TUES PT 2: Someone Was 40 Mins Late To Work! + Would We Buy A Criminal’s House? + Eddie Was Targeted At The Airport + Amy Got Paid In Gold

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Get your balls out the ball show.

Speaker 2 (00:05):
Before we go around the room. I have a fifty
dollars scratcher and I won. I just don't know how
much yet.

Speaker 3 (00:12):
Oh okay, yeah.

Speaker 4 (00:14):
I left it open to us to scratch. But I
have another one that's empty, maybe one to scratch.

Speaker 3 (00:19):
It for me. They can.

Speaker 2 (00:19):
I would love to scratch it for you. You like scratching,
love it? I just want to know if I win.
I don't care about the scratching. That's life for me.
It's like even though watching a series, that's when my
hot ends.

Speaker 3 (00:28):
I don't want to know.

Speaker 4 (00:28):
But I don't care about any process. I know you
got to go through the process.

Speaker 3 (00:30):
I don't know scratching number. My number is the best,
just to see if you match it. I love it.

Speaker 4 (00:36):
Okay. The number I'm trying to match is fifty one,
and I did match a fifty one.

Speaker 3 (00:41):
How many times?

Speaker 4 (00:42):
Just one? Oh?

Speaker 3 (00:43):
This could be the big one.

Speaker 4 (00:45):
Could be. Make sure to hit the other ones.

Speaker 3 (00:48):
And what's the max you can win on the ticket?

Speaker 5 (00:50):
Uh?

Speaker 4 (00:50):
Just am easily five million?

Speaker 3 (00:52):
Oh my goodness, am easily five minute would be awesome.

Speaker 4 (00:58):
Gonna wait, No, we're doing now, Okay, here we go. Okay, Okay,
there's something. There's a big dollar sign.

Speaker 3 (01:11):
Come on, baby, like I've scratched half of it.

Speaker 4 (01:16):
Mike, what does that look like to you? But it
can't be. That's not gonna be twenty.

Speaker 3 (01:22):
It could be a five.

Speaker 4 (01:23):
Well, it's not a five.

Speaker 2 (01:26):
It'll be twenty unless I missed a couple other ones,
because it's at least if you win the amount you
paid for the ticket.

Speaker 3 (01:32):
Does it look like there's a lot of numbers behind it?

Speaker 4 (01:34):
Nope, okay it is, okay, two hundred, it's twenty five,
So I must have missed one.

Speaker 3 (01:42):
Yes, yes, yes, you got another fifty one there?

Speaker 4 (01:44):
Then no, or another another one of the numbers I missed?

Speaker 2 (01:47):
Oh would you mind take a look at this as
I move on? I'm sure I missed one because you
don't pay fifty and just win minimal twenty five.

Speaker 3 (01:53):
That'd be terrible.

Speaker 4 (01:54):
Well, be better than you win. N you can win nothing.

Speaker 3 (01:57):
No, but thankfully that the lowest you can win is
whatever you for.

Speaker 4 (02:00):
Do you see a second match.

Speaker 2 (02:03):
That makes me feel like I've probably missed many then,
because I've been scratching them for the whole year and
really haven't it?

Speaker 4 (02:07):
I mean, oh.

Speaker 3 (02:08):
Gosh, and you just threw them away. What am I
gonna do? But I'm gonna track. You gotta check them. No,
you gotta take them and get get them scanned.

Speaker 4 (02:16):
Do you see I don't see a second one.

Speaker 3 (02:20):
I'm not seeing one. Okay, Mike, let me see that.
There's no way. There's no possible way. Did you look
at the back to make sure it doesn't say redeem
at your mama's house?

Speaker 4 (02:29):
I did, because lunchbox didn't give it to me.

Speaker 3 (02:30):
The gift.

Speaker 4 (02:33):
Glass. Oh, it's not that you need glasses. It's weird.
It's that you're a glasses. A weird dude.

Speaker 3 (02:39):
There are twenty numbers here. This is impossible. Sixty two,
let's see no sixty two? Oh my god, thirty eight.
There's no thirty eight.

Speaker 4 (02:53):
There is a thirty eight? I got you can't you
want to scratch them? Mike and I both missed. I'm
sure it's twenty five, but you can give a scratch.

Speaker 3 (02:59):
Dang? Do we with twenty five? Okay? So now you
have fifty that's.

Speaker 4 (03:03):
All it is, imay ticket, So he broke you. But
you don't know.

Speaker 3 (03:08):
We haven't checked the other numbers. Fifty six.

Speaker 4 (03:10):
We wouldn't miss two numbers. Missing one numbers usually our thing.

Speaker 3 (03:13):
Dang, there is a fifty seven, but not a fifty six.

Speaker 4 (03:15):
Okay, thank you, I'll take that back.

Speaker 3 (03:18):
Well, no, let me just keep looking to If.

Speaker 4 (03:20):
You want to hop out of the room and scratch
the other one, you can.

Speaker 3 (03:22):
You don't want me to do it here.

Speaker 4 (03:23):
If you just shut up, you can. You probably shut up.
I can be quiet, all right.

Speaker 2 (03:28):
Hey, would you turn his mic off? Okay, thank you.
I do want to lead with this before we go
around the room. I hope everybody had a good day today,
yesterday good. I like to act like I care.

Speaker 4 (03:38):
So what okay, um, somebody was late to a work event.

Speaker 2 (03:45):
Does anybody want to raise their hand say they were
late to a work event, very late, very late to
a work event. Not five minutes or seven minutes. Nobody, Scuba,
You can't be me.

Speaker 4 (04:01):
Oh it was. There's no way it was me. Okay,
So I had to be Lunchbox. Were you really late
to a work event? No, not that I know of, Morgan.

Speaker 6 (04:12):
Lunchbox was very late to a work event.

Speaker 1 (04:15):
So yesterday we had to go tape this video for
a client, and him and I set the time. The
clients knew when we were coming. We're supposed to be
there at two o'clock. Lunchbox rolls in two forty one.

Speaker 7 (04:29):
Wait what.

Speaker 5 (04:32):
Uh No, there wasn't a set time that we were
supposed to be there. I told Morgan, I'm going to
try to leave my house at one one point fifteen,
and I texted her and I was like, Hey, not
being to leave on time. You know, my wife's running late,
so I'm waiting on her, and so I said, I
gave her a heads up before I left, and I

(04:52):
took my wife forever to get home, and so then
once she got home, I was able to leave and
I got there as soon as I could because of traffic.
And so, yeah, there was no like, oh my gosh,
you have to be here at two o'clock. The client's
waiting on you. This was a pumpkin patch and it
was open all day and you could come as you please,
leave as you please.

Speaker 2 (05:12):
I understand that about the pumpkin patch, but I've never
ever heard of a We're going to meet somewhere, but
just come whenever, because that's unfair to the other person
who's going to be there waiting.

Speaker 5 (05:19):
No, I told her I had text her when I
was leaving the house.

Speaker 6 (05:22):
Yeah, and you said you were going to leave it.

Speaker 5 (05:23):
I said, I'm going to try to leave her one
to one fifteen traffic ever an excuse though, because you
know what traffic's going to be.

Speaker 4 (05:28):
No you don't, Yeah, we do. We don't live in
La like, it's north of town.

Speaker 5 (05:32):
And they had ripped up the highway and so I
don't go.

Speaker 4 (05:35):
Up in the GPS before he left to see what
it was.

Speaker 5 (05:38):
Yeah, and it said forty five minutes.

Speaker 4 (05:41):
I don't know my does your GPS this show when
there's ripped a highway like my maps do?

Speaker 8 (05:45):
Yeah?

Speaker 7 (05:45):
I mean it gives you alternative routes.

Speaker 4 (05:47):
Yeah, yeah, yeah, I didn't mean this says this was
the quickest route. It said forty five And then we
quest turned out.

Speaker 5 (05:53):
Then we got on the road, it was forty eight minutes.
And so yeah, I told her. I told her I'd
try to leave between one and one fifteen. And then
I told her I was running late, that we would
be leaving later. And she said, okay, well I'm headed
there now.

Speaker 6 (06:05):
Just no, I was already on the way. I was
already thirty minutes two there.

Speaker 4 (06:07):
What's the story, what's the real story, that's it.

Speaker 1 (06:10):
We had agreed that we were going to be there
at two because coming back it's like a forty five
minute drive, so we could go there, get content shot,
and be back before traffic hits because traffic on the
way back is going to suck because it always does
at five o'clock.

Speaker 6 (06:23):
And so we were making sure we're getting there at
two o'clock.

Speaker 1 (06:25):
And so I leave at one o'clock to make sure
I'm there on time, and I get a text from him.

Speaker 6 (06:32):
I want to say, it's like one thirty, and he's.

Speaker 1 (06:34):
Like, uh, sorry, we're just now leaving, and I'm already
on the way.

Speaker 6 (06:38):
I'm already headed in that direction.

Speaker 4 (06:40):
He said, there really wasn't a time. You just show
up whenever you want.

Speaker 9 (06:42):
Is this the one that's already the spending on the counter
for like a week and a half. Yes, it says
two to four.

Speaker 4 (06:45):
Yeah, I'm just curious, oh two to four, So I
could be there between two and four when it starts.

Speaker 2 (06:50):
That doesn't mean you can be there anytime in that
two hours. That means you that's the time schedule for
the content. Bobby has a video shoot at twelve thirty
one till one thirty. He doesn't get there when he
wants between twelve thirty and one thirty, twelve thirty at
the start time.

Speaker 4 (07:03):
Call time is your interpretation of two to four get
there anytime? Because if so, that's just someone has not
taught you.

Speaker 5 (07:10):
Uh here here, here's the exact text exchange for Morgan
and myself. Morgan, so she was late anyway because she
said she was leaving it one face.

Speaker 2 (07:17):
Scratch with your thumb. Do you know want a quarter?
I did ask for a quarter. That's the weirdest thing.

Speaker 3 (07:23):
I'm done.

Speaker 4 (07:24):
Do we win?

Speaker 3 (07:25):
No?

Speaker 2 (07:25):
Oh, there's quarters everywhere and you're more like eating it
with your thumb.

Speaker 3 (07:29):
Nothing.

Speaker 5 (07:29):
Yeah, So Morgan yelling at me by being late. She
said she was gonna leave at one fifteen. She at
one eighteen texted me headed that way.

Speaker 1 (07:35):
So headed that way, Morgan, I said, next to you.

Speaker 5 (07:38):
I said, uh, waiting on my wife. And I responded
to her immediately and so then I and then I
said one pm, I said, says I'll be there at
two thirty six.

Speaker 3 (07:50):
You were taking your wife to a work event.

Speaker 4 (07:52):
Forty minutes late.

Speaker 5 (07:53):
I'll tell my wife and kids. It was a pumpkin patch, man.
It was a white house. Pumpkin patch and it was awesome, and.

Speaker 4 (08:00):
Yeah, let's not be late to work events, Like, seriously,
if it's scheduled at too, let's be there. It wasn't
scheduled at two Scooba. What was in the calendar at
you pulled up real quick here.

Speaker 3 (08:08):
No.

Speaker 5 (08:09):
I never said, hey, I'm going there at two o'clock.

Speaker 4 (08:11):
And that was also said we're going.

Speaker 6 (08:13):
We had agreed upon a time that we said.

Speaker 4 (08:14):
We'd be there. You get there in the afternoon.

Speaker 2 (08:17):
And I've never had an agreement where it's like, hey,
let's get there sometime around sunset when it was That's
just not a thing where you agree to a general
time when someone else is all if it's like your
group and we're all, yeah, we'll leave around your family
and your own car, but Morgan's they're waiting for forty
minutes with a client too, right.

Speaker 1 (08:33):
Yeah, I was just hanging out with the clients.

