"Seduce & Scheme" w/ KaMillion in the Trap! | 85 South Show Podcast

The lovely KaMillion joins the fellas in the Trap on this episode of the 85 South Show!

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Episode Transcript

Speaker 1 (00:07):
Uptown down, down, up, down, down down.

Speaker 2 (00:11):
What did you up to that?

Speaker 1 (00:16):
I know him? What do you be saying uptown downtown,
he'd be working everywhere?

Speaker 3 (00:21):
Yeah, but then it's uptown downtown up.

Speaker 2 (00:27):
I don't know what that for.

Speaker 1 (00:28):
I'll be working everywhere.

Speaker 2 (00:29):
Oh, I'll be fucking everywhere. Thank you, change this working,
thank you?

Speaker 3 (00:33):
Oh, thank you. But the way you remissed that song with.

Speaker 4 (00:38):
Genius though, I appreciate that.

Speaker 2 (00:49):
That's what twork now, she said, twork now.

Speaker 3 (00:53):
Now you ain't have to pay nobody what you did.

Speaker 1 (00:58):
I did, but you I did.

Speaker 2 (01:05):
Talk about it right now.

Speaker 5 (01:09):
Yeah, I want I wonder will cook the how you
cook it up?

Speaker 2 (01:16):
Well?

Speaker 1 (01:18):
When you broke, you know, to fix it?

Speaker 6 (01:21):
And I was like, lord, I need a song that
can fix this. And he gave it to me, and
that's what happened, and I just started pre styling the studio.

Speaker 1 (01:31):
I told my producer to play the keys.

Speaker 2 (01:34):
And you know they beat first.

Speaker 1 (01:36):
No. I.

Speaker 6 (01:37):
So I had heard the song the day before we
had a family get together my grandma, and I was like, oh,
I should remix this. So the next day we went
to the studio and uh, I was actually writing for
somebody I had seen Okay, So you remember when Nibia
was on BC and they was trying to like she

(01:58):
was like trying to revive like her something. It was
like this reality show that she was on. I was like,
I can write a song now to bring her back.
So it started out as like a song for her,
and then I was like.

Speaker 7 (02:11):
Oh yeah yeah so yeah, and my sister actually that
filmed the content.

Speaker 6 (02:22):
When we was in the studio, she had passed away,
God bless her.

Speaker 2 (02:27):
Yeah.

Speaker 6 (02:27):
But as soon as, like you know how some time
when people passed, it's like everything just instantly start going.

Speaker 1 (02:33):
And that's how it happened. And then I was on tour.

Speaker 6 (02:36):
I was booked five times a week, and that song
lasted for like five years.

Speaker 2 (02:41):
Yeah, it's crazy.

Speaker 5 (02:43):
I remember first came out like oh yeah, she's from Florida.
Why it just got that Florida sound to it, like
you have when you started rapping out that.

Speaker 6 (02:51):
Yeah, my producer called it the Nakamichi. He called it
the knackamchi. How the drums be hitting you know what
I'm saying. The bass is just knocking. So like you
put his little think on. It's called not commission.

Speaker 2 (03:03):
You see this this right here.

Speaker 5 (03:04):
But in the course you got that.

Speaker 2 (03:08):
That's what like when he dropped the verson.

Speaker 6 (03:15):
From knocking, you know mission, I got a little beat
from they make the headphones.

Speaker 2 (03:21):
That's the head one. That's what they call they make.
That's a brand.

Speaker 6 (03:24):
Okay, yeah, no for real, because if it ain't gonna
go trademarket, not should.

Speaker 3 (03:33):
That's a feeling too, not like not be trade barke.
You definitely give it.

Speaker 5 (03:39):
You ain't seen that sound something.

Speaker 8 (03:40):
That's the whole SM's commission on me.

Speaker 2 (03:52):
Hey man, ain't got a big old knocking.

Speaker 5 (04:00):
Said it's god, damn. I got hybrid.

Speaker 6 (04:09):
I really was, so I ain't been smoking. I ain't
been smoking us drinking. It's been a minute.

Speaker 1 (04:17):
And then I went PESTI teian, I just went all out.

Speaker 2 (04:21):
You've been feeling better half.

Speaker 1 (04:23):
But I went through withdraws. At first I was in.

Speaker 2 (04:26):
Again roller.

Speaker 5 (04:30):
Alcohol withdraw. Ain't no hope.

Speaker 1 (04:32):
Listen, food withdraw it's crazy right now.

Speaker 2 (04:36):
I'm back slag for real. Yeah what you're talking about?
What you quit? What you quit? This? Don't be up
here saying that man smoking weed. The last time I quit.

Speaker 1 (04:48):
You know, I used to tell myself I quit every.

Speaker 3 (04:49):
Day, every day, every.

Speaker 1 (04:54):
I get it and then one day we.

Speaker 3 (04:57):
Have smoking the dude, No, I like to come on
this show and get high because I be hanging with
my friends.

Speaker 2 (05:05):
And how we get the deeper of the count.

Speaker 1 (05:07):
Like I was more addicted to, like the like the
blowing in and out. It was like there, Yeah, I
got big looks.

Speaker 2 (05:19):
She looked at me.

Speaker 3 (05:21):
I'm on this new you have to I'm on this
new Burdon troll. I get hot easy, you felt, Yeah,
mother fucking chest got warm warm.

Speaker 2 (05:35):
It ain't so, yeah, said I got hot. Brother. No,
I think you missed the whole. She got it though
she knew what I was state.

Speaker 6 (05:50):
Don't send that by the gathering flu out to them
all these Then I got my eyes off.

Speaker 1 (05:56):
Gosh, now me and my feeling new core like but
she swept that gas like Caesar.

Speaker 2 (06:03):
Like with me.

Speaker 6 (06:05):
Send me no cash out? Cow, how you say you
funk with me? Ain't send me no cash out? You
said you yet if you like me sending some money,
we don't.

Speaker 2 (06:17):
How about you from I live my life like that.

Speaker 3 (06:22):
If you like me some money.

Speaker 2 (06:24):
Depends gonna be the wrong.

Speaker 1 (06:26):
What you mean that we meant like a little thou.

Speaker 2 (06:31):
Music, turn it, turn it? You want to turn into camera.
Yeah did you take down.

Speaker 6 (06:44):
Woun's a little A little got that you ain't got
no a little money?

Speaker 1 (06:49):
I just I don't know what.

Speaker 2 (06:51):
That was a little what she said?

Speaker 3 (06:53):
I like you better be like wow, a little that?

Speaker 1 (06:56):
So like if we just met, because if you if
you meet me at like Memans or something. You know
what I'm saying.

Speaker 5 (07:03):
What if I mentioned at the gas station?

Speaker 9 (07:05):
What that?

Speaker 2 (07:06):
What?

Speaker 5 (07:06):
What about mentioned doing what regular people do?

Speaker 6 (07:09):
Then you just give me a thousand dollars worth a
gas card?

Speaker 5 (07:12):
What if you ran out of gas and my car
work and I pulled over like hey, I'm just saying
I pull up, like hey, y'all need a ride, and
you trust me that, like, yeah, we're just going to
take right there. I still gotta see some.

Speaker 6 (07:23):
Money if you really like me, because see men, y'all
you're trying to funk with I.

Speaker 3 (07:30):
Man, oh god, you're trying to with I. Man, I'm
not following. You don't have to convince me.

Speaker 2 (07:40):
Give you the money just because I like you to
have the security. I got the money.

Speaker 3 (07:47):
I had the money because I kept the morning.

Speaker 2 (07:49):
Give you the money so you can spend your money circulating.

Speaker 3 (07:55):
It's all in different business. Money world. So long as
you know I got.

Speaker 2 (08:02):
It there, you should be good.

Speaker 1 (08:05):
No.

Speaker 6 (08:06):
Okay, See, this is the thing when women be like, oh,
you got money, It's like girl, if you're not gonna
get you none, And that don't mean nothing. The bank
got money too, they ain't gonna get you none. So
what I'm saying is, y'all, when y'all invest in things,
y'all tend to care a little bit more intruded with
a little care. You know what I'm saying, Like when
men buy women ask how God, y'a don't really want

(08:32):
to let it go. Liken't already invested in this.

Speaker 2 (08:35):
Girl like you gotta let them go. You gotta let
it go.

Speaker 1 (08:38):
I ain't seen them.

Speaker 3 (08:39):
You gotta let it go. Don't get them titties back.

Speaker 2 (08:43):
And that's what I'm saying.

Speaker 1 (08:47):
They just stay committee.

Speaker 2 (08:48):
I like free.

Speaker 3 (08:50):
I want you to keep them same as you girls, naturalness, mind,
I bring whatever.

Speaker 2 (08:59):
No, I'll say.

Speaker 1 (09:07):
This is what I'm saying, because if you like her,
like me, if.

Speaker 3 (09:13):
You want you want me to.

Speaker 2 (09:22):
So you're gonna how You're gonna show him you like him?

Speaker 5 (09:24):
About what consists? I gotta pay some money to show
you I like you. Yeah, what what you're gonna give me.
I don't want that same push you didn't give me everybody.

Speaker 2 (09:34):
You gotta give you some new questions.

Speaker 1 (09:35):
I'm gonna give you.

