SHERYL UNDERWOOD in the Trap! | 85 South Show Podcast - The 85 South Show with Karlous Miller, DC Young Fly and Chico Bean

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:07):
Is that.

Speaker 2 (00:09):
Is that everybody start weighing in on.

Speaker 1 (00:11):
The tire chain anywhere in the country.

Speaker 2 (00:13):
And he went, y'all, it's still crick and jump. This
is the most fun countries here for Bill.

Speaker 3 (00:21):
Yeah, oh no, dag kind of raiding the country old
pill Florida.

Speaker 2 (00:30):
I am Florida.

Speaker 1 (00:32):
He's from Florida.

Speaker 2 (00:34):
In the country where in Florida pier you know about
four pill? Okay, my mom's south. No no telling, that's
the country you don't know. He don't know. There's Mississippi,
some different fires.

Speaker 3 (00:51):
Bro.

Speaker 4 (00:52):
That's how much ship we don't have in Mississippi. If
you find an alligated in Mississippi, that means you went
somewhere looking for that. Next, I said, in Florida, and
it'd be an alligator on your.

Speaker 2 (01:02):
Front port, Niga. I don't have ship everything in Mississippi.
You got to go fuck with Say your name again.
Carlos Miller. He was just a little real movie. Yeah.

Speaker 1 (01:12):
Did you have fun?

Speaker 2 (01:13):
Absolutely? I'm acting. Now. Can I tell you something.

Speaker 5 (01:20):
I flew in with him on the flying coming here
because we're doing a celebrity fan the fifty month. You
talk so highly of your performance, and I need you
to know that I.

Speaker 2 (01:32):
Had a ball. I need you to know I was
living all my dreams up. You want to oh, hell yeah,
they late.

Speaker 4 (01:39):
I've been trying to get and get in there with
the actors ship. So you know how that ship be.

Speaker 1 (01:46):
Well Listen, just like I was good to me, it's time.

Speaker 2 (01:51):
For they're not gonna understand that's exactly what.

Speaker 1 (01:55):
That's right. They're not gonna stand the value of well
until we take it and make it. And then.

Speaker 2 (02:03):
What did you did it with im? Yeah?

Speaker 1 (02:05):
We did. We'll talk.

Speaker 4 (02:10):
We need to wrap wrap you still, I say, you
still keep your purse closed?

Speaker 2 (02:14):
Hell yeah, that's always been a ship, you know what.

Speaker 1 (02:19):
And if you ask me about it.

Speaker 5 (02:21):
The one time when I take death jail and they
took it from me and I was like, I don't know,
it's my fuck. You know, I'm always on the you know,
the gaffle, you know, get gaffled, my fuck gribe, I
don't know my fuck, your hands in my purse like that.

Speaker 1 (02:36):
So I've always been that person in life.

Speaker 2 (02:38):
You got a pistol in that bit.

Speaker 6 (02:41):
You know.

Speaker 5 (02:41):
The reason it's a lot of ship in here. But
the reason I don't carry a gun is my temper.

Speaker 2 (02:48):
I can see that. Let me ask you.

Speaker 4 (02:50):
I ask you a comedian question. How long do you
think it took you to find your voice?

Speaker 2 (02:55):
Oh?

Speaker 5 (02:56):
I found my voice fast because I'm really doing uh
in a person of my oldest brother and my father.

Speaker 1 (03:05):
Yeah, so I was just leaning back because I started
as a singer.

Speaker 2 (03:09):
Yeah, oh yeah, I'd use a lingerie model to something.

Speaker 1 (03:14):
Okay, this won't really happened.

Speaker 5 (03:16):
Going to college, trying to make money, I answer the
ad the club.

Speaker 1 (03:20):
Is still open. Its on Stony Island.

Speaker 5 (03:23):
So they had an advertisement for a lingerie model, but
you had to wear the lingerie model it and then
the person would pay you to take it off. But godless,
you know what you ain't supposed to do. I'm not
good at it right, No self conscious, you know, just
not something that I really understood. I think there's a

(03:45):
talent to sexual interpretive dance that I grew to learn,
but I wasn't good at it back then. So I
started making dudes laugh. You know, you make a hood
do that.

Speaker 2 (03:58):
Them?

Speaker 5 (03:58):
Yeah, that's right, that's right, when the hood do lab.
So they was tipping me because I was making them laugh.
And then one dude was like, let me take you home.
You shouldn't be here.

Speaker 2 (04:07):
You got to say not exactly.

Speaker 4 (04:10):
Hit you with this, yes, yeah, yeah, yeah.

Speaker 5 (04:15):
Yeah, But can I tell you something. He was a
really good street dude. He was a good street dude.
And then I got a violent.

Speaker 1 (04:24):
Uh situation.

Speaker 5 (04:26):
And those were the dudes that said, if we find
a dude that did it, we're gonna kill him. It's like,
don't do this, don't do this something my behalf, you know.
But those are the type of men that we need
in the community. We need somebody that's gonna regulate it,
that's gonna settle ship down. I think the worst thing

(04:46):
that happened is when they took certain dudes out the
street life because there used to be some order to it.

Speaker 3 (04:55):
Saying that it was like a respect for the older cademistry.
That got you respected.

Speaker 2 (04:59):
That don't never get out of prison no more. That
is because the money will turned it.

Speaker 4 (05:03):
Remember that every neighborhood had that one often didn't do ship.
He was just in the neighborhood with a tank top
on him. Yeah yeah, Christian need to come see me.

Speaker 1 (05:11):
That's right, that's right, that's right, that's right, that's right,
that's right.

Speaker 2 (05:17):
That's what happened.

Speaker 4 (05:18):
Now niggas don't get out of prison, that's right.

Speaker 5 (05:19):
It was always a dude that would tell you go home,
you are going.

Speaker 1 (05:24):
To be a lawyer. You're going to be right.

Speaker 2 (05:27):
You don't be here.

Speaker 5 (05:28):
But they knew who was the person that would be
good at it. But there's no honor anymore about the game.
In my opinion, it's like anybody could be collateral damage.
It used to be that there were certain things that
was off limits. Yeah, you know, it's too free everybody.
You know, you can't tell somebody, hey, that ain't right.
You can't do that. That's right, because everybody think they know.

(05:48):
But also they begin to accept death. And we had
something to live for. That's why we know.

Speaker 2 (05:54):
I'm out.

Speaker 1 (05:55):
I'm out the game, you know.

Speaker 2 (05:57):
So we're fearful. That's why I'm glad. I need to
get out of the street. That's what I'm telling you that.

Speaker 1 (06:02):
Well, he just want to go fish now now now.

Speaker 2 (06:05):
But you just wake up on this bullshit, you know
before you by the time, I like it.

Speaker 1 (06:14):
I like a butterscotch stuff. I like a butter.

Speaker 3 (06:17):
Scott's sun and thumb hanging upside down, taking the gun apart,
putting that bit back together for an old lead.

Speaker 5 (06:22):
Listen to me, and then and then I'll be down
at the police station going you're looking for home. That
dude don't even live here, but they talk about you.
I'm the inside person. I'm gonna get this job at
the police station.

Speaker 2 (06:34):
And a nigga name otis listen mad, that's why I
come here and hate because.

Speaker 1 (06:44):
The body he don't get it gigging yet, nigga, But
not my shoe. My shoe can't come off, not right now,
little fun. I got to work.

Speaker 5 (07:02):
See motherfuckers would lie. I ain't never had toe funkers,
white bitch, you'll have it. Take your ship out, we
want to you.

Speaker 2 (07:10):
Ain't never heard of together. Ship ain't when your feet
itching between the middle.

Speaker 5 (07:16):
That at least is mother that funk up the nail
and then the nail get hard and all that, and
then you gotta put the little ointment on it and
ship and it takes about a year that ship.

Speaker 1 (07:29):
No, it didn't go all the way black, It didn't
go all it didn't go all kept.

Speaker 5 (07:34):
That's right, that's right. But I had to work on it,
you know. I just keep working on it. And see
some dudes, let me see your faith. Nah, you, we're good.

Speaker 2 (07:43):
I only have questions like that.

Speaker 5 (07:44):
Okay, what's the thing that gets you gut that will
get you wanting to see your credit scoree?

Speaker 1 (07:51):
Okay? How high I gotta be like that?

Speaker 3 (07:54):
I don't be right about let me see your cook yet.

Speaker 1 (07:58):
I do a decent amount that I'm going to make
exermocutation scratch.

Speaker 2 (08:02):
Don't we getting posta to be here? We getting alfraid
o possible?

Speaker 1 (08:05):
Really, that's why everybody got dark beating.

Speaker 2 (08:10):
What's the stuff, bail Pepper?

Speaker 5 (08:12):
It depends on how you make it, though. You gotta
make it a good way. It's gotta have chunks or
ship in it. That's their go to though stuff stuff.

Speaker 1 (08:21):
Okay, what kind of meat? Because she tr something like
brown beef some new host. What about you ain't putting
the vosses in it?

Speaker 2 (08:31):
Or no?

Speaker 1 (08:31):
Hall shot?

Speaker 2 (08:32):
Do you make their hands?

Speaker 1 (08:35):
Real child? Real child? So okay, let me ask you
a question. If you was looking for a broad you single?

Speaker 2 (08:41):
Who told you that? Are you? Yeah?

Speaker 1 (08:44):
Well, if you're looking for bro, what you're looking for? Describe?

Speaker 7 (08:49):
No?

Speaker 4 (08:50):
Sure, I've been doing a lot of thinking, soul searching,
soul searching, and clearly this ship I like.

Speaker 2 (08:57):
It is not good for me?

Speaker 1 (08:58):
Would you like young biness that.

Speaker 2 (09:01):
I don't like young business?

Speaker 4 (09:02):
Okay, I like. I like my women kind of mean,
we mean mean distant. I mean like she ain't really
too friendly.

Speaker 2 (09:11):
You know what I'm saying.

Speaker 4 (09:12):
I don't really like nobody except me. I'm the only
one can kind of really deal with. Not one of
the ones that you could take in the room. She
brings the room down. But I like the ones who
don't really want to be in the room, if that
makes it. I love the motherfucker always ready to go.
I love a good sleep ass woman.

Speaker 2 (09:28):
Huh Yeah, I like.

Speaker 1 (09:29):
And I was not off on you.

Speaker 2 (09:31):
I love that. That's only my.

Speaker 1 (09:34):
Blood sugar be lost.

Speaker 2 (09:36):
Yeah you ready to go? Hell yeah? Like she's been
ready to go.

Speaker 1 (09:40):
Well, okay, I'm close to that. It's first, you got
to convince me to get up and go somewhere first
of all. That's it.

Speaker 5 (09:46):
That's it, because especially if the news come on, be like,
wait a minute, let me just watch this thirty minutes
a nightly news, and maybe we could go somewhere.

Speaker 2 (09:55):
See now, And like, since I lost my mama, I
need a girl.

Speaker 4 (09:58):
I need a woman who got to good relationship with
her mama on me.

Speaker 2 (10:02):
I need because because we're gonna need to ship. What
if my mama not alive now hopefully past twenty thirteen?

Speaker 1 (10:13):
Really?

Speaker 8 (10:13):
Yeah?

Speaker 2 (10:14):
Yeah, he was close to MoMA, absolutely, that was it.

Speaker 1 (10:17):
That was your old girl.

Speaker 2 (10:18):
Yes, hell yeah, So that's what I need. I'm missing that.

Speaker 4 (10:21):
That's why it's gonna be hard to get into another
relationship because I need so much love.

Speaker 5 (10:26):
Once you just get with a broad that's your mama
age and you can have both.

Speaker 2 (10:29):
Fuck fuck you got mishad it.

Speaker 4 (10:34):
Now I'm gonna ge. I'm gonna adopt me another grandmama
though for real?