Speaker 2 (08:37):
Because you got to be like entertaining and super on.
It doesn't matter who the client is. They could be great,
but you're like, now, I got to entertain them the
whole time.

Speaker 3 (08:43):
And then you got to be like, oh, he'll be here, anybody, sorry,
just talk to him.

Speaker 5 (08:48):
Yeah, I mean it was the lunchboxs.

Speaker 7 (08:50):
What can you learn from this? Like, what was the confusions?
You don't look there was there was no there was
no confusion. Well, there obviously was no.

Speaker 10 (08:56):
I don't.

Speaker 5 (08:57):
I told Morgan, I'm going to try to leave my
house around one one fifteen, and when she texted me
that she was headed that way, I said, running late.
My wife is not home yet. Oh and so I
told her.

Speaker 4 (09:08):
Is the wife and that kid?

Speaker 2 (09:08):
Was that like a part of the deal, because if
the clients expect you there too, the bonus is you
take your family.

Speaker 4 (09:14):
It's not you have to take your family.

Speaker 5 (09:15):
I was never told I had to be there exactly
at two o'clock, that the client was going to be
waiting there for me at two o'clock.

Speaker 2 (09:20):
Well, it just said be a problem if you were
never told that. Was he ever told to be there
at too?

Speaker 4 (09:23):
Scuba? I mean, I don't.

Speaker 9 (09:26):
It's so confusing to me because I just feel like,
when you're told to be there it says two o'clock,
you just get there at two o'clock. So I can't
grasp the concept of something. I feel like it's just
so elementary.

Speaker 1 (09:35):
You did do well about communicating that you were coming late.
It's just that I I had to hang out, but
just chilling there.

Speaker 3 (09:42):
I got a question, why were you trying to leave
at one fifteen?

Speaker 4 (09:46):
Because we were trying to get there. That's pine So
you're saying he knew it was too I mean.

Speaker 7 (09:57):
To get there.

Speaker 4 (09:57):
I think.

Speaker 5 (10:00):
A conversation before I met Morgan left work yesterday, we
were like, oh, let's try to get there earlier in
the afternoon so we don't hit traffic on the way back.
It wasn't like, let's try to get there right at too.

Speaker 4 (10:09):
You were trying to get the.

Speaker 3 (10:10):
Right of too because what time? Because you were gonna
leave it a time.

Speaker 4 (10:12):
How long was tend your gp eddie. That's the greatest point,
and I missed it. I did not. Oh my god,
how guys are ideas? I know, no, no.

Speaker 2 (10:18):
If you said you were leaving at one fifteen, I said,
GPS said forty five minutes, And.

Speaker 5 (10:22):
Once I typed it in and said forty five minutes,
I didn't know how long.

Speaker 4 (10:25):
It was going to be.

Speaker 2 (10:26):
So you just randomized the one fifteen and happened to be.
It doesn't make because.

Speaker 5 (10:30):
I had to because I looked at my schedule. We
had to do Sore Losers after this, and I knew
what time that was going to take, and then for
me to get home and get in the car and drive,
I figured it was going to be about one one fifteen.
That's what my estimation was of detail A.

Speaker 4 (10:45):
No, at what time?

Speaker 3 (10:47):
Forty five minute drive.

Speaker 5 (10:48):
I didn't even know it's forty five minutes until I
got in the car.

Speaker 3 (10:51):
Everything here is about forty five minutes, is it?

Speaker 4 (10:53):
With a little bit of traffic?

Speaker 3 (10:54):
Well, what if it's not right down the road? I
do about thirty to forty five minutes.

Speaker 4 (10:58):
Oh that's interesting. I near leave my house. So no,
I'm not getting on airplane. I don't leave the house. Okay.

Speaker 2 (11:04):
So I just would like to say, Morgan, I'm sorry
that happened to you, because that feels unprofessional that you
had to stand there and like entertain the client as
you're waiting on somebody to get there.

Speaker 4 (11:13):
They just feel unprofessional. It's okreat.

Speaker 6 (11:15):
It did end up working out because I did get
to hang out with a count a pig.

Speaker 2 (11:17):
That was fun, and there's not always count pig though,
So you got luck at that time.

Speaker 1 (11:20):
I did.

Speaker 6 (11:21):
I did get lucky this time.

Speaker 4 (11:26):
I don't know. I don't know. What else do you want?
If it's guys, here's what we learned. If it says
between one and three, seven and nine, ten and two,
it doesn't mean you can get there any time within
those two hours.

Speaker 3 (11:40):
But if it says events from noon to nine pm,
that usually means you can get there whenever.

Speaker 4 (11:45):
And it's been spoken about, Hey, show up whenever you want.

Speaker 9 (11:48):
Yes, yeah, our show was like five to ten, so
I could just shown up whatever you want.

Speaker 1 (11:54):
Cool.

Speaker 4 (11:54):
I think I'll be around for the corner. It's a
fun time for you want it.

Speaker 2 (11:58):
Just it feels a bit unprofessional and that everything falls
back on me because my name's on the show, so
I don't like get but I wasn't there, But what
are you gonna do?

Speaker 6 (12:09):
Hey, there was a maze though with your.

Speaker 4 (12:12):
Yeah little body my face too.

Speaker 6 (12:14):
Yeah. Yeah, we did go through the maze.

Speaker 3 (12:17):
That was pretty Did you get out?

Speaker 6 (12:18):
We did not make it through the.

Speaker 4 (12:20):
Hey they're still there right now?

Speaker 3 (12:22):
No, I mean, like legitimately, did you finish the maze? No?

Speaker 4 (12:25):
We did not.

Speaker 6 (12:25):
It was so big. It's it's huge. We got like
half halfway through. I was like, okay, I need to
turn around.

Speaker 2 (12:30):
Oh, you turned around went back out the way. Was
it because you were so late you couldn't before dark?
Like you couldn't get.

Speaker 3 (12:36):
Because you started so late.

Speaker 5 (12:39):
See she was so concerned about me being on time.
But then after we were done, she was still standing
around taking pictures with her and her friend and the pumpkin.

Speaker 6 (12:45):
You have to make sure I posted.

Speaker 1 (12:47):
Yeah, but I still got back in time because I
left earlier than you guys.

Speaker 4 (12:50):
Son's going down. Yeah, we stayed time to get to
the other end. We stayed for a long time.

Speaker 5 (12:55):
We did the whole maze and everything got all the
way out, So yeah, we had great time.

Speaker 3 (13:00):
Oh you got out of the man I did.

Speaker 4 (13:02):
Yeah, my kids led the way. I just would ask
that we'd be a little more professional, but.

Speaker 3 (13:09):
I agree too much to ask, It is too much.

Speaker 4 (13:12):
It is okay, let's go round the room.

Speaker 3 (13:15):
Maybe so.

Speaker 7 (13:17):
At people dot com there was this article about a
man that went on a date with a woman and
he'd been talking to her for a few days before
they decided to go to dinner, and then at dinner
it came up that she, after two failed marriages, has
decided to be celibate, and then he refused to pay
for her dinner.

Speaker 4 (13:37):
Yeah, I saw this.

Speaker 2 (13:37):
I think that this is a terrible guy, because you
can pay for the dinner and never go out with
her again. But if you've already agreed on the arrangement,
if we're going to go on a date, and if
that arrangement is I pay for the dinner, you don't
not pay for the dinner because she says something that
you don't see a future in. You still continue the

(13:58):
date at least finished. You can even wrap the date early.
But if you were going to pay at the beginning,
that's a real doucheback thing to do.

Speaker 7 (14:04):
Was he expecting something that night?

Speaker 2 (14:06):
Because no, maybe not that not I mean he could
have been, But I would think there are some guys.

Speaker 4 (14:12):
I would say a lot of guys.

Speaker 2 (14:13):
Would be like, oh uh, celibacy, respect it.

Speaker 4 (14:17):
I don't love it, but respect it.

Speaker 2 (14:18):
Not for me, because I can't see, you know, being
in a relationship with somebody who sell it. I could
totally see that from guys, and I don't have any
problem with them even feeling that way.

Speaker 4 (14:25):
But to go now, I'm not even going to pay
for this now that feels also.

Speaker 7 (14:30):
She's choosing to be in this moment it's not like
she is going to be forever.

Speaker 4 (14:35):
Oh no, I wouldn't work on that. I would just
she's the same forever.

Speaker 2 (14:37):
Right, Like, No, it's celibacy and to a point at
that point could be.

Speaker 7 (14:42):
Dead at this moment, and she may have.

Speaker 2 (14:45):
Like a vow celibacy could be yeah, something religious, and
you do it to death.

Speaker 3 (14:49):
It's like nouns, you know, yeah, yeah.

Speaker 2 (14:51):
But I don't know that this is because she's done
it before, Like she's had sex, and I think she's
going to be celibate because she's realized that probably put
her in situations or has fast tracked relationships in ways
that maybe she didn't want this next one to be
fast tracked. Similarly, Yeah, this guy's a bad dude.

Speaker 3 (15:08):
Bad dude now that he just not paid for the
dinner because he wasn't gonna have it that night, or.

Speaker 7 (15:12):
Because that's what we don't know.

Speaker 2 (15:14):
I mean, I would think he's like, this is not
something I can see going, so I'm just not gonna
pay him out.

Speaker 3 (15:18):
That's free.

Speaker 7 (15:18):
He stayed for the meal but ultimately opted out of
paying for her, and he felt that his decision was justified.

Speaker 2 (15:25):
I don't even care if they decided they weren't going
to pay for each other's meal, regardless of celibacy or not,
like if that's also part of the social contract. I
don't know the social contract was between them, but if
he made it a point, because I don't know why
this would be a story unless he made it a point. Hey,
let's go to dinner. I'll take I'll take you to dinner.
And then halfway through, Oh, he ain't putting out.

Speaker 7 (15:42):
I ain't putting out, he said, he you know, when
he knew he was meeting up with her, she was
a very nice, classy woman. She's still class And then
over dinner she admitted, Okay, here's the deal. This celibacy
was lasting until she finds someone to marry, So she's
gonna be sell it until marriage. So he would have to.
So now he knows if I date you, we're not

(16:02):
doing anything until we get married.

Speaker 2 (16:04):
Just a douchebag move to not pay. You don't have
to out with her ever again. But if you've agreed
to pay ahead of time, if that's this, again, the
social contract you to have agreed upon, you should pay regardless.
Like even if she showed up and she had a
huge mole that had four big hairs coming out of it,
and you're like, oh, I can't do this. You still
pay for the day. It doesn't matter what situation is.

(16:25):
If you've agreed to do it, you do it. Yeah,
that's I don't like that guy. I don't know who
he is.

Speaker 4 (16:29):
I don't like him.

Speaker 3 (16:29):
Should she put that on her profile before like the date?

Speaker 4 (16:34):
It's up to her.

Speaker 2 (16:37):
It's not an absolute yes, because there are some people
that have remained, you know, to be a virgin.

Speaker 4 (16:42):
They don't put that on theirs.

Speaker 2 (16:43):
It's not like when you order for a restaurant they
got a via vegan, they put a Via beside the
menu on her urgent.

Speaker 4 (16:48):
Yeah, they're not gonna put a VA beside their name.
It's up to them. Yeah, but yeah, bad dude Morgan.
Your story.

Speaker 1 (16:56):
Well, so there's people now who are getting cremated and
putting themselves in fireworks.

Speaker 3 (17:02):
Well, they're not putting themselves.

Speaker 2 (17:03):
Well, they put it in their will, you know, if
they request it, aren't they putting themselves?

Speaker 3 (17:07):
No, somebody else has to do it.

Speaker 4 (17:09):
Well, they're doing the physical labor.

Speaker 2 (17:10):
But if I'm building a house, I'm not actually the
one building the house. I'm paying and directing something.

