MAGNOLIA LEVEE in the Trap! | 85 South Show Podcast

Magnolia Levee is in the Trap with Karlous, Justin, and Clayton!

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Episode Transcript

Speaker 1 (00:07):
I'm trying to think of it as anybody that shocked me.

Speaker 2 (00:10):
So you see, Marie, we still tried to make We
tried to make her light scared for the lawyers.

Speaker 1 (00:14):
I didn't know. I I'm a little younger than y'all.

Speaker 3 (00:17):
So when I found out she was white, I was like, no,
I said, yeah, don't drive through that bitin' is supposed
to be around y'all.

Speaker 1 (00:27):
Nigga.

Speaker 3 (00:29):
See, in my lifetime, they didn't pushed a lot of
white people past the cousin land on us.

Speaker 1 (00:33):
We don't care though, we don't give. We never cared
if it is damn they kept.

Speaker 3 (00:39):
You see out in hell they giving Kamas Shell and
Beyonce about country.

Speaker 1 (00:43):
And that ships. Stupid bro like they taking away from
us out there. That's crazy.

Speaker 3 (00:49):
I don't know why they're tripping on Beyonce and Kate
Michelle because the motherfucker.

Speaker 1 (00:53):
Who gonna really take over that ship.

Speaker 3 (00:56):
Ain't gonna be thereig what I'm saying there he he's
showing that boy one nigga that washed dishes at Dennis.

Speaker 1 (01:12):
What's the new man? Yeah, the new country dude nigga
with that bad skin with them biggest thone named gas
station something go ahead with.

Speaker 2 (01:23):
To be saying like I don't got that nigga.

Speaker 1 (01:26):
That nigga nigga shot you can be like, hold on, y'all,
watched it.

Speaker 3 (01:33):
Lit that nigga gas station. Yea, so that ship that
nigga sounds like he's seventy nine.

Speaker 2 (01:46):
All the niggas are snappings at the gas station. The
one homeless nigga that was rapping, the light skinned nigga,
he was at the gas station. And then the nigga
that do the do the jays making music.

Speaker 1 (01:58):
You see. You know what I'm talking about. You seen
the ship you do he take the microphone put downtown. Yeah,
went man. I think his ship was a dollar or something.
You need a dollar? That was the thing. Yeah, And
it was talking about all the talent downtown homeless.

Speaker 3 (02:18):
All our homeless people are musically inclined. Never damn sure
sing that way.

Speaker 2 (02:25):
If any day they gonna say whatever the funk on
the radio or whatever they hep play, you know what
I'm saying.

Speaker 1 (02:30):
Or the last song that will hop when they have
some money.

Speaker 3 (02:33):
I'm like, when the brackheads take a regular song and
make it a crack song.

Speaker 4 (02:38):
I smoke a rock with your baby, man, was smoked
with my lady because.

Speaker 1 (02:52):
Rock and rolling, rolling, right, I know he's about to
be and I'm never going and weeding smoking craps. I
want to rock right now. I want to rock right
now and onto a whole rock with.

Speaker 4 (03:15):
You smoking, smoking, smoking.

Speaker 3 (03:20):
To the lie they be saying, white folks all.

Speaker 1 (03:26):
I want to rock rock.

Speaker 3 (03:30):
I hate to hear what they do. A jingle bell.
Oh that's ship. Hey, that's right in there.

Speaker 1 (03:36):
The man, Christmas time, the fuck the whole season up.
That's how be though. Life is funny like that over there.
You just never know where you're gonna find this ship at.

Speaker 3 (03:52):
I ain't never ran up on the homeless white people,
and they did some amazing ship like that. Not to compare,
but I feel like if you're out there in the
streets and you at seking people for money, you should
be able to do something.

Speaker 1 (04:03):
You know what I'm saying, Like, if you're a white
dude out there.

Speaker 5 (04:05):
You gotta be you got just want this magic washing it,
hold on, bring something to the team.

Speaker 1 (04:20):
They probably wouldn't be out there.

Speaker 3 (04:21):
No you think about it. Sometimes the bombs got his motherfucker.
Remember what happened to buddy? Remember the dude who had
the radio voice? Remember they Yeah, the niggas fifteen years ago.
Yeah they had How long did he have a job?

Speaker 1 (04:37):
Then they probably gave him something on the radio and
and put his ad back on the bridge. He gave
beat on the white woman.

Speaker 2 (04:43):
He remember he ain't got then no domestic violence, he choked.

Speaker 1 (04:51):
Um, well it was something I think, Well you know
where he is. Then? Know what I think is funny?

Speaker 3 (05:02):
Fat white women date anybody?

Speaker 1 (05:05):
No better take that to be better? Better? Reverse it
got reverse a motherfucking thing. Anybody dating fat white women?

Speaker 3 (05:14):
Once I start really investigating it, they are being seeked out.

Speaker 1 (05:19):
This shit ain't just happening by chance.

Speaker 3 (05:22):
So you think they nig nigga kill you about this
big white woman she taking care of. See how quiet
it got because everybody has got their cousin. I know
he be ready to crash out and go to prison
this evening. She's gonna be right there with him. They

(05:44):
shouldn't have never played with him, that's right. Don't act
like they're doing them no faivu. They't got money, will
be putting niggas on their feet. I feel like, once
you get out of prison, that's what they should set
you up. With a probation and a fat white woman.
You need to go to the halfway house. You need
to spend half of your time up there with them

(06:04):
and half of it with her, Or.

Speaker 1 (06:07):
You gotta spend the first part of the day with her.
You know how to do it, the halfway house. You
gotta go.

Speaker 3 (06:11):
I ain't talking about somebody who just a little overweight
from the bigger white women who we have flip flops
all year round from your show, lean back a little bit.

Speaker 1 (06:21):
Six hundred pounds? What how manute? No about four old honey?
You can't tell the difference. That's what I'm saying. Man,
Once you.

Speaker 3 (06:32):
That's what I think is the most fucked up part
about that show. What it's that It's called my six
hundred pounds life every time it come on. It's the
motherfuckers who five hundred pounds.

Speaker 1 (06:44):
Getting all that shit together.

Speaker 3 (06:45):
You got see these big motherfuckers over here, ain't nowhere
in the hell like I get up to no goddamn
six hundred pounds, then you five fifteen. At a certain point,
it don't make no goddamn shit. At a certain point
that nothing don't matter. I watched that show for all
the wrong reason I sayen, a bitch makes some pancake
batter and fryh some chicken in it.

Speaker 1 (07:03):
I was like, whatever the fuck they coming up with?

Speaker 3 (07:06):
At least get the recipes off this bitch and put
them on TikTok or something.

Speaker 2 (07:13):
Chicken, Now you want something niggas always been chicken and waffle.

Speaker 1 (07:18):
Then she probably did it in the room.

Speaker 3 (07:22):
One lady fried some chicken in her room. But I
ain't seen nobody else cooking their rooms.

Speaker 1 (07:27):
Bru.

Speaker 3 (07:29):
Well, we also got to realize it's people that that that's.

Speaker 1 (07:31):
What they like. Like just didn't Washington.

Speaker 3 (07:36):
It's people that likes people that like big big, big
big big big big big big.

Speaker 1 (07:43):
Yeah. All them niggas, all them niggas that them women
have on that show don't be nothing that h A
real woman won't. I ain't never seen no women in
the coming and be like, God damn, he needs to
come over here. I can. That's because they and in
the comings, they in the inbox. Right, it be slow
them niggas be slow or fresh out of chain game.

Speaker 3 (08:06):
That's what they're looking for. Right, you've been in the
chain game. You're laid in that bed plenty at night.
You could have came up with your dream type of woman.
That's what you want. I'm gonna give me a big
baby who's soft. Everything feels like a titty.

Speaker 1 (08:21):
Well when you cook up out of that.

Speaker 6 (08:23):
T is all up here, all big old something, big
old coach your pouch.

Speaker 1 (08:27):
I'm hall that look like she's wearing a fanny pack.

Speaker 2 (08:31):
That that food was so big, boy, Or.

Speaker 1 (08:35):
You could go to jail now even pussy and come
home and that'd be the first thing you do. You
get it number times. Shit, You be like boy, when
I get home a tennis woman and now to go
to jail and you ain't eating pussing. You know they
got something.

Speaker 3 (08:49):
If you could be in jail for a week nd
you come home, you can want some puzzy. They gonna
put a twenty four hour hold on your nigga, gonna
come out like you did six months.

Speaker 1 (08:57):
The police talk to me, I want the I got,
and then pull me over. They gave me warning, but baby,
I was almost out of here. Ship.

Speaker 3 (09:16):
Man ain't crazy though hawing. None of this ship really
what we think. It is the same way you will think. Man,
who fucking with that? They got options. Everybody got options
out here.

Speaker 1 (09:27):
The worst motherfucker.

Speaker 3 (09:28):
You know, got two or three motherfuckers on their line. Yeah,
but and the crazy part is they.

Speaker 1 (09:35):
Really want them. I guess you just gotta stay in
your lane. Fuck that. You know, my lane is the road.
I be swerving lane. I sweitch lane on you. So
you're you're no man. What you see me with a?

Speaker 3 (09:54):
If you see me with a what's some ship you
don't think I supposed to be with? Just know I'm
happy because before I started sucking with her, I already
considered a nigga justin. Ain't gonna like that.

Speaker 1 (10:06):
You got to come over my big got to come
over here. He was a late night drink or something.
You heard one of the night you believe with her,
I was just getting I'm talking ship, grilling a lot,

(10:26):
drinking that lot and the wrong ship. Pull up? You're
taking that she don't love. I love to see little get.
I'm telling you that struck out the whole night and
you're waiting on that boy, but you chicken to get
off that grill and some bullshit pull up. Ain't nobody
going know but me and her? I mean ship. I
mean I'll be up here. Captain. I know you did.

