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July 11, 2025 • 187 mins

The 85 South OG's reunite for another classic conversation in the Trap! 

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Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The motherfucker the ship crazy because they said they don't want.

Speaker 2 (00:03):
Iran to have want nuclear with Yeah they've been saying
that since the nineties though, but since I can remember,
they've been saying that nuclear America, that yeah, America.

Speaker 3 (00:15):
Got nuclear weapons here and all over the world.

Speaker 4 (00:19):
Uh.

Speaker 3 (00:21):
I'll tell you one thing.

Speaker 2 (00:22):
That's the first time we're just saying a standing president
say the word fuck. They put that out today. This
was the first time a standing president that said.

Speaker 3 (00:30):
The word fuck. What do you say? Yeah, he said
they don't know what the fuck they doing? He did. Yeah,
somebody pulled that up. Yeah to we just ain't him.

Speaker 2 (00:39):
Yeah, yeah, but you ain't never you ain't never hear
him saying, buddy said, they don't know what the fuck they.

Speaker 3 (00:46):
Got said, fu what ship? Get up? Get up so
hard that they don't know what the.

Speaker 4 (01:00):
Hey he picked that.

Speaker 3 (01:03):
Hey, they pitched that nigga as level right now. Hey, bro,
he knows he can't run again. I'm here.

Speaker 5 (01:09):
I'm gonna do as much as I WoT until y'all.

Speaker 1 (01:14):
As Clint bro I definitely want to put it in here.

Speaker 3 (01:18):
Motherfucker. CA's my little point.

Speaker 1 (01:20):
Where either they don't know what the fuck they're doing.

Speaker 3 (01:23):
That's what he said, bro, But we.

Speaker 5 (01:24):
Can get it, but we can get like Martin Luther
King voice to do it like ayya.

Speaker 3 (01:29):
They don't know what the fuck.

Speaker 1 (01:32):
I ain't fucking with them. I ain't fucking with them,
know that. Martin Luther King, what get on my ass?

Speaker 4 (01:40):
Yeah?

Speaker 1 (01:40):
Because he sposted to fly. He posted that fly somebody that.

Speaker 5 (01:44):
Happened, bro, The King family got mad at your gain.

Speaker 3 (01:49):
Bernie Bernice Berne.

Speaker 4 (01:51):
Listen, we love y'all.

Speaker 3 (01:56):
To the king simmer mad about that.

Speaker 4 (01:58):
What happened?

Speaker 3 (01:59):
Game?

Speaker 1 (02:00):
Somebody made the picture? You remember it was at one
music fest right right. They put it in black and white,
right then they made it like me and Martin Luther
King was on that.

Speaker 3 (02:07):
Bit like that went wrong with that?

Speaker 1 (02:12):
I had reposted the joint right, that's the same day
they got on sixy red out of Saxy red. She
posted a fly with the head Martin Luther King with
a grill and he was getting like a lap dance
or something. But they posted ship all year every year, right,
So I reposted my own.

Speaker 3 (02:30):
She I said, don't let Bernie see this. She saw it, well,
I ain't know.

Speaker 1 (02:35):
I was so hated, bro, it's crazy how you can
go from funniest head to a fucking slam ball in
one tweet. Oh listen, bro'tum hate this but.

Speaker 3 (02:47):
It ain't number But mar Luke King hold hugging. I
didn't even make it.

Speaker 4 (02:51):
It's hugging though not a gold grill. It's hugging. What
she wanted to give you mused by my little King.

Speaker 3 (02:57):
Is yeah, I mean, I don't know.

Speaker 2 (02:59):
I can understand the frustration if that's your family, but
as far I mean, but I'm saying as far as
like the dishrespect of Martin Luther King for real, we
got to go to some of these streets that that's
the real just what the what they're doing on this
nigga street?

Speaker 4 (03:17):
And from Martin Luther King, I'm from Martin Luther King.

Speaker 1 (03:27):
Like what about the picture where they married Martin Luther
King with Meek Mill.

Speaker 3 (03:30):
Don't nobody I never said about that. I ain't seen that.

Speaker 1 (03:33):
But the picture was Luther King on always album covered
all the Meek Mill pictures they done, took his face
off and put like they put his face with because
he looked like a young Martin Luther King.

Speaker 4 (03:45):
Damn.

Speaker 1 (03:46):
But your picture wasn't explicit it wasn't. It wasn't even disrespectful.
Niggas was just running out of ship to be mad
about that day.

Speaker 4 (03:52):
Damn it be sometime, but we do.

Speaker 3 (03:55):
We love the King, We love you.

Speaker 4 (03:57):
Come on.

Speaker 3 (04:00):
This, doctor Martin Luther, come old man, what I don't
even know.

Speaker 4 (04:08):
I feel like fighting out just because the nigga thinks.

Speaker 3 (04:16):
Already I have a dream.

Speaker 4 (04:19):
I'm knock yo.

Speaker 3 (04:20):
It's the King about to say put that in.

Speaker 4 (04:27):
Like how easy it is.

Speaker 3 (04:28):
It's so easy there, It's so easy to get caught up.

Speaker 6 (04:32):
Man.

Speaker 4 (04:34):
No, we're gonna keepetting clear rolling. We love the King family, Bernie,
we love you good.

Speaker 3 (04:39):
Don't get on the show.

Speaker 1 (04:40):
She me back.

Speaker 4 (04:41):
No, she's gonna get on the show.

Speaker 5 (04:42):
She's gonna come back and shes gonna hugg and she
gonna like, man no time.

Speaker 3 (04:45):
All the day.

Speaker 4 (04:47):
She wanted to take it out and take the red.

Speaker 3 (04:49):
You was close one. She was like, you know what,
call y'all. You know it's crazy. She wasn't even the one.
It was them. It with the people, the people, fake
th old white ones, the ones that looked like us
that ain't us.

Speaker 5 (05:02):
It was a nine year old white boy with cat
in this profile.

Speaker 4 (05:06):
Yeah, so they can't get taken down.

Speaker 3 (05:09):
That's what's going on, pure mister, That's what it was.

Speaker 4 (05:13):
Bernice was never mad.

Speaker 3 (05:14):
She ain't never seen somebody who made it seem like
she not somebody.

Speaker 1 (05:17):
It was millions of people. Million I had to this
ship was dremp.

Speaker 3 (05:28):
Slam. I'm slammed out.

Speaker 1 (05:32):
Looking for you know you that pissed off the wrong
people on the internet. When them niggas who show up
from places you ain't never heard of, talking.

Speaker 3 (05:38):
About pull up like some marketing black niggas who lived
in the Maryland, Why the you live over there? What
the fuck is Western Chuck, New York?

Speaker 4 (05:47):
Where we're gonna pull up?

Speaker 1 (05:50):
Time up, amount of time we get there, we're gonna
get He was mad about it.

Speaker 3 (05:57):
It ain't gonna be mad that long. It was on
his birthday, too, wasn't. I don't even think it was
his birthday. Damn man.

Speaker 1 (06:02):
You know how.

Speaker 4 (06:05):
They can't get mad at you, They stay mad. Skitty
tre got so many shirts of doctor Martin Luther King.

Speaker 1 (06:10):
Every make most listen, we'll keep it one hundred on
the bottom of it, nigga, Doctor King kept it one hundred. Hey, hey,
I just I've seen him snap. Doctor King Captain one hundred. Hey,
that was City Trier trying to be hip hop and

(06:32):
the Grindstone.

Speaker 3 (06:34):
The crowd on the Grindstone. Doctor King kept it.

Speaker 4 (06:38):
One hundred City Treasu and started being Kid's body.

Speaker 3 (06:43):
What you what You're playing the greatest Hits compilation?

Speaker 4 (06:55):
White people? What is this?

Speaker 3 (06:58):
The white people that wear him to the Mexican Jorge?

Speaker 1 (07:02):
Yeah, man, you know what's crazy, bro, like coach car
on some crazy ship.

Speaker 3 (07:08):
Though. You know they got man at Mexican ot for
saying Edward, Bro, don't.

Speaker 1 (07:15):
I don't even see The thing about that ship is,
remember I seen him at the BT, just seen him
with Johnny Danes.

Speaker 3 (07:21):
He just right after we had the day, after we
had read a conversation.

Speaker 2 (07:24):
I ran into him and uh at at uh Johnny
Dan's man, and that's that's a nigga.

Speaker 1 (07:30):
Man.

Speaker 3 (07:31):
I ain't gonna take it that far. But I mean
he did. This was before that ship even happened, though.

Speaker 1 (07:35):
I was like, he came and we did a quick
little interview right, you know, for the little BT media house,
and I was like, bro, it's good to see you here.

Speaker 3 (07:42):
He was like, I ain't know it was gonna be
like that.

Speaker 1 (07:44):
And I'm like, yeah, it's like that the black people
the most embracing people of all people.

Speaker 3 (07:50):
Bro, you past, you.

Speaker 1 (07:51):
Need to be here, and they was like, no, I don't,
but you can tell how it's like how motherfuckers said
what a different intentions?

Speaker 3 (07:59):
No, I really don't know. And it was kind of like, oh,
but see I don't know. No you can't. No, but
see held up before you. I ain't cut you all, but.

Speaker 1 (08:09):
You can't do the type of shit that you do
and not see the importance of that, Like you can't
just make rap music and think you don't have to
connect with the people who consume rap music.

Speaker 3 (08:20):
I agree.

Speaker 1 (08:20):
And then it's like we got a whole generation of
like black people who don't even know the stigma behind
the word. Right, you get what I'm saying, But it
can't be an uproar every time that happens, because I
don't know if y'all know this shit or not. But
trying to figure out who said and who don't say it,

(08:42):
they all said every chance they get, even the cool
motherfuckers at work, the Indians said, the Chinese say, every
race of people say it, and they don't try to
they don't try.

Speaker 3 (08:55):
To hide it.

Speaker 1 (08:56):
They say it the same way you say it in
the correct contact. Be at the house talking to the
little brother. Look at this nigga.

Speaker 4 (09:03):
Yeah no, don't fit, but mama come home frustrate.

Speaker 3 (09:09):
I gotta act like niggas. Holder.

Speaker 1 (09:11):
I know it's a white lady that walked up the hallway. Man,
I just raised y'all to be acting like niggas.

Speaker 3 (09:15):
Yeah, but see they all say that ship. It's a
It's a definitive difference between the word that was used
to the mean and diminish Black people.

Speaker 1 (09:26):
That's not the word we use. That's not the word
we use. Nigga with n I g g. A is
used to describe males or just identify males. That's what
nigga is, Like, what's anybody look at that nigga like,
it's just the defined man. And when you grew up
in that environment, Yeah, it's a nown.

Speaker 3 (09:46):
Like you know what I'm saying.

Speaker 1 (09:48):
You will call a male if you see a male
dog playing nigga.

Speaker 3 (09:52):
Stop Like, it's just the way that we defined it.

Speaker 1 (09:55):
And when you grew up in that environment, that's what
males describe each other as in a biments that we
come from. So that's how somebody can get confused as
to what that word really represents.

Speaker 2 (10:05):
But somebody who grew up having to hear the n words,
we don't even say like you want to say that.
You wanted to say that the in word, the in
word and nigga is two different words. Nigger that don't
even sound right coming out of us.

Speaker 3 (10:22):
That's a nasty word, they said.

Speaker 2 (10:25):
Everybody sayd My bather told me when I was a
little boy, he told me to He said, man, let
me show me a white person that I ain't said
the word nigga, and I show you a toddler.

Speaker 3 (10:36):
You damn right. They even they said, well, you know
what I mean.

Speaker 1 (10:40):
It seems like even the word nigga, though every language
on earth got a variation of that word to describe
dark skinned black people with negro features, whatever negro features,
but that word translates into everything. But they say the
wrong verse the same word. And it's crazy because it's

(11:04):
like you said, that's that's two different things, different things,
and we speak it. We can speak to the pain
of the word because it's embedded in our DNA. We
know what it was used for, and once we made
the decision to not let it be used like that
no more. When we said that, we took the power
out of it. Then it became powerless since we protected

(11:26):
so much. They want it so bad they want it.

Speaker 4 (11:30):
Write back, they like give it back, like, no, you
know what.

Speaker 3 (11:36):
That black people gentrified the N word.

Speaker 1 (11:39):
But think about this, bro, We did the reverse of
what they do to us in our communities with that word.
We took that word and made it ours. And now
they want to come and use it and take it back. Nah,
Now y'all did people like and who was to take that?
It was them who came up with it. The ship

(11:59):
too out for it couldn't.

Speaker 4 (12:00):
Have been nothing of that creation.

Speaker 1 (12:02):
They couldn't have created that. No, I'm telling you they
heard us saying it.

Speaker 4 (12:06):
They ain't. I'm telling you they can't. They ain't. They
ain't come up with a word and then try to
make it because I don't think nowhere in here would
have took something that day.

Speaker 3 (12:15):
It wasn't bad when we had it.

Speaker 4 (12:17):
It wasn't bad when we had I feel like it
wasn't never bad when we.

Speaker 3 (12:21):
Had they think about it.

Speaker 1 (12:22):
As a black man, if you push a white man
buttons enough to make him call you a niggas you
want want he.

Speaker 3 (12:32):
Done, ran out of everything and he felt like that
was it.

Speaker 4 (12:34):
He looked at you to.

Speaker 3 (12:38):
Think about when he hit that big you, Oh yeah,
I got hurt, hurt and you can see you just
seen the videos and you know what I'm saying, Yeah,
because because it don't work.

Speaker 2 (12:57):
And that's why you gotta you can't let that, you
can't let that word break you into because that's what
they can utilize to get us to do exactly what
it is that they've labeled us as by calling us.

Speaker 3 (13:07):
That think of the psychologist. They ain't gonna laugh think about.

Speaker 1 (13:14):
Yeah, you know what I'm saying. They've seen us saying
this ship and this sounds so good. It looked so good,
it flows so well. In the conversation they wanted in
on this ship though they wanted.

Speaker 4 (13:26):
To see using.

Speaker 3 (13:28):
Food.

Speaker 4 (13:28):
They were like, dang.

Speaker 3 (13:32):
Wadiam Wood.

Speaker 1 (13:33):
I think we in DC talked about this one time
that we should sell it to them. That's the only
way we're gonna get the reparations they sell them.

Speaker 2 (13:40):
Nigga sell them the word. But then we got to
But I'm saying, it gotta be some stipulations because if
we sell it back to them.

Speaker 3 (13:46):
Boy, it's gonna be.

Speaker 1 (13:51):
Nigger necessity, the nigger necessity out.

Speaker 3 (13:57):
Oh man, they gonna be making commercials and that nigga
nigger napkins, nigger naps, nigger. We can't do that. Look
they gonna go to.

Speaker 4 (14:12):
You, look like Black Fried. Let my nigger naps go.

Speaker 3 (14:23):
You gotta come down.

Speaker 4 (14:24):
No, she got my nigga naps.

Speaker 1 (14:26):
Y'all remember Trump first presidency That night on Twitter when
they said Trump they were trying to tweet Trump wants
a bigger Navy, but they fucked up and put Trump
wants a nigga Navy.

Speaker 3 (14:36):
That was one of the most epic knights in Twitter history.

Speaker 1 (14:39):
Bro, when niggas making means of the nigga navy, you
still search.

Speaker 3 (14:44):
That had Let me ask you this.

Speaker 2 (14:47):
Let me ask both of y'all, what era do you think,
as far as we concerned, what era of niggas use
the word nigga the most efficient? I think you go
with theiggas from the seventies, because I'm telling you, think
about niggas from the seventies, I feel like they get

(15:08):
they get all the glory.

Speaker 1 (15:10):
I think niggas from the fifties in the sixties, it
was getting getting that foul too. We don't get it
on them. Glory for k Kluk.

Speaker 3 (15:18):
Think about this.

Speaker 1 (15:19):
Niggas in the fifties and sixties and even like prior
to that, probably is all the way to the early
nineteen hundreds, right after slavery, Probably niggas used to use
the word nigga.

Speaker 7 (15:30):
Is a warning, I'm gonna run away. Nikka nikka, Yeah,
that mean don't do that. You sure nigga don't do that?

Speaker 3 (15:41):
Nigga was warning. He wasn't agreeding yet.

Speaker 1 (15:44):
This was the when you done went two goddamn fall,
knocked the five that white man, nigga, what do you doing?

Speaker 4 (15:59):
You look at it?

Speaker 3 (16:00):
What look bit nigga?

Speaker 4 (16:03):
Blink No, no, blinks.

Speaker 1 (16:06):
Won't be a smarty That wouldn't be a smart nigga
of you. Depending on whether they can say niggasna, let
you walk.

Speaker 3 (16:14):
Away, I'm killed That tied nigga. No, hey, I'm telling you.
She used to be raped. She to be nigga was like,
hey stop, bro, you tripped. Yeah, yeah, you ain't even
hear the word nigga to you. Was raped up about
the crash out.

Speaker 4 (16:36):
For sure, joke right there on the edge.

Speaker 1 (16:39):
But see niggas in the seventies, they used they flipped
the whole ship.

Speaker 3 (16:43):
That's what I said.

Speaker 1 (16:44):
They were using the ship to provoke, like black panthers
and ship because they want to come down here and
lock up a bunch of niggas getting put the little
palls there.

Speaker 3 (16:53):
You couldn't go straight to you niggas. Yeah, because that's
what I'm saying, like, that's that's the era.

Speaker 1 (16:58):
Every nigga is a star, that's my Every nigga is
a star.

Speaker 2 (17:06):
Every nigga is a star. Every nigga in the seventies,
I don't know what. Yeah, came sixty nine seventy yet right,
and then they flipped it. You know what I'm saying,
slatting the feminine stone.

Speaker 3 (17:19):
Don't call me nigga whitey. That ship was hard exploitation movie.
Remember this.

Speaker 1 (17:29):
One of the coldest ones all time is one boss Nigga,
Boss nigga. Yeah, Fred Williams and Williams bals nigga. See
that's the thing. We just Our greatest export is our culture, man,
and nigga is culture.

Speaker 3 (17:43):
And no matter how you want to look at it,
man ain't gonna lie sometimes I give it. I don't
like saying it around him.

Speaker 4 (17:49):
Because I remember how I used to make.

Speaker 1 (17:51):
I say nigga because I need to know exactly who
I'm talking to. Yeah, See, it's something I can say
on this podcast.

Speaker 3 (17:59):
That for every.

Speaker 1 (18:03):
Sometimes I just be talking directly to niggas. I ain't
even talking to all black men. It's a certain kind
of nigga that I'm talking to. Like, that's why this
ship works because we we all niggas. But that's not
all we are all we all see we was able
to connect.

Speaker 3 (18:20):
We was able to connect on the nigga ship that
we do.

Speaker 4 (18:22):
Fact because we all did some nigga out.

Speaker 2 (18:27):
And won't and gonna do some more. Can't help it.
It's em better than who you are. It's just what
we come from. It's like a cultural thing, is I
think that's where the disconnect comes from. People don't understand
that that word is a part of the culture that
we are raised at.

Speaker 1 (18:44):
Like that's the that's the part of the culture that
they don't never get to see.

Speaker 3 (18:48):
They don't know why.

Speaker 4 (18:49):
They don't know why so cool to be a nigga.

Speaker 3 (18:51):
Yeah, they don't understand the ship that niggas do.

Speaker 1 (18:53):
Like like a nigga could go buy a brand new
car and then what but he rather be of the
box shivvy. That's nigga ship because this ain't the ship
that nobody wanted.

Speaker 3 (19:08):
They was giving these bitches away. We take ship and
we make ship great.

Speaker 2 (19:12):
They can have a pantry full of trash bags, but
still go get that grocery bag and hanging on the
motherfucking door knob.

Speaker 3 (19:19):
But the only thing that us back is because we
kill that we can't universal and don't use it. But
we can't. It's nigga ship. Boy, it don't get no
more nigga shit.

Speaker 4 (19:36):
I'm not looking back to see.

Speaker 1 (19:37):
Right, then you've got two bitches pregnant at the same time.

Speaker 3 (19:45):
That's nigga ship.

Speaker 2 (19:46):
And then it goes into category because then you got
old nigga ship, then you got young nigga shit. Right,
old nigga ship and young nigga shit is two different things.

Speaker 1 (19:57):
But the old niggas gonna be able to understand the
young bigga and a young nigga gonna be able to
understand the old.

Speaker 3 (20:02):
Watch this just some nigga ship in my personal out
of my mind.

Speaker 1 (20:05):
Right, my mama got four kids, my daddy got four kids.
But if you put all them kids together, it ain't
eight kids.

Speaker 5 (20:15):
Talk your talk because you and your your mom and
your daddy share share share children.

Speaker 4 (20:20):
Yeah, so equal up the photo, y'all.

Speaker 3 (20:22):
Y'all ad Yeah, come on now.

Speaker 4 (20:23):
You dumb nigga.

Speaker 3 (20:26):
You did all the way no gap, see because I
was an uncle when I was born.

Speaker 5 (20:34):
Nigga ship, My daddy did not stop bad that nigga said, I.

Speaker 3 (20:39):
Think I got some more in me and I was
do some more. He was, Yeah, I was do some more.
I am I Yeah, Hello, hold up, you know them
niggas too.

Speaker 1 (20:53):
I'm some moren bye bye you too, A little bit
some more, some big niggasim my.

Speaker 5 (21:00):
Dad see some one nigga that's come like a chemical balance, you.

Speaker 3 (21:04):
Know, just some more and you'd be like six six
three twelve, im some more. What stop disrespecting your daddy's
seeming brother. You been cooking this nigga. This nigga's mature

(21:24):
nigs seven two like the rock Man.

Speaker 1 (21:34):
But they all say, what happened you had babies after
they all say that. That's the only thing, though, is
like we can't collectively agree on enough ship like university.

Speaker 3 (21:46):
That's what heavens sucked up. Yeah, I think that's the thing.
We gotta do, we gotta fit this nigga here.

Speaker 8 (21:51):
Man, this just figured out here some morning he is
semi some more. I send me more about you have.

Speaker 3 (22:03):
Him born. It would have looked like we had maybe
that just sixty one, that this niggn do to get bigger. Man,
This nigga is a last project. That is funny that
niggas supposed to been born in about seventy one.

Speaker 1 (22:21):
B Bro, listen bro that nigga fly I was literally
it was born in the nineties. This nigga could have
been born and that's I ain't making it.

Speaker 4 (22:32):
Eight.

Speaker 3 (22:32):
You know what I was doing. Nigga kept standing the
nuts not yet.

Speaker 1 (22:38):
Nigging that mootherfucker like this, Yeah, I don't want to
be born until Clinton as president.

Speaker 3 (22:44):
They literally waited to the last.

Speaker 4 (22:46):
Minute I make. I was like, Nigga, he ain't need
nothing quite some time.

Speaker 3 (22:52):
You might have been the latest letter. That's a movie.
That's a that's the movie The Sperm Left sper.

Speaker 4 (23:03):
But that's so fucking funny.

Speaker 3 (23:09):
Starry DC, Young Fly that nigga swimming like hell the
only one that they showed nigga all the way the conception.

Speaker 4 (23:22):
But I thought I heard all the old jokes in
the world.

