June 28, 2024 • 30 mins
Kevin Costner is on the show talking about his new movie, why he's not returning to 'Yellowstone' and more! Then, Lunchbox got a message from a doctor who does injections in men's private parts. Find out if he's going to do it and more!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Wake Up, Wake coming.
Speaker 2 (00:03):
The mall and it's on the radio, and the Dodgs
on time already, lunchbox Morgan too, Steve bred Have, it's
trying to put you through. Fuck, he's running this Wig's
next bit. The Bobby's on the box, so you know
what this is? The Bobby Balls.
Speaker 3 (00:29):
The Friday Morning Conversation with Kevin Custner. First question about
the movie, because it's out today, I haven't seen it yet.
I'm gonna be honest, but help me understand because all
that I've heard about it is such praise, meaning you
get like an eleven minute ovation. We talked about that.
We saw that the actors and actresses in it, they
are huge names, and people talk about how this is
(00:50):
this big epic movie. But I don't understand what's happening
in the movie. Can you explain that to me?
Speaker 1 (00:56):
The fact that you don't understand what's happening in the movie.
Speaker 4 (00:59):
Well that too, but it's like, what's I don't know
what's all the praise is the news and I'm really
not getting the plot yet, which is a great problem
to have because everybody loves it so much.
Speaker 3 (01:10):
But tell me when I go watch it, like, what
is what's the plot of the movie.
Speaker 1 (01:14):
Yeah, well it's it's not a plot movie. It's a journey.
It's not like Robin a bank Bobby, you know, where
you've got to get the team back together and you
don't want the crazy guy anymore because you think he's
going to be a loose cannon. You draw the maps
and you have things going bad and the girl you
used to love. You know, there's a plot to taking
(01:34):
down a bank. The Westward movement was was just this
promise of going going west, and certainly we have a
story that is taking shape. The group of people heading
to a place called Horizon, and how they get there
is like the mystery of any of our lives, you know.
You know, the promise of America was was if you
(01:56):
could get across that Atlantic, if you could get out
of you Europe where you're a third class citizen, and
the land was so big it was like the Garden
of Eden here. So that if you're looking for a plot,
there's there's there's not a plot, but there's certainly a
story that has its end and it builds and it's
a mystery. And what you actually find out in the
(02:17):
fourth one is that the premise at the whole town
was built on is a lie. So it's like a
novel as you're going and you know, I think if
you think back to books you've read, maybe you haven't
had this experience. I had it. I'd look over at
somebody they're reading a book and ask them how's that book,
and they go, you know, it's the first hundred pages.
(02:38):
You know. It took me a moment and then suddenly snap,
I was into the book. That's what horizon is that
you see these people all moving towards something, and as
they're moving towards something, the reality is that hopefully what
they're doing is equally interesting to you.
Speaker 3 (02:55):
This sounds like a plot, though, and in the best
way to me, because I don't know any about movies,
like it sounds like, Okay, I'm invested because I'm watching
people and I'm wondering how they're going to end up.
And so with these it also feels like a docu
series but with great actors, because what you're portraying here
is basically the truth.
Speaker 1 (03:14):
Correct well, it's not a true story, but everything that
I put in this movie happened a million times. It
just happened in different ways to different people. We all
know what bullies are, we all know what it is
to be threatened, we all know what it is to
be in love. We all know how hard it is
to raise children. And if you try doing it in
(03:34):
the dirt, in a place that has nothing, you realize
that women work themselves to death. So one of the
things that emerged in telling these stories was how dominant
women became in this movie. They run right through all
this different storylines that take you there. My goal is
every time you run into a scene that you're transfixed
(03:55):
with that scene, you're not looking to go anywhere else.
I don't know about you, but when I'm in a theater,
I want to just take the ride. And sometimes I
think we know too much about movies. And I think
the people that maybe what you're talking about stood up
for eleven minutes didn't know what they were prepared to see,
and maybe it reminded them of something their own experiences
(04:16):
when we were younger. Going back to the theater where
you just the movie can roll over you.
Speaker 3 (04:22):
The story was you invest in a significant amount of
your own money into this movie? Had you done that prior?
And what about this project specifically inspires you to do
that well.
Speaker 1 (04:32):
I have done it before. I you know, it's so funny.
I make these very American movies and sometimes the first
place I can get money as overseas, and in this
instance that wasn't even the case. I don't know what
it is. I don't think my stuff is auvant garde.
You know, I never thought of myself as being so
kind of weirdly creative that nobody can understand me. But
you're supposed to understand that my is good and it's
(04:54):
and it's you know, I'm not that. I think that
my stuff is very mainstream. What I willing to do,
though that may bothers, maybe some people, is that I
invest in behavior and I let scenes go a little deeper,
so that maybe we understand the value of water just
a little bit more than the obvious I'm thirsty. We
understand it's a life and death moment. We understand how
(05:18):
it has to be shared among people who don't even
know each other, maybe in a lot of instances, don't
even like each other. We understand that some people are
more equipped to go across this country than others. And
so what I try to do, man, is just take
you to a place where you're interested wherever you're whatever
you're watching at that moment. I will get you to
(05:38):
the gunfight, and I will even get you to this
plot if that's what's important, but it'll come at you sideways.
Speaker 3 (05:45):
There are four parts to this, and the second part
comes out a lot sooner than most second parts to movies.
What was the strategy with that and what's the difference
in part one and two? Is it the same characters?
Speaker 1 (05:59):
I don't know. I don't do things like most people.
I don't mind a single movie. I wouldn't mind making
a haunted house movie with just eight people. But in
this instance, you know, I made this big, sprawling movie
with these different storylines, and I couldn't kind of turn
my back on what it was. The idea of the movie.
The idea of the second movie is it gets harder
(06:21):
than the first movie. It's harder on the people. What
you think is hard when you watch the first one,
it gets harder for them. And that's what I want
to kind of sync in. And yet during all that thing,
I don't want it to be this dreary movie. There's
exciting things that are happening. You're seeing relationships, you're seeing
you're seeing action. You're seeing things fall and I think,
(06:45):
you know, I just have my own style. I mean,
I don't paint like you. In fact, I can't paint.
I can't even draw an orange. But I guess when
I make my movies, I make them for myself, with
the idea that they can live forever and that people
are going to see exactlyactly what it was. I wanted to.
Speaker 3 (07:01):
Show them Sam Worthington and Luke Wilson to the big
names in the movie. You know a lot of huge names,
but those specifically pop out. And when it's a project
that you're so personally involved in in every way, is
that more of a personal ask to those guys to
be in the movie or is it still business as
usual where agents reach out to agents.
Speaker 1 (07:20):
You're going to see how extraordinaries some new actresses are
in this thing. They're unbelievable. Women actually dominate. But when
it comes down to that, I let the picture speak
for itself. I don't ask anybody to do me a favor.
It's like actors want to live forever. There's only one
way that really happens, and that's if you're in a
movie that has the potential to live forever. That people
(07:42):
will revisit down the line as you go. I mean,
there's some movies I'm sure in your life that you
like to step back and rewatch and you know what
those are. There's some moments that you like to relive.
There might even be moments and movies that formed you
as a man about how you'd like to behave. For
all the phoniness that movies have, there are moments that
(08:02):
are orchestrated morally where you think I have to be
that guy, that I need to be that guy and
not that guy.
Speaker 3 (08:10):
It feels like we're in a world where it's remake
after remake, and this is absolutely not a remake. This
is as original as it gets. So how long have
you been waiting to make this? And was that also
part of why it felt so good because you were
on of zigging when everybody else is zagging?
