Episode Transcript
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Speaker 1 (00:00):
Mister buying bones.
Speaker 2 (00:03):
CMAS dropped their nominations yesterday, So I'll give you the
category and I'll tell you who, based on data, should win.
Not my pick or my favorite, but who I think
should win based on the reality of the landscape of
country music. That being said, you have to understand there
are thousands of people that vote in this. This is
not a board. The votes and alects, and so when
(00:23):
people get mad at the CMAS, it's not eleven people
in a boardroom. It's managers, agents, hundreds of people in radio,
it's any tour, all these people that work in the industry.
You can be a member of the CMA and you vote.
It's thousands of people. So it's not eleven people trying
to screw somebody over. There are those, but this is
(00:46):
not that. Entertainer of the Year nominees are Morgan wall
and Luke Combs, Landy Wilson, Cody Johnson, and Chris Stapleton.
Who should win Morgan Wallen. You never know who's gonna
win because different reasons, but Morgan Wallen should win. He
should be the Entertainer of the Year, Album of the Year,
(01:06):
and I don't really have a for sure on this
one something that I would go plant my flag in
because a lot of these could win. Megan Maroney, am
I okay, Zach Top, Cold Beer, Country Music, Post Malone,
F one trillion, Morgan Wallen, I'm the problem. Whe'll win,
Landy Wilson, probably Morgan Wallen. It's just streamed so much,
and he does. He was the first one to really
(01:28):
do seven hundred songs on an album and then you
have all those streams. Those all count because for a
long time he was like, we'll do an EP because
people don't care. He was like, well, why you're zigging.
I'm gonna zag and I'm gonna do forty two songs
on an album. It really worked out well for him. Obviously.
I saw yesterday he's playing in Canada. I think it's
tours up in Canada now and they open the merch
(01:48):
stand of day before the show's even start. Oh a
Talian demand. Yeah, He's like, the thing was the merch
boots will be opened twenty four hours before the show.
Speaker 3 (01:56):
That's insane.
Speaker 2 (01:56):
It's insane. Yeah.
Speaker 3 (01:57):
Wow.
Speaker 2 (01:58):
Male Vocalist of the Year, this award is not what
this award says, because if it were a male vocalist
of the year, it would just be about the male
that was the best singer. It's not that it's kind
of the Junior Varsity Award for Entertainer of the Year,
because female vocalist is the same Junior Varsity award for
Entertainer of the Year. So it's kind of like second place. Stapleton,
(02:19):
Morgan wall On, Luke Comb's, Cody Johnson, Zach Toobb who
I'm gonna take Morgan out because I think if you
want to entertainer, it's Luke Comb should probably win that
award or Stapleton. Now, obviously I like all those guys.
I like Cody Johnson a lot, but a female vocalist. Again,
this is if you don't want Entertainer of the Year,
(02:40):
you should probably win this one. Laney, Ella Langley, Meghan Marony,
Kelsey Ballerini, Miranda Lambert. Really probably Megan Marony. She's not
up for Entertainer of the Year, but she I mean,
if I were investing in an artist stock and well,
I won't even say female, but it could be female,
I would invest in Megan Roney the most, like she
(03:01):
is already a superstar. So Meghan and Maroney there Single
of the Year. This is just preference Lanny Wilson, four
by four by You, Luke Combs Aint No Love in Oklahoma,
Meghan Maroney, am I okay, Zach top I never lie,
you look like you love me? Ella Langley and Riley Green.
Now who will probably win? Ella Langley and Riley Green
(03:22):
because they have two voting basses? Oh yeah, two artists,
So you have both labels. I'm not eve sure if
it's on the same label, different imprints, different management companies,
different They're all going to vote for that, so that
those songs like that win a lot. And that's kind
of why one of the reasons she won all the awards,
I think maybe the ACMs last year, not that the
song was bad, but it does help when you have
two different groups all voting for you or two I
(03:43):
say fan bases, but because it's not fant it's a
fan awarded vote. Who should win Single of the Year Again,
don't really have a dog in this fight where I
would just plant the flag obviously, I'm big Meghan Maroney, Guy,
that lou Comb song was massive though it ain't No Love,
but also not my favorite from him. My preference, Yeah,
(04:05):
song of the Year. I don't even care a New
Artist of the Year, zachtop Ella, Langley, Stephen Wilson Junior.
Talking about more Shaboozy New Artists is weird because it's
kind of the junior junior varsity. It's the junior varsity
of like male and female and they cram them all together.
But it's also like, who's new.
Speaker 4 (04:27):
Did Shaboozie win last year?
Speaker 2 (04:29):
I don't know?
Speaker 3 (04:30):
Uh his song maybe? Did you think he won New Artists?
Speaker 2 (04:34):
You could argue four out of these five? Oh yeah, easy.
And I think Stephen Wilson Junior is great, but I
don't think he has the heart of a bunch of
uh major record label people. They're gonna put it put
it behind him.
Speaker 3 (04:52):
Oh yeah, he didn't take home an award. He just
performed it.
Speaker 2 (04:55):
Like I like Steven Wilson Junior a lot, and now
I would probably pick him if it was just personal preference,
But I don't think he has really the major label
support where they want their person to win so they
can sell more major label records. Yeah, and use that.
I mean probably zachtop wins that. Ellen Langley's one of
those two probably went in. I think Shaboozi has been
(05:16):
around a while now. Yeah, A little bit, and so
I think some of that stuff's not even success based.
It's okay, you've been around for like two and a
half years now. But Chaboozi can win it too. Uh
So Megan Maroni she won it last year, but she
not in it this year, right, Yeah, she won it
last year. Other nominees were Shaboozi, Nate Smith, Mitchell Tinpenny
Zactop and Bailey's Internment. I think if you lose, you
(05:38):
should be eliminated. When you win, you should be eliminated
from new artists, not from all categories. So you're not
new anymore. Issue you get one shot at new artists.
Speaker 4 (05:46):
I feel like they got a couple of years though, right,
Like because.
Speaker 2 (05:48):
You're not new anymore. Yeah, you're not new, you're new ish.
We should have a second category, new Ish Artist of
the Year. November nineteenth, ABC snubs Parmally. They had another
number one this year. All they do is put out
number ones. Caane Brown Low Cash they had another number
one this year. They have like a top five song
played and they didn't even make the duo list and there.
Speaker 3 (06:09):
Are how do they not make the dual list?
Speaker 4 (06:10):
That's crazy because there aren't a lot of duos.
Speaker 3 (06:14):
That's why they should make the list.
Speaker 4 (06:16):
I'm saying.
Speaker 2 (06:17):
You answered that in a way that was the opposite.
Speaker 4 (06:19):
Meant their tone was the opposite of what you said.
Speaker 2 (06:23):
Interesting, we should make that list. Uh, yeah, it's weird
that low Cash didn't make the list all right. Also,
like there are just too many letters and too many
award shows letters. Yeah as cmas and yeah here I am.
I have to explain it a lot of the times.
And honestly, if I wasn't in the business, I wouldn't
(06:45):
know the difference. I wouldn't care. The cmas are old school,
a little more old money, the ACMs more new money. Uh,
a little more cutting edge, a little more not anymore.
But they started in California. Now they're obviously here, but
it's a little younger.
Speaker 4 (07:05):
When I was younger, I would differentiate them with gold
and silver. Like ACM's got a gold tone to it.
Everything about ACM's, the trophies kind of gold. The graphics
are always golden, and the cmas are like silver, like clear,
the trophies like glass.
Speaker 3 (07:26):
So our ACM awards are silver hats, and then the
CMA's are glass. And I know they're glass because I'm
broken too.
Speaker 5 (07:34):
Well, good job anyway.
Speaker 4 (07:35):
Yeah, man, that's just how I would remember. One is
silverish and one's goldish.
Speaker 2 (07:40):
I didn't know the difference.
Speaker 3 (07:41):
Maybe on the TV that's what they looked like.
Speaker 2 (07:44):
I told my wife yesterday, you saying on the TV
reminds me of yesterday when I said check card. And
so my wife and I went to Sonic yesterday and
I said, hey, I was pulling in and I was like,
I don't have any cash and I don't have my
check card. And then I said, oh, I said check
card on the show, and they thought I was weird.
And she goes, yeah, who says that? And I'm like,
well why? I asked her, what was our association with
(08:07):
check card? She goes, old people say that, and I said, well,
she goes, well, yeah, but or people from extremely small towns.
She goes, and that makes sense where you're from, very
rural check card. But I said, it's in my it
connects to my checking account, it's my check card. She's like,
that's fine, Papaul, but most people call it a debit card.
(08:30):
So I asked her the same question. Now she didn't
come out and volunteer and like, strike me down. I
asked to be struck down because she doesn't really listen
to the show. She didn't know what we talked about. Yeah,
but I was like, what do you think about check card?
She goes old? People say that, I said, oh, got it.
Top five hundred crime scenes in the United States. It's
already SAPDT. Next month is freaking Halloween? Really? Gosh? Number five.
(08:53):
The Cecil Hotel in Los Angeles, infamous form multiple murder, suicides,
and the mysterious twenty thirteen death of Alisa Lamb. She
was one just found in the water tank. Hm, the
rooftop water tank. Oh yeah, Like, how long ago was that?
Uh twenty thirteen? Wow?
Speaker 3 (09:10):
No ago, Its longer ago than us.
Speaker 2 (09:12):
Also connected to the serial killer Richard Ramirez. The night Stalker.
Guess have reported eerie presences, unexplained noises, and shadowy figures.
Is The night Stalker the Jake John Hall movie? No,
that's night Crawler.
Speaker 4 (09:26):
Oh great movie though.
Speaker 1 (09:27):
That's a good one.
Speaker 6 (09:28):
Yeah.
Speaker 2 (09:28):
The Cameraman that's a good one.
Speaker 4 (09:30):
No, none of the one with the game show one.
Speaker 3 (09:34):
Oh it's a Woman of the Hour.
