September 15, 2024 • 52 mins
In this weekly series, we share highlight clips from the past week of some of the podcasts on The Nashville Podcast Network- In The Vet's Office with Dr. Josie, Take This Personally with Morgan Huelsman, The BobbyCast, 4 Things with Amy Brown, Sore Losers, Movie Mike's Movie Podcast and Get Real with Caroline Hobby. You can listen to new episodes weekly wherever you get your podcasts.
You can find them on Instagram:
-The BobbyCast- @BobbyCast
-Take This Personally- @TakeThisPersonally
-In The Vet's Office- @DrJosieVet
-4 Things with Amy Brown- @RadioAmy
-Sore Losers- @SoreLosersPodcast
-Movie Mikes Movie Podcast- @MikeDeestro
-Get Real: @GetRealCarolineHobby
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:08):
Hey, everybody's Sunday Sampler time.
Speaker 2 (00:10):
We'll get to some Sore Losers movie Mike's Movie podcast,
but we're gonna start with a little bit of Doctor Josie.
It's the final episode of season one of In the
Vets Office and Caroline Hobby stop Buy had her three
month old puppy, Ruby, and they talked about what you
need to know whenever you have a puppy, because I
think anytime we get a new puppy, we're like, holy crap.
Speaker 1 (00:28):
What they talked about, what to do and what not
to do.
Speaker 3 (00:31):
Let's get started.
Speaker 4 (00:31):
Now.
Speaker 2 (00:32):
Here's a clip of this week's episode of In the
Vets Office with Doctor Josie.
Speaker 5 (00:43):
Yeah, you're listening to In the Vets Office with Doctor
Josie Horshak.
Speaker 4 (00:52):
Right, So we got Ruby on a whim and I
am not following any of the rules.
Speaker 6 (00:56):
This is my daughter's dog. Thankfully. Ruby loves to.
Speaker 4 (00:58):
Rough house, goes to She and Sunday and Ruby like
play and wrestle all the time. But just working on
the potty training. They were seventy percent there. She is
sleeping in the bed. Oh or I'll talk about that.
Not sure about the food situation because she started off
with one food. Then when eat it and tried to
give her another one, and then she got diarrhea.
Speaker 6 (01:18):
And so I'm just like the basics of starting up.
Speaker 4 (01:22):
A dog and perfect you know, I guess, nailing down
what you need to do in the beginning I could use.
Speaker 6 (01:28):
Really, the potty training is my number one.
Speaker 4 (01:29):
Yeah, it is so important when they are at this age,
they're very impressionable, and we're setting them up for success
for the rest of their life. Because Ruby og, we
know how that plight, we know how that goes. So
remind me Ruby two point zero. We'll call her. She's
fourteen weeks. Yeah, okay, I'm a big proponent.
Speaker 5 (01:47):
Of the crate.
Speaker 6 (01:48):
Okay, it is.
Speaker 4 (01:49):
Yeah, it is soul sucking for someone like me who
is a dog mom.
Speaker 5 (01:53):
I like, live for my dogs.
Speaker 4 (01:55):
I feel like I'm torturing them, especially puppies when you
put them in the crate and they cry. I mean,
it's just like the worst thing in the world. But
it is going to set you up for success. Tell me, okay,
tell me why, and then how do you do the crate?
So you want to make sure you get to create
a The size is super important. We want to get
to create that isn't too big. We want it to
be big enough where she can get in it, move
in a circle, kind of lay down and get subtled,
(02:17):
but not big enough that she can go to one
side of the crate and pee and poop and then
skidad all over to the other side.
Speaker 6 (02:21):
Okay, So she has to be like just enough.
Speaker 4 (02:23):
To correct, like somewhat confined, but not big enough for
her to run around in it. So size is really important.
I think it's nice to have like the metal wire
ones where they can see out, and then at night,
if she's in her crate, which she should be, you
could throw a blanket over it. That way, it's nice
and dark and it is far and away our best
tool for potty trading. Can they make it through the
(02:45):
whole night at fourteen weeks? The kind of rule of
thumb is for every month they are plus one, that's
how many hours they can hold it through the day.
Usually by this time around fourteen weeks, some of them
can hold it overnight. But you probably are looking at
getting up once in the early morning to take her
out to go potty.
Speaker 6 (03:02):
And will she like cry?
Speaker 4 (03:03):
You think she Once she gets great trained, she'll probably
whine to let you know she needs to go out.
There's some puppies that are gonna whine because they just
want to be with you. But it's almost like a
baby where you start to understand, like are you crying
because you want my attention? Are you crying because you
need to go potty? But you're I mean fourteen weeks. Gosh,
you've only got another like three or four weeks. And
she'll be able to hold it through the.
Speaker 6 (03:22):
Evening well just because she is sleeping in the bed.
I have noticed.
Speaker 4 (03:25):
I took her out like at eleven last night, and
she did make it till like six this morning. Okay,
that's great. So now we know that she can hold it,
so this is perfect. So yeah, I would doing it
all wrong, That's okay, that's okay. So create is so important.
I tell owners potty training is on us. If they
have an accident in the house. We don't necessarily want
to punish them because we aren't necessarily doing our job.
(03:46):
And it's very kind of saying it, saying you messed up. Yeah, yeah,
I don't. I'm not gonna say you messed up, but
want that so during the day they need to go out.
It feels like one hundred times.
Speaker 6 (03:57):
All the time.
Speaker 4 (03:57):
Okay, so how often do we need That's like huge,
It's like every thirty minutes you gotta take them out,
or what is every time after they eat, after they drink,
after they wake up from a nap, after they're done playing.
Speaker 5 (04:09):
I mean it is like constant.
Speaker 4 (04:11):
Do you say, like, go potty, go body, I sady, yep,
go potty, give them the chance to go. I Also,
I am really big on if you are going to
peepad train, no stick with pea pads for all of
you out there that are ppad training. Worst, if you're
not going to peepad train, like long term, you want
them to go outside, do not start peap pads at all.
Speaker 6 (04:27):
Oh be really confusing for the peapads or the visit
the bane, the veine of my existence.
Speaker 4 (04:33):
The bane of my existence got me both. Yeah, because
they just don't quite get the peapad. They'll put their
front paws on it and they're pee on the carpet.
I mean, yeah, congratulations to people doing well with peapads.
Speaker 7 (04:42):
I never have And.
Speaker 4 (04:43):
There's a lot of like little dogs and high rises
that do great in the right right. But when we're
potty training some people be like, well, I'm using peapads
for now, and then I want them to go on
the grass, and that just is really difficult. So so
go outside, go to the same spot and the same spot. Yep.
Make it really consistent, really can really routine, same spot,
and then I find a really high reward treat that
(05:04):
they love. I had one dog that was so hard
to potty train that I got turkey hot dogs and
I slice them into tiny pieces and the only time
she got a piece of a turkey hot dog is
when she went potty outside like she was supposed to.
And that just kind of helps them. It helps it click.
So you say, good potty, here's your treat, like right then,
right then and there, so you have it with you
when you take them outside.
Speaker 5 (05:25):
You want to have treats in your pockets at all
times when you have a puppy. So okay, okay, go out
with your turkey hot dogs.
Speaker 4 (05:30):
As soon as soon as she goes, give her a
little bit, tell her she did a great job. And
then you go right back inside, and you want to
make it like, hey, you did an awesome job. Like
your neighbors are going to think you're insane, but you know,
lots of reward.
Speaker 6 (05:43):
Okay, yeah, okay, okay, okay.
Speaker 4 (05:45):
So so put in their credit at night right when
you wake up, take her outside with the treat, have
it ready, yep? Then feeder, then feeder, and then right
back out to go potty again.
Speaker 6 (05:55):
And how long do you wait after they eat? I
typically will go.
Speaker 5 (05:58):
Right after they eat.
Speaker 4 (05:59):
It takes her a lot of poop, and like I'll
take her out and then she'll pee, and then we'll
hang out there for a while and then she just
woll poop and then she'll come in and poop inside
that what is that? That is just her being young
and not getting it yet, So just stick with it.
Once she goes potty, I would only give her like
a minute or two to go poop. If she's not
going to do her business, then it's back inside because
they can get kind of distracted a butterfly, you know,
(06:21):
and they're like pooop, yeah exactly, So back inside, give
them a few minutes, and then you can go back
out again and give it another shot. And then during
the day when you were not directly supervising her in
the crate. In the crate, I know it's it's soul sucking.
Speaker 5 (06:37):
I'm telling we just let her when we leave, we
just leave her in the house. Oh Lord and Almighty.
Speaker 4 (06:43):
That I feel about that, doctor, I don't feel great
about that. I mean, I suppose in some puppies it works,
but in ninety nine percent of them, it's a recipe
for ruby og.
Speaker 6 (06:55):
Okay, okay.
Speaker 4 (06:56):
So as soon as I leave here, I need to
go get a crate. Yes, definitely, you can on Amazon.
You can get them at any pet store. Get a
create immediately, yep, get it create immediately.
Speaker 5 (07:04):
And the crate.
Speaker 4 (07:05):
That's a whole other thing is we want it to
be a place that they want to go.
Speaker 6 (07:09):
How do you make it that?
Speaker 5 (07:10):
So I throw a.
Speaker 4 (07:11):
Little blanky in there, not not too much stuff, but
I'll blanket if you want to put one of your
t shirts in there that smells like you.
Speaker 5 (07:17):
Throw it in a room.
Speaker 4 (07:18):
Where you guys are often in, typically like a living room.
Leave the door open. That way, she can kind of
come and go as she pleases. Lots of positive reinforcement,
so treats when she goes into her crate. Some people
will like even feed them there. If they're food motivated,
they'll feed them their meals in the crate, so they
just we want to associate the crate with positivity. We
(07:40):
don't ever really want to use it as punishment, like, oh,
you Pete in the house, I'm going to put you
in your crate.
Speaker 5 (07:44):
We do not want to do that.
Speaker 6 (07:44):
Oh that's good advice.
Speaker 4 (07:46):
And if you don't have a Kong, I would get
a cong. Those are like those rubber volcano looking toys.
Speaker 6 (07:52):
Put that in the crate.
Speaker 4 (07:53):
I typically put like a little tablespoon of peanut butter,
throw it in the freezer. And then when you put
her in her crate and you're leaving to like run
an errand it's like, Hey, I'm going on my crea.
Speaker 5 (08:02):
This is not the end of the world because.
Speaker 6 (08:04):
I have a cong.
Speaker 5 (08:04):
I have an amazing peanut butter filled kong.
Speaker 2 (08:13):
The first songs you learned was it for me? It
was a lot of classic rock stuff. And I'm not
the player that you are, but I remember just.
Speaker 1 (08:20):
What I what I would learn.
Speaker 2 (08:21):
I would learned like Metallica stuff, because some of that
stuff was easy. I'd learn like some using like tab.
I would learn like some.
Speaker 1 (08:31):
Guitar times.
Speaker 2 (08:31):
Yeah, I don't even use tab anymore. But at the beginning,
it was really good for me to learn, you know,
six three. But what what was that for you? What
did you want to learn? What did you learn first?
Speaker 8 (08:41):
I can't read music at all, period whatsoever. I don't
read a chart. I hardly know the Nashville skills here,
Like I know enough to understand what they're talking about,
but I don't. I've never been able to. It doesn't
translate with me. So it's all about ear. That being said,
the first things that I kind of learned when I
started playing guitar, I mean, simple Man, Smoke on the Water.
Speaker 1 (09:03):
Those are all like dittymoke on the Water.
Speaker 4 (09:08):
Army.
Speaker 8 (09:09):
Yeah, yeah, But like when you talk about getting into
like ultimate guitar tabs and like all that kind of stuff.
Like the first ones that I remember putting together all
the way through were Drake White songs. Probably the first
ever was probably a simple Man letter Skinnered. That was
probably the first one, top to bottom that I learned
all the way through.
Speaker 1 (09:29):
How long until you could actually sing and play?
Speaker 8 (09:32):
Oh god, it took a while, man, it was, you know.
Speaker 1 (09:37):
And I'm not the I'm not I'm.
Speaker 8 (09:40):
Still not the player that I want to be when
it comes to this hand, you know, or this one,
you know. But it took a while, and my timing
used to be so weird, so weird, man.
Speaker 2 (09:55):
What about because it haven't you know, we get to
know you a little bit over the past couple of
years the time that we spent together. You're not a
guy it's gonna walk into a room and just demand everybody's.
Speaker 1 (10:05):
Attention when everybody's just hang around talking. You don't say
a lot.
Speaker 2 (10:09):
You have a big presence because you're a big guy,
and you definitely dress like you're gonna murder someone if
they cross you. However, I would not, just by knowing
you as a person, think well, this is a guy
that wants to get on stage and sing or talk
or entertain in any way whatsoever. Now did you have
the same demeanor younger? And was your dad and your
(10:30):
family like.
Speaker 3 (10:31):
You want to do what?
Speaker 8 (10:34):
My dad never wanted us to lay brick and block,
So anything other than that was very welcome in our family. Now,
my siblings have taken over the family business and they're
doing that, you know. But they all went out and
had their time in the world and chase their dreams
and they've come home and you know, all that stuff.
But no, he wanted anything other than what he was doing.
Speaker 2 (10:55):
He had to be so surprised though, and maybe he wasn't,
but that you wanted to go entertain people, because again,
if you meet you, you don't think, well, he wants
to get on stage and just rock people's face off.
Speaker 1 (11:05):
You're like, that guy's.
