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October 8, 2025 60 mins

Bobby shared what celebrity just followed him on social media and he was surprised because he thought they died. We do a round of the game Alive or Not Alive? There's an online debate over this real-life issue.  You're in a restaurant.  There's a shrieking baby at another table. In this case, a man asks the mother if she can quiet her screaming kid. What would we do?  Our response makes a lot of listeners feel the need to call in and correct us. Lunchbox shared why it hurt his feelings that he wasn't invited to a work event and we investigated why.

See omnystudio.com/listener for privacy information.

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Tammitting So, Aliza, what's up?

Speaker 2 (00:11):
Everybody?

Speaker 3 (00:12):
Welcome to Wednesday Show Morning studio.

Speaker 2 (00:14):
Warning.

Speaker 4 (00:16):
So they're in a restaurant and his baby is screaming
at the table next to them. So this man confronts
the mom and so here's the debate, the baby screaming.
I'm gonna play you first because she posted the argument
between them.

Speaker 3 (00:28):
Trigger warning. There's a screaming baby. Okay, here you go.

Speaker 1 (00:30):
So this gentleman here is telling me to tell my
eight months old.

Speaker 3 (00:34):
To stop screaming. So he has because he has sensitive ears.
I know it's loud, but.

Speaker 2 (00:40):
He's an adult.

Speaker 3 (00:41):
He can leave, and he chooses not to leave.

Speaker 1 (00:43):
He choosing me to tell me to take my baby
off because yes, she's a child. Sir, it's not me.

Speaker 3 (00:50):
I didn't do anything.

Speaker 2 (00:52):
It's a blood curdling It's not just a crying baby.

Speaker 4 (00:55):
That's a that's a dog like O dog woo. That's
a high pitch screen. Okay, okay, okay. So here's the
man coming over and saying.

Speaker 3 (01:05):
Hey, your kid needs to be quiet.

Speaker 2 (01:08):
Restaurants after hear our discussion. They don't want to need that.
You came to me about my child, Is you not?

Speaker 5 (01:14):
No, you're disrespectful, you're entitled, and you're being privileged right now.

Speaker 6 (01:17):
I'm for the way that man has probably mistreated you
in me.

Speaker 2 (01:22):
And I'm a happy manner and woman.

Speaker 4 (01:25):
Okay, oh my god, so do I may be wrong
on this, and you can go after me. That baby's
too loud. If that baby's doing that, you don't have
the right to penalize everybody else in the restaurant who
are also trying to have a night.

Speaker 3 (01:42):
You take a baby out for a little bit til
it calms down, like.

Speaker 2 (01:45):
That's how I feel.

Speaker 4 (01:46):
And I think he's just the one who had the
guts enough to go up to her, because I can
guarantee you everybody in that restaurant's going, oh my god,
this baby is making our whole experience terrible. I feel
like you don't have a right to come in and
ruin everybody else's experience. You can take the baby outside
for a little bit until it calms down. That is
what I feel, the responsibility of a parent, what the

(02:07):
baby is. And I say to this guy, I don't
know the whole story except what I've seen online. Everybody
else wanted to do what you did. They didn't have
the guys to do it, so I applaud you. Now
that's my that's me you.

Speaker 2 (02:20):
Yeah.

Speaker 7 (02:20):
No, I would hope she would take it outside. I
don't know that I'm going to be the one to
say something to her. However, I would just hope that
people have the awareness that they need to take their
child outside.

Speaker 4 (02:32):
Yeah, you don't have the right to ruin everybody else's dinner, right.

Speaker 2 (02:36):
I understand a crying.

Speaker 3 (02:37):
Baby that sucks.

Speaker 4 (02:38):
And if the baby's crying and it's crying a little bit,
that's you know, that's you have a baby awesome and
that sucks.

Speaker 7 (02:43):
Scream is like, that's not just for people with sensitive ears.

Speaker 3 (02:47):
Yes, everybody, yes, Eddie.

Speaker 8 (02:50):
Yeah, look it's a numbers game, right, Like you said,
every one of the restaurants being affected by this. It's
unfortunate because sometimes when you have a baby, you want
to go out to eat and you're able, like you're
allowed to go out to eat too with your kids.
But that's a scream. It's too loud. You got to
get that baby out of.

Speaker 4 (03:06):
There's baby, it's just crying a little and it's slightly annoying.
Sometimes nature are going to a public place, sometimes people
are gonna.

Speaker 2 (03:12):
Be lied.

Speaker 9 (03:14):
That thinks like in a horror movie that's screaming lunchbox.

Speaker 2 (03:19):
Oh, that lady's in the wrong.

Speaker 9 (03:20):
You gotta do anytime the baby's crying, you take it outside.

Speaker 3 (03:23):
So we're universal. Yeah, I mean you already have to. Yeah,
and I'm not sure.

Speaker 7 (03:26):
I again, I don't know what he said to her
off camera before she started filming. But how does that
make him privileged and no, like entitled? I think he,
like you said, he's simply asking what a lot of
people in the restaurant wanted to ask, which a manager
would likely go and ask the same thing soon if
that man hadn't of like men, I don't.

Speaker 4 (03:48):
Know they would have because they didn't.

Speaker 2 (03:50):
Ye restaurant.

Speaker 4 (03:53):
The restaurant sucked for not going up and going, hey,
you're running everybody else's I mean, if you really wanted
to be funny, he could have just that nextar and
screamed right at her. Oh gosh, like that's the ultimate.
We all four randomly all agree on everything. But yeah,
I think this is It's okay for babe christ A
little bit. That sucks, That's okay. But there's a point

(04:15):
wherever you are a restaurant, church doesn't matter.

Speaker 7 (04:19):
The only time you can't escape is if you're thirty
thousand feet that everybody just has to put up with it,
and you figure out how to soothe your baby, and
people just have.

Speaker 3 (04:26):
To give grace and compassion.

Speaker 7 (04:27):
In a restaurant, you are fully able to get up
and go outside.

Speaker 4 (04:31):
I got a DM from somebody named Jamie Dottley. She says, OMG,
your take on that kid crying screaming is hilarious and
I can't wait for it to happen to you. You're
so gross. And Amy has never had a baby, so
maybe she needs to hush too. Imagine an adult crying
louder than a kid. Lmao.

Speaker 3 (04:53):
Now let me tell you what happened earlier in the show.

Speaker 4 (04:56):
We were talking about a minor dispute in a restaurant.
Wasn't my dispute. It was in the news and there's
audio of the kids screaming in the restaurant, to which
I said, kid crying, NBD, that happens all the time.
But if I have a baby and it is screaming
as loud as this baby is in this clip, I'm

(05:17):
going to go outside with the baby.

Speaker 10 (05:19):
What's call this screeching?

Speaker 4 (05:20):
I'm going to say, now, even before my unborn child
is born, that if the baby is screaming like this,
I am going to have respect for other customers and
go oh, until this is a bit better, I'm going
to get them out of this room.

Speaker 3 (05:34):
I don't think that's a bold take, No, not at all.
So here's the clip again. Go ahead.

Speaker 4 (05:39):
So this gentleman here is telling me to tell my
eight months old to stop screaming because he has because
he has sensitive ears.

Speaker 2 (05:48):
I know it's loud, but he's an adult. He can leave,
and he chooses not to leave.

Speaker 3 (05:52):
He's choosing me to tell me to take my baby
off because.

Speaker 1 (05:54):
He has She's a child, sir, it's not me.

Speaker 3 (06:01):
No, I get it. It sucks for everybody.

Speaker 4 (06:03):
I'm not saying it didn't sucking for the mom made
second for the kid, obviously, but everybody in that restaurant
is hearing a screeching, screaming baby and I don't disagree
with the person. And you know what, it took nads
to go say something, because I don't think I would.

Speaker 10 (06:19):
Oh yeah, I definitely wouldn't have just.

Speaker 3 (06:21):
Been like somebody, please do it.

Speaker 4 (06:24):
But no, I'm telling you if that's happening and the
kid's out loud, I'm walking it outside out of respect
for everybody else in the restaurant.

Speaker 3 (06:31):
Eddie, Look, I have kids. I have four kids, and
this is annoying.

Speaker 7 (06:36):
Clarify that you've had babies, though clearly that's a prerequisite.

Speaker 8 (06:40):
Yeah, I've had babies, and I've been in that situation
and it was tough. I remember one time my wife
and I we hadn't gone to a restaurant in like forever,
and we had a newborn and we're like, let's just
go to Chili's. We're gonna do it. And we went
to Chili's and he started crying loud, and we ordered
and we're like, it's okay, it's okay. Didn't look like
anyone was bothered by it. After like fifteen minutes, people

(07:01):
started get bothered by it. We're like, let's just go
take it to go, and.

Speaker 3 (07:04):
We left and a crying. I feels a bit different
than that.

Speaker 4 (07:07):
That is a roller coaster screen, Like I don't feel
like I'm being some crazy uh you know, bold take
anti baby person by saying there's a level that everybody
just understands and lets it go.

Speaker 3 (07:22):
And is it a been uncomfortable?

