Ali Talk's Writing Hits For Nelly & Secret Diddy Parties

We had a late night convo with the homie Ali from Nelly's St. Lunatics and discussed the hit records he wrote for his homeboy Nelly as part of the St. Lunatics, Why Drake using ghost writers isn't the problem, but him jacking certain regions culture may be, then he talks about Diddy's top secret parties and more.

 

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Episode Transcript

Speaker 1 (00:02):
Whit's Avenue West Avenue. What's happening?

Speaker 2 (00:04):
It's another episode the Gangster Chronicles podcast. It's your boy
big Still when y'all hear that, man, you know some
legendary stuff it's about to go on. Man, tonight we
have a special guest, my boy. I'll leave for Saint
Louis Ticks.

Speaker 1 (00:17):
I mean, what's aving with your baby? Just just just
just getting back. I'm tired, but I'm up. It's eleven
o'clock there. It was eleven o'clock over there. Man.

Speaker 2 (00:28):
Yeah, you're talking me. Yeah, we ain't gonna have You're
gonna get too long. But you know how people we
have the conversations. Like last time, we had a whole
bunch of stuff going on. Man, we had a whole
bunch of stuff going on. Lines all yeah, Man, Hey,
you know what, man, since I got both of y'all here, man,
and both of y'all kind of like it's unsung heroes.

Speaker 1 (00:48):
You fear what I'm saying.

Speaker 2 (00:50):
They want to get to talking all that stuff. But
you know, ain't don't done a whole bunch of fly stuff.
You done a whole bunch of fly stuff again, man,
I don't think a lot of people know Man wrote
a lot of hit records.

Speaker 1 (01:01):
Bro there so really really big records.

Speaker 2 (01:05):
Man, can you give these people a run down on
what you was evolved in?

Speaker 1 (01:09):
Man? The for was writing the country Grammar app. I
wrote majority of that, you know, like yeah you can
find a saint little Hey, why they play ring Yard
that I wrote, you know, ninety percent of that record
than Nellyville. A lot of that record, but a lot

(01:29):
of the concepts would be mine. You know what I'm saying,
Like that, like that concept. You know what I'm saying,
eighty t how important the concept as far as like
asl you know what I'm saying, grills the concept mine
tell feather because it was originally my song. So I
was just the one I used to like said before
I used to just like get all the beats. You

(01:51):
know what I'm saying, just take them home and do
something rough tour. You know what I'm saying. If I
do some loves ample to him, they're like them. So
I wrote, like you know what I'm saying, and like
all on them with all the drakes that are going
on the writers, you know what I'm saying, it's you know,
I wrote a lot I did wrote a lot, but
he can't get right to the magga. Writers can't write
as fast as I can, you know what I'm saying.
So I was, you know what I'm saying, the loan

(02:13):
take out, and I wrote all the hooks, enjoyed all
the hooks, and cut you all the beasts. But I
was the oldest all. You know what I'm saying. But
the whole thing about somebody writing raps and stuff like that,
I think it's thing man, you trying to make a
hit record, and it's a team thing. Yeah.

Speaker 2 (02:31):
That don't mean that this cat can't write or this
dude can't write. I think people just you know, put
trying to put hit records together, try to put their
best foot for it, and it's a team thing. And
I know, like with Aid hisself height, you wrote one
hundred percent of all here stuff. Yeah, you never had
the luxury off having nobody wrong. That was really a
hook master. They could say, hey, let's try this hook

(02:52):
right there. You did everything.

Speaker 3 (02:54):
Yeah, we kind of keppt everything in the house, you
know what I'm saying. And for the fact that I
kind of wrote everything and I would give verses to chill,
you know what I'm saying just on the strength. But
we was just you know, a four men crew, so

(03:16):
nobody was you know, really besides me because Mike was
a DJ, and then once Chill I had to go
sit down for a minute. It was basically just me,
Mike and Slip. Slip did all the beats. Mike did
all the cutting, and I did all the writing, and
we didn't pretty much deal with you know a lot

(03:36):
of outside uh entities. As far as you know, I
never got approached, you know, on the on the you
know eight I got a tight song or whatever whatever,
you know, not to say, I wasn't down to you know,
uh listen to somebody's ideas or whatever. But basically, like

(03:58):
you said, Ali, concepts is everything.

Speaker 1 (04:02):
Man.

Speaker 3 (04:02):
If you ain't got a concept, man, you ain't got
a song and ship coming up with them. Concepts, man's
valuable because then you just got a gang and run
on sentences and a gang and just talking about anything
and whatever. So I value that man all day.

Speaker 1 (04:19):
Yeah, you know that's the truth, and that that that
I think when it won't bat, when it when it okay,
that's if I remember all all the members, right. Yeah.

Speaker 3 (04:35):
I used to basically write until you know, niggas started
doing their own you know, projects or whatever, and then
like you said, not to say that motherfuckers couldn't write,
but it was just that I was the motherfucker who
came up with all the concepts to the songs.

Speaker 1 (04:52):
So if if I just roll them out, then I'm
just gonna be like here, I'm gonna do these two verses.
You do this version, you do this first, And that
really kept us on the same page. You get me, Yeah, exactly.
That was something like Airport was on. It was exactly
the concept like you know what I'm saying, we do
it like this is gonna be crazy, gone, it's gonna

(05:14):
rock the world. Do I just we're gonna take it
was actually Murphy Lee word from Midwest Swing where he said,
uh yeah, by the way, I walked back round here,
I tell you. He said something like, uh oh, my
airport was one was give me two pers so I
even take your rynd. You know what I'm saying, like
right making a look like that that should be a

(05:35):
hook right there when remember merp said this, make that
the hook. You know what I'm saying stuff like that,
Like I was doing it because like cut your grandma,
like down down Baby Yo Street, And that was in
the verse that was, well, sometimes you come up with
ship like that. You had the burgers and.

Speaker 3 (05:53):
Be like, oh no, that should be the hook. Like
there you take that pieks out and make that shit official.

Speaker 1 (05:59):
You know what, you know what's funny?

Speaker 2 (06:01):
Man, as fun as this song sounded, man country grammar,
you're talking about doing the drive by, but made it
sound so pretty and nice of people in their clubs
shaking they ass and y'all was on there talking about.

Speaker 1 (06:14):
Putting me in some work. Yeah, that was a straight
up down own baby y'all street in the rang Jo
street sweeper cock ready to let it go your hands.
But housewives was jamming to the point of me selling
it was like, well you said a certain way, they
won't even hear it, like and he did rive me.

(06:35):
That was his record right there. He wrote that everyone
to go and take rive me. They said smoking l
in the back, all the housewives. And look, you know
what I'm saying. White women saying that don't they don't
know smoking the blood in the back of the band.
They just think of smoke. Hell, you know, I'm saying
just that that thing saw me and that's what he
ad like. I was like, okay, you got it. Got
the point It wasn't it wasn't no pointing. It was like,

(06:57):
we got a chance it sing little we got I'm
the best writer. He the best goal for us, like
selling it. You know what I'm saying, Murphy, he tell
he young, he coming up. He's gonna be that. You
just feel it, you know what I'm saying. And then
but your first chance, you can't play it. So then
they go tend to go diamond take you in a

(07:19):
whole other space, like, Okay, next album, let's just keep
the same format. We're nervous now. You don't want to
mess with it. You don't want to touch it. You
gotta Yeah, I'm saying, like one song he could be
a jam. I'm thinking the next one easier. Now. He
gotta start off. Every time they start your fresh you
get a little more lead way with the company and

(07:42):
with the record, with the radio stage and all that
that you had it here record, but and you can
start your beginning could be a little longer, but you
know when you first come out, just kick it off.
We have a jam. You gotta keep on making. It
was just like a team, team effort and then that's what.