Speaker 2 (11:06):
Probably I don't know what kind of mobb he's in,
what kind of cattle he's trading, who knows, But you know,
your personality on stage is large. Your personality here it's
very compact. Your demeanor is very straightforward. People can hear
that I used to be scared of you, not anymore,
but he's scared of you when I first met you
(11:26):
because I was like this, dude, he hates my guts,
but I would compare like you, and I'm friends with
Kane Brown. I thought Kine hated me because Kine doesn't
say a whole lot, no, no man, a few words. Yeah,
Now that I know Kane and love Kane like, that's
one of the things I love about him. It's like
he's still who he is off stage, but then when
(11:46):
he gets on stage he puts it on again. Were
they surprised that you wanted to get on stage and
put it on.
Speaker 8 (11:52):
It definitely took some time to grow on my mom.
She didn't quite understand. She didn't quite not fathom it
at first, but she was like, I don't know, honey,
you know, I don't know. And I'm also talk about
two and a half three years before she was like, okay,
let's go.
Speaker 2 (12:11):
It's also got to be weird too, because where I
come from, nobody did anything in the art community because
they worked at the mill. Like they worked at the mill,
or they had a job, you know, just because where
you and I both come from, it's not like people
move off and are, for my case, work on radio
and TV or your case, they don't move off and
become country stars. So it's not the people say you
(12:32):
can't do it, but they don't know that you can
because no one else really does it around.
Speaker 8 (12:36):
Yeah, and the only the only people that the only
references we had from around home, you know, coming from construction,
we don't know the music industry, right. The only references
we had were brothers Osbourne and Nuggie Rose. You know
they Maggie's from Mechanicsville and the brothers are from literally
(12:56):
twenty used to life fires the same place as they did.
Speaker 2 (13:01):
Yeah, you know that hasful though, to see those guys
and see that they were doing it, and it because again,
there is.
Speaker 1 (13:08):
Normal I know their parents. There is normal and blue collar.
Speaker 8 (13:13):
And there's like two hundred and fifty of them of them,
of the of the OSBA. It's it's nuts, man, It's
it's nuts. I've met fifteen uncles of theirs.
Speaker 6 (13:25):
They They've been.
Speaker 8 (13:27):
Really good to us over the last couple of years.
The first big ass show that we did was Delaware
State Fair with them, and I remember choking so bad.
Speaker 1 (13:38):
I choked on Hallelujah.
Speaker 8 (13:40):
On Ryan Bingham's Hallelujah, I've been playing the song for
three years and just too much happening in my brain
and just completely choked on it. But that was the
biggest show that we had done to that date, and
they were so good to us and have.
Speaker 1 (13:53):
And have continued to be.
Speaker 8 (13:55):
But there they were the only they were the only
even close to us that we were like, that's dope,
you know what I mean?
Speaker 1 (14:04):
Like and humans like us can do that?
Speaker 2 (14:07):
Yeah, because that I mean, I think representation, regardless of
what it is, you were kind of being represented by
somebody showing that if you want to do it, and
you're good enough to do it, and you.
Speaker 1 (14:19):
Work hard enough to do it.
Speaker 9 (14:19):
It actually can be done personally.
Speaker 10 (14:50):
Visuals than.
Speaker 11 (14:54):
This episode is all about careers and finding happiness within success.
Speaker 6 (14:58):
I have on Ashley Stall, who is a.
Speaker 11 (15:00):
Career coach with years of experience, talking about the best
way to discover your direction in life and how to
find fulfillment in a career. Then Melissa Schleichner joins me.
She's a celebrity makeup and hairstylist, most known for her
salon Parlor three in Nashville. And of course we're being
Carrie Underwood's full time hair and makeup stylist for over
seventeen years. Making the leap to a new job can
(15:32):
also be super scary. How can one know or feel
that they're making the right move for themselves, because that's
a really terrifying place to be.
Speaker 12 (15:41):
You know.
Speaker 13 (15:41):
I think that life is really an experiment and you
need to be willing to take what you know and
with the best of your knowledge, move forward. Fulfilling and
successful career really has three lily pads, is what I've found.
The first lily pad is kind of what the majority
of the workforce unfortunately chooses to be in, which is
they're fine, and they're fine with being fine, and maybe
they don't love what they do, they like it enough
(16:02):
or it pays the bills and they stay there. There's
a certain population that swims from lily pad one to
lily Pad two, which is where my work really is
geared to take people. That's about really figuring out where
you're a gifted and where your talents are. So if
you're willing to swim from being fine to really finding
your gifts, you need to go through an unknown and
an experimental period. Clarity comes from engagement. It's never going
(16:25):
to just come from thinking. You can't think. It's like
rocking in a rocking chair, just thinking and ending up
in the same place. Ultimately, a certain level of thinking
got you to where you are, And as Albert Einstein
has set in many of his quotables, you need to
do something new to get somewhere new. That comes down
to experimenting. So in order to get to that second
lily pad, there comes a point where you need to
(16:47):
say this feels like it's aligned with my core skill
set and really understand your core skill set is a
huge umbrella with many different options beneath it and many
different ways of expressing yourself beneath it.
Speaker 6 (16:58):
And once you lock.
Speaker 13 (16:59):
In to a role that's using your gifts, people notice
your magic because it's actually rare, unfortunately, to see someone
in a role where they're really aligned with their skills.
Speaker 7 (17:10):
And you know it, if you think about.
Speaker 13 (17:11):
Your work right now or your team right now, you
know there's one person that comes to mind where they're
really shining because they're locked in with their skill set
and people always want to get and that's the thing.
A lot of research shows that the most talented and
high impact person is the most burnt out person because
people see how gifted they are and they want to
give them more work because they can trust them to
get it done with a lot of shine on it.
(17:32):
And so I think going into that experimental period, trying
things on that gets you onto that second lily pad
where you're working in your zone of genius, and from
there life becomes a game of opportunities. You start to
sift between your yeses and your nose because once people
start to see someone really talented, they start to ask
them and offer them different opportunities. And the thing with
(17:52):
opportunities is that they can be a very high form
of distraction, because sometimes opportunities are a yes for you,
other times they're just distracted you and they're not actually
what you're meant for. So your job, when you get
to that second lily pad and you finally have experimented
enough to land in a role that's really using your
skills and showing your gifts and you're shining, is to
be able to say yes to the right things for you,
(18:13):
be a little more discerning about who you really are,
what your values are, what your skills are, and how
you want to be growing. And once you find that
right opportunity, you have an opportunity to swim over to
the third lily pad, and not everybody makes it there.
I believe that that lily pad is kind of what
they would call your dharma you're calling, and I've only
been there once in my career. When I was writing
(18:34):
my book, it felt like time didn't exist. Words were
just flying through my fingers as I was typing for
deadlines with my publisher. It was like this magical experience
that was beyond me and it felt like soul work.
And I think a fulfilling life doesn't have to get
you to that part where you're really doing your dharma.
But I wish for everyone to at least have an
opportunity to access that human experience. And I would say,
(18:56):
you really can't get there unless you're willing to experiment,
to engage, to try on different things. And it doesn't
mean you need to be reckless, you need to be thoughtful.
Speaker 11 (19:13):
What was that first connection that happened for you? I
listed so many of the country music starts you were
working with. When did that begin and what did that
look like to even get your foot in that door?
Speaker 14 (19:23):
So it started there was another makeup artist, Melanie. There
was not very many makeup artists when I was started
for the celebrities, and there was a girl named Melanie
Shelley and I was kind of her assistant, and I
would do people when she couldn't do it, and she
was just amazing. She was working with the Dixie Chicks,
Alan Jackson, Lena Womack, all these different people.
Speaker 13 (19:42):
Well, she got super busy with the Dixie Chicks, so
I would.
Speaker 14 (19:45):
Go do Alin Jackson for her or different people, and
you know, it just kind of evolves where it wasn't
they liked me, but she was just really busy at
the time. My first real client was Alan Jackson.
Speaker 11 (19:56):
And what does that look like doing makeup for a
male artist, because a lot of people are like, oh, makeup, hair,
it's all female.
Speaker 14 (20:03):
I love male grooming like it's easy, but it's also me.
You think, oh, just slap some powdery. It's not that easy.
They're going on TV. You have to make sure everything
looks great. They're brows and all the good things. But
I love male grooming so much.
Speaker 13 (20:16):
How did the connection to Carrie happen?
Speaker 14 (20:18):
Carrie was this girl on American Idol. I didn't watch
TV much. I was weren't busy doing my freelance stuff.
Here Alan Jackson, Leo Walmack, all these people. And my
daughter Hunter was watching American Idol when bo and Carrie
were on there she won, which my daughter was obsessed
with carry and I said, oh, Hunter, they called me
for that girl you love on American Idol for her
first Afrey debut. She's like, mom, you have to do it.
(20:41):
And so I had Alan Jackson that night. So I
actually was like, Okay, I can come get it ready,
but I have to leave. So I did it.
Speaker 6 (20:48):
Didn't think anything about it.
Speaker 15 (20:49):
I just did it for my daughter.
Speaker 14 (20:51):
That was eleven years old at the time to get
an autograph. And then I think like two weeks later,
I was working with other artists. They were kind of
slowing down and called me for like thirty dates for
Carrie and I was like, oh, okay, I liked her.
Speaker 10 (21:05):
She's great.
Speaker 7 (21:06):
And then it just went from there.
Speaker 3 (21:09):
We're gonna do it live.
Speaker 12 (21:11):
Oh the one, two, three, Sore Losers.
Speaker 3 (21:16):
What up, everybody? I am lunchbox.
Speaker 16 (21:18):
I know the most about sports, so I'll give you
the sports facts, my sports opinions, because I'm pretty much
a sports genius, y'all.
Speaker 12 (21:25):
It's Susan. I'm from the North. I'm an alpha male.
I live on the North side of Nashville with Bayser,
my wife.
Speaker 3 (21:30):
We do have a farm.
Speaker 12 (21:31):
It's beautiful, a lot of acreage, no animals, a lot
of crops. Hopefully soon corn pumpkins, rye. I believe maybe
a little fescue to be determined. Over to you, coach.
Speaker 16 (21:46):
And here's a clip from this week's episode of The
Sore Losers. The wife and I kind of got in
a little tiff because get home with the kids, you know,
and I'm outside and I'm on the phone with Granny
and Grandpa and Toolbox and you know, hat Box. We're
just chatting away and we're I'm just hanging in the
(22:06):
front yard. The kids keep coming in and out. They're
talking to me, get away from the moat, and I
end up talking to my parents for like forty five minutes,
just about life, how everything's going.
Speaker 3 (22:17):
Hey, dad, I never asked you what's your favorite color? No, no, don't.
Speaker 16 (22:21):
I don't know what his favorite color is. Don't know
what my mom's favorite color is either, never really asked
them that. But we're just talking about other things, just talking.
Speaker 12 (22:28):
Hey dad, how's your sex life.
Speaker 16 (22:32):
I'd rather talk to my kid about sticking his fingers
and his butt and smelling them than know about my parents'
sex life. Do you think about that like your parents
are Hey no.
Speaker 12 (22:41):
No, I mean you could think of you realize your
mind's really powerful. You could think about anything any moment
of the day. But I choose the things that I
think about. But when you look at your mom and dad,
do you think, man, they still do it. No, I
don't ever think about that because that's just a gross thought.
But I have ways of blocking stuff out of my head,
like if I do something a mistake, block from the head.
(23:01):
Forget about it Friday afternoon. Don't care about it, so
you can block stuff. You have that power. You need
to teach your son he has that power to not
wonder about what's in his buttthole.
Speaker 16 (23:10):
I agree, I need him to block that out because
I do think about that. Like I think about like
when my father in law's around, Like does he sit
there and go, man, this dude's banging my daughter. Does
he have that thought or is that not in his
head now?
Speaker 3 (23:25):
I mean I originally probably yes, but now.
Speaker 16 (23:28):
Like you don't think your father in law sit there going, man,
he's going to bed with my daughter. I gots so weird,
like that is a weird concept that eventually your kid
is gonna be I don't know. That's just weird to me.
Speaker 12 (23:41):
Right if you choose to think about that. But I
just don't, well, I don't choose to think about it.
Speaker 16 (23:45):
Just pops in my head sometimes, like man, he thinks, oh, yeah,
he's having sex with my daughter.
Speaker 3 (23:51):
Like if you ever thought about hooking on with Arnold? No,
I haven't. That's what I'm saying. You have that power
to not think about them.
Speaker 16 (23:59):
Okay, okay, anyway back to my original story.
Speaker 10 (24:03):
I'm sorry.
Speaker 16 (24:04):
So after forty five minutes, I tell my parents, all right,
I gotta go, you know what I mean. I'm gonna
go inside hopefully, you know, maybe dinner's ready by now
or something. And I go inside and the plates are
all on the counter and I'm like what. And I
go to my wife. I said, did you guys already eat?
She goes yeah. I'm like, oh, well, why didn't you
(24:26):
come out and say, hey, dinner's ready? She goes, Oh,
I thought you'd be in any minute.
Speaker 3 (24:33):
I said, yeah, yeah.
Speaker 16 (24:33):
But when I didn't come in in a minute, you
don't think you could pop your head out and say, hey,
we're gonna eat. You want to come in and eat?
And she's like oh. I was like, you could even
texted me. You could even text me instead of walking
the ten feet to the door, you could have texted
me and said, hey, you coming inside for dinner.
Speaker 3 (24:51):
Instead, you guys had dinner without me.
Speaker 16 (24:53):
She's like, yeah, I mean I just thought, oh, he'll
be in a minute, and then a couple of minutes
you were so I'll say, oh, he'll be in another minute,
and next thing you know, we were done eating dinner.
Speaker 3 (25:04):
Is that what led to TIFF's treats or you said,
Tiff that was a tiff, Yeah, little fight. Yeah, so
I ordered TIFF's treats right, Well, why would I order
TIFF's treats. She's the one that didn't tell me, damn,
dinner was ready? I sided with your wife. How I
have real life examples, go for it.