Speaker 2 (10:37):
Hell yeah?

Speaker 4 (10:38):
Could it be anybody another grandma. I'm just gonna find
somebody old enough to be my grandma.

Speaker 1 (10:42):
Is your grandma?

Speaker 2 (10:44):
My grandma and my mama passed one. That's that'sh it hard.
It changed you, boy, changing man, Yeah, it changes.

Speaker 9 (10:52):
Yeah.

Speaker 2 (10:52):
Some day you just wake up and you just want
to lay on some soft all day.

Speaker 1 (10:57):
You can do that.

Speaker 2 (10:58):
You need to. You need a good titty right here,
and you need somebody rubbing right here.

Speaker 1 (11:02):
Sure, what if they loan just be flatt.

Speaker 2 (11:05):
I love a good loan.

Speaker 4 (11:06):
They be flat and soft to be talking about what
she had on the uh tak time and she sit
down sitting right on top of it.

Speaker 1 (11:15):
But can the nipples be up or do the nipples
be pointed?

Speaker 10 (11:18):
Now?

Speaker 4 (11:18):
If the nibbles don't poke out, I don't even want to.
I don't like them fat man nibbles where they just
be smooth.

Speaker 2 (11:27):
Some of them stick like fat dude, they just be smooll.

Speaker 4 (11:35):
Yeah, like you do like this and like it's a
stick of yea.

Speaker 2 (11:44):
Yeah like them.

Speaker 5 (11:45):
So okay, So what type of woman you're looking for?
You need to broad and let you go fishing.

Speaker 2 (11:51):
Okay, I'm about like lows. I ain't gonna lie. I
like some slow paced you know what I'm saying, Shill.
I don't like to be.

Speaker 4 (12:01):
Not known by everybody really accepting of a lot of
bullshit that wouldn't beyond.

Speaker 2 (12:07):
To right.

Speaker 4 (12:08):
Yeah, if you used to be a whope long gas,
you ain't still living in the city you.

Speaker 2 (12:14):
Was over there?

Speaker 1 (12:15):
What if she don't have enough money to leaders what.

Speaker 4 (12:17):
I'm saying though, Like you live in Atlanta, right, yes,
you're a known freaking like Jacksonville.

Speaker 2 (12:22):
We ain't never gonna go there. So it's just like,
don't nobody here know you?

Speaker 1 (12:26):
So you don't want nobody. As soon as you land,
niggas a steak out for you, I.

Speaker 2 (12:31):
Don't want to introduce her the money back.

Speaker 11 (12:33):
She'd be like, I know you.

Speaker 5 (12:47):
To call you, but that's discretion.

Speaker 1 (12:56):
That's discretion. You go to any city I let you.
You may have shaken hands with somebody I dealt with.
I heard, but that's the number. What I tell people
is respect whoever I'm sitting with, whoever I'm riding with. Respect.

Speaker 2 (13:11):
If you respect, I respect them.

Speaker 4 (13:13):
Old school nigga, Yeah, they don't even be carring nothing
back then listen, man, don't say nothing.

Speaker 1 (13:18):
Don't talk nothing with me.

Speaker 2 (13:20):
Not only a bitch ass dude.

Speaker 1 (13:22):
We want to talk about you know, I had your girl. Nigga,
shut up, Yes.

Speaker 2 (13:26):
Show come a courtesy. If y'all close partners, that's different.

Speaker 1 (13:30):
But if you don't even know me and we walk
into the to the barbecue, nigga, don't say ship give.

Speaker 3 (13:35):
Me the look.

Speaker 1 (13:36):
No, I want a nigga to give me the look.

Speaker 5 (13:39):
You know, we meet up at the potato size niggas,
don't say shick, we mean up soon as I put
pooning in. Don't say motherfucker wow, because this nigga will
kill you and then he's gonna kill me. He's gonna
kill you first, so I can suffer.

Speaker 4 (13:52):
And that's why me and him friends. We don't like
the same kind of chicks. We will never clash.

Speaker 5 (13:59):
Do you want to have a till death do us
part relationship? Hell yeah, so you can build the empire
with somebody you love and look back and go, baby,
we did it. After shows, do you ever feel the
loneliness of the show being offered?

Speaker 2 (14:16):
I like that though a little bit.

Speaker 1 (14:19):
What learn of it?

Speaker 3 (14:20):
Uh?

Speaker 2 (14:20):
The piece true because I don't do a lot after
the show.

Speaker 4 (14:24):
I just go back to the room and go to
sleep and get ready to get the next city. I
ain't really to to into the night life type ship.
Do be wanting to come home this right that somebody
got to have something all the time, like on the
weekend on working doing shows and ship? That's cool, But
I do be wanting and love to get picked up
from the airport.

Speaker 2 (14:43):
That's right.

Speaker 5 (14:51):
You know what to me a dude that I'm gonna
drive around here one more motherfucking time.

Speaker 1 (14:56):
If you don't come out with this love us right now,
find your right.

Speaker 2 (15:01):
When you call and they say I'm at the cell
phone a lot cell phone didn't open the more.

Speaker 1 (15:09):
I'm gonna be at the cell phone a lot for five. Mom,
bring your ass outside, that's sexy.

Speaker 2 (15:16):
The I'm in front of s foe. How about you?
No man? What about?

Speaker 1 (15:20):
What about?

Speaker 2 (15:21):
Bitch?

Speaker 1 (15:21):
Don't make me get out this car?

Speaker 2 (15:23):
That's sexy?

Speaker 1 (15:24):
Don't make me park this motherfucker that's sexy.

Speaker 4 (15:28):
It be that that that'll really let you know somebody
fuck with you though, Like if you ain't never had
a woman go off because they fucked your order up
and she mad like it was her.

Speaker 1 (15:40):
Don't see, I don't told me ship.

Speaker 4 (15:42):
I didn't even know about myself alerg the pimples eyes swell.

Speaker 1 (15:50):
Up like will Smith? H right, but can't you get that?
Can't you get that? With a litt more sob see,
I need you to remake this.

Speaker 2 (16:03):
Just the thing about it, don't know.

Speaker 4 (16:05):
People have podcasts all the time and they talk about
relationships and why this ship don't work. Won't nobody really
even said though a lot of it's not that these
it's a lot of bad women, no ship like that.
It's just a lot of these women now that's out here,
they selfish. They because they've been going through life, doing
every day about themself health, and so now it's they

(16:25):
just got to me first mentality, like the things that
you're saying that a woman would just you know, it
used to be times where women just had certain ship.

Speaker 2 (16:32):
That a woman wanted to do for a man. Now
they don't feel obligated to do a motherfucker like the
ones you need. They can't even get own.

Speaker 5 (16:46):
But that's because some of y'all suckers let bitches get
like that. To me, y'all, it's not a manly thing,
you know, where y'all letting women get awaite with ship.

Speaker 1 (16:57):
You know, I'm a good woman. You know I make
a anis and the nigga be in the kitchen with me,
I'll make ourself hold on, man, So what the fuck
I'm doing if you're making the goddamn sandwiches?

Speaker 5 (17:08):
I mean to me, I think, y'all, let do you do?
You men feel that y'all let bitches get away with
a lot of ship. And why they feel like they
can say flagorant ship to you, you.

Speaker 2 (17:17):
Got the other nigga that let them get away with
that ship. Then they get with a real nigga. They
can't tell the difference. So they gonna treat you just
like they treat that.

Speaker 1 (17:23):
She got woman's intuition. She need to figure it out.

Speaker 2 (17:26):
They got that, noody.

Speaker 4 (17:27):
Let me tell you something, can tell they got They
don't got women's intuition all they got.

Speaker 5 (17:32):
I could be talking to you hair drops they ain't working. See,
you can be talking to you on the phone. I
could be talking to you on the phone, and I
can hear when you're ready to stop talking.

Speaker 3 (17:44):
Like that?

Speaker 2 (17:45):
Why you don't teach your classes the class? It's a
lot of do that.

Speaker 1 (17:50):
Here is a class because I can hear it. I
can hear when you're moving in the chair.

Speaker 2 (17:55):
Mis understood with underwood.

Speaker 1 (17:57):
There you go. I'll do it with y'all.

Speaker 2 (17:59):
Understand.

Speaker 5 (18:00):
Yeah, I would do I would do that with y'all
because it's like you can hear it and go, oh,
he's tired of talking.

Speaker 1 (18:06):
And then I go, hey, man, let me hollert you later.

Speaker 2 (18:09):
You got like say, type of ship that to make
a nigga hang up and call you right back the
later on to day or to night.

Speaker 1 (18:23):
Like hell, I'll tell her, you, hey, hand on your business.

Speaker 5 (18:28):
How let me when you finish, and I'm gonna find
something to do I'm going here and I'm gonna play
what's the.

Speaker 2 (18:35):
Little game for somebody?

Speaker 1 (18:38):
What's a little game playing?

Speaker 2 (18:40):
Now?

Speaker 5 (18:41):
The only thing I do want, I want my attention
and the same time frame that it used to be
because when she changed, I'm getting suspicious because I'm a
typical scorpio.

Speaker 2 (18:53):
Let me ask you this.

Speaker 4 (18:54):
Uh, you got all the stands and you ever been
around a woman, you can tell she wasn't ship Now,
I don't know why nobody deal with.

Speaker 2 (19:02):
Yeah, that's why.

Speaker 4 (19:03):
What's What's some of the shit that you've seen as
a woman from women that made you be like, what's
going on?

Speaker 10 (19:10):
Going on?

Speaker 5 (19:10):
Overt sensitivity? If you're always sensitive about it, don't say
don't talk to me like this. All I said was
what time are you gonna finish this? You see what
I'm saying. When you're so sensitive or everything is a fight,
everything is a problem, or it's the extreme of the
other side.

Speaker 1 (19:30):
You MILLI mouth what you want to eat? When you
want to eat this, make a decision right because I
ain't got time to read your line. You know what
I'm saying.

Speaker 5 (19:38):
So those but those are things that bother me personally.
But I will pull the bits to the side and
let me talk to you. You might want to read
change that. But maybe this will work for business because
it's a lot of business out there.

Speaker 1 (19:51):
Got men.

Speaker 2 (19:56):
They plan on being alone.

Speaker 3 (19:57):
Man, that's I feel like a lot of them already
know they going to be by theirself. They're just going
through niggas you know, real how so just get a
lot of the ship that they talk about.

Speaker 2 (20:06):
It don't involve we none of that.

Speaker 3 (20:08):
And then to look forward to they don't want kids,
like you could tell, they don't plan.

Speaker 2 (20:12):
On really long.

Speaker 5 (20:14):
But that's that's I think that's some women because of
the system telling us, well, you're the leader, you know, because.

Speaker 1 (20:23):
First thing they want to do if you even kill or.

Speaker 5 (20:25):
Incarcerate the black man, even all the way back from
us being dropped off of Cape Coast Castle, who do
they need to kill the men dingos?

Speaker 3 (20:35):
Why?

Speaker 5 (20:35):
Because they was using them change snap that neck, trying
to get freedom. So if you if you kill him,
then we would lose hope. Right then when women step
into the place, now you fast forward government assistance.

Speaker 1 (20:48):
I can't have a man in the house.

Speaker 2 (20:50):
That's what they want.

Speaker 5 (20:50):
Look at Claudie, I can't have a man in the house. Well,
I got the half because I didn't come here by myself.
He came first. Then God said this is what he needed.
So to me, I think we should be fighting to
protect us. I can't do nothing by myself. I can't
of everything I have in my career.

Speaker 1 (21:08):
What the ability?

Speaker 2 (21:09):
Will you say?

Speaker 5 (21:10):
Success is nothing without someone you love to share it with.
Why would I want to have everything I got but
I ain't got no doom to turn to and go back?

