(Mon Full Show) Brothers Osborne Is On Talking About How Their New Record Is The Truest Version Of Themselves, What Their Favorite Songs Are & More + Show Talks To Harold That Needs Kidney From Amy’s Billboard + Something Crazy Happened At Bobby's Show

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Welcome to Monday Show more than studio. All right, you
get to know your question today. If you have to
pick one, who is your mentor growing up? You have
to pick one? Who would you say is your mentor?
Was your mentor growing up?

Speaker 2 (00:27):
Hmmm? Do you have an answer? You're holding up like
you have an answer.

Speaker 1 (00:32):
I have a crush.

Speaker 3 (00:33):
Yeah, I mean my dad was by I mean, I
don't know if he was my mentor because he's my dad.

Speaker 1 (00:37):
But you can pick who whoever you are. It has
to be outside your family. He doesn't have to be
at all. It can for sure be your day. Who
is your mentor growing up?

Speaker 4 (00:45):
Eddie? I'm gonna go with my news director. One of
my first job, second job out of high school. He
was his name is Tony Lisakas, and he was the
news director and he would just talk to me about
things and like how to just advance in your job,
how to you know, almost kind of like your stuff
show up on time or whatever, and just you gotta
be respectful to your elders stuff like that. I was
just a young idiot kid and he just like spend

(01:07):
a lot of time with me. And he was probably
fifty years old, six years old. Didn't need to spend
time with a twenty year old dude whatever, And so
I think he was awesome and he was like the
man in the building.

Speaker 1 (01:16):
So I love that. That's cool, lunchbox. He was your
mentor growing up. No teeth Keith.

Speaker 3 (01:21):
He was my former baseball coach, and he really opened
my eyes to like life and just enjoying it, Like
don't worry about saving your money, like go and spend it,
like live your life, and like you got to have
experiences in life, so you can save all the money
you want, but guess what, you don't get to do
anything with it, so you might as well.

Speaker 4 (01:40):
Spend it when you have it.

Speaker 3 (01:41):
And I mean he would show me and it just
like driving thirty miles to get a piece of apple
pie and Huddo Texas. I mean, I don't know where
you come, pick me up and be like, hey, let's go,
we're going to get somebody. And we'd drive thirty forty
five minutes. Where are we going?

Speaker 4 (01:55):
Kid?

Speaker 1 (01:55):
Just wait and we sit down at the restaurant and
they were like, how old are you? Eleven?

Speaker 4 (02:02):
I mean fifty?

Speaker 2 (02:03):
Did he have kids? No?

Speaker 1 (02:04):
No?

Speaker 3 (02:06):
And I'd be like, where are we going with cities. No,
he didn't have teeth at all. No, eventually he got dentures,
but he'd keep them in his pocket, huh.

Speaker 1 (02:13):
Didn't want to stay in them.

Speaker 3 (02:15):
And so we get to the restaurant and they're like, oh,
you know, what do you want to eat. I'm like,
I don't know, and he goes, yes, he knows. We'll
take two pieces of apple pie. And I'm like, we
drove all this way for apple pie. Fantastic apple pie.
I mean, he just pulled right off the inner stated
in this little restaurant. I mean, that's he taught me
about living nice. But he wasn'ting to stay over white
scary movies with you.

Speaker 4 (02:33):
Right, he would.

Speaker 3 (02:34):
He would stay over My parents would go like out
like the parties or whatever, you know, parents' night out,
and he would babysit us and we'd rent the scariest movies,
turn off all the lights, like all the doors, all
the windows.

Speaker 1 (02:45):
And watch them like.

Speaker 3 (02:46):
He's the one that introduced me to like Halloween, Freddy
Krueger all that in the dark.

Speaker 1 (02:52):
Yeah, oh, every light had to be off.

Speaker 4 (02:54):
Under blankets and stuff.

Speaker 2 (02:56):
What do you make you keep secrets?

Speaker 4 (02:57):
No? No secrets?

Speaker 2 (03:00):
All right, Well, we'll move off that amy you.

Speaker 5 (03:02):
So my mom had a few friends that would take
me to lunch and talk to me, and they would
just speaking to me. They took time. Was I still
am connected to them even though my mom's passed away,
which I think is the cool part. Like I remember
looking up to them and taking their advice and them
just really taking time for me. Forrest, Sue, Katie, Susie,

(03:23):
and there, there's there. I still get letters from them,
like even on Mother's Day, Like I got this card
from Forrest and it instantly she knows my mom's gone,
but she wanted to swoop in with some encouragement. And
it's just really special that she had those types of
friends and that they would take that time for me,
and that they still do to this day.

Speaker 2 (03:41):
That's good.

Speaker 1 (03:43):
Mine is probably do I have to know because I don't.
I don't know the person, but I feel like I
probably got more from them because I don't only have anybody.
But I think David lettering without him knowing with my
mentor because that would yeah, I see that because you
were alone all the time. Well, there was just first
of all, where I yes, but that wasn't my point.

(04:03):
My point was where I come from. Nobody does what
I do now, and there's only nobody I could talk
to about or even like nobody graduate high school, my family.
So like that was so motivated, and like David Letterman
was he's a goofy. It was kind of a stand
up comic but not really. But he knew he was
doing that in order to get to other things, which
is what I've been doing too. But I just remember
I was like, if this guy is this irreverent, this goofy,

(04:24):
and you got a big buck tooth, miss it, like
I can do it then, and so I would just
like follow, That's the closest thing I think I have.
You need to meet him? I know, I wish I could.
I know I haven't, but what if it ruins point?
At this point, even if it runed, it wouldn't run
it right, Like I'm I've been in this industry long
enough to know that not everybody's cool, and if he's

(04:45):
not cool, that's okay. So yeah, I would like to
meet him for a while, and for a while I
didn't want to what I don't know that he's on Instagram. Oh,
but that would be cool. David Letteran would be cool.
Steve Martin would be cool, Like if there was a
list of like people that I would like to just
meet and spend time, it's pretty cool and like interview
but whatever you want, that'd be super cool. Hey, thank
you are I feel like I know you guys a

(05:06):
little better. Eddie, the news director of Lunchbox, No Teeth,
Keith Nighttime scary movies, locking all the doors the parts
can't get in. No, they mean there's a very loving
story from your friends too.

Speaker 6 (05:16):
Yeah.

Speaker 5 (05:17):
Mom's now that I'm an adult looking back on that, like,
I have to think, like, oh, when my friends start
to have teenage daughters and stuff, am I gonna I
have my own kids. They had their own kids, but
they were taking time to be with me.

Speaker 4 (05:30):
Your mom had a friend in Forrest still does and
Lunchbox well, yeah, my buddy force. That's weird. That's really weird.

Speaker 7 (05:38):
Mike.

Speaker 1 (05:39):
Do you think that let Himan runs this site. I
think it's just as people. It's a messaging Okay, message
him and I'll be like, Hey, my buddy Bobby wants
to meet you.

Speaker 2 (05:48):
That is his mentor.

Speaker 1 (05:49):
Yeah, you're his mentor, and if you set it up,
or I can meet if you set it up and
I meet David Letterman and do an interview with them.

Speaker 4 (05:57):
That's employee Lamark.

Speaker 1 (05:59):
It's five hundred bucks cash.

Speaker 4 (06:02):
I'm on it.

Speaker 2 (06:04):
Oh no, everybody's hopping in.

Speaker 1 (06:07):
If you're the reason I get to fly up to
David lettermantals or whatever it is and generally do whatever
it is wherever it is, I'd be cool we do
a one on one. Then you'll be rewarded handsomely with cash. Wow,
not zoom, not phone, but wherever it is.

Speaker 2 (06:21):
Okay, all right, all right, thank you.

Speaker 3 (06:23):
David, Yo yo, d yo, My Bobby, Bobby, Bobby, my Bobby,
my Bobby, my Bobby.

Speaker 2 (06:31):
Time to open the mail bag.

Speaker 8 (06:33):
Friendly game mail and we breathe in all the air
to get something we call Bobby's mail bag.

Speaker 2 (06:39):
Yeah, hello, Bobby bones.

Speaker 1 (06:41):
My boyfriend and I are talking about our next stage
of the relationship, which is moving in together. I love
him dearly and can definitely see a future with him.
The problem is his dog is out of control. Each
of us has a dog that are like our children.
My dog is calm, on a schedule, obedient, and completely housebroken.
His dog is unhinged. His dog barks, doesn't mind runs

(07:01):
away from you. He walks around peas on stuff. I've
mentioned to my boyfriend ways to train his dog and
threaten to make his dog wear a doggie diaper. The
whole situation reminds me of lazy parenting. What can I
do about the situation. I love my boyfriend dearly, I
like his dog, but I can't deal with the dog's
behavior and lack of training. The only other thing I
can think is to sit him down, tell him I

(07:21):
will not move in together until his dog is fully housebroken,
and put the ball on his court and the advice
is appreciated. Thanks, signed don't want a problematic pooch, Well
you're gonna have a problematic pooch and you're gonna have
to train the dog yourself because it is not a
priority to him. And I'm not saying this in a
way that it's not your fault and he shouldn't be

(07:44):
able to just come be like train my dog. But
it ain't gonna ge train unless you train it. I
would not hold out moving in together because of his
dog not being trained properly. There are gonna be times
you guys have to take up a slight for the
other person. It ain't fifty to fifty. Hopefully it equals
up all in to somewhere around now. It's like, you know,

(08:05):
but it's eighty twenty in some places sixty forty ninety ten.

Speaker 5 (08:08):
Depending on the day.

Speaker 1 (08:09):
Absolutely, don't not move in because of the dog.

Speaker 9 (08:14):
Bo.

Speaker 1 (08:15):
When you move in, you'll have to take care of
the dog as far as training it, and you can
do it. You've done it with your other one and
it's worth it. It is worth it because you're not
gonna stay away. My advice is still move in and
just understand he ain't trained to the dog.

Speaker 2 (08:29):
It's gonna be up to you.

Speaker 5 (08:30):
Unless I just hope it's not foreshadowing kids.

Speaker 1 (08:32):
Well, it could be totally. Absolutely, it probably is. That
doesn't mean he's going to be a bad dad. He
has other priorities. It's gonna be a dad because that's
what we do. Kid's kind of lay low, you know that.

Speaker 4 (08:43):
Yeah, Like we're around our present stuff, but we just
lay low, like my wife would take care of all that.
What you're seriously, if they're throwing the ball in the house, like, babe,
can you deal with that?

Speaker 1 (08:53):
Police, well you just act like you don't see it.
Sometimes it's oh, absolutely, I'll just go upstairs. Oh, I
let them do it.

Speaker 3 (08:58):
Like I was throwing the ball in the kitchen the
other day and my wife was like, uh, why.

Speaker 4 (09:01):
Are we throwing the ball in the kitchen.

Speaker 3 (09:02):
I'm like, well, because I was sitting here doing something,
so it's the best place I can throw it.

Speaker 4 (09:06):
And that's and that's what dads do. That's all I'm saying.

Speaker 1 (09:08):
Not a big deal.

Speaker 2 (09:09):
So it probably it's foreshadowing, but it's not worth moving me.

Speaker 5 (09:13):
And I'm not like that. I don't work that hard
with my dog, but I work extremely hard with my kids.
So there's still hope.

Speaker 2 (09:20):
We should work hard with your dog. Did Amy so much?
Work harder with your dog.

Speaker 5 (09:25):
I don't know, she's a mess.

Speaker 1 (09:27):
Move in just trying the dog yourself. I know it's unfortunate,
but it'll be worth it. That's my advice.

Speaker 2 (09:31):
Thank you. Close the mail back.

Speaker 8 (09:33):
We got your team mail and we laying it on her.

Speaker 4 (09:36):
Now let's find the close Bobby's mail bag.

Speaker 1 (09:39):
Yeam on the phone, Sarah in Fresno. Sarah, welcome to
the Bobby Bone Show.

Speaker 2 (09:45):
What's going on?

Speaker 10 (09:47):
Hi?

Speaker 11 (09:47):
Thank you, thank you, good morning studio. I am well.
I wanted to give lunch Box an offer I wasn't
exactly sure what was going on with his car still,
but we have a Lamborghini, might have been had a
Lamborghini for sale. And when the tail is Lunchbox is interested.

Speaker 2 (10:05):
Wow, lunch what year is it?

Speaker 7 (10:06):
Yeah?

Speaker 1 (10:06):
Well year, what's a look like? I mean, miles so much?

Speaker 4 (10:09):
What color?

Speaker 11 (10:11):
It's a it's a two thousand and four. It's a
Lamborghini Guyardo. It is a manual, so it's very special.
There's less than five hundred of them.

Speaker 1 (10:23):
Hold on, Lambert, I mean that's the Lamber Lamborghini Glado. Yeah,
it's four point five out of five on car Gurus. Oh,
it's one of those, right, like low real low profile.

