Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
A couple controversies from the weekend. We'll go with number
one and I'll start with Dylan Marlow. And Dylan had
the song.
Speaker 2 (00:09):
Hooding Boys back Home and bear No Song. Yeah.
Speaker 1 (00:14):
So he was playing a festival in Wisconsin and he
was playing, and then I think Jake go and played
and somebody else played after that. It's still daylight and
the TikTok video just shows a massive security guard with
a beard and he's got his hand grabbing Dylan Marlow's
shirt and twisting it so that Dylan Marlow doesn't run away,
and he's walking him out of the festival. And I
(00:36):
saw it and I think Dylan's a great dude, and
I thought brilliant, brilliant because it was going so viral
on TikTok and we're supposed to believe that Dylan Marlow
got kicked out of a festival that he played himself.
So we were playing golf yesterday and we texted him
and it was true. It was real, And so then
he took the video down because it got so controversial.
(00:57):
This security guard looked like I told douche back because
he grabbed another man by the shirt, twisted and like
walked him out Dylan Marlow had just played the show
and they like kicked him out of like the sound
booth area, and so he takes the video down and
then I have his explanation as to what happened here,
and this is Dylan Marlo.
Speaker 2 (01:15):
Go ahead, just a.
Speaker 3 (01:16):
Little quick backstory. Me and Dave. We're watching Jake's set
from in front of house, just trying to stay out
of the way. And front of house was like this tower,
so there's like second story, first story of the of
the booth, and so we're up up top watching and
probably for ten or twelve minutes, this dude comes up
(01:36):
and he says, uh, you know, we can't be there.
So we were like very It started off very politely,
you know, We're like, hey, we have these I still
have my wristband on, like these are all access. So
we kind of went back back and forth of like
trying to explain to him that we had just played
and we were trying to just watch Jake set stay
out of the way, and he kept telling us like
(01:57):
or I asked, somewhere else we could go then that
will be out of the way, and kept saying the pit.
But if we go in the pit during the middle
of the day. It's kind to probably caused a little
bit of a scene just because we just got off
stage and we're in the same clothes. So last thing
I want to do is try to make a scene
during Jaco and set, because that, to me, is disrespectful
during his set. So uh, after that, there was definitely
(02:18):
a few heated words exchange to that guy. I just
for what I believe in, what I'm trying to, like,
get out there push the message. This isn't like the
message I'm trying to push for myself or to anybody.
Speaker 1 (02:30):
And so it's like, you know what, And I went
to church and I thought about it, and I took
the video down. But this dude, the security guy, looks
like a total douchebag. Now, you don't grab another adult
man like that, especially one that has every credential. What
happened was from this is me taking all my experiences
around this type of guy who gets a little bit
of power and then all of a sudden is the
balancer of the whole festival. This is what I think
(02:51):
happened based on experiences I've seen. The security guy goes, hey,
you guys got to get out of there. Dylan goes,
we don't because we have backstage passes. Well, security guys
embarrassed because he just said to one of the artists,
you got to get out of there, and also is
like a big mask he'll do with a big beard,
and he's like, I said get out of there. And
Dylan's like, oh, we don't have to get out of here.
So security guard now he's going to be like, Okay,
I'm gonna get you out of here. Even though he
knows he's wrong, he still wants to enforce the rule
(03:14):
that he said because he's the guy with the power,
not the person who's up. And so he grabs him
by the shirt and other people have it up and
you can hear as Jaco wants play, he's like Dylan
Marlowe as the security guys walking him out.
Speaker 2 (03:25):
Dylan wasn't drunk or anything.
Speaker 1 (03:27):
Seems like that security guy seem like the biggest douchebag
in the world who got a little bit of power
and was using it and abusing it.
Speaker 2 (03:34):
I would have taken it down if I was Dylan.
Speaker 1 (03:36):
I thought it was such a good thing to post,
meaning I thought it was a bit.
Speaker 4 (03:39):
Oh that's why you said brilliant.
Speaker 2 (03:40):
Yeah, she thought it was brilliant.
Speaker 1 (03:41):
I thought because George Bursch, who sings Zoo listens Cowboys songs.
I was with him playing golf yesterday and he was like,
you said that Dylan thing on TikTok, and I was like, yeah, brilliant.
He goes, man, I wish I was good at that.
I said that was awesome, Like, who knew that would
catch on? And so he texted him. He's like, no,
wasn't it. He goes, and I'm taking it down And
(04:02):
then he posted that after he took it down.
Speaker 5 (04:03):
Wow, I love the we he said he went to church. Yeah,
thought about it, take it down.
Speaker 2 (04:08):
I like that.
Speaker 1 (04:10):
That kind of guy, that security guard. I hate that
kind of guy. You got a little bit of power.
It's like the guy working outside the club, got a
little bit of power. Don't let it go to your head.
Speaker 4 (04:19):
Yeah, I wonder what was up with that.
Speaker 2 (04:21):
He was like a jack dude too, with the big beard.
Speaker 4 (04:22):
You know, why can't you just say, oh, you've got
all your credentials? Cool? Sorry my bad.
Speaker 1 (04:26):
He had him all on. He had his wristband on
still because he was in his bus when he was
doing that. Yeah, it's infuriate, infuriating, in fury in my
tooth is still gone, dude, dentist vacation.
Speaker 2 (04:39):
Oh that's right, I infuriating.
Speaker 4 (04:41):
I didn't hear anything.
Speaker 1 (04:42):
Sometimes this morning would do the child infuriating. I do
this and maybe you don't hear it, but I do
hear it. Yeah, Okay, that's one controversy. The second one,
so Josh Ross has I guess this song just went
number one.
Speaker 2 (04:57):
He has a song single again. Are you familiar with
the amy.
Speaker 4 (05:00):
Yes, but I cannot sing it to you right now
because all I have in my head is seares to
them boys back Home.
Speaker 1 (05:05):
Okay, fair enough, single again, single logat whatever. It's number
one song this week. So the guy's from Canada. He's
a Canadian guy. I don't know him. So I don't
know him at all. I don't know him FM Man
on the Moon. So I'm gonna say this one. I
don't know him, the Man on the Moon. So Josh
Ross gets up on stage and I understand his sentiment.
(05:26):
But he gets up on stage at a festival and
I'm gonna just play you his clip from the festival.
It's him and he grabs an American flag, go ahead,
fun fat, real quick.
Speaker 2 (05:39):
I'm Canadian.
Speaker 5 (05:42):
You want to know the bess fun fact is I
move to the bed.
Speaker 2 (05:46):
In the worlds you with F, you with F.
Speaker 1 (05:56):
So I think if he were able to go back
and say it again, I think he would say, I'm
from Canada. I love Canada, but I really love this
country too, USA, because he was like a big deal
in Canada and they supported him forever, and now he
comes to America and it's like, this is.
Speaker 2 (06:09):
My favorite country.
Speaker 1 (06:10):
Now I'm my favorite country America, USA. We all love America,
but you didn't have to piss off your home too.
You literally could have said, you guys know, I'm Canadian,
but man, living in America has been awesome. I like
to shout out to all you guys because America rules USA. Instead,
he's like, I'm now the greatest country in the world.
Speaker 2 (06:29):
Now we feel that way.
