Donnie HoustonTalks Houston's Lean & Screw Culture

We sat down with the homie Donnie Houston of the Donnie Houston podcast and spoke on H-Towns Lean and Screw culture, The OG's and what new cats are on the come up!

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Episode Transcript

Speaker 1 (00:04):
All right, here we go today. I got one of
my homeboys in here, my boys from Agetown down in Houston.
What's happing, Donner? What's going down? Man? Man? You know what?
First off, man wanted to say. Man, it's a pleasure
and honor. Happy you in here. Man, you got one
of my favorite podcasts. I think people forget that we
actually fans of podcast too. So I watch y'all you

(00:25):
pretty religiously, man, have been for the past two years,
and you're really one of those guys man that really
kind of put on the city of Agetown, Houston and
specific You know, yeah, Man, I appreciate it, but I
mean it's it's the same on Miam.

Speaker 2 (00:38):
I've been watching y'all for for a minute, man, so
you know this was always cool to link up and
do this kind of stuff.

Speaker 1 (00:44):
Right for sure? For sure? Now what makes you man?
Wanted to decide that you just decide one day Man,
I'm gonna do the podcast. Man, just really just highlight
my city or how you getting to that? Uh?

Speaker 2 (00:56):
Well, I mean, you know, I got it. I've been
to a podcast for a minute, man, like I have.
My first one probably back in twenty ten. You know
what I mean, but this is back when we had
to you know, listen to that shit on the like blog.
It was a blog spot whatever, the little blog with
you like shit like that, you know what I'm saying.
It wasn't really like easily accessible. And then even the
idea of podcast it was so fresh, like you had

(01:19):
to like offish people to be like I'm gonna listen
to people I know talk you.

Speaker 1 (01:21):
Know what I'm saying, like all that type. It was
still cool. But anyway did that then, you know what
I mean, came back.

Speaker 2 (01:28):
Twenty seventeen round like Thanksgiving time twenty seventeen.

Speaker 1 (01:33):
You know what I'm saying.

Speaker 2 (01:34):
Started off uh what they talk about, which is just
me and my homeboys. It was more like a Joe
Budden style type of thing, you know what i mean.
It was shopping up. It wasn't really interview based, but
like the Jay Prisch interview came within that time frame
as well, you know what I'm saying. I remember, Yeah,
that was like pretty early on and then evolved into
college downty Houston and it became just me And that's

(01:57):
when it evolved really into like serious interview and that
was just me having my background in music Like I
came up in Houston as a DJ, as a producer,
so I had those relationships and they're all it was
fans of you know, Combat Jackson wind up staying, they
telling the East Coast stories, and my boy be high
in Atlanta. You know what I'm saying, He telling the
Atlanta stories. Like, man, we're gonna talk about just apes,

(02:19):
you know what I'm saying. And so it just really
started with me just calling people that I had working
relationships with and you know, it was cool with and
here we are, you know, five years later, and you
know it is what it is.

Speaker 1 (02:31):
Man. I want to say, shout out, give a child
to the homeboy be as the only man. He's definitely
doing his thing down there. And that's the due thing
about the South man. Everybody kind of has their own
little regions that they covered, like b he holding Atlanta down,
you holding down Houston. You also got the Homeboys screaming
and holding Atlanta down. So and those are two big cities, man,

(02:52):
like Houston is used you.

Speaker 2 (02:53):
You don't have to go outside of the city of
Houston for nothing to nah.

Speaker 1 (02:58):
That's crazy man, that's crazy man. You know what speaking
of Houston, man, I want to go back some things. Man,
you don't produce a couple of records too, right, Yeah?
For sure? Who you don't produce for uh Man, Slim
zero Pile, uh.

Speaker 2 (03:18):
Man, a little old Propane, you know what I mean?

Speaker 1 (03:24):
I've done stuff.

Speaker 2 (03:24):
With with with fro Fane and Saftwalker, Earthly h.

Speaker 1 (03:30):
Man. I mean it's them probably the people I've done
the most with, but it's other people up in there
as well. That's a remixed for Leon Bridges. Gonna knock
down all the heavy here. That's pretty much.

Speaker 2 (03:44):
Uh. I mean, you know some of them. We got
a lot of them, man, but you know, you know,
I've been been blessed to kind of you.

Speaker 1 (03:49):
Know, with a few of them. Hey, I want to
talk about the deep the whole DJ screw era. Man,
if you ever get to experience that, man that you
go to the house everything, nah seeah when that whole
going to the house ere I was a kid when
that was going on, you know what I'm saying. I
figured so my point of view of like the Screw era,

(04:10):
like I saw it, but I saw it from a
kid seeing it come together, not being like an adult
and in that mix. You know what I'm saying, like
all of them screwed up cats, they at least ten, fifteen,
twenty years old or something of them, you know what
I mean. Yeah, I think all them kids, all them
guys probably around my age man, probably probably around my
age man, because what year was that screw was popper Man,

(04:33):
you're talking about me and nineties, you know what I mean,
up until up until you past two thousand, So you
talking about like ninety four to two thousand. Yeah, man,
would you say that that sounds still kind of unrelevant
in Houston most definitely?

Speaker 2 (04:46):
I think even beyond Houston though, you know what I'm saying,
it slowed up then you could see that even when
somebody like Justin Timber, like when we had suit and
toe like that, it was a part of the song
where the song slowed down, you know what I'm saying.
I mean that shit slowed down like that screwed sound
and went well beyond you know, probably anybody he ever

(05:07):
thought it was gonna be. And I'm sure probably.

Speaker 1 (05:08):
One percent, one hundred percent. And I think Justin timberlated
he from the.

Speaker 2 (05:12):
South any he's from, uh yeah, even like Tennessee or
some ship like that.

Speaker 1 (05:17):
I think next thought, Yeah, that spread all through the South. Man.
You can hear his influence to three six Mafia. Everybody,
everybody don't take a bit, a little bit from screw on.
I think even you're on the West Coast a little bit.
And then you had guys. Man, everybody was slowing the
ooge down for a minute. Everybody walk kind of hoods
down for a minute. That was a big part of

(05:37):
the game.

Speaker 2 (05:38):
Yeah, yeah, yeah, that that slowed downside here, especially in
the Ah. Man, I don't think, you know, it evolves,
you know what I'm saying, Like everything else, like the
West Coast sound evolved, but you still know that's West
Coast when you hear you know what I'm saying, Like
it's like that here, It's still still relevant, you know.

Speaker 1 (05:54):
Yeah, I think, man, You know, me and my homeboy
Glasses men always talk about the importance of culture. Man.
Houston definitely has its own culture, like La had this
own culture, man, and I think it's important that cities
kind of hold that down. You feel what I'm saying.
That's why it gets on my nerves, man, when I

(06:14):
hear it cat from like New York. This ain't no shots,
no New York cats. But when i'm listening to somebody
from New York, I want to hear them sound like
finished New York. You feel what I'm saying, right, I
won't get them sound like New York. If I'm listening
to somebody from Houston, I want to be able to
hear that Houston in them, because I think that's the
dup thing about hip hop is that you know, hip
hop or rap to just through our own little journeys. Man,

(06:36):
to visit these cities, even though we physically ain't there,
you got to hear about what was going on the continent. Yeah, yeah, yeah.
It was about their representation. Yeah yeah. So so you
definitely get to hear what's going on. And I think
that Houston sound, man, it was just so infectious to
the rest of the country. Man, it kind of was
bugged out. Man. I remember when I was in school

(06:59):
again and I'm older, you know, I'm showing my age,
boring my home boys. Man qt He was from Orange Mound, Texas,
and he brought the games to nip Tape down there.
He bought the UGK tape and this is the underground
UGK tape. Man, it kind of sound the storied a
little bit when it was just on big time records, man,

(07:19):
and it was just big. Man, it was big, So
I got to see all these guys kind of come up. Man,
it was It was a crazy time to see these
dudes come from just being kind of local cats become
up major celebrities and big time stars. Man. I don't
think it's will ever be another I don't think it's
ever to be another era like that. Man. The nineties
was just so dope. Man. You had so much new

(07:41):
stuff coming out. But then again, a little kid might
feel the same way today when they grow up. You
feel what I'm saying, right right right? Yeah, No, I
mean nineties for sure, man, I don't think you ever
can touch that. I mean everybody, that was just the
best time. Bro.

