Episode Transcript
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Speaker 1 (00:00):
Come on, man, it's your boy Tie Dollars sign. We
on the eighty five South fuck y'all talking.
Speaker 2 (00:04):
About absolutely hell yeah, that game there it is.
Speaker 3 (00:14):
You might not notice now, but I do because I
was on wild Now when Tire Dollar Sign came and
we made some of the hardest songs and wilding out
history Tire Dollar Sign eighty five out Show BT Award
twenty twenty five.
Speaker 4 (00:31):
Here you'll clap it up for him. Man, don't be
no hater.
Speaker 3 (00:34):
First of all, we gotta show love and respect to
all the dope ass music and songs you done put
out over the years.
Speaker 5 (00:41):
Hooks and appreciate it.
Speaker 3 (00:42):
Bridges, choruses, bars, beats, you know, my ship horses.
Speaker 5 (00:49):
Oh, Man, appreciate it. Appreciate it.
Speaker 3 (00:52):
It made me feel like I could do that one day.
Speaker 5 (00:55):
Did you do it though? Now?
Speaker 4 (00:56):
Yet?
Speaker 5 (00:57):
Nigga?
Speaker 2 (00:57):
You named a lot of places that you had horses
that I got a few horses, But I ain't.
Speaker 4 (01:03):
Everywhere I go ain't just something.
Speaker 5 (01:05):
Tell him get up, don't you tell me? I said,
telling giddy up? That ain't all. Yeah, you know I
do my thing. Now, I'm gonna tell you the truth.
Ain't a seven couple of folks.
Speaker 3 (01:21):
Come on man on the late night, on the late night,
ill do a three point come on.
Speaker 4 (01:28):
Nig hitting three.
Speaker 1 (01:32):
Sweaty motherfucker twenty five man tat Dollard saying what you're
looking forward to the sin this weekend? Oh man the
best artist Leon Thomas, come on, man, he the best.
He also signed my level easy Money.
Speaker 5 (01:47):
So you knew he was the best way before.
Speaker 1 (01:48):
It was the best before everybody else did. And uh,
shout out to Ali introducing us, and shout out to
Leon Man for just like I said, being the greatest,
being the easiest to work with, no stress, no like
putting it all on you, no blaming you for what happens.
And now what happens is him. It's like he's making
(02:10):
the beats, he's playing the instruments, he's making the songs,
and he comes in lierly with the whole album here
it is. What do you think would you be down
to hop on this? I'm like, what, come on, let's go.
Whatever I could do to help man and h it's
been the greatest experience.
Speaker 3 (02:26):
What do you like? So you say he's signing your label? Man, Like,
what do you see him going there? Like he already
in the stratosphere. Man, what do you see next?
Speaker 1 (02:33):
I see him going wherever he wants to go. The
world is in his hands. He's got it, no question,
and the next project is already ready.
Speaker 4 (02:44):
It's like that, what was it about him that you like,
you know what I mean? That opens your eye?
Speaker 1 (02:48):
Like yeah, hearing it, hearing the music for the first
time and hearing what he was doing with the vocals.
Speaker 5 (02:54):
Hearing the song, asked him who produced?
Speaker 1 (02:57):
Oh, that's me, he said, what, and then seeing him
in action, like actually, he's like a logic guy. He
works on logic, but he plays everything guitar, does these
crazy things I've never seen people do with the vocals,
like slowing the track all the way down, speeding it
up to do all those like hard chipmunk vocals.
Speaker 5 (03:15):
He's just you know, he's got it. Yeah.
Speaker 1 (03:19):
Now, I work with a lot of people, obviously, and
like he's one of the top three I've ever worked with.
Speaker 3 (03:25):
So that's what I was just about to ask you.
You do work with a lot of different people. It's
like you got that, Like you're a real dynamic artist, man, dude,
Like working with different people, they just bring different shit
out or like you have these ideas and you hit
them and like, shit, there's some shit that I thought
of that might go good with what you got going on.
It's like, how do you decide which bag to get in?
(03:47):
Is basically what a masking?
Speaker 1 (03:49):
It just comes to me, man, Uh, just like them horses,
and I get it.
Speaker 5 (03:56):
It just it just comes straight to me, man.