Speaker 4 (07:23):
Yeah, but then there's that I think it's the parents
responsibility to take that kid outside until that doesn't happen anymore.

Speaker 3 (07:28):
That's all. Yeah, sorry, you haven't had a baby.

Speaker 7 (07:31):
Yeah, I know.

Speaker 3 (07:32):
Wow.

Speaker 7 (07:32):
I was like, well, thanks for reminding me. I wasn't
able to get pregnant.

Speaker 3 (07:35):
You can't talk.

Speaker 7 (07:36):
I try for years and adopted older children out of
the fact.

Speaker 10 (07:40):
You know, you know I was close.

Speaker 3 (07:43):
At one point they got you what you were close?

Speaker 8 (07:45):
What do you mean?

Speaker 7 (07:45):
Well, there was a couple of times we thought maybe
I was pregnant, remember, and then and then we were
doing a domestic adoption with a baby, and we were
this close to getting matched with a pregnant mom and
she she had chosen us, like she liked our profile.
But then it ended up falling true. And then that's
when we moved to international older kids from Haiti.

Speaker 4 (08:04):
No, I know you said, like you were close to
having Yeah, that's pretty close by.

Speaker 3 (08:08):
No, no, no, like being pregnant.

Speaker 7 (08:09):
Yeah, but I mean I was, yes, and we would
have had like a newborn baby because we were originally
doing a domestic newborn.

Speaker 3 (08:17):
Adoption, and that had been different because you would have had.

Speaker 10 (08:19):
It, and then I would have had experience with screaming.

Speaker 2 (08:21):
Talked about this.

Speaker 4 (08:22):
Yes, Granger in Arkansas is on the phone right now
online one relating to the Mark Sanchez story. Granger, you're
on what's going on?

Speaker 11 (08:31):
Hey, good morning, guys. Morning, Hey, I am calling yeah
about the Mark Santez saying I actually had a story
kind of like that, obviously not near as intense as his,
But when I was in college, I was not a
huge part of her, but would go out occasionally and
had a night where I definitely had one too many

(08:54):
and woke up the next day in a jail sale
and remember absolutely nothing. I was arrested forublic in talks.

Speaker 12 (09:01):
Yeah, and have no clue what happened that night.

Speaker 3 (09:04):
Now that I cannot speak to at all.

Speaker 4 (09:06):
That's because I've never been drunk, nor do I think
I will be drunk like I will be having a baby,
so I don't.

Speaker 3 (09:12):
Have it when I'm drunk.

Speaker 4 (09:14):
Yeah, to me, that's that's a crazy and a feeling
I don't understand of waking up and not remembering what
you did and you could have done some bad stuff.

Speaker 10 (09:22):
Well, I mean he was in jail, but like why
publican talks? Yeah, I what did you do?

Speaker 3 (09:29):
What you're off a bar.

Speaker 11 (09:30):
I was told I threw up in the cop car.
Actually so, but yeah, Dix's Street got the best of me.

Speaker 4 (09:37):
So you threw up in a cop car but you
were but you were already arrested.

Speaker 6 (09:42):
Yeah, no, yeah, I.

Speaker 11 (09:45):
Don't know what I did before. I mean, my friend
said I was super friendly. I was just outside of
I guess the.

Speaker 12 (09:52):
Fraternity house and they took me up. Well I was.

Speaker 11 (09:56):
I believe I was twenty at the time, so.

Speaker 12 (09:58):
I was under age.

Speaker 3 (10:00):
Yeah, but you had to be doing something. It's wanting
to get the attention.

Speaker 7 (10:03):
He's just friendly and outside they picked me.

Speaker 4 (10:05):
Up, just giving home with people money and yeah, that's
a crazy feeling. Granger, was it weird, like did you
wake up or were you kind of like scared or confused?
Because I would think in a non traditional wake up environment,
like a lot of your world would would be confused.

Speaker 6 (10:24):
No.

Speaker 12 (10:24):
Absolutely, I was so confused.

Speaker 2 (10:27):
It was.

Speaker 12 (10:27):
I mean, you know, a lot of time has passed now,
so you know it would move past it. But definitely not
my finest moment. You know, I'm not happy about that decision.
But yeah, I woke up totally confused, out of my mind.
I had no clue where I was.

Speaker 11 (10:43):
I just saw like a toilet with.

Speaker 12 (10:44):
A water fountain on top of it and was like,
oh gosh, I got to sober up and figure out
where the heck I am. And yeah, I hadn't bailed
myself out.

Speaker 2 (10:54):
That's funny.

Speaker 3 (10:55):
Well, I'm glad that you're now on the straight and narrow.

Speaker 4 (10:57):
And thanks for the call, man, Yeah, you'll have all right.
See you, buddy, Let's go to Andre's in Texas. Who
wants to talk about this?

Speaker 3 (11:06):
Andres you're on Warner Studio.

Speaker 13 (11:10):
Hey, yeah, I just want to say I totally agree
with you, Bobby in that situation of that that baby
crying newborn totally understandable.

Speaker 6 (11:17):
Right, that's a newborn.

Speaker 13 (11:18):
But if you have a baby one year and older,
I would say screaming top that longs like that, I
think it is the responsibility of the parent to remove
that childhood situation, because it's not other responsibility to have
to listen to that. Also, so totally agree with you.
I'm a father of three boys, right, two under two,
so I totally understand where this lady's coming from. But yeah,
if that happened to me, I am getting up immediately

(11:40):
and walking out with my baby.

Speaker 4 (11:41):
Yeah, Again, I'm not saying babies shouldn't cry, because they should.

Speaker 3 (11:46):
You know what, bold take baby should cry.

Speaker 10 (11:47):
Hey, your baby is going to scream like that at
some point.

Speaker 4 (11:50):
Yes, yes, or even cry, and you shouldn't have to
pull every crying baby from every public place. But there
becomes a level of that screech where everybody else is
paying for their meal and it shouldn't run their meal.

Speaker 3 (12:01):
Yeah.

Speaker 7 (12:01):
I think the problem in the clip is she's acting
like this guy is ridiculous. She even calls him an adult,
and that he's an adult, he can leave. Well, I
think what we're saying is, well, you're the adult here
that is in charge of the screen baby, so you
actually should be the one leaving. It's blowing my mind
that that's not registering with some people.

Speaker 3 (12:20):
Well, I didn't even care about the clip anymore.

Speaker 4 (12:22):
I'm at miss Jamie Lee, the DM yes, who said
you just wait and Amy never had a baby?

Speaker 3 (12:28):
Oh right, right right, yes, yeah. I think that's mostly
where my beef is.

Speaker 4 (12:33):
You guys can call us though, eight seven seven seventy seven, Bobby,
we do not have to talk about this specifically. Eight
seven seven seventy seven, Bobby, Dolly's sister was saying yesterday
that she wanted fans to pray for her sister, and
we had heard the Dolly had pulled out of a
bunch of shows in Vegas as far as a residency,

(12:53):
and the pull out of the residency shows didn't really
scare me that much. But then we're sister's online saying
please give prayers to my sister. You're like, oh, this
might be real bad. So everybody started to freak out.
I made a couple of calls too. Now the sister
is walking back and apologizing, saying, I want to clear
something up. I didn't mean to scare anyone. It scared

(13:13):
everybody everyone. I thought. I think it's just a stone
a kidney, still think so. I think that's what it was,
is what I heard. Not that that ain't painful, and
I'm not even sure about that, but that's what I
got from like my eighth eighth degree source.

Speaker 3 (13:28):
That is something like that.

Speaker 4 (13:30):
Not that she's dying because not doing shows. Okay, that sucks,
and we hope she has great health and hope she
bounces back and she's you know, in her upper seventies.
But then when her sister's online going please pray for her.
You're like, oh, no, she's on her death bed.

Speaker 7 (13:44):
I think I read something like her sister was like
I've been up all night praying for my sister.

Speaker 3 (13:47):
Yes, yes, yes, I'm scared. Well this is it.

Speaker 4 (13:50):
Yeah, I have other people that got youa take instead
of DOLLI we need all to wait around for a day.

Speaker 3 (13:56):
We have a big list.

Speaker 4 (13:57):
Yeah, I'd like to volunteer like four or five people
before we even think about that. So from what I know,
we're okay. I want to go talk to Sarah in Austin, Texas. Sarah,
you're on the show Good.

Speaker 6 (14:09):
Morning, Good Morning, it's Eric.

Speaker 3 (14:13):
That's funny.

Speaker 4 (14:14):
Now another you know what Eric and Sarah that would
be confusing. I see and I can see that, yes,
and it was written to Sarah, So I apologize. Eric
in Austin, go ahead.

Speaker 6 (14:27):
So I'm a father of six year old and there
was a point where my wife and I was like
the fourth child, and we decided we wanted to go
to Disneyland to go watch a movie. And at that time,
my fourth daughters he was maybe like six or seven
months old, and so we're in the movie and the
baby started crying, and so the attendant came announced us

(14:48):
to leave, and I really got offended at first. It
took me a little while to calm down, but then
I had to look at the perspective of other people.
It's like, you know, people are there to watch a movie.
Yeah it was Disneyland, you know, which is four kids
and adults. But the point really was that I had
to look at the fact that other people and that

(15:10):
it was being disruptive. So I get it. But at
the same time, it's like when you have a child,
like having six kids, my wife and I have learned
we don't go shopping with the kids. You know, I
shot my phone, so you know, it's like at certain
ages you can't really take kids out in public because
they're going to do stuff and you know, and be disruptive.

