.

Speaker 3 (35:37):
But which one you enjoy more? I mean, of course,
I mean, I mean be of course, because he's the
start of it, you know, so it sounds me him
and Kimy. You know, players got to perform, you know,
and doing it with Kim is just like doing it
with Big on the female level, so like you know,
big guy women he got, he got the bitches and

(35:58):
the nigga. It's more crazy, right, Kim got niggas. Won't
freak you too, But Kim got the bitch is going crazy,
you know, they yelling out take it in the buds, yes, yes,
what crazy? See.

Speaker 2 (36:09):
So it made the freaks coming. Yeah, I fucking love
you know what I'm saying. It wasn't freaking until little
Kim came out. Salute to the Queen, for sure, think
about it. Chicks was dressed like us, rest in pizza leah,
all of them. Remember they was in Tommy Hill figures
just like us, and the ads big ass jeans and
boxes and girls was dressed just like that.

Speaker 3 (36:31):
It wasn't until Cisto him down that album cover it
with the opening the thongs.

Speaker 2 (36:37):
TNG and Kim took that ship and then now we
got what we got today.

Speaker 1 (36:43):
All of these women definitely did.

Speaker 3 (36:45):
Even the music you hear today, imprison it's influenced by
the Queen. They was talking like that back then, Like
you know what I'm saying, Like female rappers was talking ratchet.

Speaker 1 (36:55):
And crazy back in the days. You know what I'm saying, Like,
it's no different. You know what I'm saying, Yeah, Foxy,
you know what.

Speaker 2 (37:01):
I'm saying, Like, Nah, you see that's the wack ship
about the female side of artists because Kim and Fox
both put different imprints in music. They compared them. It's
just like all the women today. Let these women and
no woman is the same. I know, niggas think we

(37:22):
done met You ever met two women the same? You
ever be like there?

Speaker 1 (37:25):
And this was just like this last bit. Ever, so
how can we compare the rabbles, it's the same.

Speaker 3 (37:31):
Agree I think about that, bro got let everybody have
they go, Let everybody have their own.

Speaker 2 (37:36):
See niggas imitate other niggas like this niggo want to
be this nigga.

Speaker 3 (37:41):
Women don't do that. They on their own ship, no doubt.

Speaker 1 (37:44):
And it's like, how could you compare that?

Speaker 3 (37:46):
Like I got ship.

Speaker 1 (37:47):
If you even compare women, you doubt none of them
are the same. I think people just do it now
because you know, people just got this hip hop.

Speaker 3 (37:53):
You got it. You got all this stuff in front
of you for you to view your opinion. Man, and
you can have a moment with that, you know what
I'm saying. You know, let's really be realistic though, like
in our time, nobody sounded the same.

Speaker 1 (38:04):
No, you know, runner say, sound like meth you know
what I mean?

Speaker 3 (38:09):
Rightman, ain't sound like Rayquan. Nobody sound like they sound
like bleak, you know what I mean? Like nobody sounded
the same. Tribe didn't sound like food snickings, you know
what I'm saying. Like everybody was, but that's what they
hip hop, right Like? You know, we can go from
listen to some real n w A type ship and
be on some Benita Apple Bomb ship two hours later.

Speaker 1 (38:29):

Speaker 3 (38:29):
You can be on some Coojie rap shit to be
able some makeing music with your.

Speaker 1 (38:32):
Mouth biz like Joe Ship.

Speaker 3 (38:34):
Everybody was different back to the real time, but nobody
sound the same.

Speaker 1 (38:40):
Listen to music today, it's the same rhythm. It's the
same to me, I tell it, And we appreciate the
ones that's.

Speaker 3 (38:46):
Doing that, that's really doing something different, that's making universal music.

Speaker 1 (38:50):
To me, it's all the same.

Speaker 2 (38:55):
But if they cutting that check fucking remix, the remix
to the remix, nigga.

Speaker 3 (39:02):
All that shit. When I'm nice and right and I'm
in that environment and I love all that shit. I'm
a musician. I love all common music. I'm not here
to say, oh, this shit is this, and this shit
is that. Listen, man, if it's getting you out the
neighborhood and feeding your family and taking care of your people's,
I don't ear what you're doing. You ain't robbing nobody,

(39:22):
You ain't you ain't you ain't you know pulling folks O.
You ain't doing no corny shit. Nah, that's how you're
gonna eat eat. It might not be my type of
taste of ship. But fuck that. You're doing something positive,
doing something right. You're getting some legal money and lots
of money through your ship bro eat yo.

Speaker 2 (39:37):
So one thing I wanted to ask you to man
to crush on your record, that record you had mad smoke.

Speaker 3 (39:44):
Everybody just coming out saying they wrote that. I don't
know who wrote it, yo, That's what I'm saying.

Speaker 1 (39:52):
I think I wrote it.

Speaker 3 (39:54):
Everybody who wrote that, I don't know who wrote the records.
Till somebody says something, they ain't got to say it.

Speaker 1 (40:00):
I ain't write it. And I've been very vocal and
I just about me. I ain't started writing rounds till
nineteen ninety nine, you know what I'm saying.

Speaker 3 (40:06):
Like, really, when I had to write my album, that's
when I started to write rohunds.

Speaker 1 (40:10):
And I was still having people help us.

Speaker 3 (40:12):
I had a bunch of I had an ill team
behind me helping me drop shit down too. But that's
when I got comfortable with writing songs, you know what
I'm saying, Like, you know my mom, the first I
did it all out? Who people say is my best verse?
I did that though, don't it whooah?

Speaker 2 (40:29):
They said the joint with you j I think it
was you J Puff and somebody else. They said you
smoked anybody on that joint too, for I think for
the for the fami or.

Speaker 1 (40:42):
Oh we gotta look at that little hold on, hold
on little all.

Speaker 3 (40:44):
The shit I did, all the shit I did with us,
I did all that to rock my fear. Oh man,
that was you killed doing all again. You destroyed that too.

Speaker 1 (40:54):
Come get me.

Speaker 3 (40:56):
You know the game record I did with State P.
Like that's when I was you know in my you know,
I was, I was. I was really comfortable in the format.
I was like, all right, everything you did come around
when it was bad drop because it was doing going
down And I'm like, yo, who called you to go
to that store? Like? Nah it was with beatings to them?

(41:17):
You know that was these niggas over there, Yo.

Speaker 1 (41:19):
It used to it was wicked.

Speaker 3 (41:21):
If that's the type of ship.

Speaker 1 (41:22):
I was like, all right, bro, you know, I just
thinking anything all smooth up here? Like it was like
it wasn't no ship, like nobody wasn't fighting did but
it was ship.

Speaker 3 (41:33):
It was. I felt that.

Speaker 1 (41:35):
I was like, all right, but just let me know.

Speaker 3 (41:38):
You want me to pull up, I'll pull up and
then you know, cracking me, They hit me, they want
to come to the block, and I'm like, all right,
we're all feel He's you know this not knowing to
and I shouldn't know that at that time, you know
what I'm saying.

Speaker 2 (41:50):
But it wasn't no smoke with so I was doing
just now. There wasn't no smoke with them. It's just
they they was playing a little bit of both sides.

Speaker 1 (41:59):

Speaker 2 (42:00):
It was it was smoked with the set and they
was down with both. It's like, nah, nigganna pick a
side cut, you know what I mean. But now looking back,
it's like I had fuck it, get your money. We
was all on some bullshit. WestEd the opportunity and wasted
major bread back then, Nigga just by egos, Like do
you look back and say to yourself, damn, I wish

(42:23):
I could have had this different, but we to win
about this situation different anything you wish you would have
went about different in life.