Speaker 2 (21:19):
Look at this.

Speaker 1 (21:19):
I got to watch and you go. You got to watch,
and I got no watch. You got to watch, but.

Speaker 5 (21:25):
You didn't live off me. And I think that's what's
different from me and a lot of women. A man,
I'm in a male career stand up comedy, right, A
man says, well, where do I fit as a man?

Speaker 2 (21:41):
Be the man? Well, let me ask you this.

Speaker 4 (21:43):
A lot of you know the social media ship. Once again,
women say that they take a man for them to
be in a soft girl to bring femininity. They say
they need a man to put them in a space
where they can have their soft girl era.

Speaker 1 (21:57):
What does that mean?

Speaker 4 (21:58):
They need a man to bring out their own garbage?

Speaker 2 (22:03):
That's it? Well okay, but but but if you with
a real man.

Speaker 5 (22:07):
He knows that he's going to take out the garbage,
but you need to keep them post round if you're
gonna go traditional, are you.

Speaker 2 (22:14):
Doing your part for what you want to?

Speaker 1 (22:16):
Name these things that you want a man to be?

Speaker 2 (22:19):
What are you what they want to hold out of
something that catered to.

Speaker 3 (22:25):
You.

Speaker 9 (22:26):
Got to shut the up, Shut the fuck up a man.
You can't say criticism. Man, I don't like when you Oh,
you might well count that relationship. I like you because
you said that Nigga told me about myself.

Speaker 2 (22:38):
Wow, he said.

Speaker 1 (22:41):
He holding me to you to tell you fan a
grown ass man?

Speaker 2 (22:47):
You sassin? No, no, because you told her what you
didn't like.

Speaker 5 (22:52):
Well, listen, I'm gonna say this as a as a
very What is the word little quietus that it's not
aim of a person.

Speaker 1 (23:01):
To be able to speak, to be able to speak
in a certain way. I know I'm using the word wrong. Yes,
I have degrees, but I would.

Speaker 5 (23:08):
Want a man to want to help me be a
better men. It's how he does it that makes me
receive it and go. Okay, you might be making a point,
but let me go back and forth. Let me chop
it up with you. If we talking and we eat
and he go back, you know when you snap back
at me like this and that, I don't really appreciate that.
And then if I go, well, the reason I did
it because this. But you're right, I shouldn't be disrespecting

(23:30):
you as a man out in public. To me, that's
a relationship that's almost making love verbally, you see what
I'm saying. But if you gonna accept that who you
talking to? You can't be my man because I need
you to stand.

Speaker 2 (23:41):
Up and bitch what I was?

Speaker 12 (23:44):
You know that went on?

Speaker 1 (23:46):
Nigga, bitch what?

Speaker 5 (23:48):
I If I provoke you and drive you to bitch what,
then I need us to figure this something about because.

Speaker 1 (23:53):
I'm liking them, you know. But don't go too harsh,
you know, don't go too hard because I'm still from
the South, you know.

Speaker 5 (24:01):
If I'm over here cutting up, you know, slices a
part of me and by the saucers and something like
that with the butch, and I don't go bitch what
because that right there, love shame three times.

Speaker 1 (24:14):
A part of me. Listen to me.

Speaker 2 (24:16):
That's that's the good at right there.

Speaker 1 (24:18):
Or pickle with peppermint and ship, yeah, pickle with a pepper.

Speaker 5 (24:26):
Yeah, but I think that I think that's certain women
they've never been around really good men, who are strong
men who want to make you better.

Speaker 1 (24:39):
I love you, we have been having so much fun.

Speaker 2 (24:42):
Are Get in the game, DC, I love hold On.

Speaker 5 (24:48):
I want you the first ever coming home woman. No,
I think Montana Taylor. I lost the Montana Taylor and
then I lost to some more. But wait, I got
a good story that I'll never try.

Speaker 2 (25:02):
Okay. See, I'm like, okay, so.

Speaker 1 (25:13):
I heard, well first, when I lost it didn't bother
me that I lost it.

Speaker 5 (25:19):
You know, no comic wants to lose, you know, And
so I thought I did the best I could, you know,
went home, wrapped myself up. No, when I lost her
some more, I went home and I took off all
my clothes and wrapped up in the comforter and laid
on the couch.

Speaker 1 (25:35):
And I was like, Okay, you gotta figure this out.
How did you lose? How did you lose?

Speaker 5 (25:38):
I ate a pickle, some sharp cheese, a slice of ham,
and a chocolate donut and a sandwich.

Speaker 1 (25:46):
I know that it was delicious. And then I drank
some boone swarms probably every hill I was on the
cat I put in the freezing.

Speaker 5 (26:00):
Yeah, so I was like, how do I lose twice?
So then what I found out was account allegedly, this
is the way I was told the story. I think
when Montana Taylor won, she went to somebody. I think
she went to Tony Spires and was talking to Tony Spies.
I need a manager and needs a by Avery Black
comedy compan to everything. So the way the story was

(26:23):
told to me, and this is my recollection that they
portrayed me as difficult to work with.

Speaker 2 (26:30):
Based off what well.

Speaker 5 (26:33):
Listen, I am the type of woman in comedy that
if we was all doing the show, first thing I'm
gonna ask is did you gentlemen get paid?

Speaker 1 (26:43):
That's first thing I'm gonna ask.

Speaker 5 (26:45):
And then if if if you say, if you say
I didn't get paid, I'm gonna say, okay, there'll be
no show until that guy gets his money. I'm that person. Yeah,
like I had, I had at working with me, and
I don't know if he wants me to say his
name because I don't know if it's gonna sound bitrified.
So he was working the club they paid That was

(27:07):
back when they separated the pay So they paid me
everything they supposed to pay me.

Speaker 1 (27:11):
I said, what's wrong. It is a man, that's what's wrong.
They didn't pay me all my money. What they had
owe one hundred.

Speaker 2 (27:18):
Dollars, So I said.

Speaker 5 (27:20):
One person that was with us said, let's go in
and fight for it. I said, no, we ain't fight
for nothing. We're gonna teach him a lesson. He said,
what I pilled off one hundred dollars. I said, I
own that that. Now they'll deal with me. So then
they came back to me later. You know, I come club,
want to come back?

Speaker 2 (27:35):
You want to do the gig? I said no.

Speaker 1 (27:38):
I said why not? I said, do you remember? And
I named the person. He said yeah. I said, you're
own one hundred dollars. Yeah, now you owe me. I
ain't coming. And then the agent said, so you will
funk yourself out of and name the number of what
they were offering.

Speaker 2 (27:52):
I said, I fucked for less. It's about honor.

Speaker 1 (27:57):
I didn't respect this man, so I'm not. I'm in hell.

Speaker 2 (28:01):
No more.

Speaker 5 (28:01):
We can wire tom oh, now you want to come correct.
It's a grown man. So any men that are around
me and work with me and you will respect them.
You're gonna respect me, but you will respect them, So
that makes me difficult to work.

Speaker 2 (28:16):
You're a real woman.

Speaker 5 (28:18):
Black man like that absolutely, because if we don't, then
they know they can separate us. If I'm gonna sell
you out, then what are we as of people? Now
we can come to the side and I go, man,
you need to do DC. We walked the walk and.

Speaker 1 (28:31):
You can either take it or not.

Speaker 5 (28:32):
But I don't need to down you, criticize you, crucify you,
because then the enemy knows we're not together as a
as a unit of energy, that you will.

Speaker 1 (28:43):
Never be able to break us.

Speaker 5 (28:44):
You know what I'm saying, because once they know what
they can put in front of you, you know, they
know our men like certain things.

Speaker 2 (28:51):
And I ain't gonna say nothing specific.

Speaker 4 (28:53):
I'm just saying, my wee pussy, you can avoid we
puss in the alcohol trip and a little bit.

Speaker 1 (29:03):
I'm about the one who brings the weeds and the alcohol.
And that's right because she carrying us. And let's make
it work for this trip, that's right, and let's make
it work for the day.

Speaker 2 (29:18):
Yeah.

Speaker 1 (29:20):
If I got if I got a new PlayStation ship
you like, hey, young brother, this is what you're trying
to do.

Speaker 2 (29:27):
I can tell.

Speaker 1 (29:30):
Is that odd? It is really odd. Now the young
men are talking to me and I'm like, well, what
do you what do you want?

Speaker 2 (29:37):
What do you want to?

Speaker 8 (29:38):
You want a mama, if.

Speaker 2 (29:41):
That's what you want, But.

Speaker 1 (29:48):
You're thinking a.

Speaker 2 (29:48):
Little more, not percent.

Speaker 1 (29:56):
Wh ain't using almond belt, We're using good ass. Homogenize them.
It's gonna be ice cold old.

Speaker 2 (30:04):
I mean ice cold milk.

Speaker 5 (30:08):
But yeah, when they betrayed me as difficult to work with,
I lost jobs, A lot of jobs. It's a lot
of jobs that I didn't get because they said I
was gonna be difficult.

Speaker 1 (30:18):
And what it was was I was reading contracts. I
wasn't analyzed, and I was, no, that's not bad. It
was mad, like your contract is great, fuck them.

Speaker 5 (30:27):
And you know you can't if you get on, if
you're gonna get over, get over on all of us.
But if I'm reading the contract, I went to college
like anybody else i'm reading. I want to I got
a parent legal too, because I want to be.

Speaker 1 (30:38):
Able to talk to my lawyer.

Speaker 5 (30:39):
You're just study business mechanics and mathematics because I want
to be able to understand what's.

Speaker 1 (30:43):
Going on with the money. But I don't want to be.
I don't want to be the boss. I want to
be the leader.

Speaker 12 (30:49):
So would you think that would have hindered you if
especially when you do it for people you.

Speaker 1 (30:54):
Know want to do you do, ain't gonna. Don't give
a damn about what your contracts stay. I had a
dude tell me on the show. I was like this
dude was like, so I'm gonna do?

Speaker 2 (31:05):
I said, who are you?

Speaker 5 (31:06):
He said, I'm doing on the show? I said, we
said that and then he said, well, I'm about to
go out and do. I said, no, you're not. He said,
I'm gonna do this, and then he said, bitch, and
all the men that were with me was gonna j
I said, no, no, brothers, no. I said, here's what's
about to happen. Since this guy believes he's gonna do
all that ship, get in the car.

Speaker 2 (31:27):
We're done.

Speaker 10 (31:27):
Let him go.

Speaker 1 (31:28):
Let's let him do what he gonna do. This is show, now,
let him do it. Then the promoters came out, what
your boy said, ain't you about to do all this ship?

Speaker 3 (31:37):
Right?

Speaker 1 (31:37):
I'm not gonna argue with a grown man.

Speaker 2 (31:39):
You said, you like that?

Speaker 4 (31:46):
He said.

Speaker 5 (31:46):
When he said, that's when I that's when I'm back
down and said, oh, this is your show, not this
is your show.

Speaker 1 (31:51):
So since you okay, Nick, so y'all got in the cart,
sure did? Got paid you like Nigga. I could have
kicked him out the club he did.

Speaker 5 (32:00):
He called me, he said come back, and I said, okay,
we're gonna do a solid. But I do have a
how would you say a way about me?

Speaker 3 (32:08):
Yeah?

Speaker 2 (32:09):
I have a way about me that a lot of
people don't understand.

Speaker 5 (32:11):
I don't like bullies, but also I don't like to
put men in situations where you got to get your
man on and it could cost you your livelihood, it
could lead you to incarceration.

Speaker 1 (32:23):
Bringing it back because a lot of a lot of
us are not protected in that way.

Speaker 5 (32:29):
But but if you go to your trunk, your life
is over. And it's a lot of people that are
start some shit just to see where your manhood lie.
Now you don't went to the trunk, Now your life
is overreak, And that's.

