April 11, 2024 • 28 mins
We start talking about if Parmalee was snubbed from ACM nominations by going through their data from the last year. We talk about other surprises from the nominations. We also talk about Bobby living his best life this week teaching and hanging out at the University of Arkansas. We get into a story of a man who had a bad surgery on his privates.
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Episode Transcript
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Speaker 1 (00:01):
It's time for the Bobby Bones post show.
Speaker 2 (00:04):
Here's your host, Bobby Bone.
Speaker 3 (00:08):
Whoa you know. We announced the ACMs on this show
and some of the groups like Group an Artists and
Male and Female, and I felt like it was a
pretty standard group of folks. No big surprises this year.
Usually there's one or two we're like, wow, good for them,
(00:29):
it's the first time, or wow, I can't believe they
got nominated. That kind of thing. And I really didn't
hear of a whole lot of snub not a lot
of snub talk either, so like, it's pretty standard.
Speaker 4 (00:41):
Yeah.
Speaker 3 (00:41):
I started to see a couple of people talk about
Parmale and where they snubbed from Group of the Year,
and so before I made up my mind on it,
I wanted the facts. So I had a sheet of
all the data from this last year and then let
us see if we feel like they should have been nominate.
Their song, Girl in Mine went number one on the
(01:04):
Country Aircheck Media based Radio chart October second, twenty twenty three.
Big number one song is a big deal because some
of these acts do not have a number one. Let's see,
but some of them also aren't radio. But like did
Little Bigtown have a number one, I don't think so
I don't either, not just about number one, but Flatlank
Cavalry did not. I don't know that if Zach Brown
(01:28):
did or not. So on that side, I would agree, Okay,
well they had number one.
Speaker 4 (01:34):
That's okay.
Speaker 3 (01:35):
Using data twenty twenty two, they had number one, and
I would say that kind of doesn't matter. But a
lot of times you see people get included the next
year or win the next year because they got shafted
the year before. So if we're using that, because I
would say with Cmas for example, remember one year Dan
(01:55):
and Shay got shafted big time and I couldn't believe
they lost. But also like brothers Osborne who won. But
like data wise, I was like, man, I feel but
this is voters right who vote on this, like people
inside the industry. It's not fan votes. It's not a
group of people that sit down and decide. It's like
hundreds of people in the industry from record labels, from
(02:16):
meet that vote and so fusing the Dan and Shape
effect of everybody thought they should have won that year.
So they definitely got to boost the next year because
they were like, man, they got screwed let's give them
the win this next year, then maybe they should be
in it because they had a really good year of
the year before.
Speaker 4 (02:35):
Okay.
Speaker 3 (02:36):
They released their extended album for U two in September
of twenty twenty three, and twenty twenty three, they won
a headlining tour, a nineteen city tour with Train. I
guess so they'd have been the support they were on
Cane Browns in the Air tour. They were supported. They
did not get a nomination for the CMA Awards, the
only group nominated that had a number one song. Just
(02:58):
got this sent over in twenty twenty three old dominion
of all the groups with Memory Lane. And I'm not
saying remove anybody, but yeah, I think they got screwed. Yeah,
And I don't think it's anybody's purpose. No one has
a singular power to screw them. I mean, I go
little what they're good, but I'm talking about in this
nobody has singular power to screw them. But not enough
(03:20):
people put them in there like top three.
Speaker 4 (03:24):
Right, And it's crazy because they've hung around for so
long and you do kind of forget about them a
little bit. They kind of get lost in the mix.
And I never even once thought about them being in
a group of the year or not being in a
group of the year, And until.
Speaker 3 (03:39):
You just brought that up, I agree.
Speaker 4 (03:40):
I didn't either.
Speaker 3 (03:41):
When I saw the list, I was like, where's Parmally?
But also I'm like, oh, yeah, they had a bunch
when I look at it, Yeah, I think it's a
couple of things that work against them. One, they didn't
start pop popping until later, until they were a bit older.
Where some I mean, there are people just as old
(04:03):
as them now in these categories, but lady A, even
old dominions started a little older as songwriters. But they
started hitting seven, eight, nine years ago. Zach Brown Band
obviously a little big town oh a bit younger when
they started hitting.
Speaker 4 (04:15):
I think that hurts them a little bit.
Speaker 3 (04:18):
And then also, and I say this, I like them,
there's not really there's nothing about them that you really remember,
like visually you want a mouse head on like dead mouse,
we know them every time. I think that probably hurts
them too a little bit. Where it's a bunch of
dudes who all look like all the other dudes, except
(04:39):
all four of those dudes are in a band, and
I like them. I like those guys, But I was
just trying to figure out, like what, because let's think
about it, lady A. They're obviously that a monster monster
monster start to their career. But they have only three people,
two lead singers. One's one, one's a dude, that dude
some foot three.
Speaker 4 (05:01):
Yeah, like all that. That's memorable, a little big town
two and two. Sure, and each of the two and
two have distinct characteristics.
Speaker 2 (05:11):
Yeah.
Speaker 3 (05:11):
First of all, they have songs, obviously, and then Zach
Brown Band, massive songs, Zach Zach himself and he wears
a funny hat.
Speaker 4 (05:21):
What else can you say? He's a jack mat too.
Speaker 3 (05:24):
Flatlank Cavalry not don't know who is that? Don't Flatlan Cavalry?
Speaker 4 (05:28):
No, no old Dominion. They've had so many hits.
Speaker 3 (05:33):
Yeah, I think they probably could have got put in
that mix of a bunch of random white guys too,
But they've had so so so many hits so so
so quickly that it becomes.
Speaker 4 (05:43):
You're just forced where like.
Speaker 3 (05:45):
Uh parmally, it took a long time for them to
get a hit because they had to grind it out
so much.
Speaker 4 (05:51):
I know this.
Speaker 3 (05:52):
I know Flatlank Cavalry, I know them from the opry.
Maybe do they have a girl in the group or not.
Speaker 4 (06:00):
There's a girl in that picture.
Speaker 2 (06:01):
There's a group in this picture.
Speaker 3 (06:02):
But then I don't think they don't have a girl.
When I've ever seen them play, they didn't have a girl.
You can look.
Speaker 2 (06:06):
Well, I'm saying, in one picture there's a girl and
then the So maybe she left.
Speaker 4 (06:10):
Yeah, anytime I just googled image, got it.
Speaker 3 (06:13):
Maybe she's a fan.
Speaker 4 (06:14):
Man, take a picture of them, just let her in there.
Speaker 3 (06:16):
So my official answer is I think that it sucks
that they're not in. I don't think they were snub
because I think there was no reason for anyone to
snub them. I think that people just because there's not
an impression that's really left, and it takes so long
for their songs to hit number one, that's probably why
they get left.
Speaker 4 (06:32):
Off of these. I do like their songs, though, dude,
Oh they're jams. They my hand and you can even
go back to it feels like Carolina is.
Speaker 3 (06:42):
That Carol, Like that's a good one, so good, and
then that one goes if you can.
Speaker 4 (06:54):
Just the way you are, that's a good one. Take
my nay, take my hand, I need'n make you min.
Speaker 3 (07:01):
What is interesting about those guys too. Sometimes I know
the song before I even know it's them, Like I'll
hear the song and go like, oh, I know that song.
Oh that's Parmally. Yeah, I think it's a branding problem,
like someone on their team.
Speaker 4 (07:16):
Then I don't know.
Speaker 3 (07:17):
I think it's a branding problem. And they have success
that everybody should know them.
Speaker 4 (07:20):
If I remember correctly. Even might want to google a
recent picture of them. But they've kind of gone leather
ish other in that face, you know, I think they're
they're in the black leather now okay, or they look
tough right now.
Speaker 3 (07:32):
Well, I guess they do it long enough and they
look really tough. You have to commit. But yeah, I
think that the problem is we don't know them. I
know them because I'm just here and have worked with them,
But I'm saying people generally don't know who they are.
Speaker 4 (07:47):
Two brothers and a cousin and a budge.
Speaker 3 (07:49):
Rummer who got shot up. That's always a great lery.
Speaker 4 (07:52):
Yeah, just yeah, yeah, Okay.
Speaker 2 (07:55):
Flatland Cavalry did have a girl. She left in twenty eighteen.
They all met at Texas Tech University High School.
Speaker 3 (08:06):
Well, I'm I'm sad that Parmally now that I think
about it. I'm sad they didn't make it because they
could have added another one if there were Just there's
a threshold. It wasn't that they needed to get three
or four or five or six. It's the threshold probably,
and they take anyone over a certain percentage and that's it.
Speaker 4 (08:22):
Yeah, they look tough now, man.
Speaker 3 (08:23):
I think that's the Parmally problem. That's what I call it,
the Parmarly problem.
Speaker 4 (08:27):
It's got a good ring to it.