Speaker 1 (08:25):
Yeah? Well, you know, I had this idea back in
nineteen eighty eight, and it's not like I stayed up
every night thinking about it. I did name my son
after the lead character, Hayes. He's thirteen years old. But
there's something about this story that challenged me and I
thought would be exciting for men and women I also
(08:46):
think that it's a kind of a story, even though
there's an R in front of it for violence or
whatever you want to call it. That I think men
and women are actually going to go home after seeing
this and saying, you know what, I think we should
bring our son. I think we should bring our daughter.
I think they should understand what their great great grandparents
maybe went through and see this. So you know, that's
(09:09):
how I you know, I mean, that's really how I
look at these things as forever moments, and so I
kept at it. You know, I didn't really fall out
of love with this thing. I felt that it had value.
And when I realized that no one else saw it
because it wasn't a sequel, because it wasn't these things
that are driving driving instincts out there, I can't be
(09:30):
bothered with that. I mean, I live in the real world, right,
so I understand that's why it was hard for me
to make it. So that's not what's being done. So
I just looked to myself, you know, I had acquired
some things, and I just didn't want those things to
be so in control of me. And if they gave
me the ability to financially make this thing while I
didn't want to do that, I did do it because
(09:52):
I just don't want to kind of spit on my
life and avoid the things because I just couldn't do it. Well,
it turned out I could do it, and if I
had to risk some things, I did it.
Speaker 3 (10:03):
How hard is it to direct yourself because you're acting.
When you're acting, you can't really watch yourself on the screen.
And do you know if you don't do it right?
Or do you trust someone else to tell you while
you're doing the acting part?
Speaker 1 (10:16):
No, I can see it right away. Well, one thing
I do is I got a bad habit. I don't
give myself as much time is I give my other actors.
I have a tendency to just you know, do it
once or you know, maybe twice, and then I'm and
once in a while somebody will whispering to Kevin, give
yourself a chance, because I'm already moving on. I want
(10:36):
my other actors to succeed so wildly that I I
just I just do so sometimes I have to be
reminded that I can tell right away, Bobby. But you
know what I want to do a little differently.
Speaker 3 (10:49):
In American Saga. It's in theaters today Mike d watched
it movie Mike and gave us just a wonderful review
of it. And it's four chapters, with the second chapter
coming out in August, and are all four going to
be released in the same pattern, like just a couple
of months from each other.
Speaker 1 (11:06):
No, I don't. They can't be, because I'm in the
middle of making three right now. There was a reason
why they wanted to do this, so I'm trying. I
saw two two days ago, and I'm happy to and
I wasn't sure I was going to be able to
say this, but it's as good as one, if not better.
And I didn't really know that, and I got a
pretty high bar for myself, and i'd have to just
(11:28):
tell you that. A week ago I was going to
tee you I don't, and then boom, I saw it.
I thought, Okay, we got over the hump. But what
happens is they each get harder and three, three really explodes.
I begin to play in three a lot more than
I am in one and two. It's an ensemble, but
as things start to move towards towards horizon, things get
(11:51):
become more distilled and more succinct, and it zeros in
on life in this town. It just takes advantage of
all different people and storylines, and that makes it easier
to jump around.
Speaker 4 (12:07):
The Friday Morning Conversation with Kevin Cusner.
Speaker 3 (12:11):
An American Saga in theater starting today tonight. Hey, Kevin,
a question that's not an American Saga related. What do
you feel like people know you for most as an
actor if they see you out, like, what do they
yell at you? Which which character?
Speaker 1 (12:25):
That's a really good question. You know, they do yell
at me, and they call me different names, tin Cup, Crash,
Billy Chappel, you know, they just do. He'll call me
Hayes now. But the one thing, maybe the one thing
I'm maybe happiest about, when people actually come up to
me versus yelling at me to tell me what meant
(12:48):
the most of them, you know, and I get some
very cool things once in a while. Some things are exhausting,
as you know, but once in a while I get
somebody saying, you know what, my dad passed away in
the last two weeks of his life. All we did
was watch your movies. And that stops me, and it
reminds me why I need to stop. When somebody comes
(13:09):
up to me, But the idea of what they call
out to me most I can't peg that down. But
what makes me the happiest is that when they tell
me what maybe their favorite movie is, it doesn't boil
down to a single movie for me, And I think
that makes me happier that it's not a single movie.
One of twelve or fifteen movies can will come out
(13:31):
of their mouth. I just don't know if it's going
to be water World or Fandango or Surprise Me or
but you know it's Dances or Field or Bodyguard or JFK.
It starts to roll around. That makes me the happiest
that movies can can can touch you, and every choice
I make has a chance to be a forever moment.
Speaker 3 (13:53):
Do you have a favorite movie of all time? I'm
talking to one of the great actors, like, do you
have a favorite movie of all time that you automatically
go to in? Someone ask that question, Well, there's four
or five that I like.
Speaker 1 (14:04):
But let's you know, I like this is going to
be a pretty eclectic thing. I love The Wizard of Oz, right,
I love sand Pebbles, I love cool hen Luke. Uh,
you know, I really love Liberty Balance, I love the Godfather.
So you know, pretty weird, right, you know, Wizard of Oz, Godfather.
(14:26):
But there are movies that when you see them, you
always see something new. There's and that's what because they're detailed.
Sand Pebbles, I don't know if you've ever seen it, man,
have you don't even know what it is, buddy, take
take some time and watch Steve McQueen in the sand Pebbles.
Speaker 3 (14:43):
Okay, making a note, sand pebbles one word. I probably
just google it right, it'll pop up. It's pretty famous.
I don't know sand pebbles. I know that all the
other ones though.
Speaker 1 (14:52):
Yeah, no, So I'm giving you something. And and that
movie touched me. That movie just was gut wrenching, and
I think, uh, that's what we That's the chance I
have when I make a movie is something that can
be shared. I mean, I I don't know any of
us that don't. I mean, you must come in there
after hearing a song you never heard and go, you know,
I just heard the best song. You know, your people
(15:13):
you do this this thing with. Come in say you know,
I just read the best book. Really, and you know,
I want my movie to be one of those things.
I saw a movie last night that I wasn't sure
where it was going, and it took me somewhere. And
the promise of the second one is it's going to
take me deeper. It's going to hurt me even more so.
Speaker 3 (15:30):
In Horizon American Saga, you mentioned there are a lot
of new actors that maybe we don't know yet that
are just about to be stars, and they are working
with some of these big stars, and I'm assuming you
have the awareness to know they're probably a little bit
intimidated by working with you because you're one of the greats.
Did you ever have that as a young actor where
you're working with one of the greats and you were
(15:51):
a little like, holy crap, and they were cool to you.
Speaker 1 (15:54):
Yeah, I was. You know, I've worked with Gene Hackman,
I worked with DeNiro, I work with Sean Connery. You know,
I was pretty young. I wish I knew a little
bit more when that was going down. But yeah, you
feel that, but you quickly have to get over it.
And it's my job to break that ice really quickly,
because you know, I'm there to help them, and they
(16:16):
realize that they also have a script where they can
succeed wildly. One of the things I think people are
going to notice is that these are great acting parts.
This isn't just part of being in a Western. This
is our Shakespeare, and I've given these people's speeches and
and the drama to blow people away with their performances.
You watch Cianna Miller, you watch Abby Lee, Ella Hunt.
(16:40):
These guys are are burning it down in their own way.
I mean, Cianna Miller is just just luminous, and Abby
Lee is going to blow your mind, and so is
Ella Hunt. These are actresses that are going to be around.