Speaker 2 (07:55):
When you talking about rapping hip hop down like you
had that, Like you said the East Coast side like
East Coast man, La sounded like La, the bass sounded
like the baby.

Speaker 1 (08:03):
You know what I'm saying, East to sound like Houston
and loud. Yeah. It was just can't get no better
than that. Yeah, and everything was just real reasonal Like
I remember hearing all the incarnations of the ghetto boys
like and listen, I'm talking about going back to when
I was like sixteen to seventeen, man, bumping the Ghetto Boys. Uh,
I remember the original Ghetto Boys. You know, Prince johnny

(08:24):
Ce and them cats. Right, you had Prince johnnie Ce,
you had Red and Red with one that was in
the group the whole time. Wasn't it ready Red? Yeah?
He was up until up until the we came he
stopped a yeah, yeah, ready Red. Man, I remember bumping
all that and man, then I remember when Will and
Scarface kind of came the group listening to the I

(08:48):
think it was that We Can't Be Stopped album? Was
that the We Can't Be Stopped at? The one before that?
The one before that that Hut Trees? But this one
before that one fav another one before I'm thinking about
the one where they had their shirt off, look like

(09:08):
they were just standing on the street corner. What was
that one? Yeah, nah, that's how we came south. That's
the that's the first one that who would reading read
these nikes and all that on there, the love and
all that other shit. Yeah, which I look at my
grip on the left, grip it on the other left.
That's it right there. That was the first time, you know,

(09:31):
me hearing the Ghetto Boys, right, And I remember even
before I heard the album, man, it was the Assassin's
record was going all through Cleveland. That was going up
at that time. Yeah, and it was going all through Cleveland. Man,
it was. It was a crazy time, man, because Houston
catching was really putting ship down their own way. Then

(09:52):
I heard that motherfucker Gains and Nip. That ship really
tricked me to fuck out. Yeah, that ship really tricked
me to fuck out. And the big thing in Houston,
like as far as the drink and everything, man, there's
been a couple of people passed away from that man
as that slowed down in me. Sir, well, I mean
for one, you know, and it ain't just a youthful

(10:12):
thing no more. And drinking service walks.

Speaker 2 (10:14):
Well beyond it. Like they got the kid used to
be kid. They been telling tomorrow put the cup down
in You think I'm.

Speaker 1 (10:21):
Gonna talk to you bout him day to day?

Speaker 2 (10:22):
Blunts cat the dude, it don't get so cause he
done bit the big moles, whole swagon, oh that whole ship.

Speaker 1 (10:28):
Yeah yeah yeah, so I mean syrup. I don't know, man,
you know, people still on it, but it just.

Speaker 2 (10:34):
I mean if you comfor for me, Like it ain't
really like like that no more, you know what I'm saying,
Like they stopped making real drink quote unquote you know
what I'm saying, So like you still got it and
people still kind of get it in and whatever here
and there. But like, I don't, I don't think that's something.
It's like everything like screw it ain't going nowhere, you
know what I'm saying, Like especially out here bro Serve

(10:56):
Houston and Serruf goes back like well beyond beyond the eighties.
You know what I'm saying, Like that's some ship go
back then, you know what I mean.

Speaker 1 (11:05):
Oh, they've been drinking a long time. Man. They was
they was drinking back in Cleveland back in the day.
But they didn't call the drink back and they was
just on they you know, they was just taking down
syrved you know. Yeah, yeah, you know people been doing
that for a minute, man, a pointing in the park stuff,
you know, to take the flavor to make it taste
a little big because that shit is nasty. Yeah that's

(11:26):
uh yeah yeah yeah. It's definitely an epidemic though now
across the country. Man, Like a serious epidemic because they
don't let the dudes going to the piels.

Speaker 2 (11:38):
Man.

Speaker 1 (11:39):
Then you know, a couple of cats don't got in
the arowe from that man. You know, that's what it is,
is liquiero. Hey, your body of man, take your teeth out.
All kind of ship man, it's just you know, yeah,
you know cass man can't use the bathroom, so they
start deveiling them big ass pop bellies of lean bellies. Man,

(11:59):
it's crazy, man, it's crazy. I recommend everybody stay from
that man. The homie from second to None. Man, his
little brother died from that ship out here, dude from
out there, no one like, yeah, you stop breathing because
you know, except to shut down your respiratory system. Bro
started breathing. It didn't nobody what was wrong, didn't nobody
because they got those in heilers. Now what are they called,

(12:22):
not the asthma hills, but the narkans. Yeah. I started
keeping one of those in the house.

Speaker 2 (12:28):
Man.

Speaker 1 (12:29):
And I don't even indulge in the drink or nothing
like that, but just that whole peal thing just in
case that you don't know, man, you had your kids experiment,
and you don't know kids do experiment. You feel what
I'm saying. So they was giving them all free. One day,
I grabbed a couple of them. Mothersfucker's dog because I
just think, you know, you never know man with it. Yeah, yeah,
I rather not be caught without it. Man, you don't

(12:50):
know because like I said, the homie man and his brother,
wasn't he for knowing that ship like that? He was
just doing something that night. Man, it just drunk a
little bit too much of that ship.

Speaker 2 (12:59):
Man.

Speaker 1 (13:01):
It took them out. Man, that's too.

Speaker 2 (13:03):
I mean, it's a part of our culture. I mean,
we are a lot of us have you know what
I mean, dabbled with it here and there, but at
some point in our lives. But yeah, you know that's
definitely that's definitely not something money. Well, yeah, you don't
want to do it every day.

Speaker 1 (13:17):
Yeah, y'all only even caught up in that because I'm
gonna tell you, man, everything is about moderation. I'm thinking.
You know, in my era, man, I definitely experimented. I
wasn't messing with no cocaine. It was certain stuff. I
was scared of. Dog like, I wasn't gonna never fluck
with no crack. I will never fuck with no cocaine
because I saw what the deed of the people. Yeah,
you know, I saw cats. Man, It's like it was

(13:39):
from that era. Thor why had that with that? Y'all
had that wet going over y'all era? Man? Oh man, Yeah, man,
we get that wet what what they called and used
to fry fry Sharon wet you know what I mean? Yeah,
that's big here, you know what anywhere? Man, it's a
black community. Yet, man, Sharon has always been kind of
like the black you know, the black that was like

(14:01):
the black hustling the hood that I didn't know nobody
else that sold Sharon but black people. And it was
only certain people that had their recipe, you know, because
you could blow your house up doing that ship. You know,
it'll been cast, lose all their face and all kinds
of shit. Man, some crazy stories behind it, Sharan. But
I saw a ship like that, man, and I saw

(14:21):
what it died the people, and I was like, fuck that.
I'm not fucking with that. You know. Of course I
tried the weed, and you know, I tried to drink
and I ain't a lot of man tranks feel amazing. Yeah,
And now you feel like you're the coolest motherfucker in
your own Yeah. But that's the good about that ship.
And that's an extensive ass happen. They don't even have
the what was the original drink they had with the