Speaker 2 (07:59):
I see, because that's why I say it kind of
reminded me of accomplished most wonder the way in the
Midwest was realed in the house. They kept the same
producer for a long time. He didn't go to old
bunch outside producers, Like you wouldn't go fire an m
skate album and find Timberland did this track. You know,
the real did this one and Trey did this one. No,
it was the same cast. It was kind of the

(08:21):
same thing, but the same lunatics. You know, you don't
come in and assist with the thing. Y'all was a group,
but y'all played it like a crew and not like
man that Nellie kept one hundred. You know, he kept
you all around for the whole runner everything.

Speaker 1 (08:35):
I mean, it's we was gone, We was there, you
know what I'm saying. Like he said, like the same
producer je making the Beach, you know what I'm saying,
I was producing. Yeah, by the time it was from
you know, it kind of made a change and like
a lot of pro tools and all that, you know
what I'm saying. Then as far as like making the Beach,

(08:55):
it was so many more and we had a little
white there at Jaye who I kind of like that,
like this, do it like this, do like this? He was.
He knew how to play the ship. He had to
sample it if I wanted. I wanted that the first
song we had, I wanted that an old sugar hell
and I'm like, shap of that. He was like what

(09:16):
about this and just played it. I'm like, oh, you
go ahead and start making them all the way, like
to tell them how I wanted, like I want like
this doing like this. To always want to make a uh,
always put some type of melody in there. Okay, different,
I'm gonna make the solid around that melody. Put it

(09:36):
with you know what I'm saying. For some type of
melody groove in there. I'm gonna follow that that pattern.
Then you get by me sing lou a, I'm gonna
follow it. So did Jamah come up together? See I'm
older than them, I'm fifty one now. So they they
they were juggled at me. You know what I'm saying.

(09:57):
They was juggling like that mom my was that was
their little cousins and shit. So when I went to
school and came back and I would signed with Professor
Griff when he left pub again. He started to do
hard productions. He was down here in Atlanta now was
one of the Morris Brown see More Goodie from Goodie Mob.
He was there going to school. Like I said before,

(10:17):
we was just in the dawn rooms and everybody was
teasing everybody. We was teasing everybody from Mama Potas, from
the Bay and La. We said they talked proper, and
then we were saying New York with up Kid, with
up Kid, Everybody's teasing everybody. We laughing and smoke bun shit.
Then came round Atlanta. We was saying they country and
all kind of shit. They said me, it's Ali. You
say you cutry too, you say and everybody started saying

(10:40):
hood parent good And I was like, I laughed, but
I was like, dang, stay Eric, I say you know
what I'm saying. So when I went back to the crib,
it was like find a group. I got an idea
seeing it. I know how I can do it because
it's being back then around that time eight was on fire.
I'm saying it was run in the ninety nineties, ninety one,

(11:03):
so we didn't know it wasn't none of that. So
we could see when we've seen you and you had
them cagis all and them Kaki shorts something diggy shots
and socks board up. We knew you. You know what
I'm saying. If you the little make kango, you know
what I'm saying, be bop style. We was like Tennessee.
We had the ten minutes. All we knew you was

(11:24):
from New York. It was like difference at the time.
Now it's all a blurred in together stuff like that.
We was all learning each other. I'm know eight and
probably was gonna roll meeting because eight played a big
part in I got on school. I was a wool
tang fan. I got a bang it's and all banging shit,
just like a wig butter large heavy on that when

(11:47):
I went to school. When I got to school, I
went back to us starting my roommate for me up.
You know, back to day. I saw and ship like that.
Just you know what I'm saying. I knew them, you
know what I'm saying listening to them ship the but
I kind of like drifted off to where it's like
got heavy, so that's like wood chain. I came home
and I ain't I ain't messed with that, And then
it was slowly slow, but surely like they had a

(12:09):
little remix. They had tom Me t h O. It
was a different beat, like West Coast beat. Like they
started liking it. But then when eight dead old dirty video,
that's when everybody was like, oh, there was a big
part of that. I was using that video you in

(12:29):
the call where just in the car you didn't know
you was at you wasn't.

Speaker 3 (12:33):
Yeall was in the Shimmy Shimmy remix video. I did
it first, and then I was in the can it
all be so simple video slow motion?

Speaker 1 (12:42):
We seen eight in the video and I'm like, what
what what? Then everybody like, damnan, I listened to it
that ate in the video. It was in the video
just like it was deep like that real, so real
for deep like that. That's a portant boy, just the whole,
my whole, because it was just me. There was as
we call East Coast Ali. When I came home, I

(13:02):
was just just some different shit, different shit. And then
when we say I ain't in that video, I was wrapped.
It was easy. Yep. Yeah.

Speaker 2 (13:09):
I think from the Midwest Land we have a tendency
to kind of listen to everybody but West Coast. Bratt
was definitely it hit because I think we kind of
identified with them a little bit because you know, they
would wear the dickies and stuff like that, and in
Cleveland they would wear dickies and T shirts. Took us

(13:29):
to me it was just poor people clothes. To me,
that was just you wearing your pops clothes. You know,
pops might have an old pair of dickies that become
a new pair of school school pants.

Speaker 1 (13:38):
You feel what I mean.

Speaker 2 (13:39):
When you ain't got a whole bunch of money in
the crib dog, that's what you're wearing. You might have
you one fair of nice Tilis shoes. And we met
the last shoot over year. I don't know how your
situation was coming up, but I wasn't getting to buy
no whole bunch of shoes and stuff. I had to
take my shoes off and I came.

Speaker 1 (13:54):
I had a room spur, so I went started school
off of us from LEVI that fit, and you know,
once you washed them anyway, they kind of shrunk up anyway.
Then I Yeah, then I grew in my flood and
I had to rock muster of the Beastie Boys for
a minute. You know what I'm saying, it's also tough,
but nah that that time period because it was it

(14:14):
literally went East Coast and they hole shine, it didn't
go away. But then once it went to the West
coasts that you know, n W Wayhead. You know what
I'm saying. It's the whole transform over that that it
was at that time period ninety eighty nine, ninety ninety one,
cause still we the go the like my East Coast

(14:35):
said rock Cam said, DC. You know what I'm saying,
Like that was like our rock Cam to me. You
know what I'm saying. To where it was that time,
it was nothing but West Coast, you know what I'm saying.
For us, you know what I'm saying. And plus everybody
who I met Trey d if you were from the east,
Saint Louis snooping from Mississippi. You know what I'm saying.

(14:56):
Everybody in Watts Yeah, I just got so much connected
to Saint Louis, so many I'm Tyree's glasses just so much.
Watch I'm gonna teach you re real quick. The crazy
thing about that how that happened was the first sit
clown was all black, Saigon was red sand Saint Louis.