Speaker 3 (42:30):
I just wish I would have focused on them. I
wish I would have just focused more on music, you
know what I'm saying, Like I really did. I wish
I you know, just would have been more focused on that,
like you know, you know me, It's like I needed
a certain situation. You know, I didn't. I didn't feel
good if it was just me doing it by myself.
Like you know, I was loving having the bristyles and

(42:52):
bangs and you know Cameron, you know when I'm working
on something, you know, you just got you know that anybody? Yeah,
you know what I mean. So when that kind of
it was just kind of like you know what I mean.
Then when I got with y'all, it's.

Speaker 1 (43:04):
Like that ship started to because I love it dog,
you know.

Speaker 3 (43:06):
I mean I didn't. I didn't grow up wanting to
do it, but you know that's that ship in our life,
you know what I'm saying. And I never wanted to
stop doing that because I just feel like, like you know,
I fight. I ain't still give niggas my best even
to this day, you know what I mean, Because I'm like,
I love I love music so much, you know what
I'm saying. I'm like, I'm sitting on I just dropped
a little throw back project. Yeah, like but just records.
I did, you know, like the ship to come and

(43:29):
get me, ship that niggas ain't here, like that, but
don't stop you. You still got more to give, man,
You've got the game to give.

Speaker 2 (43:35):
Man.

Speaker 1 (43:35):
You know you live through an era.

Speaker 2 (43:37):
Come on, bro, Like fuck the Beef ship, right, everybody
that heard the stories of the Beef.

Speaker 3 (43:44):
I never met Tupac. I never saw him ever.

Speaker 2 (43:47):
Like I remember being the jaying and with the Freakbeak
in Atlanta and they was like, nah, Bleek, you can't go,
you're too young.

Speaker 3 (43:54):
And Pac was out there. That's all everybody kept saying.
You know, Pot was in the ag. This ship was crazy,
Like was it?

Speaker 2 (44:01):
What was the times like before the drama whippop? Like
you know what I mean, everybody heard the drama. Nobody
heard what it was like before the beat.

Speaker 1 (44:11):
Yeah, I mean, shit was cool.

Speaker 3 (44:13):
It was. It was Nigga was He was like fam
you know what I'm saying, Like, nah, coming, you know,
come to hang out on the block with us at times, Yep,
you know what I'm saying, Like, you know, we were
in the studio going to fuck with him. Him and
Big they doing records the running from the police, like
you know, they both was on that heavy D remix.
You know what I'm saying, Like, let's get it on shit.
Like I mean, it's like we was really like we're

(44:34):
fucking with homie. So it was like regular shit, like
you know what I mean, Like you know, we were
still who he was. Do we want rappers niggas? So
just imagine how our energy didn't like you know, we
and it was crazy. But that's him even somebody before us.
So it's like like that's crazy, that's Tupac niggas. This
nigga sitting on foot and street right there with us,
Like yo.

Speaker 1 (44:52):
It's crazy niggas. Add Tupac ball full.

Speaker 3 (44:55):
The street on footing in Saint James Broke chilling with
a Bad Boys shirt on too. Yeah, for real, you
see that picture that go off that BC all the
round with all of us in the picture and ship
need him God bless her that stretch.

Speaker 1 (45:07):
Like, but him and Big was d they they was
bros like for real, forharal.

Speaker 3 (45:12):
They kicked it. They respected each other like you know
pop perspective, Big Big respected him. They were just young,
and you know, outside forces came in and I the
whole situation. I ain't gonna lie blame.

Speaker 2 (45:26):
It wasn't social media, but the media media, the major part,
the magazines.

Speaker 3 (45:33):
They pushed that narrative both East Coast and west. Like
you said, bro a super problem that was an issue
with two people.

Speaker 1 (45:40):
Yeah, it wasn't the whole coast thing.

Speaker 2 (45:42):
And that's what's so crazy that before the drama with
with with Popping Big, going to La felt like going
to London, my nigga.

Speaker 1 (45:52):
They used to treat them. Women used to act like we.

Speaker 3 (45:55):
Was alien that nigga. I fucking him, I fucking love you,
and I used to be like we love y'all too.

Speaker 2 (46:02):
And then after the drama, my nigga, I remember going
to Fat Burger. Bro Yo, listen or some g shit.
This is before I was known to when that was
next to the hotel. From the hotel, the Omnio something, I'm.

Speaker 3 (46:18):
No hold on, keep talking, it's come to my mind, yo,
the fat Burger right across the street.

Speaker 1 (46:23):
I walk outside the hotel going to the fat Burger.

Speaker 2 (46:26):
I not let me get some to eat. Oh, my nigga.
Niggas came and laid down the whole parking lot. It
was mad niggas in the parking lot, chilling, smoking, drinking.
I come out the fat Burger. They got like five niggas,
laid down. Niggas mass sore just booking these niggas.

Speaker 3 (46:43):
And I'm like, yo, what the fuck you see that
ship from the window on there.

Speaker 2 (46:46):
And then depth Jam used to have security for us,
like because at times we used to pull up, they
didn't have security. Used to be go, have to do
your thing. Then you lay in the security at the
airport for you it's like, whoa, what the fuck?

Speaker 3 (47:01):
Like we're over here now, you know, it's a little different.
And then you're Hollywood, you're thinking ships sweet, like, nah, nigga,
this is it's a you know, it's it's a gang.

Speaker 1 (47:10):
It's a gang bro, but it's love.

Speaker 3 (47:14):
You know, it is fun and you know the atmosphere
you know when you ride down Sunset, you ride down
the strip, the buns, you know, you get you say,
this ship is I like that way?

Speaker 1 (47:26):
This ship.

Speaker 3 (47:26):
That's why Big wanted to be there, you know, you
want like it was a vow for him, you know
what I'm saying. He wanted to be there, you know,
like you know at that time, and that's what that
was his spot. That was his comfort, smoking that good
ass ship like we had Branson back home, you know
what I'm saying.

Speaker 1 (47:40):
But he like, when you here, you could get that
ship from anybody you know that got some good ship.
And you know that.

Speaker 3 (47:47):
Still to this day this day, that's the best ship
in the States outside niggas.

Speaker 2 (47:51):
Every year, all my West Coast niggas, I tell the
niggas that niggas is spoil.

Speaker 3 (47:55):
You.

Speaker 2 (47:56):
Niggas grew up with the super gas all day. We
had to scrounge. Niggas used to gash you up that
it was the gas.

Speaker 3 (48:04):
Yo.

Speaker 1 (48:05):
We had to have chocolate.

Speaker 2 (48:06):
Think about it. They fucked up the O. G. Cush
name on the East Coast for a minute.

Speaker 1 (48:12):
He just came back.

Speaker 2 (48:14):
You would tell niggas a couple of years ago you
got some cush niggas like that's bullshit.

Speaker 3 (48:19):
We were stuck on side with these over like twenty
years for sure, dug The West always had outside of
outside of like in the you know, in the States, Yeah,
like crazy California, just the West coast period. I don't
give a fucking be like Portland, Denver, Seattle anytime to debate.
You touched some bod over there. You know, I don't

(48:40):
give you given a long bread. It's gonna be some ship. Yeah,
they bad weed is good. Weed's no bad weed on
the West. We still got bad weed. We're gonna get
that right. We're gonna get that right.

Speaker 2 (48:52):
When Big said the ship, I swear right, I always
said he shipped on me.

Speaker 3 (48:59):
He's like thieves out You's like.

Speaker 2 (49:02):
Damn, he shipped it on me because we was just
smoking the all at the apollo. Right, I'm telling you
and my ship, you're not when to see burning, be steaming,
crazy or stinking. He's like, nah, little bro, I don't
want that game by l beat. So they like, you know,
month later he niggas meaning the seeds.

Speaker 3 (49:21):
Out there week like damn, niggas ship it on me?
Cut yo. So another question I wanted to ask a skip.

Speaker 2 (49:33):
We spoke about it on drink chaps and get the
answer where Big saying or seeds no?

Speaker 1 (49:39):
Or did jo hoes go to his No? First man,
keep it one hundred with you. He was all of them.
He was cat some of us.