(14:42):
permittee an yeah, codin yet the coding and permittezine. I
don't even think that. I think they got the pie
right now. The pie and all that other stuff is
going wrong right now, you know. So it's definitely different.
But it's still out there though. Yeah, yeah, yeah, they
still sipping, man. I mean, or was I had a difference,
still simple, it ain't. It ain't nothing. I don't think

(15:03):
they'll ever go anywhere. It ain't gonna never go nowhere, man.
That's you know, like I said, it's ingrained in the
culture now and not just out of here, man, it's everywhere.
And I think Lil Wayne, he was just such a
big influence on the culture. I don't think people I
think people forget sometimes. Man. Little Wayne was like the
most influential rapper on the planet that one time everybody

(15:25):
wanted to be treads out the tattoos on the face,
all this shit, I mean, tattoos on the face, walking
around with the double cup. You know what I'm saying,
I saw cats walking out here, man with double cups
and dreads and shit. It was like, No, Shane, niggas
is biting little Wayne unapologetically. I'm talking about niggas that
in the game, don't you niggas that got deals. I

(15:45):
was like, man, niggas just swinging off Wayne's nothing. The
niggas is swinging the Wayne's nuts. Man. Wayne was the
most influential nigga on the planet. Dog. He had niggas
throwing everything. It's a pike heard of blood kind of shit. Man,
Your nigga was turning in the bloods and all kind
of shit. Man. And you don't really realize how cold

(16:08):
Wayne heels man until you witness him actually putting that
work in. You know, I remember Man being in Vegas
at the Lollipop video shooting my got my artist. I
managed the Glass Malone and signed the cash money at
that time, so we was all out of Vegas and
that night, you know, the td honeis was out there
and just looking at Wayne Man. They shot the Lollipop

(16:30):
music video, right, so we at the mlut's house. Man,
It's like eleven o'clock at night them, right, and they
just shooting right then you go to two or three
in the morning, go think, dude, when it cuts a
couple more records. Then they went out to the strip
and shot more scenes and they didn't get finished. Dogar
like one o'clock the next day, and dude was still
floating around like his work epic is the motherfucker Dog. Yeah,

(16:55):
his work epic is the motherfucker Dog. I don't it
ain't too many people like him. Yeah, No, Wayne, especially
in that era, Bro, you couldn't fuck with Yeah. And
then he was throwing the mixed shapes. I remember riding
the bus with Baby and Baby was just an examiner
Wayne song songs I ain't never heard before again or
since then. I'm talking about records with Twister and some

(17:16):
of everybody Ship with Kanye West that's unheard and Bird
just doing that motherfucker shaming and motherfuckers. I was like, Man,
this dude got records. Man, this dude got records. Man.
I know Louisiana being so right next door to us,
and they sound way different from y'all's.

Speaker 2 (17:33):
Door though Louis Yeah, I mean, but it's a different
culture though, you know what I'm saying. Like, again, we
talking about back at that era when yo, your area
kind of dictated your sound and shit, you know what
I'm saying. So the ready New Orleans is the way
they live in that whole lifestyle. It's completely different than Houston,
you know what I mean? And yeah, for real, somebody

(17:55):
name music man. Yeah, despite it being so close, I
know they trip about them. The drink wasn't really that
big over there. Them dudes was really doing heroin.

Speaker 1 (18:05):
They give it, give it them, boy was a real thing. Yeah,
they give me the real thing. Yeah, did they do
the really and the boy was a rig there and
dog them dudes I'm talking about. They start young too.
I mean these dudes man. When I'm I was down
there with glasses and we always make it a point
to go to the hood. But like where we go
to the city, we want to go to where the
coach or is that you feel what I'm saying, We

(18:25):
want to go to the city, you know. Yeah, Yeah,
it was little dudes down there. Man. It was nine
and ten years old down there. Man. Off of that. Man,
they were loft that they was talk about doo. Little
dudes and shooters too.

Speaker 2 (18:36):
Man.

Speaker 1 (18:36):
They do anything to get out, man, Yeah, anything to
get higher that heroine. Man, it is a different drugs man,
because I don't seen people I've seen people shake, you know,
successfully shake cracking ship like that in cocaine. You know,
I don't seen dudes put you know a lot of
stuff down. Man.

Speaker 2 (18:54):
It seemed like it's impossible to get off the hair
that one need. Yeah, you never get out put or
take you out, man, one.

Speaker 1 (19:02):
Of the two. And that's crazy and tripple. Our part
about that, h man, is that after a while, you
gotta start taking that ship just to function. It don't
even get you hid no more after a while. Dog,
And that's how people overdose because they trying to get
that that high back and they gotta take more and
more of it man to wear eventually. Man, they just

(19:22):
you know what I'm saying, it's ugly, dog, That stuff
was ugly. And it seemed like everything hit the black
community hardist man. You ever noticed that? Oh? Nah, most definitely,
most definitely.

Speaker 2 (19:32):
Man, It's it's uh, it's a trip because I mean
they are the same drugs, you know what I mean,
everybody do the same truck. So I's just that, you know,
the black community seems to be affected the most. That's
that's always been.

Speaker 1 (19:45):
Man, And I'm gonna tell you that here. Want to
hit Cleaveland hard too. I remember being a little kid, man,
walking outside of our apartment that's when we stayed in
the part of a right and I will go to
the back and my mama will whoop my ass if
I didn't have no shoes on, dog, because there would
be needles every where. Dog, just me those like everywhere,
it's all on the ground. Man. It was crazy, man.
And it's just like, damn man, it's like growing up

(20:07):
in just the city. Dog, it only even have to
be the city necessarily dogs growing up in poverty. Dog,
it's a lot of motherfucker potential pitfalls.

Speaker 2 (20:17):
Man.

Speaker 1 (20:18):
Well, what was the so what was the culture like
in Cleveland? Like growing up?

Speaker 2 (20:21):
You talking about that back then with the airline and
all that shit, Like what was like how long you
stayed in over there before you moved away?

Speaker 1 (20:28):
Man? You know what, I was born and raised in Cleveland, Man.
I didn't come to the West Coast when I was seventeen. Yeah,
Like the culture in Cleveland, man was I would say, Man,
even though it was up north, Man, it was more
like Houston. More like Houston, but like any you know,
like any made you see like Detroit, you know what, because.

Speaker 2 (20:46):
It's just like like you hear about like East nineteen
ninety nine, like Bonnem talking about saying, yeah, that's the that's.

Speaker 1 (20:52):
My neighborhood, man, like US one hundred and third, right,
they was up the way from us. Man. All the
whole culture around was just real ghetto, like Cleveland is
a real ghetto ass city. You know, California is hood,
but it's not ghetto, you feel what I'm saying, Like,
wats ghetto Like California do got a couple of ghettos,
like when you start talking about certain parts of South

(21:13):
Central and wats, but even South Central has nice streets.
Cleveland was just real ghetto. Like they regentrified. Every centrified
it a lot right now. Man, But like my old hood,
we would have like a band apartment apartment buildings, abandoned houses,
you know, lots where they on tour down apartments just
cleared out, you know, with the bottles on the ground
of bricks, and we out there playing football and shit.

(21:35):
So it was a little different.

Speaker 2 (21:36):
Man.

Speaker 1 (21:36):
Everybody's house is infested with roaches, you feel what I'm saying.
So it was just real ghetto. It was just real
ghetto back then, but you didn't know it was ghetto
because that's what you used to Yep. If you grow
up singing roches and rats and all that other stuff,
does which it is? Do it? You know what I'm saying.
You know, you pick that shit Like I look at
my keys sometimes, man, new dudes and people like eating leftover.

