August 25, 2023 • 45 mins
Episode 268 - "The Baller Alert Show" Feat: Ferrari Simmons, Su Solo & You Know BT Produced by: Octavia March
Special Guest: Seddy Hendrix
Topics include: His beef with Generation Now record label after being signed and dropped; His relationship with Dj Drama, Jack Harlow, Lil Uzi & more.
The Baller Alert Show
Featuring @FerrariSimmons @_SuSolo @Youknowbt @iHandlebars
":The Culture Deserves It"
IG: @balleralert
Twitter: @balleralert
Facebook: balleralertcom
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Bord with me here you know b T she so
low shout out O c T no real color what
we see?
Speaker 2 (00:08):
Whole game?
Speaker 1 (00:08):
Ready, baller b something. Oh you can't stand on their own.
See I already know you can't bold with me because
up with the squad of me. They get at that,
they called me.
Speaker 2 (00:18):
Hear Hello ball Alert Welcome to the Baller Alert Show
podcast available everywhere you get your podcasts. Please continue to like, subscribe,
and share our YouTube page at baller Alert TV. I
go by the name of.
Speaker 3 (00:34):
Ferrari sim I go by the name you know, b
T oh c tem with that SETI drance to the building.
Speaker 2 (00:41):
SETI what's up?
Speaker 3 (00:41):
Sir?
Speaker 4 (00:42):
What's upways? You killing?
Speaker 2 (00:43):
H You're gonna be guest hosting with us and we
were getting your business a little bit cool.
Speaker 5 (00:47):
We're gonna talk some ship now.
Speaker 4 (00:48):
But that's cool.
Speaker 5 (00:50):
Don't be holding back.
Speaker 4 (00:51):
Nah, I ain't gonna hold that. Man, ain't gonna hold that.
Speaker 5 (00:53):
All right?
Speaker 6 (00:53):
Cool turned itself in. What are y'all? That's about that?
In Georgia Food County jail over Rico charge in.
Speaker 5 (01:05):
Georgia, Yeah right, yeah county.
Speaker 3 (01:07):
No, no, he no, he is not currently in jail.
Speaker 6 (01:15):
But yeah, you know they're gonna get him right back out.
Speaker 7 (01:17):
Yeah, mus damn yeah, County. He has some mug shot.
Speaker 6 (01:28):
That's why T shirts right now at t T dot com.
Speaker 5 (01:31):
He has a mug shot. I never thought that.
Speaker 2 (01:34):
I can see the shirts now though, And it's a
lot of Trump supporters here.
Speaker 5 (01:38):
Uh.
Speaker 2 (01:38):
That was here waiting for his Rindy waiting to do
what I were waiting to see him drive in to
turn himself in, just to tell him that hey, we
love you, we support you, and then they.
Speaker 4 (01:49):
Were right back out.
Speaker 5 (01:50):
Weird. He has fan fare.
Speaker 8 (01:52):
I remember before the president, this man was in every
black person music video.
Speaker 4 (01:56):
He people people don't want to talk about. It is
the things that.
Speaker 8 (01:59):
He has done and for the black community, the things
that he has done. I'm not finishing what has he
done for the black community. He got a lot of
my uncles and cousins out of jail and got them
back home. He definitely had He fed a lot of
people money when they come to the colleges and clear
some of the depths.
Speaker 4 (02:14):
This is just what I know.
Speaker 8 (02:14):
I may be wrong on certain things, but the college depths,
he gave a lot of people money clear at certain depths.
He got a lot of people that was locked up
back home off certain charges that they weren't supposed to
be gotten, brought back home.
Speaker 4 (02:24):
And yes, you feel me. He brought some people favorite
wrapping home. You know what I'm saying. The end of
the day.
Speaker 8 (02:29):
You know what I'm saying. He done little things. And
back then he was in a lot of music videos.
People used to you know, back to gen people do
little funny stuff and throw them in because Donald Trump
he the cool white boy, you know what I'm saying.
Speaker 4 (02:40):
To a degree, to a degree, you know what I'm saying.
Speaker 5 (02:43):
But they didn't know that he was the biggest gangster
of them all.
Speaker 3 (02:46):
Interesting, man, that's crazy. They're too old to be going
to jail. So you know who's making all that money?
Speaker 4 (02:51):
The lawyers though, who you telling too?
Speaker 3 (02:53):
Yeah, I chose the wrong professional. I definitely wish I
could want lawyers and people who fit back.
Speaker 2 (02:59):
I know this is a plea off topic, but lawyers
and the people who fixed a cs in the South,
that's where the bread.
Speaker 5 (03:04):
A man, you're just saying that because without I put
four I had.
Speaker 2 (03:08):
To pay four thousand dollars for a C that ship
flour thousand dollars.
Speaker 4 (03:12):
For one in the window. He I know, but what
if that go out?
Speaker 5 (03:16):
See, that's what I'm saying. That's the problem. Now that
he go out, you can, kid, you can put a
blanket on.
Speaker 2 (03:22):
Coming around with around with that left, it's going left
a bowl up.
Speaker 9 (03:29):
Big shout out to the fastest woman in the world
right now, Richardson and the one hundred meter race.
Speaker 6 (03:35):
She had a ten point six five seconds.
Speaker 4 (03:38):
I've seen what she did when she walked past every
white interviewer. What she doing she walked past me?
Speaker 6 (03:44):
Yeah, she went straight to the black media.
Speaker 4 (03:46):
Man.
Speaker 5 (03:47):
She had so much ridicule when she lost.
Speaker 9 (03:50):
When she lost, Yeah, this is two years after she
was left off the US olyptic team for using marijuana.
Speaker 5 (03:56):
Classic example of they love you, they hate you.
Speaker 4 (03:59):
Then they of you again, back and forth, back and forth.
Speaker 5 (04:02):
That's that's the best example right there.
Speaker 6 (04:05):
You know, it's not how you started, is how you finished.
The champion.
Speaker 9 (04:08):
A big shout out to her. Also, players ball, we
got ESPN news.
Speaker 2 (04:14):
Yeah, Steven A. Smith has a new co host, Shannon Sharp.
It's gonna be versus aunt, stephen A Smith versus Shannon Sharp.
He is now officially on ESPN. You see the post,
it was the infamous Lebron and d Wade slam dunk Alli.
Speaker 5 (04:30):
Yeah, so uh that's gonna be podcast September four.
Speaker 8 (04:35):
I can't wait to see that they might go down
one day, go down, gonna go down.
Speaker 2 (04:40):
Bro, That don't be good, especially for my Dallas Cowboy fans.
Speaker 5 (04:44):
You guys are gonna get screwed over. They both hate y'all.
Speaker 3 (04:50):
Wait, I can't wait too, man Jacks.
Speaker 2 (04:55):
Good quarterback, good quarterback, I got quarter receivers, running back.
Speaker 4 (05:00):
I don't know he was going with that. I thought
you were just even that quarter y'all got.
Speaker 2 (05:03):
A defensive decent you know what I'm saying.
Speaker 8 (05:05):
Make sure, yeah about the fright.
Speaker 2 (05:10):
Falcons have a defense this year. Falcons finally have a
good defense. Were always gonna put some points on the board,
But what about the offense. We always put points on
the board. We always had a decent off we just
never had a defense. We will scored twenty eight and
then the competitor would score thirty five.
Speaker 5 (05:27):
Who's the quarterback? I just said his name?
Speaker 8 (05:32):
Writer Ryn and Ryan back got the practicing on the field,
the old.
Speaker 5 (05:36):
And the old coo back No r Matt Matt Ryan.
Speaker 4 (05:40):
He was just on the field or practicing.
Speaker 5 (05:41):
He was helping. He was not practicing. They've been they've
been not.
Speaker 8 (05:47):
Well.
Speaker 2 (05:48):
I drive all the way up there and wherever that
ship is, all the way up in Gwenette, if who
comes up there.
Speaker 5 (05:53):
Yeah, I thought he retired. Man, I don't think he retired.
Speaker 4 (05:56):
Yeah, helping.
Speaker 2 (05:57):
He on the field, helping. That's been writers our core
the back or ridder right or whatever. He's our quarterback.
Speaker 5 (06:03):
Man.
Speaker 2 (06:03):
We got some good young talent. We got that Robinson
running back from Texas. He's gonna do. He gonna do
the thing, you know what I'm saying. So we're gonna
be I am telling y'all we're gonna be out. We
will make the playoffs. Save this clip. Don't put it
in the folder.
Speaker 5 (06:15):
Just save it.
Speaker 2 (06:16):
Put it to the side, put it at the top.
Is gonna make the playoffs this year?
Speaker 5 (06:20):
That's it.
Speaker 2 (06:21):
I didn't say he was gonna win.
Speaker 5 (06:22):
The Falcons ain't about to do ship. He don't want
to admit it.
Speaker 2 (06:27):
You know, it's like having to be in a relationship
with a you know person that cheat.
Speaker 3 (06:31):
First of all, did you see the new sections that
they've added to the Falcons? Took like a club section.
Speaker 5 (06:39):
I mean, that's what you needed.
Speaker 8 (06:40):
A definitely need that. We got the bigger TV pool,
we got a beach. Damn there saying was fired everything.
You just hang relaxed.
Speaker 5 (06:51):
But he got to throw the Jaguars in there, like yeah, yeah,
you know, you.
Speaker 2 (06:53):
Know we're gonna get in his business in the second chat.
Speaker 6 (06:56):
Check that out, all right, keep it a stack.
Speaker 9 (07:00):
Who is the trap rapper who had the most impact?
Speaker 6 (07:03):
Gucci g Z or t I Jesus?
Speaker 5 (07:06):
And why I mean trap?
Speaker 8 (07:08):
I would say t I because he invented it, but jeez,
just t I invented it.
Speaker 4 (07:13):
You can't take it, can't.
Speaker 6 (07:14):
Take had the most impact.
Speaker 4 (07:16):
Yeah, that's I.
Speaker 2 (07:18):
Just want to say because Jez had the biggest deal.
He signed with Death Jam and they did a national
campaign with him. So that's why he's I'm not saying
that's the only reason why, but I just feel like
his ship because Gucci was independent when he came out,
so he was very regional. Tip came out, Atlantic, got dropped.
(07:38):
Then he kind of had an Atlantic thing and it
kind of was back and forth. They didn't believe in
the trap because he was the first version of it.
Nigga Jeezy had goddamn death Jam spending the budget, and
he was all the way in Washington, not DC, the
state performing God damn motor thumb motivation, one on one.
Speaker 8 (07:56):
It gotta be gz took it, Jeszo. He had California
on smash, Florida, the South, the whole Florida on smash.
Speaker 4 (08:06):
He just had the He he was moved.
Speaker 2 (08:07):
But everyone was equally important to me though, like everyone
to me.
Speaker 3 (08:11):
I'm gonna say, I'm gonna say, uh, when I was
growing up, it.
Speaker 6 (08:15):
Was Gucci Man who had the most impact.
Speaker 3 (08:17):
It was it was Gucci Man just just from like
my city and like how everybody was, like people was
really banging because of Gucci. Like I'm talking about like
when he had the freestyles, when he used to be
on what was the hood clip?
Speaker 4 (08:32):
The hood clip clips?
Speaker 5 (08:33):
Everybody you watching it and I was too.
Speaker 8 (08:36):
Because I graduated twenty fifteen, I was ninety six, So
people would say I was supposed to say Gucci, which
I grew Like, yes I would, but I'm a student
of a game, so like it has to go set.
Speaker 4 (08:47):
Yeah, impact like.
Speaker 3 (08:48):
Region impact, but impact is different from Gucci individually.
Speaker 4 (08:52):
Later though, it went his.
Speaker 5 (08:53):
Caught on and.
Speaker 3 (08:56):
What I'm saying, my older cousin he was he was
only listening to Jeez. Then me and my other cousin,
we were listening to Gucci. I don't know, but don't
forget how many people that Gucci Man put on, you
know what I'm saying, put a lot of people. But
that's about that's impact too, and it has to go
impact on like their music.
Speaker 6 (09:17):
I'm talking about impact on the culture.
Speaker 3 (09:20):
So I'm gonna say Gucci if were talking about the
wrong answer. If we talk about impact on the coach,
you gotta say Gucci Man because all of the artists
that Gucci Man put his arm around, all of those
artists took off, including the Migosh, including everybody.
Speaker 2 (09:39):
Literally every everything was under can be real.
Speaker 8 (09:43):
All of this was after his ringing I could be
melf and took it all the way to the travel level.
Speaker 4 (09:52):
Man president.
Speaker 3 (09:53):
But you also what we're talking but you gotta think
about Gucci was like the essence of like a trap.
Like he I was like, i don't need a label.
I'm not signing with nobody. I'm gonna be in depend
I'm gonna do whatever I want to.
Speaker 2 (10:06):
Ask a lot of people from Atlanta and they're definitely
gonna say for sure they're gonna I could equally say
a Tip moment when he said, look, bring your punk
as you flip.
Speaker 5 (10:16):
Oh yeah, I was there.
Speaker 4 (10:19):
I was in the crowd and he told that niggas
b I ain't gonna lie, Bro, you.
Speaker 5 (10:24):
Throyed flip career. Look, Flint was damned he was he
was flip flip. I thought it was like this. I
was like over for when Flip dropped and so Sunshine,
I was like this a flip. I thought it was over.
Speaker 4 (10:42):
I went to that. I I never get the clip.
Bro went to that niggahood.
Speaker 5 (10:48):
Himself and pulled up on.
Speaker 8 (10:50):
That boy, walk right up on him. Hit them any
ship they jumped, they beat his ad or they beat
his that bad.
Speaker 4 (10:54):
But that pulled up in that niggahood.
Speaker 5 (10:57):
I remember, popped off on this.
Speaker 4 (10:59):
I remember left with a guy still talking up.
Speaker 2 (11:03):
Remember Tip had the Floyd ship because Floyd was.
Speaker 5 (11:07):
He pulled up on Florida.
Speaker 4 (11:09):
He knew Floyd couldn't he knew he was doing this
was great.
Speaker 5 (11:13):
Niggas couldn't hit that man like Bro, Really, Bro, what
you know what I do to you?