Speaker 3 (08:28):
It's a they need someone on their team to figure
out how they can make an impression outside of.
Speaker 4 (08:37):
Hits.
Speaker 3 (08:38):
There are a lot of dudes in country music, dudes
that have hits and nobody knows who they are because
they all start to blend together. Would you agree with that? Yeah,
just in general, like a lot of the dudes, just
white dudes and country music all feel like the same person.
Speaker 4 (08:50):
You talk about, like, you know, a little surprises for this.
Speaker 3 (08:53):
Year the parma of the lead singer's good looking dude though,
Oh yeah, maybe they blow out the other three and
just have him like almost famous.
Speaker 4 (09:00):
We're all we're one of the blurry dudes. Or are
you saying sorry? The mega Maroney thing was kind of
like not too crazy surprising, but that was one where like,
you know, that's cool she got in the mix. I
know she's had a really good year, but oh.
Speaker 3 (09:15):
She's massive though, Like she hit like a freaking lightning bolt.
Speaker 4 (09:18):
Yeah, but she's new.
Speaker 3 (09:20):
Yeah, but she had two massive songs, like I hear you,
but I would I would have made surprise had had
Megan Marony not been up for Female of the Year.
That's what she's in, right, Female of the Year. Yeah,
I think that's right. I would have been surprised if not,
because again, monster, she's two monster songs.
Speaker 4 (09:38):
She and you know her her style, yeah, her like
she leads an impression. I'm just saying, you usually have
the usual suspects in all these lists, and then when
Megan Maroney came in, I'm like, Okay, that's cool, we
got someone new in the mix, because that was the
Landy Wilson of last year.
Speaker 3 (09:53):
ACM's a little different though. They're a little more progressive.
They're a little more identifying with today more than a
what have they done over the last few years? Sure,
but we're gonna act like it's just today. I don't know.
I mean, I feel like Megan Roney's had probably a
bigger year than anybody on the female Artists list except
for Laney. I'm not saying she's better or worse, but
(10:16):
like bigger than Casey. Just put a record out. So
Casey's like running just a different race at a different
time like her. Her stuff just came out, actually put
out a record and it did well. But like Meghan Therese,
both those songs were just monsters. I'm wearing Tennessee orange,
and you know they did the whole Morgan Walling thing,
(10:37):
whereas he talking about Morgan walling like pr wise excellent.
Then the other song is, uh, I'm wearing Tennessee green.
Speaker 4 (10:46):
No, no, no, it's the instagram one.
Speaker 3 (10:49):
Oh on my foot, Morgan?
Speaker 4 (10:51):
What's that? I'm not pretty?
Speaker 3 (10:52):
How's the course going?
Speaker 4 (10:53):
I'm not pretty? She played it with us. We had
to learn it. Yeah, someone scrolling on my Instagram.
Speaker 2 (10:58):
Someone scrolling on my not be you guys are throwing
me off because it's not I know, I.
Speaker 3 (11:03):
Know somewhere out there Mike's boyfriend girl.
Speaker 2 (11:06):
That's a scrolling my Instagram.
Speaker 3 (11:09):
Yeah, but hey, what keep telling you?
Speaker 4 (11:13):
I'm not?
Speaker 3 (11:16):
My favorite Maganimonia song is the hair salon Shop it's
a long time. It's like one of those way early ones.
But I didn't know it until later. Let me see
case he is having a baby. I don't know, dude,
I'm losing my voice a little bit because I've been
(11:37):
uh teaching the next year.
Speaker 4 (11:39):
You've got a crazy week, man, Yeah, I've been a
pretty crazy week. You know what. I thought, just just
watching you on social media a little bit. I was like, man,
this dude's living his best life right now. Like, like,
you're in Arkansas, you know, at the university. Big news
coming to the university and you're in the middle of it.
You're playing, you're throwing first pitch at the the baseball game,
(12:00):
you're working out with the sub fall team. Like I
really like, I meant to text you a couple of times,
but I'm like, no, don't bother me. Man, he's living
his best life right now. It was.
Speaker 3 (12:07):
It was a lot of fun. There was a lot
of work though, Like going from one class to the other. Okay,
they were running me.
Speaker 4 (12:12):
I was.
Speaker 2 (12:13):
You don't say in one room where the kids come to.
You got to go across campus different. I wouldn't say
a cross but I taught two of their classes.
Speaker 4 (12:19):
If you're running through campus with your briefcase.
Speaker 2 (12:21):
Did you have office hours where students could come by
if they had questions, same center, but different classes and
different buildings.
Speaker 4 (12:29):
You're like, I'm late, you got rolls in f also,
don't know where I'm going.
Speaker 2 (12:32):
You come in and slam the briefcase down. So everybody's
like you.
Speaker 4 (12:36):
Freshman class was tough. Oh you taught freshmen like.
Speaker 3 (12:38):
A hun like a hundred freshmen. It's different because I
would do different like I did, like a media storytelling class,
like a non traditional media like a digital all these
different versions, and the freshmen they're just like, I don't know, distracted, DG. Yeah,
(12:59):
they're coming in all eight Oh sorry, you know walk
a Shane.
Speaker 4 (13:02):
Did you have to uh discipline anyone? Like, hey, you guys,
keep it down over there.
Speaker 3 (13:07):
No, everybody was pretty good about that. People would walk
in late, though, and I did the same joke every time,
which got funnier because everybody knew what the joke was. So,
you know, whenever the class would start and there's it's
like fifteen rows tall. I was a big The freshman
room was a big room, and so I'd start doing
my deal whatever and someone walk in and I'd be like,
he's your name.
Speaker 4 (13:25):
They'd be like Chris.
Speaker 3 (13:26):
I'd be like, you guys told me classic Chris huh
and they'd laugh.
Speaker 4 (13:29):
But then they knew, like.
Speaker 3 (13:30):
The third, fourth, and fifth time, exactly what the joke was,
and it got funnier to them every time because they
were in on it.
Speaker 4 (13:36):
Classic back.
Speaker 3 (13:37):
Somebody would come in and be like, Shauna, you guys
talk that this is her, right, They'd be like, yep,
classic Shauna and they were like classic Gena or Shana. Yeah.
Speaker 4 (13:45):
It was good. Uh.
Speaker 3 (13:47):
But then I would like sit with thirteen or fourteen
seniors at a table and they were like really dialing in.
But I would like call people to celebrities, uh yeah, one.
But I would call like my manager too and be like, hey,
this guy wants to know about this part of management.
So it was that that kind of stuff.
Speaker 4 (14:07):
But we didn't get you get a.
Speaker 2 (14:08):
College No, man, they didn't call it us about star
of the show. But that's all right.
Speaker 3 (14:13):
Not a lot was about I mean, it wasn't an MVP. No,
not your version.
Speaker 2 (14:19):
I don't think, alright, cool man. No, one ridn't get
a call.
Speaker 4 (14:22):
Yeah, yeah, so it makes sense. That was good Voices
little fried because a lot of lecturing. Dude. Also like n.
Speaker 3 (14:33):
No, there was no yelling there. But also it was
just meeting a lot of people, even like faculty and
stuff that would come by and talk after between classes
for ten fifty minutes.
Speaker 4 (14:41):
It was really cool.
Speaker 3 (14:42):
But I start to burn on the old vocal cords.
I wasn't drinking enough of water, wasn't It wasn't in
my own bed, didn't have a spat machine. The hard
professor life and.
Speaker 4 (14:53):
Is it tough? Did you meet Cali Perry?
Speaker 3 (14:55):
No? I had to leave early because it's storming. So
what happened was it storming here in Nashville and there
in Fayetteville, and the university sent their plane to get
me and then take me back, and so they were like,
you can't go home tonight if we don't leave in
the next thirty minutes. And I had to get here
and do the show.
Speaker 4 (15:11):
And I was like, yeah, but I want to meet God.
Speaker 3 (15:14):
I want to stay, and they were like, I hear you,
but the only other option would be like twelve thirty tonight,
and even then we're just kind of guessing. And so
I had to get on the flight at like four
because I wanted to be here in time, like landed
like five poin fifteen and watched the press conference. But yeah, no,
I had to leave. I had to leave early, which sucked.
But I don't want to die in a plane crash.
Speaker 2 (15:35):
No, no, no, that's probably a better option.
Speaker 3 (15:37):
Yeah, not to let me do a mid roll here,
all right, Mike, Can I get the news that we
didn't get to because a couple of the like this
penis enlargement story, I didn't do purposefully on the ole,
like I would have done it, but I didn't feel
like it needed to be done at the time that
I wanted to do it, So I just held it
like it was good enough to do as far as entertainment,
(15:58):
but I don't feel like the time was right.
Speaker 4 (15:59):
Yeah, I get that. What's the story.
