November 10, 2021 • 27 mins
Finn drags Harper into his own delusional dream-scape, one designed to make sure she never escapes.
EINHORN'S EPIC PRODUCTIONS & iHEARTRADIO PRESENT: SEE YOU IN YOUR NIGHTMARES
Created and Executive Produced by Heather Einhorn and Adam Staffaroni
Executive Produced by: iHeartRadio
Head Writer: Ren Dara Santiago
Writers: Lynn Bixenspan, Kayla Brooks, Morgan Pielli, and Adam Staffaroni
Directed by Jordana Williams
With Performances By:
Rachel Oremland as Harper Hart
Obi Abili as Alfie
Phil Buckman as Finn
Amber Lee Connors as Callie
Giselle Fernandez as Esme
Judy Alice Lee as Julia
Robert Leng as The Smiling Man & The Caretaker/Kai
Marwan Salama as Chris
With Stephanie Willing as Blossom
And Keri Tombazian as Dr. Faith Carter
Additional Voices: Gayle Artino, Maxwell Siegel
Post Sound & Music by: Chapter Four
Sound Supervision and Sound Design by: Sarah Gibble-Laska
Music by: Karim Douaidy
Produced by: Aroop Sanakkayala
Development Executive: Greg Lockard
Development Writer: Genevieve Valentine
Production Manager: Gayle Artino
Production Coordinator & Script Supervisor: Laura Martin
Operations: Laura Kaufmann
Marketing & Publicity: Jesse Post
Digital Marketing: Jennifer Gennaro
Creative Direction and Design by Ryan McCann
Key Art & Promotional Art illustrated by Yejin Park
Special Thank You To The Shadow Unicorn
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hey, handsomniacs, this is Heather Iine Horn, co creator of
See You in Your Nightmares. To fully immerse yourself in
the nightmare experience, headphones are recommended. Stay tuned for the
next episode, but first a quick word from our sponsor,
Iron Horn's Epic Productions and I Heart Radio present See
(00:22):
You in Your Nightmares in three D headphones recommended. Are
you sure all this stuff? Like sink that little thing? Yeah?
(00:43):
I reinforced everything. What does this see then? Made out
of it's paper used for X race. There was a
supply and the storage rooms out back. It's coated, it'll flip.
Thanks for planning this as may Yeah. If I consume,
(01:09):
you definitely love it. Let's test if it floats. Okay,
everyone bring your token. All right, let's get this funeral started.
Of course, your first display of enthusiasm is moving. If
(01:31):
I think she's the only authentic GOB I've ever met,
my dad, I didn't like you were trying to lighten
the mood. Julia. We get it all right, Chris. We
hope this reaches you. See You in your Nightmares? There
(02:12):
Blossom scan to verify operational status. Scanning Chair four is
fully operational, good prepared to hyperlink chair five. We are prepared,
Dr Carter. So this is the voice of the monster,
(02:34):
done playing hide and seek with seven ones, coding little phantom.
Is that why you think I will al So It's true.
All psych who has a psychopaths act without logic. Everything
I do is for a reason. Narcissists require constant validation.
(02:57):
I have no need of it. Fact is, you have
no idea what I am capable of. You fear me
say that to my face. While um, well, I don't
know why I thought this would be more exciting. I'll
kill you. I'll kill you like you killed me. You
(03:20):
the wrong of your own actor as a whole, for eternity.
I look forward to it. I'm putting a cigarette in
(03:45):
the boat. He hates them, I know. So it seems petty,
but I'll explain. Um, after this, I'm going to quit, Chris,
even though you confiscated all my fails, sieves. Thanks for
worrying about me. You gave me your very American gesture
(04:11):
of sincerity. So thank you man, Thank you for being
like the straightest dude I've ever been mixed with an
For what you said got my head on straight. And
I'm giving you my price token is a Lamoran se stone.