(15:19):
Dude moved to Watch and Saint Louis literally moved to watch.
Everybody just start moving to watch, just all sudden, like
it was real life or something. You know what I'm saying,
that's crazy. So we went out there one time for
a show. There was a bunch of long boy Bob
Rest in Piece of Bee Stroke. His father was living
in Watch and he told us the whole thing, like, ah,

(15:40):
we all came out here in the seventies and Red
Fox he had his show. We stopt moving out her
was like, dang we most of us was like ship. Nigga.

Speaker 3 (15:50):
Friend Sam Frad said, nigga, move your ass to watch.
So nigga, we go on the watch. So it was
deep and now I was like.

Speaker 2 (16:00):
Everybody got man, and I almost if you ever think
about it, man, the West Coast center the South was
almost always clicked up kind of. And I think that's
because everybody from out of here got roots in the South. Like, hey,
what's your people from Mississippi?

Speaker 3 (16:14):
Right? They from Guffport, Mississippi, so you know, and then
my father from Tampa Bay, Florida, so you know, they they,
like everybody else, migrated to the West Coast.

Speaker 1 (16:25):
Yeah, everybody, So you're gonna connect, you know what I'm saying. So,
and then they came down at the summer vacation by Qube.
That wasn't no, that wasn't no, just no record, that
wasn't sty reading my money. And I was about to
go into that because Saint Louis is grimy as heb thog.

Speaker 3 (16:43):
Yeah, oh yeah, I don't people with Saint Louis a
few times throwing shows.

Speaker 1 (16:48):
Niggas was on it. Yeah, I remember back in day,
and I think you can't just it's got a two
club jam east side on one side, on the east side,
so it down like the crips had a lockdown. You
go down that side, both sides of the streets. The
club on one side. It's a club right across the

(17:09):
streets East and East St. Louis. It's really Illinois's Eastern
Saint Look, we're going outside of the party and it
ain't nothing like state troopers. Ain't really no police. So
it was just, you know what I'm saying, around that
town ship. They came back. I mean, you might have
came to I want to say, well, Mercedes, you came

(17:32):
to so on the east side. Is one of them
two club jams or eight came when you do it
a cup ACoM. Yeah, yeah, we used to have We
used to have biggers on.

Speaker 3 (17:44):
We used to have towns where niggas was on on
that ship. Niggas used to be ready when we pulled
up in towns just on the fact though some crip
ship or some game banging ship and niggas was coming
into their own with the gang ship. And we have
clubs sold up. Shit, we have clubs were fucked up
so bad. Theft for the police be a lot of

(18:06):
letting us see in and we the performers. They I
haven't been turned the wear a few times spots where
the presence of just gang niggas is just too much
for niggas to handle.

Speaker 1 (18:17):
So they turned the nigga away because if I get
let ups.

Speaker 3 (18:21):
A lot of times when I would do uh uh
gigs like that, uh niggas would tear the motherfucking spots
up before we could even get to perform.

Speaker 1 (18:32):
You feel me? That time we were number like saying eighteen.
You're saying we're showing out exactly they coming in town.
We just chase showing out like that. There wasn't nothing
else to say about. It was just a show out.
We're gonna show that we this, that and the third,
you know what I'm saying. But yeah, it's just a
oh we came up. I was ducky, you know what

(18:54):
I'm saying, ducky, and I ain't want to talk about it,
and I ain't want it be the murder capital every year,
you know, the Saint Louis. It's kind of embarrassing, and look,
you know what I'm saying, especially, I ain't want to
push that like that. A lot of people the city
was upset, like damn man, you know what I'm saying.
When y'all ain't you know, y'all is something on the
party side. I'm like, yeah, I don't want to really

(19:15):
really really push it because it we came up right
to the park and beat MHM had to be a
big help to, you know us, because just for a
Labels wanted to try to go a different route or
we was perfect. You know what I'm saying. They couldn't
hear the drive by in the song. You know what
I'm saying. You don't hear it down down, but you
don't hear it the same way, so we kind of

(19:35):
like so but yeah, nah, it's just crazy. It's just
it's like I always try to swipe. We didn't like
no anything. The tough part. I don't like to brag
on this. Real motherfuckers everywhere you go. It's right, were
just a little I think they sprayed this ship when
we was young. Now it sounds praise. They sprayed this ship.

(19:56):
We was kids used to be outside playing football, and
they said it was for the bugs. You look up
on YouTube. It was like the Saint Louis and the
spray and it's this big thing. They had this lawsuit.
It was like some prebem stuff. Yeah now, but it
was up in the sky leaving them little trails and
stuff the truck, and we thought it was for the bugs.

(20:18):
Can't hear the street playing football right through the truck.
We'll get out the way here go spray the bugs,
you know what I'm saying. But it was just it
was some spray. They're coming down in the truck, you
know what I'm saying. Springs Brands, Frands, brands, brand. And
then we was, you know, born in like Probaly, the village.
Then when we moved to the north side, was a
little better. They all they sprayed like once a week

(20:40):
down So when you move out to I'm the youngest,
so my post was my age. She's ten years older.
So they at the house now, my sister and brothers,
they kind of moved out the house, so they still
moving back down to the projects. You know what I'm
saying that they all grew up, grew up down there,
so go right down there. So I just kept going
back down there, and they were just still I grew up.
They we sprayed every day down on every day, every day.

(21:04):
So you think that Spratty did something that kind of
like PopEd everybody up. It just slung chords. Because my wife,
she's from a little rock and she just pointed out
like something. Oh, and I used to laugh a little bit,
and we be in the club and ebody a shoe,
blah blah. We just kind of get down and then
if it wasn't towards us, were just kind of over with.
And then she pointed it out one time. I was like,

(21:27):
I just slowly started thinking as I got older. I
had been like forty five or some shit. When she
said this, I was thinking, like, damn, she she tanged
oy to me. So she pointed out, I'm like, damn,
it's deep, Like people just get into it. It's just
so clusey. So the banging, it's imaginic. So you you
banging with a street. The only thing that's separating us,

(21:47):
Like Kelly, got a little different, you know what I'm saying.
You got some streets, of course, you know what I'm saying,
of course, but at least you got a gap. You
got you got thirties, always did to the to the sixties.
You know I'm saying. That's a that's kind of the
same situation. You know what I'm saying. You might have
all Lull Street it's straight a dang, and then all
things separating us as the alley, so they just coming.

(22:10):
You might have a neighborhood right on the other side
of the alley. That's a whole different thing. That's a
whole different set. And it's just they could be the
same gang, but now they beefing or so we're just
or a totally different gangs, you know what I'm saying,
just right behind you in the alley, in the gang way.
So it's just it just got bad awhile we're just
getting caught slipping that easy. So it's so small. The

(22:33):
ain't number like one hundred and fifty thousand people in
the city. It is like, look, and you're saying, so
all this stuff going down the ACTIVI is it to
seem like it's a lot bigger. Yeah, it's not. It's
a lot bigger and a lot of a lot of
success out of everything about Like we look immediate Red Fox,
Dick Gregory, Uh you know cross Ford guy, Tory go Tory,

(22:59):
see your old school favorite to ship. Yeah, it's some discomedians,
like we got to control a lot of that. That
Chuck Berry with the rock and roll ship bag time,
Scot Joppling. You know what I'm saying. It was kind
of like the first like New York, you know what,
may me me and Saint Louis. You got your money right,
meet me in Saint Louis. Well, it's it's kind of

(23:21):
like it's but they want to keep it smaller. It's
the archdiss capital, the pope come in town, trade the
single you' going shed over there and let you know
on the bood oh oh, Park, I mean old pack
the biggest clip hood. He's going he going over to
a sausage spot over there, to a little like a
he called a meat market or whatever over there in
the neighborhood. It's straight up chaos over there. But it's

(23:44):
one little building, just straight stay perfect where it's the Archdioce.
It's called Capital All. We got so many Catholic schools,
and it was all I went to the only all
black Catholic school in America, start partnering with it, got
prepped all black. Jesus was black, and he was black.
All the ship on the wall, Negger was. It's a

(24:06):
different song.

