A listener wants to give Lunchbox an offer regarding a car...Plus, find out who our mentors were growing up. Mailbag: Listener's boyfriend's dog is "unhinged" and doesn't have a lot of boundaries. They are all about to move in together, but our listener is hesitant because of the dog. Is that a reason not to move in together?
See omnystudio.com/listener for privacy information.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Welcome to Monday Show more than studio.
Speaker 2 (00:13):
All right, you get to know your question today. If
you have to pick one, who is your mentor growing up?
You have to pick one? Who would you say is
your mentor? Was your mentor growing up?
Speaker 3 (00:27):
Hmmm? Do you have an answer? You're holding up like
you have an answer.
Speaker 1 (00:32):
I have a crush. Yeah, I mean my dad was
by I mean, I don't know if he was my
mentor because he's my dad. But you can pick who
whoever you are. It has to be outside your family.
Speaker 2 (00:40):
He doesn't have to be at all. It can for
sure be your day. Who is your mentor growing up?
Speaker 3 (00:45):
Eddie?
Speaker 4 (00:46):
I'm gonna go with my news director. One of my
first job, second job out of high school. He was
his name is Tony Lisakas, and he was the news
director and he would just talk to me about things
and like how to just advance in your job, how
to you know, almost kind of like your stuff show
up on time or whatever, and just you gotta be
respectful to your elders stuff like that. I was just
a young idiot kid and he just like spend a
(01:07):
lot of time with me. And he was probably fifty
years old, six years old. Didn't need to spend time
with a twenty year old dude whatever, And so I
think he was awesome and he was like the man
in the building.
Speaker 2 (01:16):
So I love that. That's cool, lunchbox. He was your
mentor growing up.
Speaker 1 (01:19):
No teeth Keith. He was my former baseball coach, and
he really opened my eyes to like life and just
enjoying it, Like don't worry about saving your money, like
go and spend it, like live your life, and like
you got to have experiences in life, so you can
save all the money you want, but guess what, you
don't get to do anything with it, so you might
(01:39):
as well spend it when you have it. And I
mean he would show me and it just like driving
thirty miles to get a piece of apple pie and
Huddo Texas. I mean, I don't know where you come,
pick me up and be like, hey, let's go, we're
going to get somebody. And we'd drive thirty forty five minutes.
Where are we going?
Speaker 2 (01:55):
Kid?
Speaker 1 (01:55):
Just wait and we sit down at the restaurant and
they were like, how.
Speaker 3 (01:57):
Old are you?
Speaker 1 (02:00):
The eleven? I mean fifty?
Speaker 3 (02:03):
Did he have kids? No?
Speaker 1 (02:06):
And I'd be like, where are we going with cities. No,
he didn't have teeth at all. No, eventually he got dentures,
but he'd keep them in his pocket. Uh uh, didn't
want to stay in them. And so we get to
the restaurant and they're like, oh, you know, what do
you want to eat. I'm like, I don't know, and
he goes, yes, he knows. We'll take two pieces of
apple pie. And I'm like, we drove all this way
for apple pie. Fantastic apple pie. I mean, he just
(02:26):
pulled right off the inner stated in this little restaurant.
I mean, that's he taught me about living nice. But
he wasn'ting to stay over white scary movies with you, right,
he would. He would stay over My parents would go
like out like the parties or whatever, you know, parents'
night out, and he would babysit us and we'd rent
the scariest movies, turn off all the lights, like all
the doors, all the windows, and watch them like he's
(02:46):
the one that introduced me to like Halloween, Freddy Krueger
all that in the dark. Yeah, oh, every light had
to be off under blankets and stuff.
Speaker 3 (02:56):
What do you make you keep secrets? No?
Speaker 1 (02:58):
No secrets?
Speaker 3 (03:00):
All right, Well, we'll move off that amy you.
Speaker 5 (03:02):
So my mom had a few friends that would take
me to lunch and talk to me, and they would
just speaking to me. They took time. Was I still
am connected to them even though my mom's passed away,
which I think is the cool part. Like I remember
looking up to them and taking their advice and them
just really taking time for me. Forrest, Sue, Katie, Susie,
(03:23):
and there, there's there. I still get letters from them,
like even on Mother's Day, Like I got this card
from Forrest and it instantly she knows my mom's gone,
but she wanted to swoop in with some encouragement. And
it's just really special that she had those types of
friends and that they would take that time for me,
and that they still do to this day.
Speaker 3 (03:41):
That's good. Mine is probably do I have to know
because I don't.
Speaker 2 (03:45):
I don't know the person, but I feel like I
probably got more from them because I don't only have anybody.
But I think David lettering without him knowing with my
mentor because that.
Speaker 1 (03:54):
Would yeah, I see that because you were alone all
the time.
Speaker 2 (03:58):
Well, there was just first of all, where I yes,
but that wasn't my point. My point was where I
come from. Nobody does what I do now, and there's
only nobody I could talk to about or even like
nobody graduate high school, my family. So like that was
so motivated, and like David Letterman was he's a goofy.
It was kind of a stand up comic but not really.
But he knew he was doing that in order to
(04:19):
get to other things, which is what I've been doing too.
But I just remember I was like, if this guy
is this irreverent, this goofy, and you got a big
buck tooth, miss it, like I can do it then,
and so I would just like follow, That's the closest
thing I think I have. You need to meet him?
I know, I wish I could. I know I haven't,
but what if it ruins point? At this point, even
if it runed, it wouldn't run it right, Like I'm
(04:41):
I've been in this industry long enough to know that
not everybody's cool, and if he's not cool, that's okay.
So yeah, I would like to meet him for a while,
and for a while I didn't want to what I
don't know that he's on Instagram.
Speaker 1 (04:53):
Oh, but that would be cool. David Letteran would be cool.
Speaker 2 (04:56):
Steve Martin would be cool, Like if there was a
list of like people that I would like to just
meet and spend time, it's pretty cool and like interview
but whatever you want, that'd be super cool. Hey, thank
you are I feel like I know you guys a
little better. Eddie, the news director of Lunchbox, No Teeth,
Keith Nighttime scary movies, locking all the doors the parts
can't get in.
Speaker 3 (05:13):
No, they mean there's a very loving story from your
friends too.
Speaker 5 (05:16):
Yeah's now that I'm an adult looking back on that, like,
I have to think, like, oh, when my friends start
to have teenage daughters and stuff, am I gonna I
have my own kids. They had their own kids, but
they were taking time to be with me.
Speaker 4 (05:30):
Your mom had a friend in Forrest still does and
Lunchbox well, yeah, my buddy force.
Speaker 1 (05:37):
That's weird.
Speaker 3 (05:37):
That's really weird. Mike. Do you think that let Himan
runs this site. I think it's just as people.
Speaker 1 (05:43):
It's a messaging Okay, message him and I'll be like, hey,
my buddy Bobby wants to meet you.
Speaker 3 (05:48):
That is his mentor.
Speaker 2 (05:49):
Yeah, you're his mentor, and if you set it up,
or I can meet if you set it up and
I meet David Letterman and do an interview with them.
Speaker 1 (05:57):
That's employee Lamark.
Speaker 3 (05:59):
It's five hundred bucks cash. I'm on it. Oh no,
everybody's hopping in.
Speaker 2 (06:07):
If you're the reason I get to fly up to
David lettermantals or whatever it is and generally do whatever
it is wherever it is, I'd be cool we do
a one on one. Then you'll be rewarded handsomely with cash. Wow,
not zoom, not phone, but wherever it is.
Speaker 1 (06:21):
Okay, all right, all right, thank you, David, Yo, yo,
d yo, My Bobby, Bobby, Bobby, my Bobby, my Bobby,
my Bobby.
Speaker 3 (06:31):
Time to open the mail bag.
Speaker 6 (06:32):
You friend the game mail and we breathe it on
the air. We get something we call Bobby's mail bag.
Speaker 3 (06:39):
Yeah, hello, Bobby bones.
Speaker 2 (06:41):
My boyfriend and I are talking about our next stage
of the relationship, which is moving in together. I love
him dearly and can definitely see a future with him.
The problem is his dog is out of control. Each
of us has a dog that are like our children.
My dog is calm, on a schedule, obedient, and completely housebroken.
Speaker 3 (06:58):
His dog is unhinged.
Speaker 2 (07:00):
His dog barks, doesn't mind runs away from you, he
walks around peas on stuff. I've mentioned to my boyfriend
ways to train his dog and threaten to make his
dog wear a doggie diaper. The whole situation reminds me
of lazy parenting. What can I do about the situation.
I love my boyfriend dearly, I like his dog, but
I can't deal with the dog's behavior and lack of training.
The only other thing I can think is to sit
(07:21):
him down, tell him I will not move in together
until his dog is fully housebroken, and put the ball
in his court and the advice is appreciated. Thanks, signed
don't want a problematic pooch, Well you're gonna have a
problematic pooch, and you're gonna have to train the dog
yourself because it is not a priority to him. And
I'm not saying this in a way that it's not
(07:42):
your fault and he shouldn't be able to just come
be like train my dog. But it ain't gonna ge
train unless you train it. I would not hold out
moving in together because of his dog not being trained properly.
There are gonna be times you guys have to take
up a slight for the other person. It ain't fifty
to fifty. Hopefully it equals up all in to somewhere
(08:03):
around now. It's like, you know, but it's eighty twenty
in some places sixty forty ninety ten.
Speaker 5 (08:08):
Depending on the day.
Speaker 2 (08:09):
Absolutely, don't not move in because of the dog.
Speaker 7 (08:14):
Bo.
Speaker 2 (08:15):
When you move in, you'll have to take care of
the dog as far as training it, and you can
do it. You've done it with your other one and
it's worth it. It is worth it because you're not
gonna stay away. My advice is still move in and
just understand he ain't trained to the dog.
Speaker 3 (08:29):
It's gonna be up to you.
Speaker 5 (08:30):
Unless I just hope it's not foreshadowing kids.
Speaker 2 (08:32):
Well, it could be totally. Absolutely, it probably is. That
doesn't mean he's going to be a bad dad. He
has other priorities. It's gonna be a dad because that's
what we do. The kid's kind of lay low, you
know that.
Speaker 4 (08:43):
Yeah, like we're around or present stuff, but we just
lay low, like my wife would take care of all that.
What you're not Seriously, if they're throwing the ball in
the house, like, babe, can you.
Speaker 3 (08:53):
Deal with that? Police, well you just act like you
don't see it. Sometimes it's oh absolutely, I'll just go upstairs.
Speaker 1 (08:57):
Oh, I let them do it. Like I was throwing
the ball in the kitchen the other day and my
wife was like, uh, why are we throwing the ball
in the kitchen. I'm like, well, because I was sitting
here doing something, so it's the best place I can
throw it. And that's and that's what dads do. That's
all I'm saying. Not a big deal.
Speaker 3 (09:09):
So it probably it's foreshadowing, but it's not worth moving me.
Speaker 5 (09:13):
And I'm not like that. I don't work that hard
with my dog, but I work extremely hard with my kids.
So there's still hope.
Speaker 3 (09:20):
We should work hard with your dog. Did Amy so much?
Work harder with your dog.
Speaker 5 (09:25):
I don't know, she's a mess.
Speaker 2 (09:27):
Move in just trying the dog yourself. I know it's unfortunate,
but it'll be worth it. That's my advice.
Speaker 3 (09:31):
Thank you. Close the mail back.
Speaker 6 (09:33):
We got your team mail and were laying it on
your Now let's find the clothes Bobby's mail bag.
Speaker 2 (09:39):
Yeam on the phone, Sarah in Fresno. Sarah, welcome to
the Bobby Bone Show.
Speaker 3 (09:45):
What's going on?
Speaker 7 (09:47):
Hi?
Speaker 8 (09:47):
Thank you, thank you, good morning studio. I am well.
I wanted to give lunch Box an offer. I wasn't
exactly sure what was going on with his car still,
but we have a Lamborghini, might have been had a
Lamborghini for sale, and when the tail is Lunchbox was interested.
Speaker 3 (10:05):
Wow, lunch what year is it?
Speaker 9 (10:06):
Yeah?
Speaker 1 (10:06):
Well year, what's a look like? I mean, miles so much?