Speaker 1 (06:31):
But if your home country built you and like supported
you and made you a star there first, and then
you use that to propel yourself to come down here,
and then you're like that country sucks compared to this country,
there's just a better way to say that. Even if
you felt that way. So now that you know he's Canadian.
And this was at the Tailgate and Tall Boys Festival
in Bloomington, Indiana. And this is just weeks before he's
(06:54):
going to perform in Ottawa's Canada Day celebrations.
Speaker 2 (06:58):
Oh man, play it again. Fun fact, real quick, I'm Canadian.
Speaker 5 (07:07):
You want to know the best fun fact is.
Speaker 1 (07:09):
That the best.
Speaker 3 (07:16):
You with you? We that.
Speaker 2 (07:18):
Yeah, he went hard, he went too hard. He didn't
have to do that.
Speaker 1 (07:22):
I think America's best country in the world. But you
can do both. You can say both. You didn't have
to be like, I'm from Canada, but now I live
in the best country in the world.
Speaker 2 (07:29):
Because you've got to go back home, like I wouldn't be.
Speaker 1 (07:31):
Here in Tennessee and be like, you know what, I
moved Tennessee, but I'm from Arkansas. But Tennessee's the best
freaking state ever. And then go back to Arkansas and
feel like I'm gonna love me the same. I do
have his apology. Would you like to hear his apology? Yes,
because his apology is what made me go check out.
Speaker 2 (07:46):
The real story is.
Speaker 1 (07:47):
What's funny is that I didn't even know this was
an issue until I saw his apology, and then on
the bottom of tak talk where it tells you, you
know whatever they're saying it said Josh Ross on stage.
Speaker 2 (07:58):
Like hating Canada or something like that. Here we go,
here's an apology.
Speaker 6 (08:01):
Let me turn Hey, guys, I just wanted to jump
on here and address the clip that's been going around
from my performance at tail getting Tall Boys. I'm sorry
to anybody who's offended by what.
Speaker 1 (08:13):
Oh, you can't be I'm sorry anybody who's offended. That's
not a real sorry. You don't have to apologize, by
the way, you can just not apologize. That's so I'm
not even demanding an apology. I just thought it was
kind of awkward. But if you ever go I'm sorry
to anyone who was offended, that means you're not really
that sorry. Like it's me going to my wife being like, eh,
I'm sorry that hurt your feelings. No, because I'm sorry
that hurt her feelings. I'm not sorry for what I did.
There's no remorse for what I did. I'm sorry for
(08:35):
how you took it. It's what that's saying.
Speaker 2 (08:38):
Hmm.
Speaker 6 (08:40):
I'm grateful I get the tour all over the world
and I feel like I'm always representing Canada. No matter
where I go.
Speaker 2 (08:46):
Raise in Canada, but been.
Speaker 6 (08:47):
Living in Nashville for the last five plus years.
Speaker 2 (08:51):
Half my family lives in Canada. The other half is
here in the US.
Speaker 6 (08:54):
And I'm as proud of establishing myself in the US
as i am being Canadian. Both sides were not communicated
in the clip that you guys were seeing, and I'm
sorry that that wasn't clear.
Speaker 2 (09:05):
Both sides were not communicated in the clip.
Speaker 5 (09:07):
You were saying.
Speaker 4 (09:08):
Did he say more at the festival? Liked he?
Speaker 2 (09:13):
I just want to do this apology for him. This
is what he should have done. First of all, if
you don't apologize, I don't apologize. Who cares?
Speaker 1 (09:18):
Like this is gonna go away in five seconds? Anyway,
this is not real life. It doesn't matter. But if
you're gonna apologize, this is how you do it. Hey,
Josh Raw's here. I got up on stage and I
was like, I'm from Canada, but this is the best
country ever. First of all, America is awesome. It is
an awesome country. But also I didn't mean to disrespect
my home. I was just saying crap up on stage.
You get caught up in the moment. I love Canada
and I love my new home in the United States,
(09:39):
So sorry about that.
Speaker 5 (09:41):
That's the apology, because honestly, I was thinking that, like,
did he just get caught up on the in the
moment and start pandering to the.
Speaker 1 (09:48):
Crowd, because they're all absolutely that could have been it.
That's what I thought too, because he's like pumped in
the crowd yelling he's just get his first number one.
That's why that apology, if you're going to do one.
I don't think anybody needs anology for everything. It needs
to be different. It needs to be like, I just
got caught up. Yeah, I love I love it here
the USA. But also I didn't mean to say about Canada.
I don't that came out wrong. Obviously I love home.
(10:10):
So first of all, I'm not apologizing. If I'm him,
it's gonna go away.
Speaker 4 (10:13):
Yeah, you drew a more attention to it, like for example,
you wouldn't even you hadn't seen the stage and drew
you to the escape stage one.
Speaker 1 (10:22):
So I don't think he meant what he said. I
think he just got caught up. But his if you
were offended, I'm sorry. That's not you saying you're sorry
for what you did. That's I'm sorry that you took
it in a way that was offensive to your hilarious. Also,
this isn't this is nothing. This is nothing. Nobody cares,
not in a bad way or a good way. But
(10:43):
if I were him, my advice would be, don't getrapped
up in it. Move on because everybody's gonna forget about
it in six hours anyway. And if you feel like
apologizing for real, apologize for real. If you don't move on,
who cares? It doesn't matter. Everything's irrelevant.
Speaker 4 (10:56):
Like I'm trying to think of my favorite artists at
the time, were to go to Canada, be like, you
know some fact, I'm from America.
Speaker 2 (11:03):
But Canada, I don't.
Speaker 4 (11:05):
Okay, another fun fact, I moved to the greatest country
ever Canada, Canada. I don't know that. I'm gonna be like, well,
I'm never listening to their music.
Speaker 2 (11:13):
Are they playing Amy Fest next week?
Speaker 4 (11:16):
The true true that he's going to come back? I guess,
I don't know.
Speaker 2 (11:20):
There's just a lot of crap happening in the world
that matters.
Speaker 1 (11:22):
This doesn't matter. I think he got caught up. I
don't think he loves America more than Canada. I think
Canada's home, and he loves America. Now he's having success here.
Let the guy live. But if you're going to apologize,
just generally speaking, if you're going to apologize, really apologize
or just don't. I don't give a crap either way,
because there's stuff that I do. Sometimes I'm like, ah,
I'm kind of sorry about that, but not enough. So
(11:43):
then I don't because nobody cares. You're just going to
relight the switch sometimes. But the apology is, oh, I
got caught up, sorry about that.
Speaker 2 (11:51):
I don't actually mean that. That's it. Five second long.
My bad. That's on me. That's on me. Big dog
here takes that one, big dog takes.
Speaker 4 (12:00):
This is the problem.
Speaker 2 (12:01):
Love them both. He needs apologize for his apology. Now,
that's the thing. Now he needs to apologize for his apology.
He should apologize for his apology. That's funny. Imax is
the Odyssey.
Speaker 1 (12:17):
The tickets sell out in about an hour a year
before its release, and now tickets are selling for four
hundred dollars. What and so the person who's doing the homer, yeah,
the iliad you're familiar with that?
Speaker 2 (12:31):
Did you have to read them?
Speaker 3 (12:32):
Yeah?
Speaker 2 (12:33):
I don't know what's about.
