Don't Let Your Kids Grow Up 2 Be Suckaz

MC Eiht & Steele talk about  why tricking on trim is not the move, How Pricilla Rainey's lawsuit against rapper The Game is faulty and why Drake will go down in history as the ultimate sucka

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Episode Transcript

Speaker 1 (00:00):
Thanks to chronic goals. This is not your average show.

Speaker 2 (00:04):
You're now tuned into the rails.

Speaker 3 (00:17):
Welcome to the gangst the Chronicles Podcast, the production of
iHeart Radio and Black Effect Podcast Network. Make sure you
download the iHeart app and subscribe to Against the Chronicles
for my Apple users, hit the purple Michael your front screen.
Subscribed Against the Chronicles, leave of five star rating the
comment we's happening, we's appling. What's happening. It's another episode
of the Gangster Chronicles podcast. It's your boy big Steal

(00:38):
with my guy Yip height Man. Glad to hell you back. Man.
I think then people was gonna put my ass if
you want to came on here tonight. Yeah, man, Ship you.

Speaker 4 (00:48):
Know, trying to get shipped back situated, you know, nigga
surgery and all of that shit.

Speaker 1 (00:53):
So taking it one step, one step.

Speaker 3 (00:57):
For sure, for sure. I can't wait.

Speaker 4 (00:59):
Man.

Speaker 3 (01:00):
You know we can get in this new studio. We'll
be out closer your way this time. We have access
to that, so you gonna have to make that to
our drive. When I went out to the drop that
stuff off to you that one time, I said, man,
I gotta we gotta do something about that man, my
dude is coming from across country.

Speaker 4 (01:15):
Oh yeah, shit, that'd be a good move. That going
down to the spot that's closer, that'll be definitely official.

Speaker 3 (01:23):
Yeah, for real, for real, for real. It's a whole
bunch of crazy stuff going on. Man twenty twenty five
starting off with a bang your boy Drake, and I
ain't gonna text down too much, but I'm gonna talk
about a little bit of this news man, your boy Drake.
He dismissed the one laws suit and now he's following
a whole new one and he's saying he's accusing Universe

(01:46):
and Music Group of us and not like this to
tear his career down. Wowsh the last I look, wasn't
he signed through Ain't he signed the Universal?

Speaker 4 (01:57):
Yeah? His deal is somewhat through you a versual and Ship?
What career you I mean ship? I mean not to
be you know, saying anything, but the career has been
going pretty good. You get me.

Speaker 3 (02:15):
So what I'm saying, I ain't. I don't look at
it like his career destroyed to me.

Speaker 1 (02:19):
I mean ship.

Speaker 4 (02:21):
People still gonna play my you know, people still gonna
play my, my, my, uh my older songs or whatever,
and then ship I'm still streaming and and and people
still doing all of that, and you know, their songs
and fans that are still relevant. So uh, I don't

(02:41):
know how they would have attempted to destroy your career
besides you know, uh uh besides the rap battle who you.

Speaker 1 (02:54):
Know put a halter to some of your ship.

Speaker 4 (02:56):
You know, I don't know if you're trying to make
them take the blame for the rap ship that the
rap beef that you know slowed you down a little bit,
you know, maybe trying to put the blame on Universal
you know, you know so.

Speaker 3 (03:12):
Well, it's not like they really It's not like that.
If anything, he slowed itself down because as you know,
people's attention span is real short nowadays. Had he just
looked whatever happened happened, wouldn't nobody be talking about it
no more?

Speaker 1 (03:29):
Yeah?

Speaker 4 (03:30):
You know, you know, pride makes you want to you know,
especially when you feel like you're relevant in the hip
hop community and somebody of relevance you know comes at you. Uh,
you always want to feel like you can get you know,

(03:51):
get that get back you feel me, whether you got
niggas writing for you or whether you write yourself. You know,
I guess typically it's it's your stance and your pride
to want to go fucking I'm a response. Now, some
of us have learned, you know, over the course of

(04:13):
the years and battles, that sometimes it's better to just
say nothing. You feel me that the ship go away.

Speaker 1 (04:23):
Uh.

Speaker 4 (04:24):
But when you you know new to battle, when you
new to battling, and you you you knew to beefing,
and you feel you superior and your stance is on
top and you leading the pack, I guess you know
your pride makes you go fuck that. You know I'm
gonna respond to it, and then you know, somebody gotta lose.

Speaker 1 (04:46):
You get me like the playoff game, you feel me.

Speaker 4 (04:54):
Matter what, It don't matter what the record look like
that you've been putting out. You give me all seasonsigga,
you fifteen and one or whatever, whatever, It don't matter.

Speaker 1 (05:04):
Nigga.

Speaker 4 (05:04):
When you get to the playoffs, niggas win or go home.
And if you don't win that battle, nigga, you going home.
You on vacation. So you know, you know, sometimes it's
you know, it's it's it's better to just hush your
fucking mouth and not say nothing.

Speaker 1 (05:20):
You get me and.

Speaker 4 (05:23):
Pride gotta step aside at that moment and be like, man,
this nigga hot right now?

Speaker 1 (05:28):
Do I want to even get into that situation? You
feel me?

Speaker 3 (05:32):
Well, he part of the reason for making them hotter.
You know that was already hot. But he to me,
he keep throwing gasoline on the flame. Now, this is
what universe will say it back. Through Throughout his career,
Drake has intentionally and successfully used Universal to distribute his
music and poetry, to engage and conventionally outrages back and
forth rap battles to express his feelings about other artists.

(05:54):
He now seeks to weaponize the legal process to silence
an artist's creative expression and to see damage is from
UMC for distributing that artist music. We have not and
do not engage in defamation against any individual. At the
same time, we will vigorously defend this litigation to protect
our people in our reputation, as well as any artists

(06:15):
who might directly or indirectly become frivolous litigation target for
having done nothing more to write a song. In other words,
they tell him, Drake, stop back from like a little
bitch and take your medicine.

Speaker 4 (06:27):
Yeah. In other words, is you know, we didn't write
his lyrics. We didn't give him no influence of what
to say about you or or conduct or whatever.

Speaker 1 (06:39):
You get me. That's that's his expression.

Speaker 4 (06:42):
All we gonna do is put a parental advisory sticker
on it and tell the motherfucker these is his views.
Now when they come to putting this shit out, of course,
we gotta deal with him, just like we gotta deal
with you to distribute music.

Speaker 1 (06:56):
Now, we gonna get you. We gonna be up skick creek.

Speaker 4 (07:00):
If we don't distribute what what what Brita and what
what he brought to the.

Speaker 3 (07:05):
Table, they could be in breach of contract what he brought.

Speaker 4 (07:08):
And it wasn't like he brought nothing to the table
to where it was like, oh no, man, we can't
put that ship out.

Speaker 1 (07:16):
You get me. They like.

Speaker 3 (07:20):
This. I'm really tripping on what they said. They said
some slick now listen to this. Throughout his career, Drake
has intentionally and successfully used Universal to distribute his music
and poetry, to engage in conveniently outrageous back and forth
rap battles to express his feelings about other artists. They
pretty much said no, you don't use the same system

(07:42):
to go out and this everybody you on, this meek meal, you, this,
this person, this stuff a pushing you.

Speaker 1 (07:48):
Want to go.

Speaker 4 (07:49):
We have We have put out music that has basically
included your defamation of other artists. Uh, you know, we've
never came to you and said, man, we feel funny
about putting out the record you this and so and so,
or you this and so and so, or you dropping

(08:10):
that subliminal diss against so and so. We don't feel comfortable.
They gonna they go, No, we're gonna put your ship
out just like we do every artist who we have
a deal with to distribute their music. And so, now
that you're at the bottom of the totem pole as
far as the disrespect is concerned, you want us to

(08:33):
be like, you know, like a nigga get punked at
school and then and then he wanted to run home
and get the get the big brother or get the whoopiele.

