July 1, 2024 • 33 mins
It was in our private dining room three years ago when I wrote to Ridley Scott asking if he’d be the first guest for a podcast idea I’d had about food and memories.
Ridley wrote back saying, ‘Yes Ruthie but I’m directing Gucci.’
A year later, ‘Yes Ruthie but I’m directing Napoleon.’
A year later, ‘Yes Ruthie but I’m directing The Bee Gees.’
Then a few days ago, whilst sitting in the River Cafe garden with his family, he drew a beautiful drawing on the wine list with the words: ‘Ruthie, how about next Tuesday?’
Ruthie’s Table 4 is made in partnership with Moncler.
See omnystudio.com/listener for privacy information.
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Episode Transcript
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Speaker 1 (00:00):
You were listening to Ruthie's Table four in partnership with Montclair,
like knowing.
Speaker 2 (00:05):
Where you were when you heard a song you love,
where you were when you shared a meal with one
of your children, or where you were when you discovered
a painting that stayed with you forever. I know where
I was when I saw Blade Runner London, Thelma and
Louise Harris, and Napoleon a few months ago in l A.
(00:26):
I also know that I was in this room in
the River Cafe three years ago, writing to Ridley Scott
and asking him to be my first guest for this
idea I had for a podcast about food and memories.
Ridley wrote back, saying, yes, Ruthie, but I'm directing Gucci.
A year later, Yes, Ruthie, but I'm directing Napoleon. A
(00:47):
year later, Yes Ruthie, but I'm directing the bee Gees.
Then a few days ago, sitting in the River Cafe
garden with his family celebrating the night Grand Cross he'd
been awarded at Windsor Castle, he drew a beautiful drawing
on the wine list with the words Ruthie, how about
next Tuesday. In preparation, his son Jake and I met
(01:09):
to talk about his father, how he exposed him to
every food possible, cheese with maggots and sardinia, steps in
the door, doin on the set of Duellists, and the
magical experience of producing wine at their vineyard, Mars Day
and Fermiere. Like knowing where you were when you saw
a movie. I know that in years to come I'll
(01:30):
remember exactly where I was Hammersmith when I sat with
Ridley Scott talking about food and memory, food and family,
food and wine, food and love.
Speaker 1 (01:42):
Yes, Ridley, thank you, and answer that I'm honored.
Speaker 2 (01:47):
We would love you to read The recipe for.
Speaker 1 (01:51):
Asparagus an anchovy buttered with parmesan rynch dry and roughly chopped.
The anchovies in a bowl, Mixed together the answes with
lemon juice and black pepper, and with the fork mixed
the butter. Boil the esparats in salted water until tender.
Drain season and drizzle with olive oil. Place the asparagus
(02:16):
on warm plates, Spoon over the anchovy butter and scattered
with parmesan shavings, and my jaw is dripping the salagra.
You know I used to come by here the famous
Italian dish, which is the funny little piece the.
Speaker 2 (02:34):
Farinata.
Speaker 1 (02:35):
No, no, it's like a soup.
Speaker 2 (02:37):
Oh yeah, the task of bean soup, cannellini bean soup.
Speaker 1 (02:40):
Yeah. So I got so taken with it now every
time I drive past her pop in for lunch and
the guy said, I know what you want. You want
to yes, please? And then eventually the chef, because I
had two bowls and the chef said, you really like
this stuff? I said, yeah. I said, what's the secret?
Because I wish I was a cook. You said, it's
pretty simple to bring out to the boil said, he said,
(03:02):
and I take one carrot, chop the carrot, drop it
into that. Don't overcook it. I said. One of the
black pieces, He said, that is the secret. Is that
as a bit of black cabbage cavalodera. He says, there
you got it. I said, to kind of have another bowl.
Speaker 2 (03:18):
It's a very simple look says everything about Tuscany. It says,
you know, beans, olive oil and the cabbage and that's it.
Speaker 1 (03:27):
You know. I'm from the North of England and it
took a long time for me to discover my mother
was a good cook. But we were as a child,
we were on rationing warriors. So my mother made the
most of what she could. And the thing I used
to love most was mince and dumplings in the mince, Okay,
I love that. Or she made something what she called
(03:48):
beef olives. It was cheap beef slender bead which she'd
roll into into it. Something in the middle was magic.
So my mom always bread and us always good food,
but very plain. Then I'm at college, and at college
you can't afford very much. At also there was no
restaurants and near the world comes you were. And I
(04:08):
then became known pretty fast. I got to advertising, and
I went off like a bolt of lightning, and suddenly
I had money to spend because of good restaurants, and
like other places in the world, can be expensive, right,
And so at that time there was this big, fashionable,
(04:29):
small restaurant in Kings were called Alvaro, and right there,
for the first time in my life, had tested what
it was called kim at the heading of Italian Tarazza
food and Alvara, did you have a messing?
Speaker 2 (04:41):
I think he came here right when we opened in
the ages.
Speaker 1 (04:44):
And then Alvara then evolved really fast and became very faster.
Speaker 2 (04:49):
With like white tiles, and they not in the.
Speaker 1 (04:52):
Place was tiny, and he moved so quickly, evolved so quickly.
He owned a club, discotheque and restaurant just across the road,
down the street, and in there would be the Rolling Stones,
Paul McCartney, even Warren Beatty. I started eating there regularly
because I could afford to it. That's where I came
across Protruter and things and the magic of Pastor. The
(05:14):
story is he got so successful the mafia approaching them
wanted a piece. They scared him off. He stopped completely
and then open years later in a restaurant at World's
End in Chelsea, San Lorenzo. I'm known for years and
years and years Mora and Mara. They were Sardinian and
(05:36):
so on their advice, I had one of the best holidays.
I went up the coast to a small village that
some Italian prints had built, like a fake fishing village,
and we enjoyed the sud Indian food like.
Speaker 2 (05:52):
That where Jake told me that you bought the cheese
and you took it home and it had maggots in it,
that's right. And then you took it back and the
man said, that's what it's supposed to.
Speaker 1 (06:00):
Yes, but I but I also love the sud Indian wine.
I kind of like the food.
Speaker 2 (06:06):
Yeah, I like the food. I like the food from
do you have Potargah? You have that fish roll? Every
and every everything may.
Speaker 1 (06:14):
But then the evolution into America, I tend to lean
towards Italian cuisine always. I don't know why it's the most.
Speaker 2 (06:22):
Maybe it's simple. If you like that bean soup it
has three ingredients, you know, simple.
Speaker 1 (06:26):
And I don't like hamburger. I tend I tend to
know as as i've got older, towards being nearly vegan.
Yeah so, but I like curries. When I was at college,
the cheapest restaurant near me was Indian, and i'd go
(06:47):
in there there. I discovered that they're very careful about
what meat they have, the vegetable use it, and the
food was great.
Speaker 2 (06:54):
Because let's go back to your parents. Your mother and
her cooking.
Speaker 1 (06:59):
I always remember cooking was really excellent.
Speaker 2 (07:01):
And would your brothers Tony and Frank and you would
meal times be very important, would you?
Speaker 1 (07:08):
Well? He liked her food, and she liked the fact
that we liked her food, and it tended to be
Stew's whatever.
Speaker 2 (07:17):
You lived in Germany as well? Do you remember that
at all? Living in Germany and eating Germany?