Speaker 6 (09:36):
Okay, So I changed my wigs a lot so I
could be a lot of different women.

Speaker 1 (09:41):
So I'm gonna give you Keisha, know you the same nigga.

Speaker 3 (09:43):
I can't go off for that like you money and
not giving you means you introduced me.

Speaker 2 (09:50):
To person You don't neither one of them.

Speaker 6 (09:56):
You don't know nothing, want to I'm gonna carey, don't
help just for the other people you pretending to be.

Speaker 3 (10:03):
Let them be who they are gonna be the headache,
all that for a thound.

Speaker 2 (10:07):
I take one time payment though, right.

Speaker 6 (10:15):
Just like the entry level because it's like when I.

Speaker 2 (10:18):
Mean gradually becomes more. Yeah, is the ticket?

Speaker 1 (10:23):
Yeah, because Disney.

Speaker 2 (10:24):
World comes on thousand dollars.

Speaker 6 (10:26):
When you go to you gotta do all this get
ready for you? Her nails cost lie four hundred dollars.

Speaker 3 (10:34):
You know what, I'm hundred dollars now time take them
up movie.

Speaker 1 (10:41):
You know what I'm saying? Like the make up, I mean.

Speaker 2 (10:43):
We are not gonna sit here and listen to this.
I want to hear it, man, you got this.

Speaker 10 (10:47):
You gotta we gotta listen to this.

Speaker 6 (10:49):
This that's always men versus women, because we have with me.

Speaker 1 (10:56):
You give me what I want without me having to ask.

Speaker 5 (10:58):
I'm gonna because he had to be done, don't and
we know that for that.

Speaker 2 (11:05):
He was walking with that nigga. He ain't never get
your hair done.

Speaker 3 (11:08):
He hate you wearing the bigger issues rightqualiation mode.

Speaker 2 (11:12):
I feel like we're not doing all that.

Speaker 3 (11:15):
Y'all get betted for the niggas.

Speaker 6 (11:19):
Caucasian brothers, sisters gonna be having these type of ye they're.

Speaker 5 (11:23):
Getting White women found dollars that just be no one
and they do cheap ship to.

Speaker 2 (11:28):
Wait till they break up. White wait, white lady, listen body,
you know what they playing you music? M yeah, you
away from me.

Speaker 3 (11:46):
And this was one of those forty five voicemails. He said,
God damn.

Speaker 5 (11:54):
Man, white folk do cheap ship.

Speaker 2 (11:57):
Man. You ain't never been on a dog day.

Speaker 3 (11:59):
He's a white He just kept his head down, worked hard,
came home, was loved by all this call.

Speaker 5 (12:07):
If you ain't gonna go doll I got I gotta.

Speaker 2 (12:09):
I'm a dog.

Speaker 1 (12:10):
I'm a dog.

Speaker 2 (12:12):
You can walk me found man pounds.

Speaker 3 (12:19):
Yeah, if you give me this that, I'm gonna give
it back to you.

Speaker 2 (12:28):
I said, the funk up, I clean, I cook, you
can walk me, he said, like what the look with
the bottom cap? Look you get me up. Now, I'm
fann to get him fun.

Speaker 3 (12:42):
We're gonna split that now when we both got we got,
I'm fan to buzz him.

Speaker 2 (12:51):
Just hang out. When I when he reached for the money,
offered me the little on this cousul, the more money
you're gonna end up owning her.

Speaker 6 (13:03):
Y'all don't like to get with the money like just
as a hobby.

Speaker 3 (13:09):
I don't like it.

Speaker 2 (13:10):
I love to do ship like that. Yes, no, I'm
from the old school.

Speaker 3 (13:14):
I give it, but I do not give it happily.

Speaker 2 (13:17):
What's your cash like that?

Speaker 5 (13:21):
What's your hairshut money record, I'm finna request one thousand
dollars right now.

Speaker 3 (13:34):
So, man sending you a lot of money, don't say
somebody might do it just I said that a text person.

Speaker 2 (13:40):
Let be sending you money. I don't know who's gonna say.
You know, I don't know what they're.

Speaker 6 (13:44):
Gonna expect, Like this is for your breakfast, thousand dollars.

Speaker 3 (13:50):
Breakfas you better not even on thousand dollars breakfast.

Speaker 1 (13:54):
You mean thousand dollars, But I don't tell him that.

Speaker 2 (13:58):
Who is you don't watch? He better know better.

Speaker 1 (14:01):
It's different.

Speaker 2 (14:02):
You got niggas that don't know prices or nothing. I
don't know, handles that I don't know.

Speaker 6 (14:10):
Imagine sending the girl money for sending her fifty dollars.

Speaker 1 (14:14):
Yeah, imagine that.

Speaker 2 (14:16):
You ain't got I did that.

Speaker 3 (14:19):
I don't know what you're going now?

Speaker 2 (14:24):
How simple niggas is? Yeah, I told you I got
about the PlayStation. No, I was in debt. Yeah, its
I don't want no money. I don't want to. You're
gonna feed you with somebody else, just the women that
you just randomly met. You can't give him a thousand.

Speaker 3 (14:44):
Woman if she had a gun trying to rob me.
That's the only way. I ain't anybody.

Speaker 2 (14:51):
I'm sorry.

Speaker 1 (14:53):
I like that. Something would be scared that you.

Speaker 6 (14:56):
Know this money?

Speaker 2 (15:00):
Why don't they just work? They work? Why they need
all this extra money?

Speaker 1 (15:06):
My money and your money?

Speaker 2 (15:07):
Wow?

Speaker 3 (15:08):
What I'm gonna do?

Speaker 2 (15:11):
What I'm gonna do live money to leave?

Speaker 1 (15:16):
You have your money?

Speaker 2 (15:18):
No, I don't have my money.

Speaker 1 (15:19):
If you got money too, God, blessed Jill.

Speaker 2 (15:22):
Get burse my money. Cheerful, cheerful.

Speaker 1 (15:27):
The more you give, the.

Speaker 2 (15:27):
More you give. I don't be just everything. Have a price.

Speaker 1 (15:30):
You give to a woman, she's going to open up
to you like a oyster.

Speaker 2 (15:33):
She was opening the door. I gave him hello here
all week. You gotta give me some coochie.

Speaker 1 (15:42):
First, we're talking about women, because that way.

Speaker 2 (15:44):
I can gauge about how much.

Speaker 3 (15:46):
Okay, well, this is a confusing, my queens confusing.

Speaker 1 (15:51):
Give me right, I love, but I'm just saying what
I'm saying.

Speaker 2 (15:55):
Thousand dollars on the horse. Throw you have?

Speaker 1 (15:59):
You have queen that bitch Dough the.

Speaker 2 (16:00):
Grand Canyon, one thousand dollars. She'll offer you some ship
you didn't even know you get. So you want to Pittsburgh, Bronco.

Speaker 3 (16:06):
What everyone of old would have some one thousand dollars.

Speaker 2 (16:17):
That's why I look, can't be holding you back.

Speaker 1 (16:21):
That's crazy.

Speaker 2 (16:22):
You want to go for I got that to this
guy you want buffalo, he wants to give him.

Speaker 1 (16:32):
He wants to No, I haven't stuck it in the nose.

Speaker 3 (16:36):
A nose that's a nostrils. If the nose big enough
to take my dick.

Speaker 2 (16:44):
I'm talking the bench from Shrek. You're sucking a small
fionda the fucking you a baby elephant? Where is this
lady with this mad he?

Speaker 5 (17:01):
Somebody your know, somebody put?

Speaker 1 (17:04):
Who know who's doing that?

Speaker 5 (17:06):
That's a new ship.

Speaker 2 (17:07):
Somebody put? How do you even do that? You were
just snoring to dig like cocaine and something.

Speaker 6 (17:13):
Well, it expands. It's a muscle, the nose, the nose,
the nostrils.

Speaker 2 (17:19):
Stop what the are we talking? You need?

Speaker 5 (17:23):
You really ain't trying to You really ain't trying to
give a nigga no pussy.

Speaker 2 (17:26):
I'm looking at you like you don't you know what.

Speaker 3 (17:32):
Else?

Speaker 2 (17:33):
I didn't want to do this. I didn't want to
do this, but look you got five man. I ain't
never even heard of no ship like that.

Speaker 6 (17:45):
I got this line in the song that I did
with a Little Duba, I said with my project, hold
spec they nose.

Speaker 3 (17:51):
Yeah, I'm concerned that.

Speaker 2 (17:54):
It's different than I don't. I don't do the whole.

Speaker 1 (17:57):
No, I just said the whole thing all go up there?

Speaker 2 (18:00):
Okay, but okay, a tip go in your nose. You
was working with a cute tip. What the fun?

Speaker 6 (18:07):
Yeah?

Speaker 1 (18:08):
Just a tip because of shape like, who the fun
would even ask for some ship like that?

Speaker 3 (18:14):
It's just some Look if you know, I got to
go to work.

Speaker 2 (18:17):
Now, come on, you know she got her nose in
the glory hole.

Speaker 1 (18:26):
You know, let me just stop talking about that.

Speaker 2 (18:29):
You living freakings like?

Speaker 1 (18:31):
No, actually.