Speaker 3 (49:46):
Yea. They weren't even mine though.

Speaker 1 (49:48):
No, they straight say.

Speaker 3 (49:51):
The straight for the streets was not hours. You know
I was, yo. Look it was a bout before me, right, Yes,
so I was the magnet. You know you was sure, yo, ma,
it was deficient. I was wanted to be big popa
you dude, all right, but look listen before we get there,

(50:12):
you're gonna yo all right. Once we do that, I'm
gonna like yo yo fapa she she ready all right? Yeah,
so like shop like that come from you know on
our team.

Speaker 2 (50:27):
No, it was shocks on our team. Wasn't no did
nothing for nobody. Niggas was taking yours. I remember the
first time being on the road, right, Niggas is mad,
but I just gotta let the big homie know you.

Speaker 3 (50:41):
Talk a little bit, but that's your past. We talked
about the past. We're not said, let's say y'all, we're
talking about ship. That's we did.

Speaker 1 (50:48):
I was like, this is not now ya.

Speaker 2 (50:50):
I was like fifteen, right, my first time probably third
time on the road with Big Jay Dame everybody.

Speaker 3 (50:58):
So we in the club, I would know what's city win.

Speaker 2 (51:01):
But I know Niggas is telling me, yo, you get
some girls just telling what hotel you at they meet
you over there?

Speaker 3 (51:07):
You good.

Speaker 2 (51:07):
So I'm like, girls gonna meet us at the hotel.
Niggas like, yeah, just tell them where you're staying.

Speaker 1 (51:11):
So mind you. I'm new.

Speaker 2 (51:13):
I'm like, get a girl go to the hotel like nigga.
I just was kissing in the hallway for three hours.

Speaker 3 (51:19):
This shit not gonna happen fuck to me.

Speaker 2 (51:23):
So then boom, I'm moving around the club, meet this
girl and she like, Yo, where you stay?

Speaker 3 (51:28):
She asks me.

Speaker 2 (51:30):
I'm like, yo, we over had such and such, you
know what I mean? She like, you got your own room?
So I'm not allowed. I'm like, oh she wanted she
hold me in. So I'm like, yeah, but I don't
know where the hotel at. Let me go get the
address and I'm gonna tell you exactly what hotel we at.
I go tell bigs y know where we staying at?
He like why, I'm like, I got this joint. She

(51:52):
ready to come back to the hotel.

Speaker 1 (51:54):
He like who? So my young dumb ass shows her
her right there.

Speaker 2 (52:00):
You know.

Speaker 3 (52:00):
He went and took up man.

Speaker 1 (52:04):
Yeah see see how happened to you?

Speaker 3 (52:07):
Yo? Yo yo?

Speaker 1 (52:10):
So that's what I had to do. That you was
out there.

Speaker 3 (52:15):
Bringing them to the They was, but Poppa wasn't as
vicious as big as at that chime, but he would.

Speaker 1 (52:22):
They would, they would just do what they do.

Speaker 3 (52:24):
It was it wasn't him, it was her. She went like,
all right, damn, I just knew the power. Yeah, night,
all right, I know she won't poppa before anything. Yo,
Ma whole? Well are you fun? Oh? He ham fun,
You're fun.

Speaker 2 (52:42):
I ain't gonna lie hoo. Was mad whack on the road. Hoo,
they hang out with us.

Speaker 1 (52:47):
Send he should send me ship down to I could
be in. I could be in the room chilling.

Speaker 3 (52:52):
Bro, I'm gonna keep it real. He give me that call,
that phone ringing that hotel? Yo.

Speaker 1 (52:58):
So he had to say, Yo, now why you call him?
And I just sent something upstairs? It could be not nine.
It's nothing that came from me. Just some shit he
got whatever.

Speaker 3 (53:07):
I know. I go roll him up, five blunts, take
him a joke. Here you go, Bro, you're good.

Speaker 1 (53:12):
I'll be downstairs playing the game.

Speaker 3 (53:14):
If that phone ran yo, I oh, hope, wasn't he
come on, I got to kill I got everything.

Speaker 2 (53:24):
Hope wasn't partying with us that nigga. I'm telling you
you listening to them raps. He said it, y'all on
the road one hundred hours. I fly over your bus.
He was talking about us.

Speaker 3 (53:35):
Show.

Speaker 2 (53:37):
He jumped on the plane. Gone, we stuck at the hotel.
We gotta wake up, get on the bus. He already
in the next city ship.

Speaker 1 (53:46):
Yeah good and get situated and we.

Speaker 2 (53:48):
Thinking we had fun pulling up tired, still drunk from
last night. Hope wasn't nine, but nigga. The other niggas,
I ain't gonna say no names a lot of them niggas.

Speaker 3 (54:00):
Oh, they used to snipe.

Speaker 1 (54:02):
You bring some back.

Speaker 3 (54:04):
It's like, it's just different now we snip. I was
put a group of nine people. You know what I mean?
It was snip. Yeah, niggas is going to remember listen
and I'm not. They don't know what they want to do.
Are you cool and cooling us? We was the young niggas.

Speaker 2 (54:19):
Yeah, this is old old again because I remember, Hope,
you used to have to pay a band to get
me in the club because I wasn't eighteen.

Speaker 3 (54:26):
Niggas like he's sixteen.

Speaker 1 (54:27):
No thousand dollars for him now he was the only Yeah, listen,
don't be along. Don't think I was outside. They grown ups.
He was adults because I was twenty one and over
the club.

Speaker 3 (54:40):
They used to have to pay a thousand dollars at
every club to get me in.

Speaker 2 (54:44):
I was.

Speaker 1 (54:45):
They'll be like, nah, don't let him in. Je like
I'll give you a thousand dollar of stop bucket.

Speaker 3 (54:49):
They be like he good, or you had to come
in you on a record.

Speaker 1 (54:52):
Yeah, but they still used to be like, nah, you know,
used to show love Maria Davis Bad Wednesday.

Speaker 2 (54:57):
Yeah, Yo, Maria Davis used to have Yeah, I know
you you did Maria Davis a few nights you did yo.

Speaker 3 (55:04):
When we used to that Vertigo, I did that a
few times. But the tunnel always like they ain't never really,
you know, I never had an issue going in the tunnel. Yeah. No,
the turn away kid, they ain't get the check out
he had man logan.

Speaker 1 (55:17):
I was spending money in the tunnel.

Speaker 3 (55:19):
You was in there, you had remember you had nails.
Downtown was on Fourteenth Street, the Grand, the Muse and
you know what I mean. So it never was really
until you start to travel and go out of town.

Speaker 2 (55:29):
I didn't have to go to the Mute. So now
I was too young hoping the used to leave me.
It's be like, no we out, Yeah, that's crazy, was it?
If it wasn't, no performance clippers was out SaaS like
I believe you in the hood. You good, don't worry
about it. I call you when it's time. To do
coming age.

Speaker 1 (55:48):
But y'all was right here.

Speaker 3 (55:49):
But Yo, so when you y'all wasn't that far from us,
Like when who came out first? I know Big came
out ninety four, when the old they came out ninety six.
Ye Usual Down came out ninety six six.

Speaker 1 (56:02):
Yes, y'all was already rolling.

Speaker 3 (56:04):
That's what I'm saying. Y'all was already rolling. But I
never even thought about that. I'm because I always thought
whole album was around the same time. Like, nah, I
thought that it was yall came out around that time. No,
I think nas was.

Speaker 1 (56:19):
I think.

Speaker 2 (56:22):
Ninety four, that ninety four year was y'all nods Wu
Tang ninety the fact.

Speaker 1 (56:28):
Now I'm thinking about the Ain't No Nigga video? Yeah,
we we fell out here come to the video. Yeah,
I think that was ninety five. That was in ninety five.