Speaker 2 (09:36):
Yeah, but isn't that him? I never watched it.
Speaker 5 (09:39):
That's such a good one.
Speaker 2 (09:40):
The movie's good.
Speaker 4 (09:41):
Oh yeah, it's good, dude.
Speaker 7 (09:42):
Oh.
Speaker 3 (09:42):
I couldn't finish it because I was getting too creeped out.
Speaker 4 (09:44):
It's a creepy movie because it was real creepy.
Speaker 2 (09:46):
So, like, is that it, Mike? Is that the guy Richard?
Speaker 3 (09:50):
He was so nice, Like I see how these girls
were like, okay, fine, you can take my picture.
Speaker 2 (09:55):
The guys Rodney, Rodney a kalas different Richard m Yeah, yeah, yeah,
well today is not your day, man, I'm just throwing dark.
Yeah yeah.
Speaker 5 (10:07):
Movie one it was really good.
Speaker 3 (10:08):
Well, I'm never going to a desert to have photographs taken.
Speaker 2 (10:12):
You shouldn't photographs, car check card, You're not gonna get
photographs taken. Well, get your picture made.
Speaker 3 (10:18):
Yeah, didn't get my picture made. No, she was clearly
he was a photographer. So that's why I said it
that way. It wasn't just like your friends taking pictures.
Speaker 2 (10:26):
It was like, but even photographs, photo, not photographs, photographs.
I feel like that's an elevated I think check cards
elevated to losers. Okay, that's what we say, what people
make fun of us. It's an elevated version of the
things that you say. Yeah, well good, I agree, don't
go to the desert and have your photograph taken. Do
not do that.
Speaker 3 (10:45):
Then there's just too vulnerable.
Speaker 2 (10:47):
Number four the Lolori Mansion in New Orleans. In the
eighteen thirties, social light Madame Delphini Lalori had a house.
The house was discovered to whold tortured, enslave people in
horrific conditions. My goodness.
Speaker 1 (11:01):
Wow.
Speaker 2 (11:01):
Though not a single crime scene, the atrocities inside shocked
the city. The mansion is said to be one of
the most haunted spots in New Orleans. Holy crap. Do
you ever wonder, like in a neighborhood, like what basement's
got cracked? Like some crap going down in it? Yeah?
Do that and we just drive by all the time.
We don't even know. Number three The Lizzie Borden House.
You know Lizzie Borden, right, and the rhyme, the Lizzie
(11:24):
Bordon rhyme. You know the Lizzy Bordon rhyme. Nope. In
eighteen ninety two, Andrew and Abby Borden were hacked to
death with an axe. Daughter Lizzie was accused but acquitted,
and the case remains unsolved. The home is now a
bed and Breakfast with guests reporting footsteps, whispers, and shadowy figures.
Speaker 5 (11:41):
I turned it into a bed and breakfast.
Speaker 2 (11:43):
Lizzie Bordon took an axe and gave her mother forty wax.
When she saw what she had done, she gave her
father forty one.
Speaker 3 (11:49):
Oh my gosh, it's terrible, but she ended up.
Speaker 2 (11:52):
Not doing it. And I think anywhere you go, if
you say somebody was murdered here, or there were nineteen
people murdered here, if there weren't, and then you ask
people the next day, Hey, any shadowy figures, any sounds?
Oh yeah, yeah, crazy so haunted. The Vicilla Axe murder
house familiar. That's the one we sent lunchbox to. In
(12:13):
nineteen twelve, eight people, including six children, were brutally murdered
with an axe. The killer was never caught. Visitors today
report children's voices, moving objects, and doors opening on their own.
Think about this, Eight people, including six children, were murdered
with an axe. It doesn't seem that real because we
don't have like documentation of it, like a news story
about it. It seems like something from Christopher Columbus days.
(12:37):
But that that's brutal and sad and terrible. This is terrible.
The Amityville House. This is from the Amityville Horror Like
the movie nineteen seventy four, Ronald de Feo Junior murders
parents and four siblings inside the house. A year later,
the Lutz family moved in, claiming that were being tormented
(12:58):
by violent paranormal activity. The story inspired the Amityville Horror
book and films. Okay, so if there's a house and
one person was murdered in it, and they gave me
a great deal, I think I would take the house.
If there was a house where four people have been murdered,
like four siblings and a parent, no chance, no chance.
So four is the number for you, and maybe three
or two. I don't know. One I think I could do.
(13:21):
I think people get killed in a lot of places.
I don't know the story behind it. And maybe there
was some you know, some Menindez brother type stuff where
they came and did it because they were being tortured.
And I don't know the story. But four, that's a
psycho the win in it just did some murdering. I
couldn't do that house. I could do one. I think
people dye in houses all the time.
Speaker 4 (13:39):
Yes, but not murdered.
Speaker 5 (13:41):
YEA dying different.
Speaker 2 (13:44):
It is a bit different. But I think dying is dying,
but like a slaughter of multiple people. Not there for that.
Speaker 4 (13:51):
So you may not know the answer to this. But
if you get murdered in a house and you're a spirit,
you're a ghost.
Speaker 2 (13:57):
I don't know the answer to this. He set up.
I'm not going to know the answer.
Speaker 5 (14:02):
Because he's not a spirit.
Speaker 4 (14:03):
But you may know the answer.
Speaker 2 (14:04):
Okay, go ahead, I give you my best guess. Would
you stay there? Like I don't want to stay where
I got murdered. Well, you are assuming that a spirit
or a ghost could only be in one place at
one time, like that is the movie assumption. You're basing
that on HM, So if one one spirit, one location,
that's kind of what I'm thinking. And you're also confining
the spirit to the physical restrictions that we have with
(14:24):
our organic bodies. Meaning if you're the spirit, you can
only be in one place. But if you're able to
like spread out and you could be in a thousand
places at once, I'd be awesome.
Speaker 4 (14:32):
But no, if I has a spirit, I wouldn't want
to be in my house where I got murdered. I'd
be a freaking six flags exactly a lot of the
places I never got to go. So I don't know
the answer to it.
Speaker 2 (14:42):
That's a good answer, thank you. Yeah. But there could
be a part of you we don't know the rules.
There could be a part of you that is that
one little part of you is always there while the
other parts of you are out doing all the things
you wanted to do. But you could be like tether
to the place you were murdered. We don't know the
spirit rules, Like that's a rule, you got it. Part
of you has to say, like.
Speaker 4 (15:00):
You are tethered to the place where you died, or
what if you like you're tethered to the place every
place that you've been to in your life, you're tethered
there if you ever.
Speaker 2 (15:09):
Went to go that. That's interesting. And you wrote that
roller coaster Texas Giant them all the way there for
the first as soon as they open, I was like
I got to the Texas Giant and I was like,
let's go. Waiting to do this my whole life. It sucked.
It didn't even go upside down. Yes, I have to
live that over and over again. That's part of your
The Orient Express that's a solid one at six flex Yeah,
that thing went upside down and I get really sick.
(15:30):
But I'll do a roller coaster. It's worth it. Yeah,
I don't know the rules on spirits. You know, we'll
find out shocking.
Speaker 5 (15:38):
You don't know the answer to that, man, Yeah, it's weird.
Speaker 2 (15:40):
You might not know the answer to this.
Speaker 3 (15:41):
But in case, you do.
Speaker 2 (15:45):
The morning routine that will help you live to one hundred.
There's seven things here, Amy, how many do you domber right?
Drink a glass of water? Yes, chick, purposefully.
Speaker 3 (15:53):
Right when I wake up. I put it by my
all my bedside table for you.
Speaker 2 (15:57):
I probably do most times, but I don't intention go
grab water to drink to check it off the list.
That's good that you do. Hydrating right away sits you
up for the day. It helps with digestion. A big
part of my A part, not big, a part of
my digestion issues. We're also not drinking enough water because
if you have enough water like lubrication for your food,
(16:17):
it doesn't digest well. Oh so that could be part
of a reason you're constipated, is you're not drinking enough water.
Oh yeah, which I didn't know that. Do you eat
a nutrient dense breakfast.
Speaker 3 (16:33):
Not always if if if I have smoothies, then yes,
I feel like I'm getting a very nutrient dentse because
you can pack a lot of things in there.
Speaker 2 (16:43):
Things like yogurtat Milberry's and nuts are great choices.
Speaker 3 (16:45):
Oh, or smoothies. They didn't say that.
Speaker 2 (16:48):
I think smoothie counts as all that because that smoothie
can be anything.
Speaker 3 (16:51):
It can be all those things in a blender.
Speaker 2 (16:52):
If there are nuts in your smoothie, yeah, I put.
Do you still travel with your little smoothie? No, of
course not. I don't travel with it.
Speaker 1 (16:59):
Or do you ever use it?
Speaker 2 (17:01):
Yeah? Every weekend. Margarita's opposite of what you're But I
don't have to plug it in. It's kind of cool.
I can watch TV and blend it right by the TV.
Some of my TikTok sometimes is that little machine Ninja
blast stretch your body.
Speaker 3 (17:18):
M M. I need to do that. I mean, it's
on my list.
Speaker 2 (17:23):
My back was killing me this morning. I slept hard
last night, and now the harder I sleep, the more
I wake up injured. Weird, I know, because I just
let my I just go and things hurt because they're
so relaxed. Woke up activating your nervous system. Something called
vaggal tapping.
Speaker 3 (17:43):
Oh vagel? Is it vagal or vagel?
Speaker 2 (17:45):
I don't know.
Speaker 3 (17:46):
I don't know either, but I'm thinking like vegas.
Speaker 4 (17:47):
I don't have a vegala.
Speaker 3 (17:50):
I've done tapping before. I mean, I open up my limbs.
That probably helps my nervous system. Maybe because you do
breath work at the same time.
Speaker 2 (17:57):
Why do you tap a PENI.
Speaker 3 (18:00):
Your penial land? I don't know.