Speaker 1 (12:35):
But Christopher Nolan's doing the movie. Christopher Nolan of The
Dark Knight, Christopher Nolan of.
Speaker 7 (12:39):
The Dream movie inception Interstellar Interstellar Shimer.
Speaker 1 (12:45):
Yeah, The Odyssey is set for release. Tickets to the
Imax version of the film one on sal Soldo quickly.
Nolan's version of the classic Greek myths during Matt Damon
as the eternal hero Odysseus, is being shot entirely on
Imax film cameras, a first for a commercial feature. Within
an hour hour of going on cell, ninety five percent
of seats were snapped up. Now they're showing up on
third party resellers for as much as four hundred bucks.
Speaker 7 (13:05):
What do you think, Mike, Yeah, I tried to get one.
They're sold out, but there's only one showtime right now.
And the reason it's so like interesting is because Oppenheimer
was only filmed like twenty five percent in Imax. So
the entire time this movie is gonna be huge like
I in Oppenheimer, only like the bomb scene was an Imax,
like fully Imax. So this is the whole movie, all big,
entire time was f one filmed Imax, not the whole
(13:28):
thing like Imax film is like the best quality you
can get. There's only like twenty theaters in the world
that you can go see like that, oddly enough, ones
right here downtown.
Speaker 1 (13:36):
The last time I went to an IMAX movie was
the Old Museum in Austin, not old but the museum,
the Bobble Museum.
Speaker 5 (13:41):
Yeah, the Texas Texas History Museum is a bubble. Yeah,
babble like Texas Museum.
Speaker 2 (13:45):
We're going to the museum.
Speaker 1 (13:46):
And they had a humongous Imax the year and I
like watched a movie there, but I haven't been to imax, And.
Speaker 7 (13:50):
The one you watch probably like shorter, right because whenever
like those big Imax movies where you're like, oh, you're
immersive completely underseas either like ten minutes because it's so
expensive a film like that.
Speaker 2 (13:59):
Oh, I didn't know that.
Speaker 1 (13:59):
So you're telling me the movie wasn't all big screen.
It was mostly big screen with like pops of it.
Speaker 6 (14:03):
Yeah.
Speaker 1 (14:03):
Would they ever show though the movie just on Imax
screen and make it massive?
Speaker 7 (14:08):
Sometimes they stretch it, But if you watch it, if
you watch certain movies, you'll see it go different ratios.
You'll see it go like kind of wide screen, then
kind of full and go kind of back. But for
this time. It's the entire screen the whole time.
Speaker 5 (14:19):
So the sale the tickets that were sold is probably
just like the first week or something, or.
Speaker 7 (14:25):
The first showing, first showing, like one PM, good pr
for the movie.
Speaker 1 (14:30):
What I would have done is bought all the tickets
for the first showing when I put them out if
I'm the movie company, and then go they're all sold out,
and then get the new story. But then who goes
to it? No, it doesn't matter. It's the first showing.
Who gives a crap? But no one shows up because
you bought them. Now they'll end up being able to
be sold back. Yeah, but you do this and you
buy them all so you can have the new story
if they're all bought.
Speaker 2 (14:47):
It's like there are bands at times.
Speaker 1 (14:49):
If they know, like an A and R person is
going to come and watch them, they will sell out
their entire arena and then pay people to come as
extras because you can hire extras through companies. And then
an ar person gets there and sees the crowd so
high and like, oh my god. It's harder to do
it now because that's been something that has been now
discovered that people do.
Speaker 4 (15:05):
Do The people that are I guess, filling the seats
if they're being hired to be there, do they Are
they allowed to say that at any point?
Speaker 2 (15:14):
I don't think you really talk.
Speaker 4 (15:16):
I guess it doesn't really map. I guess it's just like, oh.
Speaker 1 (15:18):
Hey, who are you gonna tell that's gonna be affected
by it because the whole room is full of either
ticket buyers or those people, and then like an A
and R person And it's not like they're going to
go for that one A and R person to be like,
we bought tickets here.
Speaker 4 (15:27):
I don't know. I was just thinking. People make videos
on TikTok and be like, hey, I went to this.
It was totally full, looked sold out. But guess what
half of us are paid people to be there?
Speaker 1 (15:35):
Oh I think the bands end up doing that because
they they won't only I know about it. Are bands
telling the story about how they did that? Oh, okay,
in order so I don't know. But the bands are like, yeah,
we paid for a room to be filled, and that
we knew there were people coming to watch us, like
a showcase, and so we paid. It looked like people
were buying a bunch of tickets, but that's happened. Even
(15:55):
in the nineties, artists used to go and buy all
their albums from store regionally to show sales. It was
kind of an investment. So they go and buy a
bunch of CDs at the best Buy and that town
that best Buy would report, Man, I think three doors
Down did this. We sold that at three doors Down
CDs and so people would be like, dang, three doors
Down is really selling well in this market. We should
(16:16):
They should be played on the radio, even though they
have a record deal. They get played on the radio
next thing, you know, Like it's all an investment up
and game in the system, but in illegal way. And
I'm all for game in the system, but you know what,
all those times I've gained the system, I'd like to
apologize for everybody that's.
Speaker 2 (16:31):
Been offended by it.
Speaker 5 (16:32):
I'm sorry you offended them.
Speaker 1 (16:35):
That CEO from the Coldplay kiss cam did resign. This
happened on Friday, Wow, And so my thought is they
made him resign. But I don't think somebody's personal life
that's not illegal should affect their job.
Speaker 4 (16:46):
I wonder if it was because she was in the car.
Are they allowed to date ceo allowed to day hr?
Speaker 1 (16:52):
They never said they weren't, so they never said I
it's the divorce and the embarrassing part of it from
what I read, because I thought the same thing. There
was a rule that said you couldn't date in the office.
I never saw that, and I looked at through four
different articles. The company issued a statement emphasizing its commitment
to accountability and confirm the co founder, Pete de Joy,
(17:12):
will serve as interim CEO during the strip the search
for a permanent replacement. Our leaders are expected to set
the standard. Astronomer said they did not meet those expectations.
See it never says anything about company handbook, guidelines and
a company handbook. My assumption would be the board got together,
they were humiliated because the name of the company was
out there and said you must resign. I think if
(17:34):
you're not doing anything illegal, I don't think that should
really affect your work if you're good at your job,
unless you have a front facing job, meaning if you're
like us, for example, we can embarrass our company because
people know who we are.
Speaker 2 (17:50):
People don't know that dude, Yeah he is a CEO.
Speaker 4 (17:53):
Yeah, astronomer.
Speaker 2 (17:53):
I didn't know what it was. When they said astronomer,
I literally thought he was in a Stronomer for for
six hours. I was like wow, I was like, what
a gig? Yeah, Astronomy away.
Speaker 5 (18:01):
But now we know that Astronomer is a tech company
because of that, and now a segment that's so amy,
she has her own theme song, hit.
Speaker 4 (18:13):
It Amy all the time, Amy all the time.
Speaker 2 (18:18):
Okay, okay.
Speaker 4 (18:20):
Here are seven things that neuroscience says we should be
telling ourselves every day to live our best lives.
Speaker 2 (18:25):
Let's see if I tell myself anything like this number.
Speaker 4 (18:27):
Seven, today is a new opportunity.
Speaker 2 (18:32):
When do I say that? Like when I wake up?