Speaker 12 (10:33):
Color?

Speaker 2 (10:33):
Is this black?

Speaker 6 (10:34):
It's black.

Speaker 11 (10:35):
It's black outside black, RIM's black interior.

Speaker 2 (10:38):
Do the doors go up in the air?

Speaker 11 (10:41):
No, no, no they don't those they don't have this
cut of doors.

Speaker 3 (10:45):
But it goes from zero to sixty and three point
seven seconds of that.

Speaker 1 (10:51):
Got to get to work on time. So okay, So, Lunchbox,
how much would you get for this car? I mean,
how much you're trying to sell for?

Speaker 11 (10:58):
Well, it is a it's a special car, so it
is you know, it's six figures, you know, probably around
one hundred thousand, maybe the one twenty five. So I mean,
if for you we give a deal.

Speaker 4 (11:10):
How many miles does that have on it?

Speaker 1 (11:12):
Thank you?

Speaker 6 (11:13):
How many miles?

Speaker 2 (11:14):
Is there any chance you buy this? Why you ask
me more question?

Speaker 1 (11:16):
Because look, I look it up online.

Speaker 3 (11:18):
What is a two thousand for Lamborghini Glardo worth thirty
five thousand dollars?

Speaker 1 (11:24):
And she wants to sell to.

Speaker 5 (11:24):
Humber six said it's a limited edition.

Speaker 1 (11:27):
Only thirty five thousand, thirty five thousand to fifty are you.

Speaker 5 (11:30):
Kelly blue book?

Speaker 1 (11:30):
He was to say, that's what it says, and she's
trying to she's trying to I see, she sees desperation,
and she's trying to gouge me. I see max speed
one hundred ninety two horsepower four ninety three price if
new one hundred and sixty five thousand dollars.

Speaker 2 (11:44):
But I guess it's not new new two thousand.

Speaker 5 (11:46):
And four, but it's rare.

Speaker 1 (11:50):
You say, the average two thousand four Lamborghini Gilardo costs
about one hundred and eight thousand dollars right now?

Speaker 5 (11:55):
Okay, so she's.

Speaker 1 (11:56):
Not trying to gouge him. And I thought thirty five
thousand's a little low. I'll be honest with you. That's
a really that's what Google said. Okay, go ahead, and
so you give it to Lunchbox for one hundred.

Speaker 11 (12:05):
Yeah, so we have to make sure you look up
a gated manual though, because it's not a paddle ship.

Speaker 3 (12:10):
Fore, Oh, here's a gated one. Well, here I can
get a gated one. How many miles?

Speaker 1 (12:14):
Does you just have a gated manual? Means that in
the hands?

Speaker 4 (12:17):
I don't know.

Speaker 3 (12:17):
This says gated across the picture ninety five thousand. So
you're going to come down?

Speaker 4 (12:20):
What does that mean?

Speaker 2 (12:21):
What's gated manual mean?

Speaker 11 (12:22):
It's a sick shift, so it's an actual manual transmission.
It's not a paddle shift transition.

Speaker 8 (12:27):
Okay, it's not a paddleship car.

Speaker 2 (12:28):
Paddle would be on the steering wheel. Yes, okay, I
got it.

Speaker 4 (12:32):
That's fine.

Speaker 1 (12:33):
That's what that's what's ultimately the same thing. Dude, you
would love this car I'm looking at right now. Any
other questions before you make your decision?

Speaker 4 (12:39):
When can I make it?

Speaker 1 (12:40):
Can you bring it by the station so I can
do a test drive?

Speaker 11 (12:43):
Well, I mean, we can't bring it by the station
and be kind of a long drive. But you are
more than welcome to fly in the Fresnel and and
then we can show you the car.

Speaker 6 (12:54):
We've even host you if you want.

Speaker 11 (12:56):
But I'm you know, I'd like to give the opportunity
to you before we posted. My husband just bought another car,
so we were going to post it online and sell it.

Speaker 1 (13:06):
As she told me how many miles. She's avoiding the question,
so I don't know.

Speaker 10 (13:09):
I have to it's in the rug.

Speaker 11 (13:11):
I have to look.

Speaker 13 (13:11):
I think.

Speaker 4 (13:12):
How rich?

Speaker 5 (13:13):
Are you?

Speaker 10 (13:13):
No?

Speaker 12 (13:14):
Yeah?

Speaker 11 (13:15):
Yeah, no, no, no note at all? Are you interested?

Speaker 1 (13:20):
Yeah? Do you take installments?

Speaker 11 (13:22):
I mean I told you we can make a deal a.

Speaker 1 (13:24):
Dollar a day for one hundred thousand days. That's what
I was thinking.

Speaker 2 (13:29):
So are are you interested?

Speaker 1 (13:31):
Man? I don't think I'm gonna be able to go
out to Fresno. If it was in town, I could
look at it.

Speaker 3 (13:34):
Like if we're closer to fresnough I could really be serious.

Speaker 1 (13:38):
I'd be able to test drive it. I'll look at
it in Monterey in November. I can just swing by and.

Speaker 2 (13:42):
Take a look.

Speaker 1 (13:43):
Would you look under the hood for me?

Speaker 2 (13:44):
I don't know what's under there.

Speaker 3 (13:46):
See that doesn't do any good and you can finally
tell me how many miles are on it?

Speaker 5 (13:50):
Yeah.

Speaker 2 (13:50):
True, we don't have many miles are on it?

Speaker 11 (13:51):
Yeah, I mean she I don't know, maybe like sixty
sixty thousand maybe.

Speaker 1 (13:55):
Yeah, you're expensive.

Speaker 3 (13:57):
Right here that has forty seven is ninety five so
and that's in uh Lynnwood, Washington.

Speaker 4 (14:02):
That's a little farther.

Speaker 1 (14:05):
All right, Sarah, thank you for thinking of a lunchbox
and your time of need.

Speaker 11 (14:10):
Absolutely absolutely we'll thank you lunchbox. If you change your mind,
they know how to get a hold of me if
you want pictures or anything, and let me know.

Speaker 2 (14:17):
Will you come down will I?

Speaker 11 (14:19):
Yeah, I mean I personally will I can't bring the car?

Speaker 4 (14:22):
Okay, will pass?

Speaker 2 (14:26):
All right, thank you.

Speaker 1 (14:27):
It's time for the good news lunchbox.

Speaker 3 (14:34):
Oliver Jallis works at the Pick of the Litter thrift
shop in California, and he got a big donation of
clothes and he's going through it. Oh and all of
a sudden, he picks up one shirt and all this
money starts falling out and he's like, whoam And.

Speaker 1 (14:46):
He counts it up.

Speaker 3 (14:48):
One hundred, two hundred, one thousand, two thousand, three thousand,
four thousand, five thousand, dollars, and he's.

Speaker 1 (14:56):
Like, ooh, cash, just cold hard ca. And he's like,
what should I do?

Speaker 4 (15:02):
Should I put it.

Speaker 1 (15:02):
In my pocket? Keep half for me? Half for the store?

Speaker 4 (15:05):
Oh? No?

Speaker 3 (15:06):
He kept searching through the box. He found an old
car insurance sticker like a receipt.

Speaker 1 (15:12):
Tracked down the loaner and got in the money back.

Speaker 2 (15:14):
Why are you so disappointed?

Speaker 1 (15:15):
Yeah? What you want to matter? As the story went
and set it happier.

Speaker 3 (15:19):
Yeah, they tracked down the woman and after asking her
a few questions, she was able to get.

Speaker 1 (15:23):
The money back. The money was probably safe for something. Yeah,
it's amazing payment for something. What would you have done?
Same situation out of pocket? That starts all of it,
even though you know it's somebody's savings. Yeah, but they
obviously didn't want it.

Speaker 2 (15:36):
That's not true. You never misplaced something lost.

Speaker 1 (15:38):
I've never misplaced five thousand dollars. I'd guarantee that thousand.
But if you had misplaced five hundred.

Speaker 4 (15:44):
Bucks, i'd want it back.

Speaker 3 (15:46):
But guess guess what. Money's too important to me. I'm
not misplacing it.

Speaker 1 (15:51):
Okay, well, don't put onto someone else, you know what
I'm saying, Like, if this money is so important.

Speaker 2 (15:55):
Though that I don't think that's out.

Speaker 5 (15:56):
There could be memory things, there could be like, oh,
I thought you think someone else handled something.

Speaker 2 (16:01):
You wouldn't give you that though at all, any of it.

Speaker 3 (16:03):
No, I mean, it's it's like when I worked at
Sam's and people would leave stuff behind.

Speaker 1 (16:09):
I'm turning different. That's this is an envelope where obviously
it was an accident. Yeah, I'm not. I'm not debating
this with him.

Speaker 2 (16:15):
Eddie, what would you do?

Speaker 4 (16:16):
Honestly, I think about keeping it, but I would probably
give it back.

Speaker 1 (16:21):
Listen, cash, it's cash.

Speaker 3 (16:24):
You're working at a store, you're in the back, no
one knows it's there.

Speaker 2 (16:27):
Not the point. The point is what do you want?

Speaker 1 (16:29):
You're telling me, you're telling me that's what you know.

Speaker 3 (16:32):
And Oliver Jallis couldn't use that five thousand dollars.

Speaker 1 (16:34):
I don't know about Oliver, but I'm pretty sure Oliver
could use it.

Speaker 2 (16:37):
Anyone can use Good job for Oliver. You're the man, Oliver.

Speaker 7 (16:40):
Thank you.

Speaker 2 (16:41):
That's what it's all about.

Speaker 1 (16:42):
That was telling me something good on the Bobby Bones Show.

Speaker 12 (16:46):
Now Brothers, the.

Speaker 1 (16:48):
New record Brothers Osbourne came out, which is your name? Obviously, Yeah,
you haven't done a self titled album yet.

Speaker 7 (16:56):
No, we haven't.

Speaker 14 (16:57):
I do also think it's really funny that you know
it's a self titled album, but also how we just
simply came about our name. It all seems very lazy.
We're just brothers Iles Moore an album Brothers I was
born also very self.

Speaker 7 (17:07):
Uh maybe indulgent, and Brothers I was born.

Speaker 1 (17:13):
So why did you name this one? Why was it
self titled?

Speaker 2 (17:17):
On this?

Speaker 12 (17:17):
Well?

Speaker 14 (17:17):
I mean, you know, since we put out our last album, Skeletons,
you know, John and I have really, I think, shared
about a lot about ourselves, our personal lives, and even
though I feel like we've always been ourselves, I think
there was probably you know, ten twenty percent of us
that was always kind of off limits and we didn't
really speak about. And and now without with having that
those kind of barriers removed, I feel like it is

(17:39):
the first time we're able just to one openly be
ourselves and it's just been such a freeing experience. But
creating music that way, it just made it a lot
more fun. We didn't feel like we had to have
any any bumpers on. We felt like in many ways,
it's also kind of the first time. This is completely us.

Speaker 1 (17:56):
So that's a great answer. I like that answer, the
one that's not funny. The other one's funny too, but
that's a good answer. You actually get to be yourselves?

Speaker 7 (18:05):
Yeah, yeah, how about that?

Speaker 1 (18:07):
You know, it's it's like the hardest thing to do
is just to be authentic. You feel like it'd be
the easiest, but because of pressures that we put on
ourselves or other people put on us, Yeah, it's quite difficult.

Speaker 7 (18:17):
No, it is, you know.

Speaker 14 (18:18):
I always even say like it's just to find yourself.
It takes a long some of thing for most people,
if not everyone. I mean, even something as simple as
like am I gonna wear square toed cowboy boots today?
Or you know, are someone going to laugh at me
that I cut my hair this way? It can be
the smallest things that we identify with and it could
be so hard to change them and just truly do
what you want to do. Sadly, but I do feel
that that we were in a place where you feel

(18:39):
that way, and it is it's it's definitely the happiest
we've ever been, but also the happiest I've ever been
making making music too.

Speaker 1 (18:47):
You mentioned track one called Brothers Osmore is actually not
as part of the joke, which I thought was funny too,
But track one is actually a song that I really
like called who Says You Can't Have Everything?

Speaker 2 (18:55):
In the new record? Would you guys mind playing that?

Speaker 7 (18:57):
Yeah?

Speaker 14 (18:57):
Absolutely? Absolutely, Yeah, absolutely. I got to remember how.

Speaker 2 (19:02):
Cos I'll take the vocals. You guys just like it.

Speaker 5 (19:05):
I love go.

Speaker 2 (19:08):
Brothers Osbourne a studio.

Speaker 1 (19:10):
Yeah, your record it's called Brothers Osborne. I'm always interested
because you two wrote that with Casey Bethard. Yeah, so
when you get in a room like where does that
idea come from? As a part of his personal life?
Who brings it? Can you remember the back?