What color?
Speaker 8 (10:11):
It's a it's a two thousand and four. It's a
Lamborghini Guyardo. It is a manual, so it's very special.
There's less than five hundred of them.
Speaker 3 (10:23):
Hold on, Lambert, I mean that's the Lamber Lamborghini Glarado.
Speaker 2 (10:26):
It's four point five out of five on car Gurus. Oh,
it's one of those, right, like low real low profile.
Speaker 7 (10:33):
Color?
Speaker 3 (10:33):
Is this black?
Speaker 8 (10:34):
It's black. It's black outside black, RIM's black interior.
Speaker 3 (10:38):
Do the doors go up in the air?
Speaker 8 (10:41):
No, no, no they don't those they don't have this
cut of doors.
Speaker 1 (10:45):
But it goes from zero to sixty and three point
seven seconds of that. Got to get to work on time.
So okay, So, Lunchbox, how much would you get for
this car? I mean how much you're trying to sell for?
Speaker 8 (10:58):
Well, it is a it's a special car, so it
is you know, it's six figures, you know, probably around
one hundred thousand, maybe the one twenty five. So I mean,
if for you we give.
Speaker 1 (11:09):
A deal, how many miles does that have on it?
Speaker 2 (11:12):
Thank you?
Speaker 8 (11:13):
How many miles?
Speaker 3 (11:14):
Is there any chance you buy this? Why you ask
me more question?
Speaker 1 (11:16):
Because look, I look it up online. What is a
two thousand for Lamborghini Glardo worth thirty five thousand dollars?
And she wants to sell to Humber.
Speaker 5 (11:25):
Six said it's a limited edition.
Speaker 1 (11:27):
Only thirty five thousand, thirty five thousand to fifty.
Speaker 3 (11:29):
Are you Kelly blue book?
Speaker 2 (11:30):
He was to say, that's what it says, and she's
trying to she's trying to I see, she sees desperation,
and she's trying to gouge me. I see max speed
one hundred ninety two horsepower four ninety three price if
new one hundred and sixty five thousand dollars.
Speaker 3 (11:44):
But I guess it's not new new two thousand.
Speaker 5 (11:46):
And four, but it's rare.
Speaker 2 (11:50):
You say, the average two thousand four Lamborghini Glardo costs
about one hundred and eight thousand dollars right now? Okay,
so she's not trying to gouge him. And I thought
thirty five thousand's a little low, I'll be honest with you.
That's a really that's what Google said.
Speaker 1 (12:01):
Okay, go ahead, and so you give it to Lunchbox
for one hundred.
Speaker 8 (12:05):
Yeah, So we have to make sure you look up
a gated manual though, because it's not a paddle ship.
Speaker 1 (12:10):
Fore, Oh, here's a gated one. Well, here, I can
get a gated one. How many miles?
Speaker 3 (12:14):
Does you just have a gated manual? Means that in
the hands?
Speaker 1 (12:17):
I don't know. This says gated across the picture ninety
five thousand, So you got to come down. What does
that mean?
Speaker 3 (12:21):
What's gated manual mean?
Speaker 8 (12:22):
It's a sick shift, so it's an actual manual transmission.
It's not a paddle shift transition.
Speaker 3 (12:27):
Okay, it's not a paddleship car. Paddle would be on
the steering wheel. Yes, okay, I got it.
Speaker 1 (12:32):
That's fine.
Speaker 2 (12:33):
That's what that's what's ultimately the same thing. Dude, you
would love this car I'm looking at right now. Any
other questions before you make your decision?
Speaker 1 (12:39):
When can I make it? Can you bring it by
the station so I can do a test drive?
Speaker 8 (12:43):
Well, I mean, we can't bring it by the station
and be kind of a long drive. But you are
more than welcome to fly in the Fresnel and and
then we can show you the car. We've even host
you if you want. But I'm you know, I'd like
to give the opportunity to you before we posted. My
husband just bought another car, so we were going to
post it online and sell it.
Speaker 1 (13:06):
As she told me how many miles. She's avoiding the question,
so I don't know.
Speaker 8 (13:09):
I have to it's in the rug. I have to look.
Speaker 1 (13:11):
I think, how rich are you?
Speaker 8 (13:13):
No?
Speaker 6 (13:14):
Yeah?
Speaker 8 (13:15):
Yeah, no, no, no note at all? Are you interested?
Speaker 2 (13:20):
Yeah?
Speaker 1 (13:20):
Do you take installments?
Speaker 8 (13:22):
I mean I told you we can make a deal a.
Speaker 1 (13:24):
Dollar a day for one hundred thousand days. That's what
I was thinking.
Speaker 3 (13:29):
So are are you interested?
Speaker 1 (13:31):
Man? I don't think I'm gonna be able to go
out to Fresno. If it was in town, I could
look at it. Like if we're closer to fresnough I
could really be serious. I'd be able to test drive it.
Speaker 3 (13:39):
I'll look at it in Monterey in November. I can
just swing by and take a look.
Speaker 1 (13:43):
Would you look under the hood for me?
Speaker 3 (13:44):
I don't know what's under there.
Speaker 1 (13:46):
See that doesn't do any good and you can finally
tell me how many miles are on it?
Speaker 3 (13:50):
Yeah, true, we don't have many miles are on it?
Speaker 8 (13:51):
Yeah, I mean she I don't know, maybe like sixty
sixty thousand maybe.
Speaker 1 (13:55):
Yeah, you're expensive. Right here that has forty seven is
ninety five so and that's in uh Lynnwood, Washington. That's
a little farther.
Speaker 2 (14:05):
All right, Sarah, thank you for thinking of a lunchbox
and your time of need.
Speaker 8 (14:10):
Absolutely absolutely we'll thank you lunchbox. If you change your mind,
they know how to get a hold of me. If
you want pictures or anything, let me know.
Speaker 3 (14:17):
Will you come down?
Speaker 8 (14:18):
Will I? Yeah, I mean I personally will I can't
bring the car?
Speaker 3 (14:22):
Okay, will pass?
Speaker 2 (14:26):
All right, thank you, It's time for the good news lunchbox.
Speaker 1 (14:34):
Oliver Jallis works at the Pick of the Litter thrift
shop in California, and he got a big donation of
clothes and he's going through it. Oh and all of
a sudden, he picks up one shirt and all this
money starts falling out and he's like, whoam And he
counts it up. One hundred, two hundred, one thousand, two thousand,
three thousand, four thousand, five thousand dollars, and he's.
Speaker 3 (14:56):
Like, ooh, cash, just cold hard ca.
Speaker 1 (15:00):
And he's like, what should I do? Should I put
it in my pocket? Keep half for me, half for
the store?
Speaker 7 (15:05):
Oh?
Speaker 1 (15:06):
No? He kept searching through the box. He found an
old car insurance sticker like a receipt, tracked down the
loander and got in the money back.
Speaker 3 (15:14):
Why are you so disappointed?
Speaker 4 (15:15):
Yeah?
Speaker 1 (15:16):
What you want to matter? As the story went and
set it happier. Yeah, they tracked down the woman and
after asking her a few questions, she was able to
get the money back.
Speaker 2 (15:24):
The money was probably safe for something. Yeah, it's amazing
payment for something. What would you have done? Same situation
out of pocket? That's sort all of it, even though
you know it's somebody's savings.
Speaker 1 (15:35):
Yeah, but they obviously didn't want it.
Speaker 3 (15:36):
That's not true. You never misplaced something lost.
Speaker 1 (15:38):
I've never misplaced five thousand dollars.
Speaker 2 (15:40):
I'd guarantee that thousand. But if you had misplaced five hundred.
Speaker 1 (15:44):
Bucks, i'd want it back. But guess guess what. Money's
too important to me. I'm not misplacing it.
Speaker 3 (15:51):
Okay, well, don't put onto someone else.
Speaker 1 (15:53):
You know what I'm saying? Like, if this money is
so important.
Speaker 3 (15:55):
Though that I don't think that's out.
Speaker 5 (15:56):
There could be memory things, There could be like, oh,
I thought you think someone else handled something.
Speaker 3 (16:01):
You wouldn't give you that though at all, any of it.
Speaker 1 (16:03):
No, I mean, it's it's like when I worked at
Sam's and people would leave stuff behind.
Speaker 2 (16:09):
I'm turning different. That's this is an envelope where obviously
it was an accident. Yeah, I'm not. I'm not debating
this with him.
Speaker 3 (16:15):
Eddie, what would you do? Honestly, I think.
Speaker 1 (16:18):
About keeping it, but I would probably give it back.
You're listen, cash, it's cash. You're working at a store,
you're in the back, no one knows it's there.
Speaker 3 (16:27):
Not the point. The point is what do you want?
Speaker 1 (16:29):
You're telling me, you're telling me that's what you know.
And Oliver Jallis couldn't use that five thousand dollars.
Speaker 10 (16:34):
I don't know about Oliver, but I'm pretty sure Oliver
could use it. Anyone can use good John for Oliver,
you're the man, Oliver, thank you. That's what it's all about.
That was telling me something good on the Bobby Bone Show.
Speaker 2 (16:48):
Now, brothersne the new record Brothers Osbourne came out.
Speaker 3 (16:52):
Which is your name obviously.
Speaker 1 (16:55):
Yeah, you haven't done a self titled album yet.
Speaker 9 (16:58):
No, we haven't. I do also think it's really funny
that you know it's a self titled album, but also
how we just simply came about our name. It all
seems very lazy. We're just Brothers Iles Moore an album
Brothers I was born also very self uh maybe indulgent,
and Brothers I was born.
Speaker 1 (17:15):
So why did you name this one? Why was it
self titled?
Speaker 3 (17:19):
On this?
Speaker 9 (17:19):
Well, I mean, you know, since we put out our
last album, Skeletons, you know, John and I have really,
I think, shared about a lot about ourselves, our personal lives,
and even though I feel like we've always been ourselves,
I think there was probably you know, ten twenty percent
of us that was always kind of off limits and
we didn't really speak about. And and now without with
having that those kind of barriers removed, I feel like
(17:40):
it is the first time we're able just to one
openly be ourselves and it's just been such a freeing experience.
But creating music that way, it just made it a
lot more fun. We didn't feel like we had to
have any any bumpers on. We felt like in many
ways it's also kind of the first time this is
completely us.
Speaker 2 (17:58):
So that's a great answer. I like that answer, the
one that's not funny. The other one's funny too, but
that's a good answer. You actually get to be yourselves?
Speaker 7 (18:07):
Yeah, yeah, how about that?
Speaker 2 (18:08):
You know, it's it's like the hardest thing to do
is just to be authentic. You feel like it'd be
the easiest, but because of pressures that we put on
ourselves or other people put on us, Yeah, it's quite difficult, No,
it is.
Speaker 1 (18:20):
You know.
Speaker 9 (18:20):
I always even say like, it's just to find yourself.
It takes a long time. I thing for most people,
if not everyone. I mean, even something as simple as
like am I gonna wear square toed cowboy boots today?
Or you know, are someone going to laugh at me
that I cut my hair this way? It can be
the smallest things that we identify with and it could
be so hard to change them and just truly do
what you want to do. Sadly, but I do feel
that that we were in a place where you feel
(18:41):
that way, and it is it's it's definitely the happiest
we've ever been, but also the happiest I've ever been
making making music.
Speaker 2 (18:48):
Too. You mentioned track one called Brothers Osmore is actually
not as part of the joke, which I thought was
funny too, But track one is actually a song that
I really like called who Says You Can't Have Everything?
Speaker 3 (18:57):
In the new record? Would you guys mind playing that?
Speaker 7 (18:59):
Yeah?
Speaker 1 (18:59):
Absolutely?
Speaker 9 (19:00):
Absolutely, Yeah absolutely, I got to remember how cos.
Speaker 3 (19:05):
I'll take the vocals. You guys just like it.
Speaker 11 (19:07):
I love.
Speaker 3 (19:10):
Brothers Osbourne a studio.
Speaker 1 (19:12):
Yeah, your record it's called Brothers Osborne.
Speaker 2 (19:15):
I'm always interested because you two wrote that with Casey Bethart. Yeah,
so when you get in a room like where does
that idea come from?