Speaker 2 (18:03):
That'll wake you up?
Speaker 6 (18:05):
Uh?
Speaker 2 (18:05):
So called vaguel vague According to the pronunciation uh some
or somatic body tapping basically tap your body with your
fingers for a few minutes to wake your nervous system up.
Never hear that.
Speaker 3 (18:18):
Yeah, okay, so I guess I'm probably getting that. When
I open my limps.
Speaker 5 (18:23):
She's limp.
Speaker 2 (18:24):
She's limp, she's limp. She's in my head limp. Do
you know that song?
Speaker 4 (18:30):
Yeah, it's not limp.
Speaker 3 (18:32):
I know.
Speaker 2 (18:33):
Practice mindfulness, Yes, I do that. How do you do that?
Speaker 3 (18:37):
I do a meditation every morning.
Speaker 2 (18:39):
You need to play it problem you wake up. The problem.
Speaker 3 (18:45):
A five minute meditation is sometimes I do five.
Speaker 2 (18:47):
Sometimes Thanksgiving dinner tap in her body.
Speaker 3 (18:53):
This stuff doesn't take very long, and you don't have
to make a smoothie. Like no, I said on the mornings,
I have a smoothie. I actually admitted that, like, oh shoot,
I haven't been doing that, so I don't always get
a nutrient. It's breakfast, but I certainly need to try.
Speaker 5 (19:06):
Can you imagine, Hey, why were you lay oz doing
my tapping like you're going.
Speaker 3 (19:10):
To tap in the car?
Speaker 2 (19:12):
Sat intentions? Feels like a bit of mindfulness.
Speaker 3 (19:15):
Yes it is.
Speaker 2 (19:16):
And then number seven, enjoy your morning coffee. More and
more research shows it's good for us to Study of
November found helps promote good bacteria in your gut. If
you don't want the caffeine, even decap works.
Speaker 3 (19:24):
Okay, simple check check.
Speaker 2 (19:27):
I get that you are the most adjusted. Then in
the morning, I don't stretch. You do my stretch a
little bit.
Speaker 3 (19:34):
You were doing it daily.
Speaker 2 (19:36):
I probably stretch four days a week, four to five
days a week.
Speaker 3 (19:39):
That's good. I'm telling you we need it. You're going
to be You're going to age better. I am okay.
I guess the other things I don't know.
Speaker 2 (19:47):
I don't drink, Yeah, no drink and very little sun
and no smoke like that.
Speaker 3 (19:50):
No drinking is going to come in hand.
Speaker 2 (19:52):
I think so too, and I get to wear big
glasses to cover up the eyes I do. That's good stuff.
That's good what I just said.
Speaker 3 (20:03):
The more we learn about alcohol, it's like.
Speaker 5 (20:05):
It's not good for you.
Speaker 2 (20:06):
It's poisoned, literally, I know, and we've always known that,
but we've.
Speaker 3 (20:11):
Been conditioned to believe it's also a good time or
I needed to relax, and it's like, okay, no.
Speaker 4 (20:16):
That's bad.
Speaker 2 (20:16):
The alcohol pr people a plus last thirty years.
Speaker 4 (20:20):
Yes, I feel like you shouldn't say I needed to relax.
That's that's well, that's problem.
Speaker 3 (20:26):
No, I don't think.
Speaker 2 (20:27):
No, I never have a good time.
Speaker 4 (20:28):
Okay, I don't need it, but I have a good
time when.
Speaker 3 (20:31):
I exactly, I guess, or if you want to relax
or you want to unwind, or just I know that
I've not had a problem with alcohol before, but there
are times where I think I was a little too,
like sort of like my coffee is comfort in the morning,
like a glass of wine was comfort in the evening.
But I didn't have an excessive problem like multiple in
(20:53):
a night, Like I could stop at one or the
next day if I needed to stop, I could. And
I've witnessed someone that cannot, so I know the difference,
and I'm like, okay, Thankfully my body is not chemically
attached to alcohol. But I do think you can get
in a routine of like wanting it to relax.
Speaker 2 (21:11):
I think my copper comes from PENI tapping pinut every morning.
Go ahead. Man on Pollibus two busted over the shocking
theft of sixty thousand dollars in gifts during the wedding.
(21:32):
We talked about this, yes, yes, this is from the
New York Post follow up. A suspect has been arrested
over the theft of wedding gifts worth an estimated sixty
thousand dollars during the reception, along with the accused getaway driver.
This person's accused of being well dressed. That's an accusation.
I'd like, yeah, I accuse you of being well dressed.
Thank you. A well dressed wedding crasher caught on security
(21:55):
camera snatching a box of envelopes full of cash and
checks from the dance floor. That's so ballsy. You're vulnerable
in there. If one person sees you and knows what
you're up to, they're going to beat the crap out
of you. And you got to play it cool.
Speaker 4 (22:08):
I won't beat the crap out of you.
Speaker 2 (22:09):
If somebody sees you stealing something and they and they
know what's're stealing something, they're going to beat the crap
out of you. A drunk dude on a dance floor
in a reception, they're punching brides some wedding. You know,
they're going to punch somebody stealing a box of gifts.
Cops believe he just went into the wedding and grabbed it.
They got him though. New York Post with that story.
Speaker 4 (22:30):
So I was telling my mom about this story, and
she was telling me that my cousin, she's not married anymore,
but when she was married, her in laws every Saturday
would go to this wedding venue that was right by
their house and just show up and dance all night.
Speaker 2 (22:45):
So they would crash, but not steal. Yeah, they would
just go because it would be date.
Speaker 4 (22:49):
Night for him.
Speaker 2 (22:50):
That's funny.
Speaker 5 (22:50):
Yeah, that's pretty good.
Speaker 4 (22:52):
They did it all the time.
Speaker 2 (22:54):
Yeah, that's funny.
Speaker 4 (22:55):
This is like, why pay for a dinner?
Speaker 3 (22:57):
I think maybe people that work at that venue are
like this couple. It's invited to every wedding.
Speaker 2 (23:01):
You're a great point too, that's true. Or it's like
they know they're part of the wedding crashing crew so
they don't say anything. Let it go, Scuba, Can we
talk about your thing yet? Or no?
Speaker 1 (23:14):
Oh sorry, I was doing something else. We cannot have
a meeting today, so I can give you an answer
this afternoon on when we can say it.
Speaker 2 (23:21):
Okay, by the way, what team are you on?
Speaker 1 (23:25):
But team my own?
Speaker 2 (23:26):
Yeah?
Speaker 8 (23:27):
For what?
Speaker 2 (23:29):
Who wants to take this? I'll take it? Okay, go ahead?
Speaker 4 (23:31):
What team are you on?
Speaker 2 (23:31):
Dude?
Speaker 4 (23:31):
Are you on the Bobby Bone Show team or are
you on your rock show team?
Speaker 1 (23:35):
Oh my god, Eddie, I'm actually working on Bobby Bone
Show stuff.
Speaker 2 (23:38):
Okay. In because we have a speaker in the break room,
and I was told that Scuba went in there and
changed it to the rock station when it was.
Speaker 4 (23:45):
On our side. Who told you that?
Speaker 2 (23:47):
Don't worry about that.
Speaker 1 (23:48):
I like to know because that's actually false. I have
no way to get to that. That's on the rock
station now. But I didn't do that. It was on
the pop station a couple of days ago. And I
was bitching about that.
Speaker 2 (23:56):
Everybody needs to understand every side project you have is
only because of this project. And if that becomes your
number one. That means this is no longer your number one,
and then you go away. I think I think I
would be the last person. I mean, I think somebody's
trying to have a little prep here.
Speaker 4 (24:14):
I was excited. I was excited.
Speaker 1 (24:17):
I can tell by his delivery. I would like to know,
are you on the oral culture tube or the rock tube?
Speaker 4 (24:24):
Did I say, like Paul up and listen, listen, listen.
Speaker 2 (24:31):
I was happy.
Speaker 4 (24:32):
I was happy that it was changed because it's been
on the pop station from the beginning. I was like,
oh no, the company does not like us. But then
it changed the country station. Like this, now we're on
to it. It feels right. And then I saw it
was on the rock station. I said, who changes and
like Scuba changed it?
Speaker 1 (24:49):
Who's that's such a lie? I don't have the I
change it. You're looking at there's an iPad that's at
the front desk. They change it. They said they rotated
every couple of days to a different station, So maybe
the rotation now is in the rock station or probably
flipped back to the pop station at some point.
Speaker 3 (25:03):
I mean, that makes sense to rotate it, because your
building full of sense.
Speaker 2 (25:05):
Makes actual sense, does make sense.
Speaker 4 (25:07):
So do you want to just say that what.
Speaker 2 (25:09):
Team are you on?
Speaker 4 (25:09):
The team are you on?
Speaker 1 (25:10):
I'm on the bibone Show team I've been since twenty nineteen.
Speaker 2 (25:13):
Okay, all right, who told you?
Speaker 1 (25:16):
I can't say Ryan McKitty.
Speaker 3 (25:17):
Nope, he did himself.
Speaker 4 (25:20):
He said he's not the one to put in the
country station.
Speaker 2 (25:22):
Somebody else did.
Speaker 1 (25:25):
There's no one. This is like, this is such a
non story. Okay, thank you for clarifying.
Speaker 2 (25:30):
I saw your as a classic rock.
Speaker 1 (25:32):
Yeah, I got notes. Okay, tell me please for the
TikTok version or the Instagram version, because I did two
different ones.
Speaker 2 (25:38):
Yeah, TikTok. I took a screenshot.
Speaker 1 (25:41):
I had a version up there, and apparently you can't
like directly record the song into it. It kills it.
So then I had to do the crappy thing where
you played in the speaker in the background.
Speaker 2 (25:49):
Yeah, that's not the note to have. So he knows speakers,
because I, oh, that's a good one. The guy does
know speakers.
Speaker 1 (25:55):
How you got it?