Speaker 9 (19:25):
Honestly, it was a title I have, But it's just
like I felt, the best titles just come out of nowhere.
It's when you're mindlessly driving or down the road, or
you're just like taking a shower, you're doing you're taking
the dishes out of the dishwasher, and that popped in
my head.

Speaker 7 (19:37):
We've written with Casey a bunch. I mean, the dude's
just a freak.

Speaker 9 (19:40):
And as soon as that title popped in my head
was like, Casey can crush this, So I sent it
the idea directly to him. So when we showed up
in my home studio in Nashville, it came together so fast.
I mean I had a kind of a bed laid
out a track on the song was two chords the
whole time. We had to put a solo with more
cords than Sorry they left you out to day.

Speaker 7 (20:00):
That's all right. That's actually the first time we've ever
performed the song.

Speaker 14 (20:04):
Oh really, yeah, it is actually yeah, so yeah, you
can really tell Fleisa to the bridge that was That
was me messing that up.

Speaker 9 (20:11):
That's all right, the power of editing. And but Casey
is just amazing. I mean, he's one of our favorite people.
Have you had him on the show?

Speaker 1 (20:19):
We've had him at the house, Yeah, I've had him
at the house.

Speaker 7 (20:21):
Was one of the best humans.

Speaker 14 (20:23):
He's just a great, great person all around and amazing
and one of our favorite writers. So he's just I mean,
he's such a great person. I feel like he intentionally
doesn't really he likes to keep a low profile, but
he's one of the most prolific songwriters in Nashville.

Speaker 1 (20:33):
Oh yeah, And so it's just a title, and then
do you start talking about stuff like do you get
deeper and oh, don't turn into a song lyric whise.

Speaker 9 (20:41):
Yeah, definitely. It's you know, it's funny. This this pursuit
of a career in the arts is it's really hard.
It's really tricky. I mean it goes into why we
self titled this album. I mean, you you think you
have to be something when you're here, You got to
be someone else. You're never trying to be yourself. You
always want to be something else. And then if you're
lucky enough and everything pans out the way that you

(21:01):
want it to pan out, you get everything that you wanted.
You realized, oh man, that's actually had it all along.
You know, you have your family, you have like a
little piece of land, you got a roof over your head,
you have the ones you love, you have a.

Speaker 7 (21:14):
Guitar in your house. That is everything, and.

Speaker 9 (21:17):
It's just kind of like it's the perspective that you
have after actually getting what you want is quite profound.

Speaker 7 (21:24):
You know.

Speaker 9 (21:24):
It's that Jim Carrey quote. I wish everyone could be
rich and famous so they could realize that it has
nothing to do with happiness.

Speaker 1 (21:30):
I was reading an article where they were talking about
really rich people, mostly billionaires, and how the depression rate
is so high and even suicides are so high because
once they reached the point of where they thought they
would be super happy and they're not, they feel like
they have nothing.

Speaker 2 (21:45):
To still strive for.

Speaker 1 (21:46):
Yeah, because their goal is to make all this money
and had the status and they get there like, I'm
still not happy, so I guess I'm never going to
be happy.

Speaker 9 (21:52):
And all the way there, you sacrifice so much so
you got it, and all of a sudden you've overlooked
a lot of very important things.

Speaker 14 (21:58):
And I think when you do hit those milestones leaves less,
you're kind of like, well, I have all to lose
at this point. So once you get there, you're like, well,
now I've achieved this, and then now it's it does
feel a little bit like the pressures get higher, the
stakes get higher, and then you're you know, I think
that was a big thing for John's revelations with his
mental health had a lot really to do with that,

(22:19):
which just like once you get there, you're like, oh, no,
this didn't fix anything, and now I have way more
to worry about.

Speaker 7 (22:24):
Oh yeah.

Speaker 5 (22:25):
It's interesting because like from a fans perspective or people
that are just on the outside looking at artists or
actors that have success, Like I saw Mackelmo. We're talking
about it, like it was the height of his career
and he was just like just want to grammy or something,
and like everybody was celebrating him and probably thought he
was on the top of the world, and he was like,
literally the lowest I've ever been in my life. Yes,

(22:46):
but like from the outside looking in, everyone's like thinking
in their heads, I wish I could be them. I
mean not everyone, but some people are like I want that.
I wish I could get there. Sure, And so it's
and then internally an artist might be like, no, you know,
it's all.

Speaker 9 (23:00):
Oh, honestly, it's because you just you neglect the important
things in your life, like your mental health, maybe sleepy
and maybe taking care of yourself, and then you finally
get there and all of a sudden, that's when it
all catches up with you, all of it. It's like,
all right, we've been knocking at your door, now we're
coming in. And that's something that happened to me.

Speaker 1 (23:16):
And then it gets to that song who says you
can't have everything I mean, which is the things that
we feel like we're shooting for are probably not the
most important thing. Things we're conditioned the most important.

Speaker 2 (23:28):
Yeah, on the Bobby Bone Show.

Speaker 1 (23:32):
Now new record is out. It came out Friday. Here's
a clip of who says you can't have everything?

Speaker 12 (23:44):
Man?

Speaker 1 (23:45):
Yeah, you know a song that you guys have that
it's not on the new record, but yeah, my wife
and I kind of have a playlist. It's probably like
one hundred songs, and it's just kind of like hang
out playlists where you don't have to think much but
you just like the music. And she's Oklahoma, so she's
a lot of Turnpike true, or she's Zach Bryan. But
you guys are on the list a lot too. I

(24:07):
I don't remember me people because that I mean that
song hits I think both of us pretty good. Is
that one of the ones people come up to it
and they're like, man, that's that's like our song, my
love song with somebody?

Speaker 7 (24:18):
Yeah, yeah, you know that one of these.

Speaker 14 (24:20):
We have another song called Pushing Up Daisies that a
lot of people And in fact, we always liked which
one note these do? We played it because they're kind
of they occupy the same space, so we're like, which
one do we play and you know, I don't remember
me before you. It was that one was a single
and it we didn't do as well as we had helped.
We actually had high hopes for it, and I was
really that was really kind of a shock to us

(24:41):
when that didn't do as well, and then we kind of,
I think we kind of got like over it. We're like,
you know what, screw the song, and then we stopped
playing it from that, Like you, we just recently started
playing it again, and I feel like it's because it's
been years since we've played it. People have been you know,
we've been getting a response.

Speaker 1 (24:55):
From anytime it comes on. We start making it out immediately.
The first note.

Speaker 7 (25:01):
Social media content. Everyone, Yeah, well.

Speaker 1 (25:03):
That's so much you want let me post that.

Speaker 2 (25:05):
It's always the best? Is what you don't.

Speaker 7 (25:06):
Post like you're thinking of us?

Speaker 2 (25:10):
But I always have.

Speaker 5 (25:12):
And now we're all thinking, yes, TJ, what are you
your favorite.

Speaker 2 (25:19):
Of all time? What's your favorite song of all time?

Speaker 1 (25:22):
I don't know that, yeah, because I've done it in
my head. I think it also depends on the season.
I'll vamp and give you mine where you think of it? Well,
because I would probably go John Mayer, stop this train
because it was the first soul that ever heard that
I felt was talking to me or speaking for me.

Speaker 7 (25:38):
Yeah, I would probably go, what a wonderful world?

Speaker 4 (25:43):
Probably.

Speaker 14 (25:44):
It's such a very overplayed song, and every time I
hear it and I'm with Abby that it just I
feel it so strongly, and I've heard it a million times,
and I'm like, I know everyone's used this as their
wedding song, but I'm like, can we. I know it's
not un original, but it makes me cry, like it
makes me so happy.

Speaker 1 (26:04):
See children cry, I watched them grow?

Speaker 7 (26:07):
Yeah, exactly.

Speaker 9 (26:08):
And you, honestly, my favorite song that has ever been
written as a songwriter is Night Moves by Bob Seeger.
It's just every line in that song is just absolute perfection.
So whenever anyone asks me, like, what is your favorite
song as a songwriter, that's it. My favorite song is,
just like a fan and listener, is The Way I
Am by Merle Haggard. I hear that song, it just

(26:28):
wrecks me every time.

Speaker 1 (26:29):
Oh yeah, great song, reckon so blue eyes, Crying in
the rain, Oh so good?

Speaker 7 (26:33):
Oh yeah you talk about a.

Speaker 1 (26:34):
Song that, Yeah, it just wrecks me and it's perfect too.

Speaker 14 (26:38):
You know, something I've been experiencing lately is that he
was abvious from Mexico, so he doesn't know a ton
about American culture.

Speaker 7 (26:43):
He's learning it.

Speaker 14 (26:44):
But I always loved seeing him experience something for the
first time with like a total fresh set of ears,
without any preconceived notions of what it's going to be.
And just recently there was Patsy Klein came on and
he was like, who is this. I'm like, this is
Patsy Klain and you know, didn't know who it was,
and he just went in a deep time. So we've
been listened to a lot of Patsy lately, but it

(27:04):
is I love like experiencing that through him because I'm like,
this is really great, or like Aretha Franklin one time,
he's like, who is that? My god, that's a queen
of soul, baby, like come on, And so I love
having that experience and it makes it fresh for me,
and I feel like we get so lost and like
what's cool and what other people like? So we like
it and just seeing that kind of you know, no

(27:25):
other opinions attached to what he's experienced for the first time,
it's cool to cool for me, it's inspiring.

Speaker 1 (27:31):
I have a joke in my stand up that my
wife is twelve years younger than I am, and I'm like,
I get to introduce her to things like in a
time machine so that she's never heard before. I'm like,
you're never gonna believe it. This guy got kicked out
of Philadelphia. Now he's living with his uncle. He's like,
and then I'll do music. And because again there's some
of the stuff like she doesn't know any of the
nineties alternative stuff.

Speaker 4 (27:50):
Yeah.

Speaker 1 (27:50):
Yeah, but if we're playing cards and I have won
the game before, we listen to like nineties two thousand
raw and even like Raging Gainst the Machine like that
that's not that's really not her jam. But now it'll
come on or you're like closing time, she would be like,
I know this song only from you playing it. So
I get to introduce her to all that that's a
fun game.

Speaker 2 (28:07):
So I'm like, tickle the little read to watch it.

Speaker 4 (28:08):
He'll laugh.

Speaker 14 (28:11):
I always like what happens for me, and this does
actually make me feel old when it happens is I'll
be like, oh, this person will give some history and
then he'll be like, you've told me this, Like every
type of All eight times we've heard.

Speaker 7 (28:23):
This song, you've started with the same intro. I'm like God,
I am my father.

Speaker 1 (28:26):
Now, Patsy Kleine, Willie Nelson every time, crazy, every.

Speaker 2 (28:32):
Time, literally all right.

Speaker 1 (28:33):
The new record is out. I'm gonna plany too. The
track real Quick Ray, would you play me some of
son ain't even gone down yet, Brother's Hospital, second.

Speaker 4 (28:41):
Song SI.

Speaker 7 (28:44):
For Tennessee, got leave your head first, leave her already.

Speaker 1 (28:52):
The record is out. Now here's one more I wanted
to play. This is back Home.

Speaker 14 (29:01):
The Business Lost out blank.

Speaker 1 (29:06):
And never Know what's your favorite song?

Speaker 2 (29:08):
On the record's favorite songs, you just pick one, you.

Speaker 7 (29:10):
Know it's that's really hard.

Speaker 14 (29:11):
I would say, probably only because we haven't done anything
like them before, but probably we ain't good at breaking up.
This is a song we did with We wrote with
Miranda and she came and sang on. And then there's
another one called Goodbyes kicking in.

Speaker 15 (29:25):
Uh.

Speaker 14 (29:25):
Those search songs are just kind of very The moods
of those are different than anything we've done before, so
I particularly like those.

Speaker 2 (29:30):
Would you play some Away and go to breaking up right?
Good Birds? Never sing.

Speaker 15 (29:41):
A crap.

Speaker 2 (29:44):
Things records out. It is called Brothers Osborne. Don't be confused.
It's not their first record.

Speaker 5 (29:50):
It's their first record as their true authentic.

Speaker 1 (29:56):
Because arch record was Tejanos That.

Speaker 2 (30:00):
Yeah, they've been trying to find it. You know, they
finally found it. I like that.

Speaker 1 (30:04):
All right, Brothers Osbourne Records out now, and you guys
go to the site Brothers Osbourne dot com. Got a
you know, some dates. But I imagine are you doing
a little less now that you have kids?

Speaker 7 (30:14):
I wish you're not.

Speaker 4 (30:16):
I wish.

Speaker 9 (30:16):
No, we're touring a lot, and well, we do have
four shows coming up in October, one here in the
Sand but also New York, LA and d C. So
we've got four big shows actually coming out to promote
this record.

Speaker 7 (30:27):
So go look at them.

Speaker 1 (30:28):
Tickets October fifth, New York, October seventh in Nashville, October
fourteenth in DC. In October twenty second, Los Angeles. Yeah,
good to see you guys. They are brothers. There's a
voicemail from Kristen in North Carolina.