Speaker 3 (17:14):
And that drives me nuts and feels like we're building
the house. No you're not.

Speaker 7 (17:17):
That doesn't drive you nuts, does.

Speaker 3 (17:20):
That doesn't building a house right now, you're not doing anything.

Speaker 4 (17:25):
You're having it built. You're having it built. You're building
a house.

Speaker 2 (17:30):
If you're a foreman on a job and they're digging pipelines,
yeah he's doing it.

Speaker 3 (17:35):
No, No, he's part of the team.

Speaker 4 (17:36):
He was just a foreman.

Speaker 2 (17:37):
He's not actually got the because according to your logic,
you actually have to have to shovel in the ground
physical physically digging.

Speaker 4 (17:44):
That's funny, but I don't agree.

Speaker 3 (17:46):
I'm telling you. Drives me nuts. And people say that,
like people are like, yeah, we we just moved to
this time. We can't live there because we're building the
house right now, and like you're not building it. Okay, okay, morgan,
finish your story.

Speaker 4 (18:00):
Okay.

Speaker 1 (18:00):
So it is somebody is a body and fireworks to
be cremated, and then you can choose the color that
they're going to be and then you shoot them off
and that's how you.

Speaker 6 (18:11):
Celebrate their life.

Speaker 4 (18:12):
That's fun.

Speaker 3 (18:12):
That's fine.

Speaker 4 (18:13):
I mean the other stuff's not fun.

Speaker 2 (18:14):
To death and the crying and stuff at the funeral,
but you know, four seconds of a boom, that's kind
of fun.

Speaker 3 (18:20):
You're trying to be cremated.

Speaker 4 (18:22):
I don't give a crap when dead. I don't care
what you do with me.

Speaker 7 (18:25):
I'm dead, but you if you had to make a
decision right now I'm dead, I don't care, but decide.

Speaker 4 (18:31):
I'm not doing that.

Speaker 7 (18:32):
He decided that's not an option. It's cremated. Eat my body, casket.

Speaker 4 (18:40):
No, eat my body out of respect.

Speaker 3 (18:41):
Name you have to.

Speaker 7 (18:42):
I want you to.

Speaker 4 (18:43):
No, Yes, you are you make sure of it.

Speaker 3 (18:46):
We'll make sure.

Speaker 4 (18:47):
You gotta respect his wishes, my wishes. I'm gonna haunt you.

Speaker 3 (18:50):
We might have to just put in regular food.

Speaker 4 (18:52):
Yeah, don't tell her. Don't tell her.

Speaker 7 (18:54):
You can be put in a pill capsule and.

Speaker 4 (18:55):
You'd eat me. Okay, guys, there you go done. Pill
me up on all of you to eat me. Well,
hold on what happened to set my brain?

Speaker 2 (19:06):
Because that's how you that's a disease. You get a
disease from human brain, Matt cow Yes, it's it's similar. Yes,
other than that, you can eat I want you to
eat me. If I get to decide, I want.

Speaker 3 (19:15):
You to eat me.

Speaker 7 (19:15):
Okay, fine, I'll eat you.

Speaker 4 (19:22):
He's going to look his spirit will know if you don't,
I will.

Speaker 2 (19:26):
I won't you so much you don't even know. I'll
be I'll be scaring you all when you get in
the shower and it's a little wet up, like you'll
fall down, hit your head.

Speaker 3 (19:36):
Oh my goodness, it's you.

Speaker 4 (19:38):
That's how you'll know it's me.

Speaker 3 (19:39):
I'm even gonna put some A one sauce on you. See.

Speaker 4 (19:42):
That's a true friend.

Speaker 5 (19:44):
Okay, lunchbox man Mark Sanchez. He got out of the hospital.
He went to jail. They brought him out of the
jail and they had news reporters there and he was
just like he looked like a dude that knows he
ruined his life. He looked like the most hungover person
I've ever seen. Is just like I just want to
think doctor so and Soffer saving my life.

Speaker 4 (20:06):
Yeah, He's like, I'm just trauma doctor. I'd be dead.

Speaker 5 (20:08):
I'm just focusing on my recovery. I mean, he sounded
like a defeated human.

Speaker 4 (20:14):
It was pretty bad.

Speaker 5 (20:15):
But you think his life's over, No, but he felt
that the way he looked, you know what I mean, like.

Speaker 4 (20:20):
Defeated his career is going to have a massive setback.
I think he'll get a second chance because nobody died.
I think he'll owe a lot of money to that guy.
I don't know how long it's going to take. Better
hopefully that seven year old dude doesn't die. And it
really just depends on the pr that one they do,
and that too, the old guy doesn't do.

Speaker 2 (20:41):
Because if it all goes away, if Sanchie is able
to give him like millions of dollars any heels and
we don't really talk about it anymore, and he'll serve
probably little time somehow.

Speaker 4 (20:48):
Uh, he'll get another shot.

Speaker 2 (20:50):
If it continues to get dragged out, people won't hire him,
you got to think.

Speaker 4 (20:54):
And they just released some more of the footage. Do
you guys see it him walking down? Yeah? More than that?

Speaker 3 (20:59):
What did you see? Because I just saw him walking
down the.

Speaker 4 (21:02):
Alleyway dmc'd play out some brand new stuff like last night.

Speaker 3 (21:05):
I didn't see it then.

Speaker 2 (21:06):
I didn't see like the fight or anything. But I
don't if they had that, I don't.

Speaker 4 (21:10):
I don't even know. I don't watch it.

Speaker 3 (21:11):
I just kind of want to see what was happening
before all that, like what started it, you know, because
like all I saw was just him walking up and
down the alleyway, and I don't really know why he
even attacked the dude. That's what I want to see,
Like are they running sprints like we had said, We've
heard like four stories, which is hard for me to
jump in and go for sure this is it.

Speaker 2 (21:27):
Yeah, we never really know because yeah, apparently remember when
Sprins apparently was wasted drunk. Uh, the guy was parked
doing the oil swep out, you know when the restaurants.

Speaker 3 (21:38):
I don't know.

Speaker 2 (21:39):
Some people think he was looking for drugs. Some people
think he was just so drunk. Some people think he
was back there doing gay stuff.

Speaker 7 (21:44):
I mean he had to be whatever he was. He
was like out of his mind.

Speaker 4 (21:48):
Oh yeah, well is drunk, yeah, but he was more
than drunk. Yeah, but see that's it. We're all just
wondering at this point. We don't know.

Speaker 5 (21:57):
Because it just seems God, the guy truck, I.

Speaker 3 (22:01):
Know, crazy.

Speaker 2 (22:03):
It escalated to a point of an unfamiliarity with just
drunk people fighting, but it also wasn't too drunk people fighting.

Speaker 4 (22:12):
And also he pushed through pepper spray. That's pretty intense.
Like if you're drunk and I spray.

Speaker 2 (22:18):
You you probably go down if you're if something else is happening,
maybe you don't, maybe.

Speaker 4 (22:24):
You fight through it.

Speaker 2 (22:25):
It wasn't like protecting his like like fighting for somebody's
protection or protector or his own life. He was, according
to what we know, the aggressor and aggressed through pepper spray.
That's crazy.

Speaker 6 (22:38):
Yes, did he ever have any other things?

Speaker 1 (22:41):
I had never heard of him before this moment, so
I'm just curious. Did he ever have any other reason
he was like in the news for anything.

Speaker 4 (22:48):
Not that I know of.

Speaker 3 (22:49):
No, just the butt fumble?

Speaker 4 (22:52):
The what the butt fumble?

Speaker 7 (22:54):
Was that.

Speaker 4 (22:57):
When he played for the Jets? You like up butt fumble?
It's really one of them.

Speaker 7 (23:01):
Right now I'm watching watching this.

Speaker 3 (23:03):
Video sort of yeah, pretty much.

Speaker 4 (23:05):
What are you watching the video?

Speaker 7 (23:07):
The latest?

Speaker 4 (23:09):
What do they show right now?

Speaker 7 (23:11):
I'm just watching him room.

Speaker 4 (23:13):
There's one.

Speaker 3 (23:14):
Yeah, that's all I saw too, just.

Speaker 7 (23:15):
Kind of he's aimlessly walking by himself one direction, then
he turns around and walks the other direction.

Speaker 3 (23:21):
And then you see people kind of look in the
alley like what's going on over there?

Speaker 7 (23:24):
Come out this this TMZ like four days ago, yeah,
October tenth.

Speaker 2 (23:29):
I've probably seen this then oh, there's the dumpster. Yeah,
I think I've seen this one.

Speaker 4 (23:37):
Yeah, Morgan, what you're thinking of? Butt fumble?

Speaker 6 (23:40):
That's a little embarrassing.

Speaker 4 (23:41):
We explained it to Amy.

Speaker 1 (23:43):
Basically, he like runs into another player and falls on
his butt and then the ball gets loose out of.

Speaker 6 (23:47):
His hands because he was a quarterback on the sewing.

Speaker 4 (23:49):
Yeah. Yeah, he always running. I'm watching Harry is running.
We saw this.

Speaker 3 (23:53):
He's running out or running.

Speaker 4 (23:54):
He's running. He's like run.

Speaker 2 (23:55):
I don't know if it's a wind spread or running
toward the victim, but he's running towards the truck.

Speaker 3 (24:00):
Yeah.

Speaker 4 (24:01):
All this all right? Uh, who hasn't gone?

Speaker 3 (24:05):
I haven't gone. Okay, speaking of TikTok, have you seen
the video of that helicopter that went down at Hunting
and Beach?

Speaker 1 (24:11):
Oh?

Speaker 4 (24:11):
I was crazy the first three seconds it turned it off,
flipped it out. It's a beat on a beach on
a beach. Oh yeah, didn't watch it.

Speaker 7 (24:16):
Like the palm trees caught it.

Speaker 3 (24:18):
I mean the propeller chopped the palm trees. I mean
it was the video I saw was die. People know
five people hospitalized, which is amazing. Nobody died, but uh,
the person shooting the video was like, wow, that that
chopper is like pretty close and then it just comes
right for them, which is unbelievable. But it turns out
that there were two pilots there. They were taking the

(24:38):
hospital and then there were three people on the ground
that got injured. And it was like a helicopter car
show that it was just supposed to be landing in
a parking lot there and I just lost control. But
the video is crazy.

Speaker 4 (24:50):
I can watch it.

Speaker 1 (24:52):
Is this the same one where the kid got pinned
under and people like bystanders came by and like pulled
the kid out.

Speaker 3 (24:57):
I think the same because there they did say that
there's a child that so.

Speaker 4 (25:00):
I'm pretty sure.

Speaker 1 (25:01):
Yeah, Like I think the helicopter came and the kid
was on the beach and it was in the wrong place,
and then people came.

Speaker 6 (25:07):
I think he's doing it. He's in the hospital.

Speaker 4 (25:09):
That's tough, man, I'm telling you.

Speaker 3 (25:10):
If I would have just read the story and been like, oh,
that's crazy, but when you see the video first, it
changes everything.

Speaker 2 (25:15):
I thought it was AI at first because the helicopter
was like hovering over the tree when in the tree
went and I was like not AI am out.

Speaker 3 (25:22):
You could tell immediately, wasn't ai.

Speaker 2 (25:24):
I watched a video where this woman's at or a
cake and her husband they're cutting their cake.

Speaker 4 (25:28):
They have a roll tall wedding cake.

Speaker 2 (25:29):
They're cutting it, and their dog runs in the room
and just jumps in the cake and starts eating it.
And I'm like, oh, yeah, yeah, yeah, got them, okah,
because why would their dog?

Speaker 4 (25:39):
Do you want to see a funny video I made?
This is like, do you want to watch a YouTube?
I hate? People do that I hate?

Speaker 3 (25:46):
And then it's a twenty minute.