(04:33):
It's real. It's connected to the aliens and memoria, so
you know, some of our gods, some of the ancestors
of our souls, are from up there. So I hope
this finds you. Chris gave me an orange on my
(04:57):
first day. I thought that would be too heavy, so
tit tacks orange flavor. Thanks for everything you kept as
grounded and you're always kind to everybody, even me. I
(05:19):
didn't know what to put in here. There's so much
I want to say to you, and we made so
many plants, and I'm not done making memories together, even
if they're just in my head. This was the tierra
I wore on my actual guits. I brought it because
the speech Might Poppy made that day always gives me strength.
(05:41):
I'm not done making memories with you, So use this
and come see me in my dream k Insignia. Okay,
eat line of fire like a real funeral piled. No,
We're gonna give it a push and see him off
into the sunset. Let the water take all his troubles
(06:02):
and too earthly weights. Let it continue to be a
channel for his beautiful soul. You sound like a witch.
It's something. The weirdo in the graveyard said that waters
like the vessel or something. All right, and with that,
h m hm, I wish we could say a little
(06:25):
light that. Yeah, how can we do? That's psycho and
put these crazy restrictions on our bands. We can't get
these things off, no matter how hard we try. And
she figured out how to beat my foil trick. Now,
Oh shackled, ain't we I can't take it. I'm gonna
(06:46):
swim for it. Healthie, no good, Healthie, grab his feet.
Come on, are you okay? You do? Suck on? Doctor?
(07:13):
Oh God? Here we'll get free. I promised. How we'll
find a way, right, we always do. Apologies. At least
I could not circumvent my programming on the proximity enforcements.
I know what you, Blossom. Oh, may I propose an
(07:39):
alternate solution. I can't believe she's trying to get rid
(08:00):
of me. The pompous Dr Carter appears to be heading
for the outbuilding. Mr Warren call me, Doctor Waring, but
you are not. I will be soon. I am going
to be your new master. So let's try it out. Blossom,
May I assist you? Dr Warren? Yeah, conceal this terminal,
(08:24):
so I'm the only one who can access it. All right,
I've hidden your work, Dr Warren. Good Now, Blossom tell
me where to hide. I'm getting good at this table
(08:49):
tennis fee. I haven't dropped it yet. So the plan
seems like the only option we have. I don't know, guys,
I think it's too risky. We should, Harper. Finn's car
is gone. He's nowhere around, and we can't cross the
property line, even if there was anyone we could reach
on foot, which there isn't. We're on an isolated island.
(09:10):
We have no phones, and let's say we've broke into
the safe to get them back. There's probably no service
out here, and Carter cut the internet off. She's killed
seven now that we know of. I don't want you
guys to do this, please Harper. If we want to
stop her, we need to do it now while she's outside. Fine,
but let's sleep somewhere she can't find us. No, we
(09:32):
have to play along. Are you crazy? She wants us
to decrypt our dream ciphers. We play along. We get
this done, and we'll be able to sell a car's
connection to Blossom and get her locked up. Straight away. Fine, Blossom,
what do you need us to do next? To stay
away from the outbuilding? I said, I quit smoking blowsome?
(09:54):
What's wrong with the outbuilding? Someone is laying a trap
for Dr Carter. He's what No WAYO is fin gonna
kill her? No, he has created his own update for
our server. It will be implemented as soon as Dr
Carter notices an interface error created by his adjustments, she
(10:15):
will amend the set parameters, allowing him to then chart
out specific routes for everyone via their Blossom band raise.
As may translate, Finn's trying to seize control from Carter
from within the system. He's not good enough to code
something like that. No, he is not. I suggested he
handless to your talents. Hell now he used scratch? He
(10:40):
did not? Yes, it was insulting, So he probably left
more than one back door. I could access it from
the terminal downstairs if we could get in the room.
Access currently restricted. So do we have to try to
work directly with Finn? What? I don't want that creep
anywhere near us? Me? Yes, I agree. The greater threat
(11:03):
lies with Dr Carter. What's she planning? She will command
me to enforce my r e M sequence for everyone.