Speaker 1 (08:43):
No, nigga, you gonna fight this battle yourself.

Speaker 3 (08:48):
Yeah, you give me.

Speaker 1 (08:51):
You started it.

Speaker 4 (08:52):
So you you got to you got to take that
phade yourself. You can't ask us to your motherfucking you
and go, hey, this nigga finna put a record out
and diss me. Don't put it out or don't woot
he womt or don't promote it or whatever. No, you
started to fight, so finish it.

Speaker 3 (09:13):
Drag is acting like a real white man right about now.
Though he's acting like a real white man. He don't
like that.

Speaker 4 (09:22):
I think he acting like any motherfucker who think they
in power of the next motherfucker and I have more
power than you, and that to me, that don't even
got a color. It's a gang of niggas. It's a
gang of niggas who feel you get me. I got
I got the power, So I don't like that you

(09:42):
get me. It's a lot of that going around and everything,
and motherfucker.

Speaker 3 (09:46):
That's real. And you're right, they don't have no race
on it.

Speaker 4 (09:49):
Ship concert shows, you know that that that goes around.

Speaker 3 (09:58):
You know what the funny party is about it? Though,
if Kendrick and then wanted to be real, pity his
wife could actually follow lawsuit again Drake and win because
he said, Dave Free those kids are day Freeze babies.
Your wife had an affair with Dave Free and you
know obviously that was a lie. But that's defamation of character.

(10:18):
His wife, don't rep his girlfriend on rep.

Speaker 4 (10:21):
But as an artist, I take that as a rap,
as a rap line, I don't look at that like
you know, when you beefinished, like all all bets are off.
You get me, like, you know, I can't expect the
nigga not to say nothing about my mama.

Speaker 1 (10:41):
You feel me.

Speaker 4 (10:42):
If we beefing, I can't expect the nigga to say
nothing about my broad or or whatever whatever. Niggas don't
have no well in this in this day and age.
You get me, and then we used to go back
to the days as far as tell your mama jokes,
nigga show. So I can't expect, you know, if a

(11:05):
nigga want to say something about my broad that I'm
gonna have to be like, oh, nigga, you know, don't
include my whatever. All bets is off when it's a
when it's a wrap, and that's where it's supposed to
your opponent, that's where it's supposed to stay.

Speaker 1 (11:21):
Though, you get me.

Speaker 4 (11:24):
You know, you say something about my girl, I say
something about yo whatever, and if that's what we want
to take it, But that's as far as it's supposed
to go. It's supposed to stay on records. I didn't
turn around and think a nigga gonna be knocking out
my door with a summons and a lawsuit because I said,
you know, I said, use a punk in the in

(11:45):
in whatever whatever, and I say, you like to dress
up and do this and that I didn't know I
was gonna get a lawsuit behind it.

Speaker 1 (11:53):
You feel me?

Speaker 4 (11:55):
Yeah, that's real homeboy glasses. Malon just came in. Ge
was happening?

Speaker 3 (12:01):
Bro? Hey, Hey, what's going on for show?

Speaker 1 (12:05):
What's cracking?

Speaker 3 (12:06):
Oh G, what's the deal? How are that work?

Speaker 1 (12:08):
How hard that work?

Speaker 3 (12:09):
Trying to make some history? What we were just talking about? Gee,
we was just talking about the nerves Drake with these
lawsuits and just coming with these frivolers lawsuits and all that. Man,
it just it seemed real crazy. It's a Jewish man, man,
I just told you. I said, Man, he's acting like
a real white man right now.

Speaker 2 (12:28):
Man, I've been saying for years that he wasn't hip hop.
I mean, I think you know, we've been so spoiled
that hip hop has kind of on rapping as long
as I can remember that. We think everybody rapping now
is going to be, you know, some level of street
urban culture they grew up, you know, coming from the
areas we came from. You know, whether it could be

(12:50):
somebody as street as NCAA to somebody is is street
as daylight soul. But they all knew the cold. They
all spoke the same cold. They all came from the
same type of neighborhoods. And whether one person participated in
the criminal lifestyle or didn't, we all came up under
the same cold. And like I said, when you get

(13:10):
somebody that didn't come from that same cold, you know
they gonna play it by their own rules.

Speaker 3 (13:15):
And you know the chickens have came home to roosts. Yeah,
it's crazy, man, because and you know the way you
universally they hit them with a cold response. They pretty
much said, dude, you don't use this same system to
go out there and start little petty beasts with people
and to talk about people and do all this and that.
But now since the mother sucker don't got the best
of you, you wan a trip the foul losses and stuff.

Speaker 2 (13:38):
Can't be playing with Compton, man, that's what they say.
You can't be playing with counting.

Speaker 3 (13:42):
Hey, you know what would you say that it's getting
harder to really have a rap battle nowadays, because I
remember when you and when you and Quick hack y'all
thing going a long time ago. It could have been
some serious streets, the ramifications in the street.

Speaker 4 (13:57):
So it was it was street ship that was going on.
That was the difference between you know, wanting to keep it,
you know whatever as far as hip hop is concerned.
The problem with that was we was two niggas active
gang banging, and we was two niggas from the opposite
side to the street. So you know, not that it

(14:22):
was our shit was different man than like you know,
Cube and Easy and there more or I even want
to say, above the law and the lynch mob and
them and you know, nigga, we was beefing because we
was cripping in blood, you get me. And it was

(14:44):
because niggas was active in the neighborhoods is why it
went that way instead of just being a rap beef
you get me. Because I tried to look at it
like it was wrapped beefing. But outside of that, it

(15:07):
was the game shit it was. It was content and
it was gains and you got a krypton, you got
a blood And it wasn't like we was trying to
hide the fact that we was affiliated. You get me,
glorified the fact that I was rapping and was from
Tragnew You get me. I still was khaki suits and

(15:32):
six tray low riders up and down Crimshaw and Nigga.
I wasn't pulling up nowhere with security and hopping out
of motherfucking memos and vans and shit.

Speaker 1 (15:44):
Nigga. I was still actively involved.

Speaker 4 (15:48):
So that took a part of why the beef went
to the left as far as gangs concerned.

Speaker 3 (16:00):
That's crazy, man. It really almost went down there. You
know what the thing is, g and they with this
whole thing with my My thing is this. He set
up there and said that that man's wife had an
affair with Dave Free. Now if she wanted to, she
can come back and sue him. That's defamation. She don't

(16:22):
wrap she's god doing that. But that's what I'm saying.
How lane would that be? But how lane would that be?

Speaker 1 (16:29):
Dog?

Speaker 3 (16:29):
I think anytime you get to bring a lawsuits and stuff,
I would have rather him come out here and sock
dot dog then try to do some stuff like this
or try to sock him or call him out for
try to get him to run the fade or something
like that. But this is real. Lame dog and his
record lay believe and said he was laying in so
many words, get us.

Speaker 4 (16:46):
Why I said, we don't like? I never I never like,
Oh shoot, I'm gonna go sue his record, Like man,
niggas and niggas in my neighborhood would have been like,
what kind of punk and shit is that doing? We

(17:08):
either gonna handle it like we handle it. You gonna
do your little songs, nigga when we see niggas on
the block or in the streets. That's how we gonna
get it down, nigga. We ain't calling no mother for
the fuck suing the nigga for he called you or
this and you you were to take it to niggas
would have called you a softy, like motherfucker, like what

(17:30):
kind of shit is that? But we have a fascination
with with uh neighborhood ship, with niggas who are authentic
and real.

Speaker 1 (17:41):
You get me.