Speaker 3 (23:24):
Brother just look better and better with hilarious man last sperm.

Speaker 1 (23:28):
You couldn't talking about the sixtys in the center. You
could have easily been boring without question for showing for show.

Speaker 4 (23:36):
Nigga, my dad and new Martin Luther King, they won't
trying to tell any folk.

Speaker 1 (23:41):
They probably don't. God damn kicked it no for shure.
They just your dad had passed and Martin Luther King
have passed. I know they didn't kicked it on some nigga.

Speaker 5 (23:49):
Don't you understand the King and the family family houses
off Simpson, Simpson Brong. It's like in in in the
depth of Simpson and his church right round the coner. Nigga,
my dad a church and census all the passes at
that time.

Speaker 4 (24:03):
They know each other.

Speaker 3 (24:04):
Yeah, for sure, it's a fraternity. I wonder what he
was up to before he got famous. Who about the game? Yeah,
I was like, I wonder if anybody to you gonna
blow up with this shit?

Speaker 4 (24:16):
Right?

Speaker 3 (24:16):
Hey?

Speaker 1 (24:16):
I folk with that relation, That's that's where it coming.
That's why I get real nigga shit I fuck with.
That's what I mean, like trying to get equal rights,
that real niggas.

Speaker 4 (24:24):
But you know back there to speak up, that was fairy.

Speaker 3 (24:27):
Listen, it's a.

Speaker 4 (24:30):
Took some bravery.

Speaker 2 (24:30):
A restaurant in DC called the Florida Avenue Grel listening
to toyously known for the as being the oldest soul
fuld restaurant in America, opening nineteen forty four, I mean
nineteen forty one on forty four.

Speaker 3 (24:41):
I can't remember.

Speaker 1 (24:42):
But they got a booth in each booth that you sit,
and they got somebody famous that did something that booth.

Speaker 3 (24:46):
Me and my little brother just went.

Speaker 1 (24:48):
They said, doctor King set in this booth to plan
I have a dream speech at nineteen in nineteen sixty
three or whatever.

Speaker 3 (24:55):
Yeah, he did that. I have a dream speech.

Speaker 2 (24:56):
And I was just like, man, I wonder what them
niggas was talking about in this book? Could you imagine
niggas sit down? Look, man, got idea. I wrote this speech.
But I want all the niggas in America to come ahead.
We're gonna do it right here in DC at the
mall which mall, dumb all nigga which mall they got

(25:20):
plenty of malls down here, which mall.

Speaker 3 (25:21):
We're gonna do it. And no, no, no, the mall,
the monument.

Speaker 4 (25:24):
I'll tell you one thing I ain't doing no damn marcha.

Speaker 3 (25:27):
We ain't gonna do that, all right, We're just gonna
march down to the mall. Goddamn. Just say it's gonna be.
It's gonna be. Dope. What you think about that? Don't
mean we wouldn't do no. Chill out now. All I'm
saying is this, if we can get this done, man,
we can make some changes. One second, Uh, just bring

(25:49):
the wars. We can get this done. Man. I just
need y'all support.

Speaker 5 (25:53):
Well, you've got my support because I told you, motherfucker,
get me with a rock again, and I.

Speaker 3 (25:57):
Got something funny. Ass don't with you.

Speaker 1 (26:00):
But we're gonna do some fighting, non violent, non vite,
so you do righteous.

Speaker 3 (26:10):
That's it.

Speaker 1 (26:14):
I went to the when I was on college here,
went to this historic black restaurant and New Orleans called
Doukie Chase, right, Jukie Chase.

Speaker 3 (26:21):
Yeah. They said this what.

Speaker 1 (26:23):
All chivil rights ship had Martin Luther Kingdom met with, uh,
the whole the whole sl S c LC, I mean
the sl you know, yeah, snick, all of them Sudden
Leadership Conference, all that ship. They was they got pictures
of this ship, bro, just everybody you can think of,

(26:44):
all the entertainment like hairybell, fun taste, like they sitting
down eating soul food like fried chicken, red.

Speaker 3 (26:50):
Beans and right gumbo and ship.

Speaker 1 (26:53):
But they're doing it all like black, like black royalty
type ship because not only why they doing this ship,
they ain't got motherfuckers like Louis Armstrong them performed and
he performing in the ballroom, I mean in the dining
room while people eating and.

Speaker 3 (27:08):
Ship man, and these are the places that survived the riots. Yeah.
Then the thing we went to the.

Speaker 1 (27:14):
Access I know it's been popping up on social media
and there, damn, I hate that.

Speaker 3 (27:19):
I can't remember the name of the plantation.

Speaker 1 (27:21):
But no, the Black Ladies in right outside of New Orleans,
about an hour and a half two hours outside of
New Orleans. They bought the plantation they used to own
their family twins, the Black lad Yeah. So we went
there and we spent the whole day up there. Yeah,
and they left it everything like it was. It's crazy, man,

(27:43):
to see that these motherfuckers. There's so much shit about
plantations that they don't tell you, bro, like they was
telling us, like historically most plantations had.

Speaker 3 (27:54):
They own jail on some form of jail.

Speaker 1 (27:58):
Yeah, but it's like they put the jail right in
the middle and it ain't like you locked up in
a building. It's literally just like a standing outside cage,
like a fucking tiger cage or something. And they had
like the ship, the Django ship they had. This ship
was real hot boxes and ship, well, motherfucker just put

(28:20):
you in.

Speaker 3 (28:21):
A metal hole. That's how the hell damn there where
you baking until you damn near dead.

Speaker 1 (28:26):
And you know what I'm saying, Like the houses, and
they show you the houses like it's amazing that this
ship was able to survive as long as it did,
because you.

Speaker 3 (28:37):
It's it's like motherfuckers was with slaves in there one
day and just walked up out their bitch. It looked
like somebody still live here like it is.

Speaker 1 (28:47):
And then you think about how cold it get, right
we in the house cold. These motherfuckers got houses with
literal like literal gaps between the walls like one board,
and they got in a row.

Speaker 3 (29:04):
Ain't no, you know what I'm saying, Like it ain't
like they had to walk somewhere to work.

Speaker 1 (29:08):
The work was right outside the door, like as soon
as you touch the ground, get to work.

Speaker 3 (29:15):
You work for somebody else to man. This ship was right,
and then they had a lake behind this ship.

Speaker 1 (29:21):
We're looking at alligators, nigga like real live mother right there.

Speaker 3 (29:26):
Like from me the way that dough is.

Speaker 4 (29:28):
You know, if somebody got wrong, you know you.

Speaker 1 (29:33):
Got fed to that house, you probably just got eight
bam because they could literally go under the house. Yeah,
this ain't This ain't a floor like this, and it's
like eleven loose hands boards. The kitchen is a fucking
fire pit. And then you think about it like, man,
people made it out of this facts. That's why I say, Man,

(29:55):
I'm gonna ask y' all this because I think we
got to get a better understanding of what we're gonna
do on this day Juneteenth. We got to figure out
how we're gonna celebrate that as a unit because it's
too all over the place. We gotta get some type
of structure you just happen.

Speaker 3 (30:09):
That's what I'm saying.

Speaker 2 (30:10):
We can't just be happy that we can't that we
get the day off because of what these people, what
you just described niggas went through too much and dealt
with too much for us not to truly celebrate this
holiday and let people know that this is a uh
something that we take pride in because of what all
of our people went through.

Speaker 1 (30:29):
Like, I let me ask you this, do you think
people do you think people focus too much on what
black people be doing?

Speaker 3 (30:39):
Like, do you think black people there's too many black people? Think? No,
they don't be focused.

Speaker 5 (30:45):
They just be worrying about is you gonna surpass them
because they don't really give a fuck about you.

Speaker 3 (30:51):
But I see the fear in it though, Like this
whole I ain't gonna move until we all move ship.
That's coward right. I know why that is.

Speaker 1 (31:02):
But I like we were saying earlier, because we don't
agree on nothing, right, Like, when you look at the
way other groups of people thrive in America, it's because
they don't have to agree about everything. They just got
a list about nine or ten things that they just
bottom line, we gotta do this.

Speaker 3 (31:19):
It's not even the.

Speaker 1 (31:21):
Fuck with what they're doing, just so they'll know we us,
we're gonna do this, this, this, and this, this and
make and we're gonna keep eye.

Speaker 3 (31:29):
Then it's gonna become a tradition.

Speaker 5 (31:30):
We're gonna keep it We're gonna end up coming up
with a with a with a way hate on each
other the other inmate them.

Speaker 4 (31:40):
It's gonna come up with some form of black code.
Even know what the black code, but can be.

Speaker 1 (31:45):
Unlearned too, though, let's break it down piece by piece.
Come on, that can be unlearned too. You can't fall
the niggas that hate niggas. You know why, because that's
how deep racism is. It's so deep that it made
some of us hate us to the point where they
don't want nothing to do with us, right, But.

Speaker 3 (32:11):
It was taught. Hate was taught. Yeah, I hate it.

Speaker 5 (32:14):
But you know what I'm saying is when when when
I say black codes.

Speaker 1 (32:17):
Is like say, for example, we ain't gonna call them
that because they already had to.

Speaker 5 (32:22):
No, I'm just saying that was the determinology for it.
It was called the black codes. So which means that
we come up with laws that go against whatever you
got going on. So say, for example, if twelve of
us finally finally got our ship together and we're formally
formulating a playing infrastructure, were mobilizing, they'll figuring out talking
about some what can we call this getting together thing

(32:44):
that they're just doing to get together. I know, but
this is how they're thinking. They're thinking we're getting together,
just not knowing that we're getting together actually mobilizing and
building the community.

Speaker 1 (32:55):
They're coming up with, we need one big thing, what
and then it's gonna be other ship that tripa down
under that.

Speaker 3 (33:00):
But ho, look, this is it.

Speaker 1 (33:04):
If black people stop killing black people, and it's not
about the numbers. That's just a powerful statement because when
you go to these institutions.

Speaker 3 (33:15):
Like you said, they got colder ethics and rules and regulations.
We don't have none of that.

Speaker 1 (33:21):
It shouldn't matter what a nigga doing. But it's certainly
kill some ship if you just take black out of it.

Speaker 3 (33:28):
It's some ship that a man can do to a man.
That ain't no other way to handle it.

Speaker 1 (33:33):
But you know what I mean, you gotta protect, you
gotta do some situations that you have to do that
survival of the fitties. But senseless murder and violence against your.

Speaker 3 (33:48):
Own people, you're not resulting in that.

Speaker 4 (33:49):
Just because that's what I'm.

Speaker 1 (33:52):
Saying, it's got to be a standard to a point
where it's like that's just something we don't know.

Speaker 3 (33:56):
Just so you know, we don't do what's crazy about that?

Speaker 1 (33:58):
I just mean that, But do you see how much
shit can happen under that that statement alone.

Speaker 2 (34:04):
I was just having a conversation with some young boys
in the city when I was home, and I told them,
I said, man, it don't matter.

Speaker 1 (34:12):
The ironic part of what y'all got going on out here.
You don't like the niggas up the street. The niggas
up the street don't like y'all. The niggas down the
street don't like them, But you know what, the actions
that y'all participating in, you're heading somewhere where y'all gonna
end up being friends.

Speaker 3 (34:26):
You ain't gonna have a choice because soon as you.

Speaker 2 (34:28):
Go to the penitentiary, all of that beefing on the
streets y'all did. When y'all getting that penitentiary, all that ceases.
So why wait until you go to jail to figure
it out, Because.

Speaker 1 (34:37):
You ain't gonna have a choice once you go to
the penitentiary, Because once you go to the penitentiary.

Speaker 3 (34:41):
It's where you from.

Speaker 2 (34:43):
If you beefing with them dudes up the street from
adam Ville, you from Adamsville the day from Simpson.

Speaker 3 (34:49):
You when y'all go to jail, George. It's gonna be
right in there with them, George, And it ain't gonna
be none of that.

Speaker 2 (34:54):
So why do we have to wait until we get
to that point of having to be disciplined by the
powers that before we can instill the discipline upon ourselves
Because consequences that you exactly, So that's what we got
to implement.

Speaker 1 (35:10):
We gotta implement the consequences. Well, the ultimate consequence is
you're not gonna be a public defender.

Speaker 4 (35:18):
Like shoes. Look at it, look away as soon as
you look at you.

Speaker 2 (35:32):
But do you think that you know that, because in
order for that to happen, you gotta take that. You
got to take that mentality out and replace it with
something else. You can't just go you gotta you can't
just go in and tell hey, stop the killing, because
it's already been so much bloodshed in these communities that.

Speaker 3 (35:48):
That we occupy. But you rectify that and replace it
with something else. You can't rectify that. Some of this
ship ain't gonna be fixed. Paying up some no, some
states we can have.

Speaker 1 (36:02):
You just gotta cut cut some shit off. Okay, it happened.
Moving forward, our generation of people who come in there.
We're not gonna let it continue to have.

Speaker 5 (36:14):
Right, they gotta be some form of discipline with an
infrastructure among us.

Speaker 3 (36:19):
We don't have nothing among us.

Speaker 4 (36:20):
Everybody else have something.

Speaker 5 (36:22):
Even though it may look like they don't fuck with
each other, they got some form of infrastructure where they
continue to elevate because they just know they don't do
zim like that.

Speaker 3 (36:32):
All right. On the flip side, see saying don't say
it don't have right?

Speaker 1 (36:36):
For what if every nigga that crashed out crashed out
taking the chance of making somebody in his family life
better as opposed to just crashing out for nothing.

Speaker 4 (36:47):
That's a lot of group of niggas that try.

Speaker 3 (36:49):
But but see this, that's the thing that still can
be worked on. You know that mentality. We all know
that mentality. We come from it. We all have one
point in.

Speaker 2 (36:56):
Our lives have been in that mind state to where
the ignorance was what the norm was.

Speaker 3 (37:02):
All right, but check it out. So what if we
had them instead of.

Speaker 1 (37:05):
A nigga robbing the liquor though we all had that
one robbing Nash nigga shit, that robbing nass killing Nass uncle. Right,
But this nigga ended up getting life just because he
killed some niggas at a club that stepped on his shoe.
He crashed out. Now, say we had this same uncle,
but this nigga had some sense. He went to prison

(37:27):
for life because he stole six million dollars and set
the family up.

Speaker 3 (37:34):
He took it.

Speaker 1 (37:35):
But I'm saying he took a chance that he knew
he was gonna lose at but he made sure somebody
if the rest.

Speaker 3 (37:42):
Of the family was.

Speaker 5 (37:45):
But they go back to tours when it comes to intentions,
you did what I'm saying, like his intentions was was right,
like I must, I'm gonna do this nick for that.
But it goes back to what we was talking about earlier.
It's an influence, bro. People do what they see. People
do what they're taught.

Speaker 3 (38:02):
So it's like they don't teach, they don't let us
learn nothing.

Speaker 5 (38:05):
We don't let it learn because you know what came
to step there from the quietness, okay, because it's a
lot of things that has been substituted for the quietness
that we used to have. Social media has came in
and took all that little quiet space. Remember when you
when your parents had to come check on you because
you were too quiet.

Speaker 4 (38:23):
That quiet space. Now social media got all that.

Speaker 5 (38:26):
So the attention and the influence on these children, they're
not being trained.

Speaker 4 (38:30):
We're telling them something, but they're seeing something.

Speaker 3 (38:32):
ELF.

Speaker 1 (38:33):
Always look at the at the flip side of shit too,
because when you think about black people, we are literally
hundreds of years behind and communication.

Speaker 3 (38:44):
It was too many times we got split up from
away from each other.

Speaker 1 (38:47):
And now we got this. Now we get to see
a variation of us. Now we get to communicate, Now
we get to connect. It's some motherfuckers who we won't
even know, who fucking love us. Yet we ain't met everybody.
Everybody still ain't seen us. Everybody don't know yet.

Speaker 2 (39:08):
But I think that's me looking at what you're talking
about with the social media, to me has given us
too much of a window into how much we have
to do, how much work is actually required, because before
we didn't know exactly how much work was required.

Speaker 3 (39:23):
It could be illusion, but I'm talking about.

Speaker 2 (39:28):
From what we were shown up until the social world
opened up in the way that it did. Everybody that
has ever stepped up with that message and really gained
some type of traction getting knocked off in some ways.

Speaker 1 (39:42):
Now.

Speaker 2 (39:43):
But I'm gonna tell you what I was. The point
that I'm making, they all got knocked off. But when
I look at social media and how much has opened
up the scope into how much work we have to
do to really get on one accord. I look at
those leaders, all of the leaders that we had, and
I wondered if they knew the extent to which the
work that was necessary to really.

Speaker 3 (40:03):
Make a change. But they have still stepped up and
took their role. No, but it ain't no such thing.

Speaker 1 (40:08):
It's change. It's just be a shift to focus. Whoever
make the decisions. They they're playing so far ahead of
the game that we ain't even on these levels of.

Speaker 3 (40:22):
How this shit really even work. It.

Speaker 1 (40:24):
We still learning shit every day, but everything that we're
learning is shit that's being allowed to be learned.

Speaker 3 (40:32):
When I said they won't learn, they won't let us
learn shit, Yeah, learn myself.

Speaker 1 (40:37):
But think about how much knowledge of simple shit that
we came across once we got to a certain level.
It wasn't that people gave us nothing, but the way
that the ship that they showed us through, how easy
it is to do shit when you're on a certain
level right sometimes, like making life decisions as easy as

(40:57):
having the right person for on.

Speaker 2 (40:58):
Them right, or being able to have the right conversation
at the time it is necessary.

Speaker 3 (41:04):
You're absolutely right, And.

Speaker 1 (41:06):
Think of how you can't learn that shit if you're
stuck in a situation where you're just trying to pay
your bills every month.

Speaker 3 (41:11):
Yeah, and the people at the.

Speaker 1 (41:13):
Top of this shit, they know if you work over here,
you got three options then where you can live in
this entire city. You can work right here, you can't.
You can't go past here. This is in your price
range unless you live with somebody.

Speaker 3 (41:31):
This is all you can do. They know this shit.

Speaker 1 (41:36):
Who the fuck got together and decided in the whole
United States what a minimum wage could be.

Speaker 3 (41:45):
An economists? And they don't want to raise economists, you
know what I mean.

Speaker 1 (41:49):
But now these motherfuckers are looking at we in twenty
twenty five, right, and people are telling these motherfuckers every
day that even if you go to work and where
as many hours as your body will physically allow you
to work in a week, you still won't be able
to afford a two bedroom.

Speaker 3 (42:07):
Apartment because of things that's crazy inflation. You know what
I'm saying all.

Speaker 2 (42:13):
The different things that they but that the people that
make the decisions create to make your dollar worth less
every day, and it's nothing.

Speaker 3 (42:21):
You had to do it, but only to you, not them.

Speaker 1 (42:24):
Yeah, you spending the same money. Yeah, you know what
I mean, You spending the same money, but you get less,
get less for it, exactly, but everything that you used
to get for the same amount. We're gonna take three
items at your best. Yeah, now you can't afford three.
Now you gotta start making life decisions on wants and needs.

Speaker 3 (42:45):
Look, if you go to work every fucking day, you
should have some shit that you want to not just
the shit you need.

Speaker 2 (42:54):
But then they put in the implement that implement these
requirements that make you believe that you're gonna be able
to acquire what you want, like going to college.

Speaker 3 (43:02):
You know what I mean?

Speaker 2 (43:03):
People I know with degrees that are working at places
that they could have got a job without a doing exactly.

Speaker 1 (43:10):
But as much money as this motherfucker generates, Nigga.

Speaker 3 (43:14):
If you have to desire to go to college, you
should be able to go. Well, yeah, for.

Speaker 1 (43:20):
Free, for free, if it really counts, if it really counts, really,
if it really mean I tell people being somebody that
went to college and graduated, come on, come here, comedian,
to be a comedian, comedian, comedia.

Speaker 2 (43:35):
No, I'm serious, Like I mean, my mama, My mama
said that to me, Like when I told her what
I was gonna do, she was like, boy, you went
to school for five years to tell jokes. We could
have did that shit when you was in elementary and
she was joking. But that's the reality. But the thing
about it is, I tell people, at least from my
vantage point, college is not about the education, because whatever
job you get, they gonna train you to do that

(43:55):
job when you get it.

Speaker 3 (43:57):
It's about the relationships that you build.

Speaker 1 (43:59):
It's about the social structure of how things work and
you being able to function within that strog for sure.

Speaker 3 (44:06):
That's all college is.

Speaker 1 (44:08):
The relationships that you build are worth more than anything
that you learn and.

Speaker 3 (44:12):
Put on a piece of paper when you're there.

Speaker 2 (44:14):
Because now I graduated in two thousand and eight, I
don't remember ship I learned in school, but I remember
the people I graduated away from college, So you see
what I'm saying, Like, so, but I remember like the
people that I was twenty five. You see what I'm
saying the people with the tenth grade of me.

Speaker 1 (44:35):
No, what I wish I had to know, I'd have
been I'd have been telling niggas then a one day
I'm gonna be kicking.

Speaker 3 (44:43):
It with the last sperm left. But here, you know,
it's about about this ship.

Speaker 1 (44:51):
Yeah, what if we really would like, what if we
had foresight like that, Like in twelfth.

Speaker 3 (44:56):
Grade, I got a little partner in the first grade be.

Speaker 1 (45:02):
Nigga right now in the third and the third out
of Nigga in the third.

Speaker 3 (45:07):
Grade right now in Atlanta. That's fucking the game up.
One of the most talented niggas ever born watched. When
I tell you, I mean I wish I had that.
Y'all don't want to hear this ship. But my my
little Homo Chico being that Nigga in the fifth grade
right now.

Speaker 1 (45:25):
Right now, Nigga just shot a three in the gym.

Speaker 2 (45:28):
That's the motherfucking cafeteria and the auditorium all in the
same place.

Speaker 4 (45:33):
That's crazy.

Speaker 1 (45:34):
Just this, I'm gonna put this shit in perspective for you,
right like when I was getting some pussy on the regular.
You know what, like if I would have known you
at that point where you would have been place.

Speaker 3 (45:46):
I would have came in the living room and grabbed
that orange rug red tape. Take me there. I want
to go there, Take me there.

Speaker 1 (46:03):
That's what the fun y'all would have been doing, big
sister or something.

Speaker 3 (46:09):
Yeah, I like y'all stay up here. Okay. I would
to look at that would yeah, you would have been
able to keep me out. You working, God damn. Yeah,
we only three years apart.

Speaker 1 (46:25):
I would have been hating, like man, hey, man, oh boy,
I would have been boy.

Speaker 3 (46:32):
And that's the day. I always think about that.

Speaker 4 (46:34):
Man.

Speaker 3 (46:34):
I never got to be a little brother.

Speaker 4 (46:35):
Man.

Speaker 3 (46:35):
I always wondered what it was. I've always been wanted
a little brother.

Speaker 1 (46:40):
But you gotta understand it's a different type of responsibility.

Speaker 3 (46:45):
Man, like my brothers, my.

Speaker 1 (46:47):
Father, he don't know what it's like to be responsible
for another murder.

Speaker 4 (46:53):
I I got a nephew, you know, don't know.