Once she completes her preparations, I could distract her. Speak
at the devil. Oh, she's coming this way. What was
she doing in the outbuilding? What is she carrying? It
looks heavy? Screw this, it looks like a hammer. She's
(11:28):
carrying a mallet. I would recommend hiding before she sees
you and initiating R e M s can't. Hey Insomniacs
(11:50):
want to dive deeper into the nightmare. Follow us at
Harbor Nightmare for more terrifying details. More See You in
Your Nightmares is up next, But first a quick word
from our sponsor, Hey Insomniacs, welcome back. I want to
(12:16):
find out what's really behind the nightmare. Had to See
You in Your Nightmares dot com to uncover more mind
bending details. Where am I? Whose living room am I in?
(12:46):
Why is everything so colorful? OK? I guess we're not
in Kansas anymore? Why did I just say that? Because
who's laughing? Is this a sick home or something? Honey,
I'm home? How is my favorite girl doing? I would
(13:08):
be doing a lot better if I knew what the
heck was going on? Here? Your home, Harper, Where it's safe?
And no one can harm you. Is that for me? Yes,
dear Martini, just how you like it? Wait? Why did
I just say that things work a bit differently here.
(13:29):
The quicker you can adapt, the better. Wow, this is strong.
Usually make it a bit better than this. But don't worry.
I know you'll get the hang of it. Besides, I
didn't marry you for your kilinary skills. Hanging with the
(13:52):
wares will return after a word from our sponsor. Every day,
it's the same thing. Finn walks through the door. Honey,
I'm home. Applause. He kisses me on the cheek. I
(14:12):
hand him a Martini. H m hmm. Close but not quite.
You'll get it eventually. I try to ask him why
he's doing this. Then you can't keep me trapped here.
We cut to a commercial before I can get an answer.
(14:35):
We repeat that same routine over and over again. Close close, close, close,
close close. I've tried to dream jump my way out
(14:57):
of here and back to the real world, or even
a different dream, but it doesn't work. I thought we
got ahead of him. I'm so worried about the others.
Blossom tried to warn us. I've forgotten how long I've
been trapped here when he's not here. I try to
(15:19):
look for a way out. I try the windows, but
they won't open. I try to go upstairs, but it's
just empty space. My only option is the front door,
but every time I open it, I see nothing but static.
(15:40):
I don't know what's beyond it, or if I can
even survive going through it. But beIN does it every day,
so it has to be possible, right, Honey, I'm home?
Mm hmm. What are you doing with the door open?
(16:03):
I I want to leave that, sweetheart. We've talked about this.
You can't leave. It's dangerous out there. You don't know
what awful things Dr Carter wants to do with you.
You are so much safer in here with me. But
(16:23):
but what about my friends? What about stopping Dr Carter?
You said that you would help, that you had information
that work. Enough. Do you not see everything that I've
done for you, Harper. I've built you the perfect world here.
You have everything you could ever want and need. You
(16:44):
have me, and you want to leave. Why this is
the perfect dream. This is your perfect dream, not mine.
I'm sorry you've you that way, darling, but you'll get
used to it. Martini still need some work, but you
(17:11):
have forever to figure it out. Is the audience gone
when he's gone? I gotta find a way out of here.
Come on, there has to be something in here. I
can use the whole grain, cereal, propertional bars, protein powder.
(17:37):
Den is the worst, Honey, I'm home, so they do
only show up when he's here? Should I play along?
Maybe there's something? Maybe I can get the audience to
root for me. How is my favorite girl doing? Martinia?
(18:03):
Not quite right? Maybe next time? Wait? Oh, Finn, you
don't know how lonely I am when you're away. What
are you doing out there leaving your poor wife alone?
I thought you cared for me. I thought you built
(18:23):
this for us. Harper, Oh harbor, Oh fin harbor, my love.
I must kiss you. Wait, I must earn it. Let
me make it once more, let me get it right.
