September 6, 2024 • 71 mins
Wuddup, we are late this week because of technical difficulties but we are here and talking big dinosaur mess on this episode. Why are the other podcast blaming Kendrick for other rappers lackluster sales? Can female rappers sell without getting a BBL and wearing lace? We get into all that and more... PRESS PLAY..... Holla at the homies @gangsterchroniclespodcast
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
We's adding and what's adding and what's adding?
Speaker 2 (00:07):
It's another episode against the Chronicles podcast with the boy
big steal of my dog yuh about too? You know what, man,
motherfucker's is crazy. I looked at somebody. They was talking
about why he's album selves, right, you know, they were
saying he sold eight thousand albums his first week or whatever.
And you know, I don't understand the streaming shit the
(00:29):
way it is though. I just think the record industry
is almost dead when it comes to that streaming shit.
But they were trying to blame Kendrick, and they was
pretty much seeing that, you know, all the people that
supported him, he hasn't supported them many And I was
like thinking, what the fuck can Kendrick do?
Speaker 1 (00:48):
Well, it's him.
Speaker 2 (00:49):
Posting a motherfucker's album gonna make them niggas go out
and stream, you know, twenty thousand, thirty thousand albums.
Speaker 3 (00:56):
Well, that's how they think hip hop works today. You know,
everybody gotta verify everybody and then that's how you get
on or that's how your shit is has worked a
little better, so, you know, and then people feel it's
an obligation or some shit like that.
Speaker 1 (01:18):
You know why nigga didn't post his record or some
shit like that.
Speaker 3 (01:27):
So I guess because you know, Hyje showed up at
the Kendrick concert or you know, because he chose to
go to the concert or whatever, everybody associates that with, well,
the Drake situation or whatever. And now people feel like, well,
since why g showed up, then you Kendrick should be
(01:50):
posting his record. You give me which is which is
no guarantee, and then it's not even like that, but
people feel that's how significant sh it's supposed to be.
You get me. Uh, I started, I started getting that
though you know, I've never posted people's ship, you know,
(02:16):
and then people attest that to it must be a problem.
You feel me, well, so and so record came out,
and how come you ain't posted so and so record,
and uh, chills record came out or somebody I know
close came out and I come, this record ain't all
(02:38):
over your page and all over and I just never
you know, tripped off of that. But you know, people
look at that and they look for that. It's verification nowadays,
you know, especially especially in the hip hop community. You know,
this nigga post this nigga's record, so that's official. This
(03:00):
nigga posts this nigga's record, so that's official. Oh you
didn't see so and so post his record, so they
must got beef or it must be a problem.
Speaker 2 (03:10):
You get me, man, I'm gonna tell people right now, Man,
that shit sound goofy. It sound retarded. First of all,
social media don't even work that way. It's like if
you post, if you make a post on social media.
Speaker 1 (03:23):
Even with all the.
Speaker 2 (03:24):
Fans that Kendrick got on there, him posting a YG record,
him posting so and So's record, him posting this nigga's record. Now,
I'm sure it may get some lights and some attention,
but the likelihood of them people actually go on there
streaming that album is like, it's probably not gonna happen
because this is.
Speaker 1 (03:44):
Kendrick Lamar pages.
Speaker 2 (03:45):
First of all, they did just to fuck with Kendrick
Lamar and everything else he got going on. They don't
care about his they don't care about his homeboys. You
feel what I'm saying. Now, If he won't do without
the goodness of his heart, that's cool, But I don't
think it's gonna be enough to make a motherfucker.
Speaker 1 (04:01):
Go go to Platinum.
Speaker 2 (04:02):
Because they had like, if Kendrick post on this page,
the shit just gonna go up. Oh man, motherfucker's it's
gonna be the highest training, the debut or whatever. Man,
what it deals, man, is why she has a significant
enough audience to where if he posted shit on his
page and it deal what it did, it probably wouldn't
gonna do no different than what Kendrick.
Speaker 1 (04:24):
How many fatherers? Why she got?
Speaker 2 (04:25):
He probably got a million, right, probably got a million
followers right here, pop and do so if it didn't
crack off of his page? What the fuck make you
think it's gonna be? It's gonna do when Kendrick posted,
I think, man, what's happening is?
Speaker 1 (04:39):
Man?
Speaker 3 (04:40):
Motherfuckers just don't got a shit to talk about. Well,
like I said, it's a form of of I guess verification.
You know, like when Instagram first came and everybody was
hyped on the blue check shit. You know you gotta
have a blue chach. You ain't got the blue check,
(05:01):
then you ain't official. And you know now that they
charge for the shit people is like, non, fuck that
blue check. It ain't even I don't give a fuck.
So it's it's the new form it's the generational bullshit.
It's how people feel like it makes shit authentic. So
(05:22):
and so post that nigga's record, so you know, it
makes people feel like like like, Okay, all the Kendrick fans,
like you said, all the Kendricks fans are gonna run
out and buy Rogi's record now because Kendrick posted the record.
But I don't, like you said, I don't understand that.