Speaker 4 (25:47):
Then you have to watch the whole thing like they
give you the phone. It's YouTube so funny. This is
like eight seconds. I made a video of me singing
with Willie Walker.

Speaker 3 (25:54):
Watch this is me?

Speaker 4 (25:57):
Thing can here? I'm doing background and Jean Wilder, Yeah,
dressed with Bill Wonka.

Speaker 3 (26:08):
You guys are getting getting down man.

Speaker 2 (26:11):
The fact that It'sjean Wilder dresses Billy Wonka makes me
laugh so hard.

Speaker 3 (26:15):
That's pretty funny.

Speaker 4 (26:16):
That's all. That's why I do. I'm doing my I
don't know, once every six month check in on how
great my.

Speaker 2 (26:22):
Beards are getting. So I'll just let me grow for
a few days. And every time I do, it gets
it a little grayer. It's like, it's pretty great.

Speaker 4 (26:28):
It's here, yep. And then it's sort a little color here.
It's it's here.

Speaker 2 (26:33):
My hair is not, which is great, it's awesome. But
then my around my neck, like the facial hair stuff
and the sideburns and stuff, it gets gray.

Speaker 4 (26:40):
But this just turns into gray.

Speaker 3 (26:42):
So you're only growing it to kind of see where.

Speaker 2 (26:44):
It's I just kind of want to measure the progress. Yeah,
not great, kind of don't care anymore. I'm not really
trying to, you know, impress anybody. He's trying to press
people with my beard. I trying to get on beard chairs.
Never really never really made it audition for a couple.
Wasn't quite that guy.

Speaker 4 (27:01):
But yeah, I don't know how long I let this
one grow.

Speaker 3 (27:03):
I bet you can grow a really good beard, like
a long one, pretty fool because you don't have patches,
you're not patchy like me.

Speaker 2 (27:09):
I don't even care about the gray. I wish it
were all gray or all brown.

Speaker 4 (27:13):
I don't like that. It's all that.

Speaker 3 (27:14):
It's different colors. Weird.

Speaker 4 (27:16):
It's like, what do you call it? Nah?

Speaker 8 (27:20):
What?

Speaker 3 (27:21):
Nothing?

Speaker 4 (27:22):
Nothing?

Speaker 10 (27:23):
You know.

Speaker 4 (27:23):
I've done this a couple of times.

Speaker 3 (27:25):
You just like a dog, like a dog with different colors?

Speaker 2 (27:28):
Yep, what do you call that? Well, no, that would
be if it were different breeds.

Speaker 7 (27:33):
I know, I guess, I don't know. What do you
call it with different colors?

Speaker 6 (27:36):
A tri color?

Speaker 11 (27:38):
Why not?

Speaker 3 (27:39):
You're a try color?

Speaker 4 (27:40):
What were we talking about yesterday where I jumped out, Oh?

Speaker 12 (27:44):
I know.

Speaker 2 (27:46):
Sometimes I just want to say jokes, and I know
that you're just one joke away at any time from
anything going viral and being canceled.

Speaker 3 (27:54):
That's why I get so jealous of like some of
those guys on podcasts.

Speaker 4 (27:57):
Well, podcast, you can say whatever you want. We're on
video right now, we.

Speaker 2 (28:00):
Are, yes, And that clips clipped stuff is what gets
you in trouble. You mostly say whatever you want to
just audio podcast because people got to go like listen
to it to find it.

Speaker 4 (28:09):
But clip stuff's consumed so quickly.

Speaker 2 (28:12):
I saw the band Perry, one of the band members
of the band Perry jumped out, and I say this respectfully,
nobody cares.

Speaker 3 (28:20):
I didn't realize that they were only the husband or
the brother.

Speaker 2 (28:23):
The brother, and that's why nobody cares. As long as
Kimberly's the lead singer Eddie and I just had this
conversation on the Bobbycast. As long as the lead singer
stays the same, nobody cares to keep the lead singer.

Speaker 4 (28:33):
And I don't mean that, just.

Speaker 3 (28:34):
No disrespect of the basis.

Speaker 7 (28:35):
So now do you think Kimberly and her husband will
just become a duo?

Speaker 4 (28:39):
Probably that's probably still the band Perry.

Speaker 3 (28:41):
They're well hold on. So the other guy is her husband.

Speaker 2 (28:45):
So one brother didn't come back or yeah, I saw that,
and one brother stayed and then Kimberly. So then the
other brother, once going to like artists management or something,
decided because they broke up for a while too. So
now it's just Kimberly and her husband. But I still
that's still the band Perry. As long as the lead
singer is still there, we're good. Just keep touring. Nobody's

(29:06):
gonna know the difference.

Speaker 4 (29:09):
That's my point. What's the husband doing? The band plays?
He's a he's a musician, really good musician too. Okay,
so he doesn't sing, he's just a player. You could
probably eat my new background vocals. We have the singer,
she's a singer.

Speaker 2 (29:20):
But we just had this conversation of would you want
to go watch a band if like some of the
original members aren't there, like and I'm like, yeah, sure,
as long as the lead singer's there, you can switch
everybody out.

Speaker 4 (29:30):
I do not care, that's all.

Speaker 3 (29:32):
So is it cool that she keeps the name the
band Perry and that just goes Kimberly Perry.

Speaker 4 (29:36):
Absolutely, she did Kimberly Perry for a while. It's harder.

Speaker 2 (29:38):
It's harder for anybody to go with a different name
than what made him famous, even if they got really famous.
Look at Rascal Flats. They tried separately, even Gary didn't
have a solo career. He tried, but they get back
together and it's like boom arenas are full just like that,
even though Gary was singing all the songs.

Speaker 4 (29:53):
Yeah, like nothing was different.

Speaker 2 (29:57):
That's but if Rascal Flats came back as Gary and
who cares if he still was trying to do it's
said a Gary Lavaux solo. Let's say he was Rascal
Flats with Randolms, We'd go watch because who cares, it's
Gary all we care about the lead singer.

Speaker 4 (30:09):
That's a that's mine.

Speaker 7 (30:10):
I felt like maybe with them, maybe it's a little different.

Speaker 2 (30:14):
Well, they own it, so they're not gonna let him
just run with it unless they were like, yeah, you
can run with it and be Rascal Flats, but you
have to pay us like fifteen percent of every show.
Like those deals have happened before there are even breakups.
And I will not say who it is, but I
do know this with full authority that when they break up,
there are rules about the lead singer can only perform

(30:34):
like two of the band songs live because he can't
turn into or she can't turn into somebody legally yep,
she can't.

Speaker 4 (30:42):
Turn in there in there.

Speaker 2 (30:45):
Like dissolving of the and I want to say a
company because you can get back together, but dissolving of
the current relationship and they're breaking up and going solo,
the lead singer cannot go and just do all the
songs they can.

Speaker 3 (30:59):
Do, act them to a night.

Speaker 4 (31:02):
So they don't go and just basically be the band. Gotcha?

Speaker 7 (31:06):
I mean that makes sense.

Speaker 2 (31:08):
Yeah, I didn't know that was like legal stuff that
they had to put in, like you can't sing more
than two of the band's songs because that would be
you acting like the band. So but if Gary Labox
just went, hey, Rascal Flats were going out, but the
other two guys weren't there. I don't know that anybody
would care, like the hard hardcore fans band, but I mean.

Speaker 7 (31:27):
We're all three of them are known kind of not.

Speaker 4 (31:31):
You know, what's known the songs I'm talking about gen pop.
Not us in the business. Are hardcore Rascal Flats fans.

Speaker 3 (31:38):
Yeah, because we know because we met them and we
know them. But if you didn't, you probably wouldn't know.

Speaker 4 (31:42):
And if you're a hardcore Rascal Flats fan, you know.

Speaker 2 (31:45):
But if they were just like coming to town, if
like they were just coming to Little Rocky, you saw
Rascal Flats and then you went and it was only
Gary with other people playing instruments. But they were singing
every song that you knew. There's no difference.

Speaker 3 (31:55):
I mean, I'm telling you the band Perry. Then when
they came with her husband, like they came out with
like her husband, and the brother wasn't there anymore. At
first glance, I thought the brother was still in it.

Speaker 4 (32:04):
Well, because his hair is blonde, you know, he kind
of looks like they all look the same.

Speaker 3 (32:07):
I kind of just assume, like, Okay, they're still and.

Speaker 7 (32:10):
The brothers have changed their look a lot too.

Speaker 4 (32:12):
Right, So I gotta get my ankle shot up. I
have to.

Speaker 2 (32:17):
I don't know, I just text. It doesn't last as
long as I needed to be shot up. My ankle
is fine except I tore some cartilage out of it
like a year ago.

Speaker 7 (32:26):
Fine, No, it's fine.

Speaker 2 (32:29):
And that it will not be further injured regardless of
what I do to it. So I can't even though
it hurts, and pain is your body's way of saying
stop doing it. Like generally, that's why. That's why we
have nerves right to tell us, hey, you shouldn't go
and do more of this because it could actually kill you.
So the existence of nerves in your body is just
a protection. And so in my ankle it hurts so bad,

(32:52):
but it's because I lost cartilage there. I can't grow
the cartilage back. It is always going to be that.
And so I hit up my doctor. I was like,
I need to be shot up because I can't do anything.
I can't run, I can't really play pickleball. I can,
but then i'm it's I'm awful for like four days,
and so I gotta I gotta get shot up.

Speaker 3 (33:09):
Can't they surgically put fake cartilage? In there.

Speaker 4 (33:12):
Oh that sounds cool stuffing, just like's grandma. He's full
stuff to feet.

Speaker 2 (33:19):
I'm walking in with a wobbling foot. Yeah, they went
in and did the whole thing. So I'm gonna try
to get that done.

Speaker 5 (33:25):
So when you get shot up, how long does it last?

Speaker 4 (33:27):
Like a month?

Speaker 3 (33:27):
Two months?

Speaker 4 (33:29):
Well, I think I don't have the correct answer to that.

Speaker 2 (33:33):
I know I've been shot up before weekly when ied
it dancing with the Stars, because I tore my shoulder,
h top part of my shoulder and that lasted about
a week. But I think it was a minimal amount.
So I don't know. But if they give me the needles,
if shoot.

Speaker 7 (33:45):
Up every week, you don't know what it is.

Speaker 3 (33:48):
Who cares?

Speaker 2 (33:49):
As long as it makes you feel good and that
and that what needles are. Just make you feel good,
No worry about don't ask any questions.

Speaker 3 (33:54):
Where you get in trouble, man, that's.

Speaker 4 (33:56):
Somebody chasing a dragon. That's all I'm trying to do.

Speaker 2 (34:00):
No, I got I have to because I can't do
anything like any cardio, nothing, and I'm like just trying
to like stay healthy, keep my heart good.

Speaker 7 (34:09):
Oh that's frustrating.

Speaker 4 (34:09):
It is so frustrating. Can't jog on it. All right,
We'll take a break and we will come back. Question is,
would you buy R Kelly's old house? I saw an
Instagram it came up. It was like R Kelly's house
sold for undervalue what they listed it as? Would you

(34:30):
buy R Kelly's old house? R Kelly in jail a
lot of trouble. It was listed at three point five
million bucks. It's sold for one point six million. Whoa,
that's a pretty good discount.

Speaker 2 (34:42):
So it's a twenty one thousand square foot property tied
to both his music career and criminal scandals. Originally in disrepair,
the home was bought and restored by the Isisley Brothers.
Then they listed it. R Kelly bought it apparently, and yeah,
would one point six million in it's three and a
half million dollar house.

Speaker 4 (35:00):
Would you buy Amy watch? Yeah, let's just all say
we have the money. Anyway, If I got.

Speaker 5 (35:06):
One point six million laying around and it's a three
point something million dollar house, you can change that layout,
refurbish whatever. But for one point six million, you're getting
a heck of a deal.