Speaker 3 (11:19):
Not?
Speaker 5 (11:20):
You know, pulled up to fucking what's the burger? Fat
Burger pulled up the fat burger pulled.
Speaker 2 (11:28):
Up on one of the argumbly one of the best
negatives of all time, Floyd, you get your ask me
to do fight Floyd.
Speaker 3 (11:34):
So, how is that impacting because it's a part of
hip Hop's just coaching, coaching, part of the culture.
Speaker 5 (11:39):
It's the same thing with fifty cent.
Speaker 8 (11:41):
Was not I be honest about that. I hate that
that statement you just said, the party. I hate how
beef is part of the coature because that's what the folks,
that's what folks.
Speaker 5 (11:49):
We should.
Speaker 2 (11:49):
We shouldn't kill each other about it. We should we
get some straightened to do it.
Speaker 1 (11:53):
Get straight.
Speaker 4 (11:54):
I should, I should have to be should ship.
Speaker 8 (11:56):
We should be able to live shake cans, even if
shake cans.
Speaker 5 (11:58):
Just live to see another day.
Speaker 6 (12:00):
I believe niggas look at how bad Giz and.
Speaker 3 (12:05):
Beef was.
Speaker 8 (12:05):
That sh it transcending down to what's going on now
with the with us, with the young world. How we
look at beef now it transit.
Speaker 2 (12:12):
That ship hurt me, man when I saw because my
first representation of both of them was so icy.
Speaker 5 (12:18):
I was like, this ship is the hardest shit ever.
Speaker 2 (12:21):
And I'm from Florida, so I'm begging to hear some
non New York music, no dispeat in New York inspect
to the West coast. I'm seeing some Southern ship. I'm like, yes,
so I've seen that ship. And they was like this
ain't it. I'm over here, like nigga, this ship, Jeff
and so I said, start beefing.
Speaker 6 (12:37):
I'm like, no.
Speaker 3 (12:39):
Skating today, guys, we need to stick together. Why are
y'all beef I thought it was fake man. I think that,
like you know, with hip hop, it's like Man and
Gucci be no, because how fast it was, Because it
was like as soon as the song came out of
blew Up, it was like, Yo, these niggas beat.
Speaker 8 (12:55):
You gotta think about certain niggas be doing, certain niggas
be having ego, tisty, certain it be certain word where
people when I'm realizing I'm not out of bus this
industry because I was.
Speaker 4 (13:02):
I'm a country nigga from Jasville, Floyd who didn't know
no better. So I was on the outside. I used
to be that nigga talking, man, this is not a
nigga get in it. We get in it.
Speaker 8 (13:12):
And now I'm like okay, like it's it's egos, it's
sneak thiscing, it's it's women, it's it's it's it's a
whole bunch of extra stuff that tie into like nigga
do a song with a nigga and the ship slidey
go crazy. But nigga don't even fuck with each other.
They did this on the strength of they get their money.
They've been ain't fucked with each other. I ain't even
(13:32):
talking about Guca Gez. I'm talking about it is the
things that could have politics, polize man, it be it.
You're still human, We still man. That's still a woman.
We still as humans once we get out of that booth,
and it be other stuff that go into that music
once they pop off, or niggas don't expect you to
go this way, or you want to go take it
this way, or you want your money. Hell, you feel
like a nigga don't deserve this, So now you go
(13:53):
to and then boom. That's it's just like a snowball effect.
Speaker 10 (13:57):
Now y'all be We'll be right back with more of
a Baller Alert Show. You're listening to a special edition
of The Baller Alert Show.
Speaker 8 (14:07):
It's your boy, Sadie Hendricks and y'all are not tuned
into the ball of Alert.
Speaker 2 (14:10):
Show back with the Ball Alert show City Hendricks in
the building has going certain blessed, Blessed, Blessedville, Florida in
the building. I always find myself attached to Florida people. Man,
I think it's just something in the water.
Speaker 5 (14:21):
Bro, you're from Florida.
Speaker 3 (14:23):
Just I'm just saying. I find I just think we're
always like a line. We just aligned a little easier. No,
it's definitely some of the waters. H I just think
the craziest people are.
Speaker 5 (14:32):
From Why are the craziest people from Florida?
Speaker 8 (14:35):
Hot?
Speaker 7 (14:35):
Bro?
Speaker 2 (14:36):
Get hot down there? Man, come on, man, you don't
we don't have four seasons.
Speaker 5 (14:40):
It's just hot.
Speaker 4 (14:42):
I wouldn't say it's hot, but I just feel like
we we just lingos different like and what's what's like
the big difference in the ConA cut like.
Speaker 5 (14:52):
Difference between like Northern Florida and South Florida.
Speaker 2 (14:56):
Man, the little hills he got, Well, Jacksonville is a
little flat, correct the month Tallahassee is hilly.
Speaker 5 (15:02):
That's a little different over there.
Speaker 8 (15:03):
Yeah, that'shit the further you go that way, talhan All
that that ship really hill hilly and Georgia super country.
Speaker 2 (15:10):
Where I'm from, it's hot like a month. I'm from
South Florida. You're from South Yeah, Okay, so you're from Jacksonville.
How long have you been doing music.
Speaker 4 (15:19):
I've only been doing music seven years. That's it. I
used to pick on rappers. I didn't think I was going.
Speaker 6 (15:23):
We'll give us a little backstory on who said it.
Speaker 4 (15:25):
Hendricks is what Cedric Cedric is on. Cedric is a young.
Speaker 8 (15:32):
Uh young, hot headed, different than calm, just a ball
of confusion from Jacksonville, Florida, you know what I'm saying,
and just trying to find his way, still trying to
find his way.
Speaker 4 (15:46):
And I come from humble beginnings.
Speaker 8 (15:48):
I come from ship nothing, the bottom of the bottom,
turning it into something, having it, losing it, getting it back.
I come from that whole process. You know what I'm saying.
I have a strong prayaning mom. You know what I'm saying.
Didn't really know my dad. My uncle stepped then and
became my dad, and he had a label Floor the Boy,
and it just went from there like I dove it
(16:08):
to them. Like I said, I didn't grow up wanting
to be no musician. I didn't grow up saying I'm
gonna be a rapper. I thought I was gonna be
a lawyer. I thought I was gonna be a preacher. Really,
you know what I'm saying, like that type of shit
because I was close with the word. My mom was
a real strong, praying woman, you know what I'm saying.
So at the end of the day, like I'm good
with words. I could talk with motherfucker out of anything.
So that's what I thought I was ending up doing.
Speaker 9 (16:30):
So the music, the keyword is thought. And then that
shirt is just you know, yeah, it's not even listen.
Speaker 4 (16:38):
I don't want I don't want people to look at it.
Somebody gave me the shirt. I love art. So at
the end of the day, like I understand, like this
looks like what was.
Speaker 5 (16:46):
Your mama think if she's sending you with this.
Speaker 8 (16:47):
Shirt that is just a shirt ship, I temp to
take it off, you know, she know, like look at us,
you know, like my son, I'm not tripping, Like, Okay,
this is the devil's playground at the end of the day,
you know what I'm saying. So I know how to
work through it, and we all got to learn to
work through it. But just this is just a shirt.
I'm not representing this man, I'm not doing nothing. I
just like the shirt, like the way it fit. It
just happened to have a demon face on it.
Speaker 4 (17:07):
You know what I'm saying.
Speaker 5 (17:08):
Did you play sports growing up because you can hoop
a little bit?
Speaker 8 (17:11):
Yeah, I played football. I played basketball. I used to
be trash's hell at basketball. I used to suck like bad.
But I got wrong here.
Speaker 1 (17:19):
Now.
Speaker 3 (17:19):
I know you talked about your uncle in football. Your
uncle owned the label. Did your uncle like kind of
push you to start doing music.
Speaker 5 (17:26):
And stuff like that.
Speaker 8 (17:27):
I was already doing music before I got with Florida Boy.
I was already doing music before I got with my uncle.
It just shot me or brought us together. And when
he heard about it, he was like, you know what,
because at first he was like, rock with me, come on,
come fuck with what you're trying to do. And I
went that at the time, I was down there trying
to rock with Koli. I'm going down South trying to
because the South was just taking off. So I was like, man,
(17:49):
I'm gonna go down there down South. Realized that well, Miami, Yeah,
that didn't go with I thought it was gonna go.
So I doubled back and then that's when I got
with Florida.
Speaker 5 (17:58):
Within So how did you end up coming to Atlanta?
Speaker 4 (18:02):
Atlanta was a move change told Kwana. Dude.
Speaker 8 (18:05):
He was like, Yo, you need to get said to Atlanta, man,
he's getting in too much trouble now. He came down
in the city when I was shooting video. It seemed
like what I was on he was Ali.
Speaker 4 (18:15):
He was like hell nah.
Speaker 8 (18:16):
He called like, bro, he gotta get up out of
here because he's gonna die. He's gonna die, He's gonna
get caught up in jail. And I got to Atlanta,
got up here, left, snuck back.
Speaker 4 (18:25):
I got shot.
Speaker 5 (18:27):
You got shot?
Speaker 4 (18:27):
Yeah, left came back. I locked up.
Speaker 2 (18:29):
The first time I saw you, he was with DJ
drummer Don Cannon, Jack Harlow. We took a picture and
I was like, yeah, who's this guy? Because I couldn't
tag everybody I was trying to, I was like that,
so I hit Cannon Don Kannon. I was like, who's
this guy right here? He was like, Oh, that's our
new guy, Sadie Hendricks. He sent me your Instagram. I
started checking you out. I was like, oh you don't
really rap. Nah, Like, what type of music do you make?
Speaker 8 (18:54):
Yeah, it's a vibe. You're gonna cut it on this.
I like to think of it as I used to
say rhythmic gangster. I used to say rang because the
rhythm and blue rings and all that. But really, man,
I'm an artist. I really just get in the boof
and whatever comes out of me, it just comes out.
Whatever somebody describe it, that's up to them, because it's art,
you feel me. But I get in there and I
just I make. I make music. I make what I
(19:15):
call what I think is music.
Speaker 5 (19:16):
So were you did? Don Kanna sign you?
Speaker 4 (19:19):
Drama signed you?
Speaker 5 (19:20):
How'd you get? All?
Speaker 1 (19:22):
Right?
Speaker 8 (19:23):
The breakdown of how I got over there is I
was at Pierre Studio first with Bermudier, a couple other
pd legits and we we all me chavo, uh jelly
uh Bill's we all are trapping out this studio on.
Speaker 5 (19:42):
In Atlanta.
Speaker 8 (19:43):
In Atlanta, Yeah, but by damn, I drive. So I'm
in that studio. I'm just doing songs that day. That day,
but at this point, I'm just Florida boy. I leave
and go to Jacksonville, paying for the rent, and Ellen
Wood at the spot.
Speaker 4 (19:56):
I'm just ping ponging. Joe ends up here. So I
sneak into Generation Now.
Speaker 8 (20:01):
First I found out through Yak Yeah by Generation Now
Good Life shot to sign y all that shot out
Good Life. I sneak in the studio. When I sneak
in the studio, I get shunned. You feel me, They
ain't They ain't really giving me the run around, Joe Willie.
Joe ends up hearing about me. He comes to a
Pierre studio. So now I got him at Pierre Studio
because I'm not sneaking back. I'm not back up there
no more. I don't have to sneak in at this
(20:23):
point because Joe let me not knowing this is drama
right here man at an r he brings me in
this time. I recorded a writer session. Not knowing this
is a writer session. I'm thinking this is my right
Joe's I'm booking you sessions, bro, We're trying to get
you from the drama. But these are writer sessions. Drama
walks in one day, here's the music, and was like, damn, Joe,
this is what you this is what you're working on.
(20:44):
That's what you were talking about. Jo, Like I told you, Yeah,
it's it. He's like, I'm fucking with it, I'm rocking
with it, and then boom, I end up signing to
DAL I bring that to Florida Boy, and then boom, we.
Speaker 4 (20:53):
End up signing to Deal.
Speaker 6 (20:55):
Are you still signed?
Speaker 4 (20:56):
No, I'm not signed at the Generation Now or Atlantic.
Speaker 6 (20:58):
What happened?
Speaker 8 (21:00):
Honestly, Honestly, I felt like it was just time. I
felt like it was just time for.
Speaker 4 (21:08):
Me to you know, like, let me do this my way,
you know what I'm saying like properly.
Speaker 8 (21:14):
I just I felt like they were they had too
much on their plate. Just felt like they had, you
feel me with the other artists that they had, they
with Jag. You know, y'all got a lot of other
things going on, and I feel like me personally, I
got tired of everybody of caliber, huge successful people. I
got tired of seeing all this shit and being around
all this and everybody walking up to me without me
(21:34):
saying nothing, said Bro, what's going on?
Speaker 1 (21:37):
Bro?
Speaker 4 (21:38):
What they doing over there?
Speaker 6 (21:39):
Bro?
Speaker 5 (21:40):
Artists was telling you.
Speaker 8 (21:41):
I don't even want to drop no names, but high
caliber artists that you probably listen to every single day, executives,
uh A and rs of other they own people, they
own friends, they own homies, their own partners that they
with right now.
Speaker 5 (21:52):
Hell, I asked you, what's going on?
Speaker 4 (21:54):
Shit right here?
Speaker 5 (21:56):
Even bro?
Speaker 4 (21:56):
What are they doing over there with you?
Speaker 3 (21:58):
Grow?
Speaker 4 (21:58):
What's going on? You got them? You, you got the whole,
You got the swag. Everybody fuck with you?
Speaker 5 (22:04):
You everybody.
Speaker 8 (22:05):
The last mixtape was the highest pick. You peat that thirteen.
I peat that thirteen or fifteen for what two three weeks?
Right when Jack dropped you know what I'm saying Like,
I just felt like y'all couldn't get Jack to shoot
no video with me with Plus ten, But this is
the song y'all pushing.
Speaker 4 (22:19):
We dump one hundred and twenty.
Speaker 8 (22:21):
One thousand dollars behind a record with full five and
y'all go tell Atlantic that that's not.
Speaker 4 (22:25):
What we pushing.
