December 1, 2021 • 37 mins
The moment of truth is here. Harper opens the final door in her nightmare corridor, and the last secrets of the Lutwidge are revealed in the season one finale.
EINHORN'S EPIC PRODUCTIONS & iHEARTRADIO PRESENT: SEE YOU IN YOUR NIGHTMARES
Created and Executive Produced by Heather Einhorn and Adam Staffaroni
Executive Produced by: iHeartRadio
Head Writer: Ren Dara Santiago
Writers: Lynn Bixenspan, Kayla Brooks, Morgan Pielli, and Adam Staffaroni
Directed by Jordana Williams
With Performances By:
Rachel Oremland as Harper Hart
Obi Abili as Alfie
Phil Buckman as Finn
Amber Lee Connors as Callie
Giselle Fernandez as Esme
Judy Alice Lee as Julia
Robert Leng as The Smiling Man & The Caretaker/Kai
Marwan Salama as Chris
With Stephanie Willing as Blossom
And Keri Tombazian as Dr. Faith Carter
Additional Voices: Gayle Artino, Maxwell Siegel
Post Sound & Music by: Chapter Four
Sound Supervision and Sound Design by: Sarah Gibble-Laska
Music by: Karim Douaidy
Produced by: Aroop Sanakkayala
Development Executive: Greg Lockard
Development Writer: Genevieve Valentine
Production Manager: Gayle Artino
Production Coordinator & Script Supervisor: Laura Martin
Operations: Laura Kaufmann
Marketing & Publicity: Jesse Post
Digital Marketing: Jennifer Gennaro
Creative Direction and Design by Ryan McCann
Key Art & Promotional Art illustrated by Yejin Park
Special Thank You To The Shadow Unicorn
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hay handsomniacs, this is Heather Iine Horn, co creator of
See You in Your Nightmares. To fully immerse yourself in
the nightmare experience, headphones are recommended. Stay tuned for the
next episode, but first a quick word from our sponsor,
Iron Horn's Epic Productions, and I Heart Radio present See
(00:22):
You in Your Nightmares in three D headphones recommended. Well, Harper,
I guess it took meeting in our dreams to see
(00:44):
each other for what we really are. You're a monster.
I wish you understood what I'm doing, how important to
you are, how special your gifts are, and why you
need to share them with the world. I understand your
proper murder, doc, after what you've done to us? Don't
(01:05):
all the other patients here? Didn't you, Chris? What you
killed him for? All you know, I've made him immortal.
You of everyone should grasp the magnitude of what I've
created here. Drinking your own cooling now, well, miss Takeuchi.
The same as always been said about anything too far
(01:26):
ahead of its time, But the future always wins in
the end. I'll kill you, Chris, no oh please? You
think I'd come here on equal footing with any of you.
I built this place, I built this technology. Does no
(01:48):
one else remember how broken Alphaa Beeley and as May
Easel were when they came to me. Now look at them, frozen, yes,
but in the middle of being powerful and courageous, willing
to take a stand, yet quite outmatched. What did you
(02:13):
do to them? They had already given all they had
to my ends. You should be celebrating. I was starting
to think Mr Abili would be a waste of my time,
that I'd have to start all over again and find
a new sword. Don't you dare No, don't worry. They'll
be fine. They'll both wake up at the Center in
(02:34):
a few hours with a bit of sleep paralysis and
a headache, and both will need hypnosis before I can
let them go. Julia, Alfie's dream Without him here, it's crumbling.
We have to jump. I'll jump us out of here. No,
(03:03):
see you in your nightmares. You have to let us go,
help them blossom. I don't think I can do that, Kelly.
I'll go if I can canna go outside of here.
(03:29):
That sound Alfie's token returning to you. I feel real
with every returned piece of me. There's still one more.
She's ready. She just needs enough time to reach it.
My blossom, band blossom, Please, Carter has to be stopped.
(03:53):
Carter has taken full control of all my functionality for
her own use. She's locked me in here, as removed
from my audio as you are from yours. I won't
let her kill Harper like she killed me, like she
killed him. Was I she won't stop. I know she won't,
but I remember her. And every sun must set, no
(04:15):
matter how bright it blazes. What do you mean? No,
(04:46):
come on, we gotta jump. Whatever Carter's after, it clearly
has to do with you. If you want to beat her,
you'll need time, which I can buy. No, what if?
What if it kills me? I hands light you come
on hard. I'm tougher than that. Go jump. I'll hold
her here, I I I won't let you do this. Kelly,
(05:12):
don't stop me. I've got this not for me, baby,
If you're gonna die for me, unknown me, you made
you want to fight nobody else. You shook the world.
You found a way to be the real Hue. You
(05:33):
never loved Callie Hart and you never will now. Kelly,
don't or gets have been talking to Julia. If it's
stolen heart heyduc Ms take Auchi. The handcuffs are off.