(10:47):
You said too long but do the best I can do.
Ain't about that. Letting changed your vision. That ship changed
your Nigga.

Speaker 2 (11:00):
I on one time, nigga, this bitch said you must
have been drunk as hell last.

Speaker 1 (11:04):
Night, and I was like, man, I was like, you
got you, nigga, don't niggas standing to go to hap
to zero. I would later nigga take that God damn
me k G machine and he'd be like, I'm gonna
bring this back to life. I wasn't drunk and it
wasn't too late. Oh you was just I told you

(11:29):
to do the best I can do. Before I had
always been sitting on this motherfucking couch or doing other ship.

Speaker 2 (11:33):
Now you know you you were sound mind and body.
I got if I'm going out, yeah, you was out
of there last night.

Speaker 1 (11:41):
You got that right.

Speaker 6 (11:42):
He acted like it was late, because if I would
have been, he didn't acting like it was late.

Speaker 1 (11:51):
They still saying assumption. Basically know what I'm saying. Come yeah, yeah,
bring me a sausage. You up that man, Brown? I
want to back, and Saggy cheat Man called back, give

(12:15):
me some strawberry and grape jelly. I just won't break.
That's how I be what yeah, God, damn, that's how
it be.

Speaker 3 (12:27):
Jay. When play me some pimping man, not no regular
I got you there, some pimp and pimper I get back.

Speaker 1 (12:36):
I'm talking about some pimping I don't know who that is.

Speaker 3 (12:38):
Man now, and I should tell you play me some
bath music like we're in the know you today.

Speaker 1 (12:44):
Damn, you ain't got nothing. I should have told you.
Run me a couple of them, start right quick, place
some B G. Derek or something. You've seen something, Man,
you don't play me the dulse ECHI theme song, Hold

(13:06):
you Stupid.

Speaker 3 (13:09):
The only man in the world that buys a two
pack of swishes and rolls four blunts.

Speaker 1 (13:14):
He doesn't shake the vending machine. The vending machines shake help.

Speaker 3 (13:19):
A lot of men eat pussy, but pussy eats hill.
This nigga's so cold. I wish I could introduce him
in a ving raims for us whoa absolutely Now that
I've spent a lot of time online watching various things

(13:40):
from various hoods and ghettos across America, and one of
my favorite CITs of all times just so happens to
be New Orleans, Louisiana.

Speaker 1 (13:52):
Some of the best street stories online.

Speaker 3 (13:56):
Have been posted out of New Orleans. They got a
lot of street legends, lot of things then that happened.

Speaker 1 (14:01):
A lot of history that I feel like people. People,
people ain't got the head yet.

Speaker 3 (14:07):
Come on. So during my searches in my travels, man,
I came across this feller right here. I kept seeing
them in all the videos. Nigga was post us up
in the back when ship was good and when when
it was wartime.

Speaker 1 (14:18):
The nigga had a god damn soldier rag. I was like,
is this nigga, that nigga be everywhere?

Speaker 3 (14:24):
That nigga go to all the projects, all the functions,
all the second lands, all the studio sessions, know everybody.
I said, I got to get him on the eighty five.
I got to hear this ship from him personally. Come on,
ladies and general, walk to eighty five South. Show nothing
other than Magno, you're leaving.

Speaker 1 (14:45):
Look eventual, far Bro.

Speaker 3 (14:51):
You from one is in America, Bro, and you survived
a whole lot of street ship. Take us all the
way back, man to how this it started when you
jumped out the port, when you went outside, and how
you grew up porch.

Speaker 1 (15:05):
You watched the.

Speaker 3 (15:05):
City go from unknown the nationwide right on the entertainment side,
and just being out there for real.

Speaker 1 (15:11):
You know, I just was up basically a young and
on Willer Street in the Magnolia, which you know, there's
two different steps, two different sides, old side and new side.
Jew being from the old side, which is more like hustlers,
but on the new side it's soldier slim side. Okay
over there like this, on the new side, it's more
like jacking killing and you know, just all you know,

(15:34):
bare knuckle everything. You feel me, just get it how
you live for sure. On the new side, you feel me,
and it's just you don't know what you're gonna walk
into it. You know, before the Hot Boys was the
original Hot Boys, which is Gainster laber sterling on our
beesel doing it and you know, and it's just been
I just was outside early on there. I feed it,

(15:56):
playing in the courting. I just suck sponge, you know
Sponge came from them. Yeah, and just able to you know,
survived this issue.

Speaker 3 (16:03):
You feel me now, you know in the Black couture,
your nickname, we get it through it right, it passes.
You earned your nickname in our community, bro. What made
them start calling you Magnolia, leave it.

Speaker 1 (16:14):
Cause everywhere I went, everybody like by me going to
different neighborhoods, every time they see me, they'll be like,
that's your boll out to Magnolia, And just one person
just was like, that's leaving. And from there stuck cause
I always was hung in different neighborhoods because of my
rapping career. Cause the baby on nephew, little Derek. He
always like before rental cars and Toro was popping. He

(16:37):
was one of them type of people always had luxury rentals, Bubba,
a lot of lexuses, lambs. Early on, I do them
went to jail for no license so much that they
was like, we ain't taking him to jail, and we
were gonna help him get his license. Damn damn. How
many times did you go, I'm go'a say, probably over
eight to ten times. Cause he always like he was

(16:57):
a hustling type of cat and he was slimming fast,
so he always ran from the police. Yah and me
being happy and want y'all riding and show broads that
I got a lamber, you know, a viper because you
know they had another guy named day Shun with a
record label too. I get up in there, calls and
just you know, kids around the Yeah, and then the

(17:18):
police started catching on to me, and they just started
arresting me every time. Then I wound up getting out
at least like an hour to thirty minutes because of
Stunner or they sister who worked in booking. No, I
just you know, my name just kept on popping up.
What was your introduce introduction to Stunner? You know he

(17:38):
came up here and kicked it with her. Oh my
introduction to Stunner, fuck shit. I showed up as a
nephew and being off a whillow through gangster and I
beat on him. So it was always open arms with me,
like I was always you know, like the erin boy.
First of all, I came in this ship as an
erind boy. You know a lot of nigga tried to
downplay that, but I just really ain't wanted to start
off selling drugs. I just wanted to be around and

(18:01):
still get money, like I ain't. I ain't. I wasn't
really like you know, like all the way off the porch,
I'll get Jordan's and shit like that. As long as
I get that and go to school with it, I'm good. Yeah,
because there was cash money at the time. It was popping.
I go to school with CDs. You know, the roads
are like who he is, who is and that's all
you know, that's all we really wanted in high school.

Speaker 3 (18:21):
So you was fucking with cash money hard, even before
they went nationwide with the universitation.

Speaker 1 (18:27):
What was it like being around them early days, man,
earlier days? Man? Shit, it was always fun. I ain't
never had a doll moment around them. Yeah. And you
know once Wayne, like Wayne always been super ahead of
his time. He always was coming to the studio with
his raps already prepared and shit like that, so he
always had access to everything bentless and shit like that

(18:48):
early on. So I just was always around and I'm
kind of like, you know, not like not like a bullet,
but just you know, like almost like I'm the one
who they called if something going on in the hoods
you feel me.

Speaker 3 (19:02):
Oh, now, you got a lot of legendary days and
nights in your gohood man. He was in there, titles
Solder Slim and all them all stars around there, because all.

Speaker 1 (19:13):
Us really come from a record label called Hype Enough.
You was over there sick shot on slim early on
was there. It was one guy named Chill will through
the whole neighborhood. He find everybody. Yeah, man, we just
all us just you know, different different moments, when different places.

(19:33):
That's hard. That's hard. I'm still over here admiring the
fact that you admitted that, probably about being the Aaron boy.
You know, a lot of niggas don't meet that. They
try to make it seem like they were just like, yeah,
you just goddamn move. You grew up in the project, bro.
The old nigga gonna always hey you on their bike,
run up to the store for me.

Speaker 3 (19:56):
Then once they see you're a small young man, you
bringing the chain back?

Speaker 1 (20:00):
You know what? You know what I'm saying. Hey, they
tell you to keep something, now you break it. Got
the whole goddamn twenty off. That's the only way you're
gonna find out where they stay at. Yeah, right, you
feel man, don't too. Most of the niggas show you

(20:21):
where they stay at. You really got to bond with him,
you feel me. You got to be able to hold
that in and I tell other people where people stay bruh.

Speaker 3 (20:31):
When you grew up in a project right around a
whole bunch of killers is drug dealers, is niggas who
been old America's most wanted this ship like that, is
there anybody that you grew up around or came in
contact in your life where you still kind of believe, Like,
I can't believe how that.

Speaker 1 (20:45):
Ship turned out, Ship Gangster, I still can't believe how
you know me seeing from what he comes from. Even
when his mom got shot. Yeah, man, it was really
like chaos in the neighborhood when his mom got shot.
This dude, he was completely a different person. And I
can't believe that I survived doing that ever, And you

(21:06):
know just how shit was, man, Like you literally could
be outside playing and he run out the door with
an a K for the seven or something because all
because you know, he's trying to get back from somebody
shooting his mom. You know he was. He was like,
you know, one of them ones in the neighborhood. But Slim,

(21:28):
Slim was like the type of person he just he
was like he ain't never feel nothing, but he always
did dumb shit too. You feel me, just that an
tagg our ship, You feel me? Damn.