Speaker 2 (25:57):
We trapped? I took a screenshot screwed up. Yeah, I
know you can't see this, but this is the screenshot
I took of your TikTok Uh huh, and you used
an effect called dark bloom. Yes, but dark bloom the
effect went over the name of the song. You can't
see the song because it's over the top of it.
Speaker 1 (26:18):
Oh see, that's that's me being ignorant. Yes, So I
thought in my mind, let me pick a trending because
it was one of the trending filters. I was like, oh,
that's pretty smart. So how are you seeing it that way?
Because I don't.
Speaker 2 (26:27):
I don't.
Speaker 1 (26:28):
I guess I'm not seeing it that Maybe as a
consumer you see it differently versus the owner of the profile.
Speaker 2 (26:34):
As a consumer. Probably. I was flipping through and I said, oh, cool,
let me watch this one because it's Chevelle lead that song. Yeah,
And he's like, is this classic rock? And I'm like,
why I can't see what the song is?
Speaker 1 (26:44):
Oh, it's so weird on mine. I can see it clearly.
It says Chavelle the red. I know you can't see
it from there either, but like it's it's super clear.
It says it right there. Do you guys see my screenshot?
I mean, I don't get TikTok now the song.
Speaker 2 (26:54):
Is under the I would put the song in the
more in the middle of the page though too.
Speaker 1 (26:57):
Okay, should I just put it right below or it
says is a classic rock and then put the song
right next to that?
Speaker 2 (27:02):
Maybe you could put it wherever. But I just thought
it was funny.
Speaker 1 (27:05):
Okay, that did that's funny.
Speaker 2 (27:07):
The name of the song was over the underneath the filter.
Speaker 1 (27:11):
That's funny. I had no idea.
Speaker 2 (27:12):
I don't.
Speaker 1 (27:12):
I don't see it that way. It's funny.
Speaker 2 (27:14):
And your Instagram didn't have the ny of the song
on it. Yeah, I put it and in the actual
like bile of the thing, nobody goes to the body.
What are you laughing? I notice all this stuff?
Speaker 3 (27:26):
You nobody I do?
Speaker 2 (27:31):
Yeah, you go if you care, you care enough about it,
you go to the second part.
Speaker 4 (27:35):
But it's funny because like you love to say, like
nobody cares. But and you're not saying that nobody cares,
like you're not saying that one.
Speaker 2 (27:41):
Dred doesn't care, right jimpop that they don't have a
relationship with you already if you come across the for
you page, they do not care to go to the
body unless you do something that makes them go to
the body.
Speaker 1 (27:49):
And that's what I'm curious about. Hitting and that's why
I want to hit. So that's why this is super
valuable to me. But you know how like we can
get our feelings hurt. Though when you say like nobody cares, no,
I don't. I don't care.
Speaker 2 (27:59):
I think nobody cares about a single thing that I
do unless I do it exactly right. And even people
that do care, I still have to breadcrumb them into places.
Speaker 3 (28:06):
But I think you're also just trying to say, like
you do you like, do what feels right? Like, no, dude,
I don't want to be I take it.
Speaker 1 (28:14):
I don't want soft love. I want the truth. I
want someone to go, hey, you're doing a great job
when I'm not. I'd rather know that I'm not doing
a good job.
Speaker 2 (28:18):
And how can I fine job and a good job even?
Speaker 3 (28:21):
But also, nobody cares about anything.
Speaker 2 (28:24):
Nobody cares about anything, right, So that's what it's like,
nobody cares about anything at all.
Speaker 4 (28:29):
But that's not true. People care about certain things.
Speaker 2 (28:31):
Yeah, certain people care about certain things, but the idea
of there are things now that people just care about
generally because they're good and they exist, that does not
count anymore at all. There's not even social media anymore.
What's It's not social media, it's not people you follow,
it's now for you media. Like the way that you
grow is not your friends liking it, it's all the
things that you're doing that are fed to people that
like things that you're doing. Okay, so that's people that
(28:53):
don't know you. So you've got to let them know
immediately what they're getting or they're not going to take it.
Because look at every social media now now it's not
so much ar just our friends watching or people that
we follow. For our growth, it depends on us being
for you'd and those people don't know us or care
about us, we're being for you too, So we have
got to hook them in three seconds to care about us.
(29:14):
And so all those little things matter that way, nobody
cares about anything. Yeah, and if you go with that approach,
then you care about everything that you do to make
sure all the little things are right. So people then
do care. That's all.
Speaker 1 (29:25):
I have a question. Do you are you familiar with
or do you see any value? Because I got TikTok
now want to give you twenty percent off to boost
your post? Is that is that stuff worth it? I
haven't done it. I don't know if you have any
thoughts on that good question.
Speaker 2 (29:37):
Yes and no. So where people mess up like companies
is when they'll go like, ah, we don't really need
well just boost our posts. You shouldn't boost a post
unless it already has success, okay, because you can boost
a post and pay fifty bucks for it, and it's
going to get somewhere. It'll tell you between five thousand
and nineteen thousand views based on but you're just gonna
get five thousand if it's crappy, you're going to get
the very low of that. If people don't like it. Yeah,
(30:00):
if you have something that's succeeding, that's when.
Speaker 1 (30:02):
You boost them.
Speaker 2 (30:02):
Okay, something that's doing middle good to real good because
you know people like it and so you want to
get it to more people that will like it. So
I wouldn't boost things at the very beginning. I would
boost things that work.
Speaker 1 (30:12):
Okay, that makes sense.
Speaker 2 (30:15):
I think that right now is the answer. The thing
is that's so fluid, Like I read freaking articles on
this every week, and then I also were like, I
help people grow channels. We're growing channels. It is an
art and a science, except it never it's always fluid.
Speaker 1 (30:32):
Yeah, I'm not. I said, there's no rhyme or reason
for especially between Instagram and TikTok. You think you figured
it out and then there's something else.
Speaker 2 (30:37):
Now, Yeah, it's always changing. Yeah so that's okay, all right, cool,
thanks man, welcome anything else, good stuff. Man.
Speaker 4 (30:45):
That boost question is great because I'm always wondering.
Speaker 2 (30:47):
I'm like, oh, should I boost it? I don't know.
You should boost something that is already being organically boosted
because of the quality of what you're producing. Yeah, so
if you had a picture or a video that's working
really well, boost that mofo. But don't boost something that's
and crappy because you're like, oh, if I boosted, people
will like it. No, they've already showed you they didn't
like it on Instagram. Something I would recommend to our
trial reels. Trial reels, Yeah, especially if it's something you're like,
(31:09):
it's not normally what I do, but let's see if
it works, because it feeds it too people that aren't
normally your people, and it gives you an idea if
it's going to work.
Speaker 1 (31:16):
Okay, it's trial reel, like a thing within there or
this is you trying a reel.
Speaker 2 (31:20):
If you pay me fifty bucks. I can show you.
Speaker 1 (31:22):
Okay, all right, cool, I found fifty bucks in the studio.
Speaker 9 (31:26):
You did.
Speaker 2 (31:28):
What was your question?
Speaker 1 (31:30):
So it's is the trial reels? Is that like an
actual like feature within the app? Okay, so it's not Instagram? Yes, okay,
so okay, I never I didn't know about that.
Speaker 3 (31:36):
Does everybody have that though? Does everybody have access to
trial reels?
Speaker 2 (31:40):
I don't know what everybody has. I know, like the
six accounts that I have all have it, So I
don't know.
Speaker 10 (31:46):
I think they all have it.
Speaker 2 (31:47):
Now, you got Burner accounts with there? Oh no, I
got podcasts, I got I got mine, I got twenty
five whistles, I got Bible one sports.
Speaker 4 (31:54):
I can find out. You're the one troll in all
of our posts.
Speaker 2 (31:59):
I'm the an number. I'm a No number in catfish
mom and you guys.
Speaker 4 (32:03):
See where do you even find that?
Speaker 2 (32:08):
I think it's under.
Speaker 8 (32:13):
Yeah.
Speaker 3 (32:13):
I know at one point not everybody had it, but
maybe now they do. Morgan says, so, so she's she's
they typically do social.
Speaker 10 (32:22):
I know everybody started getting the repost feature finally, so
that was a slow rollout too.
Speaker 2 (32:29):
Yeah, So okay, there you go. Hey, I got a
new AI one. That'd be a couple of tips. What
I got a new AI? Like when you try to
post AI is an option, uh to say it's AI,
to say the contents probably AI, describe your AIH yeah,
that's what it is. Yeah. I never do that. Even
if I do something AI, I never say that I
did it.
Speaker 4 (32:49):
I did one where I posted a picture of me
and Jerry Jones forgot to say that it was AI.
Speaker 2 (32:54):
Was it AI?
Speaker 1 (32:55):
Yeah? Stop?
Speaker 2 (32:57):
Yes, it was me and Jerry Jones having coffee bake.
Photoshop and AI A two different things.
Speaker 4 (33:02):
Now A I created it?
Speaker 2 (33:03):
Oh they did? Yeah? Okay? Uh, you want to do
another old dramatic moment here? Yes, are you guys in
the mood for another little slightly dramatic yes, I'll go
over to Morgan for this, because she is preparing for
Lunchbox to be mad at her again, I guess. Speaking
of social media, she kind of went viral again. Oh
no twice? Yeah?
Speaker 3 (33:24):
Oh for what.
Speaker 10 (33:27):
I have a video that's that's going viral on TikTok
right now, it's over.
Speaker 11 (33:30):
One million views.
Speaker 10 (33:31):
And then I have one on Instagram that's about to
hit one million views.
Speaker 2 (33:35):
And the video is.
Speaker 10 (33:36):
The video on TikTok is of I was out walking
in Franklin and I saw a dog getting fed scrambled eggs.
Speaker 3 (33:42):
So I posted it like I wanted.
Speaker 2 (33:44):
To sitting outside.
Speaker 4 (33:45):
Yeah that's pretty.