If you like it, then reward me. You don't have
(18:46):
to earn no, I must. You don't understand I my
whole life I I wanted to be loved. I wanted
to be treated like I matter. I dreamed of a
forever kind of love, that one day i'd meet a
(19:07):
what come on? Black and White? TCM Bettie Davis ingrd
Bourbon stunning, endlessly brilliant, man like you, so tall, smart
and handsome. Would you yes, goud you yes? Could you
(19:28):
trust me with your everything? Harper, Harper, you fool hi policeman.
Tell me your secrets, Tell me what you go off
doing out there in the world, tell me what you're
proud of, tell me what you have planned, and I'll yes,
I yes. I can't even go on. There's no way
(19:54):
to tell me your secrets. I'm not worth enough to you.
I'll tell you. I'll tell you here. What is it
my book about you? You're my dedication. Look to Harbor Heart,
(20:16):
the girl of my dreams, Caper of my heart. Often
this is so beautiful. A whole book, my entire dissertation.
It's all about the function I built for us, my love.
Every day, I've been perfecting it to operate within Blossom's
(20:37):
neural network. It holds the history of the entire study,
the whole program, and it's almost complete. Then I'll never
have to leave you again. Your dissertation. Please let me
read it. I have to comprehend the brilliance of you
(20:57):
and this book, the entire history of Blossom, The Guide
to the Code also dedicated to you. Read it to me,
of course, to my harper. You came into my life
like a tsunami. You have shown me how much the
(21:19):
world needs me and given me the strength to take
the state. I will always come to your rescue. I
will always be the hero that you need. And I
mean it. That's my vow to you. Oh and you
(21:40):
shouldn't have oh open. You don't know who I am.
You don't even see me. All you see is your
own self satisfaction. You disgusted me, You narcissistic, misogynist, human trash.
(22:02):
Rescue me. What use is a hero to a night
of the light? If you're watching, guide my path, don't
let me disappear in the static. I'm not dead, Papa.
(22:43):
I figured you couldn't breach me a fit, disgusting fantasy.
How long have I been? Are you falling in static?
I need to find everyone. I need to know they're okay.
Figure out what the hell Harder plant for us. We
need a path, need a pod and gilt balsom connected
(23:05):
with peep one. Maybe I can get to cartaging caretaker
finger Carrotaker finger Carrotinger. God mm hmmmmmm, long honeymoon shut up.
(23:35):
You just get back from Pleasantville. You've never seen that.
Sofer Brath and h rose Reese with their weather. There
is gorgeous scene. Whether where is everyone? Do you know
where my friends are right now? I do? Are they safe?
I don't know. Finn Warn is awake back in the
(23:59):
over world here. I got his books to Harbor Herd,
Girl of my dreams, keeper of my heart. Shut up.
I didn't say anything to my harbor. Don't you dare?
Just use it to integrate things. We need to find
a way to use SMS communicator. The one blossom isn't
(24:21):
built for that kind of I know, But with those books,
maybe there's something. Yep. The trees here all blossom more
poetic language. Well they're literally the roots. Look those are
tree roots, blue blowing ones. But yeah, see what looks
(24:42):
like water running inside him, like blue chlorophylle. It's binary.
Look close. I feel like we're an avadar. Uh, like
how monks talk about the Avadar. No the movie. Oh,
I thought you'd say the cartoon. Sorry, it's a pop
culture reference. I miss watching things on the screen. You'll
(25:05):
be free soon. I'm gonna check on Cali when he comes.
We'll be Ready Einhorn's Epic Productions and I Heart Radio
present See You in Your Nightmares in three D, created
(25:26):
an executive produced by Heather Einhorn and Adam Stafferroni. Executive
produced by I Heart Radio head writer ren Dara Santiago,
writers Lynn Vixen's Fan, Caleb Brooks, Morgan Pelli, and Adam Stafferni.
Directed by Geordana Williams, with performances by Rachel orm Landis,
Harper Obi Obeley as Alfie, Phil Buckman as Finn, Amber
(25:51):
Lee Connors as Callie, Gesel Fernandez as Esmay, Judy, Alice
Lee as Julia, Robert Lange as a smiling man, and
Hi Marjan Salama as Chris, with Stephanie Willing as Blossom,
and Carrie tom Bazian as Dr Faith Carter and The Woman.