Speaker 2 (18:33):
I like it. You' never seen no notional, no glory hole.
Tell me because this ship. Yeah, but it's you don't
do that with that. No, I never. It's not as
unheard of as you're making it say. I definitely didn't.

Speaker 5 (18:48):
You know, I had some go though with well, you know,
like a black person with the taped with exact.

Speaker 1 (18:55):
You had a field for I didn't have like to block.

Speaker 2 (19:01):
Three blind mice. Now you look at me, you had
two blind niggas mice.

Speaker 3 (19:07):
What that means we're speaking of Coldburg.

Speaker 1 (19:18):
I'm just joking.

Speaker 2 (19:24):
He said he wants the Kentucky. You know what that means? Right,
give him the Kentucky. I got the nostrils. Uh is No,
I'm at the game.

Speaker 1 (19:37):
I thought I was a free but that comes with
men who.

Speaker 2 (19:41):
In the money. While were first, then how far what
is it?

Speaker 6 (19:48):
Unlimited amounts of disposable income income?

Speaker 5 (19:58):
So you got to pay your way? You talk I
don't believe this. I believe why you believe it. I
believe that's our Wow.

Speaker 3 (20:05):
If you're looking for that dumb type of dudes, and okay,
I can see that, but you're not putting this on everybody.

Speaker 2 (20:12):
That's what I want to know. If you like the nigga,
you're gonna make him like this could.

Speaker 3 (20:14):
Be your Huband so if you like a nigga in
real life and they send the money, you're gonna get
a nigga. No, the nigga that you really like, you're
gonna get him some of this money.

Speaker 2 (20:24):
Yeah, you know you don't break bread.

Speaker 1 (20:31):
I cook.

Speaker 2 (20:33):
Uh, you're trying to avoid the question, but you wake
up nigga.

Speaker 1 (20:47):
But they the guys I like that don't want me
to my mom.

Speaker 3 (20:54):
What's that bigga popping out around the places that time?

Speaker 6 (20:59):
If I go to take something out on my person,
like no, yeah, blow out the candles back with.

Speaker 3 (21:15):
It's not nigga head all and now because in the
house old toilet paper.

Speaker 1 (21:19):
Case, because because look right, y'all like it in every hole?

Speaker 2 (21:25):
Right? Yes, what yeah, I heard that question clearly. Hell yeah,
Like these questions is they don't have.

Speaker 3 (21:35):
Locked on my nose in my ears because I'm a man.

Speaker 5 (21:37):
We don't clean our ship.

Speaker 1 (21:38):
When I like somebody, my effect, my son of affiction.
I just like to lick your face, like your cheek,
like just real sporadic.

Speaker 5 (21:45):
You know, you got some women out here with the
newspaper like a fly, like a puppy.

Speaker 1 (21:54):
It's like, damn, I love this. I like him and faith.

Speaker 5 (21:58):
You know some women pick.

Speaker 1 (22:04):
I've seen it.

Speaker 2 (22:04):
Though, they be with you like that, smelling your arm
pits and ship. Mister s.

Speaker 5 (22:11):
You gotta let people be people man, let them beat them,
don't judge them that they don't some weird ship.

Speaker 2 (22:14):
It's very foster freak. It's hard to let a good
freak go and look look like you've been with this
freak so long.

Speaker 3 (22:23):
Then you try to go back to regulationship and then
you got to act like you're cool with that's the
work part.

Speaker 2 (22:31):
Yeah, it's good, it's not. It's good but cool. But
you know, you don't grab my I don't know why
you do that, Like for you to hold a thick

(22:52):
hostage in your chin. You never you gotta go auhad
and go back. That's what you can't. And then you
know you're freak somewhere doing her best ship. Yes, but
that you taught her too.

Speaker 5 (23:03):
Sometimes, especially when you open them up to that new
ship that they ain't funk with and now they funk
with it.

Speaker 1 (23:09):
I think drink song.

Speaker 2 (23:10):
Oh my god, just thinking about it. Just that's the
worst are you getting?

Speaker 1 (23:19):
Yeah, you know those freaks out there?

Speaker 2 (23:22):
Oh man, I guess she's going crazy right now, but.

Speaker 6 (23:33):
Like here, like a.

Speaker 2 (23:40):
Crazy. I know she's still hungry. She'll eat it. That's different.
They don't nobody eating. It's a different eat.

Speaker 1 (23:48):
What's the eater?

Speaker 3 (23:50):
Eater?

Speaker 5 (23:50):
Eater put that whole dick, that whole dick in the
mouth that they eat, that whole dig go down and
a top.

Speaker 2 (23:57):
Little hit your belly button a little bit.

Speaker 5 (23:59):
That's how you.

Speaker 2 (24:02):
You hold so leave your booty web.

Speaker 1 (24:06):
So then why not marrier eating?

Speaker 2 (24:08):
You get beamed up?

Speaker 1 (24:11):
Why not marry it eating?

Speaker 2 (24:14):
Because you know you ain't the only niggas she's doing that.

Speaker 1 (24:16):
But that's what cheating because they eating.

Speaker 3 (24:19):
This is the thing about it the same way you're
gonna blame that on me. And most eaters is terrible people.
They laying about element of us.

Speaker 2 (24:26):
Yeah really yeah, you.

Speaker 3 (24:27):
One of they. You find a real eater, you are
really one of the hole, one of the experiment on you.
They getting a thousand, but it's not all the ones, wool,
it's a hundred here, a hundred they're gonna make all right.
Look here, I'm just gonna sometimes you gotta get out
of there and say yourself because you know you're gonna
call you how many time that good pushing the real

(24:49):
You say to yourself, I will come at this point
and you know that you know better, but you gotta
just because sooner lady's gonna happen.

Speaker 1 (24:56):
Yeah.

Speaker 3 (24:56):
Yeah, she already got two kids back back. And you
know that Nigga loved it. When the baby four and six,
he just.

Speaker 2 (25:04):
Be like a sock. I mean he got pregnant right out.
They'll be like a sock. You do the math, what
you mean?

Speaker 1 (25:09):
Stilled?

Speaker 3 (25:10):
The one of ten they be. They be some basic
holes though eas be basic being seven with the hell?
Do you feel me? You're seven with Io? You gotta
keep her, to keep your attitude that she got. But
he'll come back.

Speaker 2 (25:29):
Never the ones that you think, though, it ain't. Never
the ones you think.

Speaker 3 (25:33):
I ain't gonna lie a bunch of baddists. They don't
really be.

Speaker 1 (25:36):
They don't really do it.

Speaker 2 (25:38):
I could see that, fellow Princeville.

Speaker 3 (25:42):
You just like you can look like once you funk
out the makeup off of them, like you got to
stop being so mean to people.

Speaker 1 (25:51):
Well, they don't be cute when when you take all
the makeba.

Speaker 3 (25:53):
I never said they was cute, but it's sometimes come
on now, let me real, Yeah, be having the whole
or nothing.

Speaker 1 (26:00):
I'm I don't have the type of problems, thank god. Amen.

Speaker 3 (26:05):
So when you get kinky, like you just just put
on the let me finish when you listen.

Speaker 5 (26:11):
Do you like your twist so your lunge of raids,
I won't in with the pajama pants, so your lungerail
be like ail, be a push the bad with the
nose out.

Speaker 1 (26:26):
Yeah, I liked it.

Speaker 2 (26:30):
I don't believe I got that is that?

Speaker 1 (26:32):
I mean?

Speaker 3 (26:33):
I know you know what.

Speaker 1 (26:35):
I don't record stuff like you should.

Speaker 2 (26:37):
That's crazy because that should get.

Speaker 1 (26:38):
You a you know that won't It would be like
send me a picture. I just be pulling like pictures
off the internet. That's of you'd be like send me
a foot pick or like t.

Speaker 5 (26:51):
Foot nigga.

Speaker 6 (26:51):
Yeah, I sent him a video one time. I spreen
recorded it on X videos when.

Speaker 2 (26:56):
You could have just sent your real.

Speaker 3 (26:59):
What he gonna do with that information, that's part of
the finish. Yeah, he said that thousand pre recorded video No.

Speaker 2 (27:06):
Twelve, we got the FaceTime you have those aren't your feet,
That's what he said that. But I convinced you don't
think I know Eastern Race Peak thirty nine. Yeah, I was.

(27:32):
I fucked with the show, man. I hate. I hate that.
I hate they shut it down. Man a dog with that.
Johnny was going crazy. Yeah, man, y'all need.

Speaker 6 (27:42):
At least bout yeah, you know, stop us writing our tracks.

Speaker 1 (27:47):
Don't even let us get in get in there.

Speaker 2 (27:49):
The show was dope, part of the pandemic. Ship sucked
it up, fucked it up.

Speaker 6 (27:55):
No, I just feel like, you know, a lot of
our shows just get hacked, you know what I'm saying.

Speaker 1 (28:02):
Just when we get the gap and what we got out,
they get our subscribers, but they just don't, you know, keep.

Speaker 2 (28:07):
Our They don't understand differ.

Speaker 1 (28:10):
Yeah. Yeah, they like the traffic that it brings.

Speaker 3 (28:14):
But you know, yeah, you know how black people shit is.
Though you let it sit there too long, it's be
too good. They gotta make it get us here in
and out and they like they don't see the numbers. Cool,
they can't gauge it. We can't give you the accurate thing. Yeah,
the streaming they start playing the Hollywood some ship gotta
just be for us.