Speaker 1 (46:58):
I'm gonna less you a question, brother'y me.

Speaker 5 (47:06):
When I was three years old, No, I would walk
around in the diaper talking about.

Speaker 3 (47:13):
Listen, I'm gonna tell you something. Watch this. I'm gonna
tell you something.

Speaker 1 (47:15):
What happened when you go outside with your brother and
you don't even know what his nigga is. He fucking
around and fall and hurt hisself. Y'all go back in
the house.

Speaker 3 (47:28):
What the fuck? What's the next question?

Speaker 2 (47:31):
What the fuck happened? What you let him do out there?
What you let him do out there? Listen, bro, I'm
telling you something. Let me tell you something, bro, why
you wouldn't watch.

Speaker 3 (47:41):
No, I'm listen.

Speaker 2 (47:41):
I'm gonna tell you the difference though, between being a
big brother and not having a little brother. All right,
my whole life, my mother got up at three o'clock
in the morning to go to work. From the time
I was I can remember, I was going to school
by myself. Me and my little brother was going to
school by myself from the time I was in the
third grade, all the way up till we graduated. When

(48:03):
I woke up in the morning, it was my responsibility.
My mother was gone. I had to get this nigga dressed,
wake this nigga up, make sure he had everything he needed.
If he forgot anything and went to school, he got
in trouble. It was my fault because I should have
made sure he had it. This nigga attacked me on
the bus one morning.

Speaker 3 (48:21):
My nigga. Bro, I still got the monks on my nose.

Speaker 1 (48:25):
And this ain't no school bus. We on the metro
bus with everybody public. This nigga went crazy and I'm
trying to I know, I can't hit this nigg because
if I hit him, I'm getting fucked up.

Speaker 3 (48:40):
Anybody else would attack me like that.

Speaker 1 (48:42):
I'd have, man, I'd have beat the dog shit out
of him.

Speaker 3 (48:45):
This nigga whooped me. That's my first ale for real.

Speaker 1 (48:48):
This nigga beat my ass man in front of everybody,
and everybody.

Speaker 3 (48:52):
Was like, what's wrong with him? I'm like, I don't
know what's wrong with this nigga fucking me up? And
then I get to school. I'm so mad.

Speaker 2 (48:58):
My nose blean, Bro, I'm scratched up. I called my
mother on the phone. I say, Mom, man, this nigga
beat me up. This nigga attacked me on the bus.

Speaker 3 (49:07):
You know what she said? Her exact word, Well, what
you do to make him do that? Hey? So you
don't you don't know.

Speaker 1 (49:13):
You don't know the type of ship a little brother
gets you into. Brother, Let somebody be fucking with your
little brother and he come gets you.

Speaker 3 (49:24):
You don't know who the fuck, you might have to fight.
I know you might have to fight a.

Speaker 1 (49:29):
Grown ass because as a big brother, your little brother
can't go home fucked up.

Speaker 3 (49:36):
Not a hangmail. My little brother was.

Speaker 1 (49:40):
By and my little brother was bad. Yeah, we have
my brother Ambi Destrius. Right, so when he stole on
the motherfucker, he hitting him with the right first, right,
but he gonna crush him with the left. Now we
gotta explain this ship he I'm talking about. Anybody fuck
with my little brother.

Speaker 3 (50:02):
The whole work. Yes, a swan being nigga.

Speaker 1 (50:07):
My little brother hit a nigga with a bicycle with
some training wheels on it.

Speaker 3 (50:11):
He picked it up and hit the nigga with the bike.
This is our first day around there. We just moved
around there. Don't nobody know us. He hit this nigga
with the bike and then run back and stand and
throw the ugliest god up in the world. I'm like, Anthoine,
what the fuck is you doing?

Speaker 9 (50:27):
Man?

Speaker 3 (50:27):
You're like two and then three.

Speaker 2 (50:29):
Four niggas come out and I'm like, oh my god, man, man,
which one of y'all? Now, which one of y'all is
his cousin or his brother? And listen, man, I ain't
got in the soul much and my right.

Speaker 3 (50:41):
My mama told me, my little brother went to every ship.
I went to, every school I ever went to.

Speaker 2 (50:47):
My mother told me, if he come in here after
you and he don't got privileges because you was hearing, nigga,
you did something wrong. My whole life, my little brother
being my little brother counted for something.

Speaker 3 (50:56):
To this day, my brother I got new.

Speaker 1 (51:00):
I'm the older brother, older than me and my all
my brothers two years I mean four years apart. So look,
my brother Larry, he big as fuck. When he's seven.
My other brother Chuck about eleven. These niggas get into
a fight at the park. Nigga Chuck and a big brother.
He runs there, my mom, Mam, Larry down there and fight,

(51:23):
go down there and help them.

Speaker 3 (51:25):
Like he winning.

Speaker 1 (51:26):
My little brother fighting some niggas, my middle brother SA.
But he got both of these motherfuckers locked up.

Speaker 3 (51:34):
They crying like a motherfucker.

Speaker 1 (51:35):
Man, that ship was crazy, telling you, I always wondered
what it would be like to have a big brother,
because I never had nobody.

Speaker 4 (51:42):
What about a big brother that's on dope. You want
a big brother like that? Take it? You want a brother?

Speaker 3 (51:52):
Here? He goes might have been fun. Now that I
think about you know what, I might taking dope.

Speaker 4 (52:00):
Feed Big brother's there, good.

Speaker 1 (52:03):
Feed, big brother. Tell that niggas starts stealing. Yeah, you're right,
that I think about it, Crack was different.

Speaker 5 (52:09):
Listen, Bro, my brother stole off on Chicky Chucky who
Jean Nigga no caw tripping.

Speaker 4 (52:19):
Chicken and the nigga the nigga man.

Speaker 3 (52:23):
Birthday him right here.

Speaker 4 (52:24):
But nigga.

Speaker 3 (52:26):
Birthday.

Speaker 4 (52:34):
That's bro.

Speaker 1 (52:35):
You that's that's crazy. Your big brother smoking Chucky. Bro,
you like you slightly required to help him.

Speaker 4 (52:40):
Listen, Bro, we got bad, we got band for like
three years.

Speaker 9 (52:45):
Now.

Speaker 10 (52:45):
My favorite place, my favorite place I heard I was
check with mad Head.

Speaker 4 (52:52):
He was just we just had to get out of
that chicken doing.

Speaker 3 (52:55):
All this ship. What's crazy is the that was in
that probably watching this right now. That was his brother Hit.
I told you that was him. I was at that
p That's crazy.

Speaker 4 (53:05):
But that ch was like a mini sea flag.

Speaker 3 (53:07):
Oh my, Chuck and Cheese used to be boy walking
there be boy, that's a place. That's a dangerous place.

Speaker 2 (53:15):
Oh, nigga, I'm gonna tell you another place that had
the buffet that that don't get the credit to deserve
piece of hut nigga. Let me tell you about with
the red cups. Oh my god, boy that used to
beat us. Yeah, old people that there like a nurse,

(53:36):
that breakfast boy. Y'all got everything thought, man, growing up
in the nineties, like like that might have been the
greatest decade in the nigga history. The nineties as far
as all of this human history, human history, but definitely
nigga here, that was.

Speaker 3 (53:55):
A confusing time, y'all.

Speaker 4 (53:57):
Y'all was coherent to around that time.

Speaker 2 (53:59):
I mean, yeah, you were born in ninety two, so
I mean I was a little boy in the nine
We was little boys in the nineties, but those was
a couple of years older.

Speaker 3 (54:07):
Thirty.

Speaker 2 (54:07):
Nah, he wasn't that old. Don't do my nigga like that.
But only young niggas do shit. He don't even get
he ain't even a young nigga.

Speaker 1 (54:14):
No, he's definitely not a boy. You are old, g
to they you almost old as us.

Speaker 3 (54:19):
I know, man, when we met you, you was like
nineteen or some shit. I mean bracing this di don't
watch this nigga grow up? Yeah for real all the way,
you know, But like you said that ninety shit was
the best shit.

Speaker 4 (54:31):
But we got to see, like y'all see some good ship.

Speaker 1 (54:34):
We didn't live through like three digital revolutions, yeap, nigga.

Speaker 3 (54:38):
When the Matrix came out, that shit changed everything. Niggas
really be they be tripper, No, bro, I'm telling you.

Speaker 1 (54:45):
The night was the first time we got to see
all this new ship like that movie was like the
movie the Matrix. That ship had some of the first
futuristic technology in that ship. Nigga, I ain't never seen
a nigga dodge no bullet.

Speaker 3 (54:58):
That ship had the world.

Speaker 1 (54:59):
For oh for a minute, niggas really think nigga dodge
a bullet after that, mom, No, it wouldn't even that.

Speaker 3 (55:04):
It's just that niggas ain't even never seen no ship
like lamb lamp.

Speaker 4 (55:18):
Nigga, you doge, Nigga, you dodge right.

Speaker 2 (55:20):
But I was talking about like this, how how much
more dangerous the world was back then, But it was
way more fun.

Speaker 3 (55:25):
It was like, Bro, we getting the.

Speaker 2 (55:28):
Cars, were getting the cars with strangers now, but back
then that was I tell you, I give you a
perfect example. We rolled in cars that didn't make you
put your seatbelt on nigga.

Speaker 1 (55:40):
When I was a kid, I used to lay down
in the back exactly.

Speaker 3 (55:43):
You see what I'm saying exactly, Bro, Yeah, this nigga
was when we was little kids. What was the bi
ship in the world to do? Nigga shit on the
back of your uncle truck on the fucking jail like.

Speaker 11 (56:06):
Rangers ship in the world on the expressway, games going
to jail.

Speaker 3 (56:13):
Nigga sitting on the bat. Y'all sit on the floor
here like I grew. We can't even where you put
some kids on the back on the truck. Now, Yo,
he's going to jail. You're going to jail. We literally
sat on the n hold on Oh my cousin going

(56:35):
to jails. Three on this side and three on men's side.
Window the mill laid down in the back window of
a box chevy. You imagine right now you ride up
behind somebody top they got a baby in the back window.
They got a baby laying down in the back window. Bro,
you calling the police.

Speaker 4 (56:55):
Ain't man with the fun.

Speaker 1 (56:56):
It's an ornament child in the back window on a
box chef.

Speaker 3 (57:00):
You think I'm bullshit? I remember this village, y'all. Don't
even remember when riding in the car and just putting.

Speaker 1 (57:11):
Your arm out the window made you the coolest motherfucker.

Speaker 3 (57:16):
You had to get to it. You had to be
like nine or ten before you could get.

Speaker 1 (57:20):
To this point.

Speaker 3 (57:20):
When you can, that's was the biggest flick. Hey man,
mother can't put my arm out of the window.

Speaker 4 (57:25):
Yeah, that's crazy, that's crazy.

Speaker 3 (57:28):
And my bullshitting man, it's so different. My mother never
had a car. We caught the bus everywhere. Let me
tell you something. My mama had changed. My mother had
a manfreck.

Speaker 1 (57:39):
We was walking and catching a busy. See in the
back of that bitch laying on the squat ass speakers and.

Speaker 3 (57:47):
You know what's crazy? DC here and my cousin used
to fight to do that shit.

Speaker 12 (57:53):
I pulled you not I'm in the window, I'm in
your hand fit on the back seat. Who's gonna get it?
They goddamn could you imagine seeing that you pull up
and that ship was so normal back.

Speaker 3 (58:11):
Then, I know this nigga jailn am I bush. Then
now you're not bushing number.

Speaker 4 (58:17):
I used to rap.

Speaker 3 (58:23):
That was contry a ship right there. My nigga said
he was in the back window like this captain and
my buying.

Speaker 4 (58:37):
You imagine the.

Speaker 3 (58:45):
Course string. They was big enough where you didn't even
roll off.

Speaker 1 (58:51):
I swear the car companies used to know kids used
to ride in the back window because look, they had
a big plush back seat.

Speaker 3 (58:58):
Right, so when you get in the back window, nigga,
you got enough.

Speaker 1 (59:02):
Room to like roll ships.

Speaker 3 (59:12):
I remember getting in my Grandma.

Speaker 1 (59:15):
I remember getting in my grandma coodlss vimally and laying
in her back window.

Speaker 3 (59:19):
The only reason I stopped because she this was a
fashion ship.

Speaker 1 (59:23):
The only reason I stopped laying in my grandma back
window is.

Speaker 3 (59:27):
Because she had got a motherfucking uh like this. When
you hit the break having that motherfucking.

Speaker 1 (59:32):
Like that red light, it was like a tail lightide
break because she got a break like in the break
in the break light was like it was like a
little black box right like the hair that ship. It
Let motherfucker know like you was that nigga, because you
had that little motherfucking break like it was a flick.

Speaker 4 (59:54):
Let me tell you something, bro, if I would have
got my mama bad window, I would.

Speaker 3 (59:58):
Have got my ass. W you you're like man, and
I'm mad one now in d C And.

Speaker 1 (01:00:11):
Okay, shot, all right, you know what they used to dude,
like in the old cars they used to have the
molded arm rest and that that was my seat.

Speaker 3 (01:00:28):
I'm not sitting on the mother seatg.

Speaker 2 (01:00:32):
Bro, hey man, this nigga low said. He used to
ride in the back rondle of the box.

Speaker 4 (01:00:37):
Everybody that.

Speaker 3 (01:00:42):
I call my cousin angel right now, we one year apart.

Speaker 1 (01:00:45):
We had fights over who was gonna lay in the
goddamn back window. Bro, do you know how different the
mentality of a parent gotta be back there to let
that happen by we all fathers, because you imagine you
got your kids in the car.

Speaker 3 (01:00:59):
One the motherfuckers live in the back window. I'm talking
about get shot, but.

Speaker 4 (01:01:07):
Get up and look at you.

Speaker 1 (01:01:10):
No, but but looking back, nover, I was probably one
of the strangest kids.

Speaker 3 (01:01:15):
I used to do some of my ship like that.

Speaker 1 (01:01:17):
But I know I wasn't the only one because I remember.

Speaker 3 (01:01:20):
Doing this ship.

Speaker 1 (01:01:22):
I remember seeing like if you was, if you was
right safe and you ride with your friend right like,
you couldn't get in the back window.

Speaker 3 (01:01:30):
That was their ship.

Speaker 1 (01:01:31):
You had to sit according to what they was gonna
do in the car. Now you seat, you hating you
in the back hating window. You like the nigga off
the couch and belly and get yours bean.

Speaker 4 (01:01:46):
That ship old b that's I read with people. That
was just the hangar out the time.

Speaker 1 (01:01:52):
You're gonna get your ass.

Speaker 3 (01:01:54):
A little bit project ass, nigga. Bro, I'm talking.

Speaker 1 (01:01:58):
About from the roughest project in North Mississippi, nigga.

Speaker 3 (01:02:02):
Just real ghetto nigga.

Speaker 1 (01:02:04):
I mean, that's what I'm saying. Like every hen you had,
y'all had cars.

Speaker 3 (01:02:07):
We never my mother. I taught my mother how to drive.
Sim We never had no vehicle.

Speaker 2 (01:02:12):
The only person in my house that had the car
was my uncle Reggie and herold them the only two.
And Harold crashed this shit coming down tenth Street High
one day, so he lost his car and we would
catch the bus and walk everywhere.

Speaker 3 (01:02:24):
Nigga.

Speaker 1 (01:02:25):
I'm talking about the metro bus, the sixty two to
the sixty four, to sixty four to the seventy to
seventy to the X two, the X two to the
we was.

Speaker 3 (01:02:32):
That's how I learned the city.

Speaker 2 (01:02:33):
And by the time I turned ten years old, I
was catching the bus by myself, the regular metro bus.

Speaker 3 (01:02:39):
Nigga.

Speaker 2 (01:02:40):
This is not the school there's no protection. All the fiends,
all the everything that's going on on the bus. You
seeing that shit, and this kid is all on the bus.

Speaker 3 (01:02:49):
Nigga. And my mama always had a car. Hey man,
My mama never had it till I became man. We was.

Speaker 4 (01:02:59):
She got good. We had got a pet cruising.

Speaker 3 (01:03:01):
Oh yeah, I had the pizza.

Speaker 4 (01:03:02):
We had a pet.

Speaker 3 (01:03:03):
Oh my god, Oh boy.

Speaker 4 (01:03:06):
Yo boy, I like.

Speaker 3 (01:03:09):
Money cruising right after Friday.

Speaker 1 (01:03:14):
The money might have that me me, my mama had
like a seventy seven and pollar photo right, this was
what this car was big then a motherfucker. Bitch used
to sit up half. She always keeps the white walls on.
The bitch with the with the hook. This motherfucker was
emaculately like brand new.

Speaker 3 (01:03:31):
Bro. It was like Burgen did with red interior. Was
probably shot photo woman getting.

Speaker 4 (01:03:39):
Out that mon any car with any call.

Speaker 3 (01:03:42):
Only thing.

Speaker 1 (01:03:42):
I ain't like about it though, because like back in
the day, because I told you when we was a
little little we used to hang our motherfucker on out
the window.

Speaker 3 (01:03:50):
So in the cars like that's why the back windows
only go halfway.

Speaker 4 (01:03:54):
Wait yeah, yeah, to hate that hate that ship.

Speaker 3 (01:03:58):
Now you're looking like this.

Speaker 1 (01:04:03):
There's still a lot of ship that happened in my
childhood that I don't know if it's real or not.
Y'all Remember slap bracelets, Yeah, y'all, remember they said motherfuckers
was dann from slapping bracelets and the risks?

Speaker 3 (01:04:15):
You remember. I don't remember that. I don't remember from
not wearing.

Speaker 1 (01:04:21):
Hell No, remember talking about somebody to cut their hand
off with a slap bread?

Speaker 3 (01:04:25):
Come on? Remember the Yeah? That was the way that
they that was. Now, as a grown man, I look
back and realized that a lot.

Speaker 2 (01:04:32):
Of that ship was the excuses they made not to
buy ship they couldn't afford.

Speaker 3 (01:04:36):
They were just making up reasons not to get Hey, Mama,
I don't want a game boy.

Speaker 1 (01:04:40):
You know the moment is exploded. Two kids off with
a game boy. You don't need no game boy. Now,
I gotta ask the question, whatever happened to all them
white boys that went to jail doing the Beabs and
butt Head ship.

Speaker 3 (01:04:53):
When it first came out, they go out of jail.

Speaker 1 (01:04:56):
Yet with the Beau Beavis and butt Head had had
the white boys tripping man. As soon as that ship
came out, they used to all act like they was
dumb here, but I don't even know how.

Speaker 3 (01:05:12):
Pretending the beast, you know what, you know what's crazy
was the way for them. Beavis and butt Head was
the first streamers because.

Speaker 1 (01:05:20):
That's all they was doing, was sitting down watching videos.

Speaker 3 (01:05:23):
Nigga, Beavis and butt Head was streaming Slim. They would
saying that.

Speaker 13 (01:05:30):
This guy.

Speaker 3 (01:05:34):
And we walked hours of this ship. Shut up, no, no, no, no,
it's crazy, wore.

Speaker 1 (01:05:51):
Bro I talking about I'm gonna punch in the nartists.

Speaker 3 (01:06:00):
Shut up. Don't get.

Speaker 2 (01:06:10):
Hate that damn niggas was streaming Slipper. They said that
they were sitting down and watching videos. Bro, that's all
they was doing.

Speaker 3 (01:06:18):
We used to walk. Every time they see some women,
they walk up to him. Hey, hey ber.

Speaker 4 (01:06:28):
They slow.

Speaker 3 (01:06:36):
Talking about that cool fierce cool used to come down, Babs,
was wrong with you?

Speaker 1 (01:06:47):
Telling you man that ship that was TV like, ain't
nowhere in the world you got had I sent you
a clip.

Speaker 3 (01:06:54):
I know how much you love Jim Curry.

Speaker 2 (01:06:57):
Why I sent you a clip of Jim Curry and
living in Color, my nigga, where he.

Speaker 3 (01:07:03):
Was the where he was color?

Speaker 14 (01:07:08):
Yeah, shut ups, I'm trying to watch the flight show.

Speaker 4 (01:07:21):
Yeah.

Speaker 3 (01:07:22):
Hey, By.

Speaker 15 (01:07:25):
You think this.

Speaker 3 (01:07:27):
Yeah, I'm sure that got d C. Yeah, Cray say
that your DC young Fly was the last sperm left beavers.
It was the last one furmous court.

Speaker 4 (01:07:48):
Permase core.

Speaker 3 (01:07:51):
What that? Bro?

Speaker 2 (01:07:53):
I sent you a clip. Matter of fact, I'm gonna
sure it to you my name. Let me tell you
something I don't even think you've seen it.

Speaker 3 (01:07:59):
Fly.

Speaker 4 (01:08:00):
That's a funny white ball on the earth.

Speaker 3 (01:08:02):
You can't, you can't do this no more. Man, Look
at Jim Curry, why oh ship?

Speaker 16 (01:08:23):
Want me back to eighty fiveself show? What is what's clippers?

Speaker 3 (01:08:35):
This? When he was the Arabic elepans oh.

Speaker 1 (01:08:38):
Man, Jim Carrey had a hell of a run, hell
of a run a spin tour in the movie theater.

Speaker 3 (01:08:51):
Bro, they shouldn't. I don't know.

Speaker 16 (01:08:53):
Somebody should buy a movie theater and just have that motherfucker.

Speaker 3 (01:08:57):
Set from like.

Speaker 1 (01:09:00):
Me in nineties, early two thousand, same ship, same ship,
read the movie movie theater experienced and change.

Speaker 3 (01:09:07):
They ought to just go back to the old ship.

Speaker 1 (01:09:09):
Bro funk all that bulls ship telling me frozen Hamburger
and this ship man pop conn shows Eminem's niggas old
skin crazy man, This nigga is stupid man. M hm

(01:09:35):
oh yeah, this message is sponsoring part by none other than.

Speaker 3 (01:09:42):
Backwoods. Yeah, but yeah, that's the tour schedule. Yeah.

Speaker 1 (01:09:48):
Hey, where we're going first though, Detroit Detroit, Misch Detroit, Detroit,
Detroit de truit Detroit till tell you.

Speaker 3 (01:09:56):
About hit Detroit.

Speaker 1 (01:09:59):
I'm all already planning for part two because they think
that this is it. Yeah, they don't understand the concept. Great,
we said we spending the block. Uh huh, that means
we're going to all of god damn places that we
have been we haven't been. In fact, the same way
they waiting on us to come back.

Speaker 3 (01:10:19):
We're going. We're waiting. They go that we done bad. Huh,
We're about just spending that block.

Speaker 1 (01:10:23):
And here again we go in all the places we
are ready bed were about to spend that block and
hit them again.

Speaker 4 (01:10:31):
Liok, we turning up.

Speaker 3 (01:10:33):
You already know the stuff.

Speaker 4 (01:10:35):
Futher around, shall to spending up block.

Speaker 5 (01:10:37):
In one of u, now e three of us around
each three us'll gonna be leaving us.

Speaker 4 (01:10:43):
Believe it.

Speaker 3 (01:10:44):
Bro y'a turn up around.

Speaker 5 (01:10:46):
Don't get burnt up to beat cut off us on
so fi yo.