Speaker 3 (16:00):
A man undergoes penis enlargement surgery ends up suing a
doctor for a rectile dysfunction.
Speaker 4 (16:05):
You're messing with it, man, he took I know, so
it doesn't work. It's like if you if you go
under the hood. Sure, it's just saying, dude, just say it.
Speaker 3 (16:22):
The guy went to the doctor, right, and he goes
and they did the penis enlargement and now it's he's
suing them for impotence and a rectile dysfunction. Paid the
cosmetic I mean, how do they even make it bigger?
Like what do they do?
Speaker 4 (16:34):
They got to add stuff to it?
Speaker 1 (16:35):
Right?
Speaker 3 (16:35):
But I know, but like what it like a gel?
Speaker 4 (16:40):
Or is it like oh like silicon?
Speaker 3 (16:41):
Or is like wood? Where it's all? I don't would
like what.
Speaker 4 (16:45):
Do they want in it? Real?
Speaker 3 (16:47):
Would the guy had two LiPo filling operations, just fat
from various parts of the body transferred to his penis.
Speaker 4 (16:57):
Oh boy, man, you must be pretty that's ate to
do that.
Speaker 3 (17:01):
There are some people that are more on micro penises,
excuse me. And it's not even like a small penis.
It's like so medically small. Really, yeah, don't xprize?
Speaker 4 (17:10):
Well no, no, but you know, bad acting on anyone?
What really? Hey, But that doesn't matter, man, it doesn't
matter what they say, So it doesn't matter.
Speaker 3 (17:19):
I don't think they mean that about like medical micro
penises though.
Speaker 4 (17:22):
Really yeah, okay.
Speaker 3 (17:24):
Todd chris Ley loses his defamation suit order to pay
seven hundred fifty five thousand dollars oohe Amy Dougherty Hines
filed the defamation complaining against Todd Christley, alleging he began
attacking her and accusing her of multiple crimes and wrongdoing.
It's from People magazine. They began a social media campaign
against the gdo R and certain of its employees, contending
(17:48):
that the investigation was illegal and are properly motivated, which
would then involve her DA at seven hundred fifty five
thousand dollars.
Speaker 2 (17:56):
But does he still have money like to pay that?
Speaker 3 (17:58):
I don't know.
Speaker 4 (17:59):
Doesn't matter no matter if you have it, you still
got suit for that? Yeah, at lunchbox? Do you give
up on that? Trying to get a hold of them?
Speaker 2 (18:06):
No, I'm just haven't heard from him. I mean I
sent letters. I don't know what else I can do.
I can't. I can't just show up.
Speaker 3 (18:11):
You can show up right and show up, yeah.
Speaker 2 (18:13):
Yeah, but I'll get turned away because I'm not on
the list. So there's no point.
Speaker 3 (18:16):
Yeah, unless you dress up like a security guard with
a like a mop, be like I'm here.
Speaker 4 (18:22):
That's a great idea. I like it. Or go in
the back like you're delivering laundry and just going oh no.
Speaker 3 (18:26):
Or just get in the laundry basket and let them
roll you in. Oh boy, Oh boy, a former waffle
house waitress claims she received a stolen jeep as a
birthday tip from a waffle house customer. Pretty funny, Yeah, well, yeah,
you see the story.
Speaker 2 (18:37):
Yeah, she was plum mc gas. She got and she
said that she saw a former customer It's like, oh,
it's your birthday later this week. Here's a new car,
and gave her ten dollars also, And then she got
pulled over her stolen vehicle. But they were like, it
was reported stolen like a month and a half ago,
and they had video evidence of her driving it like
over a month ago.
Speaker 4 (18:55):
Oh so she's really the one that stole it.
Speaker 3 (18:57):
Yeah, she was saying it was left to her.
Speaker 2 (18:59):
Yeah, but really she was.
Speaker 4 (19:01):
We don't know really, but she was driving it for
over a month. But it could have been given to her.
They could have stolen it right away and tipped her.
Speaker 3 (19:06):
I'm such an idiot. I fall for all this stuff,
Like I News five Cleveland with the story. Let me
read the real version so we don't get it. Cleveland's
Joined Gibsone shocked when she received one hundred and five
dollars ticket in the mail from the city, especially since
the photo of the speeding vehicle included with the ticket. Oh,
this is a different one.
Speaker 2 (19:24):
Yeah, you're reading them.
Speaker 3 (19:25):
I'm readly one about the one who got the ticket
on the flabat truck.
Speaker 4 (19:27):
Did you see that one?
Speaker 2 (19:28):
No, that's school what happened.
Speaker 3 (19:29):
No, it was the jeep was on the flatbat truck.
The truck was going fast and it.
Speaker 2 (19:33):
Got her license plate. Yeah, that's funny.
Speaker 3 (19:35):
Funny a five dollars lift tip leads to one hundred
and fifty thousand dollars lotto win.
Speaker 2 (19:41):
Are you man? Nothing good happens to me a lot
of everybody else.
Speaker 4 (19:47):
But there's a lot of other people in the world.
Speaker 2 (19:49):
I understand, and they have all the luck you have.
Speaker 3 (19:52):
I would say you have more consistent luck, right, because, like,
you have a really job where you really have to
do nothing.
Speaker 4 (19:58):
Great family, healthy kids, But it's not luck to have
a good job.
Speaker 3 (20:02):
You have no history or background of doing this ever.
Speaker 4 (20:04):
Yeah, I think in your case it's strictly as luck.
You were working at a delivery.
Speaker 2 (20:08):
Right, right, right. But if I wasn't, like funny, no,
exceptionally skilled, that's luck. What's your skill, oh, entertainment. If
I wasn't exceptionally skilled, this job I wouldn't have been
doing it for twenty years.
Speaker 4 (20:22):
Do you think that you taught yourself how to entertain
people or that was just a part of who you've
been your whole life.
Speaker 2 (20:30):
That's a great question, man, I don't know how. I
don't know a question.
Speaker 3 (20:32):
Any he likes that, go ahead answer.
Speaker 2 (20:34):
I mean, I guess I taught myself.
Speaker 3 (20:36):
I don't know.
Speaker 4 (20:36):
I thing I'm thinking about it like that?
Speaker 2 (20:38):
No, really, because do you teach yourself to be entertaining
or are you just entertaining?
Speaker 4 (20:42):
I don't know.
Speaker 2 (20:43):
I have no idea. I think it could be both ways, right,
because I've been entertaining my whole life. Correct, So I
don't know if I taught myself that, if that was
because I was a third kid and I was like, hey,
don't forget about me, or if it's just that could
be a thing. Is it genetics?
Speaker 4 (20:57):
Like bones you talked about learning to be funny to
try to not get bullied, like, but.
Speaker 2 (21:02):
Maybe he didn't learn maybe he was already funny.
Speaker 4 (21:04):
Oh, I had to develop it.
Speaker 3 (21:04):
It was definitely a developed skill, right, I think skills,
any of my skills are like it's not like I
can run fat, you run fast. You just run fast.
You can just run a little faster by training, but
you can. You can't not be a faster runner. Then
all of a sudden trying to be a real fast runner.
Speaker 4 (21:19):
There's TikTok videos that say this is how you get faster,
and they have and there.
Speaker 3 (21:21):
Are those shoes that were like had the weights on
the eighth like the big hills, the big weighted front
foot that lets you dunk.
Speaker 4 (21:29):
Is it? What else do I have here? Lunchbox is
so cheap?
Speaker 3 (21:32):
What happened with that?
Speaker 4 (21:32):
Like Eddie oh the his headphones? Yeah, yeah, yeah, we
were using your headphones for something and realize that one
ear doesn't work.
Speaker 2 (21:41):
Uh, no it works. No it doesn't, No it does.
Speaker 3 (21:44):
No, it doesn't plug exactly the right way.
Speaker 4 (21:46):
Like it doesn't work. And so I'm thinking, like, dude,
you've got money, like go buy headphones talk check check
check check check check chack check check.
Speaker 2 (21:55):
Check both work.
Speaker 4 (21:56):
I mean, dude, there's one of them.
Speaker 2 (21:57):
Where were you at? Where were you using them?
Speaker 4 (21:58):
Right here? Yeah?
Speaker 2 (21:59):
See does other studio? Because when Ray and I do
sore losers, I can only hear out of the left,
and so I've been blaming the engineers and there I've
been selling them that they need to fix. No, they're
your headphones, but they work fine in here, like I
can hear out of both.
Speaker 3 (22:10):
Right, it can be the like a faulty little pluggy here,
and it could just happen to match perfectly well with
a little pluggy hole.
Speaker 2 (22:20):
Okay, yeah, because it must match perfect for here, because
this one it always works here.
Speaker 4 (22:24):
The other room is just buy headphones.
Speaker 2 (22:26):
It's no, That's what I'm saying. They working here, So
I think it's something.