Speaker 6 (28:35):
I wonder why, like millionaire blacks have not created their
own apps.

Speaker 1 (28:41):
They not call it and not call it, you know.

Speaker 6 (28:44):
Like I was somewhere the other day and I I said,
why do we always have to say black business like
white folks don't say white business. This is my white business,
you know what I'm saying. So it's like our own
streaming platform. But we don't have to draw attention to
the that's.

Speaker 2 (29:00):
What we got Channel eighty five.

Speaker 1 (29:03):
Period, period period. But yeah, you know what I'm saying,
like a streaming app.

Speaker 6 (29:08):
Like if everybody just got together and through and you
know what I'm saying, two million too.

Speaker 3 (29:12):
Many black people get together with some money, it's gonna
be a problem.

Speaker 1 (29:15):
Yeah, but let's make a problem.

Speaker 2 (29:17):
Let's and shut it down.

Speaker 3 (29:20):
Okay, people got the got info he could work crazy?
What you call it crazy?

Speaker 2 (29:26):
We need a hedge fun.

Speaker 3 (29:31):
I mean, Tyler Perry got his ship going crazy. Then
the dude that Byron Ellen, he went crazy with the
Weather Channel stuff. So everybody got their own little thing,
but winning like a motherfucker.

Speaker 2 (29:42):
He's sawing McDonald's something. I don't know.

Speaker 3 (29:45):
I remember that he is the suit of the Advocable
company because they wouldn't let him, Yeah, let him buy
the channel and he had the money.

Speaker 2 (29:54):
Yeah, but you being that man McDonald.

Speaker 3 (29:59):
I went on on his show, Yeah comments on this, Yeah, yeah,
they said he yead he would make.

Speaker 2 (30:09):
See that. That's what I said.

Speaker 3 (30:11):
Stare the man deal that Nigga billionaire. He bought the
Weather Channel, Dan, and it's you they only I ain't
know you know how to make Afro beats by Jen Major,
this Afro beat up.

Speaker 2 (30:32):
I know the niger that's hard. I know he fired
he made this ship. I didn't know that Nigga was
even African. Are you Africa?

Speaker 3 (30:42):
He changed his name when he do the Afro beats
ship John clad Quell. When you funk with it, those
people who watch this in Africa on the whole continent.

(31:09):
We're gonna post this beat. We want you to go
crazy with. We need some real Dan, we need some real.

Speaker 2 (31:28):
Portuguese whatever language you speak that it was give me
in the mid.

Speaker 3 (31:38):
Lego. Can you give me the give me the give
me the dose, give me the I want black period,
I want the want the Olivia.

Speaker 1 (31:54):
I want.

Speaker 2 (31:56):
Egypt in the.

Speaker 3 (32:03):
Democratic Republican little congo.

Speaker 11 (32:07):
At the one torch, fist at the one torch pest.
I just want your boots, your boot. Then bring me
the noose. I want the nose.

Speaker 2 (32:25):
You know, don't less just trying to do. I want
that wow bring bitch, you want the wow, go and
take a shower. Give me the noose. I like that.

Speaker 1 (32:48):
Give me these, give me that nose up.

Speaker 2 (32:52):
You know we got a real song right in here
with us today. Bag, I already know, very talented. She
could say, like a motherfucker dad act all American mm hmm.
And she's moothing enough to make a niggas in her
one thousand dollars. And she from Florida.

Speaker 9 (33:15):
Gianson in the building, had her on TV show Yes Up,
co Star and this ship come on doing.

Speaker 3 (33:25):
Her motherfucking things. The nasty found a way to get
on TV. Why doing some music in the show. That's
how you work your one two, that's how you work
your way in one door and be like, hey, come
on over that music. I want some real ship after this.

Speaker 2 (33:48):
I let it drop on check email, lock me in.
Are you forward that I'm finna see a.

Speaker 12 (33:59):
Level mode like period hid hit Hit It from the
hip hits nothing but the hit hit hit with the
hit hid.

Speaker 3 (34:10):
Yeah, but you know we were bringing number getto' legers
through here. Man, bring me the nose and uh, you know,
we know some some ladies that's getto legends, to get
a legends.

Speaker 2 (34:20):
This young lady right here and putting it down.

Speaker 3 (34:22):
Man.

Speaker 2 (34:22):
You know, one of the hottest young superstars coming up
into the you know, especially in the black entertainment. That's
our ship.

Speaker 3 (34:29):
You know, we put black hood fucking like you said,
Jacksonville dough Ball, none other than Chameleon Cameleon not too Yeah,

(34:58):
and were living just like that. I mean, welcome to
eighty five. See how we living around here? Just living
real extravagant. Come on, keeping the series going. But we're
bringing them, but get old legends Thy up Street thirty five.
How you being Look, I got my little I had
my research department pull up a whole little research page
about you.

Speaker 2 (35:18):
You feel me?

Speaker 3 (35:18):
They say you're writing movies now, Yeah, you're about to
jump back into some more TV project love and hip
hop rap Ship Ship dancing Grammys type, ship writing songs.
Congratulations man, man, we love to see black women and

(35:39):
I tried to break she out got it all everything, Yeah,
black ladies, sketch shows.

Speaker 2 (35:45):
On that, all that ship, the Quaiet Star, all that
making big moves.

Speaker 1 (35:52):
Making Hose mad again.

Speaker 2 (35:54):
You see the hat, you know, so importing me? Yeah,
and I bought it you. I ain't even asked for
the hook. That's stop being mad.

Speaker 6 (36:08):
Because when you walk in the room sometimes people want
you to turn down your main character energy, you know,
and you just have to keep making holes mad again
because you don't even be trying intentionally. It just happens, right,
So what you're gonna do, die know, You're gonna just
keep doing it over again and again and again.

Speaker 3 (36:27):
It's on the inside, and that would be a mad
hope because that leading to being a said hope and
nobody likes us said hope because.

Speaker 1 (36:36):
They go out bad. Though, they go out bad, yep.

Speaker 2 (36:42):
Horrible very.

Speaker 3 (36:45):
That's not happened to him though, So yeah, I had
to I had to grab me one and support.

Speaker 2 (36:51):
You know.

Speaker 6 (36:51):
We sold over twenty five hundred hats now.

Speaker 2 (36:55):
That's what's what thank yousiration.

Speaker 6 (37:02):
Yeah, because the whole made me mad, the whole mad,
mad mad because the hole is mad.

Speaker 2 (37:12):
You got yeah, was mad.

Speaker 6 (37:16):
Then I let the hole get me mad. But then
I made the whole mad. He when the hole saw
that the mad ship wasn't gonna stop me. And sometimes
when you get angry, you get creative. And so I
was like, i need to put this on some garments
because I'm sure some other people feel this way. And
it's funny because our Caucasian brothers and sisters, because it

(37:37):
looks like something else, they're like big customers. I do
a lot of pop up shops and they walk past.

Speaker 10 (37:44):
And be like wha, yeah, yeah if holes are the
fucking liberals, and.

Speaker 2 (37:52):
No fuck, they love it. Give me three hundred.

Speaker 1 (37:58):
They love it.

Speaker 3 (37:59):
I agree with them just to get them out of
my face. It's out of them. They always want to
say some ship just to like get a reaction. The
only way you can count it is act like you
agree with whatever they say. But if they get mad,
safe to get the fuck.

Speaker 2 (38:14):
Out of it. If they get mad, they are hope exactly.
That's one of the things.

Speaker 5 (38:18):
They catch it.

Speaker 3 (38:19):
They read it and they'd be like, you got this
horse mad, Like I.

Speaker 2 (38:28):
Don't like how are you ame? You mad? You know
they try to take you know you already say it.
Then you make hose mad? Yeah, make them mad? Fuck it.
Every white dude like that. That's pretty good.

Speaker 3 (38:44):
That's pretty good.

Speaker 1 (38:45):
Yeah yeah, So next month the company will be a
year old.

Speaker 3 (38:52):
Those gold with Anybody can go around the room and
share a time when you made some hoes man.

Speaker 5 (38:57):
Yeah, I got faye, Mama, I'll be talking all the
damn they like you.

Speaker 2 (39:05):
I didn't send a thousand dollars like you. Some found dolls.
We're big over there. That what I did.

Speaker 3 (39:12):
You?

Speaker 1 (39:13):
That exactly you got found.

Speaker 2 (39:17):
You. I know you didn't want to pass that thousand.
A damn.

Speaker 3 (39:28):
I got two many stories tell you about you with
the group. They mad at me, baby, because I call
them home.

Speaker 2 (39:38):
That's exactly why.

Speaker 1 (39:44):
What about you? Mm hmm.

Speaker 2 (39:48):
First of all, if there's some whole somewhere mad at me,
it needs to be.

Speaker 3 (39:55):
Mad as yourself, because you blew a golden opportunity.

Speaker 2 (40:01):
I gave you nothing but grace.

Speaker 3 (40:03):
You could have really came over here and being yourself,
but you chose to play like you weren't who.

Speaker 2 (40:12):
You are, and it left me no choice but to
do what I had to do, and what was that?
I had to leave. I had to cut it off
because you wasn't gonna cut it. You so toxic that
you didn't even want to be with me. You just
didn't want nobody else to have me Me who got again?