(05:45):
That don't make us have beef or we cool or
were not cool. It's just that nigga shit. I ain't
post a nigga record like no mean, you know, it's
just another form of how they try to attach bullsh
it on top of bullshit.
Speaker 2 (06:01):
Man, I'm gonna tell you this. I got niggas the
fuck with every day, like for real, for real. They
have never once posted the podcast or shared the podcast.
Now what they will do, They'll like some ship here
then whatever. I don't look at it like them do
my homies or whatever. They don't have no reason too.
It's like some shit can be kind of disingenuous though, man,
(06:24):
and I don't look at them. Motherfucker's not being my homeboy.
If they don't, if they don't repost no ship. They don't.
Speaker 3 (06:32):
Back in the days, like we didn't have social media,
we had uh, we had we had press, we had magazines,
we had newspapers. So uh, you know, I would drop
a record, you know, and we had this thing where
everybody knew when everybody was dropping new records, right, you know,
(06:53):
everybody you drop on Friday.
Speaker 1 (06:55):
Right.
Speaker 3 (06:56):
So I'm friends with a lot of niggas in the industry,
and I didn't go picking up magazines to see when
Scarface did an interview. If he's talking about the MC
eight record that just came out, you give me. His interview.
Is for his interview, you get his promotions. For his promotion,
(07:18):
is for his promotion, you get me. And and niggas,
I guess, tend to forget this is a friendly competition thing.
I'm trying to sell records, you get me. So if
I'm in the process of trying to keep my own
shit on fire, I've got time to mention another niggas shit.
(07:42):
I'm in the same game as you. Right, don't need
any b for anything. But if I got to, if
I got an interview with the Source or La Times
or or Rolling Stone, I'm not finn to go in
there and then give them a whole section and about
but have y'all heard that Scarface record and that motherfucker
(08:05):
is hard?
Speaker 1 (08:06):
Man?
Speaker 3 (08:06):
Man, they got you get me. It's like, okay, look
like you lost your mind, right, Like, ain't you here
to promote Joe shit and get your units off? But
for the last thirty minutes you've been talking about Scarface's
record or Spice's record or you get me. So it's
not it's not mandatory. It's a friendly gesture. If a
(08:29):
nigga want to use his platform to you know, get
that brotherly love off, you get me. Niggas call them say,
oh that's the home need blah blah blah, I'm a
post uh. And most of the time niggas do it
because they either got a song with a nigga or
they trying to fuck with the nigga or they just
(08:52):
you know, bumped into each other and some business is
finna go down. So that's the new form of of
of advertisement for a motherfucker. You get me, hey man,
you know my record coming out? You know that's what
niggas do. Niggas hit me up in my DMS and
slide need ay video or they record or whatever some
(09:14):
niggas even and you know, trying to throw you some
bread by doing it.
Speaker 1 (09:19):
You get me.
Speaker 3 (09:20):
It's the new form of promotion. A eight my single
just dropped. How much you charge me to post it
in your stories on your page and shit like?
Speaker 2 (09:30):
But again that's not genuine, no dog, It's like, I
don't think people understand the way social media work.
Speaker 1 (09:36):
Like me. I got a lot of Homeboy's right to
do different shit.
Speaker 2 (09:41):
I made sure they ship to our stories, but it's
because I support what they do and I may have
saw it and I like it or whatever, and I
posted you feel what I mean?
Speaker 1 (09:50):
Sometimes I don't.
Speaker 2 (09:51):
I don't do that for everybody because at the end
of the day, we got shit off you that we're
doing it.
Speaker 1 (09:56):
I'm trying to get off you.
Speaker 2 (09:57):
Feel what I'm saying, so that this thing ain't even
gonna say.
Speaker 1 (10:01):
And I just think the moment you start letting.
Speaker 2 (10:03):
Motherfuckers pay you for anything that's outside of a brand, dog, it's.
Speaker 1 (10:07):
Just a slippery slope.
Speaker 2 (10:08):
Next thing, you know, you got a whole page fully
just everybody else's ship.
Speaker 3 (10:14):
Yeah, yeah, because niggas will take advantage of that ship. Yeah,
niggas that get to hit you man, Yeah, man, can
I pay you like next thing?
Speaker 1 (10:27):
You know?
Speaker 3 (10:27):
You done turned into a promoter or an advertiser and
ship you get.
Speaker 1 (10:31):
Me, That's what I'm saying.
Speaker 3 (10:34):
And you can have projects coming out, but you so
motherfucking took a couple of dollars because sew and sold
the page. I don't want to turn into no advertise
or promoter. I'm the artist. You feel me, and niggas
shouldn't A nigga shouldn't be offended if you don't postate ship.
(10:56):
I don't mean nothing by it, nigga. My page is
for me. You feel me. Now, if it's something connected
into my business and nigga's making money and we're doing something,
it's different now if me and my nigga got a
collective project together, a joint project, and then of course
I'm gonna promote that motherfucker. But I ain't making no
(11:19):
money off of your record, you know.
Speaker 2 (11:23):
Like for example, you know Charlemagne, now nine percent of
the time he's share our shit.