Speaker 16 (30:44):
I was curious about Abby's guitar play. She was talking
about how she wants to play guitar, but she feels
like she can't or she's not fielding up and you
guys convinced her to spend a certain amount of time
at least trying to play the guitar. And then she
then and to show how much she's learned.

Speaker 6 (31:02):
And I can't.

Speaker 16 (31:03):
Remember how long ago that was or if that's still
something in your progress, but you guys can check in
on Abby about that.

Speaker 10 (31:10):
I would love to hear.

Speaker 1 (31:12):
So the reason is Abby was coming to open for
me for a couple of shows and she was like,
I don't have a guitar player. We were like, okay, cool,
but what if you learned to play guitar a little bit,
because then you won't be so tethered to having to
have a person play with you. And she's like uh,
And then she has this song if you missed it,
this is called Hey, They're hometown.

Speaker 15 (31:32):
Hits tough, You'll always be home.

Speaker 1 (31:38):
And how cool would you be if she just played herself,
of course, and not have to worry about somebody else.
I said, just spend a little bit of time each
week just learning, learning, learning, and eventually, before you know it,
you'll be able to play it.

Speaker 2 (31:46):
Abby, where are you in this?

Speaker 5 (31:48):
When's the deadline? Again?

Speaker 2 (31:49):
That's not what I asked.

Speaker 5 (31:51):
It's not going too well.

Speaker 1 (31:53):
It's not trying, but it's not supposed to go well.
It's always hard.

Speaker 5 (31:56):
I know.

Speaker 17 (31:56):
Remember we talked about that article that was like, you know,
even if you play an instrument bad, it's very like
stress reliever.

Speaker 5 (32:02):
It's not stress reliever trying to learn guitar.

Speaker 2 (32:05):
Do you have a guitar?

Speaker 18 (32:07):
I do?

Speaker 2 (32:07):
Are you practicing?

Speaker 1 (32:09):
Yes?

Speaker 17 (32:09):
I need to take it to the store, to the
guitar store and get the string switched out to make.

Speaker 4 (32:15):
It get in here.

Speaker 1 (32:16):
I can do that right now. Oh, you've got a
room full of musicians here. When's the last time you
practiced box eddie me.

Speaker 5 (32:24):
I'd say last week?

Speaker 1 (32:25):
Okay, what I need you to do? Okay, because here
we are, second half of September. I need you to
give it twenty minutes a day.

Speaker 5 (32:34):
Oh during the show.

Speaker 2 (32:35):
No, you know what if you're in the show is
if we gotta do like a Scoob.

Speaker 1 (32:37):
Steep project, It's fine. I was like, okay, twenty minutes
a day, five days a week. And then we're September, October, November,
right before Thanksgiving, we're gonna have a recital.

Speaker 5 (32:48):
Wait what I thought this was six months?

Speaker 18 (32:51):
Oh?

Speaker 2 (32:51):
Wait until January. I moved it up.

Speaker 1 (32:54):
I like Thanksgiving, Okay, after the break abbey. You gotta
practice on twenty minutes a day, that's it, practice like
e c. Those are the ones before he even gets
to bar courts gay, because I am no Jimmy Hendrix.

Speaker 2 (33:09):
No one will confuse me. I mean, well, thank you.
I'm left hand abatable.

Speaker 1 (33:11):
Yeah, but I went and bought a cord sheet from Walmart,
a poster, and I just took my hands and put
them over those courts and my finger.

Speaker 2 (33:18):
It hurt.

Speaker 1 (33:18):
Is really hard, but nothing worth having is easy, or
everybody will have it.

Speaker 5 (33:23):
That's true.

Speaker 2 (33:24):
Right, So commit for me right now, five days a week,
twenty minutes to day.

Speaker 17 (33:28):
I will commit to that.

Speaker 2 (33:30):
And every day you do it. You put it in
your phone, did it?

Speaker 5 (33:32):
Okay? Okay, it just stresses me out.

Speaker 2 (33:35):
Yeah, it's supposed to. It's valuable to you.

Speaker 1 (33:38):
You should do it.

Speaker 5 (33:38):
Also. If you keep saying it stresses you out, it's
going to.

Speaker 1 (33:41):
Keep stressing stress you out, and give up quick.

Speaker 5 (33:43):
No, just eliminate that part of it. You got it, Okay,
I've got this. Thanks for.

Speaker 2 (33:51):
A pile of stories.

Speaker 5 (33:52):
So I've got five surprising college courses that parents or
people are actually paying money for.

Speaker 1 (33:59):
Probably the culture courses like Taylor Swift's lyrics.

Speaker 5 (34:02):
Yeah, I got Psychology of Taylor Swift is one of them. Yes,
Harry Styles and the Cult of Celebrity one hundred years
of courting, dating and hooking up on college campuses.

Speaker 2 (34:11):
So here's what they're doing.

Speaker 1 (34:12):
Though they're using sexy titles to actually get you to
go into a class, it's about something much broader and deeper,
like just the idea of celebrity and why people are
drawn to certain things. Like if it's the sociology of fame,
people probably aren't going to get into that as much
as it is Harry Styles.

Speaker 4 (34:31):
Yeah, and if you get credit, who cares?

Speaker 3 (34:34):
Yeah, I mean I took drugs in society. It was awesome,
learned all about different types of drugs.

Speaker 2 (34:39):
I mean, I took bowling.

Speaker 5 (34:41):
I took chickens in college.

Speaker 1 (34:43):
Yeah, because I had to take a pe type class
I had to take too, So I took bowling and racketball. Look,
bowling was stupid. We didn't really go. They didn't even
care if you went.

Speaker 4 (34:53):
You do that to the bowling alley, that's cool.

Speaker 2 (34:55):
And then racketball is awesome. We had tournaments.

Speaker 1 (34:57):
I get to be pretty good at Rackable because I
was obsessed with it for a while.

Speaker 2 (35:00):
And then Amy took chicken sex.

Speaker 5 (35:02):
The animal Well, that's just what we called it. It
was sort of like these I just think that back
then maybe they didn't have the names to get people
as the animal science class they but this one professor
he taught it like some of the like this courting,
dating and hooking up on college campuses. I'm pretty sure
that's what chickens. I took her, but it was under
like a disguise, like every you knew you were signing
up for, like the fun class, and we called it

(35:25):
chicken sex. And we would go and he would say
why you're attracted to certain people, wrote a whole book
on it. I don't know that people really knew what
he was doing. Aliens, psychics and ghosts. And then Whiskey School.

Speaker 2 (35:35):
Oh my, well, oh I thought you were doing a song. Okay,
go ahead.

Speaker 5 (35:39):
Should adults order from the kids menu?

Speaker 4 (35:44):
Yeah?

Speaker 2 (35:44):
I think they probably can. It's just a smaller amount, sure,
right of course, you know.

Speaker 4 (35:48):
Yeah, and you got a coloring book or something that'd
be cool.

Speaker 1 (35:51):
Yeah.

Speaker 5 (35:51):
Well, there's Ashley and she's on TikTok she's become kind
of the voice of adults who order kids meals.

Speaker 2 (35:59):
That's a voice.

Speaker 5 (36:01):
She's gotten millions of use for her tips and tricks
of ordering kids foods. But Washington posted this whole article
about how it's really tacky for adults to order off
the kids menu, and.

Speaker 1 (36:13):
Taki's an opinion, fair, and I will respect that opinion.

Speaker 2 (36:16):
It can be tacky to somebody.

Speaker 1 (36:17):
People think the dollar dance is tacky at weddings, but
I think the dollar ance is fun. Is it tacky maybe?
But can you Yeah, And it's just a smaller amount.

Speaker 2 (36:26):
So that's what it is.

Speaker 1 (36:27):
And sometimes you get better stuff too. Sometimes it's restaurant.
You want chicken strips, but you can't get it unless
you go to the kids menu.

Speaker 4 (36:32):
Good for it.

Speaker 2 (36:33):
Okay.

Speaker 5 (36:34):
So in a new survey, less than a quarter of
gen zers use periods, commas and quotation marks and texts
or on social media, and only a third bother to
proofread any of their messages before sending them. And people
are thinking, like, do these kids even care about proper
spelling anymore? Like does any of it matter? And the
kids are saying, no.

Speaker 1 (36:53):
It doesn't interesting. I don't ever check. I just I
TYPEO a lot. You type and sent, just type and
said sometimes no periods or spellings.

Speaker 5 (37:02):
But if you're sending an email to your boss.

Speaker 2 (37:06):
Sometimes I think I checked, but I didn't. Okay, it's
kind of my thing.

Speaker 5 (37:09):
But are you that loose with it? Like higher ups too,
like say you're emailing New York?

Speaker 1 (37:13):
Yeah, pretty loose. I'm pretty direct. I don't know if
loose is it, but I'm just direct to the point.
And sometimes there's no pronunciation or no, there's no uh traumas. Yeah,
put punctuations early in the morning.

Speaker 2 (37:26):
Guys, give me a break, okay, Monday, all.

Speaker 4 (37:28):
Right, thank you.

Speaker 5 (37:28):
That is Maybe that's my pile.

Speaker 1 (37:31):
That was Amy's pile of stories.

Speaker 2 (37:33):
It's time for the good news.

Speaker 15 (37:35):
Ready.

Speaker 4 (37:39):
Last week, deputies with a Pierce County, Washington Sheriff's Department,
we're out. They got a call that there was a
dog that was hit by a car. So they go
out there, they call animal control. They can't get out
there fast enough, so they say, well, let's look for
the dog. And they find out that the dog went
down under a roadway into a culvert. It was hit
and then it tried to just escape. I guess hide. Yeah, really,
and I guess the colver is one of those pipes

(38:00):
that go under the road. So the dogs hear the
sheriff deputies hear the dogs. They say, okay, dog, come on,
come on, come on, come on, come on. Dog's not moving,
scared and injured. So one of the deputies says, you
know what, I'm just gonna go in and get it.
And there's bodycam footage of the deputy squeezing in that
tiny little pipe, reaches for the dog. Finally, after like
thirty minutes, they get the dog out.

Speaker 2 (38:19):
I love the story.

Speaker 1 (38:21):
I don't like that the dog was hit by a car,
but I love the story that they went and saved
the dog.

Speaker 4 (38:25):
What happened to the dog then? So they named the
dog Piper because it was second right. So then they're thinking,
oh my gosh, this dog needs emergency surgery. So they
call a vet. They say we can do it, but
it's gonna be really expensive. So they're like, oh my gosh,
what do we do? So the sheriff contacts an organization
called People for Animal Care and Kindness. They say, don't
worry about it, we'll take care of the bill. So
Piper got surgery, and now I just saw the update yesterday.

(38:48):
Piper is at a foster home ready to be Adopted's
come on.

Speaker 2 (38:53):
That's really good. I love that, man.

Speaker 1 (38:55):
Those stories get me. This are the animal ones, man,
those are the ones that really touched the old soul.
Here ye like humans animals. Now we're talking.

Speaker 4 (39:03):
Fiber has two colored eyes to a cute dog that
needs to be adopted, right, job by those police officers.
That is what it's all about. That was telling me
something good.

Speaker 2 (39:12):
And he saw a celebrity in the wild.

Speaker 1 (39:14):
I did. We love these stories? I did, and I
think I ruined it for him. Why'd you call him out?

Speaker 15 (39:19):
Well?

Speaker 4 (39:20):
I didn't mean to, but I ever yelled their name.
I understand, and I felt like exactly like lunchbox when
I did it. I'm like, oh my gosh, I shouldn't
have done that.

Speaker 2 (39:26):
What happened?

Speaker 4 (39:27):
So I never get to, you know, pick up my
kids at school because we're working out or whatever. But
I was able to the other day. So I go
pick up my little boy, he's four years old, it's preschool,
and I see a familiar face. It's Russell Dickerson, and
I'm like, he say his name right, He's like familiar
Russell Dickerson, Like, did you say Russell Dickerson? What do

(39:48):
you mean? Go ahead, Russell Dickerson, I see him, was
like him and his wife tur Around'm like, oh.

Speaker 10 (39:56):
What's up?

Speaker 15 (39:57):
Dude?

Speaker 2 (39:57):
Do you think they knew it was you?

Speaker 4 (39:59):
I think he did, cause it was it was like,
who is that? Oh it's Eddie or is it?

Speaker 1 (40:03):
Who is that?

Speaker 2 (40:04):
We don't know. Let's just act like we know.

Speaker 4 (40:05):
No, I don't know. See, you always make me feel
like that, Like when I saw Morgan one at the
NASCAR race.

Speaker 2 (40:09):
He had no idea.

Speaker 4 (40:11):
He looked at me and gave me a hug.

Speaker 1 (40:13):
He had I'm telling you he had no idea. Oh man,
everybody's going up to him every second of it. It's
just easier to go, what's up. Well, that's what Russell
and his wife did.