Speaker 4 (17:42):
It's been a fascination with that since who knows when
you know, that's why Oliver Stone made colors. Niggas was
fascinated with the gang life, you know, on the cripping
blood and shit, you know, and that that fascinated niggas
outside of the section of California, and that's why you
got gangs that's started popping up it white kids and

(18:02):
Dakota and shit like blaming. I went on a killing
spree because I was listening to Compton's Most Warned or
the Ghetto Boys or some shit. You feel me, niggas
is fascinated with that shit. So and then you already know,
you know, Uh, money gives a nigga courage. Money gives

(18:23):
a lot of motherfuckers who was punks and and and
and busters in the beginning. You know, you give a
nigga a couple of million dollars, nigga, nigga, I'm I'm
the hardest nigga.

Speaker 1 (18:34):
On the block, didn't.

Speaker 4 (18:35):
I'm gonna talk shit behind camera and behind closed doors,
and I'm gonna talk shit behind the wall of motherfucker security.
And I'm gonna go to the clubs and I'm gonna
have fifty niggas with me, and I'm gonna talk shit
to the niggas across the room, and we're gonna throw
bottles and nigga, I'm gonna walk out the motherfucking fingu
niggas looking at the cameras hard and shit like nigigg and.

Speaker 1 (19:00):
You come from you don't come from that lifestyle.

Speaker 3 (19:04):
Yeah, money bring courage like a motherfucker thought. You get me.

Speaker 4 (19:08):
You know, that's how a motherfucker grow up in the
hood and get punked all his life. And then next thing,
you know, the nigga moved the motherfucking coon bay y'all
somewhere and get nigga, I'm from La Nigga.

Speaker 1 (19:22):
I moved.

Speaker 4 (19:22):
I'm from La Nigga. I got you know, I had
to get out of town. And nigga, you start fantasizing. Next thing,
you start believing your own shit.

Speaker 3 (19:31):
Man, I'm gonna tell you, oh, you know what I
know this man. Don't nobody bang harder than somebody. Don't
move from the neighborhood to somewhere else. You meet them
dudes and you would swear that they was the man
in the neighborhood.

Speaker 4 (19:44):
And you know, and like I said, I don't know,
you know, I know what my upbringing was in Compton,
and you know, being from Compton and growing up in
Compton and knowing that key like Kendrick and associating with,

(20:05):
you know, the neighborhood and growing up in the hood.
You don't have to be the trigger man, hardest dope dealer,
soccer nigga up in the hood. Just being a part
of the neighborhood, you still experience a lot of that shit,
especially when all the holies.

Speaker 1 (20:22):
Is doing that.

Speaker 4 (20:23):
And yeah, for real, he experienced that poverty and that
hard life and the one times and all of that.
So I don't know what Drake, you know upbringing was
you get me.

Speaker 3 (20:39):
It's your one like that. And I think that's the
one thing he underestimated dit on because I noticed early
on he was talking. He was trying to go at
dudes street credibility. He don't know, dude, grew up in
the neighborhood just like everybody else, you feel me, And
when you were part of that, he didn't necessarily have
to be the front upline dude because he got homies.

(21:01):
He done grew up with the love him that was
front line.

Speaker 4 (21:05):
Dudes, right exactly. You feel what I'm saying. So he
is from that, That's where he from. I'm not gonna
I'm not like you know what I'm saying, like put
our music, and I know it's it's niggas in situations everywhere,
just like right now, you can hop on a plane
and go to Africa and it's hard to ask niggas

(21:25):
in Africa. You feel me, man, I'm sure you know,
Canada has had their fair share of you know, you
know underworld affiliates, you.

Speaker 3 (21:39):
Know, Canada with it, especially Toronto's if Toronald Gustin streets
in its going on.

Speaker 4 (21:48):
I never you know, I never followed Drake, uh, you know,
from when he first whatever and everybody was on all yeah,
he was on the little TV show and he was
and you know, the little little classroom high school shit,
you know. And this is what I take from niggas
imagery or whatever. You don't know what they upbringing is

(22:11):
or what they try to be or whatever. Who knows
did he ever perpetrate like that? And like I said,
money gives you a sort of sense of entitlement. And
with all the money he's making and houses and fucking
whatever broads he wanted, you know, I could buy anything

(22:31):
and I could surround myself with all kind of motherfuckers.
Sometimes you know, that changes your attitude and head and
go to your head. And I say it all the time.
Money don't make you official. Okay, you got money, that's it.
Money should not make you feel like nigga if you

(22:53):
wasn't a nigga at twelve thirteen walking around hard, socking
up niggas in junior high school and getting in and
all of that.

Speaker 1 (23:02):
It kind of puzzles me.

Speaker 4 (23:03):
That you get older in age and now you want
to act like you the biggest bully on the block.
You get me, like, sometimes you gotta be humble and
just be yourself. Okay, you got money, you ain't a
hard nigga, And that right there would put you in
a position to where you don't have any issues with

(23:23):
no niggas.

Speaker 1 (23:24):
You would have no issues.

Speaker 4 (23:25):
With Kendricks or the Rick Rosses or you know, you
just known as our nigga, that nigga cold as fuck,
that the artist that everybody fucked with.

Speaker 3 (23:35):
You get me, Yeah, well you got to look at
it like this too. Eight Right, this dude don't knock
down j Lo, He don't mess with so and so,
all R and B brods or whatever. Right, and they
start calling him heartbreak Drake. The ain't enough for him
because you gotta remember he lived out his fantasies. If
you remember when Drake first came home, he was kind

(23:56):
of corny, you feel what I'm saying. He was just
you know, he was a Canadian can do but that's
who he was, though, right, and everybody accepted the blue wy.

Speaker 4 (24:04):
I didn't even know he was from Canada. I just
thought he was a sing songie rap type dude, That's
what I'm saying. And that was cool, you know. I
didn't take him from though. And like I said, he
was affiliating himself with Lil Wayne and Nicki Minaj and
Young Money and all that. But I didn't take him

(24:24):
as a nigga who came off as like that, you
get me. I didn't take him as a nigga who
came off like the original cash money niggas or Lil
Wayne or juvenile or anyone of it, you get me,
just because of his persona knowing he was from the
TV show and the music he was making, you get me.

Speaker 3 (24:48):
Yeah, for real, this little shit would rap nowadays, dog
is so lame. I look at this man, you know,
and I ain't gonna stay on this for too long. Man.
You know the girl that's suing game, right, the Priscilla
Rainy girl. Right, I never really pay too much attention
to that dog. I thought it was a real sexual

(25:08):
assault or something that happened. Right for her to be
suing this man for seven million dollars, you know, she
wished she accusing him of of groping her, right, but
pretty much, and I might they allow her to sue him.
I guess he didn't come to court or whatever. Man,
but they gotta cut this shit out.

Speaker 4 (25:26):
He didn't come to because you know, you know, sometimes
it's like, yeah, right, you know what I'm saying to you,
because to you it's a joke, Like I'm gonna take
this shit serious.

Speaker 3 (25:36):
It's a joke to me too. Are you serious you
suing me because you're saying I texted in your ass?

Speaker 4 (25:41):
Right? And then so from that, a nigga take it
as a joke. And then next thing, you know, you know,
I ain't showing up for that or I'm gonna send
my lawyer down for that shit. I ain't.

Speaker 1 (25:53):
I'm going out of town to make me so.

Speaker 4 (25:55):
And so the court system look at that as, oh, nigga,
you thank you somebody like above the court system. So
Dy's turned around and start fucking you because you look
at the shit it's a joke, Like y'all can't be
letting this shit go through, Like really.

Speaker 3 (26:12):
That's real, that's real. So I guess she trying to
go after his house or something like that now, and
she really trying to because I guess what happened is
everything game on is in under cash Jones. I guess
that's WA's name or whatever, and so she's trying to
serve whack with some papers. And I don't know how
that's go work. It's just real messy, man. I think

(26:35):
that when we've allowed man, we've allowed people man's society
to turn artists into a target, into a money pit.
You look at somebody the wrong way, eight, they can
sue you.