Speaker 4 (22:29):
About you working there, though it doesn't.
Speaker 2 (22:31):
It only only the left of your work.
Speaker 3 (22:33):
Right, I'm saying, you get a pair of headphones that
work in both rooms.
Speaker 2 (22:36):
Oh yeah, I just thought it. I honestly thought it
was something the equipment in there.
Speaker 4 (22:40):
But then but then here's the question.
Speaker 2 (22:42):
I thought that though not sure I really do get
because I hear it fine in here.
Speaker 4 (22:45):
But here's the question. If it's work related, does work
provide these headphone phones.
Speaker 3 (22:52):
You're a computer, they should but your computer you edit
on that you have to have for that specific but
not for like if you're needed a computer to like
look crap up on because you don't need it. You
know you can do that on your phone if you
need to.
Speaker 4 (23:05):
But what about headphones? Though, we need headphones to hear
what's going on in the radio.
Speaker 2 (23:08):
It's a good point.
Speaker 3 (23:09):
I'm sure if you begged them, they get your headphones. Really,
if you were like please, please, I'm sure they'd buy
your pair of headphones.
Speaker 4 (23:16):
But generally.
Speaker 3 (23:18):
Work hasn't paid for headphones. Back in the day, there
were just a set of headphones in the studio that
everybody used. But I think how we work, there's not
just a set. We have so many stations.
Speaker 4 (23:29):
Yeah, because the new station I worked at. Man, like,
anything you needed, you need a back brace, order it?
Why would you get you want to back get carry
cameras sometimes, like you can sue them if you hurt
your back anything. Man, I needed a flashlight one time
because I work at night. They're like, yeah, order it.
You needed that to do your job. Yeah, I got
a little leatherman a knight a knife kit, you know,
one of those things that's the screw driving a knife
(23:50):
and an advantage situation. Dude. They order it cool man,
And then when I when I quit, kept it all.
They didn't ask for it all back. It's just part
of my gears.
Speaker 2 (24:00):
That's probably hard to keep track of everything you ordered.
Speaker 4 (24:02):
Yeah, so what are you saying? Which point he should
ask for new headphones? If he needs new headphones.
Speaker 2 (24:09):
Okay, if you want, go ahead. I don't know if
they're gonna get him from I don't think I need.
I'm telling you they work. I can hear out of
both ears. And they're really comfortable. I mean, I don't
know where I got these, but man, they are comfortable.
There's some good headphones.
Speaker 4 (24:22):
Mike, what do you think get those?
Speaker 3 (24:23):
There's a bot for him.
Speaker 2 (24:24):
No, I bought him. I know that. No one bought
me anything. Trust me, they didn't.
Speaker 3 (24:28):
I never knew own all your stuff, because how would
you know to get those if they're like industry headphones?
Speaker 2 (24:33):
Well, I don't think their industry.
Speaker 3 (24:35):
I can't tell what hen kind they are. Yeah, they're
sinhais a right.
Speaker 2 (24:38):
What does that mean?
Speaker 4 (24:39):
It's the brand? Oh?
Speaker 3 (24:42):
There you go, right, man, there's a movie that changed
your life.
Speaker 4 (24:46):
Yeah. It was when I was a kid and when
I was growing up. The pistol, Oh pistol.
Speaker 1 (24:51):
He should drible the basketball out of the car. Yeah,
and I actually at the window, yep. And he would
always get up before his parents even woke up for
the day. And he played basketball, and I totally forgot
about the movie, and they and Caitlyn Clark passed Pistol
Pete Merrivich for the most all time points in the
history of college basketball.
Speaker 4 (25:05):
And he got me thinking, oh my gosh, the Pistol.
Speaker 5 (25:08):
That movie. That's that movie changed my life. Oh so
it's why I get up early because I used to
do that growing up. I would get up before my
dad and he'd be like, what are you doing. Why
are you playing basketball before I'm trying to sleep before work.
Speaker 4 (25:20):
Wait, so you got it to actually play basket.
Speaker 2 (25:22):
Yeah.
Speaker 5 (25:22):
I would get up at four point thirty the morning
of My dad was thinking we were getting robbed.
Speaker 4 (25:26):
But it's because I watched the Pistol movie.
Speaker 5 (25:29):
My dad told me, all right, it tough getting up early, dude.
Speaker 3 (25:32):
Does it affect your life now?
Speaker 4 (25:33):
Yes? I love getting up early. So you're saying because
of the movie The Pistol, that's why you get up
early now, hours before you have to be here for work. Yes,
I traced it all back.
Speaker 3 (25:42):
Do you play ball in the morning, No.
Speaker 4 (25:45):
You kill him?
Speaker 2 (25:46):
Do you dribble the ball outside the car?
Speaker 4 (25:49):
Do you do anything?
Speaker 2 (25:50):
So you just wake up early here and go.
Speaker 4 (25:53):
To sleep dozen times. Yes, hey, try dribbling a basketball
outside of the car. No chance, it's impossible. Chance I'm down,
No chance, Fistol? Is that a good movie? Shoud I'll
get the kids to watch. It was really good, way
way way back in the day.
Speaker 3 (26:05):
I haven't seen it though, and since I was a kid,
but it was his story, and I think I saw
it on television. It's called The Pistol, the Birth of
a Legend. Let me see because the seventy sent on
Rotten Tomatoes. I don't know what year it came out, Mike,
will you yell at if you hear it?
Speaker 4 (26:21):
Oh ninety one.
Speaker 3 (26:21):
It's not as old as I thought I was. Hey,
what's the you think about texting a Cowboys player?
Speaker 2 (26:26):
Yes?
Speaker 4 (26:26):
Did you have his number? Yeah? Tony Casillas. He used
to play for the Cowboys. Uh, he was on our
sports Yeah yeah yeah, And so we met him when
I went to the Cowboys game. We were in the
suite and he was there. We talked to him and
he gave me his phone number. Said, dude, let me
know whenever you want me to get in the podcast,
I'll be on the podcast. And we eventually got him
on the podcast and I still have his number, but
when we were there, I told him the story of Dude,
(26:47):
I met you when I was like nine years old, Like,
we're You're at a grocery store. Me and my brother
waited for hours, we got to meet you. We got
a picture together. He's like, oh that's cool man. Well,
my brother just sent me the picture yesterday. I have
the picture of me, my brother, and Tony Cassis, and
I'm thinking it would be weird if I texted it
to Tony d like, look, dude, it's us.
Speaker 3 (27:06):
It's kind of funny.
Speaker 2 (27:08):
I think you text him. I think that's okay.
Speaker 3 (27:10):
Time Scuba Steve text Gavin a gra video of somebody
covering his song.
Speaker 4 (27:15):
Yeah, we're drawing, we're drinking. I don't think he would care.
Speaker 3 (27:18):
I don't think he would be like this is amazing.
I also don't think he'd be like what a dude?
Speaker 4 (27:23):
Okay, So so yeah.
Speaker 3 (27:24):
Yeah, I would send it to him, be like, hey, man,
I hope you're good.
Speaker 4 (27:28):
Check this out.
Speaker 2 (27:29):
Just so you know. I didn't make up the story
about the store.
Speaker 4 (27:32):
Who you are? What do you mean? He doesn't know
who He saved my number because I've texted him before.
He's like, hey, what's up, Eddie? I hear you that.
Speaker 3 (27:38):
I'd be like, hey man, Eddie here in Nashville.
Speaker 4 (27:40):
I hope you're good. Brother just texted me this boy like.
Speaker 3 (27:44):
How time flies?
Speaker 4 (27:45):
Look? How he look? How young we look? Yeah? Does
he look? Jack? Is he? Like? Yeah? I'll send you
the picture. It's crazy, dude. I think you can text
him Okay, cool?
Speaker 3 (27:55):
Not at midnight though, from a bar in Memphis.
Speaker 2 (27:57):
Yeah, I think you just tell him straight up, like
told you I wouldn't line about me and at the
grocery store.
Speaker 4 (28:02):
You don't remember that though, Scooba. What were we thinking, dude,
texting Gavin across somebody covering?
Speaker 2 (28:07):
We were just hella drunk.
Speaker 4 (28:08):
We were feeling ourselves in the moment and we're hanging
out of a good time. Yeah, we were like, Gavin,
check this out. We dared each other.
Speaker 2 (28:15):
You do it?
Speaker 3 (28:16):
No, you do it?
Speaker 4 (28:17):
But whose phone did it come from? All right?
Speaker 3 (28:22):
I think we're done. Eddie can text me that picture.
Speaker 4 (28:26):
Who sent it?
Speaker 2 (28:29):
I would assume your brother.
Speaker 4 (28:32):
Well, he said to my mom, hold on, we're not
gonna hold.
Speaker 3 (28:35):
We can text it off, yeah, but we're not gonna hold.