Speaker 10 (33:46):
Cool, and I was like, I want to beat this
dog in another life. And then I posted one on
Instagram of my boyfriend giving me snacks that was like
our deal to watch NFL games. And apparently it's hit
with the NFL crowd.
Speaker 3 (33:57):
Ooh nice.
Speaker 4 (33:59):
Yeah that one, and I kind of like, was like silly,
moved on.
Speaker 10 (34:02):
Well, it has almost a million views.
Speaker 2 (34:05):
Wasn't for you?
Speaker 4 (34:06):
The egg one though, that's funny.
Speaker 2 (34:08):
Yeah, that was funny. Look, Spuds McKenzie, he does.
Speaker 10 (34:10):
He has a little hat on and it's got sunglasses.
Speaker 2 (34:13):
It was a cute moment. How you feel about that
Lunchparks double viral?
Speaker 5 (34:17):
Ah, man, it's really annoying. It's pretty stupid. I mean,
but I guess if you post enough, something will click.
I mean she does post a lot.
Speaker 4 (34:25):
It's not true you post a lot.
Speaker 2 (34:26):
I don't post as much as her, Yeah, but that
means something to click with you just maybe a little slower,
but they still be clicking.
Speaker 5 (34:32):
Yeah, that's annoying. Let me go to your TikTok. Let
me see the stupid dog. Dang? How many times you
have to shoot that?
Speaker 3 (34:42):
The dog video?
Speaker 5 (34:43):
Yeah?
Speaker 2 (34:43):
One, I was just walking by hired.
Speaker 5 (34:48):
Can you bring that fork back? I can't really see it.
Hold on, hold on, no, I don't need to see
whoever that person is. How do I go to you?
Speaker 2 (34:54):
What was that? I don't know?
Speaker 5 (34:56):
Where do I go to you?
Speaker 2 (34:57):
Sound like something? He wanted off his phone? Quick?
Speaker 5 (34:59):
Well, I don't who they were?
Speaker 2 (35:02):
RAYMONDO. What's the deal with you? You said? Would you have
called police in this situation? Yeah? So I was curious.
So I was coming to work.
Speaker 7 (35:08):
It was around one am, let's say, and there was
this drunk dude on our side street here and.
Speaker 2 (35:14):
I hear cops right now.
Speaker 5 (35:15):
Yeah, that dog is sitting at the.
Speaker 2 (35:17):
Table ahead and lunch rount of the next story. Yeah,
we've moved on, moved on, go ahead, And this this
drunk man is stopping traffic and I was one of them.
So he stops me and he goes, hey, man, are
you good to drive? You've been drinking.
Speaker 7 (35:33):
I go, no, dude, I'm just going to work. He was, Okay,
we're going to clear you through you're good to go.
Man starts waving his arms. His buddies are dying laughing.
Then the next vehicle comes. It's a semi semi like
kind of honks, like what is going on? He's like, hey, man,
are you good to drive?
Speaker 2 (35:44):
Are you good? Let's go, Let's clear him through. So
he's in the middle of the street directing traffic, hammered.
He wasn't blackout, so I didn't think he was really
gonna get run over.
Speaker 7 (35:53):
And we all know the traffic doesn't really travel that
fast on this side street. Is this a situation where
I would have notified authorities or just let the drunk
guy have some fun with his buddies directing traffic, acting
like he's a crossing garden.
Speaker 2 (36:05):
I think that's a three to one one call. We
have that, yeah, the emergency Yeah, that's that's the non
emergency number call. Hey, we got a guy here, because
he also could be hurt by a car, right, See,
that's what I was gonna dumb truck came through and
didn't really stop. He could have gotten run over if
we checked the security cameras.
Speaker 7 (36:23):
But I thought he was just having fun. It was
a good American moment. You know, just let it happen.
Speaker 11 (36:27):
You know what I'm saying, Are you really seriously considering
calling the cops on that? That is hilarious. It's something
you would do. It's something you do when you're sowing.
Speaker 2 (36:35):
When the.
Speaker 3 (36:37):
Need to have the cops call.
Speaker 2 (36:38):
Doesn't mean just guys, you did it. It's okay. I
think it's fun, but I would if you wanted to
call somebody, I wouldn't, but you could call whatever the
non emergency number is.
Speaker 9 (36:48):
Yeah.
Speaker 7 (36:48):
I just felt like he was walking that fine line.
You know what, man, it's pretty funny. I'm gonna let
you do it, but next time, next time you get
any more in in my vehicle's way, I'm gonna have
to call the cops.
Speaker 2 (36:59):
Just hit him. I had no idea what was going on.
I thought it was another gas leak, another gas leak.
There were firefighters in here there today, yeah, like an
hour ago.
Speaker 3 (37:11):
I thought they were just expecting.
Speaker 5 (37:13):
They were walking around our building.
Speaker 2 (37:14):
Oh I don't leave this room.
Speaker 5 (37:15):
They were walking around our floor.
Speaker 2 (37:17):
You didn't see him leave this room. They might have
been looking for that guy. Still, somebody reported him down.
I saw two guys on a scooter, like one of
those line scooters on the interstate. Oh funny on Saturday
fast were they.
Speaker 4 (37:32):
Going what's the maximum ten five miles for hour ten?
Like they were just and they were like dumb and dumber,
you know, like one was driving the other.
Speaker 2 (37:39):
Day on the side side or they on the side
of one lane. No, they were on the interstate and
it was a ramp. So the interstate was like exiting
and it was a ramp and they were on the
side of the lane just trying, and one of them
had the phone up like take it right here. They
were mapping it. They were mapping the interstate on a line.
Speaker 4 (37:56):
Which I had like, there's no I thought they would
shut down. I think they'll let you get on an interstate.
Speaker 2 (38:01):
So they do. It's not that you can go or
not go on interstate, but they do have like, uh
perimeters you can't go. But that could be you may
it be on the other side of it. I don't know. Man,
they were on the inner state. It was crazy. They've
shut down on me before, but never because of an interstate.
They've shut down because I'm like near the water. I
saw a homelest gout throw a couple in the lake
ones through what throw a couple in the lake.
Speaker 4 (38:22):
A couple scooter like a couple.
Speaker 2 (38:26):
Yeah, now that there was, Yeah, I don't know, maybe they.
Speaker 4 (38:32):
I just didn't think that was possible. And and and
the fact that they were just like you can tell
there's saying, oh crap, oh crap, oh crap, oh crap.
Speaker 2 (38:39):
They wouldn't shut those down though, getting to an interstate
because there's really no reason you can get to the
other side of it.
Speaker 4 (38:43):
Unless maybe it's a personal one. Maybe it was a
personal one.
Speaker 2 (38:46):
Doesn't mean I own a personal line, no, no, no, they
own a person.
Speaker 5 (38:49):
They have electric scooters though.
Speaker 2 (38:51):
Yeah, but this was like a Lime scooter. Well, if
there's two people on it interstate, that's not somebody who
owns a scooter. That's somebody who's up new to town
and it's trying to figure out where they're going. Yeah,
that's weird. It's crazy because I could understand if it
was okay to not okay, But if it were inside
the perimeter, if there's like a bridge, because we have
bridges here in Nashville, they go over busy places. You
(39:12):
can take a scooter on that. So maybe that's why
they don't shut that area down. Yeah, like the GPS
just shows it above. Yeah, I don't know. Crazy. Well,
I'm watching somebody on a lampscot on the interstate.
Speaker 3 (39:24):
Now I think you can get ticket in.
Speaker 2 (39:28):
Man, that's death.
Speaker 5 (39:29):
Yeah, yeah, that's no joke, Scoob.
Speaker 2 (39:32):
But we have to get a screen in here. Oh,
we're working on it.
Speaker 1 (39:36):
Okay. Sorry.
Speaker 2 (39:38):
We went to barstool and did a munch shows up
there and they just go, yeah, put up on the
screen and they put the camera on the screen and
they have somebody running the screen, and I'm like, this
is like the simplest thing we should have this.
Speaker 4 (39:49):
I just saw an email come in.
Speaker 2 (39:51):
Yeah.
Speaker 1 (39:51):
So we have the capability already because we put zooms
and stuff on that wall over there. So it's just
a matter of getting Mike's computer to go up there.
And so Zack's gonna come in either tomorrow or Thursday
on the big screen. Yes, well you can see it
there for camera and you guess.
Speaker 2 (40:02):
Anything like den Mike could have brought that out. I'm
over here watching a guy in zoom on the interstate. Yeah,
you can all see it.
Speaker 1 (40:07):
I think it's a great idea. So what we're going
to get that do for you this week?
Speaker 2 (40:09):
Okay?
Speaker 1 (40:09):
Thank you, welcome.
Speaker 2 (40:11):
I lets see if there's anything else before I take
a break. I think it's it. Let's go to Michael
in Mississippi, who was on the phone. Michael, what's going on?
Speaker 8 (40:24):
Good morning, Bobby, Morning, Morning, Cruise morning. Uh had a
little thing I was going to tell you on I've
got a great friend of mine. Y'all do the Tuesday
reviews day and I've got a great friend of mine
that was a firefighter and twenty four years ago he
went into a burning house and the house collapsed on
him and suffered major facial damages and everything, and no
(40:44):
doctor anybody really figured out how he lived out of it,
said he wasn't supposed to live out of it.
Speaker 6 (40:50):
Well.
Speaker 8 (40:50):
Ten years ago he had a life changing surgery that
was the first ever full face transplant in the world,
and he's lived through it. He's doing great. He just
released his new book. It's called Facing the Fire, and
I know how you support the firefighters and police officers,
and figured this may be something y'all would be interested
in reading. And it's a very touching story of his
(41:11):
life story, that's how everything happened.
Speaker 2 (41:14):
Well, I check it out and I think I'm happy
you call it because you just said the name of it,
and our listeners can also go check it out too,
So that's that's that's super cool. He was able to, yeah,
survive that and thrive from that.