Speaker 8 (22:25):
We pushing Plus ten, but can't get the video shot.
Rp's and codein Gunner. Spike Doune dropped this number three times.
I personally talked to this dude myself, y'all ain't trying
to pay this, like, what are we doing?
Speaker 1 (22:37):
Why?
Speaker 4 (22:37):
This is my third tape?
Speaker 8 (22:38):
No albums know nothing, It's my third tape on a
twenty thousand dollars budget with each of these tapes, And
y'all mean to tell me that this and I'm dumping
my people are dumping their money into this while I'm signed. Wait,
so you putting your own money with one hundred into
man Florida will put one hundred and twenty thousand dollars
behind four five record while we were signed. They told
us not to do it. I don't know why, but
this is not even a and this is not to
(22:59):
go at Damn or none of that ship. But I
love him. I'm trying to like we watch each other
and trying to get back this shit together.
Speaker 4 (23:04):
Either way, this is just a yes, principal, because I
love them. I just want to talk say is it fixable?
Very much? Very much?
Speaker 8 (23:11):
So that's why that's why no more interviews. I ain't
been saying that it's family, you family, we here. I
ain't doing no more interviews talking about that shit. I
ain't doing no interview saying this. And because I'm not
bashing them, right, I'm just not running from the truth
no more. I'm not finna just blast them and make
them seem like they did a horrible job of bro
like the proof and the putting bro, like, come on, man,
did you and.
Speaker 5 (23:30):
Jack start off at the same time? Did Draw get
signed around the same tone?
Speaker 8 (23:33):
No, Jack was dub damn near a year before I was.
If not a year before I was, probably two. I
don't know, but I know he was there before I
got done. It wasn't no three four five years Nigga
was probably a year or two before I got there,
probably less. And we I remember looking Jack in his
face at that studio in the middle of that place
and said, bro, look, I'm not in no competition with you.
We and this shit together. You take off first or
(23:54):
I take off first. We both on this label. Let's
just make sure we here with each other. And you know,
shit happens. Things happened, you know what I'm saying.
Speaker 5 (24:03):
Be like that, what's our relationship now?
Speaker 4 (24:04):
I fuck with Jack. That's my boy. I love them
to death. It's my brother.
Speaker 8 (24:07):
But I ain't begging for shit. I ain't begging for
no feature. I ain't begging for nobody to put me
in no position because it just is what it is.
The tables always turned at the end of the day.
The table's always turned. So like, my relationship with Jack
is still good. I ain't talk to him in by
the month.
Speaker 4 (24:21):
How about Drama, I ain't.
Speaker 8 (24:23):
Talk to Drama and themb about four months. You taught
them about four and a half months. We ain't chopped
it up. We just let that happen. Let it be
with it be here, right. But like I said, right, Bro,
Lake still watch me avery day every other day. Worri's
Pika choows. You know what I'm saying. We all like bro,
we love each other.
Speaker 4 (24:37):
It's family.
Speaker 8 (24:38):
I was over the three four years like it molded
over there. It's just you know what I'm saying. Maybe
I put the bugget for the horse, maybe they put
the bugger for the horse. Whatever the case may be.
We all just got to come to an agreement. They
I got to take account where they fucked up at
because I'm doing it. I'm just not finna be the
only one doing it, especially not with three four grown
ass men who are already MOLTI medi and there's in
a position of where they are and I'm trying to
(25:00):
get there and pass.
Speaker 4 (25:01):
You know what I'm saying.
Speaker 3 (25:02):
But so way, Jack didn't do the interview with you
video or the video no idea. You didn't ask them about.
Speaker 8 (25:09):
It, man, I know because certain business. I don't be
you know what I'm saying, but I did. Hey what
let's shoot this video? Like they got to the point
we're telling them, will pay for the ship? Like I
pay for this, bro, Like I we got it.
Speaker 9 (25:22):
But I think it's a very you know, imperative for
artists who watch us, watch these videos and stuff like
that they learn from mistakes of others like yourself.
Speaker 6 (25:34):
What are some of the things that you wish you
knew before you even signed with them.
Speaker 8 (25:38):
Before I signed with anybody, before I signed with anybody,
I wish that I knew, like my nigga, Please separate
emotion from business. Please learn to like, do not take
nothing personal in this shit, bro, Like, just separate emotion.
I would have did that different. I would have I
would have learned to, like, you know what, bro, emotion
(25:59):
is here business. I don't care if you my dad,
oh god on cameras money, you don't putting this? I
love you to death, but this is this, This is this,
and be selfish, be a little bit more selfish.
Speaker 4 (26:08):
I'm a generous sized person.
Speaker 8 (26:10):
I'm a real generous person, and I feel like that
has put me in certain positions, but it also has
put me in certain positions.
Speaker 4 (26:17):
You know what I'm saying, It's a fifty to fifty.
Speaker 8 (26:19):
So just finding a balance in all this, you know
what I'm saying, That something I would have did different
with take my emotions out of shit and find and
find a balance and be like most selfish and more
in tune with Cedric. You know, can say the Hudred
is gonna be that's in me, say the Hendrix is death.
But just be more in tune with you who you
really are the person you know what I'm saying. Because
you're in tune with the person that you are, it
(26:40):
helped focus on this alter ego.
Speaker 4 (26:42):
That you're bringing in to the world. You know what
I'm saying.
Speaker 2 (26:44):
You don't owe them any Sorry, you don't owe them anything.
Who Atlantic generation?
Speaker 5 (26:49):
Now?
Speaker 8 (26:50):
I owe them respect and principles in a conversation, the
neology too. But other than that, I don't think no
ohe them music, no sir, sergy nah I do I
do all jin now And a politive for how I
handled it, for how I let it get in my
head the way I could, because all they wanted to
do was talk. They just wanted to talk, and I
let other stuff get in my head to keep me
from talking.
Speaker 5 (27:11):
You let the artists not even that too.
Speaker 8 (27:13):
But I just didn't pick up the phone because I'm
listening to older people. My respect love I grew up
is yes, ma'am, no, ma'am, no, sir, yes, sir. So
if my people are telling me, don't do this, don't
do this, don't do this, and they the one putting
the budget behind lunch some of this shit. Don't get
me wrong, I'm put money in this shit myself too,
But you kind of can't go back and forth with
the machine, especially if they feeling like they telling you
(27:34):
what it is. Then when they get my ma involved,
it's like, oh my gosh, now you got t lad involved,
Like I just bowed down your family.
Speaker 9 (27:42):
Who I'm in a family, Your label that you're assigned
to was telling you what to do as it refers
to your the bigger label, which if you.
Speaker 5 (27:50):
Speakership, I mean that's what I thought.
Speaker 4 (27:52):
I was in a partnership with my people. But if
I speak, if you, if you.
Speaker 8 (27:57):
Called, if you talk to them right now, if you
pull up, if you go, you're gonna miss a bad
thing we got going on. You're gonna miss a bad thing.
You ain't happy they're doing this, if you call them,
if you talk with them, if you get seen with them.
A Landa could have seen that and stopped it and
put it on home. I had just too much, too
much other shit in my hear and I couldn't hear
my own voice.
Speaker 5 (28:15):
Okay, so camera is yours speaking?
Speaker 4 (28:19):
It really just bro, like on the rail.
Speaker 8 (28:23):
I'm not opposed to working with labels and doing what
I gotta do, Bro, But just now that I know
the business, it's time for a change. Like niggas ain't invested, No,
it's not. I ain't even had a half a million
put into me game. Like seven years i've been wrapping,
probably three hundred four hundred thousand has been invested into
(28:45):
SETI Hendrix.
Speaker 4 (28:46):
And I'm talking about from both labels.
Speaker 8 (28:48):
G shit, whether somebody done over extending it up numbers
to label to make it seem like it's this so
they can get this check back, or whether a person
done seriously only put in this much. I ain't even
got a half an input in to me, and look
how far.
Speaker 4 (29:00):
I came in.
Speaker 8 (29:01):
It's already the connections, the relationships to people. So imagine
if I already got if I get when I get
a real major deal, a real push, like a real deal, like,
you know what, bro, this is this what we're finna do?
We got you the plug out. I'm gonna be good.
I'm not thinking about running back over the generation now.
I love them niggas and I want to talk. We
(29:23):
haven't talked in four to five months. Let's just speak.
I don't want no bad blood. Stop telling niggas y'all
dropped me. Stop going around telling people that, oh bro,
that's my you know, you know, linked up a bed friend,
you know what?
Speaker 1 (29:35):
You know?
Speaker 4 (29:35):
Dri man, nigga.
Speaker 8 (29:36):
Don't want to hit that shit like we're trying to
get this money. Were trying to do this business. I
ain't getting nobody wrong. I ain't cut through nobody. I
ain't throw nobody in the bus. I kept this shit
a honey something that a lot of artists don't doing
this shit. I'm vulnerable. I'm open with this shit, and
I'm gonna let people learn from my mistakes because I
learned from other people mistakes.
Speaker 4 (29:52):
But I just want to talk. We grown right.
Speaker 8 (29:54):
I made my mistakes. I'm a young I may and
my mistakes. I ain't talk to y'all. I'm ready to
talk now. Are y'all going to do tick for tack
and do me how I y'all? Because if that's the.
Speaker 4 (30:01):
Case, then cool like But generation you're trying to run
over there, I love them, niggas. I just want to talk.
Speaker 10 (30:06):
We'll be right back. Stay tuned with more of the
Baller Alert Show. You're listening to a special edition of
The Baller Alert Show.
Speaker 8 (30:19):
It's your voice said to Hendrickson, y'all, I not tuned
into the ball of Alert shows.
Speaker 5 (30:23):
Now.
Speaker 3 (30:24):
Have you ever had a conversation with Uzzi? Hell yeah,
because I know UZI he had. You know, they was
going out it for years.
Speaker 8 (30:31):
And I used to I used to viole ac bro.
I never do them like that. I still never do
them like that. I can't you feel me not even
speaking on how that went because I ain't nothing to
do with me. But I never bash and just completely
say man, fuck them bitch, oh district like man, because y'all,
I still stood on y'all shoulders. Y'all still brought me
in the game. Y'all still opened me up to some
shit that I ain't know nothing about. So that's the
(30:53):
reason why I want to talk. I wasn't trying to
hear it then because I had too many voices and
no excuses on my own.
Speaker 4 (30:58):
Man. But you know what I'm saying. I have talks
with Uzy.
Speaker 3 (31:01):
I always wondering what, like, did he ever give you
some advice about the frustration that he had with the label?
Speaker 1 (31:07):
No, he just know.
Speaker 8 (31:08):
He just told niggas, he just I asked what I said,
man full with people and this ship. We said, Bro,
I don't fuck with nobody. I don't funk with nobody,
no matter how this ship may look or how this
ship may see.
Speaker 4 (31:21):
He said. But I don't fuck with nobody. I just don't.
Speaker 5 (31:24):
I heard that a lot coming from artists. I heard
artist ship.
Speaker 4 (31:28):
Fake is fuck bro like real ship.
Speaker 8 (31:30):
It's the most This is the only industry where nigga
can fuck you over with a pen and you can't
put hands on you can't.
Speaker 4 (31:35):
You can't. You can't do ship. You can't really like you.
Speaker 8 (31:39):
Yeah, that's all. That's that's all you gotta do. You
gotta literally like all right, I bet that's how we
gotta play. But then that turn niggas in a fuck niggas,
that turn that turned this industry and what it is
now because a lot of people went and do a
lot of ship. Bro, if that pen wasn't saving niggas, bro.
But that mean like contracts and cant of the niggas.
(31:59):
Just read your contract, know what you're in and don't
be afraid to say you're fired. You're not doing your job.
I'm a whole your count, you're fired. That's what we
fucking niggas up in this shit. Niggas is too emotionally
are tied to shit, and on top of that, you
don't even know your fucking business. So it's on top
you don't know your business, you emotionally tied to shit.
You already come from a fucked up background and all
this nine times out of ten, so it's a mixture
(32:21):
of bullshit because nobody is teaching you the correct way
of how to do business. And that just stems back
to how we are raising our community with this right here,
Oskar coming.
Speaker 4 (32:29):
But I ain't even forget in all that because.
Speaker 8 (32:31):
You tend to get the enlightenment later and then you
realize and that's life that happens. That happens some people
fuck up, think they got the big head they in it.
Then you get humble and you got to realize, all right,
let me go about this a different way.
Speaker 4 (32:44):
That's cool. There's nothing wrong with that. Take that run
with it. It's called make a mistakes, not perfect nothing.
Speaker 3 (32:50):
When you saw Jack Harlow's success on while you were
on the label, did you ever question, like you.
Speaker 8 (32:57):
Know here pomp poms, nigga. I cheered every way to
the point leslie, even hitting them niggas like bro. And
when it said turned, that's gonna be, I cheered, but
I was happy. I'm still happy.
Speaker 2 (33:08):
I was waiting too, like I ain't gonna lie. I
was waiting because I remember shot me out of his songs.
I remember then it was Jack. We're still waiting on
Killer over there, it was you yeah, and I was like, okay,
it's your turn.
Speaker 4 (33:22):
And I was just waiting everybody.
Speaker 3 (33:25):
Drama was saying, like, you know, I'm not gonna lie
like y'all used to come to my parties and Drama
would be like, yo, this like he the next got up.
Speaker 10 (33:33):
Of course.
Speaker 5 (33:33):
I used to be like. I was like, of course,
and it of course when they see you face to
face in the flesh, oh.
Speaker 4 (33:41):
Yeah, we worked telling you we got him. This is
what we're gonna do.
Speaker 8 (33:44):
Of course they're gonna do that when they're in front
of you. Of course that's what what what? What they're
gonna tell you? Always shouting him.
Speaker 4 (33:50):
We ain't doing nothing with them. Oh yeah, Sadie.
Speaker 5 (33:52):
Here that's what else?
Speaker 4 (33:53):
Did they finished?
Speaker 6 (33:53):
Last?
Speaker 2 (33:54):
Your last tape? That was the one I told you
that when you dropped it, I was like, this is
the best one.
Speaker 8 (34:00):
Everybody can say, that's the one until it's the one.