Speaker 2 (32:42):
Not what I'm trying to do.

Speaker 5 (32:44):
And sometimes I have to step back and let fellas
be fellas, or I whispered, no, we're not doing that.

Speaker 1 (32:50):
I go in there and let them.

Speaker 5 (32:53):
That we're not involved in that but I have to.
I have to manage the masculinity of my personality.

Speaker 1 (33:00):
I'm not no you know who a little youth? What
samis your name? For the fishing trip on sandwich spread?

Speaker 8 (33:19):
Because they got.

Speaker 2 (33:28):
About you know a little work. But would you who who?

Speaker 1 (33:33):
See?

Speaker 7 (33:33):
I'll be willing to say that, but I don't be
knowing who people be having problems who You're cool?

Speaker 5 (33:37):
Tylor par Tyler Perry is my friend, okay, And matter
of fact, I just texted on a couple of things.

Speaker 1 (33:42):
That'll be that'll be a good little Tyler God him.
I have asked him that I think media needs some
other friends.

Speaker 4 (33:51):
Yeah yeah, yeah, some extended family. Yes that can't deal
with her, but they still Because.

Speaker 2 (34:00):
Would you want to be.

Speaker 4 (34:03):
Would you want to be ryl Underwood the media president
or would you want to be the comedian? Because you
your work, your comedy raw as fuck? It's both those
two things exist.

Speaker 5 (34:15):
Where does somebody come from death, comedy jail and comic
view to the number one most conservative network CBS If
that ain't God? So what it's shown is I can
do both.

Speaker 1 (34:24):
So it should be both. It should be Okay, Medele
relative there used to be a talk show host talking
house business and other Who the fuck is you talking
to me?

Speaker 5 (34:34):
Then two sides because we are we're the only race
of people that got two sides.

Speaker 1 (34:40):
We got two sides at work.

Speaker 5 (34:43):
That's rights, right, that's the real, the real deal. That's right,
that's right, And I think we should be allowed to
show that. Why is that everybody else can have duality?
You know, right, Actors can play serial killers with Christian Balm,
I'm rich washing still.

Speaker 2 (35:03):
Yeah, was bad Man? Yes, he didn't turn around to
be bad man.

Speaker 1 (35:07):
That's right, that's right, that's right. Closing week after that,
that's right. Canny man.

Speaker 2 (35:16):
It's a hard movie.

Speaker 4 (35:17):
Yeah, but not because he killing people. If you look
at the story, Yeah they did that. Niggas man was
asking a Chicago till.

Speaker 1 (35:24):
That's right.

Speaker 11 (35:24):
He was pimping, he did.

Speaker 10 (35:29):
Queen turned around in that coat.

Speaker 2 (35:34):
This wouldn't let me know. He was a real strict nigga.

Speaker 4 (35:37):
Candy man didn't kill nobody until you got to talking
his mother name.

Speaker 1 (35:46):
You was straight and the nigga warned you on the
second time, right, So you said that third?

Speaker 2 (35:55):
Yeah, So let me ask you what it think.

Speaker 1 (36:04):
What do you think the state of black female comedy
is man, I wish y'all could just get together.

Speaker 12 (36:10):
I all have been saying that since I even came
in the game, Like I evenn watch some war and
watching people like Duminique and Cold Cole, and I'm just like, bro,
these folks are like strong, and you got to see
you see the young generation.

Speaker 1 (36:22):
I'm like, because the old heads embrace me. Some of
them did, but then they saw my work and they're like,
all right, nigga, you're taking the same rounde we took top.

Speaker 2 (36:30):
That's right. I fuck with it.

Speaker 1 (36:32):
If the women can do that.

Speaker 2 (36:34):
I just want to see one woman show.

Speaker 1 (36:36):
I want to see you.

Speaker 12 (36:36):
From the beginning to the end and when it's all women, like,
I want to see that. As a comedian, Mo'm life
just she good because.

Speaker 5 (36:42):
Y'all be rocking on shows with us. But that's because
we on a show with you. There's two ways to
look at this. We're being on a show with you.
I only wanted to be People say, well, do you
want to be a girl comed No, I want to
be a good comedy and I want to be able
to like when I'm drinking on stage, I want be
able to drink if y'all getting high and we drinking.

Speaker 1 (37:03):
I want to show.

Speaker 5 (37:05):
I wanted to show to go where it's gonna go, right,
and if I can't follow. When I couldn't follow Cat
Williams in Maryland, that's when I called Met. I said,
I'm watching this dude because I remember when he was
catting the hat right, and I was like, I can't
follow this, dude.

Speaker 1 (37:18):
It's a phenomenon happened, right.

Speaker 2 (37:21):
I like, I like comedy.

Speaker 1 (37:23):
I like hand handcome back, gun slinging. Okay, follow that,
you know, but I also like, I don't know.

Speaker 5 (37:30):
People say, well, show why you don't do all female
shows because they don't call y'all shows all male show.
And then if you do get up sometime it's an
hour and a half for men ain't Shit.

Speaker 2 (37:42):
No, I can't.

Speaker 5 (37:43):
I came from and what dude really want to hear
two hours of men ain't Shit? I mean, I would
love for us to. I think this should have been
Queen's of Comedy one, two, three, four five, right, so
everybody can be Queen's.

Speaker 1 (37:58):
But I understand the way I understand it this.

Speaker 5 (38:01):
They had an agreement that they were only working together
as the Queen's of Comedy, right, and that was it.
What I feel like and sometimes aren't there comics that
y'all don't funk with.

Speaker 1 (38:17):
I mean't see that on fut.

Speaker 2 (38:21):
On.

Speaker 12 (38:22):
It ain't evenbody put on if it's if it's yeah,
I'm controlling who on my ship you control? But if
somebody called me and booked me, and then it's I
ain't really I really ain't got nobody on foot in
the game because I'm just gonna go my bed and come.

Speaker 2 (38:35):
On off state.

Speaker 8 (38:35):
They ain't got nothing to do with me.

Speaker 2 (38:36):
I may not like you a perfect I'm gonna go
in my room, but not just like you.

Speaker 1 (38:40):
But your ship stay in the city with that nigga
and now your greatest that's right, everybody meant on your show, right,
because I'll tell you what, because no matter who's how much,
if I'm if, I'm high like that and I go
hold on that DC, I'm ship.

Speaker 5 (38:59):
I tell you so, I'm working the show. And the
dude was working the show, I can say because he did.
So I'm working the show in Georgia. And this was
how me and Mike Washington got on the road together.
And this uh it was his name Chicken. You remember
this white boy named Chicken. And they gave him his

(39:20):
own show on Fox. He's deceased, got restless. I think
he suffering from something that took his own life. If
I'm not mistaken, I didn't dislike this dude.

Speaker 1 (39:28):
What I disliked was I was in the back drinking,
you know, drinking before because I'm the headliner and I'm
drinking and my head is down because I'm full of liquor.
But I can hear all of us.

Speaker 5 (39:44):
I can hear Burne Jamie, I hear everybody's jokes, and
the liquor is like, but they not on stage, is
what I'm saying. So I go to the club and
I go, get that thing off my stage. They love,
I said, I don't giving fuck who they love. It's
my shit because you brought me here. Get that thing

(40:06):
off stat because you're not gonna do an impersonations. We're
the most lovable, open motherfuckers that people can study us
and come into us and then everybody goes, that's amazing. No,
that's not a fucking amazing. You're doing an impersonation of us.
You're appropriating us so that I don't like. And when
you say joke thief, there's a difference. Ain't nothing new

(40:28):
under the son.

Speaker 1 (40:29):
If you study Jewish.

Speaker 5 (40:30):
Comedy, your mama jokes was back then, right, And I
know black comics that will study Jewish material and bring
it back into the club like they wrote it.

Speaker 1 (40:40):
And I'm like, Nigga, that's Joey bishp fuck you're talking about.
That's what we say.

Speaker 5 (40:44):
Oh motherfucker that you know, So you study it, you'll
know where it came from. My feeling is just saying
there's some women. I can't speak for all women. People say, well, sure,
you don't work with women because you.

Speaker 1 (40:57):
Don't like women.

Speaker 5 (40:58):
I don't work with women because I'm not allowed to
work with But I'm also very reclusive.

Speaker 2 (41:06):
You know, do your thing.

Speaker 1 (41:08):
I'm gonna do my thing.

Speaker 5 (41:09):
But I pray that there comes a time where our
hearts softened and we understand how powerful we can be together.

Speaker 1 (41:16):
And that's what I'm working toward.

Speaker 5 (41:18):
So men like yourself that have opportunities keep interviewing all
of us as female comics and putting it in the
universe that we could come together, make movies together, TV shows, everything,
write books together. Because they want to separate it, but
why can't we do the Black Golden Girls?

Speaker 1 (41:37):
I want to female comics it's coming to life. Tyler's
sitting there right now. That's right.

Speaker 4 (41:43):
That's what I think about the state of black female comedy.

Speaker 2 (41:47):
I think it's the same on both sides.

Speaker 4 (41:49):
It's like, because you know the panic and the urgency
for it to be that, to be that one, they
let us have one at a time, you get what
I'm saying, And they've never got to the point where
they said, this is the black female comedian. So now
it's just like a frenzy and it ain't no unity,
and we don't have enough platforms for everybody to be great.

Speaker 2 (42:09):
To get what I'm saying.

Speaker 4 (42:10):
When opportunities do come, it's so cutthroat that motherfuckers that
throw friendships away just to go audition for the same
and then that one person who got it, now you've
got three hundred motherfuckers who don't like her. That's because
she was the one who got the opportunity.

Speaker 5 (42:24):
So back to comic build. So Montana gets it, and
I go, Okay, I want her to be successful.

Speaker 2 (42:32):
Some more gets it.

Speaker 1 (42:33):
I want her to be successful.

Speaker 2 (42:35):
It was not my time.

Speaker 1 (42:36):
It was not meant to me for me to have
have it. So I'm not saying I'm against any female comment.
I think Monique is one of the greatest at tours,
not actresses at tour of our generation. She swept Awards
season with a role that was so diabolical. Having been
molested in.

Speaker 5 (42:56):
Myself, I told them, mister how fast I want to
fight right now because I know what that feels like
to be around something like that type of energy, because
she was that good.

Speaker 1 (43:09):
So I'm not against Monique.

Speaker 5 (43:11):
Being successful some more leading the tour that she's leading
the Crown Road to or Lord Hayes and our work
together in beauty shop. I'm saying what you're saying. You
got to overcome that pain in your heart to go.
Now let's work together like y'all working together, right, and
now let's put some these A lot of us are

(43:33):
old school comments. We did not get to see the
success that you all are seen to be able to
do the things you're doing. But it's the door closing
for us to make our own sickness and make our
own movies. Then let's get to it and let's bring
back funny people. Motherfucker's got to listen to y'all and.

Speaker 2 (43:53):
We gotta go. We gotta help each other too.

Speaker 4 (43:56):
When we see brothers or sisters, making more on whether
it be social media, this book. We have to extend
ourselves to say, whatever you got going on, it ain't
about no money. Watch they see them relationship and they
know when you paid somebody to be in your ship
or when somebody came.

Speaker 2 (44:16):
Yeah, yeah, that's the thing too.

Speaker 5 (44:18):
But when we were talking earlier, Shannon is my friend, right, Kat,
I think it's a genius and I love it, But
I was kind of I was feeling some type of
way because I'm like, is this the way we're going
to get it? But it was very interesting, It was

(44:38):
very prophetic. He was very profound, and he seemed to
prophesize some things. But I'm always weary of giving the
outsider some ammunition that can be used against.

Speaker 2 (44:53):
The hard work. This is what I saw when I
seen it. I see it from a whole other perspective.