They're just They're just strong, They're brave, and they have
the material to really flex.
Speaker 3 (16:59):
Three final questions. Number one is with Horizon in American Saga,
and it's in theaters. Have you or will you pop
into any theaters just to get a gauge.
Speaker 1 (17:10):
I won't. I've done that in the past, and it's
been fun. I've gone into You know, when you realize
that Field of Dreams took over the country. Dances with
Wolves were the first movie I ever directed. I wasn't
even here in the country. I was making Robinhood. I
didn't get to see it unfold. In this instance, I
probably won't do that but my friends are always begging
(17:30):
me to go in. I made it for people. There's
not a thing in this movie that wasn't designed to
somehow catch your attention and work. It's just how I
do it.
Speaker 3 (17:42):
Your name is Kevin. Would you say your name? We
have a debate on how to say your name. This
is question two of three. Would you say your name?
As someone said, sir, what is your name? Kevin? Please?
Kevin when your last day, say your last name, please, Castionner. Okay,
that's how I say your name. We have a guy
in the show that for years has swore that you
(18:02):
pronounce your name Kevin Kosner with a Z, which I
don't think. Okay, go ahead, mister Costner, go ahead.
Speaker 1 (18:08):
No, no, I get it, I get it. Listened. My
grandmother never said my name right. She's a little Oklahoma
girl married at fourteen. She called me Cavin forever. I
thought that's what my name was because Grandma said it.
But but no, it's Costner. It's a it's a it's
a German name.
Speaker 3 (18:27):
Listeners want to know about it. So you did say
you're not doing Yellowstone anymore. I know, I know, I know.
You don't want to have to answer something about Yellowstone.
But how long had.
Speaker 1 (18:37):
You look at your kind enough to give me a platform. Look,
I'm an independent filmmaker, right, and you're going to see
a lot of sequels unless independent guys are making movies
that they just feel like are original. So you know
you're given me a really nice platform, Bobby to talk
about horizons. So you want to question about something like that,
I'm going to try to answer it.
Speaker 3 (18:57):
How long did you know it was over before you announced.
Speaker 1 (19:00):
It was over? Probably? You know I was hoping that
we could continue. I was I really love that show.
I mean I was going to do one season. I
did five, and in the end I needed to work
more than twice a year, more than once a year.
I wanted to and I made sure that how I
(19:23):
was going to do that would work. The Yellowstone would
have a first position. I would handle Yellowstone's business, and
then I would go do my own. But eventually that
even became something that just for whatever reason, couldn't happen.
And when I realized that I knew that, then I
would just go forward. And so it was just about
(19:44):
three days before I just decided to make that announcement.
It's like I didn't want people guessing about my life.
I will say this in life, anything as possible, but
I wanted to just make it final. I'm not going
to do Yellowstone. If something changes dramatically or whatever reason.
You know my mind, my heart's open to anything. But
I'm done with that show at this point and I'm
(20:08):
not thinking about it. I'm not willing it to come back.
It has marked me. It's something that I love that
audience has rallied around. It was that I thought it
would work, and that's what I love about when people
decide they'll see hat filled the McCoys or that I've
just I've judged that it has an entertainment value, and
people who have followed me my career, I really want
(20:31):
to honor that. Horizon is the same thing. I think,
while you know, people are trying to make sense of
a guy who's made four without even knowing if the
first one works, I don't care. I've already made up
my mind, and.
Speaker 3 (20:43):
I definitely felt like for the first time, like you
don't have a dislike for Yellowstone, you just have more
of a love for what you wanted to do as
well as.
Speaker 1 (20:51):
That Yellowstone, I have a healthy love of what it's
done for me, what it did for a lot of people,
what it did for the audiences that are willing to
follow me. No one knew about Yellowstone. I decided I
would do it. I went out over to Europe and
sold it. I was the only guy over there saying, yeah,
I think this will be good. I love that show
and so not like love. But there's a moment in
(21:15):
time where you I think you nailed it. You have
to be able to go forward. I in my life,
I don't want to close doors, but I also want
to be able to shut them in a way that's meaningful.
Speaker 3 (21:27):
And it's pretty deep. That's pretty deep right there. Horizon
in American Sauka, chapter one. It's out now, chapter two
in August. Kevin Costner, mister Costner, thank you for your time.
We're massive fans and we hope just massive things for
this project.
Speaker 1 (21:41):
Bobby, you've got a lot of stuff on your desk.
I mean you got some Arkansas stuff going there.
Speaker 3 (21:46):
I have a lot of memorabilia. Do you have Do
you have cool memorabilia from your movies that you keep
the super valuable.
Speaker 1 (21:51):
I've kept it all. I bought the you know, I
bought the Shelby Kobra for bull dron that nineteen sixty eighteen.
I bought the at the where I hunt down Bonnie
and Clyde. I even got a truck from Yellowstone. I
love it.
Speaker 3 (22:05):
What about like balls, like golf stuff or baseballs.
Speaker 1 (22:08):
All that stuff, you know, I have and I've given
sometimes I've given it to charity, but I'm yeah, I
have kept it because I know it's it's of some value,
not to sell, but to kind of show at some point,
and I look forward to doing that with people.
Speaker 3 (22:24):
That's super cool. Mitch Costner, thank you for your time,
and hope you have a great weekend, and good luck
to the movie.
Speaker 1 (22:29):
Thank you very much. Bye, guys.
Speaker 3 (22:33):
The segment of Sensitive for Children's Years sort of we
talked about on the show how the guy guys could
go in and get injections into their special man little thing. Yeah,
and fifteen thousand dollars procedure, and like women get their
lips plumped, a guy could get a special man plumped.
I'm just being careful, you know. The procedure is not
(22:54):
FDA approved, but fifteen thousand bucks they can make they
can make you plumpier, you know. And so this doctor
in the story because I do have an update. This
doctor and the story talked about how it works and
that when he first began, he was doing ten to
twenty procedures a week and now even though it's not
been approved by the FDA, that this man plumping, that
(23:16):
it's happening almost every day. So we had talked about
on the show, does anybody do that here where we live?
And you did some investigating.
Speaker 5 (23:25):
Yeah, and I got a d M from a doctor.
Speaker 6 (23:27):
He used to be on The Bachelor Aurette and he
was on Bachelor in Paradise, Evan Bass. He is a
doctor like a doctor, and he is a.
Speaker 5 (23:36):
Unit doctor.
Speaker 3 (23:38):
Like a urologist. I don't know he I never heard
of a unit doctor. And if that was the gut
it and I know you.
Speaker 6 (23:44):
Keep pointing at your talking about Yeah, and he sent
me a d M.
Speaker 3 (23:48):
What would that be called officially?
Speaker 7 (23:50):
Uh?
Speaker 3 (23:51):
We we talking about proct.
Speaker 5 (23:55):
Doctor.
Speaker 6 (23:55):
So he d you and he said, hey, man was
listening to this and was laughing, hilarious, we do it
here in Nashville.
Speaker 5 (24:04):
It's freaking awesome.
Speaker 6 (24:06):
Would love to bring in eurologist if y'all want to
make it a bigger deal.
Speaker 3 (24:11):
Pun intended. What you said urologists, which is correct.
Speaker 8 (24:15):
It involves like a kidney's bladder, prostate man friend and
man's the friends of the man friend.
Speaker 3 (24:22):
And the reason that Amy and I don't talk about
it with the real words because we could clinical is it.
We we think you two would run wild with it,
absolutely keeping it, keeping itself.