(15:33):
It's part of being a child. So I just wanted
to share that.

Speaker 3 (15:37):
I appreciate that, and I think there's a line.

Speaker 4 (15:39):
I think, yeah, kids are going to be disruptive and
they're going to be loud, and God bless them, but
there's a point where if everybody else is paying for
something and you're running there what they've spent their hard
earned money on? Because of this, it wasn't a baby crying,
that's fine. It was this baby was screaming like it
was getting.

Speaker 3 (15:57):
Shots.

Speaker 4 (15:59):
Yeah, like five us, six of them at once, Like
they went in, Okay, we're not gonna have to give
you this vaccine. This vaccine, like that's what we're listening to,
that baby getting vaccine shots.

Speaker 10 (16:09):
It was like it was screeching.

Speaker 7 (16:11):
My boyfriend just texted me and said when his youngest
was a baby, that someone at a restaurant told them
to get their baby under control.

Speaker 8 (16:18):
I mean.

Speaker 7 (16:21):
The way they said, he was like, it was really rude.
I mean, yes, we had other people saw, like he said,
other people saw the interaction and that they were like, wait,
your baby's like not that bad, Like don't that was
really really rude. And they ended up taking the baby out.
But that's the woman behind them turned around and said,
get your baby under control.

Speaker 3 (16:39):
A little bit of respect to that, because I don't
have the courage to do that.

Speaker 7 (16:44):
Yeah, I mean, you don't have to be like rude
about it, but yes.

Speaker 4 (16:48):
And if everybody else has paid their money to be there,
they didn't pay to be there with a screeching adult
or baby or or anything. It doesn't have to be
a baby. Yeah, Katie's on and Jacksonville. We'll do one
more call on this. Hello, Katie, Katie, you're on.

Speaker 2 (17:06):
Hey, Hey, go ahead.

Speaker 14 (17:09):
So I I kind of am siding with the mom
on this one. Like I give props to the man
for speaking up and saying something, because I do understand
they're paying. People are paying to go and enjoy a meal.
But there's a saying that you are entitled to a
child free life, but you're not entitled to a child

(17:30):
free world. I have two kids of my own, and
to me in the clip, I haven't actually seen the clip.
It was kind of hard to tell when I was
listening to you guys play it back, but it didn't
sound like the baby was actually crying. It sounded like
she was just like screeching. Was it screeching or was
it an actual like screaming brock.

Speaker 3 (17:48):
Do you ever hear like a fire alarm go off
like that?

Speaker 5 (17:51):
Yeah?

Speaker 4 (17:51):
Yeah, yeah it was or dumb and dumber you want
to hear the most annoying, but it was that in
a baby tone.

Speaker 3 (17:58):
Yeah.

Speaker 14 (18:00):
So, so my thing is is the baby wasn't actually crying.

Speaker 6 (18:03):
She was just screeching, right.

Speaker 3 (18:05):
She said.

Speaker 14 (18:05):
The baby was eight months old around that age, babies
are finding their voice and they're making noises. So it's
like even if she did take the baby outside for
two minutes, she could come back in and the babies
like still making that noise and they're allowed to go
and enjoy a meal too, Like no, you know what
I mean, Like I can see it from both points

(18:26):
of view, Like if I'm sitting in a restaurant and
I hear a toddler screaming crying, like, yeah, I'm gonna
be like, Okay, that's annoying. But also being a mom
of two young kids, I feel like, you know, just
from the mom's I just get over it, you know,
if it's really bothering you that bad, finish your meal
and leave.

Speaker 4 (18:47):
So I do disagree, Yeah, because I'm okay with the
crying baby.

Speaker 2 (18:52):
I am.

Speaker 3 (18:53):
The crying babies are everywhere, you know what, I've noticed
more babies than ever.

Speaker 10 (18:56):
Recently because you have one way.

Speaker 4 (18:58):
That's exactly why I have won any I mean, it's
like when you get a carnal, a green carnals in
every car there's green.

Speaker 3 (19:03):
Yeah, seeing babies everywhere, baby Polo's out there. Wow.

Speaker 4 (19:08):
But yeah, there's a point to where if everybody else
is coming out and they have paid their money to
get an experience and they can't get an experience because
of something that you Again, it could be an adult.
It doesn't have to be just on a baby. Let's
say there's an adult man that's drunk and just singing
really loud in a restaurant, annoying everybodysruptive. You also have

(19:28):
to go, so they need to take you outside.

Speaker 2 (19:31):
So that baby with screeches a loud.

Speaker 3 (19:34):
Yeah, I guess it.

Speaker 10 (19:35):
The only like it gives me.

Speaker 7 (19:37):
I'm trying to understand where this caller is coming from
because she maybe didn't hear the full clip, because I
don't know how you can hear that full clip and
then still think.

Speaker 3 (19:45):
I want to stab yours out that What you're gonna.

Speaker 7 (19:47):
Say is, if you see the video or hear the video,
it's very clear that that the baby should the adults
should remove the baby from that situation, and the adult
might need to go home.

Speaker 10 (19:59):
Like that just is what its like. It's not the reality.

Speaker 7 (20:02):
It's like we shouldn't have to be like, oh, this
is there's babies in the world. It should be like, oh, yeah,
I'm an adult and I can remove the screaming baby
from the public and the dad, I like the dad
that just called in. He was like, I was offended
at first. I didn't get it. But when I take
a step back and consider other people's perspective, I'm like, oh,
I get it now. So sometimes you just maybe need
a step back.

Speaker 3 (20:21):
Well.

Speaker 4 (20:21):
You also said something earlier in the show that I liked.
That was if you're in a place where you can't
get rid of the baby, like take it outside like
an airplane, we all just have to deal with it.

Speaker 3 (20:30):
Yeah, that sucks for you.

Speaker 4 (20:31):
I'm very sorry, and I know that you're going through it.
So I'm just going to be like, Man, that sucks.
I'm gonna be quiet, and I understand you actually can't
walk outside with a baby, and I feel.

Speaker 2 (20:40):
Sorry for you.

Speaker 10 (20:41):
Like a train, a plane.

Speaker 3 (20:42):
A train, where are you you and Europe or what.

Speaker 7 (20:44):
I was just trying to think, like places where you
can't remove it.

Speaker 3 (20:48):
Amy's a hobo. Amy's a hobo with one of those
sticks in a bag. No, there could be like.

Speaker 7 (20:51):
An Amtrak headed from Florida to DC or something and
are next to a screaming baby, Like there's not much
you can do.

Speaker 3 (20:58):
You've walked into the cart. Okay, give them a little bit,
give them a little bit.

Speaker 7 (21:02):
True, Yeah, so you could do that, but yeah, we
have more grace and compassion in an airplane.

Speaker 3 (21:08):
Yeah yeah. I just don't want to be anti baby
because I'm not. I'm just anti anti baby.

Speaker 4 (21:14):
I'm anti that parent because that baby's gonna do what
that baby's gonna do.

Speaker 7 (21:17):
Listen, the four of us, we never agree on anything.
We all think that this is a little ridiculous.

Speaker 3 (21:25):
Thank you for the call.

Speaker 4 (21:25):
I appreciate that, And we don't have to do more
of these because it's just going to be mostly eighty
percent because I'm looking at them agree with us in
twenty percent saying Bobby doesn't have a baby and Amy's
never had a baby.

Speaker 3 (21:37):
That's it.

Speaker 4 (21:37):
So so so that's basically what it was going to be.

Speaker 3 (21:41):
If we took ten calls, that would be what it
would be. If you have anything else you call about.

Speaker 10 (21:45):
You know what, we were babies.

Speaker 3 (21:47):
That's true. Oh yeah, you'll never I remember.

Speaker 4 (21:49):
I remember being like six months being like, hell, you
don't know that. I've been like I shouldn't screech, I
just cry. Oh you remember that? Yeah, yeah, yeah, I remember,
like you know, really having discipline, Like I really want
to screech right now, but.

Speaker 10 (22:02):
If you did screech, you removed yourself.

Speaker 4 (22:04):
I walked out myself and tied myself to the bike
crack because I didn't want, you know, for my parents
to think I was gonna go away, So I just
tied myself to the bike crack outside. Okay, there's that.
Thank you all for listening. Again, you can call us.
We're probably not gonna do many more calls on this,
but if you have something else eight seven seven seventy seven, Bobby, it's.

Speaker 2 (22:27):
Anonymous, anonymous in bomb. Here's a question to be.

Speaker 12 (22:39):
Well.

Speaker 4 (22:42):
Hello, Bobby Bones. My boyfriend and I lived together for
a year. It's been great, but lately I feel like
I'm coming in second to his gaming. He stays up
late planning, cancels plans last minute so he can keep gaming.
He can even brush me off. Now I'm asking for attention.
I suggested that he may have a problem. He laughs
it off like I'm overreacting. But I'm about to reach
my wits end and I'm considering ending it because of this.