Speaker 4 (40:22):
And I was like and then and then I thought like,
oh my gosh, now everybody at the school knows it's
Russell Dickerson.

Speaker 1 (40:26):
Well, I just wouldn't blast his name, like scream his name.

Speaker 4 (40:29):
I didn't say Russell Dickerson.

Speaker 2 (40:30):
You say Russell Dickerson, No, I did it. I just
said Russell Odds. The Russell Dixon knew that was Eddie.

Speaker 5 (40:38):
No, I think hi, they yeah, he have you hung out?

Speaker 2 (40:46):
Surely show together?

Speaker 12 (40:49):
Yeah?

Speaker 1 (40:49):
Hey, every little, every little little, every little thing, just
a little, just a little, and plued to Combe. What
did you learn from this?

Speaker 5 (40:57):
Though?

Speaker 4 (40:57):
Don't call celebrities names out. I should have just said, like,
oh cool as Russell Dickerson and then just let me
just text him to you guys are friends? No, I
don't have his number.

Speaker 2 (41:05):
Oh you're not friends. Yeah, let's go over to Amy
and get in the morning. Corny, the mourning corny.

Speaker 5 (41:13):
I can't believe someone broke into my house and stolen
my fruit. Really yeah, I'm not sure who did it,
but I'm peachless.

Speaker 2 (41:26):
That was the mourning corny.

Speaker 4 (41:29):
No, no, no, no, all right, well did you do
like Dana Chay song?

Speaker 5 (41:35):
Whoa yeah, good one.

Speaker 2 (41:41):
Amy was driving on the road and she saw a
billboard and it said, what.

Speaker 5 (41:45):
Harold needs a kidney? But it had a last name
and a phone number in his face. But all I
remembered when I was driving by is Harold needs a
kisney and it's.

Speaker 2 (41:54):
A digital so it flashed off. Yes, oh yeah, So
once she went up to like take a picture of it,
I can't go back.

Speaker 1 (41:59):
Yeah, iither it moved on or Harold doesn't need kid
anymore that quick, like one of the two, but it
probably has moved on.

Speaker 2 (42:04):
So we've been doing some tracking and so we actually
have Harold Scott on with us.

Speaker 5 (42:09):
No, yeah, okay, this is so cool.

Speaker 2 (42:13):
Harold, good morning.

Speaker 7 (42:14):
How are you?

Speaker 12 (42:15):
Good morning? I'm doing well. Thank you.

Speaker 1 (42:18):
Yeah, we appreciate you coming on with us. So Amy
was driving and she saw the billboard. Can you tell
us a little more, just generally about what's.

Speaker 2 (42:24):
Going on here.

Speaker 12 (42:25):
I've been dealing with chronic kidney disease for about ten
twelve years, and within the last year things kind of
progressed to the point where I am needing a kidney dransplant.
I decided to try different ways to get the word out,
and one of the ways was through the billboard. So

(42:49):
I contacted the local billboard company and they worked with
me and put me up on the digital billboard. I'm
out on Brawley Parkway.

Speaker 1 (43:02):
Have you had any success with people reaching out to
go hey, I'd like to see if I'm the match.

Speaker 12 (43:07):
None, which is I'm kind of surprising. I was expecting to,
you know, to get some kind of response, but so
far nothing, Well, you got from us.

Speaker 5 (43:21):
Yeah, well yeah, Harold, what is the process for someone
to figure out if they are a match?

Speaker 12 (43:29):
Well, I'm registered on the National Kidney Register list, but
I'm getting my services through Vanderbilt, and uh, they wouldn't
need to contact the My coordinator at the Vanderbilt Transplant Center.

(43:52):
Her name is Heather Kinser and they could just give
her a call it six one five nine three six
zero six Extension two and just ask for Heather and
teller you're calling for me and I want to be

(44:15):
tested to see if you might be a match, and
she would take it from there.

Speaker 1 (44:19):
So we'll put all this information on the website too,
because I'm not even to remember I just said it
and I don't remember because my brain's open.

Speaker 2 (44:24):
So we're gonna put it on our website.

Speaker 1 (44:26):
We'll put on our social media, the number who to call,
the extension, everything like that. So what has to happen
as far as the match, is it a blood type?
Is I'm not sure as to what the match is for.

Speaker 12 (44:37):
It doesn't necessarily have to be a blood match, but
that is pretty high up on the lift. As far
as as a potential.

Speaker 2 (44:47):
Donor are, is there a timeline where you need to
have a donor.

Speaker 12 (44:51):
Not necessarily, I mean, of course I would would like
to get it quickly. A living donor. We're going to
last longer than a kidney from a deceased donor. So
that's kind of why I'm hoping for a living donor
somebody that will be a match.

Speaker 8 (45:11):
Are you?

Speaker 1 (45:12):
Is there a waiting list is GIF and so do
you know where you are on that list?

Speaker 12 (45:18):
I don't know. Okay, So I'm currently doing dialogis six
seven days a week, do it at night while I sleep,
which isn't so bad. But you know, I would like
to get off dialysis and get me a kidney and

(45:40):
get transplanting and go from there.

Speaker 1 (45:42):
We'll put all of Harold's information up on our website
and our socials. Go to Bobbybones dot com. But it's
Harold Scott. He's sixty one years old and he needs kidney.
And if anyone out there is thinking, man, I sure
would love to do something for somebody that could really
use it, go to Bobbybones dot com.

Speaker 2 (45:57):
You will see this. Harold tell us something about like
what are your interests, what do you like to do?
Who do you love?

Speaker 12 (46:05):
Well, I'm a big genealogy person.

Speaker 5 (46:11):
I love going to the mountains genetics.

Speaker 12 (46:17):
And I'm a big, big Shania Twain fan, So genealogy.

Speaker 1 (46:24):
Yeah, you like studying genetics. No, no, no, no, that's
what Amy just told me said. I thought it was
like like genies.

Speaker 5 (46:32):
But I don't know, Harold, can you please explain because
clearly we're confused.

Speaker 12 (46:36):
Genealogy. Yeah, that's that's tri seeing my family route.

Speaker 2 (46:41):
Oh yeah, duh yeah yeah, I thought it was like
the genie.

Speaker 5 (46:47):
Take it back. I'm dumb.

Speaker 1 (46:49):
Okay, So Harold, we are going to put the message out.
Thank you so much for calling with us today. I
don't know anything.

Speaker 5 (46:57):
No, just really cool, Harold. I knew I your last
name is easy to remember because I thought when I
was driving by the billboard, I thought, okay, Harold Scott,
I'm gonna remember that. But then by the time I
don't know, just within like three seconds of passing, and
I'm like, Harold, what was the last name? Shoot? So yeah,
Harold needs a kidney.

Speaker 1 (47:15):
So Bobbybones dot com you can find this here for Harold. Harold,
thank you for your time, good luck, my friend, Thank you,
all right, see you later. All right, everybody sent luchbox
of their money. Yeah, over the weekend. Yeah, so when
do we get in this palette? Like, what's everybody sent
lunchbox eighty seven bucks? Because he found this place where
we can go take our money and just buy a

(47:35):
palette that we don't even know what's in it.

Speaker 3 (47:37):
Yeah, I believe it's Amazon returns and they just shrink
WRAPID on a pallette and you have no idea what's
in there?

Speaker 2 (47:43):
Why would they not grab the good stuff out of it? Though?

Speaker 1 (47:45):
Like if I'm working in that and it just returns
and people can buy, I would pull the good stuff
myself and buy it.

Speaker 4 (47:49):
Nonet asks me why I don't work.

Speaker 1 (47:51):
Has anybody ever got something really good from your research?
All our saws were for sale. I've never done research
about who got him?

Speaker 5 (47:58):
Who you told you brought this to us and said
his money like it was a good investment.

Speaker 3 (48:02):
Yeah, because it says they're all research under it all. No,
I did research. They're for sale. It's about thirty minutes
outside of town. We go pick it up at a warehouse.

Speaker 1 (48:09):
Boom, that's it.

Speaker 4 (48:10):
And really, how do we pick up a palette? Who's no,
we need a forklift and all that there?

Speaker 2 (48:16):
We paid lunch box.

Speaker 1 (48:17):
No, no, And are we sure he's even telling us
to write amount?

Speaker 2 (48:19):
Like he didn't inflate every single one of us.

Speaker 5 (48:21):
Who's lunch box paying? Is it Amazon that's getting money
for this or some like is this even legit?

Speaker 1 (48:28):
Or is it like he's still googling guys? How much
was the palette total?

Speaker 3 (48:31):
I told you it was like five seventy five. It
was like twenty five. I don't exactly what did I
tell you?

Speaker 2 (48:36):
Guys? Okay, you don't remember right now?

Speaker 9 (48:38):
Right?

Speaker 2 (48:38):
You got fuzzy numbers. Fuzzy numbers.

Speaker 1 (48:41):
Look, I mean I don't have my business playing in
front of me. But have you ever seen a success
story about this where someone's like, wow, look at this,
We open it up and it's bars of gold, or
it's old Michael Jordan basketball car.

Speaker 4 (48:53):
There's no, I haven't even seen anybody buy it. When
he pitched it, he did say, like appliances electronics. How
did you even find out this?

Speaker 1 (49:00):
I found it online.

Speaker 5 (49:03):
Just to drive thirty minutes of some warehouse.

Speaker 2 (49:05):
But where do you find it online?

Speaker 15 (49:07):
Like?

Speaker 2 (49:07):
What site do you go to?

Speaker 3 (49:08):
Well, my wife is the one that found it on Facebook,
marketplace hmm. Interesting And she was like, oh, my gosh,
this is awesome, and I was like, oh yeah, Bobby,
want to get in on that.

Speaker 2 (49:18):
Hey Scuba Steve, what are you reacting to?

Speaker 1 (49:20):
He said he found it on Facebook Marketplace.

Speaker 4 (49:22):
So this isn't even connected to This is probably somebody's
personal power that they have.

Speaker 2 (49:26):
No mail pallets.

Speaker 1 (49:28):
Oh my god, I see the account is Patty's Amazon
on Facebook.

Speaker 2 (49:32):
I'm confused by that though.

Speaker 4 (49:33):
Now we say Facebook marketplace because that's somebody's personal thing
they're selling.

Speaker 2 (49:36):
You're is this someone break it down police?

Speaker 1 (49:38):
Because I don't. I just told you it's what I
read is it's Amazon returns.

Speaker 5 (49:43):
We're going to jail.

Speaker 2 (49:43):
But you said Facebook marketplace.

Speaker 5 (49:45):
This is someone that works with in shipping or Amazon
somewhere mail. I don't know they've they've stolen all these packages.
They pilot it up and make it seem like if that's.

Speaker 4 (49:56):
The case, I'm not worried about that.

Speaker 13 (49:58):
Eddie.

Speaker 1 (49:59):
How's that look going?

Speaker 4 (50:00):
And it has a lot of pallettes whole can you
zoom into that? It looks like microwaves in there. Possibly?

Speaker 2 (50:05):
Okay, so when can we go and get our palette?

Speaker 1 (50:08):
Whenever you want to go, I'm not going, Oh you're
in charge of it because you're the you're the project
manager of this one. Okay, let's go.

Speaker 4 (50:16):
No, not let but he doesn't have a car.

Speaker 2 (50:18):
You g have a mouse in your pocket.

Speaker 1 (50:19):
Who I'm not gonna be able to put it on
the bike. Guys, just so you know, so.

Speaker 2 (50:23):
You're gonna have to get Scuba to take you in
his truck.

Speaker 4 (50:25):
Yep.

Speaker 1 (50:26):
I mean, I'm just telling you this is awesome, Scuba.

Speaker 2 (50:29):
When can we do this? I say, the end of
the month. We can go the week or so.

Speaker 1 (50:35):
We're busy because I got festival and all that kind
of stuff out of town.

Speaker 2 (50:38):
What about let's negotiate this. What about today? Oh right now,
like right after the show. Yeah, let's go. That's do it.
See that's how you negotiate.

Speaker 4 (50:46):
Wow, that was easy.

Speaker 2 (50:47):
Yeah, okay, does Lunchbox have time to do that?

Speaker 4 (50:50):
Oh yeah, you got a nap and sore losers and
all that.

Speaker 7 (50:53):
Yeah.

Speaker 3 (50:53):
I mean, well, already you got to put the bike
in the back of the truck and drive him off
at the house.

Speaker 2 (51:00):
Okay, sometime this week, please go kick this off.

Speaker 1 (51:02):
Okay, what happens today, because he's already making any said today,
we'll go pick up our palette.

Speaker 7 (51:08):
Today.

Speaker 1 (51:09):
Okay, I mean I don understand why you guys get
So what do we do with the stuff we get?

Speaker 2 (51:12):
We sell it back again?

