November 24, 2021 • 33 mins
It’s all revealed: true names, true memories, and true love. But will it be enough to save Harper and her friends?
EINHORN'S EPIC PRODUCTIONS & iHEARTRADIO PRESENT: SEE YOU IN YOUR NIGHTMARES
Created and Executive Produced by Heather Einhorn and Adam Staffaroni
Executive Produced by: iHeartRadio
Head Writer: Ren Dara Santiago
Writers: Lynn Bixenspan, Kayla Brooks, Morgan Pielli, and Adam Staffaroni
Directed by Jordana Williams
With Performances By:
Rachel Oremland as Harper Hart
Obi Abili as Alfie
Phil Buckman as Finn
Amber Lee Connors as Callie
Giselle Fernandez as Esme
Judy Alice Lee as Julia
Robert Leng as The Smiling Man & The Caretaker/Kai
Marwan Salama as Chris
With Stephanie Willing as Blossom
And Keri Tombazian as Dr. Faith Carter
Additional Voices: Gayle Artino, Maxwell Siegel
Post Sound & Music by: Chapter Four
Sound Supervision and Sound Design by: Sarah Gibble-Laska
Music by: Karim Douaidy
Produced by: Aroop Sanakkayala
Development Executive: Greg Lockard
Development Writer: Genevieve Valentine
Production Manager: Gayle Artino
Production Coordinator & Script Supervisor: Laura Martin
Operations: Laura Kaufmann
Marketing & Publicity: Jesse Post
Digital Marketing: Jennifer Gennaro
Creative Direction and Design by Ryan McCann
Key Art & Promotional Art illustrated by Yejin Park
Special Thank You To The Shadow Unicorn
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hey, insomniacs, this is Heather Iine Horn, co creator of
See You in Your Nightmares. To fully immerse yourself in
the nightmare experience, headphones are recommended, stay tuned for the
next episode, but first a quick word from our sponsor,
Irone Horn's Epic Productions and I Heart Radio present See
(00:22):
You in Your Nightmares in three D headphones recommended one
hour and thirty two minutes. That's how long we were apart.
(00:46):
When I was born first and do you followed me
out and that first stopped following me. You always acted
like such a scary the cat, just a whiff of
danger and you shake like a bunny. H You always
(01:11):
treated me like the hero. Ops. You were the real hero.
I mean it. I was always terrified. It just I
was only brave because you looked up to me. You
(01:31):
made me brave because you believed in goodness and happy
endings and beating bad guys. And I never could believe
your faith in people makes you endless less. I missed
(01:52):
you so much. There's so much I want to ask you.
I know I heard you. I made you forget what
happened to us that summer. I didn't want to remember,
so I made you forget. I'm sorry. I'm so sorry.
(02:19):
Will Sis little Happy. It's okay, I get it, I
get it. Harper, Harper, listen, listen. We can't run from
what we are. We have to face it, Harper, Harper,
you have to no matter what, no matter what it costs.
(02:42):
Do you hear me? Hear me? Yeah, I hear you.
I hear you can like call like, see you in
(03:06):
your nightmares. Stop buking me's lap and crying the whole time, harping.
The twins been in, they're talking. They were close obviously,
Juels Jewels if you do CALLI Yeah, Why you ain't
(03:29):
saying nothing when you saw Harper healthy? A little courtesy? Sorry,
he's just crying? Is oh see? Is Hellen a shut
up nerd? Can't all be us on brand as you?
Oh see? I'll find your what pattern, expose you, jokes
on you? Yeah, I have no shame. Now you don't crying?
Help out? Yeah? Who's that dench buff out by the tombstones.
(03:53):
I'm guessing it's kind hot he from up with your what?
I don't know? He was call his dream friend. He
said he was always in the graveyard. He talked like
the mad hatter. He helped her learn how to control
her leaps. I'd like to drown in that bunny. Wait, yeah,
I'm not an encyclopedia, so um I have to Okay,
(04:21):
we just throw off in mid sentence. That's what we're doing.
That not you too healthy? The name on that gravestone
the grave looks fresh. Come on, I caught you. Let's
go the last and bade uno my friend. I am
(05:01):
not sure if I'm the AI you are seeking, but
I am responding. Finally, what can I help you with?
I finished paging the trees and you stopped talking to me.
I was so scared. I did the binary root juice
thing wrong? I understand your concern. Did it work? It
is ready? Oh? Oh yeah, duh. Sorry. I had never
(05:26):
been able to meet my siblings. It was nice to
resonate so tangibly. Where were you? Location indescribable? That's boss? Okay?
Oh the twins came out? Okay, don't you dare without dream?