(23:05):
I love them, but I can't help wondering if I
should be with someone who actually puts me first.

Speaker 3 (23:09):
Should I give him an ultimatum? If not, what can
I do? Sign dating a gamer?

Speaker 7 (23:14):
You can go first, Amy, Yeah, this sounds miserable and
very unattractive soue. I mean, yeah, you gotta lay it
on something like this sounds problematic. He's canceling plans for
his video game. He's a dialo back. So sure there
needs to be boundaries around the gaming.

Speaker 4 (23:31):
Yeah, I think you need to. I mean it's kind
of a moderate ultimatum. I don't think it's you stop
playing or I'm out. I think it's you have to
be more deliberate with your time for me or I'm out,
because you're not going to get them to stop.

Speaker 3 (23:49):
And you know, gaming that could be something that feels addictive.

Speaker 2 (23:51):
I don't know.

Speaker 4 (23:52):
I don't know if they still say you can get
addicted to gaming. I don't know how you get addicted
to gaming.

Speaker 3 (23:55):
But well, that's because you're not addicted to I think
that some people do great.

Speaker 4 (23:58):
I don't know if they're actually considering because I know
for a while it wasn't addictive anymore. They were just like,
this is something that people regardless, he has to be
able to scale back regardless of what it is. If
you want attention and you're not getting it, you're gonna
feel unfilled. So regardless of what he's doing, if he's gaming,
if he's running and he's gone all the time running,

(24:19):
if he's trying, it doesn't matter what it is. If
he doesn't meet you where you need to be met,
at this or any for any other reason, I think
it's time to look at all, you know, all alternatives,
which is not living with him anymore.

Speaker 7 (24:34):
Yeah, And it's okay to state your needs in a relationship,
and you clearly need more time with him.

Speaker 4 (24:39):
Yeah, So I don't know that it's about. I think
gaming is kind of a symptom, not really the disease,
the diseases. He's just not prioritizing you in your needs.
And if you're with anybody who's not prioritizing you in
your needs, there has to be a difficult conversation because
you're just going to grow more resentful and more resentful
until it does fester in the blister.

Speaker 2 (24:58):
Pops, that's disgusting, that's what puss.

Speaker 3 (25:01):
Yeah, okay, and you're making it even more gross.

Speaker 4 (25:04):
Yeah, but something has to happen because you're just gonna
it's just gonna get worse if you don't address it.
He doesn't have to stop gaming, but he's got to
give you time. That's what I would say to that. Yeah,
so good luck and if that doesn't work, popped blister,
get out, get covered and puss and then get out
of town.

Speaker 3 (25:17):
You know, I mean, yeh, all right, there you go.

Speaker 2 (25:18):
Close it up.

Speaker 4 (25:20):
This kid on TikTok has made over twenty thousand dollars
reviewing school lunches. By the way, he only got TikTok
two weeks ago. Well, yeah, he goes by Big Dog
Davis and he started reviewing school lunches. He has half
a million followers, made a bunch of money.

Speaker 3 (25:34):
Here you go.

Speaker 15 (25:35):
Big Dog Davis started posting on September nineteenth of this year.
His first video already has almost a million views.

Speaker 2 (25:43):
If you don't know who.

Speaker 15 (25:43):
Big Dog Davis is, basically he's like a middle schooler,
I think, and he posts cafeteria food and other food
reviews pretty much every single day. In total, Davis has
gotten about forty one million views so far on TikTok.
This means he's probably made about twenty thousand, five hundred
dollars already.

Speaker 3 (26:01):
You want to hear a big dog. Yes, all right,
here's the food review. My name's Davis, and today's a
reviewing school.

Speaker 2 (26:07):
Dude. Here, let's start off without four today lesson Murray worn.

Speaker 3 (26:12):
And me's a fork some not a time.

Speaker 2 (26:15):
No, he's not a chicken Sinners. It looks kind of weird.

Speaker 1 (26:19):
Go see no crug free out of ten see you
guys tomorrow.

Speaker 2 (26:23):
He's made twenty thousand dollars doing that.

Speaker 3 (26:25):
That's awesome. And only that big dog Davis.

Speaker 4 (26:29):
And you know when he comes in, those cafeteria workers like, okay,
make his plate look good.

Speaker 2 (26:33):
Big dogs here, Big dogs here.

Speaker 4 (26:37):
There's a forklift driver who won a million dollars in
a scratch off, and so.

Speaker 3 (26:44):
He just went hard because he has all this money.

Speaker 4 (26:47):
He went so hard he had to go to the
hospital because of non stop partying because of.

Speaker 3 (26:52):
All of his winnings. That's going hard.

Speaker 4 (26:55):
Adam Lopez went from having nearly seventeen dollars in his
bank account to having over one only three million on
hand after winning a scratch off. He was in the
back of an ambulance a couple months later, suffering a
bilateral pulmonary embolism. I knew what I was doing. I
knew it was going to come to an end. It
came to an end, and the worst way possible. It
was a massive, massive wake up call. The last three months,

(27:15):
he said, he's been burning the candle at both ends.
It allowed me to live the life I've always wanted
to live. This is from the New York Post. He
went so hard a blood clot developed in his leg.

Speaker 2 (27:27):
Oh and on Earth, how hard are you going?

Speaker 6 (27:31):
Yeah?

Speaker 2 (27:31):
What's he doing? Wonder?

Speaker 3 (27:32):
Yeah, what are you doing?

Speaker 4 (27:34):
That's crazy? Like as soon as he hit that money,
he was like that, time to go, time to be free.
I was talking to a guy yesterday. This is a
crazy story where I believe. I believe the world is
bendable and whatever it is that you want to do,
if it's physically attainable. You can't dunkle basketball for you
five two, but you can't build a transplant a dunkle basketball.
There's always a way to do it. I think the
world is completely bendable. With the right strategy, with the

(27:58):
right work ethic, you can do anything you want. I
was talking to a guy yesterday and he hit me up.
He goes, hey, guess some questions because he's got a
show he's doing, and so I met with him and
he's super creative guy, and he said, one of my
dreams was always to go on Shark Tank. And he's
not somebody who knows how to invent stuff, never had
a business. And I was like, yeah, what did you go? Said,
I don't know. I just created this product real quick,
like made it up, and I was on. Then he
sent me the clip how my Shark Tank.

Speaker 3 (28:18):
Oh wow.

Speaker 4 (28:19):
He was like, I just thought it always be fun
to go on Shark Tank. So I just made up
this was product real quick. And it was a can
of wine that you drink with pizza. Okay, it was
like canned wine that goes perfect with pizza appearing and he.

Speaker 3 (28:35):
Was on Shark He sent me the whole clip of it.

Speaker 4 (28:37):
And I was like, I don't know, I don't know,
I don't know. I was just like, so, wait, you're
not like an entrepreneur. He goes, no, I literally just
wanted to be on Shark Tank. And so I was like,
let me create an idea the prod and so he
created a can of it looks like a red bull
shaped can.

Speaker 3 (28:56):
Pie wine is what Mike just found it. Pie wine
is what I Wine.

Speaker 4 (29:00):
It did not receive investment from any of the Sharks
due to conflict of interests from other businesses and the
company's recent launch. The founder's pitched their can sparkling wine
and designed a pair with pizza and left without a deal.
It wasn't even a real thing. So he literally just
wanted to literally just wanted to be on the show
the idea and got.

Speaker 2 (29:16):
On the show.

Speaker 4 (29:17):
If you want it bad enough, you can do whatever
you want.

Speaker 3 (29:20):
You know who else. I was always wanted to go
on Shark Tank.

Speaker 9 (29:23):
Oh oh you yeah, I know, but I just haven't
had a great idea yet.

Speaker 3 (29:27):
This guy didn't either, I mean came up with it
real quick. Yeah, he's not a guy who does this.
He was just like, I want to be on Shark Tank.
So he put forth the effort and made this.

Speaker 2 (29:33):
So which guy did you meet with? There's two of them.

Speaker 3 (29:35):
Yeah, well it isn't Yeah, yeah, right out of home.

Speaker 4 (29:40):
So and that was just a part of it because
he was he was just talking about some of the
stuff that I had done, and he was like, you know,
I did this thing on Shark Tank.

Speaker 3 (29:47):
I was like, you're on a shark tankers.

Speaker 2 (29:48):
Yeah, I just want to be on a Shark Tank.

Speaker 3 (29:49):
So I just made something. We just made this up
real quick.

Speaker 2 (29:50):
That's cool.

Speaker 4 (29:51):
So you do anything you want if you want it
bad enough, and you'll spend time doing it, investing in it,
getting things right, getting things wrong. You two can end
up on Shark Tank. Lunchbox it man, I remember these people.
I'll take a little bit of effort.

Speaker 9 (30:04):
Well, I mean, I gotta have a good invention. Pie
One's making it now.

Speaker 3 (30:07):
I don't wait, are they not really? I don't think No.