(21:58):
So I was like, man, y'all, I'm gonna fall off. Man,
y'all ain't gonna make the dog I'm worried about y'all. Man,
y'all got it good man. Now I'm gonna eat that
over the doll they you know's got their mama like this,
a bare around his mus it like these kids. You
know you want the best for your kids. Man. But
I wouldn't trade my experience nothing in the world, man,

(22:20):
because it made me become first, appreciate it, more appreciative
of the blessings that I do have, not that I'm
able to provide for them right now. And I can
survive anything. Dog. So if I fell off dog, it
would have beaten ane. I ain't gonna jump off no
building because I don't been there before, and I know
how to fight up out of it. You know, probably

(22:41):
the same thing with your daughter. So I think we
all man, to varying degrees, man come up under that
same kind of like umbrella. You know, whether you in
New York, doll was Houston. You know the ghettle boy
saying the best the world is a ghetto, dog the
world is a ghetto? What part of Houston? U round?

(23:02):
I'm on the South Chide? Man from Baron Clark.

Speaker 2 (23:04):
So like that boy three two on one day, hear
he say barring me and harm Clark next to the
coming Kirk on the a g K. You know what
I'm saying, I'm here. I'm here to that for Big
Meal from two Yeah, big Melloh yeah, Big Steve, Yeah, Benchean,
you know what I'm saying.

Speaker 1 (23:20):
Oh, it's a few of us out here, man. Yeah,
give me a dude. I know my boys at played ball.
What's my the dude to start the Rick Shot records? Uh?
That started Rick Shot? No? What's his name? No deal
Direct d Rict de Rick. Yeah.

Speaker 2 (23:40):
I don't know if Direct playing football. I know he
went to uh he went to SA. I really went
to Steve's speaking that Foster. Yeah, I don't know if
he my boys knew him, no, because they was talking
about him when I was at New Mexican State, Dog,
they was talking about their boys starting to record coming.
It was crazy, Dog, because I saw a lot of
that stuff, just kind of like shoot, you know, he'd
be like, damn man. I remember they was playing the

(24:02):
bootlegs down and all them dudes got big.

Speaker 1 (24:04):
Yeah. Yeah. So you so he went to schools to
be with that new direct oh man, Yeah, I went
to do Mesica Stakers.

Speaker 2 (24:10):
There.

Speaker 1 (24:10):
We had a whole bunch of cats when Steven F.
Austin had dropped their football program, a whole bunch of
cats from Steven F. Austin that came into school. I
came out of with jayc out here right. So we
all went to New Minstal State University, which is maybe
fifteen minutes from thirty minutes fail past with Texas, So
it was a whole bunch of Texas Cats. We had
a large gen flux of Man, we didn't have a

(24:32):
whole bunch of Houston Cats. We did have Houston Cats
on the team, but everybody either came from Dallas or
a pass on. So it was a whole bunch of
cats that kind of light came up out of the
out of Stephen at Foston because you know, our football
program sorry the mother for the doll at the time,
so they was trying to dig quick stitches. They was
getting dudes that had experienced either the JC or the

(24:53):
program that don't shut down, or a dude transferring you know,
go chess and he won. You know, we wanted ug
when I was there, But there was a whole bunch
of dudes from Dallas.

Speaker 2 (25:03):
Man.

Speaker 1 (25:03):
And that's the thing I like about Texas period. Texas
has got thing on culture. Man, the brothers in Dallas
wearing their shags. I was laughing like a motherfuckers. You know,
we bore shags in Cleveland. But that was like back
in the seventies. Yeah, yeah, yeah, no, the boy, the
boy still might be rocking shag there. Oh man, I
think that he was. But you know what's funny, Man,

(25:23):
in California in the eighties, I came out here, man,
it was gang bang Central. Dudes was wearing shags on
here too. Yeah, but in the eighties. My old man
had one.

Speaker 2 (25:33):
In the eighties, though, I see, I know that shit
from the eighties, you know what I'm saying. My old
dad when I was a little kid. Yeah, yeah, for real.
All the shagg he was was the black man's mullet.
You know what I'm saying. All the shag is a
black man's mullet. He had the homie Man, the homie
said the man. The homies came up dif from Dallas. Man,
all of them dudes had shags. Man Gold's named Mama.

Speaker 1 (25:57):
Yeah, my old man had to go with the shag. Yeah,
nigga you know yeah, yeah yeah. Who who popping in Houston?

Speaker 2 (26:06):
Now?

Speaker 1 (26:07):
Dog? Who the knicks up become a dude in Houston
right now? It's on the streets. I ain't talking about
the dude the sign. I'm talking about somebody's just making
their way on some independent ship. Man. It's a cat
nam Quiet Money. That cat name Quiet Money. That man,
he's a he was like making some words. Man.

Speaker 2 (26:25):
Hey, he got like he got like a traditional h
Time sound like he outside you know what I mean.
He got the bill fade and ship like these warre
the nineties and ship. You know what I'm saying. Like
he's just he's just the whole Houston culture. He just
embodies that whole things got in Quiet Money. That man,
Get to understand Quiet money. I didn't case the last
name that that d o T call quiet money Dot. Yeah, yeah,

(26:49):
that's a hard man. Houston catch come up with some
of the coldest names though, yeah, quiet money Dot. They
got some original names, you know, even Mike Jones. I'm
a Mike Jones blew up man. Mike Jones big than
motherfucker dog. Yeah, yeah, Mike Jones and he blew up
quick man. Like Mike Jones. I remember him like like

(27:10):
hearing about him, and then it was just like not
long after I heard anybody him.

Speaker 1 (27:13):
It was you know, it was a big deal. So yeah, yeah,
I remember, man, Mike Jones. Man, I remember hearing the
cat out here. Man, I was confidence. I heard a
dude banging the screwed down verse in his tape. That
was kind of the first time I heard my who
what thatck? You listening to? Dog? He was like it
was Mike Jones. You know, he had a lot of.

Speaker 2 (27:33):
People in the city mad to him to seem like
though Mike Jones, Oh, I mean I don't know, man.
You know, Mike Jones did his thing man. Sometimes you
know he was he was really successful, and you know sometimes.

Speaker 1 (27:47):
That's what comes with it. Man. You would have hate,
you know, with success. I tell everybody, if you get successful,
you but it dick your squabble game together. If you
don't know the squabble because you would have to fight somebody.
You had to fight somebody. Bodyguard can't keep everybody away, dog,
they can keep everybody away. Quiet money down. I want
to hear him who he sounded like? Who do you

(28:07):
think he sounds like? Sounded like, uh see a new
star faces? Like what is he on? Nah?

Speaker 2 (28:15):
It's like like typical, like Htown, like south Side music
in the night, so like fat pat Key Key that
type of shit, you know what I'm saying, Like more
of that type of you know.

Speaker 1 (28:26):
Fat pat was hard than the motherfucker dog. It seemed like,
man for a minute, everybody in Houston with tyme no
dog can't get big and they just done. Yeah we
lock band. You know, I don't.

Speaker 2 (28:39):
I could be wrong, you know what I mean, But
I would say Houston probably lost the most artists when
it comes to like influence and lost on at the
time like before it really like went down, so like
screw never really got to see his real influence. You
know what I'm saying, Big Mo a little bit, but

(28:59):
not really see what Twin years later, it looks like
you know what I'm saying, at his debut album with that,
you know that fat pack. You know, he didn't Eve
get to see his baby out and come out, you know,
Big Hawker's brother. You know what I'm saying, Like the
listen go on and on, you know, three two. You
know what I'm saying, he didn't he got to see it,
but he didn't get He didn't say to get into
his chest too.

Speaker 1 (29:18):
I mean, I'm gonna tell you not to clinch you
off door. Three two is very influential, man. I think
with three two you probably wouldn't have Snoop Dog, not
the way he is. Yeah, Snoop got a lot of
game from on three two. Man, snoopill probably tell you
that I ain't saying that in no way to put Snoop.