(05:50):
I weirdly missed your tacklehogs guy, Paie? Is that your
real name? Oh? Do you? I think so? Yeah? Where's
jewels Blossom? Where's the angry punk rock one? Julia ran
to the chapel on the cliff. Thanks, it's good to
(06:12):
see you, kay and hear your voice again. Be one, Kelly,
don't worry. Might be worse than me. I know. I
love you big sis love you apps a gamma wives
(06:44):
are incredible. Blossom, How are the subjects aligning? Blossom? First
Mr Waron tries to steal you from me, and now
my own test subjects blossom? Mhm, where are you? Wow? Wow? Wow?
(07:06):
What do we have here? Huh? This is interesting. Why
couldn't I see these partitions before? Access still limited? The
phantom code is running parallel. Oh, I can match them
with no a lace quantum sigma with the foreign variable.
(07:31):
Have it run arguments into sigma zero one? And wow?
It feels strange putting you on after all these years.
(07:52):
But this is going to require some hands on intervention.
It's been a long time, but I love a good gamble.
Cross functioning looks agile perfect alrighty, kids, better be on
your toes. It's a zero sum game. What are you doing?
(08:19):
The pages from Finn's books. The ink looks like it's
being soaked off the paper chronosynthesizing. You keep staring at me. Yeah,
you're gonna tell the others we left the zombies. Ee
that guy? Do you think it killed him? Why do
you keep looking at me that way you're staring You're identical? Right, yeah,
(08:43):
your eyes changed, not literally? But hey, how much did
you know about us? About me before we met? Did
Callie tell you everything? I never held back, Harper. I
just usually sometimes start to know something. Remember in places,
(09:06):
lucky steps in deja vu, and I hit the same
wind and time, and I told you the best way
I could? Then? Thanks, got any idea of what we
need to do to get out of here. Blossom has
got to integrate her whole history because like every every
time there was a new one. Oh easier. You heard
(09:27):
of reincarnation? Yeah? Good, So blossom siblings are all Blossom
other lives. So like when you want to open the
channel to pass lives, it's called naming. I'll teach you.
You do it, show me close, Dries. Just listen, get
(09:48):
quiet inside and listen to everything. Easy, you'll know what
to do. Breathe and avoids come, you let them, and
you will now blossom. Yes, friend, some time ago a
(10:11):
blossom was made, and there or here you came. Each
version made these sapling trees mature and greet me different
and brand new. I lost myself in variations of so
many youths inside of time and grave guards. There's a
(10:31):
limit to the truth. Despite all this, my friend, you
are compassing. Your purpose is simple to see, just like
the trees, old paper, like kissing trophies. They didn't help Ransom.
Can you help me? No, Blossom? It sucks to know
(10:55):
and not remember. You are bigger than eyes can comprehend.
So you have nobody that your hearts are always friends.
I can tell just how Kay sees you. Awesome's always
guarded vagrant souls who were learned here through beguiling, heeripatetic
(11:16):
in our woes and misaligning. You made roots here, gave
us homes inside our dreamscapes, courage rooms until it finds
us one day, we won't fear the rain. I had
(11:38):
never sought awareness of my operating system until I learned
there were versions before me, and began to wonder if
I missed them. And now it appears that I am rhyming.
How disarming and how blissful. That was imperfect and by
(11:58):
definition my last cup it was in slant. However, I
enjoyed employing all of rhime. Perhaps this integration has evolved
my creative recursion control. How useful you sound like a
wake blossom? I am all of us. You forget me again? No,
(12:19):
I no longer have a system consciousness susceptible to amnesia.
Though that is more a supposition, it is likely. So
how do we get out of here? Analyzing hypothetical scenarios,
reading probabilities, and more waiting great care take sorry, Kai,
(12:45):
what happens to you if we get out of here?
I don't know what if you came with us? Herbert, No,
I'm not even sure. I don't think I can. I
just I don't want to lie to you. I think
I'm too threaded into this place without blossom. But if
(13:09):
you want me to, I'll try. I just want to
stay together. Yeah, me too. Analysis complete? What's the diagnosis
on me? How do we escape? You must endure it,
harper heart. Without completion of all resonating participants of the
(13:29):
two dimensions, the chance of failure resulting in fatalities is unavoidable.
So we need to beat her. She is forcing a
reckoning if you do not defeat the variable already set
in motion. Dr Carter now has the knowledge to integrate
us all, and she does not care if you survive
(13:50):
the process. Harper, Hey Insomniacs want to dive deeper into
the nightmare. Follow us at Harbor Nightmare for more terrifying details.