Speaker 3 (56:39):
I'm thinking about that, and Big was on that album.
I'm like, all right, so yeah that was something that
was physical. Why you know Big was present. But I
always thought that whole album came.

Speaker 1 (56:47):
Out, No, ninety six, my nigga, My shit ain't dropped
in ninety nine.

Speaker 2 (56:52):
Think you already got just shipped out five years before
I even got started.

Speaker 3 (56:56):
So think about the love I thought I got on
the road. This nigga was getting jodasy love.

Speaker 1 (57:11):
God, you got the joonasy love.

Speaker 3 (57:15):
My nigga.

Speaker 2 (57:15):
You was out there with Tavin Cambre and the Niggas,
niggas the sensions in their heir.

Speaker 3 (57:21):
I got it when it was real and it was authentic. Man. Yeah, man,
that ship going on right now. No, you was around
hard asses. You was it. W was all pat It
was all authentic to all real ass, real real women,
was real men. It was.

Speaker 1 (57:37):
It was real ship going on. But you were still there.

Speaker 3 (57:39):
You wasn't. You wasn't far back.

Speaker 1 (57:41):
I was far back.

Speaker 3 (57:42):
Fuck three, yeah three, you weren't that far.

Speaker 1 (57:45):
I never was around Patra. Patrick was bad.

Speaker 3 (57:48):
She was like one of the baddest fucking brown share
women in the world.

Speaker 1 (57:52):
So I'm trying to tell you I wasn't.

Speaker 3 (57:54):
I didn't look like that.

Speaker 1 (57:55):
This is what I'm saying, my nigga. You was around
super Cat.

Speaker 3 (58:00):
Come on, cup, Dolly Dolly, my bay.

Speaker 2 (58:02):
I was in the house party. You was really with him.
In fact, he was with Shopper Trailer Little.

Speaker 3 (58:11):
Has Shot the heavy d.

Speaker 1 (58:12):
Yeah.

Speaker 3 (58:13):
God, bless God. Blessed no like that that type of error.

Speaker 1 (58:16):

Speaker 3 (58:17):
My favorite rapper outside of b I was Grand Pooper
bro oh Yo still is now. Grand Pooler was still
dressing like him with the jam Sport Johnny hill Finger.

Speaker 2 (58:29):
Grandpool was on that ship. Yeah, y'all clipped him on
the remix though. And when he was on that Mary
J record first and then big put.

Speaker 3 (58:37):
His verse and his verse wasn't boom. We were just listen, man,
that was bad Boys recordad Niggas pumped Daddy.

Speaker 1 (58:45):
Bigga was just shined. They ain't calling shots like that.

Speaker 3 (58:49):
The word that.

Speaker 2 (58:53):
Mary record with Grandpooper used to be playing like Russia
was on all raw G takes and that was our
ship that album.

Speaker 1 (59:00):
That ship was Biggie.

Speaker 3 (59:01):
Your did like Nigga from last Nigga verses crazy on
that he was finished, you know see, and I ever
like you know, especially b I. B I was a
hip hop nigga. So we we listened to everybody like,
you know, you ain't have to just be hardcore, just
be from Brooklyn. We was tapped in with I was
I was star faced out, you know what I mean?

Speaker 1 (59:24):
Yeah, you know what I mean.

Speaker 2 (59:26):
That was the record, I understood what Vune thugs was
saying because I ain't know what they were saying till
they did that. And then they did first of the muck.
I got y'all, y'all nigga, y'all fucking fiends. You know
what there it's the first of the month.

Speaker 3 (59:40):
That was my ship.

Speaker 5 (59:41):
You know.

Speaker 1 (59:41):
I used to play that ship to the fucking tape pot.

Speaker 3 (59:45):
That was my ship. Just stay style of the niggas
was different. And when he did that in that session,
he was there for that. When they when they was
theygain't do his verse at the original session we did
in l A. I don't know if you should at
that picture with all of us in there. Yeah, yeah,
I was in there and ship my niggas came in
there with fucking you know, the shovel ship like victory

(01:00:08):
ship you put boxes on. They came in like two
bottles fill with hennessy. Dude, no way, like sixteen the
more out the niggas, about twenty of.

Speaker 1 (01:00:15):
Them, and it was just me d Rock Big Stevie.

Speaker 3 (01:00:19):
It's just like working as niggas coming there o Cleveland
East ninety nine and that motherfucker and uh, we just
got high in there and they did their ship and
Big was like, I'm gonna take my ship back home.

Speaker 1 (01:00:31):
Like I know, I don't think he knew what he
wanted to do. Heeople say, Y'm gonna take this ship
back back home.

Speaker 3 (01:00:36):
And when we got the Daddy's house like a week later,
that's the first time he ever told the niggas like, yo,
step out real quick.

Speaker 2 (01:00:44):
No.

Speaker 3 (01:00:44):
I used to have the you know, used to be
in the studio room and you could see in the room. Yeah,
he didn't want to look at himbody, but he's like, Yo,
everybody cleared up real quick.

Speaker 1 (01:00:51):
No what Yeah, y'all want.

Speaker 3 (01:00:53):
Y'all to hit his ship and just and then I
came back in when he's like, Yo, it wasn't that
long either, half an hour. I know that you come
back in.

Speaker 2 (01:01:02):
I know that making that motherfucking Life After Death album
was insane, though, Bro, And that's still one of the
best albums ever ever created.

Speaker 3 (01:01:10):
Bro's my it's my favorite double album, yo. And I'm
not being biased, no, straight up.

Speaker 2 (01:01:15):
Sometimes I look at because I was one of the
niggas telling Jay yo, do the double album. Do the
double album. Then when he dropped it, he was like, yo,
double that's just too much music. It's just too much music.
And when you listen to certain people double albums, it
does feel like that. It's only two double albums that

(01:01:35):
don't feel like it's too much music. It's Life after Death.
It all lies on me for sure, that's all right,
I agree, but that's crazy. The only two double albums
that you could really listen to froug the best, especially
now too, you know, and this day and age, like
I don't want to touch nothing.

Speaker 1 (01:01:53):
You know, you just want to if you want to
take that.

Speaker 3 (01:01:55):
Ride, you just throw that on it.

Speaker 1 (01:01:57):
You ain't you ain't skipping any los or nothing.

Speaker 3 (01:01:58):
Just gonna let it straight, I'm saying, you know, like
you just let it go, like you know, and yeah,
those are those are my two?

Speaker 1 (01:02:06):
And what's the double album?

Speaker 3 (01:02:07):
Hop there? Because I was like that ship.

Speaker 2 (01:02:11):
Like, no, the album is fired to me? That the
numbers he just told me, yo, it's too much music.
I don't know why he said that. It wasn't too
much music to me. It's up there, but it's.

Speaker 1 (01:02:21):
Not a lot of double albums that you could listen to.

Speaker 3 (01:02:25):
Roger Delaware from New York Life After Death for me
right one hundred we don't want to touch nothing that's
just rotter this y'all. You know, like you know one
hundred percent when it comes to like best spinners.

Speaker 2 (01:02:40):
To me, I always said, like there's certain cadences, Like
you know, I always mean Freeway.

Speaker 3 (01:02:46):
At one of the best cadence.

Speaker 2 (01:02:47):
No doubt he front down, But I still feel like
no one to this day top b I be I
made every word bomb. He would saying rhyme where then
there every word run. Then they'd be like god damn.
So I know that had to be phenomenal just to

(01:03:07):
see him sitting there doing it because him and Jay
was on the same shit not writing it down, Odell
and you just sitting there soaking up all the game.