Speaker 4 (01:10:50):
Burn up yo, drop that tank, drop that tight your
girl that she caught that.

Speaker 1 (01:11:00):
About to spend the block, y'all. We about to punch
the clock. Whoo oh say we're going to work. Might
do it so on Sunday. If you ain't going the shirt,
hey laid on, you can still make it too service
if you hurry up and go.

Speaker 3 (01:11:20):
Get you hurry up and go.

Speaker 4 (01:11:21):
Yeah, because you say the.

Speaker 3 (01:11:23):
Lord, let him know.

Speaker 16 (01:11:24):
Pray the Lord and let him know.

Speaker 1 (01:11:25):
Your brother about to grow throw and Denny getting to
Jered Carolyn.

Speaker 3 (01:11:29):
Denny gonna let him floating.

Speaker 1 (01:11:31):
Then every time you see me, you gonna be like, hey, hey,
hey that she gonna no, hey, it be loose all day.

Speaker 5 (01:11:37):
Yuh.

Speaker 3 (01:11:38):
These see young fliers, gunna be there.

Speaker 1 (01:11:40):
Yeah.

Speaker 3 (01:11:41):
If you don't come to the show, you'll be squared. Yo.

Speaker 1 (01:11:44):
You know we about to come about the bloget jo
be with ay money serving everybody.

Speaker 3 (01:11:50):
Yokay except Chember six.

Speaker 1 (01:11:53):
Were in Detroit Exceptchember seven and the napolist.

Speaker 3 (01:11:57):
Let's go it.

Speaker 1 (01:11:58):
The twentyth me a South Carolina, the twenty fourth when
we were North Carolina, twenty six we in phillyddope twenty
seventh fifth back virgin Y're October eleven. We and menfil
nine maybe the next day the twelfth, we in Nashville,
name man here Maine.

Speaker 3 (01:12:19):
November first, we in the d Dallas, Texas. That's what
we gonna be.

Speaker 2 (01:12:23):
Then the Sunday, November second, it's shoost in Texas, h
town going down?

Speaker 4 (01:12:29):
What else left?

Speaker 3 (01:12:32):
Come about the fargus? You don't? I mean with Jane
Money's every every.

Speaker 1 (01:12:36):
Night f come about at the FACA.

Speaker 3 (01:12:42):
Everybody, Oh yeah, what the fuck was that?

Speaker 1 (01:12:47):
Okay, let's get up man stopping you fucking niggad the
time got you know, nigga just burped up some spam.

Speaker 3 (01:12:56):
Yeah yeah, green Yuh ride.

Speaker 12 (01:13:01):
The whoop for nigga ass on the body can yes
with the riders, man with Yu to the ball to
the fucking throat, y'all off.

Speaker 3 (01:13:11):
The top broke yo, nigga go yo, I'm in whooped
this nigga ass.

Speaker 1 (01:13:15):
Now of stoless hole now walking in his horn trying
to see if they had some flop funny stages, balloon it,
hold it.

Speaker 3 (01:13:25):
My name's hold it yo? Who the nigga came home?
Name yong Man. I'm gonna spend the block again.

Speaker 17 (01:13:33):
And the god I've just lost another friend about the
yarn I own no way.

Speaker 3 (01:13:38):
He don't lie, y'all. I see the man in mice
strike mice y yeah, football pipe color. Okay, old town.
I get a hyphen who.

Speaker 4 (01:13:52):
Boy that you in?

Speaker 3 (01:13:53):
Futher around I do his Okay, I said, goose here
who they're gonna do? Kill bugg a ride by byn
to kill around your silets like.

Speaker 4 (01:14:01):
Hey, shay, I need a shoe deal.

Speaker 1 (01:14:02):
Okay, No not from shot though, Okay, the foot roun
at macko Oh.

Speaker 3 (01:14:09):
God, yeah, hey, well I can't get some bark here.

Speaker 1 (01:14:13):
I ain't gonna lie, hey, serving everybody else.

Speaker 3 (01:14:16):
Yes, yesterday I came outside joint, then in the car.
Then I was about to drive. Took a little rag.
You waited fast.

Speaker 1 (01:14:26):
Then I made a left, walking off side dry How
I did there? Twenty of course, padded into gpsen stay
on board.

Speaker 3 (01:14:36):
Shut up over there by the west end. Ain't nobody
even tell me ain't no west.

Speaker 1 (01:14:44):
It's about to go. They ain't even gonna have the building,
no lod. They about to build apartments.

Speaker 4 (01:14:52):
Don't I mean with the.

Speaker 3 (01:14:56):
Hey, you know we talked to kind of heady my name.
Oh she used to riding windows of shipping with my nigga.
Real cool look at the posy still got it hold
his mood. I said, I'm back in the drown.

Speaker 1 (01:15:13):
With my Nigga said, we see it's very fast you
had and you with the he got no unkarab.

Speaker 3 (01:15:19):
I don't know the day.

Speaker 1 (01:15:21):
Serving every.

Speaker 3 (01:15:24):
Okay, you're back. Ain't my turn? Buck go around he
ain't everybody? Oh oh check this hopper. I'm trying to
tell you your nigger don't go around here.

Speaker 4 (01:15:33):
Let on, no Ah ship here we go. Yeah, yeah,
we're doing it.

Speaker 3 (01:15:37):
Buckle around me, screwing it.

Speaker 4 (01:15:39):
Get you up here.

Speaker 3 (01:15:39):
We louien it.

Speaker 4 (01:15:40):
Oh yo, po see loosen it. Yeah.

Speaker 3 (01:15:44):
Can't you like that line? Good? No, not be with
money serving everybody. It's me.

Speaker 1 (01:15:54):
No, brother, niggas did the motherfucker DJ had this spind
up blow.

Speaker 4 (01:15:59):
Niggas know where nigga all right.

Speaker 3 (01:16:11):
Themselves all man, hey, broy, we need to do that. Man.
I tell you what I missed, y'all. Niggas man, man, man,
miss y'all niggas man, you know I did, man, you know,
And that was that was that was that was that

(01:16:33):
was time doom. And in regards to just you know
how much goes into it.

Speaker 2 (01:16:37):
You know, we do what we do and I think
it made me appreciate the talents that we have and
how we make things look so seamless and make it
looks like it's just so effortless because.

Speaker 3 (01:16:48):
Most people got to practice. Man, yeah, a lot.

Speaker 1 (01:16:50):
And you know what I mean, coming from an environment
where we don't ever practice. We can just show up
and do whatever we do. We're going to practice this year,
having a happening. We're talking about practice, having that.

Speaker 2 (01:17:00):
Having to adjust to a different format and going to
practice during the week and having a you know, because
I knew my lines before we even started, but having
to adjust to make everybody else fit into a structured
type of you know, setting is different.

Speaker 3 (01:17:14):
But I learned so much man, and sing dance, singing
and dancing. Man, how you pressious? Yeah? Man, but that
was the fun part, man. You know, getting at tapped me.

Speaker 1 (01:17:25):
You know you you always have been inspirational in regards
to seeing all the things you've been able to do
with your acting and how versatile you have been and.

Speaker 2 (01:17:34):
Just being able to what I learned and doing it
is you can think you know how to do something,
but you don't know you know how to do it
until you do it. You know what I say, and
being able to show people what it looks like to
see you in another light is beautiful, man, because people
who knew me saw me and was like, oh my,
I never knew that you could do this, you know
what I'm saying. So that was the funniest part. But

(01:17:55):
it was time consumer But I got to work with
you know, Cold, I can't stop all of your cold, Slim.

Speaker 3 (01:18:01):
You cold for Elvis cads to iconic. Yeah, but now
he don't hate it. It's just you though.

Speaker 4 (01:18:06):
It is what it is.

Speaker 2 (01:18:07):
Jill, Marie Jones, girl, Miitri mckinniy flex Alexander, you know
what I mean. Claudia Jordan, who is one of my
favorite people that I man that she's so funny slim
that Loas told me how funny she was, man, but
she you know, and it was dope, man.

Speaker 3 (01:18:21):
It was a dope production. And you know what I mean.

Speaker 2 (01:18:23):
I'm glad that I got to do it because I
learned so much and then it expanded my talents as
an entertainer and what I'm able to do it.

Speaker 3 (01:18:29):
Course, I learned that so much.

Speaker 2 (01:18:31):
Fly, I learned it's one hundred ways to say one word,
It's one hundred different emotions you can give that. NI
tell you say, that's one of the exercises we did it.
Say what ten different ways? You know what I'm saying,
and just that having to tap into that and show
that different type of range of just pulling different type
of emotions out. And man, I learned so much. I

(01:18:51):
learned that just the ins and out of acting. Because
cold Carl Carl Anthony Payne, I'm gonna.

Speaker 3 (01:18:56):
Say your real name, Slimson. You don't get mad at me.

Speaker 2 (01:18:58):
But Carl is is is a genius when it comes
to it, because he's a veteran and he taught me
so much.

Speaker 3 (01:19:03):
Flex taught me so much, you know, just.

Speaker 2 (01:19:05):
In regards to them being people that we grew up watching.
I looked at so much of the game that they
gave me and was able to implement it into what
we do and what we got going on something on stage.
You start singing, I mean we already That's what I'm saying.
We already saying. You were like you're gonna do the
I mean yeah, for without a questioning. But you think
about it, we didn't already been putting you think about

(01:19:27):
wilding out what we did on that show and how
much work we put in in regards to creating something
from nothing.

Speaker 3 (01:19:34):
It seemed like it was a little long ago, I know.

Speaker 2 (01:19:37):
Right, But in this in a in an acting setting,
especially in theater, it's the same concept, but it's scripted,
so it gives you a crush that we never really
got to utilize because there is no script. So that
allowed me to be able to do something that I
never got to do before and still rely on the
words that were written, but take those words and.

Speaker 3 (01:19:57):
Make of my own.

Speaker 1 (01:19:58):
Check this out with wild Out. It's the n b A,
just the Big Three. Yeah, man, that's yeah. That was
like we still could play right.

Speaker 3 (01:20:09):
But you know.

Speaker 4 (01:20:11):
About the say fly that, Well, there's.

Speaker 5 (01:20:13):
A time on stage that something happened and when you
got off stage, you didn't know that you you you
knew you didn't know that that was gonna happen or
that was gonna bring.

Speaker 3 (01:20:23):
So many times Mother's Day.

Speaker 1 (01:20:25):
Mother's Day we had to show in Saint Louis, and
you know, I went through a real vicious bout of
depression this this this year with my mother. For some reason,
I don't know why. It just was real, real tough
for me. So I was good before we got.

Speaker 3 (01:20:39):
To the venue.

Speaker 1 (01:20:40):
But when I walked in the venue, it just was
you know what I mean, it was crazy, and me
and Flex was sharing a dressing.

Speaker 2 (01:20:45):
Room and when I came in, you know what I mean,
I just lost it. And he closed the door and
came and gave me a hug. And then afterwards I
was like, man, this nigga I met here getting consoled
by Michael Jackson. Michael Jackson, this nigga Flex Alexander's in
here consoling.

Speaker 3 (01:21:03):
Me one on one nigga, you know what I'm saying.

Speaker 2 (01:21:06):
But when we did the play, when we actually got
to work, and it's a scene that we did where
me and Carl were brothers in the play, and it's
a scene that we had been mind you, we had
delivered the whole time. But this particular day, when we
were talking about our mother abandoning us, it's just something
that just hit me and we went.

Speaker 3 (01:21:24):
Somewhere completely different.

Speaker 1 (01:21:26):
And even he acknowledged it on stage, he was like, yeah,
there it is, but he was in the scene. But
it was like, man, that's what you just did is
exactly what I know that you capable of doing. And
I didn't do it on purpose.

Speaker 2 (01:21:38):
It was just I was thinking about my mama, and
that shit pull came right out of me, bro, And
it was one of the most powerful.

Speaker 3 (01:21:44):
Scenes that we did the whole run of the tour.
So it was dope. Man.

Speaker 2 (01:21:47):
I learned a lot, but it made me have a
different appreciation for not just acting, but theater.

Speaker 4 (01:21:51):
There is different it is, That's what I'm saying it.

Speaker 5 (01:21:55):
That's why I said I.

Speaker 4 (01:21:56):
Come from theatre first.

Speaker 5 (01:21:58):
So theatre makes you have to listen, bro, It makes
you be dependent on somebody else that's on state, and
it makes you say, all right, if nothing is going on,
then take over. Yeah, you feel me, because now there's
a space for.

Speaker 4 (01:22:15):
You to create in the moment, in the moment. Now
it's in the moment, whatever that moment is, do that
because if not, it's gonna be a dead stylid space.

Speaker 3 (01:22:26):
See.

Speaker 1 (01:22:26):
That's the thing that took wild up to another level though,
because you remember when we first got there and it's like.

Speaker 3 (01:22:35):
They used to cut the mics off.

Speaker 4 (01:22:36):
You know what, mic, You couldn't talk on that mic
at Ferd.

Speaker 3 (01:22:39):
Yeah, but you see the difference in when the mics
stay on with that crowd and when they cut them
off that ship.

Speaker 1 (01:22:48):
That's take the show, they take the energy in the
whole room up because it just opened the.

Speaker 3 (01:22:54):
Platform up more.

Speaker 1 (01:22:55):
And then when somebody you see how happy motherfuckers like
the outside of the regular us who talked ship doing
the break, like when somebody who don't really do a
lot of the crown in action ship but they could.

Speaker 3 (01:23:06):
Just get one off, make it making sure you heard it,
Yeah you heard it.

Speaker 2 (01:23:12):
You may miss they went, let me, let me and
to get your confidence up, because you know what I mean,
the ones that do it, you feel like, oh ship,
because you know we was once the mic stayed on.
That was the reason why they stayed on is because
we would talk so much.

Speaker 3 (01:23:30):
So much ship. Yeah, just and just funk around and that, yeah,
it don't matter.

Speaker 2 (01:23:37):
And that was the part that that I learned in
regards to what I already possessed in in that space,
because that was a new space for me. I did
plays before, but you know, in high school, and I
did one in Greensboro years ago, but this was a
major production and these were you know, professional actors that
have been doing this forever.

Speaker 3 (01:23:55):
So I came in with a rookie mentality.

Speaker 2 (01:23:57):
But once I got the understanding of with the structural
way that they wanted it done. Was then it made
me open up and say, oh my god, I get
to be me in ten different ways and learn the
people because everything is different.

Speaker 4 (01:24:11):
You know, we got comedy. Yeah that's straight, that's straight,
just laughing. You know, you can take them where you
want to go. Do you got acting? There's no crop
and you got the theater.

Speaker 3 (01:24:19):
Yeah, you can.

Speaker 4 (01:24:22):
Be acting and also.

Speaker 2 (01:24:24):
Feel the emotion without question, because they gonna let you
know without question.

Speaker 4 (01:24:28):
When you feel that emotion, what is she taking?

Speaker 3 (01:24:31):
Oh my god, everywhere? Man like.

Speaker 2 (01:24:33):
And it's so crazy to see the reaction of people
that know you for whatever it is that you do,
to see you man like.

Speaker 3 (01:24:40):
You know, my man drank to travel with me all
the time.

Speaker 2 (01:24:42):
When the play was over, man, and they came up
to me and start crying just because he was like,
I ain't never like to see you go through so
many different emotions and to see you be somebody that
I know as a totally different but it's two totally
different people. He was like, br it just made me
have a different respect for it. But I didn't know
that I was it evoking those type of emotions out
of people because I'm just doing what it is that

(01:25:04):
I'm you know, supposed to do. But like it was
a couple of scenes with me and Carl were going
back and forth about you know, cause the play was
called Games Women Play, and it was basically about that,
you know what I mean. To give your synopsis of
the play, Carl and Jill were in a relationship, and
I'm his little brother and I kind of saw that
she wasn't the right one. And his assistant, who was Demetri,

(01:25:27):
was you know, a part of the whole structure and everything.
But there were so many scenes where we were going
back and forth as men that caused us to have
real interaction like you know what I mean, you know
how it go when you're talking to your brother. Like
we had a couple of times where turning us really
being brothers going at it, and it was natural, Like
I felt the fact that he was like, oh, nigga,

(01:25:48):
who you talk nigga, And it just went like that.

Speaker 3 (01:25:50):
But we stayed in the scene.

Speaker 2 (01:25:52):
So that's what I learned how to do, how to
do that, Like that was all different shit that I
learned from him, how to be some.

Speaker 1 (01:25:57):
To stay in the scene but still take it ten
different places.

Speaker 3 (01:26:01):
At one time. But that shit is amazing, man, it's
it's it's you got.

Speaker 4 (01:26:06):
Stay on the script, but you.

Speaker 3 (01:26:07):
Can take it all as long as you come back
to that. And then you're not just thinking.

Speaker 2 (01:26:12):
About yourself because flex on the couch, he has on
his line. He was waiting to hear his cue, so
he's come in on his line. So you got to
take it back to what to throw him. But then
if you do it the right way, he'll be able
to come in and keep elevating and the crowd is
going to react to it. And it makes it so man,
that just makes it so excited for what we'll be
able to do in a movie. Bro Like, Like it

(01:26:35):
just opened my mind up. And me and Los was
having conversations throughout the time because he was shooting a
movie at the same time I was doing the play,
and we were having so much dialogue. Like he talked
to me about when he had to do a crime
scene and how he just blew everybody away with the
fact that you could tap into the mouth. You yeah,
fuck him up, see what I'm saying, Like we already

(01:26:58):
got the so much that we had need. That's the
one thing that we haven't even tapped into we make movies.
Every time were on stage, like you can run that ship,
but if we actually sat down and scripted it and.

Speaker 1 (01:27:11):
See, that's why I'm so excited because it's like that
wasn't the first time that I had to do some
ship like that.

Speaker 3 (01:27:17):
Now the ship with that, it was like that was
about to be some big ship and then ship happened.

Speaker 1 (01:27:24):
It was it was like it's been a few times.
It was like this, you know how this should be
like some big ship. It'll be You'll be working on
it and everything and then the ship just go away.
But the next couple of acting projects, it's gonna shock
the hell out of people that I got coming.

Speaker 4 (01:27:42):
Issues Like two, I had to cry le work, why
not my I'm like, I ain't gonna lie. I ain't
really tut to cry, got no, what don't.

Speaker 1 (01:28:11):
No?

Speaker 3 (01:28:12):
My face?

Speaker 5 (01:28:19):
Like if you need somebody to drown, and maybe I
can do that, like he was looking.

Speaker 3 (01:28:25):
Up at the sun.

Speaker 17 (01:28:28):
Like a vampire time, But I can't grab where that
ship gonna go from.

Speaker 1 (01:28:32):
Man, I didn't wait for this ship to start coming out. Yeah, man,
you know what I'm saying. All kind of ship man?

Speaker 2 (01:28:38):
It was fun man, you know I learned now, you
know what I mean. I learned so much, man, But
it was it was a different you know, it was
a different process. The traveling was different. The way you
gotta move is different, the way everything is different. Yeah,
it becomes and it's a real play.

Speaker 4 (01:28:53):
Like you I'm in the time you perform a week.

Speaker 3 (01:28:55):
Uh three three, I mean a day like so sometimes
three show was in the day. That's the most we did.

Speaker 1 (01:29:01):
I had to do that movie ship and be on
tour at the same me too, So you know what
I'm saying, insane, like, but that's what I mean. It
just showed you how to work so much muscle. But
it definitely was time consuming and it brings out. You
got to have a level of patience with it too,
because I've seen him.

Speaker 3 (01:29:17):
Because it's just like a whole different it's a whole
different gift.

Speaker 2 (01:29:20):
To crash outs. It's different when the nigga come out
and do that.

Speaker 1 (01:29:23):
Look at motherfucker. It'd be so serious. It's like, but
that ain't even them. Like I said, you don't know
where like to get to that place you can't come
out of. So a lot of the times it ain't
just them snapping because they be really taking that ship there,
some ship.

Speaker 3 (01:29:43):
Some of this ship is really extreme. These people really
have to live this ship. Yeah, not for like a
week or a month or a couple of months.

Speaker 1 (01:29:51):
This This Day movie be two years in the making
this ship, and then they gotta come and switch that ship.
So it makes sense to isolate and stay away from
your normal routines and ship because you got it, it's
hard to get back in the place.

Speaker 3 (01:30:09):
And then another thing that I that I noticed is
like the things that we are able to just just
make make do with, Like I give you, I give
you a perfect example. I give you a perfect example.

Speaker 2 (01:30:25):
You remember that show we had and the mics broke
and we had to stand in the DJ booth man,
you know what I mean, how we had to stand
in the DJ booth and use the DJ mic.

Speaker 3 (01:30:34):
The same scenario in a play.

Speaker 2 (01:30:36):
When the mics mess up, it fucks up everything, fucks
up the floor to scene. And when I'm talking about
the most frustrated I would see cast.

Speaker 3 (01:30:45):
Members get is when they mics wouldn't work up.

Speaker 2 (01:30:49):
Yeah, I mean, because it causes you and when the
mic come back on, so much was missed within the
scene that they didn't hear that it's hard for you
to get people back into the structure of what the
scene is. So MIC's being fucked up, the sound being
fucked up like that was such a big issue for
especially because we had to sing and we had the
cues for the band.

Speaker 3 (01:31:09):
And all that ship is.

Speaker 2 (01:31:11):
It just made it appreciate how we operate to where
we can just no matter what happened, one of us
is we're gonna figure it out. Yeah, exactly, We're gonna
figure out. You know what I'm saying one hundred month, right,
but we're gonna figure out. It made me having for
so many different ways, like breaking the good talk. Yeah
you know what I mean, Like it's so much they get.

Speaker 3 (01:31:32):
Crazy like that's what if he could use that same
motivation to cry this, I.

Speaker 4 (01:31:49):
Wouldn't make and learnt learn.

Speaker 1 (01:31:51):
Bro.

Speaker 4 (01:31:52):
Look, it's it's mythic.

Speaker 1 (01:31:56):
It it's a mythod, it's a it's a everybody different,
it's a it's a it's.

Speaker 5 (01:32:01):
It depends on the character, the tone, what's going on,
why you feel me. Once you become him, then you
will realize there's something in you that was him because
you don't really want to do nothing that you don't
feel comfortable or.

Speaker 3 (01:32:17):
It's so far away from you that is from who
you are. Is easiest ship to do.

Speaker 5 (01:32:22):
I won't just say the easiest shit to do it.
It's more so saying like we have similar trauma. Put
it like that, or I got I feel your playing
like empathy.

Speaker 4 (01:32:34):
You know what I'm saying, Like talking to a nigga like,
damn my nigga, because I went through some tune.

Speaker 3 (01:32:39):
Nigga, I feel like bad characters.

Speaker 1 (01:32:47):
Yeah, like I can't because it's so different from me.
It's like, yeah, I know how to deliver this ship
because it's in a way that I wouldn't. I'm gonna
deliver this ship for the reason why I don't like
Now you can get under people's skin. That's how you
know you being a good villain where motherfuckers really don't
like you, like they can feel that you're on the

(01:33:08):
wrong You on the other side, now, it's believable.

Speaker 3 (01:33:11):
You gotta have up is even more important than having
a good hero.