Thank you guys, We will see you tomorrow, have a
great day, by already
It's time for the Bobby Bones post show.
Speaker 2 (00:04):
Here's your host, Bobby Bone.
Speaker 3 (00:08):
Whoa you know. We announced the ACMs on this show
and some of the groups like Group an Artists and
Male and Female, and I felt like it was a
pretty standard group of folks. No big surprises this year.
Usually there's one or two we're like, wow, good for them,
(00:29):
it's the first time, or wow, I can't believe they
got nominated. That kind of thing. And I really didn't
hear of a whole lot of snub not a lot
of snub talk either, so like, it's pretty standard.
Speaker 4 (00:41):
Yeah.
Speaker 3 (00:41):
I started to see a couple of people talk about
Parmale and where they snubbed from Group of the Year,
and so before I made up my mind on it,
I wanted the facts. So I had a sheet of
all the data from this last year and then let
us see if we feel like they should have been nominate.
Their song, Girl in Mine went number one on the
(01:04):
Country Aircheck Media based Radio chart October second, twenty twenty three.
Big number one song is a big deal because some
of these acts do not have a number one. Let's see,
but some of them also aren't radio. But like did
Little Bigtown have a number one, I don't think so
I don't either, not just about number one, but Flatlank
Cavalry did not. I don't know that if Zach Brown
(01:28):
did or not. So on that side, I would agree, Okay,
well they had number one.
Speaker 4 (01:34):
That's okay.
Speaker 3 (01:35):
Using data twenty twenty two, they had number one, and
I would say that kind of doesn't matter. But a
lot of times you see people get included the next
year or win the next year because they got shafted
the year before. So if we're using that, because I
would say with Cmas for example, remember one year Dan
(01:55):
and Shay got shafted big time and I couldn't believe
they lost. But also like brothers Osborne who won. But
like data wise, I was like, man, I feel but
this is voters right who vote on this, like people
inside the industry. It's not fan votes. It's not a
group of people that sit down and decide. It's like
hundreds of people in the industry from record labels, from
(02:16):
meet that vote and so fusing the Dan and Shape
effect of everybody thought they should have won that year.
So they definitely got to boost the next year because
they were like, man, they got screwed let's give them
the win this next year, then maybe they should be
in it because they had a really good year of
the year before.
Speaker 4 (02:35):
Okay.
Speaker 3 (02:36):
They released their extended album for U two in September
of twenty twenty three, and twenty twenty three, they won
a headlining tour, a nineteen city tour with Train. I
guess so they'd have been the support they were on
Cane Browns in the Air tour. They were supported. They
did not get a nomination for the CMA Awards, the
only group nominated that had a number one song. Just
(02:58):
got this sent over in twenty twenty three old dominion
of all the groups with Memory Lane. And I'm not
saying remove anybody, but yeah, I think they got screwed. Yeah,
And I don't think it's anybody's purpose. No one has
a singular power to screw them. I mean, I go
little what they're good, but I'm talking about in this
nobody has singular power to screw them. But not enough
(03:20):
people put them in there like top three.
Speaker 4 (03:24):
Right, And it's crazy because they've hung around for so
long and you do kind of forget about them a
little bit. They kind of get lost in the mix.
And I never even once thought about them being in
a group of the year or not being in a
group of the year, And until.
Speaker 3 (03:39):
You just brought that up, I agree.
Speaker 4 (03:40):
I didn't either.
Speaker 3 (03:41):
When I saw the list, I was like, where's Parmally?
But also I'm like, oh, yeah, they had a bunch
when I look at it, Yeah, I think it's a
couple of things that work against them. One, they didn't
start pop popping until later, until they were a bit older.
Where some I mean, there are people just as old
(04:03):
as them now in these categories, but lady A, even
old dominions started a little older as songwriters. But they
started hitting seven, eight, nine years ago. Zach Brown Band
obviously a little big town oh a bit younger when
they started hitting.
Speaker 4 (04:15):
I think that hurts them a little bit.
Speaker 3 (04:18):
And then also, and I say this, I like them,
there's not really there's nothing about them that you really remember,
like visually you want a mouse head on like dead mouse,
we know them every time. I think that probably hurts
them too a little bit. Where it's a bunch of
dudes who all look like all the other dudes, except
(04:39):
all four of those dudes are in a band, and
I like them. I like those guys, But I was
just trying to figure out, like what, because let's think
about it, lady A. They're obviously that a monster monster
monster start to their career. But they have only three people,
two lead singers. One's one, one's a dude, that dude
some foot three.
Speaker 4 (05:01):
Yeah, like all that. That's memorable, a little big town
two and two. Sure, and each of the two and
two have distinct characteristics.
Speaker 2 (05:11):
Yeah.
Speaker 3 (05:11):
First of all, they have songs, obviously, and then Zach
Brown Band, massive songs, Zach Zach himself and he wears
a funny hat.
Speaker 4 (05:21):
What else can you say? He's a jack mat too.
Speaker 3 (05:24):
Flatlank Cavalry not don't know who is that? Don't Flatlan Cavalry?
Speaker 4 (05:28):
No, no old Dominion. They've had so many hits.
Speaker 3 (05:33):
Yeah, I think they probably could have got put in
that mix of a bunch of random white guys too,
But they've had so so so many hits so so
so quickly that it becomes.
Speaker 4 (05:43):
You're just forced where like.
Speaker 3 (05:45):
Uh parmally, it took a long time for them to
get a hit because they had to grind it out
so much.
Speaker 4 (05:51):
I know this.
Speaker 3 (05:52):
I know Flatlank Cavalry, I know them from the opry.
Maybe do they have a girl in the group or not.
Speaker 4 (06:00):
There's a girl in that picture.
Speaker 2 (06:01):
There's a group in this picture.
Speaker 3 (06:02):
But then I don't think they don't have a girl.
When I've ever seen them play, they didn't have a girl.
You can look.
Speaker 2 (06:06):
Well, I'm saying, in one picture there's a girl and
then the So maybe she left.
Speaker 4 (06:10):
Yeah, anytime I just googled image, got it.
Speaker 3 (06:13):
Maybe she's a fan.
Speaker 4 (06:14):
Man, take a picture of them, just let her in there.
Speaker 3 (06:16):
So my official answer is I think that it sucks
that they're not in. I don't think they were snub
because I think there was no reason for anyone to
snub them. I think that people just because there's not
an impression that's really left, and it takes so long
for their songs to hit number one, that's probably why
they get left.
Speaker 4 (06:32):
Off of these. I do like their songs, though, dude,
Oh they're jams. They my hand and you can even
go back to it feels like Carolina is.
Speaker 3 (06:42):
That Carol, Like that's a good one, so good, and
then that one goes if you can.
Speaker 4 (06:54):
Just the way you are, that's a good one. Take
my nay, take my hand, I need'n make you min.
Speaker 3 (07:01):
What is interesting about those guys too. Sometimes I know
the song before I even know it's them, Like I'll
hear the song and go like, oh, I know that song.
Oh that's Parmally. Yeah, I think it's a branding problem,
like someone on their team.
Speaker 4 (07:16):
Then I don't know.
Speaker 3 (07:17):
I think it's a branding problem. And they have success
that everybody should know them.
Speaker 4 (07:20):
If I remember correctly. Even might want to google a
recent picture of them. But they've kind of gone leather
ish other in that face, you know, I think they're
they're in the black leather now okay, or they look
tough right now.
Speaker 3 (07:32):
Well, I guess they do it long enough and they
look really tough. You have to commit. But yeah, I
think that the problem is we don't know them. I
know them because I'm just here and have worked with them,
But I'm saying people generally don't know who they are.
Speaker 4 (07:47):
Two brothers and a cousin and a budge.
Speaker 3 (07:49):
Rummer who got shot up. That's always a great lery.
Speaker 4 (07:52):
Yeah, just yeah, yeah, Okay.
Speaker 2 (07:55):
Flatland Cavalry did have a girl. She left in twenty eighteen.
They all met at Texas Tech University High School.
Speaker 3 (08:06):
Well, I'm I'm sad that Parmally now that I think
about it. I'm sad they didn't make it because they
could have added another one if there were Just there's
a threshold. It wasn't that they needed to get three
or four or five or six. It's the threshold probably,
and they take anyone over a certain percentage and that's it.
Speaker 4 (08:22):
Yeah, they look tough now, man.
Speaker 3 (08:23):
I think that's the Parmally problem. That's what I call it,
the Parmarly problem.
Speaker 4 (08:27):
It's got a good ring to it.
Speaker 3 (08:28):
It's a they need someone on their team to figure
out how they can make an impression outside of.
Speaker 4 (08:37):
Hits.