Speaker 1 (07:22):
Nineteen forty seven, ninety fifty two, my dad became important
in Germany. So my dad the end wasn't acting brigadier general,
and he was there for the Marshall Plan, and he
was initially involved in D Day and designing something called
Maulberry Harbor, which is how we got all the truths
in the Normandy landing. So when forty seven came around,
(07:43):
he said the war ends. September forty five, he said,
we're going to Germany. And I was ten, and I
love the idea of that. And we went to Hamburg first.
Hamburg was as if we dropped the hydrogen box.
Speaker 2 (07:58):
I was going to say it was it completely.
Speaker 1 (08:00):
It was like we dropped an h BOM. And then
we worked there. He worked there briefly and said, I'm
now going to south to Frankfurt and Mainz and'll be
working in Eisenhower's office at the Eager Farm building.
Speaker 2 (08:13):
Do you remember food there? Did you remember?
Speaker 1 (08:15):
You know? Here's where it comes. He said, I'm going
to show you something going to like He took me
and my frank Tony was about to be born, and
he took me to the American p X, which of
course is a supermarket. I didn't know what that was,
and i'd been on rationing. He said, this thing is
called a soda fountain, he said, and the guy the
(08:37):
hat that he's the soda jerk, he said, I advised
that you have a Raspbey milkshake. He said, Oh, by
the way, do try that coca cola. How well were
you ten? So I got hooked on coca cola when
it was in the glass bottle, on the small glass bottle,
and I'd do six bottles a day. To me, I
(08:59):
still got one. And so in there was Hamburger, and
it was the American food in the American way of life.
Speaker 2 (09:06):
So there was no immersion into Germany.
Speaker 1 (09:08):
No. I loved what I saw because everything is shiny
and large, and the supermarket apples that are redder than
in snow white, right, and they eat him their.
Speaker 2 (09:19):
Tasteless just bigger.
Speaker 1 (09:22):
That's bigger.
Speaker 2 (09:23):
Yeah, the taste doesn't matter, but.
Speaker 1 (09:24):
You know, we got I didn't get over that for
a while because I was very impressed by the American
way of life.
Speaker 2 (09:29):
And then you came back to England. In England and
then and then we settled down, it was rationing, still going.
Speaker 1 (09:35):
No, no, no, that was over then, but my dad had
to Suddenly the war is over and all these guys
who enjoyed the high ranking positions suddenly joined the real
world and get a job. So my dad ended up
getting a job in soccer on Tees north of England,
and we were there for the next eighteen years.
Speaker 2 (09:56):
Were they excited that you were going to the Royal College?
Were they you're there to be artist? Where they were?
Speaker 1 (10:01):
No? Because I traveled so much with my father as
a army officer, growing to become a high ranking person.
I did ten schools, so I was academically inept in
those days. Parents would say you'll catch up. Of course
we never did because you moved foot one school to
(10:22):
the other. Teachers don't care, and teachers that time in
my generation hated the pupils and the pupils hated the teacher.
Speaker 2 (10:29):
But you knew you could draw.
Speaker 1 (10:31):
I did nothing but draw three years old. I will
draw you in three seconds. Okay, all right, okay, and
there you got.
Speaker 2 (10:43):
It, Ruthie, Oh pick up, thank you.
Speaker 1 (10:49):
And so what happened was when I came to this decision,
what do I do University of what my dad said,
go to art school. He did. He said, you go
to our school. Do what you'd love to do. Draw
He said, you'll probably be an art teacher. Be an
art teacher.
Speaker 2 (11:05):
You were thrust into the world of London as you
were describing the world of artists and art and Indian
food and different cultures and abilities.
Speaker 1 (11:17):
But the Royal College eventually really opened me up because
I'm on You're on your own.
Speaker 2 (11:22):
Did you have money?
Speaker 1 (11:23):
No, there was no grants. So I'd work taskin I'd
lay runways out concrete. I'd work in ICI Imperial Chemical Industries,
where I'd packed night shift dry cold it drives from
the ammonia plants. And I'd do post office work every.
Speaker 2 (11:42):
Christmas and then go to school every day.
Speaker 1 (11:45):
And then that they were the holidays. Now save that money.
It would enable me to then my dad at that
time would be on the magic salary of twenty five
pounds a week. People can't believe that, and the magic
salary of twelve hundred pounds a year. When I started BBC,
I started on a salary should take more than my
(12:05):
father earned his lifetime. So I started BBC as a
designer Tormentazia twelve hundred. Yeah, and believe it, you breakfast, so.
Speaker 2 (12:19):
That food again, going back to that culture, if you
couldn't afford to eat out, but you could eat it.
You discovered Indian restaurants and probably Greek.
Speaker 1 (12:26):
And I was good with bad cook yourself.
Speaker 2 (12:30):
Yeah, you would, so you knew what good food was
and you wanted to eat it.
Speaker 1 (12:33):
I think if I want to, I'd be a good
chef because it's about being precise. It's also having a
good sense of taste.
Speaker 2 (12:44):
Just say, if you want to eat well and you
can't afford it, you have to learn to cook.
Speaker 1 (12:48):
Yeah. And so even when I was in West Horleypool
Arts School, there would be the day and then i'd
have night school. There'd be a two hour gap. So
instead of getting fish and chips and go to the
local shop and buy good cheese, some good bread and
go and have half a pint of cider, that's a meal.
But it was selective, selective, Yeah, and I never ate badly.
(13:15):
As students, you didn't know. I mean a mom made
sure of that. She said do this, do that, and
make sure you don't and she did. You don't eat
wonder loafs and stuff like that.
Speaker 2 (13:26):
That's it. What did you educate your children that way
as well?
Speaker 1 (13:28):
Do you think I didn't have to do? There? All
great they are. The Jake is almost professional cook. Yeah.
Speaker 2 (13:33):
When he came to see me the other day, we
sat and he was he just bought red mullet, and
so we had a long conversation of how he was
going to cook the red mullet, whether to grill it,
whether to do it.
Speaker 1 (13:43):
He's really good and.
Speaker 2 (13:44):
He was serious cook.
Speaker 1 (13:45):
And his daughter and look is a serious cook.
Speaker 2 (13:49):
And your granddaughter she Cuba apparently, is going to come
and cook with me here.
Speaker 1 (13:53):
You'll be in shock. She's so clever.
Speaker 2 (13:56):
Yeah, so you so. And the women that you married,
did you? Did you?
Speaker 1 (14:01):
My first wife was mother Austrian, and that's why when
I was eighteen I was wooing my wife would be
my first wife. Eighteen nineteen twenty I went to the
Royal College and I'd go up. She lived in this
town called peter Lee in the north of England, just
north of Holeypool. Her mom was Austrian. It's the first
(14:25):
time I tasted garlic and I thought, God, the garlic
is wonderful, and I go home. My mom said, what's
that terrible smell? Are you even garlic? And that's how
it was introduced to garlic.
Speaker 2 (14:37):
So she cooked and then she was a.
Speaker 1 (14:39):
Very good girl. And I didn't say that. My mom
actually better, may be married well, and Felicity could always cook.
So Felicity was the mother of Jacob.
Speaker 2 (14:49):
Yeah, he said.
Speaker 1 (14:51):
From that she the all evolved. They could both call.
Speaker 2 (15:01):
The River Cafe, cafe, steps away from our restaurant, is
now open in the morning an Italian breakfast with cornetti,
chiambella and cristada from our pastry kitchen. In the afternoon,
ice cream coops and River Cafe classic desserts. Come in
the evening for cocktails with our resident pianist in the bar.