Speaker 6 (24:32):
So he is a doctor here in Nashville, and so
obviously they do it at his place so that he
could come in and talk about it or do it.
Speaker 1 (24:41):
I mean, who wants it?
Speaker 5 (24:43):
I mean, you have to put yourselves on the wheel.
Speaker 3 (24:44):
I can't. No, I know I can't. I'm gonna honest
with you, guys. I can't take any more sodiculous change.
Speaker 7 (24:54):
There are enough threads already. Well, he's shorter. I would
like to talk.
Speaker 3 (25:04):
To him, Okay, I wanted to come in. I don't
think anyone's going to get plumped if they were, If
anyone were to get plump, which would be hilarious, I
would give somebody, if somebody on the show would do it,
I would give you an extra five hundred bucks cash
and pay for it.
Speaker 5 (25:18):
I mean that's not going to cover pay for the
injection if we need to.
Speaker 3 (25:22):
How much did you say they were, but I don't
know this guy. We can talk to the doctor because
this is an actual thing and we won't know this
real deal pun intended. If we want to say, I
don't know.
Speaker 5 (25:34):
That's not what he said.
Speaker 6 (25:35):
He said, I would love to bring in eurologists if
y'all want to make it a bigger deal.
Speaker 5 (25:41):
Pun intended.
Speaker 3 (25:41):
That's the fun. So he's not a urologist.
Speaker 5 (25:45):
I don't know.
Speaker 6 (25:46):
I just remember being on TV and him saying he
was a doctor.
Speaker 3 (25:50):
Why don't you do this because we're going to go
and we have we have a couple news shows next
week and we're gone for fourth July for a few days.
When we come back, you should give Scuba Steve his
information reply back, say hey, we'd love to talk to you.
Can I get a cell phone number to call? I
have our producer call, so I have Scoop Steve call.
Set it up and we'll we'll not do it, but
we'll talk. We'll have a conversation. Okay, what's his name?
Speaker 5 (26:12):
Hevin Bass?
Speaker 3 (26:13):
And you're sure he's a doctor?
Speaker 6 (26:15):
I mean from what I remember watching him on TV,
he said he was a doctor.
Speaker 3 (26:18):
Got it. I'm all for hearing about this. I think
this is needed. It's medical news. Some guys maybe could
use it if they had injuries. Man, not us. Yet,
we're all good. We're all good here. What they're talking about, Okay, cool,
So we'll try to set it up and we'll do that.
Thank you guys for hanging out. We're gonna message back
to Ding Dong Doctor Bobby Bone show.
Speaker 7 (26:39):
Sorry up today.
Speaker 6 (26:41):
This story comes us from Lakeland, Florida. Police got a
call about a disturbance at a local business and they
show up.
Speaker 5 (26:48):
And they're like, yeah, man, can't find the guy that
looks like ah, I guess we're about to leave. And
then all of a sudden, from the ceiling they hear.
Speaker 3 (26:54):
Ring, ring, ring, ring, ring.
Speaker 5 (26:56):
You got a call? You got a call?
Speaker 3 (26:58):
So funny, I guess you don't if I turn your
ringer off. Whenever you're robbin, you should always have it off.
Always have mine off. Because of the show. I don't
want to ring you on the air, right, I never
have mine on. However, if I'm not somewhere where, it
doesn't matter as much. Like if my job is a robber,
I don't think that matters.
Speaker 6 (27:17):
I mean, what if he's waiting for a call from
the getaway driver, like, hey, I'm over here at this corner.
Speaker 5 (27:21):
Still vibrate would work, I would think.
Speaker 3 (27:22):
So that's funny, but also not something I ever thought about, Like,
if I'm going to go commit a crime, should I
turn my ringer off? So in case I'm hiding from
the law, it doesn't go off and they're put onto
me all those shows that I see, though, you should
probably just leave your phone at home.
Speaker 1 (27:36):
You're probably gonna go somewhere.
Speaker 3 (27:38):
Man, Yes, but what if you, like, are in trouble
and need your boy to come help you out, or
you need to move or eat or something.
Speaker 5 (27:45):
I'm lunchbox. That's your bonehead story of the day.
Speaker 3 (27:49):
Amy, what's going on?
Speaker 8 (27:50):
Well, my daughter got her first warning ticket, like for
making an inappropriate turn?
Speaker 3 (27:56):
Was she embarrassed? What she told you? Oh?
Speaker 8 (27:57):
She didn't tell us? So yeah, her, she got new
insurance and been her dad. He was at my house
picking up some stuff and she was with him that week.
So I said, hey, throw this, throw this in her
glove box when you get to the house. So he did,
and he opened it up and a warning ticket fell out,
and he took a picture and said it to me.
He's like, hey, did you know about this, I said no,
(28:18):
and we checked the date like I zoom in, and
it was from a month ago. And so she didn't
say anything, and it was a warning. If it had
been a ticket, there's obviously steps would need to be taken,
and I'm sure she would have told us. But yeah,
she just threw it in her glovebox and said she
learned from it. Of course, you know, he went and
had to talk with her. She understands exactly what she
(28:39):
did wrong, which was turn when she wasn't a turn
lane and she cut off a car and the car
happened to be the police officer.
Speaker 3 (28:45):
So bad timing.
Speaker 4 (28:47):
Oh, that's inappropriate, that's appropriate.
Speaker 3 (28:50):
Got her. What she really did wrong was keep the
warning ticck in the glovebox.
Speaker 8 (28:56):
I don't think she that's evidence.
Speaker 3 (29:00):
Spoken to that evidence. There's no need to keep that.
Maybe she doesn't know she doesn't need to keep that.
But they never catch her.
Speaker 8 (29:04):
No, we wouldn't have known.
Speaker 3 (29:07):
Was she embarrassed once you went to her.
Speaker 8 (29:09):
He handled it.
Speaker 3 (29:10):
Yeah.
Speaker 8 (29:11):
So that's the thing about there with him for a
week and then they're with me for a week, and
things that happened on the weeks. That's sort of I'm
like oh. Sometimes I'm like, oh, oh, glad he's having
to handle this. I'm a little tired.
Speaker 3 (29:22):
So they don't risk, they don't get double trouble, they
don't come back to you, and then you bring it
up again and get them in.
Speaker 8 (29:27):
No, I'll have a conversation with her with it, but
I don't. It's not like, oh, well, you were grounded
in dad's house. Guess what now you're here, so you're
grounded again because you didn't tell me. Like Ben and
I worked together to handle what the appropriate punishment should be,
which in this case there wasn't. She learned from the lesson,
and we told her, you should tell us about these
things so that we can help you. And we want
(29:48):
to make sure we know what to pay attention to
when we're driving with you.
Speaker 3 (29:51):
Why was she cutting off the cop or why she
cut off anything?
Speaker 8 (29:54):
She thought she could turn and it was over by
her school. She thought she could turn and she couldn't.
Speaker 3 (30:00):
Dang, she got pulled over in from school.
Speaker 8 (30:02):
Oh yeah, I think that he. I think he had compassion.
She honestly, it was an innocent mistake.
Speaker 3 (30:11):
She doesn't know. Humiliating and I felt bad for her. Yeah,
I think she needs some ice cream or something.
Speaker 8 (30:18):
Yeah, as long as she learns from it and she
doesn't do it again, and thankfully nobody was hurt.
Speaker 3 (30:22):
Mostly, get rid of the evidence. It's not a real ticket.
That's what you should have learned. Get rid of the one. Yeah,
thank you guys, have a great weekend. We'll see you Monday.
Bye everybody.