Speaker 3 (08:38):
There are a lot of dudes in country music, dudes
that have hits and nobody knows who they are because
they all start to blend together. Would you agree with that? Yeah,
just in general, like a lot of the dudes, just
white dudes and country music all feel like the same person.
Speaker 4 (08:50):
You talk about, like, you know, a little surprises for this.
Speaker 3 (08:53):
Year the parma of the lead singer's good looking dude though,
Oh yeah, maybe they blow out the other three and
just have him like almost famous.
Speaker 4 (09:00):
We're all we're one of the blurry dudes. Or are
you saying sorry? The mega Maroney thing was kind of
like not too crazy surprising, but that was one where like,
you know, that's cool she got in the mix. I
know she's had a really good year, but oh.
Speaker 3 (09:15):
She's massive though, Like she hit like a freaking lightning bolt.
Speaker 4 (09:18):
Yeah, but she's new.
Speaker 3 (09:20):
Yeah, but she had two massive songs, like I hear you,
but I would I would have made surprise had had
Megan Marony not been up for Female of the Year.
That's what she's in, right, Female of the Year. Yeah,
I think that's right. I would have been surprised if not,
because again, monster, she's two monster songs.
Speaker 4 (09:38):
She and you know her her style, yeah, her like
she leads an impression. I'm just saying, you usually have
the usual suspects in all these lists, and then when
Megan Maroney came in, I'm like, Okay, that's cool, we
got someone new in the mix, because that was the
Landy Wilson of last year.
Speaker 3 (09:53):
ACM's a little different though. They're a little more progressive.
They're a little more identifying with today more than a
what have they done over the last few years? Sure,
but we're gonna act like it's just today. I don't know.
I mean, I feel like Megan Roney's had probably a
bigger year than anybody on the female Artists list except
for Laney. I'm not saying she's better or worse, but
(10:16):
like bigger than Casey. Just put a record out. So
Casey's like running just a different race at a different
time like her. Her stuff just came out, actually put
out a record and it did well. But like Meghan Therese,
both those songs were just monsters. I'm wearing Tennessee orange,
and you know they did the whole Morgan Walling thing,
(10:37):
whereas he talking about Morgan walling like pr wise excellent.
Then the other song is, uh, I'm wearing Tennessee green.
Speaker 4 (10:46):
No, no, no, it's the instagram one.
Speaker 3 (10:49):
Oh on my foot, Morgan?
Speaker 4 (10:51):
What's that? I'm not pretty?
Speaker 3 (10:52):
How's the course going?
Speaker 4 (10:53):
I'm not pretty? She played it with us. We had
to learn it. Yeah, someone scrolling on my Instagram.
Speaker 2 (10:58):
Someone scrolling on my not be you guys are throwing
me off because it's not I know, I.
Speaker 3 (11:03):
Know somewhere out there Mike's boyfriend girl.
Speaker 2 (11:06):
That's a scrolling my Instagram.
Speaker 3 (11:09):
Yeah, but hey, what keep telling you?
Speaker 4 (11:13):
I'm not?
Speaker 3 (11:16):
My favorite Maganimonia song is the hair salon Shop it's
a long time. It's like one of those way early ones.
But I didn't know it until later. Let me see
case he is having a baby. I don't know, dude,
I'm losing my voice a little bit because I've been
(11:37):
uh teaching the next year.
Speaker 4 (11:39):
You've got a crazy week, man, Yeah, I've been a
pretty crazy week. You know what. I thought, just just
watching you on social media a little bit. I was like, man,
this dude's living his best life right now. Like, like,
you're in Arkansas, you know, at the university. Big news
coming to the university and you're in the middle of it.
You're playing, you're throwing first pitch at the the baseball game,
(12:00):
you're working out with the sub fall team. Like I
really like, I meant to text you a couple of times,
but I'm like, no, don't bother me. Man, he's living
his best life right now. It was.
Speaker 3 (12:07):
It was a lot of fun. There was a lot
of work though, Like going from one class to the other. Okay,
they were running me.
Speaker 4 (12:12):
I was.
Speaker 2 (12:13):
You don't say in one room where the kids come to.
You got to go across campus different. I wouldn't say
a cross but I taught two of their classes.
Speaker 4 (12:19):
If you're running through campus with your briefcase.
Speaker 2 (12:21):
Did you have office hours where students could come by
if they had questions, same center, but different classes and
different buildings.
Speaker 4 (12:29):
You're like, I'm late, you got rolls in f also,
don't know where I'm going.
Speaker 2 (12:32):
You come in and slam the briefcase down. So everybody's
like you.
Speaker 4 (12:36):
Freshman class was tough. Oh you taught freshmen like.
Speaker 3 (12:38):
A hun like a hundred freshmen. It's different because I
would do different like I did, like a media storytelling class,
like a non traditional media like a digital all these
different versions, and the freshmen they're just like, I don't know, distracted, DG. Yeah,
(12:59):
they're coming in all eight Oh sorry, you know walk
a Shane.
Speaker 4 (13:02):
Did you have to uh discipline anyone? Like, hey, you guys,
keep it down over there.
Speaker 3 (13:07):
No, everybody was pretty good about that. People would walk
in late, though, and I did the same joke every time,
which got funnier because everybody knew what the joke was. So,
you know, whenever the class would start and there's it's
like fifteen rows tall. I was a big The freshman
room was a big room, and so I'd start doing
my deal whatever and someone walk in and I'd be like,
he's your name.
Speaker 4 (13:25):
They'd be like Chris.
Speaker 3 (13:26):
I'd be like, you guys told me classic Chris huh
and they'd laugh.
Speaker 4 (13:29):
But then they knew, like.
Speaker 3 (13:30):
The third, fourth, and fifth time, exactly what the joke was,
and it got funnier to them every time because they
were in on it.
Speaker 4 (13:36):
Classic back.
Speaker 3 (13:37):
Somebody would come in and be like, Shauna, you guys
talk that this is her, right, They'd be like, yep,
classic Shauna and they were like classic Gena or Shana. Yeah.
Speaker 4 (13:45):
It was good. Uh.
Speaker 3 (13:47):
But then I would like sit with thirteen or fourteen
seniors at a table and they were like really dialing in.
But I would like call people to celebrities, uh yeah, one.
But I would call like my manager too and be like, hey,
this guy wants to know about this part of management.
So it was that that kind of stuff.
Speaker 4 (14:07):
But we didn't get you get a.
Speaker 2 (14:08):
College No, man, they didn't call it us about star
of the show. But that's all right.
Speaker 3 (14:13):
Not a lot was about I mean, it wasn't an MVP. No,
not your version.
Speaker 2 (14:19):
I don't think, alright, cool man. No, one ridn't get
a call.
Speaker 4 (14:22):
Yeah, yeah, so it makes sense. That was good Voices
little fried because a lot of lecturing. Dude. Also like n.
Speaker 3 (14:33):
No, there was no yelling there. But also it was
just meeting a lot of people, even like faculty and
stuff that would come by and talk after between classes
for ten fifty minutes.
Speaker 4 (14:41):
It was really cool.
Speaker 3 (14:42):
But I start to burn on the old vocal cords.
I wasn't drinking enough of water, wasn't It wasn't in
my own bed, didn't have a spat machine. The hard
professor life and.
Speaker 4 (14:53):
Is it tough? Did you meet Cali Perry?
Speaker 3 (14:55):
No? I had to leave early because it's storming. So
what happened was it storming here in Nashville and there
in Fayetteville, and the university sent their plane to get
me and then take me back, and so they were like,
you can't go home tonight if we don't leave in
the next thirty minutes. And I had to get here
and do the show.
Speaker 4 (15:11):
And I was like, yeah, but I want to meet God.
Speaker 3 (15:14):
I want to stay, and they were like, I hear you,
but the only other option would be like twelve thirty tonight,
and even then we're just kind of guessing. And so
I had to get on the flight at like four
because I wanted to be here in time, like landed
like five poin fifteen and watched the press conference. But yeah, no,
I had to leave. I had to leave early, which sucked.
But I don't want to die in a plane crash.
Speaker 2 (15:35):
No, no, no, that's probably a better option.
Speaker 3 (15:37):
Yeah, not to let me do a mid roll here,
all right, Mike, Can I get the news that we
didn't get to because a couple of the like this
penis enlargement story, I didn't do purposefully on the ole,
like I would have done it, but I didn't feel
like it needed to be done at the time that
I wanted to do it, So I just held it
like it was good enough to do as far as entertainment,
(15:58):
but I don't feel like the time was right.
Speaker 4 (15:59):
Yeah, I get that. What's the story.
Speaker 3 (16:00):
A man undergoes penis enlargement surgery ends up suing a
doctor for a rectile dysfunction.
Speaker 4 (16:05):
You're messing with it, man, he took I know, so
it doesn't work. It's like if you if you go
under the hood. Sure, it's just saying, dude, just say it.