Speaker 4 (26:47):
Well, that's the name, you know, that's that's that's the
Peter cry will shit You get me? With today, With
within society and how shit goes, it's more easy to
accuse a motherfucker. You feel me? Then that really have

(27:08):
proof about shit? Because if I could just get a
motherfucker to settle, you get me, that's really what it's about.
You get I'm gonna cause the motherfucker so much headache
and so much strife. A nigga, just break me off
something and get me out of here.

Speaker 3 (27:25):
And niggas you know exactly not she got the man's
publishing already. I guess she got us publishing or whatever
like that.

Speaker 1 (27:32):
I don't.

Speaker 3 (27:33):
It's gonna be real hard for her to hit him
for seven million dollars, though, bro, because he's all you
gotta do is keep shaking the moving. If I was him, really,
even though he ain't getting in the room, probably I'll
offer a million dollars out of said. Look, I got
a million dollars for you. Just leave me the hell alone.
You take this money, and you going about your business.

Speaker 1 (27:52):
Yeah.

Speaker 4 (27:52):
The problem with that is somebody probably telling her you
can get a gang of money.

Speaker 3 (27:58):
It's these lawyers.

Speaker 4 (27:59):
Man look at a person like game. You probably look
at him, Oh the nigga got a few dollars, you
get me. He's been successful in his in his hip
hop career. So a person look at it like that, like,
oh he's got It's just great. It's just just just

(28:19):
playing out greed. You get me, like you said, it's
my word against whatever. There's no witnesses to say like
he did so and so or blah blah, this or that.
So it's basically my word is saying that you did this,
and it's.

Speaker 3 (28:39):
The attorneys, man, it's these punk ass attorneys.

Speaker 4 (28:43):
Yeah, and the person feel like, oh, we're gonna get
him to settle because he ain't gonna want to go
to court, you know, with the with the with the
slightest inclination that it might be true or not. You
feel me, I don't even want to go through that.
So the object is to try to get you to
settle out of court. You get me, and then maybe

(29:05):
the offer, but probably the offer.

Speaker 1 (29:08):
Wasn't good enough for you, feel me.

Speaker 4 (29:10):
So, and then once you don't show up the court
and you miss a couple of court dates, then that
motherfucking judgment of a million or two million is gonna
jump up to seven eighth.

Speaker 1 (29:22):
And now it's like, oh.

Speaker 4 (29:24):
Uh, you know, he tried to put a record out
through a different record label and a different company, and
so she went and attacked that and supposed to you know,
and then you know, so she arrested.

Speaker 3 (29:38):
What it is she arrested homie pretty much man, And
I'm gonna tell you, man, it's these attorneys like you
look at it like if you a rapper if you
are athlete, you would target right. And it got so bad.
We saw it like a few years ago, man, when
you had the the girl that worked in the massage
parler soon and a dude from the Devil Cowboys because

(30:00):
he can leave her a tip. So now what it
is he goes out and collects a whole bunch of
other women who probably don't know. Oh yeah, I'm a
part of this too. They did this to me too.
So people just get the breaking bread because they don't
want to get caught up in that. You gotta remember
that dude. His pride told him, man, look, I didn't
do that. I didn't have to give you no tip

(30:21):
or whatever. So now instead of him just paying her,
because the lawyer did come at him and say, hey,
if you give us this, we can keep this whole
thing quiet. But in his mind, he like, I ain't
did nothing. You know, he a young cat.

Speaker 4 (30:35):
I'm not giving I'm not giving this bitch nothing like
you got the privilege of fucking with a superstar NFL player,
So why should I Why should I pay you for that?

Speaker 1 (30:49):
For the pussy you gave you get here, and.

Speaker 4 (30:53):
So they get So that's how that's how the whole
situation started.

Speaker 3 (30:57):
When you think about this, I think dude was up
for contract and they were about giving him ninety million
or something like that. I forget the whole case in detail,
but he was about to get They was about to
break bread with him. Had that been my client or somebody,
I was advised not have been.

Speaker 4 (31:12):
Like, look, man, he didn't. Are you talking about the Shawn.
He was talking about Texas dude. Basically, it was known
that the organization was prejudice or racist or whatever the
owners that's what it was.

Speaker 1 (31:28):
And so he was up for.

Speaker 4 (31:33):
Contract, a big contract, and he didn't want to sign it.
He wanted out of Houston, and so he let it
be known that I want out of this motherfucker because
of the situation that happened with Kaepernick and taking the
knee and all of that shit. And I think they

(31:55):
were one of the motherfuckers who was like, fuck that motherfucker,
you giving me that?

Speaker 1 (32:00):
Not take no if you on my team or whatever. Whatever.

Speaker 4 (32:03):
They had that fucking view. So of course, to a nigga,
he gonna look at it like, oh, these motherfuckers is tripping.
I don't give fuck. They finna offer me a hundred
million I don't free pussy not paying the tab. And
so when they done looked at the tab and found
out he done been in there and fucked about ten

(32:25):
of them bitches and they ain't paid no because he
looking at it like Nigga, I'm de shined, nigga.

Speaker 1 (32:31):
You feel me?

Speaker 3 (32:32):
And he's stupid anyway, because why is you you designed?
Why is you going to the massage? Proba?

Speaker 4 (32:37):
He liked it that pussy over there for some reason,
for some reason, you give me. Why did you instead
of my niggas spread the wealth and going to different
places and ship why nigga keep hit the same spot
like about eight, He just paying a little thirty, He

(33:02):
just playing a little and get finished like I'm done walking.
He walking in using his star collapse to get that
free pussy.

Speaker 1 (33:12):
You get me?

Speaker 4 (33:13):
And then the owner looking up like hold up, my
nigga done been through here about thirty times? How much
he looking like nigga? How come we cause you know
they got a little tape. They probably got a tape
in there. Everybody get he in there freaking two and
three of them at the same to him.

Speaker 1 (33:30):
Give fuck?

Speaker 4 (33:31):
He running up you know like a bar tap runny dollars.
He gone, yeah, he running up the bar tap and
then one day the motherfuckers is like, oh, did he
pay you anything? No?

Speaker 1 (33:43):
And nigga ain't left me there? But what about you?
What about you?

Speaker 3 (33:47):
See?

Speaker 4 (33:47):
That's why he fucked up because he kept hitting the
same spot, That's all.

Speaker 1 (33:51):
That's how it was over twenty of them.

Speaker 3 (33:53):
You get me, and you know what's crazy, bro? So
he wound up getting all this money from Cleveland. They said,
my god, got two hundred and thirty million dollars and
got a forty four forty four million dollars sign of bonus, right,
and the two hundred and thirty was guaranteed. All his
money is guaranteed. Here is man the Browns forgive him

(34:14):
that contract. And I said, man, well, this dude, he's
a trim thief pretty much. You feel what I'm saying.

Speaker 4 (34:19):
He disrestated with all these little groups and the women
and Pete.

Speaker 1 (34:23):
They know that so much. So walked up in there.

Speaker 4 (34:26):
So just like with with my nigga, that's the sean
you getting me, So, nigga, I'll hey, where where where
Sally at tonight?

Speaker 1 (34:37):
Sally come up in there, serve a nigga.

Speaker 4 (34:40):
All right, I had to go do some research. I
had to give me some research. But Sally comes serve
a nigga. But my nigga get up and leave nigga.
Two three days later, my nigga back. Now he got Jessica.
Two or three days later he back. Now he got
motherfucker Maria. He just run through the whole oh running

(35:01):
through him and they and he not paying for the
extra curriculum.