Speaker 5 (30:31):
Bobby Bones
Wake Up, Wake coming.
Speaker 2 (00:03):
The mall and it's on the radio, and the Dodgs
on time already, lunchbox Morgan too, Steve bred Have, it's
trying to put you through. Fuck, he's running this Wig's
next bit. The Bobby's on the box, so you know
what this is? The Bobby Balls.
Speaker 3 (00:29):
The Friday Morning Conversation with Kevin Custner. First question about
the movie, because it's out today, I haven't seen it yet.
I'm gonna be honest, but help me understand because all
that I've heard about it is such praise, meaning you
get like an eleven minute ovation. We talked about that.
We saw that the actors and actresses in it, they
are huge names, and people talk about how this is
(00:50):
this big epic movie. But I don't understand what's happening
in the movie. Can you explain that to me?
Speaker 1 (00:56):
The fact that you don't understand what's happening in the movie.
Speaker 4 (00:59):
Well that too, but it's like, what's I don't know
what's all the praise is the news and I'm really
not getting the plot yet, which is a great problem
to have because everybody loves it so much.
Speaker 3 (01:10):
But tell me when I go watch it, like, what
is what's the plot of the movie.
Speaker 1 (01:14):
Yeah, well it's it's not a plot movie. It's a journey.
It's not like Robin a bank Bobby, you know, where
you've got to get the team back together and you
don't want the crazy guy anymore because you think he's
going to be a loose cannon. You draw the maps
and you have things going bad and the girl you
used to love. You know, there's a plot to taking
(01:34):
down a bank. The Westward movement was was just this
promise of going going west, and certainly we have a
story that is taking shape. The group of people heading
to a place called Horizon, and how they get there
is like the mystery of any of our lives, you know.
You know, the promise of America was was if you
(01:56):
could get across that Atlantic, if you could get out
of you Europe where you're a third class citizen, and
the land was so big it was like the Garden
of Eden here. So that if you're looking for a plot,
there's there's there's not a plot, but there's certainly a
story that has its end and it builds and it's
a mystery. And what you actually find out in the
(02:17):
fourth one is that the premise at the whole town
was built on is a lie. So it's like a
novel as you're going and you know, I think if
you think back to books you've read, maybe you haven't
had this experience. I had it. I'd look over at
somebody they're reading a book and ask them how's that book,
and they go, you know, it's the first hundred pages.
(02:38):
You know. It took me a moment and then suddenly snap,
I was into the book. That's what horizon is that
you see these people all moving towards something, and as
they're moving towards something, the reality is that hopefully what
they're doing is equally interesting to you.
Speaker 3 (02:55):
This sounds like a plot, though, and in the best
way to me, because I don't know any about movies,
like it sounds like, Okay, I'm invested because I'm watching
people and I'm wondering how they're going to end up.
And so with these it also feels like a docu
series but with great actors, because what you're portraying here
is basically the truth.
Speaker 1 (03:14):
Correct well, it's not a true story, but everything that
I put in this movie happened a million times. It
just happened in different ways to different people. We all
know what bullies are, we all know what it is
to be threatened, we all know what it is to
be in love. We all know how hard it is
to raise children. And if you try doing it in
(03:34):
the dirt, in a place that has nothing, you realize
that women work themselves to death. So one of the
things that emerged in telling these stories was how dominant
women became in this movie. They run right through all
this different storylines that take you there. My goal is
every time you run into a scene that you're transfixed
(03:55):
with that scene, you're not looking to go anywhere else.
I don't know about you, but when I'm in a theater,
I want to just take the ride. And sometimes I
think we know too much about movies. And I think
the people that maybe what you're talking about stood up
for eleven minutes didn't know what they were prepared to see,
and maybe it reminded them of something their own experiences
(04:16):
when we were younger. Going back to the theater where
you just the movie can roll over you.
Speaker 3 (04:22):
The story was you invest in a significant amount of
your own money into this movie? Had you done that prior?
And what about this project specifically inspires you to do
that well.
Speaker 1 (04:32):
I have done it before. I you know, it's so funny.
I make these very American movies and sometimes the first
place I can get money as overseas, and in this
instance that wasn't even the case. I don't know what
it is. I don't think my stuff is auvant garde.
You know, I never thought of myself as being so
kind of weirdly creative that nobody can understand me. But
you're supposed to understand that my is good and it's
(04:54):
and it's you know, I'm not that. I think that
my stuff is very mainstream. What I willing to do,
though that may bothers, maybe some people, is that I
invest in behavior and I let scenes go a little deeper,
so that maybe we understand the value of water just
a little bit more than the obvious I'm thirsty. We
understand it's a life and death moment. We understand how
(05:18):
it has to be shared among people who don't even
know each other, maybe in a lot of instances, don't
even like each other. We understand that some people are
more equipped to go across this country than others. And
so what I try to do, man, is just take
you to a place where you're interested wherever you're whatever
you're watching at that moment. I will get you to
(05:38):
the gunfight, and I will even get you to this
plot if that's what's important, but it'll come at you sideways.
Speaker 3 (05:45):
There are four parts to this, and the second part
comes out a lot sooner than most second parts to movies.
What was the strategy with that and what's the difference
in part one and two? Is it the same characters?
Speaker 1 (05:59):
I don't know. I don't do things like most people.
I don't mind a single movie. I wouldn't mind making
a haunted house movie with just eight people. But in
this instance, you know, I made this big, sprawling movie
with these different storylines, and I couldn't kind of turn
my back on what it was. The idea of the movie.
The idea of the second movie is it gets harder
(06:21):
than the first movie. It's harder on the people. What
you think is hard when you watch the first one,
it gets harder for them. And that's what I want
to kind of sync in. And yet during all that thing,
I don't want it to be this dreary movie. There's
exciting things that are happening. You're seeing relationships, you're seeing
you're seeing action. You're seeing things fall and I think,
(06:45):
you know, I just have my own style. I mean,
I don't paint like you. In fact, I can't paint.
I can't even draw an orange. But I guess when
I make my movies, I make them for myself, with
the idea that they can live forever and that people
are going to see exactlyactly what it was. I wanted to.
Speaker 3 (07:01):
Show them Sam Worthington and Luke Wilson to the big
names in the movie. You know a lot of huge names,
but those specifically pop out. And when it's a project
that you're so personally involved in in every way, is
that more of a personal ask to those guys to
be in the movie or is it still business as
usual where agents reach out to agents.
Speaker 1 (07:20):
You're going to see how extraordinaries some new actresses are
in this thing. They're unbelievable. Women actually dominate. But when
it comes down to that, I let the picture speak
for itself. I don't ask anybody to do me a favor.
It's like actors want to live forever. There's only one
way that really happens, and that's if you're in a
movie that has the potential to live forever. That people
(07:42):
will revisit down the line as you go. I mean,
there's some movies I'm sure in your life that you
like to step back and rewatch and you know what
those are. There's some moments that you like to relive.
There might even be moments and movies that formed you
as a man about how you'd like to behave. For
all the phoniness that movies have, there are moments that
(08:02):
are orchestrated morally where you think I have to be
that guy, that I need to be that guy and
not that guy.
Speaker 3 (08:10):
It feels like we're in a world where it's remake
after remake, and this is absolutely not a remake. This
is as original as it gets. So how long have
you been waiting to make this? And was that also
part of why it felt so good because you were
on of zigging when everybody else is zagging?