Speaker 4 (01:33:17):
Yea hero like I want you to hate me.

Speaker 5 (01:33:20):
I don't want to just be like you play that
good No, nigga, I really don't want you to like me.

Speaker 3 (01:33:24):
Nigga kind of like to read from power. You know
what I'm saying, Like.

Speaker 1 (01:33:29):
That whole cut, you went crazy, thought like you when
that nigga told Batman pretty much like you don't want
to kill me because then you ain't really got nothing
to fight, Yeah without me give you on purpose.

Speaker 3 (01:33:41):
That's why you are who you are, because we just
thing kind of fucked up.

Speaker 1 (01:33:45):
You just think the fucking up ship you do and
they like it doesn't mean that you ain't just as
fucked up as me.

Speaker 3 (01:33:52):
Yeah, we need each other. It's a co dependent relationship.
If you kill me, they gonna kill you because they
don't need you, know, and then now gonna be over. Yeah,
so you just as fucked his asd man. That's why
he was laughing when he was beating his ass.

Speaker 1 (01:34:06):
Yeah, cops and robbers man, you know what I'm saying.
But I know for me, like tapping into emotions.

Speaker 2 (01:34:13):
That's what I learned how to do, because you know,
we so good at having a push through everything, especially
us specifically, like we didn't been through so much shit
that the world would crumble or you know what I mean,
if somebody had to walk and step in them shoes.
The shit we deal with on a day to day basis,
we just learned how to and then when you tap
into these characters, it's like, man, I got a bank

(01:34:34):
of emotions that I didne suppress it.

Speaker 3 (01:34:36):
I can tap into to you way release it and it's.

Speaker 1 (01:34:39):
A way to let it out and you can utilize
it to be like I didn't go through this for nothing.
Even though you don't necessarily want to suppress anything. You
want to deal with your traumas in whatever way you can.
But when you get into acting and get into doing
these characters, it's like this wasn't in vain.

Speaker 3 (01:34:54):
Now I get to utilize this pain to be able.

Speaker 4 (01:34:56):
To you kind of like put it on the character.

Speaker 2 (01:34:58):
Yeah, put it on the character to be able to
to push this ship out in the way to where
my pain has brought people that into my life in
a way it wasn't through me.

Speaker 4 (01:35:06):
And guess what, I still got to stop it because.

Speaker 5 (01:35:09):
The character is not supposed to start exactly exactly, so
it's like you one day will get a chance to
release it. So when you become this character, it's like,
all right, now I can actually release it. Because even
when you practice and you're like you don't think that
you go you like I'm knowing I'm gonna get into
a to a certain mind frame, but you like, I
don't know when it's gonna happen. If I tap into it,

(01:35:31):
it's gonna happen, but I don't know when. It's all
depending on the scene and how we set up, because
it's all depending on who you interacting with, too, because
if he ain't.

Speaker 4 (01:35:39):
Give me you no feeling or she ain't give you
no feeling, you can't you can't get it. You can't
get an it.

Speaker 1 (01:35:43):
But see, that's the thing about it when you do
a full project too, because you have to.

Speaker 3 (01:35:48):
You don't just get to do one all the time.

Speaker 1 (01:35:51):
It's a range of emotions because sometimes you responsible for
different feelings in different scenes. Like sometimes you you are
the odd person that with the fuck opinion, or the
person who had to say the ads whole ship, or.

Speaker 3 (01:36:03):
The person of logic, the person reason, the person who
got to.

Speaker 1 (01:36:06):
Say some ship that everybody don't want to hear. But
that don't make it necessarily mean.

Speaker 3 (01:36:10):
Like your asshole something.

Speaker 1 (01:36:14):
You the one who got to deliver the empathy or
the compassion, or you the motherfucker who got to bring
the story to It's like, yeah, that's and then it's
then't having to go from one to the other, like
the progression, then having to go back to some ship
that you ain't had to do since the first day.

Speaker 3 (01:36:31):
Yeah, or at first.

Speaker 5 (01:36:33):
Acting to take you all over y'all think y'all could
have played Radio Hell yeah.

Speaker 2 (01:36:38):
Yeah, Now before I did the play, I would have
told you yeah. And then the reason why I say
that is because I did that type of work and that.

Speaker 3 (01:36:47):
Learning how to tie past.

Speaker 4 (01:36:50):
Three months after that.

Speaker 2 (01:36:51):
Oh no, yeah, you you're gonna you're gonna be fucked up.
But that's the thing, like a character never stopped being Radio. Yeah,
he's still That's what I'm trying to.

Speaker 4 (01:37:00):
Yeah, get that baby out the club.

Speaker 3 (01:37:02):
That rose du like I said, be born for that role. Yeah.
Can't nobody do it the way they do it right, James, Jimmy.

Speaker 2 (01:37:14):
Jamie Fox was born to play Raych'ard like you could tell,
like just the way he delivered Justin Hoffman Raymond Raymond, I.

Speaker 4 (01:37:21):
Saw rad right, I saw Rachard whole.

Speaker 3 (01:37:24):
Yeah, that was ray Chard's you know, most believable ship.
Oh yeah, so you're Timmy man, I don't know what
going know what I.

Speaker 2 (01:37:31):
Mean, Denzel, that is Malcolm Max, like Denzel's Denzel as.

Speaker 3 (01:37:40):
Denzel is Malcolm Mack.

Speaker 1 (01:37:43):
Yeah, the most believable ship Malcolm Max.

Speaker 2 (01:37:46):
Like, it's probably kids that would see Malcolm X and
not know that that wasn't Malcolm X. The way he
played Michael, which one Denzel Denzel Washington is.

Speaker 3 (01:37:57):
Math that's probably one of the greatest movies ever.

Speaker 2 (01:37:59):
Ever made, Like just because of his ability, Nigga, don't
you ever say a word of gat like just being
able to go from that to go from Detroit Yeah, yeah,
go from Detroit red to being Malcolm like the way
that my favorite part of Malcolm X, Like, especially after
getting into acting and getting as in depth into it
as I did with this project, I just did when

(01:38:21):
they was about to shoot him and he looked down
and smiled. You know how hard that is to probably
have been to have done with all of the emotions
of the fact that you playing somebody and you are
watching how this person that is so monumental in our
people's history, how they got killed by us, and you
got to look down and smile lett him before it.

(01:38:42):
Get your hand out of my pocket, and he was, hey, brother, brother, Hey,
calm down, And that's what they said, Malcolm did, they
said when when they came up and then mother folks
raised that shotgun up at Malcolm.

Speaker 3 (01:38:53):
He looked down and just smiled.

Speaker 1 (01:38:55):
Man, it's a longer version of that movie. They had
to take out a lot of shit. I want to
see the spike spike ten hours, I guess gainst christ Yeah,
that's how he was. Boy, you got that, that's the
movement he was doing.

Speaker 4 (01:39:15):
I told, I told, I told him, they give me a.

Speaker 1 (01:39:18):
Yeah, the way he did it, you have to do
it like I don't never exactly, but he gave you
a blueprint of what he was like.

Speaker 3 (01:39:27):
You wouldn't I.

Speaker 4 (01:39:29):
Would have never listened him. U r p uh. Chadwick
Chad with both Man.

Speaker 11 (01:39:37):
He played Jackie rob Jackie Robinson and Brown Brown. Good
that James Brown was so good good James Brown won't want.

Speaker 3 (01:39:47):
Me yo, I would like.

Speaker 4 (01:39:48):
But watch everything.

Speaker 2 (01:39:50):
It made me go back and see Don Cheato his
miles David. Yeah, he did a hell of a job.

Speaker 3 (01:39:55):
But like.

Speaker 2 (01:39:57):
My mile, I love Don Cheetah, but my it made
me go back doing this acting and going in depth
as I did, make me go back and watch my
favorite characters from movie. Like my favorite movie character of
all time is Audell Roby. Samuel Jackson is Audeo Roby
and Jackie Brown. Like when I watched that movie, the
way that that nigga turned into order. He Ordell Roby

(01:40:17):
to me for over everything he didn't ever do over
Gator everybody, because you just it's a scene with him
and Robert de Niro was sitting on the couch and
you're explaining the guns to him, and the way he
do it is so smooths Like this, that's a Tech nine,
little cheap ass spray gun out of South Miami. You
know what I mean, Mark at this Tech nine is
the most popular gun in American crime.

Speaker 1 (01:40:38):
And say that in a little book that to come
with it, like they proud of that shit. The most
popular gun in American crime. And another gun come up.

Speaker 2 (01:40:44):
It's like I said, a Staya all sty ows, bad motherfucker,
he said, but you know what I mean, ain't no
demand for us, so my customers don't know nothing about it.
But I tell you what, you put this bad boy
to flick. Every nigga out there wont one.

Speaker 1 (01:40:57):
When them Hong Kong flicks came out, every in the
world had to have a forty five, and they ain't
just want one. They want to because all them niggas
want to be the killer. But see what my customers
don't know. Forty five got a serious fucking jamming problem.
I try to steal them niggas towards nine millimeters because
it's a way better gun. But you know, them niggas
the killer had a forty five, they wanted forty five.

(01:41:17):
And at the end, that nigga said, up up, up,
dad is eight kate forty seven. The very best day
is when you absolutely positively got to kill.

Speaker 3 (01:41:28):
Every motherfucker in the room. Accept no substitutes.

Speaker 2 (01:41:31):
And it's just like the way that nigga explained the pistols.
And at the time I seen this movie, that's all
that was going on in my neighborhood. Or Jackie Brown,
Jackie Brown, like the nigga. The way the nigga forts Chris,
that's my Chris Tucker's acting in that movie. The way
he finessed Chris Tucker to get into the trunk of
the car is so cold, man, nigga for nets Chris
Tucker to getting into the trunk of b nah that nigga,

(01:41:54):
Chris Tucker, Man, that was a motherfucker. Like, man, it
was just a little small rule, small road, but it's
such a such a dope role. Oh that nigga made
that nigga get in the trunk of the car. That motherfucker.
It's like two niggas talking. That's the thing that made
the road so great to me, because it's like, you know, understand.

Speaker 3 (01:42:09):
They couldn't.

Speaker 4 (01:42:11):
Got it.

Speaker 3 (01:42:11):
What's the name of the Jackie Brown?

Speaker 1 (01:42:13):
The nigga standing in front of the trunk of the car, right,
and he tried to like.

Speaker 2 (01:42:17):
He finessing him. He gonna he gonna kill him, but
he got to get him in the trunk to kill him.
So he telling them this whole story. He's like, like,
you remember them three machine guns I brought out of
the two I had last year, said, I'm gonna tell
the other one of the knights of these little Koreans
over in Koreatown got this little neighborhood watched thing they
got going on. Now, you know what I mean. They
find large Koreans are very reliable. You know, you ain't

(01:42:38):
got to worry about them shooting in the back. But
you're gonna argue with him about price.

Speaker 1 (01:42:41):
But I ain't ever did business with these Koreans before,
and that's why I needed you for backup.

Speaker 3 (01:42:45):
You always got to have back up.

Speaker 1 (01:42:47):
And he opened the trunk and said, look, all I
need you to do is laying this motherfucker hold this shotgun.
I'm gonna tell him I'm going in and showing the product.
When it pop open, you jump out racked this motherfucker.
Chris like, man, get no motherfucking truck. He was like, man,
we ain't going awhere the care Town. You ain't gonna
be in there no more than ten minutes. He said,
I ain't gonna be in that motherfucker no minutes. That
Nigga looked at him and said, I can't believe you

(01:43:08):
do me like this.

Speaker 3 (01:43:09):
He said, dude, you like what Man, I want to
help you.

Speaker 1 (01:43:11):
I just don't want to get in the trunk and okai,
he said, you think I wanted to spend ten thousand
dollars to get your bitch ass out of jail.

Speaker 3 (01:43:16):
No, but that's what I had to do to help you.
So that's what I did. This is how you get him.

Speaker 1 (01:43:19):
Me said, look, look, look after we finished fucking with
these Korens, how about we go to Rod Scotch Chicken
and waffles on me. That sound good, Scold Special smothering
and gravy and nights collin green corn bread.

Speaker 3 (01:43:31):
That's some good heat. The nigga was like, how long
I gotta be in this motherfucker.

Speaker 1 (01:43:36):
Nigga got in the trunk, turned on Strawberry Letter twenty three,
rolled around the corner, open the trunk, shot the nigga
two times.

Speaker 4 (01:43:41):
In the head. God damn.

Speaker 3 (01:43:43):
Yeah, never see the nigga in the movie again. Over
with like it was in the movie all the three minutes.
My nigga, that's it. But it was killed. The shit though,
And that's the thing about like characters. That shit used
to come on stars so much. They called Jane Brown
Jacky Jackie Brown.

Speaker 2 (01:44:03):
Jane Brown, Samuel James Brown, Yeah, Jackie, Pam Grill Yeah,
Pam Grill boy.

Speaker 4 (01:44:13):
She was the first had a baby.

Speaker 3 (01:44:14):
Yeah, she was the first de Niro Robert de Niro
in it, you know what I mean. Rigal that was
the ship that originally stopped doing that.

Speaker 1 (01:44:23):
Not in our community. This is our neighborhood. Like original.

Speaker 3 (01:44:31):
Braxton Heart. The brig is a gangsters just man.

Speaker 1 (01:44:33):
That ship, that nigga, Braxton bro was what was that
nigga name original geatess Man, I forgot man, that nigga
was named like kool Aid and some ship.

Speaker 4 (01:44:45):
They were scared, scared, but that nigga drew.

Speaker 3 (01:44:49):
Down was in that motherfucker man all agrest minute. Yeah,
you're right.

Speaker 4 (01:44:57):
We're walking in the trouble for what we do do.

Speaker 2 (01:45:01):
Original original Gangsters man, lick damn scene, this crazy man?

Speaker 3 (01:45:09):
How much Black senttlement? We didn't? We didn't. You ever
seen the Ink? Well?

Speaker 1 (01:45:14):
Yeah, yeah, Fat Beach yep yeah, Black spring Break, No,
I ain't never seen that, never seen Black spring Break.
That's that's so funny, as low budget as Black spring Break,
Black spring Break, Yeah, I got nigga play it for

(01:45:35):
He's just a young nigger get drafted gold spring break
and break up with his girl. It's so like mellow dramatic,
terrible acting, but it's one of them moves. If you
start watching, you gonna laugh so hard you'll just keep watching.
Like hen it fly and they run South Boy, Oh
my god, Nelly and that bitch he played.

Speaker 3 (01:45:54):
A homeboy with hating, so they lead the niggas.

Speaker 1 (01:45:57):
So he spent his whole time doing little funny ship
and to get the spring break. The funniest scene in
the whole movie is when he spot them right that
nigga said.

Speaker 3 (01:46:06):
Oh they're go right and sharing right there, stinking Yeah,
that's like motherfuck Yeah.

Speaker 2 (01:46:21):
Like three strikes that nigga e forty what three forty
and three strikes?

Speaker 1 (01:46:25):
Yes, they even called it boy living with They call
that by living with the boy cowboy boots while you
need a little homie on stuck nigga.

Speaker 3 (01:46:38):
Yeah, man, you need to call that boy liveing wit Yeah.

Speaker 1 (01:46:42):
Man, there's so many clans tripping, yeah, tripping. Yeah, you
have seen sprung Hell yeah. How about booty called booty call?

Speaker 3 (01:46:51):
Is the ship man? Which one with Jamie Fox? You
got the nigado you sticking.

Speaker 1 (01:47:05):
A sp I mean booty call girls when they kept
having to go to the store to get different.

Speaker 2 (01:47:09):
Ship you woo with yeah wo with Jada pay Yeah
that was no down dirty. That was the baddest Jada
right there. Yeah, I'm like none of what I'm saying
Black movies. A lot of the younger generations ain't saying.

Speaker 3 (01:47:26):
Head line between love and Hey. Yeah, the dude who
did the play that I was in this great dude
in line between Love and hated the play. He did
Jason's leric this year. Uh and uh the great dude
thing line about four CB four. This ship moves a
lot of cash. Crazy motherfucker named Gusto. I fucking white

(01:47:47):
because the bitch is a big hole. I fuck your sister.
I fuck you can't. I wouldn't fuck your mama, but
the bitches too fat. I mean your neighborhood. You better
dig the monk because I'm coming to slip your mother
fucking throat, waiting to rob you, wait to beat you
because the bulleting his I greach that nigga was going on. Man,
that niggas see phone niggas en.

Speaker 12 (01:48:07):
I don't cash, great motherfucker named Dad, don't get ready
to be going on the long cliff.

Speaker 3 (01:48:13):
I'm driving you.

Speaker 12 (01:48:14):
Oh now you're Dad with the paul like a butterfly
thing like a shark. I'm the nigga waiting for you
in the dog niggah. Motherfuck nigga here saying.

Speaker 3 (01:48:27):
A little Charlie Murphy that that nigga Charlie Murphy was
so funny.

Speaker 1 (01:48:33):
It's to see that moutherfucker and nigga walk up to
him with his whole boys and the buff and they
come up like, hey man, what's up?

Speaker 3 (01:48:38):
He said, Oh, it's supposed to be your crew.

Speaker 4 (01:48:42):
Slip the.

Speaker 3 (01:48:44):
Hey man, you seem very easily upset. Hey that nigga. Man,
as a kid, you have to say, feel niggas don't
know right around looking.

Speaker 1 (01:48:58):
Come back to bus, comead of this fear the black
cat juice, booty juice.

Speaker 3 (01:49:09):
Do you remember when Gusta was riding in the.

Speaker 1 (01:49:11):
Jap Louis City looking for the nigga. He said, the
nigga had the nigga with the boys.

Speaker 3 (01:49:17):
We gonna do about Yeah, we're gonna lay back. Ain't
gonna do nothing right now. Your man them motherfucker that
nigga said, damn mind of the boys. I don't notice
that cad out, but what he wont probably just game

(01:49:39):
the kiss.

Speaker 4 (01:49:40):
Y'all as.

Speaker 3 (01:49:43):
Man class one of my favorite last class. I feel
a black hat. That's one of the classes.

Speaker 1 (01:49:52):
You ever saying who made thee Yeah, I said, well, no,
I haven't seen the whole movie, but I seen that
scene when when they sit there saying food, So the
real food?

Speaker 2 (01:50:02):
Oh yeah the movie and yeah the soul fool boy
like that's me to jail up. Yeah, so was the
ship man, you know, what I mean, that motherfucker. That's
that's what helped me understand the severity of high blood pressure.

Speaker 3 (01:50:17):
Big Mama, Nigga. That ship.

Speaker 4 (01:50:23):
When they fucking in the kitchen then they get caught.

Speaker 3 (01:50:25):
No, not in the kitchen, in the bathroom. No, that
was that was cousin, cousin faith. He was sucking her
cousin faith.

Speaker 2 (01:50:34):
Niga need to be Yeah, that's one of the greatest
things ever. Ship The Best Man, Oh yeah, the best Man,
The best Man one ant.

Speaker 3 (01:50:44):
Yeah, for sure. That's one of the scenes right there
when that nigga dropped. You dropped, and that nigga.

Speaker 1 (01:50:53):
He started crying like your face when he when they
buried his wife and the best Man, I was like,
he's in the freezer. Yeah. When that nigga found that
about their motherfucking book and went crazy.

Speaker 3 (01:51:12):
Oh yeah, the book that nigga was putting all that
ship together. That nigga said, damn nigga crooking. That's my daughter,
mama favorite movie. My nigga is crookling queen.

Speaker 4 (01:51:33):
What'sokling?

Speaker 3 (01:51:34):
Queen?

Speaker 2 (01:51:35):
Joint child, things are going, they get easy. It's about
growing up in the seventies. That's how your parents grew up.

Speaker 3 (01:51:45):
What was already grown and they raised.

Speaker 1 (01:51:48):
That's how they raised their kids. That's what cooking about.

Speaker 3 (01:51:52):
They knock out nigga, fuck with that.

Speaker 4 (01:51:57):
They do this ship?

Speaker 3 (01:52:01):
Uh ship? What's my ship? What's the joint with a
little coolja? Uh uh sam boozy? That's what? No, not that, No,
I was thinking, I be smacking my holes. I'd be
smacking my holes. Everyone knows.

Speaker 1 (01:52:21):
And those smacking my holes kick up to the floor,
smacking my I' be smacking my hole. I'd be smacking
my hos, be smacking my.

Speaker 3 (01:52:39):
Audition for the D and and T D love it,
love it? You ain't no love it?

Speaker 4 (01:52:53):
Smacking my love?

Speaker 3 (01:52:54):
You? Ain't you a smacking that nigga was.

Speaker 1 (01:52:57):
Dressed like you night that nigga came out, I be
smacking my hoos, I be smacking my wole. Everyone knows,
smagging my about smacking my food. I'd be smacking my hole.
I'll be smacking hole. I'll be smacking my whole.

Speaker 3 (01:53:19):
Thank you, and everyone knows. Everyone news even better than
on What's the Jone with Quinland t set up the
whole whiz Mine. Oh yeah, the whole whiz Man. Rentin yeah, Rentin.

Speaker 4 (01:53:46):
Yeah, okay, player club.

Speaker 3 (01:53:50):
Oh yeah, that's the question club.

Speaker 4 (01:53:52):
That's the first time he needs to ask.

Speaker 3 (01:53:54):
Yeah, real, I feel better. What's I'm about, Louis Man?

Speaker 2 (01:54:02):
That nigga by Man is a class Golden Lord's nigga,
the Golden.

Speaker 3 (01:54:07):
Lords blak Man, Golden Lord's nigga. Luther van Drass was
he was a Golden Lord. Luther was a Golden Lord.
O g Golden Lord. I'll what I'm saying South Central Bob,
he got you got him mount damn steal the ready.

Speaker 4 (01:54:29):
On right now?

Speaker 15 (01:54:33):
Ray Ray Ray Ray out there stealing something used car
stereos one hundred dollars and he give him twenty dollars. Man, Ray,
got your boy out there study what what Jimmy's only
ten years old?

Speaker 3 (01:54:49):
That niggas, Hey don't have no questions. Yeah, that ship in.

Speaker 1 (01:54:52):
That motherfucker when they come in, he said, now I
want two backs sick.

Speaker 6 (01:54:58):
That motherfucker said kill money. That's the many you got parents, bro,

(01:55:39):
but neither whise.

Speaker 1 (01:55:40):
I can make a watch all moving now, Bro, I
can't blame Ain't nobody named the classic loved Joe's Man.

Speaker 3 (01:55:47):
I love Joe Move. I got right this you got
to It's hilarious. Bro. Bro, Oh, he's gonna get it.
You're gonna get he immediately. B. Yeah, he's gonna get
it immediately. J.

Speaker 5 (01:55:59):
When I grew up, bro, scarce it's a word that
I even never heard heard about the time I grow
and I was like, that's how I live.

Speaker 3 (01:56:08):
I lived scarce, scarcity. It was just three four.

Speaker 4 (01:56:12):
Moves for a long time, like six seven years?

Speaker 3 (01:56:15):
Is them three four move right there? Oh? Yeah?

Speaker 4 (01:56:18):
We mo Like I used to go with my four
house and I say, don't have DVD's.