Speaker 4 (18:36):
I mean sure, when you wake up, or if you're
facing a challenge, or the day before was a kind
of a struggle day, like you'd be like, today's a
new opportunity. What this does It activates our brain's hope
and goal motivation circuits.
Speaker 1 (18:51):
Mostly when I wake up, I do this. Oh that's all?
Oh god, here waking up?
Speaker 2 (18:56):
All right?
Speaker 4 (18:56):
Next one, my presence matters.
Speaker 2 (19:00):
I kind of feel like my presence doesn't matter.
Speaker 4 (19:02):
See, you need not tell yourself that you need I
not you need not you.
Speaker 1 (19:07):
This is like the belly goat gruff, like you shall
not cross the bridge Okay.
Speaker 4 (19:11):
Then you for you definitely need to say my presence
matters over and over and over because you need to
rewire that.
Speaker 2 (19:17):
Okay, number five.
Speaker 4 (19:19):
My thoughts are not facts. This helps with emotional regulation
because a lot of times our thoughts get in the
driver's seat, and really our thoughts should be in the
passenger seat.
Speaker 1 (19:30):
What should be in the driver's seat? Uh, like exactly?
Speaker 4 (19:36):
No, I know, but well, more of your rational brain.
Like sometimes if you get too emotional or you lead
with your exact feeling in that moment or emotion and
you don't pause, like that part of you that pauses
that's in the driver's seat. I don't know what we
call that part.
Speaker 2 (19:52):
Yeah, I don't have any emotion like that. I'm never
led by emotion.
Speaker 4 (19:56):
Uh do you think sometimes you are when you give
like silent treatment?
Speaker 3 (20:00):
No?
Speaker 1 (20:00):
I think I understand. I can get more done if
I just shut that bow off.
Speaker 4 (20:06):
See that that sounds like that sound that's like a
thing you that's your survival mode.
Speaker 2 (20:14):
No, okay, yeah, stand off, I thought all the time. Okay,
go ahead, go ahead, go ahead.
Speaker 4 (20:24):
Okay. Another thing you should say to yourself to live
your best life is mistakes or how I grow.
Speaker 1 (20:32):
I feel like you have to say that after you
make mistakes to kind of justify the mistake.
Speaker 4 (20:36):
Right, sure, I mean you've said something similar. I mean
you have a whole book about it. Fail until you
don't like your failures are part of your growth.
Speaker 3 (20:45):
M hm.
Speaker 1 (20:46):
I feel like having that mindset is good if you
have a pre if you're always making it after, I
feel like it's an excuse so long as you go
into it with that mindset, like, look, almost screw it.
This is I'm taking on something big and for me
to get better at it, There's going to be some
times that I go backward sometimes that it doesn't work out,
(21:06):
sometimes that I just gain a little one.
Speaker 2 (21:07):
I want to gain a lot.
Speaker 1 (21:09):
I feel like though, every time if I were to
crash you out, I'd be like, well, you know what,
crashes are just part of it. I feel like I
would know I was making excuses for myself.
Speaker 2 (21:17):
Do that makes sense?
Speaker 4 (21:17):
Yeah, it makes sense, But it also makes sense that
you could remind yourself mistakes are how I grow, and
like have a growth mindset, So like the little asterisk,
there would be like I'm saying this, but I'm not
using it as an excuse. I'm using it so that
I don't get stuck in this failure, and then I'll
continue trying.
Speaker 1 (21:35):
Yeah, the problem is then i'd go double asterisk. That's
probably an excuse that I just did that. I'd probably
put a second ASTERI there.
Speaker 4 (21:42):
What about this next one? And do you ever say
to yourself? I am enough?
Speaker 1 (21:47):
Now I feel like I'm never enough? Actually, right, you
ask me the question.
Speaker 4 (21:53):
I know, but let's focus on that one. Okay, this one,
this one is what you also need to say, because
this will help you with the other ones. I can
change my brain.
Speaker 2 (22:05):
I do believe that.
Speaker 4 (22:06):
Okay, good, good, good. So you know that you could
be enough, You know that you could be enough, and
you could know that your presence matters.
Speaker 1 (22:14):
I don't think anything matters, is the problem. It's not
just my presence. This world's gonna come and go, and
a million years are gonna go by, and nobody's heck,
three hundre years gona by, nobody'snna be anything we ever did.
Speaker 4 (22:26):
So that sounds like an excuse to me.
Speaker 1 (22:29):
No, no, no, I just feel like we put too
much value in things that don't matter, and really the
things that matter are either the things that are super important,
close to us, intimate to us. We value things that
don't matter at all, like so much so when reality
nothing matters.
Speaker 2 (22:42):
That's how I feel.
Speaker 1 (22:44):
Nothing matters, and that should give you the courage and
the strength to go and do whatever you want, try
whatever you want because nothing matters, so have about it,
go get it. That should give you all the confidence
in the world this Since nothing matters, it doesn't matter
if you screw up, just attack.
Speaker 4 (22:57):
Were you talking about like new things people are trying.
I'm not talking about relationships.
Speaker 1 (23:02):
I feel like nothing matters so much that you shouldn't
be you shouldn't be ashamed if it doesn't work.
Speaker 4 (23:08):
Right, Okay, but it's good to know you believe in
neuroplasticity because that is what is happening with I can
change my brain.
Speaker 2 (23:17):
On that one.
Speaker 4 (23:18):
Well, yeah, we're moving to the final one.
Speaker 2 (23:19):
Okay.
Speaker 4 (23:21):
I am safe right now?
Speaker 2 (23:25):
Yeah, no chance.
Speaker 4 (23:27):
Do you ever feel safe?
Speaker 1 (23:30):
When I put my head under the pillow and put
the pillow right, I can't see any light.
Speaker 2 (23:33):
Sometimes I feel safe.
Speaker 4 (23:35):
M Okay, Well you can tell yourself that, you can
tell you.
Speaker 1 (23:38):
But then I know my body is still vulnerable to
an attacker even though my head has a pillow over it.
Speaker 2 (23:42):
But like, right now we're all here, we'll protect.
Speaker 4 (23:44):
You'd be like, I'm safe.
Speaker 2 (23:46):
Protect me.
Speaker 1 (23:47):
I would be all you guys have. If a murderer
came in, I wouldn't none of you guys would.
Speaker 5 (23:51):
But if the murder is trying to kill you, not us.
Speaker 1 (23:53):
You don't think you guys are run like yeah, right,
you guys are run like little tinkerbells. We want you
to feel safe now, No, no, okay, I feel you.
Speaker 4 (24:03):
I don't think this statement alone. It calms your amygdala
and it activates your parasympathic parasympathetic nervous system, and that
is exactly what you need in these moments like Bobby,
when you're feeling like shutting down or doing different things
like you're you're being reactionary, but in your own safe way.
(24:26):
It doesn't mean that you can't grow out of that,
like I do think that you.
Speaker 2 (24:29):
I don't want to grow out of it.
Speaker 4 (24:31):
You don't want to grow out of like silent treatment.
Speaker 2 (24:34):
No hum, okay, why would I write?
Speaker 1 (24:37):
I can grinte anything I want to grow out of
because I think my brain can change. But I have
tools and weapons to do things at high level and
I think I can block things out there.