Speaker 1 (19:24):
As a part of his personal life? Who brings it?
Can you remember the back?
Speaker 7 (19:27):
Honestly it was It was a title I have. But
it's just like I felt, the best titles just come
out of nowhere. It's when you're mindlessly driving or down
the road, or you're just like taking a shower, you're
doing you're taking the dishes out of the dishwasher, and
that popped in my head. We've written with Casey a bunch.
I mean, the dude's just a freak. And as soon
as that title popped in my head was like, Casey
can crush this, so I sent it the idea directly
(19:47):
to him. So when we showed up in my home
studio in Nashville, it came together so fast. I mean
I had a kind of a bed laid out a
track on the song was two chords the whole time
we had to put a all with.
Speaker 9 (20:00):
More except for the bridge. Sorry, I really left you
out to day.
Speaker 7 (20:02):
That's all right.
Speaker 9 (20:03):
That's actually the first time we've.
Speaker 3 (20:05):
Ever performed song.
Speaker 9 (20:06):
Oh really, yeah it is actually yeah, so yeah, you
can really tell Fleisa to the bridge.
Speaker 7 (20:11):
That was That was me messing that up. That's all right,
the power of editing. And but Casey is just amazing.
I mean he's one of our favorite people. Have you
had him on the show?
Speaker 1 (20:21):
We've had him at the house, Yeah, I've had him
at the house.
Speaker 7 (20:23):
Was one of the best humans.
Speaker 9 (20:25):
He's just a great, great person all around and amazing
and one of our favorite writers. So he's just I mean,
he's such a great person. I feel like he intentionally
doesn't really he likes to keep a low profile. But
he's one of the most prolific songwriters in Nashville.
Speaker 2 (20:35):
Oh yeah, And so it's just a title, and then
do you start talking about stuff like do you get
deeper and don't we turn into a song lyric whise?
Speaker 7 (20:42):
Yeah, definitely. It's you know, it's funny. This this pursuit
of a career in the arts is it's really hard.
It's really tricky. I mean it goes into why we
self titled this album. I mean, you you think you
have to be something when you're here. You got to
be someone else. You're never trying to be yourself. You
always want to be something else. And then if you're
lucky enough and everything pans out the way that you
(21:03):
want it to pan out, you get everything that you wanted.
You realized, oh man, that's actually had it all along.
You know, you have your family, you have like a
little piece of land, you got a roof over your head,
you have the ones you love, you have a guitar
in your house. That is everything, and it's just kind
of like it's the perspective that you have after actually
getting what you want is quite profound. You know. It's
(21:26):
that Jim Carrey quote, I wish everyone could be rich
and famous so they could realize that it has nothing
to do with happiness.
Speaker 2 (21:32):
I was reading an article where they were talking about
really rich people mostly billionaires, and how the depression rate
is so high and even suicides are so high because
once they reached the point of where they thought they
would be super happy and they're not, they feel like
they have nothing.
Speaker 3 (21:47):
To still strive for.
Speaker 2 (21:48):
Yeah, because their goal is to make all this money
and have the status and they get there like, I'm
still not happy, so I guess I'm never going to
be happy.
Speaker 7 (21:54):
And all the way there, you sacrifice so much so
you got it, and all of a sudden you've overlooked
a lot of very important things.
Speaker 9 (22:00):
And I think when you do hit those milestones that
leaves less you're kind of like, well, I have all
to lose at this point. So once you get there,
you're like, well, now I've achieved this, and then now
it's it does feel a little bit like the pressures
get higher, the stakes get higher, and then you're you know,
I think that was a big thing for John's revelations
with his mental health had a lot really to do
(22:21):
with that, which just like once you get there, you're like, oh, no,
this didn't fix anything, and now I have way more
to worry about.
Speaker 7 (22:26):
Oh yeah.
Speaker 5 (22:27):
It's interesting because like from a fans perspective or people
that are just on the outside looking at artists or
actors that have success. Like I saw Macklin. We're talking
about it, like it was the height of his career
and he was just like just want to Grammy or something,
and like everybody was celebrating him and probably thought he
was on the top of the world, and he was like,
literally the lowest I've ever been in my life. Yes,
(22:47):
the like from the outside looking in, everyone's like thinking
in their heads, I wish I could be them. I
mean not everyone, but some people are like I want that.
I wish I could get there. Sure, And so it's
and then internal arts might be like, no, you know.
Speaker 7 (23:01):
It's not all honestly, it's because you just you neglect
the important things in your life, like your mental health,
maybe sleepy and maybe taking care of yourself, and then
you finally get there and all of a sudden, that's
when it all catches up with you, all of it.
It's like, all right, we've been knocking at your door,
now we're coming in. And that's something that happened to me.
Speaker 2 (23:18):
And then it gets to that song who says you
can't have everything I mean, which is the things that
we feel like we're shooting for are probably not the
most important thing. Things were conditioned the most important.
Speaker 3 (23:30):
Yeah.
Speaker 1 (23:31):
On the Bobby Bones Show, now.
Speaker 2 (23:34):
Your record is out. It came out Friday. Here's a
clip of who says you can't have everything? Yeah, you
know a song that you guys have that it's not
on the new record, but yeah, my wife and I
kind of have a playlist. It's probably like one hundred songs,
and it's just kind of like hang out play list
(23:55):
where you don't have to think much but you just
like the music. And she's Oklahoma, so she's a lot
of Turnpike, True Doors, she's Zach Bryan. But you guys
are on the list a lot too. I I don't
remember me people because that I mean that song hits.
I think both of us pretty good. Is that one
of the ones people come up to it and they're like, man,
(24:15):
that's that's like our song, my love song with somebody?
Speaker 9 (24:18):
Yeah, yeah, you know that one of these. We have
another song called Pushing Up Daisies that a lot of
people And in fact, we always like which one of
these do We played it because they're kind of they
occupy the same space, so we're like, which one do
we play and you know, I don't remember me before you.
It was that one was a single and it we
didn't do as well as we had helped. We actually
had high hopes for it, and I was really that
(24:40):
was really kind of a shock to us. One that
didn't do as well, and then we kind of I
think we kind of got like over it. We're like,
you know what, screw the song. And then we stopped
playing it, but.
Speaker 3 (24:48):
We gone from it, like you. We just recently started.
Speaker 9 (24:50):
Playing it again, and I feel like it's because it's
been years since we've played it. People have been you know,
we've been getting a response.
Speaker 3 (24:55):
From anytime it comes on. We started making out the
first note.
Speaker 9 (25:01):
Social media content, everyone's yeah, well that's what you won't
let me post that.
Speaker 1 (25:05):
It's always the best, is what you don't post.
Speaker 7 (25:07):
Just like that you're thinking of us.
Speaker 5 (25:10):
But I always have and now we're all thinking about it.
Speaker 3 (25:14):
Yes, TJ.
Speaker 2 (25:16):
What are you your favorite of all time? What's your
favorite song of all time?
Speaker 9 (25:22):
God, I don't know that.
Speaker 2 (25:25):
Yeah, because I've done it in my head a lot.
I think it also depends on the season. I'll vamp
and give you mine where you think of it? Well,
because I would probably go, John Mayer, stop this train,
because it was the first soul that ever heard that
I felt was talking to me or speaking for me.
Speaker 9 (25:38):
Yeah, I would probably go, what a wonderful world? Probably,
It's such a very overplayed song, and every time I
hear it and I'm with Abby that it just I
feel it so strongly, and I've heard it a million times,
and I'm like, I know everyone's used this as their
wedding song, but I'm like, can we I know it's
(26:00):
not un original, but it makes me cry, like it
makes me so.
Speaker 3 (26:03):
Happy, children cry I watched them grow. Yeah, exactly, and.
Speaker 7 (26:08):
You, honestly, my favorite song that has ever been written
as a songwriter is Night Moves by Bob Seeger. It's
just every line in that song is just absolute perfection.
So whenever anyone asks me, like, what is your favorite
song as a songwriter, that's it. My favorite song is,
just like a fan and listener, is The Way I
Am by Merle Haggard. I hear that song, it just
wrecks me every time.
Speaker 2 (26:29):
Oh yeah, great song, reckon so blue eyes Crying in
the rain, Oh so good?
Speaker 3 (26:33):
Oh yeah you talk about a song that Yeah, it
just wrecks me.
Speaker 1 (26:36):
And it's perfect too.
Speaker 9 (26:38):
You know, something I've been experiencing lately is that he
was abvious from Mexico, so he doesn't know a ton
about American culture. He's learning it. But I always loved
seeing him experience something for the first time with like
a total fresh set of ears, without any preconceived notions
of what it's going to be. And just recently there
was Patsy Klein came on and he was like, who
is this. I'm like, this is Patsy Klain and you know,
(26:59):
didn't know who it was, and he just went in
a deep time. So we've been listened to a lot
of Patsy lately, but it is I love like experiencing
that through him because I'm like, this is really great,
or like Aretha Franklin one time, he's like, who is that?
Oh my god, that's a clean of soul, baby, like
come on, And so I love having that experience and
it makes it fresh for me and I feel like
we get so lost and like what's cool and what
(27:20):
other people like? So we like it and just seeing
that kind of you know, no other opinions attached to
what he's experienced for the first time, it's cool to
cool for me, it's inspiring.
Speaker 2 (27:31):
I have a joke in my stand up that my
wife is twelve years younger than I am, and I'm like,
I get to introduce her to things like in a
time machine so.
Speaker 3 (27:37):
That she's never heard before.
Speaker 2 (27:39):
I'm like, you're never gonna believe it. This guy got
kicked out of Philadelphia. Now he's living with his uncle.
He's like, and then I'll do music. And because again
there's some of the stuff like she doesn't know any
of the nineties alternative stuff.
Speaker 1 (27:50):
Yeah.
Speaker 2 (27:50):
Yeah, but if we're playing cards and I have won
the game before, we listen to like nineties to two
thousand row and even like Raging against the Machine like
that that's not that's really not her jam. But now
it'll come on or you're like closing time, she would
be like, I know this song only from you playing it.
So I get to introduce her to all that. That's
a fun game.
Speaker 1 (28:07):
So I'm like, tickle the little red watch it.
Speaker 3 (28:08):
He'll laugh.
Speaker 9 (28:11):
I always like what happens for me, and this does
actually make me feel old when it happens is I
will be like, oh, this person will give some history
and then he'll be like you've told me this like
every type of all eight times we've heard this song,
you've started with the same intro. I'm like God, I
am my father.
Speaker 2 (28:27):
Patsy Kleine, Willie Nelson right every time, crazy literally all right,
the new record is out. I'm gonna planno the track
real quick, ray Would you play me some of son
ain't even gone down yet from brothers Ospital.
Speaker 9 (28:40):
Second song Sip Water for Tennessee got Leave your Head first,
we were already.
Speaker 3 (28:52):
The record is out. Now here's one more I wanted
to play.
Speaker 2 (28:55):
This is back Home, Bad Lost.
Speaker 11 (29:04):
Up, Bad Bank.
Speaker 2 (29:07):
What's your favorite song on the records? Favorite songs? You
have to pick one, you.
Speaker 1 (29:10):
Know, it's that's really hard.
Speaker 9 (29:11):
I would say probably only because we haven't done anything
like them before, but probably we ain't good at breaking up.
This is a song we did with we wrote with
Miranda and she came and sang on. And then there's
another one called Goodbyees kicking in.
Speaker 6 (29:25):
Uh.
Speaker 9 (29:25):
Those are songs are just kind of very The moods
of those are different than anything we've done before, so
I particularly like those.
Speaker 3 (29:30):
Would you play someone? We and good at breaking up?
Speaker 8 (29:32):
Right good.
Speaker 1 (29:34):
Burson Feather never sing.
Speaker 6 (29:41):
A rap, Perfect.
Speaker 2 (29:44):
Things Records out. It is called Brothers Osborne. Don't be confused.
It's not their first record.
Speaker 5 (29:50):
It's their first record as their true authentic.
Speaker 2 (29:56):
Because first record was Tejanos that go with Polka. Yeah,
and they've been trying to find it.
Speaker 3 (30:01):
You know, they finally found it. I like that, all right.