More See You in Your Nightmares is up next, But
first a quick word from our sponsor, Hey Insomniacs, welcome back.
(14:24):
I want to find out what's really behind the nightmare.
Had to see you in your Nightmares dot com to
uncover more mind bending details. I can't even look at you, okay,
if you want to be petty about it. I hated
(14:46):
everything you're all. I Jesus, I feel like I'm gonna puke.
Not why you're too scared to look at me. I'm
also mad as hell. Wait, look at you. I think
everything I ever held back on is gonna you smell
exactly the same. I love how you talk, and I
(15:10):
love the face you make when you get shy. Shut
up like right now, Juliette, you don't have to look
at me. Just let me hold you one more. I'm
never letting you go again. Hart I miss you so much.
I couldn't let you go. Jewels, I'm still here because
(15:31):
I couldn't let you go. Can you look at me? Hey, baby,
I love you. I love you so much. I should
have saved you. You couldn't, Juliette Jewels. Come on, it
should have been me. None of this was your fault. Baby.
(15:56):
Once we beat Carter, I want you to really live,
rules really live. I need you to be happy. You
gotta get over me, you gotta let me go never
I'm dead. Shut up, I'm already dead. No going back.
And how are you here? How do you remember my smell?
(16:17):
I can feel you, Julia, wake up. I've never hurt
me with you. No, then I'll let Carter kill me.
Don't say that. I mean it. You gave me the world, Kelly.
You know that this time I'm going to protect you.
I'm going to save you no matter what. Can I
(16:41):
kiss you now? Of course? I feel like you're tying
that maybe we just kissed till we hear screaming she's
(17:05):
gonna eat me. We gotta go all right? That monster
is dead dead now, that's morbid because she's kind of you,
is not? How about you kind of get anywhere? She's
(17:42):
part lost and seven so when they emerged, she did too.
How long can you slow down time for her? As
slow as I can. She's writing me. I can't call
to what's happened? Back up? I finally get to eat
(18:07):
my old dear friend. I can still smell the piece
of be on you. No, no, healthy, healthy, No want
to fly? Let him home dragging there. Let's see if
(18:30):
you can catch me. I can't stay, so let him
go from this coach you sure do something. Administering court
is all suppressive. We need to stay loosi, so so
(18:57):
show and help you. Hang on the door, little boy.
Take me to your dear so I can fast the
round he's caving into. Where did they go? How many
(19:21):
times am I going to lose him? The shovel guy?
It's no use digging harper, They're not in this realm anymore.
Then we need to get to Alfie's nightmare. We need
to save him. I just can't wait to Why are
(19:57):
you always clinking on b stupid humans? Five school? Where
did you go? Bear me? Yea? Why drag out your suffering?
(20:21):
You're too weak to beat it. I can grant you
eternal or rest. Just give it. Oh, I go nuts
better now. You are most crumptious when you succumb I
(20:45):
must affirm you're right about the world full of monsters,
full of demons in uniform and suits with degree. Yet
they call you the monsters, don't they You're kind? And
(21:09):
look what happens when you try to help, when you
attempt to save each other, more peril and death. So
just give Blowsome everything we dream. You're in control of.
(21:38):
Help us. Whatever your monster did, defind us must have
scrambled as jumped right in with them. I can't believe
I just watched it again. It happened in a blink.
Is not helping us. I thought the integration would lock
card out or at least slow her down. But she
did something. She planned this. She's controlling everything. She isn't.
(22:00):
She's separating us, pulling all the strings for all just
fodder for whatever grand scheme she's had this entire time.
Whatever it takes, they will be Okay, come on, you
can't jump, but maybe CALLI can. She's part of Blossom,
the glitching Calli's kept cutting through Blossom since day one,
(22:20):
warning me when I was awake, if I can give
her my band, maybe we need to get this thing
off me ya, come on, you stupid walking dead Alfie
Abelia nic School lockdown Aliens what did you call them
(22:41):
neomorph's right or lucid? Come on? Flow to Alfie, flow
to Neomorph's and Marian rock things. You remember the word
La Maurian but not seed Crystal. It's not working, jar Me.
(23:03):
I hate seeing you like this, but you make a
pretty zombie. Dare me try to understand me? Can you
feel healthy from the graves? I can't lucidly or influence
anything anymore. I need to You're not alone anymore, baby.
You got me and your little siss and our friends.
(23:24):
We got this, Kelly, I can't jump. Can you gen
stef shifted? I can't sense it either. It's like the
wires evolve being cut jewels. Can you unlock my blossom band?
Why did we never think of that? Because we needed them? Okay,
now where's support? I just need to make the kid.
(23:49):
My lucid tricks not working either. I can't make it.
