WARREN G in the Trap | 85 South Show Podcast - The 85 South Show with Karlous Miller, DC Young Fly and Chico Bean

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:07):
Fuck with them. Ship it is hard though, Yeah, and
G Bodies and ship that man Carlos and yeah Cutlers
Grand National. That's a h some dude who uh I
forgot where he had? Uh he in California, but I
think he like Lancaster Apple Valley one of them he

(00:27):
g bodied out the game, big dude, I forgot it.
Last Malone fuck with them. G bodies heavy too him
and that's my guy.

Speaker 2 (00:38):
You know.

Speaker 1 (00:38):
He was on the Netflix show. He built as fast
as a twin turbos. They had the joint where you
build your car and then you raise them off. Yeah, yeah,
ye had Bill Yeah Glass he Bill car his pops
uh mechanic too, Dad damn. Yeah, that nigga built his
own ship like yeah, at last my engine swaps everything.

(00:58):
That nigga fool with it. Yeah, Gee, Perico fuck with him,
ge buters lass and the last. Yeah, nigga Bill raised cards.
Huh d s don't give a fuck. It's just better
go forward the back of when you get in.

Speaker 2 (01:15):
There for paying water.

Speaker 1 (01:23):
You nigga, hear, ain't no water, ain't your do what what's.

Speaker 2 (01:28):
Son you talking about? Niggas got an added water addiction,
Ask doctor Pepper addiction. Yeah, no, it's an addiction. Some
click in her head. And I remember when he said
this ship.

Speaker 1 (01:40):
He said.

Speaker 2 (01:43):
He remember when he had no ride.

Speaker 1 (01:45):
I never asked the motherfucker for a ride to get fuck.
Treat you like a pariah when you need a ride.
What doctor? Yeah, when you need to rap, motherfucker treat
you too bad.

Speaker 2 (01:55):
Man.

Speaker 1 (01:55):
You got your challenges and you were like, oh yeah,
it's never man, I got that car. I drove every
fucking where I needed to. I drove all my shove here, everywhere,
all the way to Delaware. One time, drove the Michigan
did the show.

Speaker 2 (02:10):
It came home.

Speaker 1 (02:11):
Man, I'm talking about the twelve hour rad fuck that.
I ain't want no plane ticket? Yeah, what time you
ll be there? I'm leaving right now.

Speaker 2 (02:20):
You come out. You say you got the money, You
got the money.

Speaker 1 (02:23):
I'm on the way. I'm on the fucking way. Don't
worry about me than what it don't man, when you
need a rat, it seemed like everywhere you need to
go far than our motherfucker.

Speaker 2 (02:34):
Yeah, especially around the corner. I'm so appreciated me. My
mama bought me a thirteen home.

Speaker 3 (02:40):
It was it was twelve fifty ninety six four of
that score hash back Tudo coup.

Speaker 2 (02:46):
You said your head, no, no, no, I just want
I just no. You ain't let me finished. You ain't
let me finished. I will finished. Let the world No.
This is the ugliest car on in the world. This
bit damn the worst than the Peatreet crew.

Speaker 1 (02:58):
But when you dropped, you was like.

Speaker 3 (03:01):
But see that they gave me the confidants and why
not every car got nothing.

Speaker 1 (03:05):
It's just a level long. You don't have no mar Yeah,
when you don't have no car, any car.

Speaker 2 (03:11):
Listen, they're not to see for that score. But like
a well, like an escalade. They behad he they had asty.
The radio had to consent. I just had to plug
it up to my phone. If we had you it
might not be in the car you thowt on the outside,
but on the inside it's whatever you wanted to be.

Speaker 1 (03:34):
My boy. This girl had got a new car, so
she just left her old car at our house. This
was a motherfucker a money call over one of the
tudo joints. This bitch I ain't had no back window.
I'm talking about the whole back window. Gone, boy, We
rode that bll We rolled that bitch till they couldn't
do nothing else in the winter. Hold on, zipped up. Hey,

(04:03):
I'm bout so minute them score caps from the gas stace.

Speaker 2 (04:07):
You had the wrong time.

Speaker 1 (04:11):
Work, but the whole back window gone.

Speaker 2 (04:16):
In your face.

Speaker 1 (04:20):
In between where comes.

Speaker 2 (04:25):
You know?

Speaker 1 (04:25):
I mean the motherfuckers I had to catch a ride with.
Oh my goodness.

Speaker 4 (04:32):
Remember I had to give people get I had to
give my own family members gas running.

Speaker 2 (04:37):
They will not take me, and I was spending like.

Speaker 5 (04:39):
That day house.

Speaker 4 (04:40):
They were like, you're gonna stay here if you don't
get me gas money. I'm like, I don't stay here,
take me home. They like, bro, we're not even taking
your home five hour.

Speaker 1 (04:52):
Worse than that, though, is when you ride with somebody
and they ain't ready to go.

Speaker 2 (05:00):
You're gonna the club. He's gonna clean thro.

Speaker 1 (05:09):
Man. No not, I mean it ain't but one in
there that it's just hot that it ain't even off.

Speaker 2 (05:16):
I didn't get to cook. I want to drink out
to cook. Real were thugging in the bit.

Speaker 1 (05:26):
We're supposed to have everything. It's the first bag got
the quaila down.

Speaker 2 (05:34):
Uh look at all the look at all the alcoholics, but.

Speaker 1 (05:43):
All good I got shot in my food. So you
in that g wagon to.

Speaker 2 (05:50):
Day be riding.

Speaker 6 (05:52):
Man.

Speaker 2 (05:52):
It needs to do what I need to do.

Speaker 3 (05:54):
It gives me the look that I want and I
still can ride with like a truck feeling.

Speaker 2 (06:00):
Be real man, That tell you worth that money at all?

Speaker 1 (06:04):
It's all I hate to spend money. Yeah, throw you
a little bit of beat up in there. That might
change its cool.

Speaker 2 (06:12):
But see that I got like toys, but he got toys.
I got toys that I always wanted. That was flying
me growing up like Lexis. They left full of Homer
with the golds folks before clean. He got those folks

(06:34):
on the left and the ten and wimble. You got
two tis in the back. They ain't too hard, but
you hit oh like you gotta watch it. He keep
a couple hond on and then while Christy she just
got out the back.

Speaker 1 (06:49):
I just got some music done in my vert This
ship sounded like a concert. Man, This is some of
the loudest ship I never had.

Speaker 2 (06:57):
Why.

Speaker 1 (06:58):
I don't know why this ship so loud. It's loud
as a mother. Did you tell him it is in
the convertible?

Speaker 2 (07:04):
That crazy? Yeah?

Speaker 1 (07:06):
This dude over here over over this way? Did it
he got that motherfucker's slamming the cast show up all summer.

Speaker 4 (07:16):
Yeah, you ain't got no truck, You ain't got your
ugly your no, no carter, you don't like it's the
least is.

Speaker 2 (07:25):
Still smashing the nigga best talk.

Speaker 1 (07:29):
I got about four of them. It's about to be finished.
You got another. I got a know you got. That's
that's I got a I think it's.

Speaker 2 (07:42):
Or seven and nine.

Speaker 3 (07:45):
See, that's the thing I got. That's the mother I got. Yeah,
and no mother I was looking for. I end up
getting it, but I don't think it was the one.
Al Yeah, So I gave him because I knew somebody
I'm gonna do it. He was, he was gonna do
even gonna do it right.

Speaker 2 (08:02):
I want star with the off top, with the with
the with the leavel top.

Speaker 1 (08:07):
Yeah wow, I need that that.

Speaker 2 (08:09):
I don't even know if it looked. I just need
that sky Lot with the top off.

Speaker 1 (08:13):
Not that hard you want to convert.

Speaker 2 (08:15):
Yeah, I want that one. Really, the one he had
in the fast computer.

Speaker 1 (08:22):
That America must that's the charger challenging. No, that's a
setting the charge of that black I got some ship
coming though, don't don't carry me out.

Speaker 2 (08:34):
Just yet, my scarar gonna be my my my car
cut the one I'm gonna.

Speaker 1 (08:40):
Sit in and and and do to do it.

Speaker 7 (08:43):
Everything else is just to ride and just ride around
the neighborhood. But there's no guess what I'm gonna take
my time. When I said I don't, then I may
put the twelve in that motherfucker.

Speaker 2 (08:56):
I want that. I wanted.

Speaker 1 (09:01):
You gotta put your dog cam in that.

Speaker 2 (09:04):
The cam don't be super.

Speaker 3 (09:05):
I want the cam to be so stupid that it
get every horse power out that bitch. And then I
want some turbo on that motherfucker. I don't even want
a nigga to play. I want to be to be
so fast that it shut out.

Speaker 1 (09:20):
I don't never want my ship to shut out.

Speaker 2 (09:23):
He's he's going the shut out.

Speaker 1 (09:25):
Bring it down there. We'll make that motherfucker that fast.
Put on my face.

Speaker 2 (09:30):
I think he tried to brace me on the Spress Man.

Speaker 1 (09:32):
Just put the supercharger on the setting on the on
the setting the fact for free bil t folks, you
did what put the supercharger on the other day.

Speaker 2 (09:41):
They try to raise me on the spressway. I got off,
I said, I don't I don't even know what it is.

Speaker 1 (09:48):
But stop playing.

Speaker 2 (09:49):
You know the road up like two three times I
slowed down, he's slowing down. Don't take your hands over man,
you want to raise bad a hell.

Speaker 1 (10:00):
Don't be doing a bunch of race.

Speaker 2 (10:01):
You don't be doing no race.

Speaker 1 (10:02):
Sometimes I jump out there.

Speaker 8 (10:04):
I was.

Speaker 1 (10:04):
I remember one day I was going to the airport.
I was in my Grand National and this young dude
he just killed. Yeah charge he didn't think I could
get off in the Grand Nation.