Speaker 3 (01:03:15):
I mean, like, you know, when I be talking about
it now, people be you know, I don't know if
people be tripping like because they think I'd be biased
about it. I'm believe just a hip hop nigga, you
know what I'm saying. Growing up in that shit, I
get props from props this dude, Like you know what
I'm saying. But I'm like, I used to always think
outside the box when it came to big and I
just felt like out of all the artists. And I'm

(01:03:35):
not saying that because he's my man. I just felt like,
out of all the rappers and musicians, I felt like
he was like my most well rounded rapper because I
just so if you want to break down everything, just
like Clows, I just felt like he had that concepts.
He had that he had that content you just want to,

(01:03:56):
you know, a certain subject and storyteller. He had that
metaphors Like I'm like, well, if you want to if
I wanted to judge a rapper, some rappers were just
in one. They were just on in one. In one's
face he was he bones face. I'm saying, be in
the Charlie's face with a lot of a lot of
hitch delivers. Just hit your here rhythm and I'm gonna

(01:04:20):
I listened to it. That's how I studying, you know.
I watched him listening to LLL slick Rick. You know,
came was his favorite rapper. So when you hit him
getting on those different type of frequencies on levels, I'm like,
I just felt like it was nobody complete it in
that way like him, you know what I mean. Once
to him and I always and I said this one
time on the internet.

Speaker 1 (01:04:41):
He was.

Speaker 3 (01:04:41):
He said, Ho, they was both better rapper and they
both was chasing.

Speaker 1 (01:04:46):
I was to argue him about that. Yo, tell me
they was chasing each other.

Speaker 3 (01:04:50):
But he's a his mind is different because he's a writer.
He's a he's an artist. See he he understands everything
that moments said. He like, Yo, Bro's not saying shit,
he's keeping the bo I'm like, you really think so
he's like, yo, brother, you know. And I always think
about the line niggas take a freeze off my knee,
cap nigga believe that biggas to bug off that line.
I'm like, okay, let me start listening to you know

(01:05:13):
what I'm saying, Like, but that's too artists like you know,
I just thought they both was like the old.

Speaker 1 (01:05:19):
Each other was different.

Speaker 3 (01:05:20):

Speaker 2 (01:05:20):
It was like each other top n They was on
each other like they want to woo each other as friends,
you know, saying like that Brooklyn Finus record was them
bad with They was going at it like let's do this,
like what now.

Speaker 3 (01:05:34):
I'm gonna kill you? No, I'm a murder you. Nope.
It was on and then they find a way to
make their ship too linger together yeah, say they doing
little aders with each other. You know what I'm saying, Like,
all right, we're gonna make this ship right.

Speaker 1 (01:05:45):
But that's why that record is that record, because you like.

Speaker 3 (01:05:49):
The niggas wasn't playing. They wasn't sitting in there like
tapping bottles together. And ship oh was in one corner
like niggas in one corner, you know. But we still
they still like talking everything. I went in and then
you leave for a little while, you come back and
that's what you got. Like, you know, like that story.

Speaker 2 (01:06:07):
I've seen the story where Beans was on the net
where he was like, yeah, Jay wear a big chain.

Speaker 3 (01:06:11):
When he gained the album mode it's one hundred percent fat.

Speaker 1 (01:06:15):
He gave him to come to the crib and he
put the Jesus Peace come here.

Speaker 3 (01:06:19):
See he used to come there to the club the rock.

Speaker 1 (01:06:21):
Let me get that about to go work on this album.

Speaker 3 (01:06:24):
Yeah, and we know when he done when he called
us back to come get it. Yep. I heard every
after the second album. I heard every whole album exclusively.

Speaker 1 (01:06:35):
That's a fact.

Speaker 3 (01:06:36):
He's like we got that first hand. The team like yo,
y'all just pull up, Yeah, don't come to well, he'll
come to.

Speaker 6 (01:06:42):
The crib, Yo, shut it up and speakers out the
CD error you tell that ship in I don't think
Jay ever built that bond with another rapper like he
had with you know what I'm saying, like, fuck with
a lot of rappers.

Speaker 2 (01:06:54):
Where it's a lot of niggas were cool fam all that,
but Big was the.

Speaker 3 (01:06:58):
Bro man because they really vonded. They like people.

Speaker 1 (01:07:02):
Y'alls know that.

Speaker 2 (01:07:03):
You know what I'm saying, family, not Big, y'all the
whole I feel like, y'all, the family always been bro
and I just wanted.

Speaker 3 (01:07:10):
You to know that.

Speaker 2 (01:07:11):
So like, in fact, Bro, what's what could people expect
from season Leo going forward?

Speaker 3 (01:07:17):
My ge?

Speaker 1 (01:07:18):
What what we got cooking?

Speaker 3 (01:07:20):
Well? I got I'm working on this documentary called from
a Young Jee's Perspective, you know, just really just based
on everything that you know, from the day I got
introduced into music into where I'm at right now in
this present state of mind, and it's called from a
Young Je's perspective, just you know, his young nigga really
coming up in this ship and you know I'm still here.

(01:07:41):
I ain't turned into a crackhead. Yeah, but you know
what I'm saying, Like and I want to, you know,
put that story out there so anybody else that's trying
to you know, that's going through the type of ship
to understand you know, what's what. And I'm working on
this album. I got called the hardest city. You know.
Big was the King of New York always called me
his heart. So I'm the heart of the city. Damn man,

(01:08:03):
I'm working on that project.

Speaker 2 (01:08:04):
And anything you need from BLI Moore, Man, you're not
we gon do Niggavember.

Speaker 1 (01:08:10):
You need more, even if you just need a friendly
just to be like, yo, what you think, We're gonna
put it on the podcast right now.

Speaker 3 (01:08:17):
I'll put it out there right I'm seven records, you
seventh come. We always wanted we upposed this so because
they only looked at like that's that's whole, like this
is what birth that's and I'm like, all right, I
think that's something we need to you know, we still
need to do.

Speaker 1 (01:08:34):
So I'm come on, man, let's put that. Because I
didn't hit you one time. I was like, yo, bro,
and I wasn't to this joint. He was like, I
ain't really funk with the music right now.

Speaker 3 (01:08:43):
I was like, yeah, no doubt. And then they gassed me,
my man, chief you gassed him? Yeah, he gots and
I know, see all right, you gotta call him.

Speaker 1 (01:08:54):
Because so you know right there, I was like.

Speaker 3 (01:08:56):
Yo, bro, I was up, that's like, I want to
work on some She's like, yeo Lee, I ain't really
fuck with that shiit seez I ain't wa. I'm like, bro,
But I was like, I respect it, I get it.

Speaker 2 (01:09:04):
I'm like, I was not no doubt my my Like
I feel like music, I don't do it just because
I know how I have to really feel it, be
in the mood and the zone.

Speaker 3 (01:09:17):
And it's been years since.

Speaker 1 (01:09:19):
I felt it.

Speaker 3 (01:09:20):
Like Yo, I was just like, I ain't have nothing.

Speaker 2 (01:09:23):
Really I wanted to say so like I said a lot,
and then watching where things going now and the conversations
with me and my bro, it just felt like, nah,
it is shit I could say, because these young boys
need to hear no doubt.

Speaker 1 (01:09:36):
That is like at the end of the tunnel that
we ain't thugging forever. And that's why I want to
we become businessmen at the end of the day. You
know what I'm saying.

Speaker 2 (01:09:44):
We sitting here, we're doing this, We're talking about Doctormnary's Like,
I just seen you on tour doing a notorious big tour.

Speaker 3 (01:09:52):
You was over sin Yeah, well Frank white Man, Yeah
with the Frank white Experience bands, going out there rocking
with the band, you know, getting them, you know, getting
them such a to you know, feeling how the world
feel because they're just a band that go out and
do biggie stuff, you know. I mean, you know, they
was you know, the state, the management, everybody, you know,
co signed it and they was fucking with it. I
was like, come on, man, I'm gonna say I get

(01:10:12):
y'all overseas and they been We went over there for
a whole month, you know what I mean. I'm trying
to work on the project with them to just doing
a live album. Like remember how Whole did MTV on
plug It was a show on MTV and he put
that ship out on the CD, like all right, right,
just show you know. That's like, I just want to
do that type of shit now. So, like you said,
you did it because you still love the ship a
little bro. It's something that sparked you to make you like.