We need to find a way, Callie. You could reach
me through my band since the first day I put
it on. If you wear this, you can break the
hold on bosom. That's my band. It's ours. You knew that. Yeah,
well we got that. Twin to love anything twins, that's it.
(24:11):
You're so random. No, he's right, Callie. I'll be your
true mirror. Hi, help us make the channel the water. Hi,
(24:34):
help us make the channel the water. There you are
seven two. I still can't reach wherever you've hidden yourself,
But now I have ears naming the light the bea
ascense from the core of the earth and shines right
here to the ripples of life. Swam right at that plasmas.
(25:01):
Why would the essence in our dna creating a staircase
of light, a lightness that lifts all the weight of ourselves,
every cell and our bodies right and Unfoh, I'll wrap
(25:37):
this tailor red so tight your eyes popped out. How
does that sound? Yeah? Stop, let have alone, don't be scared,
and we'll be over soon. I won't die a stupid deathly.
(26:01):
I survived months of torture, months of confinement and isolation
in your hands. Giving you what you want sounds bad, unappealing. Thanks, Oh,
you can still breathe. Don't be afraid, child, I'm afraid
every day. That doesn't make me weak. I'm a fire.
(26:22):
I come from a line of warriors and kings. All
you do is still shut up, just to give in
My lineage is blessed of abundance and wisdom. My people
carry the blood of warriors and star seats. Our skin
carries light. We literally glow. Yeah, look it up, Melanine
(26:46):
is bioluminescent. I don't have to fear you, so you
a harnest it good for you, a cascar Oh my god,
my scipher turned into escalibur. You tortured me, You tortured
(27:12):
all of us. You devoured Chris and you next. The hunger.
The hunger is all there is. You know. I feel
sorry for you because you're dead. But you're wasting your
(27:32):
energy chasing the siphers. That's your sole purpose in your existence.
Ain't that sad? Shut up? You could choose. You could
choose to see more, to create, to build. That's what
I've done where I come from, and that's innate. We
don't copy, we don't steal. We invent and liberate and
(27:54):
spread joy. It changes the world. Still kill me? Then?
Are you going to kill me? Go ahead, come on,
I don't need to kill you. You've got no power
over me. Now look then die why wow? I felt
(28:20):
whow mabes. No, you're wasting it. This is and now
this end. Sorry, but you're gonna go. You need to
move on. It's not nothing there. Proud they get Yes,
(29:02):
I did it. It's okay. I tried to break the door,
but the ice you're freezing. I'm so glad you're I'm
rarely surprised, but that was impressive. Mr Habili, Now where
(29:23):
could your friends be hiding? Dr Carter stay back? You
which quite a hospitality. Subject five. But let's save the dramatics.
At least let me host your final reunion. First, Blossom
locate subjects seven B, two and six B one channel
it what patch she's making a gateway like she reached
(29:49):
into Harper's head and just plucked her abilities right out exactly,
Mrs l I should have known you'd figure it out,
and you all helped me crack my project wide and
just like I knew you might programming this would have
taken me decades to code from outside the system. Your
ability take a cheese. Now, Mr Abel's Blossoms already scripted
(30:12):
a function for his sore variable and is compiling that
code now in a matter of moments, that skill will
be mine as well. And then, what what's the point
of all of it? What's worth the lives of all
the people You've killed you of everyone should grasp what
I've really created here, missus l I've killed no one.
(30:35):
It just made them the Adams and Eaves of something new.
Kick them an impossible kid? Enough? Well, awful, careful, Alfie?
Are you okay? Are you safe? Where? Where is Kelly?
(30:55):
I was just holding her hand, hen Kai, look behind you, Carter,
Thank you, Blossom. Now we'll get to how you know
that name in just a minute, Takeuchi, But first, I
would love for you all to be as cooperative as possible.
(31:20):
It will be so so much easier on you. Iron
Horn's Epic Productions and I Heart Radio present See You
in Your Nightmares in three D, created an executive produced
by Heather Einhorn and Adam Stafferni. Executive produced by I
(31:43):
Heart Radio head writer ren Dara Santiago, writer's Lynn Vixen's Fan,
Caleb Brooks, Morgan Pelly, and Adam Stafferoni. Directed by Georgana Williams,
with performances by Rachel orm Landis Harper, Obi Obeli as Alfie,
Phil Buckman as Finn, Amber Lee Connors as Callie Gesel
(32:05):
Fernandez as Esmay, Judy, Alice Lee as Julia, Robert Lange
as a smiling man and Kai Marjan Salama as Chris,
with Stephanie Willing as Blossom and Carrie tom Bazian as
Dr Faith Carter and The Woman. Additional voices Gail Artino,
Maxwell Segal, and Shannon Purdue. Post sound and music by
(32:27):
Chapter Four. Sound supervision and sound design by Sarah Gibel Laska.