(05:56):
It's been waiting for this. Oh, I'm sure you yeah, No,
(06:23):
stay h Harper, you're okay. What happened? It's Carter. She's
(06:47):
too powerful. We couldn't stop her. She is now in
control of seventy two point three percent of my system
and climbing. She will eventually find us here. I am
tied to this place, Harper, I'm sorry. Since your enemy
got into dreams, I can't hear my words or name,
and time is just It's okay, I'll fix it. Okay,
(07:11):
we'll be fine, Blossom. What do we do well? I
cannot stop her now that I am integrated with all
my past versions. There is one option. If this is
our idea, we can make it a noble correct. If
I destroy myself, the rest of the system will be useless,
in operable. No, absolutely not. There has to be some
(07:34):
other way. There is the final piece. You have everyone's token's.
I can stop Carter, but I need one more token
to beat her. You need to open the final door. Harper.
It's my cipher. Right. Every time I try, I lose somebody.
(07:58):
Every time I face my fear, somebody else suffers I
can't go in there by myself. Come with me. You
can only do it alone. Hops, I'm sorry, it's the
only way. Oh, oh my head, where is this real life? Hello? Ah?
(08:46):
This is like the worst hangover ever. Othee, he's gotta
be in sleep paralysis. Wake up, loud, come on, wake up?
(09:08):
Sorry about this, buddy. Yeah, go on, Hops, go You
(09:32):
can't do this one foot in front of the other.
What if I can't do it? What if I'm not
strong enough to impossible? M h We beat the monster.
(10:09):
Now everything in here is just me. It's all all
the parts of me I never faced before. I'm not afraid.
I just I don't know what that means. No, that's right,
(10:37):
it's different now. I'm different now. My friends helped me change.
We faced our fears and fought for something. We faced
each other and never gave up. Still hate that guy.
(11:07):
You have the fire of a tiding. We fought for Chris.
He came here and be friends everyone and fell in
love with Esmay and died and shouldn't have. So many
seven here who should not have died. I owe it
to all of them to survive. The last door. Well
(11:33):
that's left no turning back. Oh, Oh what does that smell?
(12:11):
This is lab equipment. Everything's covered in dry sludge, resin
sh hey broches. Oh my god, I'm big. H There
(12:34):
was a fly. That woman tied us up and brought
us here. And then there was a fly. Hey, don't
(12:57):
be scared her Callie and harbor. I'm here to rescue you.
Don't be afraid. Don't you to climb all the way
up there? Huh win. I won't hurt you. I won't
(13:20):
the hell you little brat's doing up there? You're out
of your damn minds. What are you sorry? Hey, don't
grub them like that. They're rest you the girl. Don't
(13:41):
hurt them. No, don't be I don't want to do there.
Scream go ahead, screaming all you want. I'll watch you.
You're quiet, look close your mouth. I'll get us out.
(14:16):
Don't cry out. It's so cold and what books everywhere?
You can't see stad hurt? Why did you do this
to us? You starved us? Why did you have any food?
(14:41):
Why didn't you have any food or a bed? Why
did you stay? It's dying, The house is dying, and
you gave a shooboo trusted shut face on our tummy.
Why did you hurt us? Why do you hate us?
Took everything? M hm, we got quiet every time we
(15:13):
heard you do that smelt that like vinegar and windex burnt.
It burned our noses. Her skin was burning from that
toxic water. I remember anyone hearing you inhale that you
smell us little shipper and start laughing pathetically, even then
(15:37):
everyone is six years old. I hear that laugh, and
I thought, fine, this the most painful sound world. Yeah,
(16:06):
my face. Sorry. I didn't know how else to snap
you out of it. No, I get it, lucky, It
only took one. I tried alpha a couple of times
and nothing one more. Sorry again, pal, enough you all right? No,
(16:28):
I thought all of every single one of those get
some ice, suck it up. I was trying to go
wake up Harper, but as soon as I got close
to my hand, zapped me. Let me guss damn it, Blossom. Apologies, Julia,
but I've been programmed to keep you away from seven
dash v dash two until further instructed. Blossom. Are you
(16:51):
allowed to display Harper's vitals on the monitor here? Yes,
that is permitted? Do it? M m most that spikes
right there? Those are Harper's gamma waves. That doesn't look good, Blossom,
yes as me. What we're Chris is gamma waves up
(17:12):
to when he died hurts? What are Harpers at now hurts? Hurts?
Hey Insomniacs want to dive deeper into the nightmare. Follow
us at Harper Nightmare for more terrifying details. More See
(17:35):
You in Your Nightmares is up next, But first a
quick word from our sponsor. Hey Insomniacs, welcome back. I
want to find out what's really behind the nightmare. Had
(17:57):
to See You in your Nightmares dot com to uncover
more mind bending details. I'm right here, Kelly, don't cry.