No need to book see you here. In advertising, you
(15:32):
were making building a company. So was were you like
in mad Men? With you the sort of Don Draper
of lon Did you have long martini lunches and no
bar infice?
Speaker 1 (15:44):
We opened the office in London and it took off,
and then I opened an office in Paris and it
took off.
Speaker 2 (15:51):
Did you eat well in Paris? Yeah?
Speaker 1 (15:53):
I love preferred Then I don't know what happened to Paris. Now, Yes,
Paris then there were a lot of brasseries, either because
it was fresh and new to me because I really
enjoyed the French cuisine at that point. I'm not sure
I enjoy it as much now.
Speaker 2 (16:13):
There's still a very strong culture of food in France.
You know, you can get into a taxi cab and
the guy will tell you how to cook a sea bass.
Speaker 1 (16:20):
Yeah, but I think there is.
Speaker 2 (16:21):
It's probably changing, but I think there is.
Speaker 1 (16:23):
But didn't things kind of slightly modernize and I noticed
that the modernization of the French food is better than
the becomes more interesting when it's done properly, when they
lose all the saurces like that.
Speaker 2 (16:36):
Yeah, the world. We were just talking about the.
Speaker 1 (16:38):
Three ingredients a lot.
Speaker 2 (16:40):
There's a lot of and you have to you know,
if you're going to have three ingredients, they have to
be really good, don't they. You know? Yeah, So you're
with Alan Parker and David Putnam.
Speaker 1 (16:51):
We were so competitive, we weren't friends. It was highly competitive.
And there used to be this thing called Monday Morning
Newcomers and I'd sit there with a cup of teena
cigarette and say, who did that? Adrian and I damn,
who did that? Alan Parker? Damn? In reality at that
moment that the Alan Parker, Adrian Lyne and me, then
(17:15):
we were the leader of the pack. We all had
our own production company, were separate, absolutely in competition, and
so in the English advertising and they called the English
lights got leaked into France and leaked into America, so
that I shipped out Freaquent shooters commercials in America. And
that's to when I then opened an office in America.
(17:36):
Agencies would come to you and say, yeah, they look
at the real what was it like?
Speaker 2 (17:39):
If we can, we can talk about one ad which
was about Brett Food, so well, tell me about Hovis.
Speaker 1 (17:46):
Hovas was the companies said, we have a campaign a
series and look, I would look. I think I'm blessed
with a good eye. I have a very good eye.
And while doing commercials, I discovered it's better to be
in a kitchen the chef can stir his own concoction.
(18:06):
To me, it was better to operate. So I'm a
very good camera operator. So I did camera operated on
two and a half thousand commercials, everything handheld, the whole
goddamn nineer. So then when I do the duelist, that's
me on one camera. When I do Alien, that's me
on one camera. Later under me. So all this evolved
into the exercise and art of that, and photographing and
(18:32):
in advertising. We were so successful. That's a lot of
very good over the top lunches where we'd have it
and lunch bloody Mary followed by a bottle of wine
and go back to work, which is not a good idea.
It doesn't work.
Speaker 2 (18:48):
Do you do that now? No, you said that you
made an advertisement like a feature film.
Speaker 1 (18:54):
The thirty second commercial I regard as a film, and
you could tell a big story in thirty seconds if
you don't what you're doing. I did Steve Job's first commercial.
Speaker 2 (19:02):
I know the Matt.
Speaker 1 (19:04):
I met the agency. They came into the chair of paper.
I said, George orwell at the end, he said, we're
going to show you how nineteen eighty four ain't going
to be like nineteen eighty four. I said, what is this?
Is it? What's the fau? They said, well, it's a computer.
So we don't talk about a computer. You don't show
a computer.
Speaker 3 (19:21):
No.
Speaker 1 (19:22):
I said, well, who's this girl running down a corner? Well,
that's freedom. She's being pursued by o'wellian threatening people. I said, oh,
it's George, okay, for what's it for? Computer? For what
domestic computer? I said to this was and Steve I said,
(19:43):
what you need a computer? Right? Shopping list? What's the
matter of the pattern pencil? It just laughed.
Speaker 2 (19:49):
I was on a film set the other day and
George Clooney was there and Adam Sandler and they did,
you know, take after ten I've never been on it.
Gave me a little part. Hint, hint, he gave me
a part in movie. So Ridley Ridley, Yeah, he gave
me a little part in his movie. So next time, Yeah,
a little Ruthie Rogers cameo. I said, not one word.
(20:10):
But it was really interesting to see.
Speaker 1 (20:13):
I do two takes. Think about it. I'm casting a
good actor and he's got a script. He's had the
script for a month or two. He is, she has
prepared what she's going to do. There's nothing worse in
the morning. Then they walk in and the director starts
to talk about the meaning of life. They want to
just get on.
Speaker 2 (20:34):
With it, and how are you on set? Is it?
Is it fun to be on a Ridley Scott movie?
Speaker 1 (20:40):
I think I think they keep coming back.
Speaker 2 (20:43):
I'd like to talk about food in movies. So we
can remember Blade Runner and the noodles. They can remember Alien, well.
Speaker 1 (20:51):
That was yeah, grain drive food.
Speaker 2 (20:54):
So would you talk to me about movies and films?
Speaker 1 (20:57):
Well, in making a movie is all to do with research,
and I have a great team, and so I've worked
with my costume designer, Janty since the first Gladiator, but
before that there were other costumes. Arthur Max I've worked
for he's the production designer since just after the timber Luiz.
(21:20):
I've worked with different people and over the years it's
simply easier to take up rains of the people, you know,
because we are so fast. As I finish, I'm already
prepping the next one.
Speaker 2 (21:34):
Yeah, you're prepping Begs now.
Speaker 1 (21:36):
Now yeah, I haven't quite delivered the Gladiators. So that's
for me's normal, but the means I mean, no, it's practical.
I hold onto the team, letting it go they're gone
and I need the team. Keeping my team makes me
more efficient and they like it because they never stopped working.
Speaker 2 (21:55):
And so when you're thinking about when you let's take
one movie. Take a movie and talk to me about
the food in one of your movies.
Speaker 1 (22:02):
Oh, alien would be one of people to eat in space.
It would have to be dried food. It would have
to be water that somehow you generate from condensation in
the ship? Is there conversation in the ship? There is now,
because Harry Dean Stanton died in a landing leg group
was dripping with water. So I made that up to
(22:23):
that was old bullsher. You'll say, what is a conversation
from what you said? Well, you know, And I also
by then you've learned to absorb your chemeras from your
own body, which would be turned in reconsumption. Now in space,
that packaging is edible. So all the packaging is light,
(22:45):
but it's there to be cooked. And actually, Martian to
me is one of my favorite recent films in a
way because it's a comedy in a way because Fox accommodis, yes,
a comedy. Why well, anybody survives by eating their own ship,
it's got to be good. You're right, okay, So, but
(23:06):
I think it was such a blow by blow logical
piece of science, and yet it was amusing. I thought
it worked perfectly. It's good, good form, he said to me.
Squeeze Matt Matt Damon, you said with tomato ketchup, I
love tamato ketcher. You just said, you said, should have
(23:28):
borded more ketchup because he was living on potatoes, so
you had to eke out the ketchup the potatoes and ketcher.
Why is why are potatoes so marvelous?
Speaker 2 (23:39):
I will let you answer that question.
Speaker 1 (23:41):
Well, there can be chips, cream potatoes, bad potatoes. It's
no one is a marvelous staple. It's a great food,
isn't it?