Everybody gonna say that game. And I know that may
be fucked up. Comfort me, but I know they finished.
See this interview and here this So I like to
speak on every side, every single coner.
Speaker 6 (34:10):
But you all right, are you satisfied with your label?
Speaker 4 (34:14):
Now?
Speaker 6 (34:15):
Your family label?
Speaker 8 (34:18):
I love my dad to death, So we're gonna we're
getting it together. We're getting this business together. So yeah,
we fix the shit. We gotta get it together.
Speaker 6 (34:26):
But because I feel like that's a lot of your frustration,
is that Hell.
Speaker 2 (34:29):
Yeah, so are you signed in blood over there? Because
that's your family, that's your daddy.
Speaker 4 (34:35):
Actually, I'm not just bro. I'm so big on this
lord to ship. That's what got me.
Speaker 6 (34:39):
And you feel obligated.
Speaker 8 (34:40):
I feel obligated. You don't put up about two fifty
three hundred thousand. Man, let me get your money back.
I just I just want got your MOODI shit around.
Speaker 5 (34:47):
You've been running point seven years.
Speaker 4 (34:49):
Yeah, you've been running point seven years.
Speaker 1 (34:50):
Got it?
Speaker 8 (34:51):
I let it seven years and I got out a
deal becausey all type of shit trying to slow this,
slow this bit down, a pops fall back. You're gonna
get you you. We're gonna make sure you get you you,
but just sit back. You see you get your money?
How you get your money?
Speaker 4 (35:04):
I got it? We got it.
Speaker 5 (35:05):
Now. How you think Drama feel about you not being
with the label.
Speaker 3 (35:09):
All right?
Speaker 4 (35:11):
Fuck him?
Speaker 8 (35:11):
You probably feel like Man, No, I don't think dat.
I'm only saying this because her tours bro, and I
really love him. I was a student I'm talking about
probably used to like drama brobably, drama out bro, real ship.
So I know this nigga gang. So I don't know
if he's said around, probably fuck that nigga. Man, I
(35:34):
don't know. I want to I want to talk.
Speaker 1 (35:36):
I want to know.
Speaker 8 (35:37):
I want to go over the probable taking everything in me,
not just a yoke up there, bro, because I know
I can't ain't gonna call no police on nigga, ain't
gonna put no hands on me.
Speaker 4 (35:45):
So I really I'm a figure ahead.
Speaker 5 (35:47):
Compre gonna figure out.
Speaker 2 (35:49):
Let's some time, let's some time, make get some here.
Speaker 8 (35:51):
Yeah, that's all I just don't want because it's time,
go time. Heals everything. But one thing about it, I'm
a queries. But the longer I go with I talking
to you, nigga, fuck you. It is what it is
like you feeling like I don't give a damn like
you know what I'm saying. If I can wake up
and get used to I love you, but fuck you,
it's gonna ship and then I get successful.
Speaker 4 (36:10):
Oh man, what's happening to my boy with you?
Speaker 3 (36:15):
So it ain't been like no calls going on where
like you know, they calling other labels like, oh don't
you know, don't mess with him?
Speaker 8 (36:22):
Nah, I ain't none of that, none of that. Ain't
playing a game like that. They ain't doing me like
they love a nigga game.
Speaker 4 (36:27):
They can't do me that dirty. I hope not ship for.
Speaker 5 (36:32):
The people who don't know.
Speaker 2 (36:32):
And just this nigga he said it is actually a
really cool guy, like he's very unproblematic.
Speaker 5 (36:39):
So I doubt that's why I said, when.
Speaker 4 (36:43):
You know I can beat off the drama question, I'm not.
I'm with whatever. I listen.
Speaker 8 (36:46):
If you're right, you're right, you're wrong, you're wrong. I'ma
lets you know you're wrong. You know what I'm saying.
Speaker 5 (36:51):
But I'll sing you with Jack Hallo a couple of
times as well.
Speaker 3 (36:53):
That's why I thought it was weird when you were
when you were talking about how you guys had a
record together.
Speaker 8 (37:00):
You know he could not hit that nigga and that
this hell yeah, even in this, even in his last tape.
But Jack Man the other one, I'm gin like SETI like,
he'll stay, shot me out, He'll like, he'll even on
the record, play like Jack shows me.
Speaker 4 (37:15):
Love Bro. I love him like a brother. But at
the end of the day, like we in the same thing, Bro.
Speaker 8 (37:20):
I don't know if it's competition. I don't know if
it's I have no idea. I can't say what it is.
But that wasn't my job. That was my label job
to get with perfect example, p Q see the baby,
p A me goes come out. Yeah, y'all post up
pictures videos features all that, Hey the baby, when you
(37:42):
pop the kids, all that that ain't nothing that gotta
get told. That's that's just it's common sense. If see
you come at you and tell you, ay, bro, it's
only four, it's it's only three of us, four of
us on this motherfucker, like I need we try to
pop this one off to come on. And it's marketing.
It's so fun, it's simple, That's what I'm saying. What
I got into earlier. I don't know if it's ego.
(38:03):
I don't know if it's wordplay. I don't know if
it's beef with the label behind the other ship and
he not trying to fuck with me because of shit
they douneead to him and that'll turn them up.
Speaker 4 (38:12):
I don't know what it is, gag, but niggas. I
feel like.
Speaker 8 (38:15):
Sadie Hendricks got caught in a lot of crossfire, bro
that I wasn't supposed to be COVID. I signed a deal.
World shut down. I'm on everything. I'm on every roll, Lie,
I'm on everything. I'm on all this shit.
Speaker 4 (38:25):
World shut down. As soon as I signed the deal.
Speaker 8 (38:27):
I remember, you came to the club and then I
ain't seen yet. It's like and then so now the
world come back. Nah, technical gotta start over technically, you
know what I'm saying. The music though, the close, the
females that'll look.
Speaker 4 (38:39):
Everything ain't up. But bro, where you being?
Speaker 8 (38:43):
Then on top of that, I'm dropping once a year.
Y'all got me dropping once a year? Game it ain't
it's only so much it can do?
Speaker 4 (38:51):
You feel me?
Speaker 8 (38:51):
In a world where everybody's dropping like this repeatedly. And
they used to building high caliber artists, they used to
like generation. Now they if they get behind you, it's here.
That's why everybody kept saying, what the hell is going
on over there? And I got tired of people saying, niggas,
you ain't finna help, stop asking me what's going on? Like,
come on over here and talk to these niggas yourself,
(39:12):
because I don't know what to do no more. That's
why I just I just record, record, record, record, But
they got over over three to four tapes in my opinion,
over there, just sitting damn. And since I've been out
that deal, I got three done, ready to go. I
got five tapes. Mexico dro tape is done. We're doing
that photo shoot next week. TNT which is young Boy
(39:33):
and Rod Way producer, Me and him, eight songs and
one more session.
Speaker 4 (39:36):
That tape is done.
Speaker 5 (39:37):
Play that shit up, tnt P that shit up t
and t cout that shit up.
Speaker 1 (39:40):
Kay.
Speaker 8 (39:40):
Me and him is just going crazy right now, that
tape anyway, mafia, me and him working on some shit. Uh,
double me and double A. We just did eight and
two nights and all these tapes. I'm fining all these
producers put them out.
Speaker 4 (39:55):
I want them.
Speaker 8 (39:55):
I want all these out, you know what I'm saying.
And then I'm gonna I'm sitting on three tapes myself
right now, brand new.
Speaker 6 (40:01):
So what's your plan to roll that stuff out? Is
it just with you and your label, your family label?
Speaker 8 (40:07):
And that's why that's why we at where were at
right now, And to miss the autist right now getting
contracts together, getting percentages together, getting paperwork together, orchestrating and
getting things together while I took the world to y'all,
to the world, they see this or he just posted
puture on Instagram, drop a little snippets, but they don't
know that I'm working every single day, countless hours on hours,
losing sleep to get my business together. So when I
(40:27):
presented the y'all through a label, or if I want
to do it independent, and a lot of people don't
don't know that you are not with generation now because
you didn't make it.
Speaker 4 (40:36):
Yeah, I ain't really, I ain't really. I did a
couple of interviews, but they're like to I didn't. I didn't.
Speaker 8 (40:40):
I didn't bash them, I didn't do the go on
internet and cry like a little bit. I didn't do
none of that because I love I loved you, nigga.
I don't know how many time I got to say it.
I keret so and I got morels. I got certain principles.
I'm a stand one because at the end of the day,
I got to see y'all. Eventually, I'm gonna run into
y'all if I'm trying to be successful in so, I
didn't want to go out and just stupid blast them
(41:01):
all over the internet and all over the world and
be looked at and shunned, because that can here do
you with other labels and you with other stuff.
Speaker 4 (41:07):
That you're trying to do.
Speaker 9 (41:09):
I'm trying to clear these what they're saying, just the
things that I'm hearing that's getting back to me.
Speaker 8 (41:14):
I'm not using these platforms to clear the air and
let it be known like it ain't that y'all.
Speaker 4 (41:19):
Y'all ain't got to be on none of that.
Speaker 10 (41:21):
Man.
Speaker 8 (41:21):
It ain't no bad blood, it ain't no beef, it
ain't no none of that. It's just an understanding that
has to get done, that has to get said because
we care and we was in business together.
Speaker 4 (41:30):
You know what I'm saying.
Speaker 5 (41:31):
It just sounds like some family members just need to
talk ship.
Speaker 9 (41:35):
Yeah, that's what it sounds like, him and his family
because like R said, like, you're a very easy going.
Speaker 8 (41:41):
Guy, and I can be a very I'm not. I
like how I'm saying I am, but I can I
can be, I can be. I can be a burden
my last name. I can be a burden. But if
I'm gonna do it, it's because I either don't know,
nobody's explaining it to me. So I'm going with my
own assumption as a human should or people try me
like I'm seventeen eighteen years old. Like I can't get
(42:02):
told information, Like I can't be told certain things because
I'm the artist. The artist gotta stay creative. Man, I
ain't been an artists.
Speaker 4 (42:07):
I got in this.
Speaker 5 (42:08):
Yeah, it's hard for y'all. It's very hard for artists.
Speaker 6 (42:12):
You need to know because this is your future.
Speaker 8 (42:15):
You've been trying to tell peoplehy wouldn't you want me
unless you want to be in the blind unless you
got some up your sleeve that I shouldn't know about.
Speaker 5 (42:21):
Most artists want to know these days, a lot of
artists have to know.
Speaker 6 (42:26):
So what was that conversation like with your dad? For
you too, for you guys to come to an agreement
to move forward?
Speaker 4 (42:32):
To move forward. The difference thing we're doing now is.
Speaker 8 (42:37):
Having a different person run point because I'm a I'm
point guard. I need a new manager who's going to
be the coach, and then you're gonna be the CEO.
You don't see the CEO down there playing point guard.
You don't the coach. Don't even run the team technically
on the court. If the coach telling me to run
(42:58):
to play and a point try to run it and
it don't work, he has to now facilitate a whole
new play to get that ball in the bucket. So
like moving forward, I don't gotta you gotta deal with
him directly. Yeah, I either got to get out a
car or move some people around in the seat. You
know what I'm saying. Just move people around, like moving forward.
We just got to put people in different positions. You
you ain't good at this, so let's move you here.
(43:18):
You ain't good at that, Let's move you here.
Speaker 4 (43:20):
Moving forward.
Speaker 8 (43:20):
We switching everything around and just moving forward. That's really
what I'm on with everybody.
Speaker 6 (43:25):
I hope that really works out.
Speaker 4 (43:27):
No, it is just working out as we speak right now.
It's already doing it.
Speaker 5 (43:31):
So because these clips gonna clip.
Speaker 8 (43:32):
Nah, they just gonna clip, even just from a clip
already know. But but I ain't saying nothing wrong. I
ain't saying nothing wrong. I ain't disrespect nobody. I ain't
throw nobody in the bus. I let it be known.
Speaker 4 (43:44):
It's just Hey, here's what it is.
Speaker 5 (43:46):
Man.
Speaker 6 (43:47):
He said, you got the tapes coming? What else do
you have? What's next for you?
Speaker 4 (43:52):
Modeling Fashion Week? I'm gonna go up that New York Uh?
I got uh.
Speaker 8 (43:57):
I just told you all them five tapes I'm working
on with them, five producers, m Me, my Boy, Spiff
and Spiff and the Drop of Tape, him Chart, his major,
Me and Aaron Bellach justin to do something.
Speaker 4 (44:09):
I ain't gonna lie. It's a lot.
Speaker 8 (44:10):
I can't even go down the list of how much
like things been going on since certain people heard like,
oh I heard you indpend it. It's just been mm hmm,
like just certain motions that I'm clicking on too.
Speaker 5 (44:21):
So it's a lot. I like your TikTok. Yeah, I'm
trying to do a little fashion.
Speaker 4 (44:26):
Stuff, trying to do that, you know what I'm saying,
getting them off together. Yeah, I'm trying to do a
little different.
Speaker 9 (44:31):
Okay, Sadie Hendricks, we appreciate you for stopping by the
ball Alert show.
Speaker 6 (44:34):
Anything else you want to get off your chairs?
Speaker 5 (44:36):
Nah, call him? I love you.
Speaker 8 (44:43):
Kenny Cannon too, though Kennon really the one probably like
man because that's the of all three of them, may know,
Cannon is the level headed, that's the one that you
know you can go to because he's exactly said so
he he, I know that's the one I really need
to chop it up with. But yeah, it's like big Yeah,
that's big bro. That's who taught me how to dress
when it comes. That's who really was creative. Hands on
(45:04):
Lake was the homie that you can go to and
just chop it up. Oh he understand on the young
street side or whatever the case may be. And then
drama is the face. Drama is just drama. You know
what I'm saying, like, Hey, smile, Hey, what's up?
Speaker 4 (45:18):
Cool? You feel me? He real, he real bomb, It's
simple with him.
Speaker 6 (45:23):
Well, before we get out of here, we got a
pep talk with Steadi Hendricks.
Speaker 8 (45:26):
Hey, it's your boy, Sadi Hendricks, and my pep talk
for the day is keep your emotions out this business.