Speaker 7 (10:19):
Kill.

Speaker 1 (10:22):
I was in the right one too.

Speaker 3 (10:27):
Why I gotta get my note because it'd be too
many dogs out here.

Speaker 2 (10:30):
They just and they just be trying niggas. And I'll
be having some cruises. I'm like bro old school with
it young like try to eat uh the cold with it,
but it more ain't going over eighty five I got.

Speaker 1 (10:41):
I had to stop myself all week from buying me
like a hell cat some ship. Yeah her little birthday press.
I want one day and just to do ship like that,
just as I could stomp down right.

Speaker 2 (10:52):
That wan't like my that Vick do what he needed do.

Speaker 1 (10:57):
Not playing.

Speaker 2 (10:57):
I ain't know, I ain't know. I had no classic.
I was been to get rid of it like kidding me.

Speaker 1 (11:03):
I was like, I'm like, no, I'm gonna keep I
got the purple one that he got the place card jump.

Speaker 2 (11:14):
Oh, let's speed raising.

Speaker 1 (11:17):
Now the purple one with the flash.

Speaker 2 (11:25):
You got some ship I know you got.

Speaker 1 (11:27):
I ain't got got to You got to eighty two
Comino and the f eighty two.

Speaker 2 (11:34):
I got eighty six.

Speaker 1 (11:35):
Yeah, yeah, yeah, yes, yeah, we're on the.

Speaker 2 (11:39):
Same Yeah, we're on the same way.

Speaker 1 (11:42):
Yeah you put No, I didn't. I ain't cut it.
I'm a little different with it the way I got
it being done. It's kind of it's not like a
lot of guys usually doing l A. It's more like
I told him I wanted kind of dumped out of
the little bit right right now. I don't want to

(12:02):
cut it engine. I want everything just every screw everything
on that motherfucker frame off, restoration everything.

Speaker 6 (12:12):
I mean.

Speaker 1 (12:12):
So that's why I was taking so long. Clung down
you you got to take men to get all the partner.

Speaker 2 (12:17):
So did w did that? What didn't come from you
didn't come from anything? Drive getting from black dude? Yeah,
they did come from a black dude. One of the.

Speaker 1 (12:28):
Guys who who who that was? Uh uh paint that
was painting. A lot of them died. M that one
of his guys that was with him, well he was
with him when he passed away. But now he do
he still do his thing, Maurice. That's who doing my Chevy.
It's gonna yes, it's gonna be. It's gonna be. It's

(12:50):
gonna be one of the ones. And that's the Jeans
that started. Now you know, we get to talking card ship,
but you remember that who was some of the people
in your neighborhood. What they had growing up there, that
was just like hit the block everybody. Nigga used to
have the Bronco. You hit the corner in the Bronco
Chevy bronk was crazy. There was a four Broncos. They

(13:13):
used to put them up on the big nobbage and
those had the window that went down in the back
of you win the boom boom. Nigga hit the corner
and thats my god, damn them motherfucker was crying.

Speaker 2 (13:29):
And the uh.

Speaker 1 (13:31):
Ni Central trucks, yeah, a little bit long, the long beg.

Speaker 2 (13:42):
Not that.

Speaker 1 (13:45):
Central truck, small truck with the long big man niggas
big crazy about centralized. They get the bed done. Had
that is laid out with the customer biggas all that
that's parked. That motherfucker then make the bed raised up

(14:06):
on motherfuckers.

Speaker 2 (14:11):
Yeah you know with Chevy.

Speaker 1 (14:14):
Uh you know el Cominos too, that all el Cominos
had monster beat.

Speaker 6 (14:21):
Uh.

Speaker 1 (14:22):
It was it was a lot.

Speaker 2 (14:23):
Did the fathers come in and play?

Speaker 1 (14:25):
That was always in the place as far as I
can remember, like even before I was born. Ship man,
you know how long the strum.

Speaker 2 (14:36):
Just meet this nigga.

Speaker 1 (14:37):
Oh gee, nigga, motherfucking doctor Dre video none but Jesus,
this nigga looked like he had most fun than anybody
in the whole video.

Speaker 2 (14:50):
Bro, did this nigga?

Speaker 6 (14:52):
You look like it.

Speaker 1 (14:54):
I never even knew that nigga name. I was like
that nigga had fun.

Speaker 8 (14:57):
Bro.

Speaker 2 (15:00):
It was holding the.

Speaker 1 (15:00):
Blunt like this to all the people who never saw
what Warry was holder than that video was a plug. Yeah,
I start before they edited out nigga the head holding
the but it looked like you the latest week. Oh yeah,
now tell me about that day before we even get
in this ship man, we was having falls.

Speaker 3 (15:19):
It looked like it all the hose wasigs on the grills.

Speaker 1 (15:24):
About a bad, bad motherfucking beautiful women. I was say
bad bitches. There was a lot of beautiful. It was
beautiful and yeah yeah yeah, it was all above and
the vibe. It was just just just it was a
fun time just to you know, be with all my guys,
uh and knowing that I you know, I was a

(15:46):
part of all of the ship that went down. So
I was in a moment when I grabbed that motherfucker.
I'm like like like, yeah, nigga, they flashed, they got
her go, and uh, you know, it was it was
just a moment that that uh that I was, I

(16:07):
was had. I was having a lot of fun. I
was a fool back then too that I ain't gonna lives.
This ship still as fun like before the money came
right now, you know what I'm saying that from that time,
uh what you was talking about like that day, but
in that period before you got on with was the

(16:28):
ship still fun?

Speaker 9 (16:29):
Yeah?

Speaker 1 (16:30):
Fun as fun? Yeah, I mean all of it, like
the whole journey to right now sitting on this couch
and all that ship has been like fun. I've had
ups and downs. It's you know as far as like
just ups and downs period like what we go through
in life. But the ship is just always has been

(16:55):
incredibly funny. But like when I go on tour, when
I be on tour, on the road and ship it
and like I was telling guys earlier, like just the
crowd that's there knowing everything that you I mean, these motherfuckers,
you're like, what the fuck you know every goddamn thing
that I'm doing on this motherfucker. I thought there was
gonna be some more people coming in here that don't

(17:16):
notice learning, But it is just a nostalgia. Just everything
about it is just uh, it's hard to explain, but
it's it's fun as fuck to me because I get
to give back to them, those people who who made
me who I am. So I get on there, I
tell I give them the music, I talk ship to them,
have a good time and just fuck with them. We

(17:40):
have a we have a ball, you know, and anybody
who've been to a warranty show, y'all know what time.
But we have a great time. Yeah, now stop, man,
You're gonna go down as one of the coolest niggas
that ever came in the game. That you don't have
a career as long as you can have, I can't

(18:00):
think of seeing you not in one G models, Like
I ain't seeing the nigga yelling at nobody.

Speaker 2 (18:07):
You know what I'm saying.

Speaker 1 (18:07):
I ain't seen the nigga go off or come out
of characters it like I remember watching the documentaries and ship.
You know, he was always some ship. I try to
stay away from the cameras, but you know, the nigga
and the crew that just keeps some ship. Your name

(18:29):
always come up in the ship warrant with all the week.
Are you doing this on purpose? You the little brother
and the crew A what you just always guess my
jinx and ship going Yeah, one G lefties holes in
here like you was always the nigga. You just the
nigga that got blamed everything. No, I was just chilling. No,

(18:49):
I was what the business just. I just wasn't like
you know, I'm a chill and just analyzed before I act,
you know, So I'm just killing. I ain't tripping off
or nothing. You know what's going on? But uh, I mean,
you know, uh I just like to kill with you know,
I don't really I don't like to get in no

(19:10):
static with nobody, you know, nothing like that. But I
ain't that That don't mean I'm a buster. I ain't
gonna sit up there and just let a motherfucker say
or do anything. But I'd rather diffuse before it turned
into anything like we don't even go there, my bad man. Cool,
I'm I'm hey. I'm gonna keep it pushing, And now
if they want to keep gigging it on, it's like, look,

(19:32):
I just said I'm cool, you know, keep on, you know,
and then that's what you gonna get, what you do,
what you're asking for. And I'm not trying to go
there with nobody, but I'm just I just like to
be cool with everybody. Yeah, so cool. That was one
of my nicknames. I believe that because I mean a
lot of a lot of your rights, you say, our
own ganging and ship like that, be around a bunch

(19:53):
of gangsters and ship. Though I was able to have
a career so long, but right there with the gangsters,
and it ain't never been like I'm mo, you got
to make a decision. I was born. I was born
in right there where I'm from, Loan Beach, California. I
was born in it, so I can't say I'm from
here there there. I was born in that that whole

(20:14):
area that culture right there. I was born in it.
Can't nobody tell me ship none of them motherfuckers down
there if you ain't the a lot of no you know, no,
you know that I'm original Loan Beach. It's some it's
some motherfuckers that ain't. But I can't nobody tell me
nothing because I was born there, raised there, everything I'm

(20:36):
I was born in it. I just choose not to, uh,
you know, move going that route and you know, go
move in that route. Back in the day, Yeah, I
was with the business. I was mashing with everybody, you know,
you know things you know I was, you know, I was,
I was active, uh in every way that I ain't

(21:00):
gonna love it right that way. Gee, but uh, I
told this, I just showed. That's why with me and
Snoop the way I told Snoop, we got to like,
do you see as a real story, I was like, nigga,
we gotta switch, We gotta flip this should and go
this way because if we keep going that way, look

(21:20):
at everybody that were with twenty four to Life, twenty
five to Life ten fifteen, all these niggas getting some numbers.
Let's go this route for me and you don't get it.
They're all our whole boys and then then graduated except
for us. But we was county down. We was up
in and out, in and out in and out of
the county jail. But that's why I said, we got

(21:41):
to move this way, nigga. We just started pushing. Snoop
came on here. He told us that you had the
motherfucker phone line. The voice mail. People used to just
call the voicemail and stay crazy shit all the time.
That probably was the hot line. The hot line, and

(22:01):
a lot of that ship made the seven six seven
seven o nine six seven oh seven, OK. The radio
used to have That was like the intro. But they
were pushing and then you called that was a commercial
on the on the radio. So we called a number.
And when you called it a party line. So you
talking to the niggas from Long Beach comped and watch

(22:25):
l A, Sam Bernardino and everybody on that motherfucker talking ship.
But already but you meet girls too, and they say
they number, motherfucker get the number and do do do
too down and and end up connecting through that. It
was a cold you.