Speaker 4 (51:13):
Yeah, so you have put it back up on the market.

Speaker 2 (51:16):
Flip it.

Speaker 4 (51:16):
Flip his palate, coffee makers, it looks like power.

Speaker 5 (51:20):
Still we sent five and twenty five dollars and you're talking, okay,
microwaves can be eighty bucks a coffee.

Speaker 2 (51:26):
Seven eighty something a piece.

Speaker 1 (51:28):
There's a palate. They're all started on top of each other.
We gotta get this palate vacuum possible. Is exactly excited
Now I'm excited. I know this is going to end
a disaster, but I'm excited right now. And then we
can bring it and we can unveil it on the air.

Speaker 4 (51:42):
What cut it?

Speaker 15 (51:43):
Is?

Speaker 4 (51:43):
That a helium tank for balloons?

Speaker 1 (51:44):
It does look Oh okay, I mean this week we
need to get that in here.

Speaker 4 (51:49):
Okay, I mean we're going to bring a forklift in
to drive it into this. That'd be cool.

Speaker 1 (51:53):
No, we can move forklift excus the truck and we
open in this truck. Okay, we cut it open and
then so we just just drives around for a couple
days in whatever, oh, one day that's well one day, okay,
unless we get it during the morning. Oh, I don't
know what's on on they're open.

Speaker 2 (52:09):
Yeah, okay, thank you guys. We'll figure it out. Bobby
Bone Show. Let's play this, but let's get.

Speaker 4 (52:13):
That boat's gonna stop for a second. Yeah, one second.
I think these palettes are cheaper that three and seventy five.

Speaker 2 (52:20):
Oh my god, he just ripped us for two hundred bucks.

Speaker 4 (52:22):
No, guys, that says four fifty lunch box. These aren't
the good palettes.

Speaker 3 (52:26):
These are random boxes that you can't see like they're
just cardboard boxes on.

Speaker 1 (52:30):
Those two scoop and make sure he's not screwed us
over there, you go with them. Okay, wait till I
tell you what happened to me this weekend. Holy moly,
I only ever happened once in my life, but it happened.
They're scary, but I got through it and I'm here today, right.
I'll tell you about in a minute. Yes, that's first.

Speaker 2 (52:49):
Let's do the new Bobby's.

Speaker 1 (52:53):
Thirty six year old woman has been raising a lot
of eyebrows. She claims that she suffers from insomnia that
she hasn't slept in over eleven years.

Speaker 5 (53:03):
I read it if you don't get sleep for two weeks,
you could die.

Speaker 1 (53:08):
But also read don't eat raw meat, and you have
these people that are eating big things of raw meat
and living.

Speaker 12 (53:12):
Yeah.

Speaker 5 (53:13):
I don't know.

Speaker 2 (53:14):
So she works at a preschool.

Speaker 1 (53:16):
She's become the talk of social media after reported she
hadn't slept in more than eleven years.

Speaker 5 (53:20):
Trust my kid with someone that hasn't slept, or do.

Speaker 2 (53:24):
You really trust your kid because you know she's never
going to fall asleep?

Speaker 4 (53:27):
Okay?

Speaker 3 (53:27):
True.

Speaker 1 (53:28):
In a recent interview, the woman said her decade long
insomnia began with a bizarre crying episode. Tears just started
flowing from her eyes for no apparent reason. She even
tried to lie down and close her eyes, but she couldn't.

Speaker 2 (53:39):
Stop the water.

Speaker 1 (53:41):
The inexplicable crying eventually stopped, but so did her capacity
to fall asleep. Try as she might, she cannot quote
log out anymore. Her eyes were tired, but her mind
was fully awake. So for the last eleven years, she's
done little other than lie down with her eyes closed
to relax while her husband and children are sleeping. Wow
next Door and Ever confirmed her condition, saying that the

(54:02):
woman first confided in her about the insomnia ten years ago,
and she's been speaking about it ever since. The woman says, yes,
the story sounds crazy, but having lived right next to her,
I have no doubt she's telling the truth.

Speaker 5 (54:15):
Wow.

Speaker 2 (54:16):
I would go.

Speaker 1 (54:16):
Spot checker sometimes. I was with your neighborhood walk up doing.
That's a crazy story. Listen to this one and this
is like the third one that are similar to this one.
In the past month or so, Laura, forty years old
had to go and have life saving surgery because she

(54:38):
ate bad tilapia.

Speaker 2 (54:40):
I had to have her limbs amputated.

Speaker 4 (54:42):
The fish.

Speaker 5 (54:42):
Yeah, she ended up in the hospital for a while,
and I think they had to put her in a
like a induced a coma that her limbs turned black.

Speaker 1 (54:52):
She bought fish at a local market in San Jose.
She made her first self at the house. They had
put her to a medically induced coma, like Amy said.
Her fingers were black, our feet were black, her bottom
lip was black. She had complete sepsists and her kidneys
were failing.

Speaker 4 (55:07):
Oh my gosh.

Speaker 1 (55:09):
The problem was it was some bacteria that was found
in the raw seafood and the sea water where they
got it from. But this and that happened anyway, that
happened to last week. They to cut off his arms
and legs. That's from the New York Post. That's why
does he candy that's been prepackaged and processed. Isn't tilapia though,

(55:32):
like farm raised like that. That's from the other side
of the country.

Speaker 2 (55:35):
Yes, but again she got at a local market. Hmm.

Speaker 4 (55:37):
So I don't it had it had to come from
the sea Eddie. Yeah, but from like Asia.

Speaker 6 (55:42):
I don't know.

Speaker 4 (55:43):
Yeah, I don't think Tilapia swims like the United States.
I don't know, and I really don't care. I don't
tell you the story.

Speaker 2 (55:48):
You're done with. T's done with. Gosh, it's scary.

Speaker 1 (55:51):
Now we're gonna have to go on to Tilapia. Tilapia
are native only to Africa.

Speaker 5 (55:55):
There you go, well native, but I mean they can
be Many.

Speaker 1 (55:59):
US states considered the invasive or non indigenous. They have
been introduced around the world into fresh and brackish water,
sometimes deliberately for controlling aquatic plant growth. That's exactly what
you said, word for WORKO. Game time ticket app REvil
The average ticket people splurge for the most May, June, July,

(56:21):
and August, so summer tickets. Who do you think I
have the most expensive ticket? Taylor Taylor one ticket Taylor Swift.
Anybody want to guess next?

Speaker 5 (56:31):
Yonce?

Speaker 1 (56:32):
No, I don't think her tour started until later. Really,
I think it was a later starting tour. But it's
not on the list, that's sure. Drake's at two at
four sixty five, Usher at four hundred bucks, Morgan a
Walling at three point fifteen, and Sugar Suga Sugar at
three oh nine. That is from the game time ticket
app is Sugar South Korea?

Speaker 2 (56:56):
Mike, do you know Suga?

Speaker 6 (57:00):
Oh?

Speaker 1 (57:00):
It's one of the BTS guys, Sugar, which is always
weird because like BTS, I'm like behind the scenes like
no BTS the kpop through.

Speaker 5 (57:07):
My daughter is seeing Sissa this weekend and she's very
excited about that.

Speaker 4 (57:11):
S z A I know, but is k pop?

Speaker 7 (57:14):
Oh?

Speaker 4 (57:14):
I just want to throw that out there.

Speaker 18 (57:16):
We listen all the time like no stop, I didn't
kill mommy, I just kill my Know that sounds yes,
plays it a lot?

Speaker 4 (57:28):
Yeh? Yeah?

Speaker 1 (57:29):
Or at the time of day that's most likely to
wreck your diet is four pm on a weekday. Four
in the afternoon is the peak snacking hour. Late afternoons
are when you're most vulnerable because you're kind of hungry,
got a little stress, and so you eat. They say
to avoid this time and do a couple things like
before at three, have like a little healthy snack so
you don't even get hungry at four o'clock. Even if

(57:51):
you're not hungry at three, have a little healthy snack
at three, so you don't get that unhealthy hunger at four.

Speaker 4 (57:57):
Get ahead of it a little bit.

Speaker 1 (57:57):
That's from Appetite, a medical research journal. This next story.
I saw the video.

Speaker 4 (58:03):
Oh no, it's just the Vegas one.

Speaker 1 (58:04):
No, but that's crazy to the TSA agents that were
stealing from the people.

Speaker 7 (58:07):
Oh did you see it?

Speaker 1 (58:09):
Yeah, I mean it was blatant, Like the thing would
go through at the TSA and go to the little
machine and they'd walk over. You know, you put your
bag in a little cart and you put your stuff
in that plastic thing, and they were just like on
the end of it, put their hands in there on
sip some stuff, grabs some stuff past it, go to
the next person.

Speaker 5 (58:25):
I mean led I was trying to think of, like
how I packed my luggage, and like, yeah, if they
were just unzip. But they just have to hope to
get lucky. I mean, they're probably searching.

Speaker 1 (58:33):
So many Yeah, well they didn't go in every bag.
When I was watching, they would just see vulnerable bags,
quiz zips. They could go and do that because something
would just push right through and maybe the person was
looking at them.

Speaker 2 (58:42):
I don't know, but when I saw it there were
two people that were in on it.

Speaker 3 (58:45):
My thought is they see someone stick like cash or
whatever in that pocket and they're like, Okay, I know
something's in there, and so they wait for that person
to go through the metal doctor, Oh, don't worry, we'll
push it through.

Speaker 1 (58:56):
And then real they also if wallets are vulnerable, yeah,
just put a wallet in One of them was I
saw going to a wallet and that's not hard there
maybe twenty bucks, maybe two hundred bucks in a wallet,
because all you have to do is go reopen pool,
you know.

Speaker 2 (59:09):
So, but I watched the video.

Speaker 1 (59:11):
On July sixth, Williams and Gonzales and a third TSA agent,
Elizabeth Fuster, were arrested for a moving six hundred bucks
from a passenger's wallet while they were going through security.
Surveillance video caught TSA agents in Miami, stealing from passengers
as they went through security, and then it goes to
the people again video and you see it, you as

(59:32):
clear as day.

Speaker 4 (59:33):
Yeah, one person doing it, one person grabbing the actual money.

Speaker 15 (59:36):
Uh.

Speaker 1 (59:37):
You see a guy in this video go down and
grab the money. But it's then the other person walks by,
who absolute knew what they were doing. So this had
to be something they'd been doing.

Speaker 4 (59:44):
For a while.

Speaker 3 (59:45):
Yeah, and it looks like he, like the person that
does the grabbing, passes it to the other guy and
another guy walks off. So it's like that guy didn't
be like what, I don't have anything like.

Speaker 1 (59:53):
Crazy from Bloomberg. Caesar's confirmed they were hacked as well. Dude,
That casino hacking stuff in Vegas and now other places
have been hacked as well that aren't MGM. There aren't Caesars,
that are just other properties. It's all over social media.
You have to go almost to go to social media
and search for it. The casino hacking doesn't end with MGM.

(01:00:16):
Caesars confirmed that they fell victim to a hacker last month.
In that instance, they paid the hackers fifteen million to
regain access. In the hack, the perpetrators are able to
make off with the company's loyalty program database, which is
driver's license numbers, all security numbers for a bunch of members,
which then they'll probably just sell online on the park Web.

Speaker 2 (01:00:35):
It's from Bloomberg.

Speaker 1 (01:00:37):
I was watching a bunch of videos of this, and
I was watching how they did it specifically, and they
got somebody like the head of it or one of
them at MGM. They went to LinkedIn, found their name
called like the help desk as that person said, they're them,
they need this.

Speaker 2 (01:00:53):
Once they got that, they basically were in.

Speaker 3 (01:00:56):
Yeah, and the group you want to know what, they're
called Scattered Spot and they are supposed to be in
Europe and the US and they are expected to be
in their late teens early twenties.

Speaker 4 (01:01:06):
Wow, that's what.

Speaker 5 (01:01:07):
I'm talking to my daughter about it, and she's like,
I bet it's a teenager. I bet she's right.

Speaker 1 (01:01:12):
The story, though, does keep changing. This group has like
eight names. They're also known as three nine, two, two
sixty six, and oh. But we're supposed to go to
Vegas this week and people are waiting six hours to.

Speaker 2 (01:01:25):
Get into their hotel.

Speaker 4 (01:01:26):
So MGM's still not back up.

Speaker 3 (01:01:28):
Dude, I don't know No, it's like you like, if
you're at a slot machine, you can play slots, but
even if you get eight cents winnings, you have to
sit there and wait for someone to come around to you.

Speaker 1 (01:01:37):
I didn't care about the slots. Like the lights were
going on and off random times, the elevators aren't working.

Speaker 7 (01:01:41):
Room.

Speaker 1 (01:01:43):
Yes, absolutely, and like get ready water and stuff. Yes,
he's like, we can't gamble, Like, well, I know where
to stay. Yeah, you guys are worried about the weird stuff,
Like we'll figure it out.