Keep your emotions and your business separate, and always have
faith that everything can turn around.
Speaker 4 (45:39):
Manifestation is real.
Speaker 10 (45:42):
Can't get enough of baller Alert. Follow us on all
social media platforms at baller alert blog on the baller
alert dot com
Bord with me here you know b T she so
low shout out O c T no real color what
we see?
Speaker 2 (00:08):
Whole game?
Speaker 1 (00:08):
Ready, baller b something. Oh you can't stand on their own.
See I already know you can't bold with me because
up with the squad of me. They get at that,
they called me.
Speaker 2 (00:18):
Hear Hello ball Alert Welcome to the Baller Alert Show
podcast available everywhere you get your podcasts. Please continue to like, subscribe,
and share our YouTube page at baller Alert TV. I
go by the name of.
Speaker 3 (00:34):
Ferrari sim I go by the name you know, b
T oh c tem with that SETI drance to the building.
Speaker 2 (00:41):
SETI what's up?
Speaker 3 (00:41):
Sir?
Speaker 4 (00:42):
What's upways? You killing?
Speaker 2 (00:43):
H You're gonna be guest hosting with us and we
were getting your business a little bit cool.
Speaker 5 (00:47):
We're gonna talk some ship now.
Speaker 4 (00:48):
But that's cool.
Speaker 5 (00:50):
Don't be holding back.
Speaker 4 (00:51):
Nah, I ain't gonna hold that. Man, ain't gonna hold that.
Speaker 5 (00:53):
All right?
Speaker 6 (00:53):
Cool turned itself in. What are y'all? That's about that?
In Georgia Food County jail over Rico charge in.
Speaker 5 (01:05):
Georgia, Yeah right, yeah county.
Speaker 3 (01:07):
No, no, he no, he is not currently in jail.
Speaker 6 (01:15):
But yeah, you know they're gonna get him right back out.
Speaker 7 (01:17):
Yeah, mus damn yeah, County. He has some mug shot.
Speaker 6 (01:28):
That's why T shirts right now at t T dot com.
Speaker 5 (01:31):
He has a mug shot. I never thought that.
Speaker 2 (01:34):
I can see the shirts now though, And it's a
lot of Trump supporters here.
Speaker 5 (01:38):
Uh.
Speaker 2 (01:38):
That was here waiting for his Rindy waiting to do
what I were waiting to see him drive in to
turn himself in, just to tell him that hey, we
love you, we support you, and then they.
Speaker 4 (01:49):
Were right back out.
Speaker 5 (01:50):
Weird. He has fan fare.
Speaker 8 (01:52):
I remember before the president, this man was in every
black person music video.
Speaker 4 (01:56):
He people people don't want to talk about. It is
the things that.
Speaker 8 (01:59):
He has done and for the black community, the things
that he has done. I'm not finishing what has he
done for the black community. He got a lot of
my uncles and cousins out of jail and got them
back home. He definitely had He fed a lot of
people money when they come to the colleges and clear
some of the depths.
Speaker 4 (02:14):
This is just what I know.
Speaker 8 (02:14):
I may be wrong on certain things, but the college depths,
he gave a lot of people money clear at certain depths.
He got a lot of people that was locked up
back home off certain charges that they weren't supposed to
be gotten, brought back home.
Speaker 4 (02:24):
And yes, you feel me. He brought some people favorite
wrapping home. You know what I'm saying. The end of
the day.
Speaker 8 (02:29):
You know what I'm saying. He done little things. And
back then he was in a lot of music videos.
People used to you know, back to gen people do
little funny stuff and throw them in because Donald Trump
he the cool white boy, you know what I'm saying.
Speaker 4 (02:40):
To a degree, to a degree, you know what I'm saying.
Speaker 5 (02:43):
But they didn't know that he was the biggest gangster
of them all.
Speaker 3 (02:46):
Interesting, man, that's crazy. They're too old to be going
to jail. So you know who's making all that money?
Speaker 4 (02:51):
The lawyers though, who you telling too?
Speaker 3 (02:53):
Yeah, I chose the wrong professional. I definitely wish I
could want lawyers and people who fit back.
Speaker 2 (02:59):
I know this is a plea off topic, but lawyers
and the people who fixed a cs in the South,
that's where the bread.
Speaker 5 (03:04):
A man, you're just saying that because without I put
four I had.
Speaker 2 (03:08):
To pay four thousand dollars for a C that ship
flour thousand dollars.
Speaker 4 (03:12):
For one in the window. He I know, but what
if that go out?
Speaker 5 (03:16):
See, that's what I'm saying. That's the problem. Now that
he go out, you can, kid, you can put a
blanket on.
Speaker 2 (03:22):
Coming around with around with that left, it's going left
a bowl up.
Speaker 9 (03:29):
Big shout out to the fastest woman in the world
right now, Richardson and the one hundred meter race.
Speaker 6 (03:35):
She had a ten point six five seconds.
Speaker 4 (03:38):
I've seen what she did when she walked past every
white interviewer. What she doing she walked past me?
Speaker 6 (03:44):
Yeah, she went straight to the black media.
Speaker 4 (03:46):
Man.
Speaker 5 (03:47):
She had so much ridicule when she lost.
Speaker 9 (03:50):
When she lost, Yeah, this is two years after she
was left off the US olyptic team for using marijuana.
Speaker 5 (03:56):
Classic example of they love you, they hate you.
Speaker 4 (03:59):
Then they of you again, back and forth, back and forth.
Speaker 5 (04:02):
That's that's the best example right there.
Speaker 6 (04:05):
You know, it's not how you started, is how you finished.
The champion.
Speaker 9 (04:08):
A big shout out to her. Also, players ball, we
got ESPN news.
Speaker 2 (04:14):
Yeah, Steven A. Smith has a new co host, Shannon Sharp.
It's gonna be versus aunt, stephen A Smith versus Shannon Sharp.
He is now officially on ESPN. You see the post,
it was the infamous Lebron and d Wade slam dunk Alli.
Speaker 5 (04:30):
Yeah, so uh that's gonna be podcast September four.
Speaker 8 (04:35):
I can't wait to see that they might go down
one day, go down, gonna go down.
Speaker 2 (04:40):
Bro, That don't be good, especially for my Dallas Cowboy fans.
Speaker 5 (04:44):
You guys are gonna get screwed over. They both hate y'all.
Speaker 3 (04:50):
Wait, I can't wait too, man Jacks.
Speaker 2 (04:55):
Good quarterback, good quarterback, I got quarter receivers, running back.
Speaker 4 (05:00):
I don't know he was going with that. I thought
you were just even that quarter y'all got.
Speaker 2 (05:03):
A defensive decent you know what I'm saying.
Speaker 8 (05:05):
Make sure, yeah about the fright.
Speaker 2 (05:10):
Falcons have a defense this year. Falcons finally have a
good defense. Were always gonna put some points on the board,
But what about the offense. We always put points on
the board. We always had a decent off we just
never had a defense. We will scored twenty eight and
then the competitor would score thirty five.
Speaker 5 (05:27):
Who's the quarterback? I just said his name?
Speaker 8 (05:32):
Writer Ryn and Ryan back got the practicing on the field,
the old.
Speaker 5 (05:36):
And the old coo back No r Matt Matt Ryan.
Speaker 4 (05:40):
He was just on the field or practicing.
Speaker 5 (05:41):
He was helping. He was not practicing. They've been they've
been not.
Speaker 8 (05:47):
Well.
Speaker 2 (05:48):
I drive all the way up there and wherever that
ship is, all the way up in Gwenette, if who
comes up there.
Speaker 5 (05:53):
Yeah, I thought he retired. Man, I don't think he retired.
Speaker 4 (05:56):
Yeah, helping.
Speaker 2 (05:57):
He on the field, helping. That's been writers our core
the back or ridder right or whatever. He's our quarterback.
Speaker 5 (06:03):
Man.
Speaker 2 (06:03):
We got some good young talent. We got that Robinson
running back from Texas. He's gonna do. He gonna do
the thing, you know what I'm saying. So we're gonna
be I am telling y'all we're gonna be out. We
will make the playoffs. Save this clip. Don't put it
in the folder.
Speaker 5 (06:15):
Just save it.
Speaker 2 (06:16):
Put it to the side, put it at the top.
Is gonna make the playoffs this year?
Speaker 5 (06:20):
That's it.
Speaker 2 (06:21):
I didn't say he was gonna win.
Speaker 5 (06:22):
The Falcons ain't about to do ship. He don't want
to admit it.
Speaker 2 (06:27):
You know, it's like having to be in a relationship
with a you know person that cheat.
Speaker 3 (06:31):
First of all, did you see the new sections that
they've added to the Falcons? Took like a club section.
Speaker 5 (06:39):
I mean, that's what you needed.
Speaker 8 (06:40):
A definitely need that. We got the bigger TV pool,
we got a beach. Damn there saying was fired everything.
You just hang relaxed.
Speaker 5 (06:51):
But he got to throw the Jaguars in there, like yeah, yeah,
you know, you.
Speaker 2 (06:53):
Know we're gonna get in his business in the second chat.
Speaker 6 (06:56):
Check that out, all right, keep it a stack.
Speaker 9 (07:00):
Who is the trap rapper who had the most impact?
Speaker 6 (07:03):
Gucci g Z or t I Jesus?
Speaker 5 (07:06):
And why I mean trap?
Speaker 8 (07:08):
I would say t I because he invented it, but jeez,
just t I invented it.
Speaker 4 (07:13):
You can't take it, can't.
Speaker 6 (07:14):
Take had the most impact.
Speaker 4 (07:16):
Yeah, that's I.
Speaker 2 (07:18):
Just want to say because Jez had the biggest deal.
He signed with Death Jam and they did a national
campaign with him. So that's why he's I'm not saying
that's the only reason why, but I just feel like
his ship because Gucci was independent when he came out,
so he was very regional. Tip came out, Atlantic, got dropped.
(07:38):
Then he kind of had an Atlantic thing and it
kind of was back and forth. They didn't believe in
the trap because he was the first version of it.
Nigga Jeezy had goddamn death Jam spending the budget, and
he was all the way in Washington, not DC, the
state performing God damn motor thumb motivation, one on one.
Speaker 8 (07:56):
It gotta be gz took it, Jeszo. He had California
on smash, Florida, the South, the whole Florida on smash.
Speaker 4 (08:06):
He just had the He he was moved.
Speaker 2 (08:07):
But everyone was equally important to me though, like everyone
to me.
Speaker 3 (08:11):
I'm gonna say, I'm gonna say, uh, when I was
growing up, it.
Speaker 6 (08:15):
Was Gucci Man who had the most impact.
Speaker 3 (08:17):
It was it was Gucci Man just just from like
my city and like how everybody was, like people was
really banging because of Gucci. Like I'm talking about like
when he had the freestyles, when he used to be
on what was the hood clip?
Speaker 4 (08:32):
The hood clip clips?
Speaker 5 (08:33):
Everybody you watching it and I was too.
Speaker 8 (08:36):
Because I graduated twenty fifteen, I was ninety six, So
people would say I was supposed to say Gucci, which
I grew Like, yes I would, but I'm a student
of a game, so like it has to go set.
Speaker 4 (08:47):
Yeah, impact like.
Speaker 3 (08:48):
Region impact, but impact is different from Gucci individually.
Speaker 4 (08:52):
Later though, it went his.
Speaker 5 (08:53):
Caught on and.
Speaker 3 (08:56):
What I'm saying, my older cousin he was he was
only listening to Jeez. Then me and my other cousin,
we were listening to Gucci. I don't know, but don't
forget how many people that Gucci Man put on, you
know what I'm saying, put a lot of people. But
that's about that's impact too, and it has to go
impact on like their music.
Speaker 6 (09:17):
I'm talking about impact on the culture.
Speaker 3 (09:20):
So I'm gonna say Gucci if were talking about the
wrong answer. If we talk about impact on the coach,
you gotta say Gucci Man because all of the artists
that Gucci Man put his arm around, all of those
artists took off, including the Migosh, including everybody.
Speaker 2 (09:39):
Literally every everything was under can be real.
Speaker 8 (09:43):
All of this was after his ringing I could be
melf and took it all the way to the travel level.
Speaker 4 (09:52):
Man president.
Speaker 3 (09:53):
But you also what we're talking but you gotta think
about Gucci was like the essence of like a trap.
Like he I was like, i don't need a label.
I'm not signing with nobody. I'm gonna be in depend
I'm gonna do whatever I want to.
Speaker 2 (10:06):
Ask a lot of people from Atlanta and they're definitely
gonna say for sure they're gonna I could equally say
a Tip moment when he said, look, bring your punk
as you flip.
Speaker 5 (10:16):
Oh yeah, I was there.
Speaker 4 (10:19):
I was in the crowd and he told that niggas
b I ain't gonna lie, Bro, you.
Speaker 5 (10:24):
Throyed flip career. Look, Flint was damned he was he
was flip flip. I thought it was like this. I
was like over for when Flip dropped and so Sunshine,
I was like this a flip. I thought it was over.
Speaker 4 (10:42):
I went to that. I I never get the clip.
Bro went to that niggahood.
Speaker 5 (10:48):
Himself and pulled up on.
Speaker 8 (10:50):
That boy, walk right up on him. Hit them any
ship they jumped, they beat his ad or they beat
his that bad.
Speaker 4 (10:54):
But that pulled up in that niggahood.
Speaker 5 (10:57):
I remember, popped off on this.
Speaker 4 (10:59):
I remember left with a guy still talking up.
Speaker 2 (11:03):
Remember Tip had the Floyd ship because Floyd was.
Speaker 5 (11:07):
He pulled up on Florida.
Speaker 4 (11:09):
He knew Floyd couldn't he knew he was doing this
was great.
Speaker 5 (11:13):
Niggas couldn't hit that man like Bro, Really, Bro, what
you know what I do to you?
Speaker 3 (11:19):
Not?
Speaker 5 (11:20):
You know, pulled up to fucking what's the burger? Fat
Burger pulled up the fat burger pulled.
Speaker 2 (11:28):
Up on one of the argumbly one of the best
negatives of all time, Floyd, you get your ask me
to do fight Floyd.