Speaker 2 (30:04):
Brothers Osbourne Records out now, and you guys go to
the site Brothers Osbourne dot com. Got a you know,
some dates. But imagine are you doing a little less
now that you have kids?
Speaker 7 (30:14):
I wish you're not.
Speaker 1 (30:16):
I wish.
Speaker 7 (30:16):
No, we're touring a lot, and well we do have
four shows coming up in October one here in a
sand but also New York, LA and d C. So
we've got four big shows actually coming out to promote
this record. So go look at them.
Speaker 2 (30:28):
Tickets October fifth, New York, October seventh in Nashville, October
fourteenth in DC. In October twenty second, Los Angeles. Yeah,
good to see you guys.
Speaker 3 (30:36):
There they are brothers.
Speaker 1 (30:41):
There's a voicemail from Kristen in North Carolina.
Speaker 2 (30:44):
I was curious to that Abby's guitar play.
Speaker 8 (30:47):
She was talking about how she wants to play guitar,
but she feels like she can't or she's not fielding up.
And you guys convinced her to spend a certain amount
of time at.
Speaker 2 (30:57):
Least trying to play the guitar. And then she in
and to show how.
Speaker 8 (31:01):
Much she's learned. And I can't remember how long ago
that was or if that's still something in.
Speaker 9 (31:07):
Progress, but you guys can check in on Abby about that.
Speaker 8 (31:10):
I would love to hear.
Speaker 2 (31:12):
So the reason is Abby was coming to open for
me for a couple of shows and she was like,
I don't have a guitar player.
Speaker 3 (31:19):
We were like, okay, cool, but what if.
Speaker 2 (31:22):
You learned to play guitar a little bit, because then
you won't be so tethered to having to have a
person play with you. And she's like uh, And then
she has this song if you missed it, this is
called Hey, They're hometown.
Speaker 11 (31:32):
Hits Tough, You'll always be home.
Speaker 2 (31:38):
And how cool would be if she just played herself,
of course, and not have to worry about somebody else.
I said, just spend a little bit of time each
week just learning, learning, learning, and eventually, before you know it,
you'll be able to play it.
Speaker 5 (31:46):
Abby, where are you in this when's the deadline?
Speaker 3 (31:49):
Again, that's not what I asked.
Speaker 5 (31:51):
It's not going too well.
Speaker 1 (31:53):
It's not trying, but it's not supposed to go well.
It's always hard.
Speaker 5 (31:56):
I know.
Speaker 11 (31:56):
Remember we talked about that article that was like, you know,
even if you play an instrument bad, it's very like
stress reliever.
Speaker 3 (32:02):
It's not stress reliever trying to learn guitar. Do you
have a guitar?
Speaker 5 (32:07):
I do?
Speaker 3 (32:07):
Are you practicing? Yes?
Speaker 11 (32:09):
I need to take it to the store, to the
guitar store and get the string switched out to make
it ring.
Speaker 3 (32:15):
Get in here.
Speaker 1 (32:16):
I can do that right now. Oho, you've got a
room full of musicians here. When's the last time you practiced?
Speaker 3 (32:21):
Elie box Eddie me.
Speaker 5 (32:23):
Happy, I'd say last week.
Speaker 3 (32:25):
Okay, Abby, what I need you to do? Okay, because
here we are, second half of September. I need you
to give it twenty minutes a day.
Speaker 5 (32:34):
Oh, during the show.
Speaker 2 (32:35):
No, you know what if during the show is fine.
If we got to do like a scuba steep.
Speaker 3 (32:38):
Project, it's fine. It's like, okay, twenty minutes a day,
five days a week.
Speaker 2 (32:43):
And then we're September, October, November, right before Thanksgiving.
Speaker 3 (32:47):
We're gonna have a recital.
Speaker 5 (32:48):
Wait what I thought this was six months?
Speaker 3 (32:51):
Oh wait until January. I moved it up.
Speaker 2 (32:54):
I like Thanksgiving, Okay, after the break, abbe, you gotta
practice on twenty minutes a day.
Speaker 3 (32:58):
That's it.
Speaker 1 (33:00):
Practice like e c.
Speaker 2 (33:02):
Those are the ones before he gets the bar courts
g Okay, because I am no Jimmy Hendricks, no one
will confuse me.
Speaker 3 (33:10):
I mean, well, thank you. I'm left hand abatable.
Speaker 2 (33:11):
Yeah, but I went and bought a cord sheet from Walmart,
a poster, and I just took my hands and put
them over those courts and my finger.
Speaker 3 (33:18):
It hurt.
Speaker 1 (33:18):
Is really hard, but nothing worth having is easy, or everybody.
Speaker 3 (33:22):
Will have it.
Speaker 5 (33:23):
That's true.
Speaker 2 (33:24):
Right, So commit for me right now, five days a week,
twenty minutes a day.
Speaker 11 (33:28):
I will commit to that.
Speaker 3 (33:30):
And every day you do it, you put it in
your phone, did it?
Speaker 5 (33:32):
Okay?
Speaker 1 (33:33):
Okay, it just stresses me out.
Speaker 3 (33:35):
Yeah, it's supposed to. It's valuable to you. You should
do it.
Speaker 5 (33:39):
Also. If you keep saying it stresses you out, it's
going to.
Speaker 1 (33:41):
Keep stressing stress you out and give up quick.
Speaker 5 (33:43):
No, just eliminate that part of it.
Speaker 1 (33:45):
You got it, Okay, I've got this.
Speaker 5 (33:47):
Thanks for the.
Speaker 1 (33:51):
Pile of stories.
Speaker 5 (33:52):
So I've got five surprising college courses that parents or
people are actually paying money for.
Speaker 2 (33:59):
Probably these culture courses like Taylor Swift's lyrics.
Speaker 5 (34:02):
Yeah, I got Psychology of Taylor Swift as one of them. Yes,
Harry Styles and the cult of Celebrity. One hundred years
of courting, dating and hooking up on college campuses.
Speaker 3 (34:11):
So here's what they're doing.
Speaker 2 (34:12):
Though they're using sexy titles to actually get you to
go into a class. It's about something much broader and deeper,
like just the idea of celebrity and why people are
drawn to certain things. Like if it's the sociology of fame,
people probably.
Speaker 3 (34:29):
Aren't going to get into that as much as it
is Harry Styles.
Speaker 1 (34:31):
Yeah, and if you get credit, who cares? Yeah, I
mean I took drugs in society. It was awesome, learned
all about different types of drugs.
Speaker 2 (34:39):
I mean, I took bowling chickens in college. Yeah, because
I had to take a pe type class, I had
to take two, so I took bowling and racketball. Bowling
was stupid. We didn't really go. They didn't even care
if you went. You do that to the bowling alley
that's cool. And then racketball is awesome. We had tournaments.
I get to be pretty good a rackaball because I
was obsessed with it for a while. And then Amy
(35:00):
took chicken sects the animal.
Speaker 5 (35:03):
Well, that's just what we called it. It was sort
of like these. I just think that back then maybe
they didn't have the names to get people. As an
animal science class. They but this one professor he taught
it like some of the like this courting dating and
hooking up on college campuses. I'm pretty sure that's what chickens.
I took her, but it was under like a disguise,
like every you knew you were signing up for, like
the fun class, and we called it chicken sex. And
(35:25):
we would go and he would say why you're attracted
to certain people, wrote a whole book on it. I
don't know that people really knew what he was doing. Aliens,
psychics and ghosts. And then Whiskey School.
Speaker 3 (35:35):
Oh my, well, oh I thought you were doing a song. Okay,
go ahead.
Speaker 5 (35:39):
Should adults order from the kids menu?
Speaker 11 (35:44):
Yeah?
Speaker 4 (35:44):
I think they probably can. It's just a smaller amount, sure,
of course, you know. Yeah, and you got a coloring
book or something that'd be cool.
Speaker 3 (35:51):
Yeah.
Speaker 5 (35:51):
Well, there's a girl, Ashley, and she's on TikTok. She's
become kind of the voice of adults who order kids mills.
Speaker 3 (35:59):
That's a voice.
Speaker 5 (36:01):
She's gotten millions of use for her tips and tricks
of ordering kids foods. But Washington posted this whole article
about how it's really tacky for adults to order off
the kids menu and.
Speaker 2 (36:13):
Tak's an opinion, fair, and I will respect that opinion.
Speaker 3 (36:16):
It can be tacky to somebody.
Speaker 2 (36:17):
People think the dollar dances is tacky at weddings, but
I think the dollar antce is fun.
Speaker 3 (36:21):
Is it tacky? Maybe?
Speaker 2 (36:23):
But can you Yeah, And it's just a smaller amount.
So that's what it is. And sometimes you get better
stuff too. Sometimes it's mess restaurant. You want chicken strips,
but you can't get her unless you go to the
kids menu.
Speaker 3 (36:33):
Good for it? Okay.
Speaker 5 (36:34):
So in a new survey, less than a quarter of
gen zers use periods, commas and quotation marks and texts
or on social media, and only a third bother to
proofread any of their messages before sending them. And people
are thinking, like, do these kids even care about proper
spelling anymore? Like does any of it matter, And the
kids are saying, no, it doesn't interesting.
Speaker 2 (36:56):
I don't ever check. I just I type a lot.
You type and sent, just type and said sometimes no
periods or spellings.
Speaker 5 (37:02):
But if you're sending an email to your.
Speaker 2 (37:05):
Boss, sometimes I think I checked, but I didn't. Okay,
it's kind of my thing.
Speaker 5 (37:09):
But are you that loose with it? Like higher ups too,
like say you're emailing New York?
Speaker 3 (37:13):
Yeah, pretty loose. I'm pretty direct. I don't know if
loose is it, but I'm just direct to the point.
Speaker 2 (37:17):
And sometimes there's no pronunciation or no, there's no uh traumas. Yeah,
put punctuation early in the morning, guys, give me a break,
okay with Monday.
Speaker 3 (37:28):
All right, thank you.
Speaker 5 (37:28):
That is maybe that's my file.
Speaker 1 (37:31):
That was Amy's pile of stories.
Speaker 3 (37:33):
It's time for the good news.
Speaker 1 (37:35):
Ready.
Speaker 4 (37:40):
Last week, deputies with a Pierce County, Washington Sheriff's Department,
we're out. They got a call that there was a
dog that was hit by a car. So they go
out there, they call animal control. They can't get out
there fast enough, so they say, well, let's look for
the dog. And they find out that the dog went
down under a roadway. Into a culvert. It was hit
and then it tried to just escape. I guess hide, yeah, really,
And I guess the cold is one of those pipes
(38:00):
that go under the road. So the dogs hear. The
sheriff deputies hear the dogs. They say, okay, dog, come on,
come on, come on, come on, come on.
Speaker 3 (38:07):
Dog's not moving, scared and injured.
Speaker 4 (38:09):
So one of the deputies says, you know what, I'm
just gonna go in and get it.
Speaker 3 (38:11):
And there's bodycam footage of.
Speaker 4 (38:12):
The deputy squeezing in that tiny little pipe reaches for
the dog. Finally, after like thirty minutes, they get the
dog out.
Speaker 3 (38:19):
I love the story.
Speaker 2 (38:21):
I don't like that the dog was hit by a car,
but I love the story that they went and saved
the dog.
Speaker 3 (38:25):
What happened to the dog then?
Speaker 1 (38:26):
So they named the.
Speaker 3 (38:27):
Dog Piper because it was second right.
Speaker 4 (38:29):
So then they're thinking, oh my gosh, this dog needs
emergency surgery. So they call a vet. They say we
can do it, but it's gonna be really expensive. So
they're like, oh my gosh, what do we do? So
the sheriff contacts an organization called People for Animal Care
and Kindness. They say, don't worry about it. We'll take
care of the bill. So Piper got surgery, and now
I just saw the update yesterday. Piper is at a
foster home ready to be Adopted's come.
Speaker 3 (38:53):
That's really good. I love that man. Those stories get me.
Speaker 2 (38:56):
This is the animal ones, man, those are the ones
that really touched the old soul here.
Speaker 3 (39:00):
Yeah, like humans animals.
Speaker 4 (39:02):
Now we're talking Fiber has two colored eyes to a
cute dog that needs to be adopted.
Speaker 3 (39:07):
Great job by those police officers. That is what it's
all about.