Speaker 3 (21:42):
I feel like the world didn't really get to know him,
Like like y'all did, like we always knew when he
came out with no limit, he was cold and you know,
he had a very recognizable voice and a signature sound.
But like you said, we didn't really get to to
like embrace him the way that he got embracelet and
a legend. You rapped out in the neighborhood. You'll see

(22:03):
you see a soldier, Slim morial, you know, all.

Speaker 1 (22:05):
That could understand that a lot of people didn't. He
felt like that too before he passed away. You feel
me like he didn't get his flowers in time, and
when he when he did get a chance to get
his flowers, he really didn't show yet. You feel me
because he had only just got to deal with Koch
and didn't getting the label deal because before that we
just was traveling. But we met Ti I before up

(22:26):
in on Biluxti, and that's when we know, you know,
they we found out they got gangster us everywhere. You
feel me absolutely because we are. I think we had
a show in Biloxi and Slim always tried to you know,
boom boom rush shit, and t I wasn't going for it.
They was deep too, and it's just like you know,
and that's when Slim was like, ship them niggas miled
up too. They ain't going for it. And from that moment,

(22:48):
you know, we had a relationship with Grand Hustle. I
got to ask you to dance in the city. Your opinion.

Speaker 3 (22:58):
We done heard all the projects out of out on songs, Bro,
What project had the baddest little chicks up in there?

Speaker 1 (23:05):
Now? Why you say that? This said? Now, why you
say that? Because that's what you got dressed for to
go see them. That was the baddest, Like you literally
get a nice car. That's the first neighborhood you want
to go to projects? Nothing but what it's like because
they had like everything that looked like beyonest you okay,

(23:33):
all right, yeah, And it's only because in my neighborhood,
it's like we see our regular neighborhood bros every day,
so we basically stand office on them. So in order
to get a peace of mind, you'll go ride downtown. Okay, Okay,
the same they project about as big as the Magnolia
even maybe bigger. So you can circle through that like

(23:54):
four or five times in right right different areas.

Speaker 3 (23:58):
What was his life for a nigga who ain't from
over there to be riding over there though.

Speaker 1 (24:02):
Another niggas who were from over there, and it ain't
like that ship. Yeah, get your hands over there.

Speaker 3 (24:06):
You can get you can get shipped on through that.
You get sticky, you feel Yeah, you guys, you know
you can leave.

Speaker 1 (24:16):
Breathe. When I was in high school, that we are.
Back then they had Beanie Weenie and dance sauce and shipped.
In high school, we went way downtown to challenge some
dudes downtown. They locked us in the gym, put the
lunch table by the door, and whooped the piss out.
It's like eighty five dealt with us. I'm just waiting

(24:36):
for beating the niggas dance just you made the wrong stuff.
You went in the wallknew what it was. This okay,
It's all like in my city, it's like you automatically
part of a wall. Even if you like, you know,
you might have to join Blood or crypt or stuff
like that. When you're from New Orleans, it'd be like, oh,

(24:57):
you're out the thirteenth automatic because that's where you live
at and when other people see you, they're gonna be like, well,
that's your boy, Jerry out the thirteenth Okay, no ship, Yeah,
that don't matter. But so.

Speaker 2 (25:09):
It always seemed like New Orleans people got family everywhere.
So that's kind of how everybody able to go everywhere
because like you said, you were going to all the
different neighborhoods, like you know, out of Cali.

Speaker 1 (25:18):
They say, you might have to your antee son. They
got to vouch you in the Cali. Okay, so now
you gotta go into Calio. You might have to stay inside.
You're got to go over there because that's your own
Ain't I done? Got stuck in the Cali over the floor,
and I ain't coming out till the next day. You
don't get no type of paths. Damn no, got where

(25:40):
your grandma say, We don't give a fuck unless you
get a risk man or something. Ain't over here for
the family reunion. Get your even like the school district,
like if your if your grandmother, if they want you
in a better school, of course they gonna use whoever
had dress. Now you got to catch the bus from
over there, you now you No, I'm dunking them dudes

(26:02):
every day, every.

Speaker 2 (26:06):
Always one of that because I know y'all, like I
know you know the gang ship and had work wars
out there basically, like you said, you might be over there,
but your the only thing separated.

Speaker 1 (26:19):
Is mighty glad time. Like you have to walk like
from Napoleon on this end and this Canal Street. It
might be the third wall like Magneth Kelly, and we
don't get along. But walking as we go to walking down,
we start squashing the beef till we get to the
tent walk end. And then when you get the canal
that's the ninth walk against us.

Speaker 3 (26:38):
Okay, okay, and then all right, everybody keep the peace
for the most part once you get the Canal Street.

Speaker 1 (26:44):
Oh but up until up until you got to get
the Canal street, game fights all the way till you
get the Canal street doings all right, because who niggas?

Speaker 3 (27:01):
Now you've been you've been going to barrow for a minute,
telling these stories about your hood and stuff like that.
Do you feel like is anybody who got left out
of the history.

Speaker 1 (27:11):
There's plenty of people that got left out of the history,
Like six Shot. Six Shot was like Slim right hand
man with all of his songs and production and shit
like that, and he got known for like being on
a song with Slim for what I think it's called
I Got It, you own it. But he never took
off as a major artist. You won that he got

(27:31):
the second verse. Yeah, and just like mostly for my city,
it's a lot of we deal with a lot of
heroin and fedanol down there, so you know, everybody get hit,
like might catch a Joe six year jokes like just
a caught fourteen and you know that that be like
the situation, like Turk situation. I felt like it was
only because of addiction. You Feel Me to heroin and

(27:54):
we came up. That was like celebrated to be on heroin. Damn,
Like that was one of our like number one songs.
Because I'm sure you didn't seen somebody youngest hell on this.
Like we literally was in what eleven or twelfth grade
when he got introduced to heron you Feel Me and
he's shooting it that you smoking how they start off,

(28:16):
They just start off snorting it and then you'll move
to shoot you feel Me. But it was glorified because
Slim sounded like he was on dope on all the songs,
so everybody wanted to be like, so just Slim, So
what we're gonna do. We're gonna get on dope and
try to have that same little verse. It was people
like we're here smoking this ship. Now they'll just tie

(28:36):
off in front of everybody. No, not like that, Like
it'll be It depends, Yeah, it depends on who it is.
You feel like it'll it'll take over though, like if
you let it take over, when you get hooked on ship,
you don't give a fuck. You'll you'll you'll shoot up
with that condition of water. Damn. Like if you smell

(28:57):
somebody and they smell strong like vinegar, that's because they
shoot They shoot her. But you know that's what that's
what we grew up on heron, Like it was glorified
in our neighborhood.

Speaker 3 (29:10):
And like you said, now that ship fentanyl or not, Yeah,
feaol the glorifying that, Yeah, that's glorified.

Speaker 1 (29:16):
They don't want nothing. But like I hustled before, Like
when Heron first hit, I was tweaking. My partner got
like a motorbike like a Zookie or something like seven
fifty in like three days from some hero when it
first hit, and I was like, oh man, I want
a bike too. So I switched over from you know,
selling coke, which was powdered because I couldn't sell crack

(29:37):
because everybody knew my mama, so they'll be like, oh,
give me something, I'm gonna tell your mama. Basically can't
hustle but heron hit. And then my partner got a
motorbike and I tried to switch to it too, and
I found out you could get ten years for it
when it became free. Oh hell fuck that. But here,
y'all have this ship, did you? Yeah? Okay, yeah, I'm

(30:03):
basically some powery in my neighborhood. They call that speedballing
when you make heron Yeah, when you yeah, so nobody
can't tell that you're on dope. They'll do cocaine just
trying to keep themself, you know, moving around, so nobody
wouldn't know we're getting loaded feeling, but they still and
lebrons wouldn't be like turned off by you feel me? Okay?

(30:24):
Why I thought they glorified it. It's glorified far wise
as fellas because it makes you want because it's basically like, well,
I'm a killer now if I'm on Heroin, everybody like,
you know, stand off for that's.

Speaker 3 (30:35):
How the malead ship we hear the younger generation. Yeah, bro, Now,
Hurricane Katrina hit and it was devastating to the city.

Speaker 1 (30:46):
Like it's still having lasting effects on people.

Speaker 3 (30:48):
Some people still like having any scepted that this ship
really happened in America. We watched this ship on TV.
For everybody who wasn't down that way, how did you
get out of that? How did you survided? But what's
your story with it?

Speaker 1 (31:02):
Like the day before I actually was there, and you know,
they were saying like it was gonna be bad or whatever.
But I wound up leaving because of Wackle. But for me,
like Katrina really wasn't a nightmare. For me, it was
a blessing because prior to that, I was into a
lot of shit. I had just got shot up, damn,
and you know, I just was That was right after

(31:24):
Slim got hit up and got killed, and I just
was on the you know, on edge. And after Katrina hit,
I came straight here and I when I got here,
I was I was scared too, because I went to
a club on Peter Street. I think it was called Slice, Yeah,
and I want you. I went club. I went straight
in the club, like I never ever dealt with no

(31:46):
ship like that in New Orleans, where you go straight
in the club, no pat down or nothing. I was like, man,
somebody got sea. But since I got here, I was like, man,
this year should totally changed me. Opened me up the
trail and just you know, just having a different mindset.
When you see other people black people with lambs and
shit like that, you feel me. Yeah, you been traveling

(32:08):
like a motherfucker man. Well YouTube, I tried to do
a little something. What was that like?

Speaker 3 (32:13):
Like for somebody who grew up in the hood, ain't
really been nowhere, and then you go somewhere, he's.