Speaker 2 (22:46):
That y'all had to get hold of. That look down
up like hop.

Speaker 1 (22:53):
You down on the ship. You uh, but it was cool.

Speaker 10 (23:00):
It was fun.

Speaker 2 (23:01):
It was it was, it was, it was.

Speaker 1 (23:03):
It was a lot of fun.

Speaker 3 (23:04):
Holdo, So you gotta you gotta bring it down because
a lot of people don't have like that that callie understanding.
Like Long Beach is different from you know, Hollywood at
Los Angeles.

Speaker 2 (23:15):
Yeah, it's the same. It's the same.

Speaker 3 (23:16):
But you know when the mother would be like, oh
you from Los Angeles, now you quick go let them
know off Long Yeah.

Speaker 1 (23:22):
Yeah, I mean we we just we just we're from
Long Beach. But that's that's our ship that you know,
our like like how everybody claimed La with this Loan Beach.

Speaker 2 (23:33):
This was like that's us.

Speaker 1 (23:34):
That's like our own island over here. We we you know,
that's that's just how we are. We we we don't
we don't. We don't go nowhere and star ship, but
we we we were in some ship for real that
these come up out. They're heavy and everybody from l
a wash company everywhere. They'll tell you every nigga that

(23:55):
they know a Long Beach that they was being locked
up with has squabbles old stun Now, I don't know
if I'm sure something that they probably got beat up
or whatever, but they still they still with the best
in there. Yeah yeah, big bouncer.

Speaker 2 (24:14):
Wow, it's wind the music coming, bring it back? What
hold up? Dud S warm Z the cool mister kool man.

Speaker 6 (24:23):
Uh.

Speaker 1 (24:24):
Music always been with me to my parents, just being
at home and listening to the music that they plan
while they you know, with your mom's cleaning up. You know,
they like to play music and ship, so you get
used to the music that they playing. My pops, uh

(24:44):
was he loved jazz a lot. So when they separated,
I used to go to his house and he listened
to jazz with him. He'd be smoking bud and shit
got you know, having friends and shit coming through. I can't.
I can't trip.

Speaker 2 (24:59):
Y'all.

Speaker 1 (24:59):
Ain't the gether. But you know, but he was respectful.
Uh and those those from that too, you know. And
Dre also Dre being an inspiration as well because he
was a d J you know once my pappy and
was married to his mother.

Speaker 2 (25:19):
Uh wait a minute, wait a minute. Wait, he ain't
know this man.

Speaker 3 (25:23):
Come on, man, I'm a real I'm a real West
Side Atlanta.

Speaker 2 (25:26):
He's I'd have heard about y'all. I don't know that
about y'all. Doctor Ray brothers.

Speaker 1 (25:34):
Yeah, wish step brother. I mean, we we've been together
all our life.

Speaker 2 (25:38):
But even know this man that's look like homeboy, like
a boy fucker, bro.

Speaker 1 (25:50):
But we grew up, we grew up, We grew up together.
I was a pup just like like, like I said,
he was an inspiration to me because I didn't have
big brothers. I had only big sisters. But my sisters
was thugging still. They were stugging too, and uh, just

(26:11):
looking up to him having a big brother. Uh and
Tyree with my other brother looking up to both of them,
and then my sisters as well. So it was just
I was trying to follow all what they were doing.
I was the pup up under them and he was
DJing and I asked to show me out to DJ.
So he showed me out of DJ and I called

(26:34):
on to it and I started, you know, started learning
more about it and just start digging into the records
and from that from him to my parents, all that
just all like form who I am to where like
because you were here and most of my music you'll
hear more of a soul fulfilled in it. Uh, but

(26:56):
I do do some I do some hard ship too,
but it's gonna have a certain vibe to it to us,
like damn, Okay, Warrant did that because I like, I
like to put that. I can't explain it. It's uh
just a good feeling. I like this and that's that's
what I'm about. That's what the g Funk Era is about.
This cord strength, we bring melody, rhythmss life.

Speaker 2 (27:26):
Hey man, welcome back to eighty five. Yes, sir, hey DC.

Speaker 1 (27:31):
Today, we gonna keep the whole street going because you know,
when we bring gainst in him, we don't bring nothing
but ghetto less about I'm talking about real good old legends, man.
And if you don't know, now you know, DC just
got his mind blown because he didn't know Warren G
was Warren G. This is motherfucking legends, Bro. He came
out the game with a classic. I'm talking I came

(27:52):
straight out the gate with a classic, Bro, What the
fuck are you talking about?

Speaker 2 (27:56):
No, I didn't know whom this legends.

Speaker 1 (27:58):
One of the coolest motherfuckers in the world got his
own era. The g Funk Era was in a group
with two of the coldest motherfuckers that ever want his
ear bruh, hit after hit. You know, I mean, you
love me? Probably the reason you smoke weeds right now,
none other than Warren G.

Speaker 2 (28:20):
Capital.

Speaker 1 (28:29):
We can't thank you, Yeah, you can't thank you now.
You know how I got in touch with him DC
one morning, smoking weed, listening regular regularly, and I tweeted,
I said, why why the fuck was Warren g right
around in the hood? See the dice game?

Speaker 2 (28:51):
Some niggas you.

Speaker 5 (28:52):
Don't know, get out the con stay with the right.
You want to get some man crazy.

Speaker 1 (29:03):
That's like, look what let me get in there? Hey man?
That song right there, it's a classic. It's got a
legendary West Coast sound. When you're here, you already know
what it is, and it's what your partner on the hook,
none of the others in the legendary Nate doog. And

(29:26):
then I was asking you earlier, it's like you took
a different perspective on that. The rapper always the hero
in the song. He had slapped all the niggas and
got all But you took the flip side. What made
you take that approach to the to that yes, let
your protoner be the hero. That's you ain't gonna see niggas,

(29:47):
Uh just telling I mean telling us just how it is,
just not being you know, like on no bullshit, like
you can't win the mall, you know what I mean.
So I I wanted to tell the story as far
as just like having a good time, and then they
get you know, messed up on some just random hoods

(30:09):
shit motherfuckers get the tripping. But actually that that story
was some things that happened to a couple of my homeboys.
And I told her that. I told her just I
went just a little different with it, but it was
a story that happened like that really was some of
my homes getting jacked. Yeah, the crazy thing about the ship.

Speaker 2 (30:30):
If you broke the.

Speaker 1 (30:31):
Story, I couldn't. I couldn't tear the head off the
downland by land. Though the whole story is sounded believable
and real. The nigga was getting jumped.

Speaker 11 (30:44):
And said, if I had wings, hey, you gotta think
out If I had I gotta think out about it.

Speaker 2 (31:03):
You gotta think.

Speaker 1 (31:07):
Like god damn, if I had ways, I could just
get the funk out of here right now.

Speaker 2 (31:13):
What the goddamn.

Speaker 1 (31:18):
But that's it's like the day for warranty. That song
so believable, bro, every land in that month. Yeah, because
you told every detail that needs to be told. Yeah,
it's a clear black.

Speaker 12 (31:30):
Yeah, he was on the streets trying to come through,
trying to consume. But you know, my other favorite line

(31:50):
in that song too, like the mention was was was ladies.

Speaker 1 (31:54):
Yeah, that's why I was saying. My favorite land in
the song though, it's the second verse when you come
in and he said, Now, Nate, that the freak because
you know this, this is the world introduction that.

Speaker 2 (32:08):
Yeah, niggas, you ain't know this. I need to tell
you that.

Speaker 1 (32:13):
Came out. Yeah, I'm not gonna lie. Neighbors, neighbors he was,
he was, He had her, he had him, had him where.
It's like you and Nate Dog couldn't miss together like
this nigga was so good that singing. You asked this

(32:33):
nigga to do something, You just tell him to go, Well,
just tell him to go. I'll give him the concept
and he'll go from there every every time.

Speaker 3 (32:43):
So break it down, like you know, back then, niggas
was saying, but niggas want sank you know what I'm saying.
But then y'all had a representation of who's gonna be
saying like he was your future.

Speaker 1 (32:52):
Yeah, like how would look at he really was the one? Yeah,
he sing the whole West Coast. The cold thing about
it that he he would he would do like a
like a rap sing type of style. That's like if
you listen to a style one of the you all
of you hold no, what's up with? That's like rapping,

(33:14):
like all of you hold no, what's up with? Two?

Speaker 9 (33:16):
One?

Speaker 1 (33:17):
Three? Then he put the singing on. He said what
I mean? And Nate was kind of like a like
an opera singer, but.

Speaker 2 (33:29):
Exactly uh.

Speaker 1 (33:34):
See what I mean, Like when he was on the
get on the song writing in my car, listening to
the radio, everybody doing sad girls, saying that man that
that he was, he was a ghetto opera singer, like

(33:55):
everything sounds like you lick my ball. We don't even
get this sounds not at all that nigga?

Speaker 2 (34:07):
Where go the niggas who we thinking? We saw we
do play?

Speaker 1 (34:14):
When we hold rocking the whale falls off?

Speaker 2 (34:16):
Hold up? Where who who?

Speaker 1 (34:22):
Tick up?

Speaker 6 (34:25):
Hey?

Speaker 3 (34:27):
Yeah, well we would not do this, they swigga, Look.