(40:36):
You didn't like.

Speaker 3 (40:38):
You?

Speaker 2 (40:39):
Ad again? You liked what I could do well, but don't.

Speaker 3 (40:45):
But see that's what you don't understand. See once, once
you find out that people like what you can do,
it makes you put them into scope.

Speaker 2 (40:52):
It's like, oh, you.

Speaker 3 (40:53):
Thought that's all I could do. That was just a
little bit of what I could do. So if I
really was doing all that I can do, it over
help you? You fail for one of ninety nine.

Speaker 2 (41:05):
I'm full of attributes.

Speaker 3 (41:07):
Did you know? I know how to grow my own fruit?
Things of that, man, But you will never get to
that level because you was so entertained because I knew
how to do that.

Speaker 10 (41:17):
You see what I'm saying, It's just not even I
ain't even one of my thombs. My god, I've never
even practiced this, bitch, I'm not even good at this.

Speaker 2 (41:27):
But to do that, you ain't even get to the
good shit. I'm so glad I reserved my.

Speaker 3 (41:33):
Good shit and care better work, because if you really
knew how good I really am, you would have never
appreciated it.

Speaker 2 (41:40):
Either.

Speaker 3 (41:41):
You would have tried to play me like I was
regular and then made me forget about all.

Speaker 2 (41:45):
The attributes that I bitch. I'm really wolf en God,
I ain't want to say it. You'd be surprised how
quick I hear.

Speaker 3 (41:55):
I'll be saying for thirty minutes, I'll be back happy
about the time in the show, come back on. You'd
be crying hard for that.

Speaker 2 (42:04):
Not no, not all over, bro I'm sick for thirteen minutes.
I can't eat, I can't sleep. We rolling. It's like,
all oh, picture still out? You just cool. It looked

(42:37):
like I've been crying very still up, sad man. How
you started with music? What was your start? What was
your introduction to the music world, to the music scene.

Speaker 1 (42:57):
Like the inspiration to do music?

Speaker 2 (42:59):
Sure, inspiration.

Speaker 1 (43:02):
I don't like being broke.

Speaker 2 (43:04):
That's a good inspiration. It's the best one.

Speaker 6 (43:07):
So I just try to use my God given talents
to make it materialized into something tangible, you know, instead
of selling other things, I'd rather sell talent.

Speaker 2 (43:22):
Yeah that's good. Yeah, Ain, don't you come from a
famous family.

Speaker 6 (43:26):
I wish um hmm, Michael Jackson is my Well, we
can't talk about your strings.

Speaker 2 (43:33):
That's your cousin them, which Mike Jackson, the Michael Jackson.
If that's just your cousin, then you can say they
supposed to be my cousin them. D Michael James, your
ship tell me doing real good.

Speaker 1 (43:50):
Here's here's saying. The bsity kids your daddy.

Speaker 3 (43:53):
Don't say that Michael Jackson would be your daddy. They
swiped you out with blanket.

Speaker 2 (44:00):
You don't rich the baby. The baby, I mean, it's
you want his kids.

Speaker 6 (44:08):
I get really emotional just looking up Steve Michael, what
year were you born?

Speaker 1 (44:13):
That's important.

Speaker 2 (44:14):
I'm just saying if he went that year before that
the tour stopped through that. Yeah, all we gotta do
is t the tour. We can follow the ticket store.
You get it down to the.

Speaker 1 (44:27):
I mean, this is a legend, this is this is
a legendy.

Speaker 2 (44:30):
So he went the son after the show, not too
much of my mama. I'm okay, but I'm juster standing. Yeah,
but he was about her. That's what you told us.
Just so Michael jack pold me your pappy.

Speaker 5 (44:48):
That's crazy.

Speaker 2 (44:50):
Looking up ship she's gonna be wild. You heard that?

Speaker 5 (44:55):
So was she related to Michael White? Michael A young Michael?

Speaker 1 (44:58):
What was saying?

Speaker 3 (45:00):
Yeah, okay, I heard you. She said, this is all alleged.
Can we do one of them? People calling them your mama?
Let White Michael ahead, come.

Speaker 1 (45:27):
A little bit. That's why I'm kind of like, Okay,
you never know why.

Speaker 2 (45:35):
I didn't know why. I shouldn't have asked shes just don't.

Speaker 1 (45:39):
Just cut that part.

Speaker 2 (45:40):
You know, they don't cut out. I was supposed to
them because do you love him? Was it love and him?
Tell her? Give me your what you're doing on that?
I love him? Yeah? But what are you doing?

Speaker 1 (46:02):
Just loving hip hop?

Speaker 2 (46:03):
Oh? You in love on the show?

Speaker 1 (46:06):
I wasn't in love. Had got me in a weak
point and I just the hendessy.

Speaker 2 (46:14):
Was That's then, I don't hate to be the negative.
You're like, man, what what was that?

Speaker 3 (46:22):
Man?

Speaker 2 (46:23):
She was drinking? Man called her? I hate to be
somebody drunk phase. I was drinking hard when I was
working with him. Yeah, that's why I stopped drinking stuff. Well,
I slowed down, but.

Speaker 6 (46:37):
She drank white up brownla.

Speaker 1 (46:40):
Yeah, I converted from when I stopped drinking Hennessy.

Speaker 2 (46:42):
I had merged over to everybody did that.

Speaker 6 (46:45):
Yeah, you know what they said, tequilave or something it
ain't or something, and that they.

Speaker 2 (46:50):
Drunk it all.

Speaker 3 (46:51):
They're making that, making it with some bullshit. Yeah, yeah,
because they drunk it off all the original street got
drunk up and the Mexican's over there.

Speaker 2 (46:59):
No man got in. They plain this magging out the
cactus juice. I don't give them. We need to tequila.
These niggas love it. Hours to get me my liquor.

Speaker 3 (47:17):
With it.

Speaker 6 (47:18):
Here.

Speaker 3 (47:18):
You put a little piece of cactus in there.

Speaker 6 (47:20):
Yeah.

Speaker 3 (47:21):
Remember they used to do the.

Speaker 1 (47:22):
Worm and then put a.

Speaker 3 (47:26):
Little used to be good. Yeah, you can put the
tear that bitch up. It's gotta be your well.

Speaker 2 (47:37):
Tear this ship up. Yeah, they they used to put
the worm.

Speaker 5 (47:40):
Everybody went from Hennison, then we went to Rammy. They
ain't fun with the Ramy too. You went back to Hennison,
then you went on first go with where I'm at.
Everybody start off bocking Gray Goose, so Rock. Then you
went to Hennessy.

Speaker 1 (47:56):
That brown what you call Yeah, that's what causes the diseases.

Speaker 3 (48:01):
The brown had fun. Yeah, so that's why keeler and
Rosta just became better, a little healthier, healthy.

Speaker 2 (48:08):
Healthy toxic ship. It's a more healthy poison.

Speaker 1 (48:14):
M hm.

Speaker 2 (48:18):
That shouldn't kill you. What about the liquor niggas? Stop
worrying about that. Are you gonna drive or not?

Speaker 5 (48:24):
And that wine bad for you too? I believe that
Taylor Port ain't no. But MD twenty twenty, what the
hell going on? Liquor matin liquor slits? What about XXL
you've seen the hell?

Speaker 3 (48:37):
Yeah?

Speaker 2 (48:37):
That ship I had that.

Speaker 3 (48:38):
I don't have some dark days, the dark days over,
but i'd have been there Drinker's corner XXIL. You're in
a motel Yo, done over to the street. Who's going
on out to the Sway? They're playing up and down here.

Speaker 2 (48:59):
It's on the other side. Oh so that was the inspiration?
Oh for your music? Oh yeah, okay, I brought it around.

Speaker 1 (49:16):
But what in the circle?

Speaker 2 (49:18):
Did you start singing first?

Speaker 6 (49:19):
Or?

Speaker 2 (49:20):
Oh?

Speaker 6 (49:20):
Yeah? I was singing first, and then I was like, lord,
I want to be able to rap. One day and
I couldn't find my voice, for I ain't sound like
no rapper.

Speaker 1 (49:31):
And then I finally figured it out.

Speaker 6 (49:32):
You know, I just worked on it worked on my
craft and I found it master both and now I
don't want of the raw female stuff.

Speaker 3 (49:41):
Yeah, what was your what was when you first started rapping?
What was your style? What's different now?

Speaker 6 (49:46):
I was used to sound like I was from New
York I first started, I was trying to Yeah, I
was trying.

Speaker 1 (49:55):
I thought I was looking on something. Okay, yeah that yeah,
I had to work on it.

Speaker 2 (50:01):
And then you got you figured.

Speaker 5 (50:03):
Figure who your top three female artists?

Speaker 2 (50:06):
Five?

Speaker 6 (50:07):
Five artists rapper because that's different artists and rappers, different
rappers rappers. I would say me, not you too, Yeah okay,
Nikki okay, mm hmm yeah, I ain't gonna say that one.

Speaker 1 (50:29):
Lauren okay, Lauren here, okay.

Speaker 5 (50:33):
That's artist.

Speaker 2 (50:33):
We said rappers, she rapped too. I know that, But
can I have up my bad?

Speaker 3 (50:39):
I said rappers rapping up?