Speaker 1 (11:29):
Like if I post something about the show or whatever,
he is shared.
Speaker 2 (11:34):
Every once in a while, he don't. I don't get mad,
I don't get upset. I don't feel no kind of way.
It's just that's just what it is. I'm pretty sure
with all the shit Charlemagne got going on, it ain't
a thing like he thinking, hmm, let me go see
what Stevelm got going on so I can support it. No, man,
that dude support us about letting us have.
Speaker 1 (11:51):
The situation we have. That's how I look at it.
Speaker 3 (11:53):
You feel me and the network promotes us on certain shit.
So that's what I'm saying.
Speaker 1 (12:00):
We might.
Speaker 3 (12:00):
We might every now and then get a personal post
from Charlemagne or he might hit me up or you
up and you know, repost the page on some of
that type of ship.
Speaker 1 (12:13):
But that's what the network does.
Speaker 3 (12:17):
You get me, lack effect promote us because we have
a partnership or whatever. But I'm not looking for Charlemagne
to post my album when it dropped. You get me like,
that's not you know, he might just do that, but
you which is yeah, which is which is? Which is cool?
(12:40):
But I don't get mad if you know, me and
Premo been friends for decades. That's my nigga. I don't
get mad at promote don't post my record.
Speaker 1 (12:50):
You get me.
Speaker 3 (12:52):
If you do, and not saying that he won't because
he'll go to his stories and postalship. But I'm like,
I'm not I'm not looking for that.
Speaker 1 (13:05):
You get me.
Speaker 3 (13:06):
I have a gang of friends in the industry, and
when I dropped something I've never looked at, you know.
But like I said, still, that's the new form of
of how people do shit today. You know, how how
how shit is verified today. It's very important to motherfuckers.
(13:27):
And so people look at that and feel like it's
some like him, and you know, people, I bet I
bet you he regret uh not back in Drake now,
seeing that Kendrick didn't post his record and his record
only sold a certain amount of copies and blah blah blah,
(13:48):
like people was really like silly with that bullshit, Like
like that's really what affected the situation because I went
because I went to the power out and I went
to represent. You know, Kendrick is the homiet, but you
know I went to represent as far as a whole content.
(14:09):
You know, that's where I'm from, That's where I represent.
That's why my presence I felt, you know, was there,
not not because I was.
Speaker 1 (14:18):
Looking for Kendrick to If you get me, Kendrick.
Speaker 3 (14:21):
Got a billion fans and I'm looking for him to
post my record on his page because I'm hoping that
some of that generates over to me, no my fans
and Kendrick fans fans, and if I get a few
of his or he get a few of minds by
us collaborating or me showing up whatever. But Nigga, I've
(14:45):
been doing this without Kendrick or you get me like
not saying this man got a fan base of his own.
I got my own fan base. You know, we not
even even in the same you know type of shit.
I do my shit, he do his shit. We just
happened to be two niggas from Compton affiliated from the
same side. So and I just felt like, you know,
(15:08):
it was showing love for the whole situation, but I
didn't look for it as Oh well in return, I
got a record coming out, you know, next month, So
when my record come out, I'm gonna need some of
that advertisement.
Speaker 1 (15:23):
Like nah, nigga, Like, yeah, that's just one of the things. Man.
Speaker 2 (15:26):
I think it's real lame. You know what else, I
think lame as fuck. Got like five things I just
think lame as hell. And today I was like really
losing my shit. They I think It's lame when niggas
start talking about other niggas money, which nigga don't have money.
You know, you got these niggas that both successful people, right,
You got one nigga saying, oh, this other nigga ain't
got no money because he cut his own grass. It's
(15:48):
just real weird shit dog like motherfucker's worried about other
niggas finances. I think it's lame as hell, man, when
these people go out and buy all these Instagram followers,
like the girl what's her name, Lie Spice, they said
she don't. I lost like five hundred some thousand followers
over just like the past week. And that's because the
motherfucking followers probably fake in the first place, right. I
(16:10):
just I just think that ship laan and say, hell man,
it's a lot of ship right now, man, to where
it seemed like if people think something can get him
a men of fame, man, I betical they canna suck
their mama's tity on camera.
Speaker 1 (16:24):
Yeah.
Speaker 3 (16:24):
I think it's weird, you know, I think it's weird
that a lot of of niggas who's supposed to be
with maturity are so interested in the next grown up nigga.
You feel me, I really don't give a fuck about
(16:46):
what the next nigga got going on, and not in that.
Speaker 1 (16:49):
Tone, but I really don't give a fuck like that,
You get me.
Speaker 3 (16:55):
I don't give a fuck a nigga told on so
and so or I don't give a fuck to know
that a nigga got three Bentley's and ooh that nigga
got this, and ooh that nigga got like I've never
been in I've never I've never been curious about another
(17:16):
man's status.
Speaker 1 (17:17):
If we cool, we cool.