Speaker 1 (03:58):
And you know we just like if you work with
any other comedian or any.
Speaker 5 (04:03):
Other well, I'll be working with them. Niggas don't inspire.
Speaker 3 (04:08):
I take shots every chances that get just because we comedians.
Speaker 6 (04:10):
Ain't a bad gonna do nothing. Ain't nobody gonna do that.
Nigga talking about that? Come on, but man, it's dope
to see you pop out. You don't pop out that much.
Speaker 5 (04:24):
Man.
Speaker 4 (04:24):
They got you out here in the whole suit.
Speaker 5 (04:26):
With the gloves and ship take a moment. Season I am.
Speaker 1 (04:30):
I'm about to take this ship back. It's more time
you're talking about album dropping. This documentary it's called still
pre TC talking about my whole life basically going from
the bottom to the top, you know, from doing shows
in front of twenty people, doing shows in front of
like schools and ship when I was like a fourteen
(04:50):
year old to now doing stadiums all over the world
and stuff. And while all that's going on, my brother
this in prison, which I started off making music with him.
So it's like, what part of me is in the light,
the other part is, you know, in the start.
Speaker 4 (05:10):
Yeah, I mean that.
Speaker 7 (05:11):
What can you tell somebody who, like when you say
you did that in front of school, in front of
twenty people didn't go to the stadiums and stuff, What
can you tell them?
Speaker 4 (05:19):
You know what I mean about the journey?
Speaker 5 (05:20):
What not to do?
Speaker 4 (05:21):
What they should do? You know what I mean?
Speaker 1 (05:23):
Just like I said about Leon, it's like the world
is in his hands. The world is also in your hands.
Speaker 7 (05:27):
Man.
Speaker 5 (05:27):
It's whatever you want to do. You know, if you
want to do it, you're gonna do it.
Speaker 2 (05:31):
Uh.
Speaker 1 (05:33):
Yeah, Like we can all be born into different situations.
Some people are born a billionaires, some people are born
you know, broke. But as long as you have a
working brain, you got two hands, you got two feet, man,
you could do what the fuck you want to know?
Speaker 3 (05:50):
Hey, I want to ask you this, man, because you
know this. The BET Awards have always been big to us.
Speaker 5 (05:57):
Man.
Speaker 3 (05:57):
Do you remember, like before you became tie dollar sign?
Speaker 5 (06:02):
Yeah, watching the BT Wars.
Speaker 3 (06:04):
Did you ever have like a favorite BT Awards moment.
Speaker 1 (06:09):
Favorite be ET Awards moment that I can't remember? Maybe
one of them Old Prince performances. Man, Prince is my
favorite artist all time, and uh, probably something to do
with him.
Speaker 5 (06:28):
Yeah, Prince a legend. Bro. Yeah, a real one.
Speaker 1 (06:32):
Bro, like on an artist, man, right, write everything, play
all the instruments, hold the mica up, write everything, play
all the instruments, like the real thing.
Speaker 5 (06:40):
You know.
Speaker 3 (06:41):
Hey, man, he was on a like on some left
brain type shit, because this nigga would write songs from
different perspectives, Like you ever listen to the lyrics of
this song girlfriend.
Speaker 7 (06:52):
That nigga wrote a song as his own girlfriend to himself.
Speaker 4 (06:59):
Yeah, sung it to him.
Speaker 3 (07:01):
I don't even know how you come up with some
shit like that.
Speaker 5 (07:04):
Man.
Speaker 1 (07:05):
Nah, he's just like a film writer. I feel like
even though it was a song, he was making films,
you know. And I try to tell people that all
the time. It's like we've come to a point where
everybody feel like the artists got to talk about their
full life or you can't write with nobody else. It's
all got to be you, or we don't believe like
it's not about that. It's just like, how does Steven
Spielberg and he makes the craziest movies. You gotta let
(07:27):
artists do that. It's art at the end of the day,
you know, and people shouldn't be pressured by that.
Speaker 3 (07:32):
I always wonder, bro, like when you have a song
that's a massive hit, you go and, like you said,
you perform this shit all around the world. You then
sold our shows with it. This motherfucker went platinum. People
still want to hear it. You get what I'm saying,
And this, like, as an artist, how do you how
do you just leave that? You know what I'm saying, Like,
(07:53):
I don't even perform that shit no more. But this
is one of the ones that's a certifiedt here.