Speaker 4 (45:02):
Just you know, you know Kat, and you know how
he is when it comes to being three steps ahead
of a motherfucker. True, anything that he said about somebody
that would have got him upset, I always heard his
voice say, Nigga asked more people looking up earthquake right
now that you got to get your money nigga. You
know what I'm saying. I felt like the things that

(45:22):
he said and the people that he said it was
so strategic that it was a lot of people he
could have said about that he might have had a
legit beef with.

Speaker 2 (45:30):
But that's good.

Speaker 4 (45:31):
He can't pick these people because he knew people was
gonna go back and see these people.

Speaker 2 (45:36):
He never criticized nobody's talent.

Speaker 1 (45:38):
Well, that's the good part of it.

Speaker 5 (45:41):
What is the other part of it that if you
speaking against your brother it could be true? Like I
consider Kevin hartererfrant right, I would have.

Speaker 1 (45:52):
Wanted for me. First thing, I would have wanted Kat
and Wanda settle it before she died.

Speaker 5 (46:00):
You said, that's what I mean. Settle ship before somebody
leaves this earth right, squash it. But then, if it
is true that they couldn't get together and she dies,
why can't y'all do the same thing you're doing here
and bring Kat and Kevin Hart together?

Speaker 4 (46:18):
Ain't I think that shit got too far out of
hand Once the altercation at the club happened, What did
come her husband put.

Speaker 2 (46:26):
The gun on him, and oh you're talking about wander. Yeah.
But I'm saying, though, if it would have just been
some comedians.

Speaker 4 (46:31):
I know.

Speaker 1 (46:31):
I thought I thought he was saying, Kevin saying.

Speaker 4 (46:35):
If it was just comedians talking ship on the radio,
I think it could have been that. Once he escalated
to the other altercation, that's what made it be beyond
the talk.

Speaker 5 (46:45):
Well lynby ask you men, would you have let somebody
talk about Joe Brod on her job like.

Speaker 1 (46:50):
That like he was doing see.

Speaker 5 (46:57):
Well, No, the fact that the way I heard it
was it was really Rad Grant's interview. And then she
brings Cat in and Cat being the genius that he is,
because I remember, people don't come up for this and say,
sure don't like Cat with Cat Williams genius, authentically, loving person, visionary.

(47:17):
I love all comments, even if I doally agree with you.
But then when it gets to a point where it
goes viral, she loses a job, her husband, Yeah, she
lost the radio Jo Roaster for the for the situation,
the situation got it went out of went out of hand.

Speaker 2 (47:37):
But then that's what it is.

Speaker 5 (47:39):
It's my man, if my first of all. First of all,
if a man I'm with and married to step like that,
I might have tried to jump over and go back
back back, put the heat down. You don't need you
don't need no metal on it. Don't don't do it
because it's gonna ruin our live right. But that's what
I mean by a man having to step into his

(48:01):
manhood in a way that's gonna cost him his freedom.

Speaker 2 (48:04):
I want to put no gun on no nigga. There'd
have been a talk like like man, but you don't
know what you would have done. I know what I was.

Speaker 4 (48:11):
You know what I'm saying, though you don't. We only
getting to look at these.

Speaker 3 (48:18):
Had a regular roles because he ain't called out a name,
like he didn't put her hands on a while I
bring the gun to another nigga that like you put your.

Speaker 2 (48:24):
Hands on it, and it ain't no more talk, just
like she's staying.

Speaker 4 (48:27):
Though, if if you're the man who with that woman,
you got to be able to identify where she felt.

Speaker 2 (48:34):
The disrespect that. If you don't, you can't you can't
be at the house. You know what I'm saying. You
can't do that. It's gonna for me.

Speaker 1 (48:45):
It felt like he should have.

Speaker 4 (48:46):
Maybe he felt maybe it went too far. Maybe it
was a conversation, but you get what I'm saying. You
don't know turned what was said before he saw that.

Speaker 2 (48:58):
By the time he got to the house, he might
heard he damned jumped up and put his hands on
You don't know what gas was on on this just
you gotta look at shit objectively like And that's why.

Speaker 1 (49:07):
I think you squashed stuff with anybody birthday, I try.

Speaker 5 (49:11):
To do self analysis, then I'm gonna squash it with you.
And it's a lot of comics out there, a lot
of female comns. When I talked about what I talked
about on CBS and hearing the phone call with the
Queens of Comedy, But what I hoped that they would
hear me say is I thank you for that because
it was ship. I didn't know that people felt about me,
so I decided to work on me, and I thank

(49:32):
you for that because that's how I get to CBS,
by working on me. But some people don't hear you
that far, or they still manage to or they don't
like when I heard.

Speaker 4 (49:42):
Before you how long did how long went before you
even told anybody you heard the phone call CBS?

Speaker 2 (49:51):
All them years they never knew you was on No.

Speaker 1 (49:53):
And I did the Tom join a fantastic lawyer.

Speaker 2 (49:56):
Oh she was about to.

Speaker 13 (50:00):
You know it.

Speaker 2 (50:03):
Version she was. I guess she was up to be
one of the queens of comedy on the tour.

Speaker 4 (50:10):
And they had a conference call for for the people
they had already selected, and they was pretty much asking
how y'all feel about us adding Cheril.

Speaker 2 (50:17):
To it, and she.

Speaker 5 (50:20):
Well, So I thought that I was trying to be
efficient and dial into the conversation on time, if not
early on time.

Speaker 1 (50:29):
Right, So I'm listening now.

Speaker 5 (50:31):
Greek letter organization members know when you're dialing into a
conference call.

Speaker 2 (50:35):
So I thought they was.

Speaker 5 (50:36):
Gonna put me in cure and I was just gonna
hear the music and we'll wait until the moderator. All
I was in the car, but I go straight into
the car and I hear them talking about me. But
I believe that God did not let me unmute that
phone and say something because I think God needed me
to hear what my colleagues felt about me.

Speaker 2 (50:56):
And I never told it.

Speaker 1 (50:57):
But I started to work on myself.

Speaker 5 (50:59):
And then if you look at I did Beauty Shop
with Lord Hayes, I did the Time Joiner, Fantastic Boys
Cruise with Adele Givings, and some more. But I'm trying
to be a better me, right, because I believe God
ain't gonna bless foolishness.

Speaker 1 (51:17):
Get yourself together, and I believe.

Speaker 5 (51:19):
That God be looking at me, and I was just
about to bless her with everything, and she still ain't
got ourself together.

Speaker 1 (51:24):
So I started to work on me.

Speaker 5 (51:26):
And I didn't tell that story until that day, those
years later, because I felt I can show you, you know,
I can show you. I can show you that I'm better.
And then when I heard that there was I s
has an ulterior motive. Of course I have an ulterior
motive being a better meat and all of us being successful.

Speaker 2 (51:47):
Right.

Speaker 1 (51:47):
They will ask me on on CBS when I was
on the top, we want to bring this comedian on
or this person only do you have a problem with this?

Speaker 2 (51:57):
No?

Speaker 5 (51:57):
I do not why because this is the platform on
It ain't about who I like and who I don't like.
My job is to interview the person. I wanted everybody
that could come on see to come on see yes,
so that God would look at me and go, she's
ready for more success. She can handle it. But then
when it got viral and everybody was upset, and you know,

(52:20):
people are talking about lawsuits and.

Speaker 1 (52:22):
Stuff like that.

Speaker 5 (52:23):
Truth is the ultimate defense. And secondarily, do what you
gotta do, just what you feel you gotta do, do
what you gotta do. Would I work with any female
common to this day? I absolutely would, because people need
to know if.

Speaker 1 (52:36):
Y'all fellas can work together, we ladieship be able to
work together, and let's open these doors. But I want
producers to pick us for stuff, you know, pick us.

Speaker 2 (52:47):
Why can't wet the talent?

Speaker 1 (52:49):
We know that'd be the thing.

Speaker 2 (52:51):
It'd be the relationships.

Speaker 1 (52:53):
And then it's plus I know you got the talent.

Speaker 2 (52:55):
Yes, so they like I'm going off a live.

Speaker 12 (52:57):
It's more so like my nigga, ain't nobody else put you,
you know, ship like this.

Speaker 1 (53:01):
I believe you could do that.

Speaker 5 (53:02):
I believe you can do a lot of people wouldn't
come here. What do the young one fuckers? What do
you young motherfuckers know about me? No, I'm coming because
I respect you men. But secondarily, no.

Speaker 4 (53:14):
We brought you because we Yeah, we've been We want
to talk to everybody that we came up watching. You
don't even know like when you was just like it
might have just been coming. You might have just been
another gig. In your career as a comedian.

Speaker 2 (53:30):
We the generation that came up under y'all watching that
religiously every night.

Speaker 5 (53:35):
Well, do you know that there were things just like
saying that they didn't they I'm difficult to work with,
so she can't do this. But even before I get
back from Death Comedy Jam, because remember there was Death
Comedy Jam, and I almost didn't get that.

Speaker 2 (53:50):
And we used to watch that.

Speaker 1 (53:51):
We used to record with the little with the little
black spress pants and the little orange shirt that I
put it up safe defended to make it look like
my waist was snashed.

Speaker 2 (54:03):
This means you bring a nigga a hot glass of
kool aid.

Speaker 5 (54:07):
Yeah, that's right, that's but listen almost, but I want
to do that's a for real, for real But I
almost didn't get it because there was forces that was like,
you don't need how you don't need See, back when
I was coming up in comedy, women weren't talking the
way I was talking.

Speaker 1 (54:27):
I wanted to be Richard Pryor.

Speaker 5 (54:29):
And when I was in a room that Richard Pryor
was in, and you know, you want to run up
and talk to somebody that you respect, I don't want
to say idle because we're not idol worship us, but
somebody that you was like, oh my right. So I
wanted to run up, but it was a force of
energy pushing me back from him because we were the
same person, We had the same flaws, the same needs,

(54:53):
and I just backed away from him. So then when
I was in the room where Eddie Murphy after the
BT comedy was, Eddie Murphy was at the after party
and I ran up on him and I said, I'm
not going to miss this opportunity. He was wearing this
show man like vanilla sweater with the matching vanilla pants
with the vanilla shoes, and he was yeah, little shoes.

Speaker 3 (55:16):
She was.

Speaker 1 (55:19):
Cloud and he smelled like he win at least seven
hundred fifty.

Speaker 2 (55:22):
Dollars dollars worth of cologne on him.

Speaker 5 (55:24):
And I ran up to him and I said what
mister Murphy, And I stuck on hand and I pulled
it back. I said, I don't think you know who
of course I know who you are. I was like,
damn you, and that's all I needed.

Speaker 4 (55:38):
He did a move with Eddie Murphy. I told the nigga,
we ain't friends no more. You at least tell the
nigga about me.

Speaker 1 (55:44):
Did you tell me, nigga you got That's it.

Speaker 2 (55:52):
Exactly that moment. I want to.

Speaker 3 (56:00):
Know you see me.

Speaker 2 (56:04):
That's all. That's all I mean.

Speaker 1 (56:07):
I just needed you to see me.

Speaker 7 (56:09):
We had a two minute conversation and it stuck with
me for the rest. It got me because you know,
that's all I want. I'm like, get right with Eddie.

Speaker 12 (56:17):
It was just one scene. They said cut and he
was over the bicyle. I got there, hit two big stuffs.

Speaker 1 (56:23):
How you doing? Mister Murphy was like, hey, you're doing.

Speaker 2 (56:24):
You can see his security. He like, you know what
I'm saying.

Speaker 1 (56:27):
He got he got it time. Let me get your time.

Speaker 12 (56:29):
And I was like, yeah, miss Murphy, you know, man,
it's armor. Man, just be in a movie, which you know. Yeah,
I'm inspired.

Speaker 2 (56:35):
I'm like that.