Speaker 3 (17:18):
I don't give a fuck if you got a hundred
dollars or one hundred million. If we cool, we cool,
and if we not. I've never been one of those
niggas who just sit back and be like, Man, this
nigga think he is ship because he got a hundred million.
You know, I might take cool that nigga made a
hundred million, that's him.
Speaker 1 (17:39):
You get me. Count. I like to count niggas pockets. Man.
You give me because I'm too busy trying to count
my own. How many niggas?
Speaker 2 (17:52):
And you can ask if you're going to, you don't
have to, if you don't want to, how many niggas
that you actually thought she was real cool with, like
from back in the day, like homies that you may
grew up with. How many friendships have you lost because
a nigga didn't think you were supporting him enough.
Speaker 3 (18:09):
Well, only ran just for a certain amount of niggas
in a certain circle. So I've never been in a
position to where, you know, I guess saying like, you know,
(18:31):
supporting another man, because if you're a grown ass man,
you supposed to do what you gotta do right.
Speaker 1 (18:42):
Now.
Speaker 3 (18:42):
If you're struggling, motherfucking you got some addictions or some alcoholism,
or you got some problems, then it's always cool to
ask for help, and if you can help in some
type of way, then that's cool. But as a motherfucking
man who's supposed to get up every day and do
(19:02):
some kind of work and earn some kind of paycheck,
and that's what we're supposed to do, right.
Speaker 1 (19:10):
I've never.
Speaker 3 (19:14):
Now if a nigga situation is what it is, I'm
gonna be like, nigga, that's cool. I mean, don't don't
feel disappointed in yourself, because you know there's some niggas
who just feel like like I always have that saying,
like today, everybody want to be motherfucking famous. Nobody wants
to be normal. And I know normal niggas. You get me.
(19:38):
I know normal niggas who get up in the morning
go punch your clock and WoT you won't and they
might just be living just as as great or as
fine as I am.
Speaker 1 (19:49):
You get me able to send their kids to college college.
Speaker 3 (19:54):
You know, some people kids ain't like me and yours,
where they play sports and earn scholarships and all that.
Speaker 1 (20:02):
It's a lot. It's it's people normal, so the ain't
nothing wrong with that. There's nothing wrong with being normal.
Speaker 3 (20:09):
I try to to associate myself, right, I try to
associate myself around motherfuckers who feel confident about who they
are period to where like like Nigga, I know you
a rapper and you done been around the world and
(20:30):
you done been here and been there.
Speaker 1 (20:33):
But I'm fine with my status. You getting me.
Speaker 3 (20:37):
I got me a nice bedroom house and I get
up and go to work every day and come home
and blah blah blah. But I don't need no motherfucking
pat on the back, Like, man, you're doing a great job.
Speaker 1 (20:50):
What the fuck you mean? Yeah, you know.
Speaker 3 (20:57):
Jealous niggas and niggas who hate, they're gonna be looking
for some crack congratulations from you. You're getting a nigga,
I just bought me truck and shoot booty wom and
and if we're gonna come, if you don't come through life,
oh man, that more fucker hard.
Speaker 1 (21:15):
Man looking there. Wooty. I'm like, oh, you got a
new truck. Okay, that's cool.
Speaker 3 (21:21):
Like like shit, a hard working man gonna be a
hard working man.
Speaker 1 (21:26):
You feel me?
Speaker 3 (21:27):
Still don't giving nigga, I don't need no pat on
the back for what I'm supposed to do.
Speaker 1 (21:31):
Nigga, Well you know.
Speaker 2 (21:32):
What it is, man, It's because people don't do shit
a lot of times for their own joy. Like if
I go out and buy a new truck, Like right now,
me and a wife is considering buying a new truck,
right right, that's an investment. But we not doing that
for nobody else but us. We not doing to drive
up and down the street. Oh look at what I got.
We doing it because hey, it may be time for
(21:53):
a new wi.
Speaker 1 (21:55):
Right.
Speaker 3 (21:55):
You're not looking for a nigga to walk up and
be like all steal nigga that gainst the crawling nigga.
You balling nigga, have got you a new truck? You
moving up and you ain't looking for that. I got
that new truck because me and my wife needed a
new truck, not because I'm trying to impress a nigga
or I'm looking for a nigga to peep out my
(22:16):
pockets or or whatever. Nigga, I just bought a new truck.
Speaker 1 (22:20):
And you know what the silly ass shit about what
you just said.
Speaker 2 (22:22):
He Sometimes if a nigga wear a new fucking pair
of shoes, Niggas looking at me, Oh man, that Gainst
the Chronicles shit is cracking. It's like, my nigga, I
got fifty other things I do besides Gainst the Chronicles and.
Speaker 1 (22:39):
Truck.
Speaker 3 (22:41):
Niggas associate entertainment with Welson right period. It just it
don't matter.
Speaker 1 (22:47):
You get me.
Speaker 3 (22:49):
You got the Gangster the Chronicles m C eight was rapping,
you know, blah blah blah. So you niggas got money.
And now that y'all in this world of where people
associate you know, podcasters making a gang of bread.
Speaker 1 (23:08):
You feel me? So I'm gonna sew you.