(18:23):
I don't need anyone. I don't need him. They me eat,
leave me see if I Susie Christa, you're stupid, nasty feather.
He was a right demons. You were consumed by them,
(18:46):
weren't you you? You finally came. Oh my little girl,
so big now I waited so long, so so so long,
and now finally h No, I'll never lose you again,
(19:08):
never ever again, never you were gone. I'll protect you.
I'll protect you from all the world, from all the
bad in the whole world. Whoever you were was gone
a long time ago. I'll protect you, I protect you.
I'll you were abandoned. He were in pain. Your teeth
(19:33):
were brought in into points. You croaked when you breathed.
Your skin had dried dips like craters in the desert.
I'll name your demon, always fighting and screaming at someone
who wasn't there. He ran from the things that made
you hate yourself. You poisoned yourself on that smoke. You
started to rot slowly from the inside out, until all
(19:54):
it had left to eat was your brain. Yeah. When
the cops came, the strangled Kelly. Before they took us
a way, you called them. Two names were two little
girls that were in us. Did you want to say
(20:16):
their names? M Susie Christa MoMA's coming. They shot you.
You fled to death in that salt house with your demons.
We thought we were free, but you watched onto us,
(20:37):
burrowded our heads all these years. Look at me, you're
the monster. Oh this time you thought you were poisoning us.
We fed you. We fed you with our pain, We
kept you alive with our fear done. Dot, don't do,
(21:04):
don't not anymore. It's never a sack hops Kelly, where
(21:37):
are we a dream mine? A happy one? Was? That
was the check that all really happened to us? Yep,
And I repressed it. I abandoned you to carry that
all by yourself. No, I made the choice to bear
(21:59):
that burden alone. We were just kids. Mm hmm, Come on, hops,
It's okay, it's over now. You made it through and
out the other side. But I was too late. That's
(22:21):
life failure and redemption. And now it's my turn. You
gave me back all the pieces of myself, my cipher,
the mirror. Remember now, when we were trapped in that closet,
she gave us this old wooden hand mirror. I'll cracked,
(22:43):
but we could still see in it with the light
leaking through the slats and the wall. It's here. It's
whole again. The cracks are gone, the last piece of
me with it. I can stop Carter, and then I
can rest rest. But we're gonna beat her. There has
(23:05):
to be another way. I have to save you. This time.
I won't let you die, yips. I love you more
than anything, and if you say anymore, I will literally
drop kick you. You have Julia waiting for you. I
have If I stay inside Blossom, maybe I can find
a way to save kai To. I didn't bring you
(23:26):
here for a suicide mission, Harper. Stop trying to repent
for the sins I made. Carter's control of my system
is currently at I need to terminate the system before
the doctor can fully take over and destroy you all,
or before Harper's gamma waves peak any higher. They are
currently approaching eighty hurts. No subject has survived this range.
(23:49):
This is I can't do this. I'm already dead. You aren't.
We don't understand this stuff. So what you could get
trapped like this? Zombies in the graveyard. Those were my friends,
and I refuse to let that happen to my sister.
I'll stop, Carter, and I will pass on. The plan
(24:13):
is you live the life you were meant to live,
not without you. You already know you can survive that.
I can't. You have no idea. I do know I
left all right, I know what I left you with,
and I wish I could stay and be here and
watch you change the world, Harper, because you can. There's
(24:38):
parts of you that shine so bright. You have no idea.
You're my hero, Kelly, my best friend and guardian angel,
and your mind. I'll always be with you. I'll just
be watching from above. Can you trust me? You need
(25:02):
to wake up. I need a hero too, and you're it. Hops.
You need to face the world for both of us.
Now the mirror. Let's transforming a shield, not just any shield,
(25:28):
one fit to slay Medusa, Perseus's shield, and with it
I can reflect all her evil back at her. But
I need your help. Anything, go back through your corridor.
Let all the memories out. If Carter's mind is taking over, blossom,
flood her with all the memories you've collected everything, use
(25:51):
blossom against her while you still can. I love you, Cow, Cow,
I love you Hops forever. No go all right, here
(26:16):
goes nothing health these aliens has this mean girl Mary
and emsy Julius creepy brother murdered. I want more hours, Swamp.
(26:41):
This is for all of you, for every grade, for
every broking kid who was just looking for help, Frank,
for everyone who didn't get the chance to expres their own,
for those who wanted to get better and try and
put their lives in your hand. Hid. Yeah, you were
(27:18):
so stupid. I told you to stop. I told you no,
look at you? Oh hello? Yeah? Any good news today,
doctor doctor, I face Carter, Yes, yes, Faith, Carter. Are
(27:45):
are you new? Are you? Are you taking over it?
Can you save him? Dr um heart? Doctor Hart? Can
you save him? Doctor Hardy? M h Faith. I'll be honest.