Speaker 1 (08:25):
Yeah? Well, you know, I had this idea back in
nineteen eighty eight, and it's not like I stayed up
every night thinking about it. I did name my son
after the lead character, Hayes. He's thirteen years old. But
there's something about this story that challenged me and I
thought would be exciting for men and women I also
(08:46):
think that it's a kind of a story, even though
there's an R in front of it for violence or
whatever you want to call it. That I think men
and women are actually going to go home after seeing
this and saying, you know what, I think we should
bring our son. I think we should bring our daughter.
I think they should understand what their great great grandparents
maybe went through and see this. So you know, that's
(09:09):
how I you know, I mean, that's really how I
look at these things as forever moments, and so I
kept at it. You know, I didn't really fall out
of love with this thing. I felt that it had value.
And when I realized that no one else saw it
because it wasn't a sequel, because it wasn't these things
that are driving driving instincts out there, I can't be
(09:30):
bothered with that. I mean, I live in the real world, right,
so I understand that's why it was hard for me
to make it. So that's not what's being done. So
I just looked to myself, you know, I had acquired
some things, and I just didn't want those things to
be so in control of me. And if they gave
me the ability to financially make this thing while I
didn't want to do that, I did do it because
(09:52):
I just don't want to kind of spit on my
life and avoid the things because I just couldn't do it. Well,
it turned out I could do it, and if I
had to risk some things, I did it.
Speaker 3 (10:03):
How hard is it to direct yourself because you're acting.
When you're acting, you can't really watch yourself on the screen.
And do you know if you don't do it right?
Or do you trust someone else to tell you while
you're doing the acting part?
Speaker 1 (10:16):
No, I can see it right away. Well, one thing
I do is I got a bad habit. I don't
give myself as much time is I give my other actors.
I have a tendency to just you know, do it
once or you know, maybe twice, and then I'm and
once in a while somebody will whispering to Kevin, give
yourself a chance, because I'm already moving on. I want
(10:36):
my other actors to succeed so wildly that I I
just I just do so sometimes I have to be
reminded that I can tell right away, Bobby. But you
know what I want to do a little differently.
Speaker 3 (10:49):
In American Saga. It's in theaters today Mike d watched
it movie Mike and gave us just a wonderful review
of it. And it's four chapters, with the second chapter
coming out in August, and are all four going to
be released in the same pattern, like just a couple
of months from each other.
Speaker 1 (11:06):
No, I don't. They can't be, because I'm in the
middle of making three right now. There was a reason
why they wanted to do this, so I'm trying. I
saw two two days ago, and I'm happy to and
I wasn't sure I was going to be able to
say this, but it's as good as one, if not better.
And I didn't really know that, and I got a
pretty high bar for myself, and i'd have to just
(11:28):
tell you that. A week ago I was going to
tee you I don't, and then boom, I saw it.
I thought, Okay, we got over the hump. But what
happens is they each get harder and three, three really explodes.
I begin to play in three a lot more than
I am in one and two. It's an ensemble, but
as things start to move towards towards horizon, things get
(11:51):
become more distilled and more succinct, and it zeros in
on life in this town. It just takes advantage of
all different people and storylines, and that makes it easier
to jump around.
Speaker 4 (12:07):
The Friday Morning Conversation with Kevin Cusner.
Speaker 3 (12:11):
An American Saga in theater starting today tonight. Hey, Kevin,
a question that's not an American Saga related. What do
you feel like people know you for most as an
actor if they see you out, like, what do they
yell at you? Which which character?
Speaker 1 (12:25):
That's a really good question. You know, they do yell
at me, and they call me different names, tin Cup, Crash,
Billy Chappel, you know, they just do. He'll call me
Hayes now. But the one thing, maybe the one thing
I'm maybe happiest about, when people actually come up to
me versus yelling at me to tell me what meant
(12:48):
the most of them, you know, and I get some
very cool things once in a while. Some things are exhausting,
as you know, but once in a while I get
somebody saying, you know what, my dad passed away in
the last two weeks of his life. All we did
was watch your movies. And that stops me, and it
reminds me why I need to stop. When somebody comes
(13:09):
up to me, But the idea of what they call
out to me most I can't peg that down. But
what makes me the happiest is that when they tell
me what maybe their favorite movie is, it doesn't boil
down to a single movie for me, And I think
that makes me happier that it's not a single movie.
One of twelve or fifteen movies can will come out
(13:31):
of their mouth. I just don't know if it's going
to be water World or Fandango or Surprise Me or
but you know it's Dances or Field or Bodyguard or JFK.
It starts to roll around. That makes me the happiest
that movies can can can touch you, and every choice
I make has a chance to be a forever moment.
Speaker 3 (13:53):
Do you have a favorite movie of all time? I'm
talking to one of the great actors, like, do you
have a favorite movie of all time that you automatically
go to in? Someone ask that question, Well, there's four
or five that I like.
Speaker 1 (14:04):
But let's you know, I like this is going to
be a pretty eclectic thing. I love The Wizard of Oz, right,
I love sand Pebbles, I love cool hen Luke. Uh,
you know, I really love Liberty Balance, I love the Godfather.
So you know, pretty weird, right, you know, Wizard of Oz, Godfather.
(14:26):
But there are movies that when you see them, you
always see something new. There's and that's what because they're detailed.
Sand Pebbles, I don't know if you've ever seen it, man,
have you don't even know what it is, buddy, take
take some time and watch Steve McQueen in the sand Pebbles.
Speaker 3 (14:43):
Okay, making a note, sand pebbles one word. I probably
just google it right, it'll pop up. It's pretty famous.
I don't know sand pebbles. I know that all the
other ones though.
Speaker 1 (14:52):
Yeah, no, So I'm giving you something. And and that
movie touched me. That movie just was gut wrenching, and
I think, uh, that's what we That's the chance I
have when I make a movie is something that can
be shared. I mean, I I don't know any of
us that don't. I mean, you must come in there
after hearing a song you never heard and go, you know,
I just heard the best song. You know, your people
(15:13):
you do this this thing with. Come in say you know,
I just read the best book. Really, and you know,
I want my movie to be one of those things.
I saw a movie last night that I wasn't sure
where it was going, and it took me somewhere. And
the promise of the second one is it's going to
take me deeper. It's going to hurt me even more so.
Speaker 3 (15:30):
In Horizon American Saga, you mentioned there are a lot
of new actors that maybe we don't know yet that
are just about to be stars, and they are working
with some of these big stars, and I'm assuming you
have the awareness to know they're probably a little bit
intimidated by working with you because you're one of the greats.
Did you ever have that as a young actor where
you're working with one of the greats and you were
(15:51):
a little like, holy crap, and they were cool to you.
Speaker 1 (15:54):
Yeah, I was. You know, I've worked with Gene Hackman,
I worked with DeNiro, I work with Sean Connery. You know,
I was pretty young. I wish I knew a little
bit more when that was going down. But yeah, you
feel that, but you quickly have to get over it.
And it's my job to break that ice really quickly,
because you know, I'm there to help them, and they
(16:16):
realize that they also have a script where they can
succeed wildly. One of the things I think people are
going to notice is that these are great acting parts.
This isn't just part of being in a Western. This
is our Shakespeare, and I've given these people's speeches and
and the drama to blow people away with their performances.
You watch Cianna Miller, you watch Abby Lee, Ella Hunt.
(16:40):
These guys are are burning it down in their own way.
I mean, Cianna Miller is just just luminous, and Abby
Lee is going to blow your mind, and so is
Ella Hunt. These are actresses that are going to be around.
They're just They're just strong, They're brave, and they have
the material to really flex.
Speaker 3 (16:59):
Three final questions. Number one is with Horizon in American Saga,
and it's in theaters. Have you or will you pop
into any theaters just to get a gauge.