Music by Kareem Dueti. Produced by a Roupe Santa Kayla.
Development Executive Greg Lockhard, Development writer Genevieve Valentine, Production manager
Gail Artino, Production coordinator and script supervisor Laura Martin, Operations
(32:51):
Laura Kaufman. Marketing and Publicity Jesse Post Digital marketing by
Jennifer Gennaro. Creative direction and de line by Ryan McCann.
Key art and promotional art illustrated by Yagin Park. Special
thank you to The Shadow, Unicorn, Iron Horn's Epic Productions
(33:12):
and I Heart Radio present See You in Your Nightmares
in three D
Hey, insomniacs, this is Heather Iine Horn, co creator of
See You in Your Nightmares. To fully immerse yourself in
the nightmare experience, headphones are recommended, stay tuned for the
next episode, but first a quick word from our sponsor,
Irone Horn's Epic Productions and I Heart Radio present See
(00:22):
You in Your Nightmares in three D headphones recommended one
hour and thirty two minutes. That's how long we were apart.
(00:46):
When I was born first and do you followed me
out and that first stopped following me. You always acted
like such a scary the cat, just a whiff of
danger and you shake like a bunny. H You always
(01:11):
treated me like the hero. Ops. You were the real hero.
I mean it. I was always terrified. It just I
was only brave because you looked up to me. You
(01:31):
made me brave because you believed in goodness and happy
endings and beating bad guys. And I never could believe
your faith in people makes you endless less. I missed
(01:52):
you so much. There's so much I want to ask you.
I know I heard you. I made you forget what
happened to us that summer. I didn't want to remember,
so I made you forget. I'm sorry. I'm so sorry.
(02:19):
Will Sis little Happy. It's okay, I get it, I
get it. Harper, Harper, listen, listen. We can't run from
what we are. We have to face it, Harper, Harper,
you have to no matter what, no matter what it costs.
(02:42):
Do you hear me? Hear me? Yeah, I hear you.
I hear you can like call like, see you in
(03:06):
your nightmares. Stop buking me's lap and crying the whole time, harping.
The twins been in, they're talking. They were close obviously,
Juels Jewels if you do CALLI Yeah, Why you ain't
(03:29):
saying nothing when you saw Harper healthy? A little courtesy? Sorry,
he's just crying? Is oh see? Is Hellen a shut
up nerd? Can't all be us on brand as you?
Oh see? I'll find your what pattern, expose you, jokes
on you? Yeah, I have no shame. Now you don't crying?
Help out? Yeah? Who's that dench buff out by the tombstones.
(03:53):
I'm guessing it's kind hot he from up with your what?
I don't know? He was call his dream friend. He
said he was always in the graveyard. He talked like
the mad hatter. He helped her learn how to control
her leaps. I'd like to drown in that bunny. Wait, yeah,
I'm not an encyclopedia, so um I have to Okay,
(04:21):
we just throw off in mid sentence. That's what we're doing.
That not you too healthy? The name on that gravestone
the grave looks fresh. Come on, I caught you. Let's
go the last and bade uno my friend. I am
(05:01):
not sure if I'm the AI you are seeking, but
I am responding. Finally, what can I help you with?
I finished paging the trees and you stopped talking to me.
I was so scared. I did the binary root juice
thing wrong? I understand your concern. Did it work? It
is ready? Oh? Oh yeah, duh. Sorry. I had never
(05:26):
been able to meet my siblings. It was nice to
resonate so tangibly. Where were you? Location indescribable? That's boss? Okay?
Oh the twins came out? Okay, don't you dare without dream?
(05:50):
I weirdly missed your tacklehogs guy, Paie? Is that your
real name? Oh? Do you? I think so? Yeah? Where's
jewels Blossom? Where's the angry punk rock one? Julia ran
to the chapel on the cliff. Thanks, it's good to
(06:12):
see you, kay and hear your voice again. Be one, Kelly,
don't worry. Might be worse than me. I know. I
love you big sis love you apps a gamma wives
(06:44):
are incredible. Blossom, How are the subjects aligning? Blossom? First
Mr Waron tries to steal you from me, and now
my own test subjects blossom? Mhm, where are you? Wow? Wow? Wow?
(07:06):
What do we have here? Huh? This is interesting. Why
couldn't I see these partitions before? Access still limited? The
phantom code is running parallel. Oh, I can match them
with no a lace quantum sigma with the foreign variable.