Speaker 2 (29:36):
When he passed away, he said, want this to Moe
who told me you know I love him, you know,
back in ninety one and hit so you know, but yeah,
I mean he got you know if you listen to it,
and you know like three two he listened to from
early three two and then you go listen to Snoop
how he first came out. You can hear all that
really over. We don't love him, hose big baby, all
that type of shit. You know what I'm saying, Like
even even down like these nuts like these was just

(29:58):
like things that he was known for doing. And back
in Missouri City, most city, you know what I'm saying,
our school and ship.

Speaker 1 (30:04):
So yeah, he's the influencial care. I remember talking only
Big mic Man and he was telling me about the
time on Differ for a Records. I was like, damn
that been cold man. Can you amaze that the conviction
came out on their fro with Doctor Trey's Beach Dog. Yeah, that.

Speaker 2 (30:21):
That would have been crazy man, definitely real crazy man
talking about something different right now? You know what I'm saying,
Like I would say, she might be a whole lot
different right now, so.

Speaker 1 (30:30):
It would be a whole lot different. You know what.
Texas and Kelly always had a connection, no Dog, Yeah,
because everybody got couzins from the song Doog. Yeah. Yeah,
even just suddenly I.

Speaker 2 (30:40):
Think I think like sonically, you know, musically, Houston sound,
Texas sound and the Kelly signed LA sign even with
the Bay.

Speaker 1 (30:49):
You know what I'm saying with this la Orterer Bank, Houston.

Speaker 2 (30:53):
It's just a suffusion with within that or appreciation rather
on both ends, you know what I'm saying, Like, Yeah,
always kind of been that going to screw like, well
that's how I here, That's how we got on so much,
you know, m C eight and fucking you know, uh
Eat forty and be Legit and god damn, you know,
uh compass, most wanted everything going on in La and Bay.

Speaker 1 (31:14):
And all that ship like it's always next yes, real
if you know what I wonder man, because you know
what ay do kind of got comforts most want of
Dia definitely had that sign I steep going down h
time because they still slowly laid back, you know they right, Yeah,
I was on screw tax.

Speaker 2 (31:35):
You ever got some time to go back and or
just pull up this DJ screw track list like it's
gonna look like a bunch of real deep l a shit,
a bunch of deep as ship like that's just always
been infused, you know what I mean as far as
us over in tastes. I always had an appreciation you
know what screw Definitely. I remember I heard a Mac
Tin song he had shot the screws. This sounded hard too.

(31:56):
He gave a sound like I'm gonna tell you, I
like the Frew version of high with the blinks the
better and not.

Speaker 1 (32:02):
Like the other one, like something that. Yeah, because I
remember that was the time man, that you know, we
could see you would go buy a record based on
what you saw a murder dog or adding the source.
You know what I'm saying, because you didn't know. You know,
it wasn't really know. The internet wasn't popping like that.
It wasn't no internet, you feel what I'm saying. Then

(32:23):
wasn't ready to hear the music, so you either saw
adding the murder dog or the source. He said, I'm
gonna go get this. That's how I thought Master P's
first album Dog yeah, from the fucking a Dog. I
ain't gonna lie. When I first heard master P, I
was like, this is horrible, no shit. When I first
heard it, like the Ghettle trying to kill me, Yeah,

(32:44):
that first one, but that's the P had up five. Yeah,
it was like a certain vibe. And I think when
he got with the beats by the Pound Cats, man,
you know, when they put that music on this for real? Yeah, yeah,
then it started to kind of make since and then
I then I figured out. I said, well, this dude
ain't even really from he's not from the base, because

(33:05):
that was the first time I earned he was representing
the base. He was lifting up there, and I say,
he's a Louisiana cat, and uh, then I started kind
of like, you know, kind of cheering for him. You
know what I'm saying. Yeah, he was the underdog. You
know what I'm saying. You started, I didn't treat while
he fuck with master p the day, But I ain't lied.
When I first heard massuped dog, I was like, this
dude cannot rap, man. But then that's I figured out

(33:29):
there all that rapping and being the best fit of man,
No misssarily mean you're gonna be successful.

Speaker 2 (33:35):
Yeah, you know what I mean. It ain't well I
can't say that. I mean, I fuck with too short,
but no shot got a really just it's just game,
you know what I mean. Like it ain't nothing, it
ain't nothing too complex. But he wanted to cold to steal,
you know what I mean, Like it's niggas that I
don't know. I feel like, I mean, of course I
think this hard. Yeah, yeah, this dudees just on the

(33:57):
basic ship. This dupe as a motherfucking dog. Gun.

Speaker 1 (34:00):
I'm gonna tell you though, Houston got one of the
coach k Reno was hard dog, Oh yeah, and underrated.
When I was slept on underrated like the motherfucker. I
was talking to my boy Crooked King Crooked about him,
and I was telling him, I said, man, it's a
calf from Houston. Dog. That fitted be crazy, huh, say Croocket, Yeah, yeah,
King Crook them to on the record would be crazy. Man.

(34:25):
You know what, man, we should have tried to set
that up. That'd be hard man. Because because Krino was
still with him, and I'm gonna tell you, ka Reno,
I listened to his eyeurs Man, Katerino be coming with
some subject matter sometimes that he's He's probably one of
the more creative motherfuckers I don't ever heard in my life.
He's probably the most creative rap robber heard. Dog. This

(34:45):
dude had a song. Man the way he was talking
about like the mind inside of the mind, inside of
the mine. Man, he was saying some ship. I said, man,
this dude, you smoke a good joint. Listen to him,
Dog like kind of fucked you up a little bit.
And yeah, because he definitely go out of you thinking. Man,
he definitely go out of you thinking. So look, man,
me ask you this doney you was talking about earlier

(35:08):
on Man, you started out with some mother cats, as
you know you fought. It's really sure. I started this
started off one way and had to turn another. It's
hard working with motherfuckers, ain't it.

Speaker 2 (35:17):
It's tough, But you know, at the same time, with
my situation, it was more so when we went into it.
It was me asking my own boys just jump down
with the damn and everybody kind of knew, like, this
was some shit I really want to do type shit.

Speaker 1 (35:29):
You know what I'm saying. I always do that.

Speaker 2 (35:30):
So when the kind of went the way when, of
course you want your people stay down, but it was
kind of like, it's cool, you know what I mean whatever,
you know what I mean.

Speaker 1 (35:38):
But yeah, you do.

Speaker 2 (35:39):
We won't want that shit to work, bro, when you
started out, you want that shit to go the way
that you playing it.

Speaker 1 (35:45):
That wise man ain't is kind of like the perfect
partner only thing with eight man, I ain't gonna get
eight to come and do the whole bunch of episodes.
That's just not him. He's the one week type of dude.
While me, I like doing this shit every day. If
I could do this shit every day, I would I
just inter rested talking to different people. You feel what
I'm saying, right, you feel what I'm saying. It's definitely interrupted.

(36:06):
And I saw you recently got an award down there
in the city. Man, that was some dope ass ship
or the day thing when I got my day. Yeah
you got you, Yeah, you got you down in ut Yeah. Yeah,
that was uh yeah, yeah that was last year man. Yeah,
October ten ten. That's uh down in easton day in Houston. Man,
So you know that shot.

Speaker 2 (36:27):
Man.

Speaker 1 (36:27):
You know what, Man, you said it's October every October yeah,
ten ten, Yeah, October tenth. Yeah.

Speaker 3 (36:33):
Man.

Speaker 1 (36:33):
You know what, man, Next year, man, you might have
to have a big ass day for that ship. Dog.
We might have to come do some tit dog bringing
eight down there. Man, we do some pit. I'm with that.