Speaker 1 (32:17):
Just sit back and be like, wow, this is crazy.
Like it kind of give you that. It almost gives
you the feeling white, peaceful, and it almost feel like
I'm rich because I'm able to travel and you know,
take care of myself if yeah, because you know, it
gets separated when people be like, oh, you're a millionaire

(32:38):
or versus being financial free. It gives you some type
of option like, man, I ain't really got to really
ball out to live like this, right, But do you
see what we was talking about? This off camera though,
they try to make it.

Speaker 3 (32:50):
Seem like like that shit is so unobtainable for us,
this shit that we want to go out here and
see and do too.

Speaker 1 (32:57):
We got aspirations beyond the ghetto. Yeah, and we just don't.
I feel like we don't dig enough for the information.
We got lives.

Speaker 3 (33:05):
We want to live, nice town dad, wives, kids, just
like you.

Speaker 1 (33:11):
I'm just doing my job.

Speaker 2 (33:12):
You feel yeah, real, you gotta go places, but motherfuckers
got it, like I gotta get out. What's what's the
dopest place you've been or the place the like here?

Speaker 1 (33:24):
We'll stay in Morocco and Vietnam for real. Vietnam is
that's my last trip I took. And I feel like
for our culture, we get a lot of pressure with
material things and when you go somewhere else, they basically
blinding us with the material shit because like say, like here,
we really think we gotta go to the Louis Verton

(33:46):
store and really by this ship and show it on
camera that we buy this shit. You go over there, man,
they have literally have warehouses, but with Louis Verton and
all the same ship that's in the store where you
can match it up there. This should be really three
fifty I'm talking three dollars, Like, man, ain't no fucking shit.
You can get over there. Soper Jersey I'm like, ain't

(34:06):
no way this ship three dollars and fifty cent over
here and we get back home it's twelve hundred dollars.
Or you go somewhere where they's telling you imperfected shoes
and ship like that, yeezs and you watching them make
it and ship like that.

Speaker 3 (34:21):
I want to ask you this though, because we got
we got a big audience over here that watch us
and ship.

Speaker 1 (34:27):
A lot of young niggas watch this ship. And a
few minutes ago you said you had just got shot. Bruh.
I wanted I wanted to know if you could tell
that story, how did that shit transpire? And like, how
did how did that shit affect you? Still? Oh men?
You know, being shot, I was doing some dumb shit.

(34:48):
I ain't gonna lie like I was really on some
what I can say like I felt like I was untouchable,
you know, being being that. I'm out the Magnolia and
we basically moving like we're moving like a military, you know,
like otherwise it's New Orleans is the most popular project.
Don't get it wrong, I respect the Cali or any
other hood, but when you think of New Orleans, everybody

(35:10):
always say Magnoga. So you tend to move around and
move like you can't be touched. And I wound up
just getting hit up five times, getting ribbed damn from
some people in the same hood or from somewhere else,
from a different neighborhood. But they actually knew me, so oh,
and I knew you, like y'all were cool at first,

(35:32):
knew me like I was cool. Yeah, yeah, like you like,
New Orleans is really small, Like if something happened like
right now on the Avenue in like two minutes, everybody
will know who did it. That's how small and you know,
composed it is. And just after that, I felt like
like I take the accountability for my situation because I

(35:54):
was doing a whole lot of dumb shit. You feel me, yeah,
And I just feel like it's a youngster like you
really be thinking you're untouchable until you get to that
age and realize, man, that was some dumb shit I did,
like sort of like on what it is, What it
is on Willi Manchester. You know how at first, at

(36:16):
first you'll feel bad, like for the young man he
shot old boy, he down bad. Then when you get
up of age and you find out Willie Manchuster work
for his ship. Now you're like, oh, I'm starting with him,
right right right.

Speaker 3 (36:27):
I know you've been starting to go talk to the
kids and ship and telling me, you know, about the
dangers of the traits.

Speaker 1 (36:32):
What you're telling them these days?

Speaker 3 (36:34):
What kind of advice you giving them from somebody who
actually lived a street life and somebody who trying to
keep the next generation after street Like.

Speaker 1 (36:40):
It's the most shit you get up turned out without
being in the street, Like the streets is just it's
only glorified, you know to a certain part, Like that
shit don't count when you in the real world. You
can't go to the airport and getting no motherfucking plane,
take it off, no street cred. And at the end
of the day, I feel like Slim was one of
the biggest New Orleans ortist in New Orleans and he

(37:02):
still got stepped on. If you and he wasn't off limits,
nobody is, Yeah, nobody. I would never thought in a
million years like Slimmer get killed because it just wasn't fear.
I don't feel like it was obtainable, you feel but
you almost said, that's like the mentality y'all had in
the Magno. He also did thirty two we can't be

(37:25):
like he's squeaky clean, you feel me. We just felt
like he was off limits because he started popping with
the music ship like it's never like if you ride
me six months, you don't know how long it might
take for me to get my gift back. Right, We
can't just treat him like you were squeaky clean, even
though I love him to day based on the status. Yeah,

(37:46):
that shit crazy, bro, but you being really given the man,
you gotta give it, yeah, because you feel it'll be
one side, but you you've a good person to look
up to. Br You've been through a lot of ship too.
He always took the better route, like he had a
level head. And early on we'll consider him like we'll

(38:09):
be like that's lame for him not to do certain ship.
Like when he got money, we felt like, oh, you
don't come through the neighborhood no more. Back then, you know,
like you man, you laying man, he's changing him through
the neighborhood. But now you see why as I'm older,
like man, he had to get out of there. Yeah, like, boy,
you better not come wrong with that. So they don't

(38:30):
even respect from the hood. They respect you, but you
know it be certain like bad apples. But like he said, yeah,
you know everybody be wanting something. Yeah that's ship or
to make their name off of you. And you know
that based off of killing two though, like you don't
really got to have money if you can then kill
the couple of people the women to fuck with you

(38:52):
just off.

Speaker 3 (38:53):
So let me ask you that that's crazy after you
get money or blow up and you from the man, No,
you're with. What's the area or the town or neighborhood
that people moved to where they're good They ain't gotta
really do you know what I'm saying.

Speaker 1 (39:05):
To be some people call it WASHINGTONA is the suburbs
down there. It's basically like East Over. But now that's
bad because because after Katrina, everybody's started everywhere and that
was the area that survived. But it was East Over
that's where like all of the luxury homes and all
that shit. So where is it now? Is nowhere? Now?

(39:25):
It's yeah, it's still there, you know what I'm saying,
Like Wes, then spot they go to now it's like there, Oh,
Ship the East is bad now, Like well, Wayne was
hanging out before Katrina. That was like the over here
Now that's like the hood like you don't know who
your neighbor is. No more cousin Katrina. Yeah, that ship

(39:46):
that was bad man. But you know even with Wayne,
like I felt, I felt like I used to be
like Wayne, like, man, I don't want to fuck with
homes because he's doing certain ship like he don't interact
with everybody. But I respect it now because I see
that's how he navigated and able to stay out the waist.

Speaker 3 (40:09):
You talking about before the skateboard you skate board like.

Speaker 1 (40:13):
Just always he always was like to himself and always
had his own crew because he really from you know
he you know now he'd be saying East Over and
stuff like that, but he really from the seventeen and
his neighborhood is called the Zoo Crew. Okay, you would think,
and you know a lot of people from his neighborhood

(40:35):
be like, he don't come around and ship like that,
and you know it just that's that'd be the hard
part with like New Orleans by being so small and
you don't see too many superstars, right like in Atlanta
you got R and B singers, you got Keith sweenthill Ustria,
you jez it like that. This only master P and
you know master P that moved to Caling. It's soldier,

(40:57):
slim and then juvenile. And that's right, right, But from
the size of it, you saying that's a good idea
what to get away? Hell yeah, I'm what they say.

Speaker 2 (41:09):
Nothing they say, they tell, They tell a lot of
the young rappers, you gotta get out of wherever, whatever
city you're from.

Speaker 1 (41:15):
My city also based off of negativity. If you go
online and look up like New Orleans shit in Instagram,
it's mostly mess shit gonna come up. I mean shit,
you got to making a killing off of y'all. You
know how many fucking television shows they got off of
just New Orleans. Like even with Beg just coming home,
people questioning ship about him, you feel me after all

(41:35):
he done did for the neighborhod like you got grown
men that he grew up with mad with him now
because they feel like, oh, he don't look out for
the hood like man Holmes did fourteen years. Yeah, the
hood ain't came up, and y'all like that's where that's
where it's like miscommunication at Like even with him saying

(41:57):
that about Jisel, like nobody checked him from the neighborhoo
because they feel the same way too, Like, Man, Jim,
don't come out and it's just something like internal we
deal with. But I don't understand that mentality either though.

Speaker 3 (42:10):
You know, as you grow up, it's like nigga come
around and do what being the good all that damn
day roll So you basically want him to go.

Speaker 1 (42:18):
Y'all, niggas increase my odds. You want me to come
to the hood and bay some ship done. You want
to be in the cigarettes that you want me to
come to money? What's your cash out? I just seen
you something because I ain't. I just want to see you, y'all.

Speaker 2 (42:32):
I don't like you when I was over there New Orleans,
the mold dang like you're saying it's dangerous, but it.

Speaker 1 (42:39):
Won't be looking for you. It's welking.

Speaker 3 (42:43):
Yeah.