Speaker 4 (35:16):
I'm moving in. That's tough.

Speaker 3 (35:19):
Eddie crimes went down there. Yeah, I can't do it.
I wouldn't be thinking about that the whole time.

Speaker 5 (35:24):
Well, what crimes did he do?

Speaker 4 (35:27):
Like kid crimes?

Speaker 3 (35:28):
You want to sit like in your living room where
those crimes went down?

Speaker 7 (35:31):
Yeah, yeah, I don't. I don't out if I have that.
If money is just easy to throw around, I can
throw it around somewhere else.

Speaker 5 (35:38):
Well, I know he married that girl when she was
only like sixteen, But what else did he do?

Speaker 4 (35:43):
I don't know anything else that.

Speaker 2 (35:44):
He did the home to his chocolate factory studio, he
allegedly exerted disturbing control over those who visited and worked there.

Speaker 3 (35:54):
Nah, it's like Amy said, we can throw our money
somewhere else.

Speaker 7 (35:57):
I mean, I guess I see the point of like,
you're getting this.

Speaker 4 (36:00):
Pretty good deal, Like what's the deal need to be
for you to buy it though, because you can't act
like maybe you can't. What if it was for one dollar? Everybody,
I'm buying it, see one dollar, so your integrity has
a well from monetary value, it's a dollar a dollar.

Speaker 7 (36:16):
He doesn't have to sit in the living room, he
doesn't have to go there.

Speaker 4 (36:18):
Okay, I can rent it out.

Speaker 7 (36:20):
Do you tear it down?

Speaker 4 (36:21):
Ten thousand dollars buy it, it's.

Speaker 7 (36:25):
Yeah, yeah, but knock everything down.

Speaker 4 (36:30):
Start.

Speaker 3 (36:30):
Oh you can do that, yeah, yeahta knock the whole
house down and rebuild another one.

Speaker 2 (36:34):
Then I would say, then, what's the difference that there's
just a floor that separates the ground. That ground is
still the ground where like heinous things happen.

Speaker 7 (36:42):
You don't, You're not like in the actual room. It's
just the thought of that man, because I mean there's
probably on the ground we're on now something heinous.

Speaker 4 (36:49):
Maybe I don't know right here, but I don't know
that right well.

Speaker 7 (36:52):
You won't know exactly where those rooms were once you
tear it down.

Speaker 4 (36:55):
I would would you buy it for?

Speaker 7 (36:57):
Would you say the lot size was exactly.

Speaker 4 (37:00):
A Hey's gonna pull property brothers on us. Here.

Speaker 2 (37:03):
You dig up the ground, you not the house down,
dig up the higher ground, all new dirt.

Speaker 4 (37:08):
Okay.

Speaker 2 (37:08):
So let's say the house does up for sale for
two hundred and fifty thousand dollars, it's a three point
six million dollar house.

Speaker 7 (37:17):
Then I get to tear it down.

Speaker 2 (37:19):
You can do whatever you No, let's just say, for
the sake of the argument, you have to live in it. Yeah,
two hundred and fifty thousand dollars for a three and
a half million dollar house.

Speaker 3 (37:28):
It was it's so hard, I guess I'm buying it.
It's a that's a deal, dude, Like you can't find
a deal like that anywhere anywhere.

Speaker 7 (37:37):
Yeah, I deal with the devil.

Speaker 4 (37:38):
No, No, you're not buying over Mark Kelly.

Speaker 2 (37:41):
Okay, what about a house where people were murdered? Three
people were murdered, two were children. I'm just making this up.

Speaker 3 (37:46):
I don't know.

Speaker 4 (37:47):
It's darker, but I need to present a certain level
of darkness.

Speaker 7 (37:50):
And you say I have to live in it. I'm
too scared.

Speaker 3 (37:52):
Now you're still at what price?

Speaker 2 (37:54):
Uh, it's same price, three million dollar house, but quarter
million dollar? It's up to fifty.

Speaker 7 (37:58):
Because then are you gonna be able to sell it later?

Speaker 4 (38:02):
It doesn't matter.

Speaker 3 (38:03):
We're not worried about resale value two hundred and fifty.

Speaker 7 (38:05):
I mean you always be worried about that.

Speaker 3 (38:07):
I'll buy it.

Speaker 4 (38:08):
I'd buy it.

Speaker 3 (38:09):
I'd buy it.

Speaker 2 (38:10):
I think the murders, I'd buy it. What's weird because
I'm not as drawn. Yeah, it's still freaky. What if
a cult all committed suicide in it? Like twenty twenty
twenty people there's a cult committed suicide in the house.

Speaker 3 (38:28):
And two hundred and fifty thousand, I'm buying it.

Speaker 4 (38:32):
What's what's weirder the suicide or the three murders and
two were children suicide the murders. I think the murders
are too because of suicides.

Speaker 7 (38:40):
It's like adults making their own decision. I mean, they
were brainwashing and I feel bad for them, but the murders,
like they were just trying to hang out in their house.

Speaker 3 (38:48):
I'm going to go with the numbers though, twenty ghosts
versus honey.

Speaker 4 (38:51):
Yeah, verse three, that's what That's what I say.

Speaker 5 (38:53):
Ye feels very depressed, and we're depressing if everybody went
to your house to kill themselves, Like, oh.

Speaker 4 (39:00):
They probably lived there though they're a cult and they
spent a lot of time. Oh that's a good point.

Speaker 3 (39:03):
But it's you know, the more I think about it, it's
not the house's fault, you know, And the house probably
wants a good owner in there.

Speaker 4 (39:08):
So another house has the soul and the desires to
change the vibe.

Speaker 3 (39:12):
You repaint it and you put you know, then you
don't bring a very clean living life to that house.

Speaker 4 (39:18):
And you're saying words now you're just stringing words together.

Speaker 3 (39:20):
You know what I'm saying though, Like you don't murder anyone.
So the house, like, thank god, finally somebody good lives
here changed the life of the house.

Speaker 2 (39:28):
Two hundred and fifty thousand dollars an entire cult commit
to kool aid suicide.

Speaker 3 (39:34):
Oh that's even better.

Speaker 4 (39:35):
No blood, Okay, Bill Cosby's house.

Speaker 2 (39:40):
Now, Bill Cosby, a lot of his crimes weren't at
the house, then, I'm okay, some might be. I'm not sure.
But his New York townhouse was sold for like twenty million.
It was listed for over twenty million bucks.

Speaker 7 (39:51):
If he didn't commit crimes there, then what.

Speaker 4 (39:53):
If it's like we just don't know, but you know
how dirty dog he was.

Speaker 3 (39:56):
That's tough man.

Speaker 4 (39:59):
He's out of jail, which is crazy? Is that? Yeah?

Speaker 7 (40:01):
Like that's wild when we buy houses Now I'm thinking
about it this way too. We don't know, like who
knows if, but we do. Chirston I bought from is
a total creep.

Speaker 4 (40:14):
But we do know. Is the point.

Speaker 2 (40:16):
We know Bill Cosby was an awful person and the
awful things he did to people.

Speaker 3 (40:22):
But what Amy's saying though, is that we may be
living in a house now where somebody.

Speaker 4 (40:26):
But the difference is we don't know. We do know
if we buy this like one hundred percent, yeah, you.

Speaker 3 (40:31):
Do know cheap?

Speaker 4 (40:36):
Is it on the d discount's cheap? Great point? So
Bill Cosby's household for are they listed for like twenty
nine million? I don't know. Let's just say it's sold
for twenty but you could get it for the price
of five hundred thousand dollars.

Speaker 3 (40:46):
I have to get it, but I'm not telling anyone
it's Bill Cosby's house. They're going to know how they want.

Speaker 7 (40:51):
Everyone's going to know you're the creep that bought it.

Speaker 5 (40:54):
Well, no, no, no, no, you can tell people, Hey,
Bill Cosby used to live here. But we're trying to,
you know, reimage it, brand, give the house and rebrand
Epstein's house.

Speaker 3 (41:07):
No, no, how much.

Speaker 4 (41:10):
Because it's it's like a one hundred million dollars. I mean,
these houses are amazing, so for.

Speaker 7 (41:14):
One hundred but it's like you got cameras hidden everywhere.

Speaker 4 (41:16):
One hundred thousand dollars for one hundred million dollar house.

Speaker 3 (41:20):
Oh, I have to get it.

Speaker 4 (41:21):
I gotta take it. I keep changing my mind. I
say no, and then I'm I.

Speaker 3 (41:25):
Have to get it because like what's the standard, Like
what are we not? Like there's no standard? Did not
It doesn't mean anything to not.

Speaker 4 (41:31):
Buy the house. I mean I would buy the house.
I don't feel like.

Speaker 2 (41:36):
What somebody did on some materials has any indication on
what I am and what I'm going to do.

Speaker 4 (41:43):
Correct.

Speaker 7 (41:44):
I guess it's just like won't you think about.

Speaker 4 (41:46):
It a lot?

Speaker 3 (41:47):
Probably when you're alone in the house. Yeah, it's quiet.

Speaker 2 (41:49):
Mostly it's just do I think and I don't? But
do I think ghosts could get me? And I don't
think Epstein killed people. He did awful, awful, awful things,
but I don't think he killed people in the house.

Speaker 7 (42:00):
But I don't want to be thinking about those awful things.

Speaker 4 (42:02):
Because you will think about that stuff, will Yeah, But
for like a couple of days. I used to think too.

Speaker 2 (42:08):
Well, like when I did like any sort of reality show,
I would be like, I'm always gonna know the cameras there,
and you just forget about it after like two days.
It just becomes part of whatever. And I know it's
not the same.

Speaker 3 (42:18):
I know what you're saying though, but it's a.

Speaker 4 (42:20):
Probably pretty terrible analogy. But still I think you keep
that you probably would.

Speaker 3 (42:25):
You probably go back and think about it.

Speaker 4 (42:28):
His New York City house was sold for fifty one million?
Is that what it is?

Speaker 3 (42:35):
Yep? Who gets that money?

Speaker 4 (42:40):
Like?

Speaker 3 (42:40):
Who do you buy it from?

Speaker 8 (42:42):
On?

Speaker 4 (42:42):
Who?

Speaker 3 (42:43):
The government?

Speaker 4 (42:43):
We need to investigate him because they were wearing a mask.
That's a thing right at the signing. They're wearing a
trench coat and a mask. I'm sure it's like a
victim's fund or something, or the government. I'm sure. Yeah,
there are Kelly things weird.

Speaker 3 (42:59):
Huh, yeah, tough, but price is right? Do it.

Speaker 4 (43:03):
I don't want to be on you guys team, but
I agree.

Speaker 3 (43:07):
I mean, you can't pass up a good offer.

Speaker 5 (43:09):
What's so wrong with about being on our team? I
don't like that.

Speaker 2 (43:11):
It's even how you guys are talking about it, like
prose is right. I just don't believe that something that
happens on certain materials at a certain place affects anything
that happens going forward in the future.

Speaker 1 (43:21):
Yeah.

Speaker 2 (43:21):
I don't either, No, but you guys are like, if
the money's right me, I'm just like, if it's I
can see myself doing it for a good deal without
even really thinking about it.

Speaker 3 (43:28):
Like mine Mine is more of like if you can
just handle the fact that you're going to be thinking
about that while you're in the house.

Speaker 2 (43:32):
I just don't think I'm gonna be thinking about it
a lot, because I don't think.

Speaker 4 (43:37):
I don't. I don't think i'd I could be wrong,
but I don't think i'd be thinking about it a lot.
Like your kids are sitting in a bedroom and then
you're just right, Kelly. I don't think i'd be thinking
about it the Epstein. I would, Oh, yeah, it's a lot.