Speaker 4 (24:45):
That's interesting.
Speaker 2 (24:45):
You call it weapons, tools and weapons both. Yeah, yeah, and.
Speaker 1 (24:53):
Especially if there are other people attached to me and
I need to eliminate something for the greater sake of
everyone involved, no problem.
Speaker 2 (25:00):
I can cut anything for the greater, greater good.
Speaker 4 (25:03):
Huh. Okay, I'm not to tell myself I'm safe right now.
I am safe right now, my presence matter.
Speaker 2 (25:13):
Are we ever really safe?
Speaker 1 (25:13):
Think about if somebody really wanted to murder you, think,
get in your house right now and kill you have
no problem.
Speaker 3 (25:17):
Yeah.
Speaker 2 (25:17):
So I don't feel like there's ever real safety either.
Speaker 5 (25:19):
I mean, Lunchbol's got me with a water gun, like
I didn't even see him coming.
Speaker 2 (25:22):
There's there is.
Speaker 1 (25:23):
There's never real safety unless you're in a bunker. But
then you know what's going to get you cancer, yeah,
or lack of oxygen. Yes, that there's never a real safety.
I don't believe in safety really, but you've the feeling
of safe is which is talking I think be said.
Speaker 4 (25:37):
But I also think that this isn't referring to murders
and robberies alone, like it's also referring to some people
just don't feel even safe. Being vulnerable and opening up
to other people and even feeling safe with their partner.
And I don't mean like physically or any type of
abuse obviously that's a totally different thing, but just feeling
(25:57):
safe to be themselves and not have this guard up
and use weapons that they Oh.
Speaker 1 (26:04):
I think that's different than because I wasn't talking about that.
I'm talking about just general safety.
Speaker 3 (26:07):
Yeah.
Speaker 2 (26:08):
I don't feel safe from from death period. Yeah, I
don't ever.
Speaker 4 (26:14):
That this is a mantra that you say for a murderer,
you know, when you're going you can't change that, Like
it's literally for like, do you feel safe with people?
Speaker 2 (26:26):
I feel safe with my wife?
Speaker 4 (26:28):
Okay, that's great.
Speaker 1 (26:30):
You that's why I don't fart on her because you
feel safe?
Speaker 2 (26:33):
Yeah, around her?
Speaker 1 (26:34):
Yeah, because I feel so safe, I won't fart on
her because I know I don't even like.
Speaker 2 (26:38):
That is your fart a weapon? It could be.
Speaker 1 (26:44):
Like I feel so safe that I don't need to
prove how safe I am, and I will respectfully not
fart on her.
Speaker 3 (26:50):
Okay.
Speaker 4 (26:51):
Yeah, Well, don't you know seven things neuroscience says you
could tell yourself daily to live your best life.
Speaker 1 (26:56):
That's a lot of saying stuff back though in the
morning or if we just what are I just gonna
work on one of those which one I will not
be murdered as not the fos to day in the morning,
wake up and go I will not be murdered today. Yeah,
I'm yeah, I'm not a big, big believer and you
could ever be think about if the gun. What's hilarious
to me are these people who are like, and again
I have guns, but like, I gotta get my guns
(27:17):
in case the government turns on us.
Speaker 2 (27:18):
Brot. We got bees in Japan.
Speaker 1 (27:21):
They can now go in your house and be freaking
cameras and drones that are the size of birds that
can blow you up. Like there is no safety. There
is a the false thought that I'm physically safe. Y'all right,
get you a little bunker hide out and then you
know it gets you lupus oh every time. Yeah, I'll
send you autoimmune starts ripping on you. That's right, Amy,
(27:44):
thank you for that. That's a really uplifting segment.
Speaker 4 (27:46):
We just did it.
Speaker 1 (27:50):
Apparently physical appearance doesn't matter as much to dater's as
much as financial stability. Now, this whole thing was the
New York Post, so basically, it's they don't care how
good you look as long as you have some money.
I mean your thoughts on that, just surface wise.
Speaker 4 (28:06):
I think there has to be we talk about this
all the time, that there has to be some sort
of physical attraction. There also is attraction in safety if
you don't have your own money for whatever reason, but
you got to be physically attracted.
Speaker 1 (28:23):
Did you see the guy who got on tender and
he swiped like a million times and got one date,
and they he tells the story, no one would match
with him. And he's not like super ugly, He's not
ugly at all.
Speaker 2 (28:34):
He's just a normal dude. He's even got a fish
in one of his pictures. Oh that's cool, and women
like that.
Speaker 1 (28:38):
I thought he just looks like a normal dude, must
low go tee, you know, probably ten to fifteen pounds overweight,
like normal, not that tall, probably five to seven or
five eight. And he's like, I had to swipe almost
a million times. He said, I matched with occasional people,
but they never they always stood me up, and he
finally got one date.
Speaker 2 (28:56):
That's him right there. Look, Oh, normal looking dude. Hey
is his name? Twenty six years old? Oh, wipe forever.
Speaker 1 (29:04):
One date, I need to look at his page, though
he probably have the right stuff up on his page. So,
according to a new survey of two thousand gen z
and millennial Americans, dater say several traits are more important
than physical appearance. What traits are more important physical appearance?
Financial stability is one of them. They put that ahead
of looks what else you got there?
Speaker 4 (29:24):
Amy, kindness, compassion, good communicator, empathetic?
Speaker 2 (29:35):
Wow, how do you know all that? Though? For at
the beginning, I guess would be my question, Well, I guess.
Speaker 4 (29:40):
Those are all traits you need to get to know.
So like, are these traits on paper that you don't
can't verify? For tue, is that what we're looking for?
Because traits on paper might be just like, I mean,
success can look a lot of different ways. Is not
just financial, But it's like are they motivated? Are they hardworking?
Do they have a good work ethic? Do they care
about family?
Speaker 1 (30:00):
I feel like this whole thing is about how it's
very it feels very female.
Speaker 2 (30:06):
Dudes just want a hot.
Speaker 1 (30:07):
Chick and then they work backward Like it starts there,
like what's the hottest chick I can get? And then
I'll figure everything else out after. Because we are cape men.
Women I feel like want other things first. It's great
if they also look hot and there has to be
something there. They don't want to vomit while they're making
out with you, but there's got to be something there.
Speaker 4 (30:27):
Like we want sense of humor, we want.
Speaker 1 (30:30):
Like, we want all that too, Guys. She's got to
be hot first, and I'm talking about guys just general
across the board, guys.
Speaker 5 (30:40):
And then you've got to make sure she's not like, yeah, crazy.
Speaker 1 (30:43):
She can only be as crazy right one notch blow
how hot she is, like, the hot has still got
to be a little above the crazy.
Speaker 4 (30:49):
That whole crazy hot matrix.
Speaker 1 (30:52):
They put at potential's partner's kindness and emotional maturity up there,
as well as financial stability ahead of looks.
Speaker 2 (31:00):
This has got to be just women getting pulled.
Speaker 5 (31:02):
If you're doing a dating app profile, can you write
kind everything? Amy said, yeah, but I believe that if
someone wrote all of that, let me prove my emotional
maturity to your love family.
Speaker 4 (31:14):
Eddie, I thought you were saying, like, can you put
that that's what you're seeking, But yeah, it would be
kind of weird if that's what you put what you are.