Speaker 2 (01:01:54):
So yeah, that's what's up.

Speaker 1 (01:01:56):
Also one other thing, the sixteenth Annual ACM Honors, which
they call Country music Industry's Favorite Night. It premierees tonight
at eight seventh Central on Fox. It streams tomorrow on Hulu.
I'm Big Bailey Zimmerman guy. And so this is from
the show. This is signed sober you.

Speaker 2 (01:02:11):
Don't thank you bout and missed.

Speaker 5 (01:02:15):
Don'ty even so.

Speaker 4 (01:02:17):
She fall, I know think you miss I promise you
you don't.

Speaker 1 (01:02:25):
So to be super cool Jordan Davis tonight, one of
my buds playing It'll be a really Cool Thing again
tonight eight seven central. Clint Black gets the Poets Award.
Tim McGraw gets the Icon Award and a whole bunch more.
But Bailey, I love that kid.

Speaker 5 (01:02:38):
That song you It's so good.

Speaker 1 (01:02:41):
Yeah, so he's doing that tonight. I hope you guys
had a great weekend. I had an eventful weekend. I
do want to play this from Virginia Beach.

Speaker 15 (01:02:49):
I was just at the show in Virginia Beach and
actually was sitting right near the girls that had to
be escorted out because I had just gone out to
tell security how obnoxious they were being.

Speaker 6 (01:03:02):
I'm sorry that happened at your show.

Speaker 12 (01:03:04):
We enjoyed it otherwise.

Speaker 2 (01:03:06):
So it's the first time this has happened. So I'm
on tour.

Speaker 1 (01:03:11):
It's my comedically inspirational show, and it is a weird
thing to be I call it love heckled because people
just want to talk with me, and the problem is
there's another fifteen hundred people in theater.

Speaker 2 (01:03:22):
They don't want to hear them talk. So I'm up
and I can feel it. Early.

Speaker 1 (01:03:25):
There's like two women two thirds of the way back
my left that I'll tell a story or a joke
and they're like, yeah, we got yeah something. And I
tried to not acknowledge it because once I do, then
they feel like they can get in more than everybody else.
So I'm just trying to push through, at least for
the first part of the show. Push through, push through.

(01:03:47):
They just won't shut up, So I'm being as professional
as possible.

Speaker 2 (01:03:52):
I pushed through.

Speaker 1 (01:03:53):
Finally, there is two thirds of the way through. We
were shooting that for a special. So Eddie came out
to that show. And Eddie and I are sitting down
to play a song or something, and I see security
walk in the back and then I see a woman
stand up and just start throwing fists.

Speaker 2 (01:04:08):
This isn't the theater.

Speaker 1 (01:04:09):
If this is not at an amphitheater outside, this is
a really nice theater, padded seats, not a cheap ticket
stage like it's nice and so escored. They escored the
two women out of the theater. Now what we should
have done. I should have just said, okay, thank you,

(01:04:29):
and now let's keep moving with the show, because it's
a spoken word show. It's not a show of all
music where you can just get But it didn't. I
just wanted to know what happened, so I started interviewing
people from the crowd that was there at the fight,
and so I brought this one guy up who was
sitting back there, and I said, what happened.

Speaker 5 (01:04:43):
Goes well, oh, you brought them on stage.

Speaker 1 (01:04:45):
Oh two that were kicked out, they left. They were
drunk and the people that were sitting next to them.
So then I brought the guy up to get hit
by the woman and she knocked his contact out of
his eye. So not only that, then that dude's wife
got up and started swinging back. It's a drunk, this
is in a theater, and I was just fighting through it.

(01:05:06):
And then I watched them fight, and then it just
was what it was. It was crazy, and they don't
like it because again, we were shooting it for a
special and you know, it costs a lot of money
to shoot that stuff, and we got a whole crew
and I'm just trying to get my material out there
and people are just yelling.

Speaker 5 (01:05:23):
So the end of the day, these women just had
too much to drink.

Speaker 2 (01:05:26):
Probably probably I didn't spend much time with them, like.

Speaker 5 (01:05:28):
They weren't sent in as like, you know, to sabotage
you from someone.

Speaker 1 (01:05:33):
Else, because they were yelling nice things or they were
trying to talk with me. But again, you're twenty seven
rows back and you're trying to talk with me.

Speaker 5 (01:05:45):
There's like, give me an example of talk with you,
Like you just say something like they.

Speaker 1 (01:05:48):
Would respond to whatever I'm talking about something I'd be like, hey, yeah,
and this happened, Oh yeah, what do write this time?

Speaker 15 (01:05:53):
Oh?

Speaker 2 (01:05:55):
Like I literally have a purpose here? Yeah, so I
have a purpose too.

Speaker 1 (01:06:00):
Oh my God, like that lady and so. But then
they got them start throwing fists. It's only ever happened
one other time, and that was in Massachusetts. But that
person said, I gotta I'm gonna shoot you. That one
was wild. But that one also wasn't to me. I
didn't know that at the time. It was to somebody
else who wouldn't shut up. So then we had a
moment and we all got up and sank koombay ah.

Speaker 2 (01:06:19):
But it was wild. I don't like it.

Speaker 1 (01:06:21):
I don't like when security comes in. It's just distracting.
God got his contact ripped out of his eye. Luckily
as I didn't get gouged out.

Speaker 5 (01:06:30):
So have you heard anything from these women?

Speaker 1 (01:06:33):
They didn't get arrested, They just were shown the door.
Then I go over and playing number four place. I
went to DC the next day.

Speaker 14 (01:06:41):
I just wanted to say thank you, Bobby for going
on tour, for sharing your message, for making us laugh.

Speaker 5 (01:06:46):
The show was amazing and they really.

Speaker 14 (01:06:49):
Enjoyed it and just really appreciate you and what you do.

Speaker 12 (01:06:51):
So thank you.

Speaker 1 (01:06:52):
So the Virginia Beach Show was good. Just that fight
really rattled me. The DC show was amazing. I love
playing in her theater. One of the biggest crowds that
I had, a couple thousand people.

Speaker 2 (01:07:05):
It was awesome.

Speaker 1 (01:07:07):
So the problem is because that fight wasn't what I
was talking about. The problem is before I went out,
they had taken the Arkansas game and put it at night.
It's supposed to be in the daytime. It's supposed to
be like three o'clock Arkansas, and BYU, well, now it's
at night and I gotta go do a show while
the game's Oh, I didn't think about it. So I'm
watching the first hour of the game and we're a
fourteen nothing, and I'm like, amazing. So I set up
a TV side stage so I can come off and

(01:07:29):
see it. And I'm not really focused on it, but
I come off and see it. The show ends and
we're down seven points in the fourth quarter, and we
end up losing the game. So night one, fight, Night two,
amazing show loss. Both nights sucked, so.

Speaker 5 (01:07:49):
So sad, but you got to have a good show.
Like thankfully, nothing in.

Speaker 2 (01:07:54):
My life matters that dix at Arkansas lost.

Speaker 4 (01:07:55):
That's it.

Speaker 5 (01:07:56):
However, at least the loss didn't happen during the show
show and it would affect the good show. That'd be
double lot.

Speaker 2 (01:08:03):
I wouldn't have seen it.

Speaker 1 (01:08:05):
We had a TV side stage, Yeah, but I wuldn't.
I made sure I couldn't see it from the stage.
Oh gosh, you imagine looking Yeah. Sure, people pay good
money for tickets. I'm not going to be distracted. But
when I would like pop off and have a drink
of water something because I have videos that run, I
would take a look at the score.

Speaker 2 (01:08:19):
And we lost. It was it was miserable. We went home.
It's the only thing that really makes me like, so,
what's it been?

Speaker 5 (01:08:26):
Not even forty eight hours, so we're not recovered yet.
It's going to be tomorrow.

Speaker 2 (01:08:30):
It's three days, three day.

Speaker 1 (01:08:32):
And not only that, we shot an episode of too
Much Access my Football show. If it was supposed to
come out today, of Arcus, I'll not putt it out.
Why delay it the loss loss doing it. Okay, I
understand that I don't.

Speaker 2 (01:08:46):
I hate the world.

Speaker 7 (01:08:47):
So there we have it.

Speaker 5 (01:08:48):
Well, when will you put it out?

Speaker 7 (01:08:49):
I don't know.

Speaker 4 (01:08:50):
Maybe never. No, that's not true.

Speaker 1 (01:08:52):
When we win, about to go to a rough stretch
l s U Alabama, it's a whole, it's a rough stretch.

Speaker 2 (01:08:58):
So but yeah, it was.

Speaker 1 (01:08:59):
It was a good weekend on the road. Oh you
want to hear something now, I'm just gonna leave it there.
Oh I got to know that I don't it's gross.

Speaker 2 (01:09:08):
No right now? Okay, people w my beating.

Speaker 5 (01:09:10):
Breakfast regarding like your body, no, something.

Speaker 2 (01:09:15):
That we stumbled into in our hotel room. Okay, the
hotel room that was supposed to be clean.

Speaker 4 (01:09:21):
Oh got it?

Speaker 5 (01:09:24):
So did you know?

Speaker 4 (01:09:25):
Okay?

Speaker 5 (01:09:26):
Are you just gonna share this later?

Speaker 1 (01:09:27):
Because yeah, I'm gonna have to share it some other time, okay,
because I'm already not in a great mood about the
arkansasll lot, but I'm on a vombit which when I
think about it. Okay, I'm gonna play Luke Combs loving
on you. We'll grab some calls if you guys want
to hit us up. Eight seven seven seventy seven Bobby.
This is Shelley who lives in Myrtle Beach. Because we've

(01:09:48):
been talking about these hackers that have taken over the
casinos the hotels in Vegas and it's Mayhem there, Shelley.

Speaker 4 (01:09:54):
Were you there?

Speaker 5 (01:09:56):
Yeah?

Speaker 10 (01:09:56):
I was there and good morning studio morning.

Speaker 15 (01:10:01):
Yeah.

Speaker 10 (01:10:01):
I was there last Monday so we could go today.
We had best received a notice that MTM had been hacked,
and when I got there Monday night, they were not
able to like really check me in and take my
credit card. They had to write it down. A lot

(01:10:22):
of my co workers that were there, they in their
rooms that had the tablet to control the shade, to
control the lights, the air conditioning, everything, the tablets didn't work.
They were taking the light bulbs out from over their beds,
the reading lights so that they could go to sleep.

(01:10:43):
They some people were getting checked into rooms that other
people were already checked into. Oh no, but there are
a couple of pluses that happened.

Speaker 6 (01:10:54):
If you if you won, I won.

Speaker 10 (01:11:00):
Six hundred dollars on the slot machine, and they're supposed
to be able to give you a ten ninety nine.
They couldn't do it because they're sitting store down, so
don't have to pay tax on that, and they had to.
They didn't carry when they did the hand to pay,
they didn't carry change, so they had to round everything
up to the next dollar.

Speaker 4 (01:11:20):
Oh god, that's cool.

Speaker 5 (01:11:25):
Yeah, they also like I love that they're like just
writing down people's credit card numbers on pieces of paper
paper somewhere.

Speaker 15 (01:11:32):
I know.

Speaker 1 (01:11:34):
So how long?

Speaker 2 (01:11:36):
How long were you there.

Speaker 10 (01:11:38):
Monday to Thursday?

Speaker 8 (01:11:40):
And it was not fixed before I left?

Speaker 1 (01:11:43):
Was it miserable the whole time?

Speaker 6 (01:11:47):
Well?

Speaker 10 (01:11:47):
I mean it was very inconvenient for a lot of people.
You also couldn't charge back to your rooms, and some
of the restaurants and some of the little shops could
not take anything but cash.

Speaker 4 (01:11:59):
That's tough.

Speaker 1 (01:12:00):
That's tough.

Speaker 2 (01:12:01):
Would you go back right now if they were like, Hey,
let's go to Vegas.

Speaker 10 (01:12:07):
And not have to take tits on any of my winnings.

Speaker 1 (01:12:09):
But you have to win though, you have to win
at Okay, we're supposed to go Friday for Friday night,
Saturday night.

Speaker 2 (01:12:20):
I Heartlready Music Festival and I hit up our bosses.

Speaker 4 (01:12:23):
I was like, are we good?

Speaker 1 (01:12:25):
And what I was told was the festival is completely
that that arena is completely isolated and fine, but I
was like, what about us living our hotel?

Speaker 4 (01:12:35):
What about.

Speaker 1 (01:12:37):
Eating, drinking water and elevators?

Speaker 2 (01:12:41):
Well, thank you very much.

Speaker 1 (01:12:42):
I appreciate that call, Shelley, and I'm glad you're back
safe and that you won some money, and you know
you chose to do what you.

Speaker 5 (01:12:49):
Chose to do with it, all right, and think about
it with our company. How many hotel rooms do we
think we need? It's one hundred, it's in hundreds and hundreds.
Where are we what are we going to do?