Speaker 2 (30:10):
They still got a website and you can buy the
pie one. Yeah.

Speaker 3 (30:13):
I think I could make a website and sell something
pretty easily too. Anyway, that's all the world is endable.
You can do whatever you want if you want it bad.

Speaker 2 (30:20):
It's time for the good news.

Speaker 3 (30:22):
Bobby, Which bear is the bad bear? The black bear?

Speaker 2 (30:32):
The brown bear?

Speaker 3 (30:32):
Oh? Black is black brown? Are you just trying to
find rhymes?

Speaker 7 (30:38):
Yeah, because I feel like at one point we came
up with something to help us. Remember which one is
more dangerous?

Speaker 4 (30:43):
Well, you're not gonna run into both of them at
the same time. So mostly it's geographically where you are, right,
So it's mostly like if you're in certain areas and
you see a bear, that's a bad one.

Speaker 3 (30:51):
Okay, so it just depends where you are. No, no,
but what's the bad one?

Speaker 7 (30:54):
A bad one? Brown is like you're gonna drown. I
don't remember what is it?

Speaker 3 (31:01):
Brown's bad?

Speaker 2 (31:01):
Okay?

Speaker 3 (31:02):
Brown is Brown's a grizzly I mean brown can be
a grizzly bear.

Speaker 4 (31:04):
Black bears we had in Arkansas and you know, really
nothing to them.

Speaker 3 (31:08):
Well, they eat your garbage. They can still hurt you,
but yeah, not a big deal.

Speaker 2 (31:11):
All right.

Speaker 4 (31:12):
But there's this guy, Craig Campbell, and he goes out
and he's with his dog, and so they come across
a grizzly bear, which is.

Speaker 3 (31:19):
The cute black ones.

Speaker 2 (31:20):
No shoot, no, I.

Speaker 3 (31:25):
Got it, I got it. Brown make you frown, okay,
whatever it takes to rhyme.

Speaker 4 (31:29):
Yeah, yeah, So they come into contact his grizzly bear.
The bear stands up on its hind legs, which means,
well you're about to get eaten or attacked. And the
dog just takes off at the bear and like starts
barking at the bear, running up like running into the
bear's legs. So the bear was like, this thing's annoying.
I'm out, so the dog scares away the bear. They

(31:51):
almost died. Well, now they're inducting that dog into the
Hall of Fame, the Purina Animal Hall of Fame.

Speaker 2 (31:57):
That's awesome.

Speaker 4 (32:00):
A Doberman named Knight has just been inducted into the
Purina Hall of Fame for rescuing his owner from a
grizzly bear. Most dogs will flee from a bear. My
dog runs out him, says Craig. He's a very brave dog.
That's from CTV News. Okay, here's a rhyme that most
people say. There are round bears. If it's brown, lay down.

(32:20):
If it's black, fight back. If it's white, good night.
Because the polar bear you're in a bad place. You
ain't getting out, oh.

Speaker 3 (32:25):
Man, Okay, so you need to lay down.

Speaker 4 (32:29):
You're not running from it, right because they're a lot
faster than you and stronger. So I don't know that
would lay on the ground like I act like I'm
taking a nap, like I'll full it. Maybe it won't
bother me, right, But yeah, that's the rhyme.

Speaker 7 (32:40):
Okay, if it's brown, lay down because you don't want
to frown.

Speaker 3 (32:44):
Okay, now you're rapping.

Speaker 2 (32:48):
Black.

Speaker 3 (32:49):
Fight back.

Speaker 4 (32:51):
If it's white white. Are you in Alaska out in
the snow?

Speaker 6 (32:55):
Yeah?

Speaker 3 (32:55):
Get out of there, man, all right, that's what it's
all about.

Speaker 2 (32:58):
That was tell me something good.

Speaker 3 (33:01):
I got an alert on social media that Dog the
Bounty Hunter followed me. I thought he was dead.

Speaker 2 (33:06):
He was dead, right, Yeah?

Speaker 4 (33:08):
Because I googled I think his name is Dwayne Chapman
and it says no, he's alive.

Speaker 3 (33:13):
Mike, would you make sure because I could have googled
that wrong.

Speaker 2 (33:15):
Maybe it was his wife that pass away.

Speaker 3 (33:17):
Oh yeah, maybe she you see.

Speaker 2 (33:20):
Yeah, he's alive, seventy two years old. Whoa?

Speaker 3 (33:23):
So did Beth pass?

Speaker 2 (33:25):
Yes?

Speaker 4 (33:25):
Yeah, because he had a new girlfriend. They were on
like Mary povid or something. Hm.

Speaker 3 (33:29):
But I gotta follow from somebody. I thought it was dead.
So why did he follow you?

Speaker 4 (33:33):
Just I didn't reach out and be like, hey, dog,
what's up? Why'd you follow? But I've put together are
they alive or not?

Speaker 2 (33:41):
Game? Okay? Because Dog the Bounty Hunter is alive? What
would you have bet dead? Yeah? I got rude? Is
that rude of us? It's just weird because I thought
he was dead too.

Speaker 3 (33:53):
Maybe he was near death?

Speaker 15 (33:55):
Was he?

Speaker 4 (33:55):
Yeah?

Speaker 2 (33:56):
What's that job?

Speaker 3 (33:57):
You're always kind of near dead.

Speaker 4 (33:59):
Yeah, Bob Barker, you can answer, oh dead, yeah, Yoko?

Speaker 3 (34:05):
Oh no, you know that is yeah?

Speaker 2 (34:10):
Who is it?

Speaker 3 (34:12):
John Lennon's muse? Okay, love, Okay. Are they ever married?

Speaker 2 (34:21):
Yeah? I think so, we're married. You maybe think maybe
they weren't.

Speaker 3 (34:24):
With all the words you.

Speaker 7 (34:25):
Were using, I know, I didn't know if they just
were together like partners, but not Yoko. Oh no, Sure
she's alive.

Speaker 3 (34:34):
Ninety two years old, ave okay. Dick van Dyck rest
in peace. He said he's ninety nine and alive.

Speaker 6 (34:44):
Wow.

Speaker 4 (34:44):
Sorry, he turns one hundred in December, and I saw
a story where he was joking it'd be funny if
he died right before it's hundredth birthday.

Speaker 2 (34:51):
Oh still got to get.

Speaker 3 (34:52):
Into humor, Okay, I was wrong about that. Olivia Newton John, Oh,
she passed.

Speaker 4 (34:58):
You know, sometimes you can watch a video and see
somebody when they were younger and go, I have like
a retroactive crush on this person. It was a Livy
Newton John when she was in her thirties, because she
was so talented, like great singer. Obviously she was Sandy
and Greece and I did that play also in high school.
I don't think that's fully it. But you know she
was a country singer too before she went. And you know,

(35:18):
I don't know if she did a pop first or country,
but I think country, all right. Jimmy Carter, Oh, he passed. Yeah,
he died a one hundred. He did make it to
one hundred.

Speaker 3 (35:29):
Dan Rather, Dan Rather, he's he's alive and well, I
don't know if he's well, but he's ninety three, Kim Rather,
ninety three, crazy Tom broke.

Speaker 7 (35:46):
Aw, Tom broke Aw. You see he's alive.

Speaker 2 (35:52):
It's eighty five. Yeah.

Speaker 3 (35:53):
I had dinner with one of those two. You don't
remember which one was it? I I do? They are interchange, Yeah,
yeah it.

Speaker 2 (36:01):
Was broke of Yeah. Was it with the ceover company?

Speaker 3 (36:03):
It was me broke on CEO, yeah, broke off Yeah,
super nice guy. Okay, so it wasn't Nan Rather than.

Speaker 2 (36:09):
I can stop saying that.

Speaker 3 (36:10):
Because I kind of just say both and I kind
of hedged that.

Speaker 4 (36:13):
Yeah, mister Rogers, he has passed.

Speaker 3 (36:21):
I don't know. Mister Rogers died in two thousand and three. Ok.

Speaker 4 (36:24):
Yeah, he would have been he was seventy four years old.
Clint Eastwood alive, Yeah, ninety four years old, sir mix
a lot.

Speaker 3 (36:35):
Alive?

Speaker 2 (36:36):
Yeah, sixty two years old? Wow, sixty two.

Speaker 4 (36:40):
Barbara Walters, Oh, guys.

Speaker 3 (36:47):
I don't think you missed one, have you?

Speaker 7 (36:48):
Yes?

Speaker 3 (36:48):
I have you?

Speaker 7 (36:49):
Yeah, DVD Nick Van Dyke TVD.

Speaker 3 (36:55):
I've never heard of that ever. I gave DVD though,
And he's alive. Barbara, she passed twenty twenty two, she died.

Speaker 2 (37:06):
Yeah, I didn't know that.

Speaker 4 (37:08):
James ear Old Jones, he's alive dead, died in twenty
twenty four, so pretty recent.

Speaker 3 (37:17):
Screech Dustin Diamond, save with the bell. Oh did he
die or just near death? Oh? Sadly he's passed?

Speaker 2 (37:28):
Are you sure?