You're like the guy empathetic, like the guy.
Speaker 5 (31:22):
That couldn't get any matches, Like could he write like hie.
Speaker 2 (31:25):
I promise, I'm kind?
Speaker 1 (31:28):
And have you ever dated a guy an ugly guy?
Speaker 2 (31:33):
Have you ever dated an ugly guy?
Speaker 4 (31:34):
Well, not to me and not not ugly to me?
Speaker 5 (31:37):
I know of what were you thought? Like where you
were just like he's not really that good looking.
Speaker 1 (31:42):
Yeah, like physically doesn't do it, but other traits are there,
and I want to give that a shot to see
if I find him more attractive.
Speaker 4 (31:49):
Then I don't.
Speaker 8 (31:54):
Ah, No, I feel like her computer, like it's well
spinning right now. I think there's our computer you can't
get to the next I will.
Speaker 4 (32:04):
Say this like I did go on a Hinge date,
but and I knew within the first five minutes that
his pictures looked very different than he did in person
and that it wasn't gonna work. But I don't know
if it's just because his pictures were so deceiving and
I'm like what the or if like he was also
(32:25):
shorter than I thought, And then I don't know, just
our personalities weren't really clicking, but which came first there,
because like, would I have liked his personality more if
I'd walked in and it matched more of what he
presented online? Do you know what I mean?
Speaker 2 (32:39):
Would he have been.
Speaker 1 (32:40):
Able to be so funny and kind to talk you
out of thinking he was ugly?
Speaker 4 (32:45):
I don't. I don't want to use the word ugly,
but I don't know that it would have I would have.
I don't think we would have made it to that point.
I mean he would have to like that stuff would
have had to present quick, so he needed to be hot. Yeah,
because I think our day ended up lasting about forty
five minutes.
Speaker 2 (33:00):
WHOA you stayed forty five minutes?
Speaker 4 (33:02):
Well, yeah, but I supposed to do leave, but I
had I had a work event to go to. I
I lined up.
Speaker 6 (33:07):
Ye.
Speaker 4 (33:09):
No, I really, this is what I would do because
I hated getting ready, and so if I was going
to go do anything, I would always schedule something when
I had something else because I'd be getting ready anyways.
So boom. It takes care of having to get ready
more than you want to, and then also you have
an out in case you need it. So in this case,
it was a win win for me.
Speaker 2 (33:27):
Did he hit you out? Like, hey, do you think
I'm ugly?
Speaker 4 (33:30):
He did hit me up asking me out again. No,
he didn't say yo. He's like, hey, I had a
great time. I love to go out again. And I
replied with a very mature I think I've been shared
with you all. My response, like I tried to give
a very like thoughtful rate up my friends because I hadn't.
I hadn't had been in this situation before where I
was sort of saying no, I would not like to
(33:54):
go out again over text, and I wanted to be
very mature and transparent, so I said that and he
never replied back. He didn't even double tap it with
a thumbs up or a hart.
Speaker 2 (34:06):
He just got cut off.
Speaker 4 (34:07):
Trying to well, that's fine, okay.
Speaker 2 (34:09):
If he wants to not fine, listen to how much.
Speaker 4 (34:12):
Because I'm not done with the story.
Speaker 2 (34:13):
You're still agger about it?
Speaker 4 (34:15):
No, no, no, no, I'm not. I'm letting you know that.
He didn't reply, which I was like, okay, that's fine.
But then six or seven months later he replied, okay,
that's cool.
Speaker 2 (34:30):
You know what I mean?
Speaker 1 (34:31):
That was that was a hey, I'm just going to
reappear in case you have reconsidered.
Speaker 4 (34:36):
Oh, I just didn't. And then I didn't reply to
that because I'm like, what, why? Why? I know it
was very bizarre.
Speaker 2 (34:45):
He was still thinking about her.
Speaker 1 (34:46):
I would imagine. I want to play the scenario in
my head. Either she came across something on a social
media page, he heard her on the radio, or something
made him think of her and then thought, huh, let
me reply and say got it to see if she
has reconsidered, because it gives her an opening to come
back if she wants to.
Speaker 4 (35:06):
Mm hmmm.
Speaker 2 (35:07):
That would be did he know you were on the radio? Aavy?
Speaker 5 (35:11):
Yeah?
Speaker 4 (35:12):
Well I didn't think he did, but those are the
worst I had those. Then I did, then I could
Then I did you know.
Speaker 2 (35:19):
He lied about it?
Speaker 4 (35:21):
I don't know if he lied about it.
Speaker 2 (35:22):
It wasn't your hinge picture like you intro a micro
on the cave, not at all in the background.
Speaker 4 (35:28):
No, And I didn't even list my profession anything like,
I didn't say media, I didn't say entertained. I just
like literally left that part blank. So there was nothing.
But I was able to figure some stuff out, So
that's fine.
Speaker 2 (35:40):
Rush over that. What do you mean I was just
able to figure some stuff out?
Speaker 4 (35:44):
I can't remember exactly what it was. But you know, Bobby,
you know, like you said, I've been there, Like it's
just you. You're like, oh, okay, I can't remember exactly
what detail led me to know that he knew, And
if I really really were to think about it, I
think it had something to do with you.
Speaker 1 (36:01):
Like Bobby, what's Bobby really like?
Speaker 2 (36:05):
Is that what he asked you?
Speaker 4 (36:07):
I feel like I had it do with Arkansas like sports.
Speaker 2 (36:11):
But everybody's grunting. We don't know even know what that means.
But you know, I kind of like him. Now I'm
up for him. I'm like, no, I think he's a
great dude.
Speaker 4 (36:20):
Bobby's like, wait a second, or Razor bags?
Speaker 2 (36:23):
So where was that?
Speaker 1 (36:25):
So you found out that he wasn't being honest of
what he already knew about you.
Speaker 4 (36:31):
Yeah, but that part didn't. I was already not interested,
so it was okay. I just was like, oh, and
I didn't. I didn't make it a big deal like
oh you listen or you know who we are. I
just was like, oh, interesting, it's.
Speaker 1 (36:45):
Not even that because I think that's fine. It's being
honest about it.
Speaker 4 (36:50):
Right because my my current boyfriend, like he listened to
the show.
Speaker 2 (36:54):
Are you gonna have another boyfriend after him?
Speaker 4 (36:56):
Maybe because this one's current.
Speaker 2 (36:58):
My current boyfriend.
Speaker 4 (37:00):
I haven't had any other since.
Speaker 2 (37:01):
Have you guys seen that TikTok trend?
Speaker 1 (37:03):
Because it's a current wife thing, what you do is
you the husband's doing anything to camera and their wife's
in and it's like and look this is me, it's
my current wife.
Speaker 2 (37:10):
And then they just keep going. That's what it reminded
me of, what Amy.
Speaker 4 (37:15):
So, Yeah, So it doesn't matter that he was a listener.
I think it's just there was a lot of things
that were just little like, Okay, this is not going
to work. So we'd never We hang out for like
forty five minutes and I never saw him again.
Speaker 2 (37:27):
Well, thank you for sharing that with us.
Speaker 4 (37:28):
Amy, You're welcome.
Speaker 2 (37:30):
Long Eddie. What's happening?
Speaker 5 (37:32):
My wife texted me this morning said that the neighbors
started working on their roof at six thirty in the morning.