Speaker 3 (43:50):
A lot went on in the house. Yeah, Cosby, I
don't think about it a lot, But I.

Speaker 4 (43:54):
Don't know that Cosby had that much happen in the house.
That'd be some. But a lot of his stuff was
like out on the road and stuff.

Speaker 2 (44:00):
Oh no, man, okay, uh, there's a scam phone call.
That's the person got. Turns out it wasn't a scam
at all. It was a one million dollar lottery win.

Speaker 3 (44:10):
I need that, so did he get the millionaire? A scam?

Speaker 2 (44:14):
Valerie William said she'd been using the Michigan Lottery app
to scan non winning tickets, but didn't realize that in
doing so, she was entering herself in second chance drawings.
One day, a call came in, there's one of the
numbers you didn't recognize.

Speaker 4 (44:24):
She answered it. She didn't believe it. They called her again,
said you can call us back. She still didn't believe it.
I wouldn't either, But so she ended up winning.

Speaker 2 (44:33):
The ability to go spin the big wheel at the
Camerica Park during a Detroit Tiger's game. That's what she won,
and she found herself a million dollar winter wow orm
UPI that's cool. I still I'd get to the stadium
look around the other people then'n to be like this scam.

Speaker 4 (44:48):
This is like one of the greatest scams in history.
They really went.

Speaker 3 (44:52):
I was just watching an episode of Fresh Prints where
they they messed with Jeffrey and gave him a fake
lottery ticket.

Speaker 4 (44:59):
You did that? Yeah, and they did it from the
night before. I put it on screen and he's quitting
and he's like, screw you. That's a great episode.

Speaker 3 (45:06):
It's such a good episode.

Speaker 2 (45:07):
That's a great episode. Uh do you see that baby
that was born thirteen pounds? No, a Tennessee woman gives
birth to a thirteen pound baby. Everybody thought it was
a I it's so big, so big that's like almost
that's two babies for some people.

Speaker 3 (45:21):
Yeah. I mean one of my boys was ten. That's
still and they think that was huge. But three more pounds.

Speaker 2 (45:27):
Uh huh yeah, sneeze, man, the baby is so big.
The baby looks like the Michelin man.

Speaker 3 (45:36):
Little rubber bands all over.

Speaker 4 (45:38):
No, but yes, like it's yeah, yeah, yeah, yeah. Do
you know what the Michelin man is, Morgan.

Speaker 6 (45:44):
Yeah, he looks like a giant marshmallow.

Speaker 4 (45:47):
He does look like tires. Yeah, okay, I thought I
always thought so, like white white tires.

Speaker 6 (45:52):
Yeah, yeah, I think I've seen.

Speaker 4 (45:55):
Them, which is weird. Why are they white tires?

Speaker 3 (45:58):
Maybe probably because you did it didn't look good the
other way and everything.

Speaker 4 (46:02):
That's probably pictures.

Speaker 3 (46:04):
Yeah, why does what does that have to do with?

Speaker 4 (46:07):
There we go? He was creating eighteen ninety eight when
tires were naturally a paler grayish white color from the rubber.

Speaker 3 (46:12):
Oh what does that have to do with? Like the
the food thing? The Michelin The.

Speaker 6 (46:18):
Michelin they created that same company.

Speaker 4 (46:21):
Yeah.

Speaker 1 (46:21):
They created it in hopes that people would drive more
so their tires would like.

Speaker 6 (46:26):
They created the guide so people would then travel.

Speaker 1 (46:28):
More of these places, restaurants, they need new tires, and
then they'd go to Michelin because they've been driving all
over and road tripping.

Speaker 6 (46:34):
It was just connected.

Speaker 4 (46:35):
That was a fun fact. Friday.

Speaker 3 (46:36):
Yeah, thank you, Mary.

Speaker 2 (46:37):
Yeah, yeah, it's funny how she remembers those and you
guys will hear one and like you'll fight about it.

Speaker 4 (46:42):
Hey. Literally, I was like, I never talked about this
on the show, and like that's got two weeks ago,
we just talked about it. I find by Friday. Literally,
I thought, man, how did Morgan know that?

Speaker 2 (46:51):
Let me see if there's anything else in this little
segment here you tah mom was upset that her daycare
was only fine two hundred dollars for losing her toddler
for almost an hour.

Speaker 4 (47:00):
How do you lose a toddler? Well, man, there's gates.
Now when you when it's your job, it happens.

Speaker 3 (47:05):
There's a lot. They're watching a lot.

Speaker 2 (47:06):
Yeah, if you have to watch a lot where there's
a risk, if it's not good, then don't watch so many.

Speaker 3 (47:11):
Right, That's why a lot of daycares have limits, right,
like the only one teacher has to have like a
limit of five kids or whatever that they can they
have to watch. But sometimes these like you know, lower
budget daycare places.

Speaker 5 (47:24):
And kids are adventurous. I mean you turn your back
for one second. One climbs over the fence and you're
lining up to go inside from the playground. You're like,
next thing you know, they're on a football field. There's
little Jimmy all the game knocking down pilons. They didn't
mean them knocking down the pilons.

Speaker 4 (47:35):
It was a race.

Speaker 5 (47:36):
It was touch and back.

Speaker 4 (47:37):
But why were you letting them run on the field
during the game. It wasn't a let they were just
doing No.

Speaker 3 (47:42):
You no, you let them. I've been on airplane with
you where you just let them run up and down
the aisle like they're just kids, guys, let them be.

Speaker 4 (47:50):
Yeah, they're just having fun. Is that what your parents
did you guys? Yeah? And look at you know, free
free range parents.

Speaker 3 (47:57):
Man.

Speaker 2 (47:58):
Owners of red colored cars believe that police pull them
over more than any other color of cars.

Speaker 3 (48:03):
Mm hmm.

Speaker 2 (48:05):
It catches your attention, pops. White cars are actually stopped
the most. And it's not that red or it isn't
isn't that. It's because there are more whites than anything.
That's why they get stopped the most. Per capita percentage wise,
red gets stopped more, but white overall does because there
are just more white cars.

Speaker 7 (48:27):
That makes sense, Yeah, not really.

Speaker 4 (48:35):
Well, there are more white percentage percentage.

Speaker 3 (48:39):
Yeah, I know what you're saying. But you know what
they're doing, Like they're coming out with cool colors now.

Speaker 4 (48:44):
Like they sell those colors. I couldn't buy, like a
weird color because I don't want to be committed to that,
but like even like a dark forest, I.

Speaker 2 (48:51):
Say that in my car right now is the weirdest
freaking color. Let me just say hypocritically, that's because I
have a weird colored car right now and I only
like it and I haven't changed it. But I'm hypocrie
and saying that.

Speaker 4 (49:00):
But I don't. I don't like having a weird color car.
Go ahead, I'm sorry to interrupt you.

Speaker 3 (49:04):
It's just I don't know. I just feel like we're
they're doing a better job coming up with new colors,
which there are like millions of colors that you can
choose from, and the madded stuff that they come up
with is.

Speaker 4 (49:12):
Pretty cool cool. Yeah, I don't really like the color
in my car.

Speaker 3 (49:16):
I don't mind it any for me.

Speaker 4 (49:20):
I like the color of ma a Hyundai and that's
mad madded like, so those are soul that's so cool. Yeah.

Speaker 3 (49:25):
Uh.

Speaker 4 (49:25):
Finally parents tell a babysitter she can't do homework while
the baby's sleeping.

Speaker 5 (49:29):
Huh while the baby's sleeping.

Speaker 7 (49:33):
Because they wanted to do chores.

Speaker 4 (49:36):
Kick rocks.

Speaker 6 (49:38):
Yeah.

Speaker 2 (49:39):
I think if this is shared with the babysitter when
you hire her, fine, you're paying her to do whatever
the job is. If baby sleeping, you, we're paying you.
We want you to do George, you get to accept
take the job or not. I think it's weird if
you are hired on as a babysitter and it's like, yeah,
watch kid, that's it. That's your job is to watch
the kid and make sure the kid is safe and
doesn't run a football field and kick the pylons down, right.

Speaker 4 (49:59):
That's kind of the Job's your job.

Speaker 2 (50:02):
But otherwise I don't think it's weird to tell someone
that these are the requirements of this job and then
expect them to do it. I never babysit, never had
a babysitter. I was more a free range kid himself.

Speaker 5 (50:18):
But you soon will hire a babysitter. You soon will, man,
You'll be there you will.

Speaker 3 (50:23):
You know, we have, We've gone through a lot of
babysitters because we have four boys, and babysitters quit on
us a lot.

Speaker 4 (50:29):
But you know, they not know four boys.

Speaker 3 (50:31):
They do know, and they're like, oh, I can handle that,
and then every single time they're like, no, they did great,
and then we try to call them back to babysit again.

Speaker 4 (50:38):
It's not even that it's this number longer.

Speaker 3 (50:42):
But I did ask my six year old, like, because
now my older son, my seventeen year old, watches the kids,
so now no more babysitters. And my six year old
was like, can we get babysitters back? Like he does
He's fine, but I want I want our babysitters back.
And I'm like, well, what kind of babysitter do you want?
I was like, I don't know, girl, and I'm like, okay,
tell me more because twenty five okay, blonde, blue eyes,

(51:08):
and he had this whole description of what kind of
babysitter he wants.

Speaker 4 (51:12):
You're out of your mind or growing up. He's only six. Hey,
Eddie and his kid both got randomly selected.

Speaker 3 (51:19):
At the airport.

Speaker 7 (51:20):
I like pulled aside, Oh.

Speaker 3 (51:21):
It ain't random exactly, That's what I said, because I'm
used to it. They pull me over all the time, Like,
why do you think that is because I look Middle Eastern?
I do? I do? And like every single time I
go to the airport, they're like, sir, we're gonna give
you this tag. You've been randomly selected. Like, guys, I
get randomly selected every single time I fly. So this time, though,
my son was with me, who looks just like me,

(51:43):
and they randomly selected both of us. So I think
that it is just based on our appearance since we
kind of look Middle Eastern.

Speaker 4 (51:52):
I don't think he looks Middle Eastern.

Speaker 3 (51:54):
He looks like me, dude's my twin, I know.

Speaker 4 (51:56):
But he looks definitely hispanically white.

Speaker 3 (51:59):
Now my question though, is do the ts A officers
see us and flag us or is there a machine
that says like that that looks Middle Eastern pull them over?

Speaker 4 (52:09):
Oh the TSA, because I mean they definitely have I
mean you say that what yes, no, no, he says
that with he's so sure.

Speaker 5 (52:18):
Yeah, but because they don't have a ton of time
for a machine to send a message to them, they
don't have any ear pieces in them. But they don't
have ear pieces in or anything. So that's what I'm saying.
What I'm saying is and they don't randomly he has
for this, They don't. They have facial recognition that has
nothing to do with people. They have all this and

(52:39):
just goes and whenever the beach, they're just like, okay,
you're in it.

Speaker 4 (52:42):
I think could be.

Speaker 3 (52:43):
And they take a picture of you now like when
when you bore, like just looking at the camera, and
I think that's when alerts them like that takes.

Speaker 4 (52:49):
Like an hour to take a picture and gets the
alert sent through.

Speaker 5 (52:52):
I mean the fact that they did two people in
one group. That tells you they're looking at your skin.

Speaker 3 (52:58):
Yeah, well I don't know. Again, but I don't know
what it is.

Speaker 4 (53:01):
But what else would it be?

Speaker 3 (53:04):
Facial features?

Speaker 4 (53:06):
Are you like? Walk?

Speaker 3 (53:07):
Yeah?

Speaker 2 (53:10):
You can make it, not make it and I'm not
it's better right, don't don't.

Speaker 3 (53:15):
But anyway, I thought that was interesting.

Speaker 4 (53:17):
Yeah.