Speaker 2 (24:07):
So do you remember when the crips and the blood
started making their way kind.

Speaker 1 (24:11):
Of down there like it was yesterday. It was what
we colored right around that time though, they just literally
start coming down. So whoever came, they just came. They did,
They came. They was there was a trade. They became
a trade. They started one great wood. Then they broughtn't

(24:33):
working well. They came down. Show love came through, gave
them sookie side kicks. They came all the way down.
They came from sixty trays to to pir rules, to
every and all the neighborhoods. Just whoever came to their neighborhood.
Look getting brothers up. We just start wearing what they
was warting. It was already look at French too, what

(24:54):
I'm saying be cause it was like there had the money,
so you come in, you got on like do man
quartea young don yeah, dope man something with the crispy
look and it was just you know what I'm saying,
like it was young too. So I remember fly Out.
When they hit, it was just like summer vacation, just
like the song came down. I wouldn't say it was

(25:16):
like the whole shootout type thing, but it was when
they came down, Smooth hooked us up. I was literally
taught us like this, this, this, that, And for a
long time it was just it was Inglewood. It was
we ain't had it, We wouldn't claiming our neighborhood. They
didn't start claiming the neighborhood until after the song he

(25:37):
said that died for the streets that they never heard of.
Everybody ft just switching over to you know, well, now
you could tell, like the the hat would be flaxing
and Robbins, so that that's their neighborhood. So they were
to Colorado Rocket that's being like that to where you
could just tell where they from. And they started being
like you could tell if they was on the left

(25:58):
side of the right side. As even if we just
a yeah that was that was always a staple with
a neighborhoods out here.

Speaker 3 (26:07):
Uh, we either symbolized with either the color of a bandema.

Speaker 1 (26:13):
You know, even though you was cripp of blood.

Speaker 3 (26:16):
You know, you might you might have a purple rag
or a light blue wag or or black wag or
your your blood you might have a green rag or
you know, or yellow rack or whatever. Show and then
you know, once once the baseball caps got real popular

(26:36):
and you could you could, uh you know, you could
attach one of those to your neighborhood. You know, a
TC hat or a P hat or a W blue
hat or you see a Raiders hat, you know what
I'm saying, Steelers hat, a Nebraska hat.

Speaker 1 (26:56):
You give me.

Speaker 3 (26:57):
We definitely, we definitely made that tree and popular by
symbolizing because sometimes you know, during the school you know,
you wasn't able to carry the rags in your back
pocket and whatever because the schools start getting hilp you know,
to uh the color lines and ship like that, so

(27:19):
niggas will replace them with baseball caps or shirt or whatever.

Speaker 1 (27:24):
The wand was at I mean like he's like getting
helped mal dude. He worked at JUNI lid attendency with
the kids. So I think if y'all waii or something
WHI So he worked at so when you went in
you talk to him first. He counselor like. So he
would talk to him, what you do to get it here?

(27:44):
Why you what you're gonna do when you get out,
and when you come out and you're going out, you
go back through him and talk to him again. A
lot of time he would bring like a good time.
He rain somebody bad. They ain't really got nowhere to
go yet, he bring him hall for the weekend. I'm
so a lot of the craziest people in the town
like stayed at the weekend with me when I was

(28:05):
twelve thirteen years old or ten eleven, twelve years old,
I had twenty beer and ships and they're all and
he showed you the should due and ship like you.
I didn't know it was me, you know what I'm saying,
the small due, you know what I'm saying. He was
a little strict, you know what I'm saying. But he
was fired, so hey, he knew me. They called him
mster g and I think y'all, but he was at
war g so he was hip though he got hipped

(28:25):
by coming to the house. But forty nine and had
all he are you four nine? Are you you see?
You know six folk? You know what I'm saying. You
know what I'm saying. He knew if I by my
Potts came around and they animal Seattle Marritis had something
he I wasn't with that what state. You know what
I'm saying. He knew. So it was in the way
you know, you could walk green. He was hipped. You

(28:46):
know what I'm saying, just being down there with all
the kids say, he knew it was up. It was
the lady things they were. They lived serious.

Speaker 2 (28:56):
Yeah, it's crazy because you'rell the hop skipping out from
Chicago too.

Speaker 1 (29:03):
Right then? Right there? Yeah, see yeah, Kansas City, because
what's that drive in Chicago? Maybe what's that drive of Chicago.
I'm about three hours everything back that way is close.
That's what made the dark game back then. It's so crucial.
You know out well, you've got to travel to get
to the next thing. Stuff.

Speaker 2 (29:23):
You gotta do some riding. But there you need two
or three hours hit to the next city. Yeah, you
know you can get to Kentucky. You can get the
Kentucky at hour forty five to two hours, you know
what I mean, three hours you're there. You can get
the Pittsburgh real quick. So it's a lot of moving around.
But I would love to ask you, man. I listen
to people on the internet, man and the fans be

(29:44):
having an opinions. Sometimes I don't know what they're talking about.
I see this whole thing about track where he don't
write now, but this man got a whole bunch of
hit records. I said, he still got to deliver those records. Yeah,
so I think the whole thing about somebody else doing
or write, don't think it quite.

Speaker 1 (30:00):
Mean the same thing that it once did. Now I
don't see. I don't think it does either. But if
you thinking about this, and we jumped straight to it
like it's one of the hardest diss records that everybody
keep forgetting, it's two of them made everybody keep forgetting.
One is white Stone said, you know I'm saying because
that was like jo up a lot with that, you

(30:24):
know what I'm saying, everybody else to skip over that.
Another one was real g commens the Gee's easy. That's
not that fall record. Like back after he had went
through what he was going through, and dev Ro was
shaming like that and he got this and when he
came up with that record, where is that that ship
with that beat was bang it? Where that's the overlooked

(30:47):
in myself? And you know what I'm saying that because
I know Easy he didn't right there? You know what
I'm saying, We didn't. He said it ice cue it
just in a different song, ice Cube, right the rhymes
that I say, you know, we never really was. You
know what I'm saying, Bis Markey Kine wrote for bus Markey.
You know what I'm saying, Like, I think it's it's

(31:07):
always it's always gonna be hip hop. Is you write
that ship? But now it's we're learning that. Okay. Caine wrote, Damn,
that's deep. It don't lessen bis market to me. You
know what I'm saying at all? You know what, Right,
it didn't lessen nothing for Easy. You know what I'm saying.
For us, something got Easy in its top five? Yeah? Right.

(31:29):
I think it's.

Speaker 3 (31:31):
It's looked at differently today because this is a this
is a different generation.

Speaker 1 (31:37):
You get me.

Speaker 3 (31:39):
I don't think it was Uh, it was frowned upon,
like you said, because we all knew Easy didn't.

Speaker 1 (31:47):
Right.