Speaker 3 (16:22):
The guy went to the doctor, right, and he goes
and they did the penis enlargement and now it's he's
suing them for impotence and a rectile dysfunction. Paid the
cosmetic I mean, how do they even make it bigger?
Like what do they do?
Speaker 4 (16:34):
They got to add stuff to it?
Speaker 1 (16:35):
Right?
Speaker 3 (16:35):
But I know, but like what it like a gel?
Speaker 4 (16:40):
Or is it like oh like silicon?
Speaker 3 (16:41):
Or is like wood? Where it's all? I don't would
like what.
Speaker 4 (16:45):
Do they want in it? Real?
Speaker 3 (16:47):
Would the guy had two LiPo filling operations, just fat
from various parts of the body transferred to his penis.
Speaker 4 (16:57):
Oh boy, man, you must be pretty that's ate to
do that.
Speaker 3 (17:01):
There are some people that are more on micro penises,
excuse me. And it's not even like a small penis.
It's like so medically small. Really, yeah, don't xprize?
Speaker 4 (17:10):
Well no, no, but you know, bad acting on anyone?
What really? Hey, But that doesn't matter, man, it doesn't
matter what they say, So it doesn't matter.
Speaker 3 (17:19):
I don't think they mean that about like medical micro
penises though.
Speaker 4 (17:22):
Really yeah, okay.
Speaker 3 (17:24):
Todd chris Ley loses his defamation suit order to pay
seven hundred fifty five thousand dollars oohe Amy Dougherty Hines
filed the defamation complaining against Todd Christley, alleging he began
attacking her and accusing her of multiple crimes and wrongdoing.
It's from People magazine. They began a social media campaign
against the gdo R and certain of its employees, contending
(17:48):
that the investigation was illegal and are properly motivated, which
would then involve her DA at seven hundred fifty five
thousand dollars.
Speaker 2 (17:56):
But does he still have money like to pay that?
Speaker 3 (17:58):
I don't know.
Speaker 4 (17:59):
Doesn't matter no matter if you have it, you still
got suit for that? Yeah, at lunchbox? Do you give
up on that? Trying to get a hold of them?
Speaker 2 (18:06):
No, I'm just haven't heard from him. I mean I
sent letters. I don't know what else I can do.
I can't. I can't just show up.
Speaker 3 (18:11):
You can show up right and show up, yeah.
Speaker 2 (18:13):
Yeah, but I'll get turned away because I'm not on
the list. So there's no point.
Speaker 3 (18:16):
Yeah, unless you dress up like a security guard with
a like a mop, be like I'm here.
Speaker 4 (18:22):
That's a great idea. I like it. Or go in
the back like you're delivering laundry and just going oh no.
Speaker 3 (18:26):
Or just get in the laundry basket and let them
roll you in. Oh boy, Oh boy, a former waffle
house waitress claims she received a stolen jeep as a
birthday tip from a waffle house customer. Pretty funny, Yeah, well, yeah,
you see the story.
Speaker 2 (18:37):
Yeah, she was plum mc gas. She got and she
said that she saw a former customer It's like, oh,
it's your birthday later this week. Here's a new car,
and gave her ten dollars also, And then she got
pulled over her stolen vehicle. But they were like, it
was reported stolen like a month and a half ago,
and they had video evidence of her driving it like
over a month ago.
Speaker 4 (18:55):
Oh so she's really the one that stole it.
Speaker 3 (18:57):
Yeah, she was saying it was left to her.
Speaker 2 (18:59):
Yeah, but really she was.
Speaker 4 (19:01):
We don't know really, but she was driving it for
over a month. But it could have been given to her.
They could have stolen it right away and tipped her.
Speaker 3 (19:06):
I'm such an idiot. I fall for all this stuff,
Like I News five Cleveland with the story. Let me
read the real version so we don't get it. Cleveland's
Joined Gibsone shocked when she received one hundred and five
dollars ticket in the mail from the city, especially since
the photo of the speeding vehicle included with the ticket. Oh,
this is a different one.
Speaker 2 (19:24):
Yeah, you're reading them.
Speaker 3 (19:25):
I'm readly one about the one who got the ticket
on the flabat truck.
Speaker 4 (19:27):
Did you see that one?
Speaker 2 (19:28):
No, that's school what happened.
Speaker 3 (19:29):
No, it was the jeep was on the flatbat truck.
The truck was going fast and it.
Speaker 2 (19:33):
Got her license plate. Yeah, that's funny.
Speaker 3 (19:35):
Funny a five dollars lift tip leads to one hundred
and fifty thousand dollars lotto win.
Speaker 2 (19:41):
Are you man? Nothing good happens to me a lot
of everybody else.
Speaker 4 (19:47):
But there's a lot of other people in the world.
Speaker 2 (19:49):
I understand, and they have all the luck you have.
Speaker 3 (19:52):
I would say you have more consistent luck, right, because, like,
you have a really job where you really have to
do nothing.
Speaker 4 (19:58):
Great family, healthy kids, But it's not luck to have
a good job.
Speaker 3 (20:02):
You have no history or background of doing this ever.
Speaker 4 (20:04):
Yeah, I think in your case it's strictly as luck.
You were working at a delivery.
Speaker 2 (20:08):
Right, right, right. But if I wasn't, like funny, no,
exceptionally skilled, that's luck. What's your skill, oh, entertainment. If
I wasn't exceptionally skilled, this job I wouldn't have been
doing it for twenty years.
Speaker 4 (20:22):
Do you think that you taught yourself how to entertain
people or that was just a part of who you've
been your whole life.
Speaker 2 (20:30):
That's a great question, man, I don't know how. I
don't know a question.
Speaker 3 (20:32):
Any he likes that, go ahead answer.
Speaker 2 (20:34):
I mean, I guess I taught myself.
Speaker 3 (20:36):
I don't know.
Speaker 4 (20:36):
I thing I'm thinking about it like that?
Speaker 2 (20:38):
No, really, because do you teach yourself to be entertaining
or are you just entertaining?
Speaker 4 (20:42):
I don't know.
Speaker 2 (20:43):
I have no idea. I think it could be both ways, right,
because I've been entertaining my whole life. Correct, So I
don't know if I taught myself that, if that was
because I was a third kid and I was like, hey,
don't forget about me, or if it's just that could
be a thing. Is it genetics?
Speaker 4 (20:57):
Like bones you talked about learning to be funny to
try to not get bullied, like, but.
Speaker 2 (21:02):
Maybe he didn't learn maybe he was already funny.
Speaker 4 (21:04):
Oh, I had to develop it.
Speaker 3 (21:04):
It was definitely a developed skill, right, I think skills,
any of my skills are like it's not like I
can run fat, you run fast. You just run fast.
You can just run a little faster by training, but
you can. You can't not be a faster runner. Then
all of a sudden trying to be a real fast runner.
Speaker 4 (21:19):
There's TikTok videos that say this is how you get faster,
and they have and there.
Speaker 3 (21:21):
Are those shoes that were like had the weights on
the eighth like the big hills, the big weighted front
foot that lets you dunk.
Speaker 4 (21:29):
Is it? What else do I have here? Lunchbox is
so cheap?
Speaker 3 (21:32):
What happened with that?
Speaker 4 (21:32):
Like Eddie oh the his headphones? Yeah, yeah, yeah, we
were using your headphones for something and realize that one
ear doesn't work.
Speaker 2 (21:41):
Uh, no it works. No it doesn't, No it does.
Speaker 3 (21:44):
No, it doesn't plug exactly the right way.
Speaker 4 (21:46):
Like it doesn't work. And so I'm thinking, like, dude,
you've got money, like go buy headphones talk check check
check check check check chack check check.
Speaker 2 (21:55):
Check both work.
Speaker 4 (21:56):
I mean, dude, there's one of them.
Speaker 2 (21:57):
Where were you at? Where were you using them?
Speaker 4 (21:58):
Right here? Yeah?
Speaker 2 (21:59):
See does other studio? Because when Ray and I do
sore losers, I can only hear out of the left,
and so I've been blaming the engineers and there I've
been selling them that they need to fix. No, they're
your headphones, but they work fine in here, like I
can hear out of both.
Speaker 3 (22:10):
Right, it can be the like a faulty little pluggy here,
and it could just happen to match perfectly well with
a little pluggy hole.
Speaker 2 (22:20):
Okay, yeah, because it must match perfect for here, because
this one it always works here.
Speaker 4 (22:24):
The other room is just buy headphones.
Speaker 2 (22:26):
It's no, That's what I'm saying. They working here, So
I think it's something.
Speaker 4 (22:29):
About you working there, though it doesn't.
Speaker 2 (22:31):
It only only the left of your work.
Speaker 3 (22:33):
Right, I'm saying, you get a pair of headphones that
work in both rooms.