Speaker 3 (11:34):
So, how is that impacting because it's a part of
hip Hop's just coaching, coaching, part of the culture.
Speaker 5 (11:39):
It's the same thing with fifty cent.
Speaker 8 (11:41):
Was not I be honest about that. I hate that
that statement you just said, the party. I hate how
beef is part of the coature because that's what the folks,
that's what folks.
Speaker 5 (11:49):
We should.
Speaker 2 (11:49):
We shouldn't kill each other about it. We should we
get some straightened to do it.
Speaker 1 (11:53):
Get straight.
Speaker 4 (11:54):
I should, I should have to be should ship.
Speaker 8 (11:56):
We should be able to live shake cans, even if
shake cans.
Speaker 5 (11:58):
Just live to see another day.
Speaker 6 (12:00):
I believe niggas look at how bad Giz and.
Speaker 3 (12:05):
Beef was.
Speaker 8 (12:05):
That sh it transcending down to what's going on now
with the with us, with the young world. How we
look at beef now it transit.
Speaker 2 (12:12):
That ship hurt me, man when I saw because my
first representation of both of them was so icy.
Speaker 5 (12:18):
I was like, this ship is the hardest shit ever.
Speaker 2 (12:21):
And I'm from Florida, so I'm begging to hear some
non New York music, no dispeat in New York inspect
to the West coast. I'm seeing some Southern ship. I'm like, yes,
so I've seen that ship. And they was like this
ain't it. I'm over here, like nigga, this ship, Jeff
and so I said, start beefing.
Speaker 6 (12:37):
I'm like, no.
Speaker 3 (12:39):
Skating today, guys, we need to stick together. Why are
y'all beef I thought it was fake man. I think that,
like you know, with hip hop, it's like Man and
Gucci be no, because how fast it was, Because it
was like as soon as the song came out of
blew Up, it was like, Yo, these niggas beat.
Speaker 8 (12:55):
You gotta think about certain niggas be doing, certain niggas
be having ego, tisty, certain it be certain word where
people when I'm realizing I'm not out of bus this
industry because I was.
Speaker 4 (13:02):
I'm a country nigga from Jasville, Floyd who didn't know
no better. So I was on the outside. I used
to be that nigga talking, man, this is not a
nigga get in it. We get in it.
Speaker 8 (13:12):
And now I'm like okay, like it's it's egos, it's
sneak thiscing, it's it's women, it's it's it's it's a
whole bunch of extra stuff that tie into like nigga
do a song with a nigga and the ship slidey
go crazy. But nigga don't even fuck with each other.
They did this on the strength of they get their money.
They've been ain't fucked with each other. I ain't even
(13:32):
talking about Guca Gez. I'm talking about it is the
things that could have politics, polize man, it be it.
You're still human, We still man. That's still a woman.
We still as humans once we get out of that booth,
and it be other stuff that go into that music
once they pop off, or niggas don't expect you to
go this way, or you want to go take it
this way, or you want your money. Hell, you feel
like a nigga don't deserve this, So now you go
(13:53):
to and then boom. That's it's just like a snowball effect.
Speaker 10 (13:57):
Now y'all be We'll be right back with more of
a Baller Alert Show. You're listening to a special edition
of The Baller Alert Show.
Speaker 8 (14:07):
It's your boy, Sadie Hendricks and y'all are not tuned
into the ball of Alert.
Speaker 2 (14:10):
Show back with the Ball Alert show City Hendricks in
the building has going certain blessed, Blessed, Blessedville, Florida in
the building. I always find myself attached to Florida people. Man,
I think it's just something in the water.
Speaker 5 (14:21):
Bro, you're from Florida.
Speaker 3 (14:23):
Just I'm just saying. I find I just think we're
always like a line. We just aligned a little easier. No,
it's definitely some of the waters. H I just think
the craziest people are.
Speaker 5 (14:32):
From Why are the craziest people from Florida?
Speaker 8 (14:35):
Hot?
Speaker 7 (14:35):
Bro?
Speaker 2 (14:36):
Get hot down there? Man, come on, man, you don't
we don't have four seasons.
Speaker 5 (14:40):
It's just hot.
Speaker 4 (14:42):
I wouldn't say it's hot, but I just feel like
we we just lingos different like and what's what's like
the big difference in the ConA cut like.
Speaker 5 (14:52):
Difference between like Northern Florida and South Florida.
Speaker 2 (14:56):
Man, the little hills he got, Well, Jacksonville is a
little flat, correct the month Tallahassee is hilly.
Speaker 5 (15:02):
That's a little different over there.
Speaker 8 (15:03):
Yeah, that'shit the further you go that way, talhan All
that that ship really hill hilly and Georgia super country.
Speaker 2 (15:10):
Where I'm from, it's hot like a month. I'm from
South Florida. You're from South Yeah, Okay, so you're from Jacksonville.
How long have you been doing music.
Speaker 4 (15:19):
I've only been doing music seven years. That's it. I
used to pick on rappers. I didn't think I was going.
Speaker 6 (15:23):
We'll give us a little backstory on who said it.
Speaker 4 (15:25):
Hendricks is what Cedric Cedric is on. Cedric is a young.
Speaker 8 (15:32):
Uh young, hot headed, different than calm, just a ball
of confusion from Jacksonville, Florida, you know what I'm saying,
and just trying to find his way, still trying to
find his way.
Speaker 4 (15:46):
And I come from humble beginnings.
Speaker 8 (15:48):
I come from ship nothing, the bottom of the bottom,
turning it into something, having it, losing it, getting it back.
I come from that whole process. You know what I'm saying.
I have a strong prayaning mom. You know what I'm saying.
Didn't really know my dad. My uncle stepped then and
became my dad, and he had a label Floor the Boy,
and it just went from there like I dove it
(16:08):
to them. Like I said, I didn't grow up wanting
to be no musician. I didn't grow up saying I'm
gonna be a rapper. I thought I was gonna be
a lawyer. I thought I was gonna be a preacher. Really,
you know what I'm saying, like that type of shit
because I was close with the word. My mom was
a real strong, praying woman, you know what I'm saying.
So at the end of the day, like I'm good
with words. I could talk with motherfucker out of anything.
So that's what I thought I was ending up doing.
Speaker 9 (16:30):
So the music, the keyword is thought. And then that
shirt is just you know, yeah, it's not even listen.
Speaker 4 (16:38):
I don't want I don't want people to look at it.
Somebody gave me the shirt. I love art. So at
the end of the day, like I understand, like this
looks like what was.
Speaker 5 (16:46):
Your mama think if she's sending you with this.
Speaker 8 (16:47):
Shirt that is just a shirt ship, I temp to
take it off, you know, she know, like look at us,
you know, like my son, I'm not tripping, Like, Okay,
this is the devil's playground at the end of the day,
you know what I'm saying. So I know how to
work through it, and we all got to learn to
work through it. But just this is just a shirt.
I'm not representing this man, I'm not doing nothing. I
just like the shirt, like the way it fit. It
just happened to have a demon face on it.
Speaker 4 (17:07):
You know what I'm saying.
Speaker 5 (17:08):
Did you play sports growing up because you can hoop
a little bit?
Speaker 8 (17:11):
Yeah, I played football. I played basketball. I used to
be trash's hell at basketball. I used to suck like bad.
But I got wrong here.
Speaker 1 (17:19):
Now.
Speaker 3 (17:19):
I know you talked about your uncle in football. Your
uncle owned the label. Did your uncle like kind of
push you to start doing music.
Speaker 5 (17:26):
And stuff like that.
Speaker 8 (17:27):
I was already doing music before I got with Florida Boy.
I was already doing music before I got with my uncle.
It just shot me or brought us together. And when
he heard about it, he was like, you know what,
because at first he was like, rock with me, come on,
come fuck with what you're trying to do. And I
went that at the time, I was down there trying
to rock with Koli. I'm going down South trying to
because the South was just taking off. So I was like, man,
(17:49):
I'm gonna go down there down South. Realized that well, Miami, Yeah,
that didn't go with I thought it was gonna go.
So I doubled back and then that's when I got
with Florida.
Speaker 5 (17:58):
Within So how did you end up coming to Atlanta?
Speaker 4 (18:02):
Atlanta was a move change told Kwana. Dude.
Speaker 8 (18:05):
He was like, Yo, you need to get said to Atlanta, man,
he's getting in too much trouble now. He came down
in the city when I was shooting video. It seemed
like what I was on he was Ali.
Speaker 4 (18:15):
He was like hell nah.
Speaker 8 (18:16):
He called like, bro, he gotta get up out of
here because he's gonna die. He's gonna die, He's gonna
get caught up in jail. And I got to Atlanta,
got up here, left, snuck back.
Speaker 4 (18:25):
I got shot.
Speaker 5 (18:27):
You got shot?
Speaker 4 (18:27):
Yeah, left came back. I locked up.
Speaker 2 (18:29):
The first time I saw you, he was with DJ
drummer Don Cannon, Jack Harlow. We took a picture and
I was like, yeah, who's this guy? Because I couldn't
tag everybody I was trying to, I was like that,
so I hit Cannon Don Kannon. I was like, who's
this guy right here? He was like, Oh, that's our
new guy, Sadie Hendricks. He sent me your Instagram. I
started checking you out. I was like, oh you don't
really rap. Nah, Like, what type of music do you make?
Speaker 8 (18:54):
Yeah, it's a vibe. You're gonna cut it on this.
I like to think of it as I used to
say rhythmic gangster. I used to say rang because the
rhythm and blue rings and all that. But really, man,
I'm an artist. I really just get in the boof
and whatever comes out of me, it just comes out.
Whatever somebody describe it, that's up to them, because it's art,
you feel me. But I get in there and I
just I make. I make music. I make what I
(19:15):
call what I think is music.
Speaker 5 (19:16):
So were you did? Don Kanna sign you?
Speaker 4 (19:19):
Drama signed you?
Speaker 5 (19:20):
How'd you get? All?
Speaker 1 (19:22):
Right?
Speaker 8 (19:23):
The breakdown of how I got over there is I
was at Pierre Studio first with Bermudier, a couple other
pd legits and we we all me chavo, uh jelly
uh Bill's we all are trapping out this studio on.
Speaker 5 (19:42):
In Atlanta.
Speaker 8 (19:43):
In Atlanta, Yeah, but by damn, I drive. So I'm
in that studio. I'm just doing songs that day. That day,
but at this point, I'm just Florida boy. I leave
and go to Jacksonville, paying for the rent, and Ellen
Wood at the spot.
Speaker 4 (19:56):
I'm just ping ponging. Joe ends up here. So I
sneak into Generation Now.
Speaker 8 (20:01):
First I found out through Yak Yeah by Generation Now
Good Life shot to sign y all that shot out
Good Life. I sneak in the studio. When I sneak
in the studio, I get shunned. You feel me, They
ain't They ain't really giving me the run around, Joe Willie.
Joe ends up hearing about me. He comes to a
Pierre studio. So now I got him at Pierre Studio
because I'm not sneaking back. I'm not back up there
no more. I don't have to sneak in at this
(20:23):
point because Joe let me not knowing this is drama
right here man at an r he brings me in
this time. I recorded a writer session. Not knowing this
is a writer session. I'm thinking this is my right
Joe's I'm booking you sessions, bro, We're trying to get
you from the drama. But these are writer sessions. Drama
walks in one day, here's the music, and was like, damn, Joe,
this is what you this is what you're working on.
(20:44):
That's what you were talking about. Jo, Like I told you, Yeah,
it's it. He's like, I'm fucking with it, I'm rocking
with it, and then boom, I end up signing to
DAL I bring that to Florida Boy, and then boom, we.
Speaker 4 (20:53):
End up signing to Deal.
Speaker 6 (20:55):
Are you still signed?
Speaker 4 (20:56):
No, I'm not signed at the Generation Now or Atlantic.
Speaker 6 (20:58):
What happened?
Speaker 8 (21:00):
Honestly, Honestly, I felt like it was just time. I
felt like it was just time for.
Speaker 4 (21:08):
Me to you know, like, let me do this my way,
you know what I'm saying like properly.
Speaker 8 (21:14):
I just I felt like they were they had too
much on their plate. Just felt like they had, you
feel me with the other artists that they had, they
with Jag. You know, y'all got a lot of other
things going on, and I feel like me personally, I
got tired of everybody of caliber, huge successful people. I
got tired of seeing all this shit and being around
all this and everybody walking up to me without me
(21:34):
saying nothing, said Bro, what's going on?
Speaker 1 (21:37):
Bro?
Speaker 4 (21:38):
What they doing over there?
Speaker 6 (21:39):
Bro?
Speaker 5 (21:40):
Artists was telling you.
Speaker 8 (21:41):
I don't even want to drop no names, but high
caliber artists that you probably listen to every single day, executives,
uh A and rs of other they own people, they
own friends, they own homies, their own partners that they
with right now.
Speaker 5 (21:52):
Hell, I asked you, what's going on?
Speaker 4 (21:54):
Shit right here?
Speaker 5 (21:56):
Even bro?
Speaker 4 (21:56):
What are they doing over there with you?
Speaker 3 (21:58):
Grow?
Speaker 4 (21:58):
What's going on? You got them? You, you got the whole,
You got the swag. Everybody fuck with you?
Speaker 5 (22:04):
You everybody.
Speaker 8 (22:05):
The last mixtape was the highest pick. You peat that thirteen.
I peat that thirteen or fifteen for what two three weeks?
Right when Jack dropped you know what I'm saying Like,
I just felt like y'all couldn't get Jack to shoot
no video with me with Plus ten, But this is
the song y'all pushing.
Speaker 4 (22:19):
We dump one hundred and twenty.
Speaker 8 (22:21):
One thousand dollars behind a record with full five and
y'all go tell Atlantic that that's not.
Speaker 4 (22:25):
What we pushing.
Speaker 8 (22:25):
We pushing Plus ten, but can't get the video shot.
Rp's and codein Gunner. Spike Doune dropped this number three times.
I personally talked to this dude myself, y'all ain't trying
to pay this, like, what are we doing?
Speaker 1 (22:37):
Why?