Speaker 2 (23:50):
And the food is Gladiator? What did they eat?
Speaker 1 (23:53):
Eggs, chicken, grain? But if you are upper class, it's
another story. You have what you want eating everything from probably,
and I think probably the challenges were healthier than the bread.
Who would eat hung meat, which is rotting without vegetables
because they didn't like vegetables.
Speaker 2 (24:14):
Do you think about food when you wake up in
the morning, and do you think about what you're going
to eat that day?
Speaker 1 (24:19):
Plan? It's I got blueberries, cherries, breakfast with Greek yogurts, expresso,
that's it. And lunch lunchtime protein with salad. Evening only
vegetables and vegetables cooked in some clever way. I like
curried vegetables.
Speaker 2 (24:40):
How long have you been on this regime? Ten years?
And it works?
Speaker 1 (24:45):
It's good you're still here. I do drink after dinner.
I don't drink with dinner.
Speaker 2 (24:53):
But when you go to a restaurant, do you break
the rules?
Speaker 1 (24:56):
No? No, I tend to stick with the rule book. Yeah.
Speaker 2 (24:59):
And when you try, well, do you think about that
right now? Where are you shooting? The beaches?
Speaker 1 (25:03):
Oh? Probably the beach A lot of time in England.
I've got to do Miami.
Speaker 2 (25:08):
What's your favorite beg song?
Speaker 1 (25:10):
Massachusetts?
Speaker 3 (25:18):
If you like listening to Ruthie's Table four, would you
please make sure to rape and review the podcast on
the iHeartRadio app, Apple Podcasts, Spotify, or wherever you get
your podcasts.
Speaker 2 (25:32):
Thank you, Ridley. Most people with the success you've had
might have bought penthouse, apartment in Central Park, a fabulous yacht,
but you bought a chateau. And I'm making award winning wine.
(25:52):
So I just thought, before Christophe and Melina come in,
both some ayas from the river cafe, you could tell
me why did you do this?
Speaker 1 (26:01):
My gluten for punishment and I liked to evolve, and
I bought I had a farm in the Costle years ago,
and I loved it to death for ten years, but
it always rained, so the kids got bored and wouldn't
go down, and I got into horses in a big way.
I had sheep, so we sold it, and I always
(26:23):
missed that farm. And then I then did a film,
The Duelists. I experienced the door done, and I loved
that part of France, and I thought, but the door
Durne rains as well. Then I really missed it. And
so eventually twenty thirty two years ago, I decided I'm
(26:43):
going look for sun for sunshine, and I started looking
anywhere beneath Leon and I made fun of the trip,
and somebody was looking for me, and then took about
six months. Is one day I was in the camp
Film Festival and it calls it. I think I've got it,
So I drove the two and fifty kilometers there and
(27:04):
I bought it by lunchtime. And because I've known by now,
I've had big houses and medium sized houses, big houses
of pin and that you do not need twelve bedrooms.
And so this is a man which is a smaller sized.
It's not a chateau.
Speaker 2 (27:19):
How many acres of vineyard do you have well.
Speaker 1 (27:21):
He had actually eleven hectors, and I discovered later years
that it belonged to General Robert of the Napoleon Army,
and that was his house and his vineyard. I was
buying his eleven hector. And when I was buying it,
the people when you're looking for house, people who usually
(27:43):
died or they getting divorced. The couple getting divorced, they've
done quite good things to what is already a bit
of a gem, like stone floors and double glazing, but
matching the windows the way they should be. So I
bought it, and from that I did know what to
do with the eleven hectors. So I got a local
(28:06):
calf to say, we'll take it out as long as
you keep the venue on neat. I don't want to
do wine, as long as it looks chronically neat, and
I drive in and looks like a garden. Good. And
so they did a good job until after four years
they caught and said, we've just got a gold in
a Paris following you. He said, we've got to gold
and a silver on this for the wine in Paris.
(28:30):
And so the guy who was kind of giving me
advice to that moment, my lovely Uncle Denny Long said,
you know, suddenly we should and your grape is way
better than you and imagined he said, I think we
should try and take it back. So we took it
back and there we have the reverse of where we
went to. So suddenly I had to get involved in
this science of making wine. And I love it.
Speaker 2 (28:53):
And what is the science of making wine?
Speaker 1 (28:56):
It's precision. Everything's precision, and everything's taste, and so it
is personal. I think it's personal. So in the funny
kind of way, wine making is as creative as making
a movie. All right.
Speaker 2 (29:08):
So we're here in the River Cafe dining room and
we're doing a wine tasting of Ridley Scott's wine. I
think we should start by the white wine. We try
the wine just before, just to open the wine.
Speaker 1 (29:20):
Yeah, and he's they are very fresh. There's a lot
of freshness on the wine. Yeah, very elegant, yes, and yeah,
I mean it's lovely. I stole a great vintner from
a very elevated car in France. I want to say where.
And he now, he is the man who puts all
(29:41):
this stuff that crystal barrel, and he puts all the
he blends everything right, and so he said, describe the
kind of white we're looking for, And I said, I
tend to always drink for a quick kind of knee
jerk reaction, and say, what do you want to say?
A Pinot grisio or salt because in the funny kind
of way, the simple wine, simple white wine, I find
(30:03):
the French red white can get shabbies can get heavy,
the show can get heavy, and I don't like heavy wine.
That was that.
Speaker 2 (30:12):
I think that's one point meant love drinkability.
Speaker 4 (30:15):
Straight away, What do you say the wine? You get
this lovely freshness and then you get this beautiful like
lime flower notes, you know her base show's nose almost
like asparagus. You know it just it just feels like summer.
You like, yes, I love it works perfectly. It's in fact,
(30:36):
aspargus is a very difficult dish to pair with wine,
and it's like so many a nightmare like such things
like also to pair with art chalks as well, it's
quite difficult. And I agree with Chris said, the acidity
is lovely. You have this freshness, so it's not you know, crashing,
crushing the dish. So I think it's really a good compliment.
Speaker 2 (30:58):
And shall we move on to the Yeah.
Speaker 1 (31:04):
The roses is one of our biggest outputs. It's retracted
a bit. Why is that because there's too many bad roses?
Just the first time teaching the rose it's very proven,
very pale.
Speaker 4 (31:21):
Yes, I think you know the roses, especially because you know,
like it's a great and a perry tip glass of wine.
But I can see prepairing so many kinds of dishes
like car patches style of food, or like lobster salad
or anything that's fresh and seafoody.
Speaker 2 (31:41):
I just think it's delightful. We talk about food as
creating a movie. We talk about food is growing grapes
for wine. We talk about food is your children. In Sarginia,
we also talk about food is comfort. So when you
need comfort, even within the plan that you have, is
(32:02):
there something cheese?
Speaker 1 (32:04):
I don't take chocolate, I don't have sweets.
Speaker 2 (32:08):
I love cheese, okay, any particular type.
Speaker 1 (32:11):
All of it. But you know, the king would be
probably still did you grow up with that good cheese?
Will always assumed and the Americans both struck Turbot boadshow
don't quite understand cheese. And but in Beverly Hills right now,
there's a very good cheese.
Speaker 2 (32:30):
There's a good well, I remember there was one on.
Speaker 1 (32:34):
Yeah, he's moved to as Evolved two Little Santa Monica.
It's really good. But I do love cheese cheese.
Speaker 2 (32:44):
All right, well let's go have some cheese. We have
some cheese before you.