Speaker 12 (25:23):
Baser does Uber Eats. She knows exactly when it's gonna
be delivered. When it comes and she says, hey, Uber
Eats is here, I go get Uber Eats once a month.
Speaker 3 (25:33):
Guys, we don't do it regularly every week in this economy,
I know.
Speaker 12 (25:39):
And so get it and I put it on the
table and I'll just start eating. And sometimes she's under
the assumption that I'm gonna bring it to her in bed.
I just you know, the food's there, so come out
and get it. Yeah, no, no, Or what if I
just go get the pizza. So there's there's like about
(26:00):
a two minute thing where it says it's coming down
our driveway and when I start eating, I'll just go
get it, put on the table and start eating. Do
I need to go into the bedroom and say, hey,
do you want me to bring the food too? I'll
just start eating. I'm with your wife. You don't need
to know. You knew around when the meal was gonna
be made, did I? My wife knows when when the
(26:22):
uber is gonna come into the table.
Speaker 16 (26:26):
I get that uber eats is a set time. See, guys,
here's this thing uber eats. Were you rich people?
Speaker 10 (26:32):
Well?
Speaker 12 (26:32):
Because my wife can't hear the door because for whatever reason,
we had a two hundred square feet that I didn't
plan on having, so she actually can't hear the door shut,
so she doesn't know that food is on the table.
Is it my job to say dinner's here when she
knows the roundabout time that that food is gonna be
put on the table from when I went and got
it from the uber eats.
Speaker 3 (26:52):
Now that I understand, I just sit down and start eating.
Just like your wife. I'm hungry.
Speaker 16 (26:56):
I'm gonna agree with you on your side, but mine
is not. It's an uber eat situation where there's a
set time when on an app that tells you when
they're gonna be at your freaking door. This is my
wife is in the kitchen making some dinner, and she's
gonna put it on plates, and we're gonna eat and
if she doesn't tell me it's ready, I would never
So I'm just supposed to stand there and just watch
her until it's ready. No, say hey, dinner's ready. And
(27:21):
I said, you usually come outside and say hey, dinner's ready,
and she goes, yeah, but you're usually outside with the kids.
The kids weren't out there, So I'm supposed to just
magically know it's ready.
Speaker 3 (27:33):
It's it's the same. It's you and Bezer the same.
Speaker 12 (27:35):
Y'all should date you guys need to then check on
the knead. I don't know. It's not mine and your wife.
Me and your wife are in the same boat on
this one. It's not our job to notify you of
the meal that you already know is about to be
made in some in some five minute window, the meal's made,
come check in on it. What if you just came
(27:56):
and just what if you on the phone just come in? Huh,
look and see if the phone's food's made. It's your
wife's job to come notify you that the food is made.
Speaker 3 (28:05):
No, No, hang out for a second. Just see if
all the food's coming in. Hey, would you bring it
in the room. All the foods here.
Speaker 16 (28:14):
That's the thing dude, how do you think it would
fly over if at the Dallas Cowboys facility, catering gets
put out and they just.
Speaker 1 (28:23):
Leave it out and then they leave.
Speaker 16 (28:25):
You're telling me they would, and if they didn't go
down the hallway and tell Zeke and Dak and Ceedee
Lamb and Jake Ferguson, if they didn't stick their head
in the other rooms say hey, guys, food's ready, Come
and eat it.
Speaker 3 (28:36):
Brandon cooks, Thanks, Brandon Cooks.
Speaker 10 (28:39):
Thanks.
Speaker 16 (28:40):
If you don't think there would be a problem that
the person that cooked the food didn't go down and
tell freaking Mike McCarthy, I mean you think Mike McCarthy's
gonna be okay with not eating.
Speaker 12 (28:52):
No, sir, that's because it's an outside catering source, somebody
that's not related or in cahoots with the person eating
the meal. You and your wife are on such a
similar thought pattern. You guys know in Baser all of it,
there's no need for the notifications of the meal. Once
you shoot a deer fifty years ago, you started eating
(29:12):
the fucker. You don't go tell the caveman. Hey, guys,
I got a deer. I'm gonna cook it. No man,
you just started eating that.
Speaker 8 (29:38):
Good cast up little food for yourself.
Speaker 3 (29:50):
Life.
Speaker 8 (29:50):
Oh it's pretty bad, It's pretty beautiful, maiful.
Speaker 1 (29:54):
Laugh a little more, said he k.
Speaker 10 (30:00):
Y're kicking with fulling.
Speaker 17 (30:03):
With Amy Brown.
Speaker 5 (30:05):
So on Monday, Kat has an episode coming out on
you Need Therapy. She has episodes every Monday and Wednesday,
and I'm going to be the guest and we're going
to be talking about my recent dating life, because when
it comes to dating, I need therapy, so a lot
of people. But if you're dating like me, it can
(30:25):
be a little bit confusing. It can be intimidating, especially
if you're divorced and you have kids and you're older.
And I feel like it was confusing for me in
my twenties, and you would think with the maturity, which
I would say, it's a little different. I do have
some of that, but there's still stuff that creeps in
morow like I can't believe I'm having these thoughts at
forty something that I had back when I was in
(30:45):
my twenties, because I'll still find myself getting a little confused.
But I guess I recover from it faster or I
have more rational thoughts pop into my head that are like, Okay,
don't overthink this, don't over analyze it doesn't mean anything.
You're building a story. But I think when meeting a guy,
if you're getting to know him, it's normal to wonder
like does he really like me? Or is this going
(31:07):
to be like a friend thing? And so I was
looking at various sources and came across twenty seven signs
that he likes you more than a friend, but I
pulled the top six.
Speaker 18 (31:19):
Okay, I was like, that's a lot of signs.
Speaker 5 (31:22):
No, we're not going to go over all twenty seven,
but I'm very curious about this first one. He displays
a healthy jealousy. From a therapist standpoint, I'm curious your
thoughts on this. If he gets a little jealous when
you mention other guys, he's probably displaying his protectiveness around you.
So is there such thing as healthy jealousy?
Speaker 1 (31:41):
Yeah?
Speaker 18 (31:42):
I think jealousy is oftentimes healthy and it's helpful because
when we feel jealous, it's often because we see something
that we want.
Speaker 7 (31:51):
So I think that that can be true.
Speaker 18 (31:54):
It's what you do with that jealousy that might be
that healthy and unhealthy thing.
Speaker 5 (31:59):
Yeah, Like, how far is willing to go?
Speaker 7 (32:00):
But what does he do.
Speaker 18 (32:01):
Does he like blame you for cheating on him or something,
or does he go like beat this guy up, or
he ask you to like never contact that person again?
Speaker 7 (32:08):
That is not great. But if he's like, oh, Brad
texted you, what did he want?
Speaker 5 (32:13):
Cool? What are you going to hang out with Brad?
Speaker 7 (32:15):
That's passive aggressive?
Speaker 5 (32:17):
Oh but I know, but I've done that joking joke. Okay,
So I've done that jokey jokey with which maybe we'll
talk about it more on Monday. We haven't recorded that
episode yet, but you've been there and I've made a
joke joke about it's cute. Let's call her Tina. I'm like, oh,
is that what Tina like to do?
Speaker 18 (32:36):
But that's flirting okay, But if you take it too far,
if you were like, why don't you just go hang
out with Tina?
Speaker 7 (32:41):
That is not.
Speaker 5 (32:42):
Fun Lifetime movie vibes, Yes, like who's Tina? When we've
only been out like twice and he could easily still
be dating Tina and doing it in an appropriate way
because when you're usually dating, you can be dating multiple people.
And the jealousy thing. I like that you brought that
up too, So it's outside of relationships as well, Like
you could see something you want, like you could be
jealous of a career thing, but you can use as
(33:05):
an indicator of like, oh, it's actually good that I'm
feeling this because it's telling me what I want and
now what do I need to do to go get
that in a healthy way?
Speaker 7 (33:14):
And I don't have to hate the person that has
something I want.
Speaker 5 (33:17):
Observes even the small things about you, So it says
a guy who notices small changes in your daily life
is making an effort to build a deeper connection with you.
Speaker 7 (33:27):
I love it.
Speaker 5 (33:28):
When I topped on my hair off, he noticed, Yeah.
Speaker 7 (33:31):
So you're saying this guy likes you.
Speaker 5 (33:32):
I'm just kidding. That was very obvious. My hair went
from really long to really short.
Speaker 18 (33:37):
I cut five inches off of my hair and colored it,
and I came home and I just stood in the
kitchen looking at Patrick, being like flipping my hair and
being like, how's your day? And then I just like
stared at him in the eyes for like thirty seconds,
and he was like, what is wrong with you?
Speaker 7 (33:51):
And I was like, Oh, I don't.
Speaker 18 (33:52):
Know if anything new happened or if you notice, and
he was so confused, So then I think I probably
gave him the silent treatment for like an hour after
he didn't five inches.
Speaker 5 (34:02):
Chat GPT would not agree with your reaction to that. Well,
first of all, I was tricked him into trying to
notice your hair and stood there, and then you gave
him the silent treatment. It's not effective communication, It's.
Speaker 18 (34:11):
Not It was very unhealthy and I will own that.
But what do you think it says about Patrick that
he didn't notice. He's a sociopath, okay, and he doesn't
like me.
Speaker 5 (34:20):
I'm just kidding. Next thing, he goes the extra mile
for you. Men will go to any extent to charm
their partners, even at the cost of their inconvenience.
Speaker 7 (34:31):
I love this one.
Speaker 5 (34:32):
I haven't experienced it really, Yea.
Speaker 7 (34:34):
I have when you had the mold.
Speaker 5 (34:37):
Oh yeah, okay, thank you for the reminder.
Speaker 18 (34:40):
We're like I'd like, oh I have to make a
phone call for her, and like like that's an inconvenience,
but people do it.
Speaker 7 (34:47):
Okay.
Speaker 5 (34:48):
That was right when it all kind of started back.
Speaker 7 (34:50):
And he was happy to be inconvenienced by you.
Speaker 5 (34:53):
Okay, thank you for that. He changes his body language,
does he keep his feet towards you. Does he look
you in the eye or listen attentively when you speak?
If yes, he could be attracted to you. Does he
keep his feet towards you? That's interesting me paying attention
to feat? Does he look you in the eye? But
you and Patrick Yell are married now for what seven months?
Speaker 10 (35:15):
Yeah?
Speaker 7 (35:15):
Whole seven months? So probably we're past the sea towards
each other.
Speaker 5 (35:18):
Stage keeps you updated. Men who see you as romantic
interest will update you about their day, send you pictures,
show curiosity to know about your day, and send wishful texts.
Speaker 7 (35:31):
You're smiling.
Speaker 5 (35:32):
I'm smiling because I sent a text to him yesterday
because you want to see that new Reagan movie with
Dennis Quaid.
Speaker 7 (35:39):
Oh I want to see that. I know about that.
Speaker 5 (35:41):
So I saw a big billboard and I was out
of light, and I took a picture of the Reagan billboard,
but in front of me was a grey Honda. And
all he replied back, he was like, you must really
like that gray Honda, because you're sending it to me.
Speaker 3 (35:57):
I want this.
Speaker 7 (35:58):
He knew it was the billboard. He was making a joke. Oh,
that's really funny.
Speaker 5 (36:02):
And so now I said, oh, yeah, you know, every
time I see Gray Honda, they are But that was
me kind of updating him. I feel like I would
probably text way more than he does, but that's okay.
Speaker 18 (36:18):
Also, the way you text in general is different, Like
you're like a text like me, which is.
Speaker 7 (36:24):
We send a lot of texts in a row and
then we go M I A yeah.
Speaker 18 (36:28):
And then But you don't mind like being in that
constant where like some people would rather just like, Okay,
if I have something to say, I'm going to call you,
or I don't need to talk to you all day,
I'll just call you at a certain point and catch up.
Versus I'm like, every time I take a step, I
have to tell you how far I've gotten in what
I've seen and how the clouds look different and all
that true.
Speaker 5 (36:45):
The final thing he introduces you to his inner circle.
If you have met his best friends or his family,
he may just be interested in you.
Speaker 18 (36:54):
That is actually a good indicator because when you are
kept he's calling shut up.
Speaker 5 (36:59):
It should be recorded like through it, hold on, hold on, hold.
Speaker 10 (37:03):
On, Carne.
Speaker 12 (37:15):
She's a queen and talking and so she's.
Speaker 6 (37:20):
Get really not afraid to fing so so just.
Speaker 10 (37:23):
Let it blow.
Speaker 17 (37:24):
No one can do we quiet, carlne it's sound of Caroline.
Speaker 4 (37:33):
So how are you doing? You have so last time
we talked, you and John weren't married. You were maybe
not even engaged. Maybe we're engaged, just engaged or right
in the Yeah, we're definitely serious and in the engagement world.
Speaker 6 (37:48):
But it was all so new.
Speaker 4 (37:52):
You guys met because your mom's introduced you. Yeah, can
you just refresh that story because that one's too good?
Speaker 15 (37:57):
You my actually my client and John's mom.
Speaker 6 (38:00):
Do you do hair?
Speaker 15 (38:01):
I did hair?
Speaker 6 (38:03):
Have been tired?
Speaker 15 (38:04):
Oh good for you.
Speaker 6 (38:05):
Hey, you've moved on to new things.
Speaker 15 (38:06):
I thought for sure I was going to be back
to hair four weeks after Presley, like I was one
hundred percent I'm going to be back, And here I
am now a year and a half later, with two
babies and still not doing hair. Hey season, But it's
I feel like at peace with it, which is really nice.