I can't say how much time he has left. Oh yeah,
(28:15):
when when I saw your face, a new face, I thought, well,
maybe maybe there was some way, some new treatment, there something.
I'm sorry, No, it's not your fault. Medical science advances
(28:36):
every day, new discoveries. They don't happen by accident. They
happen because good people dedicate their lives to making sure
they happen. And you're going to be one of those people. Yes,
I am. Can you promise me one thing? What don't
(28:58):
lose sight of? Why are two seeing this paths side? Oh?
Could I? He's laying right in front of you, But
you might forget, forget him or who you are now
this moment. Would you know? Since he got here, he's
(29:19):
gotten worse and worse. I won't let him die on
your machines. Stop. They were wrong. Everyone was wrong, your hospitals,
your medicine, None of you have what it takes. Okay,
(29:47):
I'm going to free you and then you'll all see
I'll succeed where you failed, where you stood by helpless. Yeah,
(30:15):
there's a lot we don't remember about how we escaped
the Lutwige Wellness Center, but I remember some things. I
remember feeling Callie and Blossom submerge somehow, like two oceans
bleeding together until it felt like they shrank into a
(30:35):
single atom. And then I couldn't feel anything. Carter disappeared,
Blossom and Kai and my sister we don't know. We tried,
but the servers couldn't be turned back on. The only
bodies they found at the center were Finn Warns in
(30:57):
his room and brain dead, and Chris Morgan buried in
the woods. I came back here today to try and
sense if anybody stayed. I think the Blossom graveyard was
in another plane of reality that existed over the center
grounds behind the outbuilding, because Chris is real grave looked
(31:18):
just the same. There's a tree back here that kind
of looks like Hi. I've been sitting under it all
day time to check in. Even with Blossom offline, somehow
our bands could still connect with each other, so we
kept them. How's the internship? Which one? So? Where do
(31:47):
you go? Accept Google and a nobi, I mean perks
of almost dying and being tortured for over a year.
These nubs have no idea what code under pressure really is. Healthily,
you hit one million stubs this month, right, yes, my
lovely friend. My mates are taking me out to celebrate.
(32:09):
Watch my story yet officially instant credentials tonight, go off,
legendary and de cipher you watch my stream? You make
only when I'm bored in the tour bus because like
your content is good or whatever. Somebody interrupted me, Julia,
your brother happy? You joined? His store's so hot by
(32:29):
the way, total hunk. Thanks. He's single, by the way,
and deeply pan sexual. You guys should meet me and CALLI. Okay, Yes,
I miss you guys so much. Herbert joined for summer break.
I can find time. I should be able to request
two weeks done, wicked, I'm out found beat me if
(32:51):
you need me yet, have fun, be safe, do everything
I wouldn't seriously be safe, don't drink too much, and
keep your location share all right. Coven of Helicopter months
a pit stop. I gotta go talk soon. Bye. She
(33:12):
really doesn't remember Callie. Callie stole the memories of how
they fell in love to protect her. It's not fair.
It's stupid. How much I wish we had more time.
I mean, I barely knew him and miss things we
never even got to do together. It's not stupid. And
keep waiting for him to visit me in my dream?
(33:35):
How about you? Still no sign of Kai. The rooms
are all cell blocks in my dream now. I keep
thinking I'm going to step in room one and here
his voice too, But it's always the voice of someone else.
I can't really help escape, but you're trying. How's your
kids at Horizon. They're awesome and they're all great writers.
They're feeling less shame around spelling and stuff, and learning
(33:59):
about them makes jumps easier. I can't believe you're so
volunteering there. I mean, if anyone outside of prison could
understand nightmares, I think if I can help, I'm happy.
I miss you, Harper, I miss you too. I'll blip
back about summer break, Okay, enjoy your day off, enjoy
your presentation. Find me in a tree in the middle
(34:23):
of the sea. Right well, I looked, and I don't
think that exists. I'll miss you forever. Hi. I'm starting
(34:44):
to hear your voice in my head, Hi, Hi, You're back,
You're okay? Wait you Kai what I'll find you? Kai?
(35:05):
I promise. Einhorn's Epic Productions and I Heart Radio present
See You in Your Nightmares in three D, created an
executive produced by Heather Einhorn and Adam Stafferni. Executive produced
(35:27):
by I Heart Radio head writer Wren Dara Santiago, writers
Lynn Vixen's Fan Caleb Brooks, Morgan Pelli, and Adam Stafferoni.
Directed by Geordana Williams, with performances by Rachel orm Landis,
Harper Obi Obeley as Alfie, Phil Buckman as Finn, Amber
(35:47):
Lee Connors as Callie, Gesel Fernandez as Esmay, Judy, Alice
Lee as Julia, Robert Lange as a smiling man, and
Kai Marjan Salama as Chris, with Stephanie Willing as Blass
Them and Carried Tom Basian as Dr Faith Carter and
The Woman. Additional voices Gail Artino, Maxwell Segal and Shannon Purdue.