Speaker 1 (42:44):
If you don't go I'm talking about you can have
gumbo every day anywhere you want and don't have no problem.
Everybody be like here you want something to eat? That
hospitality roll out originally from there, they're gonna be like
that should walk the back. Yeah, man, man, don't suck
around over here, right. That's the same thing happened to

(43:05):
young greatness. Greatness had moved to Atlanta. But you know
him going home and people seeing he popping with a
song and you coming from Atlanta in the s five
fifty and they don't know what you're doing here, but
you're coming home with that. They looking like homes up right,
and he thinking, he's still like he don't want to
let it go, like man, that nigga ain't running me

(43:26):
from the neighborhood. And they wound up costing him. Damn.
We literally had to talk about that the Sunday before
we got killed. He was told him, that's what we
was talking about. Like, bro, home cool and all, but
you really came anover once you get a little paperwork.
You're talking now, they don't care how much work you
put in. Yeah, like you said, they don't care about

(43:48):
the shit you did in the past. It ain't no
respect for what you did, the like on your ass
for what you go do now. Yeah, And they said,
what nigga that just got out, Yeah, just got home.
And that's just how it's built down there. Bron Yeah,
I love home, but I still even it's sticky for

(44:09):
me to go home. Damn, how long you been here?
I've been here since Katrina.

Speaker 3 (44:15):
Oh yeah, damn, that's a little minute. Yeah he said
you you was able to leave. What about your family?

Speaker 1 (44:22):
Yeah, my mom's up here, but my I got some
ants that's still there. And my little cousin he dealing
with some shit too, him being out of Magnoia. You
know what I'm saying, that they had did they survive
they had to go through Katrino or did they get
a chance to leave? They never get it. They never
got a chance to leave. My ant, one of my ante's,
she went back and rebuilt. But I also got a
cousin right now that just got caught up like it's

(44:45):
always gonna be like some Magnolia versus Cali or shit. Yeah,
that's just something that we have at home. And my
cousin just got caught with a switch right now because
he is in it. You feel me. That's sweet man,
that's sh like it's like it will never end, Like
it's just something like it's almost like indebted down there

(45:06):
with the Magno York versus Calio ship high fall apart,
so the neighborhood probably like four blocks, like literally flow.

Speaker 3 (45:14):
Box ship, so you it's you bound, it bump into
you all the man, you will see a nigga you
beat right outside your gate.

Speaker 1 (45:23):
Like even when I get walking up in Clay Exit
and one person spotted me the whole city, I'll know
that I'm home. That's how like so small it is. Yeah,
I guess what I say right that? Yeah, boy, facts,
that's all it takes. They're gonna get the call in
my phone. You gotta turned that motherfucker around and come

(45:48):
to see Batman with you seeing the right thing, Bitch.
That's how we're talking. Bitch, you gonna leve up here
and come around. It ain't say nothing that damn man,
what you missed about it? The most missed food food?
I knew it that food. Yeah, food off the chain

(46:12):
like out here, like Saturdays is your like wine down
day down there. Sunday is basically almost like a Friday. Yeah,
so you go on, you go into that Monday, like
do we get just started? Cause you got second lines
on a Sunday. You'll save your outfit from Friday and
Saturday to West Sunday. You knew everybody gonna be outside
on that Sunday. If that's what you hustled. You went

(46:35):
in the crash outs to make sure you shot for
that Sunday man, I said food. I know a lot
of people from New Orleans.

Speaker 3 (46:41):
They really picky about their food, like the dishes, the
New Orleans food up here.

Speaker 1 (46:45):
Have you found a spot that kind of remind you
of home? Like it might not be how they cook
it at home, but I can fuck close enough. I
would be. I would say, like, I'm really on the
seafood side, like crawl Fish and would go to vip
off of Tire Boulevard. Okay, I'm real big on the
Blue Crabs, not New not.

Speaker 3 (47:07):
Because I like Gumbo and Ship and you know, you
know what I'm saying. I had a chip from the
show that ain't no real Gumbo, I go someone like
Poppa Dos and Ship that.

Speaker 1 (47:14):
Ain't no real.

Speaker 3 (47:16):
Fell off a little bit like they ain't. Yeah, they
ain't what they.

Speaker 1 (47:22):
Used to be. Man, that rap ship had to be crazy, though.
I done had someone this time with that boy Juve
music Ship. He always been cold though, Oh yeah, he always.

Speaker 3 (47:37):
Been because he started with the bounce. Well most of
everything kind of started with the bounce a little bit.

Speaker 1 (47:42):
It was the bouncing the game, that's what That's basically
how you get started. They have DJs in the neighborhood,
so you'll get on the mic and that's how you
get popular. That's how SOLDI your Slim started too, like
it all started from DJs with Magna your shorty from
juvenile to Wayne from b G Derek, but BG Derek
neighborhood or stay to the tent wall like he ain't

(48:03):
like even though everybody yeah, like Stunning from the thirteenth,
but his well, his sister stayed like on the borderline
of chipplewall, which is the tent wall, and Derek built
his name up around them because you know, by Stunner
being his uncle and he had assets, he'll just pop
people off like he'll going four and a half for

(48:23):
some shit, and he know he ain't. He can't lose Stunner,
his uncle. He need to get along with street grand
and money and ship like that. Damn like he always
on top of that. And then he really could talk
the rap ship because people know him for having work.
Now now he like a little more advanced than Wayne

(48:44):
then and got a little more with what but like
I say, authority over people. That's how he really got
put off of cash money because he was really on
some bullet shit like he ain't really hustling on talk
like that. That's what. Yeah, okay, so he'll push you
in to hustling and ship like that.

Speaker 2 (49:02):
Yeah, many had a lot of people before, like it
got rid of people and just had Yeah they restarted,
restructured or yeah.

Speaker 1 (49:11):
Yeah U n l V miss T Camp Daddy. Yeah,
well Jizzle Jizzl was real young when he first came
there because we used to catch the bus to the studio. Now,
this is how old big, like fourteen, how old you
at that time? Probably when Jisel was like fourteen, I

(49:31):
probably was like nine or ten because Jizzl always came
to the Magnoh you was out there already. Yeah, my
neighborhood was when he was taking the card man probably
like well, I'm gonna say fourteen fifty okay, okay, okay, okay, thirteen.

(49:53):
They're not big, bro, and you know you.

Speaker 3 (49:55):
Know how ghetto ship here though, somebody fuck around the
right quick now you and bust the block. You driving
like a mother.

Speaker 1 (50:06):
Like if you can ride a motor bike. All of
the older guys gonna be like here, throw you the
keys and let you do your thing, okay, because they
also getting excitement from it too, because everybody's gonna be like, man,
who the lit dude is on the bike? Just some
ship to do in the hood as the time back.
So what you think about their verses they're coming up?

(50:27):
Oh yeah, I think it's gonna be fire. You know,
I'm just you know, it's kind of bittersweet because you
know they have their little riff raps going on with
the Turks and the Beechy ship and way ain't not
being on the same page with everybody. But that's you know,
that's that's how this ship been. Yeah, but you kind
of got people on both sides, dude, right yeah, and

(50:49):
what fiend you know fiend from the seventeenth yeh, that's uptown.
But other than that, you know, it'd be like staying
office because you know they feel like, you know, it's
being a little tench because some people feel like before
Slim passed the way, you know, he was distance the
shock damn.

Speaker 2 (51:08):
You know, I wonder what song they gonna use way
not there, they still gonna use the song.

Speaker 1 (51:12):
And what I'm wondering because you know, it's labeled to
label not all this money.

Speaker 2 (51:16):
So you know what I'm saying, I don't, but it's
gotta be cash money it can't be your money.

Speaker 1 (51:22):
It can be cash money any young money, and like
young money is saying the cash money. So technically you
don't know drinking Nick and I know that ain't what
we're talking about. You think I don't know. I mean
they might show up, but that ain't what I'm talking about.

Speaker 3 (51:43):
When I they care, you gonna use whatever you had
something to do with, niggas, use the song who made
You Bet?

Speaker 1 (51:50):
I played keyboard on this motherfucker hit that bit. Anything
you had something to do with is on limits.

Speaker 3 (51:56):
Probably if anything, they're gonna play what Way ain't featured
on Back in the Day out of there like.

Speaker 2 (52:00):
Which niggas and Ship like that before they even get
to that part. But they can play Wayne and Ship
I'm talking about they can't play Yeah, they can play
all wagn Ship. I feel like because it was all
cash money, they can play that.

Speaker 1 (52:15):
But anything they're gonna play it if he's not anything,
it shouldn't be allowed. What you talking about? They stop
like you know the hits that they you know they're
gonna use it hit isn't the point. Yeah, that's what
it's about.

Speaker 3 (52:34):
But it's so many hits, but no limit they can
hit when Nick and them came out.

Speaker 1 (52:38):
As well, let me got some ship. You think no limit?
I mean, ain't infinite songs? Bro? If no Lemon put
the hardest ship where we go.

Speaker 3 (52:45):
Yeah, that's why they picked them. They're the only people
that match it. That's the only one that makes sense.
I mean the reasonably.

Speaker 1 (52:55):
What I'm saying with most it's about what this motherfuckers
gonna do when I play these bitch o live. Got
a lot of music. He got a lot of music
because each artist was dropping what twice a year? Yeah,
if not more than that? Yeah, yeah, Yeah, he got

(53:18):
some hits. He got hits. Yeah, he got the back
then it was the rest in peace songs and ship
like that. Yeah yeah yeah. Plus I feel like I
feel like his advantage of be he knows how to arrange. Yeah,
then he got ass and ship like that, Sons of funk.

Speaker 3 (53:38):
He got shipped off the soundtrack, he got the unbountied
sound track, got the Last done, he got t r
U M, got Silk Murder.

Speaker 4 (53:48):
All these albums basically the same, misal mistical didn't drop.

Speaker 1 (53:52):
No, he can take the best off each each ship.
That was okay to think about it, to be picked too.
He had one hundred albums. Letters.