Speaker 12 (56:36):
Anything like you can tell me just about coming. He
was like, man, there's anything I could tell you about coming?
He said, I wish I would have just kept an
hour in my back pocket.

Speaker 2 (56:48):
Mmmm, sure you won't. I'm cool that.

Speaker 1 (56:52):
Wish just kept an hour in the back. And he
was like, man, seeing y'all go on stage and all that.

Speaker 7 (56:57):
I was like, mister Murphy, you can go out here
twenty day. He like, man, I lived on a Yes,
twenty years a movie. Yes, I was like miss Murphy.

Speaker 1 (57:08):
Listen, I hear that. You all right if you come back. Well,
it's not about the hierarchy. It's about the.

Speaker 5 (57:16):
Love to respect the talent that only lasts for a
few minutes until your people do this or your people,
like I said, you can write every day. You can
only polish on stage. You gotta polish it, write it
and then polish it because.

Speaker 2 (57:30):
You know what work.

Speaker 1 (57:30):
You know it don't work. You know what jokes to
drop out?

Speaker 5 (57:33):
You know when they do the TV show set of it,
where the Gully Street Show set where everybody high, everybody drunk,
everybody that's right, put some put some English on the
ball of the joke, and see for me to have
that and to be working with people, I don't think
people understand understand that feeling.

Speaker 1 (57:53):
But it's also that respect of someone. So I'm saying
all of that to say that I wish.

Speaker 5 (58:01):
We would remember opening the door for somebody else, like
for me to I had to drive.

Speaker 2 (58:07):
Well.

Speaker 5 (58:07):
First they heard that there was a girl out there
doing a certain type of comedy.

Speaker 1 (58:12):
I was in Chicago. I was first doing it in
my maiden name, and then I got married, I was
doing it in my married name, So it seemed like
they thought it was two different people doing this gully
type of because I yeah, I like to drink, you know.
I was drinking and talking shit, you know, and usually
if there's what the blue jokes, you know, the blue
jokes is when you work a club and they write

(58:34):
the jokes that you're telling on a blue card to
say the jokes you can't tell, right, Yeah, so that's
where it's coming, is blue right.

Speaker 2 (58:42):
Anybody can work blue right, that's right.

Speaker 5 (58:45):
And to me, it's harder to tell a dirty joke
because there's only two maybe three ways to fuck right,
and it's already been told, it's already been done. So
you really got to be smarter to get somebody to
really laugh at a really good dirty joke, because a
dirty joke can be clean. A clean joke that ain't funny,
it's not worth anything. Right, So here I am look so,

(59:18):
But to me, I wanted to be a good comic
who could say flat footed because the comics I was
looking at the Pygmy Markham's, the the uh Lady Bruce's,
the Godfrey Cambridge is that I want to be more saulid.
I wanted to be, but I also wanted to be
able to tell adult jokes like Richard Pryor, because there

(59:41):
was this chemistry, this pull right, so I wanted to
be able to do that. But the females that I
looked at Marshall Wall feels the closest. She told a
joke on I think it was the Tonight Show, was
somewhere it was mainstream TV that it was.

Speaker 1 (59:55):
I call it one of the greatest dick jokes ever written,
where she was trying to explain how to eat a
hot dog m and it's a It was a clean
dick joke, and I was like, I see, then you see.

Speaker 5 (01:00:08):
I think it was, and then you see whoofy get
up and do what she's doing. But then you see
all these other comics. For me, I was a gunslinger
who was an adult coming, who was a street woman,
who loved God, and all of that is in the
saying wow, and don't let me be drinking so you
don't come here as a youngster made me respect women.

(01:00:30):
I'm like, oh, it's the woman and a tail ass
I'm talking about you.

Speaker 12 (01:00:34):
Love you would say, your mother forucker being the crowd
that's springing more forgot come back.

Speaker 2 (01:00:40):
I'm like, and that's what I wanted. You are like
your whole career.

Speaker 4 (01:00:46):
You you came out doing the height of what they
would call like black comedy, that common exposion.

Speaker 2 (01:00:51):
Now I remember.

Speaker 4 (01:00:55):
That show is so iconic, and you one of the
motherfuckers who went out there and really ripped that bitch
in New York get to standing old and then that
ship here HBO.

Speaker 2 (01:01:05):
But you know, like as comedians, we know, like you
take this ship and you hating on it to come out.

Speaker 4 (01:01:12):
Right after that motherfucker when you knew that ship was
about there, when you knew it was about to change everything.

Speaker 1 (01:01:18):
Well, I rarely tell this story, and I probably elaborated
in the book one day, but y'all getting in here first,
I really blew the set.

Speaker 2 (01:01:27):
What happened was.

Speaker 5 (01:01:30):
When I said I had to drive me and another
comic Andre Uh. We drove from last and he had
just bought a geo I think right, and he wanted
to open up the engine and so we drove from
l A to New York to go to audition at
the Peppermint. We had I think was bags of you

(01:01:52):
know popcorn. You popping the pop in brown paper bags.

Speaker 1 (01:01:56):
That was the food. And we had about three folk
gallons of that dollar water that's in the classic container to.

Speaker 2 (01:02:02):
Gathery, that's right.

Speaker 1 (01:02:05):
And we had like one hundred and fifty dollars for gas.
So he was sleeping.

Speaker 5 (01:02:11):
I would drive, he would he was driving our sleep right.
So when we got to the Peppermint, we missed the audition.
By our they had closed. So I called my father
and I said, do we have any relatives in the
New York area. I had a cousin, my cousin Ernestly
and my cousin Tina, and I called them and they

(01:02:31):
let me stay with them.

Speaker 1 (01:02:34):
No, we knew each other.

Speaker 2 (01:02:35):
I just didn't know where they lived.

Speaker 1 (01:02:37):
I didn't know where they I didn't know where they.

Speaker 8 (01:02:44):
That's that's how it happened.

Speaker 1 (01:02:46):
You from this simp.

Speaker 5 (01:02:47):
I said, you can't people, Okay, come on, you good people.
So we get to New York. Andre goes off to
do a gig back in Chicago. I'm still in New York.
I find out my cousin Jimmy.

Speaker 3 (01:03:01):
Uh.

Speaker 5 (01:03:01):
I think my cousin Jimmy or baby Doll was working
for a hush uh. That was what's the baby name?
Mela Mare and her husband's management company. So they said,
we have to come down to the Peppermint. That's when
we stayed a week to come down to the Peppermint
to audition. So Peppermint, it ain't for punks.

Speaker 2 (01:03:22):
Better have it.

Speaker 5 (01:03:25):
Something that's said, that's Bob something and now and so yes, right,
and I think Bill was hosting that now.

Speaker 2 (01:03:32):
And Marvin Dixon.

Speaker 5 (01:03:34):
Marvin Dixon gets up and remember the Jamaican dance hall
girls ship he was doing when he was stripped down
and with that skinny.

Speaker 1 (01:03:42):
Body he.

Speaker 2 (01:03:46):
Was stripped down to yes, yes, and he was Jamaican down.

Speaker 5 (01:03:58):
He destroys the pepper he destroys it. And so I
drink a I think I was drinking gin back then.
I drinking like a tripper shot of gin. The girls
in the audience said we're gonna laugh whatever you do.
And I didn't think I could follow him. They said
do seven minutes, okay, and the Gin was like.

Speaker 1 (01:04:19):
Do what you feel you and this motherfucker this only shot, bitch.
So I get up and I do twenty minutes of
highly sexualized political material, right, And I remember it was
it apache that did I need a gangster bit? Yeah,
he runs up on me and kicks me up off

(01:04:41):
the ground and he goes, that's a motherfucker. Say that night,
I think it was Ben Ben Hall.

Speaker 5 (01:04:48):
Did Apollo Comedy Hour. He was a booker of Apollo
Comedy and t thom to follow all of those, so
he asked could I do those shows? And then I
got a phone call my cousin's house about staying to
do Death Comedy Jam and they said, what do you need?
I said, I need a hotel room because there's somebody driving.

(01:05:09):
I need parking, your clothes and everything. So when I
got to the rehearsal with my well, first I can
hear people whispering that's the girl.

Speaker 1 (01:05:19):
That's the girl.

Speaker 5 (01:05:20):
That's the girl, right, And the outfit you see me
performing in is the outfit that I rolled out in LA. Yeah,
because we didn't know where to buy clothes. You know,
we didn't know you give us a stipend. We don't
know where to get closed in New York.

Speaker 2 (01:05:32):
You know that's right.

Speaker 5 (01:05:34):
If you take you go to Chicago, Okay, you go
to Era Black Plaza, you know, get some clothes and
you here, y'all wouldt know where to get to clothes
for a reasonable price, so I didn't know where to go,
so I said, well, I'm just gonna wear what I got.

Speaker 1 (01:05:45):
On and everything.

Speaker 5 (01:05:46):
So they so when they read the CRESO did to
run through and everything? They said, what's your first joke?
I think my first joke was, is it two drinks
gonna get your dicks?

Speaker 2 (01:05:58):
Is my death? Jam said?

Speaker 5 (01:06:01):
And uh Lis needs to suck on dick? They said,
what's your first joke? Two drinks to get your dic
sat And what's your last joke?

Speaker 1 (01:06:10):
Needs suck on? Everybody's like that material, right, So I get.

Speaker 2 (01:06:17):
Up and I do it.

Speaker 5 (01:06:19):
But as a you know, some of us do club sets,
you got to learn how to do a TV show set.
So what I didn't know or understand was to recoil
when you had an audience laughing but they can't hear
the setup because they laughing so hard. And they're responsible.
So this is where I messed up. And thank God
for editing, thank God for staying like them, Thank god.

(01:06:45):
If you read the credits for Sandford and Son, you
understanding his legacy. But I had gone the set so
hard I was damn, damn bam bam bam bam.

Speaker 1 (01:06:58):
So my cadence was off. You know, it's like when
you do stadiums and.

Speaker 2 (01:07:04):
The delay.

Speaker 1 (01:07:05):
So then I was like, gosh, I messed this up.
I messed that up.

Speaker 5 (01:07:07):
But they edited it really well that you can't see
where I'm messing up because I'm a gun sling up,
just sling and slinging them. So by the time first
it gets back to Los Angeles that there's a girl
out there doing jokes like a dude. Right, but she's
a girl, she's still a dude. She's still a girl talking,
but she's she's as good as any man out there.

(01:07:29):
So I get to California and they say, well, there's
this thing called comic. I was like, wow, I'd like
to be considered for that. He was like, no, they're
not gonna pick any death jam comic.

Speaker 2 (01:07:38):
I said, why not?

Speaker 1 (01:07:39):
Because y'all dirty too blue? Yeah, and this is supposed
to be clean. It's like fundy is funny. It doesn't matter.
Everything we do can be cleaned up for mainstream TV
and other audiences.

Speaker 5 (01:07:50):
Am I right, that's a good comic. If you can't
clean it up, then you didn't really write it. If
you can't fix it. For the circumstance, we can host
award show me e T needs to have us as
presenters if they will see it in their heart. Let
us be in the in the zeitgeist of everything that's now.

(01:08:14):
You don't have to write nothing for nobody. We do
it already, and let us stand side by side with
a great actor and present am I right, that's what
that's what should be happening. So by the time I
get back Los Angeles, they start talking about this.

Speaker 1 (01:08:30):
So I'm patient.

Speaker 2 (01:08:32):
I'm patient.

Speaker 1 (01:08:32):
I wait.

Speaker 5 (01:08:33):
And next thing, you know, wanted to do comfing and
then when I did old drama and and did that
where it was me and wanted to buy them and
one of yeah, she want they want it, and uh,
what is is chocolate?

Speaker 2 (01:08:47):
Is she no longer chocolate?