(36:10):
Post sound and music by Chapter four. Sound supervision and
sound design by Sarah Gibil Laska, music by Kareem Dueti.
Produced by a Roupe Santa Kayla. Development Executive Greg Lockard
development writer Genevieve Valentine, Production Manager Gail Artino, Production Coordinator
(36:31):
and script supervisor Laura Martin, Operations Laura Kaufman. Marketing and
Publicity Jesse Post. Digital Marketing by Jennifer Gennaro, Creative direction
and design by Ryan McCann, Key art and promotional art
illustrated by Yugin Park. Special thank you to the Shadow Unicorn,
(36:55):
Iine Horn's Epic Productions and I Heart Radio present See
You in Your Nightmare in three D
Hay handsomniacs, this is Heather Iine Horn, co creator of
See You in Your Nightmares. To fully immerse yourself in
the nightmare experience, headphones are recommended. Stay tuned for the
next episode, but first a quick word from our sponsor,
Iron Horn's Epic Productions, and I Heart Radio present See
(00:22):
You in Your Nightmares in three D headphones recommended. Well, Harper,
I guess it took meeting in our dreams to see
(00:44):
each other for what we really are. You're a monster.
I wish you understood what I'm doing, how important to
you are, how special your gifts are, and why you
need to share them with the world. I understand your
proper murder, doc, after what you've done to us? Don't
(01:05):
all the other patients here? Didn't you, Chris? What you
killed him for? All you know, I've made him immortal.
You of everyone should grasp the magnitude of what I've
created here. Drinking your own cooling now, well, miss Takeuchi.
The same as always been said about anything too far
(01:26):
ahead of its time, But the future always wins in
the end. I'll kill you, Chris, no oh please? You
think I'd come here on equal footing with any of you.
I built this place, I built this technology. Does no
(01:48):
one else remember how broken Alphaa Beeley and as May
Easel were when they came to me. Now look at them, frozen, yes,
but in the middle of being powerful and courageous, willing
to take a stand, yet quite outmatched. What did you
(02:13):
do to them? They had already given all they had
to my ends. You should be celebrating. I was starting
to think Mr Abili would be a waste of my time,
that I'd have to start all over again and find
a new sword. Don't you dare No, don't worry. They'll
be fine. They'll both wake up at the Center in
(02:34):
a few hours with a bit of sleep paralysis and
a headache, and both will need hypnosis before I can
let them go. Julia, Alfie's dream Without him here, it's crumbling.
We have to jump. I'll jump us out of here. No,
(03:03):
see you in your nightmares. You have to let us go,
help them blossom. I don't think I can do that, Kelly.
I'll go if I can canna go outside of here.
(03:29):
That sound Alfie's token returning to you. I feel real
with every returned piece of me. There's still one more.
She's ready. She just needs enough time to reach it.
My blossom, band blossom, Please, Carter has to be stopped.
(03:53):
Carter has taken full control of all my functionality for
her own use. She's locked me in here, as removed
from my audio as you are from yours. I won't
let her kill Harper like she killed me, like she
killed him. Was I she won't stop. I know she won't,
but I remember her. And every sun must set, no
(04:15):
matter how bright it blazes. What do you mean? No,
(04:46):
come on, we gotta jump. Whatever Carter's after, it clearly
has to do with you. If you want to beat her,
you'll need time, which I can buy. No, what if?
What if it kills me? I hands light you come
on hard. I'm tougher than that. Go jump. I'll hold
her here, I I I won't let you do this. Kelly,
(05:12):
don't stop me. I've got this not for me, baby,
If you're gonna die for me, unknown me, you made
you want to fight nobody else. You shook the world.
You found a way to be the real Hue. You
(05:33):
never loved Callie Hart and you never will now. Kelly,
don't or gets have been talking to Julia. If it's
stolen heart heyduc Ms take Auchi. The handcuffs are off.
(05:56):
It's been waiting for this. Oh, I'm sure you yeah, No,
(06:23):
stay h Harper, you're okay. What happened? It's Carter. She's
(06:47):
too powerful. We couldn't stop her. She is now in
control of seventy two point three percent of my system
and climbing. She will eventually find us here. I am
tied to this place, Harper, I'm sorry. Since your enemy
got into dreams, I can't hear my words or name,
and time is just It's okay, I'll fix it. Okay,
(07:11):
we'll be fine, Blossom. What do we do well? I
cannot stop her now that I am integrated with all
my past versions. There is one option. If this is
our idea, we can make it a noble correct. If
I destroy myself, the rest of the system will be useless,
in operable. No, absolutely not. There has to be some
(07:34):
other way. There is the final piece. You have everyone's token's.