Speaker 2 (23:10):
What's fucking it up? Let me tell you what's fucking
it up, my nigga. All of these niggas go on
this motherfucker line. I got fifteen million dollars, I got
twenty million dollars, I got this neck. Now, some of
these cats it was getting paid. I'm not hating on
nothing of them. God bless the niggas who will was
getting a dog. But when you start thinking a ram
(23:31):
of reality, how do somebody make that money back? If
you give a nigga fifteen million dollars for something, what
are you giving it to them for? You usually give
somebody some money in the hopes of tripling or quadrupling
your money.
Speaker 1 (23:43):
Am I right? Right? How do you make that much
money back? Dog?
Speaker 2 (23:48):
Because I look at some of these shows, bro, and
I'd be like, Okay, they maybe got a couple of
tickets for that shit. But all this shit about ten
to fifteen million dollars, dog is just crazy because it's
a lot of pocket watching I had. You know what,
I would say, more than anything that impacted this show
right here was niggas listening to bullshit when they was
(24:08):
a part of the show. Like you would think, Okay,
you're a part of this shit. You see what's going on,
he you've been over my house before. I have a
nice home. I have a cool home, but I'm not
living in the lap of luxury.
Speaker 1 (24:23):
I don't have no.
Speaker 2 (24:24):
Fifteen their room relations stay on the side of the
eels some mother fling where it's a regularized suburban home.
Speaker 1 (24:32):
I am not doing it like that.
Speaker 2 (24:34):
So when niggas would let that shit get to them,
Hey man, you talked, I'm talking about niggas that don't
have no clue about our business man. You know, he
went out and got about sixty seven million dollars from
the people. I'd be like, where is it that I
wish I had that sixty seven millionnig y'all talking about
people are really stuck on stupid nowadays.
Speaker 1 (24:51):
Doog oh dub any damn thing. People believe anything that
you push in front of them.
Speaker 2 (24:58):
I'm gonna tell you what I almost did, dog, and
I'd have probably got a gang and shit started. I
started one day to go to one of them open
houses for one of them nice ass, fancy ass crib somewhere,
and they had a camera come in and just follow
me like, yeah, I just put down this money on this,
and almost went out and rented me a motherfucking rose
rice or something for the weekend and just letting me
(25:20):
go out there and just kill theyselves looking at what I.
Speaker 1 (25:23):
Got going on.
Speaker 3 (25:26):
Yeah, and then niggas would have then niggas would have
really been on you.
Speaker 2 (25:31):
That's what I'm saying. But then I said, man, you know,
you know the only Glasses told me. He said, man,
you do that you had to wind up doing something
to one of these dudes. Yeah, because jealousy runs far.
And you know, when you already have a situation where
motherfucker's where they're already trying to figure out some shit,
now you're giving a nigga a reason to uh spark
(25:54):
the flame, so to speak. Money turns motherfucker's jealous And
it's I'm fortunate that you know, you can be in
a situation like I said, you know, I'm just like
you or whatever. But then the minute you you do
something to work or whatever and enhance your fance, then
(26:17):
you become a victim of circumstance.
Speaker 3 (26:20):
You feel me, because now everybody saw mother fucking curious
about what you got, that it's gonna be some niggas
out there jealous and want to take what you got.
Speaker 1 (26:31):
It's just unfortunate when you.
Speaker 2 (26:33):
Said you give me, I'm gonna tell you what it's
said about this shit an age.
Speaker 1 (26:39):
You probably know this.
Speaker 2 (26:41):
I think when I first when we first start doing
the Show Dog, I had a job the majority of
the time that we did the Show Dog, A good job.
I wouldn't just go walk away from you. Feel what
I mean? Because I have a future.
Speaker 3 (26:57):
Dog.
Speaker 2 (26:57):
There's certain plans I got. I want to live a
certain way when I get old. I'm already old, dog.
I have to have certain shit. I have a certain
standard living dog. In the way you achieve it. A
certain standard living is by working right. It's about working hard.
Speaker 1 (27:11):
I have other things that I do to make money.
Speaker 2 (27:14):
And I tell people just because you sit on your
tail feathers and you just go do this podcast once
a week or whatever, don't get mad at me because
I got some muscle about myself and I'm going to
go get more money.
Speaker 1 (27:25):
Because my thing is this is seven days of the week.
Speaker 2 (27:27):
And I always think, if you got too much idle time,
I ain't getting no money.
Speaker 3 (27:31):
Dog, you can lose a little bit of money you
got exactly. Yeah, you got to be staying. You gotta
stay busy and y'all stay eyed on shit. It's something.
It's just some niggas don't have that drive, that incentive. So,
like I said, that's where a lot of jealousy comes
into play and a lot of situations that end up
(27:54):
on the wrong side because some niggas just can't handle
you know, some niggas just can't handle blessings for other niggas.
You feel me, Some niggas just can't handle it. You know,
they want you to stay broke, busted, and disgusted. You know,
(28:16):
that makes them happy to see you struggle, to see
you without And that's another one of our traits as
as as black people. You feel me, We love to
see a nigga downfall, you feel me.