Speaker 2 (50:41):
She was definitely rap. How you cal that's that? Ain't that?
Ain't when you wrapped up.

Speaker 1 (50:51):
Jacko, Jackie, come on real good that the check.

Speaker 2 (51:04):
People? Okay, Queen was wrong?

Speaker 1 (51:08):
How many that is?

Speaker 2 (51:09):
You don't want to left about four? Mm hmmm mm hmmm.
I like right, I think you ly, why are women
on those.

Speaker 3 (51:21):
Cat like that?

Speaker 5 (51:22):
Like she ain't wrong.

Speaker 1 (51:23):
Because you're an artist, you're gonna learn.

Speaker 3 (51:29):
Rap though.

Speaker 1 (51:30):
Those is not a rapper, She's an artist. She rapped,
She's the artist rapper, thinker rapper.

Speaker 2 (51:37):
Yeah.

Speaker 1 (51:38):
I like those cat Yeah, those are fine. I was
I was speaking with those are like before years ago.
She had a song called get High.

Speaker 5 (51:49):
I like reco nasty, too hard, aggressive rap, aggressive rape.

Speaker 2 (51:56):
Yeah.

Speaker 5 (51:56):
I like all the women rap, like doing your thing
right now. They really got the game up and sold
all the way up.

Speaker 2 (52:06):
The female.

Speaker 6 (52:07):
The Atlanta females are saving. I feel it's saving Atlanta around.
They bringing Atlanta back. Yeah, the females are bringing like
that old Atlanta back and reuniting everybody.

Speaker 1 (52:18):
For sure, what's y'all?

Speaker 2 (52:20):
For sure? That's how you feel.

Speaker 1 (52:23):
I've been in the studio for the last couple of
days week.

Speaker 6 (52:28):
With J Money and Metro, and they bringing everybody that
was old Atlanta back in the studio working, and the
girls just like pioneering that because they sampling their older sound,
you know what I'm saying, And it was like putting
attention back on old Atlanta from the dances from the
Lingo the Bay. I'm saying, they toven going crazy again,

(52:51):
like you know a music streaming.

Speaker 2 (52:55):
How in Florida get together like that? But we had
it for a minute, the moment the close we ever
got there.

Speaker 1 (53:04):
Somebody like working together.

Speaker 2 (53:06):
Yeah, oh yeah, we don't.

Speaker 6 (53:07):
Like I was staying that because I'm like, if like
the girls are bringing the attention and to see like
the O G is coming together to like Foster that if.

Speaker 1 (53:18):
Florida did that, and then we'll be we don't do that.
We just do our own thing. Nobody want to.

Speaker 5 (53:23):
You know, there's a lot of ship we didn't hear
like a fucking trick that in a Rick Ross song
about like when the niggas after Rick Rock blew up.
It didn't happen no more.

Speaker 6 (53:33):
Yeah, Trina and Kya would have been raw to get
raw as. Yeah, but it's deeper than rout.

Speaker 1 (53:39):
But it would have been wrong.

Speaker 5 (53:40):
All the nigga down there in Florida that nigga don't
talk about, like Ice Bird being a bird before.

Speaker 1 (53:48):
Passed. If him and could have got together, would have shot.

Speaker 2 (53:54):
Tom G Frank Lennon.

Speaker 3 (53:55):
There's a lot of niggas down there just don't knowbody.
I feel like that's gonna be a next laying in
the rare beef nigga's gonna be doing songs to each other.

Speaker 2 (54:05):
So that should be separate.

Speaker 1 (54:07):
But I mean a lot of them they be they
be dying, the getting locked up.

Speaker 2 (54:11):
So it's like it shouldn't never go there far. It shouldn't,
but none that it has and we see what happens.

Speaker 3 (54:19):
Yeah, Yeah, there's too many people outside the ship a
part of the ship. Nobody want to be the person
who's saying, hey, that's enough. Just keep going and keep
going and keep going and keep going, and then it's
just gonna it's just a one way street after a.

Speaker 2 (54:36):
Certain amount of time.

Speaker 1 (54:38):
Like even the other day, even somebody I had beef with,
like I called them.

Speaker 6 (54:42):
They we used to there's a they're a famous person artists,
And I didn't want to be the one because I
didn't start it, but I did that. Like I called
and was like I miss you, like and as soon
as I called, they answered on the first plane and
it was like I miss you too.

Speaker 1 (54:57):
I was just watching your your Instagram. I see you
doing such and such.

Speaker 2 (55:00):
I'm like, oh, you could have called me earlier.

Speaker 1 (55:04):
But you know it's like.

Speaker 2 (55:06):
People, you know, I'm glad you made the call.

Speaker 1 (55:09):
Yeah, I feel good about it.

Speaker 3 (55:11):
It was not me.

Speaker 2 (55:13):
She did well in your heart, what did you do?

Speaker 3 (55:16):
It was her fault, she started it, petty ship like that,
what you're looking forward to doing in the industry because
you're doing TV and music at the same time.

Speaker 6 (55:29):
Yeah, I'm looking forward to finishing his films that I'm writing,
and you know, just being a different voice in scriptwriting because.

Speaker 1 (55:40):
I feel like, like, you know, like a lot of
queer queer writers, that style.

Speaker 6 (55:45):
Is different, you know, and then you know you have
people like John Singleton, and I feel like I'm the
female John Singleton. I feel like those stories. I'm still
like close to the streets and in Hollywood too, so
it's like my stories are not too far removed. So

(56:08):
I just looked forward to like being like fifty cent
or like Palla Perry and giving my people opportunities or
like Easter Ray, you know, like how she did me. Yeah,
and creating my own universe of actors that I use
and just my own stories, you know, my own universe.
So I look forward today me too, Yeah, to telling

(56:29):
a lot of stories like Jacksonville got a lot of
rich history, you know what I'm saying, So just bringing
light to that, like people bringing like to La New York, Atlanta.

Speaker 2 (56:39):
With atl What was your experience growing up in Jacksonville.

Speaker 1 (56:45):
It was lig It was very ghetto, but it was fun.
I enjoyed it. I didn't know it was ghetto. I
just thought it was life, you know.

Speaker 6 (56:54):
But I think for me too, I got to see
the best of both worlds. Cause once my mama she
ended up finishing college and I was with my granny.
So once she got more into politics, I was able
to go to the country club and then I be
in a weak line with you know what I'm saying, with.

Speaker 1 (57:14):
My cousins or my sisters or whatever. You know what
I'm saying. So it's like, you know, I got the
best both for us.

Speaker 6 (57:21):
You know.

Speaker 1 (57:23):
So mm.

Speaker 6 (57:26):
Jacksonville, Yeah, it's wicked though, Yeah it's wicked.

Speaker 1 (57:31):
But the thing about Duvall, like it's crazy, but people
always been and did something.

Speaker 6 (57:38):
Like you know, sometimes people get strays and you see
dry bis or just senseless violence. It's like in Jacksonville,
something always tricked, something always starts it. It's always like
something that activates it. It's never just random light here
in Atlanta, like shit just.

Speaker 2 (57:54):
Happened, real crash. Yeah, so every day, yeah, stopped watching
the news.

Speaker 3 (58:01):
Broy because that's just one fucking thing after the other.

Speaker 2 (58:07):
You would think, yeah, that's just like a lot of
ship be going on.

Speaker 1 (58:11):
But it's like that on social media.

Speaker 6 (58:13):
Don't watch nothing too long because your whole timeline to
be full of it.

Speaker 1 (58:19):
Yeah, it's bad, it's bad.

Speaker 2 (58:23):
Crazy.

Speaker 1 (58:24):
Yeah, you'd be like, damn, people really out here doing this.
It's present and.

Speaker 2 (58:28):
The news working the bixing.

Speaker 3 (58:31):
I just recently saw some people from my hometown and
some ship like that. I got, well, they from they
ain't from there, but they known there. I don't really
even know how to put it, but yeah, the dude
to kill the dude at the gas station in Chicago.

Speaker 2 (58:49):
Oh damn that girl, that girl that ran and got
in the car. Yeah, but there.

Speaker 3 (58:55):
I don't know how he ended up down that way,
but yeah, that's just some time. You will watch some ship.
You think it's random.

Speaker 2 (59:02):
Then you go back and look at me like, damn,
it ain't just random. These people you actually know.

Speaker 3 (59:10):
But it wouldn't viral the other week on social media,
I seen that ship nigga, yeah looking at this girl
or something.

Speaker 2 (59:17):
Oh yeah I did, oh that nigga from the people
or some ship from down there, but he used to
live down there. Crash out and she gonna go fuck
somebody else. She from there.

Speaker 3 (59:31):
I saw the ship and then I seen the ship
on Facebook and they didn't put their picture back and
ship and they were just like, oh my god, let
my cousin pray. She ain't doing like, oh my god,
they got to Yeah, she should have been out there,
tell that.

Speaker 2 (59:50):
I was scared. My man.

Speaker 5 (59:54):
You don't want the other man, ladies, we don't want
a nigga fuck with you. You don't I want this ship,
big bro, keep moving to do that again. That's y'all
got walk around with a stramp.

Speaker 3 (01:00:07):
On the big dog. You don't want this ship. Trust
me on this one, brother. These are some nice boots.