Speaker 6 (41:26):
Yeah.
Speaker 8 (41:26):
The guy's name is Pat Hardison. He's one of the
best people you'll ever meet. That he'll give you, give
you the shirt off of his back to this day.
And I mean just just his story and what he's
been through, and I mean he lost his nose, his eyes,
his ears, he had no eyelids, and I mean it
was the doctors were amazed that he even look through it. Said,
nobody was supposed to liep through anything like that.
Speaker 2 (41:48):
I appreciate that facing the fire, Pat Harrison, I'm looking
at it now. Hope the book does wonderful things. Michael.
I appreciate you calling.
Speaker 8 (41:54):
Yeah, thank you, and thank you for taking time take
his call.
Speaker 2 (41:57):
Yeah, of course later, which by the way, reminds me,
I just don't believe in Helen Keller. Elaborate.
Speaker 5 (42:05):
What do you mean you don't believe in her?
Speaker 2 (42:07):
Well, I think she existed, but I think the stories
have been exaggerated. You're gonna tell me because you know
the story of Helen Keller.
Speaker 5 (42:14):
I'm looking her up.
Speaker 3 (42:15):
Yes, yeah, this actually well you don't even know this,
but therapy Kat and I talk about her a little
bit on our podcast this week because she got genetic
testing done.
Speaker 2 (42:25):
Helen Keller did no, oh, my friend Kat.
Speaker 3 (42:27):
And the person that was delivering her the news, she's like, like,
in an excited tone, She's like, you're not gonna believe this,
but you have talking to Kat, not her husband. She's like,
you carry one of the genes that we call like
the Helen Keller Jen and Kat's like, why are we
sounding so excited right now? I mean, yes, I'm sure
my child could still thrive and that's great, and there
(42:48):
are people that may have this, but you're delivering news
to me that like what if you so my child
potentially could be blind, deaf and mute. You know, she
just thought she's jial back the excitement because it's the
level of challenges that make with that.
Speaker 2 (43:00):
Yeah.
Speaker 3 (43:01):
And then I was like, oh, there is a theory
out there, and I told her and she had no idea.
She never heard that potentially maybe some of it was exaggerated,
not that she was blind, deaf, mute, but her accomplishments
is that what you're referring to?
Speaker 4 (43:12):
Yeah, yeah, yeah, So she was blind, deaf mute?
Speaker 2 (43:15):
Well, Helen Keller was unable to see and hear due
to an illness in nineteen months old. So again she
couldn't see or hear because of her They call it
deaf blindness. I've never heard of that term before. She
could not easily communicate, which led to frustration and unruly
behavior in her youth. However, she was not unable to
do anything. With the help of her teacher and Sullivan,
(43:36):
she learned to communicate, read, write, speak, and even ride
a bicycle, ultimately becoming a college graduate or prolific author
and a world around activist for people with disabilities. Got it?
What don't you believe?
Speaker 11 (43:49):
How does she if she can't see or hear? Yeah,
how would she know to do anything? Or how can
she communicate?
Speaker 2 (43:57):
She communicated through touch There we.
Speaker 5 (43:59):
Go, but she didn't know what anything is.
Speaker 2 (44:01):
And they also say that when you lose a sense,
you get two more. She lost a lot of senses
there we Go, So she has tons of other ones.
Speaker 5 (44:08):
And I'm on toward with Bobby. I don't even know
anything about her, but I'm not believing it.
Speaker 2 (44:12):
I think it was probably exaggerated a bit. I think
she did great things for what she was born into.
Super tragic. She didn't have the ability to do that stuff.
But I we didn't even have cameras back then, like
my buddy Richie to record stuff. My buddy Richie.
Speaker 4 (44:30):
He was blind. He played football. He was a running
back and like he played football for four years in
high school.
Speaker 3 (44:35):
Yeah, that is kind of crazy.
Speaker 2 (44:37):
Was he illegally blind or blind?
Speaker 4 (44:38):
Legally blind?
Speaker 2 (44:39):
Blind?
Speaker 4 (44:40):
I had a stick and everything, couldn't see anything.
Speaker 2 (44:43):
Okay, but in football, though, this is what I would argue.
You're a running back, you probably don't play a lot.
You probably don't play a lot. He didn't start right, Yeah,
I didn't play a lot of shocking, but he could hear.
Speaker 4 (44:54):
He could hear, and he would hold on to the blocker.
Speaker 1 (44:57):
Okay, that was kind.
Speaker 2 (44:58):
Of but that's probably an at a part of the
game where it did or down a lot and the
other team knew not to wipe them out. Right. And
also if even if you're blind and you say you're
strong in your fast just run forward. Yeah, and it's
gonna hurt about one point two seconds.
Speaker 4 (45:14):
But I don't think any of us in here would
run forward full speed. If we had our eyes closed,
I'd feel like I'm not doing it.
Speaker 2 (45:21):
I don't want to run an I don't want to
do with my eyes open. Like I played football and
I was like wow, right, so uh yeah. I just
think the saga of Helen Keller has been a bit exaggerated.
I think it needed to be exaggerated. Though it gives
a lot of people hope. Mm hmm. Thanks.
Speaker 3 (45:36):
But I mean, are you saying one hundred percent or
you're saying there's still a chance she could have done
all that? I don't know.
Speaker 2 (45:42):
I don't think. Again, this is me just going what
basically this is what I think. So I don't know.
Speaker 4 (45:47):
I wasn't there, Nobody was there, nobody was How long
ago was this eighteen eighteen hundred? Yeah, I mean there
were people there, but we didn't record it. We don't
have it on video. Nobody had their iPhones out. You
can just make up whatever you wanted. Before, like nineteen
thirty eight, you could just make up whatever you wanted
and if enough people agreed with you, it became truth.
All you had to do was convince enough people and
(46:08):
they would pass it on. Anything Before that time, it
just became truth. Get enough people to write it down,
it's truth. I just don't think that.
Speaker 2 (46:16):
The story that they have convinced us can is completely accurate.
Speaker 1 (46:20):
But I could be wrong.
Speaker 3 (46:20):
It says you're like any great writer. Helen had editors too,
yea and her companion.
Speaker 2 (46:26):
I also don't think Shakespeare was real.
Speaker 3 (46:28):
Who read her books?
Speaker 5 (46:30):
Oh wow?
Speaker 2 (46:31):
I also don't think Shakespeare was real. What I think
there was a person, but I think there was other
people writing for him. That Shakespeare never went to school,
but William Shakespeare never had a formal education. William Shakespeare
wrote about places that he was writing about that he
had never even been. You don't write about foreign places
that accurately that you've never been without an education, and
it'd be that prolific.
Speaker 3 (46:48):
Why'd they choose him to be the face? And then
he had like ghostwriters?
Speaker 2 (46:51):
Yeah, there are theories, a lot of theories like Mark
Twain didn't believe in William Shakespeare.
Speaker 5 (46:56):
Interesting, it is bad. We went from Helen Keller to Shakespeare.
Everything's getting crumble.
Speaker 2 (47:00):
Here well and listen, like is anything real? But you
know what happened? There are no cameras. You can do
whatever you want, just get enough people to agree to it,
write it down, and it's now the truth. That's history.
But does it really affect us? Like William Shakespeare, he
didn't write any of that. No, let me ask my assistant.
She can give me better. There we go. I didn't
(47:20):
come in prepared for this conversation. Hello, good morning. Could
you present to me the top five reasons people feel
like William Shakespeare was fake or a fraud?
Speaker 12 (47:33):
Good morning? Absolutely, I can dive into that.
Speaker 13 (47:36):
So there's a whole area of speculation known as the
Shakespeare authorship question, and it's been around for a long time.
Speaker 12 (47:43):
Here are probably five of the top.
Speaker 13 (47:46):
Reasons people argue that Shakespeare might not have been the
actual author of all those famous plays.
Speaker 12 (47:52):
There's what people call the education argument.
Speaker 13 (47:55):
Basically, skeptics think that the historical William Shakespeare of Stratford
upon av On didn't have the formal education or the
aristocratic background they imagine someone would need to write such
sophisticated works. Second, there's the idea that Shakespeare was a
sort of frontman for another writer or a group of writers.
Speaker 12 (48:14):
Some folks think maybe an aristocrat.
Speaker 13 (48:16):
Like Edward de vere the Earl of Oxford, or Francis Bacon,
or even Christopher Marlowe or at the place, but used
the name Shakespeare for various personal or political reasons. There
are people point to certain anomalies in the historical record.
For example, they say there's not a lot of direct
evidence linking the man from Stratford to the actual act
of writing the plays. They think it's odd that there
(48:38):
aren't surviving manuscripts in his own hand, or that the
mentions of him in official documents don't really highlight him
as a writer of great renown. Fourth there's a kind
of class argument. Some people think that only someone who
was more familiar with the royal court in high society
could have written so insightfully about the lives of nobles and.
Speaker 12 (48:57):
The intricacies of politics and power. And finally, some folks
just love a good mystery.
Speaker 13 (49:02):
The idea that Shakespeare might have been a pen name
or a collective pseudonym is one of those literary conspiracies
that keeps going because it's just a fun puzzle for
people to debate.
Speaker 2 (49:12):
Can you give me the person that died around the
time that Shakespeare stopped publishing work. So a lot of
people feel like it was that particular person.
Speaker 13 (49:21):
Absolutely so One of the most famous candidates in that
whole Shakespeare authorship debate is Edward de Vere, the seventeenth
Earl of Oxford.
Speaker 12 (49:29):
He passed away in sixteen oh four.
Speaker 13 (49:31):
And a lot of the plays attributed to Shakespeare were
published or performed after that.
Speaker 12 (49:36):
People who believe in the ox forty in.
Speaker 13 (49:38):
Theory, as it's called, think that maybe de Vere wrote
the plays and they were released under Shakespeare's name, which
will explain why the real Shakespeare stopped writing around the
same time Devere died.