Speaker 1 (28:32):
Some niggas pray for it when you see it every
day on the internet.
Speaker 2 (28:37):
How many times, like when you look at these sites, man,
when you look at the all hip hops, the complexes,
they're usually celebrating the motherfucker's downfall, something happening. You know,
I even looked at it with the kid that's the
quarterback seeoned Miller Moss them motherfuckers from TMZ pulled up
some shit that was from his freshman year about the
(28:59):
argument he had with this roommate. I'm like, man, y'all
can't congratulate the nigga on knocking off l s U.
So y'all want to go back and find some bull
shit about him. It's like, this sh is retarded. I'll
be honest with you. May sometimes I don't know how
much longer I can do this shit, my nigga, because
it's stupid.
Speaker 3 (29:18):
Yeah, because times changed, man, times have changed to where
negativity is the ruler of content. Hating is the rule
(29:39):
of content on social media, and so it's heavily sought after.
You feel me, I don't want to come to congratulate, no,
motherfucking I mean, the motherfucker's gonna tune in if shit
is always positive. Nah, Negativity is what's gonna get us
(30:02):
the numbers and the views and the people to tune in.
So unfortunately we have to play that game, and a
lot of people, we got a lot of this you
know been you know we've been you know, we've been approached,
you know by by certain you know people that feels
(30:26):
like if we turn our show to a certain way,
then you know it'll get us more views, more more
whatever and always Uh, it was adamant about not being
those type of motherfuckers or not having the show go
that type of direction to where we we too, mature,
(30:53):
grown men who have been through you know, been through Ship.
You know, I was claiming the gang and selling dope
and doing that type of shit, you know, rapping about
situations or whatever. But we're mature now to where the
(31:14):
impact can be a little more positive with motherfuckers. But
a lot of motherfuckers, you know, everything is about what
they say. You know, everything's about the bag nowadays, and
whether it's negative or positive, Uh, if it's about the bag,
it's just about the bag. And a lot of a
(31:36):
lot of people have gone on the path of negativity
or controversy because, let's face it, niggas like to hear ship.
It takes a It takes a different type of motherfucker
who can keep themselves away from bullshit, you know, because
(31:58):
as an average one the fucker, we like to see
some some niggas caught up. We like to see some
niggas broke down, We like to see some some some
violence whatever whatever. So to be able to uh not
steer yourself in that direction, that takes a lot, uh,
(32:22):
And that's why we have a certain audience. You know,
even though you know, we to gangst the chronicles and
we talked to niggas about their their their their days
of old, or whether a nigga is still affiliated or
not affiliated, or some of his tales from the hood,
or we still try to take it in a manner
(32:43):
where niggas has grown, you feel me, Yeah, really.
Speaker 2 (32:46):
Gotta be about growth, because we damn for damn sure
can't have no no motherfuckers this old up here voting
active game bang.
Speaker 1 (32:54):
That should look ridiculous.
Speaker 3 (32:57):
Man, Exactly, we at a certain status where people expect
certain shit, and you know, me to where I've come from,
I just you know, I just think it's a better
position to be able to be mature and show maturity
(33:19):
and growth and show that even yeah I was connected
to the streets or this ship whatever, but still niggas
are my age.
Speaker 1 (33:33):
Not not to cut you off, gud, not to cut
you off, my gun.
Speaker 2 (33:37):
But when you had your situation with quick, did your
record sales go up?
Speaker 3 (33:45):
I wouldn't look at it as record sales went up.
I just looked at it as as and I never
I didn't even pay attention to that, like, oh, how
many more records I sold because niggas was beefing. If anything,
(34:06):
I looked at it like like a side thing you
give me, because Quick was one side. I was the
other side. So that's what I looked at it as.
I never looked at it as as a money come up,
you feel me, and that that some of that is
(34:31):
the aspect of today ship you give me.
Speaker 1 (34:35):
Yeah, but that's what I was leading to because I think.
Speaker 3 (34:38):
Yeah, I didn't I didn't, Yeah, I didn't beef with
I didn't beef thinking, Oh, if I start beefing with
a nigga, I'm finna sell two million more records.
Speaker 2 (34:51):
I never looked at it like that. When do you
think that ship started? Can't come into it in the play.
I think it was when because fifty came in the
game angry as a motherfucker, right, and you know, he
was attacking a lot of motherfuckers people. He felt that
might have slowed his career down because you know, it
took him a while to get on. He went through
some shit. So I think Dongboy had a problem and
(35:12):
he was letting motherfuckers know anyan motherfucker that they had
it in for him previously he was getting in that ass.
I think when he came in and people saw the
way that he was successful, dog, they just started a
whole motherfucking trend. And people always liked bullshit motherfuckers like
the train Wreck. You think about Jerry Springer, some of
the messiest shit that don't been successful. Jerry Springer was
(35:34):
on TV for about fifteen years though doing bullshit. You are,
Maury Povish.