Speaker 1 (34:39):
Give us, give us one of your favorite nig though
we was in the studio uhh. We was recording, me
and him, just recording a bunch of records. We were
actually doing an album together, just working and we kind
of got into it and uh, we got into it heavy,
like you know, talking a bitch. I said, Nigga, you

(35:04):
a bitch. It was it was I don't know what.
I can't remember what what what We got into it over. Uh,
but we both we went there with each other, so
you know, he he he left. I left. It was
my studio, so he left. I left. So next day
I get in that motherfucker and I'm in there, back

(35:26):
to doing what I do, create music and ship, just
doing this. So the nigga called me. So I asked
the phone, like Nigga, what's happening? Like, what the fuck
you want? Nigga. He's like, niggah, like what's up. I'm like, nigga, you,
what's happening?

Speaker 2 (35:43):
You tripping? Like Nigga, your motherfucking nigga? You talking shit again?
So I'm like, nigga, fuck you. He's like Nigga, fuck you.
And he's like check this out. What time we getting
in the studio? And I was like, Nigga, fuck you.

Speaker 1 (35:55):
And I said Nigga three o'clock, Come on down, let's
get in this motherfucker nigga. That whask my guy?

Speaker 2 (36:00):
We we did.

Speaker 1 (36:02):
We we would talk ship.

Speaker 6 (36:04):
Uh.

Speaker 1 (36:04):
But at the end of the day, no matter how
much should we talk to each other, we were we was.
We would always in that ship. Just jump right back
into what we were doing. Uh. Because he used to
piss me off a lot. I ain't gonna lie about
that because when we're working one God damn it, you
need to cut that ship out because he gets up

(36:26):
were then throw motherfucking nuts with this motherfucker. Just talk.
He he be like, wan, go order Nate, what you
want me to do? Kill a motherfucker. He usually want
me to really be tripping on motherfuckers. And I'm like, Nate,
you already know I don't get down like that. But
but that we you know how it is when we

(36:46):
get in, So you don't don't you already know? But
we we we used to have a ball. Uh. We
did a song called Joystick playing the video game. This
nigga said that stopped the music. The beat was already playing.
It's a song that we got called Joystick on a

(37:08):
lot of people may have not heard that it was
on the two one three album that HA got shut
down through whatever business ship. But we're gonna be just
going back on go back on DSP So that's gonna
be dope when people get to hear. But that that record,
it was a song called joy Stick.

Speaker 6 (37:26):
Uh.

Speaker 1 (37:26):
We playing the video game. They said they said stop
the stopped the hold of a pause the game because
we battling on the on the video game in the
in the lounds. So he going there and told me
told my guy said, they said Greg played this play
the uh play that back from the top. So he
jumped in there. The nigga jumped right in there and said,

(37:47):
she said she wants to ride my joystick. We was
just he he went off of the joy stick that
he asked she won a ride my joystick, and we
he built all of that off a joystick. And it

(38:10):
was a record that's another ain't no fun type of record.
That's how dope this nigga was. He was just he
was dope. When did you know the regulady? I knew
it was a good record, but I didn't know it
was gonna last this long, be this big.

Speaker 6 (38:28):
Uh.

Speaker 1 (38:29):
It's like it's it started all over again, like right now,
I just I knew it was a good record. It
was a good record, it was dope, it was sounding good.
Everything like had all came like came together as far
as from me sampling the young Guns. And what was

(38:53):
crazy about that is that I was just looking at
the movie because I love that movie. And when I
heard the motherfucker say red, he said, we worked for
mister ten Dale's regulators, I said, WHOA. I looked at
the numbers. I wrote him down where he started that,
and that I listened to the whole conversation. So I
took the uh R c A cables out of the

(39:15):
R out of the v c R into my NPC
sixty and I sampled each part of that to build
that intro on regulate, And from that intro, they're along
with the beat already being put together. Because that's what
we used to say, we're gonna regulate this. We're gonna
regulate that. That was like the word around, like the

(39:36):
like around our crew, the whole death Ro crew. We're
gonna regulate that. We got to regulate this. So when
I heard him say that, I put that whole shit
together as an intro, and that's when I knew I
said this ship is gonna be monstrous, but I didn't.
I didn't think it was gonna go that far. I
just I thought it would just blow up in La

(39:58):
you know, cause that's I didn't care about. No, I
want people to hear my ship.

Speaker 8 (40:02):
And uh.

Speaker 1 (40:04):
When that ship got the cracking and the first tour
I went on with r Kelly, Uh heavy D, the
Brad uh and Jermaine Dupree Aliyah, we all was on
the same tour together. That ship Praise like to come
out and all these motherfuckers was singing that ship. I
was like, Wow, this ship is crazy. And uh we

(40:29):
had yeah, we had yeah, yeah, you know a lot
of us starting uh. Uh My era was out cast, me,
out cast, Brandy Uh, the Brad, Jermaine du Pree and
the jamainea Free and the Bradla well uhsher Aliah Aliyah.

(40:50):
We was all in the same, like I said, the
same class in the same time. Biggie Biggie was in
there too, because he came right in that era right
in my ear. H.

Speaker 3 (41:04):
I mean you you got a lot of hands on
with the bottom insight like this ain't just like somebody
just stayed over there. No, mom, no, the insights you're
talking about. Now, I'm here, got there your brother damn
that that's your brother.

Speaker 2 (41:20):
Brother. So when the n W A kind of like started,
like you was there to hear as C I.

Speaker 1 (41:29):
Did a skin on on Niggas for life, just like
like on the chronicle I did, right, I did skin
on uh Niggas for life. If you listen to Niggas
for Life and you hear the young dude that's on
the telephone like talking to the poor, make your motherfucking

(41:50):
answer right, that was me. Okay you think I was
about I might have been like seventeen, seventeen or eighteen
around that time. Yeah, and uh that was my experiences,
uh with with you know, with with all the county ship.
But uh I was hanging around.

Speaker 3 (42:11):
Uh how tough was it to be that vocal knowing
like they was not like going crazy like going gets
the police out that, but still like representing the you
know what I'm saying, the city.

Speaker 1 (42:22):
But that was tough. That was that was I didn't
I didn't give a fuck. I was riding with him.
Whatever they was on, I was on, like, let's let's
do it. Whatever whatever we do, let's go. That's how
how much I was, you know, and then d O C.
I was like, oh my god, I fell in love
with with his uh artistry, you know, just how dope

(42:42):
he was him. And then above the Law, which who
took me in? Above the law took me in? And
that's where that was G funk. They started that straight up.
I'm not gonna sit up there and try to say
I did everything. What I did was I took it worldwide.
I've let the world and you know what time it

(43:03):
is with G funk era, which here is a part
of the G funk, but mine's created in the new genre,
a new genre of music, a new style of music.
But you still have this G funk over here, which
these guys what made me a part of Recipe to
gold mac recip laylock in Cocaine, KMG, recipe total chaos.

(43:29):
That was my guys. They took me and I lived
with these niggas like when I didn't have ship, like
you know, yeah, my guy, hey, what made you brother?
It was always dope, jolly branches, tower, jolly gran Man,

(43:58):
Oh my teeth gone. I came smiles up in there
their motherfuckers and knocked everything I got. I gotta get
a couple of implants. Bag Ooo. They tored me's like

(44:18):
my wizard teeth. Everything is all all my gun. I
didn't I'd have been contemplating, uh, because I go to
the dentists and they do everything they do do the
three of these and all that, and I'm like, man,

(44:40):
you're talking about you want to screw this thing? Gray
and Gray give me some of them little things with
the tooth on the.

Speaker 2 (44:49):
Alright, but sounded like I'm good.

Speaker 1 (44:51):
I said, I'm gonna try it, all right, all right,
welcome back to day myself.

Speaker 2 (44:55):
To man, you know ship.

Speaker 1 (44:59):
People that real warrant G. Man, Man, I wanted to
ask you if somebody who who was out there when
this ship was going on? Man, the riots he was
at the LA rad Yeah, give me a warrant G
perspective on the l A Rads. Yeah, they was fun.
Every guy, I ain't don't lie. It was fine because
you had like uh, you had cribs, bloods, uh Mexicans

(45:24):
all together. It was a peace treaty out of this world.
So every like neighborhood, everyone was throwing parties. Here's a
party in such and such. Who's a rival with this
this set? Parties in neighood. Fami is a party in
this hood. Everybody together. Boom, that ship ain't ain't never happened.

(45:46):
I mean everybody's parties alone, which were this many different hoods.
They don't get along, but they all here partying together,
niggas shaking, lugging and all that type of shit. It
was crazy, and uh, you know, I wasn't like cooper
active with the looting part. But me, I'm gonna say
me d o c and ice t me d o

(46:07):
c ice me d o c ice tea. It was
doing an interview at at uh kJ L on Cranshaw.
We needed some beer, so I said, I'll be right back.

(46:27):
Went outside. Boom, I went down to the liquor store,
walked in that motherfucker. Hey, that motherfucker came back to
them niggas with the beer, and they looking at me
crazy because the way kJ L was, it's a window
and they they you know you cause they reg you
interview all that ship right there. They see me come
run by and I'm back in there with the beer.

(46:50):
Let's drink. Ship got it that fast.

Speaker 2 (46:53):
But to.

Speaker 1 (46:55):
Explain the fault, yeah, old English shade hunted or yeah,
you had old old English State hundred you had, Uh,
let's have one yet? Crazy Horse. I don't know they
had Crazy Horse.

Speaker 2 (47:09):
Uh.

Speaker 1 (47:14):
It's like it's like maybe three tall cans or four
tall cans is just one bottle. They even had a
four ron. Yeah, I wish I could find one of those.
That's a classic. That's an antique. Right now, nobody would
believe that the Old English State hundred and Crazy Horse,

(47:42):
and uh, I think that was the last one.