Speaker 1 (32:47):
Go French, Have you got the French?
Speaker 2 (32:53):
And we have some very good Italian.
Speaker 1 (32:56):
Cheese.
Speaker 2 (32:56):
Very with your wine.
Speaker 1 (32:58):
Thank you, Ridley Scott, thank you, thank you for listening
to Ruthie's Table four in partnership with Montclair
You were listening to Ruthie's Table four in partnership with Montclair,
like knowing.
Speaker 2 (00:05):
Where you were when you heard a song you love,
where you were when you shared a meal with one
of your children, or where you were when you discovered
a painting that stayed with you forever. I know where
I was when I saw Blade Runner London, Thelma and
Louise Harris, and Napoleon a few months ago in l A.
(00:26):
I also know that I was in this room in
the River Cafe three years ago, writing to Ridley Scott
and asking him to be my first guest for this
idea I had for a podcast about food and memories.
Ridley wrote back, saying, yes, Ruthie, but I'm directing Gucci.
A year later, Yes, Ruthie, but I'm directing Napoleon. A
(00:47):
year later, Yes Ruthie, but I'm directing the bee Gees.
Then a few days ago, sitting in the River Cafe
garden with his family celebrating the night Grand Cross he'd
been awarded at Windsor Castle, he drew a beautiful drawing
on the wine list with the words Ruthie, how about
next Tuesday. In preparation, his son Jake and I met
(01:09):
to talk about his father, how he exposed him to
every food possible, cheese with maggots and sardinia, steps in
the door, doin on the set of Duellists, and the
magical experience of producing wine at their vineyard, Mars Day
and Fermiere. Like knowing where you were when you saw
a movie. I know that in years to come I'll
(01:30):
remember exactly where I was Hammersmith when I sat with
Ridley Scott talking about food and memory, food and family,
food and wine, food and love.
Speaker 1 (01:42):
Yes, Ridley, thank you, and answer that I'm honored.
Speaker 2 (01:47):
We would love you to read The recipe for.
Speaker 1 (01:51):
Asparagus an anchovy buttered with parmesan rynch dry and roughly chopped.
The anchovies in a bowl, Mixed together the answes with
lemon juice and black pepper, and with the fork mixed
the butter. Boil the esparats in salted water until tender.
Drain season and drizzle with olive oil. Place the asparagus
(02:16):
on warm plates, Spoon over the anchovy butter and scattered
with parmesan shavings, and my jaw is dripping the salagra.
You know I used to come by here the famous
Italian dish, which is the funny little piece the.
Speaker 2 (02:34):
Farinata.
Speaker 1 (02:35):
No, no, it's like a soup.
Speaker 2 (02:37):
Oh yeah, the task of bean soup, cannellini bean soup.
Speaker 1 (02:40):
Yeah. So I got so taken with it now every
time I drive past her pop in for lunch and
the guy said, I know what you want. You want
to yes, please? And then eventually the chef, because I
had two bowls and the chef said, you really like
this stuff? I said, yeah. I said, what's the secret?
Because I wish I was a cook. You said, it's
pretty simple to bring out to the boil said, he said,
(03:02):
and I take one carrot, chop the carrot, drop it
into that. Don't overcook it. I said. One of the
black pieces, He said, that is the secret. Is that
as a bit of black cabbage cavalodera. He says, there
you got it. I said, to kind of have another bowl.
Speaker 2 (03:18):
It's a very simple look says everything about Tuscany. It says,
you know, beans, olive oil and the cabbage and that's it.
Speaker 1 (03:27):
You know. I'm from the North of England and it
took a long time for me to discover my mother
was a good cook. But we were as a child,
we were on rationing warriors. So my mother made the
most of what she could. And the thing I used
to love most was mince and dumplings in the mince, Okay,
I love that. Or she made something what she called
(03:48):
beef olives. It was cheap beef slender bead which she'd
roll into into it. Something in the middle was magic.
So my mom always bread and us always good food,
but very plain. Then I'm at college, and at college
you can't afford very much. At also there was no
restaurants and near the world comes you were. And I
(04:08):
then became known pretty fast. I got to advertising, and
I went off like a bolt of lightning, and suddenly
I had money to spend because of good restaurants, and
like other places in the world, can be expensive, right,
And so at that time there was this big, fashionable,
(04:29):
small restaurant in Kings were called Alvaro, and right there,
for the first time in my life, had tested what
it was called kim at the heading of Italian Tarazza
food and Alvara, did you have a messing?
Speaker 2 (04:41):
I think he came here right when we opened in
the ages.
Speaker 1 (04:44):
And then Alvara then evolved really fast and became very faster.
Speaker 2 (04:49):
With like white tiles, and they not in the.
Speaker 1 (04:52):
Place was tiny, and he moved so quickly, evolved so quickly.
He owned a club, discotheque and restaurant just across the road,
down the street, and in there would be the Rolling Stones,
Paul McCartney, even Warren Beatty. I started eating there regularly
because I could afford to it. That's where I came
across Protruter and things and the magic of Pastor. The
(05:14):
story is he got so successful the mafia approaching them
wanted a piece. They scared him off. He stopped completely
and then open years later in a restaurant at World's
End in Chelsea, San Lorenzo. I'm known for years and
years and years Mora and Mara. They were Sardinian and
(05:36):
so on their advice, I had one of the best holidays.
I went up the coast to a small village that
some Italian prints had built, like a fake fishing village,
and we enjoyed the sud Indian food like.
Speaker 2 (05:52):
That where Jake told me that you bought the cheese
and you took it home and it had maggots in it,
that's right. And then you took it back and the
man said, that's what it's supposed to.
Speaker 1 (06:00):
Yes, but I but I also love the sud Indian wine.
I kind of like the food.
Speaker 2 (06:06):
Yeah, I like the food. I like the food from
do you have Potargah? You have that fish roll? Every
and every everything may.
Speaker 1 (06:14):
But then the evolution into America, I tend to lean
towards Italian cuisine always. I don't know why it's the most.
Speaker 2 (06:22):
Maybe it's simple. If you like that bean soup it
has three ingredients, you know, simple.
Speaker 1 (06:26):
And I don't like hamburger. I tend I tend to
know as as i've got older, towards being nearly vegan.
Yeah so, but I like curries. When I was at college,
the cheapest restaurant near me was Indian, and i'd go
(06:47):
in there there. I discovered that they're very careful about
what meat they have, the vegetable use it, and the
food was great.
Speaker 2 (06:54):
Because let's go back to your parents. Your mother and
her cooking.
Speaker 1 (06:59):
I always remember cooking was really excellent.
Speaker 2 (07:01):
And would your brothers Tony and Frank and you would
meal times be very important, would you?
Speaker 1 (07:08):
Well? He liked her food, and she liked the fact
that we liked her food, and it tended to be
Stew's whatever.
Speaker 2 (07:17):
You lived in Germany as well? Do you remember that
at all? Living in Germany and eating Germany?
Speaker 1 (07:22):
Nineteen forty seven, ninety fifty two, my dad became important
in Germany. So my dad the end wasn't acting brigadier general,
and he was there for the Marshall Plan, and he
was initially involved in D Day and designing something called
Maulberry Harbor, which is how we got all the truths
in the Normandy landing. So when forty seven came around,
(07:43):
he said the war ends. September forty five, he said,
we're going to Germany. And I was ten, and I
love the idea of that. And we went to Hamburg first.
Hamburg was as if we dropped the hydrogen box.