Speaker 4 (22:37):
This is my third tape?
Speaker 8 (22:38):
No albums know nothing, It's my third tape on a
twenty thousand dollars budget with each of these tapes, And
y'all mean to tell me that this and I'm dumping
my people are dumping their money into this while I'm signed. Wait,
so you putting your own money with one hundred into
man Florida will put one hundred and twenty thousand dollars
behind four five record while we were signed. They told
us not to do it. I don't know why, but
this is not even a and this is not to
(22:59):
go at Damn or none of that ship. But I
love him. I'm trying to like we watch each other
and trying to get back this shit together.
Speaker 4 (23:04):
Either way, this is just a yes, principal, because I
love them. I just want to talk say is it fixable?
Very much? Very much?
Speaker 8 (23:11):
So that's why that's why no more interviews. I ain't
been saying that it's family, you family, we here. I
ain't doing no more interviews talking about that shit. I
ain't doing no interview saying this. And because I'm not
bashing them, right, I'm just not running from the truth
no more. I'm not finna just blast them and make
them seem like they did a horrible job of bro
like the proof and the putting bro, like, come on, man,
did you and.
Speaker 5 (23:30):
Jack start off at the same time? Did Draw get
signed around the same tone?
Speaker 8 (23:33):
No, Jack was dub damn near a year before I was.
If not a year before I was, probably two. I
don't know, but I know he was there before I
got done. It wasn't no three four five years Nigga
was probably a year or two before I got there,
probably less. And we I remember looking Jack in his
face at that studio in the middle of that place
and said, bro, look, I'm not in no competition with you.
We and this shit together. You take off first or
(23:54):
I take off first. We both on this label. Let's
just make sure we here with each other. And you know,
shit happens. Things happened, you know what I'm saying.
Speaker 5 (24:03):
Be like that, what's our relationship now?
Speaker 4 (24:04):
I fuck with Jack. That's my boy. I love them
to death. It's my brother.
Speaker 8 (24:07):
But I ain't begging for shit. I ain't begging for
no feature. I ain't begging for nobody to put me
in no position because it just is what it is.
The tables always turned at the end of the day.
The table's always turned. So like, my relationship with Jack
is still good. I ain't talk to him in by
the month.
Speaker 4 (24:21):
How about Drama, I ain't.
Speaker 8 (24:23):
Talk to Drama and themb about four months. You taught
them about four and a half months. We ain't chopped
it up. We just let that happen. Let it be
with it be here, right. But like I said, right, Bro,
Lake still watch me avery day every other day. Worri's
Pika choows. You know what I'm saying. We all like bro,
we love each other.
Speaker 4 (24:37):
It's family.
Speaker 8 (24:38):
I was over the three four years like it molded
over there. It's just you know what I'm saying. Maybe
I put the bugget for the horse, maybe they put
the bugger for the horse. Whatever the case may be.
We all just got to come to an agreement. They
I got to take account where they fucked up at
because I'm doing it. I'm just not finna be the
only one doing it, especially not with three four grown
ass men who are already MOLTI medi and there's in
a position of where they are and I'm trying to
(25:00):
get there and pass.
Speaker 4 (25:01):
You know what I'm saying.
Speaker 3 (25:02):
But so way, Jack didn't do the interview with you
video or the video no idea. You didn't ask them about.
Speaker 8 (25:09):
It, man, I know because certain business. I don't be
you know what I'm saying, but I did. Hey what
let's shoot this video? Like they got to the point
we're telling them, will pay for the ship? Like I
pay for this, bro, Like I we got it.
Speaker 9 (25:22):
But I think it's a very you know, imperative for
artists who watch us, watch these videos and stuff like
that they learn from mistakes of others like yourself.
Speaker 6 (25:34):
What are some of the things that you wish you
knew before you even signed with them.
Speaker 8 (25:38):
Before I signed with anybody, before I signed with anybody,
I wish that I knew, like my nigga, Please separate
emotion from business. Please learn to like, do not take
nothing personal in this shit, bro, Like, just separate emotion.
I would have did that different. I would have I
would have learned to, like, you know what, bro, emotion
(25:59):
is here business. I don't care if you my dad,
oh god on cameras money, you don't putting this? I
love you to death, but this is this, This is this,
and be selfish, be a little bit more selfish.
Speaker 4 (26:08):
I'm a generous sized person.
Speaker 8 (26:10):
I'm a real generous person, and I feel like that
has put me in certain positions, but it also has
put me in certain positions.
Speaker 4 (26:17):
You know what I'm saying, It's a fifty to fifty.
Speaker 8 (26:19):
So just finding a balance in all this, you know
what I'm saying, That something I would have did different
with take my emotions out of shit and find and
find a balance and be like most selfish and more
in tune with Cedric. You know, can say the Hudred
is gonna be that's in me, say the Hendrix is death.
But just be more in tune with you who you
really are the person you know what I'm saying. Because
you're in tune with the person that you are, it
(26:40):
helped focus on this alter ego.
Speaker 4 (26:42):
That you're bringing in to the world. You know what
I'm saying.
Speaker 2 (26:44):
You don't owe them any Sorry, you don't owe them anything.
Who Atlantic generation?
Speaker 5 (26:49):
Now?
Speaker 8 (26:50):
I owe them respect and principles in a conversation, the
neology too. But other than that, I don't think no
ohe them music, no sir, sergy nah I do I
do all jin now And a politive for how I
handled it, for how I let it get in my
head the way I could, because all they wanted to
do was talk. They just wanted to talk, and I
let other stuff get in my head to keep me
from talking.
Speaker 5 (27:11):
You let the artists not even that too.
Speaker 8 (27:13):
But I just didn't pick up the phone because I'm
listening to older people. My respect love I grew up
is yes, ma'am, no, ma'am, no, sir, yes, sir. So
if my people are telling me, don't do this, don't
do this, don't do this, and they the one putting
the budget behind lunch some of this shit. Don't get
me wrong, I'm put money in this shit myself too,
But you kind of can't go back and forth with
the machine, especially if they feeling like they telling you
(27:34):
what it is. Then when they get my ma involved,
it's like, oh my gosh, now you got t lad involved,
Like I just bowed down your family.
Speaker 9 (27:42):
Who I'm in a family, Your label that you're assigned
to was telling you what to do as it refers
to your the bigger label, which if you.
Speaker 5 (27:50):
Speakership, I mean that's what I thought.
Speaker 4 (27:52):
I was in a partnership with my people. But if
I speak, if you, if you.
Speaker 8 (27:57):
Called, if you talk to them right now, if you
pull up, if you go, you're gonna miss a bad
thing we got going on. You're gonna miss a bad thing.
You ain't happy they're doing this, if you call them,
if you talk with them, if you get seen with them.
A Landa could have seen that and stopped it and
put it on home. I had just too much, too
much other shit in my hear and I couldn't hear
my own voice.
Speaker 5 (28:15):
Okay, so camera is yours speaking?
Speaker 4 (28:19):
It really just bro, like on the rail.
Speaker 8 (28:23):
I'm not opposed to working with labels and doing what
I gotta do, Bro, But just now that I know
the business, it's time for a change. Like niggas ain't invested, No,
it's not. I ain't even had a half a million
put into me game. Like seven years i've been wrapping,
probably three hundred four hundred thousand has been invested into
(28:45):
SETI Hendrix.
Speaker 4 (28:46):
And I'm talking about from both labels.
Speaker 8 (28:48):
G shit, whether somebody done over extending it up numbers
to label to make it seem like it's this so
they can get this check back, or whether a person
done seriously only put in this much. I ain't even
got a half an input in to me, and look
how far.
Speaker 4 (29:00):
I came in.
Speaker 8 (29:01):
It's already the connections, the relationships to people. So imagine
if I already got if I get when I get
a real major deal, a real push, like a real deal, like,
you know what, bro, this is this what we're finna do?
We got you the plug out. I'm gonna be good.
I'm not thinking about running back over the generation now.
I love them niggas and I want to talk. We
(29:23):
haven't talked in four to five months. Let's just speak.
I don't want no bad blood. Stop telling niggas y'all
dropped me. Stop going around telling people that, oh bro,
that's my you know, you know, linked up a bed friend,
you know what?
Speaker 1 (29:35):
You know?
Speaker 4 (29:35):
Dri man, nigga.
Speaker 8 (29:36):
Don't want to hit that shit like we're trying to
get this money. Were trying to do this business. I
ain't getting nobody wrong. I ain't cut through nobody. I
ain't throw nobody in the bus. I kept this shit
a honey something that a lot of artists don't doing
this shit. I'm vulnerable. I'm open with this shit, and
I'm gonna let people learn from my mistakes because I
learned from other people mistakes.
Speaker 4 (29:52):
But I just want to talk. We grown right.
Speaker 8 (29:54):
I made my mistakes. I'm a young I may and
my mistakes. I ain't talk to y'all. I'm ready to
talk now. Are y'all going to do tick for tack
and do me how I y'all? Because if that's the.
Speaker 4 (30:01):
Case, then cool like But generation you're trying to run
over there, I love them, niggas. I just want to talk.
Speaker 10 (30:06):
We'll be right back. Stay tuned with more of the
Baller Alert Show. You're listening to a special edition of
The Baller Alert Show.
Speaker 8 (30:19):
It's your voice said to Hendrickson, y'all, I not tuned
into the ball of Alert shows.
Speaker 5 (30:23):
Now.
Speaker 3 (30:24):
Have you ever had a conversation with Uzzi? Hell yeah,
because I know UZI he had. You know, they was
going out it for years.
Speaker 8 (30:31):
And I used to I used to viole ac bro.
I never do them like that. I still never do
them like that. I can't you feel me not even
speaking on how that went because I ain't nothing to
do with me. But I never bash and just completely
say man, fuck them bitch, oh district like man, because y'all,
I still stood on y'all shoulders. Y'all still brought me
in the game. Y'all still opened me up to some
shit that I ain't know nothing about. So that's the
(30:53):
reason why I want to talk. I wasn't trying to
hear it then because I had too many voices and
no excuses on my own.
Speaker 4 (30:58):
Man. But you know what I'm saying. I have talks
with Uzy.
Speaker 3 (31:01):
I always wondering what, like, did he ever give you
some advice about the frustration that he had with the label?
Speaker 1 (31:07):
No, he just know.
Speaker 8 (31:08):
He just told niggas, he just I asked what I said,
man full with people and this ship. We said, Bro,
I don't fuck with nobody. I don't funk with nobody,
no matter how this ship may look or how this
ship may see.
Speaker 4 (31:21):
He said. But I don't fuck with nobody. I just don't.
Speaker 5 (31:24):
I heard that a lot coming from artists. I heard
artist ship.
Speaker 4 (31:28):
Fake is fuck bro like real ship.
Speaker 8 (31:30):
It's the most This is the only industry where nigga
can fuck you over with a pen and you can't
put hands on you can't.
Speaker 4 (31:35):
You can't. You can't do ship. You can't really like you.
Speaker 8 (31:39):
Yeah, that's all. That's that's all you gotta do. You
gotta literally like all right, I bet that's how we
gotta play. But then that turn niggas in a fuck niggas,
that turn that turned this industry and what it is
now because a lot of people went and do a
lot of ship. Bro, if that pen wasn't saving niggas, bro.
But that mean like contracts and cant of the niggas.
(31:59):
Just read your contract, know what you're in and don't
be afraid to say you're fired. You're not doing your job.
I'm a whole your count, you're fired. That's what we
fucking niggas up in this shit. Niggas is too emotionally
are tied to shit, and on top of that, you
don't even know your fucking business. So it's on top
you don't know your business, you emotionally tied to shit.
You already come from a fucked up background and all
this nine times out of ten, so it's a mixture
(32:21):
of bullshit because nobody is teaching you the correct way
of how to do business. And that just stems back
to how we are raising our community with this right here,
Oskar coming.
Speaker 4 (32:29):
But I ain't even forget in all that because.
Speaker 8 (32:31):
You tend to get the enlightenment later and then you
realize and that's life that happens. That happens some people
fuck up, think they got the big head they in it.
Then you get humble and you got to realize, all right,
let me go about this a different way.
Speaker 4 (32:44):
That's cool. There's nothing wrong with that. Take that run
with it. It's called make a mistakes, not perfect nothing.
Speaker 3 (32:50):
When you saw Jack Harlow's success on while you were
on the label, did you ever question, like you.
Speaker 8 (32:57):
Know here pomp poms, nigga. I cheered every way to
the point leslie, even hitting them niggas like bro. And
when it said turned, that's gonna be, I cheered, but
I was happy. I'm still happy.
Speaker 2 (33:08):
I was waiting too, like I ain't gonna lie. I
was waiting because I remember shot me out of his songs.
I remember then it was Jack. We're still waiting on
Killer over there, it was you yeah, and I was like, okay,
it's your turn.
Speaker 4 (33:22):
And I was just waiting everybody.
Speaker 3 (33:25):
Drama was saying, like, you know, I'm not gonna lie
like y'all used to come to my parties and Drama
would be like, yo, this like he the next got up.
Speaker 10 (33:33):
Of course.
Speaker 5 (33:33):
I used to be like. I was like, of course,
and it of course when they see you face to
face in the flesh, oh.
Speaker 4 (33:41):
Yeah, we worked telling you we got him. This is
what we're gonna do.
Speaker 8 (33:44):
Of course they're gonna do that when they're in front
of you. Of course that's what what what? What they're
gonna tell you? Always shouting him.
Speaker 4 (33:50):
We ain't doing nothing with them. Oh yeah, Sadie.
Speaker 5 (33:52):
Here that's what else?
Speaker 4 (33:53):
Did they finished?
Speaker 6 (33:53):
Last?
Speaker 2 (33:54):
Your last tape? That was the one I told you
that when you dropped it, I was like, this is
the best one.
Speaker 8 (34:00):
Everybody can say, that's the one until it's the one.
Everybody gonna say that game. And I know that may
be fucked up. Comfort me, but I know they finished.
See this interview and here this So I like to
speak on every side, every single coner.
Speaker 6 (34:10):
But you all right, are you satisfied with your label?
Speaker 4 (34:14):
Now?