Speaker 2 (47:46):
I came in.

Speaker 1 (47:50):
Forty five was probably before them, real yeah, but before
Old English.

Speaker 2 (47:55):
And over here for a nigga was drinking the coat
for the fire. You gotta watch you and it's not
is malt liquor beer?

Speaker 1 (48:03):
Well yeah, this ain't just this is malt liquor. It
ain't beer.

Speaker 2 (48:07):
Yeah, there's different between looking and bis.

Speaker 1 (48:09):
Man, it's got a higher alcohol, stronger than beer. That
ship had you up so and then you definitely don't
need for the answers of this ship. Motherfucker's used to
mix Old Old English Shade hundred with orangeisco. Remember, yeah,
that liquid sar that's what they called it. Yeah, yeah,

(48:32):
damn yeah drink dang. I'm far from that, man. I
I me a shot and a couple of beers. I
tried to come after adapt that form. Yeah, we good
enough for me. I ain't gonna lie. I shut it
down for like not too long, like great soon as

(48:53):
the holidays came.

Speaker 2 (48:55):
No more, come on this, ain't even put it right
in front of you. Please, someone steal for you know. Yeah,
that's a baby shot, baby shot, you know.

Speaker 1 (49:10):
Yeah, I can't do that.

Speaker 2 (49:12):
You know you was a drinking before.

Speaker 1 (49:14):
We'll see now y'all got me.

Speaker 2 (49:17):
We're gonna drink now, one thing about it. We're gonna
get to dinner.

Speaker 1 (49:22):
Drinking water, like.

Speaker 2 (49:26):
Stay away from you. You gotta it.

Speaker 1 (49:28):
Uh it's I did it, you know I did it.
But I'm about to shut it back down again because
you know, uh it, you know it don't really do
a whole lot for me anymore. Yeah, I just speed
up on the week.

Speaker 2 (49:46):
Speed up. I see your blood.

Speaker 1 (49:48):
I got fat smoke, I see. Let me bring that
back up. Guess who had one of the first Weeds songs,
one of the biggest Wiede songs up out of California.
Oh warm, mother fucking ja. See, niggas don't even we

(50:09):
do what end those smoke was? That's that?

Speaker 2 (50:12):
That that was?

Speaker 1 (50:13):
That was that was the That's what actually put me
in the game. Endo smoke put me in the game.
That was like, well, actually, I take that back. Supacing
Breed was the very first production I did. I was
gonna ask you about the day when you when did
you start producing? If the Good Doctor showed me out,

(50:34):
just like he showed me how the DJ nigga told
me how to sample on the NPC sixty and uh
from there, once he showed me, I was just like
I just went into go go, but we started topping.
When did you know they learned?

Speaker 2 (50:51):
Like Doctor Straight was crazy like you was like old
love bro.

Speaker 1 (50:54):
He always was dope, from d J in to doing
the music for the World Class Wrecking Crew U. He
was just always he was always dope. I just I
just I mean from what he showed me, then I
just went and just on like in a whole nother zone.
That started putting ship together. That's why what on the

(51:17):
chronic I would do. I would do the samples and
then I would take it to him like look this
he was like that shit is dope. Boom boom boom.
Let me it was. It was a record that we
had had.

Speaker 6 (51:36):
Uh.

Speaker 1 (51:36):
I still got the record in my in my stash.
Uh it was called a dub record, so those little
parts were in there. So but he's such a genius.
He took those little parts and he put the music
that go with it up under it. And that's how
let me Ryde came together. That ship was I said,
this nigga, dope. I did my part by bringing the

(52:00):
nigga this ship off and uh, he took it and
took it to a hold on a few a few
of the records on that album, a lot of records
on that album all the way to skits.

Speaker 2 (52:11):
You know.

Speaker 1 (52:12):
That was my job, you know, to go get the
records to dig. So I went to the best of
what I could find, like wherever, just to dig to
find records to help this nigga be successful. So and
that's that's what I did. Ye got that sound, bro,

(52:32):
where it's like it's a distinctive sound where you yeah,
you know what I mean. It's it's damned thar what
you considered like the sound of the West. Yeah, we do,
we do ship. We do ship. We was doing ship
just like on the spot, like like that's like the
skit I was talking about the D's Nuts skit. That
ship was off, Like I told Drake, turn the MICU.

(52:53):
You know that that ship has went a billion times
like them in the black community. I don't know if
we'll ever have another hit as big as that one.

Speaker 2 (53:03):
That one.

Speaker 1 (53:04):
Never, that's one of the ones that they're gonna never die. Never. Man,
you can always catch somebody.

Speaker 2 (53:09):
With that one.

Speaker 8 (53:11):
Yeah.

Speaker 1 (53:12):
And I called my homegirl with it. I told her
straight when I said, Drake, turn the mike on. We
had a little stool in the in the uh in
the micro booth, so I went right in front of
the mic, turning mike on. I said, I'm gonna get
my homegirl. So I called her and it's just talking
to her on some regular ship. It was just like, hey, hey,

(53:32):
to watch it ain't even get at you.

Speaker 2 (53:33):
It's like, oh jeez no. And that was it. I
think that was the first word I ever found out.

Speaker 1 (53:43):
Man, that ship went crazy. That ain't so crazy today.

Speaker 2 (53:50):
I got my head. Who when I said that ship
I was in third grade?

Speaker 1 (53:55):
Oh yeah, but it's it's always it's always been uh
fun like like we like he was saying, like every
every every moment we uh well, he keep Tupac came
in the picture as far as in my in my life,
Uh through MC Breed, DLC and Rodney G. They called

(54:20):
me like Warner, you got some beats. Uh Rodney managers
m C Breed and he want he want want some
beast for his record for his album. So I was
like hell yeah. So I just started putting ship together,
you know, putting beach together. And then when I got
to the studio, I played the beat.

Speaker 10 (54:40):
Doom boom boom boom boom boom boom boom boom boom
boom boom boom boom boom boom boom boom boom boom boom.

Speaker 1 (54:51):
But I had to do. I had the beach, the
drums riding up under that motherfucker, and uh Breed heard
it and and he called Tupac and then Tupac came
in that motherfucker. Oh my god, damn, because that was
when Soldier story was cracking. So I'm like, damn, this
is the nigga that do Soldier story. This nigga hard
as fuck. So he came in there. He had his

(55:13):
little being, he on with that little shit he used
to wear, and he bouncing. Hey, nigga, came, I keep
my mo on on my money, money, you're my mom
figger room, the trigger nigga had on one now smoking blocks,
stunk and making holds of punks and on the younger
ground fuck pupping out of my truck. I said, God
damn lit his life as a hustler, I till I die.

(55:33):
Mean bitches getting riches missed me with lives pitting me
living now my life as a buster. I rather pop
up a shot from a gluck and blast motherfuckers.

Speaker 2 (55:42):
I let it.

Speaker 1 (55:43):
I said this nigga hard right here, I said, I
mixed the motherfucker on the spot. I didn't even know
how to mix that good, even though I, you know,
learned a few things from Dreke, I didn't even know
how to mix that good. I just started e qing
and putting Blake ol here with drums, gating shipping. So
I mixed it right on the spot too. So that

(56:04):
was my first introduction into to uh, you know, people
really knowing who I am as far as a producer.
And then from that after that, uh, I did endo
smoke that happened on a humbug, just going to the
studio fucking with Snoop and dra now John Singleton and

(56:26):
Paul Stewart in the studio. They was like, we're here,
We're doing a soundcheck soundtrack for Port of Justice. Like, man,
can I play something for you? So they were like ship.

Speaker 2 (56:36):
Yeah.

Speaker 1 (56:37):
So me and Paul went to the car boom I
played the end of Smoke started that motherfucker. He said stop,
hold up, can I have this? I said, yeah, go ahead,
but you got to give me my ship back, you know,
like give my ship back. You could take it. And
they called me like a day or two later, and
it was like, we want this to be the first

(56:58):
single of the Porter, just the soundtrack, And I said what.
I didn't have no money nothing, so, you know, just
to get that check and just to just finally get
a little bit of change, like I made something off
of off of the Tupac and breed. It wasn't like
a whole bunch, but it was enough, you know to
where I was like, damn, I bought me a bucket. Uh,

(57:21):
gave my sister some money because I was living with her.

Speaker 6 (57:24):
Uh and uh.

Speaker 1 (57:27):
But but but that endo Smoke opened up, you know
that that that was a difference. That was a bag plus.
It was something that I loved doing, and they blew
it up and Tupac was on the same UH movie.
So when he heard that I did UH and that smoke,
he was like, damn nigga, like he need to do

(57:49):
that for me. But I wasn't really tripping off for Tupac.
I mean not tripping off them. But I wasn't like
I didn't know that, you know. I didn't like I
knew he this is the Soulder store, this nigga dopet fuck.
But I was like, I wasn't. I'm like, damn you
trying to get yourself, he called me.

Speaker 2 (58:08):
I didn't even know.

Speaker 1 (58:08):
I thought it was some bullshit. I was like, this
ain't no motherfucker Tupac. And but I met it, you know,
So I'm like I didn't even thinking this nigga like
my ship like that. So he was like, this he
is Tupac. So I hung I swear I hung the phone.
Swear the guy that hung the phone up he called
me back. He said, this is Tupac. He said, Warren,

(58:29):
this is Tupac. You did the song and those smoke
on the porty, just the soundtrack and we worked with
Breed and all that stuff. This pot. I said, God, damn,
this is pot. So he was like, and you do
something for me for the porty, just the soundtrack. So
I said, hell yeah, hung the phone up, grab my
motherfucking uh my n PC sixty, grab my creative records,

(58:53):
grab my strap. Jumped in my motherfucking rigo and shot
straight up to Echo Sound. Went right to Echo Sound,
opped in there. I popped in my disk and started
playing different beats, bouncing around, and then I played I
got around. He heard the one that we did. He
was like, I like that right there. So took that motherfucker,

(59:15):
added some different drums and ship to it, and then
I gave it to the engineer, told him, okay, we
got to record into you know, it's trying to record
on tracks, so all that simpy and all that shit.
We had to do all that. So we got it
in there, and me and him had a conversation because
he said one of his homeboys had got got smoked.