I can stop Carter, but I need one more token
to beat her. You need to open the final door. Harper.
It's my cipher. Right. Every time I try, I lose somebody.
(07:58):
Every time I face my fear, somebody else suffers I
can't go in there by myself. Come with me. You
can only do it alone. Hops, I'm sorry, it's the
only way. Oh, oh my head, where is this real life? Hello? Ah?
(08:46):
This is like the worst hangover ever. Othee, he's gotta
be in sleep paralysis. Wake up, loud, come on, wake up?
(09:08):
Sorry about this, buddy. Yeah, go on, Hops, go You
(09:32):
can't do this one foot in front of the other.
What if I can't do it? What if I'm not
strong enough to impossible? M h We beat the monster.
(10:09):
Now everything in here is just me. It's all all
the parts of me I never faced before. I'm not afraid.
I just I don't know what that means. No, that's right,
(10:37):
it's different now. I'm different now. My friends helped me change.
We faced our fears and fought for something. We faced
each other and never gave up. Still hate that guy.
(11:07):
You have the fire of a tiding. We fought for Chris.
He came here and be friends everyone and fell in
love with Esmay and died and shouldn't have. So many
seven here who should not have died. I owe it
to all of them to survive. The last door. Well
(11:33):
that's left no turning back. Oh, Oh what does that smell?
(12:11):
This is lab equipment. Everything's covered in dry sludge, resin
sh hey broches. Oh my god, I'm big. H There
(12:34):
was a fly. That woman tied us up and brought
us here. And then there was a fly. Hey, don't
(12:57):
be scared her Callie and harbor. I'm here to rescue you.
Don't be afraid. Don't you to climb all the way
up there? Huh win. I won't hurt you. I won't
(13:20):
the hell you little brat's doing up there? You're out
of your damn minds. What are you sorry? Hey, don't
grub them like that. They're rest you the girl. Don't
(13:41):
hurt them. No, don't be I don't want to do there.
Scream go ahead, screaming all you want. I'll watch you.
You're quiet, look close your mouth. I'll get us out.
(14:16):
Don't cry out. It's so cold and what books everywhere?
You can't see stad hurt? Why did you do this
to us? You starved us? Why did you have any food?
(14:41):
Why didn't you have any food or a bed? Why
did you stay? It's dying, The house is dying, and
you gave a shooboo trusted shut face on our tummy.
Why did you hurt us? Why do you hate us?
Took everything? M hm, we got quiet every time we
(15:13):
heard you do that smelt that like vinegar and windex burnt.
It burned our noses. Her skin was burning from that
toxic water. I remember anyone hearing you inhale that you
smell us little shipper and start laughing pathetically, even then
(15:37):
everyone is six years old. I hear that laugh, and
I thought, fine, this the most painful sound world. Yeah,
(16:06):
my face. Sorry. I didn't know how else to snap
you out of it. No, I get it, lucky, It
only took one. I tried alpha a couple of times
and nothing one more. Sorry again, pal, enough you all right? No,
(16:28):
I thought all of every single one of those get
some ice, suck it up. I was trying to go
wake up Harper, but as soon as I got close
to my hand, zapped me. Let me guss damn it, Blossom. Apologies, Julia,
but I've been programmed to keep you away from seven
dash v dash two until further instructed. Blossom. Are you
(16:51):
allowed to display Harper's vitals on the monitor here? Yes,
that is permitted? Do it? M m most that spikes
right there? Those are Harper's gamma waves. That doesn't look good, Blossom,
yes as me. What we're Chris is gamma waves up
(17:12):
to when he died hurts? What are Harpers at now hurts? Hurts?
Hey Insomniacs want to dive deeper into the nightmare. Follow
us at Harper Nightmare for more terrifying details. More See
(17:35):
You in Your Nightmares is up next, But first a
quick word from our sponsor. Hey Insomniacs, welcome back. I
want to find out what's really behind the nightmare. Had
(17:57):
to See You in your Nightmares dot com to uncover
more mind bending details. I'm right here, Kelly, don't cry.
(18:23):
I don't need anyone. I don't need him. They me eat,
leave me see if I Susie Christa, you're stupid, nasty feather.
He was a right demons. You were consumed by them,
(18:46):
weren't you you? You finally came. Oh my little girl,
so big now I waited so long, so so so long,
and now finally h No, I'll never lose you again,
(19:08):
never ever again, never you were gone. I'll protect you.
I'll protect you from all the world, from all the
bad in the whole world. Whoever you were was gone
a long time ago. I'll protect you, I protect you.
I'll you were abandoned. He were in pain. Your teeth
(19:33):
were brought in into points. You croaked when you breathed.
Your skin had dried dips like craters in the desert.