Speaker 2 (36:44):
I won't put something together for sure. I'm definitely gonna
do something next year. That's the thing about Houston. It's dope.

Speaker 4 (36:49):
Man.

Speaker 1 (36:50):
It seemed like hosts and honors. They they motherfucker's dog
like anybody's from Eustland is doing something Houston Honors. Yeah,
I mean that that is a good thing about us. Great.

Speaker 2 (37:00):
Know we you know, I can speak for myself for sure.
I definitely don't be wouldn't expecting you know, a couple
of things that have happened. But yeah, man, the city
does a great job for Shawn Love.

Speaker 1 (37:09):
Yeah when you did your when you got you on day, man,
what was your mama? And I'm saying, man, is everybody
was everybody in your family gets tripping out gun. Yeah
they were happy, you know what I'm saying, Like my
family ain't.

Speaker 2 (37:21):
I mean, like none of us is like super emotional,
you know, so nobody got like super emotional about it.
But I mean everybody was proud, you know what I'm saying,
thankful it because you know, it all laid back, like
you for the most for yet man.

Speaker 1 (37:35):
But that's everybody in Texas, Man, Texas the most non
emotional showing people beat some of this ship going already.
They say all it, man, we just want the meiggas
that was already. Thank God. When you go saying a
whole bunch of shit, they just be chilling. Yeah. Yeah,
so you know, I mean they they thought it would

(37:55):
they thought it was cool and all that, But I mean,
you know, did this do? Man? I always think about, man,
what the end of gangs the chronicles look like, if
it's ever at the end, Because what I would like
to see going with this, I would like to see
this really transferring to somebody else doing it for another
you know, five or ten years or whatever it is,

(38:15):
and somebody passed it on and just like so you
have this big ass discography one day maybe thirty forty
years now. Just but if somebody could actually go back
to the beginning and hear it hout something, that would
be a cold lass story, wouldn't it. Man? Sure, that's
what I see this as, man, as a time capsule
for culture. Yeah yeah, man, you had Yes, I said

(38:36):
something really I ain't.

Speaker 3 (38:37):
Uh.

Speaker 1 (38:38):
I meant to ask you, bro, like will you transition?

Speaker 2 (38:40):
Because you know, like you say, y'all had a group
you know what I'm saying at one point then y'all
y'all had a transition?

Speaker 1 (38:45):
Like how was that shit for y'all? Is?

Speaker 2 (38:47):
I mean y'all say kind of got a little big
you know, Oh man, that shit got man? You keep
the real shit got met? You got a little mess?

Speaker 1 (38:54):
Yeuh yeah? Was here? I tell you what a appo?
What it was? Dog? It was big. I ain't gonna
say it was difficult. Dog. It was a lot going on, right.
First of all, Man, we always knew and I don't
want to say this dude's names. When you say his name,
he like candy man, Dog, he go take it as
addition to start firing shots. You know, I don't flay

(39:15):
in his mouth. But uh, what happened was Dog. We
had a cat that was only on the show for
three months, Dog because he had to go do some time,
so he was only three months. We had two other cats.
One of the dudes just stopped showing up, you know,
the whole COVID thing happened. He wouldn't responding to text message.
So when that happened, you assumed that somebody just ain't

(39:36):
interested in doing it no more, right, Right, So I
had to jump in. I never had no intentions on
being on the show, right. My whole thing, I was
going to do something else. I was doing something else.
My step was always geared more towards hip hop, more
towards the rap side of shit.

Speaker 2 (39:52):
Right.

Speaker 1 (39:53):
And I'd even told them guys that just sitting up
there telling about death row is not gonna be sustainable.
It'd be a good thing the pop stuff off with.
But that story has ending, nog Yeah, it's ending. We
all know how that ended. So I didn't want to
do nothing that was gonna be really just closed looped
like that. Right, So when me and Buddy started doing

(40:13):
the show, right, we kept on going. We just kept
on going, and I eventually started changing kind of like
the ration of the show because I was on there.
We couldn't it couldn't be the same thing. I'm not
no gag banker, right, I wasn't a member of law enforcement.
That that was just not me. Right. I did my
thing and stuff, but I just not know. I'm not
no hell of a street cat like that, you know

(40:33):
what I mean. I'm just that's not what I do.
You know what I'm saying. I don't have no interest
in going to jail. I don't have no interest in
doing none of that shit. Don't get a twisted I
will shoot the shit out of the motherfucker. I'm like,
you know what I mean. I'm a like and carrier.
I'm not always looking for bullshit. So when that stuff happened, Man,
what it showed me, Donnie was one nobody would never

(40:56):
be as passionate about your vision as you are. Two
to make sure and thank god, I have my paperwork
and shit together, dog, I tell everybody with this, you
know what, this is a perfect seguey man. My sister
in law, she has a thing man called the contract
boar right. She's in the turney to where she do
these contracts that's readily made. Man like in the water

(41:19):
is tight. They air tight. You feel what I'm saying,
the air tight. And I think, man, whenever you in
this thing that we're doing, man, you have to add
your paperwork together if you have a partnership with somebody,
because I'm gonna tell you everything is cool or to
money get involved. Yeah. And once money get involved, oh man,

(41:41):
that's when a bullshit start. That's when bullshit starts to
all that. Oh we cool, dog, and this is your
thing because people start thinking they own some shit. What
you done. I'm gonna tell you, nobody is ever go work.
Nobody's over ever coming there and work for Donning Houston
podcast like you do. No. In fact, she's so I

(42:01):
looked at it like this. I was flitting stuff down
the middle with them cats. I was the one that
had the Uplottle episode sometimes two and three in the morning.
I'm trying to fix some shit. Dog, I'm trying to
do this, and then I'm trying to, you know, do
some other stuff. Man. It's like, man, everybody, and then
everybody starts to feeling tighter. Everybody has this sensitive entitlement

(42:22):
that they should be. They would actually make you feel
like you're working for them. Dog, Yeah, yeah, everybody. Then
once we got the deal, Dog, it was like something
that should have been a bleasant dog. First of all,
the dude that left we hear from now we gotta
deals down there. A year later he pops up talk

(42:42):
about how come I wasn't included I should be getting this.
Everybody called the nigga that went to jail three months
thought he was old son. You feel what I'm saying like, Dog,
you live, You've been gone again already, Dog, and the
cold thing anybody I get it, dude. Man, when he
was locked up, it still turned out to be every
asshole in the world. Dog. I'm gonna tell you, Dog,

(43:05):
but this podcast shit don't got messy as a motherfucker dog.
You got motherfucker's dog that don't mind going online line now,
just imagine me and you wanna hear to talk and
we chopped up. Sometimes just imagine you you know you're home,
will hit you and saying, man, who is this nigga
still talking about you in California? And I'm only just
saying yeah, Me and Donny Houston. Man, I was down

(43:27):
there and checks this man and I saw the nigga
and he said, somebody don't like him the show. So
I slapped him, slapped his glasses off. Then I made
him sit down and I made him do this. You
gonna be looking like, man, there's something wrong with this dude.
R He park know how to react to that. You
because you be like that did not happen. Man, I
don't see niggas say it, damn kidnap me online and
all kinds of shit. Shit that just didn't happen on

(43:48):
nigga what you might have. I had a conversation with
this nigga and he went out talking about but what
it was he was trying to make a name for itself. Well,
don't nobody had talent, bro. That's what they have to
do is tell lies. And their whole thing is based
on a lie. Everything and the thing you know, the
more you do that shit, the worse he gets because

(44:09):
you gotta you gotta one up yourself another one. See,
people try to confuse what Charleston White does. They try
to they try to do, They try to do like
Charleston is doing. But what they don't realize is that
Charleston has a lot of intelligence behind the ship that
he's doing. If you really sit down and listen to
that man, you know, you may not like his methods

(44:31):
all the time, but he be saying some real shit,
but the least to meet the service when you like
kind of start digging, He's saying some real shit. Yeah,
he's saying, you might not like how you delivering the dog,
but it is. But if he was delivering in the
nice way, wouldn't nobody be paying attention to him. Wouldn't
nobody be paying attention to him? So he giving these
niggas what they want, how they need to hear. He's

(44:54):
on that nigga frequency. You feel what I'm saying right,
Because I'm gonna tell you black folks and niggas that
got two different frequencies dog that they a nigga wants
you to treat them bad. You can never treat a
nigga fair because it ain't will never be enough, you
can use. They have enough for nigga, never enough for
a nigga black man, he's gonna say thank you, He's

(45:15):
gonna be appreciative of it.