Speaker 3 (01:56:24):
I be like, that's one y'all don't even have to
go to the movies Hall ofm night. What boy?

Speaker 5 (01:56:32):
I would love to come home, Like I can't wait
to come home.

Speaker 4 (01:56:35):
Y'all got a three hundred movies?

Speaker 3 (01:56:37):
Yeah, that's what I'm saying. We ain't never had no
vhs is and the DVD. What's even better than that?

Speaker 1 (01:56:42):
When when DVD, Like when everybody had a DVD player,
Like the quality of that ship, what's amazing.

Speaker 3 (01:56:52):
It was literally like having a movie theater at your house.

Speaker 1 (01:56:55):
Brown the mother fucking lights out and had like a
real move more movie like this ship crazy. Yeah, this
ship looked exactly like you talking about DVD's didn't look
looking like regular TV ship. That ship was amazing.

Speaker 5 (01:57:09):
I'm trying to tell you I didn't own a real DVD.

Speaker 4 (01:57:14):
Until like later on. I had like three four bootleg.

Speaker 3 (01:57:18):
Three or four. Yeah, that's it I had. I ain't
gonna say, man, I had a bunch of nigga nigga.

Speaker 1 (01:57:23):
That ship got me through the early comedy days with
with my crib and no cable.

Speaker 3 (01:57:29):
What boy. I literally had convinced myself out on the cable.

Speaker 2 (01:57:33):
And we don't even want to talk about the porn
DVD erabley. I was a legend and that had all
table niggas used to come and just did not.

Speaker 3 (01:57:44):
The way you was convincing this ship. Like we said
one of the me, I had a whole I did.

Speaker 4 (01:57:51):
I just had a whole.

Speaker 3 (01:57:52):
I did.

Speaker 1 (01:57:54):
The whole bunch of some of the bist ever made
Booty Talk Brazilian big Booty.

Speaker 3 (01:58:01):
Woody Talk one through nothing.

Speaker 1 (01:58:05):
But I used to love the one to have stupid
names like they used to just be a fencive dumb
bitches with big assume.

Speaker 3 (01:58:16):
Fishes who dropped out.

Speaker 1 (01:58:17):
Of college, dick volume naw fat black assholes volumes.

Speaker 4 (01:58:27):
They used to hide them hide the Petersburg, Florida. They
tell you everything and then you know where to find
when Paul.

Speaker 3 (01:58:35):
They don't have no it tro be just that what's
your name? What you're coming do? Get fucked and the
nigga walking already nigga that she used to be boy
and they used to be straight to the point.

Speaker 1 (01:58:50):
On some of them title big ass Titties, Big ass
titties too, so they come on.

Speaker 3 (01:58:58):
That was always volume by Biggs t things. A nigga.
Nigga named Jake Steve used to have things though.

Speaker 18 (01:59:10):
Uni first season on my movie, I fuck all his
home and that's how it goes free closing floats, free
goes it floats.

Speaker 1 (01:59:26):
Didn't get that.

Speaker 3 (01:59:27):
Pussed out that nigga had a Christmas one. He come on,
my name is Jake st on my movie hey Man.

(01:59:48):
That ship was the get to the menu ship play
Titties Volume nine. Come it was a rack?

Speaker 8 (02:00:00):
Was it?

Speaker 3 (02:00:00):
Ebasing angles? Niggas? No, brother, I'm like, you don't know
my niggas, don't about that thing.

Speaker 4 (02:00:10):
You be stupid as hell.

Speaker 3 (02:00:11):
It's just been a bitch holding a dig back here
and the name of the movie being come here. The
name of the movie being come here, by you one.
Come here see you him? He ain't here, Come here now.

(02:00:31):
I grew up in the air. Up, Come here, bro,
you ain't never seen Come here. Why you want now?

Speaker 4 (02:00:50):
It was a man picked it up?

Speaker 3 (02:00:54):
Come here?

Speaker 4 (02:00:55):
Don't telling you, bro?

Speaker 3 (02:00:57):
I remember the morning on I'm seeing as man looking.
She's so funny though, like, I.

Speaker 1 (02:01:05):
Don't know why these titans so simple but treaking at
the same time.

Speaker 3 (02:01:10):
Bitches we met at the Moorrow Volume six. Yeah, my
teacher wants to fuck your three.

Speaker 4 (02:01:19):
That's the one.

Speaker 3 (02:01:20):
Follow you three, So that's the two handle one. I
think I might have had that wants to.

Speaker 1 (02:01:33):
Make it out the shock for right now one plus
two equals three.

Speaker 4 (02:01:46):
Said one place.

Speaker 3 (02:01:49):
Sitting there?

Speaker 1 (02:01:50):
Man, you know, man, Yeah, Man, you know, I just
can't see what was coming up?

Speaker 17 (02:02:00):
Black white weak Bishes Volume three, Man, I'm telling you brother,
big booty hose many Man, they had a most classic
booty hat.

Speaker 3 (02:02:10):
Nigga that my mama hate home volume Volume nine. Need
some holes like standing in front of a dog hair, what.

Speaker 4 (02:02:26):
Cause she's gonna get train?

Speaker 3 (02:02:35):
Hey, man, them just used to be classics. Man, her
goods Volume four.

Speaker 1 (02:02:43):
That nigga was the freakiest nigga whoever that nigga was
who started them titles but started.

Speaker 5 (02:02:49):
Naming them my nigga said covers coaches used to be something,
they said, the covers used to be motherfucker.

Speaker 3 (02:03:01):
Niggas, Hey bug, no boy, pretty ship on him.

Speaker 4 (02:03:11):
Nigga like this, if the club was good, he's a
pretty ship on him.

Speaker 1 (02:03:19):
Names the dumb as hell, Big Boss and Billy. This
is legendary motherfucker nigga. Motherfucker Wesley Pipe.

Speaker 4 (02:03:31):
They said he gotta have blippers.

Speaker 3 (02:03:33):
They probably do, probably do without question.

Speaker 5 (02:03:39):
And everybody pouring in from last year got hot blippers.

Speaker 3 (02:03:44):
I believe it that ship that nigga.

Speaker 4 (02:03:49):
Come here at the same time.

Speaker 3 (02:03:52):
Going out. I believe it.

Speaker 1 (02:03:55):
My ship is that nigga used to nobody to talk
about this, but I've been point started sleeping right.

Speaker 3 (02:04:01):
Yeah, all that we're.

Speaker 4 (02:04:03):
Gonna speak about two days, two daggs. Creaky, you got
to recruit. You got them. First of all, you're on
all them drug you're on all them enhancements. You've been
fucking for fourteen hours.

Speaker 3 (02:04:17):
Oh you go sleep for eighty two hours, Streep.

Speaker 2 (02:04:21):
You gotta keep yelling cut and ship cut. Yeah, we
gotta get that trash.

Speaker 3 (02:04:25):
Can out of there, man, Man, I was just think, man,
just hold it all right.

Speaker 4 (02:04:29):
Think about all think about all the people that were there.

Speaker 3 (02:04:33):
That one fucking just think about it. He perverts your
whole nothing. The director to.

Speaker 19 (02:04:38):
Come up and take the headphones off. Nothing, imagine you
to bust your own nothing. Director to come up and
take the headphones off. Hey man, we didn't get none
of that audio.

Speaker 3 (02:04:56):
Man. We had to run that one back again. Hey baby,
Harold put them on. Hey, come on back, run that back?
What the fuck man? Nobody told me you guys were starting.
Yeah exactly, man. Then I'm talking about back, and we've
just got to shoot.

Speaker 1 (02:05:10):
The boy used to have soundtracks in the background. Imagine
the nigga that had to sit in and score the
poor nigga. Now wow wow wound wow wow wow wow wow.

Speaker 3 (02:05:33):
Then direct the direct section come in in and be
they take his head on up. Yeah, you missed this
whole part. All that on the head all right, run
it back?

Speaker 13 (02:05:49):
Wow wow wow wow wow, wound found out, wound found flownun.

Speaker 3 (02:05:58):
I got it that jiant What was that you just played?
Is that us see see c minor? Yeah, yeah, he
wants you to play the.

Speaker 13 (02:06:20):
Wow well wow wow wow wow wow wow wow w
one wow wow wow wow wow.

Speaker 3 (02:06:30):
I didn't we can't gonna. I just need you for
three more parts. That's crazy. And you wanted to go
ahead and go and knock this head. We're gonna do
the anal part, yeah something, but I need something straight
for that part, all right, wow wow wow wow wow

(02:06:55):
m wow wow wow wow wow wow wow. An, that's
all in the ass right there, all the ass. I
just was like, who wrote that? Niggas were sitting there

(02:07:16):
really thinking of some ship, like, hey man, your dog
is yeah you did you put that down? It was
checking and.

Speaker 4 (02:07:29):
Alasking wicked, we will.

Speaker 3 (02:07:36):
Great food. Man. Ni really wrote the porn that's crazy.
That's a handsome the Thai they used to make pornos.
The head flats and ship a cook.

Speaker 4 (02:07:49):
He's hands in his thigh. We sail.

Speaker 3 (02:08:02):
The blood broun bro tungue map.

Speaker 1 (02:08:08):
They're never good to get married. You gott bring your
girl a passion of line here to her daddy and
sh lying here. Yeah, I don't know if you're a
boy lying here like something like that. Yan Oh, I
thought you said lying here like I probably did.

Speaker 3 (02:08:23):
I'm from Mississippi. The fuck that is lion yeah, lion here.

Speaker 2 (02:08:27):
Okay, that's crazy. Yeah, man, I got to find out
the shop with that. Ain't no way in the world
I'm going to get no lion here off no line.
I don't love nobody that much like Jacoholic.

Speaker 3 (02:08:38):
Yeah for real, that's probably to a movie too.

Speaker 4 (02:08:42):
I'm not finna go up with no move Foster to Chocoholic.

Speaker 3 (02:08:44):
Jacoholic. You know they got one mixtape Jacoholics too.

Speaker 1 (02:08:57):
Oh man, man, you know Damn Lyne for all that
ship just work at the airport.

Speaker 3 (02:09:06):
You know it's going down. Boy, I'm gonna be they
got that with. I'm gonna get that one. They got
it work at the airport. That's it's a fan of
little women that that way. Soon as you come on
and please need the frisky yeah ts, bitches with the

(02:09:29):
titties out ts just telling that. Oh my god.

Speaker 1 (02:09:44):
Man, yeah man, those were the great old days.

Speaker 3 (02:09:51):
Man.

Speaker 1 (02:09:53):
It's somebody right now still got a hundred men, still
got a stacking him.

Speaker 3 (02:09:58):
Like you said, shout out to all the niggas. Used
to be the d v D man, and he put
them on too, like movies. Yes, sir me, the d
v D. What you ain't got no leftover inventory. Ain't nothing.
I still I'm going to the punch. I just be
buying d v D. I own maybe you boat with
nicknamed Gary.

Speaker 20 (02:10:18):
Yeah, Gary v his name, get on your DVD back
in the day, get you get out DVD.

Speaker 2 (02:10:29):
Yeah, I still right now, you go on my in
my uh in my garage. I got an old stacker,
got damn d v.

Speaker 3 (02:10:36):
Y d v D.

Speaker 4 (02:10:37):
I still watch DVD as I drive right now.

Speaker 1 (02:10:40):
D v D.

Speaker 3 (02:10:42):
What I can't say that I can't watch DVD and
draft I don't.

Speaker 4 (02:10:49):
I got kids watching. Yeah, I got that DVD players don't.

Speaker 3 (02:10:56):
Hey, don't you sucking around and be watching ship watching.
I'm hearing it.

Speaker 4 (02:11:00):
I'm in the car.

Speaker 1 (02:11:02):
Fucking around and forget where you're going, thinking you can
drive the matter gast car.

Speaker 4 (02:11:06):
And you gotta can't. He can't hear the move because
it's illegal. Yeah, I can't hear them.

Speaker 20 (02:11:11):
I can't hear kids.

Speaker 4 (02:11:13):
Don't want your day to get a ticket.

Speaker 3 (02:11:17):
Ticket watching.

Speaker 4 (02:11:18):
No, we think about it back then when they had
no big a dB D. I ain't never nobody get
pulled over and they were playing pouring in.

Speaker 3 (02:11:25):
Yeah, they want.

Speaker 1 (02:11:26):
Nigga to see it through the t through the car
listen bird Man say he was the neighborhood naked flick watcher,
their neighborhood naked flick watcher. That's how you know when
you get the reputation for that. Now they put your
name on the list. What that means, you're offender?

Speaker 3 (02:11:43):
You watch say you want to.

Speaker 4 (02:11:46):
The kids outside.

Speaker 1 (02:11:49):
That a goddamn come on, you can't if you live
in the ghetto. Yeah, they don't care neighborhood and nigga
flick watcher.

Speaker 4 (02:11:57):
But to be real, can't right past the element school?
This ship.

Speaker 3 (02:12:09):
The kids fout ain't.

Speaker 1 (02:12:13):
Yeah, boy for real, that boy flypy bombing that kids
bopping there with them kids.

Speaker 3 (02:12:18):
Well I was smartest school, my daughter smart. I was
smartest heck in school. Never ever got a fifty.

Speaker 4 (02:12:28):
Petit ship.

Speaker 3 (02:12:34):
Oh yeah, what that means?

Speaker 4 (02:12:35):
I don't know, like a little agent group. I don't
know what for this.

Speaker 3 (02:12:41):
My little nephew man. I thought he was singing Little Wayne.

Speaker 2 (02:12:44):
He was singing a little boy off YouTube that remade
Little Wayne said what a little it's a little boy
on a little boy on YouTube called cool kids that
and they know how to work the phone better than
everything I'm talking about.

Speaker 1 (02:12:56):
He was singing a MILLI. I'm like, you didn't put
him on the Wayne. He was like, he don't know
nothing about Wayne Couz. That's the cool kid, and the
cool kid is in there men like another kid. Yeah,
it's just kids about for kids like another kid. Really
and there my mom is Brady my head.

Speaker 3 (02:13:16):
I know, but let him look like keep wrapping it.
Kids love this like three oh, that's crazy three folk.

Speaker 4 (02:13:25):
Yeah we have muscle and watch all that.

Speaker 3 (02:13:30):
God damn Education Ship was saying, man, I've seen that
video you put up up in the day when that
the boy swapping Frankie live but Rico swapping boy foods fahyud.
That's another way the foods falling.

Speaker 2 (02:13:46):
That's a good good that that slick pull over boy.
I was like, but look, yeah, that Cadillac Records for sure,
you gotta watch that.

Speaker 3 (02:13:59):
I ain't never saying Cadillac records. The movie Panther was good. Yeah,
I seen Panther. Ain't never saying Cadillac records. I gotta
watch that. You never seen Cadillac records. Will beyond saying no, it's.

Speaker 4 (02:14:09):
Just enter chain.

Speaker 3 (02:14:10):
No, I understand that dream Girls, Dream Girl, Dream Girl Fight.
I meant, you know, huh huh, I never meant it.
You I am talking about theater.

Speaker 4 (02:14:29):
Yeah, really what that whole movie? That move is a
theater that's a theater movie.

Speaker 3 (02:14:36):
Well, guys, you readily go back on too. Yeah we
read it.

Speaker 4 (02:14:40):
Yes, been in the guy, damn block up some gas
in the car.

Speaker 3 (02:14:42):
Yeah, I take the first leg. I drive. Yeah, go
ahead and go sleep. I take the first leg. Yeah.

Speaker 4 (02:14:52):
What I'm saying there we do before you were.

Speaker 3 (02:14:54):
Gonna be there'll be there good death and we run
it back. You know how we're doing.

Speaker 4 (02:14:57):
That's way you gotta go to state.

Speaker 3 (02:15:00):
Boy, you have when of the what's the last old
episode that you watched? Trivia boy, I'm on it.

Speaker 5 (02:15:08):
Yeah, I'm on like ministers that ship like asping to me,
bugle watch with my head hurt.

Speaker 3 (02:15:13):
I was in the barber shop is Trillville or drew Hill,
I was. I was in the I was. I was
in the barber shop in Nashville.

Speaker 2 (02:15:24):
They had us on in the barber shop, and uh,
they had the Minneapolis Live show on in the barbershop.
Then I was in the mall in Indianapolis and I
went into this just little random store in the mall,
this little hood store that had all the you know
what I mean, all the clothes and ship and they
was watching us. Uh what episode was that? When uh

(02:15:47):
oh ship? It was one of the ones when we
was who is that? That was on that episode? Because
I was like, damn, I ain't seen this within a minute.

Speaker 3 (02:15:55):
Music Soul child who wanted to Love?

Speaker 4 (02:16:00):
I said not to watch that one because.

Speaker 3 (02:16:03):
You went crazy that they want to crumple wonder you
was laughing. He was dead. They say, man, that ship
was so funny. Man the way it was just because
it was that popular silence. And then this nigga just
came out the bag and didn't mind an't want to

(02:16:24):
talk to burp nd boy that ship.

Speaker 4 (02:16:48):
I would come to blat for like ten minutes.

Speaker 3 (02:16:50):
I was like, wait, I'm gonna do it because he had.

Speaker 4 (02:16:53):
An explained who burple one lott? Remember I asked my
love a little bit.

Speaker 5 (02:16:56):
He was at my old ego, but then he explained
like three four more ego than that.

Speaker 3 (02:17:02):
Was like, and he was like figure he said something.

Speaker 2 (02:17:09):
He was like, you know, that's just pretty much the
way that I, you know what I mean, differentiate between
the characters.

Speaker 4 (02:17:14):
And I'm a physical learner. And then I had to
bring him the life or for me to keep it was.

Speaker 3 (02:17:20):
Man looked like okay did out of nowhere. So nobody wasn't.

Speaker 4 (02:17:32):
Look bro listen, bro hey man, that my nigga.

Speaker 3 (02:17:41):
Bro Man, that ship was classic. Man. We got to
a bit of classic.

Speaker 1 (02:17:44):
Badigg bro class classic left.

Speaker 3 (02:17:50):
But that's that's the way for him to Yeah, yeah,
that was that was that was He wasn't being malicious.
We wasn't being malicious. No, we definitely want to with
me trying to bring it the lights.

Speaker 4 (02:18:01):
I can keep over the story.

Speaker 3 (02:18:02):
I'm like that.

Speaker 1 (02:18:07):
That's it's so funny because the bag was on the
floor instead.

Speaker 3 (02:18:18):
I don't want to try. I was like, bro, this nigga,
Get this nigga away from here.

Speaker 4 (02:18:24):
Man, that my nigga do with music. Get what you
want to do some music with me?

Speaker 3 (02:18:30):
That niggah do something.

Speaker 4 (02:18:33):
Yeah, please come fuck with me. Get purple. Want to
love too?

Speaker 3 (02:18:38):
Yeah, bring to love.

Speaker 1 (02:18:42):
About to stand brother love because show for some time.

Speaker 3 (02:18:45):
Gotta do yourself.

Speaker 5 (02:18:47):
Crazy about the album and that he was talking about.
So when I'm listening to my music, you know goes
straight to Apple.

Speaker 4 (02:18:55):
Music sometimes get who be up? Heple wan nigga much? Yeah,
So Purple wanting to little be in.

Speaker 3 (02:19:03):
The car being play. That's crazy for show for show,
for the show for show.

Speaker 4 (02:19:09):
You have in here, man, nigga, that little man rocks
Rick Ross on the own.

Speaker 3 (02:19:15):
Right now, he had to go to the bathroom. He
gotta come back though, What if he did?

Speaker 4 (02:19:20):
What if he did? What if they didn't come back?

Speaker 3 (02:19:27):
What if the nigga just don't come back?

Speaker 4 (02:19:30):
Why look, let's come back when the need to come back?

Speaker 3 (02:19:54):
All right, got the truth?

Speaker 5 (02:20:01):
Yeah, we smooth, yes sir, Oh shit, hen we just
had to come back.

Speaker 3 (02:20:10):
Here. We gotta wrap this ship. Tell him to wrap
it up.

Speaker 5 (02:20:14):
The chat dread like a public defeeling for real, boy,
but you got baptized.

Speaker 3 (02:20:21):
By chain man man. He just moving different, just like
he was.

Speaker 9 (02:20:23):
Running for re election city council boot chat oo, break
this excuse me, chat slippery Uh.

Speaker 4 (02:20:34):
Colt could have got some more shoes.

Speaker 3 (02:20:37):
Okay, what the hell? You some Puerto Rican jos?

Speaker 4 (02:20:39):
You gonna have them since high school?

Speaker 1 (02:20:41):
The fuck?

Speaker 4 (02:20:46):
It looked like the goddamn pengue shoes are Batman.

Speaker 3 (02:20:49):
The hell all your niggas dressing different? Bruh, You dressed
like a good ass.

Speaker 5 (02:20:57):
Bowler, Roy You playing I can't I high two seventy nine.

Speaker 3 (02:21:05):
That's good, that's great.

Speaker 5 (02:21:06):
Yeah, you ain't gotta tell me, I know, oh fuck
you damn them them gambling words.

Speaker 4 (02:21:13):
I ain't mean like dam I'm humbly saying thank you.

Speaker 5 (02:21:17):
You know we tight that serious, you know, nearing them
be capting the boy there they take that ship.

Speaker 3 (02:21:21):
Shows fuck that got to do with anything?

Speaker 4 (02:21:24):
Two seventy nine nothing twenty one points away from nearly.

Speaker 5 (02:21:31):
Twenty one points away from perfect, and that means strike.

Speaker 4 (02:21:34):
I only had two spares.

Speaker 3 (02:21:36):
You're gonna settle for that?

Speaker 4 (02:21:37):
M I really pissed off.

Speaker 3 (02:21:39):
You need to get three hundred. I need to caneling
them be balling the show for shore.

Speaker 10 (02:21:48):
Oh diddy, b the bowl ladder be staying open. Bruh
they closed They been down bowl ladder, stay and over. Man,
we been at two o'cock.

Speaker 3 (02:21:55):
Man.

Speaker 1 (02:21:55):
I was at the bowling Nelly last night reading these
niggas up six hundred dollars a ball.

Speaker 3 (02:22:01):
Hey boy, I'm gonna be commentating. I can't bowl for ship.

Speaker 4 (02:22:04):
She get real live on that bowling that the floor
look down there.

Speaker 3 (02:22:08):
Get the bowling, nigga. All let's be sorted next day. Dad,
the Shin's gonna be on fire.

Speaker 4 (02:22:16):
He ain't got the proper you done.

Speaker 3 (02:22:19):
Yeah, no, you keep that sho You.

Speaker 1 (02:22:21):
Understand the time I went bowling, my legs was locked
up about three days after there yea, no damn shins
and locked all.

Speaker 4 (02:22:28):
That bowling and regular shoes.

Speaker 3 (02:22:30):
Crazy man, you can't do that.

Speaker 4 (02:22:32):
You're gonna fall.

Speaker 3 (02:22:34):
You got that, Yeah, that wasn't it. They ain't gonna
let you bowling on regular shop.

Speaker 4 (02:22:41):
I don't won't try to take They don't even know
that bowling ship is.

Speaker 1 (02:22:46):
Y'all ever did that extra and ship? Nah, that's ship
funnyest fun that's dangerous.