Speaker 3 (37:29):
I believe so? Yeah, he died in twenty twenty one. Yeah.
Diana Ross, Oh.

Speaker 7 (37:36):
I just read something about her kids the other day.
It was like famous people you didn't know or related
to other famous people like Ashley Simpson.

Speaker 3 (37:44):
Diana Ross friend his mom.

Speaker 7 (37:47):
Yeah, yeah, so Diana Ross is her stepmom. But I
don't know if they said was her stepmom, like mother
in law or yeah, sorry mother in law, like if
if she passed or is so I'm gonna says, I
just read that article.

Speaker 3 (38:01):
She's alive eighty one years old. The live It's a
long way to get there.

Speaker 4 (38:05):
Okay, Hammer alive, he died, he's live.

Speaker 3 (38:11):
Okay, he's sixty three. One more boy, George.

Speaker 2 (38:14):
Oh.

Speaker 10 (38:17):
Any meanie miney dead?

Speaker 3 (38:20):
Weird way to do that. That's a weird game.

Speaker 4 (38:23):
Alive, Oh, George, Michael's dead.

Speaker 2 (38:27):
He's dead? I think so.

Speaker 3 (38:29):
Yeah, dang both like British pop.

Speaker 2 (38:33):
Yeah, I'd be your father figure, can you?

Speaker 3 (38:37):
Can you sing the rest? Yeah? I will be your
father figure hands and.

Speaker 2 (38:46):
I will be your pacha of.

Speaker 15 (38:51):
You know that?

Speaker 2 (38:52):
No good on, thank you anyway.

Speaker 9 (38:54):
Dog the Bounty Hunter followed you following It's alive, and
well we're happy for dog.

Speaker 2 (39:01):
Keep it up, Dog, stay alive.

Speaker 4 (39:04):
I did a whole interview with Lionel Ritchie in a
theater in Austin, Texas.

Speaker 3 (39:08):
And you know, he wrote Lady for Kenny Rodgers.

Speaker 4 (39:11):
Lady you familiar with that, and so he talks about
that song, how he wrote it and the success of
him going solo after he wrote that song for Kenny
Rodgers on the Bobby Bones Show. Now, I, Richie, I
want to talk about songs specifically, and let's bounce around
through some songs.

Speaker 3 (39:29):
And Lady is so interesting. To me because I loved
Kenny Rodgers.

Speaker 4 (39:32):
Yep, like I got to know him a little bit
before he passed away a few years.

Speaker 3 (39:37):
Loved him.

Speaker 4 (39:38):
You know, he's known for that song that you wrote,
but it really wasn't lady. You had it as like baby,
and he was just telling you a story and you're like, yep,
it's lady.

Speaker 5 (39:46):
Kenny Rogers said, call me on the phone one day
and said, I want one of those ballads.

Speaker 2 (39:52):
You got one? And I said, yeah, I got one.

Speaker 5 (39:56):
We are just finishing up the album and now, of
course I I had a song called Baby for the
Commodore's album and they said to me when I walked in,
we don't want another love song. I called Kenny on
the phone and said, you want that song? He says,
I do. I said, I'm available, because that's Kenny Rogers.
You returned his phone call. You see, he said, meet

(40:19):
me in Vegas. I get to Vegas and there he
is in the dressing room, bigger than life, and he
starts telling me this story. He says, you know I
just got married. I said, congratulations, I heard that. He says,
you know I'm married a lady. I mean, I'm from Houston, Texas.
And I don't know why on earth that Maryanne is

(40:41):
so refined.

Speaker 2 (40:42):
I have no business being with a lady.

Speaker 5 (40:45):
This lady is so amazing, linel she does things that
I would have never just taste, I've never seen. He
went on, this lady, this lady. He said, By the way,
what's the name of the song you wrote for me?
I said, lady, ain't stupid.

Speaker 2 (41:05):
The brother ain't stupid, baby, Lady, the same damn thing.

Speaker 5 (41:12):
Right now. He's excited because it's right on the story.
He wants to talk about it all right now, let
me hear it. Wow, now this is commodore pitching one
oh one. Lady, I'm your nine and shining Ama, and
I love you. You have made me what I am

(41:34):
and I am your And Kenny said, what's next? And
I said, you like it? He says, I think it's brilliant.

(41:56):
What comes next? I said, well, if you like it,
I'll finish it. And that's the beginning of lady.

Speaker 4 (42:06):
One of the interesting things about your story of going
solo wasn't you going I am going to go solo?
It was the awkward predicament of them saying to you
and your band, you guys are now just going to
follow Lionel, and it put you in a very weird place.

Speaker 5 (42:21):
I was perfectly happy being a member of the Commodorees
and had no thought in my life to leave this band.

Speaker 2 (42:30):
I did not want to go solo.

Speaker 5 (42:33):
I had the band. I had everything I needed. I
discovered I could write by this time. I didn't have
to play the saxophone too long because I had to
be able to sing more than I could play the sacks.
This is good news. Now came the problem reviews. Everything
was fine until Lady. Now they know me as the writer,
and they don't know the rest of the guys, but

(42:55):
they know Lionel Riches and the Commodorees, and he wrote Lady.

Speaker 2 (42:58):
So now you go back to the.

Speaker 5 (43:01):
Band to do interviews on behalf of the band, and
here are the questions. Here's the line that stabbed everybody
in the in the chest. What's the guy like Lionel
Richie doing in the funk band like the Commodorees. Now
try to go back to rehearsal after that.

Speaker 2 (43:18):
On the Bobby Bones Show.

Speaker 4 (43:19):
Now, Richie, the places that songs come from. Nothing felt
as random to me as Hello, how that song came
to be?

Speaker 5 (43:32):
What I love most about writing. It's got to be simple.
If it ain't simple, you won't remember it, neither will I.
And when you have add you need it simple.

Speaker 2 (43:41):
All right.

Speaker 5 (43:41):
Now, I was playing around with my co producer, James
Anthony Carmichael.

Speaker 2 (43:47):
He was late, and when he walked in.

Speaker 5 (43:49):
I said, Hello, is it me you're looking for? He said,
the damnedest thing I'd ever heard in life? Finished that
song and I said, wait, wait, wait, wait wait, I said, James,
that's the corniest line I've ever heard in my life.

Speaker 2 (44:06):
Hello, is it me you're looking for?

Speaker 5 (44:07):
Can't be a song? He said, I'm telling you. Finished
the song, brother Richie, you got something. And I went
back and reluctantly I put some chorus to it, wrote
the damn song.

Speaker 2 (44:16):
He said, let's record it. I said, James, I'll be.

Speaker 5 (44:20):
Laughed out of the business with Hello, Is.

Speaker 2 (44:22):
It me you're looking for? He said, let's record it?
All right.

Speaker 5 (44:26):
We record the song and then I loved it and
he hated it.

Speaker 2 (44:30):
Why it's too heavy?

Speaker 5 (44:32):
So I went off somewhere and wrote a song to
kick Hello's ass and wrote Truly. Now I'm sitting there
and I have truly, and we threw some more songs
off the record.

Speaker 2 (44:46):
Do I throw off Hello and replace it with Truly?

Speaker 5 (44:49):
Or do I keep Hello and put it out At
the same time, we threw another song off because it
was just too risque, call All Night Long.

Speaker 2 (44:58):
But the point was to show you the insanity was
I was trying.

Speaker 5 (45:05):
My whole concept was, how do I get people's attention.

Speaker 2 (45:09):
You have to do something crazy.

Speaker 5 (45:11):
I ain't taking on my clothes, so I gotta shock
you with something that you ain't ready for. And so
I wrote this Calypso song, and it's got the feeling
and the thought. Okay, it was just too long and
it was too much stuff, and it had too many layers.
So we threw this off. I'm walking down the hall
one day at the studio. This music is playing in
the second day. Oh my god, it's just kicking and

(45:33):
the thing is happening. And I decided just to make
sure I have that uptempo song covered. I wrote Running
with the Night to cover in case we don't need
All Night Long. Truly was the first single. Truly was
also my first Grammy Hello. We threw off the album

(45:54):
the very last minute. We put All Night Long on
and Running with the Night and that was the national
I'm of my life story. Hello all night long, running
with the night get out of town.

Speaker 4 (46:09):
Blunchbox wants to know why he doesn't get invited to
company outings because some people got invited to the outing
right correct.

Speaker 9 (46:16):
There was someone in the hall the other day, the
guy that runs this building, I don't know what you
call him, the GM and he was like talking to
Gator and then he was like, so you come into
the golf thing at a top golf this week. And
Morgan goes, oh, I got invited to that. I think
I'm going to come. And I'm like, what, I didn't
get invited to that? And I told Morgan, I said,
why didn't I get invited? She goes, no, no, it

(46:38):
came to your email. It's in your email.

Speaker 3 (46:40):
Did you check it?

Speaker 2 (46:40):
Checked it? Morgan? Was there anything in my email?

Speaker 5 (46:42):
I don't know.

Speaker 2 (46:43):
There was nothing in.

Speaker 9 (46:45):
My email.

Speaker 2 (46:49):
In my email.