Speaker 3 (35:05):
And I guarantee you what alaughing. At one point somebody
seeing you know what, somebody saw him on TV or
something that said, you know what, that's the motherfucker that
keeps sticking me on my damn mom tips.

Speaker 1 (35:16):
They know who that nigga was. They wasn't playing.

Speaker 3 (35:20):
He's a goofball though if he was doing all that
eight he was goofy.

Speaker 4 (35:24):
He's a big But see that's the that's the that's
that's the privilege though. Wealth brings you. I mean, just
like not to even bring it up, but look at
all the ship my nigga puff was doing. Who thought
I was probably gonna get away with all this ship
because wealth brings me privilege?

Speaker 1 (35:44):
You get me? Did did?

Speaker 4 (35:46):
Did do you think in a million years that Nigga
thought that the FEDS was gonna raid him and motherfuckers
was gonna be talking about his baby oil and his parties.
And he never thought in a million year years he
was gonna be exposed behind that ship, just like just
like the Sean was walking up in that motherfucking massage

(36:09):
parlor every other day, not thinking that he was gonna
be exposed for not paying these bitches who charged.

Speaker 1 (36:17):
For pussy gonna we're gonna.

Speaker 4 (36:22):
Find a way to get a nigga because we've been stiffed.
And they actually brought up a lawsuit with twenty something
bitches who wanted to get paid.

Speaker 1 (36:35):
And they could have and then it them off.

Speaker 4 (36:41):
My feeling is the Texans organization they let that ship
run ramper because they wanted to discredit him so that
he wouldn't be able to gowd nowhere else. You know what, man,
they knew that Nigga was going down there, that that
motherfucking place. Fucking they knew it, but they didn't say

(37:04):
nothing until he turned around and said, man, this organization
is racist and I don't want to be here anymore.

Speaker 1 (37:11):
And so they like, oh, is that right? Next thing?

Speaker 3 (37:14):
You know, he's in twenty five lawsuits. They going, you
know what, man, the funny part about it eight. I'm
reading this thing like here right. They say, what happens
is you go in and depending on the place, you're
gonna pay anywhere from fifty two one hundred dollars right
to get in. But the fee is negotiated with the

(37:34):
girl when you're going there, because you know you're going there,
you can get your shoulders rubbed, I guess or whatever
like that. But they said it's an awful massage. They said,
if it's a front, it's gonna be the sorriest massage. Yeah,
because they in there just to be prostitutes. Of course
it's a broco, you know.

Speaker 4 (37:52):
And this dude, man, my boy was up there running
off on him and they say he's, I ain't giving
nobody nothing. But you know what, I think he said,
I ain't giving up nothing.

Speaker 3 (38:07):
This is the crazy part of the eight. I guess
all this stuff he was talking about, all this stuff
he had talked about Houston or whatever. They could have
very well, they could have very well set all that up.
Now they're saying this dude hold On Brown's QB de

(38:29):
saun wants to watch and settles ladies civil lawsuit brought
by a woman a legend saxual assault. Now this just happened, right. Oh,
he been settling them though. He been settling the lawsuits
because they're not going away, so he's been having to
settle one. So I don't know what he's giving up,
you know. But like I said, my nigga got two

(38:50):
hundred and thirty guaranteed and a forty something million dollars
signing bonus. So he breaking them off some. I don't
even fifty thousand, hundred thousand like he had go away, bitch.
Now this is a whole No, this is a whole enough.
He got fined five million dollars and miss living games,
but he don't care. He got two hundred thirty some
million dollars guaranteed and a forty four million dollars signing bonus.

Speaker 4 (39:14):
So when he first came back, and even though it
wasn't a criminal case, the NFL suspended him for the
first five games, Like, you know, you settling the lawsuits,
so we're gonna go off of that, just because the

(39:34):
fact that you're settling some of them, we're gonna suspend
you five That was just so he couldn't make that
money that first year. But see, the Browns fucked them,
because the Browns only gave him a million dollars his
first year. Those that first year that he missed those
games because he was suspended, the Browns only gave him

(39:56):
a million dollars that year, was there, right? Yeah, so
it didn't even affect anything.

Speaker 3 (40:04):
So this is a whole nother chick right. The new
lawsuit was filed in September in Harris County. The unidentified
woman alleged Watson has sexually assaulted her in twenty twenty
while on a dinner dat in her apartment. Oh wow,
so this is just all of a sudden come up
in the midst of all the other stuff. Now, oh yeah,
he got me. You know what I don't understand about

(40:25):
all this is somebody will do something bad to you.
If somebody goes and robs your house. You're not gonna
wait the five years from now to go file a complaint.

Speaker 1 (40:35):
No you're not.

Speaker 4 (40:38):
I mean my thing is, if you felt really significant
about the situation, it shouldn't be. Oh well, I'm gonna
wait five years again. I'm gonna turn around him because
now it's just about money, persu Now you get me.
If you felt a nigga really dogged you out, nigga,

(40:58):
you call him the ponies headed to the hospital getting
a rate kit. You know, that's the procedure to go
when the motherfucker really violates. Now, when it's on a
money grab and you know a nigga celebrity, you're probably
gonna take the road a different way. Let me gonna
hire me, Let me gonna hire me an attorney first,
and then file me a civil lawsuit and claim that

(41:22):
he did this to me. And then because of the
civil lawsuit. Most of the time, niggas don't want to
deal with shit. So if you're a nigga who got
a few dollars and a motherfucker come asking you for
a couple of million and you sitting on two three hundred,
you most likely gonna break a nigga down and nigga,

(41:42):
I'll give you one point five and will settle out
of court.

Speaker 1 (41:45):
You get me.

Speaker 3 (41:46):
He should have did whatever deal they offered him, because see,
it hurt him when it got to be in a
public gun because the attorney, whoever the attorney was for
them chicks. I guess they told him at first. You know,
we can keep this out the public and you can
just settle for this much. Dude was like fuck this
or whatever like.

Speaker 4 (42:02):
This none, it's gonna bring him some prominence and some
celebrity because it was one attorney representing all twenty something broads,
of course, so he like, oh yeah, y'all all just
come to me. I'll follow a law. I'll follow civil
loss because, like I said, when it came down to criminal,

(42:22):
the police and detectives and prosecutors was like, no, this
same do you give me? It wasn't like a nigga
took your pussy. You gave it to him and you
expected money in exchange.

Speaker 3 (42:35):
So this dude seemed like he a pervert those dog
is he?

Speaker 4 (42:38):
He listen, this is the most at some dudes. This
is what I say. It starts from somewhere right, who
knows how you grew up? And I say the same
thing on the puffy shit, who knows what how you

(42:59):
grew grew up?

Speaker 1 (43:00):
You give me. We all had, You know I had.
I had a decent mom and dad.

Speaker 4 (43:06):
You get me get My father indulged in some you know,
illegal activity or some you know, some some smoke whatever. Yeah,
my father was in the navy. Vietnam and ship like that.
Was he a motherfucking straight apple, No nigga went to

(43:30):
work every day and whatever whatever. So I considered myself
having decent parents, you know parents, I was in the church.

Speaker 1 (43:41):
You know.

Speaker 4 (43:42):
Uh, I've seen a lot growing up as a child.
Ship ship that I've seen that probably I shouldn't have seen,
a ship that I knew that I probably shouldn't have
known as a young kid. All kind of you know,

(44:03):
experiences with other people. You know, even though you try
to grow up normal, you run across some motherfuckers coming
up in your life. I've never had those ill wheels
or you know, like you watch people who kill motherfuckers
or motherfuckers who kill kids or kidnap, or you see

(44:27):
motherfuckers who do crazy shit, and you wonder, like, damn,
I motherfuckers get like that, Like because that motherfucker was
like me at one point in time, right, and mofucker
was a kid, you know, watched cartoons, probably ate Cereal,
played outside with his friends and rode bikes or whatever situation.