Speaker 1 (39:09):
That was telling me something good.
Welcome to Monday Show more than studio.
Speaker 2 (00:13):
All right, you get to know your question today. If
you have to pick one, who is your mentor growing up?
You have to pick one? Who would you say is
your mentor? Was your mentor growing up?
Speaker 3 (00:27):
Hmmm? Do you have an answer? You're holding up like
you have an answer.
Speaker 1 (00:32):
I have a crush. Yeah, I mean my dad was
by I mean, I don't know if he was my
mentor because he's my dad. But you can pick who
whoever you are. It has to be outside your family.
Speaker 2 (00:40):
He doesn't have to be at all. It can for
sure be your day. Who is your mentor growing up?
Speaker 3 (00:45):
Eddie?
Speaker 4 (00:46):
I'm gonna go with my news director. One of my
first job, second job out of high school. He was
his name is Tony Lisakas, and he was the news
director and he would just talk to me about things
and like how to just advance in your job, how
to you know, almost kind of like your stuff show
up on time or whatever, and just you gotta be
respectful to your elders stuff like that. I was just
a young idiot kid and he just like spend a
(01:07):
lot of time with me. And he was probably fifty
years old, six years old. Didn't need to spend time
with a twenty year old dude whatever, And so I
think he was awesome and he was like the man
in the building.
Speaker 2 (01:16):
So I love that. That's cool, lunchbox. He was your
mentor growing up.
Speaker 1 (01:19):
No teeth Keith. He was my former baseball coach, and
he really opened my eyes to like life and just
enjoying it, Like don't worry about saving your money, like
go and spend it, like live your life, and like
you got to have experiences in life, so you can
save all the money you want, but guess what, you
don't get to do anything with it, so you might
(01:39):
as well spend it when you have it. And I
mean he would show me and it just like driving
thirty miles to get a piece of apple pie and
Huddo Texas. I mean, I don't know where you come,
pick me up and be like, hey, let's go, we're
going to get somebody. And we'd drive thirty forty five minutes.
Where are we going?
Speaker 2 (01:55):
Kid?
Speaker 1 (01:55):
Just wait and we sit down at the restaurant and
they were like, how.
Speaker 3 (01:57):
Old are you?
Speaker 1 (02:00):
The eleven? I mean fifty?
Speaker 3 (02:03):
Did he have kids? No?
Speaker 1 (02:06):
And I'd be like, where are we going with cities. No,
he didn't have teeth at all. No, eventually he got dentures,
but he'd keep them in his pocket. Uh uh, didn't
want to stay in them. And so we get to
the restaurant and they're like, oh, you know, what do
you want to eat. I'm like, I don't know, and
he goes, yes, he knows. We'll take two pieces of
apple pie. And I'm like, we drove all this way
for apple pie. Fantastic apple pie. I mean, he just
(02:26):
pulled right off the inner stated in this little restaurant.
I mean, that's he taught me about living nice. But
he wasn'ting to stay over white scary movies with you, right,
he would. He would stay over My parents would go
like out like the parties or whatever, you know, parents'
night out, and he would babysit us and we'd rent
the scariest movies, turn off all the lights, like all
the doors, all the windows, and watch them like he's
(02:46):
the one that introduced me to like Halloween, Freddy Krueger
all that in the dark. Yeah, oh, every light had
to be off under blankets and stuff.
Speaker 3 (02:56):
What do you make you keep secrets? No?
Speaker 1 (02:58):
No secrets?
Speaker 3 (03:00):
All right, Well, we'll move off that amy you.
Speaker 5 (03:02):
So my mom had a few friends that would take
me to lunch and talk to me, and they would
just speaking to me. They took time. Was I still
am connected to them even though my mom's passed away,
which I think is the cool part. Like I remember
looking up to them and taking their advice and them
just really taking time for me. Forrest, Sue, Katie, Susie,
(03:23):
and there, there's there. I still get letters from them,
like even on Mother's Day, Like I got this card
from Forrest and it instantly she knows my mom's gone,
but she wanted to swoop in with some encouragement. And
it's just really special that she had those types of
friends and that they would take that time for me,
and that they still do to this day.
Speaker 3 (03:41):
That's good. Mine is probably do I have to know
because I don't.
Speaker 2 (03:45):
I don't know the person, but I feel like I
probably got more from them because I don't only have anybody.
But I think David lettering without him knowing with my
mentor because that.
Speaker 1 (03:54):
Would yeah, I see that because you were alone all
the time.
Speaker 2 (03:58):
Well, there was just first of all, where I yes,
but that wasn't my point. My point was where I
come from. Nobody does what I do now, and there's
only nobody I could talk to about or even like
nobody graduate high school, my family. So like that was
so motivated, and like David Letterman was he's a goofy.
It was kind of a stand up comic but not really.
But he knew he was doing that in order to
(04:19):
get to other things, which is what I've been doing too.
But I just remember I was like, if this guy
is this irreverent, this goofy, and you got a big
buck tooth, miss it, like I can do it then,
and so I would just like follow, That's the closest
thing I think I have. You need to meet him?
I know, I wish I could. I know I haven't,
but what if it ruins point? At this point, even
if it runed, it wouldn't run it right, Like I'm
(04:41):
I've been in this industry long enough to know that
not everybody's cool, and if he's not cool, that's okay.
So yeah, I would like to meet him for a while,
and for a while I didn't want to what I
don't know that he's on Instagram.
Speaker 1 (04:53):
Oh, but that would be cool. David Letteran would be cool.
Speaker 2 (04:56):
Steve Martin would be cool, Like if there was a
list of like people that I would like to just
meet and spend time, it's pretty cool and like interview
but whatever you want, that'd be super cool. Hey, thank
you are I feel like I know you guys a
little better. Eddie, the news director of Lunchbox, No Teeth,
Keith Nighttime scary movies, locking all the doors the parts
can't get in.
Speaker 3 (05:13):
No, they mean there's a very loving story from your
friends too.
Speaker 5 (05:16):
Yeah's now that I'm an adult looking back on that, like,
I have to think, like, oh, when my friends start
to have teenage daughters and stuff, am I gonna I
have my own kids. They had their own kids, but
they were taking time to be with me.
Speaker 4 (05:30):
Your mom had a friend in Forrest still does and
Lunchbox well, yeah, my buddy force.
Speaker 1 (05:37):
That's weird.
Speaker 3 (05:37):
That's really weird. Mike. Do you think that let Himan
runs this site. I think it's just as people.
Speaker 1 (05:43):
It's a messaging Okay, message him and I'll be like, hey,
my buddy Bobby wants to meet you.
Speaker 3 (05:48):
That is his mentor.
Speaker 2 (05:49):
Yeah, you're his mentor, and if you set it up,
or I can meet if you set it up and
I meet David Letterman and do an interview with them.
Speaker 1 (05:57):
That's employee Lamark.
Speaker 3 (05:59):
It's five hundred bucks cash. I'm on it. Oh no,
everybody's hopping in.
Speaker 2 (06:07):
If you're the reason I get to fly up to
David lettermantals or whatever it is and generally do whatever
it is wherever it is, I'd be cool we do
a one on one. Then you'll be rewarded handsomely with cash. Wow,
not zoom, not phone, but wherever it is.
Speaker 1 (06:21):
Okay, all right, all right, thank you, David, Yo, yo,
d yo, My Bobby, Bobby, Bobby, my Bobby, my Bobby,
my Bobby.
Speaker 3 (06:31):
Time to open the mail bag.
Speaker 6 (06:32):
You friend the game mail and we breathe it on
the air. We get something we call Bobby's mail bag.
Speaker 3 (06:39):
Yeah, hello, Bobby bones.
Speaker 2 (06:41):
My boyfriend and I are talking about our next stage
of the relationship, which is moving in together. I love
him dearly and can definitely see a future with him.
The problem is his dog is out of control. Each
of us has a dog that are like our children.
My dog is calm, on a schedule, obedient, and completely housebroken.
Speaker 3 (06:58):
His dog is unhinged.
Speaker 2 (07:00):
His dog barks, doesn't mind runs away from you, he
walks around peas on stuff. I've mentioned to my boyfriend
ways to train his dog and threaten to make his
dog wear a doggie diaper. The whole situation reminds me
of lazy parenting. What can I do about the situation.
I love my boyfriend dearly, I like his dog, but
I can't deal with the dog's behavior and lack of training.
The only other thing I can think is to sit
(07:21):
him down, tell him I will not move in together
until his dog is fully housebroken, and put the ball
in his court and the advice is appreciated. Thanks, signed
don't want a problematic pooch, Well you're gonna have a
problematic pooch, and you're gonna have to train the dog
yourself because it is not a priority to him. And
I'm not saying this in a way that it's not
(07:42):
your fault and he shouldn't be able to just come
be like train my dog. But it ain't gonna ge
train unless you train it. I would not hold out
moving in together because of his dog not being trained properly.
There are gonna be times you guys have to take
up a slight for the other person. It ain't fifty
to fifty. Hopefully it equals up all in to somewhere
(08:03):
around now. It's like, you know, but it's eighty twenty
in some places sixty forty ninety ten.
Speaker 5 (08:08):
Depending on the day.
Speaker 2 (08:09):
Absolutely, don't not move in because of the dog.
Speaker 7 (08:14):
Bo.
Speaker 2 (08:15):
When you move in, you'll have to take care of
the dog as far as training it, and you can
do it. You've done it with your other one and
it's worth it. It is worth it because you're not
gonna stay away. My advice is still move in and
just understand he ain't trained to the dog.
Speaker 3 (08:29):
It's gonna be up to you.
Speaker 5 (08:30):
Unless I just hope it's not foreshadowing kids.
Speaker 2 (08:32):
Well, it could be totally. Absolutely, it probably is. That
doesn't mean he's going to be a bad dad. He
has other priorities. It's gonna be a dad because that's
what we do. The kid's kind of lay low, you
know that.
Speaker 4 (08:43):
Yeah, like we're around or present stuff, but we just
lay low, like my wife would take care of all that.
What you're not Seriously, if they're throwing the ball in
the house, like, babe, can you.
Speaker 3 (08:53):
Deal with that? Police, well you just act like you
don't see it. Sometimes it's oh absolutely, I'll just go upstairs.
Speaker 1 (08:57):
Oh, I let them do it. Like I was throwing
the ball in the kitchen the other day and my
wife was like, uh, why are we throwing the ball
in the kitchen. I'm like, well, because I was sitting
here doing something, so it's the best place I can
throw it. And that's and that's what dads do. That's
all I'm saying. Not a big deal.
Speaker 3 (09:09):
So it probably it's foreshadowing, but it's not worth moving me.
Speaker 5 (09:13):
And I'm not like that. I don't work that hard
with my dog, but I work extremely hard with my kids.
So there's still hope.
Speaker 3 (09:20):
We should work hard with your dog. Did Amy so much?
Work harder with your dog.
Speaker 5 (09:25):
I don't know, she's a mess.
Speaker 2 (09:27):
Move in just trying the dog yourself. I know it's unfortunate,
but it'll be worth it. That's my advice.
Speaker 3 (09:31):
Thank you. Close the mail back.
Speaker 6 (09:33):
We got your team mail and were laying it on
your Now let's find the clothes Bobby's mail bag.
Speaker 2 (09:39):
Yeam on the phone, Sarah in Fresno. Sarah, welcome to
the Bobby Bone Show.
Speaker 3 (09:45):
What's going on?
Speaker 7 (09:47):
Hi?
Speaker 8 (09:47):
Thank you, thank you, good morning studio. I am well.
I wanted to give lunch Box an offer. I wasn't
exactly sure what was going on with his car still,
but we have a Lamborghini, might have been had a
Lamborghini for sale, and when the tail is Lunchbox was interested.
Speaker 3 (10:05):
Wow, lunch what year is it?
Speaker 9 (10:06):
Yeah?
Speaker 1 (10:06):
Well year, what's a look like? I mean, miles so much?
What color?
Speaker 8 (10:11):
It's a it's a two thousand and four. It's a
Lamborghini Guyardo. It is a manual, so it's very special.
There's less than five hundred of them.
Speaker 3 (10:23):
Hold on, Lambert, I mean that's the Lamber Lamborghini Glarado.