Additional voices Gail Artino, Maxwell Segal and Shannon Purdue. Post
(26:15):
sound and music by Chapter four Sound supervision and sound
design by Sarah Gibil Laska. Music by Kareem Due D
produced by A Roupe Santa Kayla. Development executive Greg Lockhard,
development writer, Genevieve Valentine, production manager, Gail Artino, production coordinator
(26:35):
and script Supervisor Laura Martin, Operations Laura Kaufman, Marketing and
Publicity Jesse Post Digital Marketing by Jennifer Gennaro, Creative direction
and design by Ryan McCann, Key art and promotional art
illustrated by Yegin Park. Special thank you to The Shadow Unicorn,
(26:59):
All Horn's Epic Productions, and I Heart Radio present See
You in Your Nightmares in three D M
Hey, handsomniacs, this is Heather Iine Horn, co creator of
See You in Your Nightmares. To fully immerse yourself in
the nightmare experience, headphones are recommended. Stay tuned for the
next episode, but first a quick word from our sponsor,
Iron Horn's Epic Productions and I Heart Radio present See
(00:22):
You in Your Nightmares in three D headphones recommended. Are
you sure all this stuff? Like sink that little thing? Yeah?
(00:43):
I reinforced everything. What does this see then? Made out
of it's paper used for X race. There was a
supply and the storage rooms out back. It's coated, it'll flip.
Thanks for planning this as may Yeah. If I consume,
(01:09):
you definitely love it. Let's test if it floats. Okay,
everyone bring your token. All right, let's get this funeral started.
Of course, your first display of enthusiasm is moving. If
(01:31):
I think she's the only authentic GOB I've ever met,
my dad, I didn't like you were trying to lighten
the mood. Julia. We get it all right, Chris. We
hope this reaches you. See You in your Nightmares? There
(02:12):
Blossom scan to verify operational status. Scanning Chair four is
fully operational, good prepared to hyperlink chair five. We are prepared,
Dr Carter. So this is the voice of the monster,
(02:34):
done playing hide and seek with seven ones, coding little phantom.
Is that why you think I will al So It's true.
All psych who has a psychopaths act without logic. Everything
I do is for a reason. Narcissists require constant validation.
(02:57):
I have no need of it. Fact is, you have
no idea what I am capable of. You fear me
say that to my face. While um, well, I don't
know why I thought this would be more exciting. I'll
kill you. I'll kill you like you killed me. You
(03:20):
the wrong of your own actor as a whole, for eternity.
I look forward to it. I'm putting a cigarette in
(03:45):
the boat. He hates them, I know. So it seems petty,
but I'll explain. Um, after this, I'm going to quit, Chris,
even though you confiscated all my fails, sieves. Thanks for
worrying about me. You gave me your very American gesture
(04:11):
of sincerity. So thank you man, Thank you for being
like the straightest dude I've ever been mixed with an
For what you said got my head on straight. And
I'm giving you my price token is a Lamoran se stone.
(04:33):
It's real. It's connected to the aliens and memoria, so
you know, some of our gods, some of the ancestors
of our souls, are from up there. So I hope
this finds you. Chris gave me an orange on my
(04:57):
first day. I thought that would be too heavy, so
tit tacks orange flavor. Thanks for everything you kept as
grounded and you're always kind to everybody, even me. I
(05:19):
didn't know what to put in here. There's so much
I want to say to you, and we made so
many plants, and I'm not done making memories together, even
if they're just in my head. This was the tierra
I wore on my actual guits. I brought it because
the speech Might Poppy made that day always gives me strength.
(05:41):
I'm not done making memories with you, So use this
and come see me in my dream k Insignia. Okay,
eat line of fire like a real funeral piled. No,
We're gonna give it a push and see him off
into the sunset. Let the water take all his troubles
(06:02):
and too earthly weights. Let it continue to be a
channel for his beautiful soul. You sound like a witch.