Speaker 2 (49:51):
So that's one of the big theories that so the
guy died and Shakespeare never wrote another play.
Speaker 4 (49:54):
After interesting, but he was still alive for a little
bit who Shakespeare Shakespeare was, but they didn't write anymore.
Speaker 2 (50:00):
Yeah, he just stopped writing when this other guy who
they feel like was probably doing the writing for Shakespear died.
They kept performing them, but they were alreadyritten. Shakespeare just retire.
He seinfelded, you know what I'm done, Rob when that
dude died. There's just a lot. There's a lot to that,
And again we can't we didn't record it.
Speaker 4 (50:13):
So I don't like I don't like her. She annoys me.
Speaker 2 (50:17):
Who Amy and you know what. I like. Amy's been
with me for twenty years, and you like her.
Speaker 4 (50:23):
Your AI isis, Oh, she's so annoyed. Why because she's
just like, good morning, let me tell you everything I know,
and it's all real. It's like, I don't know. She
has a tone to her voice that's kind of annoying.
Speaker 2 (50:37):
She annoys my wife too. She's like she thinks she's
just like better than us. She does. That's it, but
she is.
Speaker 4 (50:43):
That's the way to say she is.
Speaker 2 (50:46):
But that's my Shakespeare thing. Because they can say whatever
they want. We weren't alive. They can say whatever they want.
They can pass anything down to us. And again, if
enough people agree to it, even if they're in a
room and go, we're all going to write this, and
we're all gonna say it, and there's no way to
disprove it. The truth is written word, except it's not
really the truth. It's just what exists. And why would
(51:07):
the Earl of Oxford not want the credit to write
all this? I'm glad you asked a lot. It was political.
Another thing is being a playwright was not seen as
something like it is now, like an actor is something
that is held high esteem. That was a job that
people made fun of. You're probably a weirdo. He writes plays,
especially somebody that was royal or somebody that was well educated.
(51:28):
You didn't write plays. You became a doctor, you studied science. Interesting.
Speaker 5 (51:33):
Who's more real, Helen Keller or Shakespeare.
Speaker 2 (51:35):
Helen Keller was for sure a real person.
Speaker 5 (51:37):
No, no, I get that. I understand. Oh so you
don't even think Shakespeare was a real person.
Speaker 2 (51:41):
I think Shakespeare existed, yes, but some people think Shakespeare
was just a dude they picked and you're going to
be the guy that is now famous from this, but
you're really not that person, Helen Keller. I think those
people existed, both William Shakespeare and Helen Keller. I think
Helen Keller was more of what we think of her,
but definitely not to the level I think Shakespeare was
(52:07):
used as a front man.
Speaker 4 (52:09):
There needs to be a movie on this, on that
theory that Shakespeare was just a regular dude.
Speaker 2 (52:14):
People that I mean, I don't This isn't something that
I'm like breaking news. No, that's good stuff.
Speaker 3 (52:20):
Maybe there is a documentary, Eddie, would you mind telling
me about Mark Twain not believing in William Shakespeare?
Speaker 13 (52:31):
Not at all it's actually a pretty interesting little p
Hill literary history. Zi Mark Twain, who was obviously a
famous author in his own right, was one of the
notable skeptics.
Speaker 12 (52:39):
Of the whole Shakespeare authorship question.
Speaker 13 (52:41):
He wrote about it in his essay called is Shakespeare Dead,
which came out in nineteen oh nine. Twain basically found
it hard to believe that the man from Stratford could
have produced all of these incredible works given what we
supposedly know about his background. Twain kind of approached it
in a humorous way, but he definitely leaned into the
idea that someone else, maybe Francis Bacon or someone of
(53:03):
that arrow, was the true author behind the Shakespeare and Cannon.
So yeah, Twain was definitely in that campus people who
found the whole authorship question intriguing. And how does doubts
about the man from Strafford pretty interesting?
Speaker 2 (53:14):
Huh?
Speaker 4 (53:15):
Yeah, it is for sure.
Speaker 2 (53:16):
Yeah, so that's what's up. Let's go over to Angie
and Jackson, Mississippi. Let's talk to her. Angie, you're on
the show.
Speaker 9 (53:25):
Hey, Bobby, how are you.
Speaker 2 (53:26):
Doing pretty good? What's going on?
Speaker 12 (53:28):
Well?
Speaker 9 (53:29):
I wanted to tell you why you should come to
the Ole Miss game this weekend.
Speaker 2 (53:32):
Are you an ole Miss fan? You want to watch
me cry after a loss?
Speaker 9 (53:35):
Oh, I'm an Ole Miss fan. My kids graduated from there.
Most of our family went there. Archie and Eli side there,
so that's you know, that's something. But we also have
great restaurants if you're on into the bar scene. We
have historical landmarks like Rowan where William Faulkner lives, so
you know, if you're looking for something to do before
(53:56):
tailgating starts, and those are some great options. But we
have the fanciest tents. Not everybody you know decorates, but
we have tents with Drake's and chandeliers and I'm actually
part of the disco tant. I'm staring at a basket
of disco balls that are going to win me this weekend.
But you know, win or lose the game, we never
(54:17):
lose a party. And I think you'll have a great time.
You'll be treated with genuine Southern hospitality and you'll be
glad you came.
Speaker 2 (54:24):
That's a bull crap about the hospitality. I think that
I think I missed. The people are awesome, but after
a game, it ain't always so hospitable. But I'll say again.
I've been. It's awesome, but I wouldn't go in the
night before, and I wouldn't do anything. I'm not going
in trying to like find the ten hot spots in
the town. I would go, I walk around, I go
(54:45):
to the game, I come home. It's just quite the commitment.
If you lose.
Speaker 4 (54:51):
I got four hours driving back after a loss. That'd
be tough too.
Speaker 2 (54:56):
And I think it's it's probably four and a half.
And then also track game tra I think out and
I look at that and not game traffic.
Speaker 4 (55:02):
You guys are a seven point underdog. Yeah, that just
looked up the odds. That's pretty terrible.
Speaker 2 (55:07):
A full touchdown, it's a whole touchdown, an extra point. Uh,
I don't know. I'll think about it. Angie. Thank you
for calling. I really appreciate that. Hey, you should work
on the committee, the town committee where they call that
the board commerce.
Speaker 9 (55:21):
I don't know. I don't know if I should or not,
but I think you should come to the game. I
promise you. I should come to the right tent. You'll
have a great time.
Speaker 2 (55:29):
My history, though, is they call me mister go to
the wrong tent.
Speaker 1 (55:31):
Oh yeah, yeah.
Speaker 2 (55:33):
If there's a wrong tent I go to it, and so, yeah,
thank you, Angie, have a I hope you guys lose,
but I hope it's a fun weekend for you. And
if you we got three fifty seven four two hut. No,
those are times.
Speaker 5 (55:48):
So what are you doing?
Speaker 3 (55:50):
This game is going to be let's see three.
Speaker 2 (55:54):
Hours fifty seven minutes if I drive right now, right now.
Speaker 3 (55:58):
Yeah, Pittman versus Kiss.
Speaker 2 (56:01):
Yes, the coaches, that's an easy one. Kiffy, Yeah, yeah, Well,
Kive's also a lot younger.
Speaker 3 (56:09):
I haven't looked up their salaries yet, hope please, Kevin
makes more, Oh, just because he's more seasoned.
Speaker 2 (56:16):
No, he's not more seasoned.
Speaker 3 (56:17):
Oh, Kiffin makes more than Sorry, I was flipping them
real quick.
Speaker 2 (56:21):
Age thing. You don't just make my mine? No, I know,
but I'm older.
Speaker 3 (56:23):
Well I figured with the age experience.
Speaker 2 (56:25):
Kevin's had more success really and other head coaching jobs. Yeah,
he was head coach at Tennessee USC, He's head coach
at the Raiders, head coach at ole Miss, went down
to Florida for a bit, He's been everywhere. It's Johnny Cash.
It's been oh what do you got? What's your salary?
Speaker 3 (56:42):
Well, that's his twenty twenty two salaries. So let's go.
Speaker 2 (56:50):
Wow.
Speaker 3 (56:50):
Okay, so he's over seven million a year.
Speaker 2 (56:53):
That's his current Kiffin, do you not have it up?
Speaker 3 (56:56):
Oh? Got it? Nine million? They kept showing me previous
years and I'm like, I need the up to date.
He's at nine million a year. Okay, starting this year
he went up.
Speaker 2 (57:05):
To that, and what's Pittman app.
Speaker 3 (57:09):
Okay, Pittman got to change marks. I would imagine his
is like five five mili ding ding ding, it's five million.
Speaker 2 (57:19):
Yeah, I know about that one.
Speaker 4 (57:21):
I'm sure you do pay it. I sure you know.
Speaker 2 (57:25):
I know about that one a little bit. So yeah, uh,
let me do one more called Carolina Roy is on
the phone. Hey, Carolina Roy, what's going on? Good morning, Bobby,
morning buddy.
Speaker 6 (57:38):
Hey, how are you Bobby?
Speaker 2 (57:39):
We're doing pretty good. What can I do for you, buddy?
Speaker 6 (57:42):
Well, you see, I have to ask for stuff, so
I don't want to win nothing from you. All right, Well,
my birthday was this past Saturday on the sixth, And
since you're a Carolina Panthers firing, now keep downing on
like the Banco's poor Adam Starr. Addy. I was wondering
whenever you go to Charlotte, would you want to maybe
meet up so you can meet the real Carolina Roy.
Speaker 2 (58:04):
Yeah, if I come to Charlotte to a game, I'd
love to meet Carolina Roy.
Speaker 6 (58:10):
But the only question is how would I know that
you're coming? Would you say it on the radio, send
me a dam or.
Speaker 5 (58:16):
He'll text you.