Speaker 3 (35:45):
I think the dynamic of that shit change and came
in the era of the some of the young artists
who started feeling like, you know, I could dis a
nigga and the popularity of this thing will get me
(36:06):
more sales. You know that Takashi shit, when when Takashi
came out and you just had niggas, you know, like
I said, I used to have niggas that would that
would try to get me on songs and they would
just be like, Oh, I'm just gonna diss so and so,
(36:27):
and I'd be like, y'all got beef, Like no, I
don't know him, but because he's popular and that's how
it goes. I feel it would get me more popularity, faster,
known faster if I just dissed the nigga. That era
came about maybe fifteen years to go or ten years ago,
when niggas started feeling like I could diss a nigga
(36:50):
and it's gonna gather me more fans and more you
get me, because I met. We We didn't this motherfuckers
to feel like, oh, I'm fin the battle. I'm finna
start a battle with nig because if that was the case,
it'd been niggas behind closed doors going like, nigga, shit,
(37:14):
let us start a beef a nigga. It's gonna generate
two three million more record sales. You get me, and
we split that shit down the middle. It'll been conjured
up because it's the money thing. But I didn't start
no beef because I thought I would sell a million
(37:35):
more records.
Speaker 1 (37:36):
You get me. Beef just happened because that's that's just
what it was.
Speaker 2 (37:42):
That was the only beef you ever had in your
recor wouldn't it. Yeah, I didn't.
Speaker 3 (37:46):
If I had any other beefs with niggas, it was
on some old small under the table. Who the hell
are you shit? You know, our motherfuckers just be They
wake up in the morning and go oho the fuck
is still I don't like that to fuck that nigga,
But you don't take that shit serious to where you're
thinking some shit just slide by. Like I said, a
(38:07):
lot of the times, all you gotta do is be
quiet and don't respond to a lot of the little bullshit.
And the way I tell motherfuckers all the time, dog
that if you gonna be in any branch of entertainment,
you have to prepare for a motherfucker not feeling you
are not liking what you do. And I laugh all
(38:30):
the time, dog, because I don't get a whole bunch
of shit, But I get a nigga not only.
Speaker 1 (38:34):
Even look at comments. First of all, I get a.
Speaker 2 (38:37):
Nigga that may come in and say, you know what,
I'd like to show better when it was so and so,
and I'll be laughing.
Speaker 1 (38:44):
I like my nigga.
Speaker 2 (38:45):
You know that was five years ago, right, and you
still commenting on some shit that's going on. Right, it's
twenty twenty four. You're talking about some shit that happened
back in twenty nineteen.
Speaker 3 (38:55):
A lot of niggas do that shit just to get
a response out of you, because then they can go
around and go show people. Look I was getting into
it with Steal. They don't give a fuck that they
finna bring up some shit from ten years ago. I
don't care, but it gets them a chance to.
Speaker 1 (39:13):
I call it.
Speaker 3 (39:14):
Man, it's give a nigga five minutes a fame, you
feel me? And sometimes I wouldn't let niggas just had
a five minutes of fame because what you're talking about
is irrelevant right now, it don't even matter.
Speaker 1 (39:27):
And then the second thing is who the fuck are you?
Speaker 2 (39:31):
I tell you you gotta laugh at some of that shit, though.
I'm gonna tell you what a nigga did to meet
one day. Dog. First, he came on the Pegs and said,
I only fuck with the show because eight. I said,
that's cool, my nigga. I said, that's why I put
him on the show, because I said that nigga's puking.
I said, that's good, you know that's good. Then he
came back about it. I guess he thought I was
(39:53):
gonna be mad at something I like to come and
I said, I don't give a fuck my nigga. Good
shit keeps a port, you know. Then he came back
and said it y'all not gonna have that deal in
two months. I bet went two months. They about the crup,
y'all ass and you go to this nigga's page, doog,
this nigga got he following I think it's like fifteen
(40:14):
thousand people, man, and got one hundred followers, but he
following fifteen thousand people.
Speaker 3 (40:22):
I said, this dude is miserable. Yeah, that's one of
those dudes who feel like like I said, first of all,
he just want attention and a lot of them shootout
comments because they looking for a response back because a
lot of the times, you know, that's what gets shit cracking,
negativity and you know, because you know, we first of all,
(40:47):
we men, and we feel like nigga pride involved nigga,
you ain't gonna. But I've learned to shape that type
of shit because a lot of the time it just
be again, niggas won't find minutes of fame.
Speaker 1 (41:04):
And funny is hell to me. I've learned to deal
with what I tell.
Speaker 3 (41:10):
What I say about that type of shit is is
I tell a nigga thank you, because I'm the type
of motherfucker who I can deal with criticism. And that's
what I take it as nigga, you say something about me,
I don't take that ship as a disc. I take
it as criticism. Okay, that's just telling me maybe something
(41:32):
I did you didn't like I might need because because
I'm not gonna go back and forth with you when
you are no significance to my standing. But by me
going back and forth with you right now on my
Instagram page of Facebook or any social media ship, uh,
(41:57):
it's giving you light. And then it's given you more
status than it is me even though my status is
already significant. It's making you spotlight because I'm gonna keep
going back. You donna diss me and you gonna say
some shit and my image or who you think I'm
(42:17):
supposed to be. I'm supposed to go out of the nigga.