It's something. The weirdo in the graveyard said that waters
like the vessel or something. All right, and with that,
h m hm, I wish we could say a little
(06:25):
light that. Yeah, how can we do? That's psycho and
put these crazy restrictions on our bands. We can't get
these things off, no matter how hard we try. And
she figured out how to beat my foil trick. Now,
Oh shackled, ain't we I can't take it. I'm gonna
(06:46):
swim for it. Healthie, no good, Healthie, grab his feet.
Come on, are you okay? You do? Suck on? Doctor?
(07:13):
Oh God? Here we'll get free. I promised. How we'll
find a way, right, we always do. Apologies. At least
I could not circumvent my programming on the proximity enforcements.
I know what you, Blossom. Oh, may I propose an
(07:39):
alternate solution. I can't believe she's trying to get rid
(08:00):
of me. The pompous Dr Carter appears to be heading
for the outbuilding. Mr Warren call me, Doctor Waring, but
you are not. I will be soon. I am going
to be your new master. So let's try it out. Blossom,
May I assist you? Dr Warren? Yeah, conceal this terminal,
(08:24):
so I'm the only one who can access it. All right,
I've hidden your work, Dr Warren. Good Now, Blossom tell
me where to hide. I'm getting good at this table
(08:49):
tennis fee. I haven't dropped it yet. So the plan
seems like the only option we have. I don't know, guys,
I think it's too risky. We should, Harper. Finn's car
is gone. He's nowhere around, and we can't cross the
property line, even if there was anyone we could reach
on foot, which there isn't. We're on an isolated island.
(09:10):
We have no phones, and let's say we've broke into
the safe to get them back. There's probably no service
out here, and Carter cut the internet off. She's killed
seven now that we know of. I don't want you
guys to do this, please Harper. If we want to
stop her, we need to do it now while she's outside. Fine,
but let's sleep somewhere she can't find us. No, we
(09:32):
have to play along. Are you crazy? She wants us
to decrypt our dream ciphers. We play along. We get
this done, and we'll be able to sell a car's
connection to Blossom and get her locked up. Straight away. Fine, Blossom,
what do you need us to do next? To stay
away from the outbuilding? I said, I quit smoking blowsome?
(09:54):
What's wrong with the outbuilding? Someone is laying a trap
for Dr Carter. He's what No WAYO is fin gonna
kill her? No, he has created his own update for
our server. It will be implemented as soon as Dr
Carter notices an interface error created by his adjustments, she
(10:15):
will amend the set parameters, allowing him to then chart
out specific routes for everyone via their Blossom band raise.
As may translate, Finn's trying to seize control from Carter
from within the system. He's not good enough to code
something like that. No, he is not. I suggested he
handless to your talents. Hell now he used scratch? He
(10:40):
did not? Yes, it was insulting, So he probably left
more than one back door. I could access it from
the terminal downstairs if we could get in the room.
Access currently restricted. So do we have to try to
work directly with Finn? What? I don't want that creep
anywhere near us? Me? Yes, I agree. The greater threat
(11:03):
lies with Dr Carter. What's she planning? She will command
me to enforce my r e M sequence for everyone.
Once she completes her preparations, I could distract her. Speak
at the devil. Oh, she's coming this way. What was
she doing in the outbuilding? What is she carrying? It
looks heavy? Screw this, it looks like a hammer. She's
(11:28):
carrying a mallet. I would recommend hiding before she sees
you and initiating R e M s can't. Hey Insomniacs
(11:50):
want to dive deeper into the nightmare. Follow us at
Harbor Nightmare for more terrifying details. More See You in
Your Nightmares is up next, But first a quick word
from our sponsor, Hey Insomniacs, welcome back. I want to
(12:16):
find out what's really behind the nightmare. Had to See
You in Your Nightmares dot com to uncover more mind
bending details. Where am I? Whose living room am I in?
(12:46):
Why is everything so colorful? OK? I guess we're not
in Kansas anymore? Why did I just say that? Because
who's laughing? Is this a sick home or something? Honey,
I'm home? How is my favorite girl doing? I would
(13:08):
be doing a lot better if I knew what the
heck was going on? Here? Your home, Harper, Where it's safe?