Speaker 2 (07:58):
I was going to say it was it completely.
Speaker 1 (08:00):
It was like we dropped an h BOM. And then
we worked there. He worked there briefly and said, I'm
now going to south to Frankfurt and Mainz and'll be
working in Eisenhower's office at the Eager Farm building.
Speaker 2 (08:13):
Do you remember food there? Did you remember?
Speaker 1 (08:15):
You know? Here's where it comes. He said, I'm going
to show you something going to like He took me
and my frank Tony was about to be born, and
he took me to the American p X, which of
course is a supermarket. I didn't know what that was,
and i'd been on rationing. He said, this thing is
called a soda fountain, he said, and the guy the
(08:37):
hat that he's the soda jerk, he said, I advised
that you have a Raspbey milkshake. He said, Oh, by
the way, do try that coca cola. How well were
you ten? So I got hooked on coca cola when
it was in the glass bottle, on the small glass bottle,
and I'd do six bottles a day. To me, I
(08:59):
still got one. And so in there was Hamburger, and
it was the American food in the American way of life.
Speaker 2 (09:06):
So there was no immersion into Germany.
Speaker 1 (09:08):
No. I loved what I saw because everything is shiny
and large, and the supermarket apples that are redder than
in snow white, right, and they eat him their.
Speaker 2 (09:19):
Tasteless just bigger.
Speaker 1 (09:22):
That's bigger.
Speaker 2 (09:23):
Yeah, the taste doesn't matter, but.
Speaker 1 (09:24):
You know, we got I didn't get over that for
a while because I was very impressed by the American
way of life.
Speaker 2 (09:29):
And then you came back to England. In England and
then and then we settled down, it was rationing, still going.
Speaker 1 (09:35):
No, no, no, that was over then, but my dad had
to Suddenly the war is over and all these guys
who enjoyed the high ranking positions suddenly joined the real
world and get a job. So my dad ended up
getting a job in soccer on Tees north of England,
and we were there for the next eighteen years.
Speaker 2 (09:56):
Were they excited that you were going to the Royal College?
Were they you're there to be artist? Where they were?
Speaker 1 (10:01):
No? Because I traveled so much with my father as
a army officer, growing to become a high ranking person.
I did ten schools, so I was academically inept in
those days. Parents would say you'll catch up. Of course
we never did because you moved foot one school to
(10:22):
the other. Teachers don't care, and teachers that time in
my generation hated the pupils and the pupils hated the teacher.
Speaker 2 (10:29):
But you knew you could draw.
Speaker 1 (10:31):
I did nothing but draw three years old. I will
draw you in three seconds. Okay, all right, okay, and
there you got.
Speaker 2 (10:43):
It, Ruthie, Oh pick up, thank you.
Speaker 1 (10:49):
And so what happened was when I came to this decision,
what do I do University of what my dad said,
go to art school. He did. He said, you go
to our school. Do what you'd love to do. Draw
He said, you'll probably be an art teacher. Be an
art teacher.
Speaker 2 (11:05):
You were thrust into the world of London as you
were describing the world of artists and art and Indian
food and different cultures and abilities.
Speaker 1 (11:17):
But the Royal College eventually really opened me up because
I'm on You're on your own.
Speaker 2 (11:22):
Did you have money?
Speaker 1 (11:23):
No, there was no grants. So I'd work taskin I'd
lay runways out concrete. I'd work in ICI Imperial Chemical Industries,
where I'd packed night shift dry cold it drives from
the ammonia plants. And I'd do post office work every.
Speaker 2 (11:42):
Christmas and then go to school every day.
Speaker 1 (11:45):
And then that they were the holidays. Now save that money.
It would enable me to then my dad at that
time would be on the magic salary of twenty five
pounds a week. People can't believe that, and the magic
salary of twelve hundred pounds a year. When I started BBC,
I started on a salary should take more than my
(12:05):
father earned his lifetime. So I started BBC as a
designer Tormentazia twelve hundred. Yeah, and believe it, you breakfast, so.
Speaker 2 (12:19):
That food again, going back to that culture, if you
couldn't afford to eat out, but you could eat it.
You discovered Indian restaurants and probably Greek.
Speaker 1 (12:26):
And I was good with bad cook yourself.
Speaker 2 (12:30):
Yeah, you would, so you knew what good food was
and you wanted to eat it.
Speaker 1 (12:33):
I think if I want to, I'd be a good
chef because it's about being precise. It's also having a
good sense of taste.
Speaker 2 (12:44):
Just say, if you want to eat well and you
can't afford it, you have to learn to cook.
Speaker 1 (12:48):
Yeah. And so even when I was in West Horleypool
Arts School, there would be the day and then i'd
have night school. There'd be a two hour gap. So
instead of getting fish and chips and go to the
local shop and buy good cheese, some good bread and
go and have half a pint of cider, that's a meal.
But it was selective, selective, Yeah, and I never ate badly.
(13:15):
As students, you didn't know. I mean a mom made
sure of that. She said do this, do that, and
make sure you don't and she did. You don't eat
wonder loafs and stuff like that.
Speaker 2 (13:26):
That's it. What did you educate your children that way
as well?
Speaker 1 (13:28):
Do you think I didn't have to do? There? All
great they are. The Jake is almost professional cook. Yeah.
Speaker 2 (13:33):
When he came to see me the other day, we
sat and he was he just bought red mullet, and
so we had a long conversation of how he was
going to cook the red mullet, whether to grill it,
whether to do it.
Speaker 1 (13:43):
He's really good and.
Speaker 2 (13:44):
He was serious cook.
Speaker 1 (13:45):
And his daughter and look is a serious cook.
Speaker 2 (13:49):
And your granddaughter she Cuba apparently, is going to come
and cook with me here.
Speaker 1 (13:53):
You'll be in shock. She's so clever.
Speaker 2 (13:56):
Yeah, so you so. And the women that you married,
did you? Did you?
Speaker 1 (14:01):
My first wife was mother Austrian, and that's why when
I was eighteen I was wooing my wife would be
my first wife. Eighteen nineteen twenty I went to the
Royal College and I'd go up. She lived in this
town called peter Lee in the north of England, just
north of Holeypool. Her mom was Austrian. It's the first
(14:25):
time I tasted garlic and I thought, God, the garlic
is wonderful, and I go home. My mom said, what's
that terrible smell? Are you even garlic? And that's how
it was introduced to garlic.
Speaker 2 (14:37):
So she cooked and then she was a.
Speaker 1 (14:39):
Very good girl. And I didn't say that. My mom
actually better, may be married well, and Felicity could always cook.
So Felicity was the mother of Jacob.
Speaker 2 (14:49):
Yeah, he said.
Speaker 1 (14:51):
From that she the all evolved. They could both call.
Speaker 2 (15:01):
The River Cafe, cafe, steps away from our restaurant, is
now open in the morning an Italian breakfast with cornetti,
chiambella and cristada from our pastry kitchen. In the afternoon,
ice cream coops and River Cafe classic desserts. Come in
the evening for cocktails with our resident pianist in the bar.
No need to book see you here. In advertising, you
(15:32):
were making building a company. So was were you like
in mad Men? With you the sort of Don Draper
of lon Did you have long martini lunches and no
bar infice?
Speaker 1 (15:44):
We opened the office in London and it took off,
and then I opened an office in Paris and it
took off.
Speaker 2 (15:51):
Did you eat well in Paris? Yeah?