(44:52):
You came up in poverty or not. You get me.
I grew up in poverty, but I still experienced good.

Speaker 1 (44:59):
Shit as a kid.

Speaker 3 (45:01):
So Yeah, for real.

Speaker 1 (45:03):
You so to see dudes come into a little.

Speaker 4 (45:09):
Something and then next thing you know, you find out
all this hit agenda shit about them. Do you attribute
that to money or do you attribute that to some
deep dark shit that's always been there since the motherfucker
was a kid and always had this deed, you know,
always had these thoughts of wanting to do certain shit

(45:33):
or be with you know, be with you know, you
know freak parties or you know niggas who you know
beat on women. You know what, what was their childhood coming? Well?

Speaker 3 (45:46):
You know what though, bro, And this is what the
thing is with athletes and people like like him, right,
it's the sense of entitlement almost because when you athlete,
let's face it, it starts when you on Pop Warner, right,
you're the good player on the team. You get certain
little privileges. Right then you go to high school. It's

(46:07):
there you got the girls, you popular, you might not
have to go to class on Fridays. You feel what
I'm saying when everybody else go to class. Then that
follows you over into college. You start doing stuff and
you get away with the coaches bell you out of stuff.
Now when you go to the league. It's compounding because
not only are you an athlete, but you got millions
of dollars at your disposal. So if you used to

(46:29):
just going to go do your thing and doing whatever
the hell you want to do, it's gonna get MAGNI
five times ten. And I think he wanted them to
do this. Or you could be the dude that's the
square and wasn't getting no women. But wasn't that didn't
have no game, right Because to me, any dude that's
a professional football player that got to go pay for
some trim he.

Speaker 1 (46:48):
Laying, Yeah, I.

Speaker 3 (46:53):
Don't.

Speaker 4 (46:54):
I don't get that. I don't get that rolly either,
because I don't know it's a certain criteria motherfucker they
looking for going after. Because I feel, if you any
type of man, and you know, if you can't motherfucking
get a woman to like you on the strength of

(47:15):
who you are and what you stand for as a
man and what you represent, if it ain't on that,
you gotta hand the motherfucker some money for then.

Speaker 3 (47:26):
I'm just anti trick.

Speaker 1 (47:27):
Dog.

Speaker 3 (47:28):
I couldn't imagine.

Speaker 4 (47:29):
That's me too. I'm anti trick. It could be the
most beautiful woman in the world, man, but I just
don't under I just don't. I just can't go that
route because.

Speaker 3 (47:41):
I can see for some trim dog like.

Speaker 4 (47:46):
I never wanted a female to look at me like that,
Like that's the nigga I could go do to get
some couple of dogs. All I gotta do is offer
this niggas some pussy and he gonna run over here
and walk over five hundred a thousand or five thousand,
whatever the ticket may be for certain.

Speaker 3 (48:04):
This cash to do it. Like, I'm gonna tell you, man,
you know, do you.

Speaker 4 (48:09):
What do you feel if you was in a position
to do that? What you feel like? What you feel different?
You know, like they say, you know, if you got it,
then it ain't trick it.

Speaker 3 (48:21):
Well, you know, me and you both don't have a
few dollars. I ain't gonna sit up here and say
I don't have millions of dollars. But I don't have
a few dollars, and I ain't the last thing on
my mind, don't been you know, or you know, outside
of me being married, The last thing on my mind
was never, Hey, let me go see what I could
do with a girl with this money. That's like, if
you feel what I'm saying it's just goofy to me. Now,

(48:42):
I'm gonna tell you if you a dude like you know,
we gotta you know what the internet nowadays, Man, it's
a lot of lame people on the Internet. I ain't
gonna start mixing no names, but it's a lot of
lame ass people and they getting attention. Not right, a
dude like somebody like Academics for example, he don't put
out there the Lebron Jane's supposed he was messing with
some girl, which is lame. The glass told him that,

(49:05):
you know, he said, hey, man, that's you know, you
lame for doing that. Why is you telling Lebron's business
if that's what really happened, right right? I just think
certain dudes, Man, this lame dog. They get money and
they still, like you said, money don't make you official
dog if you were lame, if you lame nigga, now
you just a lame nigga with money.

Speaker 4 (49:23):
Yeah, a lot of dudes getting the position of getting
them some money. And you know, I can walk around
with three and four bodyguards and now basically it turns
the attitude of who a nigga really is because nigga

(49:47):
back in high school. We used to slap the shit
out you and Punky like what now you done went
out and became some some dude on the internet or
hat you or song or you know whatever. You got
you some money. Now now you want to talk to
me like you want to talk to me like you
was always the hard nigga whooping asses and take whatever whatever.

(50:10):
And when I know, niggas used to slap the shit
out you back in school and you used to run
home crying every day. Now, not to say that that
nigga can't, you know, grow up and get his manhood
and stand for itself, But a lot of these niggas
stand behind money. You get me, and you can probably

(50:31):
call a lot of these dudes out in the one
on one scrap and they probably wouldn't even be you know,
see probably it's just the way it is.

Speaker 3 (50:39):
You feel you got these dudes figured out right, like
a dude like Drake, Right, Drake is a dude, you know,
come from Canada, man, come from a probably real shelter background,
and you can just look at him and tell and
the ain't nothing wrong with being a square dog. There's
nothing wrong with being a square from Canada. Actually, the
first thing Wayne told him was this, man, just state

(51:00):
the where you are, bro, make the songs for the girls,
and just be who you is. Right, I'm gonna tell
you because Drake started doing a lot of it, and
that's why half the ship that he into it with
these niggas for I was asking wanting the homies in Atlanta. Well,
I'm gonna keep nameless, he told me. He said, man,
he was beefing with all of them dudes behind the
girl behind girls. Drake likes to talk to people as women.

(51:23):
When Wayne was in jail, he went to mess with
Wayne's broad. You feel what I'm saying. He want to
mess with Wayne's broad.

Speaker 4 (51:31):
I said, like I said, money, money changes, money and
popularity changes at it.

Speaker 1 (51:39):
Fuckers, cam'ra gonna keep going out.

Speaker 3 (51:45):
It's all good. It's all good. I can get it
the pop back.

Speaker 4 (51:47):
Money. Money changes, motherfuckers. Man, you know I said it.
Some people learn how to stay humble when they receive money.
But for dudes who've always felt like like you, for
dudes who've always felt maybe left out or or or

(52:09):
you know, like I said, maybe was unnoticed as a
teenager as a whatever it changes. You get a little money, man,
and it makes you feel like I'm the biggest thing
in the world. And you could tell it gives niggas
that attitude like, see, I'm gonna go after niggas broads,

(52:31):
I'm gonna talk to shit and say little slick shit
on the internet, you know, sneaking people's dms because you know,
let's face it, some motherfuckers that go that route.

Speaker 3 (52:43):
Yeah, and to go and mess with the dude. Now
you think about it like this, Wayne put that dude on, right,
because at the time he started messing with when when
Drake came in, he had probably the biggest coach sign
you can have in the game. He had little Wayne,
he had cash money, right, So your dude to put
you on, go to jail, bro, and you mess with
his brog. So Wayne winds up slapping dude.

Speaker 4 (53:04):
You know.

Speaker 3 (53:04):
You know what, Wayne slap dude behind that. And he's
gotten to it with other people. You know, Puffy stole
on him. So Wayne this so drink don't got his
ass whipped a couple of times behind doing stuffing shit,
you know, uh huh him him't got his ass. But
for him it's like you see he out there, he
messing with j Lo. He doing this with this one.

(53:25):
He got this one, and they always women that was
attached to somebody else already.