(59:39):
Well this is why we was in the studio, and
uh so he feel he was feeling bad. He was
fucked up. So he was like one, but we we
this way, let me go, let me go here. First,
we was still on a definition of a thug. We
had a conversation about everything that was going on. He
was asking me everything what I was going going through

(01:00:00):
in my life at the time, like just like, Nigga,
what you going like, what's up? Like kind of shit
I was going through. So I told him everything I
was going through, from not being with death Row and
snooping them like kind of being on my own, feeling
like I just got I don't know what happened. I
got left out, but I was just kind of damn
and so everything I told him about that that night,

(01:00:24):
that that, you know, the things I was going through.
He took that ship and he went in that motherfucker
and cut the cut the uh the music. I couldn't
hear what he was doing. It was just him and
the engineer. That nigga laid that shit and probably, like
I swear about what the guy about, maybe forty five
minutes came back out and then he turned it up

(01:00:47):
on the speakers and I heard this, and I'm listening,
I'm like, damn, this nigga hard as fuck said this.

Speaker 2 (01:00:52):
Nigga waite a minute.

Speaker 3 (01:00:53):
He said something.

Speaker 2 (01:00:54):
About what I've told him on.

Speaker 1 (01:00:57):
But he just said exactly like I said. When he
says about the four five because cause the slugs getting big,
because I told I had a forty five with me.
I told him, I said, I had my ship right
there with me, and uh he he took a lot
of that ship and put it in the fucking song.
I couldn't believe that ship. I was like, this nigga

(01:01:18):
as hard as fuck, and then did put his ship
with it. It was it was dope. And then the
ship happened. When he gets they called us, uh Siking,
all them call telling them about their home his homeboy,
and they all came up in there. He was like, one,
you got some force. I was like, hell yeah, and uh,

(01:01:40):
I flipped it was a record I flipped already, but
I just felt like that would be a good one
just to bust over, just to speak on your homeboy.
How long would they warm me? The boom boom boom
boom boom boom. I flipped that, which I flipped already.

(01:02:02):
I flipped that already, but I just did it to
him like on some mixtape type thing. Let's let's do
it because this is the super saucer so bad boom.
So he took that and he was like, man, I
need to do a hook. So I said, I'm gonna
call Nate. So I called Nate to old Nate, niggas,
Pop wants you to get on the hook. Come up here,
come nig moved mouse seventeenth freeway, Get on the da Dad,

(01:02:27):
because this one navigation wasn't in there, so we gotta
tell him. Take the seventeen freeway, get it, get on
the fire and then get off from lost feelers. Make
the right down the district. Yeah, then it's down the
streets from the KB. That's that's that ship was a trip.
That's that ship was crazy. But he used to get
around with no motherfucking GPS man, no GPS. Now it's like, damn,

(01:02:50):
let me.

Speaker 6 (01:02:52):
Pull it up.

Speaker 1 (01:02:53):
Pulled up. Came in that motherfucker lace that ship and
tupac as some women in that motherfucker too. I was
a nerve, so I had glasses on. I had tape on,
my motherfucking glasses on the on the edge and ship
and all these beautiful ladies in there, and I'm just
like and it's like they like it was it was,

(01:03:17):
it was playing, you know, but I was just like,
I was all about my music, but I was just
banging ship, like let's go.

Speaker 8 (01:03:25):
Yeah.

Speaker 3 (01:03:26):
Had there ever been a song that you did that
didn't come out. If you wish they would have came out,
he was like.

Speaker 1 (01:03:30):
Damn, uh it was a song man they did called
dollar Bill, Dollar dollar Bill. Uh, we did it, but
they they was like, fuck that, I don't want to
do it for my album. I was like, all right,
I'm with it, just whatever you want to do. But

(01:03:51):
he didn't ever put it on the on the album.
And uh, that motherfucker hard it's it's it's out there.
I'm a fucking around and redo it red, you know, updated,
and redo that motherfucker again, you know. And and that
motherfucker's hardest. It's called dollar dollar Bill. It might be

(01:04:11):
on YouTube with one of those, but that motherfucker down
dollar Bill. Oh, they called him dollar dollar Bill. He
said the money is the route of all it brown
down twenty four inch with it is. What the fuck
else can he be saying? Uh that just his staff.

(01:04:35):
You hear his style, and that motherfucker he's gonna be
like this dos fuck And I tore a hole in
that mother fucker took off too.

Speaker 3 (01:04:48):
Oh god, it was made dog so we used to
be our asshole. I was like, what this little singing more?

Speaker 2 (01:04:54):
Oh yeah, I got a different area.

Speaker 6 (01:05:01):
I was like, you know, the background.

Speaker 2 (01:05:03):
Balls and he said, O.

Speaker 6 (01:05:09):
That what.

Speaker 1 (01:05:15):
When you getting different? Who knew it was so much harmony.

Speaker 6 (01:05:21):
In out of them now?

Speaker 1 (01:05:32):
The name was amazing man, everything he said, believable.

Speaker 6 (01:05:36):
Man.

Speaker 1 (01:05:37):
Fight that nigga did the song with a forty Uh
they laid it. They hate it. I can't remember the
name of it. And niggas say, oh, I forgot that

(01:05:58):
is hard wool did He started just going. I said
this nigga, to be.

Speaker 2 (01:06:04):
So gazing about you need to be.

Speaker 6 (01:06:22):
Man.

Speaker 2 (01:06:23):
Right there.

Speaker 1 (01:06:25):
It was just been a lot of fun once again,
from the beginning to even like right here with you guys,
and it's just it's just fun. You know, it's just
fun like every everywhere going and we hang out. It's
just survived. We have a good time. You got the
hoodie on many I got to do it take yester

(01:06:52):
hour two.

Speaker 2 (01:06:55):
I know how long y'all be like that. That's a blessing.

Speaker 1 (01:06:59):
Yeah, I mean it's but I'm still like, uh like
like like your hair. I mean, I still like I'm active,
like even though you know, still we're still like I'm
I'm suple thing, you know, you know.

Speaker 3 (01:07:18):
But you know, one thing I learned about like with
our culture, right because I spoil everything.

Speaker 2 (01:07:22):
I just watched the kids.

Speaker 3 (01:07:23):
I just took my cheer go see minecraft them white
kids are.

Speaker 2 (01:07:28):
When they get a hold on something, they love it.

Speaker 3 (01:07:32):
They white people don't never put it down once they
fuck with it, they don't never put it down.

Speaker 2 (01:07:35):
So whatever pop.

Speaker 3 (01:07:36):
That's why I look like the motherfuckers can still fuck
with the Beatles and all that kid rock and all
that ship. We're the ones who peak up and put down.
Our people peak up, put down.

Speaker 4 (01:07:48):
But we got so many Hall of famers, we got
so many rock and roll stars. So I be loving
to hear, like letting people know, like, bro, you been
on fire my old life. That's a blessing. Yeah, I
mean it's on fire, you feel me.

Speaker 2 (01:08:06):
Niggas wish they could.

Speaker 6 (01:08:07):
Do it that long.

Speaker 13 (01:08:08):
You see what I'm saying. It's the longevity. You don't
want to be a three year nigga. Yeah, you don't
want to be a four year nigga. Man, you won't
do this, yeah to you just.

Speaker 1 (01:08:22):
Yeah, it's just gotta have fun with it. Like that's
the main thing about Like the no, I know the
money gonna come, so I just work. I know that's
it's gonna come. I just keep working and working and working.
I've been done a whole lot where it hasn't came,
but it's gonna come, you know from it I did

(01:08:44):
for a lot of people. But it's just it's gonna come,
you know. I just keep going. I just keep working
and working and working. And I tell people all the time,
you never too young or you're never too old to
make a hit record. It's all in what you're doing musically. Now,
if you do some bubble gum ship, then it's like.

Speaker 2 (01:09:04):
There's a lot they doing music.

Speaker 6 (01:09:06):
Yeah, yeah, like it's.

Speaker 1 (01:09:08):
So it's like that, damn. But if you do you
do a here record, it's a it's a here record,
you know, can't stop it. Forty and too short. Them
niggas is they older than me, and them niggas still
got banged. They still active and they still putting it

(01:09:28):
in working. Yeah, they was before me. That was Invasion
of the flat booty Bitches. That was about too short,
way back in eighty five. I think Invasion of the
flat booty Bitch shake it out fish too short, too short,
like probably he goes cold. He's been doing that ship

(01:09:49):
for a long fucking time. Like, and he still looked young.
Fact that ship is crazy. I mean he ain't like
an antique, he ain't an anti but he east Yeah, yeah,
he up there. But he's still.

Speaker 2 (01:10:06):
Still put He.

Speaker 1 (01:10:07):
Put in work. The nigga do an album brow fast,
hell yeah and put it right up.

Speaker 6 (01:10:13):
Yeah. Yeah.

Speaker 2 (01:10:22):
You know he still be doing music.

Speaker 1 (01:10:24):
Are you still.

Speaker 6 (01:10:26):
That?

Speaker 2 (01:10:27):
Yeah?

Speaker 1 (01:10:28):
Yeah, he's still be going still. That's that's one of
the he got his that's one of the.

Speaker 2 (01:10:38):
He came to the Brooklyn Show when we did Yeah,
we did the show.

Speaker 1 (01:10:42):
That dude. Yes, sir, he'll definitely give you game everything
because he a vet.

Speaker 6 (01:10:46):
Like.

Speaker 1 (01:10:48):
I listened when he when he talked, I listened like,
because he'll vet way before me.