So but yeah, no, John, So my client at the time,
and John's mom. John and I both grew up in California,
(38:28):
like three hours apart, didn't know each other. I honestly
don't even know who he was, even though I've grown
up with country music. But they set us up because
he had had failed fail after fail of girlfriends, and
same for me with boyfriends and so.
Speaker 6 (38:42):
So he was looking for a good girl.
Speaker 15 (38:44):
He was looking for a good girl, looking, John, All,
you're looking for a good girl.
Speaker 6 (38:48):
You were looking for a good cowboy.
Speaker 15 (38:49):
I was looking for a cowboy. You really probably weren't
have lived in California, but a California cowboy.
Speaker 6 (38:55):
Well, he is a California cowboy.
Speaker 15 (38:57):
Yeah that those exist, but they really they do.
Speaker 4 (39:00):
There's a lot of land up there in California. Yeah,
he grew up as a cowboy, like on land.
Speaker 6 (39:04):
Yep, doing what.
Speaker 15 (39:06):
He's All of his family and stuff has been in
different family members are in farming. They'd had like almonds
and all kinds of things up north where he's from,
like outside of sacrament now. So he always grew up
just out out living the dream.
Speaker 4 (39:21):
So she'll met on a blind date. Met on a
blind date because your mom, his mom came to you.
I've so was she coming to you?
Speaker 15 (39:27):
That's what you said, my client, his mom, Okay, did
their whole working magic? Gave John my number. He sat
on it for a few days. Text me because he
was actually in my hometown for a concert. I think
he was trying with Dirks at the time, but I
was in Vegas, and so the next option was to
fly out to Denver the following week to meet him,
(39:48):
where he had two shows.
Speaker 4 (39:49):
I forgot you actually flew out to meet him on
a blind date. That's so ballsy summer, Oh my gosh.
Speaker 15 (39:55):
And I took my girl friend just in case it
was a disaster. Case it was a disaster, I would
at least have a girl und daed roll strip. I
tried to cancel the flight, and that didn't happen because
it was booked by his travel agents, so I couldn't
go in and edit the flight. I tried to. I
panicked last minute, and so here we are, seven years,
(40:16):
I think now later.
Speaker 6 (40:18):
I've got a lot of grounds in seven.
Speaker 15 (40:19):
Years, twenty seventeen.
Speaker 6 (40:20):
So how's how was it?
Speaker 15 (40:21):
Okay?
Speaker 4 (40:22):
Y'all got married? Touring NonStop, career keeps blowing up. You
are like blowing up. You're such like an incredible brand ambassador.
You have so much great advice to share with people
like I. Literally, if I need to know what I
need to have for everything in my life, you are
a go to.
Speaker 6 (40:37):
You're an incredible.
Speaker 4 (40:37):
Resource and you just learn. You're just such like a
wonderful energy to follow too. You're so real, you're so open,
you're just.
Speaker 6 (40:46):
You're just your or your dream, your total dream summer.
Speaker 15 (40:49):
Thank you, thank you.
Speaker 4 (40:50):
So your life has dramatically changed though, because marrying John
puts you on a different trajectory.
Speaker 15 (40:54):
Definitely.
Speaker 6 (40:55):
And how was that? Do you feel like you were
made for road life?
Speaker 4 (40:57):
Because I really some people like it's really hard, and
other people are like, this is what I'm made for.
Speaker 15 (41:02):
I mean definitely wasn't made for it. Then we talked
about this, I'm sure in the beginning too, because it
was just like I was such a routine homebody, like
same breakfast every day, same you know, wake up, jim
scrambled egg, work, home, nothing, nothing outside those lines. And
so to be thrown into this lifestyle where there's no
(41:26):
routine and no no schedule in a sense of like normalcy.
But I've done well, I will say I've I have.
I will pat myself on the back because I have
done better than I thought I would do.
Speaker 4 (41:40):
What have you had to what were the parts that
you had to like get to And they makes you
feel a little like, oh, this is this is not
my normal that you had to push through alter your
perception on it a little bit.
Speaker 15 (41:52):
Everything about road life, the shitty sleep.
Speaker 6 (41:56):
Sleep is so bad, horrible, It's so bad.
Speaker 15 (41:59):
Unless you get blocked out drunk. It's the only way
to sleep.
Speaker 6 (42:03):
Man, You're gonna feel terrible in another way and you.
Speaker 15 (42:05):
Pay for it. Yeah, there's no there's no positive. And
I get scared that.
Speaker 6 (42:10):
We're going to crash.
Speaker 4 (42:11):
Like I have a very hard time going to sleep,
because like you're putting your whole life in this person
driving the bus.
Speaker 15 (42:15):
The guy's not think about stuff because John's never talked
about that. I'm like, I spent the first six months
waiting to get tea boned Yeah, in the back of
that bus.
Speaker 4 (42:22):
Michaels never thinks about stuff like I'm always like, okay,
assessing my situation, which is kind of ironic that I
crushed my tail buone because.
Speaker 6 (42:29):
I am someone I told the cmicle.
Speaker 4 (42:30):
I was like, I am literally someone who I'm going
to assess the situation. I don't want to be like
a freak of nature where I'm scared of everything, but
I'm going to look at the whole thing and I'm
going to figure out where the pitfalls could be where
the danger lurks, you know, on that one where the
risk is.
Speaker 6 (42:46):
How about that.
Speaker 4 (42:46):
I'm going to find the risk and then I'm going
to weigh my odds, do we is this worth the
risk or not?
Speaker 6 (42:51):
Okay?
Speaker 4 (42:51):
So like the risk with the road life, like the
driving in the in the bus is very scary to
me to sleep at night, but I mean it's worth
the risk because you got to get to the shows,
which is why are you bus? I mean, so, you know,
and I think that's how Michael view sings is like
he's like, what are you going to do? You know,
It's like you can't worry about that kind of stuff.
Speaker 6 (43:11):
But I think about it.
Speaker 4 (43:12):
So the first six months you were thinking about it, Yeah,
and then what happened?
Speaker 6 (43:15):
You just decided not to worry about it anymore.
Speaker 15 (43:16):
I think I just got broken. I think I just
started getting drunk every.
Speaker 1 (43:21):
Night or something.
Speaker 4 (43:22):
I I think that's another reason why people do have
like some a little sleep aid.
Speaker 6 (43:27):
I need a little help to like go to sleep.
Speaker 15 (43:29):
Definitely, I mean that's definitely part of it, yeah, for sure. Sure,
But also that first year was so fun of like
the party life. You know, it's night and day from
what we were back then.
Speaker 6 (43:41):
Tell me how it was then and how it is now, Like,
give me some details.
Speaker 15 (43:43):
I mean, it was party central, but we were also
on one bus with like thirteen of us. It was
me and like the loving guys, which was honestly disgusting.
But in the time, I was so in that honeymoon phase,
like I said, this is amazing, Like this is so fun.
One bathroom always covered in pe fal And then I
(44:05):
think a year later we had graduated two buses, and
then now it's got four or five, and so we
have our own bus now, so we have our family
bus where it's just us and the girls, and then
we have automar nanny who travels with us. And so
even that, though is like it makes me laugh thinking
(44:25):
about the days when that first eight months of our
life together was literally thirteen of us on a bus,
just rage mode parting every night.
Speaker 17 (44:34):
Hey, it's Mike d and this week All Movie Mike's
Movie Podcast, I shared my top eight movies from the
eighties that I think deserve a sequel. Now with the
success of Beetlejuice Beetlejuice, I think Hollywood is foaming out
the mouth to get more eighties movie sequels, So I
shared some of my favorite movies from the eighties that
still don't have one. Surprisingly, I also gave my spoiler
(44:56):
free review of Beetlejuice. Beetlejuice, so be sure to check
out this full episode. But right now, now, here's just
a little bit of movie Mike's movie podcast at number
eight a movie that came out in nineteen eighty six.
It's one of my favorite football movies of all time. Actually,
two of my favorite all time favorite football movies came
out in the eighties, but it is Lucas. The reason
(45:18):
I feel that this movie needs a sequel is one
I identified a lot with the character of Lucas. If
you're not familiar with this movie, it is a character
named Lucas played by Corey Heim, Which how more quintessential
eighties actor can you get than Corey Heim sadly passed away,
but he was such a dominant force in the eighties
(45:38):
when it came to childhood and teenage actors. And he
played this character named Lucas, who was a really smart
teenager and he was trying to get this girl, and
in order to impress, he joined the football team. She
was the new girl in school. Played by Carrie Green.
Charlie Sheen was in the movie. He tried to protect Lucas,
(45:59):
Y said, I know in a writer, so an incredible
eighties cast, And the reason I want to see a
sequel to Lucas is probably a little bit selfish. But
in the eighties and nineties, there was this category of
movie with a plot line nerdy boy tries to get
hot girl, and that was a lot of movies and
us as viewers, we love to root for the underdog.
(46:21):
We love to root for the guy to get the girl,
the girl to get the guy. The will they won't they?
That has just been a constant in TV and movies,
and I feel in the last ten fifteen years we
don't really have those type of movies anymore. And it's
probably in the same way that we've had less comedies
in the last five, six, seven, even decade, we've also
(46:45):
had less of this type of plotline because it's not
quite a rom com, it's not quite a full on comedy.
It is this very specific coming of age movie. That
is why I want to see that movie. I have
Lucas too at number eight At number V seven is
a movie from nineteen eighty five, I want to see
a sequel to Sesame Street Presents Follow That Bird, Give
(47:07):
Me Part Two. This is a movie that I discovered
on a VHS tape. I'm not sure exactly what movie
that I watched so much in my childhood that I
remembered all the trailers, and this was one of the
trailers that when you pop into that VHS tape you
had to sit through them. You don't have that anymore.
Our version of that is maybe a pop up ad
(47:27):
on social media. Scrolling through TikTok. Every now and then
you get a movie trailer, you hop onto YouTube you
see trailers. But before that, for DVDs, when you got
a VHS, it had the baked in movie trailers of
other movies that you could go buy right now. But
I remember watching this trailer all the time, and I
finally was able to actually watch the movie. And I
(47:51):
love this category of movie. And the interesting thing about
Sesame Street movies is they've only made two that came
out in theaters. The first one was this one, Follow
That Bird, which came out in nineteen eighty five, and
then they had another one in nineteen ninety nine, Elmo
and Grouchland. Sadly The thing about Sesame Street movies not
that profitable, which is so surprising to me that a
(48:16):
TV show as popular as Sesame Street would have box
office BOMs. Follow that Bird only made thirteen million dollars
at the box office, probably cost around ten million dollars
to make. They didn't even release the numbers for how
much this movie costs to make. But the Ilman movie
in ninety nine cost twenty six million dollars to make
and only mail eleven million dollars at the box office.
(48:38):
So after that they said, Okay, no more Sesame Street movies.
It could be the model of Sesame Street. You're having
to go pay for something in theaters that you could
get at home for free. And it also has a
very young audience, so maybe it's hard to kind of
convert that into getting people and families out to go
to the theater to watch it. Because I feel like
(49:01):
a Sesame Street movie. Now I'm kind of talking myself
out of it, but I feel like a Sesame Street
movie has just a very very key demographic of young
young kids, unlike some of the Illumination or Disney movies
that are fun for the entire family. But me as
a kid I love follow That Bird had an amazing cast.
You had Waylon Jennings in this movie. You had Chevy Chase,
(49:23):
you had John Candy, you had the classic Sesame Street humor.
My favorite joke out of the entire movie is whenever
they're trying to track down Big Bird, because what happens
in this movie. Big Bird is living in Sesame Street,
living his normal life, loving it, and then he is
sent to live with a bird family much like he is,
ends up. He doesn't like that Bird family whatsoever and
(49:45):
decides that he misses his friends and wants to go
back to Sesame Street. So it's him getting away from there,
and then all the Sesame Street characters trying to find
Big Bird now that he is lost.
Speaker 1 (49:55):
But there is this.
Speaker 17 (49:56):
Big road trip, and I love a movie with the
road trip. But there's joke where they're like, oh, it's
the fork in the road, and there's like a literal
fork in the road. Classic comedy. Me as like a
four or five year old.
Speaker 10 (50:08):
I ate that up.
Speaker 17 (50:09):
So I know these movies have not been successful, But
as you can hear in my voice that twenty five,
twenty seven years after I watched this movie, I'm still
thinking about it. Even though they didn't make a whole
lot of money at the box office, that doesn't mean
that these movies aren't impactful. Maybe it's a straight to
MAX type movie, because that is just the nature of
(50:32):
things now we don't have straight to videos straight to
vhs anymore. Maybe it's a Max original give me Follow
That Bird Too at number six from nineteen eighty three
when the original came out. Kujo two is a sequel.
I would love to see. Reason is I just remember
this being the go to scary movie that everybody talked
(50:52):
about when I was growing up. Have you seen Kujo
The Story of the Killer Dog? One of I believes
Stephen's best movies in the eighties. It is a movie
that just feels like it gets a referenced so much
even if you haven't seen it. But essentially what happens
in Kujo is, well, you have a killer dog, and
it's this family trapped in a car the entire time
(51:14):
and them trying well not to be eaten by Kujo.
And the movie is truly terrifying. His bloody snout is
just a great, fantastic movie, and I am surprised that
we have not had a sequel to it now. Stephen
King did put out another book called Rattlesnakes, which does
serve as the sequel to Kujo, primarily focusing on the
(51:37):
human characters taking place in the aftermath of Kujo, which
spoiler alert doesn't turn out so great. So you do
have the source material here. There is a story for
Kujo two you can throw in make it another dog,
So I have Kujo two is a sequel I want
to see at number six.