Speaker 1 (53:31):
Yeah, I just feel like you know when you was.

Speaker 4 (53:35):
When you're in a position like that, man, it's always
good to remain humble, be cool with everybody. And I've
learned from the ship man, you don't wanna have no
beach with no niggas.

Speaker 1 (53:48):
You feel me. You want to be the.

Speaker 4 (53:50):
Type of entertained entertainer that you can go to any part,
any place everybody fucks with you, you know, And and
that's how you continue to have long jeovianty. When you
start beefing with motherfuckers, now you split the spectrum of
you know, fans got a few sides and shit, and

(54:12):
you know, people end up some people end up get
hurt behind beefing. You get me and then be outside
of the two main motherfuckers who going at it real.

Speaker 3 (54:24):
You know, you don't been pretty much. You in a
rare position though to where when did you sign the
record deal? You was seventeen yep, so you pretty much
been famous in the person of notes since she was
a little.

Speaker 1 (54:40):
Kid, almost right, Yeah, I started young.

Speaker 3 (54:43):
You know, fresh in the middle of game. Plus she
was a game banger too, right, so you had a
different position. So you've always been pretty much just a regular.
You've always maintained the status of just being a regular
the cat.

Speaker 4 (54:55):
Yeah, I tried to remain regular and humble. My thing
was that in the beginning of my career, I was
in the transition of finding my identity as far as
the place I grew up and my surroundings and how
I was raised. You know, a single parent, you know,

(55:19):
growing up in gang infested neighborhoods, not having you know,
no role models and shit. You had to find your
own way. And a lot of our role models was
the nigga on the block who had everything. You give
me to a twelve thirteen year old kid. You know,

(55:43):
it wasn't like it was today. You get me, so you.

Speaker 3 (55:46):
Know what not to take you off eight That's the
difference though you just named it. Kept like Drake, no
matter how much money he got ket like you know, Drake,
the academics, whoever, you know, all these other catches stay,
you know, getting in everybody's business and starting ship with
people right right, they would pay for what you got.

(56:07):
You have. You have authenticity rights. You're really from somewhere
them dudes, they can't pay for that.

Speaker 1 (56:13):
Dog.

Speaker 3 (56:14):
You see it all the time. Cats that have come
out here. Dog will want to get put on games.
I want to get put on neighborhoods you cannot buy.
You can't buy hood integrity.

Speaker 1 (56:23):
Dog.

Speaker 4 (56:24):
Yeah, because you know that gave that gave you this
sense of of you know, motherfuckers fear us.

Speaker 1 (56:35):
You give me.

Speaker 4 (56:36):
You know, people didn't used to give a fuck about
you know, us as a people. They didn't fear us
or whatever whatever, talk down or whatever whatever. So having
that title or being a gang banger felt like it
gave you an extra edge when you went to certain
You get me the image you know, nigga go to

(56:58):
or cerritos or nigga to go to a certain area where.

Speaker 3 (57:04):
Like the game bingers, let's let's let's be honest, the bras.

Speaker 4 (57:07):
That's excited all of all the bad females. You was
in high school or on the block slanging, you know,
that's that's who the females wanted because that it wasn't
the motherfucking It wasn't the nigga going to high school
playing football or basketball. It was the nigga on the
block every night selling crack because we was the ones

(57:28):
pulling up in the new cars with the Dayton rims
and the sound systems, and the girl could go get
her a Turkish roping, some airbrush jeans and you know,
go to Delamo Mall, get her some guests and some
ship like that. You know, so you know, money is exciting,
it's exciting for them and you know, getting your getting

(57:51):
her hair and nails gun. Back then, that was that
was the you know, that was the thing. You know,
so uh we we prided ourselves on being from the
hood and you know that fascinated a lot of motherfuckers.
So that thus you had that mass, you know, that mass,
motherfucking rush of outsiders wanting to come and pay niggas

(58:17):
to be long from their neighborhoods.

Speaker 1 (58:20):
Thus you had the fluctuation.

Speaker 4 (58:22):
Of of going to different states and seeing you know,
that shit rub off in different states or niggas who
then migrated because you know, that was that was just
like you know, if you grew up back in the
old days in New York, you know the Italian niggas,
you know, it was it was a thing to grow

(58:44):
up to become, you know, a member of the mob
and get made and shit like that. You know, fuck
going to work a nine to five or openness or that.
The the family steps of the tradition was you grew
up and you came into the family and you joined
and whatever whatever.

Speaker 1 (59:04):
So that's what it was like, you get.

Speaker 3 (59:06):
Me so rus the dudes to have respect and privilege.

Speaker 1 (59:09):
And that's what we felt like.

Speaker 4 (59:11):
Niggas respected a nigga like you go somewhere telling a nigga, nigga,
I'm from so and so.

Speaker 1 (59:15):
You know, buster niggas.

Speaker 4 (59:17):
Would be fascinated, females would be excited, and then you
might run into some niggas that think they was harder
than you, and then that was just even more exciting
because now we get to scrap with niggas or blasts
on niggas and shit, because you know, that was one
thing nigga. We want to show a nigga that our
hood was the harder side of anybody, you know, and
we didn't fear nothing. So niggas that you know that

(59:42):
fascinated nigga come from out of town and the nigga
want to be long so shit, I don't want to
get courted on or beat up or nothing.

Speaker 1 (59:51):
Let me pay a nigga and nigga.

Speaker 3 (59:53):
Like that's real.

Speaker 4 (59:54):
I'm gonna into the hood. Yeah, I tried to get
ford e in or beat up or not the biggest ship.
Let me pay a biggest some bread and see if
that'll work for real.

Speaker 3 (01:00:06):
He but you know, before we get out of here, man,
we got these fires going on out here. Man, I
just want to say, it's been a few people like
I heard the hommy Man live lost his crib.

Speaker 4 (01:00:16):
Man.

Speaker 3 (01:00:17):
You know, chick Ayaiko lost her crib. And it's just
real crazy right now. Dog, I'm looking at you know,
I'm looking at this stuff, man, and I hate the internet. Dog,
I'm looking at this stuff and I'm seeing, you know,
Homie Man lived put you know, put a post uff.
You know, I don't lost my house. And he got

(01:00:37):
the little go fummy up there. There's people on his
page top. But I don't know why you asked this
for money? You rich?

Speaker 4 (01:00:44):
Well that's and like I said, it's unfortunate that people
look at entertainers as you know, significantly wealthy, not understanding
that a lot of entertainers struggle like a regular nine

(01:01:09):
to five if they're not in a position to where
they sold multiple records or you know, string billions of
records or have motherfuckingh You know, a lot of a
lot of a lot of motherfuckers got deals now to
where you know, advertisers and all that. You know, they

(01:01:29):
getting deals in commercials and all of that. So you know,
a lot of probably your average rappers, you don't even
get paid like a regular nine to five, So o't
know the struggles of trying to retain royalties and streaming
dollars and try to stay relevant when you know this

(01:01:54):
is supposedly a young a young MC's game, and you
know it's a age limit to certain artists. Uh, it's
hard to maintain an income. And I know people you
know feel like you know, with the work that certain
artists have put in that they should have money and whatever.

(01:02:15):
But like I said, dealing with the record business, Uh,
everything is not h glittering gold.

Speaker 1 (01:02:24):
Everything is not what you see as a job though.

Speaker 4 (01:02:29):
Yeah, a lot of average rappers, you know, it's a
regular job you get hopefully, you're hopeful to collect a
certain amount of money a year that you can maintain
and pay your bills and mortgage or whatever.

Speaker 3 (01:02:42):
And most of that don't come from the record. Look
look at it.

Speaker 4 (01:02:45):
Eight.

Speaker 3 (01:02:46):
You just know kind of getting done right from Sony.