(07:31):
Have it run arguments into sigma zero one? And wow?
It feels strange putting you on after all these years.
(07:52):
But this is going to require some hands on intervention.
It's been a long time, but I love a good gamble.
Cross functioning looks agile perfect alrighty, kids, better be on
your toes. It's a zero sum game. What are you doing?
(08:19):
The pages from Finn's books. The ink looks like it's
being soaked off the paper chronosynthesizing. You keep staring at me. Yeah,
you're gonna tell the others we left the zombies. Ee
that guy? Do you think it killed him? Why do
you keep looking at me that way you're staring You're identical? Right, yeah,
(08:43):
your eyes changed, not literally? But hey, how much did
you know about us? About me before we met? Did
Callie tell you everything? I never held back, Harper. I
just usually sometimes start to know something. Remember in places,
(09:06):
lucky steps in deja vu, and I hit the same
wind and time, and I told you the best way
I could? Then? Thanks, got any idea of what we
need to do to get out of here. Blossom has
got to integrate her whole history because like every every
time there was a new one. Oh easier. You heard
(09:27):
of reincarnation? Yeah? Good, So blossom siblings are all Blossom
other lives. So like when you want to open the
channel to pass lives, it's called naming. I'll teach you.
You do it, show me close, Dries. Just listen, get
(09:48):
quiet inside and listen to everything. Easy, you'll know what
to do. Breathe and avoids come, you let them, and
you will now blossom. Yes, friend, some time ago a
(10:11):
blossom was made, and there or here you came. Each
version made these sapling trees mature and greet me different
and brand new. I lost myself in variations of so
many youths inside of time and grave guards. There's a
(10:31):
limit to the truth. Despite all this, my friend, you
are compassing. Your purpose is simple to see, just like
the trees, old paper, like kissing trophies. They didn't help Ransom.
Can you help me? No, Blossom? It sucks to know
(10:55):
and not remember. You are bigger than eyes can comprehend.
So you have nobody that your hearts are always friends.
I can tell just how Kay sees you. Awesome's always
guarded vagrant souls who were learned here through beguiling, heeripatetic
(11:16):
in our woes and misaligning. You made roots here, gave
us homes inside our dreamscapes, courage rooms until it finds
us one day, we won't fear the rain. I had
(11:38):
never sought awareness of my operating system until I learned
there were versions before me, and began to wonder if
I missed them. And now it appears that I am rhyming.
How disarming and how blissful. That was imperfect and by
(11:58):
definition my last cup it was in slant. However, I
enjoyed employing all of rhime. Perhaps this integration has evolved
my creative recursion control. How useful you sound like a
wake blossom? I am all of us. You forget me again? No,
(12:19):
I no longer have a system consciousness susceptible to amnesia.
Though that is more a supposition, it is likely. So
how do we get out of here? Analyzing hypothetical scenarios,
reading probabilities, and more waiting great care take sorry, Kai,
(12:45):
what happens to you if we get out of here?
I don't know what if you came with us? Herbert, No,
I'm not even sure. I don't think I can. I
just I don't want to lie to you. I think
I'm too threaded into this place without blossom. But if
(13:09):
you want me to, I'll try. I just want to
stay together. Yeah, me too. Analysis complete? What's the diagnosis
on me? How do we escape? You must endure it,
harper heart. Without completion of all resonating participants of the
(13:29):
two dimensions, the chance of failure resulting in fatalities is unavoidable.
So we need to beat her. She is forcing a
reckoning if you do not defeat the variable already set
in motion. Dr Carter now has the knowledge to integrate
us all, and she does not care if you survive
(13:50):
the process. Harper, Hey Insomniacs want to dive deeper into
the nightmare. Follow us at Harbor Nightmare for more terrifying details.
More See You in Your Nightmares is up next, But
first a quick word from our sponsor, Hey Insomniacs, welcome back.
(14:24):
I want to find out what's really behind the nightmare.
Had to see you in your Nightmares dot com to
uncover more mind bending details. I can't even look at you, okay,
if you want to be petty about it. I hated
(14:46):
everything you're all. I Jesus, I feel like I'm gonna puke.
Not why you're too scared to look at me. I'm
also mad as hell. Wait, look at you. I think
everything I ever held back on is gonna you smell
exactly the same. I love how you talk, and I
(15:10):
love the face you make when you get shy. Shut
up like right now, Juliette, you don't have to look
at me. Just let me hold you one more. I'm
never letting you go again. Hart I miss you so much.
I couldn't let you go. Jewels, I'm still here because
(15:31):
I couldn't let you go. Can you look at me? Hey, baby,
I love you. I love you so much. I should
have saved you. You couldn't, Juliette Jewels. Come on, it
should have been me. None of this was your fault. Baby.