Speaker 1 (01:10:34):
That right there. When I seen that, I'm like, y'all thought,
I think y'all was in London.

Speaker 2 (01:10:38):
And you posted and I'm like, damn, listen to go
on tour with the Frank White Band performing all their
hits and not just seen. It was a packed house
to love. I'm like, it's fire and with.

Speaker 3 (01:10:48):
A band too, just the whole that, the whole show
is with a lot of live music broke.

Speaker 1 (01:10:52):
Everybody got the talent to perform with a live band.

Speaker 3 (01:10:56):
Man, you kid more.

Speaker 2 (01:10:57):
Some of these guys still performing with the motherfucking not
the vocal track the MB three. They playing with the
Stoodies and they ain't just got the TV track, they
got the original Apple Nigga, go to iTunes, play it
and I'm gonna perform it.

Speaker 3 (01:11:15):
The Locks that see the Locks, the Spider, the Locks,
the show niggas like when they did versus like, Nah, nigga,
you better wrap to your instrumentals.

Speaker 1 (01:11:22):
Get real.

Speaker 3 (01:11:23):
That's they really they really put it back in that perspective.
You know, this is how we because it's like they
had that players that had TV tracks and that's it. Hooks.
You may have some Adams in there that they might
do it, but you're your own.

Speaker 2 (01:11:37):
You might be doing a show like that. Yeah, you
got to say the round. Your talent had to be talent,
can't be studio yo. The way ship going now, I
know Milli Vanilli like you motherfuckers, they would have been
lit you y'all played with me. They should drop an
album back like Nigga we back. Fuck it Vanilla. You

(01:12:01):
know it's untrue and the record skip. All they needed
was a fucking look it's MP three Now they ain't
not worry about nothing skipping and everybody Milli Vanilli's.

Speaker 3 (01:12:11):
This way is the vocals, all the tune. Niggas ai
straight up like I know them. Niggas is like you,
we had none of that. We had none of that.
So you know what I mean. You have to be talented, bro,
And I don't want people to think like I ain't
never been. I love the music today.

Speaker 1 (01:12:27):
Like I don't trip.

Speaker 3 (01:12:28):
I love it.

Speaker 2 (01:12:29):
Yeah, they talented because they clean the music, but perform
what you create. Doubt or what they used to say
back in that day. Man, you're a studio rapper and
you don't want that. No, you don't want it to
it went down. Yeah, you couldn't even talk to niggas
like that. They called you a studio rapper.

Speaker 3 (01:12:50):
That mad you.

Speaker 2 (01:12:51):
They get busy outside the studio. I mean, your shit
is all engineered and that's it, And I just.

Speaker 3 (01:12:58):
Think that's why we're we're you know, our culture from
the nineties is elevated.

Speaker 1 (01:13:04):
Like since COVID happened.

Speaker 3 (01:13:05):
As bad as COVID took a lot of lives and
a lot of stuff happened from that, COVID really rejuvenated,
like music for real, Like if you think about from
that point on, ain't nobody been selling out and create energy.
But bust the you know, the fifty tours, the Wou Tang,
the two Toes, Nahs, SWV.

Speaker 1 (01:13:27):
Escape Yo Bro now.

Speaker 2 (01:13:30):
A residency with an orchestra, Jezy on tour with the orchestra.

Speaker 1 (01:13:34):
You know what I'm saying. Like that took us.

Speaker 3 (01:13:37):
It made people, I think, just appreciate go back to say, hey,
this is a dope time in my life. It ain't
just the music. It was a dope time in my
life because you know, the generation to they just got
to get it together and make your shit safe and
create that atmosphere. You could wrap about anything. It could
be the most drillingus shit ever, but when somebody come
to see you, make sure it's the safest place you
know what I'm saying. Whenever that shit you're talking on

(01:13:58):
these records, listen, But nigga, like when it's time for
people to come see you, you know, gonna make sure
that's that that environment was, you know what I mean,
make sure it's right because you don't want to knock it.

Speaker 1 (01:14:10):
That's how they're coming up, you know, drill music. It's
like n w A was in our time.

Speaker 2 (01:14:14):
Police w A still wanted that big. They still wanted
some bitches. They still had the biggas don't want no trap.
You niggas just warn a trap.

Speaker 3 (01:14:26):
That's it.

Speaker 1 (01:14:26):
They just outside they want to show you. Listen, we drippy.
I got the car, I got the f N and
I'm smoking a nigga right now.

Speaker 3 (01:14:36):
Cut with the bitches. That's the one thing I'm like,
are you smoking the no.

Speaker 2 (01:14:41):
Bitches in the middle or that bitches don't want to
smoke nigga in fact, just don't want to think about it.

Speaker 3 (01:14:48):
If the bitches want to smoke, niggas got quick. I'm done.

Speaker 2 (01:14:52):
I got to tell my son he moving overseas because
if he ever bring a bitch to quit talking about yea,
we're smoking on a little homie Like I.

Speaker 3 (01:15:01):
Never got that, like like where we like where we
get to that at Like, come on, you're smoking. The
girl talking about you's smoking on what I'm saying like
smoking on my it's.

Speaker 1 (01:15:12):
No your shill, chill shit wild.

Speaker 2 (01:15:21):
Dog, I'm smoking. If the girls start talking like that,
I quit. But these niggas, man, they gave money. They
just saying, damn, I don't think they having fun.

Speaker 3 (01:15:32):
They they not to pull up. You definitely have no fun,
but ches to pull up while you're telling the opt
pull up and you looking on the ground at the
very moment you're there.

Speaker 1 (01:15:45):
Yo, listen, what they doing now was equivalent to what
we did at the shows.

Speaker 3 (01:15:49):
But we did for the bitches. We used to drop
the law. You know, niggas be like yo, y'all bugget
dropping the low nigga.

Speaker 1 (01:15:57):
We used to be on stage after.

Speaker 3 (01:15:59):
Party right there. Remember, but you gotta remember that up here.
It ain't no it ain't no no navigation, it's no sitting,
no location.

Speaker 1 (01:16:09):
Oh he said the holiday inn.

Speaker 3 (01:16:10):
Yeah, world said, okay, yo, niggas would be out.

Speaker 1 (01:16:15):
It's a show. It's a random it's everybody that was
at the show.

Speaker 2 (01:16:18):
Yeah, it was no way to walk through the crowd.
And tell all the girls yo, having a party of it.
So niggas would be like, Yo.

Speaker 1 (01:16:25):
Tell them where we stay to be the first thing
that she was the last.

Speaker 3 (01:16:30):
The holiday, Yo, we over here. We stayed over here, yo,
and the love and we were staying at hotels like
that too. Holiday in.

Speaker 1 (01:16:39):
The the it's just outside where like the doors when
you walk out, it's just that little Yeah.

Speaker 3 (01:16:46):
Ship was a ship like that popping yo.

Speaker 1 (01:16:49):
Ship was my y'all.

Speaker 3 (01:16:50):
Niggas got it good now ya can y'all can wait
and Oberger come pick you up a lift.

Speaker 2 (01:16:54):
It wasn't that niggas staying there ricks the four season
with the sweet Yeah your road yo, listen, let me
ask you a question.

Speaker 3 (01:17:05):
The only thing, let me say, this is the only
thing though, that we didn't have back in them times.
We could smoke anywhere anywhere. We just as in the
hotel room. Yeah, were in the hotel we already dawn
crazy you smoking the old hallway out.

Speaker 1 (01:17:20):
Yeah, we used to blow it down everywhere.

Speaker 3 (01:17:22):
Think about like, that's the only thing now is they
was illegal that that was legal and you can't you
can't do it. Yeah, it was illegal. It's it, but
you're safe in the hotel.