Speaker 2 (53:18):
Another another interesting thing is Amy got paid in gold.

Speaker 7 (53:22):
Huh Okay, yeah, I got paid in an ounce of gold.
So I have my first gold bar. It's kind of crazy.

Speaker 4 (53:29):
How big is it?

Speaker 3 (53:32):
Where do you have it?

Speaker 7 (53:33):
Let's see, well, size of pieces of hershey bar?

Speaker 11 (53:37):
Yeah?

Speaker 7 (53:37):
Yeah, no, kidding. It's like literally probably the same thickness
as a Hrshey bar. And then like two of the
or three of the squares.

Speaker 4 (53:44):
How did that happen?

Speaker 7 (53:45):
Well, we do. We work with Nashville Golden Coin, and
then he gave you. The salesperson was like, hey, they
want to do this series of videos to make up
like if you would host it. So I went to
this location and we filmed the videos and Scuba asked me, hey, like,
and you just send over a talent for you da da,
And I just jokingly typed back real quick, I'm like
a bar of gold. And then Scuba was like, hey,

(54:08):
he took me up on that. You're good And I
was like, what legit? And it just so happens. The
day before he gave me the gold, it went up
to the highest it's been so, I mean it fluctuates.

Speaker 3 (54:19):
That's like Bible days. I'll give you two bars of gold, So.

Speaker 4 (54:23):
Where do you keep it? Well, why would you answer that?
Where do you keep all your jewelry and your cash
at your house?

Speaker 7 (54:30):
Yeah?

Speaker 4 (54:32):
And how would we get there?

Speaker 7 (54:36):
It's kind of crazy. You would think it would be bigger,
but it just makes you like, so this guys, those
blocks of gold that look like a brick, those.

Speaker 4 (54:46):
Are six figures. Yes, I believe, because.

Speaker 7 (54:49):
It's basically like I'm like it. Maybe that's like a
piece of cheese and imagine cutting off a piece of
cheese to put on your cracker. That's what I have.
And it's four thousand dollars like.

Speaker 4 (54:59):
A ball, a full gold bar. It could be also
like fifty grand or something. I don't know. Well, all
I know is I called that place didn't have any,
but they had some for enemy. Then a bunch of gold.
But they were like, if you want to block, we
can you want block? Look, okay, right now, it's what
ninety says, ninety one hundred and thirty thousand. So I
don't have an actual answer.

Speaker 3 (55:18):
Geez, I mean, that's how big your this is.

Speaker 7 (55:20):
This is how big my bar is, and this is
worth four thousand dollars. That's amazing, which is crazy and
you get paid a lot. Well I was. I was
sort of joking like, and they said, okay.

Speaker 4 (55:31):
That's so cool.

Speaker 3 (55:32):
Though.

Speaker 4 (55:33):
Have you tried to take anywhere and be like, oh,
then the bill comes and you just putting.

Speaker 5 (55:36):
Down the gold?

Speaker 4 (55:38):
So also that would be hilarious.

Speaker 7 (55:40):
When I got home. I really. When my mom died,
I was going through her jewelry box and she has
this gold nugget and it's about the size of that
ounce of gold. But I don't know. I don't know
if it's real or not. It could be worth one
dollar or is it worth an ounce of gold? I
don't know. So I'm going to go in there. He

(56:01):
has a special machine. He's going to put it through,
and he said he'll tell me real quick how much
it's worth.

Speaker 4 (56:05):
Like, what do you see the gold bars worth?

Speaker 3 (56:08):
Well, there are different weights.

Speaker 4 (56:09):
I don't think a gold bar one is a like measurement.
Gold bars not a measurement.

Speaker 7 (56:15):
I want to an ounce.

Speaker 4 (56:17):
I want the brick I want, yeah, I want to break.

Speaker 2 (56:20):
I want Scrooge McDuck like when he walks in, not
jumps into the coins, but like the ones that surround him.

Speaker 4 (56:25):
Oh, a brick, like one hundred grams, a thousand grams?
I mean, I don't know.

Speaker 3 (56:30):
You see that one right there?

Speaker 4 (56:31):
Which one left?

Speaker 3 (56:32):
This one? Yeah?

Speaker 4 (56:34):
How much is that?

Speaker 3 (56:35):
What's one hundred grams? Okay?

Speaker 4 (56:38):
Oh man? That looks like chocolate too. I'd like to
have four.

Speaker 7 (56:43):
Four hundred ounces.

Speaker 4 (56:46):
One hundred thirty want that thousand dollars.

Speaker 3 (56:49):
Damn, you gotta get one of those.

Speaker 4 (56:51):
I don't have any in stock.

Speaker 3 (56:53):
But he can mail it, he can, he can order one.

Speaker 4 (56:55):
I may not want it when he gets here. Then
sell it. Yeah, that's cool.

Speaker 3 (57:04):
What amy?

Speaker 7 (57:06):
I don't know? You gas because it said it says
a four hundred ounce bar is worth over one point
six million.

Speaker 4 (57:18):
Okay, do you have what? Do you have one of those?

Speaker 7 (57:23):
Of course not?

Speaker 4 (57:24):
Okay? Then why would you gasp like that?

Speaker 7 (57:27):
Because that's all long?

Speaker 4 (57:28):
Why are you eating chocolate? You're just comparing it to
chocolate eating.

Speaker 7 (57:32):
I opened it to show you because this literally is
exactly like, this is exactly.

Speaker 4 (57:36):
The iPhone one? What's that? How big is that?

Speaker 3 (57:39):
Nine?

Speaker 4 (57:39):
That's what we talked about.

Speaker 3 (57:41):
It's a little bit bigger. Oh, it looks like an iPhone.

Speaker 4 (57:46):
Whoa, whoa, whoa? Which is a kilo goal bar? And
then also look up a kilo cocaine and see where
if any of them have any.

Speaker 3 (57:55):
Either of those in stock, they can probably find your
kilo a million.

Speaker 4 (58:00):
I find that easy. I find that pretty easy. Okay,
how much of the kilo go bar are we looking
at here? I'm curious to know what both cost.

Speaker 3 (58:07):
You can google how much the keylo of cocaine?

Speaker 4 (58:09):
Yeah, one hundred thirty two thousand dollars.

Speaker 3 (58:11):
Now will you cocaine?

Speaker 4 (58:12):
Yes? Will you google how much a gquilo cocaine is?

Speaker 2 (58:18):
I better bust in and then google kids in my area.

Speaker 4 (58:23):
It gets worse and worse and worse. Oh, four thousand
to seven thousand, said, Oh, four thousand and seventy thousand,
depending on the purity. Hey, good stuff, I want the
purest seventy thousand, around seventy thousand purest?

Speaker 3 (58:42):
Do the drug dealers tell you how pure it is?
Or I mean, can you really trust the rice?

Speaker 4 (58:45):
Around thirty thousand dollars? That's why they always taste it.

Speaker 3 (58:47):
Eddie, Oh, you can tell the purity by the taste.

Speaker 4 (58:50):
He can. He's seen a lot on TV movies.

Speaker 2 (58:53):
Okay, anyway, before we cut this segment, would you mind
telling us where you hid your jewelry, in your money,
in your house and what time you will be out
of the house unless your address and your code to
get in.

Speaker 7 (59:03):
No, he already told me where to put it away somewhere,
and I already have it.

Speaker 4 (59:07):
Oh no, it's gone No.

Speaker 7 (59:12):
Classic Kyle, Yeah, I buried in the backyard it's.

Speaker 3 (59:16):
Like use these coordinates.

Speaker 7 (59:21):
You put in a mason jar and then you dig
all and then you bury.

Speaker 4 (59:24):
It right here.

Speaker 2 (59:27):
All right, let's go over to Anita, who's on line
number one. Hey, Anita, you're on the show.

Speaker 4 (59:32):
What's going on?

Speaker 11 (59:34):
Good morning, Bobby morning.

Speaker 10 (59:36):
Good morning Studio morning. I wanted to call for lunchbox
because I went to the Price is Right about fifteen
years ago, Drew's first year with my family, and you
have to stand in line. We got there at four
point thirty in the morning. It was already packed with

(59:58):
people waiting to be arebute. So when we got in there,
I fell asleep in the audience. So they obviously didn't
choose me. And they keep some of the people from
the first show if they don't have enough to fill
the audience. So I fell asleep in the second show.

(01:00:21):
Just so you know, stay awake.

Speaker 2 (01:00:24):
That's good tip of all the tips. I think that
is fundamentally one of the best tips. With him, though,
because he's gonna leave today, he has priority, which is
not a hookup that we gave him. It's not I
didn't make any calls. We don't know anybody, scoobay, you
don't know anybody, right, this is all him ra aw
dog in it.

Speaker 9 (01:00:42):
I knew someone, but they didn't care that he was going.
They honestly were like, here's a link to sign up,
I explain a pitch it and everything, but the one
he has.

Speaker 4 (01:00:50):
They have different kinds of passes they have.

Speaker 9 (01:00:52):
They have the what do they call the priority pass
which they put up first, and they give those to
the first thing, one hundred and fifty people, and then
they have regular tickets.

Speaker 2 (01:00:59):
Do you think that your person may actually know he's
coming and they have to act like they don't care,
but they could give him a bit.

Speaker 9 (01:01:04):
I never really thought about that. That could maybe be
it because they know he's coming now and they know
the dates.

Speaker 2 (01:01:09):
Yeah, I think that could be advantageous to his appearance there.
If they know he's coming, they just can't say legally yeah,
because I'm sure, Yeah.

Speaker 4 (01:01:19):
Okay, maybe okay, maybe maybe there is hope then.

Speaker 5 (01:01:21):
No, No, there's hope, guys, because I'm going and it's
my personality that's going to shine through.

Speaker 2 (01:01:26):
I think between like the strategy we've given him in
Scuba Steep's.

Speaker 4 (01:01:29):
Hook up, he may get on maybe a little hookup.

Speaker 5 (01:01:30):
No, guys, it's not you quick taking credit for my deal.

Speaker 9 (01:01:33):
I probably should fall up with him, and oh my gosh,
and he's wearing a tux to look out for him.

Speaker 5 (01:01:38):
No, no, no, this is not you, guys. This is all me.
This is not you guys. Get credit for me being
on the price is right?

Speaker 4 (01:01:44):
Good job, Scuba. Okay, that's awesome, and we're going for
like four years.

Speaker 2 (01:01:48):
I addressed him and styled him tucks.

Speaker 4 (01:01:51):
I gave him the wow. I never realized we were
so involved and actually making this happen. It's like a
team effort.

Speaker 5 (01:01:56):
No, it's really me.

Speaker 4 (01:01:58):
He's kind of our little Mariona.

Speaker 5 (01:01:59):
Oh my god, stop stop, this is all me.

Speaker 4 (01:02:03):
I never thought about it like that.

Speaker 7 (01:02:05):
Just don't say it's all you.

Speaker 4 (01:02:07):
They are taking credit board like they did this stuff.
We were definitely a part of it. We're all thirty
threes on this thirty threes you are. I guess if
he wins the showcase showed on do we split it?
Gave him off work, no working, yeah, not really. Two,
gave him the idea for his complete aesthetic.

Speaker 3 (01:02:31):
Yeah, all of it.

Speaker 4 (01:02:32):
Scuba reached out to his buddy and got the hook up. No,
he did not, He got nothing.

Speaker 5 (01:02:36):
He got he got absolutely nothing.

Speaker 3 (01:02:38):
They got the tip that you're coming, and then the
callers that called in on Bobby's show.

Speaker 4 (01:02:43):
That yep, I never started this show.

Speaker 2 (01:02:45):
Oh my gosh, I didn't realize it, Scoob, but we
maybe fifty okay, forty ten.