Speaker 1 (17:10):
I won't. I've done that in the past, and it's
been fun. I've gone into You know, when you realize
that Field of Dreams took over the country. Dances with
Wolves were the first movie I ever directed. I wasn't
even here in the country. I was making Robinhood. I
didn't get to see it unfold. In this instance, I
probably won't do that but my friends are always begging
(17:30):
me to go in. I made it for people. There's
not a thing in this movie that wasn't designed to
somehow catch your attention and work. It's just how I
do it.
Speaker 3 (17:42):
Your name is Kevin. Would you say your name? We
have a debate on how to say your name. This
is question two of three. Would you say your name?
As someone said, sir, what is your name? Kevin? Please?
Kevin when your last day, say your last name, please, Castionner. Okay,
that's how I say your name. We have a guy
in the show that for years has swore that you
(18:02):
pronounce your name Kevin Kosner with a Z, which I
don't think. Okay, go ahead, mister Costner, go ahead.
Speaker 1 (18:08):
No, no, I get it, I get it. Listened. My
grandmother never said my name right. She's a little Oklahoma
girl married at fourteen. She called me Cavin forever. I
thought that's what my name was because Grandma said it.
But but no, it's Costner. It's a it's a it's
a German name.
Speaker 3 (18:27):
Listeners want to know about it. So you did say
you're not doing Yellowstone anymore. I know, I know, I know.
You don't want to have to answer something about Yellowstone.
But how long had.
Speaker 1 (18:37):
You look at your kind enough to give me a platform. Look,
I'm an independent filmmaker, right, and you're going to see
a lot of sequels unless independent guys are making movies
that they just feel like are original. So you know
you're given me a really nice platform, Bobby to talk
about horizons. So you want to question about something like that,
I'm going to try to answer it.
Speaker 3 (18:57):
How long did you know it was over before you announced.
Speaker 1 (19:00):
It was over? Probably? You know I was hoping that
we could continue. I was I really love that show.
I mean I was going to do one season. I
did five, and in the end I needed to work
more than twice a year, more than once a year.
I wanted to and I made sure that how I
(19:23):
was going to do that would work. The Yellowstone would
have a first position. I would handle Yellowstone's business, and
then I would go do my own. But eventually that
even became something that just for whatever reason, couldn't happen.
And when I realized that I knew that, then I
would just go forward. And so it was just about
(19:44):
three days before I just decided to make that announcement.
It's like I didn't want people guessing about my life.
I will say this in life, anything as possible, but
I wanted to just make it final. I'm not going
to do Yellowstone. If something changes dramatically or whatever reason.
You know my mind, my heart's open to anything. But
I'm done with that show at this point and I'm
(20:08):
not thinking about it. I'm not willing it to come back.
It has marked me. It's something that I love that
audience has rallied around. It was that I thought it
would work, and that's what I love about when people
decide they'll see hat filled the McCoys or that I've
just I've judged that it has an entertainment value, and
people who have followed me my career, I really want
(20:31):
to honor that. Horizon is the same thing. I think,
while you know, people are trying to make sense of
a guy who's made four without even knowing if the
first one works, I don't care. I've already made up
my mind, and.
Speaker 3 (20:43):
I definitely felt like for the first time, like you
don't have a dislike for Yellowstone, you just have more
of a love for what you wanted to do as
well as.
Speaker 1 (20:51):
That Yellowstone, I have a healthy love of what it's
done for me, what it did for a lot of people,
what it did for the audiences that are willing to
follow me. No one knew about Yellowstone. I decided I
would do it. I went out over to Europe and
sold it. I was the only guy over there saying, yeah,
I think this will be good. I love that show
and so not like love. But there's a moment in
(21:15):
time where you I think you nailed it. You have
to be able to go forward. I in my life,
I don't want to close doors, but I also want
to be able to shut them in a way that's meaningful.
Speaker 3 (21:27):
And it's pretty deep. That's pretty deep right there. Horizon
in American Sauka, chapter one. It's out now, chapter two
in August. Kevin Costner, mister Costner, thank you for your time.
We're massive fans and we hope just massive things for
this project.
Speaker 1 (21:41):
Bobby, you've got a lot of stuff on your desk.
I mean you got some Arkansas stuff going there.
Speaker 3 (21:46):
I have a lot of memorabilia. Do you have Do
you have cool memorabilia from your movies that you keep
the super valuable.
Speaker 1 (21:51):
I've kept it all. I bought the you know, I
bought the Shelby Kobra for bull dron that nineteen sixty eighteen.
I bought the at the where I hunt down Bonnie
and Clyde. I even got a truck from Yellowstone. I
love it.
Speaker 3 (22:05):
What about like balls, like golf stuff or baseballs.
Speaker 1 (22:08):
All that stuff, you know, I have and I've given
sometimes I've given it to charity, but I'm yeah, I
have kept it because I know it's it's of some value,
not to sell, but to kind of show at some point,
and I look forward to doing that with people.
Speaker 3 (22:24):
That's super cool. Mitch Costner, thank you for your time,
and hope you have a great weekend, and good luck
to the movie.
Speaker 1 (22:29):
Thank you very much. Bye, guys.
Speaker 3 (22:33):
The segment of Sensitive for Children's Years sort of we
talked about on the show how the guy guys could
go in and get injections into their special man little thing. Yeah,
and fifteen thousand dollars procedure, and like women get their
lips plumped, a guy could get a special man plumped.
I'm just being careful, you know. The procedure is not
(22:54):
FDA approved, but fifteen thousand bucks they can make they
can make you plumpier, you know. And so this doctor
in the story because I do have an update. This
doctor and the story talked about how it works and
that when he first began, he was doing ten to
twenty procedures a week and now even though it's not
been approved by the FDA, that this man plumping, that
(23:16):
it's happening almost every day. So we had talked about
on the show, does anybody do that here where we live?
And you did some investigating.
Speaker 5 (23:25):
Yeah, and I got a d M from a doctor.
Speaker 6 (23:27):
He used to be on The Bachelor Aurette and he
was on Bachelor in Paradise, Evan Bass. He is a
doctor like a doctor, and he is a.
Speaker 5 (23:36):
Unit doctor.
Speaker 3 (23:38):
Like a urologist. I don't know he I never heard
of a unit doctor. And if that was the gut
it and I know you.
Speaker 6 (23:44):
Keep pointing at your talking about Yeah, and he sent
me a d M.
Speaker 3 (23:48):
What would that be called officially?
Speaker 7 (23:50):
Uh?
Speaker 3 (23:51):
We we talking about proct.
Speaker 5 (23:55):
Doctor.
Speaker 6 (23:55):
So he d you and he said, hey, man was
listening to this and was laughing, hilarious, we do it
here in Nashville.
Speaker 5 (24:04):
It's freaking awesome.
Speaker 6 (24:06):
Would love to bring in eurologist if y'all want to
make it a bigger deal.
Speaker 3 (24:11):
Pun intended. What you said urologists, which is correct.
Speaker 8 (24:15):
It involves like a kidney's bladder, prostate man friend and
man's the friends of the man friend.
Speaker 3 (24:22):
And the reason that Amy and I don't talk about
it with the real words because we could clinical is it.
We we think you two would run wild with it,
absolutely keeping it, keeping itself.
Speaker 6 (24:32):
So he is a doctor here in Nashville, and so
obviously they do it at his place so that he
could come in and talk about it or do it.
Speaker 1 (24:41):
I mean, who wants it?
Speaker 5 (24:43):
I mean, you have to put yourselves on the wheel.