Speaker 3 (54:04):
Know what I'm saying, he gonna have to pick. He's
gonna have to pick that banger.

Speaker 2 (54:06):
You can't just pick. You're gonna have to pick. You're
gonna have to narrow it down.

Speaker 1 (54:09):
He did like twenty songs, right, Look, I think he
got more of a cultural character too, Like out time.

Speaker 3 (54:16):
I'm calling it now, can we predict something? Yeah, this
is how I want to see it happened. This, This
is why I envisioned When is it again? It's master
p turn probably about thirteen songs in what That's all sad?

Speaker 1 (54:29):
Like?

Speaker 3 (54:31):
I know everybody think that when the cash month, when
they dropped back that ass up, that's gonna shut the
whole ship down.

Speaker 1 (54:38):
But before that was a back that ass up, there
was a bounce that add bounce that ad you whole
bout that add that.

Speaker 3 (54:45):
This ship had grown women standing on top of their
head pussy.

Speaker 1 (54:48):
I ain't gonna lie. Make me say one of them
to make them say, man, you can't forget me an
ex on that on that about about it said you
bout it back that boy, that ship, that ship that
was had to remix it. Nigga, Come on, man, what's
the nigga to play the saxophone on that bitch.

Speaker 2 (55:13):
They got some of the best group or post saws
where everybody on that bitch wrapping.

Speaker 1 (55:18):
He gotta come out with the ice Cream Man.

Speaker 3 (55:20):
One more white vests, Bro, with the White Force and
the white motherfuckers snow limit scores handbone.

Speaker 1 (55:33):
It's the ice cream Man.

Speaker 3 (55:36):
Hit the block less than white, wearing some baggage and
boat pocket.

Speaker 1 (55:40):
Full of stone. Three Jesus trying to lose the hole.
Niggas out here doing the most of the whole he
trained rocking for my niggas. There's gonna be a lot
of people that's it for them when the whole stone
feet might go out by the time nigget that man.

Speaker 2 (55:54):
Bro this man, yeah, probably give you about two or
three songs he did over there with the uh because
you know he you better lay low, ain't that wasn't
with the with the n p on that bitch, bro
Bro Bro as as that hit soon as he little.

Speaker 1 (56:16):
I don't know when Steve dropped his album Man so
the snimmers on up Man that it made it so
he was twelve soldiers get hald with me. Real niggas
bits gonna ride with me. I live a life. I'm
no living soldiers. Yeah, he got some biggers. It's gonna
be hard, nigga.

Speaker 6 (56:35):
I'm the current out of motherfucker right than you gotta
pay break you out.

Speaker 1 (56:41):
Yeah, he gotta fe that the balls of gangs, captain,
who I be your neighborhood together? Are you young? Nigga?

Speaker 2 (56:49):
That's about they can't hit the wall through the stuff
and not the fucking gonna play in?

Speaker 1 (56:55):
What baby gonna drop? What baby gonna play? What cash money?

Speaker 3 (57:00):
He's saying, ain't got damn. I'm just asking her on
women now, what with that of women starting to ride
around town two two thousand? That king is a coming inside,
So you need to come on first, everything first?

Speaker 1 (57:16):
What whoa whoa whoa? Both?

Speaker 3 (57:21):
They need to come on first, you know when I
want to get right behind friend Nigga came out stuffy
when to come to these malls?

Speaker 1 (57:29):
Nick, You know me, I don't need introduction and ship
right the budget and I still play that ship. Then
he's gonna have to do. You know what I want
to do A sudden Niggas like Easil could leave you.
This is.

Speaker 3 (57:46):
I did Twinkle Twinkle. Listen, that's different.

Speaker 7 (57:51):
You know what else I want to get And I
got his whole ice sucking mynother while my little b
Jesus on the but and me personally play for out
get and I'm always showing love to cut hit the
club like bitch, cast money models, drink the blow up.

Speaker 1 (58:08):
I don't discuss. Got a live, get his mother a head.
But then he got Mick Thomas. Then he got like
father like song with Wayne Man. He got some ship
like my daddy. That was the number one, so soft
and live. I'm like cutting ship off then so song.

Speaker 3 (58:33):
Hey, everybody gets your rollo, everybody gets your motherfucking roll.

Speaker 1 (58:41):
He ain't got Wayne shipped by himself. He got get
into this. Everybody on their feet the oh yeah our show. Yeah,
and we ain't even including the juice ship. You can
playing party. Say they can't play that to this four

(59:04):
degrees on itself that you can't keep. You gotta go
call her. Some can't play danger? Can they play? They're
gonna have to play danger juice?

Speaker 3 (59:22):
No, that ain't what you call it?

Speaker 1 (59:23):
That a you know what else? Man? Who's you? Don't
you forgot one? That this was? That was that Tom
made that beat. I ain't no sas nigga. I'm still
the gorilla like Rilla Manila. You gonna have to kill
me a nigga then you still got I need it

(59:46):
in my life. I wanted in my life that this
because I will me Bill see this how it Phil?
No worried about no bill negotiation? Shiz that be twenty
week gonna get hump until then you're talking behind the

(01:00:07):
project Bill did.

Speaker 3 (01:00:10):
The yo?

Speaker 1 (01:00:11):
What about trying kept flo? What about see Me Eat
Sleep shipping rock rap that's on TV? About that and
the feelings? Charge about that was sitting no return? Was
still fall back? Yeah, he's some feeling. That one is
a call that win them the bitches before you can
walk man, big reals nigga, that's my what's that one? Now?

(01:00:36):
I'm shining being in time. It's done that nigga went
so crazy, man, they ain't gonna be able to pay
for three seconds? All you got that?

Speaker 3 (01:00:43):
Then you go here Yellow Babe, yellow Hummer, yellow Ben,
yellow Peachy.

Speaker 1 (01:00:47):
Crooner, yellow leg O, real nigga, what's the from my
head down to my shoes?

Speaker 3 (01:00:56):
Come on, bro, I'm trying to think blean ble that
one sh Yeah, the hot boy on fire up on fire,
gave up boots, they got.

Speaker 1 (01:01:08):
I got I need a hot girl. I need a
hot girl. Yeah damn. Then chick that he gonna come
back and hit him with what the hot girls that
over there? Over what the hot girl? I ain't gonna
have to come back with freaking hold that you need

(01:01:32):
to Yeah, boat, he's gonna have to come back. But
they got a differently. God damn, they're gonna have They're
gonna be girlfriend. That was the That was the that
was their onmin. That dude was carrying that top by himself. Bro.

Speaker 3 (01:01:54):
When when I hear this Pimpsy ship, I know you
gotta play that this ship, Come on, it's gonna be legendary.
The game fucked up and I ain't got no friends
and I spent.

Speaker 1 (01:02:04):
My last dollars to ben. He wasn't definitely thrill nigga.

Speaker 3 (01:02:09):
It's trying to put the forty five to hell figure down, motherfucker,
because I'm busting from mine. He wasn't lying either, He
said any sucking around and get slimmers tripping from one
almost told niggas say hit no limit.

Speaker 1 (01:02:26):
Like Pomroy makes some money out the asshole trade and
be predicted by no limit stores dressing. Yeah, it's gonna
be one.

Speaker 2 (01:02:39):
I forgot they was doing it when the last time
they did it, I thought I thought niggas.

Speaker 1 (01:02:44):
Had start got play some more mystical been so long. Damn.

Speaker 2 (01:02:51):
That ain't no limit though that you're talking about that.
That's the Neptunes in there, still on the misk What about.

Speaker 1 (01:02:59):
The one.

Speaker 2 (01:03:03):
Living came in with my thinking, he got plenty of limits,
still smoking, still smoke, he got bad them.

Speaker 1 (01:03:12):
Yeah, and that's class Yeah, begging that to do the
Shaka come out with it. Oh a my fault? Oh yeah,
to the game. It ain't my fault. I think that
was on charge to the day, Define your Neighbor my

(01:03:35):
favorite song on that. But I'm just this label.

Speaker 8 (01:03:40):
I don't know what that after that lot after that,
but that was carrying that carrying you come back and
hit him with how you do that?

Speaker 1 (01:03:51):
There? You've got about that Alabama, Mississippi?

Speaker 3 (01:03:55):
How you do that?

Speaker 1 (01:03:55):
Now? Who you want to do that? Run up with
blue black Nigga? My nerve girl? You know yeah young
believe Yeah, that was inspired all about them that when
he got the baton rouge your ball, whole block? What
what they all to be? A player? A million, bitch.

(01:04:18):
Just won't people giving up my nigga down with him,
down with you to don't get full of that alcohol.

Speaker 6 (01:04:26):
Ain't thank you bad because your wiggas started getting up somebody.

Speaker 1 (01:04:33):
You know, man, that boy ain't got to spend your
your cas ship. You know now you're a car calling
out fifty dollars a boy. Nigga was like that. That's
that was the contract was like you got kids across
the board.

Speaker 3 (01:04:49):
This nigga literally changed the whole move of the versus
and placed sons of fun and that boy slim car
out and this.

Speaker 1 (01:04:55):
Time with no limit. That boy had a count like
the don't he by name name? Man, it was like
a store man, give it out there, feel o. That
niggas up here is my u. He had was we

(01:05:17):
cash money? They hadn't pop, They hadn't got the billion
trying to get this said he was in the hallway
and his due name three cousins be gonna come out. Yeah,
it was like you cash money, nigga fifty thousand man
one hundred thousand was getting yo. He for the signing

(01:05:42):
morning that bo i was looking for has up and
down the parkway. I know you right there Kurt, k
you saving it, Kirk, I want to hell you. Okay,
Reginella from being no family pull up in the Magnoli
in a gold Camaro and hot boy turned me and

(01:06:03):
turning the hallway, were looking out the window. The boy turks,
I think I'm about to leave cash money? So what
cash money? Bone?