Speaker 2 (52:05):
Thanks for listening to this week's Sunday Sampler. New episodes
are out weekly of every single one of those shows.
We hope you find something that you like. Please subscribe.
You can also check out our Instagram page, the Nashville
Podcast Network.
Speaker 1 (52:16):
Hope you guys have a great week.
Hey, everybody's Sunday Sampler time.
Speaker 2 (00:10):
We'll get to some Sore Losers movie Mike's Movie podcast,
but we're gonna start with a little bit of Doctor Josie.
It's the final episode of season one of In the
Vets Office and Caroline Hobby stop Buy had her three
month old puppy, Ruby, and they talked about what you
need to know whenever you have a puppy, because I
think anytime we get a new puppy, we're like, holy crap.
Speaker 1 (00:28):
What they talked about, what to do and what not
to do.
Speaker 3 (00:31):
Let's get started.
Speaker 4 (00:31):
Now.
Speaker 2 (00:32):
Here's a clip of this week's episode of In the
Vets Office with Doctor Josie.
Speaker 5 (00:43):
Yeah, you're listening to In the Vets Office with Doctor
Josie Horshak.
Speaker 4 (00:52):
Right, So we got Ruby on a whim and I
am not following any of the rules.
Speaker 6 (00:56):
This is my daughter's dog. Thankfully. Ruby loves to.
Speaker 4 (00:58):
Rough house, goes to She and Sunday and Ruby like
play and wrestle all the time. But just working on
the potty training. They were seventy percent there. She is
sleeping in the bed. Oh or I'll talk about that.
Not sure about the food situation because she started off
with one food. Then when eat it and tried to
give her another one, and then she got diarrhea.
Speaker 6 (01:18):
And so I'm just like the basics of starting up.
Speaker 4 (01:22):
A dog and perfect you know, I guess, nailing down
what you need to do in the beginning I could use.
Speaker 6 (01:28):
Really, the potty training is my number one.
Speaker 4 (01:29):
Yeah, it is so important when they are at this age,
they're very impressionable, and we're setting them up for success
for the rest of their life. Because Ruby og, we
know how that plight, we know how that goes. So
remind me Ruby two point zero. We'll call her. She's
fourteen weeks. Yeah, okay, I'm a big proponent.
Speaker 5 (01:47):
Of the crate.
Speaker 6 (01:48):
Okay, it is.
Speaker 4 (01:49):
Yeah, it is soul sucking for someone like me who
is a dog mom.
Speaker 5 (01:53):
I like, live for my dogs.
Speaker 4 (01:55):
I feel like I'm torturing them, especially puppies when you
put them in the crate and they cry. I mean,
it's just like the worst thing in the world. But
it is going to set you up for success. Tell me, okay,
tell me why, and then how do you do the crate?
So you want to make sure you get to create
a The size is super important. We want to get
to create that isn't too big. We want it to
be big enough where she can get in it, move
in a circle, kind of lay down and get subtled,
(02:17):
but not big enough that she can go to one
side of the crate and pee and poop and then
skidad all over to the other side.
Speaker 6 (02:21):
Okay, So she has to be like just enough.
Speaker 4 (02:23):
To correct, like somewhat confined, but not big enough for
her to run around in it. So size is really important.
I think it's nice to have like the metal wire
ones where they can see out, and then at night,
if she's in her crate, which she should be, you
could throw a blanket over it. That way, it's nice
and dark and it is far and away our best
tool for potty trading. Can they make it through the
(02:45):
whole night at fourteen weeks? The kind of rule of
thumb is for every month they are plus one, that's
how many hours they can hold it through the day.
Usually by this time around fourteen weeks, some of them
can hold it overnight. But you probably are looking at
getting up once in the early morning to take her
out to go potty.
Speaker 6 (03:02):
And will she like cry?
Speaker 4 (03:03):
You think she Once she gets great trained, she'll probably
whine to let you know she needs to go out.
There's some puppies that are gonna whine because they just
want to be with you. But it's almost like a
baby where you start to understand, like are you crying
because you want my attention? Are you crying because you
need to go potty? But you're I mean fourteen weeks. Gosh,
you've only got another like three or four weeks. And
she'll be able to hold it through the.
Speaker 6 (03:22):
Evening well just because she is sleeping in the bed.
I have noticed.
Speaker 4 (03:25):
I took her out like at eleven last night, and
she did make it till like six this morning. Okay,
that's great. So now we know that she can hold it,
so this is perfect. So yeah, I would doing it
all wrong, That's okay, that's okay. So create is so important.
I tell owners potty training is on us. If they
have an accident in the house. We don't necessarily want
to punish them because we aren't necessarily doing our job.
(03:46):
And it's very kind of saying it, saying you messed up. Yeah, yeah,
I don't. I'm not gonna say you messed up, but
want that so during the day they need to go out.
It feels like one hundred times.
Speaker 6 (03:57):
All the time.
Speaker 4 (03:57):
Okay, so how often do we need That's like huge,
It's like every thirty minutes you gotta take them out,
or what is every time after they eat, after they drink,
after they wake up from a nap, after they're done playing.
Speaker 5 (04:09):
I mean it is like constant.
Speaker 4 (04:11):
Do you say, like, go potty, go body, I sady, yep,
go potty, give them the chance to go. I Also,
I am really big on if you are going to
peepad train, no stick with pea pads for all of
you out there that are ppad training. Worst, if you're
not going to peepad train, like long term, you want
them to go outside, do not start peap pads at all.
Speaker 6 (04:27):
Oh be really confusing for the peapads or the visit
the bane, the veine of my existence.
Speaker 4 (04:33):
The bane of my existence got me both. Yeah, because
they just don't quite get the peapad. They'll put their
front paws on it and they're pee on the carpet.
I mean, yeah, congratulations to people doing well with peapads.
Speaker 7 (04:42):
I never have And.
Speaker 4 (04:43):
There's a lot of like little dogs and high rises
that do great in the right right. But when we're
potty training some people be like, well, I'm using peapads
for now, and then I want them to go on
the grass, and that just is really difficult. So so
go outside, go to the same spot and the same spot. Yep.
Make it really consistent, really can really routine, same spot,
and then I find a really high reward treat that
(05:04):
they love. I had one dog that was so hard
to potty train that I got turkey hot dogs and
I slice them into tiny pieces and the only time
she got a piece of a turkey hot dog is
when she went potty outside like she was supposed to.
And that just kind of helps them. It helps it click.
So you say, good potty, here's your treat, like right then,
right then and there, so you have it with you
when you take them outside.
Speaker 5 (05:25):
You want to have treats in your pockets at all
times when you have a puppy. So okay, okay, go out
with your turkey hot dogs.
Speaker 4 (05:30):
As soon as soon as she goes, give her a
little bit, tell her she did a great job. And
then you go right back inside, and you want to
make it like, hey, you did an awesome job. Like
your neighbors are going to think you're insane, but you know,
lots of reward.
Speaker 6 (05:43):
Okay, yeah, okay, okay, okay.
Speaker 4 (05:45):
So so put in their credit at night right when
you wake up, take her outside with the treat, have
it ready, yep? Then feeder, then feeder, and then right
back out to go potty again.
Speaker 6 (05:55):
And how long do you wait after they eat? I
typically will go.
Speaker 5 (05:58):
Right after they eat.
Speaker 4 (05:59):
It takes her a lot of poop, and like I'll
take her out and then she'll pee, and then we'll
hang out there for a while and then she just
woll poop and then she'll come in and poop inside
that what is that? That is just her being young
and not getting it yet, So just stick with it.
Once she goes potty, I would only give her like
a minute or two to go poop. If she's not
going to do her business, then it's back inside because
they can get kind of distracted a butterfly, you know,
(06:21):
and they're like pooop, yeah exactly, So back inside, give
them a few minutes, and then you can go back
out again and give it another shot. And then during
the day when you were not directly supervising her in
the crate. In the crate, I know it's it's soul sucking.
Speaker 5 (06:37):
I'm telling we just let her when we leave, we
just leave her in the house. Oh Lord and Almighty.
Speaker 4 (06:43):
That I feel about that, doctor, I don't feel great
about that. I mean, I suppose in some puppies it works,
but in ninety nine percent of them, it's a recipe
for ruby og.
Speaker 6 (06:55):
Okay, okay.
Speaker 4 (06:56):
So as soon as I leave here, I need to
go get a crate. Yes, definitely, you can on Amazon.
You can get them at any pet store. Get a
create immediately, yep, get it create immediately.
Speaker 5 (07:04):
And the crate.
Speaker 4 (07:05):
That's a whole other thing is we want it to
be a place that they want to go.
Speaker 6 (07:09):
How do you make it that?
Speaker 5 (07:10):
So I throw a.
Speaker 4 (07:11):
Little blanky in there, not not too much stuff, but
I'll blanket if you want to put one of your
t shirts in there that smells like you.
Speaker 5 (07:17):
Throw it in a room.
Speaker 4 (07:18):
Where you guys are often in, typically like a living room.
Leave the door open. That way, she can kind of
come and go as she pleases. Lots of positive reinforcement,
so treats when she goes into her crate. Some people
will like even feed them there. If they're food motivated,
they'll feed them their meals in the crate, so they
just we want to associate the crate with positivity. We
(07:40):
don't ever really want to use it as punishment, like, oh,
you Pete in the house, I'm going to put you
in your crate.
Speaker 5 (07:44):
We do not want to do that.
Speaker 6 (07:44):
Oh that's good advice.
Speaker 4 (07:46):
And if you don't have a Kong, I would get
a cong. Those are like those rubber volcano looking toys.
Speaker 6 (07:52):
Put that in the crate.
Speaker 4 (07:53):
I typically put like a little tablespoon of peanut butter,
throw it in the freezer. And then when you put
her in her crate and you're leaving to like run
an errand it's like, Hey, I'm going on my crea.
Speaker 5 (08:02):
This is not the end of the world because.
Speaker 6 (08:04):
I have a cong.
Speaker 5 (08:04):
I have an amazing peanut butter filled kong.
Speaker 2 (08:13):
The first songs you learned was it for me? It
was a lot of classic rock stuff. And I'm not
the player that you are, but I remember just.
Speaker 1 (08:20):
What I what I would learn.
Speaker 2 (08:21):
I would learned like Metallica stuff, because some of that
stuff was easy. I'd learn like some using like tab.
I would learn like some.
Speaker 1 (08:31):
Guitar times.
Speaker 2 (08:31):
Yeah, I don't even use tab anymore. But at the beginning,
it was really good for me to learn, you know,
six three. But what what was that for you? What
did you want to learn? What did you learn first?
Speaker 8 (08:41):
I can't read music at all, period whatsoever. I don't
read a chart. I hardly know the Nashville skills here,
Like I know enough to understand what they're talking about,
but I don't. I've never been able to. It doesn't
translate with me. So it's all about ear. That being said,
the first things that I kind of learned when I
started playing guitar, I mean, simple Man, Smoke on the Water.
Speaker 1 (09:03):
Those are all like dittymoke on the Water.
Speaker 4 (09:08):
Army.
Speaker 8 (09:09):
Yeah, yeah, But like when you talk about getting into
like ultimate guitar tabs and like all that kind of stuff.
Like the first ones that I remember putting together all
the way through were Drake White songs. Probably the first
ever was probably a simple Man letter Skinnered. That was
probably the first one, top to bottom that I learned
all the way through.
Speaker 1 (09:29):
How long until you could actually sing and play?
Speaker 8 (09:32):
Oh god, it took a while, man, it was, you know.
Speaker 1 (09:37):
And I'm not the I'm not I'm.
Speaker 8 (09:40):
Still not the player that I want to be when
it comes to this hand, you know, or this one,
you know. But it took a while, and my timing
used to be so weird, so weird, man.
Speaker 2 (09:55):
What about because it haven't you know, we get to
know you a little bit over the past couple of
years the time that we spent together. You're not a
guy it's gonna walk into a room and just demand everybody's.
Speaker 1 (10:05):
Attention when everybody's just hang around talking. You don't say
a lot.
Speaker 2 (10:09):
You have a big presence because you're a big guy,
and you definitely dress like you're gonna murder someone if
they cross you. However, I would not, just by knowing
you as a person, think well, this is a guy
that wants to get on stage and sing or talk
or entertain in any way whatsoever. Now did you have
the same demeanor younger? And was your dad and your
(10:30):
family like.
Speaker 3 (10:31):
You want to do what?
Speaker 8 (10:34):
My dad never wanted us to lay brick and block,
So anything other than that was very welcome in our family. Now,
my siblings have taken over the family business and they're
doing that, you know. But they all went out and
had their time in the world and chase their dreams
and they've come home and you know, all that stuff.
But no, he wanted anything other than what he was doing.
Speaker 2 (10:55):
He had to be so surprised though, and maybe he wasn't,
but that you wanted to go entertain people, because again,
if you meet you, you don't think, well, he wants
to get on stage and just rock people's face off.
Speaker 1 (11:05):
You're like, that guy's.
Speaker 2 (11:06):
Probably I don't know what kind of mobb he's in,
what kind of cattle he's trading, who knows, But you know,
your personality on stage is large. Your personality here it's
very compact. Your demeanor is very straightforward. People can hear
that I used to be scared of you, not anymore,
but he's scared of you when I first met you
(11:26):
because I was like this, dude, he hates my guts,
but I would compare like you, and I'm friends with
Kane Brown. I thought Kine hated me because Kine doesn't
say a whole lot, no, no man, a few words. Yeah,
Now that I know Kane and love Kane like, that's
one of the things I love about him. It's like
he's still who he is off stage, but then when
(11:46):
he gets on stage he puts it on again. Were
they surprised that you wanted to get on stage and
put it on.