Speaker 2 (45:17):
Right.

Speaker 1 (45:18):
A nigga expects something for nothing just because he shows up.
He expects to get the same sing you might be
doing way more than he do. The niggs expect that
he's supposed to get the same ship that you get, right, man,
what the nigga Niggas love bullshit? Niggas love bullshit. Niggas

(45:40):
niggas and flies. You ever heard that express and you're, oh,
he'll take some niggas a fly. That's what I'm saying.
The niggas love bullshit. So when you give niggas what
they want the way they want to. First of all,
niggas want to be treated bad. I've seen these white
folks do niggas bad and never say nothing, but a
niggall treat them fair, a black man and treat them fair.

(46:00):
They think that niggas soft because he treating them right,
so they will try to take advantage to him. I'm
gonna tell you, man, I used to conduct social experience
experiments sometimes man hit us. When I was m I
was playing with a bag at one time, right, I
had you know, I had a nice little money change.
Though I was making some good money, I had kind
of like my own distribution to set up Doug. I

(46:21):
was distributing a lot of different Cats albums overseas to
Japan and Houston, so I built up in nice little catalogs.
I was playing with a check. I remember running into
these casts. Man, I ain't gonna say their names, but
I went over there. I paid for studio time. That's
how I am. If I ever come to Houston, I
ain't gonna never be the tight Donny man. Man, he's

(46:42):
gone the time. Man, I got this interview man with
Willie D. Can I use your studio? I'm going to
rinse your studio from you dogs like I would go
any other any other business man. Because guess what you
you going to that studio for free? Do you? Yeah?
You know it? You gotta you gotta, you gotta pay
rent any month, right, what's different? You got bills in
that month for you got a LITERC bill, lectric bill? Play?

(47:04):
How's your rat pussy too? Because you running equipment? Right,
I am going to pay you. I'm going to ask you.
I'm not gonna tell you what I want to give you.
I'm gonna ask you, Hey, donna, I want to wrench
your studio from your dogs for about two hour or
how much is gonna cost me if you come back
and tell me five hundred dollars, I'm not gonna be
like damn man inside and say, man on to one,

(47:24):
that's what you charged for your shit. Dog. I am
a black man. If I can't if thank it, I'm
gonna say, okay, man, thank you, I appreciate it. Or
if I'm paid, I'm gonna keep your money. I'm gonna
follow your rules there and do it. Then get on
and say thank you, I appreciate it, bro, and going
about my business. Right, nigga has ideality just because he
knows you, oh man, he's supposed that nigga try to

(47:46):
charge me for that shit. So I remember with these
particular cash dog, they started kind of trying to take
advantage of a nigga, right, and they wasn't asking for
the real money. It was like thirty forty dollars here,
you know, thirty here. They was just trying to get
some money man, and I'm gonna tell you what it does, man.
Nigga threadog fucks up opportunity, Yeah, because niggas are opportunists,

(48:13):
but not an opportunitist in the right way. Right. If
a nigga can take advantage of somebody, dog, they about
that shit, Nigga, don't think twice about that shit. They
nin't gonna think twice about it.

Speaker 4 (48:23):
Bro.

Speaker 1 (48:23):
They just go fuck you over if they can. And
I've seen dudes just play themselves with me. So I'll
listen to a nigga and I'll be in my mind
like this, man, think I'm booboo the fool the whole time.
I'm just checking them out because I may have some
bigger in mind for them, but I'm giving them an
honest tests right now. You feel what I'm saying to
see how they go. Let's see how they have this situation.

(48:45):
I'm gonna see you know. But niggas, man, it's hard
to work with niggas. It's easy to work with black people. Yeah,
it's easy to work with black people. One thing that
showed me, man, is that how you start off it
is how you finished. So I ham them shit a
whole different way now. But and I'm gonna tell you
it kind of made me, man, it kind of made
me an animal to a certain extent because I do

(49:07):
not give two fucks. Man, I'm gonna do this ship
the way I it's gonna be the way I need
to be. It's the way I want it to be.
If you're not doing what you're supposed to do, I'm
gonna tell you, hey, man, you're fucking up. You're fucking up,
and I'm not gonna argue with you. I don't argue
with niggas. Donald Yeah, like, hey man, this is what
it is, This what I need. If it ain't that

(49:27):
all right, cool, I ain't finishing. I ain't going yeah
because me and then then I'm not gonna talk bad
about nobody. Yeah, I'm gonna tell you, I don't believe
in that. Man. If something don't work out, we just
don't work out. But that don't mean we can't do
business down the line somehow. But when you get finished
cussin cats out of getting personal, dog, this ship ain't personal, bro, Yeah,

(49:50):
it ain't nothing personal about this ship, thog. What we're doing,
we just interviewing motherfucker talking and it ain't that serious though.
But it's not my whole life. I don't live on this, motherfucker.
I got up the shit that I do, just like
how you got other things that you do. And that
was one of the things with them, catch the whole
first of all. The whole time we was doing against

(50:12):
the prime because I was still working as an executive. Dog.
I was working as an executive for a company right
making a buck fifty a year. Dog, I have other
stuff that I do outside of this. This is not
my only source of income. So people to see you
doing things and they just assume that he's stealing the
money from me. If you go buy a new pair
of shoes, oh man, he probably I'll come. I don't

(50:34):
have a new pair. Man Manage your money, I can't.
I don't take no other manage your money. Bring you
go do what you want to. And I feel like this,
you're only doing this shit for in our week. You
better have some other shit you're doing. RAS love fucking
on eight, dog, I love fucking with MCX. You know
why as his own money, he got other shit that
he do. Dog, this is not his only source income,
So he's not He's not behind me like this, and

(50:56):
I'm not behind him like that. It is the perfect marriage, Dog,
it's a perfect relationship. I don't even fun with the
every day dog. Eight is my nigga. We cool and
shit like that, but we don't talk all the time.
When you got to show with somebody, you can't be
sitting up the falling all them. He might be giving
away to the episode. You know, we get on the
show dollar we you know, we talk here and there,

(51:17):
but when we do cover, it's never about this ship.
Me and eight. We talking about football and all that
ship though we don't talk about Man, you see that
nigga online. This nigga's Nixon and all that. That shit
has not made this way down to Houston. Thank god
that they're mess Yeah, shit hasn't no, ain't no not
everything ain't telling me now Now, I don't think that

(51:37):
ship with flying touches though, Dog, I don't see this
ship is going on, wouldn't fly in Cleveland either. Yeah,
because you know why, Houston. Houston is a huge shitty
but Houston still has that small town ful field to
wear its smile. Yeah, you're gonna run to somebody, you
feel what I'm saying. That l a dog is so