Speaker 3 (31:48):
Yeah, you know what I'm saying, we shre everybody saw
the movie straight out of Charming. He didn't anyway that
you broke that ship. But like you said, uh, the
delivery and the person who Easy stood for is what
named him, you know, a West Coast superstar. Uh that

(32:13):
that that the voice the image of of Compton, Uh
what he portrayed to be. Nobody was like, oh man,
Ice Que broke his rap.

Speaker 1 (32:27):
You get me. But you know, today it's it's kind
of frowned upon because.

Speaker 3 (32:34):
They attached being authentic to having ghostwriters.

Speaker 1 (32:39):
Today.

Speaker 3 (32:39):
You know what I'm saying, You're not authentic nigga because
another nigga wrote your rap.

Speaker 1 (32:44):
Whatever.

Speaker 3 (32:44):
You know, it's just another thing that you know, the
the new generation wants to stand on for themselves.

Speaker 1 (32:55):
You get me.

Speaker 3 (32:56):
As far as separation from what's you know, the original
fact of the man, like you said, Daddy Jane wrote
for Beers, We wasn't tripping. We wasn't like, Oh damn
for real, Oh man, that nigga Beers ain't that because
you get it, it happened. It's I'm pretty sure a

(33:17):
lot you get me back to it. You know, especially
with you know some some of the females.

Speaker 1 (33:25):
You give me my other.

Speaker 3 (33:27):
People writing and writing, they deliveries. You know, it's producing
they songs. But you know, we was just thankful for
hip hop back then. So there are fuck who wrote
it long as the ship sounded good, and the people
who was rapping it was on point with it. You
get me so, like I said, when you're dealing with

(33:51):
you know, the fifteen to twenty five year old bracket,
and you know.

Speaker 1 (33:58):
And and a lot of new new nigga is on
the streets and whatever.

Speaker 3 (34:01):
Youngsters they have their own identity to a lot of
shit when in a hip hop nowadays, you get me.

Speaker 1 (34:09):
So.

Speaker 3 (34:10):
You know, back in our days, you know, being being
uh being poppy or singing on records that got you,
you know and unlet's it was some hood shit, you know,
like y'all did it or whatever. But you know, to
hear niggas making geniue wine, you know, songs, you know,

(34:34):
on a different scale, we never considered hip hop ish,
you feel me. But in a different time today, music
is different, the fans is different, you feel me, and
they want to stand on what they want to stand on.
As far as what they declare is hip hop to
them exact. Some of them might go, oh, you got

(34:58):
a ghostwriter, but then if it's one of their favorites,
they gonna.

Speaker 1 (35:02):
Be like, give the ship you feel. So that's how
that's how the ship transitions today.

Speaker 3 (35:08):
We got we got new people and and new forms
of hip hop today that they want to just declare
for themselves.

Speaker 1 (35:16):
You give me yeah, just if we think about it.
The back when they first started the seventy seven and
seventy eighth and all that, they had a four man
crew Fucky four plus one more dollar. It was just
one person, right, you know what I'm saying. You watch
some of them, all them shows like whatever that show

(35:38):
was where like uh It's about grand Master Flash was
on Netflix and like Willis Smith Sun played and Jump Off.
I like that movie Jump They had the one dude
wrote the rap. You know what I'm saying. They wrote,
they wrote the rap. You know what I'm saying. It
was just you know, like they said, it was we
that's back when we was. You went to the store.
You're saying a rap album, you just falled. You know

(36:01):
what I'm saying? Like you I he manipulator brought that
home and was like he had too many choices. So
and then plus we was you know, always gonna because
just at the time, what I'm saying, hip hop was
going against the grain period just liking it, know what
I'm saying. We had time to work about who rolled it.
We wasn't that. It wasn't none of that. We couldn't

(36:23):
even worry about that. The kind of shit work. It
was just going against the grain. Just listening to hip
hop the heights you had records like uh word up
with by Cameo. They was dissent, Are you suffering? DJs?
You think your fly but you get here said you

(36:43):
put on your tails and your act real. We just
because we was hip hop was coming into the world.
We were old enough to remember, all three of us
were was no hip hop, no hip hop be came
then we we we loved it, you know what I'm saying.
And then we just felt it just like oh my goodness,
were boning. But we remember it was still some just

(37:05):
some regular new addition. Had they time they popped, we
wasn't tripping. Well, just saying so now the youth, they
gonna always have a spot always wanted because I'm talking
about father your son and your your daughter and son
don't want to be like you. You know what I'm saying,
if you start wearing a certain shoe or they just
gonna not do it because I ain't wearing of them all?

(37:26):
Who got all? You know what I'm saying, even though
exactly they that's how we was. I want them all bottles.
We wore Stacey's for a while. Now you don't want
Staceys for a while. But my father was everyone every
know he was wearing track.

Speaker 3 (37:43):
Put a short song with some tube socks in the States. Yeah,
you want to stay away from that, nig I'm trying
to rock.

Speaker 1 (37:50):
Me some core teens or some ship like our identity too,
And I get that. Yeah, you want to all chin.
But it was they say it was. It was, well
that that's just the because you had run and for
Beastie boy. I know that. You know what I'm saying now,

(38:12):
like I'm saying, I didn't get. But it's crazy.

Speaker 3 (38:14):
I were frowned upon with certain ship because I didn't
give a damn who wrote the Michael Jackson record.

Speaker 1 (38:21):
Yeah, a damn who wrote the Prints record? You get me?

Speaker 3 (38:25):
Whether they did and nothing, that's what that was a
lot of R and B artists, pop artists, rock and
roll artists. A lot of these songs was pinned by
other motherfuckers, and for us it didn't matter. But you know,
hip hop is is considered uh you know, which which
a lot of our black music is considered, you know,

(38:45):
a struggle music. Uh so, but we we shouldn't be
frowned to born and we should be looked upon differently
as fucking But it's just what happens as far as
hip hop is concerned.

Speaker 1 (38:57):
We the street niggas or we the we that ship.

Speaker 3 (39:00):
So if you if you talking about something on a
wrap record, then he gotta be your own motherfucking words
or thoughts and not the thoughts of another nigga. And
that's what people try to push that line today.

Speaker 1 (39:17):
Walkybody, did you are you who wrote it? Did you
are you doing that? Yeah? That's that. Yeah, Yeah, we
was concerned us nigga this motherfucker rapping and and is
it hard or not?

Speaker 3 (39:31):
Like think got really focused on you know, uh if
you wrote his rap or not, you give me I'm
like it never even you know, and like you said,
we all knew Easy wasn't writing you know, he even
declared it. We all seen it, but we wasn't doing

(39:54):
that they Easy. We wasn't like, oh nigga, uh when
you did the like you said that this record, We
wasn't like our nigga. This ain't ship because he didn't
light it.

Speaker 1 (40:07):
Because it was hard and we do that. We felt
like Easy was really what he was saying, like you got.

Speaker 2 (40:17):
Not to cut you off, though, bro, But I think
that's what Drake kind of gets people's problem.

Speaker 1 (40:22):
He was with him.

Speaker 2 (40:22):
You gotta remember, Jane was writing for Easy, right. Easy
looked like he fit into the coach. He was authentic.

Speaker 1 (40:29):
Right. If you from.

Speaker 2 (40:31):
Canada and you got a cat from Tennessee right in
your reps one time, then the cat from Atlanta, you're
kind of taking they swag and it's not yours.