Speaker 8 (11:52):
It definitely took some time to grow on my mom.
She didn't quite understand. She didn't quite not fathom it
at first, but she was like, I don't know, honey,
you know, I don't know. And I'm also talk about
two and a half three years before she was like, okay,
let's go.
Speaker 2 (12:11):
It's also got to be weird too, because where I
come from, nobody did anything in the art community because
they worked at the mill. Like they worked at the mill,
or they had a job, you know, just because where
you and I both come from, it's not like people
move off and are, for my case, work on radio
and TV or your case, they don't move off and
become country stars. So it's not the people say you
(12:32):
can't do it, but they don't know that you can
because no one else really does it around.
Speaker 8 (12:36):
Yeah, and the only the only people that the only
references we had from around home, you know, coming from construction,
we don't know the music industry, right. The only references
we had were brothers Osbourne and Nuggie Rose. You know
they Maggie's from Mechanicsville and the brothers are from literally
(12:56):
twenty used to life fires the same place as they did.
Speaker 2 (13:01):
Yeah, you know that hasful though, to see those guys
and see that they were doing it, and it because again,
there is.
Speaker 1 (13:08):
Normal I know their parents. There is normal and blue collar.
Speaker 8 (13:13):
And there's like two hundred and fifty of them of them,
of the of the OSBA. It's it's nuts, man, It's
it's nuts. I've met fifteen uncles of theirs.
Speaker 6 (13:25):
They They've been.
Speaker 8 (13:27):
Really good to us over the last couple of years.
The first big ass show that we did was Delaware
State Fair with them, and I remember choking so bad.
Speaker 1 (13:38):
I choked on Hallelujah.
Speaker 8 (13:40):
On Ryan Bingham's Hallelujah, I've been playing the song for
three years and just too much happening in my brain
and just completely choked on it. But that was the
biggest show that we had done to that date, and
they were so good to us and have.
Speaker 1 (13:53):
And have continued to be.
Speaker 8 (13:55):
But there they were the only they were the only
even close to us that we were like, that's dope,
you know what I mean?
Speaker 1 (14:04):
Like and humans like us can do that?
Speaker 2 (14:07):
Yeah, because that I mean, I think representation, regardless of
what it is, you were kind of being represented by
somebody showing that if you want to do it, and
you're good enough to do it, and you.
Speaker 1 (14:19):
Work hard enough to do it.
Speaker 9 (14:19):
It actually can be done personally.
Speaker 10 (14:50):
Visuals than.
Speaker 11 (14:54):
This episode is all about careers and finding happiness within success.
Speaker 6 (14:58):
I have on Ashley Stall, who is a.
Speaker 11 (15:00):
Career coach with years of experience, talking about the best
way to discover your direction in life and how to
find fulfillment in a career. Then Melissa Schleichner joins me.
She's a celebrity makeup and hairstylist, most known for her
salon Parlor three in Nashville. And of course we're being
Carrie Underwood's full time hair and makeup stylist for over
seventeen years. Making the leap to a new job can
(15:32):
also be super scary. How can one know or feel
that they're making the right move for themselves, because that's
a really terrifying place to be.
Speaker 12 (15:41):
You know.
Speaker 13 (15:41):
I think that life is really an experiment and you
need to be willing to take what you know and
with the best of your knowledge, move forward. Fulfilling and
successful career really has three lily pads, is what I've found.
The first lily pad is kind of what the majority
of the workforce unfortunately chooses to be in, which is
they're fine, and they're fine with being fine, and maybe
they don't love what they do, they like it enough
(16:02):
or it pays the bills and they stay there. There's
a certain population that swims from lily pad one to
lily Pad two, which is where my work really is
geared to take people. That's about really figuring out where
you're a gifted and where your talents are. So if
you're willing to swim from being fine to really finding
your gifts, you need to go through an unknown and
an experimental period. Clarity comes from engagement. It's never going
(16:25):
to just come from thinking. You can't think. It's like
rocking in a rocking chair, just thinking and ending up
in the same place. Ultimately, a certain level of thinking
got you to where you are, And as Albert Einstein
has set in many of his quotables, you need to
do something new to get somewhere new. That comes down
to experimenting. So in order to get to that second
lily pad, there comes a point where you need to
(16:47):
say this feels like it's aligned with my core skill
set and really understand your core skill set is a
huge umbrella with many different options beneath it and many
different ways of expressing yourself beneath it.
Speaker 6 (16:58):
And once you lock.
Speaker 13 (16:59):
In to a role that's using your gifts, people notice
your magic because it's actually rare, unfortunately, to see someone
in a role where they're really aligned with their skills.
Speaker 7 (17:10):
And you know it, if you think about.
Speaker 13 (17:11):
Your work right now or your team right now, you
know there's one person that comes to mind where they're
really shining because they're locked in with their skill set
and people always want to get and that's the thing.
A lot of research shows that the most talented and
high impact person is the most burnt out person because
people see how gifted they are and they want to
give them more work because they can trust them to
get it done with a lot of shine on it.
(17:32):
And so I think going into that experimental period, trying
things on that gets you onto that second lily pad
where you're working in your zone of genius, and from
there life becomes a game of opportunities. You start to
sift between your yeses and your nose because once people
start to see someone really talented, they start to ask
them and offer them different opportunities. And the thing with
(17:52):
opportunities is that they can be a very high form
of distraction, because sometimes opportunities are a yes for you,
other times they're just distracted you and they're not actually
what you're meant for. So your job, when you get
to that second lily pad and you finally have experimented
enough to land in a role that's really using your
skills and showing your gifts and you're shining, is to
be able to say yes to the right things for you,
(18:13):
be a little more discerning about who you really are,
what your values are, what your skills are, and how
you want to be growing. And once you find that
right opportunity, you have an opportunity to swim over to
the third lily pad, and not everybody makes it there.
I believe that that lily pad is kind of what
they would call your dharma you're calling, and I've only
been there once in my career. When I was writing
(18:34):
my book, it felt like time didn't exist. Words were
just flying through my fingers as I was typing for
deadlines with my publisher. It was like this magical experience
that was beyond me and it felt like soul work.
And I think a fulfilling life doesn't have to get
you to that part where you're really doing your dharma.
But I wish for everyone to at least have an
opportunity to access that human experience. And I would say,
(18:56):
you really can't get there unless you're willing to experiment,
to engage, to try on different things. And it doesn't
mean you need to be reckless, you need to be thoughtful.
Speaker 11 (19:13):
What was that first connection that happened for you? I
listed so many of the country music starts you were
working with. When did that begin and what did that
look like to even get your foot in that door?
Speaker 14 (19:23):
So it started there was another makeup artist, Melanie. There
was not very many makeup artists when I was started
for the celebrities, and there was a girl named Melanie
Shelley and I was kind of her assistant, and I
would do people when she couldn't do it, and she
was just amazing. She was working with the Dixie Chicks,
Alan Jackson, Lena Womack, all these different people.
Speaker 13 (19:42):
Well, she got super busy with the Dixie Chicks, so
I would.
Speaker 14 (19:45):
Go do Alin Jackson for her or different people, and
you know, it just kind of evolves where it wasn't
they liked me, but she was just really busy at
the time. My first real client was Alan Jackson.
Speaker 11 (19:56):
And what does that look like doing makeup for a
male artist, because a lot of people are like, oh, makeup, hair,
it's all female.
Speaker 14 (20:03):
I love male grooming like it's easy, but it's also me.
You think, oh, just slap some powdery. It's not that easy.
They're going on TV. You have to make sure everything
looks great. They're brows and all the good things. But
I love male grooming so much.
Speaker 13 (20:16):
How did the connection to Carrie happen?
Speaker 14 (20:18):
Carrie was this girl on American Idol. I didn't watch
TV much. I was weren't busy doing my freelance stuff.
Here Alan Jackson, Leo Walmack, all these people. And my
daughter Hunter was watching American Idol when bo and Carrie
were on there she won, which my daughter was obsessed
with carry and I said, oh, Hunter, they called me
for that girl you love on American Idol for her
first Afrey debut. She's like, mom, you have to do it.
(20:41):
And so I had Alan Jackson that night. So I
actually was like, Okay, I can come get it ready,
but I have to leave. So I did it.
Speaker 6 (20:48):
Didn't think anything about it.
Speaker 15 (20:49):
I just did it for my daughter.
Speaker 14 (20:51):
That was eleven years old at the time to get
an autograph. And then I think like two weeks later,
I was working with other artists. They were kind of
slowing down and called me for like thirty dates for
Carrie and I was like, oh, okay, I liked her.
Speaker 10 (21:05):
She's great.
Speaker 7 (21:06):
And then it just went from there.
Speaker 3 (21:09):
We're gonna do it live.
Speaker 12 (21:11):
Oh the one, two, three, Sore Losers.
Speaker 3 (21:16):
What up, everybody? I am lunchbox.
Speaker 16 (21:18):
I know the most about sports, so I'll give you
the sports facts, my sports opinions, because I'm pretty much
a sports genius, y'all.
Speaker 12 (21:25):
It's Susan. I'm from the North. I'm an alpha male.
I live on the North side of Nashville with Bayser,
my wife.
Speaker 3 (21:30):
We do have a farm.
Speaker 12 (21:31):
It's beautiful, a lot of acreage, no animals, a lot
of crops. Hopefully soon corn pumpkins, rye. I believe maybe
a little fescue to be determined. Over to you, coach.
Speaker 16 (21:46):
And here's a clip from this week's episode of The
Sore Losers. The wife and I kind of got in
a little tiff because get home with the kids, you know,
and I'm outside and I'm on the phone with Granny
and Grandpa and Toolbox and you know, hat Box. We're
just chatting away and we're I'm just hanging in the
(22:06):
front yard. The kids keep coming in and out. They're
talking to me, get away from the moat, and I
end up talking to my parents for like forty five minutes,
just about life, how everything's going.
Speaker 3 (22:17):
Hey, dad, I never asked you what's your favorite color? No, no, don't.
Speaker 16 (22:21):
I don't know what his favorite color is. Don't know
what my mom's favorite color is either, never really asked
them that. But we're just talking about other things, just talking.
Speaker 12 (22:28):
Hey dad, how's your sex life.
Speaker 16 (22:32):
I'd rather talk to my kid about sticking his fingers
and his butt and smelling them than know about my parents'
sex life. Do you think about that like your parents
are Hey no.
Speaker 12 (22:41):
No, I mean you could think of you realize your
mind's really powerful. You could think about anything any moment
of the day. But I choose the things that I
think about. But when you look at your mom and dad,
do you think, man, they still do it. No, I
don't ever think about that because that's just a gross thought.
But I have ways of blocking stuff out of my head,
like if I do something a mistake, block from the head.
(23:01):
Forget about it Friday afternoon. Don't care about it, so
you can block stuff. You have that power. You need
to teach your son he has that power to not
wonder about what's in his buttthole.
Speaker 16 (23:10):
I agree, I need him to block that out because
I do think about that. Like I think about like
when my father in law's around, Like does he sit
there and go, man, this dude's banging my daughter. Does
he have that thought or is that not in his
head now?
Speaker 3 (23:25):
I mean I originally probably yes, but now.
Speaker 16 (23:28):
Like you don't think your father in law sit there going, man,
he's going to bed with my daughter. I gots so weird,
like that is a weird concept that eventually your kid
is gonna be I don't know. That's just weird to me.
Speaker 12 (23:41):
Right if you choose to think about that. But I
just don't, well, I don't choose to think about it.
Speaker 16 (23:45):
Just pops in my head sometimes, like man, he thinks, oh, yeah,
he's having sex with my daughter.
Speaker 3 (23:51):
Like if you ever thought about hooking on with Arnold? No,
I haven't. That's what I'm saying. You have that power
to not think about them.
Speaker 16 (23:59):
Okay, okay, anyway back to my original story.
Speaker 10 (24:03):
I'm sorry.
Speaker 16 (24:04):
So after forty five minutes, I tell my parents, all right,
I gotta go, you know what I mean. I'm gonna
go inside hopefully, you know, maybe dinner's ready by now
or something. And I go inside and the plates are
all on the counter and I'm like what. And I
go to my wife. I said, did you guys already eat?
She goes yeah. I'm like, oh, well, why didn't you
(24:26):
come out and say, hey, dinner's ready? She goes, Oh,
I thought you'd be in any minute.
Speaker 3 (24:33):
I said, yeah, yeah.
Speaker 16 (24:33):
But when I didn't come in in a minute, you
don't think you could pop your head out and say, hey,
we're gonna eat. You want to come in and eat?
And she's like oh. I was like, you could even
texted me. You could even text me instead of walking
the ten feet to the door, you could have texted
me and said, hey, you coming inside for dinner.
Speaker 3 (24:51):
Instead, you guys had dinner without me.
Speaker 16 (24:53):
She's like, yeah, I mean I just thought, oh, he'll
be in a minute, and then a couple of minutes
you were so I'll say, oh, he'll be in another minute,
and next thing you know, we were done eating dinner.
Speaker 3 (25:04):
Is that what led to TIFF's treats or you said,
Tiff that was a tiff, Yeah, little fight. Yeah, so
I ordered TIFF's treats right, Well, why would I order
TIFF's treats. She's the one that didn't tell me, damn,
dinner was ready? I sided with your wife. How I
have real life examples, go for it.
Speaker 12 (25:23):
Baser does Uber Eats. She knows exactly when it's gonna
be delivered. When it comes and she says, hey, Uber
Eats is here, I go get Uber Eats once a month.
Speaker 3 (25:33):
Guys, we don't do it regularly every week in this economy,
I know.