Speaker 1 (01:02:48):
You feel what I'm saying.

Speaker 3 (01:02:51):
You just now kind of just getting done right by Sony.
So you know outside of you know, the record label,
though you got shows and stuff. Really don't come from
the record label. Dog, you know, you know it's advances
and stuff. Now you got the I'm not familiar, but
the care from Houston. Man, fat Tony to live out here.
He lost his crib. Janeyaiko and her kids lost all

(01:03:12):
their homes. Dogs like these dudes don't lost everything. Man,
that's fucked up. And the thing about it.

Speaker 4 (01:03:17):
These insurance companies don't been canceling cats insurance and shit.

Speaker 1 (01:03:21):
Yeah, I've been watching that. Yeah, it's unfortunate.

Speaker 4 (01:03:24):
Like you said, we go through we go through the
Santa Ana's and the wind and all that, and so
we have to deal with all of that. But it's
unfortunate that you know, other places have to deal with
with with hurricanes and you know, floods and snowstorms, and
fortunately we have to deal with earthquakes and fires man,

(01:03:48):
and when they come bad, they come back. When it
hits California because a lot of dry vegetation and a
lot of just you know, it's unfortunate.

Speaker 1 (01:03:59):
It's what happens, man.

Speaker 3 (01:04:01):
So yeah, you know, like you.

Speaker 4 (01:04:05):
Don't expect it to hit in certain areas though, like
it's dead, you know, it's it's so shocked because it's
in l A. It's La County, uh and it's prominent
places that people are you know, used to frequenting. So
that that's what I think has been so shocking about
the fires this time because it ain't like out in

(01:04:25):
the in the desert areas or in the mountain area.

Speaker 1 (01:04:29):
You know, it's right here in the city areas, right here.

Speaker 4 (01:04:33):
Mm hmm.

Speaker 3 (01:04:35):
You know what man? They saying that on social media,
people was telling Janko that she don't deserve sympathy because
she's a celebrity. It's like people as fucked up nowadays. Though.

Speaker 1 (01:04:46):
It's just.

Speaker 4 (01:04:48):
And and a lot of that is because of that's
the average uh uh, the average person, the average person
who gets up and goes in punch of clock every
day be feeling like you're getting I'm having a hard
time just to paying my regular ship. And now you know,
you rich motherfuckers who who've been sitting on this this

(01:05:10):
this heap, you know, now y'all get what it feels
like to not have nothing and have to start from
the bottom, you know, but people don't understand, and sometimes
people don't realize, shit, I've come from there, you get me,
just because I was able to make it out.

Speaker 1 (01:05:27):
And be successful.

Speaker 4 (01:05:29):
You know, I started at the bottom too, And that's
what some people got to understand. You know, everything you
know starts from somewhere, and it's something. And most of
the time it just be the hatred and the jealousy
of you, of motherfucker being. And it's okay to be regular.
It's okay to be average. It's it's nothing wrong with it.
It's okay if you got to get up in the

(01:05:50):
morning and count, you know, that's that's what the plan was,
you feel me.

Speaker 3 (01:05:56):
We send prayer out to them, man, We send prayers
out to those people well man who lost their homes. Man,
Thank God that you know, thank God man, we got
what we got going, you know, me and your homes
was safe from all this, man. And I really feel
like a lot of sympathy, you know, empathy for these
people man out there, because that's rough. Just imagine losing

(01:06:16):
everything that you got, dog, and even if you got insurance.
A lot of times, man, with insurance, if you don't
have stuff like item minds on there by item dog,
you don't get that replace you can get all your
clothes and all that stuff. Just imagine not having no clothes,
but the stuff you got on your back. Bro you

(01:06:36):
cut off your mute it out, Hey, you get the
mute button bags.

Speaker 4 (01:06:39):
No like Usually that's you know, it's your livelihood. And
especially if you've been somewhere established for the last twenty
to forty years, it's not even just about the material shit,
it's about the memories that's been created at the crib.
You know, Christmas is holidays, people just coming over or

(01:07:00):
uh you lounging at the crib just on regular days,
just whatever. So a lot of that is it's sentimental,
u what people are feeling, you know, because of course,
you know, homes can be rebuilt, cars can be replaced,
and I know people hate hearing that old cliche, you know,

(01:07:21):
Oh well, you know you home can be rebuilding, you
can get a new car and whatever. But a lot
of times it's just the heartache of man, you get me,
this is where my kids grew up, and this is
where I laid my head. And it's not even about
the material shit and the house burning. It's about the

(01:07:43):
sentimental value of.

Speaker 3 (01:07:44):
Because I'm pretty sure you got marks in your closet
just like I do, from when your kids, you know,
measuring them get growing and stuff.

Speaker 4 (01:07:50):
You know what I'm saying, sentimental shit just even being
in the crib like like, you know, I ain't gotta
have no spectacular shit, you know what I'm saying, Just
the familiar, the familiar shit that I'm used to of
waking up every morning for the last thirty years and
seeing the familiar shit. You know what I'm saying, getting

(01:08:11):
my regular cup of coffee or sitting down on my
couch watching the news or shit like that. You've lost
a lot of sentimental shit.

Speaker 3 (01:08:20):
So yeah, we both we both got pitts man, Me
and you both dog lovers. We got our dogs, man.
And you know, I was reading about people that can't
find their dogs and stuff. Man, you know, it's a
whole bunch of stuff for fire happening. They couldn't get
they you know, some people was at work dog and
they pictures at home. You know, they couldn't go get
their dog. They's a lot of sayd shit, dog and

(01:08:41):
I know it's gonna be somebody out there why you're
worried about a dog. But man, you know people love
their dogs.

Speaker 4 (01:08:46):
Bro. Yeah, Like I said, it's uh, and you can't
fart people who aren't animal lovers or or dog people
or whatever the fact that may be. Not everybody's into everything.
Like I'm not into a lot of shit. I like Dunn.
You know, I'm a dog lover, so I've always had
dogs since I was a kid growing up. Yeah, but

(01:09:09):
it's just some people who not like that, and it's
it's no fault to them, you know what I'm saying.
They just ain't had the experience, and so that's that's
sentimental to a lot of people, you know, losing they pet,
losing all that shit. So when I tell you what,
it's been devastating as far as you know, as the
fires is going around here, I've been getting hits people

(01:09:32):
acting if we've been straight and acting if everybody good,
So you know, shout off to everybody who concerned and
people donating, and you know it's a lot of good
shit going on them.

Speaker 3 (01:09:43):
Yeah, we're vicious, man. I think that me and you
go start. I want to try to put something together, man,
But I want to do it right. I want to
use the little resources that we got, a little thing
we got man, probably start up, you know, something to
try to help you know, these people in the hip
hop community that have been displaced aus Like you said,
everybody not multi millionaires, bro.

Speaker 4 (01:10:04):
Hell now, So like you said, they say, anything helps
a little small shit. So that's where you gotta start first.
So we'll get some shit together, definitely for sure.

Speaker 3 (01:10:12):
On that note, y'all be safe out there and were
out of here. We see y'all next week. Well. That
concludes another episode of the Gainst the Chronicles podcast. Be
sure to download the iHeart app and subscribe to the
Gangst the Chronicles podcast For Apple users, find a purple
mica on the front of your screen, subscribe to the show,
leave a comment and rating. Executive producers for The Gangster
Chronicles podcasts of Norman Steell, Aaron M.

Speaker 1 (01:10:33):
C a.

Speaker 3 (01:10:33):
Tyler. Our visual media director is Brian Wyatt, and audio
editors tell It Hayes. The Gangster Chronicles is a production
of iHeartMedia Network and The Black Effect Podcast Network. For
more podcasts from iHeart Radio, visit the iHeart Radio app.
Apple Podcasts wherever you're listening to your podcasts,