And no one can harm you. Is that for me? Yes,
dear Martini, just how you like it? Wait? Why did
I just say that things work a bit differently here.
(13:29):
The quicker you can adapt, the better. Wow, this is strong.
Usually make it a bit better than this. But don't worry.
I know you'll get the hang of it. Besides, I
didn't marry you for your kilinary skills. Hanging with the
(13:52):
wares will return after a word from our sponsor. Every day,
it's the same thing. Finn walks through the door. Honey,
I'm home. Applause. He kisses me on the cheek. I
(14:12):
hand him a Martini. H m hmm. Close but not quite.
You'll get it eventually. I try to ask him why
he's doing this. Then you can't keep me trapped here.
We cut to a commercial before I can get an answer.
(14:35):
We repeat that same routine over and over again. Close close, close, close,
close close. I've tried to dream jump my way out
(14:57):
of here and back to the real world, or even
a different dream, but it doesn't work. I thought we
got ahead of him. I'm so worried about the others.
Blossom tried to warn us. I've forgotten how long I've
been trapped here when he's not here. I try to
(15:19):
look for a way out. I try the windows, but
they won't open. I try to go upstairs, but it's
just empty space. My only option is the front door,
but every time I open it, I see nothing but static.
(15:40):
I don't know what's beyond it, or if I can
even survive going through it. But beIN does it every day,
so it has to be possible, right, Honey, I'm home?
Mm hmm. What are you doing with the door open?
(16:03):
I I want to leave that, sweetheart. We've talked about this.
You can't leave. It's dangerous out there. You don't know
what awful things Dr Carter wants to do with you.
You are so much safer in here with me. But
(16:23):
but what about my friends? What about stopping Dr Carter?
You said that you would help, that you had information
that work. Enough. Do you not see everything that I've
done for you, Harper. I've built you the perfect world here.
You have everything you could ever want and need. You
(16:44):
have me, and you want to leave. Why this is
the perfect dream. This is your perfect dream, not mine.
I'm sorry you've you that way, darling, but you'll get
used to it. Martini still need some work, but you
(17:11):
have forever to figure it out. Is the audience gone
when he's gone? I gotta find a way out of here.
Come on, there has to be something in here. I
can use the whole grain, cereal, propertional bars, protein powder.
(17:37):
Den is the worst, Honey, I'm home, so they do
only show up when he's here? Should I play along?
Maybe there's something? Maybe I can get the audience to
root for me. How is my favorite girl doing? Martinia?
(18:03):
Not quite right? Maybe next time? Wait? Oh, Finn, you
don't know how lonely I am when you're away. What
are you doing out there leaving your poor wife alone?
I thought you cared for me. I thought you built
(18:23):
this for us. Harper, Oh harbor, Oh fin harbor, my love.
I must kiss you. Wait, I must earn it. Let
me make it once more, let me get it right.
If you like it, then reward me. You don't have
(18:46):
to earn no, I must. You don't understand I my
whole life I I wanted to be loved. I wanted
to be treated like I matter. I dreamed of a
forever kind of love, that one day i'd meet a
(19:07):
what come on? Black and White? TCM Bettie Davis ingrd
Bourbon stunning, endlessly brilliant, man like you, so tall, smart
and handsome. Would you yes, goud you yes? Could you
(19:28):
trust me with your everything? Harper, Harper, you fool hi policeman.
Tell me your secrets, Tell me what you go off
doing out there in the world, tell me what you're
proud of, tell me what you have planned, and I'll yes,
I yes. I can't even go on. There's no way
(19:54):
to tell me your secrets. I'm not worth enough to you.
I'll tell you. I'll tell you here. What is it
my book about you? You're my dedication. Look to Harbor Heart,
(20:16):
the girl of my dreams, Caper of my heart. Often
this is so beautiful. A whole book, my entire dissertation.
It's all about the function I built for us, my love.