Speaker 5 (01:06:11):
The war?

Speaker 1 (01:06:11):
That what they signed? The bone the war wasn't when
when Baby and them started really was just getting down
for the calls, like you know, they hadn't had the
signing bone with when did day none of that year? Okay,
you literally just uptown neighborhood, seeper stars and you get
a hot boys shirt, hot boys shirt and then knockoff
chain is at that time it was boy shirt. Let

(01:06:34):
me didn't even get the diamonds on the chain. That
tell your sister I love her too. Man, look at stupid.

Speaker 2 (01:06:48):
Man.

Speaker 1 (01:06:48):
Niggas acting funny. What you saying getting's getting money? Hit
by that car came back.

Speaker 3 (01:06:57):
But he Hey, real ship, I want somebody to go
get ziggly Wiggler. Now, I'm just saying, like a purpose,
I want them to play about some songs.

Speaker 1 (01:07:12):
And then that nigga just pop out out of nowhere.
I'm you know, motherfucker sad with cat money, motherfucking records.
But pet me off.

Speaker 3 (01:07:24):
But then.

Speaker 1 (01:07:27):
Old school a living. They gonna see this ship and
go getting a little. You need to work for somebody.
That's amazing.

Speaker 3 (01:07:44):
I ain't got to work, but I get into the
jail this nigga talk amazing ship.

Speaker 1 (01:07:51):
Say good night, nigga, good night. Leave roy type knock.
I can watch it. Niggas say you're coming up talking,
You're gonna need a helm. We need a bulletproof. You're
coming around on the school. But look when you look
a who and then you rough then you it's in
yourself talking about this the West that talking about my hurt.

(01:08:16):
It's the red Gray. That was the Times same man.
I ain't say it was no punk bitch. I ain't
no punk bitch. I ain't saying what I under the
ice stop fact. Ship up.

Speaker 3 (01:08:39):
That's gonna go crazy though. Man, Man, that's gonna be
a quality one. That's one of South League. That's the
one that popping back off with.

Speaker 1 (01:08:47):
We ain't even said cats money. It's an army.

Speaker 3 (01:08:52):
You ever play, Hey, come on, man, telling that ship
this on. It's gonna be three hour long.

Speaker 1 (01:09:01):
Hell yeah, it was gonna have to put the niggas
off the bill. I wonder if they're gonna play this.
They got damn that you and I went so crazy
on that. But yeah, your niggas you want your guns. Yeah,
now you be buzzing played away. What about that yesterday?

(01:09:26):
I guess I guess I'm saying. I know was bro
but you gave them close to me. I thought it
was old.

Speaker 3 (01:09:35):
He didn't see that he was a broach and the
nigga got it was me na be going because.

Speaker 1 (01:09:44):
Now the niggas, niggas are red and they made mappen up.
By the god that can't you find an innershing youngster.
I'm all around husband away, but I can see them
in the comment. Now, boy, like what that nigga about
that versus for he said, what you're gonna be to
come out? You they had to drop that night. That
wouldn't here be crazy if he ain't got the stores

(01:10:04):
that he's been promoting juvenile. Oh yeah, yeah, he got
pushing that. Yeah that ship go to yeah slippers. He
been dropping little samples the maze and all that ship.
You need to drop a ship and to go up.
He's always gonna somebody that stand out hit.

Speaker 3 (01:10:24):
You know he don't fight seven move you want to tire.

Speaker 1 (01:10:30):
See him in the room, would have ben and then
they got damn they got hits. They're gonna play niggas
the sa last like I'll be damn man just saying
Tulie got me.

Speaker 3 (01:10:42):
Some paid.

Speaker 1 (01:10:43):
That's all I gotta say.

Speaker 3 (01:10:44):
Can't see you letting niggas cut the money in the
way that was on like Father likes.

Speaker 1 (01:10:51):
Man, that nigga hit, that a Millie, that nigga hit
any of that mixtape ship, that nigga just do the
mix tape ship And it's a whole group of niggas
that I want to hear back where I started in
my set.

Speaker 3 (01:11:03):
In black Out, the Passengers side of my under my
nuts was two ounces of crack. Yeah, that's that's bird
Man best, bird My mom a dead. It's about man,
I'm dunk in.

Speaker 1 (01:11:23):
The fist lack. I like flows the season up to
Neighborhood Superstar too.

Speaker 3 (01:11:30):
Oh, I gotta say, yeah, okay, yeah, we ain't even
talking about them.

Speaker 1 (01:11:38):
I don't know them. Them DJ cally songs with Wayne
and bird Man on them, and remember they was taking
run of them. I mean, I think when Wayne but
that was on that ship, was on we the best. Yeah, yeah,
anything Caley was on that was his ship. They were

(01:12:00):
just getting a check and they just got back speaking
the game I just saw recently they posted they was together. Okay, yeah,
don't let me got hit on. It's hits on boat sat. Yeah.

Speaker 3 (01:12:11):
I'm just thinking all my favorite not your deathinitely no lemit,
motherfucking soldier to how die we running place, and I
say the same ship with a gut up in my face.

Speaker 1 (01:12:20):
I ain't scared to die, bitch, like I said. Third,
I'm from that motherfucking Calier.

Speaker 3 (01:12:25):
Your project protect the worldwide by drug dealers transforming whipping
ass niggas into killers.

Speaker 6 (01:12:32):
Competition gets smoked like were smoking blunts.

Speaker 1 (01:12:35):
I take a player ahead and knock out as fucking.

Speaker 3 (01:12:37):
Front pristy murder you young. He wasn't around free murder
fact preesty he thought was talking to him, sweating well
from only a hard niggas live well from well, from
strong nigga, live well from I live across the street

(01:12:57):
from a killer man. Craig got me on the road
down the street from murderer next door to a nigga
that never even heard of him. Free date because he
did five time about now the cold blood kill is
still dressing him like them old town.

Speaker 1 (01:13:14):
You want some power, you gotta going around the back.
That nigga was going crazy on that air back to
American We got a song on the gother man mag
Fain Mill. I'll tell you that.

Speaker 3 (01:13:32):
He could really drop that Christmas version of No Limits
Soldier too. That's one of the hardest one.

Speaker 1 (01:13:36):
He don't do that. I tell you, don't do that
because then he's gonna bring out the little soldier then
be grown his head. Now you know what. Look the
same man may may may cracked like this yadow dope.
Yeah yetto what's the truth yetdo dog.

Speaker 3 (01:13:57):
Like?

Speaker 1 (01:13:58):
That's classes ghetto door class. Yeah, boy, we rode tight.

Speaker 3 (01:14:05):
Will you know that all that was from the biking on, right, Yeah,
that's what they were doing.

Speaker 1 (01:14:17):
That was the biking on. That was the popper roof
version of them.

Speaker 2 (01:14:20):
You know yeah, Yeah that was now go see snapped
trying to take me out to get.

Speaker 1 (01:14:28):
By the stiff fuck the hot boys moving All that
was basically to try to put them out of business.
Come out strong. His hot boys had a z on it. Yeah,
dropped the movie like they was ahead of them over.

(01:14:48):
That's what I was saying, said, girl, that hooke only
sunned my dick. That's why on the song I needna
Ship talking about that, he was talking about that damn
when he said, yeah, them niggas know they fire for
stealing out with Ship. The original hot boys here, the
hell boys. They got the alcohol, but they got the

(01:15:12):
music battles. I was just trying to cap it on
somebody look cards on chrome. I please, I hate that
what bird Man used to talk that ship about the
call boy, what he said, know what, I want to
have the old high boy nigga. Fuck you, I feel

(01:15:35):
just like you, Nigga, Nigga, I.

Speaker 3 (01:15:37):
Feel just like you.

Speaker 1 (01:15:39):
That ship right there, Nigga Tuesdays and Thursday.

Speaker 3 (01:15:42):
Better wise, I want to hear that motherfucking five hundred
degrees off the old little Wayne Waezy bitch.

Speaker 1 (01:15:49):
Oh yeah, they look.

Speaker 3 (01:15:53):
I'm saying something. Yeah, you gotta tell degree the nigga
don't like it that niggas goes to some crazy ship.

Speaker 1 (01:16:14):
Man. I'm just ready to see what the play gonna
be like. I ain't still gonna do moving on with
Maya that was the hit for Simple Boy.

Speaker 3 (01:16:22):
Still came with that moving on if they bring it,
if they bring in guests, yeah, because I can see
Snoop Doggs come in help, they can.

Speaker 1 (01:16:29):
Get you still, everybody need all their help.

Speaker 3 (01:16:32):
Bro still had this song at the end of his
CD caused Stupid Holes that was hard or any charge
of the gam Noop dog and.

Speaker 1 (01:16:40):
Song with Fiend too that was one of my favorite songs.
Came Let me how you feel that you fuck? What
are these stupid help? That ship was crazy. I'm trying
what it was it was on who feeding on silk
song on charges to the game. I don't know. I
don't know. I seeing things that ain't that I see

(01:17:03):
was the worst. Tell what you mean? I better know it.
I can't sleep. I'm in the dope game.

Speaker 6 (01:17:13):
Everywhere I go, oh yeah, yeah, I ain't never had
nothing in my whole life.

Speaker 1 (01:17:22):
I'm from the gett grew up right, that's the hell.

Speaker 2 (01:17:27):
The shack was really paranoid over there. So and then
Leil said she didn't see that. I mean walking, I
can sleep. I look around it with me. It's got
me know it. I got to know it's got me
know it. But I ain't annoyed.