Speaker 9 (46:49):
So then I went to the head of the building.
I was like, hey man, how come I'm not invited
to this? He goes, oh, you didn't get an email.

Speaker 3 (47:00):
What do you think happened?

Speaker 9 (47:02):
Why don't they want me at these company outings? I
don't understand what would be your theory. Let's say you're
one of us and you asked that question. I think
maybe they the fear of rejection. Maybe because we're such
a big deal that they think, oh, they don't have
time to hang out with us. Interesting, and so we're
not even to waste time to invite them. Do you

(47:23):
think that you got invited right?

Speaker 2 (47:25):
Us?

Speaker 3 (47:26):
Like me?

Speaker 9 (47:26):
You Amy Eddie, you know we're kind of the bigger deal.

Speaker 2 (47:29):
Oh I got invited.

Speaker 3 (47:30):
Yeah, I'm checking my Yeah, I gotta invite it.

Speaker 2 (47:32):
Man, I got the email right here. Actually, what's it say?
Oh dude, I saw Top Golf on I'm like, this
is cool.

Speaker 8 (47:39):
It says you are invited come hang out and play,
have some drinks and eat some snacks. Please accept an
invite if you could plan on attending.

Speaker 2 (47:47):
There we go.

Speaker 3 (47:48):
So that theory out the window.

Speaker 2 (47:51):
Oh then I don't know. This is maybe he doesn't
like me. Amy, Did you get invited?

Speaker 3 (47:55):
I'm checking right now. I have to logging into our email.
You gotta have a verification. It's a hassle. I haven't
checked that email like two years.

Speaker 2 (48:03):
So, but what would be your theory? Why would they
not want me at the top go?

Speaker 3 (48:07):
I don't want to get my theory.

Speaker 8 (48:08):
Oh you have a theory, though, I don't want to get.

Speaker 3 (48:10):
My theory because it's not nice.

Speaker 2 (48:13):
What do you mean?

Speaker 4 (48:17):
I mean?

Speaker 8 (48:18):
I do see it says like, enjoy some drinks and snacks.
Are they worried he's gonna bring his whole family?

Speaker 6 (48:23):
You know?

Speaker 2 (48:24):
Possibly you've done that before.

Speaker 9 (48:25):
That could be something I didn't even think about that.
I wouldn't even have thought. You know, it didn't say.

Speaker 4 (48:31):
You would have Could you take? You take your family
things all the time that aren't family things.

Speaker 2 (48:36):
If it's said, hey, this is a family event, cool.

Speaker 3 (48:39):
That Chris Jansen release was not a family event.

Speaker 2 (48:42):
Uh? It says all in.

Speaker 3 (48:44):
That was the name of his album.

Speaker 2 (48:46):
When you say we were having an.

Speaker 3 (48:47):
All in party, that's the name of his album.

Speaker 2 (48:49):
Sorry, you think everybody's allowed in? Wait?

Speaker 3 (48:51):
When was this sent exactly?

Speaker 2 (48:53):
Amy?

Speaker 3 (48:55):
Tell me yesterday?

Speaker 2 (48:56):
Yesterday? Hmm.

Speaker 3 (48:59):
Amy starts to get No, I'm not going to get mad.

Speaker 9 (49:01):
I'm just going to did you get a secondary?

Speaker 16 (49:03):
I assume they don't think I checked this so well, Morgan,
do you want to know some information that I found out? Yeah, Carol,
I found out that Lunchbox is on the MVIT list.

Speaker 2 (49:15):
But it's on an email that.

Speaker 3 (49:16):
He doesn't pay any attention to. Huh, they went and
checked and you were on it.

Speaker 16 (49:20):
It's one of your two email addresses that are associated.

Speaker 3 (49:23):
With work, and you have two email addresses.

Speaker 2 (49:25):
I don't have. I don't have two email addresses.

Speaker 3 (49:29):
Do you know how to check either one of them?

Speaker 2 (49:30):
Yeah?

Speaker 9 (49:30):
I have the other one pulled up right here, and
there's nothing. Why does he have a second email address.
I don't know anything about that.

Speaker 3 (49:35):
Nobody knows, honestly, I'm not.

Speaker 2 (49:38):
How he got to but.

Speaker 9 (49:41):
I mean, you see, you're thinking they did it on purpose.

Speaker 16 (49:44):
No, okay, because you said you got invited.

Speaker 2 (49:48):
You got invited.

Speaker 15 (49:49):
There you go.

Speaker 2 (49:51):
They made up an email address for me so I
would never see it.

Speaker 4 (49:53):
Everything that they invite him to is to have fake
email adress you can't log into.

Speaker 3 (49:57):
And they're like, no, man, we sent it. What email
did they in? Mind?

Speaker 2 (50:00):
You? You didn't get invited either, We see.

Speaker 7 (50:03):
It, But I mean they may know that I don't ever.
I mean, but I have a work email that all
the bosses. No, no, sorry, I have my personal email
that all the bosses noticing things too.

Speaker 3 (50:12):
And then do you want to go lunchbox?

Speaker 9 (50:16):
Well? No, I feel like I'm not wanted now, and
so I feel like there's a lot of those things
you got to here, What you know, can you still
show up? What else have I been that I'm not
wanted to? I mean that's what I'm saying. Like they should,
they should really invite me individuals Like I'm the biggest thing.

Speaker 2 (50:33):
In this building.

Speaker 8 (50:34):
Okay, I'm the biggest thing in this building.

Speaker 9 (50:43):
I mean, have you guys not walked around this building.
There's not that much talent in this building. I think
it's a fair amount of talent in the building. Really, Yeah,
where do you think you rank?

Speaker 2 (50:55):
Oh? I mean you're the biggest, so I rank it.
Tear it up.

Speaker 9 (50:58):
I mean it's probably Bobby and I up there.

Speaker 3 (51:02):
At the top are together tight as one.

Speaker 9 (51:04):
Yeah, and then Amy, Bobby, were you invited?

Speaker 2 (51:12):
And then and then who else?

Speaker 15 (51:13):
Who else?

Speaker 3 (51:14):
Would I hope not? I got invited to Keith Urban
High and Alive.

Speaker 2 (51:19):
Oh I did too.

Speaker 4 (51:20):
Raymondo got invited to Lanny Wilson to her show, but
it was only for one and you got mad.

Speaker 7 (51:25):
Yeah, Dason, But I mean I think that's because she
has a very popular show, and if they're extending invites
they're saying, Hey, all of y'all can come, but there's
no show.

Speaker 9 (51:33):
Yeah, it was a bridge down a rena. Yes, I
it's very popular right where people went. I mean that's
like a book signing.

Speaker 3 (51:40):
Yeah, there's gonna be a lot of people there, at
least like forty.

Speaker 7 (51:43):
No.

Speaker 3 (51:43):
I meant like they only have.

Speaker 7 (51:45):
So many tickets, so to be able to extend even
gifted tickets to us. It's like if everybody was able
to bring a plus one, that would be.

Speaker 9 (51:55):
Because when you went to the show, if you went,
I mean, what I've been told from people is that
one person this building brought his wife his daughter. The
other person brought a wife. And these are people that
just worked behind the scenes, not even on air. People
like you think they would give all.

Speaker 7 (52:09):
Plus one the wife and daughter if you're referring to
like the program director of the station, Like that makes sense,
does it?

Speaker 2 (52:16):
Gator another name came out.

Speaker 7 (52:21):
Anonymous Blum says, they have there.

Speaker 3 (52:23):
Behind the scenes. They have nothing to do with it.
He actually has like multiple stations all across the country. Yes,
of course he's a decision maker. His rankings are his
rankings of the building are. The lady's music is played
on radio.

Speaker 2 (52:37):
Were you irritated by that?

Speaker 3 (52:38):
Yeah, because McKitty brought a random girl from Chicago.

Speaker 9 (52:41):
Exact plus one?

Speaker 3 (52:45):
That one?

Speaker 2 (52:46):
Is it?

Speaker 3 (52:46):
Maybe it's because.

Speaker 2 (52:47):
He's a decision maker too.

Speaker 7 (52:48):
Though if we did, like we didn't take our tickets
to maybe that opened up a ticket for a good point.

Speaker 2 (52:54):
Chicago friend took her ticket, she got one ticket.

Speaker 9 (52:58):
Okay, okay, you're not owed anything.

Speaker 2 (53:01):
This weird.

Speaker 9 (53:02):
I'm just saying I didn't get invited to the golf.
Then there's no I mean, it's a lot of disrespect.

Speaker 4 (53:07):
My favorite is there's somewhere a mysterious email that Lunchbox
never checks that people send invites to because they know
he can't get to that.

Speaker 10 (53:13):
Is it like your Yahoo?

Speaker 3 (53:15):
Don't you have a Yahoo?

Speaker 2 (53:16):
I have a hotmail?

Speaker 3 (53:17):
Okay, hotmail, No way, that still works.

Speaker 4 (53:22):
Now.

Speaker 2 (53:22):
I go to my hotmail every day.

Speaker 4 (53:24):
I'm sorry that you guys didn't get an extra ticket
to Lanny. I'm sorry that you misplaced your golf invite.