Speaker 2 (58:16):
Man, I'm gonna give you lunchbox of cellphone. He finds
out I'm coming, he'll text you and let you know. No, no,
we have do we have, Abbey? We have Carolina Roy's number. Yeah,
we do. So if I do decide that I'm gonna
go one weekend, I'll let Abby know and we'll reach
out and let you know.
Speaker 6 (58:32):
All right, Well maybe I don't know. I get to
some games occasionally, but maybe we can find a way
to get into contact with somebody and you could probably
be the drummer. You know how they do the drumming
before the game.
Speaker 2 (58:43):
I do know that. Yeah, somebody pounds the drum, right.
Speaker 6 (58:46):
Yeah, that'd be pretty cool to have the Bobby Bone
pound the drum before the game. So maybe we can
work something out.
Speaker 2 (58:52):
Yeah, that would be cool. I have it, YEP. I
mean I guess I confuse, like if I pound the drum.
Speaker 3 (59:00):
The we part is that.
Speaker 5 (59:05):
He'll get one stick and bang too.
Speaker 2 (59:07):
Yeah, Amy, Amy has taken the words from my mouth.
What do you mean the we part when I pound
the drum?
Speaker 6 (59:13):
Not me like you, but like you?
Speaker 3 (59:16):
Would you be next to him?
Speaker 6 (59:18):
I mean, I guess I don't know whatever happens. I
don't know.
Speaker 2 (59:22):
Whatever happens happened. I feel that, Carolina Roy, I appreciate that.
I will let you know if I'm coming to town.
Speaker 6 (59:28):
All right, I appreciate it. Happy birthday, buddy, I appreciate it.
Can you do one favor before you go?
Speaker 2 (59:33):
You just said you won't getting asked for anything.
Speaker 6 (59:36):
Then you play Jason aren't.
Speaker 2 (59:39):
Well we're not in the air. We're talking right now.
Speaker 6 (59:43):
Well maybe tomorrow.
Speaker 2 (59:45):
Okay, all right, buddy, all right, I'll alright see Carolina
Roy bye. I like old Roy. Good dude, good dude.
He weed pretty quickly. Oh yeah.
Speaker 4 (59:55):
I think he just wants to be next to you
while you pound the drum.
Speaker 2 (59:57):
Ye yeah, And you know what, I don't think anything
wrong with that. I think if I pound the drum,
maybe we can make that happen. Okay, cool. Be sure
to go and watch on our YouTube page. We have
the second round of quarterfinals today in our Jinga tournament.
I'll be playing Abby. I'm like Amy, I don't know
that I've ever played Jenga before. Really, I think casually.
Speaker 3 (01:00:20):
Like dinner, maybe somewhere if they had it, or.
Speaker 2 (01:00:22):
Like you know, like the big one, the human size.
Speaker 3 (01:00:24):
I've never been like one on one like the pressure.
Speaker 2 (01:00:27):
Abby. You ever played Jenga?
Speaker 3 (01:00:29):
Oh?
Speaker 7 (01:00:29):
Yeah, a lot?
Speaker 2 (01:00:30):
Okay, I think Abby's a favorite.
Speaker 4 (01:00:33):
Well, I don't think she'll freak out.
Speaker 2 (01:00:36):
I should really get in her head.
Speaker 3 (01:00:38):
No, can we do no talking?
Speaker 2 (01:00:40):
Are we gonna go live on this one? Sure?
Speaker 1 (01:00:43):
Okay?
Speaker 2 (01:00:43):
Yeah, so our YouTube page, it'll be live. Also, I
watched both last night because I want to make the
rolls a bit better. I think we got in a
better place on the Eddie and scuba round, where it
was a minute each with an with a chance to
go thirty more with a one with one additional add on,
which can be another minute. So we'll do a minute,
(01:01:05):
eat another minute. Yeah, because it was just too fast
and also well, Ami also died quick crast like somehow
she grabbed me, she went to the bottom. She tried
to karate chop all three out at once, it was amazing,
So we'll do that. You can go to our YouTube
page at Bobby Bone Show and follow over there for that. Okay,
we'll see you guys tomorrow. I have a podcast up today,
(01:01:25):
a new interview with Matthew Ramsey from Old Dominion. We
did over an hour together at my house. Oh you
know it's coming over today. No sing a song, hit Amy,
hit Amy. I ain't no fortunate one?
Speaker 3 (01:01:37):
That was fortunate son?
Speaker 2 (01:01:39):
Yeah he has one, but son, Yes, fortunate soun fortunate one.
Speaker 4 (01:01:42):
That's the title.
Speaker 2 (01:01:43):
Yeah, okay, have it? Oh, sus a cute, Oh suits
a cute baby. I love you.
Speaker 3 (01:01:53):
I don't know the name.
Speaker 2 (01:01:54):
I have a rolling, rolling, rolling, rolling, rolling. No, I
don't know the name wrote that wrote that song?
Speaker 3 (01:02:02):
Okay did he write? My mom liked that SUSIEQ song?
Speaker 2 (01:02:04):
Who wrote that?
Speaker 8 (01:02:07):
Hey?
Speaker 6 (01:02:07):
What else?
Speaker 2 (01:02:08):
I got a lot? Actually? I got this a bad
Moon on the Rise.
Speaker 3 (01:02:14):
He's got some good songs.
Speaker 2 (01:02:15):
I got uh. Okay, I want to know have you
ever seen in the Rain or Willie and Playing?
Speaker 3 (01:02:29):
I know every single of these songs.
Speaker 5 (01:02:32):
Is can I guess Creden Creden's clear Water Revival guy.
He's the guy that did all that do.
Speaker 2 (01:02:38):
You know the guy John Boggerty?
Speaker 12 (01:02:40):
Wow?
Speaker 4 (01:02:42):
Come from I don't know, man, I.
Speaker 2 (01:02:43):
Have a good job. Yeah, he's coming. I have I
have two house interviews to I've Ben Jones, a former
center for the Titans, coming over doing that for lots
to say. And then John Fogerty is coming over. That's
amazing for an hour doing that.
Speaker 3 (01:02:58):
Where does he live?
Speaker 2 (01:03:00):
Not here? Not here? Do you knew who I had
lined up to come to the house? Not this weekend,
but next Brian Bosworth the boys come on, Amy, and
we're in Vegas for iHeart.
Speaker 3 (01:03:14):
Oh so you had him lined up though.
Speaker 2 (01:03:17):
I knew he was coming to town, so I had
my agent reach out to his and he was like,
we'd love to do it. And I was like, what
day is he coming? And I was like always in town.
I was like, oh, of course, it's when I'm yeah, no,
wait a minute, it's when I'm in Notre Dame.
Speaker 1 (01:03:33):
That's what it is.
Speaker 2 (01:03:34):
Oh okay, yeah, Oh you know what I was going
to do for you, Amy, I can't do it. I
love when people say this to me, like, oh you
know what I was going to do for you? Sure,
I was going to take you to Russell Palooza.
Speaker 3 (01:03:44):
Uh Russell Dickerson Wreussell Palooza. Oh Russell, I thought I
was seeing you WrestleMania Russell Ania.
Speaker 2 (01:03:51):
Yeahs Russe. I was gonna say, if you want to
go to Indianapolis, but it's our iHeart weekend.
Speaker 3 (01:03:55):
Oh yeah, yeah, big event. And I was for the
five minutes I was into wrestling.
Speaker 2 (01:04:00):
No, I think you'd enjoyed it if you went to
the show.
Speaker 3 (01:04:02):
It did impact me emotionally. I bet I could tap
back into that.
Speaker 2 (01:04:06):
Hey, and you'd love to tap so Brian Bosworth the Boss.
Speaker 3 (01:04:10):
Here's a big, big.
Speaker 2 (01:04:12):
Guy linebacker playing NFL two. Okay, that's I have Matthew
Ramsey today on from Old Dominion. Go check that out. Amy.
What do you have over there?
Speaker 3 (01:04:23):
Nothing today?
Speaker 4 (01:04:24):
Oh?
Speaker 3 (01:04:24):
I do have today?
Speaker 2 (01:04:25):
Yeah?
Speaker 3 (01:04:26):
Oh my bad? I have the thing. I think the
title that we can up with is like the one
thing I won't touch without protection.
Speaker 2 (01:04:33):
That's what is it? You have to listen, Amy, is
it that.
Speaker 3 (01:04:40):
We thought that I don't know it was whatever, It's like, okay, fine,
the simple things in life, it can really like a
small change can really change the vibe. Like tiny things
you can do that'll change your mood.
Speaker 2 (01:04:53):
Wait are you changing the title? And there's one thing
that talk about a whole different show, but you touched.
Speaker 3 (01:04:57):
On something that I use, something that I use, and
Kat thought it was really weird that I won't won't
use it. It totally will change.
Speaker 2 (01:05:05):
The I don't care about the teaser.
Speaker 3 (01:05:10):
You have to listen.
Speaker 2 (01:05:11):
I'm not now now now a small thing. It's a
small one. It's a small one and you can't touch
it without protection.
Speaker 3 (01:05:21):
It is small. It's a little and we didn't even
really know. Honestly, you never seen a penis how to
use it?
Speaker 2 (01:05:27):
Okay, I say a video.
Speaker 3 (01:05:30):
I cant embarrass when y'all talk about that.
Speaker 4 (01:05:34):
You're the one that brings it up.
Speaker 2 (01:05:35):
All Yeah, we were doing a big yesterday and you're like, oh, burb,
all right, we're out, thank you guys. Check out.
Speaker 3 (01:05:41):
What do I think today was Wednesday? That's weird because
when you came to me, I was like, it's Wednesday.
I don't have anything, but yeah, it's only Tuesday. That's surpressing.
It's better when you think, oh, I thought it was
Monday and then you find out it's Tuesday. But it's
like I thought it was Wednesday and now I'm finding
out it's Tuesday.
Speaker 2 (01:05:58):
Okay, we're going to go. Thank thank you guys. We
will see you tomorrow, all right, by everybody,