Speaker 1 (40:39):
Easy.

Speaker 2 (40:39):
The stuff that you was writing for Easy, it fit
Easy swagger because you saw Easy the short a stocking
dude with his penalty. Know he got a Jerry curl.
He looked just like a little Compton crip.

Speaker 1 (40:51):
Yeah, all right.

Speaker 3 (40:54):
They knew Easy was cruising down the street in his
sixty four exact. They knew Easy was in the hood
selling dope and was claiming the neighborhood and was authentic easy,
just like nigga, I ain't got time to be writing
like that's not my fort it's not my forte to

(41:14):
be sitting down like you know. Nah, But nigga, y'all
all know, I'm the nigga that serve. I'm the nigga
that claimed the hood. Y'all all see what I put
you know, sixty four low Rider.

Speaker 1 (41:27):
I don't give a fuck. It's his y'all know what
hood I'm from. So yeah, it's easy to attach that
because it's like, well, shit, I see this nigga doing
this shit on the regular.

Speaker 3 (41:40):
Yeah, But like you said, still that's a different aspect
when you go, oh, I got a nigga down here
writing some shit and now it's just like music.

Speaker 1 (41:51):
I don't know. People.

Speaker 3 (41:52):
People want some authenticity when it comes to hip hop,
and especially if you walk, especially if you trying to
walk that line of being an authentic nigga, you get
me and not just you know, I'm just some I'm
just a musician and I'm but if you walking around

(42:13):
like you know you wanted them, the niggas want some
authenticity to that which you are trying to play, and
it kind of throws it off when you talking shit
to a nigga, but you didn't write that shit talking,
and then you don't fit that deal. So now I'm

(42:35):
kind of fucked up behind the fact that you got
another nigga pinn in some shit, and especially on some
like this shit. You get me, right, you that's supposed
to be you. A nigga comes at you, he writing
his thoughts. Yeah, so we you know, we expect that

(42:56):
when it comes to our frame and all situations in
hip hop. You know, you a nigga from the streets.
I'm a nigga from the streets. You a nigga associated
with the streets. So I don't want to hear that
tear me down in Atlanta, right, and that you a
hard nigga or pull a pistol on a nigga or

(43:17):
slap the shit out of nigga. Now, I want to
test that because that ain't coming from you, you feel me.
That comes from somebody else. Now, if it was just
on some Hey, we in the club and gonna pop
some bottles and throw some money at.

Speaker 1 (43:33):
Some bitches and that shit, nigga, be my guess.

Speaker 3 (43:37):
If you're going out a nigga where y'all could possibly
meet up in the streets and whatever nigga that ain't shoot,
that's some other nigga. So I really need to be
trying to check the other nigga because them is his
thoughts when he talking about he want to pill a
cap or pull a strap on a nigga or whatever
you feel me.

Speaker 1 (44:00):
I got because truthfully, like what we're talking about, we
like showing love in a sense because truthfully, we we
know that between help, Like when we're talking about MC's
and hip hop and everything, we know the rules like okay,
we ain't even paint no attention if you ain't right,

(44:21):
the wing gonna discredit you, Walters, you ain't overhe here
with the I'm the best right you know, right right
right right right out of this things between that right now.
But when we talk we all know, like the real deal,
Holy Field, you gotta be righting that ship. You know
what I'm saying. You want to be a category for

(44:41):
Like now, what I will say just in the travels
is in the travels like well we all been talking
about lay like just so tonight right now, it's so
much of them. See we lived it, we straightened up,
We we remember when it was to these all the
braids when there wasn't even know hooks. You know what
I'm saying. Do you know what I'm saying. I we

(45:03):
just did when we lived through the whole process. They
they studied it though they all of them studied. They
had to go back and listen to it. They studied
it to where even in the battle that we just
got from them, it was so much more. It was
it was I loved it because it was so triple
our tundra. And they because they had to do all

(45:24):
this because we didn't went through all these eras of
their battles and beach a lot of this stuff. Then
now they didn't came to where they's all so intelligent
to a degree, you know what I'm saying, Like it's
a different outlook. So I just give them a pass. Awesome, y'all.
Not us. We not y'all. You know what I'm saying,
because we living that life. You know, go at them.
You know what I'm saying. We ain't really need too

(45:45):
many clunchlines and none of the kind of you just
had to say some shit and just you know what
I'm saying, go in so we all respected what is
going on just for entertaining convervation wise. Yet it's when
you do a trivel I trip off that when you
if you go to Canada. I noticed when the Homewods,

(46:05):
while I knew who Canada, they came to business five percent,
they came with and they caused Canada like ci in
they called to see all nations right, so they had
a finally was Asian with them. They had a part
of that was, you know, had the dialects like he
was like Jamaica, and it was just so many different
types of people to world. We're just in my travelers,

(46:27):
like damn. So Canada is just a big old mixture,
you know what I'm saying, but a mem pot of
just like your next door neighbor could literally be trinidaddy
in or whatever. You know I'm saying, he could be.
Everybody was just different to I think that Drake. I
just take Dake for what he is, you know what
I'm saying, Like him coming off the show, you know

(46:49):
what I'm saying, off the grassy and then him being
you know what I'm saying, like I know it care
right because he wrote Alicia Keys wrote that record for him.
Studying hip hop so much much he you know, you know,
he couldn't wait to go to Cali and meet go
to Compton. You know what I'm saying, different than even

(47:10):
than I was. You know, I'm saying when I first went,
I already want to go to Compton and was like,
I don't really want to go to the hood. You
want to do is go see another record as city. Yeah.
So actually him really wanting to go there and him
being just a mixed kid, Jewish mixed and all this
kind of stuff to where he is what he is

(47:32):
to me, you know what I'm saying, Like so, but
seeing Canada, it's like it's their identity is no identity almost,
you know what I'm saying. Their idea is just the
little the little action with it and the little acces
they got. Other than that, it's just so much mixture
of just different people like you got he Drake speaks

(47:56):
French in a couple of records, because you're all on
that side, on the west coast side at Quebec, you
know what I'm saying, where it's more friends spoken, and
you know what I'm saying. So I just noticed it
by just just traveling to where they're seeing and once
he came out, I knew who I was. He looked
up to Joe, butten he looked up to push your
t you know what I'm saying. Then he he already

(48:19):
fighting the mixed battle. You know what I'm saying. K died.
You know I'm it was at a good battle period
to me, you know what I'm saying, Like K that
I knew. I was just hoping he was just gonna
respond and go and then with us, I forget that
generation where there ain't no time limit, ain't no on
the clock, you know what I'm saying. When eight got
it too, when they going back and forth, we just

(48:40):
waiting on H to respond. We got two three Months't
ain't no clock. You know what I'm saying. He might
skip a whole album and then go to the next album.
We just waiting overday. That's that's so that's the difference
with the youth now they like, oh, you got twenty
four hours to respond, Like okay, I'm right, I'm stay Creaks.

Speaker 2 (49:00):
A manager, I would have told him it's like when
you're in a boxing match and you fighting against a
dude that may be a slugger, right and your thing
may be like money made ware of this thing like
I'm just not gonna get hit. I'm just gonna get
the points. I'm gonna really box you.

Speaker 1 (49:16):
You can't go in there.