She's like it, whop the whole family up, Like, I
guess they're getting their roof redone and they've got five
workers out there bump bump, bump bump and talking like
ere throw the shingles over here.
Speaker 2 (37:48):
That is loud. The talking's Yeah, that's singed at.
Speaker 5 (37:51):
Six thirty in the morning on a weekday. That's crazy.
Speaker 2 (37:54):
What's the rule.
Speaker 4 (37:56):
Gosh, it's summer and it's so hot. I could see
why they want to start working early. And it's it's
just a couple of days, Like it's this song. It
takes to put a roof on.
Speaker 5 (38:05):
Usually they could do that one day. I think that's
why they have the five dude it's repair. It's repair, Yeah,
five dudes one day. But and I get it's hot.
I do get it's hot, But six thirty in the
morning is early.
Speaker 1 (38:16):
Six thirty feels a little aggressive, especially if they don't
know what's coming. Like I would think it would be
up to your neighbors to let everybody know. Put a
note on the door. Hey it's gonna be one day
or two days and they're going to start early, like
they should have let you guys know that if because
that's too early.
Speaker 2 (38:31):
Yeah, it would seven be okay, I mean on paper,
seven sounds.
Speaker 4 (38:37):
I mean if it's it's if it's a during the
school year, your kids would be up.
Speaker 1 (38:41):
Yeah, but that doesn't mean everybody has to be up.
I would say eight o'clock is universally accepted that sun
gets That sounds pretty hot today.
Speaker 2 (38:48):
I'm not arguing ice droop houses. There's no argument from me.
Speaker 5 (38:51):
But but it's amy. It's not like they quit at noon,
like they keep going all the way like five o'clock.
It's an all day thing.
Speaker 4 (38:57):
Yeah, okay, well then yeah, not start at eight and
go till seven o'clock.
Speaker 5 (39:04):
Hey, you start at two and then you can go
into the nice little sunset.
Speaker 2 (39:07):
Now you can't be dark. So what what are the
what are the rules then?
Speaker 1 (39:11):
For a loud people working on the house, what would
you make them if you were the leader of the world.
Speaker 5 (39:15):
I think a week day you got to start, and
I mean, let's go business hours man, nine am, oh
hours until when when the sun goes down. You have
until the sun goes down to do your work.
Speaker 1 (39:27):
So I fall into a bit of that, except I
think when the sun comes up you can work, and
when the sun goes down you have to stop working.
Speaker 4 (39:36):
So six thirty you can be working suns up if
this is the.
Speaker 2 (39:39):
Sun all the way up.
Speaker 5 (39:40):
Yeah, hey, when the rooster crows.
Speaker 1 (39:43):
I think six thirty is too early, though, so I'm
gonna go seven thirty, seven thirty to dark are the
hours that I would allow people to work unless you
leave a note and everybody's like, cool, have at it you.
Speaker 4 (39:56):
Yeah, I think something in like the seventy eight eight timeframe,
which should be Okay, the.
Speaker 2 (40:01):
Heat is a thing.
Speaker 1 (40:03):
Yeah, but you can't have different rules for different parts
of the country. If I'm the supreme leaders, the whole
country has to fall under one rule.
Speaker 2 (40:10):
But you don't know how long they're gonna do it.
Speaker 5 (40:12):
No, I mean they're done. I think they're done to
today because the when they did, because they worked on
our roof one time and it was like a six
hour deal, came in, all worked and then they were
done six hours.
Speaker 2 (40:21):
What about the weekend.
Speaker 4 (40:24):
Yeah, you know if someone starts mowing their yard at
seven am on the weekend, that.
Speaker 5 (40:28):
Might be ten am.
Speaker 2 (40:29):
Wow, that's that's am.
Speaker 5 (40:31):
You got to sleep in on Saturdays.
Speaker 2 (40:33):
A supreme later.
Speaker 1 (40:34):
I think I make it eight thirty on the weekend,
so it's.
Speaker 5 (40:38):
Just an hour. Yeah, our difference.
Speaker 2 (40:41):
A supreme later, Yes, I make it one hour difference
on the weekends.
Speaker 1 (40:45):
But I think you have to stop it dark. What
about neighbors playing loud music? When do you get annoyed
and call the cops.
Speaker 5 (40:53):
If it's so loud, are you talking about in the morning?
Speaker 2 (40:55):
How are they?
Speaker 5 (40:56):
Can you play morning or night?
Speaker 4 (40:57):
I get annoyed when I'm trying to.
Speaker 1 (40:58):
Go to sleep exactly, So whindo neighbors have to like
chill out and not play music.
Speaker 4 (41:02):
I mean, I think like if it's a weekend.
Speaker 2 (41:07):
Ten, oh, weekday nine.
Speaker 4 (41:10):
That would be nice.
Speaker 2 (41:10):
I can go with that.
Speaker 5 (41:11):
Yeah, I would say week day ten, weekend midnight. Yes,
I agree with that.
Speaker 2 (41:17):
Dang party animals.
Speaker 5 (41:18):
Hey, we were all there once to do we have
people over, put some music on.
Speaker 2 (41:22):
You're not living in an apartment complex.
Speaker 5 (41:24):
Right, banging the broomstick on the sun?
Speaker 1 (41:26):
Yeah, you're your neighbors. Your neighbors are playing music out.
You're okay with that until midnight on the weekends. Yeah, Oh,
I feel like I would be a cranky if someone's
until midnight.
Speaker 2 (41:34):
I feel like I'd be tough.
Speaker 5 (41:35):
But it's like you said about you know, the roof neighbor, like,
just send a little note, Hey, we're gonna have people over,
maybe playing a little boom boom boom till midnight.
Speaker 2 (41:42):
I hope you're cool with that.
Speaker 4 (41:44):
Hope you're cool with that in this or not?
Speaker 6 (41:46):
I don't.
Speaker 5 (41:47):
Don't you always invite them too, like, hey, you're always
walking to come over as well.
Speaker 2 (41:51):
Yep, I don't think.
Speaker 1 (41:53):
I don't think I could cuss A supreme leader doesn't
lie that ten pm on weekends, nine pm on weeknights.
Speaker 2 (42:00):
I let us know how that goes, Okay, I mean
win you Son's.
Speaker 4 (42:04):
Birthday August tenth, and is.
Speaker 2 (42:08):
He like Ray Mundo. Does he have a birthday list? Yes?
Speaker 4 (42:11):
He has been working on a birthday list for a while. Now.
Speaker 2 (42:13):
Did anybody start buying Raymunda's birthday list stuff?
Speaker 4 (42:16):
No?
Speaker 2 (42:16):
Or did we all just move on from that? I'm
buying that. I moved on, but it's to have.
Speaker 3 (42:24):
Yeah.
Speaker 1 (42:24):
I did think about going and buying him that thing
at West Elm, that six foot tall plant. I promise
you I thought about it, but then I thought, how
am I going to even transport it. I don't have
a trunk.
Speaker 4 (42:37):
Maybe they deliver it, ship it to his home.
Speaker 5 (42:40):
You really want to give him a gift, They probably deliver.
Speaker 2 (42:43):
They'll ship that thing from West Elm to Raise House.
Speaker 4 (42:45):
Yes, I would just order it. You could go order
in person, or you could order it online and.