Speaker 1 (15:53):
I love preferred Then I don't know what happened to Paris. Now, Yes,
Paris then there were a lot of brasseries, either because
it was fresh and new to me because I really
enjoyed the French cuisine at that point. I'm not sure
I enjoy it as much now.
Speaker 2 (16:13):
There's still a very strong culture of food in France.
You know, you can get into a taxi cab and
the guy will tell you how to cook a sea bass.
Speaker 1 (16:20):
Yeah, but I think there is.
Speaker 2 (16:21):
It's probably changing, but I think there is.
Speaker 1 (16:23):
But didn't things kind of slightly modernize and I noticed
that the modernization of the French food is better than
the becomes more interesting when it's done properly, when they
lose all the saurces like that.
Speaker 2 (16:36):
Yeah, the world. We were just talking about the.
Speaker 1 (16:38):
Three ingredients a lot.
Speaker 2 (16:40):
There's a lot of and you have to you know,
if you're going to have three ingredients, they have to
be really good, don't they. You know? Yeah, So you're
with Alan Parker and David Putnam.
Speaker 1 (16:51):
We were so competitive, we weren't friends. It was highly competitive.
And there used to be this thing called Monday Morning
Newcomers and I'd sit there with a cup of teena
cigarette and say, who did that? Adrian and I damn,
who did that? Alan Parker? Damn? In reality at that
moment that the Alan Parker, Adrian Lyne and me, then
(17:15):
we were the leader of the pack. We all had
our own production company, were separate, absolutely in competition, and
so in the English advertising and they called the English
lights got leaked into France and leaked into America, so
that I shipped out Freaquent shooters commercials in America. And
that's to when I then opened an office in America.
(17:36):
Agencies would come to you and say, yeah, they look
at the real what was it like?
Speaker 2 (17:39):
If we can, we can talk about one ad which
was about Brett Food, so well, tell me about Hovis.
Speaker 1 (17:46):
Hovas was the companies said, we have a campaign a
series and look, I would look. I think I'm blessed
with a good eye. I have a very good eye.
And while doing commercials, I discovered it's better to be
in a kitchen the chef can stir his own concoction.
(18:06):
To me, it was better to operate. So I'm a
very good camera operator. So I did camera operated on
two and a half thousand commercials, everything handheld, the whole
goddamn nineer. So then when I do the duelist, that's
me on one camera. When I do Alien, that's me
on one camera. Later under me. So all this evolved
into the exercise and art of that, and photographing and
(18:32):
in advertising. We were so successful. That's a lot of
very good over the top lunches where we'd have it
and lunch bloody Mary followed by a bottle of wine
and go back to work, which is not a good idea.
It doesn't work.
Speaker 2 (18:48):
Do you do that now? No, you said that you
made an advertisement like a feature film.
Speaker 1 (18:54):
The thirty second commercial I regard as a film, and
you could tell a big story in thirty seconds if
you don't what you're doing. I did Steve Job's first commercial.
Speaker 2 (19:02):
I know the Matt.
Speaker 1 (19:04):
I met the agency. They came into the chair of paper.
I said, George orwell at the end, he said, we're
going to show you how nineteen eighty four ain't going
to be like nineteen eighty four. I said, what is this?
Is it? What's the fau? They said, well, it's a computer.
So we don't talk about a computer. You don't show
a computer.
Speaker 3 (19:21):
No.
Speaker 1 (19:22):
I said, well, who's this girl running down a corner? Well,
that's freedom. She's being pursued by o'wellian threatening people. I said, oh,
it's George, okay, for what's it for? Computer? For what
domestic computer? I said to this was and Steve I said,
(19:43):
what you need a computer? Right? Shopping list? What's the
matter of the pattern pencil? It just laughed.
Speaker 2 (19:49):
I was on a film set the other day and
George Clooney was there and Adam Sandler and they did,
you know, take after ten I've never been on it.
Gave me a little part. Hint, hint, he gave me
a part in movie. So Ridley Ridley, Yeah, he gave
me a little part in his movie. So next time, Yeah,
a little Ruthie Rogers cameo. I said, not one word.
(20:10):
But it was really interesting to see.
Speaker 1 (20:13):
I do two takes. Think about it. I'm casting a
good actor and he's got a script. He's had the
script for a month or two. He is, she has
prepared what she's going to do. There's nothing worse in
the morning. Then they walk in and the director starts
to talk about the meaning of life. They want to
just get on.
Speaker 2 (20:34):
With it, and how are you on set? Is it?
Is it fun to be on a Ridley Scott movie?
Speaker 1 (20:40):
I think I think they keep coming back.
Speaker 2 (20:43):
I'd like to talk about food in movies. So we
can remember Blade Runner and the noodles. They can remember Alien, well.
Speaker 1 (20:51):
That was yeah, grain drive food.
Speaker 2 (20:54):
So would you talk to me about movies and films?
Speaker 1 (20:57):
Well, in making a movie is all to do with research,
and I have a great team, and so I've worked
with my costume designer, Janty since the first Gladiator, but
before that there were other costumes. Arthur Max I've worked
for he's the production designer since just after the timber Luiz.
(21:20):
I've worked with different people and over the years it's
simply easier to take up rains of the people, you know,
because we are so fast. As I finish, I'm already
prepping the next one.
Speaker 2 (21:34):
Yeah, you're prepping Begs now.
Speaker 1 (21:36):
Now yeah, I haven't quite delivered the Gladiators. So that's
for me's normal, but the means I mean, no, it's practical.
I hold onto the team, letting it go they're gone
and I need the team. Keeping my team makes me
more efficient and they like it because they never stopped working.
Speaker 2 (21:55):
And so when you're thinking about when you let's take
one movie. Take a movie and talk to me about
the food in one of your movies.
Speaker 1 (22:02):
Oh, alien would be one of people to eat in space.
It would have to be dried food. It would have
to be water that somehow you generate from condensation in
the ship? Is there conversation in the ship? There is now,
because Harry Dean Stanton died in a landing leg group
was dripping with water. So I made that up to
(22:23):
that was old bullsher. You'll say, what is a conversation
from what you said? Well, you know, And I also
by then you've learned to absorb your chemeras from your
own body, which would be turned in reconsumption. Now in space,
that packaging is edible. So all the packaging is light,
(22:45):
but it's there to be cooked. And actually, Martian to
me is one of my favorite recent films in a
way because it's a comedy in a way because Fox accommodis, yes,
a comedy. Why well, anybody survives by eating their own ship,
it's got to be good. You're right, okay, So, but
(23:06):
I think it was such a blow by blow logical
piece of science, and yet it was amusing. I thought
it worked perfectly. It's good, good form, he said to me.
Squeeze Matt Matt Damon, you said with tomato ketchup, I
love tamato ketcher. You just said, you said, should have
(23:28):
borded more ketchup because he was living on potatoes, so
you had to eke out the ketchup the potatoes and ketcher.
Why is why are potatoes so marvelous?
Speaker 2 (23:39):
I will let you answer that question.
Speaker 1 (23:41):
Well, there can be chips, cream potatoes, bad potatoes. It's
no one is a marvelous staple. It's a great food,
isn't it?
Speaker 2 (23:50):
And the food is Gladiator? What did they eat?
Speaker 1 (23:53):
Eggs, chicken, grain? But if you are upper class, it's
another story. You have what you want eating everything from probably,
and I think probably the challenges were healthier than the bread.
Who would eat hung meat, which is rotting without vegetables
because they didn't like vegetables.