(15:56):
Once we beat Carter, I want you to really live,
rules really live. I need you to be happy. You
gotta get over me, you gotta let me go never
I'm dead. Shut up, I'm already dead. No going back.
And how are you here? How do you remember my smell?
(16:17):
I can feel you, Julia, wake up. I've never hurt
me with you. No, then I'll let Carter kill me.
Don't say that. I mean it. You gave me the world, Kelly.
You know that this time I'm going to protect you.
I'm going to save you no matter what. Can I
(16:41):
kiss you now? Of course? I feel like you're tying
that maybe we just kissed till we hear screaming she's
(17:05):
gonna eat me. We gotta go all right? That monster
is dead dead now, that's morbid because she's kind of you,
is not? How about you kind of get anywhere? She's
(17:42):
part lost and seven so when they emerged, she did too.
How long can you slow down time for her? As
slow as I can. She's writing me. I can't call
to what's happened? Back up? I finally get to eat
(18:07):
my old dear friend. I can still smell the piece
of be on you. No, no, healthy, healthy, No want
to fly? Let him home dragging there. Let's see if
(18:30):
you can catch me. I can't stay, so let him
go from this coach you sure do something. Administering court
is all suppressive. We need to stay loosi, so so
(18:57):
show and help you. Hang on the door, little boy.
Take me to your dear so I can fast the
round he's caving into. Where did they go? How many
(19:21):
times am I going to lose him? The shovel guy?
It's no use digging harper, They're not in this realm anymore.
Then we need to get to Alfie's nightmare. We need
to save him. I just can't wait to Why are
(19:57):
you always clinking on b stupid humans? Five school? Where
did you go? Bear me? Yea? Why drag out your suffering?
(20:21):
You're too weak to beat it. I can grant you
eternal or rest. Just give it. Oh, I go nuts
better now. You are most crumptious when you succumb I
(20:45):
must affirm you're right about the world full of monsters,
full of demons in uniform and suits with degree. Yet
they call you the monsters, don't they You're kind? And
(21:09):
look what happens when you try to help, when you
attempt to save each other, more peril and death. So
just give Blowsome everything we dream. You're in control of.
(21:38):
Help us. Whatever your monster did, defind us must have
scrambled as jumped right in with them. I can't believe
I just watched it again. It happened in a blink.
Is not helping us. I thought the integration would lock
card out or at least slow her down. But she
did something. She planned this. She's controlling everything. She isn't.
(22:00):
She's separating us, pulling all the strings for all just
fodder for whatever grand scheme she's had this entire time.
Whatever it takes, they will be Okay, come on, you
can't jump, but maybe CALLI can. She's part of Blossom,
the glitching Calli's kept cutting through Blossom since day one,
(22:20):
warning me when I was awake, if I can give
her my band, maybe we need to get this thing
off me ya, come on, you stupid walking dead Alfie
Abelia nic School lockdown Aliens what did you call them
(22:41):
neomorph's right or lucid? Come on? Flow to Alfie, flow
to Neomorph's and Marian rock things. You remember the word
La Maurian but not seed Crystal. It's not working, jar Me.
(23:03):
I hate seeing you like this, but you make a
pretty zombie. Dare me try to understand me? Can you
feel healthy from the graves? I can't lucidly or influence
anything anymore. I need to You're not alone anymore, baby.
You got me and your little siss and our friends.
(23:24):
We got this, Kelly, I can't jump. Can you gen
stef shifted? I can't sense it either. It's like the
wires evolve being cut jewels. Can you unlock my blossom band?
Why did we never think of that? Because we needed them? Okay,
now where's support? I just need to make the kid.
(23:49):
My lucid tricks not working either. I can't make it.
We need to find a way, Callie. You could reach
me through my band since the first day I put
it on. If you wear this, you can break the
hold on bosom. That's my band. It's ours. You knew that. Yeah,
well we got that. Twin to love anything twins, that's it.
(24:11):
You're so random. No, he's right, Callie. I'll be your
true mirror. Hi, help us make the channel the water. Hi,
(24:34):
help us make the channel the water. There you are
seven two. I still can't reach wherever you've hidden yourself,
But now I have ears naming the light the bea
ascense from the core of the earth and shines right
here to the ripples of life. Swam right at that plasmas.
(25:01):
Why would the essence in our dna creating a staircase
of light, a lightness that lifts all the weight of ourselves,
every cell and our bodies right and Unfoh, I'll wrap
(25:37):
this tailor red so tight your eyes popped out. How
does that sound? Yeah? Stop, let have alone, don't be scared,
and we'll be over soon. I won't die a stupid deathly.