(51:58):
mother fulling spread out. You might not ever see your nigga.
I could talk. That's why I killed me. When niggas
say they put a chick in. Man, you could fly
here and be talking shit to a motherfucker right up
in the living room, right right right from a hotel
downtown La somewhere. The motherfucker would never know where you're at. Dog.
Motherfucker's that like there the mafia or something, or he

(52:18):
put a chick in with me. But I see the
niggas saying that shit. I'll be telling om Man, come on,
all that nigga even know you're her dog. Yeah, I
you gonna know unless you go around the specific town
the way you know he hanging out at, Man, because
I'm gonna take you. These niggas is like these niggas
like volches all your dog, they kind of, but they
they certain area, most of them niggas. Now, the niggas

(52:39):
that don't be talking shit, then motherfucker's travel. Then the
motherfuckers you worry about, don't worry about the motherfucker that
ain't saying don't worry about the motherfucker. This making all
them both online talk about chests are puffed out, all
that shit. Don't worry about him cause ain't an bust break.
Worry about the dude who ain't saying nothing. Yeah, yeah,
you know what I'm saying. So what's next on the

(53:02):
What's next on the gender man for Donny Houston? Man, Well,
you know we're going to New York. Man, So trying
to get back to driving some music? Is that? Yeah?
So you so you got some more music you want
to put out?

Speaker 2 (53:20):
Yeh Man probably started getting back to driving music, man
was I really kind of just stepped away from all
that even with DJ and I got back to DJing
towards the letter I did.

Speaker 1 (53:30):
I needed too.

Speaker 2 (53:31):
Dog.

Speaker 1 (53:31):
I got a girl, Man that got me really excited.
Dog that I'm fucking with now man And actually I'm
working on some ship that's real big for her. Dog.
We just cut some records, Dog and she dope as hell.
Dog Like I'm gonna tell you now, Dog a little
really and all of them proud this girl be come
with what I'm doing with my mom what big court.

(53:53):
I mean, I'm kind of collaborating man on them, kind
of like the management tip whatever. Play with a couple
of these joints real quick, because you a d So
I'm gonna see what you're thinking about all right, so
I ever see what you're thinking about it, so I
can get your You're gonna give me your honest opinion.
I know, please some of this, man, hold on, see

(54:17):
what you think about this? Uh, see what you think
about this? Donny. I know you're gonna keep the rear.
And I let the people out there hearing me, y'all
telling me what y'all think about this? All right? If
I can ever find them, if I can never find
a thing, let me see, then I'm telling me how

(54:52):
raised this ship? Hold on? Hold on, bro, maybe I
can't fold on. Let me see. I know I got
the motherfucking here somewhere. Y'all bear with me, because that's
just damn I can't find it, man, I email it

(55:13):
to you. Go on. See know what I'm gonna do.
Hold my boys name, Okay, hear me.

Speaker 4 (55:34):
This gotta leak hears every morning when they go to school,
knowing that they hurt, seeing that cast.

Speaker 5 (55:49):
We're gonna get through.

Speaker 1 (55:50):
What by you here?

Speaker 5 (55:53):
When your kids to get to say, hey, you got
something like me?

Speaker 4 (55:57):
See the day down?

Speaker 3 (55:59):
So didn't you tell me this?

Speaker 4 (56:01):
But the baby that's blocked three through your geeks were
getting knocked to say, and you got my money, k
c ak.

Speaker 1 (56:12):
Look we the fu fighting. He well, we were.

Speaker 5 (56:19):
To follow like nigga, then I can followed back and.

Speaker 3 (56:23):
Taking that even the hated he hurt me with the
ship that she could have the bitches and the mick
and your niggas feel the first and the dress made
him leap. Why not come but you bet not happen.

Speaker 4 (56:38):
Run out moms.

Speaker 1 (56:42):
She only listened because she want to wait.

Speaker 4 (56:45):
Weeking up saying and you got.

Speaker 1 (56:48):
Real man, she's some mills man. When she talks us rare,
she know that she got some. But see then I'm
gonna show you. We go from that that this right
here right yeah wow buddy, the me dcur hold go
for I'm recruding for the.

Speaker 5 (57:08):
Which is then the air brich nicked start quick like
we set Nicko stom fick ship, big big fires, pat
meat shaped back juding with the nigga skin hu air

(57:33):
that be cause mer what eating a hut little jim
mixed on the.

Speaker 3 (57:39):
Neck mirror, narrow sauce beach after house breaking, cruise to
a house, preach I'm a boss.

Speaker 5 (57:45):
Cut thick booms, honey night for I'm pretty I know
this group and the nigger got open nigga that niked.
Second he got bad paper work, pepper to which it
not what you y?

Speaker 1 (57:59):
I wonder what.

Speaker 4 (58:02):
Appreciated?

Speaker 1 (58:04):
Man, she gonna be one of the ones down and
I'm telling you, dog, oh yeah, she is gonna be
one of the ones. Bro. What you think about her?
She from She from out there? Man, she's from Kansas City,
No shit, how you link over there? Man, I've been
knowing about her for a minute, right, And I just

(58:24):
happened to ask the hommi one did the hommy big
quarter because he from Kansas City?

Speaker 2 (58:28):
Right?

Speaker 1 (58:30):
Yeah? Yeah? So me and him talking right, and I'm like, man,
whatever happened this Sunday? Like she's still around? What we want?
So me and him get to talking. I'm like, dog,
she hard as a motherfucker dog. We need to be
doing something for her. So there go, man. You know
we don't put her down there. Man, she went down there.

Speaker 2 (58:45):
Man.

Speaker 1 (58:45):
Corter flogged with the homie Black and Mob. Man, he
knocked out. He produced some tracks girl, you know Black
and Mob. Yeah he did those right there. Man. We
about to put her in the studio with EP. Just
getting her ship together, you know, what I'm saying getting
her ship together, man. And we're talking to a few
cash right now about some situations, but them situations don't occur.
You know. I feel like we can do that ourselves,

(59:07):
you know. Yeah, and I didn't. Yeah, the women is
real winning right now on the cool so said no man, Yeah,
you know, hopefully we get one of them done. You
some tracks. Man, you know what I'm saying. That's a
bad that's bad. We can do that because you know,
her being from KC. Dog is so much shit, man,

(59:28):
I do. And then not only is she is, not
only is she she's a good looking ship, right, but
she got deck to her ship too. Yeah, she ain't know.
They just don't know. You feel what I'm saying. She
could rap, yeah, yeah, and she talked that street ship,
you know what I mean, Like like she can go
do a song with scarface. She could do a soft

(59:53):
scarface you know. Yeah, she are the motherfucker dog. She dope.

Speaker 4 (59:59):
Man.

Speaker 1 (01:00:00):
But man, I ain't gonna hold you up no more
because I know you moving and shaking down that mother
flucker dog. Yeah, we can regulates this weekend man, So
ship Hell yeah, man, y'all made sure Donnie what they
the new premieres of your podcast premiere you say, one
day premiere? Yeah, what day of the week, ah, Man,
usually Monday's. Man, Man, y'all make sure man, y'all for

(01:00:24):
only for real, only for reala for REALA. Go check
my man's podcast out.

Speaker 2 (01:00:28):
Man.

Speaker 1 (01:00:28):
It's really really dope. Man.

Speaker 2 (01:00:30):
What's the damn your YouTube channel? Donny Easton TVU, Donning
Houston TV, going down Houston TV.

Speaker 1 (01:00:36):
Subscribe to that ship. Actually, I'm gonna put a link
to the audio we got. We get a lot of
audio listeners too, Bro. I'm gonna put the link to
your podcast audio and to the video on there.

Speaker 4 (01:00:45):
Man.

Speaker 1 (01:00:46):
So looking the description, man, and y'all go check out
the homie Donnie Houston and we out here.