Speaker 2 (10:26):
It's four point five out of five on car Gurus. Oh,
it's one of those, right, like low real low profile.
Speaker 7 (10:33):
Color?
Speaker 3 (10:33):
Is this black?
Speaker 8 (10:34):
It's black. It's black outside black, RIM's black interior.
Speaker 3 (10:38):
Do the doors go up in the air?
Speaker 8 (10:41):
No, no, no they don't those they don't have this
cut of doors.
Speaker 1 (10:45):
But it goes from zero to sixty and three point
seven seconds of that. Got to get to work on time.
So okay, So, Lunchbox, how much would you get for
this car? I mean how much you're trying to sell for?
Speaker 8 (10:58):
Well, it is a it's a special car, so it
is you know, it's six figures, you know, probably around
one hundred thousand, maybe the one twenty five. So I mean,
if for you we give.
Speaker 1 (11:09):
A deal, how many miles does that have on it?
Speaker 2 (11:12):
Thank you?
Speaker 8 (11:13):
How many miles?
Speaker 3 (11:14):
Is there any chance you buy this? Why you ask
me more question?
Speaker 1 (11:16):
Because look, I look it up online. What is a
two thousand for Lamborghini Glardo worth thirty five thousand dollars?
And she wants to sell to Humber.
Speaker 5 (11:25):
Six said it's a limited edition.
Speaker 1 (11:27):
Only thirty five thousand, thirty five thousand to fifty.
Speaker 3 (11:29):
Are you Kelly blue book?
Speaker 2 (11:30):
He was to say, that's what it says, and she's
trying to she's trying to I see, she sees desperation,
and she's trying to gouge me. I see max speed
one hundred ninety two horsepower four ninety three price if
new one hundred and sixty five thousand dollars.
Speaker 3 (11:44):
But I guess it's not new new two thousand.
Speaker 5 (11:46):
And four, but it's rare.
Speaker 2 (11:50):
You say, the average two thousand four Lamborghini Glardo costs
about one hundred and eight thousand dollars right now? Okay,
so she's not trying to gouge him. And I thought
thirty five thousand's a little low, I'll be honest with you.
That's a really that's what Google said.
Speaker 1 (12:01):
Okay, go ahead, and so you give it to Lunchbox
for one hundred.
Speaker 8 (12:05):
Yeah, So we have to make sure you look up
a gated manual though, because it's not a paddle ship.
Speaker 1 (12:10):
Fore, Oh, here's a gated one. Well, here, I can
get a gated one. How many miles?
Speaker 3 (12:14):
Does you just have a gated manual? Means that in
the hands?
Speaker 1 (12:17):
I don't know. This says gated across the picture ninety
five thousand, So you got to come down. What does
that mean?
Speaker 3 (12:21):
What's gated manual mean?
Speaker 8 (12:22):
It's a sick shift, so it's an actual manual transmission.
It's not a paddle shift transition.
Speaker 3 (12:27):
Okay, it's not a paddleship car. Paddle would be on
the steering wheel. Yes, okay, I got it.
Speaker 1 (12:32):
That's fine.
Speaker 2 (12:33):
That's what that's what's ultimately the same thing. Dude, you
would love this car I'm looking at right now. Any
other questions before you make your decision?
Speaker 1 (12:39):
When can I make it? Can you bring it by
the station so I can do a test drive?
Speaker 8 (12:43):
Well, I mean, we can't bring it by the station
and be kind of a long drive. But you are
more than welcome to fly in the Fresnel and and
then we can show you the car. We've even host
you if you want. But I'm you know, I'd like
to give the opportunity to you before we posted. My
husband just bought another car, so we were going to
post it online and sell it.
Speaker 1 (13:06):
As she told me how many miles. She's avoiding the question,
so I don't know.
Speaker 8 (13:09):
I have to it's in the rug. I have to look.
Speaker 1 (13:11):
I think, how rich are you?
Speaker 8 (13:13):
No?
Speaker 6 (13:14):
Yeah?
Speaker 8 (13:15):
Yeah, no, no, no note at all? Are you interested?
Speaker 2 (13:20):
Yeah?
Speaker 1 (13:20):
Do you take installments?
Speaker 8 (13:22):
I mean I told you we can make a deal a.
Speaker 1 (13:24):
Dollar a day for one hundred thousand days. That's what
I was thinking.
Speaker 3 (13:29):
So are are you interested?
Speaker 1 (13:31):
Man? I don't think I'm gonna be able to go
out to Fresno. If it was in town, I could
look at it. Like if we're closer to fresnough I
could really be serious. I'd be able to test drive it.
Speaker 3 (13:39):
I'll look at it in Monterey in November. I can
just swing by and take a look.
Speaker 1 (13:43):
Would you look under the hood for me?
Speaker 3 (13:44):
I don't know what's under there.
Speaker 1 (13:46):
See that doesn't do any good and you can finally
tell me how many miles are on it?
Speaker 3 (13:50):
Yeah, true, we don't have many miles are on it?
Speaker 8 (13:51):
Yeah, I mean she I don't know, maybe like sixty
sixty thousand maybe.
Speaker 1 (13:55):
Yeah, you're expensive. Right here that has forty seven is
ninety five so and that's in uh Lynnwood, Washington. That's
a little farther.
Speaker 2 (14:05):
All right, Sarah, thank you for thinking of a lunchbox
and your time of need.
Speaker 8 (14:10):
Absolutely absolutely we'll thank you lunchbox. If you change your mind,
they know how to get a hold of me. If
you want pictures or anything, let me know.
Speaker 3 (14:17):
Will you come down?
Speaker 8 (14:18):
Will I? Yeah, I mean I personally will I can't
bring the car?
Speaker 3 (14:22):
Okay, will pass?
Speaker 2 (14:26):
All right, thank you, It's time for the good news lunchbox.
Speaker 1 (14:34):
Oliver Jallis works at the Pick of the Litter thrift
shop in California, and he got a big donation of
clothes and he's going through it. Oh and all of
a sudden, he picks up one shirt and all this
money starts falling out and he's like, whoam And he
counts it up. One hundred, two hundred, one thousand, two thousand,
three thousand, four thousand, five thousand dollars, and he's.
Speaker 3 (14:56):
Like, ooh, cash, just cold hard ca.
Speaker 1 (15:00):
And he's like, what should I do? Should I put
it in my pocket? Keep half for me, half for
the store?
Speaker 7 (15:05):
Oh?
Speaker 1 (15:06):
No? He kept searching through the box. He found an
old car insurance sticker like a receipt, tracked down the
loander and got in the money back.
Speaker 3 (15:14):
Why are you so disappointed?
Speaker 4 (15:15):
Yeah?
Speaker 1 (15:16):
What you want to matter? As the story went and
set it happier. Yeah, they tracked down the woman and
after asking her a few questions, she was able to
get the money back.
Speaker 2 (15:24):
The money was probably safe for something. Yeah, it's amazing
payment for something. What would you have done? Same situation
out of pocket? That's sort all of it, even though
you know it's somebody's savings.
Speaker 1 (15:35):
Yeah, but they obviously didn't want it.
Speaker 3 (15:36):
That's not true. You never misplaced something lost.
Speaker 1 (15:38):
I've never misplaced five thousand dollars.
Speaker 2 (15:40):
I'd guarantee that thousand. But if you had misplaced five hundred.
Speaker 1 (15:44):
Bucks, i'd want it back. But guess guess what. Money's
too important to me. I'm not misplacing it.
Speaker 3 (15:51):
Okay, well, don't put onto someone else.
Speaker 1 (15:53):
You know what I'm saying? Like, if this money is
so important.
Speaker 3 (15:55):
Though that I don't think that's out.
Speaker 5 (15:56):
There could be memory things, There could be like, oh,
I thought you think someone else handled something.
Speaker 3 (16:01):
You wouldn't give you that though at all, any of it.
Speaker 1 (16:03):
No, I mean, it's it's like when I worked at
Sam's and people would leave stuff behind.
Speaker 2 (16:09):
I'm turning different. That's this is an envelope where obviously
it was an accident. Yeah, I'm not. I'm not debating
this with him.
Speaker 3 (16:15):
Eddie, what would you do? Honestly, I think.
Speaker 1 (16:18):
About keeping it, but I would probably give it back.
You're listen, cash, it's cash. You're working at a store,
you're in the back, no one knows it's there.
Speaker 3 (16:27):
Not the point. The point is what do you want?
Speaker 1 (16:29):
You're telling me, you're telling me that's what you know.
And Oliver Jallis couldn't use that five thousand dollars.
Speaker 10 (16:34):
I don't know about Oliver, but I'm pretty sure Oliver
could use it. Anyone can use good John for Oliver,
you're the man, Oliver, thank you. That's what it's all about.
That was telling me something good on the Bobby Bone Show.
Speaker 2 (16:48):
Now, brothersne the new record Brothers Osbourne came out.
Speaker 3 (16:52):
Which is your name obviously.
Speaker 1 (16:55):
Yeah, you haven't done a self titled album yet.
Speaker 9 (16:58):
No, we haven't. I do also think it's really funny
that you know it's a self titled album, but also
how we just simply came about our name. It all
seems very lazy. We're just Brothers Iles Moore an album
Brothers I was born also very self uh maybe indulgent,
and Brothers I was born.
Speaker 1 (17:15):
So why did you name this one? Why was it
self titled?
Speaker 3 (17:19):
On this?
Speaker 9 (17:19):
Well, I mean, you know, since we put out our
last album, Skeletons, you know, John and I have really,
I think, shared about a lot about ourselves, our personal lives,
and even though I feel like we've always been ourselves,
I think there was probably you know, ten twenty percent
of us that was always kind of off limits and
we didn't really speak about. And and now without with
having that those kind of barriers removed, I feel like
(17:40):
it is the first time we're able just to one
openly be ourselves and it's just been such a freeing experience.
But creating music that way, it just made it a
lot more fun. We didn't feel like we had to
have any any bumpers on. We felt like in many
ways it's also kind of the first time this is
completely us.
Speaker 2 (17:58):
So that's a great answer. I like that answer, the
one that's not funny. The other one's funny too, but
that's a good answer. You actually get to be yourselves?
Speaker 7 (18:07):
Yeah, yeah, how about that?
Speaker 2 (18:08):
You know, it's it's like the hardest thing to do
is just to be authentic. You feel like it'd be
the easiest, but because of pressures that we put on
ourselves or other people put on us, Yeah, it's quite difficult, No,
it is.
Speaker 1 (18:20):
You know.
Speaker 9 (18:20):
I always even say like, it's just to find yourself.
It takes a long time. I thing for most people,
if not everyone. I mean, even something as simple as
like am I gonna wear square toed cowboy boots today?
Or you know, are someone going to laugh at me
that I cut my hair this way? It can be
the smallest things that we identify with and it could
be so hard to change them and just truly do
what you want to do. Sadly, but I do feel
that that we were in a place where you feel
(18:41):
that way, and it is it's it's definitely the happiest
we've ever been, but also the happiest I've ever been
making making music.
Speaker 2 (18:48):
Too. You mentioned track one called Brothers Osmore is actually
not as part of the joke, which I thought was
funny too, But track one is actually a song that
I really like called who Says You Can't Have Everything?
Speaker 3 (18:57):
In the new record? Would you guys mind playing that?
Speaker 7 (18:59):
Yeah?
Speaker 1 (18:59):
Absolutely?
Speaker 9 (19:00):
Absolutely, Yeah absolutely, I got to remember how cos.
Speaker 3 (19:05):
I'll take the vocals. You guys just like it.
Speaker 11 (19:07):
I love.
Speaker 3 (19:10):
Brothers Osbourne a studio.
Speaker 1 (19:12):
Yeah, your record it's called Brothers Osborne.
Speaker 2 (19:15):
I'm always interested because you two wrote that with Casey Bethart. Yeah,
so when you get in a room like where does
that idea come from?
Speaker 1 (19:24):
As a part of his personal life? Who brings it?
Can you remember the back?
Speaker 7 (19:27):
Honestly it was It was a title I have. But
it's just like I felt, the best titles just come
out of nowhere. It's when you're mindlessly driving or down
the road, or you're just like taking a shower, you're
doing you're taking the dishes out of the dishwasher, and
that popped in my head. We've written with Casey a bunch.