Speaker 6 (34:15):
Your family label?
Speaker 8 (34:18):
I love my dad to death, So we're gonna we're
getting it together. We're getting this business together. So yeah,
we fix the shit. We gotta get it together.
Speaker 6 (34:26):
But because I feel like that's a lot of your frustration,
is that Hell.
Speaker 2 (34:29):
Yeah, so are you signed in blood over there? Because
that's your family, that's your daddy.
Speaker 4 (34:35):
Actually, I'm not just bro. I'm so big on this
lord to ship. That's what got me.
Speaker 6 (34:39):
And you feel obligated.
Speaker 8 (34:40):
I feel obligated. You don't put up about two fifty
three hundred thousand. Man, let me get your money back.
I just I just want got your MOODI shit around.
Speaker 5 (34:47):
You've been running point seven years.
Speaker 4 (34:49):
Yeah, you've been running point seven years.
Speaker 1 (34:50):
Got it?
Speaker 8 (34:51):
I let it seven years and I got out a
deal becausey all type of shit trying to slow this,
slow this bit down, a pops fall back. You're gonna
get you you. We're gonna make sure you get you you,
but just sit back. You see you get your money?
How you get your money?
Speaker 4 (35:04):
I got it? We got it.
Speaker 5 (35:05):
Now. How you think Drama feel about you not being
with the label.
Speaker 3 (35:09):
All right?
Speaker 4 (35:11):
Fuck him?
Speaker 8 (35:11):
You probably feel like Man, No, I don't think dat.
I'm only saying this because her tours bro, and I
really love him. I was a student I'm talking about
probably used to like drama brobably, drama out bro, real ship.
So I know this nigga gang. So I don't know
if he's said around, probably fuck that nigga. Man, I
(35:34):
don't know. I want to I want to talk.
Speaker 1 (35:36):
I want to know.
Speaker 8 (35:37):
I want to go over the probable taking everything in me,
not just a yoke up there, bro, because I know
I can't ain't gonna call no police on nigga, ain't
gonna put no hands on me.
Speaker 4 (35:45):
So I really I'm a figure ahead.
Speaker 5 (35:47):
Compre gonna figure out.
Speaker 2 (35:49):
Let's some time, let's some time, make get some here.
Speaker 8 (35:51):
Yeah, that's all I just don't want because it's time,
go time. Heals everything. But one thing about it, I'm
a queries. But the longer I go with I talking
to you, nigga, fuck you. It is what it is
like you feeling like I don't give a damn like
you know what I'm saying. If I can wake up
and get used to I love you, but fuck you,
it's gonna ship and then I get successful.
Speaker 4 (36:10):
Oh man, what's happening to my boy with you?
Speaker 3 (36:15):
So it ain't been like no calls going on where
like you know, they calling other labels like, oh don't
you know, don't mess with him?
Speaker 8 (36:22):
Nah, I ain't none of that, none of that. Ain't
playing a game like that. They ain't doing me like
they love a nigga game.
Speaker 4 (36:27):
They can't do me that dirty. I hope not ship for.
Speaker 5 (36:32):
The people who don't know.
Speaker 2 (36:32):
And just this nigga he said it is actually a
really cool guy, like he's very unproblematic.
Speaker 5 (36:39):
So I doubt that's why I said, when.
Speaker 4 (36:43):
You know I can beat off the drama question, I'm not.
I'm with whatever. I listen.
Speaker 8 (36:46):
If you're right, you're right, you're wrong, you're wrong. I'ma
lets you know you're wrong. You know what I'm saying.
Speaker 5 (36:51):
But I'll sing you with Jack Hallo a couple of
times as well.
Speaker 3 (36:53):
That's why I thought it was weird when you were
when you were talking about how you guys had a
record together.
Speaker 8 (37:00):
You know he could not hit that nigga and that
this hell yeah, even in this, even in his last tape.
But Jack Man the other one, I'm gin like SETI like,
he'll stay, shot me out, He'll like, he'll even on
the record, play like Jack shows me.
Speaker 4 (37:15):
Love Bro. I love him like a brother. But at
the end of the day, like we in the same thing, Bro.
Speaker 8 (37:20):
I don't know if it's competition. I don't know if
it's I have no idea. I can't say what it is.
But that wasn't my job. That was my label job
to get with perfect example, p Q see the baby,
p A me goes come out. Yeah, y'all post up
pictures videos features all that, Hey the baby, when you
(37:42):
pop the kids, all that that ain't nothing that gotta
get told. That's that's just it's common sense. If see
you come at you and tell you, ay, bro, it's
only four, it's it's only three of us, four of
us on this motherfucker, like I need we try to
pop this one off to come on. And it's marketing.
It's so fun, it's simple, That's what I'm saying. What
I got into earlier. I don't know if it's ego.
(38:03):
I don't know if it's wordplay. I don't know if
it's beef with the label behind the other ship and
he not trying to fuck with me because of shit
they douneead to him and that'll turn them up.
Speaker 4 (38:12):
I don't know what it is, gag, but niggas. I
feel like.
Speaker 8 (38:15):
Sadie Hendricks got caught in a lot of crossfire, bro
that I wasn't supposed to be COVID. I signed a deal.
World shut down. I'm on everything. I'm on every roll, Lie,
I'm on everything. I'm on all this shit.
Speaker 4 (38:25):
World shut down. As soon as I signed the deal.
Speaker 8 (38:27):
I remember, you came to the club and then I
ain't seen yet. It's like and then so now the
world come back. Nah, technical gotta start over technically, you
know what I'm saying. The music though, the close, the
females that'll look.
Speaker 4 (38:39):
Everything ain't up. But bro, where you being?
Speaker 8 (38:43):
Then on top of that, I'm dropping once a year.
Y'all got me dropping once a year? Game it ain't
it's only so much it can do?
Speaker 4 (38:51):
You feel me?
Speaker 8 (38:51):
In a world where everybody's dropping like this repeatedly. And
they used to building high caliber artists, they used to
like generation. Now they if they get behind you, it's here.
That's why everybody kept saying, what the hell is going
on over there? And I got tired of people saying, niggas,
you ain't finna help, stop asking me what's going on? Like,
come on over here and talk to these niggas yourself,
(39:12):
because I don't know what to do no more. That's
why I just I just record, record, record, record, But
they got over over three to four tapes in my opinion,
over there, just sitting damn. And since I've been out
that deal, I got three done, ready to go. I
got five tapes. Mexico dro tape is done. We're doing
that photo shoot next week. TNT which is young Boy
(39:33):
and Rod Way producer, Me and him, eight songs and
one more session.
Speaker 4 (39:36):
That tape is done.
Speaker 5 (39:37):
Play that shit up, tnt P that shit up t
and t cout that shit up.
Speaker 1 (39:40):
Kay.
Speaker 8 (39:40):
Me and him is just going crazy right now, that
tape anyway, mafia, me and him working on some shit. Uh,
double me and double A. We just did eight and
two nights and all these tapes. I'm fining all these
producers put them out.
Speaker 4 (39:55):
I want them.
Speaker 8 (39:55):
I want all these out, you know what I'm saying.
And then I'm gonna I'm sitting on three tapes myself
right now, brand new.
Speaker 6 (40:01):
So what's your plan to roll that stuff out? Is
it just with you and your label, your family label?
Speaker 8 (40:07):
And that's why that's why we at where were at
right now, And to miss the autist right now getting
contracts together, getting percentages together, getting paperwork together, orchestrating and
getting things together while I took the world to y'all,
to the world, they see this or he just posted
puture on Instagram, drop a little snippets, but they don't
know that I'm working every single day, countless hours on hours,
losing sleep to get my business together. So when I
(40:27):
presented the y'all through a label, or if I want
to do it independent, and a lot of people don't
don't know that you are not with generation now because
you didn't make it.
Speaker 4 (40:36):
Yeah, I ain't really, I ain't really. I did a
couple of interviews, but they're like to I didn't. I didn't.
Speaker 8 (40:40):
I didn't bash them, I didn't do the go on
internet and cry like a little bit. I didn't do
none of that because I love I loved you, nigga.
I don't know how many time I got to say it.
I keret so and I got morels. I got certain principles.
I'm a stand one because at the end of the day,
I got to see y'all. Eventually, I'm gonna run into
y'all if I'm trying to be successful in so, I
didn't want to go out and just stupid blast them
(41:01):
all over the internet and all over the world and
be looked at and shunned, because that can here do
you with other labels and you with other stuff.
Speaker 4 (41:07):
That you're trying to do.
Speaker 9 (41:09):
I'm trying to clear these what they're saying, just the
things that I'm hearing that's getting back to me.
Speaker 8 (41:14):
I'm not using these platforms to clear the air and
let it be known like it ain't that y'all.
Speaker 4 (41:19):
Y'all ain't got to be on none of that.
Speaker 10 (41:21):
Man.
Speaker 8 (41:21):
It ain't no bad blood, it ain't no beef, it
ain't no none of that. It's just an understanding that
has to get done, that has to get said because
we care and we was in business together.
Speaker 4 (41:30):
You know what I'm saying.
Speaker 5 (41:31):
It just sounds like some family members just need to
talk ship.
Speaker 9 (41:35):
Yeah, that's what it sounds like, him and his family
because like R said, like, you're a very easy going.
Speaker 8 (41:41):
Guy, and I can be a very I'm not. I
like how I'm saying I am, but I can I
can be, I can be. I can be a burden
my last name. I can be a burden. But if
I'm gonna do it, it's because I either don't know,
nobody's explaining it to me. So I'm going with my
own assumption as a human should or people try me
like I'm seventeen eighteen years old. Like I can't get
(42:02):
told information, Like I can't be told certain things because
I'm the artist. The artist gotta stay creative. Man, I
ain't been an artists.
Speaker 4 (42:07):
I got in this.
Speaker 5 (42:08):
Yeah, it's hard for y'all. It's very hard for artists.
Speaker 6 (42:12):
You need to know because this is your future.
Speaker 8 (42:15):
You've been trying to tell peoplehy wouldn't you want me
unless you want to be in the blind unless you
got some up your sleeve that I shouldn't know about.
Speaker 5 (42:21):
Most artists want to know these days, a lot of
artists have to know.
Speaker 6 (42:26):
So what was that conversation like with your dad? For
you too, for you guys to come to an agreement
to move forward?
Speaker 4 (42:32):
To move forward. The difference thing we're doing now is.
Speaker 8 (42:37):
Having a different person run point because I'm a I'm
point guard. I need a new manager who's going to
be the coach, and then you're gonna be the CEO.
You don't see the CEO down there playing point guard.
You don't the coach. Don't even run the team technically
on the court. If the coach telling me to run
(42:58):
to play and a point try to run it and
it don't work, he has to now facilitate a whole
new play to get that ball in the bucket. So
like moving forward, I don't gotta you gotta deal with
him directly. Yeah, I either got to get out a
car or move some people around in the seat. You
know what I'm saying. Just move people around, like moving forward.
We just got to put people in different positions. You
you ain't good at this, so let's move you here.
(43:18):
You ain't good at that, Let's move you here.
Speaker 4 (43:20):
Moving forward.
Speaker 8 (43:20):
We switching everything around and just moving forward. That's really
what I'm on with everybody.
Speaker 6 (43:25):
I hope that really works out.
Speaker 4 (43:27):
No, it is just working out as we speak right now.
It's already doing it.
Speaker 5 (43:31):
So because these clips gonna clip.
Speaker 8 (43:32):
Nah, they just gonna clip, even just from a clip
already know. But but I ain't saying nothing wrong. I
ain't saying nothing wrong. I ain't disrespect nobody. I ain't
throw nobody in the bus. I let it be known.
Speaker 4 (43:44):
It's just Hey, here's what it is.
Speaker 5 (43:46):
Man.
Speaker 6 (43:47):
He said, you got the tapes coming? What else do
you have? What's next for you?
Speaker 4 (43:52):
Modeling Fashion Week? I'm gonna go up that New York Uh?
I got uh.
Speaker 8 (43:57):
I just told you all them five tapes I'm working
on with them, five producers, m Me, my Boy, Spiff
and Spiff and the Drop of Tape, him Chart, his major,
Me and Aaron Bellach justin to do something.
Speaker 4 (44:09):
I ain't gonna lie. It's a lot.
Speaker 8 (44:10):
I can't even go down the list of how much
like things been going on since certain people heard like,
oh I heard you indpend it. It's just been mm hmm,
like just certain motions that I'm clicking on too.
Speaker 5 (44:21):
So it's a lot. I like your TikTok. Yeah, I'm
trying to do a little fashion.
Speaker 4 (44:26):
Stuff, trying to do that, you know what I'm saying,
getting them off together. Yeah, I'm trying to do a
little different.
Speaker 9 (44:31):
Okay, Sadie Hendricks, we appreciate you for stopping by the
ball Alert show.
Speaker 6 (44:34):
Anything else you want to get off your chairs?
Speaker 5 (44:36):
Nah, call him? I love you.
Speaker 8 (44:43):
Kenny Cannon too, though Kennon really the one probably like
man because that's the of all three of them, may know,
Cannon is the level headed, that's the one that you
know you can go to because he's exactly said so
he he, I know that's the one I really need
to chop it up with. But yeah, it's like big Yeah,
that's big bro. That's who taught me how to dress
when it comes. That's who really was creative. Hands on
(45:04):
Lake was the homie that you can go to and
just chop it up. Oh he understand on the young
street side or whatever the case may be. And then
drama is the face. Drama is just drama. You know
what I'm saying, like, Hey, smile, Hey, what's up?
Speaker 4 (45:18):
Cool? You feel me? He real, he real bomb, It's
simple with him.
Speaker 6 (45:23):
Well, before we get out of here, we got a
pep talk with Steadi Hendricks.
Speaker 8 (45:26):
Hey, it's your boy, Sadi Hendricks, and my pep talk
for the day is keep your emotions out this business.
Keep your emotions and your business separate, and always have
faith that everything can turn around.
Speaker 4 (45:39):
Manifestation is real.
Speaker 10 (45:42):
Can't get enough of baller Alert. Follow us on all
social media platforms at baller alert blog on the baller
alert dot com
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