Speaker 3 (24:44):
I can't. No, I know I can't. I'm gonna honest
with you, guys. I can't take any more sodiculous change.
Speaker 7 (24:54):
There are enough threads already. Well, he's shorter. I would
like to talk.
Speaker 3 (25:04):
To him, Okay, I wanted to come in. I don't
think anyone's going to get plumped if they were, If
anyone were to get plump, which would be hilarious, I
would give somebody, if somebody on the show would do it,
I would give you an extra five hundred bucks cash
and pay for it.
Speaker 5 (25:18):
I mean that's not going to cover pay for the
injection if we need to.
Speaker 3 (25:22):
How much did you say they were, but I don't
know this guy. We can talk to the doctor because
this is an actual thing and we won't know this
real deal pun intended. If we want to say, I
don't know.
Speaker 5 (25:34):
That's not what he said.
Speaker 6 (25:35):
He said, I would love to bring in eurologists if
y'all want to make it a bigger deal.
Speaker 5 (25:41):
Pun intended.
Speaker 3 (25:41):
That's the fun. So he's not a urologist.
Speaker 5 (25:45):
I don't know.
Speaker 6 (25:46):
I just remember being on TV and him saying he
was a doctor.
Speaker 3 (25:50):
Why don't you do this because we're going to go
and we have we have a couple news shows next
week and we're gone for fourth July for a few days.
When we come back, you should give Scuba Steve his
information reply back, say hey, we'd love to talk to you.
Can I get a cell phone number to call? I
have our producer call, so I have Scoop Steve call.
Set it up and we'll we'll not do it, but
we'll talk. We'll have a conversation. Okay, what's his name?
Speaker 5 (26:12):
Hevin Bass?
Speaker 3 (26:13):
And you're sure he's a doctor?
Speaker 6 (26:15):
I mean from what I remember watching him on TV,
he said he was a doctor.
Speaker 3 (26:18):
Got it. I'm all for hearing about this. I think
this is needed. It's medical news. Some guys maybe could
use it if they had injuries. Man, not us. Yet,
we're all good. We're all good here. What they're talking about, Okay, cool,
So we'll try to set it up and we'll do that.
Thank you guys for hanging out. We're gonna message back
to Ding Dong Doctor Bobby Bone show.
Speaker 7 (26:39):
Sorry up today.
Speaker 6 (26:41):
This story comes us from Lakeland, Florida. Police got a
call about a disturbance at a local business and they
show up.
Speaker 5 (26:48):
And they're like, yeah, man, can't find the guy that
looks like ah, I guess we're about to leave. And
then all of a sudden, from the ceiling they hear.
Speaker 3 (26:54):
Ring, ring, ring, ring, ring.
Speaker 5 (26:56):
You got a call? You got a call?
Speaker 3 (26:58):
So funny, I guess you don't if I turn your
ringer off. Whenever you're robbin, you should always have it off.
Always have mine off. Because of the show. I don't
want to ring you on the air, right, I never
have mine on. However, if I'm not somewhere where, it
doesn't matter as much. Like if my job is a robber,
I don't think that matters.
Speaker 6 (27:17):
I mean, what if he's waiting for a call from
the getaway driver, like, hey, I'm over here at this corner.
Speaker 5 (27:21):
Still vibrate would work, I would think.
Speaker 3 (27:22):
So that's funny, but also not something I ever thought about, Like,
if I'm going to go commit a crime, should I
turn my ringer off? So in case I'm hiding from
the law, it doesn't go off and they're put onto
me all those shows that I see, though, you should
probably just leave your phone at home.
Speaker 1 (27:36):
You're probably gonna go somewhere.
Speaker 3 (27:38):
Man, Yes, but what if you, like, are in trouble
and need your boy to come help you out, or
you need to move or eat or something.
Speaker 5 (27:45):
I'm lunchbox. That's your bonehead story of the day.
Speaker 3 (27:49):
Amy, what's going on?
Speaker 8 (27:50):
Well, my daughter got her first warning ticket, like for
making an inappropriate turn?
Speaker 3 (27:56):
Was she embarrassed? What she told you? Oh?
Speaker 8 (27:57):
She didn't tell us? So yeah, her, she got new
insurance and been her dad. He was at my house
picking up some stuff and she was with him that week.
So I said, hey, throw this, throw this in her
glove box when you get to the house. So he did,
and he opened it up and a warning ticket fell out,
and he took a picture and said it to me.
He's like, hey, did you know about this, I said no,
(28:18):
and we checked the date like I zoom in, and
it was from a month ago. And so she didn't
say anything, and it was a warning. If it had
been a ticket, there's obviously steps would need to be taken,
and I'm sure she would have told us. But yeah,
she just threw it in her glovebox and said she
learned from it. Of course, you know, he went and
had to talk with her. She understands exactly what she
(28:39):
did wrong, which was turn when she wasn't a turn
lane and she cut off a car and the car
happened to be the police officer.
Speaker 3 (28:45):
So bad timing.
Speaker 4 (28:47):
Oh, that's inappropriate, that's appropriate.
Speaker 3 (28:50):
Got her. What she really did wrong was keep the
warning ticck in the glovebox.
Speaker 8 (28:56):
I don't think she that's evidence.
Speaker 3 (29:00):
Spoken to that evidence. There's no need to keep that.
Maybe she doesn't know she doesn't need to keep that.
But they never catch her.
Speaker 8 (29:04):
No, we wouldn't have known.
Speaker 3 (29:07):
Was she embarrassed once you went to her.
Speaker 8 (29:09):
He handled it.
Speaker 3 (29:10):
Yeah.
Speaker 8 (29:11):
So that's the thing about there with him for a
week and then they're with me for a week, and
things that happened on the weeks. That's sort of I'm
like oh. Sometimes I'm like, oh, oh, glad he's having
to handle this. I'm a little tired.
Speaker 3 (29:22):
So they don't risk, they don't get double trouble, they
don't come back to you, and then you bring it
up again and get them in.
Speaker 8 (29:27):
No, I'll have a conversation with her with it, but
I don't. It's not like, oh, well, you were grounded
in dad's house. Guess what now you're here, so you're
grounded again because you didn't tell me. Like Ben and
I worked together to handle what the appropriate punishment should be,
which in this case there wasn't. She learned from the lesson,
and we told her, you should tell us about these
things so that we can help you. And we want
(29:48):
to make sure we know what to pay attention to
when we're driving with you.
Speaker 3 (29:51):
Why was she cutting off the cop or why she
cut off anything?
Speaker 8 (29:54):
She thought she could turn and it was over by
her school. She thought she could turn and she couldn't.
Speaker 3 (30:00):
Dang, she got pulled over in from school.
Speaker 8 (30:02):
Oh yeah, I think that he. I think he had compassion.
She honestly, it was an innocent mistake.
Speaker 3 (30:11):
She doesn't know. Humiliating and I felt bad for her. Yeah,
I think she needs some ice cream or something.
Speaker 8 (30:18):
Yeah, as long as she learns from it and she
doesn't do it again, and thankfully nobody was hurt.
Speaker 3 (30:22):
Mostly, get rid of the evidence. It's not a real ticket.
That's what you should have learned. Get rid of the one. Yeah,
thank you guys, have a great weekend. We'll see you Monday.
Bye everybody.
Speaker 5 (30:31):
Bobby Bones
Hosts And Creators
Bobby Bones
Amy Brown
Lunchbox
Eddie Garcia
Morgan Huelsman
Raymundo
Mike D
Abby Anderson
Scuba Steve
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