Speaker 2 (24:14):
Do you think about food when you wake up in
the morning, and do you think about what you're going
to eat that day?
Speaker 1 (24:19):
Plan? It's I got blueberries, cherries, breakfast with Greek yogurts, expresso,
that's it. And lunch lunchtime protein with salad. Evening only
vegetables and vegetables cooked in some clever way. I like
curried vegetables.
Speaker 2 (24:40):
How long have you been on this regime? Ten years?
And it works?
Speaker 1 (24:45):
It's good you're still here. I do drink after dinner.
I don't drink with dinner.
Speaker 2 (24:53):
But when you go to a restaurant, do you break
the rules?
Speaker 1 (24:56):
No? No, I tend to stick with the rule book. Yeah.
Speaker 2 (24:59):
And when you try, well, do you think about that
right now? Where are you shooting? The beaches?
Speaker 1 (25:03):
Oh? Probably the beach A lot of time in England.
I've got to do Miami.
Speaker 2 (25:08):
What's your favorite beg song?
Speaker 1 (25:10):
Massachusetts?
Speaker 3 (25:18):
If you like listening to Ruthie's Table four, would you
please make sure to rape and review the podcast on
the iHeartRadio app, Apple Podcasts, Spotify, or wherever you get
your podcasts.
Speaker 2 (25:32):
Thank you, Ridley. Most people with the success you've had
might have bought penthouse, apartment in Central Park, a fabulous yacht,
but you bought a chateau. And I'm making award winning wine.
(25:52):
So I just thought, before Christophe and Melina come in,
both some ayas from the river cafe, you could tell
me why did you do this?
Speaker 1 (26:01):
My gluten for punishment and I liked to evolve, and
I bought I had a farm in the Costle years ago,
and I loved it to death for ten years, but
it always rained, so the kids got bored and wouldn't
go down, and I got into horses in a big way.
I had sheep, so we sold it, and I always
(26:23):
missed that farm. And then I then did a film,
The Duelists. I experienced the door done, and I loved
that part of France, and I thought, but the door
Durne rains as well. Then I really missed it. And
so eventually twenty thirty two years ago, I decided I'm
(26:43):
going look for sun for sunshine, and I started looking
anywhere beneath Leon and I made fun of the trip,
and somebody was looking for me, and then took about
six months. Is one day I was in the camp
Film Festival and it calls it. I think I've got it,
So I drove the two and fifty kilometers there and
(27:04):
I bought it by lunchtime. And because I've known by now,
I've had big houses and medium sized houses, big houses
of pin and that you do not need twelve bedrooms.
And so this is a man which is a smaller sized.
It's not a chateau.
Speaker 2 (27:19):
How many acres of vineyard do you have well.
Speaker 1 (27:21):
He had actually eleven hectors, and I discovered later years
that it belonged to General Robert of the Napoleon Army,
and that was his house and his vineyard. I was
buying his eleven hector. And when I was buying it,
the people when you're looking for house, people who usually
(27:43):
died or they getting divorced. The couple getting divorced, they've
done quite good things to what is already a bit
of a gem, like stone floors and double glazing, but
matching the windows the way they should be. So I
bought it, and from that I did know what to
do with the eleven hectors. So I got a local
(28:06):
calf to say, we'll take it out as long as
you keep the venue on neat. I don't want to
do wine, as long as it looks chronically neat, and
I drive in and looks like a garden. Good. And
so they did a good job until after four years
they caught and said, we've just got a gold in
a Paris following you. He said, we've got to gold
and a silver on this for the wine in Paris.
(28:30):
And so the guy who was kind of giving me
advice to that moment, my lovely Uncle Denny Long said,
you know, suddenly we should and your grape is way
better than you and imagined he said, I think we
should try and take it back. So we took it
back and there we have the reverse of where we
went to. So suddenly I had to get involved in
this science of making wine. And I love it.
Speaker 2 (28:53):
And what is the science of making wine?
Speaker 1 (28:56):
It's precision. Everything's precision, and everything's taste, and so it
is personal. I think it's personal. So in the funny
kind of way, wine making is as creative as making
a movie. All right.
Speaker 2 (29:08):
So we're here in the River Cafe dining room and
we're doing a wine tasting of Ridley Scott's wine. I
think we should start by the white wine. We try
the wine just before, just to open the wine.
Speaker 1 (29:20):
Yeah, and he's they are very fresh. There's a lot
of freshness on the wine. Yeah, very elegant, yes, and yeah,
I mean it's lovely. I stole a great vintner from
a very elevated car in France. I want to say where.
And he now, he is the man who puts all
(29:41):
this stuff that crystal barrel, and he puts all the
he blends everything right, and so he said, describe the
kind of white we're looking for, And I said, I
tend to always drink for a quick kind of knee
jerk reaction, and say, what do you want to say?
A Pinot grisio or salt because in the funny kind
of way, the simple wine, simple white wine, I find
(30:03):
the French red white can get shabbies can get heavy,
the show can get heavy, and I don't like heavy wine.
That was that.
Speaker 2 (30:12):
I think that's one point meant love drinkability.
Speaker 4 (30:15):
Straight away, What do you say the wine? You get
this lovely freshness and then you get this beautiful like
lime flower notes, you know her base show's nose almost
like asparagus. You know it just it just feels like summer.
You like, yes, I love it works perfectly. It's in fact,
(30:36):
aspargus is a very difficult dish to pair with wine,
and it's like so many a nightmare like such things
like also to pair with art chalks as well, it's
quite difficult. And I agree with Chris said, the acidity
is lovely. You have this freshness, so it's not you know, crashing,
crushing the dish. So I think it's really a good compliment.
Speaker 2 (30:58):
And shall we move on to the Yeah.
Speaker 1 (31:04):
The roses is one of our biggest outputs. It's retracted
a bit. Why is that because there's too many bad roses?
Just the first time teaching the rose it's very proven,
very pale.
Speaker 4 (31:21):
Yes, I think you know the roses, especially because you know,
like it's a great and a perry tip glass of wine.
But I can see prepairing so many kinds of dishes
like car patches style of food, or like lobster salad
or anything that's fresh and seafoody.
Speaker 2 (31:41):
I just think it's delightful. We talk about food as
creating a movie. We talk about food is growing grapes
for wine. We talk about food is your children. In Sarginia,
we also talk about food is comfort. So when you
need comfort, even within the plan that you have, is
(32:02):
there something cheese?
Speaker 1 (32:04):
I don't take chocolate, I don't have sweets.
Speaker 2 (32:08):
I love cheese, okay, any particular type.
Speaker 1 (32:11):
All of it. But you know, the king would be
probably still did you grow up with that good cheese?
Will always assumed and the Americans both struck Turbot boadshow
don't quite understand cheese. And but in Beverly Hills right now,
there's a very good cheese.
Speaker 2 (32:30):
There's a good well, I remember there was one on.
Speaker 1 (32:34):
Yeah, he's moved to as Evolved two Little Santa Monica.
It's really good. But I do love cheese cheese.
Speaker 2 (32:44):
All right, well let's go have some cheese. We have
some cheese before you.
Speaker 1 (32:47):
Go French, Have you got the French?
Speaker 2 (32:53):
And we have some very good Italian.
Speaker 1 (32:56):
Cheese.
Speaker 2 (32:56):
Very with your wine.
Speaker 1 (32:58):
Thank you, Ridley Scott, thank you, thank you for listening
to Ruthie's Table four in partnership with Montclair
Host
Ruth Rogers
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