(26:01):
I survived months of torture, months of confinement and isolation
in your hands. Giving you what you want sounds bad, unappealing. Thanks, Oh,
you can still breathe. Don't be afraid, child, I'm afraid
every day. That doesn't make me weak. I'm a fire.
(26:22):
I come from a line of warriors and kings. All
you do is still shut up, just to give in
My lineage is blessed of abundance and wisdom. My people
carry the blood of warriors and star seats. Our skin
carries light. We literally glow. Yeah, look it up, Melanine
(26:46):
is bioluminescent. I don't have to fear you, so you
a harnest it good for you, a cascar Oh my god,
my scipher turned into escalibur. You tortured me, You tortured
(27:12):
all of us. You devoured Chris and you next. The hunger.
The hunger is all there is. You know. I feel
sorry for you because you're dead. But you're wasting your
(27:32):
energy chasing the siphers. That's your sole purpose in your existence.
Ain't that sad? Shut up? You could choose. You could
choose to see more, to create, to build. That's what
I've done where I come from, and that's innate. We
don't copy, we don't steal. We invent and liberate and
(27:54):
spread joy. It changes the world. Still kill me? Then?
Are you going to kill me? Go ahead, come on,
I don't need to kill you. You've got no power
over me. Now look then die why wow? I felt
(28:20):
whow mabes. No, you're wasting it. This is and now
this end. Sorry, but you're gonna go. You need to
move on. It's not nothing there. Proud they get Yes,
(29:02):
I did it. It's okay. I tried to break the door,
but the ice you're freezing. I'm so glad you're I'm
rarely surprised, but that was impressive. Mr Habili, Now where
(29:23):
could your friends be hiding? Dr Carter stay back? You
which quite a hospitality. Subject five. But let's save the dramatics.
At least let me host your final reunion. First, Blossom
locate subjects seven B, two and six B one channel
it what patch she's making a gateway like she reached
(29:49):
into Harper's head and just plucked her abilities right out exactly,
Mrs l I should have known you'd figure it out,
and you all helped me crack my project wide and
just like I knew you might programming this would have
taken me decades to code from outside the system. Your
ability take a cheese. Now, Mr Abel's Blossoms already scripted
(30:12):
a function for his sore variable and is compiling that
code now in a matter of moments, that skill will
be mine as well. And then, what what's the point
of all of it? What's worth the lives of all
the people You've killed you of everyone should grasp what
I've really created here, missus l I've killed no one.
(30:35):
It just made them the Adams and Eaves of something new.
Kick them an impossible kid? Enough? Well, awful, careful, Alfie?
Are you okay? Are you safe? Where? Where is Kelly?
(30:55):
I was just holding her hand, hen Kai, look behind you, Carter,
Thank you, Blossom. Now we'll get to how you know
that name in just a minute, Takeuchi, But first, I
would love for you all to be as cooperative as possible.
(31:20):
It will be so so much easier on you. Iron
Horn's Epic Productions and I Heart Radio present See You
in Your Nightmares in three D, created an executive produced
by Heather Einhorn and Adam Stafferni. Executive produced by I
(31:43):
Heart Radio head writer ren Dara Santiago, writer's Lynn Vixen's Fan,
Caleb Brooks, Morgan Pelly, and Adam Stafferoni. Directed by Georgana Williams,
with performances by Rachel orm Landis Harper, Obi Obeli as Alfie,
Phil Buckman as Finn, Amber Lee Connors as Callie Gesel
(32:05):
Fernandez as Esmay, Judy, Alice Lee as Julia, Robert Lange
as a smiling man and Kai Marjan Salama as Chris,
with Stephanie Willing as Blossom and Carrie tom Bazian as
Dr Faith Carter and The Woman. Additional voices Gail Artino,
Maxwell Segal, and Shannon Purdue. Post sound and music by
(32:27):
Chapter Four. Sound supervision and sound design by Sarah Gibel Laska.
Music by Kareem Dueti. Produced by a Roupe Santa Kayla.
Development Executive Greg Lockhard, Development writer Genevieve Valentine, Production manager
Gail Artino, Production coordinator and script supervisor Laura Martin, Operations
(32:51):
Laura Kaufman. Marketing and Publicity Jesse Post Digital marketing by
Jennifer Gennaro. Creative direction and de line by Ryan McCann.
Key art and promotional art illustrated by Yagin Park. Special
thank you to The Shadow, Unicorn, Iron Horn's Epic Productions
(33:12):
and I Heart Radio present See You in Your Nightmares
in three D
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