I mean, the dude's just a freak. And as soon
as that title popped in my head was like, Casey
can crush this, so I sent it the idea directly
(19:47):
to him. So when we showed up in my home
studio in Nashville, it came together so fast. I mean
I had a kind of a bed laid out a
track on the song was two chords the whole time
we had to put a all with.
Speaker 9 (20:00):
More except for the bridge. Sorry, I really left you
out to day.
Speaker 7 (20:02):
That's all right.
Speaker 9 (20:03):
That's actually the first time we've.
Speaker 3 (20:05):
Ever performed song.
Speaker 9 (20:06):
Oh really, yeah it is actually yeah, so yeah, you
can really tell Fleisa to the bridge.
Speaker 7 (20:11):
That was That was me messing that up. That's all right,
the power of editing. And but Casey is just amazing.
I mean he's one of our favorite people. Have you
had him on the show?
Speaker 1 (20:21):
We've had him at the house, Yeah, I've had him
at the house.
Speaker 7 (20:23):
Was one of the best humans.
Speaker 9 (20:25):
He's just a great, great person all around and amazing
and one of our favorite writers. So he's just I mean,
he's such a great person. I feel like he intentionally
doesn't really he likes to keep a low profile. But
he's one of the most prolific songwriters in Nashville.
Speaker 2 (20:35):
Oh yeah, And so it's just a title, and then
do you start talking about stuff like do you get
deeper and don't we turn into a song lyric whise?
Speaker 7 (20:42):
Yeah, definitely. It's you know, it's funny. This this pursuit
of a career in the arts is it's really hard.
It's really tricky. I mean it goes into why we
self titled this album. I mean, you you think you
have to be something when you're here. You got to
be someone else. You're never trying to be yourself. You
always want to be something else. And then if you're
lucky enough and everything pans out the way that you
(21:03):
want it to pan out, you get everything that you wanted.
You realized, oh man, that's actually had it all along.
You know, you have your family, you have like a
little piece of land, you got a roof over your head,
you have the ones you love, you have a guitar
in your house. That is everything, and it's just kind
of like it's the perspective that you have after actually
getting what you want is quite profound. You know. It's
(21:26):
that Jim Carrey quote, I wish everyone could be rich
and famous so they could realize that it has nothing
to do with happiness.
Speaker 2 (21:32):
I was reading an article where they were talking about
really rich people mostly billionaires, and how the depression rate
is so high and even suicides are so high because
once they reached the point of where they thought they
would be super happy and they're not, they feel like
they have nothing.
Speaker 3 (21:47):
To still strive for.
Speaker 2 (21:48):
Yeah, because their goal is to make all this money
and have the status and they get there like, I'm
still not happy, so I guess I'm never going to
be happy.
Speaker 7 (21:54):
And all the way there, you sacrifice so much so
you got it, and all of a sudden you've overlooked
a lot of very important things.
Speaker 9 (22:00):
And I think when you do hit those milestones that
leaves less you're kind of like, well, I have all
to lose at this point. So once you get there,
you're like, well, now I've achieved this, and then now
it's it does feel a little bit like the pressures
get higher, the stakes get higher, and then you're you know,
I think that was a big thing for John's revelations
with his mental health had a lot really to do
(22:21):
with that, which just like once you get there, you're like, oh, no,
this didn't fix anything, and now I have way more
to worry about.
Speaker 7 (22:26):
Oh yeah.
Speaker 5 (22:27):
It's interesting because like from a fans perspective or people
that are just on the outside looking at artists or
actors that have success. Like I saw Macklin. We're talking
about it, like it was the height of his career
and he was just like just want to Grammy or something,
and like everybody was celebrating him and probably thought he
was on the top of the world, and he was like,
literally the lowest I've ever been in my life. Yes,
(22:47):
the like from the outside looking in, everyone's like thinking
in their heads, I wish I could be them. I
mean not everyone, but some people are like I want that.
I wish I could get there. Sure, And so it's
and then internal arts might be like, no, you know.
Speaker 7 (23:01):
It's not all honestly, it's because you just you neglect
the important things in your life, like your mental health,
maybe sleepy and maybe taking care of yourself, and then
you finally get there and all of a sudden, that's
when it all catches up with you, all of it.
It's like, all right, we've been knocking at your door,
now we're coming in. And that's something that happened to me.
Speaker 2 (23:18):
And then it gets to that song who says you
can't have everything I mean, which is the things that
we feel like we're shooting for are probably not the
most important thing. Things were conditioned the most important.
Speaker 3 (23:30):
Yeah.
Speaker 1 (23:31):
On the Bobby Bones Show, now.
Speaker 2 (23:34):
Your record is out. It came out Friday. Here's a
clip of who says you can't have everything? Yeah, you
know a song that you guys have that it's not
on the new record, but yeah, my wife and I
kind of have a playlist. It's probably like one hundred songs,
and it's just kind of like hang out play list
(23:55):
where you don't have to think much but you just
like the music. And she's Oklahoma, so she's a lot
of Turnpike, True Doors, she's Zach Bryan. But you guys
are on the list a lot too. I I don't
remember me people because that I mean that song hits.
I think both of us pretty good. Is that one
of the ones people come up to it and they're like, man,
(24:15):
that's that's like our song, my love song with somebody?
Speaker 9 (24:18):
Yeah, yeah, you know that one of these. We have
another song called Pushing Up Daisies that a lot of
people And in fact, we always like which one of
these do We played it because they're kind of they
occupy the same space, so we're like, which one do
we play and you know, I don't remember me before you.
It was that one was a single and it we
didn't do as well as we had helped. We actually
had high hopes for it, and I was really that
(24:40):
was really kind of a shock to us. One that
didn't do as well, and then we kind of I
think we kind of got like over it. We're like,
you know what, screw the song. And then we stopped
playing it, but.
Speaker 3 (24:48):
We gone from it, like you. We just recently started.
Speaker 9 (24:50):
Playing it again, and I feel like it's because it's
been years since we've played it. People have been you know,
we've been getting a response.
Speaker 3 (24:55):
From anytime it comes on. We started making out the
first note.
Speaker 9 (25:01):
Social media content, everyone's yeah, well that's what you won't
let me post that.
Speaker 1 (25:05):
It's always the best, is what you don't post.
Speaker 7 (25:07):
Just like that you're thinking of us.
Speaker 5 (25:10):
But I always have and now we're all thinking about it.
Speaker 3 (25:14):
Yes, TJ.
Speaker 2 (25:16):
What are you your favorite of all time? What's your
favorite song of all time?
Speaker 9 (25:22):
God, I don't know that.
Speaker 2 (25:25):
Yeah, because I've done it in my head a lot.
I think it also depends on the season. I'll vamp
and give you mine where you think of it? Well,
because I would probably go, John Mayer, stop this train,
because it was the first soul that ever heard that
I felt was talking to me or speaking for me.
Speaker 9 (25:38):
Yeah, I would probably go, what a wonderful world? Probably,
It's such a very overplayed song, and every time I
hear it and I'm with Abby that it just I
feel it so strongly, and I've heard it a million times,
and I'm like, I know everyone's used this as their
wedding song, but I'm like, can we I know it's
(26:00):
not un original, but it makes me cry, like it
makes me so.
Speaker 3 (26:03):
Happy, children cry I watched them grow. Yeah, exactly, and.
Speaker 7 (26:08):
You, honestly, my favorite song that has ever been written
as a songwriter is Night Moves by Bob Seeger. It's
just every line in that song is just absolute perfection.
So whenever anyone asks me, like, what is your favorite
song as a songwriter, that's it. My favorite song is,
just like a fan and listener, is The Way I
Am by Merle Haggard. I hear that song, it just
wrecks me every time.
Speaker 2 (26:29):
Oh yeah, great song, reckon so blue eyes Crying in
the rain, Oh so good?
Speaker 3 (26:33):
Oh yeah you talk about a song that Yeah, it
just wrecks me.
Speaker 1 (26:36):
And it's perfect too.
Speaker 9 (26:38):
You know, something I've been experiencing lately is that he
was abvious from Mexico, so he doesn't know a ton
about American culture. He's learning it. But I always loved
seeing him experience something for the first time with like
a total fresh set of ears, without any preconceived notions
of what it's going to be. And just recently there
was Patsy Klein came on and he was like, who
is this. I'm like, this is Patsy Klain and you know,
(26:59):
didn't know who it was, and he just went in
a deep time. So we've been listened to a lot
of Patsy lately, but it is I love like experiencing
that through him because I'm like, this is really great,
or like Aretha Franklin one time, he's like, who is that?
Oh my god, that's a clean of soul, baby, like
come on, And so I love having that experience and
it makes it fresh for me and I feel like
we get so lost and like what's cool and what
(27:20):
other people like? So we like it and just seeing
that kind of you know, no other opinions attached to
what he's experienced for the first time, it's cool to
cool for me, it's inspiring.
Speaker 2 (27:31):
I have a joke in my stand up that my
wife is twelve years younger than I am, and I'm like,
I get to introduce her to things like in a
time machine so.
Speaker 3 (27:37):
That she's never heard before.
Speaker 2 (27:39):
I'm like, you're never gonna believe it. This guy got
kicked out of Philadelphia. Now he's living with his uncle.
He's like, and then I'll do music. And because again
there's some of the stuff like she doesn't know any
of the nineties alternative stuff.
Speaker 1 (27:50):
Yeah.
Speaker 2 (27:50):
Yeah, but if we're playing cards and I have won
the game before, we listen to like nineties to two
thousand row and even like Raging against the Machine like
that that's not that's really not her jam. But now
it'll come on or you're like closing time, she would
be like, I know this song only from you playing it.
So I get to introduce her to all that. That's
a fun game.
Speaker 1 (28:07):
So I'm like, tickle the little red watch it.
Speaker 3 (28:08):
He'll laugh.
Speaker 9 (28:11):
I always like what happens for me, and this does
actually make me feel old when it happens is I
will be like, oh, this person will give some history
and then he'll be like you've told me this like
every type of all eight times we've heard this song,
you've started with the same intro. I'm like God, I
am my father.
Speaker 2 (28:27):
Patsy Kleine, Willie Nelson right every time, crazy literally all right,
the new record is out. I'm gonna planno the track
real quick, ray Would you play me some of son
ain't even gone down yet from brothers Ospital.
Speaker 9 (28:40):
Second song Sip Water for Tennessee got Leave your Head first,
we were already.
Speaker 3 (28:52):
The record is out. Now here's one more I wanted
to play.
Speaker 2 (28:55):
This is back Home, Bad Lost.
Speaker 11 (29:04):
Up, Bad Bank.
Speaker 2 (29:07):
What's your favorite song on the records? Favorite songs? You
have to pick one, you.
Speaker 1 (29:10):
Know, it's that's really hard.
Speaker 9 (29:11):
I would say probably only because we haven't done anything
like them before, but probably we ain't good at breaking up.
This is a song we did with we wrote with
Miranda and she came and sang on. And then there's
another one called Goodbyees kicking in.
Speaker 6 (29:25):
Uh.
Speaker 9 (29:25):
Those are songs are just kind of very The moods
of those are different than anything we've done before, so
I particularly like those.
Speaker 3 (29:30):
Would you play someone? We and good at breaking up?
Speaker 8 (29:32):
Right good.
Speaker 1 (29:34):
Burson Feather never sing.
Speaker 6 (29:41):
A rap, Perfect.
Speaker 2 (29:44):
Things Records out. It is called Brothers Osborne. Don't be confused.
It's not their first record.
Speaker 5 (29:50):
It's their first record as their true authentic.
Speaker 2 (29:56):
Because first record was Tejanos that go with Polka. Yeah,
and they've been trying to find it.
Speaker 3 (30:01):
You know, they finally found it. I like that, all right.
Speaker 2 (30:04):
Brothers Osbourne Records out now, and you guys go to
the site Brothers Osbourne dot com. Got a you know,
some dates. But imagine are you doing a little less
now that you have kids?
Speaker 7 (30:14):
I wish you're not.
Speaker 1 (30:16):
I wish.