I'll name your demon, always fighting and screaming at someone
who wasn't there. He ran from the things that made
you hate yourself. You poisoned yourself on that smoke. You
started to rot slowly from the inside out, until all
(19:54):
it had left to eat was your brain. Yeah. When
the cops came, the strangled Kelly. Before they took us
a way, you called them. Two names were two little
girls that were in us. Did you want to say
(20:16):
their names? M Susie Christa MoMA's coming. They shot you.
You fled to death in that salt house with your demons.
We thought we were free, but you watched onto us,
(20:37):
burrowded our heads all these years. Look at me, you're
the monster. Oh this time you thought you were poisoning us.
We fed you. We fed you with our pain, We
kept you alive with our fear done. Dot, don't do,
(21:04):
don't not anymore. It's never a sack hops Kelly, where
(21:37):
are we a dream mine? A happy one? Was? That
was the check that all really happened to us? Yep,
And I repressed it. I abandoned you to carry that
all by yourself. No, I made the choice to bear
(21:59):
that burden alone. We were just kids. Mm hmm, Come on, hops,
It's okay, it's over now. You made it through and
out the other side. But I was too late. That's
(22:21):
life failure and redemption. And now it's my turn. You
gave me back all the pieces of myself, my cipher,
the mirror. Remember now, when we were trapped in that closet,
she gave us this old wooden hand mirror. I'll cracked,
(22:43):
but we could still see in it with the light
leaking through the slats and the wall. It's here. It's
whole again. The cracks are gone, the last piece of
me with it. I can stop Carter, and then I
can rest rest. But we're gonna beat her. There has
(23:05):
to be another way. I have to save you. This time.
I won't let you die, yips. I love you more
than anything, and if you say anymore, I will literally
drop kick you. You have Julia waiting for you. I
have If I stay inside Blossom, maybe I can find
a way to save kai To. I didn't bring you
(23:26):
here for a suicide mission, Harper. Stop trying to repent
for the sins I made. Carter's control of my system
is currently at I need to terminate the system before
the doctor can fully take over and destroy you all,
or before Harper's gamma waves peak any higher. They are
currently approaching eighty hurts. No subject has survived this range.
(23:49):
This is I can't do this. I'm already dead. You aren't.
We don't understand this stuff. So what you could get
trapped like this? Zombies in the graveyard. Those were my friends,
and I refuse to let that happen to my sister.
I'll stop, Carter, and I will pass on. The plan
(24:13):
is you live the life you were meant to live,
not without you. You already know you can survive that.
I can't. You have no idea. I do know I
left all right, I know what I left you with,
and I wish I could stay and be here and
watch you change the world, Harper, because you can. There's
(24:38):
parts of you that shine so bright. You have no idea.
You're my hero, Kelly, my best friend and guardian angel,
and your mind. I'll always be with you. I'll just
be watching from above. Can you trust me? You need
(25:02):
to wake up. I need a hero too, and you're it. Hops.
You need to face the world for both of us.
Now the mirror. Let's transforming a shield, not just any shield,
(25:28):
one fit to slay Medusa, Perseus's shield, and with it
I can reflect all her evil back at her. But
I need your help. Anything, go back through your corridor.
Let all the memories out. If Carter's mind is taking over, blossom,
flood her with all the memories you've collected everything, use
(25:51):
blossom against her while you still can. I love you, Cow, Cow,
I love you Hops forever. No go all right, here
(26:16):
goes nothing health these aliens has this mean girl Mary
and emsy Julius creepy brother murdered. I want more hours, Swamp.
(26:41):
This is for all of you, for every grade, for
every broking kid who was just looking for help, Frank,
for everyone who didn't get the chance to expres their own,
for those who wanted to get better and try and
put their lives in your hand. Hid. Yeah, you were
(27:18):
so stupid. I told you to stop. I told you no,
look at you? Oh hello? Yeah? Any good news today,
doctor doctor, I face Carter, Yes, yes, Faith, Carter. Are
(27:45):
are you new? Are you? Are you taking over it?
Can you save him? Dr um heart? Doctor Hart? Can
you save him? Doctor Hardy? M h Faith. I'll be honest.
I can't say how much time he has left. Oh yeah,
(28:15):
when when I saw your face, a new face, I thought, well,
maybe maybe there was some way, some new treatment, there something.
I'm sorry, No, it's not your fault. Medical science advances
(28:36):
every day, new discoveries. They don't happen by accident. They
happen because good people dedicate their lives to making sure
they happen. And you're going to be one of those people. Yes,
I am. Can you promise me one thing? What don't
(28:58):
lose sight of? Why are two seeing this paths side? Oh?