Speaker 1 (01:17:31):
Yeah we were safe.

Speaker 2 (01:17:32):
You're smoking the rules, nigga, or they're doings. Come kick
you out and you go to the next hotel do
the same thing all over again. Or you're on the
smoking floor. But you could show you'll be like yo,
put me on the smoking floor and then was over
like that.

Speaker 3 (01:17:48):
Your size and ship going off every other hour. You
got the whole I forgot about the smoking floor.

Speaker 1 (01:17:55):
You really like that, bitchy like, we just smoke up here.

Speaker 3 (01:17:59):
Now you walking through the lobby with Yeah, you go
in this room, yo, Niggas over here, yo, and they
don't fuck with you. Police are gonna come like you got.

Speaker 1 (01:18:09):
Just get rid of the weeds. Put that ship out
and it's not these girls are like this. Niggas go
to see like this.

Speaker 3 (01:18:19):
I start getting on my Chris Brown ship.

Speaker 1 (01:18:20):
They're taking phones. Man, Yo, I don't live in that seat.
That's why we passed that.

Speaker 3 (01:18:25):
Yeah, yeah, we passed.

Speaker 1 (01:18:26):
Why we don't know because we're just talking ship when
we was when we was like in the time.

Speaker 2 (01:18:31):
You see, the game is fucked up. That's why I
had to tag out, like you're not the wrestlers.

Speaker 3 (01:18:38):
Had to tag out.

Speaker 1 (01:18:40):
Don't be tagged out.

Speaker 3 (01:18:41):
Listen me up, baby up out.

Speaker 1 (01:18:44):
Nah, I mean it's men fus to be out, you
know what I mean.

Speaker 3 (01:18:46):
Now we're done, we getting old man, Yeah, we like
you know what you know we're getting you know what
all means to me? Out living dummies.

Speaker 2 (01:18:53):
That's a fact you know that don't even be sometimes
out like like you're going.

Speaker 3 (01:19:00):
Yeah, yeah, this is called vintage game.

Speaker 1 (01:19:03):
I'm seasoned.

Speaker 3 (01:19:04):
Yeah, I'm not steak in the fridge that's been in.

Speaker 1 (01:19:07):
The French for two days. Yeah, that pulled me out.

Speaker 3 (01:19:09):
I'm nice in seasons. You throw me on the grill,
you could put me in the oven, put me anywhere.
I'm gonna come out right out.

Speaker 2 (01:19:16):
Out of all the places you travel, what's up of
your top vacation spots?

Speaker 3 (01:19:21):
Church?

Speaker 1 (01:19:22):
Till you told me what happened today in turn? Yo, Chill, chill,
that's just yo. That gay doesn't church.

Speaker 3 (01:19:29):
And Kekos that's her first ye Jamaica, the history and
the love, you know what I mean. I was just
there like a week ago.

Speaker 1 (01:19:37):
I didn't know big with the.

Speaker 3 (01:19:39):
Jamaican that should blew my mind. And I'm not big
cousin people, but that family together, we grew up out
of your family. Yeah, exactly. We family by hood. Yeah,
I got a lot of hood cousins. Yeah, but I
be wanting to tell people like but just in a
real standpoint, you know, blood don't always make your family.

(01:20:00):
That's bro since I was seven years old. Yeah, but
he's a full blown Jamaican. I'm not. But he raised
me since I was eleven. So yeah, that's the thing
that's family, you know what I'm saying. So Jamaica and
uh shit my third place to my Allen or like
off the country or wherever you with your time cut.

Speaker 1 (01:20:21):
Uh out shot him too. I'll probably say, uh ohit
Amsterdam too.

Speaker 3 (01:20:32):
Ooh, nobody's never Amsterdam.

Speaker 1 (01:20:35):
That's low key.

Speaker 3 (01:20:36):
That's my spots where I'm moving to. I'm retired Ampstead, Nah,
I'll here. I'll fuck with you, you fuck with Amsterdam.

Speaker 2 (01:20:42):
I'm retired at Amsterdam when the soul set is done
and I'm done doing a retiring in Ampstdam.

Speaker 3 (01:20:47):
Amsterdam is like I fox with the vibe there, lobbist
chill Amsterdam.

Speaker 1 (01:20:52):
Remind me, what if you ever watched a.

Speaker 2 (01:20:56):
Van Vaya movie right that shit like trans Yeah, I
don't sweat to God becausembers can't come out to go there.
So remember in the daytime, Amsterdam is tourist out. You
see anybody like this pictures.

Speaker 1 (01:21:15):
For that all over smoking walking around.

Speaker 2 (01:21:17):
When the sun go down, the gooons come out down.
They out there like this, Yeah blood mine up, Hey,
bro bro up, you need.

Speaker 3 (01:21:26):
What bro brot me?

Speaker 1 (01:21:29):
These niggas come from, say that ship, Like, that's my spot.

Speaker 3 (01:21:33):
And I've been to like all parts, Like it's like
a few parts I can't pronounce, like our man something
like that. I was just dire.

Speaker 1 (01:21:39):
We were just did with the front white man.

Speaker 3 (01:21:40):
So I'm like, that's a vibe out there because it's
twenty you.

Speaker 2 (01:21:43):
Know my savings the Bulldog, Yeah, the Bulldog, because you
know that's the only spot you could smoke and drinking.

Speaker 3 (01:21:51):
I never I went there, and that I went there
when I was there.

Speaker 1 (01:21:54):
At this that I came.

Speaker 2 (01:21:56):
You know, Amsterdam is were like they zoning lords with
the smoking in the lake. You can't do it every
yeah you do one or the other, yes, but that's
the only spot where you get and order some food,
having the videos popping.

Speaker 3 (01:22:10):
That's my spot.

Speaker 1 (01:22:11):
It's a hip hop vibe there.

Speaker 3 (01:22:13):
So with them, excuse me, that's my spot and I
can take all of my you know my relatives there
you're single and you know they got issues. Take them
to the red light man, yo, Yo, going there though
for hour, going this little I'm going to.

Speaker 1 (01:22:28):
Get now, go ahead.

Speaker 3 (01:22:29):
Caught me what you're done.

Speaker 1 (01:22:30):
I took my wife there.

Speaker 3 (01:22:31):
Put your life together.

Speaker 1 (01:22:32):
You can't do that with everybody. I took one of
the homies the Amsterdam. It was like that, do your thing.

Speaker 2 (01:22:37):
I had to leave the nigga there. He was in
there too long. It was like, yo, fam, that's was
to be the quickie like we bugging.

Speaker 3 (01:22:45):
I had to leave them, yo. With the prices going
back to the old chap. Price is right out there though.
That's why Nigga and Nigga be in there in there
all day.

Speaker 1 (01:22:53):
Don't took white feet their hams today.

Speaker 3 (01:22:57):
Took on the strip, just just the whole shipfe You
gotta know, gotta know, yeah, ain't nothing wrong with that.

Speaker 2 (01:23:03):
Selling trap everywhere, yo, But out there that ship like
shopping in the sleeper Storeyah. She had to know that
ship like this, so you can pick out the rugs
you want them, flats with.

Speaker 3 (01:23:15):
These reds, all types of ship. He designed the other
ways too. You know you're going the little building ones
too at the hotel. They got their billboards out there
and everything like. That's just different. But going to see
three thirty three today, yo? Yeah she did today? Yeah,
three thirty three Yo.

Speaker 2 (01:23:33):
Amsterdam might go from for half a man too, Yeah, Amsterdam,
American job going, but you know enough half a.

Speaker 1 (01:23:40):
Man in the American money you're gonna get right.

Speaker 3 (01:23:42):
You imagine nigga going in for the first time.

Speaker 1 (01:23:44):
You gotta gotta flicky on them.

Speaker 3 (01:23:46):
But he going in the rooms. I want to Maria
and ship.