Speaker 12 (25:39):
And so get it and I put it on the
table and I'll just start eating. And sometimes she's under
the assumption that I'm gonna bring it to her in bed.
I just you know, the food's there, so come out
and get it. Yeah, no, no, Or what if I
just go get the pizza. So there's there's like about
(26:00):
a two minute thing where it says it's coming down
our driveway and when I start eating, I'll just go
get it, put on the table and start eating. Do
I need to go into the bedroom and say, hey,
do you want me to bring the food too? I'll
just start eating. I'm with your wife. You don't need
to know. You knew around when the meal was gonna
be made, did I? My wife knows when when the
(26:22):
uber is gonna come into the table.
Speaker 16 (26:26):
I get that uber eats is a set time. See, guys,
here's this thing uber eats. Were you rich people?
Speaker 10 (26:32):
Well?
Speaker 12 (26:32):
Because my wife can't hear the door because for whatever reason,
we had a two hundred square feet that I didn't
plan on having, so she actually can't hear the door shut,
so she doesn't know that food is on the table.
Is it my job to say dinner's here when she
knows the roundabout time that that food is gonna be
put on the table from when I went and got
it from the uber eats.
Speaker 3 (26:52):
Now that I understand, I just sit down and start eating.
Just like your wife. I'm hungry.
Speaker 16 (26:56):
I'm gonna agree with you on your side, but mine
is not. It's an uber eat situation where there's a
set time when on an app that tells you when
they're gonna be at your freaking door. This is my
wife is in the kitchen making some dinner, and she's
gonna put it on plates, and we're gonna eat and
if she doesn't tell me it's ready, I would never
So I'm just supposed to stand there and just watch
her until it's ready. No, say hey, dinner's ready. And
(27:21):
I said, you usually come outside and say hey, dinner's ready,
and she goes, yeah, but you're usually outside with the kids.
The kids weren't out there, So I'm supposed to just
magically know it's ready.
Speaker 3 (27:33):
It's it's the same. It's you and Bezer the same.
Speaker 12 (27:35):
Y'all should date you guys need to then check on
the knead. I don't know. It's not mine and your wife.
Me and your wife are in the same boat on
this one. It's not our job to notify you of
the meal that you already know is about to be
made in some in some five minute window, the meal's made,
come check in on it. What if you just came
(27:56):
and just what if you on the phone just come in? Huh,
look and see if the phone's food's made. It's your
wife's job to come notify you that the food is made.
Speaker 3 (28:05):
No, No, hang out for a second. Just see if
all the food's coming in. Hey, would you bring it
in the room. All the foods here.
Speaker 16 (28:14):
That's the thing dude, how do you think it would
fly over if at the Dallas Cowboys facility, catering gets
put out and they just.
Speaker 1 (28:23):
Leave it out and then they leave.
Speaker 16 (28:25):
You're telling me they would, and if they didn't go
down the hallway and tell Zeke and Dak and Ceedee
Lamb and Jake Ferguson, if they didn't stick their head
in the other rooms say hey, guys, food's ready, Come
and eat it.
Speaker 3 (28:36):
Brandon cooks, Thanks, Brandon Cooks.
Speaker 10 (28:39):
Thanks.
Speaker 16 (28:40):
If you don't think there would be a problem that
the person that cooked the food didn't go down and
tell freaking Mike McCarthy, I mean you think Mike McCarthy's
gonna be okay with not eating.
Speaker 12 (28:52):
No, sir, that's because it's an outside catering source, somebody
that's not related or in cahoots with the person eating
the meal. You and your wife are on such a
similar thought pattern. You guys know in Baser all of it,
there's no need for the notifications of the meal. Once
you shoot a deer fifty years ago, you started eating
(29:12):
the fucker. You don't go tell the caveman. Hey, guys,
I got a deer. I'm gonna cook it. No man,
you just started eating that.
Speaker 8 (29:38):
Good cast up little food for yourself.
Speaker 3 (29:50):
Life.
Speaker 8 (29:50):
Oh it's pretty bad, It's pretty beautiful, maiful.
Speaker 1 (29:54):
Laugh a little more, said he k.
Speaker 10 (30:00):
Y're kicking with fulling.
Speaker 17 (30:03):
With Amy Brown.
Speaker 5 (30:05):
So on Monday, Kat has an episode coming out on
you Need Therapy. She has episodes every Monday and Wednesday,
and I'm going to be the guest and we're going
to be talking about my recent dating life, because when
it comes to dating, I need therapy, so a lot
of people. But if you're dating like me, it can
(30:25):
be a little bit confusing. It can be intimidating, especially
if you're divorced and you have kids and you're older.
And I feel like it was confusing for me in
my twenties, and you would think with the maturity, which
I would say, it's a little different. I do have
some of that, but there's still stuff that creeps in
morow like I can't believe I'm having these thoughts at
forty something that I had back when I was in
(30:45):
my twenties, because I'll still find myself getting a little confused.
But I guess I recover from it faster or I
have more rational thoughts pop into my head that are like, Okay,
don't overthink this, don't over analyze it doesn't mean anything.
You're building a story. But I think when meeting a guy,
if you're getting to know him, it's normal to wonder
like does he really like me? Or is this going
(31:07):
to be like a friend thing? And so I was
looking at various sources and came across twenty seven signs
that he likes you more than a friend, but I
pulled the top six.
Speaker 18 (31:19):
Okay, I was like, that's a lot of signs.
Speaker 5 (31:22):
No, we're not going to go over all twenty seven,
but I'm very curious about this first one. He displays
a healthy jealousy. From a therapist standpoint, I'm curious your
thoughts on this. If he gets a little jealous when
you mention other guys, he's probably displaying his protectiveness around you.
So is there such thing as healthy jealousy?
Speaker 1 (31:41):
Yeah?
Speaker 18 (31:42):
I think jealousy is oftentimes healthy and it's helpful because
when we feel jealous, it's often because we see something
that we want.
Speaker 7 (31:51):
So I think that that can be true.
Speaker 18 (31:54):
It's what you do with that jealousy that might be
that healthy and unhealthy thing.
Speaker 5 (31:59):
Yeah, Like, how far is willing to go?
Speaker 7 (32:00):
But what does he do.
Speaker 18 (32:01):
Does he like blame you for cheating on him or something,
or does he go like beat this guy up, or
he ask you to like never contact that person again?
Speaker 7 (32:08):
That is not great. But if he's like, oh, Brad
texted you, what did he want?
Speaker 5 (32:13):
Cool? What are you going to hang out with Brad?
Speaker 7 (32:15):
That's passive aggressive?
Speaker 5 (32:17):
Oh but I know, but I've done that joking joke. Okay,
So I've done that jokey jokey with which maybe we'll
talk about it more on Monday. We haven't recorded that
episode yet, but you've been there and I've made a
joke joke about it's cute. Let's call her Tina. I'm like, oh,
is that what Tina like to do?
Speaker 18 (32:36):
But that's flirting okay, But if you take it too far,
if you were like, why don't you just go hang
out with Tina?
Speaker 7 (32:41):
That is not.
Speaker 5 (32:42):
Fun Lifetime movie vibes, Yes, like who's Tina? When we've
only been out like twice and he could easily still
be dating Tina and doing it in an appropriate way
because when you're usually dating, you can be dating multiple people.
And the jealousy thing. I like that you brought that
up too, So it's outside of relationships as well, Like
you could see something you want, like you could be
jealous of a career thing, but you can use as
(33:05):
an indicator of like, oh, it's actually good that I'm
feeling this because it's telling me what I want and
now what do I need to do to go get
that in a healthy way?
Speaker 7 (33:14):
And I don't have to hate the person that has
something I want.
Speaker 5 (33:17):
Observes even the small things about you, So it says
a guy who notices small changes in your daily life
is making an effort to build a deeper connection with you.
Speaker 7 (33:27):
I love it.
Speaker 5 (33:28):
When I topped on my hair off, he noticed, Yeah.
Speaker 7 (33:31):
So you're saying this guy likes you.
Speaker 5 (33:32):
I'm just kidding. That was very obvious. My hair went
from really long to really short.
Speaker 18 (33:37):
I cut five inches off of my hair and colored it,
and I came home and I just stood in the
kitchen looking at Patrick, being like flipping my hair and
being like, how's your day? And then I just like
stared at him in the eyes for like thirty seconds,
and he was like, what is wrong with you?
Speaker 7 (33:51):
And I was like, Oh, I don't.
Speaker 18 (33:52):
Know if anything new happened or if you notice, and
he was so confused, So then I think I probably
gave him the silent treatment for like an hour after
he didn't five inches.
Speaker 5 (34:02):
Chat GPT would not agree with your reaction to that. Well,
first of all, I was tricked him into trying to
notice your hair and stood there, and then you gave
him the silent treatment. It's not effective communication, It's.
Speaker 18 (34:11):
Not It was very unhealthy and I will own that.
But what do you think it says about Patrick that
he didn't notice. He's a sociopath, okay, and he doesn't
like me.
Speaker 5 (34:20):
I'm just kidding. Next thing, he goes the extra mile
for you. Men will go to any extent to charm
their partners, even at the cost of their inconvenience.
Speaker 7 (34:31):
I love this one.
Speaker 5 (34:32):
I haven't experienced it really, Yea.
Speaker 7 (34:34):
I have when you had the mold.
Speaker 5 (34:37):
Oh yeah, okay, thank you for the reminder.
Speaker 18 (34:40):
We're like I'd like, oh I have to make a
phone call for her, and like like that's an inconvenience,
but people do it.
Speaker 7 (34:47):
Okay.
Speaker 5 (34:48):
That was right when it all kind of started back.
Speaker 7 (34:50):
And he was happy to be inconvenienced by you.
Speaker 5 (34:53):
Okay, thank you for that. He changes his body language,
does he keep his feet towards you. Does he look
you in the eye or listen attentively when you speak?
If yes, he could be attracted to you. Does he
keep his feet towards you? That's interesting me paying attention
to feat? Does he look you in the eye? But
you and Patrick Yell are married now for what seven months?
Speaker 10 (35:15):
Yeah?
Speaker 7 (35:15):
Whole seven months? So probably we're past the sea towards
each other.
Speaker 5 (35:18):
Stage keeps you updated. Men who see you as romantic
interest will update you about their day, send you pictures,
show curiosity to know about your day, and send wishful texts.
Speaker 7 (35:31):
You're smiling.
Speaker 5 (35:32):
I'm smiling because I sent a text to him yesterday
because you want to see that new Reagan movie with
Dennis Quaid.
Speaker 7 (35:39):
Oh I want to see that. I know about that.
Speaker 5 (35:41):
So I saw a big billboard and I was out
of light, and I took a picture of the Reagan billboard,
but in front of me was a grey Honda. And
all he replied back, he was like, you must really
like that gray Honda, because you're sending it to me.
Speaker 3 (35:57):
I want this.
Speaker 7 (35:58):
He knew it was the billboard. He was making a joke. Oh,
that's really funny.
Speaker 5 (36:02):
And so now I said, oh, yeah, you know, every
time I see Gray Honda, they are But that was
me kind of updating him. I feel like I would
probably text way more than he does, but that's okay.
Speaker 18 (36:18):
Also, the way you text in general is different, Like
you're like a text like me, which is.
Speaker 7 (36:24):
We send a lot of texts in a row and
then we go M I A yeah.
Speaker 18 (36:28):
And then But you don't mind like being in that
constant where like some people would rather just like, Okay,
if I have something to say, I'm going to call you,
or I don't need to talk to you all day,
I'll just call you at a certain point and catch up.
Versus I'm like, every time I take a step, I
have to tell you how far I've gotten in what
I've seen and how the clouds look different and all
that true.
Speaker 5 (36:45):
The final thing he introduces you to his inner circle.
If you have met his best friends or his family,
he may just be interested in you.
Speaker 18 (36:54):
That is actually a good indicator because when you are
kept he's calling shut up.
Speaker 5 (36:59):
It should be recorded like through it, hold on, hold on, hold.
Speaker 10 (37:03):
On, Carne.
Speaker 12 (37:15):
She's a queen and talking and so she's.
Speaker 6 (37:20):
Get really not afraid to fing so so just.
Speaker 10 (37:23):
Let it blow.
Speaker 17 (37:24):
No one can do we quiet, carlne it's sound of Caroline.
Speaker 4 (37:33):
So how are you doing? You have so last time
we talked, you and John weren't married. You were maybe
not even engaged. Maybe we're engaged, just engaged or right
in the Yeah, we're definitely serious and in the engagement world.
Speaker 6 (37:48):
But it was all so new.
Speaker 4 (37:52):
You guys met because your mom's introduced you. Yeah, can
you just refresh that story because that one's too good?
Speaker 15 (37:57):
You my actually my client and John's mom.
Speaker 6 (38:00):
Do you do hair?
Speaker 15 (38:01):
I did hair?
Speaker 6 (38:03):
Have been tired?
Speaker 15 (38:04):
Oh good for you.
Speaker 6 (38:05):
Hey, you've moved on to new things.
Speaker 15 (38:06):
I thought for sure I was going to be back
to hair four weeks after Presley, like I was one
hundred percent I'm going to be back, And here I
am now a year and a half later, with two
babies and still not doing hair. Hey season, But it's
I feel like at peace with it, which is really nice.
So but yeah, no, John, So my client at the time,
and John's mom. John and I both grew up in California,
(38:28):
like three hours apart, didn't know each other. I honestly
don't even know who he was, even though I've grown
up with country music. But they set us up because
he had had failed fail after fail of girlfriends, and
same for me with boyfriends and so.
Speaker 6 (38:42):
So he was looking for a good girl.
Speaker 15 (38:44):
He was looking for a good girl, looking, John, All,
you're looking for a good girl.