Speaker 2 (49:18):
May whether it would have got knocked out if he'd
had changed this whole strategy. Just try I'm go in
there and slugg it out with somebody. He might get
knocked up right and not have freger to being undefeated. Now,
one thing I would say about Drake, Drake is one
of the biggest pop artists of all time. Now when
you start trying to put him in this lane with

(49:38):
Kop is a little dude that's a hip hop what
you call a hip hop baby. He's probably studying in
every style it is and still take it very serious
to this day, even though he rich. He's still a
dude that's gonna sit up and call probably call call
Punch and say Punk's listening to this verse I just wrote,
if you know what I mean, because he's in love
with the game like that, to where Frake is like

(50:00):
a dude that don't put out twenty some albums if
you count the mix tapes and everything like that, so
he's on the silly line. He might put a record
out to where he's singing on it. Then he made
another record out there where he rapping a little bit.
Let him do that, and the ain't nothing wrong with that.
But I think once you start misappropriating the culture of saying, Okay,
now I'm gonna take some stuff from Memphis, I'm gonna

(50:20):
take some stuff from Atlanta.

Speaker 1 (50:22):
No, just be who you are.

Speaker 2 (50:23):
Because as soon as he's sneer from the time he said, oh,
I'm gonna catch a body right, no out whatever I
told glasses, I said, he's sucking up right now, just
stay the lover.

Speaker 1 (50:31):
Boy, y'all know, I look at that differ. I look
at him like I look at life the culture appropriately.
It's like if I'm if I'm if I'm if I'm
if we made it in a certain beacon off bulld Man,

(50:51):
we get together like shit, all you sound like eight, right,
you get eight on this? You know what I'm saying,
And we knowing that sound of a certain way we're targeting.
We always kind of got a tarpe. It's got like
a West Coast sound. We might go grills. He went,
stay for all wall, like go tall wall. You know
what I'm saying, Go get him to where I think

(51:12):
I wouldn't always look at it like him just his
daddy is from me. You know what I'm saying, Where
if you if I if I if my mall moved
from Cali and I go out with Cali and hang
hang out with Calia every summer or every other summer
or whatever, I want to get there. You know what
I'm saying, I already give him that much, put that
much on them. I don't take away now from that

(51:33):
I'm saying on the Drake side is that I don't
I don't take him at you know what I'm saying.
I know what he's doing like he he couldn't wait
to get with uh you know I'm saying in Atlanta
and then you know rap like that or he he
loved see them so much to where he you know,
wanted to get with that sound. And he was had
the ability to, you know, kind of fluctuate the because

(51:58):
he balanced though he balanced with itself. This this me
all three was black all day, every day, all the way.
You know what I'm saying, flat out, he having that
battle within their self too. You know what I'm saying,
I'm gonna tell you nothing to cut you off, broke,
but that's the thing out on one. We gotta stop
being racist kind of against our own people. If you've
got to drop a black blood and you black, yeah

(52:21):
we shouldn't make it. Well, just think our motherfucker might
feel like, damn, they're not fucking with me over here,
fucking me with me over here? Where do o the law?

Speaker 2 (52:29):
I gotta fuck with the motherfucker. I don't care how
much money you got. I tell people all there, he's
a black kid that got a white man man.

Speaker 1 (52:37):
You know. I just say that. Do we think that
is it wasn't slaves and can do? We think that
it wasn't a struggle? They can't do think there wasn't
no pressure they can do? We think that now, I
can't see something thinking that. But we didn't travel, so
I'm ready to tell you now. No, they went through it.
It was slaves and gamba people. When they left the

(52:58):
United States, they wanted went up to Canada because they
freedom solar. Yeah, racism up there, but it was a
lot less racism up in Canada. Yeah, it was Look
at the Proud Boys, right y'all know you see the
prod boys with Trump and broad Boys, the one that

(53:21):
one faction that's really racist. That was Canadian. The one
that was when you've seen the ones here. The leader
was a dark skin like a Puerto Rican. They had
a couple of little light skinned with mixed one type
of white boys. Of course, they was more of some
proud whoever proud to be American. You could be black
or whatever, you will probably be American. Canadian one look

(53:43):
it up. The head of the head was that one
do he got taken out, but he Upper Canada. He
was straight up racist, you know what I'm saying to work,
Just being up in there in Canada so much I seen,
like I do feel like the don't don't go with
the whatever Drake talking about like a body or something.

(54:04):
He got to me he got to be talking about
like a rap body. I ain't never thinking he talking
about I don't know. I ain't never think he's talking
about a body. I'm just knowing, like what if he is.
That's when I'm like, are you serious? I'm thinking you're
talking about I'm gonna catch a body with this pin,
you know what I'm saying. But if you going there, Drake,

(54:24):
I'm assuming you're talking about I'm, you know, body bag.
He's saying for I mean, Louis Baggs taking a body bag.
You're just saying, see what you can't be talking about
murder him out? I mean, come on, like yeah for real.

Speaker 2 (54:38):
And like you said, it's authentictionly because I remember when
I first heard es music, right, I believe that that
dude or where he was in Compton put them dry
by so much the suckers, you know what I'm saying,
Like this dude like really out there putting nothing work.
Then you see him in the movie and the way
you do stepping, the way he moved, you're like that
probably serious, which, like I till eighth day, I talked

(55:00):
to some of the young rappers that come on the
show and it's funny as hell because these beat dudes
are gonna sold some breakers on the young, but they
be almost scared to appromp sate, Like especially when we
do the show live, be like, oh, man, you know,
can I talk to him? Should I say talking?

Speaker 1 (55:13):
I ain't talking to him like you're talking here ready,
but doing it.

Speaker 3 (55:21):
Was really we ain't talking about me, man, so listen
back on me. So we should wrap this up. We
got my man out here. It's twelve o'clock out there,
But I get it.

Speaker 1 (55:34):
It's like I think that the youth. See, I gotta
always think we gotta be Trump because not us. And
I'm saying us as people like YO were raising our
kids he said, and all that what was it? What
we call? He said, he'd be stupid to get this
money and out of control. Though you still you know

(55:55):
what I'm saying, like that was what was that called?
What was that movie called? Uh? What was it? Cause?
What would you do? What want? Where it was like
their documentary movie though where they said, oh, probably the
hundred Key Loves movies. He was walking the rock Wilder,

(56:16):
Oh that's rhyme and reason and then he was talking
about it. Then Maxine was saying, you can't get this
aldo and just be living in a hood. And I'm
saying to where we're raising these kids to be better
like Snoop straight up? Oh say his kids is different.
You know what I'm saying, to where I can't parade them.

(56:37):
You know what I'm saying, because they kind of what
we planned them to be. You know what I'm saying.
We put a lot of our kids do better school,
and we put a lot of kids through so I
all put too much now if you if you just
want to stick to you that kind of you know,
and be a young boy and all your y'all y'all
and know what I'm saying. But we got so many
of us that just came up better and different situations,

(56:59):
had fathers. Not a lot of us didn't have follows.
Now we got doing a little bit better to where
I really don't really be. I already take them serious
like that on the Let's stay the them ones right now.
You know what I'm saying, that the the ones who
I can always tell you, we can tell getting it in.

(57:19):
Let me tell get it in. I ain't taking some
of the other ones serious like that. I just think
they just kicking the ship. I already take it like that,
you know what I'm saying.