Speaker 2 (42:48):
Have it Ray text me your address.
Speaker 1 (42:50):
Okay, I will send you because I was near the
mall and Ray came into my mind because Ray, if
you missed the segment, Ray gave us a birthday list
and it was like six hundred our sunglasses. It was
like a cam Ward signed jersey. Those are like five
or six hundred bucks. And then it was this six
foot tall banana tree. I looked at it online and.
Speaker 2 (43:09):
Then I thought, there's no way I can fit that
in my car. So for your birthday, I will ship
you that tree. Yeah, just text me your address.
Speaker 5 (43:18):
And how old is Raid turning?
Speaker 2 (43:19):
Forty? Okay?
Speaker 5 (43:20):
And Amy's son.
Speaker 4 (43:22):
Oh my gosh, he's gonna be fifteen.
Speaker 2 (43:24):
Fifteen fifteen. Yeah, what's his list?
Speaker 4 (43:27):
Well, he has, you know, new track shoes like stuff
like that, some new shirts that he wants, and then
he just added up a day.
Speaker 5 (43:38):
Nice Hey, those are easy to just put on.
Speaker 4 (43:40):
No, no, he doesn't want that kind No, no, no, on.
Speaker 2 (43:43):
Our top of the line built in. Yes.
Speaker 4 (43:46):
Well, we went to this restaurant when we were on vacation,
and I guess he's been thinking about it ever since
then because in the bathroom they had like the most
amazing toilets ever, so much so he disappeared like three
different times.
Speaker 2 (44:00):
Dinner in the world. I'd sit on a front word,
I'd sit on a backward. I was sitting anywhere. I
think square, Sir, I'll take off my birthday dude, No,
that is not no guys. No.
Speaker 4 (44:21):
He came back and we're a dinner. I mean, we
have like thirteen people in our party. We have this
huge table and Stevenson comes back and our waiter is
there trying to get everybody's order, and Stevenson just stops
and was like, excuse me, sir, and the waiters like yes,
and He's like, I just have to tell you your your
bidday is ten out of ten. That was the best
(44:42):
experience of my life. Like that, the seat is warm,
it does just like all kinds of stuff and sure enough.
So then everybody from the table had to go experience it.
And then everybody goes and they come back and they're
like sure enough. Like that toilet, it's not just that
it was a bid day, it's just like a smart
toilet that was just epic and awesome, like the light.
Speaker 2 (45:01):
So he wants the whole toilet.
Speaker 4 (45:02):
He was the whole shebang, which I'm sure I have
no idea how much of the toilets are but thousands
of dollars, I imagine. So I've already told him, you're
not getting this bidet for your birthday. Ye just takes
me as a dress, Bobby, you want to ship it
to him?
Speaker 2 (45:16):
Uh?
Speaker 1 (45:18):
I think I might want one than that, Like if
he's moved by it, I think I need one of these.
They are game changers, a good bide. It's crazy that
we in America don't think this is something that is
kneed down toilets.
Speaker 2 (45:29):
Because you're like, oh, I'm getting sprayed in the butt
with water. You're a cleaner, You're way cleaner.
Speaker 5 (45:35):
Question though, how do you dry off?
Speaker 2 (45:37):
They have the dress in them? Oh a dryer? Sometimes
I go just for the dry Yeah.
Speaker 4 (45:43):
So I think for this toilet experience in general, like
it wasn't just that it has the water and the like,
the toilet was just insane, you know how?
Speaker 2 (45:53):
And you're not going to get him one of those
just looks.
Speaker 4 (45:55):
Really sleek and cool too. No, I'm not no, what
am I going to do uninstalled, like rip out the
toilet that's in his bathroom?
Speaker 5 (46:02):
Will you get someone to do that?
Speaker 3 (46:04):
No?
Speaker 4 (46:04):
If you loved him, if okay, sorry, that's just like
not going to be a gift for his fifteenth birthday.
Speaker 2 (46:10):
Did you ask the restaurant which one it was?
Speaker 4 (46:12):
It would be epic? No. I guess I could call
just so that we could.
Speaker 2 (46:16):
Yeah, call because I'm curious. Will you just call and
ask them what the toilet is?
Speaker 1 (46:20):
Yes, because I'm curious to know, just to quench my
thirst of what was so awesome that everybody from the
table had to go do it?
Speaker 2 (46:28):
Okay, because that feels like it must be a heck
of an experience.
Speaker 1 (46:33):
Yeah, it's like if you can see a good movie,
you go on a good roller coaster, you let your
friends know a B day, Now, that must be a
fantastic B day.
Speaker 4 (46:40):
I mean to come back and say ten out of
ten best of the waiters of my life.
Speaker 3 (46:43):
Yes.
Speaker 1 (46:43):
Later regards to the chef on your bedet, I mean,
what was your story?
Speaker 2 (46:48):
By the way, before we get out of.
Speaker 4 (46:49):
Here, the gen Z stare like give it to me. Well,
it's just something that people are assigning to anyone ages
thirteen to twenty eight right now is considered gen Z.
And I guess they have this stare that they give
people like when you ask them like, how's it going,
or you try to engage in conversation. They don't really
know how to do it because they have this stare
(47:12):
like millennials some of us, you know, like we've got
things assigned to us like avocado toast, and they have
the gen z stare. I guess it's a look they give.
And I feel like my daughter does have it sometimes.
She's eighteen, so she's.
Speaker 2 (47:24):
Right confused with human interaction.
Speaker 4 (47:27):
I think it's just sometimes like how do we communicate
face to face?
Speaker 5 (47:30):
I was reading that because like they were kind of
they started working during COVID and they had to work
from home, that they kind of their social life kind
of got stunned, which I guess it happened to all
of us, but with them a little more because they
were in the growth.
Speaker 2 (47:43):
The professionally growth dunted.
Speaker 4 (47:45):
Yeah, it's almost like saying hi to them?
Speaker 3 (47:48):
Is it?
Speaker 4 (47:49):
Also in the article I read, which was from the
Washington Post, that it's like an inconvenience, Like you're inconveniencing them.
They have to stop and be like, uh, what.
Speaker 2 (47:57):
Do I do here?
Speaker 5 (47:58):
Yeah?
Speaker 2 (47:59):
What am I do here?
Speaker 4 (48:00):
So it's got a name that's called So if you
encounter that with anyone ages thirteen to twenty eight. You
are encountering the gin zy stair.
Speaker 2 (48:06):
There you go. We will end on that. Thank you. Guys.
Speaker 1 (48:10):
We have a new episode of twenty five Whistles up today.
We'll be up quarterback for Vanderbilt. Diego Pavia is on
with us for like forty five minutes.
Speaker 4 (48:16):
Diego, what.
Speaker 2 (48:20):
What was that?
Speaker 4 (48:21):
That was weird?
Speaker 2 (48:23):
I don't want to there was nothing to play.
Speaker 4 (48:25):
I know, I like his Diego Pablo. Yeah, no, oh,
Diego Pavia. He's still got a good name.
Speaker 2 (48:31):
Yeah he's a quarterback.
Speaker 5 (48:33):
Yeah, yeah, that's strange.
Speaker 1 (48:37):
All right, check out twenty five Whistles today. We'll see
you guys tomorrow.
Speaker 2 (48:40):
Bye, everybody.