Speaker 3 (02:22:52):
Everything and you do the ship right. I could have
been a lumber jack, nigga.

Speaker 1 (02:22:59):
I'm cold with that ship fucking ship up on the ask.
I'm talking about coming through with that motherfucker straight down.

Speaker 3 (02:23:12):
The mill boy was I come on, man, not to
be fucking played with?

Speaker 4 (02:23:17):
You know what I'm saying. Many id ain't think you
Jason man?

Speaker 3 (02:23:21):
Crazy?

Speaker 4 (02:23:21):
Who you trying to catch with the ax all the
way down that?

Speaker 3 (02:23:25):
It's just the sport of that ship. Crazy. They make
you feel like Jason though. You what, nigga ain't not
through a nobody this nigga is nigga.

Speaker 4 (02:23:36):
Is that ship smooth?

Speaker 3 (02:23:41):
Though last time I went, asked drom, we stayed by forever. Man.

Speaker 4 (02:23:45):
Hell yeah, that ship, that ship need because we did to.

Speaker 3 (02:23:50):
We went with a group like me and my brothers
and ship cousins. Everybody came.

Speaker 1 (02:23:55):
Man, that ship was so much fun, especial when everybody
learned how to do the ship.

Speaker 3 (02:24:00):
You do like relay, be like the men against the women. Man,
I can't.

Speaker 4 (02:24:04):
I can't take my bros all the way back.

Speaker 3 (02:24:07):
I did the I never did the ask on but
I did this ship.

Speaker 2 (02:24:09):
When you go and just break ship with a bats
nigga and a sledge hammers, mash rooms, nigga, that ship
is a pointless ass.

Speaker 3 (02:24:18):
They get a lot of anger.

Speaker 2 (02:24:19):
That ship pointless. Man, I would have wanted that. You
want to ship like that.

Speaker 3 (02:24:24):
I'm just after you smashed the first ship you like,
this ship is stupid, Like what am I getting at it?

Speaker 2 (02:24:31):
This is dumb like you smashed the first window, Like
this is just vandalismic ship, niggat, it's.

Speaker 3 (02:24:37):
Just stupid, like you ain't ever seen like you would
have loved.

Speaker 1 (02:24:40):
Yet you know you aren't bring you don't even need
the team they can put you in the room by yourself,
no weapon, and be like you did all this but
your feet.

Speaker 3 (02:24:51):
I just see this Nigga tec destroy ship with his body.

Speaker 1 (02:24:55):
Nigga, I'm talking about cabinet doors off, Nigga breaking.

Speaker 3 (02:25:00):
I just seen him in that combo to a foul puom.

Speaker 1 (02:25:04):
It's like, damn, this nigga just knocked down three objects
one move and it's.

Speaker 3 (02:25:08):
Just Nigga just walk off. Like now now, I didn't
see this Nigga tearing tour bus up. I want to.

Speaker 5 (02:25:15):
I wanted little kids who were going to the woods
and grab the bottles and come break them in the street.

Speaker 4 (02:25:19):
And Nigga was like, what the fuck.

Speaker 3 (02:25:20):
I didn't go down the car breaking the glass, so
I didn't know what they were saying.

Speaker 5 (02:25:24):
They be like, man, it's nine bottles broke simultaneously up screen.

Speaker 4 (02:25:28):
You did it, legen and no moaning like Nigga treated me.
You need to go like you the problem.

Speaker 3 (02:25:37):
I want to have fun. You need to go to
a smash room. Then you have a good time. I
was in there like this is dumb. What am I?
I supposed to break the old TV screen but you
got no it.

Speaker 4 (02:25:48):
Just that's they just paid for it. They set it up.

Speaker 3 (02:25:50):
They set it up.

Speaker 2 (02:25:51):
You just paid for the room, and then they set
up a whole bunch of shit to be a room
like this size, and it just be an old car
and that motherfucking the old.

Speaker 3 (02:25:58):
Floor model TV and and a refrigerator and all.

Speaker 2 (02:26:03):
And it's like a bat and a sledge hammer and
might have a depending on which one you go. If
you just coming and you're just coming there and just
break the ship out and get some aggression up, it's
kind of.

Speaker 5 (02:26:15):
Like you're doing some weird ship that you wouldn't know
him to do in the free where like once.

Speaker 1 (02:26:20):
You see sledge, you in there like intrusive thoughts, that's
what you can do.

Speaker 4 (02:26:25):
This sledge might as well.

Speaker 3 (02:26:28):
I would, Yeah, the fucking slide. You would never do
this outside my life.

Speaker 1 (02:26:36):
He was leaving them bricks, boy man, breaking them basically
like karahi the karag noah, No, he used to visit
his father is okay, okay, tearing down?

Speaker 3 (02:26:46):
Oh yeah, this nigga was motherfucker. What's my man name? Yeah?

Speaker 1 (02:26:53):
Yeah, I mean it was Paul Bunyan in real used
to make a lot of money doing that because I
used to like after they come and do the demos.
I was, I do the demo and then clean the ship,
make it the killing. That was the first job I had,
making twenty dollars an hour.

Speaker 3 (02:27:10):
That's dope.

Speaker 1 (02:27:11):
Way back then, Way back then, boy, he was cleaning.
Hell yeah, I had the white dude used to give
me two hundred dollars a house. Should just go in,
get all the insulation now and ship. That was a
good white man. All the concrete out. It's like just
sweep it with a shop and then gonna blow it out. Man,
you can't never seen that video with that nigga, that

(02:27:31):
white man. He said, after I did all that work,
you're gonna get me ten dollars. You're gonna get me
ten dollars, ten dollars, ten dollars.

Speaker 3 (02:27:47):
Yeah, it's ten dollars. I did all that motherfucking work.
You gonna get me ten dollars. What's wrong with you?
He said? Ten dollars?

Speaker 4 (02:28:03):
What man say?

Speaker 3 (02:28:04):
He probably had that nigga doing that shit.

Speaker 4 (02:28:05):
Lots some stuff.

Speaker 3 (02:28:06):
About breaking that nigga said ten dollars ten. I wish
I'd have known what he had.

Speaker 2 (02:28:13):
That nigga during that whole day, buddy was beefing about
that shit. Say you're gonna get that, nigga ten bucks, bro.

Speaker 3 (02:28:20):
I know that type of thing.

Speaker 2 (02:28:21):
When I worked at whole Foods market, we used to
have these uh boxes of waters with six gallon drugs
and waters in them, and people would come by the
drugs with I mean the boxes with the six something
minute man. Nigga had bought a pickup truck, had me
load twenty five of the motherfuckers into the backage truck
by myself, Nigga in the summer time.

Speaker 3 (02:28:42):
Nigga flicked me a quarter. He was like, hey, go
budd Nigga flicked the quarter and I couldn't. Just instinctively,
I caught the motherfucker. He played the funk out of
you on the rug. I like to quit that mother.
I like to quit that day.

Speaker 4 (02:29:02):
Man.

Speaker 3 (02:29:02):
Nigga man twenty five boxes of water. Nigga gave me
a quarter. Nigga and the niggat drove off the bust
all the missions man.

Speaker 8 (02:29:12):
Man that was.

Speaker 2 (02:29:13):
That was a cold job in a bag and whole
whole man because you had people like that. Then it
was this white man that used to come in dress
like like an Italian pimp, like this is this white man.

Speaker 3 (02:29:23):
He had the mustache with the curl on it.

Speaker 2 (02:29:25):
Nigga that like the mustache that curled up like that.
Nigga would come out. That motherfucker always had his hand
in his pocket.

Speaker 3 (02:29:31):
Nigga see me. He would let nobody else do his broth.
Just see me. It'd be like, follow me to my car.
I pushed his push out to his car.

Speaker 2 (02:29:41):
He was like, load him into the trunk. I take
care of you when you're done. I'm like that, I
loaded the motherfucker's that nigga.

Speaker 3 (02:29:46):
Get me fitted all. I'd be like, thank you, so
push put.

Speaker 13 (02:29:52):
Yeah.

Speaker 2 (02:29:53):
I remember one time he came and this other nigga
that was working was faking like he was going to
help with me.

Speaker 1 (02:29:58):
I like to beat it, like, hey, hey, bro, that
me my nigga. You know that's me brother, Go ahead,
don't do that ship. He was like, bro, they said,
I do like I said, it was our supervisor. Do say,
you gotta lest somebody else. You gotta let somebody else
walk up to the car.

Speaker 3 (02:30:12):
At the nigga, do you do?

Speaker 2 (02:30:13):
You cannot just make you dishes at tim f I
you must let him walk him to their car.

Speaker 3 (02:30:19):
Too, thief. And so I'm sitting there the nigga walk out.

Speaker 1 (02:30:22):
I'm looking at him like fucking no, I'm looking at
the white man like man helped me make me.

Speaker 2 (02:30:28):
He was like, both of you come, nigga walk into
the car. They gave us twenty five a piece. I
was like, you lucky, but I should take that money
from your nigga.

Speaker 3 (02:30:39):
Your stole my customer, nigga. But syah man, that was
that was my little That was.

Speaker 1 (02:30:44):
My first legal hustle. Right there was the I never
had the foods market man did.

Speaker 4 (02:30:52):
I worked for the bread one good time. Yeah, you
want to have one half one half.

Speaker 5 (02:30:57):
I did the half of four day that tells her
trash wives all the city take.

Speaker 2 (02:31:02):
The trash to Oh yeah, I did that one summer
for the Marion Barry summer jobs.

Speaker 3 (02:31:07):
Worked for d p W, the public Works. We ain't
do nothing, ride.

Speaker 2 (02:31:13):
Around all day long. We picked up probably three folk
bags of trash to day.

Speaker 13 (02:31:21):
That was it.

Speaker 2 (02:31:23):
We were just in the vad riding around. That's when
they pulled that move at the at the d p W.
When they came to act like they was giving niggas
redskin tickets and was locking them up for child support.

Speaker 3 (02:31:34):
Yeah, I was.

Speaker 2 (02:31:35):
That was the summer job, Marion Barry's summer jobs Redskin
tickets and no, no, no, no, it was just the regular,
just the regular Redskins tickets. They was coming to saying
that they gave them tickets to the season opening because
it was the summer time.

Speaker 4 (02:31:51):
Ship like that recently, like that reason they caught all the.

Speaker 1 (02:31:59):
Hardest hell to work with somebody that's dumb and dumbing
than you. Though you ever worked with somebody so dumb
you be, like, how fuck did you get a job?

Speaker 3 (02:32:05):
Yeah?

Speaker 4 (02:32:06):
They know somebody brou they know somebody bro.

Speaker 10 (02:32:09):
This ship, this ship family oriented you like, yeah, yo, mama,
cool with me saying uh huh.

Speaker 4 (02:32:15):
Caun you slow to me. I came up here.

Speaker 3 (02:32:20):
I was about to say, well, we're about to eat
some sweet nuts. I hate when they got a new hiring.
Who is that brown?

Speaker 1 (02:32:28):
You got jazzy brown that's on the table back.

Speaker 3 (02:32:32):
I can't eat them around you? Nah, you can't the game.
You ain't had nothing to fuck the game. Crazy. Our
niggas just been just eating nuts. When what your niggas
been doing? Now I get back that nigga. Oh yeah,
we can't eat nuts no more because.

Speaker 5 (02:32:50):
Good Yeah man, how I feel y'all be seeing niggas
like they're doing this ship.

Speaker 3 (02:32:56):
Y'all be like, man, ain't.

Speaker 4 (02:32:57):
Telling my ship.

Speaker 3 (02:33:02):
You gotta start somewhere, start somewhere like that nigga used to.
I respect it don't real fun. You gotta start somewhere,
to start somewhere. You get. This is the most you did.
Never let it grow. I'll tell you that much.

Speaker 4 (02:33:20):
Right here. Didn't give it. If you don't do nothing,
she didn't give it this.

Speaker 3 (02:33:23):
You gotta let it. I saw you, you know with
Kurty Franklin. Oh yeah, man, Kirk, that was love. That
was a dope comments. That's a great commedy. That saw
you jump on some podcast man. Yeah whatever, man, God damn,
I mean spreading it like that now already.

Speaker 1 (02:33:40):
The kid I fun with his music. He hard, Yeah,
he is be a dope artist man.

Speaker 4 (02:33:46):
Sorry, the kid, yeah, don't.

Speaker 3 (02:33:49):
Is he from Atlanta?

Speaker 4 (02:33:51):
He's really from New York.

Speaker 3 (02:33:52):
Okay, you know what I'm saying.

Speaker 4 (02:33:54):
He came down here and you know he went to
with Nick and you know kind of like got helping him.

Speaker 3 (02:34:00):
Yeah, okay, gotcha putting them on them all the way.

Speaker 4 (02:34:02):
Yeah, in a dope artist store.

Speaker 3 (02:34:04):
That didn't go crazy.

Speaker 2 (02:34:05):
You know my favorite ship right now to watch podcast
wise man Joe and Jada. I fuck with that ship
man watching the episodes of that Ye Yeah Man, that
nigga Fat Joe is the best storyteller hip hop man.

Speaker 3 (02:34:20):
Had a gun. I swear to gun. Let me show you,
Yoe if this was the nigga's gut right, the gun
was from here to fucking here. And I told Mike Tyson.
I was like, we might have to fight there.

Speaker 1 (02:34:39):
I believe and be worried too, that motherfucker said the
other episode, he.

Speaker 3 (02:34:43):
Was like, it was like, finally somebody tried Fat Joe.

Speaker 2 (02:34:49):
Finally he was like, we beat he said, the nigga
tried him in the bathrobe. He was like, we put
the beats on this gosh so legendary. No for he
drank pistol water and everything.

Speaker 3 (02:35:01):
I'm telling you, we made them.

Speaker 1 (02:35:04):
Guy drink Pitts water and nigga Nigga said you and
mother fucker said, I know about this. He said, I
know what it feels like when you open the curtain.
And Roy Jones was standing there waiting on me, the
champion of the world, right.

Speaker 2 (02:35:18):
Champion of the world. He was like, but I had
one hundred and fifty guys with me. You always got
one hundred fifty guys, had one hundred and fifty guys
with me. He was like, but sometimes you can open
the curtain, have one hundred and fifty guys with you,
and you dola. You buy yourself because nigga Roy Jones
waiting on you to see you.

Speaker 3 (02:35:35):
Nigga ain't nowhere in the world. Man. That's the thing.
I believe all that shit at Jones, he said. He
grabbed his wrist. He was like, champ come on, hey, hey,
it work this out.

Speaker 4 (02:35:46):
Don't knock me out.

Speaker 3 (02:35:47):
Champions, Hey, come on man, chill out, baby, Hey, come
on man. He was like, come on, hey, man, before
we can work this out. Puerto Ricos, don't worry.

Speaker 2 (02:35:56):
About it, Puerto Rican nah. But he was talking about
just this, that Nigga's story. And then Jada Man just
so they compliment each other well, because Jada.

Speaker 3 (02:36:04):
Be just looking like, stop it, man, stop it, stop it.

Speaker 4 (02:36:10):
That nigga be like, I'm telling you, bro.

Speaker 3 (02:36:13):
On the way man watching all this. I watch everything.

Speaker 5 (02:36:20):
I'll watch whatever I feel like. Poppy pops up. Yeah,
you know, I really don't like to watch a lot
of ship but I do tend to watch my.

Speaker 3 (02:36:27):
Periods ship sometimes. Yeah, you know what I mean.

Speaker 2 (02:36:29):
But that ship that they got me in the call
right now is that body cam footage from the police
on YouTube.

Speaker 3 (02:36:35):
My Nigga bru the most entertaining ship.

Speaker 1 (02:36:41):
The body can't going to jail white people going there,
but they just be catching people doing all types of
stuffy can Oh my god. I saw one other day
the white lady thought she owned the beach. The police
taste the ship out.

Speaker 2 (02:36:57):
One lady has stole, like stole like nine million dollars
from her job.

Speaker 4 (02:37:01):
God damn.

Speaker 1 (02:37:02):
They came no rest her and she she was like,
what you said? You know what I'm saying. She b
her house was full of shit. She just b it
was just full of shit.

Speaker 3 (02:37:13):
It was shit everywhere. Yeah, like but it was just
full of all types of shit. They like, She's like,
well what, I don't understand what's going on. They were like, man,
the receipt for the amount that was stolen and the
product that you bought with it is right here.

Speaker 2 (02:37:27):
She was like, Okay, well, can I call my children's
school because I have to pick them up, So I
just need to make like, man, we just need to
search that. I know you need to search the house,
but I just need to make a phone call when
somebody can pick up my kids. If are you going

(02:37:49):
to take me to jail, Like ma'am, you store nine
million dollars, like you're going to jail.

Speaker 3 (02:37:57):
She knows what she stock. That's the thing, man.

Speaker 2 (02:38:00):
That body care footage be crazy, man, Yeah, yeah, that
ship be crazy.

Speaker 3 (02:38:04):
Nigga trying to escape the police in his house. A
white man trying to escape from the police, and not
a nigga, but a white man hit him with the
sup plicks. Then the other police jumped on me and said,
old gods, I'm sorry man, Yeah, come on, you know
to man out. Man. We got newing man. Gots doing it,

(02:38:27):
man resistance.

Speaker 4 (02:38:28):
Man, you gots do it.

Speaker 3 (02:38:30):
Man.

Speaker 2 (02:38:31):
But I say what bass and luted o with Davies.
This nigga fell asleep in the truck.

Speaker 3 (02:38:38):
He came the winter. That nigga. I'm good, I'm good, straight, great,
head on back my live right there. I'm good. I'm
like nigga.

Speaker 2 (02:38:46):
That ship was yeah, yeah, but you know sometimes you
leave it that studio. Nigga, That mother fucker fell asleep
in the truck.

Speaker 3 (02:38:53):
I'm good, I'm great head back home. I'm good at that.

Speaker 2 (02:38:56):
Bigg got the because of the police out pitch ass, nigga, nigga,
you you really?

Speaker 3 (02:39:01):
I live right there. Yeah they know it. They ain't
give a fuck.

Speaker 4 (02:39:05):
They was like, you put me right in front of
my house.

Speaker 3 (02:39:07):
Yeah, they'll get you.

Speaker 4 (02:39:08):
He was like, closed door. I'm like, ship, I was
in my driveway.

Speaker 3 (02:39:17):
Would last time I got pulled over?

Speaker 2 (02:39:19):
Nigga hit me with the ship. I didn't even know
they had that ship. He get to yelling at me
on the loud speaker. Off the car pulled to the left,
to the left, not that to the left of the media.
I'm like, all right, man, all right, give me a second.

Speaker 4 (02:39:34):
What the how?

Speaker 3 (02:39:36):
But did you just tell me to give you a second?
Like I wasn't going to nigga?

Speaker 4 (02:39:40):
They be getting on my nerve.

Speaker 3 (02:39:41):
Yeah, man, terrible.

Speaker 4 (02:39:43):
I'll be watching the people cut the grass.

Speaker 1 (02:39:45):
Man, I got old o that ship, be like, yeah,
that'll be interesting.

Speaker 3 (02:39:48):
Why doing people cut grass? But he was watching and
then try this out of the ship.

Speaker 4 (02:39:54):
I go right the whole demo and let me get that.
It's some ship called the damn Why ain't write it down?
It's my edge of some ship I just saw.

Speaker 1 (02:40:04):
I just saw you want to weed either, I got
all that you can tell?

Speaker 5 (02:40:12):
How more fun gonna cut your grass? About the material
that he got, you feel me? He just got a
little lawnmower. It depends on your grad too. You got
good grad. Anybody can make your grad look good. But
if you got some nas gray one forgot the material,
he's gonna make sure you're straight. Then I just learned
some ship with landscape said.

Speaker 4 (02:40:29):
I did it wrong there while I looked like that.

Speaker 3 (02:40:31):
I got to go back in there and renew it.

Speaker 4 (02:40:34):
Don't worry about them geting together.

Speaker 3 (02:40:36):
Man, I'll be on all that. Man my watching motherfuckers
eat too. That's nother ship.

Speaker 1 (02:40:40):
I got my trick to cutting grass. As you cut
the grass so it blow outside. Oh real, yeah, but.

Speaker 4 (02:40:46):
Get the thing that I don't know. I don't know,
I understand about to blow outside.

Speaker 5 (02:40:50):
But then you just get a grass catcher, because sometimes
that dead grass is ugly.

Speaker 1 (02:40:54):
But still even when you you gotta cut it a
certain way or it ain't gonna lay down and look good.
Show for it's all about what Well, we'd been here
for a number three hours, were about to go another rant.

Speaker 3 (02:41:05):
We're supposed to be wrapping it up. We didn't get well,
had grand We couldn't this old nigga ship. Listen.

Speaker 1 (02:41:10):
I ain't listen both y'all watching that ship. Ain't gonna
say not now we're talking. Now we're now we're talking.

Speaker 4 (02:41:17):
He ain't got no John dip, I bet I do.

Speaker 2 (02:41:20):
Yeah, it's probably a nigga right now with you. Nigga
to talking about what you do on the grill.

Speaker 3 (02:41:24):
And I never turned this off. I got I got
that what you do that is. I had learned that
one zero turn zero turns. I was like, I'm not
trying to go over with sag surfing. Yeah I did.

Speaker 2 (02:41:38):
I didn't figured out how to get on the grill
from YouTube? Was what grill masters everything? You know what
I'm saying.

Speaker 3 (02:41:44):
Every learn to get on the grill too.

Speaker 2 (02:41:45):
Yeah the grill, welcome to Yeah, let me tell you something.
Man to the toll the eighty five percent. I ain't
porking years. But the last time I did this, nigga
made some ribs. I was like, nigga, you a slave
a little.

Speaker 3 (02:42:00):
Bit, ain't you? Niggas got the boy? You boy?

Speaker 1 (02:42:07):
You you think mass hell, you think massacme it taste teens.
Ain't you you put this that folk that used to
make us think we couldn't make that dot of it.

Speaker 3 (02:42:15):
You the dirt man. The motherfucker ribs are so good man,
I'm talking about I'm saying, I'm glad you hear about
me and this nigga been going back and standing over
the rib like. Bro, I'm in that. I'm in this
man house, me and this daddy.

Speaker 1 (02:42:27):
And that motherfucker sneaking ribs together, me and his father
in this sneaking rib like nigga like, wait, wait a minute,
and you this nigga daddy, tell them we want to rib?

Speaker 3 (02:42:35):
Man, Tell this nigga we want to rib a bet
of pump pop.

Speaker 4 (02:42:40):
Tell that nigga you.

Speaker 3 (02:42:41):
Want to rib. I'm trying to sneaking around, nigga. I
walking around this moment. Hey, they really like I told you,
they really like that. They don't even need no sauce
on them. Bitch. Bitch is fun took, Paul.

Speaker 2 (02:42:56):
I mean, yeah, you know, I don't eat none of
that ship, no boy, but I remember them rib boy,
that real boy.

Speaker 3 (02:43:01):
You can want to come them some of them bitches
this weekend.

Speaker 4 (02:43:05):
Yeah, I think it's been a little this week is
a really.