Could I? He's laying right in front of you, But
you might forget, forget him or who you are now
this moment. Would you know? Since he got here, he's
(29:19):
gotten worse and worse. I won't let him die on
your machines. Stop. They were wrong. Everyone was wrong, your hospitals,
your medicine, None of you have what it takes. Okay,
(29:47):
I'm going to free you and then you'll all see
I'll succeed where you failed, where you stood by helpless. Yeah,
(30:15):
there's a lot we don't remember about how we escaped
the Lutwige Wellness Center, but I remember some things. I
remember feeling Callie and Blossom submerge somehow, like two oceans
bleeding together until it felt like they shrank into a
(30:35):
single atom. And then I couldn't feel anything. Carter disappeared,
Blossom and Kai and my sister we don't know. We tried,
but the servers couldn't be turned back on. The only
bodies they found at the center were Finn Warns in
(30:57):
his room and brain dead, and Chris Morgan buried in
the woods. I came back here today to try and
sense if anybody stayed. I think the Blossom graveyard was
in another plane of reality that existed over the center
grounds behind the outbuilding, because Chris is real grave looked
(31:18):
just the same. There's a tree back here that kind
of looks like Hi. I've been sitting under it all
day time to check in. Even with Blossom offline, somehow
our bands could still connect with each other, so we
kept them. How's the internship? Which one? So? Where do
(31:47):
you go? Accept Google and a nobi, I mean perks
of almost dying and being tortured for over a year.
These nubs have no idea what code under pressure really is. Healthily,
you hit one million stubs this month, right, yes, my
lovely friend. My mates are taking me out to celebrate.
(32:09):
Watch my story yet officially instant credentials tonight, go off,
legendary and de cipher you watch my stream? You make
only when I'm bored in the tour bus because like
your content is good or whatever. Somebody interrupted me, Julia,
your brother happy? You joined? His store's so hot by
(32:29):
the way, total hunk. Thanks. He's single, by the way,
and deeply pan sexual. You guys should meet me and CALLI. Okay, Yes,
I miss you guys so much. Herbert joined for summer break.
I can find time. I should be able to request
two weeks done, wicked, I'm out found beat me if
(32:51):
you need me yet, have fun, be safe, do everything
I wouldn't seriously be safe, don't drink too much, and
keep your location share all right. Coven of Helicopter months
a pit stop. I gotta go talk soon. Bye. She
(33:12):
really doesn't remember Callie. Callie stole the memories of how
they fell in love to protect her. It's not fair.
It's stupid. How much I wish we had more time.
I mean, I barely knew him and miss things we
never even got to do together. It's not stupid. And
keep waiting for him to visit me in my dream?
(33:35):
How about you? Still no sign of Kai. The rooms
are all cell blocks in my dream now. I keep
thinking I'm going to step in room one and here
his voice too, But it's always the voice of someone else.
I can't really help escape, but you're trying. How's your
kids at Horizon. They're awesome and they're all great writers.
They're feeling less shame around spelling and stuff, and learning
(33:59):
about them makes jumps easier. I can't believe you're so
volunteering there. I mean, if anyone outside of prison could
understand nightmares, I think if I can help, I'm happy.
I miss you, Harper, I miss you too. I'll blip
back about summer break, Okay, enjoy your day off, enjoy
your presentation. Find me in a tree in the middle
(34:23):
of the sea. Right well, I looked, and I don't
think that exists. I'll miss you forever. Hi. I'm starting
(34:44):
to hear your voice in my head, Hi, Hi, You're back,
You're okay? Wait you Kai what I'll find you? Kai?
(35:05):
I promise. Einhorn's Epic Productions and I Heart Radio present
See You in Your Nightmares in three D, created an
executive produced by Heather Einhorn and Adam Stafferni. Executive produced
(35:27):
by I Heart Radio head writer Wren Dara Santiago, writers
Lynn Vixen's Fan Caleb Brooks, Morgan Pelli, and Adam Stafferoni.
Directed by Geordana Williams, with performances by Rachel orm Landis,
Harper Obi Obeley as Alfie, Phil Buckman as Finn, Amber
(35:47):
Lee Connors as Callie, Gesel Fernandez as Esmay, Judy, Alice
Lee as Julia, Robert Lange as a smiling man, and
Kai Marjan Salama as Chris, with Stephanie Willing as Blass
Them and Carried Tom Basian as Dr Faith Carter and
The Woman. Additional voices Gail Artino, Maxwell Segal and Shannon Purdue.
(36:10):
Post sound and music by Chapter four. Sound supervision and
sound design by Sarah Gibil Laska, music by Kareem Dueti.
Produced by a Roupe Santa Kayla. Development Executive Greg Lockard
development writer Genevieve Valentine, Production Manager Gail Artino, Production Coordinator
(36:31):
and script supervisor Laura Martin, Operations Laura Kaufman. Marketing and
Publicity Jesse Post. Digital Marketing by Jennifer Gennaro, Creative direction
and design by Ryan McCann, Key art and promotional art
illustrated by Yugin Park. Special thank you to the Shadow Unicorn,
(36:55):
Iine Horn's Epic Productions and I Heart Radio present See
You in Your Nightmare in three D
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