Speaker 1 (01:00:18):
Thank you.

Speaker 2 (01:00:19):
I fused with him, thank you.

Speaker 1 (01:00:20):
I appreciate that move.

Speaker 3 (01:00:24):
It's a but that's how niggas talking. When they want
you to take that ship up. Your legs ain't hot.

Speaker 2 (01:00:30):
He like feet.

Speaker 3 (01:00:31):
I ain't no feet, man. But you got a boogie.
You know you want me to get it out you
c yeah, yeah, but not on g.

Speaker 2 (01:00:45):
T thought just be agreeing all this ship. She's gonna
try to make you do it.

Speaker 3 (01:00:50):
You're gonna get.

Speaker 2 (01:00:59):
Figure I put she didn't gagged.

Speaker 1 (01:01:06):
You have a choke on the toe now on toe?

Speaker 2 (01:01:10):
Okay? Well no, no, no, no, you got a lot
of hang got yeah, just pot in the middle of
my thing.

Speaker 3 (01:01:24):
Nothing nothing for you's nice even I have breaks like
sen real.

Speaker 1 (01:01:38):
Yeah, that's a long time.

Speaker 3 (01:01:43):
I was gonna go for initial. Y'all should be breaking
and whoever I don't know, Like, okay, I know people
should be breaking.

Speaker 5 (01:01:49):
I ain't had time.

Speaker 1 (01:01:51):
I mean I was gonna say, not the good ones,
but sometimes the good ones.

Speaker 2 (01:01:54):
You know, some people be mad when you get it wrong.
These poorstions. He is stupid.

Speaker 1 (01:02:08):
Uh flavors uh.

Speaker 3 (01:02:14):
Limeberry orange, niggasmogan on what we call her new bod.

Speaker 2 (01:02:30):
He hit it like it was some powerful ship. Lionberry,
liberary orange. I have you no limeberry?

Speaker 3 (01:02:40):
The fruit is you got an icy break live.

Speaker 2 (01:02:49):
Limeberry mint? Though you crying letting that ship funny? I
must just be had because this ship is too stupid. Ah,
those were the days. Yes, indeed, don't worry. Get coming

(01:03:09):
to get you worry about That's what things are.

Speaker 3 (01:03:14):
Do it like leave God, we got.

Speaker 2 (01:03:24):
You gonna tear my shirt off, come here, keep it
the ship. No clipping to my hm, oh man, you're

(01:03:47):
going to the b T Awards this year.

Speaker 1 (01:03:50):
I might. I'm trying to figure out if I want
to go to Tribecca. I gotta take you to go
to Trobecca too.

Speaker 2 (01:03:57):
To the film festival.

Speaker 6 (01:03:59):
Hell yeah, So I'm just trying to do any menie
Miney Moore, what you think I should do.

Speaker 3 (01:04:05):
The same time.

Speaker 1 (01:04:06):
Yeah, I'll go to try You go to troub.

Speaker 2 (01:04:11):
What you do whatever you're going there to do? Which one?
You ain't been to Tribacca? Okay?

Speaker 3 (01:04:19):
Yeah, you might meet the right person. Me was gonna
be the b T right, but it's I mean you,
I don't know that.

Speaker 2 (01:04:28):
Was there last year.

Speaker 5 (01:04:29):
I don't know.

Speaker 2 (01:04:30):
Niggair right the front seat. My boy stayed out right.

Speaker 3 (01:04:34):
You've seen me, I said, presenting the wards, and so
maybe forgetting I still get out there, kick.

Speaker 2 (01:04:49):
Y'all want to present with who headed came?

Speaker 3 (01:04:54):
Yeah?

Speaker 1 (01:04:55):
Trybec it is.

Speaker 2 (01:04:58):
You're gonna do some more movies? Mm hmm that's the
play there.

Speaker 1 (01:05:02):
Yeah, I just shot too.

Speaker 2 (01:05:05):
Oh yeah, you ain't told me about it?

Speaker 1 (01:05:08):
Yeah, I really can't. You know, you know how me,
you can't go into detail and talk about it for
it come out.

Speaker 2 (01:05:14):
I ain't made the call yet.

Speaker 1 (01:05:15):
I didn't make the call.

Speaker 2 (01:05:16):
It's just you know, you gotta hey, we're going on
the press. Run come back and tell me about them.
I would love to.

Speaker 1 (01:05:22):
I can't wait.

Speaker 3 (01:05:23):
You got what, Yeah, I feel you gotta wait till
they have.

Speaker 2 (01:05:26):
You just gotta, yeah, come back on your I can't wait.
You know where we're at because you know, like now
you since you've been here, it's your initial time. Now
you just got to stop through and keep us updated
on everything going on anytime I talk about it.

Speaker 6 (01:05:41):
Okay, I was gonna say I just gained three brothers,
but we never listened to them.

Speaker 2 (01:05:47):
I'm on limits.

Speaker 1 (01:05:52):
So you're not my brother. You're not my room.

Speaker 2 (01:05:55):
Mm hmmm. Okay is your brother partons? Okay, yeah, don't
do it like that. We ain't related to nobody. We
passed that phase of our life period.

Speaker 3 (01:06:06):
No more family because that might make one of them
niggas that's sucking with you. Come up and be like, yeah,
I heard you a brother, So y'all play play brother.

Speaker 1 (01:06:14):
Ain't neighbors, We're family, but no brother family, just family.

Speaker 2 (01:06:24):
Yeah, you don't live in the house, my brother. That's
that's when we dry that peeky son.

Speaker 13 (01:06:31):
Heya, she said I didn't like that. Earlier she did
be like that, called that the mail box. Two weeks ago,
got that little dog two kids.

Speaker 1 (01:06:45):
I should have brought my dog.

Speaker 2 (01:06:47):
Kodak Kodak that white. You had a dog in Kodak
White Laarron White, Labron Lauren.

Speaker 1 (01:07:00):
Hes spelling money out of people pocket. He picked pocket.

Speaker 2 (01:07:02):
What kind of dog.

Speaker 1 (01:07:03):
He's a torture wild.

Speaker 2 (01:07:05):
Wife, torch wild wif.

Speaker 1 (01:07:08):
And he likes to do drugs. I don't give it.

Speaker 2 (01:07:12):
What get they're gonna take. They're gonna take, They're gonna
take him away.

Speaker 1 (01:07:18):
Yeah, like we like, we like, we like, he like,
he is still he's okay, I do give it.

Speaker 2 (01:07:27):
Don't be stealing people.

Speaker 1 (01:07:29):
Yeah, yeah, I got video. I like this he went to,
he went to. I had to put him in. What
he's I'm dead ass like eating it.

Speaker 2 (01:07:41):
He loves it, Jackson.

Speaker 1 (01:07:43):
He lifts it out. He goes to people pockets. He
steals money. I don't know how he know money is money,
but when he get it out your pocket, he goes.

Speaker 2 (01:07:50):
He get that.

Speaker 3 (01:07:51):
What do you do with the money that we bring
it to? You keep him away from cracking the training.

Speaker 1 (01:08:00):
I'm not training the innocent proving.

Speaker 2 (01:08:04):
You take money.

Speaker 3 (01:08:05):
I don't know how you know what money?

Speaker 2 (01:08:07):
You spend it seven hours a day. Okay, this is
a hundred, this is these are twenties. Don't even worry
about these ones. That motherfucker going.

Speaker 1 (01:08:20):
His name is white.

Speaker 2 (01:08:23):
Smart dog. That's crt.

Speaker 1 (01:08:25):
Yeah, bring them back next time.

Speaker 2 (01:08:28):
We got you, get really we got you.

Speaker 5 (01:08:31):
I like it.

Speaker 1 (01:08:32):
Is it the wow?

Speaker 3 (01:08:34):
It's not?

Speaker 2 (01:08:34):
Is it the tho? Wow? Money bag? Gonna give you
one of your little the money, don't.

Speaker 4 (01:08:39):
Worry the money coming, make money records, paint money records.

Speaker 2 (01:08:48):
Yeah, look, we'll take that out of the thousands. My
name come this new okay anything, it's not a cake.
It's not cake.

Speaker 1 (01:09:03):
I can open it.

Speaker 3 (01:09:07):
Is so fine.

Speaker 2 (01:09:11):
Wow. You go hold of that and you'll imagine he
did love.

Speaker 1 (01:09:20):
Hold on turn up.

Speaker 5 (01:09:23):
Okay, I know you love it.

Speaker 6 (01:09:26):
Lest some Florida ship, right bye, y'all look at that.
I got a because Medigan had to go real good
with this. Yeah it's the spine, but y'all got the stop.

Speaker 2 (01:09:40):
People always gonna have feet.

Speaker 1 (01:09:42):
Yes, And I was just asking my homegrown. Before we came,
I had bared some stocks, so now I got some.

Speaker 2 (01:09:48):
Some brand new stop. Yes, loose shop. That's from when
you at the crib and you might want I got
a whole.

Speaker 1 (01:09:55):
Fitty feet feet on my ass gonna look good in it. Yeah,
y'all have some real niggas feel thank you.

Speaker 2 (01:10:08):
That's about a thousand dollars.

Speaker 6 (01:10:09):
I mean, if y'all want to, y'all want to drop
it off with the dial, we can plastic collection played.