Speaker 3 (02:43:07):
Week, feeling real, feeling real really for July. That's coming
up next. I got I'm about to buy me a
new grill.

Speaker 4 (02:43:14):
Anywhere about to give me her about your grill.

Speaker 5 (02:43:18):
It's gonna make my other ship good because I grilled.
But I need to do the other ship to.

Speaker 4 (02:43:23):
Just get a blackstone, a blasted on. Yeah that cool.

Speaker 3 (02:43:28):
Get a blastom grill, make everything better.

Speaker 2 (02:43:30):
But that boy spoke coming up off lamb chops the
blast it's just a flat grill. That's a flat grill
to go outside, or you can outside. I just wait,
shut up different now you can just get it made.

Speaker 3 (02:43:46):
The style. I've been watching all that motherfucker season. The grill,
the wing put the olive oil.

Speaker 5 (02:43:51):
On like loud, you know, like how allowed to make
the blood drop.

Speaker 3 (02:43:54):
Yeah no, I ain't like that. Yeah that's just torture
free men, no custard.

Speaker 10 (02:44:00):
Make sure look at everybody and like, okay, we're going
to get the black stoke.

Speaker 4 (02:44:04):
Okay here talking about.

Speaker 1 (02:44:06):
I'm talking about you can make everything on there, snakes,
the burgers, the breakfast, the cases, can it's just everything.
It's like it's like a grill theother house. I mean
that the waffle house, all the house grill, the ihep grill.
It's a grill, right, it's dope. Okay, baking on the Yeah, boy,

(02:44:28):
that should be slapping. I missed all that smash burgers.
Yeah you're gonna smush.

Speaker 4 (02:44:38):
See how like my food is smush? I like to
smush smush that ship you can use it. That started
getting round. That's it right now, I'm like.

Speaker 1 (02:44:47):
Ship go down that.

Speaker 3 (02:44:49):
Yeah, Like, man, what roll you?

Speaker 4 (02:44:51):
Nigga? Mad?

Speaker 1 (02:44:51):
What wrolled you?

Speaker 3 (02:44:52):
You know what I mean? Yeah?

Speaker 1 (02:44:53):
You can get you a black last mouth man like
you work here at the fucking waffle house.

Speaker 3 (02:44:59):
Just how you want to dump my burger?

Speaker 4 (02:45:01):
MANU it is?

Speaker 3 (02:45:03):
I got at last mouth man.

Speaker 4 (02:45:04):
I don't know, man, I got my eating the burger.

Speaker 3 (02:45:13):
Take your joe off.

Speaker 5 (02:45:15):
It.

Speaker 3 (02:45:16):
Man. You like Smiths burger smanish smith bro.

Speaker 4 (02:45:19):
I like skirt steak the way that the big skirts
steak is.

Speaker 3 (02:45:23):
Yeah.

Speaker 2 (02:45:24):
Yeah, I'm a I'm a well done everything gotta be
well done.

Speaker 3 (02:45:29):
Club. Yeah, well done club. I tell him make my
ship elbow d C.

Speaker 2 (02:45:33):
It don't matter what it is fried my ship elbow
And that's so much I can't eat now. So like
because you're yeah yeah, because it's a blood pressure and
the blow.

Speaker 1 (02:45:41):
You know, I have changed all that ship up, so
I still gonna have togga, you know, I mean I
eat to change it.

Speaker 3 (02:45:47):
No hell no, niggas.

Speaker 4 (02:45:50):
Your man crazy.

Speaker 3 (02:45:52):
If I lost.

Speaker 5 (02:45:53):
Pash Daddy, you'll be a priest.

Speaker 3 (02:45:56):
The moing, you'll be a price some moing. It's like, yeah,
I do nothing. One fifty seven. One fifty seven was.

Speaker 1 (02:46:07):
One ninety one ninety four. In January when I went
to the doctor. Doctor came in and told me, we
didn't nigga believe that you lose later three yeah that
because he always talked about how big my back was.
It was like, yeah, I know, that's what I'm That's
what they told me.

Speaker 3 (02:46:26):
My being mine.

Speaker 2 (02:46:26):
I did this body scan and all that, but what
changed it was the blood pressure. I went and I
had to go to the doctor before I went to Africa,
so I went in December and they told me my
blood pressure was like whatever it was, and I was
just like I give all right whatever. I went back
to the doctor and then the black doctor came in
like that second police.

Speaker 3 (02:46:44):
Officer when you know you going to jail, Like he
came in like everybody leave.

Speaker 2 (02:46:47):
I got talked to my brother, and you know, he
basically was like, man, look, man, I'm a fan of
you and all that, but I don't think they did
a good enough job of explaining to you how serious
this is for us as black men. He said, man,
this kills more of busting anything. And he said, man,
we take it for granted. You keep doing all of
these different things that could easily be changed, and discipline

(02:47:07):
is the problem with us. We don't have no discipline,
and the discipline of what you put in your body
is one of the first things that you should learn
how to get together.

Speaker 3 (02:47:15):
And I'm just I'm listening to him. I'm like, yeah,
it was like, man, but.

Speaker 2 (02:47:17):
Did they tell you the effects the high blood pressure,
the real effects? I'm like, nah, one of the main effects.
He was like, the first one is a rectile dysfunction.

Speaker 3 (02:47:24):
I was like, what I gotta change? What I got
to change? I won't even eat food no more. Whatever
I got to change, You don't even got to tell
me no more. If that's the first one.

Speaker 2 (02:47:35):
That's enough, Like what I gotta change? But he told
me just about you know, the pre diabetic I was
that and it just was bad. And when I thought
about it. I was like, man, I didn't been disciplined
enough to do all of these things, but I'm about
to lose. I can potentially go out over some shit
I can control over what I'm eating.

Speaker 3 (02:47:51):
Fucked that, so I had to change it.

Speaker 2 (02:47:53):
And then it was hard though, man, like detoxing off
all that sugar and all that bullshit we eat in
the middle of the night. You know what I'm saying, Like,
because our job don't start till seven thirty. You know
what I mean, We ain't finished working til right now.
It's it's fucking twelve thirty right now, we're still working.
So if if nigga go get something to eat, ain't
nothing open but bullshit. So you got to discipline yourself

(02:48:14):
to stop.

Speaker 3 (02:48:15):
We gonna eat it. And we're gonna eat it because
you know what I'm saying, it is what it is.
But you know I'm seven bro, one fold shoking with
down there. Damn but you eat I'm like one forty
eight left. You can't get no. I just washed it.
I just sit beside this man and washed him.

Speaker 2 (02:48:35):
Eat chicken and rice and macaroni and cheese. Then get
a plate of ox tails and rice and cabbage and
eat through all of it and still built the same.
If I was to eat some chicken and some oxtails
right now, I'm going to Urgent Care. My nose gonna
start bleeding. I'm gonna peel on myself a little bit,

(02:48:56):
and I'm going to urgent kit. But see that's all
you eat. See I got this nigga.

Speaker 3 (02:49:02):
Won't eat nothing else. But see I got low by
the fact how metabolism, Yeah.

Speaker 4 (02:49:08):
Yeah, I got games works. Boo boo went into toilet
down the dream man.

Speaker 3 (02:49:17):
I can't you know.

Speaker 2 (02:49:18):
I had to cut the hardest thing for me to
shake this bread though, Like that bread was what man,
man I'm talking about. I'd be riding past Texas Roadhouse
playing End of the Road, My nigga, I'm talking about
what nothing like sitting in there, that basket of me.
I can't eat rules and that cinnamon butter, listening to
God Damn.

Speaker 3 (02:49:35):
You got to know when the hold up, can't eat again,
can't do it. I can't do it. I can't funk
around me walking around with one Jordan on. It ain't
worth it. It ain't worth it. It ain't worth it,
you know what I'm saying. And I stay health gotta
stay healthy.

Speaker 2 (02:49:51):
Health is really wealth, man, because as we get all
that's like, what's the point if you're not around and
enjoy your life and then it's just all about what
you putting in your body and that high blood pressure.
I suggest that all black men go get your blood
pressure check, learn your blood type, get your blood pressure check, man, because.

Speaker 3 (02:50:08):
You'll never know.

Speaker 2 (02:50:09):
You get them aneurysms, you get them, heart attacks, you
get them strokes. All of that comes from you just
not knowing, you thinking ay and dehydration.

Speaker 3 (02:50:19):
All that comes for you all are living.

Speaker 2 (02:50:24):
Get yourself, get yourself together, because if I can shake
it with what I do and how our lifestyle work,
and it wasn't easy, it's gonna be difficult. But you
got to discipline yourself because you don't want to go
away from here because a chicken wings nigga.

Speaker 4 (02:50:39):
You know what I'm saying, niggas flecks is to be
ninety and still work.

Speaker 3 (02:50:42):
Yeah, where you gonna use it?

Speaker 2 (02:50:47):
He trust me, if you work, you work hard enough,
you'll be able to use it as much as you want.

Speaker 3 (02:51:00):
Yeah, look at that. Come get the last sperm left,
the catch the last sperm left. Look at it. No man,
that's too old to be fucking ninety.

Speaker 1 (02:51:17):
If they'll take your license, their definition, suspend your fucking prison.

Speaker 5 (02:51:20):
No, they ain't gonna take your license if you're good
and you still drive.

Speaker 3 (02:51:24):
Yeah, you're ninety years old.

Speaker 1 (02:51:25):
Who you're gonna be fucking ain't No, it ain't no
bunch of ninety year olds to be fucking.

Speaker 3 (02:51:29):
Ninety year olds. Don't fuck ninety year olds. That's that's
the thing.

Speaker 2 (02:51:35):
I seen a million nasty you gotta be the fucking
ninety year old. But listen, I saw a meme that
that defines that to a t. It's a ninety year
old man, that old man and a model, and it said, fellas,
if your sons ask you why they should study, show
them this picture. Ladies, if your daughters ask you why

(02:51:57):
they should study, show them this picture because you got
this old man with this model chick, because he can
afford it and she need the money. Yeah, so ninety
years old ain't too old if you got the money,
you kidd You remember lack my bowl for two hundred?

Speaker 3 (02:52:18):
You going there?

Speaker 5 (02:52:19):
Yeah, yeah, I put that room, I put that bed
up there for you and your children.

Speaker 4 (02:52:28):
You ain't gonna do.

Speaker 1 (02:52:28):
That for me. Later on, now, I wouldn't have took
that shower if you wasn't gonna do it like you
said you would.

Speaker 3 (02:52:35):
I took that people to know how hard it is
for me to get in that tub like that.

Speaker 4 (02:52:41):
You're gonna move her whole family.

Speaker 3 (02:52:42):
You said that you was gonna liquor. Man, I went
and stood and not gonna need her. It's swoll up.
So I got to lay down now. But she gots
to do it because that I ain't got nothing.

Speaker 1 (02:52:55):
I got to go get this drain that's gonna cost
me Anohe that five hundred, know my deduction.

Speaker 3 (02:53:01):
Before my shot.

Speaker 4 (02:53:03):
He got diasters waiting a man.

Speaker 3 (02:53:05):
I I can't remember what I wanted nothing to do ever. Man,
it's wee hard if I think of it. I show
don't call your name.

Speaker 1 (02:53:19):
I don't still work, But I don't remember what I
used to do with it. I know I used I
used to put put this thing somewhere.

Speaker 21 (02:53:31):
Right, No way, you better not put I usually put
this thing. What's that place called? What's that place called?

Speaker 4 (02:53:46):
Y'all don't remember.

Speaker 3 (02:53:48):
Don't nobody remember we usual somewhere? Keep that little I
forgot this ding. You got enough money, She's gonna figure

(02:54:16):
it out. Don't worry about it, Papa. I tell you
what to do with I.

Speaker 1 (02:54:19):
Tell you, I'm telling you that you will be too
friendle the fuck you hurting my that? You know me?

Speaker 3 (02:54:35):
Mean, why are you doing it so funny?

Speaker 1 (02:54:43):
Tell us when you're about that, you're trying to fuck.

Speaker 3 (02:54:45):
Hit it from the bank. You're doing this ship right here. Man,
you got to stop moving so much. Stop moving, baby,
gonna do me one more. Fab me back here and
put it in from me off right like I didn't
do that. I've been trying it like this, but I

(02:55:06):
can't get it. I can't get it off me.

Speaker 4 (02:55:08):
Now I'm gonna reback and put it in there.

Speaker 1 (02:55:15):
I'm gonna lay it on the back here and you
just sliding down when it's supposed to be family. If
it's all the same to you, just uh rub it
up and down on your on your hands to lippen
two three strokes that be out of They be good.

Speaker 4 (02:55:31):
I do me one family.

Speaker 1 (02:55:33):
I like to fucking refer don't pour your pussy out,
put your pussy back up.

Speaker 3 (02:55:40):
Yeah, it's gonna do it with me. I like to
watch the buzzard go back in the bench. You to
be a time I wanted to see it outside the man,
but not just put it up to see how fast
you can put it up. Put the pants may go.
I come, I ain't even got s go any one,

(02:56:09):
any one.

Speaker 5 (02:56:10):
The last time she hell know me, I'm Liby, a
ninety old hornball.

Speaker 3 (02:56:15):
She ain't hogging me nothing. You don't need to be.
You don't know how your home own my that she
might come out.

Speaker 4 (02:56:23):
I know what you be like. I'm feeling seventeen again.

Speaker 3 (02:56:28):
At ninety years old.

Speaker 4 (02:56:29):
Hey, every thirty minute, every thirty minute.

Speaker 3 (02:56:31):
You're like you sleek, you can't even move. But here
he was sleepy. So again, I don't even want you
to do nothing.

Speaker 4 (02:56:43):
I keep coming quick, though, but I ken't ninety years old.

Speaker 3 (02:56:46):
Your body gonna be discussing that.

Speaker 1 (02:56:48):
Yeah, ain't nobody you know buzzing you ninety Move that
skin out my leg, move that skip back. I'm talking
about man, ninety years old, your dig hard hanging out
the side of your family, ninety years old, ninety years old, nigga,
your gonna.

Speaker 3 (02:57:06):
Look it's gonna be nothing, madden. It don't even feel
good when it come out. No more do me one family?
Look this dightful and uh looking at what I got
in that fight. No no, no, no change. Now you
got for the strap on the side.

Speaker 4 (02:57:26):
You can't she can't do no for plan.

Speaker 3 (02:57:27):
You gotta you gotta pull this off like a bull up.

Speaker 4 (02:57:32):
Don't kiss me.

Speaker 3 (02:57:33):
I'm busting nothing. That's the funny. That's you know what
a nigga the old niggas sounds like, don't make it.

Speaker 4 (02:57:45):
You ain't gonna do that. It's gonna say, old man,
I don't mon dad.

Speaker 3 (02:57:56):
One then man, jeezuz.

Speaker 1 (02:58:01):
And I said, I'm not really think you maybe give
that's crazy man, I did.

Speaker 3 (02:58:07):
That's a crazy thought right there.

Speaker 1 (02:58:09):
Just thinking how much people complain now at a young age,
Why fucking just think of how much ship you're gonna
have to complain the best.

Speaker 3 (02:58:17):
That's probably all you this on the music. I don't
want to hear that with Maxwell. Lord, you don't know
Maxwell well, master from Geniu Wide. You don't know Geniu Wie.
You ever heard of Gilly? You don't know him either? Well,

(02:58:47):
I guess turned on Martin. You watch that beMore. You
you don't know Martin. Martin thing.

Speaker 4 (02:59:02):
You you want to get out?

Speaker 3 (02:59:07):
Thank you?

Speaker 1 (02:59:07):
So my god?

Speaker 3 (02:59:14):
If you telling puts it in ninety you old man.
You got bather.

Speaker 4 (02:59:29):
Well, y'all is well.

Speaker 3 (02:59:32):
I guess I'm gonna go ahead and get out of here.
You did the best.

Speaker 4 (02:59:38):
You good.

Speaker 1 (02:59:39):
Yeah, she didn't dump. Well, you know, come back and
see me next month, but call check on me first.

Speaker 3 (02:59:48):
I like that. D you leave, baby, baby girl? You
want me to leave my socks onner? No, you can't
smoking here, baby, because you know I got this orchid.
You know, then up smell funny in here? You my
like that candle for you leave? No, don't like that candle.
I got that gash over here. No, the real gas,

(03:00:10):
this oxen, real gas, real gas. You can't smoke in here?

Speaker 4 (03:00:17):
So what they mean?

Speaker 3 (03:00:18):
What I mean? Heather?

Speaker 4 (03:00:20):
Oxygen?

Speaker 3 (03:00:21):
Oh?

Speaker 1 (03:00:21):
Okay, ninety years old, you think it's possible you worry
about some fucking No, you ain't puss.

Speaker 3 (03:00:28):
It gonna be so advanced by that time. That's sixty
years from now, mane.

Speaker 1 (03:00:34):
Back in my day, you used to have to go
over there in real life to fuck m.

Speaker 3 (03:00:40):
Now you guys just naked.

Speaker 1 (03:00:42):
You just think about the bush in his right there
on you. That wouldn't that wouldn't have made it. Back
in my day, y'all got it easy.

Speaker 3 (03:00:53):
That he he had to do it. Make sure your
wife I turned on and she just email you some.

Speaker 1 (03:01:02):
They just hit the old nigga talking shit, Now what
I want another wife fuck?

Speaker 3 (03:01:07):
And I can just give me a little motherless description.
Just caught the same as you too. Premium, m M
pussy premium.

Speaker 1 (03:01:19):
Yeah.

Speaker 3 (03:01:20):
They come be in down to that new steak out.

Speaker 1 (03:01:22):
They got what the where they bring you a piece
of pussy with your food. Whoever came up with that
was the motherfucker right there.

Speaker 4 (03:01:33):
He was a motherfucker. He's pushing with the food.

Speaker 3 (03:01:36):
They bring your piece of pus, You get your burn,
then you get just for me. You can make the
choice of some people like the what a downtown. By
the time you get your food, you meaning the fucked already.
It's like the people's down.

Speaker 1 (03:01:52):
There know exactly when you fitter nut because that's when
your food come out.

Speaker 20 (03:01:57):
Like my first shot of like this before I they
keep me out of that the Wow, I got bad
out of that?

Speaker 4 (03:02:04):
What you done?

Speaker 14 (03:02:04):
Lord?

Speaker 4 (03:02:05):
Hell?

Speaker 3 (03:02:05):
So why nothing about the person you saw out damn stuthing? Well,
you didn't even take the food. I just wanted to person.
You didn't see that?

Speaker 1 (03:02:13):
That's down what's somethwa that somewhere you can get your
good stick into the puson for five dollars and not
and nonsense. What's they they got to when you can
get a stick and puzzon down there, they.

Speaker 3 (03:02:24):
Gotta puss it bout a hit, say lord, puss about it.
They saw this body, I don't want to do that.
They had they do it and cut it in half
like a south stand. That's that was here. Look about
two lips depending on who you is.

Speaker 1 (03:02:39):
That's that's plenty enough puzzing, not unless you want to
buy the whole day.

Speaker 3 (03:02:43):
I mean, you know they ain't doing it at the
arfice too. They already had to meet. Now you don't
like armist do that? Ain't real pussy they got at
the armie.

Speaker 19 (03:02:51):
That that's tuning on the lift.

Speaker 3 (03:02:57):
Ain't no real pusson to lift that. Yeah, the lipps
not well, you know what. The pussy part vegan, but
the lips is poked.

Speaker 4 (03:03:07):
Oh that's why I be breaking up out to tell you.

Speaker 3 (03:03:11):
That's why something looks like cook bacon. I ain't seen
one of them you had a cooked.

Speaker 1 (03:03:18):
Bacon for Sometimes the pussy be looking like it's about
to say something.

Speaker 3 (03:03:23):
Yeah, like it's founting or something that that that that
that's the one that they got.

Speaker 4 (03:03:27):
They said that that golden buzzy.

Speaker 1 (03:03:29):
Yeah, I don't give a damn what good it is.
The bushy is busy, it's all man and all stinks.
They're just standing in a different kind of way in
this day. Sometimes it don't stink stink. Sometimes it be that.

Speaker 3 (03:03:53):
Attitude that doesn't win.

Speaker 1 (03:03:54):
Funky on the bit thrashold, I don't have that ship.
You can fix a funky puss, said brother, for your attitude.

Speaker 3 (03:04:01):
There's something deep think all the time. Ain't ain't no
pill for that. I know what they gotta peel for go.

Speaker 1 (03:04:13):
Yeah, hey man, y'all, motherfucker, I'm nothing to be doing
this ship each other and did whatever? Man hell pushing
good as hell, push it good as fuck, get it
good as fuck.

Speaker 3 (03:04:30):
That's some ship you never saw coming. What you did
that never was so coming.

Speaker 4 (03:04:37):
I rode the jokes.

Speaker 3 (03:04:38):
Hey, I gotta fuck y'all up right quick. Hey watch this, Yeah,
I wrote a joker some cocaine. It's just one ladder.

Speaker 4 (03:04:52):
That's a good that's a good one. That's a good one.

Speaker 3 (03:04:58):
What do you call the woman that don't suck, nig
You don't what would you what would you do for
a man? What time? Boy? Legendary? Man, we have been
here four hour.

Speaker 1 (03:05:18):
Yeah, we gotta get the fuck out of here. Man,
we'll chop this up. And what's great to have you back.

Speaker 3 (03:05:23):
Man. Every time you ain't on an episode, motherfucker.

Speaker 2 (03:05:26):
Think staying Yeah, I know right, they don't even understand
you don't even Yeah, you can't imagine the ship.

Speaker 3 (03:05:31):
Motherfuckers be saying to me, sure they just gonna keep
doing this show without you?

Speaker 9 (03:05:36):
Mother?

Speaker 3 (03:05:36):
Where the nigga told me?

Speaker 1 (03:05:38):
Nigga said, Man, when you're gonna go back to the
trap so I can hate on you?

Speaker 3 (03:05:42):
I was like, damn, right here, that's the big I think.

Speaker 1 (03:05:49):
Said, Man, you're gonna go back to the traps so
I can hate on you. I was like, I don't
know how to feel about that one, but new ship
to hate on.

Speaker 3 (03:05:59):
I guess he in there.

Speaker 1 (03:06:01):
Man.

Speaker 3 (03:06:01):
It's beautiful. Man. Love y'all niggas, love my niggas. Yeah, man, Man,
love y'all niggas too. Man. I tell you another thing.
Back in my day, men's didn't love on men's like that. Yeah,
it wasn't.

Speaker 1 (03:06:16):
No only time men's love on each other and when
somebody passed you love when it did, Yeah.

Speaker 3 (03:06:22):
We love you, but not why you're here. We love you.

Speaker 1 (03:06:26):
We ain't gonna understand. You just got to count assume,
but you just go like this. But if somebody passed you,
just you know, you go up there, you show love,
and that is probably other than that noisy Yeah, cause

(03:06:49):
you know, Daddy didn't never tell us that when we
were growing up. He never said that, you know, no
physical words, but you know they wrote it.

Speaker 3 (03:07:00):
Oh my god man.

Speaker 1 (03:07:02):
Yeah, this has been another eighty five cells production, steak tuned.

Speaker 3 (03:07:07):
We spinning the block and don't get the food monism
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