Speaker 1 (01:17:41):
You. I got one. You know it? When silk. The
shaka said, ch kept wanting me to serve. I said,
can't you tell him off? But I still gave her
five dollars with wipe the white walls off. She was
about to spend money with you. I saw the police and.

Speaker 3 (01:18:00):
They ain't even try to sweat because they knew I
got a one hundred eighty five under hood and you
know they can't catch you.

Speaker 1 (01:18:05):
Have nothing, nigga. This ship had to be right now
then right in the jim ain't even a crest. The
sleepering mother probably how he worried. He brought me here.
He called new one Jim what he meant? No, I

(01:18:27):
only way you say that if you can say, let
me go ahead. You got one hundred and eighty five
thousand dollars motive.

Speaker 3 (01:18:33):
No, you said you got one hundred eighty five under
the hood, and they know you can't catch it.

Speaker 1 (01:18:38):
Not on the dash. It's under the hood. I suppose that.
I think you mean it's supposed to be on the dash.
They called you.

Speaker 3 (01:18:44):
It wouldn't have made sense if he said on the day,
why niggas rock bro?

Speaker 1 (01:18:50):
But I'm not like I didn't hear this ship. The
nigga man said no sleep for three days.

Speaker 3 (01:18:56):
So my pupils look yellow, nigga, Your pupils couldnt look
black part. If your pupils are yellow, nigga, you have
you you Michael Jackson in thriller Niggas, John John is
the white part I'm talking about if your black part
turned yellow.

Speaker 2 (01:19:13):
Nigga, you feel But y'all to say a bitch blew
him like a violin, Oh my god.

Speaker 1 (01:19:20):
Hey man. And then but the crazy part is niggas
trying to explain it.

Speaker 2 (01:19:24):
No, when you get a five lind and it's old,
it's us, you have to and then shut the fuck up.

Speaker 1 (01:19:30):
Man. Ain't nobody spelled on trap stuff. I thought he
was saying, like he said, he put did with the
trumpet on the American pot. But its tr. Never I
heard s t R. He put it together. It's t R.
All right, Well he did it. Well, he just put

(01:19:50):
it in a test. He might say what I said.
See what I'm telling you. Hell he did on a
team yard is t R? You hear?

Speaker 3 (01:20:04):
Are you hear the are you get? You like that
nigga music a lot? Because you gave him credit. I
ain't never heard that.

Speaker 1 (01:20:12):
I always sat there highlight what you know that with
my era, right that when I jumped off the board
when all that was going on, saying Nigga, Jesus took
over the boy. That was a storm to be regular nigga.

Speaker 3 (01:20:24):
I hope he run that guy. Damn black ship back
over a game that the orchestrut. Yeah, this last album,
the last album was I think there's too many.

Speaker 1 (01:20:33):
It was when Wayne came out and said that's that.
I think he's you know, you're just trying to elevate too. Yeah,
I get him back because the ship he deal with.
I gotta play. I ain't played it. I still be playing.
It's like I got a pan. How I hit the
like mixed to that.

Speaker 3 (01:20:52):
You would have thought I had a fan the way
I mixed the blow. This motherfucking dumpest g I Joe
with you got me smoking. I can't see where I go.

Speaker 1 (01:21:04):
Come on, man, I.

Speaker 3 (01:21:05):
Don't know what's about to happen. That man said, I'm
probably in the sky flying with the fish. Maybe it
was swimming with the head. See my world is different
like way way. And then we were on the trouble.
I won't the same thing. Hey man, he gave you
some like he got on the.

Speaker 1 (01:21:27):
When he did get high rude of the world when
he did that, that that really well. Imagine waking up.
I have just sleep to the pistols. B oh yeah,
yeah yeah, there's no trial. Yeah if I d when
they say anything in it becauld How do you do? Motherfuckers?
This week the baby snitching, So I got a toke

(01:21:49):
the cannon. But we had a good error for even T.
I had a cool T. I is underrated. Man, what's
your favorite T I doing my job? That ship.

Speaker 3 (01:22:03):
That's one of my favorite tips song. That's my top
three favorite tips song. But ir religion my favorite tips?

Speaker 1 (01:22:08):
What that's the moon? When that came?

Speaker 3 (01:22:13):
I was supplied jay. They my mama's passing by trying
to explain us fishing in the bushes like they never
house train does. Try to understand that's how it came.
Most if you get to know what your love us,
but you can't change us. Really we rather be rich
your famost. But in the meantime we forced to say,
does drove a cramp, cocaine penic and broke extrasia whatever?

Speaker 1 (01:22:38):
Get the domain on tire? The people misrepresenting that do
man that here killing them? You know what? Not a
hold that show and I don't give a damn it.
The club done close.

Speaker 2 (01:22:50):
Get a d J A Doug tell them ste So
I just finished watching you popping your opinion, your.

Speaker 1 (01:22:56):
Dropping your ass. Yeah, that ship, that ship turned up
the club. I'm killing with my bitch today. That first
album don't get enough credit.

Speaker 6 (01:23:07):
Bro.

Speaker 1 (01:23:07):
My tip was on the Bone Person, what was not
clash that man intro tip, my first on the Steel Mob,
my third intro with the Bone Crushes. So I ain't
gonna on.

Speaker 3 (01:23:22):
The Field Mob on the Grig Street that women before
his ship came out, You're gonna need a.

Speaker 1 (01:23:30):
I never heard tip on When that boy said that,
I was like, who the funk that is? On?

Speaker 2 (01:23:35):
What on?

Speaker 1 (01:23:36):
I think that was on I'm serious and something When
you say the top of me, you're gonna need a
song future and Jesus and jay z Oh yeah this fact. Man,
you get shot any way, So got out any day man.

(01:23:57):
That man came man like that, but hey.

Speaker 3 (01:24:04):
This by mina get shot anyway, rood boy, don't take
back shot.

Speaker 1 (01:24:11):
He was booking on that beach. Oh Za got out.

Speaker 2 (01:24:17):
So much of what my goal is is and go
have a whole sweat me. Fuck that I've been here
for the long Jermany.

Speaker 3 (01:24:24):
That word goal is he's gonna need a stone future
in Jesus and Jesus. Uh hell yeah, twenty two in
the vet in the game super cool, still a thread.
At the same time, Rihans about the times I invested
in Cane preasurently every aspect.

Speaker 1 (01:24:43):
Of the game. And I'm the answer to your president
brand to change. So I don't.

Speaker 3 (01:24:47):
But how say the same climbing the ladders, My frames
are COMFORTMSS and that man, that.

Speaker 1 (01:24:55):
Man have classics. Brian get water down. Yeah, only because
of the TV show. I feel like only the TV.

Speaker 3 (01:25:02):
Yeah yeah, they look at this ship like you yeah,
because but now he got he got some heat.

Speaker 1 (01:25:09):
I remember seeing him the first time. I said, he
came down there.

Speaker 2 (01:25:12):
Before at Fault Fair. I was like, man, this nigga
everybody canceled on the show that wasposed to be on
the show.

Speaker 3 (01:25:19):
He was the only nigga on the show that nigga
rocked that bitch. Niggah me everybody any time, Oh mind,
why y'all, nigga bitch, I'm on the wine and I'm
gonna grind that nigga went in on that bitch stuff,
nigga and break it down to all dying.

Speaker 1 (01:25:34):
Yeah, by my own blow. So the prophets all mind,
how we gonna grind?

Speaker 3 (01:25:42):
Come on, man, because everybody want to be the King
of the South when they ain't running a damn thing.

Speaker 1 (01:25:48):
But but they no doubt. It's all shout in the hood.

Speaker 3 (01:25:53):
Come on man, walking through to come that Vigel so
fire Yeah, yeah, and it's a getting that that was
the only.

Speaker 1 (01:26:04):
Yeah, yeah, I mean because.

Speaker 2 (01:26:07):
You know what the same didn't he drive saying, yeah
that was some cold ship too, what.

Speaker 1 (01:26:13):
You know, because what you know was in the movie
and then it was on King album.

Speaker 2 (01:26:17):
Nigga dropped the dropped the album and a movie that
they got shipped to do with the album, but seemed
like it got shipped to do it now, you know
what I'm saying.

Speaker 1 (01:26:25):
That he knew he was on fire there, both of them.
Motherfucker that when.

Speaker 3 (01:26:30):
Chevron they had gave him the god damn commercial.

Speaker 9 (01:26:33):
Yeah, Chevy commercial when they yeah the race trad Yeah, yeah, boy,
that was the time.

Speaker 1 (01:26:44):
Yeah, you can't even get no type of ship like that.
Crazy nigga. Nigga want to rule out now right, Nigga
was done. They had earned for you know, do anything.
Mike was over everything he was on the album. Tip,
well yeah it's running out, see what hear you? Yeah,

(01:27:09):
looking like Mike e fucked the game up, But that
ship was fun. Tip, tell Q I need another one.
He's running the house.

Speaker 3 (01:27:23):
Oh man, hey man, appreciate you stopping through her. Sucking
man before we we gotta give you a gift. We
don't like people coming up here leaving empty handed.

Speaker 1 (01:27:33):
Man than yeah, you know what it is. I thought
you had got me the Christian blue Yeah yeah, yeah, yeah, facts.
You know what we call that color sententions from New Orleans.
That's the log of black. Oh man, you know what
for your yeah? Yeah, ye, hey man, your first dam

(01:28:00):
stopping through here. Anytime you want to come back to
her and talk with us. Man, you know exactly what
we eighty five South leave.

Speaker 3 (01:28:08):
We are.

Speaker 1 (01:28:12):
What it is. That's up, baby,