Speaker 1 (08:00):
I mean, it's kind of hard to do that, but
like some some shows are gonna be like like that.
You know, you can get your Like for me, it
would take me three hours, yeah, three or four to
do like all the top top top joints that every day.
Sometimes I do a forty five minute set, a thirty
minute set. I just just run on here. But what
I can fit in there, and of course I want
to do my new ship. Yeah, you know I don't
(08:22):
hurt the old ship so many times. I know y'all
have to.
Speaker 4 (08:24):
But yeah, it was like, but some shit, it's just
like niggas.
Speaker 1 (08:29):
Be like, Yo, what's the best song you ever made?
I'll be like the one I made last night?
Speaker 3 (08:32):
Yeah, but it's like some people you go see and
you you just like Nigga.
Speaker 4 (08:36):
Okay, man, we're gonna watch everything. I know he gonna
do that. Come on top down, don't you leave?
Speaker 5 (08:42):
Yeah?
Speaker 2 (08:42):
Don't you at least sing the hook? When I watch
other artists like hell, yeah, you.
Speaker 7 (08:48):
Got so much to just put in, you know what
I mean? With all the musicians you don't work with
artists and all that. Who's somebody that you still want
to get one in with?
Speaker 1 (08:58):
It'd be funny because when I'm in the moment of
an interview, I'll be like.
Speaker 5 (09:02):
Forgetting Nigga spoke too much?
Speaker 1 (09:04):
We uh, who have I not worked with that? I
really really want to work with, you know what I
want to work It's gonna be left to certain people.
But Billy Oilish is cold. I want to work with
Billy Olish.
Speaker 3 (09:16):
She gonna see this ship and hit you immediately.
Speaker 4 (09:20):
No time with me like that. No, she know her
hit on the white.
Speaker 3 (09:24):
Will check this out. It's the BET Awards twenty twenty five.
Me and now came up with our own segment. And
this segment is called what the fuck you got on?
Speaker 7 (09:37):
And you just tell us what you got on and
you pop that ship the way you pop your ship.
Speaker 5 (09:41):
Man, I got some Marginlla. I think this ship.
Speaker 1 (09:45):
I guess you tell Margella coke with a pro club wife.
That's how you know it is what it is. Because
the nigga wanted you to check the label. Okay, that
is what it's saying. You could I mixed the marginala
with the Pro Club that day. Yeah, you're keeping a nigga.
Speaker 4 (10:05):
What's on your fots? Make oh bro for.
Speaker 1 (10:08):
Some of them ass kicking boots. That's some ass kicking
boots right there. You know what I'm saying. Some nice
pants being tycoon season, So I'm dressing like a tycoon
every day.
Speaker 5 (10:17):
You know, tip dollars dollars?
Speaker 1 (10:20):
Bot take a belt? Yeah, this belt, boat take it.
We'll see some chrome heart glasses.
Speaker 5 (10:25):
You feel me? Custom jewry.
Speaker 4 (10:28):
You ain't gonna forget them.
Speaker 1 (10:30):
Gloves, Come on, all the gloves. The gloves is the part.
These are the new tie dollar sign gloves. Okay, new
merchs dropping. You know what I'm saying.
Speaker 4 (10:38):
You dropping leather gloves for the murders.
Speaker 1 (10:39):
Dropping some gloves. I'm dropping all type. That's what's his
ty coon season.
Speaker 4 (10:43):
No, I need some of them gloves. I ain't gonna lie.
Speaker 5 (10:45):
Now.
Speaker 3 (10:45):
You know, we can literally sit here and talk this
ship all day. But for you to be sitting here
with us right now, we appreciate that. And we gotta
extend the invite next time you're in Atlanta to stop
through the trap and we can really chop up some
real good ship.
Speaker 5 (10:59):
Yeah yeah, man, I'm pulling up. I'm pulling up BT
Awards twenty twenty five. He and the Five show.
Speaker 1 (11:06):
We out of here Doelers by the way, Oh yeah yeah,