Speaker 5 (01:08:49):
Because I respect peoples spirituals beliefs, because small fry became
small fire. And I don't know if chocolate real names
Conchita forgive me chocolate for not knowing, But I want
to be able to say it right right. We were
on there with them and they want to question me
about being a zayda and was it against God? And

(01:09:12):
I said, first of all, I don't pray to the
god a zada. I pray to God as a zayta. So, no,
you what you're not gonna do is make this demonic
when you don't really understand it, or this was something
you want to say. I don't know if y'all started
clipping me and airy spears back in the day, and

(01:09:33):
I love airy spears. But he wanted to go back
and forward me about why I don't have a man, right,
and I just I just snapped.

Speaker 1 (01:09:42):
I just first of all, you want to go back and.

Speaker 2 (01:09:44):
Forward with me?

Speaker 5 (01:09:44):
Nigga, Hey, you need to learn how to read a book, Nick,
because I heard you ain't got a degree.

Speaker 1 (01:09:48):
Did you finish high school? See, I'm gonna go for
your throat, right, I'm gonna go for your throat, because
if you want.

Speaker 2 (01:09:52):
To go for me, I'm gonna go for you. New
York crazy, yes one of the I heard.

Speaker 5 (01:10:01):
But see, I love I love all comics, but you
gotta be careful when you you're gonna bring some, You're
gonna get some back at you. So I'm saying all
of this to say to do everything that's been done,
I am thankful to God that everything I went through,
everything because it goes to the good Oh is this chickens?

Speaker 1 (01:10:22):
Is this chicken?

Speaker 2 (01:10:25):
OK?

Speaker 1 (01:10:26):
Why are we not sponsored?

Speaker 5 (01:10:31):
But but I do think that everything I went through
in the comedy game, people wouldn't know me as a
political comic if it wasn't for Jamie Fox and Marcus
Things putting me on Laugh of the Loser tape here
in Atlanta, uh eleven, right, And I thought I was
on bomb because everybody was getting up doing no no

(01:10:54):
for real, real talk, real talk. Everybody was getting up
doing their club set and I and I was doing
political material pro President George Bush, baby Bush and that's right,
and pro American material. At the Secon sun No, I

(01:11:14):
get a standing ovation and I hear them saying recording
everything she's doing, what she does recorded off.

Speaker 1 (01:11:22):
And that's where David Allen Greer comes around, and.

Speaker 5 (01:11:28):
I think he's going to congratulate me with a hug
like comics, and he busted that slim all the way
down my throat to where I'm.

Speaker 1 (01:11:37):
Looking around, going, so what David Allen? And and I
was dating someone who was quarterbacking, or let me say
I thought I was dating someone who was quarterback. No,
he was really a quarterback.

Speaker 10 (01:11:55):
And I thought, I ain't know.

Speaker 5 (01:11:57):
I don't know, I don't know where he is, not
know he was, did no, he was really And so
he saw the footage of David Allen Greer kissing me
and them, and I said, I did not kiss him.

Speaker 10 (01:12:11):
He kissed me.

Speaker 2 (01:12:13):
I thought he.

Speaker 10 (01:12:22):
Let me go, let me let me down.

Speaker 7 (01:12:25):
I'm about to get shouse mother.

Speaker 1 (01:12:32):
He was for greddu shut up. But that's what I listen.
I'm trying to find what hotel David Allen was in.
I called every hotel.

Speaker 8 (01:12:49):
Work got.

Speaker 2 (01:13:00):
I like to kiss. I don't listen.

Speaker 1 (01:13:08):
I ain't good at I ain't good at nothing. Now,
so you come at me or something. Damn you got
to see football play you you got six right now,
you'll pull out game.

Speaker 2 (01:13:18):
I just don't pull out. It ain't we ain't we
got all just trying to know what I do.

Speaker 1 (01:13:25):
You just as with the daily weapons that're so hateful.

Speaker 5 (01:13:32):
Yes, I know, an'ty hateful, ruin a bitch life just
because you don't want to pull out.

Speaker 3 (01:13:37):
There's a lot of strong independent women, though you do
what made a lot of strong independent women?

Speaker 1 (01:13:48):
That's right.

Speaker 2 (01:14:02):
To get out of you.

Speaker 1 (01:14:04):
Anybody come to see you, I won't think with my age.

Speaker 8 (01:14:09):
I got I gotta, don't you know, I'm so a
long time the real name?

Speaker 2 (01:14:23):
He was, like, my name?

Speaker 1 (01:14:26):
Did you stay on the street for the.

Speaker 3 (01:14:31):
Like?

Speaker 1 (01:14:34):
Yeah, we twitter too.

Speaker 8 (01:14:35):
I don't read.

Speaker 1 (01:14:37):
You invented the elevator.

Speaker 2 (01:14:42):
Don't hold me that.

Speaker 1 (01:14:43):
Why is your name on the elevators?

Speaker 10 (01:14:46):
You invented.

Speaker 9 (01:14:48):
This?

Speaker 2 (01:14:49):
Don't do that.

Speaker 3 (01:14:51):
That.

Speaker 1 (01:14:53):
She ain't getting the last three letters out, She's just out. Oh,
don't do that.

Speaker 2 (01:15:08):
My father, my father, They won't need to be their father.
Is he young? You just mean younger than you? Younger
than young than? Have you ever been recorded saying that
she was gonna trouble bitch when you stare probably is coming.

Speaker 1 (01:15:33):
You're gonna lose ten stacks if you do that my
boy and I think he got set up.

Speaker 2 (01:15:40):
He probably did on the boy. I don't make no.

Speaker 1 (01:15:42):
Frill want to put Oh you the kind of jump
off the bus to show your Assonel gang.

Speaker 11 (01:15:53):
Not loud and the mother.

Speaker 1 (01:15:57):
Well knocking everything said because she nervous, jump it out
of nowhere.

Speaker 3 (01:16:05):
I said, how you come home late from the club,
I'll be in there like serious styles like the dad.

Speaker 2 (01:16:09):
On motherfucking phone, bitch, you already.

Speaker 1 (01:16:21):
Security company? Hello, I need to cancel my got a
contract with you? Why because you don't let this nigga
in the house game.

Speaker 2 (01:16:29):
Now that dang.

Speaker 5 (01:16:31):
But okay, here's the catch up. Now, this is one
of the reasons why you can't know where harry, bitch.

Speaker 2 (01:16:37):
I don't go to the other women. How d days
I don't do that.

Speaker 1 (01:16:40):
Well, you can't know nothing the way you say you
popping up on the motherfucker. You can't pop up on
the bits.

Speaker 2 (01:16:45):
That's why I ain't been in love in a minute,
because I know me in love a little hard? How hard?
Why do you do yours?

Speaker 1 (01:16:56):
You mean like show up at the church.

Speaker 2 (01:16:59):
Like you can't play with her?

Speaker 1 (01:17:01):
That he's playing the video game?

Speaker 2 (01:17:04):
Boy, that is that is peak niggas. Ship inside of
a backpack. Here's a lady, got a baby on the way.
Look at the bird beer a baby shower gilt right, Well,

(01:17:29):
he some ship. He can't watch everybody. I gotta see
he playing. He had playing that buffer. I ain't even
saying that, absol.

Speaker 4 (01:17:51):
I don't know where you've been or where you were,
but we've been in here having magnificent conversations. No count
with a magnificent it to mean very funny lady. If
she the municiple television shows, movies and she got them degrees,
and she get on that stage and put that work in.

Speaker 2 (01:18:16):
You gotta show much love and respect to one of
the one of the queens of common. Well, not.

Speaker 8 (01:18:24):
This what the street.

Speaker 2 (01:18:24):
This is what the streets be saying. Street sure underwod
because you know how the hood. I'm good. I don't
want nothing, you know how the hood is.

Speaker 4 (01:18:38):
As soon as all the uncles heard that they ain't
put you on, they were like, damn, they should have
put on They should.

Speaker 2 (01:18:45):
Have got them put on that with them. No, hell
cut this ship out.

Speaker 1 (01:18:49):
Well, but you know what they got to protect the
old niggas was mad.

Speaker 2 (01:18:54):
Chip there they was on other ship together. But everybody
on the goddamn ship.

Speaker 1 (01:19:00):
You gotta protect the house.

Speaker 2 (01:19:02):
My brother even asked for you.

Speaker 1 (01:19:03):
He was like, man, y'all have a lot of people
on the show. Y'all live here. Oh, oh, Helen, like
y'all be smoking.

Speaker 2 (01:19:17):
In Mississippi, they always be like share underwood. Yeah in
Mississippian ain't share. I don't know if they mhm.

Speaker 12 (01:19:25):
When we got the old man, I used to see
in the bed and then why you going crazy?

Speaker 8 (01:19:31):
Man?

Speaker 1 (01:19:31):
Like night after night and you know that's all coming you.
They played rerun, They'll playing rerun two three weeks.

Speaker 2 (01:19:37):
Yeah, I know.

Speaker 3 (01:19:42):
All.

Speaker 1 (01:19:47):
Did you let phone y'all what everybody gets?

Speaker 2 (01:19:50):
You left?

Speaker 10 (01:19:51):
Then?

Speaker 2 (01:19:51):
Sight h he did one of them comedy specials on
BT too.

Speaker 1 (01:19:55):
Then yes I did, Yes I did. But the biggest
joy was at the time of the O. J. Simpson situation.

Speaker 5 (01:20:02):
It was a place to go to work out your
jokes in real time that they could come on, you know.
But the other the other thing, I would say the
best part about it was we had a platform to
show we can do death County jams and we could
do comic views.

Speaker 1 (01:20:20):
But the material was good.

Speaker 5 (01:20:22):
But also I got in trouble for for jokes like
I told a joke about comparing people's struggles to the
Civil rights movement and it got me put on a
website as a as phobic toward a group of people.

Speaker 1 (01:20:39):
Yeah. And I couldn't get work for a long time.

Speaker 5 (01:20:43):
Definitely couldn't get TV shows, you know, because there is
such thing as the I call it the block list.

Speaker 1 (01:20:51):
But God is more powerful.

Speaker 2 (01:20:52):
Amen.

Speaker 1 (01:20:55):
I gotta be patient. I gotta be patient.

Speaker 4 (01:20:59):
This message is supposed to in part by the black
community and or the Black church.

Speaker 5 (01:21:05):
You understand absolutely absolutely, And for me, while I was
hurt about it, and I wanted to go talk to
the organization that had me on the list as a
as phobic, because my manager at that time said, no,
they're too militant, they're not gonna listen.

Speaker 1 (01:21:24):
And we as black people have we don't have to
make a decision. I'm black every day. But you know
what I'm saying.

Speaker 5 (01:21:29):
I told the joke they worked on common view because
that audience understood what the joke was about.

Speaker 1 (01:21:35):
Just because I'm pro me.

Speaker 5 (01:21:36):
Don't mean I'm anti youth, right, but what we have
to learn as black people be true that we have
to learn that black people is that it's all to
the good of the culture. You know what I'm saying.
People may not understand it now, but you'll understand it
later because we ain't going nowhere understood and you can't
do without.

Speaker 2 (01:21:56):
Yeah. Yeah, Do you have any young female comedians that
you like personally? Today?

Speaker 1 (01:22:04):
Well, I like everybody went to see them.

Speaker 5 (01:22:07):
You know, I was like, just I consider Tiffany even
though she over the game right now, I love Tiffany Hads.

Speaker 1 (01:22:14):
I love her everybother.

Speaker 5 (01:22:15):
But I also want to see us old heads work
with these young comics and do ship together. You know
that we need to be writing a scription producer. You
know that should have go Yeah, and then it'd be
fun to see us all working. Why is it the
other racist people can hate each other and they'll work
together and then stand up at the Golden Globes like

(01:22:36):
they ain't never.