Speaker 2 (57:30):
Yeah, Eve, before we go, Man, me and you was
having a conversation Lab and I know he don't like
this ship, so let me get my ship off first
though we was having a conversation before because I ain't
never went to none of the parties, Lab, you know,
none of the parties like that.

Speaker 3 (57:46):
Man.

Speaker 2 (57:47):
You think do you think it's a wrap of when
you think he's gonna go to jail?

Speaker 1 (57:50):
Man? I think should think that he gone, I don't
see how all that, yeah, because I we don't see
how not without it just being like, ain't you know
what I'm saying, because it's you know what I'm saying.

(58:11):
It's the off speculation, but we all know what I'm saying.
It's like, is that is that Pop ain't gonna be
at the end all this shit? You know what I'm saying.

Speaker 2 (58:19):
That what I'm saying, you just never know, man, because
a lot of stuff that we used to hear rumors about,
like I don't been to a few spots of salt, dude,
you know, not necessarily smack no mother centers around. But
I don't see him do some stuff where he don't
press his muscle a little bit.

Speaker 1 (58:34):
Yeah, you know what I'm.

Speaker 2 (58:35):
Saying, where he don't push this line a little bit. Man,
I think whatever you do in the dirt, always just
come to the mother for the like that's good.

Speaker 1 (58:42):
So we're out all just without and just just throwing
him under the bus. I mean, I can't really stand
up for him at all. That's zero, you know what
I'm saying. He had to have his all weight yet
like big Gipps. You know what I'm saying like this,
I came in late. You know what I'm saying. Man,
you're saying maybe, but he older than me for in
this she wise, you know what I'm saying. And then
being the success that we had, Nelly kind of put

(59:05):
us in them parties instantly. But like I tell you,
it's two bodies, you know what I'm saying. That was
at the time too, y'allsold a bunch of records. Yeah,
so we went straight from the motil I remember being
a motil to just a five star till we ain't
have no in between. We were outdoor motiles on the
program promotional run and then it just bubble just popped

(59:26):
and it was just gone. We was at two three
million in a month, you know what I'm saying, two
three months, and we just could gone and just kept
getting bigger and bigger. So where I we we went
from Ship to Sugar because he was the first they
be artists like that. Did no other set up, no nothing,
just come out and go die. That was the first time.

(59:46):
May it just happened, you know, I'm saying, fifty just
now went down. So we technically hip hop with was
the biggest from Ship to Sugar, ever, like damn. We
literally went from outdoor to just the five star hotel
to where I went into these rooms so fast. And
I was the oldest, and I was like, you know,
let's stay together, y'all. I'll stay together. But I noticed
it was two parties. It was I ain't knowing the time,

(01:00:09):
it was two parties. That first one. It was Rocket.
It's a party party, of course, if you are just
a true, real male, you you call them, you on
your phone, you in La or you in Vegas or something.
You got some hot bay already it's one o'clock. She
called us, She from Tennessee. Is she in town? And
we all in Vegas for the wards? We burning out.

(01:00:30):
I ain't staying there, you know, three four in the morning,
like I got to go. It's some waiting some to
go to where When she heard about these little after
parties and all this kind of shit, you know, it's
it's it's started being like you know, I, you know,
I had a problem, you know, just taking everybody's soft
type of shit. Not everybody sawt but like, you know,

(01:00:50):
just go be everything, go for you to me. It's
just I don't want to do that shit and deal
with that shit. You know what I'm saying to where
I ease back on that. But you know, I kind
of find that ship was you know what I'm saying,
that's the real life, that's real parties going on, and
all this kind of ship too. I say he had
two good parties. As you look at I guess you
know I'm saying, if you watch all that crazy ship
that the next party that started at two o'clock was

(01:01:13):
this ship, then, I guess, but that first one the
early ones, that ship you I'm saying to where, hey, bro,
if this ship the way it looks, it's a lot
of ship constantly coming out, a lot of ship constant
cots is coming out. And then that if I got daughters, bro,
that Cassie tape. Bro. You know what I'm saying, Like
it's hard, you know what I'm saying, Then you got

(01:01:34):
all this ship that if you are pumplish some ship.
I don't really care about that, you know what I'm saying.
I ain't whether may.

Speaker 2 (01:01:40):
Sleep with us his business, you know, I don't care
about that.

Speaker 1 (01:01:46):
I give you, I get you know, we were just
in the row. All of us are in the road
on this byself. We laughing on. You know I'm saying
a little shit what I'm saying, but I really don't
get fun. You know what I'm saying, Like it ain't gonna,
I ain't gonna always she walks over like that. You
know what I'm saying, especially not old. You know what's Yeah,
the beating the tape off Cassie that she was sixteen

(01:02:06):
is released. Somebody mad, bro, somebody man. You know what
I'm saying. Like, we all know what's been said about
buff You know what I'm saying. We all know what
I said. You know what I'm saying, like and some
something you mad? Somebody mad right now?

Speaker 3 (01:02:19):
Bro?

Speaker 1 (01:02:20):
Somebody mad is that they compete. Whoever you got this
ain't mad right now? This is all coming down. You
know what I'm saying. I'm telling you one thing. If
the pop shit is real, it's a rap. Bro, it's
a rap. Ain't nobody You done. You're done on the West,
you done on the East, You're done. You're done it anywhere.
If the pop shit real, bro, it's over. You're doing jail.

(01:02:43):
But it's one situation where yeah so, but you beat
it on the technicality, you might as we went just gone,
just move away and just it's over. If it's the spring, oh,
there ain't nothing you could do. And then if it
ship start breaking down to the big eat ship, all
the old rolling ship and all the little kind of shit.
If that shit real. But if the park shit real, bro,

(01:03:05):
it's a rap. So to me it looked like it.
It started you off with boom, let's set this tall
for me personally, That's how I look at Ball. They
set this tall with you, boll. This weapon pop up
twenty six years later, they just set that to the side. Okay,
Ball Dwall, let's do what we do. Like in the Lord,
They're gonna break you. They know what you're doing. They're
gonna break your pocket. So you can't even fight back. Now,

(01:03:26):
So if that right there, that shit pop up, the
weapon come up missing me that we can found all
these years, you know what I'm saying now, Now that
means that the endorsement stop, income stop. So what you
already got, you got the money coming in stop okay,
now the money coming in and stop. Then boom, you
get here with a big old lawsuit. You're losing some
of that. Then you know your your your life is steady.

(01:03:50):
You know what I'm saying go on, so you gotta
pay these bills. You know what I'm saying. Your lifestyle
ain't changed, but you're at the income ain't coming down all.
So it looked like if I'm looking at way like that. Okay,
so like they got this already set up for you.
They notice they got some intail on this park situation.
They're gonna break you. Sure, you just broke down and

(01:04:10):
you can't fight anything in. It's gonna bang you over
the head with that after just exposing everything about you.

Speaker 2 (01:04:16):
Though, I appreciate you, Lan because I know it's like
you on the other side of the country. Dog when
this twelve fifteen dog, how man, if people.

Speaker 1 (01:04:25):
Get actual lancause I noticed you. What's your social media? Bro?
Ali underscore s and chick no nefinitely going here, man,
appreciate this the late edition of the gangst the Chronicles. Man,
we gonna check y'all out man and we out here Yo, Hey,

(01:04:46):
meet you bro all. You know what I'm saying. Hear
me earlier in the day and