Speaker 2 (22:36):
Oh yeah, I just thought it. I honestly thought it
was something the equipment in there.
Speaker 4 (22:40):
But then but then here's the question.
Speaker 2 (22:42):
I thought that though not sure I really do get
because I hear it fine in here.
Speaker 4 (22:45):
But here's the question. If it's work related, does work
provide these headphone phones.
Speaker 3 (22:52):
You're a computer, they should but your computer you edit
on that you have to have for that specific but
not for like if you're needed a computer to like
look crap up on because you don't need it. You
know you can do that on your phone if you
need to.
Speaker 4 (23:05):
But what about headphones? Though, we need headphones to hear
what's going on in the radio.
Speaker 2 (23:08):
It's a good point.
Speaker 3 (23:09):
I'm sure if you begged them, they get your headphones. Really,
if you were like please, please, I'm sure they'd buy
your pair of headphones.
Speaker 4 (23:16):
But generally.
Speaker 3 (23:18):
Work hasn't paid for headphones. Back in the day, there
were just a set of headphones in the studio that
everybody used. But I think how we work, there's not
just a set. We have so many stations.
Speaker 4 (23:29):
Yeah, because the new station I worked at. Man, like,
anything you needed, you need a back brace, order it?
Why would you get you want to back get carry
cameras sometimes, like you can sue them if you hurt
your back anything. Man, I needed a flashlight one time
because I work at night. They're like, yeah, order it.
You needed that to do your job. Yeah, I got
a little leatherman a knight a knife kit, you know,
one of those things that's the screw driving a knife
(23:50):
and an advantage situation. Dude. They order it cool man,
And then when I when I quit, kept it all.
They didn't ask for it all back. It's just part
of my gears.
Speaker 2 (24:00):
That's probably hard to keep track of everything you ordered.
Speaker 4 (24:02):
Yeah, so what are you saying? Which point he should
ask for new headphones? If he needs new headphones.
Speaker 2 (24:09):
Okay, if you want, go ahead. I don't know if
they're gonna get him from I don't think I need.
I'm telling you they work. I can hear out of
both ears. And they're really comfortable. I mean, I don't
know where I got these, but man, they are comfortable.
There's some good headphones.
Speaker 4 (24:22):
Mike, what do you think get those?
Speaker 3 (24:23):
There's a bot for him.
Speaker 2 (24:24):
No, I bought him. I know that. No one bought
me anything. Trust me, they didn't.
Speaker 3 (24:28):
I never knew own all your stuff, because how would
you know to get those if they're like industry headphones?
Speaker 2 (24:33):
Well, I don't think their industry.
Speaker 3 (24:35):
I can't tell what hen kind they are. Yeah, they're
sinhais a right.
Speaker 2 (24:38):
What does that mean?
Speaker 4 (24:39):
It's the brand? Oh?
Speaker 3 (24:42):
There you go, right, man, there's a movie that changed
your life.
Speaker 4 (24:46):
Yeah. It was when I was a kid and when
I was growing up. The pistol, Oh pistol.
Speaker 1 (24:51):
He should drible the basketball out of the car. Yeah,
and I actually at the window, yep. And he would
always get up before his parents even woke up for
the day. And he played basketball, and I totally forgot
about the movie, and they and Caitlyn Clark passed Pistol
Pete Merrivich for the most all time points in the
history of college basketball.
Speaker 4 (25:05):
And he got me thinking, oh my gosh, the Pistol.
Speaker 5 (25:08):
That movie. That's that movie changed my life. Oh so
it's why I get up early because I used to
do that growing up. I would get up before my
dad and he'd be like, what are you doing. Why
are you playing basketball before I'm trying to sleep before work.
Speaker 4 (25:20):
Wait, so you got it to actually play basket.
Speaker 2 (25:22):
Yeah.
Speaker 5 (25:22):
I would get up at four point thirty the morning
of My dad was thinking we were getting robbed.
Speaker 4 (25:26):
But it's because I watched the Pistol movie.
Speaker 5 (25:29):
My dad told me, all right, it tough getting up early, dude.
Speaker 3 (25:32):
Does it affect your life now?
Speaker 4 (25:33):
Yes? I love getting up early. So you're saying because
of the movie The Pistol, that's why you get up
early now, hours before you have to be here for work. Yes,
I traced it all back.
Speaker 3 (25:42):
Do you play ball in the morning, No.
Speaker 4 (25:45):
You kill him?
Speaker 2 (25:46):
Do you dribble the ball outside the car?
Speaker 4 (25:49):
Do you do anything?
Speaker 2 (25:50):
So you just wake up early here and go.
Speaker 4 (25:53):
To sleep dozen times. Yes, hey, try dribbling a basketball
outside of the car. No chance, it's impossible. Chance I'm down,
No chance, Fistol? Is that a good movie? Shoud I'll
get the kids to watch. It was really good, way
way way back in the day.
Speaker 3 (26:05):
I haven't seen it though, and since I was a kid,
but it was his story, and I think I saw
it on television. It's called The Pistol, the Birth of
a Legend. Let me see because the seventy sent on
Rotten Tomatoes. I don't know what year it came out, Mike,
will you yell at if you hear it?
Speaker 4 (26:21):
Oh ninety one.
Speaker 3 (26:21):
It's not as old as I thought I was. Hey,
what's the you think about texting a Cowboys player?
Speaker 2 (26:26):
Yes?
Speaker 4 (26:26):
Did you have his number? Yeah? Tony Casillas. He used
to play for the Cowboys. Uh, he was on our
sports Yeah yeah yeah, And so we met him when
I went to the Cowboys game. We were in the
suite and he was there. We talked to him and
he gave me his phone number. Said, dude, let me
know whenever you want me to get in the podcast,
I'll be on the podcast. And we eventually got him
on the podcast and I still have his number, but
when we were there, I told him the story of Dude,
(26:47):
I met you when I was like nine years old, Like,
we're You're at a grocery store. Me and my brother
waited for hours, we got to meet you. We got
a picture together. He's like, oh that's cool man. Well,
my brother just sent me the picture yesterday. I have
the picture of me, my brother, and Tony Cassis, and
I'm thinking it would be weird if I texted it
to Tony d like, look, dude, it's us.
Speaker 3 (27:06):
It's kind of funny.
Speaker 2 (27:08):
I think you text him. I think that's okay.
Speaker 3 (27:10):
Time Scuba Steve text Gavin a gra video of somebody
covering his song.
Speaker 4 (27:15):
Yeah, we're drawing, we're drinking. I don't think he would care.
Speaker 3 (27:18):
I don't think he would be like this is amazing.
I also don't think he'd be like what a dude?
Speaker 4 (27:23):
Okay, So so yeah.
Speaker 3 (27:24):
Yeah, I would send it to him, be like, hey, man,
I hope you're good.
Speaker 4 (27:28):
Check this out.
Speaker 2 (27:29):
Just so you know. I didn't make up the story
about the store.
Speaker 4 (27:32):
Who you are? What do you mean? He doesn't know
who He saved my number because I've texted him before.
He's like, hey, what's up, Eddie? I hear you that.
Speaker 3 (27:38):
I'd be like, hey man, Eddie here in Nashville.
Speaker 4 (27:40):
I hope you're good. Brother just texted me this boy like.
Speaker 3 (27:44):
How time flies?
Speaker 4 (27:45):
Look? How he look? How young we look? Yeah? Does
he look? Jack? Is he? Like? Yeah? I'll send you
the picture. It's crazy, dude. I think you can text
him Okay, cool?
Speaker 3 (27:55):
Not at midnight though, from a bar in Memphis.
Speaker 2 (27:57):
Yeah, I think you just tell him straight up, like
told you I wouldn't line about me and at the
grocery store.
Speaker 4 (28:02):
You don't remember that though, Scooba. What were we thinking, dude,
texting Gavin across somebody covering?
Speaker 2 (28:07):
We were just hella drunk.
Speaker 4 (28:08):
We were feeling ourselves in the moment and we're hanging
out of a good time. Yeah, we were like, Gavin,
check this out. We dared each other.
Speaker 2 (28:15):
You do it?
Speaker 3 (28:16):
No, you do it?
Speaker 4 (28:17):
But whose phone did it come from? All right?
Speaker 3 (28:22):
I think we're done. Eddie can text me that picture.
Speaker 4 (28:26):
Who sent it?
Speaker 2 (28:29):
I would assume your brother.
Speaker 4 (28:32):
Well, he said to my mom, hold on, we're not
gonna hold.
Speaker 3 (28:35):
We can text it off, yeah, but we're not gonna hold.
Thank you guys, We will see you tomorrow, have a
great day, by already
Hosts And Creators
Bobby Bones
Amy Brown
Lunchbox
Eddie Garcia
Morgan Huelsman
Raymundo
Mike D
Abby Anderson
Scuba Steve
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