Speaker 6 (01:10:54):
Yeah.

Speaker 2 (01:10:54):
Him And yeah the glove you know old nigga, well
glove make you mean.

Speaker 1 (01:11:03):
Yeah yeah, the whole New York came up. Yeah yeah,
they uh good guys man. Yeah, And that's what that's what.
That's one of the keys to to longevity as well,
just being just staying out the way and just being

(01:11:24):
you know, not create no no enemies. I mean, just
creating the straight relationships. And I tell a lot of
the artists like you gotta just just don't don't. You
ain't got to do all that crazy ass ship. Be
cool with motherfuckers. But still you ain't no buster. But
you know, don't create no enemies. Talk your ship, you know,
but don't don't create no enemies. Just just talk your life,

(01:11:47):
your movie, your life, your story, tell it because it's
a gang of motherfuckers that could relate to it. And
if you teach them things in there how you got
out of that situation, that helps say, Okay, damn, he
gave me young. Now I know how to to which
my ship up. Well I don't get caught up. And
that's what kind of like how I used to do

(01:12:09):
well I do still in my music like I give
you know, I talked ship now, don't get me wrong,
relationship you know, bitch, you know I talked some ship
nigga full but I still give my motherfucker something in
there that they can they can relate to him. Say, Okay,
that's gang, you know, like ship man. Is this DJ

(01:12:38):
B waring that Oh yeah, that's crazy. We gotta laid
out lady, y'all sound just like.

Speaker 2 (01:12:49):
I'm talking about that ship crazy bro, he be busted.
I'll be like, bro, what the fuck?

Speaker 1 (01:12:56):
What I say, but I ain't a buster.

Speaker 2 (01:12:58):
Yeah, I fig in l a buster nigga.

Speaker 1 (01:13:05):
You might get bladed right there on the on.

Speaker 2 (01:13:07):
Side, but what you a bus nigga say anything?

Speaker 1 (01:13:10):
Fuck you, fuck you down, blast damn nigga?

Speaker 2 (01:13:16):
You a buster?

Speaker 1 (01:13:18):
What you better look out because if he ain't give,
y'all ain't squabb but he's gonna shoot.

Speaker 2 (01:13:24):
He's gonna better than this bullshit we got. He's young
niggy talking about twin. They call a nigga twin. What's
a twin?

Speaker 3 (01:13:33):
I'm like, first of all, you nineteen years old, I
ain't know a niggo twin.

Speaker 1 (01:13:39):
Yeah what Uh? He'd have been around the world with
this ship. What's some of your favorite spots international? Uh,
let's see. Yeah, I went to a spot uh me
uh san Remo, san Remo, actually san Remo, Italy.

Speaker 6 (01:14:00):
Uh.

Speaker 1 (01:14:01):
It was like way, it's way on the coast by Sicily.
Get go to Sicily. It's about a forty five minute
boat ride. Uh huh. And uh that was a really
really good, good special place that I visited because I
was I was. It was a festival and it was me.

(01:14:22):
Uh the food gies check this out. Lionel Ritchie and
the begs.

Speaker 6 (01:14:29):
Like what do yeah in.

Speaker 1 (01:14:35):
Sara Remo, Italy, but right by sis, I'm like, what
the fuck am I doing on this line up? So
I had to roll with the punches went No. I mean,
I you know, it was eating like I ordered pizza

(01:14:56):
and they they pizza came with like hot dog instead.
It ain't pepperoni. It's like hot dogs on the what
I got. And but they do do the like the
ham type of ship on there, but they do hot
dog cut up hot dogs.

Speaker 6 (01:15:15):
Lie.

Speaker 1 (01:15:15):
That ship was fire, No, it was. It was fire.
I'm talking about one of them kind of thin crispy
you bite into in that motherfucker crunch was just right there.

Speaker 2 (01:15:28):
Niggag the pizza and they chicken.

Speaker 1 (01:15:36):
They had chicken breast with the food I was eating there.
That ship was I was, I can't watering that ship
like man, that ship, but we did. I went to
do did the festival. So we went in there. Uh
came out introduction to everybody, clapping and ship. But after
that the whole pleasure just went fire. Like they wasn't budget,

(01:15:59):
wasn't move and wasn't doing nothing. They want to see
the bee geez I'm and I'm like I'm like doing
my shit, so I'm trying to hurry up, like well
I'm busting on eh and uh, I go, I go
through the show, get down to regulate. I do regulate

(01:16:20):
and uh. At the end of the show, I told everybody.
I was like, thank you guys for let me come out.
They still wasn't doing shit. I said much loved Sa
Remo Italy and Da da Da da dah. So I
turned around and right when I turned around, the whole
motherfucking place just eat upping. They clapped for about fifteen minutes.

(01:16:42):
It was like that opera shit and I didn't know what.

Speaker 2 (01:16:45):
The fuck was going on.

Speaker 1 (01:16:46):
I'm like, why the fuck they clapped for about fifteen minutes.

Speaker 2 (01:16:52):
They was like they were bowing to all kinds of shit.

Speaker 1 (01:16:56):
I was like, this is crazy.

Speaker 6 (01:16:59):
What the.

Speaker 1 (01:17:01):
But that it was beautiful, I was. We was on
the water, it was on the coast. Uh, it was beautiful.

Speaker 2 (01:17:09):
It was it was.

Speaker 1 (01:17:09):
It was dope, man. That was That was a special one.
And the FOOLI they was they was they were was
that was. We all stayed at the same hotel, so
we downstairs after the gig, just sitting near Medwild Class
or Gang of us. We all downstairs getting faded. Uh,
just talking ship and just having a good time. Lauren

(01:17:30):
was was Lauryn Hill was pregnant, so she wasn't with
us but everybody else. But we bumped heads again in Copenhagen, Denmark,
and I told her, I said, look, we'll say and
I said, I don't mean that ship like I want
to get at you, like mess what you love you?
I said, I love your artistry like this, what you

(01:17:52):
do is preda blew me away. She was so dope.
She is dope still and uh I was tripping and
uh she's straight. Uh. We did the show a Copenhagen, Denmark.
It had to be about one hundred thousand plus. Damn.
The whole motherfucking football It was a soccer stadium. The
whole field was full, and the whole ship around, all

(01:18:15):
of this ship was full. It was a big ass
feel and uh, she came out on that other one
hundred thousand money praise a lot. He said, I want
to dedicate the song of my man Warren g and D.
I said, like, but that was you know, because dope artist.

(01:18:38):
She that's one of the dopest artists one I always
wanted to produce for yeah, uh so, but it's it's
they probably would trip me out if we did get
in and work production and I'm doing for the production,
I would just have to sit with her as produced
to us. So we could Yeah, so we could really
get into making a hit record. And that's that's what

(01:19:00):
should happened with a lot of of artists and producers
sitting down to get in and really just that's how
we made all our hit records. We were in there
having conversations. It was we party now, but we were
being there and a conversation or turning to a song,
ain't no fun turned into a song? You know, a

(01:19:22):
lot of the records that was that was that we
did on the All that ship was but conversations from
the riots and seeing the ship we were seeing like
some of the skits. Uh. All that stuff was just
conversation and just relax and not trying to make a
hit record, just in there having a good time. Yeah,

(01:19:48):
the ship game all right, and the lady's gonna tell
you if you got a hit record as well, because
be like, you know, if they ain't doing that, then
something may.

Speaker 2 (01:20:00):
Mm hmm.

Speaker 1 (01:20:02):
That's beautiful.

Speaker 2 (01:20:04):
That was really then. That was famous fame that she
like critic. Now I'm gonna talk about you being famous Raymond.

Speaker 9 (01:20:12):
Yeah, yeah, my face you be like, damn yeah, who
was Raymond?

Speaker 2 (01:20:23):
You the edit.

Speaker 1 (01:20:30):
The chronic man, that motherfucker diamond Back Now, I don't know,
it's probably past that. I'm sure classic. Hell yeah yeah
that one had that. That one right there changed the
whole game, man, West.

Speaker 2 (01:20:50):
Coast, That.

Speaker 1 (01:20:53):
Everything. Man, what more can you say? Everything that he
didn't put out?

Speaker 2 (01:20:57):
Like it's just like.

Speaker 1 (01:21:00):
From the talking ship to the to the music to
the producing mans.

Speaker 8 (01:21:05):
Just.

Speaker 14 (01:21:07):
You wanna bless us with at this point, I just love,
just love doing it, you know, I mean I think
I ain't I'm still active, keep going around.

Speaker 15 (01:21:21):
Heah right here, you don't like to d Yeah, no, man,

(01:21:43):
love man, we appreciate you with the music now.

Speaker 1 (01:21:47):
I mean as far as like the future, how you
see it, I think that we need to come up
with a system kind of like the CD era where
I'm gonna say it, as soon as somebody create that,
they gonna kill the game to where you know, people

(01:22:11):
could could just go buy it like how days Like yeah,
and that ain't taken away from the artists, you know
what I mean? Especially if you're independent and you're selling
it for ten dollars, for twenty dollars or whatever it is.
That's all your shit. You got one hundred thousand. That's
all you need is a hundred thousand people to buy

(01:22:32):
it at ten dollars.

Speaker 2 (01:22:33):
You good?

Speaker 1 (01:22:35):
Great?

Speaker 2 (01:22:37):
And uh?

Speaker 1 (01:22:38):
Soon does somebody come up with a system like that
to where people can feel like it's that era again,
the CD era and artists can feel like that, like
out of the trunk era, like my CDs. Somebody got
to create some type of technology or they need to

(01:22:58):
go back to that that technology, uh and create a
new machine that plays go bodies because it is it
helps the artist so they can really get what they're
supposed to get instead of getting what they say.

Speaker 2 (01:23:17):
Not even to it.