Speaker 6 (38:48):
You were looking for a good cowboy.
Speaker 15 (38:49):
I was looking for a cowboy. You really probably weren't
have lived in California, but a California cowboy.
Speaker 6 (38:55):
Well, he is a California cowboy.
Speaker 15 (38:57):
Yeah that those exist, but they really they do.
Speaker 4 (39:00):
There's a lot of land up there in California. Yeah,
he grew up as a cowboy, like on land.
Speaker 6 (39:04):
Yep, doing what.
Speaker 15 (39:06):
He's All of his family and stuff has been in
different family members are in farming. They'd had like almonds
and all kinds of things up north where he's from,
like outside of sacrament now. So he always grew up
just out out living the dream.
Speaker 4 (39:21):
So she'll met on a blind date. Met on a
blind date because your mom, his mom came to you.
I've so was she coming to you?
Speaker 15 (39:27):
That's what you said, my client, his mom, Okay, did
their whole working magic? Gave John my number. He sat
on it for a few days. Text me because he
was actually in my hometown for a concert. I think
he was trying with Dirks at the time, but I
was in Vegas, and so the next option was to
fly out to Denver the following week to meet him,
(39:48):
where he had two shows.
Speaker 4 (39:49):
I forgot you actually flew out to meet him on
a blind date. That's so ballsy summer, Oh my gosh.
Speaker 15 (39:55):
And I took my girl friend just in case it
was a disaster. Case it was a disaster, I would
at least have a girl und daed roll strip. I
tried to cancel the flight, and that didn't happen because
it was booked by his travel agents, so I couldn't
go in and edit the flight. I tried to. I
panicked last minute, and so here we are, seven years,
(40:16):
I think now later.
Speaker 6 (40:18):
I've got a lot of grounds in seven.
Speaker 15 (40:19):
Years, twenty seventeen.
Speaker 6 (40:20):
So how's how was it?
Speaker 15 (40:21):
Okay?
Speaker 4 (40:22):
Y'all got married? Touring NonStop, career keeps blowing up. You
are like blowing up. You're such like an incredible brand ambassador.
You have so much great advice to share with people
like I. Literally, if I need to know what I
need to have for everything in my life, you are
a go to.
Speaker 6 (40:37):
You're an incredible.
Speaker 4 (40:37):
Resource and you just learn. You're just such like a
wonderful energy to follow too. You're so real, you're so open,
you're just.
Speaker 6 (40:46):
You're just your or your dream, your total dream summer.
Speaker 15 (40:49):
Thank you, thank you.
Speaker 4 (40:50):
So your life has dramatically changed though, because marrying John
puts you on a different trajectory.
Speaker 15 (40:54):
Definitely.
Speaker 6 (40:55):
And how was that? Do you feel like you were
made for road life?
Speaker 4 (40:57):
Because I really some people like it's really hard, and
other people are like, this is what I'm made for.
Speaker 15 (41:02):
I mean definitely wasn't made for it. Then we talked
about this, I'm sure in the beginning too, because it
was just like I was such a routine homebody, like
same breakfast every day, same you know, wake up, jim
scrambled egg, work, home, nothing, nothing outside those lines. And
so to be thrown into this lifestyle where there's no
(41:26):
routine and no no schedule in a sense of like normalcy.
But I've done well, I will say I've I have.
I will pat myself on the back because I have
done better than I thought I would do.
Speaker 4 (41:40):
What have you had to what were the parts that
you had to like get to And they makes you
feel a little like, oh, this is this is not
my normal that you had to push through alter your
perception on it a little bit.
Speaker 15 (41:52):
Everything about road life, the shitty sleep.
Speaker 6 (41:56):
Sleep is so bad, horrible, It's so bad.
Speaker 15 (41:59):
Unless you get blocked out drunk. It's the only way
to sleep.
Speaker 6 (42:03):
Man, You're gonna feel terrible in another way and you.
Speaker 15 (42:05):
Pay for it. Yeah, there's no there's no positive. And
I get scared that.
Speaker 6 (42:10):
We're going to crash.
Speaker 4 (42:11):
Like I have a very hard time going to sleep,
because like you're putting your whole life in this person
driving the bus.
Speaker 15 (42:15):
The guy's not think about stuff because John's never talked
about that. I'm like, I spent the first six months
waiting to get tea boned Yeah, in the back of
that bus.
Speaker 4 (42:22):
Michaels never thinks about stuff like I'm always like, okay,
assessing my situation, which is kind of ironic that I
crushed my tail buone because.
Speaker 6 (42:29):
I am someone I told the cmicle.
Speaker 4 (42:30):
I was like, I am literally someone who I'm going
to assess the situation. I don't want to be like
a freak of nature where I'm scared of everything, but
I'm going to look at the whole thing and I'm
going to figure out where the pitfalls could be where
the danger lurks, you know, on that one where the
risk is.
Speaker 6 (42:46):
How about that.
Speaker 4 (42:46):
I'm going to find the risk and then I'm going
to weigh my odds, do we is this worth the
risk or not?
Speaker 6 (42:51):
Okay?
Speaker 4 (42:51):
So like the risk with the road life, like the
driving in the in the bus is very scary to
me to sleep at night, but I mean it's worth
the risk because you got to get to the shows,
which is why are you bus? I mean, so, you know,
and I think that's how Michael view sings is like
he's like, what are you going to do? You know,
It's like you can't worry about that kind of stuff.
Speaker 6 (43:11):
But I think about it.
Speaker 4 (43:12):
So the first six months you were thinking about it, Yeah,
and then what happened?
Speaker 6 (43:15):
You just decided not to worry about it anymore.
Speaker 15 (43:16):
I think I just got broken. I think I just
started getting drunk every.
Speaker 1 (43:21):
Night or something.
Speaker 4 (43:22):
I I think that's another reason why people do have
like some a little sleep aid.
Speaker 6 (43:27):
I need a little help to like go to sleep.
Speaker 15 (43:29):
Definitely, I mean that's definitely part of it, yeah, for sure. Sure,
But also that first year was so fun of like
the party life. You know, it's night and day from
what we were back then.
Speaker 6 (43:41):
Tell me how it was then and how it is now, Like,
give me some details.
Speaker 15 (43:43):
I mean, it was party central, but we were also
on one bus with like thirteen of us. It was
me and like the loving guys, which was honestly disgusting.
But in the time, I was so in that honeymoon phase,
like I said, this is amazing, Like this is so fun.
One bathroom always covered in pe fal And then I
(44:05):
think a year later we had graduated two buses, and
then now it's got four or five, and so we
have our own bus now, so we have our family
bus where it's just us and the girls, and then
we have automar nanny who travels with us. And so
even that, though is like it makes me laugh thinking
(44:25):
about the days when that first eight months of our
life together was literally thirteen of us on a bus,
just rage mode parting every night.
Speaker 17 (44:34):
Hey, it's Mike d and this week All Movie Mike's
Movie Podcast, I shared my top eight movies from the
eighties that I think deserve a sequel. Now with the
success of Beetlejuice Beetlejuice, I think Hollywood is foaming out
the mouth to get more eighties movie sequels, So I
shared some of my favorite movies from the eighties that
still don't have one. Surprisingly, I also gave my spoiler
(44:56):
free review of Beetlejuice. Beetlejuice, so be sure to check
out this full episode. But right now, now, here's just
a little bit of movie Mike's movie podcast at number
eight a movie that came out in nineteen eighty six.
It's one of my favorite football movies of all time. Actually,
two of my favorite all time favorite football movies came
out in the eighties, but it is Lucas. The reason
(45:18):
I feel that this movie needs a sequel is one
I identified a lot with the character of Lucas. If
you're not familiar with this movie, it is a character
named Lucas played by Corey Heim, Which how more quintessential
eighties actor can you get than Corey Heim sadly passed away,
but he was such a dominant force in the eighties
(45:38):
when it came to childhood and teenage actors. And he
played this character named Lucas, who was a really smart
teenager and he was trying to get this girl, and
in order to impress, he joined the football team. She
was the new girl in school. Played by Carrie Green.
Charlie Sheen was in the movie. He tried to protect Lucas,
(45:59):
Y said, I know in a writer, so an incredible
eighties cast, And the reason I want to see a
sequel to Lucas is probably a little bit selfish. But
in the eighties and nineties, there was this category of
movie with a plot line nerdy boy tries to get
hot girl, and that was a lot of movies and
us as viewers, we love to root for the underdog.
(46:21):
We love to root for the guy to get the girl,
the girl to get the guy. The will they won't they?
That has just been a constant in TV and movies,
and I feel in the last ten fifteen years we
don't really have those type of movies anymore. And it's
probably in the same way that we've had less comedies
in the last five, six, seven, even decade, we've also
(46:45):
had less of this type of plotline because it's not
quite a rom com, it's not quite a full on comedy.
It is this very specific coming of age movie. That
is why I want to see that movie. I have
Lucas too at number eight At number V seven is
a movie from nineteen eighty five, I want to see
a sequel to Sesame Street Presents Follow That Bird, Give
(47:07):
Me Part Two. This is a movie that I discovered
on a VHS tape. I'm not sure exactly what movie
that I watched so much in my childhood that I
remembered all the trailers, and this was one of the
trailers that when you pop into that VHS tape you
had to sit through them. You don't have that anymore.
Our version of that is maybe a pop up ad
(47:27):
on social media. Scrolling through TikTok. Every now and then
you get a movie trailer, you hop onto YouTube you
see trailers. But before that, for DVDs, when you got
a VHS, it had the baked in movie trailers of
other movies that you could go buy right now. But
I remember watching this trailer all the time, and I
finally was able to actually watch the movie. And I
(47:51):
love this category of movie. And the interesting thing about
Sesame Street movies is they've only made two that came
out in theaters. The first one was this one, Follow
That Bird, which came out in nineteen eighty five, and
then they had another one in nineteen ninety nine, Elmo
and Grouchland. Sadly The thing about Sesame Street movies not
that profitable, which is so surprising to me that a
(48:16):
TV show as popular as Sesame Street would have box
office BOMs. Follow that Bird only made thirteen million dollars
at the box office, probably cost around ten million dollars
to make. They didn't even release the numbers for how
much this movie costs to make. But the Ilman movie
in ninety nine cost twenty six million dollars to make
and only mail eleven million dollars at the box office.
(48:38):
So after that they said, Okay, no more Sesame Street movies.
It could be the model of Sesame Street. You're having
to go pay for something in theaters that you could
get at home for free. And it also has a
very young audience, so maybe it's hard to kind of
convert that into getting people and families out to go
to the theater to watch it. Because I feel like
(49:01):
a Sesame Street movie. Now I'm kind of talking myself
out of it, but I feel like a Sesame Street
movie has just a very very key demographic of young
young kids, unlike some of the Illumination or Disney movies
that are fun for the entire family. But me as
a kid I love follow That Bird had an amazing cast.
You had Waylon Jennings in this movie. You had Chevy Chase,
(49:23):
you had John Candy, you had the classic Sesame Street humor.
My favorite joke out of the entire movie is whenever
they're trying to track down Big Bird, because what happens
in this movie. Big Bird is living in Sesame Street,
living his normal life, loving it, and then he is
sent to live with a bird family much like he is,
ends up. He doesn't like that Bird family whatsoever and
(49:45):
decides that he misses his friends and wants to go
back to Sesame Street. So it's him getting away from there,
and then all the Sesame Street characters trying to find
Big Bird now that he is lost.
Speaker 1 (49:55):
But there is this.
Speaker 17 (49:56):
Big road trip, and I love a movie with the
road trip. But there's joke where they're like, oh, it's
the fork in the road, and there's like a literal
fork in the road. Classic comedy. Me as like a
four or five year old.
Speaker 10 (50:08):
I ate that up.
Speaker 17 (50:09):
So I know these movies have not been successful, But
as you can hear in my voice that twenty five,
twenty seven years after I watched this movie, I'm still
thinking about it. Even though they didn't make a whole
lot of money at the box office, that doesn't mean
that these movies aren't impactful. Maybe it's a straight to
MAX type movie, because that is just the nature of
(50:32):
things now we don't have straight to videos straight to
vhs anymore. Maybe it's a Max original give me Follow
That Bird Too at number six from nineteen eighty three
when the original came out. Kujo two is a sequel.
I would love to see. Reason is I just remember
this being the go to scary movie that everybody talked
(50:52):
about when I was growing up. Have you seen Kujo
The Story of the Killer Dog? One of I believes
Stephen's best movies in the eighties. It is a movie
that just feels like it gets a referenced so much
even if you haven't seen it. But essentially what happens
in Kujo is, well, you have a killer dog, and
it's this family trapped in a car the entire time
(51:14):
and them trying well not to be eaten by Kujo.
And the movie is truly terrifying. His bloody snout is
just a great, fantastic movie, and I am surprised that
we have not had a sequel to it now. Stephen
King did put out another book called Rattlesnakes, which does
serve as the sequel to Kujo, primarily focusing on the
(51:37):
human characters taking place in the aftermath of Kujo, which
spoiler alert doesn't turn out so great. So you do
have the source material here. There is a story for
Kujo two you can throw in make it another dog,
So I have Kujo two is a sequel I want
to see at number six.
Speaker 2 (52:05):
Thanks for listening to this week's Sunday Sampler. New episodes
are out weekly of every single one of those shows.
We hope you find something that you like. Please subscribe.
You can also check out our Instagram page, the Nashville
Podcast Network.
Speaker 1 (52:16):
Hope you guys have a great week.
Hosts And Creators
Bobby Bones
Amy Brown
Lunchbox
Eddie Garcia
Morgan Huelsman
Raymundo
Mike D
Abby Anderson
Scuba Steve
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