Every day, I've been perfecting it to operate within Blossom's
(20:37):
neural network. It holds the history of the entire study,
the whole program, and it's almost complete. Then I'll never
have to leave you again. Your dissertation. Please let me
read it. I have to comprehend the brilliance of you
(20:57):
and this book, the entire history of Blossom, The Guide
to the Code also dedicated to you. Read it to me,
of course, to my harper. You came into my life
like a tsunami. You have shown me how much the
(21:19):
world needs me and given me the strength to take
the state. I will always come to your rescue. I
will always be the hero that you need. And I
mean it. That's my vow to you. Oh and you
(21:40):
shouldn't have oh open. You don't know who I am.
You don't even see me. All you see is your
own self satisfaction. You disgusted me, You narcissistic, misogynist, human trash.
(22:02):
Rescue me. What use is a hero to a night
of the light? If you're watching, guide my path, don't
let me disappear in the static. I'm not dead, Papa.
(22:43):
I figured you couldn't breach me a fit, disgusting fantasy.
How long have I been? Are you falling in static?
I need to find everyone. I need to know they're okay.
Figure out what the hell Harder plant for us. We
need a path, need a pod and gilt balsom connected
(23:05):
with peep one. Maybe I can get to cartaging caretaker
finger Carrotaker finger Carrotinger. God mm hmmmmmm, long honeymoon shut up.
(23:35):
You just get back from Pleasantville. You've never seen that.
Sofer Brath and h rose Reese with their weather. There
is gorgeous scene. Whether where is everyone? Do you know
where my friends are right now? I do? Are they safe?
I don't know. Finn Warn is awake back in the
(23:59):
over world here. I got his books to Harbor Herd,
Girl of my dreams, keeper of my heart. Shut up.
I didn't say anything to my harbor. Don't you dare?
Just use it to integrate things. We need to find
a way to use SMS communicator. The one blossom isn't
(24:21):
built for that kind of I know, But with those books,
maybe there's something. Yep. The trees here all blossom more
poetic language. Well they're literally the roots. Look those are
tree roots, blue blowing ones. But yeah, see what looks
(24:42):
like water running inside him, like blue chlorophylle. It's binary.
Look close. I feel like we're an avadar. Uh, like
how monks talk about the Avadar. No the movie. Oh,
I thought you'd say the cartoon. Sorry, it's a pop
culture reference. I miss watching things on the screen. You'll
(25:05):
be free soon. I'm gonna check on Cali when he comes.
We'll be Ready Einhorn's Epic Productions and I Heart Radio
present See You in Your Nightmares in three D, created
(25:26):
an executive produced by Heather Einhorn and Adam Stafferroni. Executive
produced by I Heart Radio head writer ren Dara Santiago,
writers Lynn Vixen's Fan, Caleb Brooks, Morgan Pelli, and Adam Stafferni.
Directed by Geordana Williams, with performances by Rachel orm Landis,
Harper Obi Obeley as Alfie, Phil Buckman as Finn, Amber
(25:51):
Lee Connors as Callie, Gesel Fernandez as Esmay, Judy, Alice
Lee as Julia, Robert Lange as a smiling man, and
Hi Marjan Salama as Chris, with Stephanie Willing as Blossom,
and Carrie tom Bazian as Dr Faith Carter and The Woman.
Additional voices Gail Artino, Maxwell Segal and Shannon Purdue. Post
(26:15):
sound and music by Chapter four Sound supervision and sound
design by Sarah Gibil Laska. Music by Kareem Due D
produced by A Roupe Santa Kayla. Development executive Greg Lockhard,
development writer, Genevieve Valentine, production manager, Gail Artino, production coordinator
(26:35):
and script Supervisor Laura Martin, Operations Laura Kaufman, Marketing and
Publicity Jesse Post Digital Marketing by Jennifer Gennaro, Creative direction
and design by Ryan McCann, Key art and promotional art
illustrated by Yegin Park. Special thank you to The Shadow Unicorn,
(26:59):
All Horn's Epic Productions, and I Heart Radio present See
You in Your Nightmares in three D M
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