Speaker 4 (01:02:53):
This is crazy. It's gonna be one of my greatest
achievements once he gets on. This is pretty cool. That's
a big moment for all of us. It's like his man,
it is not you guys do not get to take
credit for this.

Speaker 5 (01:03:03):
You cannot sit there and be back. We got on
the prices, right, I did it.

Speaker 4 (01:03:08):
I felt pretty good about it. Oh my gosh, you
guys are so annoying. See this is why I can't
ever do anything.

Speaker 2 (01:03:13):
That's not why. Mostly it's because you don't do it. Anita,
thank you for the call.

Speaker 4 (01:03:17):
We really appreciate that.

Speaker 10 (01:03:20):
Thank you. Guys. Have fun, have fun, lunch.

Speaker 2 (01:03:23):
Walk We will no, no, I will well, I have
a lot of fun. Let's go to Olivia in Wichita, Kansas.
Hey Olivia, you're on the show.

Speaker 13 (01:03:34):
Hey, so I just had a comment about the high
functioning autism. So being a mom that has that and
having a child that has that, I also have a
fourteen year old and he doesn't have it, but my
youngest does. That's nine. And I've noticed that I didn't
really like I stepped my routine and I didn't really

(01:03:57):
want to meet my neighbors or meet other people. And
I noticed that my fourteen year old has done the same.
He doesn't want to go out and meet people. He
doesn't want to talk to somebody, but he'll talk to
somebody who talks to him. Now, my youngest one, I
really try to like break away from doing that and
showing him that if I can do it, then he
can do it. And if you don't start doing that now,

(01:04:19):
your child's going to learn how to form those relationships
and how to not form those relationships. And it's a
really big struggle when the parent is the one that
has it and the kid doesn't really understand what they have.
And kids don't know why they feel the way that
they feel sometimes, but they see the way that they

(01:04:41):
feel in you. And if you don't break away from
that or at least occasionally show them how to, they're
not going to learn it until it's too late, and
then they're already nervous or anxious or you know, missing
out on certain things that would fulfill them later in life.

Speaker 4 (01:04:59):
I feeling a while. My wife can have that part covered.
She's very magnetic, wonderful personality. Doesn't mind talking to people.

Speaker 2 (01:05:09):
In private life, the whole public stuff.

Speaker 4 (01:05:13):
She wants none of it. Well, I'm the opposite. That's crazy.

Speaker 2 (01:05:17):
I'm the opposite like all public. I'll do whatever private.
That's the sound I make in my body, what private like?
I hear you though, Olivia. I think you make a
great point, and I'm sure that's something that I'll have
to address any day now whenever Caitlyn has the baby.
Thank you, Olivia, Thank you very much.

Speaker 11 (01:05:37):
Thank you.

Speaker 13 (01:05:37):
Have a good day.

Speaker 2 (01:05:38):
Alright, bye, Let's go to one more Erica in Pennsylvania.

Speaker 4 (01:05:42):
Erica. You're on the show.

Speaker 11 (01:05:44):
Huh na, good morning studio. Oh I've always wanted to
do that. That was exciting.

Speaker 10 (01:05:52):
So I was just.

Speaker 11 (01:05:54):
Calling in because I am one like Bobby where I
don't meet my neighbors. I live in an apartment building,
so we share a main hallway, and I will make
sure I avoid the hallway if I hear my neighbors
out and about in the hallway, because I just don't

(01:06:16):
want to necessarily talk to them. And like I know
their names, but I don't want to interact with them
because I've just been like the awkward person that doesn't
really know what to say, and they want to carry
on a conversation and I'm like, no, I don't have
time for this and I don't want to talk to you.
It doesn't always work well for my five year old,

(01:06:38):
who you know, should interact with people. So I just,
you know, take her to the park and I'm like, okay,
you can go interact with other kids, and I hope
that the parents don't interact with me, and thank they
don't get it again, I'm just awkward.

Speaker 4 (01:06:54):
I would bet too.

Speaker 2 (01:06:55):
It's not that you don't like other people or you
think that they're going to stab you or something. It's
just I just don't know how I don't. I feel
like nobody wants to talk to me, and then I
feel like five seconds into it, they don't want to
talk to me anymore, and I don't know how to
get out of it. And so I'm like if I
I know they don't want to talk to me, but okay,

(01:07:16):
now this is private life, public life. When I'm like
on and I got to be a mister guy. I'm
awesome at it, like there's nobody. There's nobody better at it.
Like I gotta get on stage, I'm doing meet and greet,
I'm doing I gotta speak to clients like I am
the best. I will sell snow to an Eskimo, You're
like that guy, love them warm.

Speaker 4 (01:07:34):
But private, it's the opposite. It's like, man, why is
that dude so weird?

Speaker 2 (01:07:38):
Because I don't like to get started because I don't
know how to end it, and so it's like, yeah, no,
I don't want to like get in anybody's mix.

Speaker 4 (01:07:44):
Yeah, Erica. And it's not because you're a bad person.
It's not. You know that, right.

Speaker 12 (01:07:50):
And I'm a social worker, so I interact with families
all the time. I have to speak with clients and
other professionals. I can do all that, but the minute
it's private, no, thank you.

Speaker 11 (01:08:03):
I I don't want to talk to you Amen's sister,
and yeah, I just I can't do it.

Speaker 4 (01:08:11):
I don't like Eddie.

Speaker 2 (01:08:13):
Eddie's opposite. Eddie's the most opposite of that of anybody
I've ever met.

Speaker 3 (01:08:16):
I love talking to people.

Speaker 2 (01:08:17):
Eddie never leaves people, and I think they got to
be like dude when you're gonna go, And Eddie's like, no,
I got more to say, how about that weather?

Speaker 3 (01:08:24):
But I don't like talking like serious stuff.

Speaker 4 (01:08:26):
Now you're the king of small talks.

Speaker 3 (01:08:27):
Small talks is my favorite with people.

Speaker 4 (01:08:29):
It's amazing. Yeah, Eddie can walk up talking about eleven
things that don't matter. Where the crab. But everybody's like,
I should have liked that guy.

Speaker 3 (01:08:35):
My kids are always like that.

Speaker 4 (01:08:37):
Enough, Erica, thank you for your car. I really appreciate that.

Speaker 12 (01:08:41):
Yes to have a good day all, love the show.

Speaker 2 (01:08:44):
Thank you very much, see you later. I want to
knock out a voicemail. Here, give me voicemail number one.

Speaker 8 (01:08:50):
I have not laughed so hard in so long, between
lunchbox and the skydiving waddling being last week and then
today's lunchbox at the Folk and I'll get the kids
in the bathroom and oh my gosh, you guys, I
am laughing till I am crying. And this is second
time in two weeks.

Speaker 10 (01:09:07):
Keep it up to dog.

Speaker 11 (01:09:08):
Thank you.

Speaker 2 (01:09:08):
After we finished the segment about the sky, I had
guilt because the whole thing, the whole thing started with
with tragedy. The story was sad, yes, And I thought
because I laughed so hard the fact that Lunchbox thought
he was strapped to his person before they even got
on the plane, and then Eddie's like, what do you
guys tied together?

Speaker 4 (01:09:25):
Waddling?

Speaker 2 (01:09:27):
I was laughing so hard at that that I didn't
want people to think that in any way, we were
laughing at the tragedy. The tragedy is what spurned the
rest of the story, and with the laughing, so I
did think, I never think about what I If I
think about everything I say on the show every day,
i'll drive myself crazy. So usually say some crap. I'll

(01:09:47):
hit up Mike Case and be like, hey, is what
I said racist? Or is what I said sexist? Or
is what I said? Because I don't just do it,
and he'll give me the feedback, and then I go, okay, cool,
let's let's let's let's rock it.

Speaker 4 (01:09:57):
And I don't think about anything. They can't because I
got other stuff to do, like other content to create.
I couldn't stop thinking about the guilt I had at that.

Speaker 2 (01:10:05):
But then I just kept laughing at the fact that
he thought he was strapped to his person walking to
the plane.

Speaker 7 (01:10:11):
There's no way he was.

Speaker 4 (01:10:14):
There's no visual of both of them watching all We're
gonna go left the first ready, Oh my god. Again
it was like three legged race.

Speaker 2 (01:10:23):
And field day front to back like butt.

Speaker 7 (01:10:29):
Yeah, like junior high a couple. That's how kids used
to walk at my junior high.

Speaker 4 (01:10:34):
That that was so funny.

Speaker 2 (01:10:36):
But just know I did think about that because I
didn't want anyone to interpret that as we were laughing
at the actual tragedy. Although there were parts where Amy
would come up with a new theory out of nowhere.

Speaker 3 (01:10:47):
And we had no idea.

Speaker 4 (01:10:48):
We'd be moved on and she'd be like, have you
thought about Well.

Speaker 7 (01:10:52):
I'm not trying to figure it out.

Speaker 4 (01:10:53):
I know.

Speaker 3 (01:10:55):
What was the other funny thing? Oh, the bathroom.

Speaker 4 (01:10:57):
The fact that he was in the bathroom with the kid,
that was funny.

Speaker 7 (01:11:01):
I don't know why that stroom.

Speaker 4 (01:11:03):
There was a public bathroom.

Speaker 2 (01:11:05):
I know it was just you're talking to kids, but
it was my son.

Speaker 4 (01:11:09):
I know.

Speaker 2 (01:11:09):
But the whole point was it was just we made
the joke of it was just him talking to kids,
and that's where it started.

Speaker 5 (01:11:14):
No, I know, I thought the funnier part was aiming
her dude making out at the football game like high
school kids.

Speaker 4 (01:11:19):
But I mean, maybe I'm crazy. That was also funny.

Speaker 3 (01:11:21):
That was funny.

Speaker 2 (01:11:22):
But she even said the kid in the bathroom in
this clip, which I think was funny too because we
totally shifted the narrative, which we have the tendency to do.

Speaker 3 (01:11:28):
The way Amy's son ran to Amy and said, I
saw lunchbox in the bathroom.

Speaker 2 (01:11:32):
It was a man in the bathroom that came up
and was talking to me like, Hey, what's your name? Yeah, yeah,
didn't come here.

Speaker 3 (01:11:38):
Often had a random football game.

Speaker 7 (01:11:41):
No, that was at the spaghetti dinner.

Speaker 3 (01:11:43):
Spaghetti dinner.

Speaker 4 (01:11:44):
It was at the dinner that was before the football game.

Speaker 7 (01:11:46):
Later later he appeared at the football game and I'm like,
what in the world.

Speaker 4 (01:11:50):
Yeah, he's following him. He didn't know what stevensons, but
I mean, that is where you're going next. That is
my worry.

Speaker 5 (01:11:56):
Like when I'm in the airport and I do knock
on the stall next to me, I'm always like, man,
what if that kid.

Speaker 3 (01:12:00):
We'll just look under Yeah no, no, no, I think
he's saying, look at the look at the sea.

Speaker 4 (01:12:08):
You like stip up ruse that are five.

Speaker 7 (01:12:11):
I'm not going bell crow.

Speaker 3 (01:12:13):
Yeah, I got you understood what I was saying.

Speaker 2 (01:12:15):
I understood what you're saying. Okay, we thank you for
all the calls. You can leave us a voicemail. Don't
forget anytime eight seven seven seventy seven Bobby

All Episodes

Episode Transcript

Hosts And Creators

Bobby Bones

Amy Brown

Lunchbox

Eddie Garcia

Morgan Huelsman

Raymundo

Mike D

Abby Anderson

Scuba Steve

Popular Podcasts

My Favorite Murder with Karen Kilgariff and Georgia Hardstark

24/7 News: The Latest

Dateline NBC

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}TUES PT 2: Someone Was 40 Mins Late To Work! + Would We Buy A Criminal’s House? + Eddie Was Targeted At The Airport + Amy Got Paid In Gold