Speaker 2 (01:10:15):
Around outside the realm of the camera. Okay, what what
you need some money for?

Speaker 1 (01:10:27):
That's being like.

Speaker 3 (01:10:30):
You still like spending money. Other people especially spend different
Yeah yeah, as wow, be nice. Yeah, everybody.

Speaker 2 (01:10:49):
Catch up. I'm just saying you got it pretty woman privilege.
I guess we'll never get to know what that's like.

Speaker 1 (01:10:57):
Yeah, I mean, now they got websites for y'all, But no,
we niggas.

Speaker 2 (01:11:01):
Who wasn't it.

Speaker 3 (01:11:03):
So I'm not going to say it weren't even supposed
to make it this part we all.

Speaker 2 (01:11:07):
I'm not going to tell you.

Speaker 1 (01:11:10):
One time you stitch on me.

Speaker 2 (01:11:12):
I ain't that. I keep this secret. I have amazing chemistry.

Speaker 1 (01:11:20):
What's my name?

Speaker 2 (01:11:22):
I'm a blood big Wise that big that's sign.

Speaker 1 (01:11:32):
What's your zodiac?

Speaker 6 (01:11:33):
Oh?

Speaker 2 (01:11:34):
They say Gemini?

Speaker 1 (01:11:35):
That what they say you were crazy. So you got
a birthday coming up fifteen? What you're gonna do for it?

Speaker 2 (01:11:41):
Probably send you a thousand dollars.

Speaker 1 (01:11:43):
I love that.

Speaker 5 (01:11:45):
I'm bettering that this.

Speaker 2 (01:11:46):
I ain't got cash, I do. I got it in cash.
You gotta come to the house and get it.

Speaker 1 (01:11:52):
I can you at the bank?

Speaker 2 (01:11:54):
No fixed all jumping that where you do it? That
you do it? They try to fuck I got it
in cash.

Speaker 1 (01:12:09):
Thank you so much?

Speaker 3 (01:12:12):
You anything anything for me?

Speaker 2 (01:12:15):
Anything for you?

Speaker 3 (01:12:17):
If you got an extra thousand dollars that you would
like to donate. I was followed chameleon on I g
mm hmmm.

Speaker 2 (01:12:25):
What is it? You know?

Speaker 1 (01:12:27):
Huh?

Speaker 2 (01:12:28):
What's what's dropped? The contact and posts they.

Speaker 6 (01:12:32):
Can reach you hit me at cash shop, think money
records with the.

Speaker 2 (01:12:37):
S you really go tell them your cash first.

Speaker 1 (01:12:41):
Yeah, okay, it's Chameleon. I t s K a million everywhere.

Speaker 6 (01:12:49):
Or you can visit me at macosmad again dot com
to get you some merch, you know.

Speaker 1 (01:12:56):
And it's fashion with the statement. So when you walk
in a building and people staring at you, just know
that you know it's gonna draw some attention. Make you
ready for that. It's gonna get.

Speaker 6 (01:13:06):
Close man and Happy Good and I got a new
single dropping. It's called Think About You. It's dropping in
log Yeah, it's been my first song of twenty twenty five.
It's my first song five and I feel like it's
gonna have the same effects or bigger as it's nice
work for me, so inspire more. I should I should

(01:13:30):
have air dropped it to him so he could play it.

Speaker 2 (01:13:33):
You still can't. It ain't too late. We're definitely. I
was gonna let her send it first.

Speaker 3 (01:13:41):
Then hold one.

Speaker 1 (01:13:45):
Okay, what's your air drop? Holds one?

Speaker 2 (01:13:53):
She probably get a lot of money through that cashp.

Speaker 1 (01:13:57):
Hol's going, wow, we can partner.

Speaker 2 (01:14:05):
Yeah, but your looks in my brains. We could go
along with why women don't try to pimp niggas they
do because they know we don't really have no value
like that, like that to be selling it.

Speaker 5 (01:14:17):
Yeah, to be selling it well, Steve pimp, so like
that's a gorilla pimp. See, women got a confuse just
because you a pimp.

Speaker 1 (01:14:25):
That don't mean you beat up on your no no, no, no,
like beat up on the men. That's trying to like
women know they beat up on other men's but they
the woman. Yeah, can run around guns.

Speaker 2 (01:14:43):
They ain't gonna go.

Speaker 1 (01:14:44):
That just sounds like charges can be six traffic can.

Speaker 2 (01:14:48):
Flow out of here.

Speaker 3 (01:14:49):
Man, you know everybody at work, this bitchok my fucking money.

Speaker 2 (01:14:58):
Me at least another eighty he lives.

Speaker 1 (01:15:02):
Oh my, I'm gonna be like all day.

Speaker 3 (01:15:06):
I don't give a get my money or else. Okay,
I've been working for straight. I gotta go with my dick.

Speaker 2 (01:15:20):
Is sore about you, bitch? Go to the gas.

Speaker 3 (01:15:28):
And kiss some more.

Speaker 2 (01:15:29):
Motherfucking gorilla pans. Look who didn't go across with that
dick on the strip? Gonna get you two double cheeseburgers?
Please shut up?

Speaker 3 (01:15:39):
Put these jama pants off.

Speaker 2 (01:15:44):
Hey, hey, hey, what what's wrong with that little wee wee?
I'm all fucked out?

Speaker 5 (01:15:51):
You got here busting in the customers.

Speaker 2 (01:15:54):
You're busting in the customers. No, I don't get down
like that.

Speaker 3 (01:16:01):
Man.

Speaker 2 (01:16:02):
Man, it's slow over here. Man, how the cool coaches
all day? Man? No one is sucking. I know I
ain't catch a whole sleep on the track. I just
did a three ways, three big pictures. My fact is
killing me.

Speaker 5 (01:16:25):
You tired?

Speaker 2 (01:16:27):
Guess some more than double cheese? Bird? I can't give me?

Speaker 14 (01:16:36):
Oh hell, no, that's why. That's why it ain't a
market for that. Just a bunch of motherfuckers.

Speaker 2 (01:16:46):
Things strip fool, don't take the cobs. He should be
back in a minute.

Speaker 3 (01:16:56):
You know.

Speaker 2 (01:16:56):
They don't take him long.

Speaker 3 (01:17:01):
Now, that'll be some funny ship, one of them HBO
documentary Niggas Niggas.

Speaker 1 (01:17:10):
That's a real funny window night time.

Speaker 2 (01:17:13):
It's the street. There are plenty of women in Metro
Atlanta buying me.

Speaker 3 (01:17:23):
Women wouldn't just use you for six You had to
fuck and fix something.

Speaker 2 (01:17:28):
Fucking hang a TV.

Speaker 3 (01:17:29):
Alright, my garbage disposed to fucked up.

Speaker 2 (01:17:34):
After you get this pussy, I want you to go
in there. I got one class. You look out for me.

Speaker 3 (01:17:38):
Man.

Speaker 2 (01:17:39):
She let me take a shower over there. Keep a
few outfits. Oh, it'll never worked.

Speaker 3 (01:17:47):
You couldn't really be surviving selling dig like that, not
unless you was like a jiggalo and you had like
fake relationship.

Speaker 2 (01:17:55):
I know that.

Speaker 1 (01:17:55):
Like some men when they get out of prison.

Speaker 2 (01:17:57):
They go do that. They know how to spot the
women who need this ship. Sell it.

Speaker 3 (01:18:04):
Yeah, anything to sell if you market it right. There's
some women out there who are real successful who want
to just cut to the point. They probably band dick
every other weekend, just to save a little integrity, buying cock,
the Meca cock.

Speaker 5 (01:18:20):
This got a dick buddon the last on that boat
out there, three thousand cocks cash, cockcash, We got the
cock sandwich.

Speaker 2 (01:18:37):
We got, man, what's wrong with y'all?

Speaker 3 (01:18:42):
Oh y'all?

Speaker 2 (01:18:44):
Oh boy, forty five hundred. This is a month before
that who what she called her? Niggas?

Speaker 5 (01:18:50):
Like everybody out here, everybody out here right now, right here,
let me tell you about this right here, Clayton.

Speaker 3 (01:18:56):
Was out of that. What you mean they cut that out?

Speaker 2 (01:19:03):
What's wrong with this?

Speaker 10 (01:19:05):
Come out of the man't gonna bite the boat?

Speaker 3 (01:19:10):
Use yourself as an example. This nigga has a fantastic imagination.

Speaker 2 (01:19:15):
Hear me. Hey man, I don't know what's brod was
this nigga to do? Then he didn't take the wrong.
This nigga wrong. Now, let me tell you about stupid. Sure,
sure I got murder.

Speaker 3 (01:19:29):
My bottle bitch right, my top earner, bring out, do
your thing, nigga, do the helicopter day.

Speaker 2 (01:19:41):
I don't want what we do. Man, we talked a
whole lot of that's it much love and you do too.

Speaker 3 (01:19:54):
We got success going forward with everything you got going on, it's.

Speaker 2 (01:19:59):
Time stopping here. Don't let it be the last.

Speaker 1 (01:20:02):
I'm gonna tell you about the you know what, the
films gotta come back.

Speaker 2 (01:20:08):
I don't know. This was all the talkers, this workers
hollow come on with a million, were out of here.