Speaker 1 (01:13:04):
The good thing about Vegas is you're not supposed to
sleep anyway, so we're all good.

Speaker 5 (01:13:10):
Looking forward to sleeping.

Speaker 1 (01:13:12):
More on there, let's talk to Ashley in Virginia Beach. Ashley,
thank you for calling the show.

Speaker 2 (01:13:18):
What's going on?

Speaker 11 (01:13:20):
Morning Studio?

Speaker 15 (01:13:21):
Morning?

Speaker 10 (01:13:23):
Hey.

Speaker 6 (01:13:24):
I was just calling because I was at the Virginia
Beach show and I just thought that you were so
eloquent and able to engage the crowd the whole time,
even before the fight. After the fight, I was able
to meet you before and I just really appreciate you
always engaging with everyone. We were fantastic.

Speaker 1 (01:13:42):
Did you hear them throughout the night before they got
kicked out? Did you hear and were you annoyed by them? Yes,
me too, and I was.

Speaker 2 (01:13:52):
I was trying not to show it. I was battling
through it.

Speaker 1 (01:13:55):
And when security came and then fist started, I couldn't
believe it, but I could also couldn't ignore it. So
I had people up, they were in the fight, and
we talked about it, and then the card goes, YEA,
that's awesome. Well, thank you for coming to the show.
I really appreciate that. It's just a wild night in
Virginia Beach. But DC was amazing. Virginia Beach was great.
They love the people of Virginia Beaches.

Speaker 2 (01:14:16):
But they do go hard.

Speaker 1 (01:14:17):
I'll be honest with you. It is a military town,
so they go hard when it's time to go hard.

Speaker 2 (01:14:22):
Does that make sense?

Speaker 5 (01:14:23):
Yes?

Speaker 1 (01:14:23):
Yeah, like they protect us and then they then they
go hard. They go hard for them. Yes, absolutely. Okay, boy,
I got a good story here. I just don't know
if I want to get into it right now. Ready,
don't have enough time. Death there four minutes?

Speaker 4 (01:14:36):
Yeah, okay.

Speaker 1 (01:14:37):
So there is this hey Mike deal. When you come
up to the microphone. There is a Mexican singer. I
believe the name is Peso Pluma. Yeah, that's him. He
performed at the VMAs, and he's been getting death threats
from the drug cartel, from a drug cartel because he
was glorifying a different drug cartel. Yeah, two rival cartels
and they are upset. So dude, it's scary, So tell
me what you know about it.

Speaker 13 (01:14:58):
So he name checked a different cartel that is rivals
with El Chaplo's cartel.

Speaker 1 (01:15:03):
So they got mad about it.

Speaker 13 (01:15:04):
They threw up a banner in Tijuana where he's supposed
to play a concert next month, and said, if you
play this concert, we're gonna rip out your tongue.

Speaker 1 (01:15:11):
And you're done.

Speaker 4 (01:15:11):
You're finished. And they're not lying, they'll do that.

Speaker 1 (01:15:14):
Yeah, they don't make empty threats. Well they kill him though,
if he even doesn't go to Tijuana, meaning does he
have to worry about his life just hanging out in
any Mexican.

Speaker 2 (01:15:23):
Or American even in America.

Speaker 13 (01:15:24):
He's postponed his concert date, so he hasn't played a
show since the VMA's and he's probably gonna he's already
moved to Tijuana show, so he's not going to do
it now.

Speaker 5 (01:15:32):
So he name checked on stage in a song.

Speaker 4 (01:15:37):
On stage on the VMA's why.

Speaker 13 (01:15:39):
I don't know why soho would you compare him to
a country music He's like the Mexican Morgan Wallen.

Speaker 2 (01:15:43):
He really blew up this year high school.

Speaker 1 (01:15:45):
Yeah, whisky Glasses doesn't say the partial and this one doesn't.

Speaker 6 (01:15:54):
No different song.

Speaker 1 (01:15:56):
Yeah, from what I know from my brief learning of
the cartel, they don't f around.

Speaker 4 (01:16:01):
No, no, they don't. Yeah.

Speaker 13 (01:16:02):
There's another case, a singer from the nineties. He was
on stage, you got a letter from the cartel and
said this will be your final show. If you don't
stop playing now, you will not live, and then kept
playing the show.

Speaker 2 (01:16:13):
Later that night they killed him. He was found dead
the next day.

Speaker 4 (01:16:16):
Oh my gosh, I can't you want to mess around?
I no, no, I don't any I don't say I
don't mess around.

Speaker 1 (01:16:20):
I don't want to mess around.

Speaker 5 (01:16:21):
I'm not a part of this story.

Speaker 1 (01:16:23):
Why do you put your hands as well? This is
a news story.

Speaker 5 (01:16:28):
I know we're not name checking anything.

Speaker 4 (01:16:30):
Amy's done talking about cartels from here on. Oh she's
not just me, she's fascinated with it.

Speaker 5 (01:16:34):
I am very fascinated, but also like this just freaking
me out.

Speaker 2 (01:16:37):
Do you know Peso ploma?

Speaker 7 (01:16:39):
Yeah?

Speaker 2 (01:16:39):
Did you know him. He's one of my favorite artists
right now.

Speaker 5 (01:16:41):
Really really just have songs also that are in English
or just in Spanish.

Speaker 2 (01:16:48):
So I was reading about him.

Speaker 1 (01:16:49):
He sings like a contemporary hip hop influenced version of
like traditional songs. Yeah, Kelly Morgans like like you know
eight oh Eight's are electronics into his country music.

Speaker 7 (01:17:01):
I would have.

Speaker 1 (01:17:01):
Compared to like outlaw country.

Speaker 13 (01:17:02):
They're called nas, which is essentially just songs about the cartel,
a little about drug driving in Mexico.

Speaker 2 (01:17:07):
That's what it's a genre of music.

Speaker 1 (01:17:10):
Yeah, yeah, I don't want to do that genre. I
don't want to be a regy to play that genre.
So what do you think happens with them?

Speaker 13 (01:17:17):
I feel like he's gonna lay low for a while
and then I don't know if he'll do shows in
Mexico right now, especially not in Iguana.

Speaker 1 (01:17:23):
If he ever comes back. Do you think they'll be
trying to kill him if he goes to that city?
Maybe career over, I think, yeah, I retire, I'm gonna
be a banker in Madison, Wisconsin. If I'm Basil, I'm
gonna switch it out. Yeah that's crazy, all right, let
me take one more call. Here, Donald in Delaware, you

(01:17:46):
are on the show.

Speaker 2 (01:17:47):
Thank you for calling us. Donald. What's up?

Speaker 8 (01:17:50):
Morning Studio Morning? So I actually do the same thing
Lunchbox does every now and again with the Amazon pallett
and it actually works.

Speaker 2 (01:18:02):
So you go and he hasn't done it yet.

Speaker 1 (01:18:04):
So but he said we should all chip in and
buy an Amazon Pallette into earlier this morning. I like,
when are we getting it? We got to get it
this week. We've all chipped in our money. We go up,
we pick an Amazon Pallette. We don't know what's in it,
it's all returns, and then we do.

Speaker 2 (01:18:16):
Then I'm like, what do we do with it? What
do you do with the Donald?

Speaker 8 (01:18:19):
So we put ours on like Marketplace or something like that,
or so my coworkers need like, uh, we sold a
kid's throne, So we got a kids throne. You get
like all kinds of different stuff, and I believe you
can pick through what you want, Like you get electronic box,
you get at this box to makeup box and stuff

(01:18:42):
like that.

Speaker 2 (01:18:43):
Okay, do you know where you're going to get this up?

Speaker 12 (01:18:45):
Oh?

Speaker 4 (01:18:46):
Warehouse?

Speaker 2 (01:18:46):
No, yeah, I know that, But do you know where
it is? You have an address?

Speaker 1 (01:18:48):
Yeah, it has an address, and have you paid already? No,
I don't know if you pay when you go or
if you pay.

Speaker 4 (01:18:53):
I don't know.

Speaker 1 (01:18:53):
Shouldn't you know since you were you headed this whole bit?

Speaker 4 (01:18:56):
No, man, I just found it.

Speaker 3 (01:18:57):
I didn't know if you guys were going to invest,
and then once you invested, I'm like, yes, so I
just assume we're gonna pull up pay.

Speaker 1 (01:19:01):
And go okay, Well, Donald, that does give me an
idea how we'll sell the stuff. Then Amazon marketplace, Face marketplace.

Speaker 5 (01:19:11):
I feel like we should go electronic box.

Speaker 2 (01:19:13):
Yeah, I agree with that.

Speaker 4 (01:19:14):
We're not doing makeup. There's no money in macup.

Speaker 2 (01:19:16):
I know everybody for the Amazon.

Speaker 1 (01:19:19):
I mean if it were me, I wouldn't go for
what's supposedly the thing that you should go for. Wait,
maybe what Donald?

Speaker 9 (01:19:25):
Have you?

Speaker 1 (01:19:25):
What is you found?

Speaker 2 (01:19:26):
Best way you found? Donald?

Speaker 4 (01:19:28):
Makeup?

Speaker 12 (01:19:29):
Or like a lot?

Speaker 8 (01:19:31):
Well, so my person that also helps out, his sister
does cosmetics. So the makeup is a is a plus
for us. But you really don't know what you're getting.
Like when you get it, you can actually get it
mailed to your house and you can go through it.

Speaker 12 (01:19:47):
I don't know.

Speaker 8 (01:19:48):
I don't do the route. I don't do the expensive ones.
I do you get like different boxes for different different money. Yeah,
we're going and then you get it mailed to your
house and you go through it and then you can
past as you want. A guy I know he does
get the pallets, but he gets like four or five
puts at the time, and he sells like he did
like golf clubs, Eddy Kohler's buy more.

Speaker 1 (01:20:12):
We got so because we gotta figure out we're going
to do that. Thank you Donald for the call. We
appreciate that.

Speaker 4 (01:20:16):
Bobby Bone show up today.

Speaker 3 (01:20:19):
This story comes us from Nashville, Tennessee. A twenty four
year old man had warrants out for his arrest for
drag racings. He's like, you know what, I'm ready to
turn myself in. So he drives to the police station,
turns himself in, and he had guns and drugs in
his car.

Speaker 2 (01:20:34):
He wasn't turning himself in for that, No, the drag racing.

Speaker 1 (01:20:38):
Yeah, but also it's like did they go through his
car if he goes and turned himself in, Like it's like,
I'm here to turn myself in, do they to run
out to the car and check it?

Speaker 4 (01:20:45):
Good question.

Speaker 3 (01:20:46):
I guess they maybe impound your car because you're getting arrested.

Speaker 4 (01:20:49):
I don't know how it works for you.

Speaker 1 (01:20:51):
I might just uber to turn myself in because I
don't want to have to pay the towing fee.

Speaker 2 (01:20:54):
I'm being honest. Is that kind of stink too to
double up?

Speaker 15 (01:20:57):
You know?

Speaker 1 (01:20:58):
All right, I'm lunchbox.

Speaker 4 (01:20:59):
That's your bone head story of the day.

Speaker 1 (01:21:02):
It's kind of a big announcement here as a show.
We're moving on, not quitting. Oh, none of us are leaving.
But for a while we've been calling Amy's ex husband
her reverse husband because she had said she did not
want to call him X husband. It was her thing,
and we respected that, and so we found funny names
for him. However, announcement time for her.

Speaker 5 (01:21:24):
Well, yeah, I think that I'm okay with ex husband now.
It's just taking me a minute to get used to it.
And I feel as though me trying to avoid it
was maybe putting out there that there's some shame behind it,
or that I wasn't okay with our decision. And I
don't want anybody else to feel that or like to
feel like it's weird. It is okay, and so ex

(01:21:47):
is fine. And also it's what Ben's been saying so
I will hop on board with that. It just took
me a minute to get used to it. But I
just don't want to have any other I don't want
to have it seemed like it's a negative thing.

Speaker 1 (01:21:58):
So I never really took it as you not doing
it because of shame. I just thought I was funny.
But now I'm sorry you're shamed.

Speaker 5 (01:22:05):
Well, no, that's okay. I don't feel shame. I I
just didn't want it to it was to come across
that way, and I think that we didn't think that anyway. Okay, good. Well,
I just didn't want anybody else that's going through it
to feel like they can't just own the situation that
they're in and they have to dance around it with
some weird name.

Speaker 2 (01:22:22):
And he was also but he was calling you x.
You were his ex husband too, apparently. Yeah, that's what
she said. Both of them were ex husbands

Speaker 1 (01:22:29):
Right, Yeah, see you tomorrow by your buddy own show.

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Bobby Bones

Amy Brown

Lunchbox

Eddie Garcia

Morgan Huelsman

Raymundo

Mike D

Abby Anderson

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