Speaker 1 (01:23:49):
Yeah, he going to ship on the bridge.

Speaker 3 (01:23:51):
Ship.

Speaker 1 (01:23:52):
You don't want sam too, man, Yeah, you're gonna walk
out there to damn. Yeah, we're crazy and he don't go.
We set tomorrow too. You don't want another spot this.
Don't niggas go there.

Speaker 3 (01:24:03):
They don't want to come back.

Speaker 2 (01:24:05):
Amsterdam fucked me up. First job going, but you know
where really flucked me up. You ever been to New
Orleans during Marty Grau.

Speaker 3 (01:24:13):
Yeah, I ain't entering a while, but yeah, oh yeah,
different too from when the last time you was there
last year?

Speaker 2 (01:24:19):
No, listen, only been to Marty Gras one time was
the last time they had this music conference called the
Gavin which was like nineteen ninety five.

Speaker 1 (01:24:29):
Bro, Nah, you ain't in a sense I've been to
New Orleans.

Speaker 2 (01:24:33):
She's not during Marty Gras okay, but listen that ship
that should changed my life.

Speaker 3 (01:24:38):
Bro.

Speaker 1 (01:24:38):
Like I remember being out there during that and.

Speaker 2 (01:24:40):
The bead like beads they showing you. Then it's like
what it is? How much the beads? The beads is
a dollar? Let me get a hunder those real quick.
Here go crazy fits blacks like this is crazy or
like time go crazy.

Speaker 3 (01:25:01):
I'm going crazy. I'm going crazy, that's a fact, yo, crazy.
But you having fun though?

Speaker 1 (01:25:07):
But that that was, but that that fun was different
than that today.

Speaker 3 (01:25:12):
Yes, MARTI grow today yo, bro yo, Yo freaking nigga
took my nigga. This generation won't be ready for a
highway to be shut down.

Speaker 1 (01:25:23):
Hell no, they're shooting that ship up.

Speaker 3 (01:25:25):
How can I be down there? Used to be out
here yet, Oh my Jack the rapper when we come
out here on mister Lee, Man, mister Lee, the fucking
word big yo, Lo call local, that's my man, mister Mann.

Speaker 1 (01:25:40):
He still be trying to talk English, but he's yokes.
He can't get the spinnish linger awful.

Speaker 3 (01:25:46):
They used to have byam be upside down?

Speaker 1 (01:25:49):
By gee, how can I be down?

Speaker 3 (01:25:50):
Type of weekend.

Speaker 2 (01:25:51):
Can't even have those type events today niggas will be
trying to put everybody.

Speaker 1 (01:25:55):
In the pack.

Speaker 3 (01:25:56):
Zoe weekend, Member Mornings weekend that used to be out here,
Oh niggas, Oh weekend used to be. That was the
more calm ship to do out here.

Speaker 1 (01:26:04):
They like.

Speaker 3 (01:26:04):
It wasn't like Jack the rapper, I cannot be down.
It's more smooth. All the NBA, all the NBA shout
out here is like like.

Speaker 1 (01:26:11):
Like cool, calm shit going on, y'all. Niggas was outside seas, That's.

Speaker 3 (01:26:15):
What I mean. It was in that type of ever, yeah,
really applying that pressure and Rolex m they used to
have to pull up over here.

Speaker 1 (01:26:24):
That's with Uncle Luoma Roland.

Speaker 3 (01:26:27):
This one was not. This one was not but booty
shaking ship out yo, Like no, that's that's what we
were doing. Unless you knew, like the rap rap ship
that if.

Speaker 2 (01:26:34):
You have actually going on the club in Miami, you
never really been those shit.

Speaker 1 (01:26:39):
You ain't been the one yet.

Speaker 3 (01:26:40):
Miami was like one of the corn man like that
pole that's a that's a bitty yeah, niggas.

Speaker 1 (01:26:46):
When I came out here.

Speaker 2 (01:26:47):
They was.

Speaker 1 (01:26:47):
They was coming from ship from the fifth floor.

Speaker 3 (01:26:50):
I'm like, Yo, this shit crazy. Y'all was in Miami
early y'all was out here.

Speaker 1 (01:26:55):
It was still something that fetti out.

Speaker 3 (01:26:57):
Of June Brown Man shout to Uncle Luke Man and
nothing like that, Dudu Brown era a miaomo and I
live here in Miami, now see I the ain't nothing
like that, Dudoo Brown. Yeah, I miss era in Miami, Florida.

Speaker 1 (01:27:10):
I got I got the trick Daddy slipping slide era.
That was a good er to know.

Speaker 3 (01:27:14):
I was a great ever too because it was still crazy. Yeah.

Speaker 2 (01:27:19):
Yeah, you know that ship was still the era Luke
shows Man, Come on, man, that's all it was to
go to in that era.

Speaker 3 (01:27:26):
Coming up, dude, Luke, No one could do with Luke
Big Today. Your ass going under the jazz shouting Uncle
Luke shout to the whole Miami though.

Speaker 1 (01:27:36):
Trick yeah them type of errors. Club amnesias, the cameos,
you know.

Speaker 2 (01:27:41):
And you have the club space and you know your
cameo being here, fat hell yeah, cameo being here forever.
A lot of movies been made a cameo by day.
But I don't know anything New Man any towards coming up?

Speaker 1 (01:27:59):
Uh No, so far.

Speaker 3 (01:28:00):
I just got the Hardest City coming out, Young Gee's
Perspective documentary. Don't forget that Young Might. Uh. You know
I've been I've been getting a question to do a
book for a while, but I really just want to
focus on the you know, I really want to put out.

Speaker 1 (01:28:14):
Some more music.

Speaker 3 (01:28:15):
And I've been sitting on a lot of music too.

Speaker 1 (01:28:16):
Son.

Speaker 3 (01:28:17):
You know, most of his project is almost done. I'm
about to send him a seven clip let's go. But
I already got a bunch of shit done with a
bunch of features and you know what I mean. But
that's more what I'm focusing on right now, you know
what I mean. So like that's two like main things.
Of course, you know we're gonna I'm gonna stay on
the road, you know what I'm saying. Uh, And this
is your home, my nigga, No doubt.

Speaker 1 (01:28:36):
You got to block solid this, ain't.

Speaker 3 (01:28:38):
You know?

Speaker 1 (01:28:39):
They never let us the young niggas get out, no doubt.
Just the young to the big is our voice.

Speaker 2 (01:28:46):
My voice is your voice. I appreciate anytime you want to.
I don't give a fuck if you want to tell
niggas vote. If you want to tell niggas go give
their heart check whatever you want to say.

Speaker 3 (01:28:55):
This job Rockefeller, you know, rock solid. You know what, man,
I've been going again. We've been We've been like this.
We've been in connection for a long time. So it
was the only right we did this. Everybody been asking
for me and so I gotta start being like I
gotta start being a co host on it. Just come
crashing ship, That's what I'm telling who you got today,

(01:29:16):
I'm coming to crash. You know what I'm saying.

Speaker 1 (01:29:18):
But we put it together.

Speaker 3 (01:29:19):
But everything you're doing, Bro, I'm proud of you. You doing,
still working, still striving, still rocking, still brand you know
what you're doing, your ship. So save my feet.

Speaker 1 (01:29:29):

Speaker 3 (01:29:30):
Forget it. They appreciate you, but brother, you know it.
Do save for life.

Speaker 1 (01:29:35):
Baby out, baby rock solid. Yeh.

Speaker 2 (01:29:41):
For more podcasts from iHeart Radio, visit iHeart Radio app,
Apple Podcasts, or wherever you listen to your favorite shows
at and you can follow me on any social media
platform under the name Memphis Bleak.

Speaker 1 (01:29:53):
You see anybody fraud and flagging

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Lil Cease | ROC Solid w/ Memphis Bleek

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