Speaker 1 (01:23:18):
Ain't even annie this that's crazy. That's straight highway robbery.
That ship is crazy. That's that's some crazy ship.

Speaker 16 (01:23:27):
When and this day ain't got a bout of album,
but they can listen to it. Yeah, that juke box
at that point, all listen digital this ship. We can't
you can't track that ship. You they dictating this ship?
How what we want to pay y'all?

Speaker 1 (01:23:42):
There's some crazy ship and I think that just somebody
needs to create a different technology where everybody can get theirs,
which I'm hearing a couple of things about different platforms.
I can't remember the one off top. I think Snoop
and Ball with it with with that blockchain type of ship.
But I'm I ain't into that type of stuff that
lot change shit. I'm just saying something just regular. Yeah,

(01:24:08):
just some type of technology and something that could work
with that technology that you ve which you have to
buy this order.

Speaker 13 (01:24:17):
Thelity actually allows to to feel like they're connected with
the artist exactly.

Speaker 2 (01:24:23):
Got something that's part of you. You feel in it.

Speaker 1 (01:24:26):
Not being linked, you can only get it when it
come out, and after that will change again. Holy, we
can get it. Hopefully that can happen.

Speaker 2 (01:24:35):
I staid about DVD. They got DVD PN shop prazy
fun shot like you got it. You know they came
through for free.

Speaker 1 (01:24:51):
Wow. The thing about it, you never know. You better
have something to watch on the hardcome because we're up tomorrow.
All the cable cut off because they made They've been
talking big ship with them, Yeah, with the terrorists and
ship trying to tell him everything man that we made

(01:25:12):
all that ship.

Speaker 17 (01:25:14):
Yeah, try to just say, you know what, I even
let y'all keep talking about it, y'all ship, Well, y'all ship,
if we wanted to it was y'all talking to that crazy.

Speaker 1 (01:25:25):
Like okay, ain't nobody talking to him crazy? Because looks
like they say all that bad ship, but then they
go borrow that money from I don't understand that ship,
all that ship.

Speaker 2 (01:25:36):
At this point, I just want ay buy by the
city by ship.

Speaker 18 (01:25:42):
That damn niggas got me water. That's that's don man.

Speaker 5 (01:25:56):
Know what gonna look like.

Speaker 2 (01:26:00):
Through that. It started tax putting tex so they leave
by Yeah. I don't know who is, but it's a
lot of guys don't don't want to be called that man.
That's bother fold. That ship needs crazy. I'm like thinking
about it. She could have got for three dollars. You're

(01:26:25):
gonna pistol them off and make it did showing.

Speaker 5 (01:26:28):
You tripping game.

Speaker 2 (01:26:29):
They want to make it for two dollars to fish
they like bro terrior for us. If you want to this,
she was two dollars, Now this twenty four dollars. They're like,
who who's now?

Speaker 1 (01:26:44):
Man sucking up poteas? That not the whole world know
that ain't no such thing as luxury ship.

Speaker 2 (01:26:52):
Ship made watch it. Let me tell you how you know,
but tell how foreign curncy work. Our dollars still whole value.

Speaker 3 (01:27:02):
So if they make us spend more, we give them
our dollar, they exchange it in their currency.

Speaker 2 (01:27:07):
Become a richer.

Speaker 1 (01:27:10):
Oh that's how I am.

Speaker 2 (01:27:12):
It's like that niggas ain't understanding what's going on. Man,
They talking about turf know is a way for us
to make other people rich.

Speaker 4 (01:27:21):
We give them our American dollar, they exchange it in
their currency, and then they become richer.

Speaker 1 (01:27:27):
Amen.

Speaker 2 (01:27:28):
But hey, man, aliby bah fuck with me my shit
to do, not for twenty four dollars.

Speaker 1 (01:27:37):
The crazy part is it it'd be funny to hear
niggas talk about politics, especially if they don't know shit.
They be like bro and.

Speaker 2 (01:27:46):
To this act. Sure, sure a boss a cir.

Speaker 19 (01:27:50):
Ruight man, that ship is gonna be fifteen dollars. Really, now,
I know, my baby, I'm get get the card right
ship already ten nine nine, simon too, crank nine nine,
the regular box, the regular barck.

Speaker 4 (01:28:07):
I wouldn't gonna get the big bad, the big bad,
the little the pillow bag the.

Speaker 6 (01:28:12):
Dog food.

Speaker 2 (01:28:14):
Said, but we eat that ship.

Speaker 1 (01:28:16):
You gotta eat all that in one day. You can't
eat the second day. It ain't well.

Speaker 2 (01:28:21):
I thought I had a good expression that the big
bad don't have no expression.

Speaker 1 (01:28:25):
That nause once. You don't tie that bag all the
way up, it's over it.

Speaker 2 (01:28:29):
I mean, nigga cloth box. Some serious old man.

Speaker 9 (01:28:37):
You got.

Speaker 2 (01:28:40):
That carry You see that serious ball?

Speaker 1 (01:28:42):
You know you got you like.

Speaker 2 (01:28:47):
They're still in there.

Speaker 8 (01:28:54):
That what stupid man, because I used to be like that.

Speaker 2 (01:29:06):
You know they went in they especially my sister. You're
gonna getting on them.

Speaker 6 (01:29:11):
Serious my, then you want.

Speaker 5 (01:29:16):
To see that bad folded I folded, look open Jo.

Speaker 2 (01:29:19):
You're like, oh god, they have had a field. There's
a roach on the box and they get on there
all the way through. So you had to wipe it out.

Speaker 1 (01:29:31):
They like to run out when company to, they come out.
The mother fuckers like to show out. I got a
theory that roaches was placed in the black community on purpose,
so I believe so I feel like them aliens.

Speaker 2 (01:29:45):
Roaches are alien where they come from.

Speaker 1 (01:29:48):
Exactly know them.

Speaker 2 (01:29:56):
They let you. I think roaches just let you know.
You need to get your stip. It's reminded saying hey,
stop playing the crazy buddy. You can see your roach anywhere.

Speaker 1 (01:30:06):
You seeing the root somewhere you would expect.

Speaker 2 (01:30:08):
To like I was a.

Speaker 1 (01:30:12):
Look visiting the jful little girl, one of your girl's house,
like killing you in there, hanging out like mother fucking roach.

Speaker 4 (01:30:24):
If a girl got roach, that's an automatic.

Speaker 2 (01:30:27):
I know she's gonna give me something. Oh she know
I oh for sure. But they know she's not gonna deny.

Speaker 1 (01:30:39):
Pop out.

Speaker 2 (01:30:41):
Just give me something like not a bird night, not
on the birst. Excuse me, you wight not see a
little buttter right here?

Speaker 5 (01:30:48):
You got he's still crawling.

Speaker 2 (01:30:50):
Look at buttter. You got to give me something a
little better.

Speaker 1 (01:30:56):
I saw him.

Speaker 2 (01:30:59):
Give yourself that little buddy, she got straight posts. But
I'm here, o head, little bity, appreciate you, little bitty.

Speaker 1 (01:31:07):
You don't want no, but I started got no. I'm mad.
I ain't't finna leave right there.

Speaker 2 (01:31:16):
Right there.

Speaker 1 (01:31:18):
I'm leaving right then.

Speaker 2 (01:31:19):
See I can't do that because I had roachester.

Speaker 1 (01:31:20):
I can't.

Speaker 2 (01:31:21):
You know what I'm saying unintentionally, you feel me. You
don't know where they come from, bro, They just come
like where they.

Speaker 1 (01:31:30):
Yeah know, we don't think.

Speaker 2 (01:31:33):
You feel me.

Speaker 1 (01:31:34):
They just know you they moved from your old alb
you thought you was gonna move.

Speaker 3 (01:31:39):
But I remember one time, bro, my love finally had
a roach on him school. It was a baby, don't know.

Speaker 8 (01:31:49):
I caught it.

Speaker 2 (01:31:51):
But this was at the time where I'm in my
roasting prime. So he roasting me. I just don't have
to see. I said, hold hold, hold, hold up, time moved.
Oh hell no, come to look at that.

Speaker 10 (01:32:06):
He's like, I ain't want you.

Speaker 2 (01:32:07):
To see hold his nickel, now, don't everybody? Everybody else
is look at this, but you what is it?

Speaker 1 (01:32:13):
Like?

Speaker 2 (01:32:13):
What I was a wrong?

Speaker 6 (01:32:15):
Like?

Speaker 2 (01:32:15):
What wa?

Speaker 8 (01:32:17):
No?

Speaker 2 (01:32:20):
He rose by about old we craze on. I ain't
even doing like that though.

Speaker 1 (01:32:27):
Yeah, you you fucking with people too much.

Speaker 2 (01:32:29):
You're talking about my mom and my daddy. Everybody know
they're old. But he's talking about funeral home jokes and
ship I'm like, everybody know they're old. Bro. What you say?

Speaker 1 (01:32:42):
Hen too? Pop? Hey man, we got you to gift.

Speaker 2 (01:32:47):
We're do.

Speaker 1 (01:32:50):
You know it ain't a real trip today? Fast south Shoven.
Get you a gift I gotta give so yeah, h double,
I'm in here.

Speaker 2 (01:33:03):
I got that.

Speaker 1 (01:33:05):
Yeah, yeah, we got to get you to stand on
the table.

Speaker 2 (01:33:08):
Too, for sure. It all.

Speaker 1 (01:33:10):
I guess the table yesterday. Tell them where they can
find you on social media and all that good ship. Uh,
everybody can find me at Warren G on every every platform. Uh,
it's all of the platforms. It's Warren g. Uh some
of them. You know, I'm there, I'm you know, he

(01:33:31):
just Warren Ge. They having folks ships. You're coming through,
my love, they wiped out to a Warren G.

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WARREN G in the Trap | 85 South Show Podcast

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DC Young Fly

Karlous Miller

Chico Bean

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