Speaker 9 (53:30):
Little I didn't misplace it. They did it on purpose.

Speaker 2 (53:32):
They put it.

Speaker 9 (53:33):
They know an email that I don't have that they
just made up. Look, oh no, come on, man, show
me some respect.

Speaker 3 (53:39):
And what would you like, what would you like from
this to happen?

Speaker 9 (53:42):
I would like some respect, like a personal invite.

Speaker 4 (53:44):
What about you stop yelling things like I'm the most
important part of the person in the building.

Speaker 2 (53:48):
But it's true. I don't.

Speaker 4 (53:50):
I would argue that it's not, but it's not my
argument to make. So where would you rank us?

Speaker 2 (53:54):
I'm not ranking us.

Speaker 4 (53:56):
I mean look at I mean I would say there
are national sales people in the build thing that sells
so much that they would be ranked above certain people
on the show.

Speaker 2 (54:05):
He means to you mean talent right now?

Speaker 3 (54:06):
Because he was like, they're behind this change people.

Speaker 9 (54:09):
Yeah, yeah, you know you know how they're able to
sell those things.

Speaker 2 (54:12):
Because of us.

Speaker 9 (54:17):
That's true, It's true.

Speaker 4 (54:20):
Whatever you say, man, I feel weird me too. This
is just a weird situation. So he didn't get invited.
Maybe take that as a sign to what, well, however
he wants to do, however he wants to take it.

Speaker 3 (54:33):
Ye, whatever he can do to grow from this, I
hope he does.

Speaker 2 (54:35):
He grows from that.

Speaker 5 (54:37):
It's time for the good news.

Speaker 9 (54:44):
Siana Barton was born with a very bad heart defect,
and so she spent nearly three years in the hospital
waiting for a new heart, and her community rallied together
fund raised money for the hospital bills.

Speaker 2 (54:58):
She flew down the Texas out a new.

Speaker 9 (55:00):
Heart, and after three years in the hospital, she has
come home to a parade of purple and pink balloons,
people throwing candy at.

Speaker 2 (55:08):
Her big celebration. For three years.

Speaker 9 (55:11):
Yeah, like she was okay for like two years, but
then after that she went to the hospital and has
been there since she was two years old.

Speaker 3 (55:18):
Huh do you live in the hospital?

Speaker 2 (55:20):
Yeah, nine hundred and seventy five days.

Speaker 3 (55:22):
Wow, that's crazy.

Speaker 2 (55:24):
They build you like a condo.

Speaker 3 (55:25):
Is they're like a part of the hospital that's a condo?

Speaker 4 (55:27):
Or do you like live right beside the hospital like
Saint Jude, Right, if you're like going over to Saint Jude,
you have apartments?

Speaker 3 (55:32):
Yeah, this seems like a long time to be living
in a hospital.

Speaker 9 (55:35):
Nine hundred and seventy five days in the hospital.

Speaker 2 (55:39):
I saw.

Speaker 9 (55:39):
I'm just saying it says in the hospital, So I
assume she wasn't next door, she wasn't around the corner.

Speaker 2 (55:43):
She was in the hospital.

Speaker 3 (55:45):
Let me get this straight. Nine five days.

Speaker 2 (55:48):
Yeah, that's almost three years. Dang, that's great. That's awesome.

Speaker 3 (55:52):
A great story.

Speaker 2 (55:52):
That's what it's all about. That was telling me something good.
Wake up, Wake up in and it's on the radio,
and the Dodgers.

Speaker 4 (56:08):
Already lunchbox mor game too, Scoop Steve Red and it's
trying to put you through bog He's running this week's
next bit. The Bobby's on the box, so you know
what this this.

Speaker 17 (56:24):
The Bobby Ball.

Speaker 4 (56:25):
No time for Amy's Morning Corny, The Morning Corny?

Speaker 7 (56:32):
What type of music do the planets like? Why are
you trying to figure this out? Is an investigative?

Speaker 3 (56:41):
Do the planet's like? Yeah, Neptunes?

Speaker 2 (56:50):
That was the Morning Corny.

Speaker 17 (56:52):
Bobby Bone show up today. This story comes us from Louisville, Kentucky. Hey,
we called in it to go order to Little Caesar's Pizza,
Pizza Pizza. She shows up and says, Oh, I'd like
some extra marinara sauce. They said it's a dollar a packet.
She said, it's an extra dollar for marinara sauce?

Speaker 18 (57:12):
Are you freaking kidding me? And then she starts kicking
things off the counter, kicks the register off, throws things
all over. The restaurant calls about one thousand dollars in damages.

Speaker 4 (57:23):
I think she had a bad day. It wasn't really
Marinara Sauce. Maybe a bad couple of days, you know,
maybe maybe a bad week to react like that. And
also you can throw it. You can kick a register off.

Speaker 18 (57:32):
It's just like a computer screen now, like a real
thin like most iPad.

Speaker 3 (57:36):
Yeah, like a register then regil but cash. I know.

Speaker 7 (57:38):
I had this argument with my daughter who now works
the cash register where she works, and I call it that.
I'm like, because she was wearing her gloves while doing it.
That's a bonehead. I'm like, don't touch door your gloves
and touch the screen and then go touch food.

Speaker 3 (57:50):
No, we don't see that, but I would say that
wouldn't be a cash right now.

Speaker 7 (57:54):
I know that's exactly she goes, cash register. Mom, it's
an iPad. I said that your exchanging money.

Speaker 2 (57:58):
She goes.

Speaker 10 (57:59):
But we're a cash list star, right, So it's oh
and I'm like.

Speaker 2 (58:02):
So what is it.

Speaker 3 (58:03):
It's just theism.

Speaker 4 (58:05):
Center, Oh boyment center, an iPad.

Speaker 3 (58:08):
There's no register to it.

Speaker 7 (58:10):
Yeah, it's the Apple pay Yeah yeah, yeah, okay, I'm lunchbox.

Speaker 9 (58:15):
That's your bonehead story of the day.

Speaker 4 (58:18):
I got a new podcast up. It is me with
a Lionel Richie. We were in Austin together and we
did over an hour in a theater just talking about
his life. And so Linel Ritchie was nineteen years old
and Michael Jackson was thirteen years old, and Linel Richie
was kind of the lead of the Commodores. And so
he was with Michael Jackson at Madison Square Garden opening
up for the Jackson five.

Speaker 2 (58:38):
Michael was about that tall. But to this day, I
would have loved to have done a DNA test to
find out just how old this kid was. This was
a full grown man. And we're backstage and he peeks
around the curtain and I peek around the curtain.

Speaker 3 (58:52):
He says, Lionel, Lionel.

Speaker 5 (58:55):
We sold out Madison's Square guards And I said, you
sold out?

Speaker 3 (59:00):
Is this good guy? I'm hanging with you.

Speaker 4 (59:03):
He then talked about how because he got a divorce
and how that divorced changed his views on love.

Speaker 2 (59:09):
I got suspicious because I was in divorce court.

Speaker 5 (59:12):
And I said, but God said, and the man said,
let me remind you, mister Richie.

Speaker 2 (59:17):
God has no voice in my court room. I said,
So let me get this straight.

Speaker 5 (59:23):
It took one country preacher to get me in it,
and four Beverly Hills lawyers to get me out of it.

Speaker 2 (59:30):
Wait, half of my estate.

Speaker 5 (59:32):
I got a lesson Here, I am being this love songwriter.

Speaker 2 (59:36):
Here I am.

Speaker 5 (59:38):
People go in linea as just the greatest lover of
all times?

Speaker 2 (59:42):
How in the world could I be paranoid of love?

Speaker 4 (59:46):
So he talked about his divorce from his first wife
and how it was like, you know, he got married,
went to his preacher and was like, hey, can you
help me? And the preacher was like, we never had
a divorce here, like his Alabama preacher. Yeah, and then oh.

Speaker 10 (59:57):
Wow, yeah, and like I have never dealt with that before.

Speaker 4 (01:00:00):
So then he went back to LA and it was
like a whole team had to get him divorced. He
was like, yeah, one preacher got me in, four lawyers,
three other lawyers. Yeah, a prenup, everything got me into
the next one. So yeah, check it out. It's all
up on the Bobby Cast. Go search for it. I
hope you guys have a great day. We'll see you tomorrow.
Goodbye everybody on.

Speaker 3 (01:00:19):
Twitter and Insta.

Speaker 4 (01:00:21):
Mister Bones the Bobby Bones Show theme song, written, produced
and sang by red Yarberry. You can find his instagram
at read Yarberry, Scuba Steve executive producer, Raymond No, Head
of Production. I'm Bobby Bones. My instagram is mister Bobby Bones.
Thank you for listening to the podcast.
Advertise With Us

Hosts And Creators

Bobby Bones

Bobby Bones

Amy Brown

Amy Brown

Lunchbox

Lunchbox

Eddie Garcia

Eddie Garcia

Morgan Huelsman

Morgan Huelsman

Raymundo

Raymundo

Mike D

Mike D

Abby Anderson

Abby Anderson

Scuba Steve

Scuba Steve

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