Speaker 7 (30:16):
No, we're touring a lot, and well we do have
four shows coming up in October one here in a
sand but also New York, LA and d C. So
we've got four big shows actually coming out to promote
this record. So go look at them.
Speaker 2 (30:28):
Tickets October fifth, New York, October seventh in Nashville, October
fourteenth in DC. In October twenty second, Los Angeles. Yeah,
good to see you guys.
Speaker 3 (30:36):
There they are brothers.
Speaker 1 (30:41):
There's a voicemail from Kristen in North Carolina.
Speaker 2 (30:44):
I was curious to that Abby's guitar play.
Speaker 8 (30:47):
She was talking about how she wants to play guitar,
but she feels like she can't or she's not fielding up.
And you guys convinced her to spend a certain amount
of time at.
Speaker 2 (30:57):
Least trying to play the guitar. And then she in
and to show how.
Speaker 8 (31:01):
Much she's learned. And I can't remember how long ago
that was or if that's still something in.
Speaker 9 (31:07):
Progress, but you guys can check in on Abby about that.
Speaker 8 (31:10):
I would love to hear.
Speaker 2 (31:12):
So the reason is Abby was coming to open for
me for a couple of shows and she was like,
I don't have a guitar player.
Speaker 3 (31:19):
We were like, okay, cool, but what if.
Speaker 2 (31:22):
You learned to play guitar a little bit, because then
you won't be so tethered to having to have a
person play with you. And she's like uh, And then
she has this song if you missed it, this is
called Hey, They're hometown.
Speaker 11 (31:32):
Hits Tough, You'll always be home.
Speaker 2 (31:38):
And how cool would be if she just played herself,
of course, and not have to worry about somebody else.
I said, just spend a little bit of time each
week just learning, learning, learning, and eventually, before you know it,
you'll be able to play it.
Speaker 5 (31:46):
Abby, where are you in this when's the deadline?
Speaker 3 (31:49):
Again, that's not what I asked.
Speaker 5 (31:51):
It's not going too well.
Speaker 1 (31:53):
It's not trying, but it's not supposed to go well.
It's always hard.
Speaker 5 (31:56):
I know.
Speaker 11 (31:56):
Remember we talked about that article that was like, you know,
even if you play an instrument bad, it's very like
stress reliever.
Speaker 3 (32:02):
It's not stress reliever trying to learn guitar. Do you
have a guitar?
Speaker 5 (32:07):
I do?
Speaker 3 (32:07):
Are you practicing? Yes?
Speaker 11 (32:09):
I need to take it to the store, to the
guitar store and get the string switched out to make
it ring.
Speaker 3 (32:15):
Get in here.
Speaker 1 (32:16):
I can do that right now. Oho, you've got a
room full of musicians here. When's the last time you practiced?
Speaker 3 (32:21):
Elie box Eddie me.
Speaker 5 (32:23):
Happy, I'd say last week.
Speaker 3 (32:25):
Okay, Abby, what I need you to do? Okay, because
here we are, second half of September. I need you
to give it twenty minutes a day.
Speaker 5 (32:34):
Oh, during the show.
Speaker 2 (32:35):
No, you know what if during the show is fine.
If we got to do like a scuba steep.
Speaker 3 (32:38):
Project, it's fine. It's like, okay, twenty minutes a day,
five days a week.
Speaker 2 (32:43):
And then we're September, October, November, right before Thanksgiving.
Speaker 3 (32:47):
We're gonna have a recital.
Speaker 5 (32:48):
Wait what I thought this was six months?
Speaker 3 (32:51):
Oh wait until January. I moved it up.
Speaker 2 (32:54):
I like Thanksgiving, Okay, after the break, abbe, you gotta
practice on twenty minutes a day.
Speaker 3 (32:58):
That's it.
Speaker 1 (33:00):
Practice like e c.
Speaker 2 (33:02):
Those are the ones before he gets the bar courts
g Okay, because I am no Jimmy Hendricks, no one
will confuse me.
Speaker 3 (33:10):
I mean, well, thank you. I'm left hand abatable.
Speaker 2 (33:11):
Yeah, but I went and bought a cord sheet from Walmart,
a poster, and I just took my hands and put
them over those courts and my finger.
Speaker 3 (33:18):
It hurt.
Speaker 1 (33:18):
Is really hard, but nothing worth having is easy, or everybody.
Speaker 3 (33:22):
Will have it.
Speaker 5 (33:23):
That's true.
Speaker 2 (33:24):
Right, So commit for me right now, five days a week,
twenty minutes a day.
Speaker 11 (33:28):
I will commit to that.
Speaker 3 (33:30):
And every day you do it, you put it in
your phone, did it?
Speaker 5 (33:32):
Okay?
Speaker 1 (33:33):
Okay, it just stresses me out.
Speaker 3 (33:35):
Yeah, it's supposed to. It's valuable to you. You should
do it.
Speaker 5 (33:39):
Also. If you keep saying it stresses you out, it's
going to.
Speaker 1 (33:41):
Keep stressing stress you out and give up quick.
Speaker 5 (33:43):
No, just eliminate that part of it.
Speaker 1 (33:45):
You got it, Okay, I've got this.
Speaker 5 (33:47):
Thanks for the.
Speaker 1 (33:51):
Pile of stories.
Speaker 5 (33:52):
So I've got five surprising college courses that parents or
people are actually paying money for.
Speaker 2 (33:59):
Probably these culture courses like Taylor Swift's lyrics.
Speaker 5 (34:02):
Yeah, I got Psychology of Taylor Swift as one of them. Yes,
Harry Styles and the cult of Celebrity. One hundred years
of courting, dating and hooking up on college campuses.
Speaker 3 (34:11):
So here's what they're doing.
Speaker 2 (34:12):
Though they're using sexy titles to actually get you to
go into a class. It's about something much broader and deeper,
like just the idea of celebrity and why people are
drawn to certain things. Like if it's the sociology of fame,
people probably.
Speaker 3 (34:29):
Aren't going to get into that as much as it
is Harry Styles.
Speaker 1 (34:31):
Yeah, and if you get credit, who cares? Yeah, I
mean I took drugs in society. It was awesome, learned
all about different types of drugs.
Speaker 2 (34:39):
I mean, I took bowling chickens in college. Yeah, because
I had to take a pe type class, I had
to take two, so I took bowling and racketball. Bowling
was stupid. We didn't really go. They didn't even care
if you went. You do that to the bowling alley
that's cool. And then racketball is awesome. We had tournaments.
I get to be pretty good a rackaball because I
was obsessed with it for a while. And then Amy
(35:00):
took chicken sects the animal.
Speaker 5 (35:03):
Well, that's just what we called it. It was sort
of like these. I just think that back then maybe
they didn't have the names to get people. As an
animal science class. They but this one professor he taught
it like some of the like this courting dating and
hooking up on college campuses. I'm pretty sure that's what chickens.
I took her, but it was under like a disguise,
like every you knew you were signing up for, like
the fun class, and we called it chicken sex. And
(35:25):
we would go and he would say why you're attracted
to certain people, wrote a whole book on it. I
don't know that people really knew what he was doing. Aliens,
psychics and ghosts. And then Whiskey School.
Speaker 3 (35:35):
Oh my, well, oh I thought you were doing a song. Okay,
go ahead.
Speaker 5 (35:39):
Should adults order from the kids menu?
Speaker 11 (35:44):
Yeah?
Speaker 4 (35:44):
I think they probably can. It's just a smaller amount, sure,
of course, you know. Yeah, and you got a coloring
book or something that'd be cool.
Speaker 3 (35:51):
Yeah.
Speaker 5 (35:51):
Well, there's a girl, Ashley, and she's on TikTok. She's
become kind of the voice of adults who order kids mills.
Speaker 3 (35:59):
That's a voice.
Speaker 5 (36:01):
She's gotten millions of use for her tips and tricks
of ordering kids foods. But Washington posted this whole article
about how it's really tacky for adults to order off
the kids menu and.
Speaker 2 (36:13):
Tak's an opinion, fair, and I will respect that opinion.
Speaker 3 (36:16):
It can be tacky to somebody.
Speaker 2 (36:17):
People think the dollar dances is tacky at weddings, but
I think the dollar antce is fun.
Speaker 3 (36:21):
Is it tacky? Maybe?
Speaker 2 (36:23):
But can you Yeah, And it's just a smaller amount.
So that's what it is. And sometimes you get better
stuff too. Sometimes it's mess restaurant. You want chicken strips,
but you can't get her unless you go to the
kids menu.
Speaker 3 (36:33):
Good for it? Okay.
Speaker 5 (36:34):
So in a new survey, less than a quarter of
gen zers use periods, commas and quotation marks and texts
or on social media, and only a third bother to
proofread any of their messages before sending them. And people
are thinking, like, do these kids even care about proper
spelling anymore? Like does any of it matter, And the
kids are saying, no, it doesn't interesting.
Speaker 2 (36:56):
I don't ever check. I just I type a lot.
You type and sent, just type and said sometimes no
periods or spellings.
Speaker 5 (37:02):
But if you're sending an email to your.
Speaker 2 (37:05):
Boss, sometimes I think I checked, but I didn't. Okay,
it's kind of my thing.
Speaker 5 (37:09):
But are you that loose with it? Like higher ups too,
like say you're emailing New York?
Speaker 3 (37:13):
Yeah, pretty loose. I'm pretty direct. I don't know if
loose is it, but I'm just direct to the point.
Speaker 2 (37:17):
And sometimes there's no pronunciation or no, there's no uh traumas. Yeah,
put punctuation early in the morning, guys, give me a break,
okay with Monday.
Speaker 3 (37:28):
All right, thank you.
Speaker 5 (37:28):
That is maybe that's my file.
Speaker 1 (37:31):
That was Amy's pile of stories.
Speaker 3 (37:33):
It's time for the good news.
Speaker 1 (37:35):
Ready.
Speaker 4 (37:40):
Last week, deputies with a Pierce County, Washington Sheriff's Department,
we're out. They got a call that there was a
dog that was hit by a car. So they go
out there, they call animal control. They can't get out
there fast enough, so they say, well, let's look for
the dog. And they find out that the dog went
down under a roadway. Into a culvert. It was hit
and then it tried to just escape. I guess hide, yeah, really,
And I guess the cold is one of those pipes
(38:00):
that go under the road. So the dogs hear. The
sheriff deputies hear the dogs. They say, okay, dog, come on,
come on, come on, come on, come on.
Speaker 3 (38:07):
Dog's not moving, scared and injured.
Speaker 4 (38:09):
So one of the deputies says, you know what, I'm
just gonna go in and get it.
Speaker 3 (38:11):
And there's bodycam footage of.
Speaker 4 (38:12):
The deputy squeezing in that tiny little pipe reaches for
the dog. Finally, after like thirty minutes, they get the
dog out.
Speaker 3 (38:19):
I love the story.
Speaker 2 (38:21):
I don't like that the dog was hit by a car,
but I love the story that they went and saved
the dog.
Speaker 3 (38:25):
What happened to the dog then?
Speaker 1 (38:26):
So they named the.
Speaker 3 (38:27):
Dog Piper because it was second right.
Speaker 4 (38:29):
So then they're thinking, oh my gosh, this dog needs
emergency surgery. So they call a vet. They say we
can do it, but it's gonna be really expensive. So
they're like, oh my gosh, what do we do? So
the sheriff contacts an organization called People for Animal Care
and Kindness. They say, don't worry about it. We'll take
care of the bill. So Piper got surgery, and now
I just saw the update yesterday. Piper is at a
foster home ready to be Adopted's come.
Speaker 3 (38:53):
That's really good. I love that man. Those stories get me.
Speaker 2 (38:56):
This is the animal ones, man, those are the ones
that really touched the old soul here.
Speaker 3 (39:00):
Yeah, like humans animals.
Speaker 4 (39:02):
Now we're talking Fiber has two colored eyes to a
cute dog that needs to be adopted.
Speaker 3 (39:07):
Great job by those police officers. That is what it's
all about.
Speaker 1 (39:09):
That was telling me something good.
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Amy Brown
Lunchbox
Eddie Garcia
Morgan Huelsman
Raymundo
Mike D
Abby Anderson
Scuba Steve
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