Speaker 1 (01:22:37):
Talked about each other what they were cocksucker hate each
other and then being an action film together.

Speaker 4 (01:22:45):
That ain't real hate though, that's that's just a cultural different.
That's how they they don't hate each other. They might
talk ship at the crib as long as it's stay
at the crib and y'all just talking ship and don't
nothing like actually happen, Like they don't never let do
ship to each other.

Speaker 2 (01:23:02):
Well, listen, it's all verbal they do we don't know about.

Speaker 5 (01:23:10):
And I know a lot of people don't like Joe Rogan,
But when Joe Rogan was putting up them clips of
who was doing whole material before the call outs, what's
happening when George Lopez was gonna throw somebody over a balcony,
Listen to me, everybody say they don't get gully like that.

(01:23:31):
Yes they do, Yes they do. They just can survive it.

Speaker 2 (01:23:36):
We can't. Who the fucking new George Lopez Night and
Big Red is the only two ever heard?

Speaker 1 (01:23:50):
Yeah, somebody doing his material, you know, throw them over
a baccony.

Speaker 2 (01:23:54):
God damn well, grown man ship. I'm glad they ain't
do that. I'm glad. I'm glad he didn't do that.

Speaker 5 (01:24:02):
Mess up your freedom over a temporary misunderstanding. Hell yeah,
the joke thief has got to steal for the rest
of his life because he doesn't know how to create
a right or she doesn't know how to create or right.

Speaker 1 (01:24:15):
Go still, fami.

Speaker 4 (01:24:16):
They but see they necessary too though, That shit necessary
because it's just like in the Matrix, right when you
just be kicking it and doing all the amazing matrix shit,
being the motherfuckers with the suits show up, mister, and.

Speaker 2 (01:24:30):
Then you know it's time to get the fuck out
of that.

Speaker 3 (01:24:34):
You know.

Speaker 1 (01:24:34):
The most dangerous place to be after the show at
a diner with a bunch of homis because now the
show is over.

Speaker 5 (01:24:45):
We got lifted in our system, we got weed and
we smoked. This just a big show right here, right,
But that's also where the thief is listening. And it's
always the discussion of if I get to the stage
before you get the stage, because comedians will say that
if I get to this before you get to stage,
it's my joke, right, But I felt like you got
to keep stealing.

Speaker 2 (01:25:05):
The funniest ship I ever seen like that. His comedian
was on stage. He said, well, my ladies, say give
it up for my ladies. This nigga the backstad this
nigga doing my.

Speaker 8 (01:25:21):
No.

Speaker 2 (01:25:21):
I can't nothing jo damn greenful.

Speaker 8 (01:25:31):
Geminis and.

Speaker 2 (01:25:34):
Talking.

Speaker 1 (01:25:35):
You don't ask me that, right, yeah, right there, I
can't do ship.

Speaker 2 (01:25:49):
Hang around.

Speaker 1 (01:25:49):
You didn't want everybody have a bad time. Cup your heads.

Speaker 2 (01:25:51):
You love the Lord.

Speaker 4 (01:25:52):
Man ain't benature, granted man, this nigga, I'm going, I'm
gonna hit this nigga my grandma joke.

Speaker 2 (01:26:08):
Stupid bro, what'sya wanting? Y'all got any questions?

Speaker 1 (01:26:16):
But we love this sh We just love your journey
for real.

Speaker 5 (01:26:20):
Well, I will tell you this though. I'm happy that
God let me live. Will still be working man, and
I'm happy that I think the Lord understands me. You know,
I like adult comedy. I like profane sexual comedy, because
I believe you can put some knowledge.

Speaker 1 (01:26:39):
In between all of that. You know what I'm saying,
How we lose an election impossible?

Speaker 4 (01:26:46):
You know what I love is that we can turn
on the TV and see you on there talking ship
with Sharon os Boring and all them, and then you
can come on that show and kick with us and
eat fish and shrimp and chicken and sh See.

Speaker 2 (01:26:59):
That's how the ship posts to be from JJ. Yeah.

Speaker 5 (01:27:02):
But if you forget where you come from, that's where
you lose it all because then you assimulate into somebody
else's world and lifeson and that's to your demise. Once
you start to simulating I'm cooling the gang.

Speaker 2 (01:27:16):
Come on, you're living on fight.

Speaker 1 (01:27:30):
Fellas.

Speaker 5 (01:27:31):
Why is it that with female comics or a strong
woman in a strong business right while we're alone?

Speaker 1 (01:27:40):
What's up while y'all alone?

Speaker 4 (01:27:43):
I don't know, because y'all, I don't know if I
want to be alone. I think women get to see
men be men on like on the entertainment industry. They
see me and being me and so much that they
can't really trust them because they too much.

Speaker 1 (01:27:59):
Ship what like like you pull a broad after artist?

Speaker 2 (01:28:03):
Yeah, I don't pull dudes out there. But what I'm
saying I.

Speaker 1 (01:28:07):
Put the finest dudes the Mike Apps tour.

Speaker 2 (01:28:10):
I like to thank you, Mike.

Speaker 1 (01:28:12):
I pulled a baby to bars. This boy was young
and pretty.

Speaker 2 (01:28:16):
Hold up. You think we're gonnaree with you?

Speaker 1 (01:28:18):
Like you can't.

Speaker 2 (01:28:26):
Deal football even I do.

Speaker 1 (01:28:32):
I do because I will walk up on the dude.
So what you're doing after that? Oh yeah, that's fine,
But I saw the cooler dude. We like Dominican remember
what to Dominican put man about?

Speaker 2 (01:28:44):
Literally taught me.

Speaker 1 (01:28:45):
At the little pool part. Were walking back, she was
like hey, I was like, what's having it? And she
was like, where are you gonna go?

Speaker 2 (01:28:51):
I'm like, is in the bitch?

Speaker 1 (01:28:52):
She was like, well go meet. I'm like, I'm like, hey,
I tell you, hey, Dominican repubs.

Speaker 2 (01:28:58):
Bigger, I will do you.

Speaker 13 (01:28:59):
You know what I'm saying, I'm trying to dance and
playing you folks. She's like, come on my little hotel
right here around you motan too when you woke up?
What happened toe that ass up.

Speaker 1 (01:29:15):
To that ass up rocky pool part? And Grandma, don't
let stop you don't let the little great hands stop it.

Speaker 2 (01:29:30):
Was the nice it was the sun was out. It
was the pool part. Came back to the pool for enough.

Speaker 1 (01:29:37):
Really it gets mold by.

Speaker 4 (01:29:48):
But then she lets you stay. No, we went back
to the festivity. It ain't the type of thing where
you even want to stay.

Speaker 2 (01:29:55):
It wasn't that.

Speaker 7 (01:29:56):
It was like, okay, you got for free. It was
part of the festive. What it was was it was
I was the show. But then you know the show
that like little pool party. Then they yeah, so I'm
in the pool part. This is part of the festivities.

Speaker 1 (01:30:13):
That.

Speaker 2 (01:30:15):
Yeah, I was freezing.

Speaker 3 (01:30:16):
No she was.

Speaker 1 (01:30:17):
She came here, she saw me, performed and it was
like poor part young. It was like she whistled and
I heard. She was like, but so y'all, y'all didn't
handle your manness. And then you went back.

Speaker 2 (01:30:27):
So we had little in there. She put up swim
trunck on. Look at the dirty bit.

Speaker 10 (01:30:33):
That you she she ain't she ain't she ain't, but
don't you know, yeah.

Speaker 6 (01:30:49):
Half you That was right back to the pool, bro, No,
you need done, don't get some damn jeanu ha.

Speaker 2 (01:30:57):
She locked that no and walked with me.

Speaker 1 (01:31:03):
With the hotel right now. No, it's not like DC you.
I know that smell beds. What are you doing?

Speaker 2 (01:31:10):
It was so fun.

Speaker 1 (01:31:11):
No, no, no, man, right back to the wrong. She
couldn't been forty or she lived on her pot. Gotta
be your whole bitch, Gonna run some basketball like twenty two.
You don't mind if I take a bath in your toe.

Speaker 4 (01:31:29):
That's a whole bitch right now, sucking around and jumping
the comments that ain't true.

Speaker 12 (01:31:33):
Listen, that's on my teeth first going around like she
was just like how you said you don't walk up
and run up on the nigga watched run her phone.

Speaker 1 (01:31:40):
She's like, what are you going?

Speaker 8 (01:31:41):
You know what she wants.

Speaker 1 (01:31:42):
She's like, come on now, ain't in the play with you?

Speaker 2 (01:31:43):
Now do what's gonna happen. We're gonna do what we're
gonna do.

Speaker 1 (01:31:46):
Yeah, but I'm gonna need to take a bath.

Speaker 2 (01:31:48):
I walk out this month.

Speaker 8 (01:31:50):
Ain't he got to play?

Speaker 5 (01:31:51):
Somebody needs to do it, sumb put some lotion on
your last and looking ashally on one side, that's a
nice dick.

Speaker 2 (01:31:58):
The crazy part about it.

Speaker 14 (01:32:01):
As I'm leaving, I see her talking to a nigga,
So I'm like, dad, a nigga took a bund round.

Speaker 6 (01:32:11):
You already got you already got laid off the job,
and the poor party ain't even overe need to take
the show, that's right.

Speaker 1 (01:32:27):
And you said you're gonna knock the line and out.

Speaker 10 (01:32:29):
I still got half.

Speaker 2 (01:32:33):
I got you. Get what you want forgot what you want.

Speaker 1 (01:32:38):
That's right. Left care took my baby.

Speaker 2 (01:32:48):
Well.

Speaker 1 (01:32:49):
All questions asked, good, all questions asked, Uh?

Speaker 2 (01:32:54):
Happy, y'all happy, that's what we want. We wanted you
to come in here and just talk to ship with us.

Speaker 5 (01:33:01):
Hey, we have fun now, and then you want to
if you want to do what you want to do,
which I take. Why are you not running three shows
in one night? Different versions of this set up?

Speaker 1 (01:33:15):
You are put your DJ in, put your your comics in,
and run three of these one night, Like if you're
gonna do homecomings, three homecomings one night in three different loca.
So you're making money while you're making money. You got
the apparatus while y'all not know.

Speaker 5 (01:33:34):
Oh, put that ship together, produce that absolutely, and get
a sponsor into somebody.

Speaker 1 (01:33:41):
Right now, y'all making money while you're making money.

Speaker 4 (01:33:44):
That's what I'm trying to do anywhere, some money while
I'm making some well domination.

Speaker 1 (01:33:48):
That's what it's all about.

Speaker 2 (01:33:50):
I want to be making some money.

Speaker 4 (01:33:51):
Is while I'm making some money, absolutely after I already
made some money off the money that I made that
was making me money. That's making the money. And then
the money that I made while I was making money,
it just go back to.

Speaker 15 (01:34:07):
Some more money that it's made, and then I'm still
making money at the same time. I got money that's
made already, so I could literally make money if I
had already made some money.

Speaker 2 (01:34:19):
That's real. So now I gotta go some money. Money
can be made. That's that's exactly what it is. I'm
gonna take a bath. Look, this is your first time,
but don't let it be your before you go. When

(01:34:46):
you take your bath, we got you another outfit.

Speaker 8 (01:34:54):
I think it's.

Speaker 2 (01:34:58):
Come on, it's gonna be your hand. No, it's not
a hood, it's it's yeah.

Speaker 1 (01:35:07):
Right, I gotta make sure I make sure face get
put on app and looking that weed.

Speaker 2 (01:35:12):
Now let's get a picture right there. Okay,

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SHERYL UNDERWOOD in the Trap! | 85 South Show Podcast

Episode Transcript

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DC Young Fly

Karlous Miller

Chico Bean

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}SHERYL UNDERWOOD in the Trap! | 85 South Show Podcast