You feel me, niggall, Fuck you, nigga, I'll see you, nigga.
I'm gonna pull out on you, nigga, I'll draw down
on you. I'm supposed to be the crazy, ballistic gangster.
Speaker 1 (42:32):
You think that's what some shit?
Speaker 3 (42:36):
Yeah, they want to they want Yeah, niggas want to
test you. And so when you turn around and you
hit a nigga with and usually I don't say shit.
I tell a nigga, do you know me? And I'm
saying it's cool. I take criticism because a lot of
times the niggas don't think you're gonna respond to them anyway.
(42:56):
They just want like just five minutes of fame. And
when you tell a nigga, do do you know me?
Because you're talking a lot of stuff. You're talking a
lot of ship about all my nigga, I was just
fucking around with you. I love your ship, man, Your
ship is the ship. That's what I mean.
Speaker 1 (43:16):
That.
Speaker 2 (43:17):
That's the promo team, man, nigga. I call them type
of niggas the promo team. You know what's a trip? Man,
I'm doing my podcast now. Everybody want a drump ship
and do all kinds of stuff. Oh shit, I got
the little I had to come upstairs. I got the
dogs and the ship hollering downstairs. I got them locked
in the kindle. It's all good because you know what, man,
(43:39):
it'll be quiet as hell all day, right and then
like everybody get to make a noise, turning shuit up,
creaking doors and all kind of shit, like.
Speaker 3 (43:48):
Shit, well, I didn't know, you know, usually you not
here doing this motherfucking podcast. So we trying to be
as quiet as possible. But fuck that nigga. Oh, it's
all good people. You know, niggas got normal ship. That
just shows people that we still have some kind of
(44:12):
normalcy in our lives and ship.
Speaker 1 (44:14):
You get me. Uh, we not uh, we're not in
the super setting.
Speaker 3 (44:20):
You know, motherfucker's standing behind these cameras with with microphones
and ear plugs in and all.
Speaker 1 (44:27):
Ship.
Speaker 3 (44:28):
Were just some regular niggas. So this just shows that
we got regular lives because we can't make it to
the studio every every even though we you know, we
in the we in the studio and we're doing the
ship well. But sometimes you have to adjust. You know,
(44:51):
you might have a doctor's appointment, or your wife might
have something to do, or a nigga might not feel
like it because he litle under the web.
Speaker 1 (45:00):
But don't mean I can't do it. I just don't
feel like driving.
Speaker 2 (45:03):
And sometimes especially from where you coming from, Man, sometimes
I know you're getting that motherfucked car.
Speaker 1 (45:08):
I'll be like, man, I don't feel like this.
Speaker 3 (45:11):
Brought me a couple of blunts and and turn on
a movie or listen to some beats, and that's how
you pass the time while you roll it. But like
I said, speaking a niggas be normal. And like I said,
nigga be at home. Nigga at home right now and chilling.
(45:31):
And you know there's other ship that we had to
do that keeps us from making that dry. But we
still set up where we still can bring a nigga
to show. You might hear the wife talking in the background,
or some dogs barking, or some glasses breaking or just
but that's home.
Speaker 1 (45:53):
You get me.
Speaker 2 (45:55):
Hitting me in my inbox tomorrow talking about steal. I
got an audio jury here for you because you know,
what we're doing is live from our from our private
spots tonight. And you know why this shit all started
doing COVID actually because I said, man, you know what,
we can't get in the studios. So and I just
kind of perfected my shit over the years. You know,
(46:16):
got me a little set up in the corner of
the room, you know, right, I.
Speaker 3 (46:21):
Mean it's a little I just put this spot to Yeah,
you know what I'm saying. You've seen my little shit.
There's just a little spot where you know, a nigga
kicking and smoke and would play the you know, get
on some little video game or record some little music.
And so I said, fucky, you might as well set
up something to where you know, anything could happen.
Speaker 1 (46:43):
Yeah, we can gonna start doing your podcast. Ey now
I'm trying to give my ship cracking.
Speaker 3 (46:48):
Uh. I'm gonna start with usually I just I gone
live on one of my little pages chatting with the
people for about thirty forty minutes.
Speaker 1 (46:58):
You know.
Speaker 3 (46:59):
We get up in the morning, in with a cup
of coffee with a blunt and just try to make
the rundown of the mornings, what niggas is getting into
for the week, whether you're in your car head at
the work, or you headed home from work, or you
just a nigga who up in the morning because you
(47:19):
got kids or pets or you know mothers and fathers
in laws or whatever. You know, like my mom, you know,
you like a guy. You know the gossip people. You
know how the ladies to sit up drink their coffee
and they robes and be talking about what or just
one of them ladies she liked to sit up and
she'll hit a nigga up every morning just to be like, hey,
(47:42):
what y'all doing, and you know it's gonna be hot
out there today, and you know, and talk about my
part too, talk about my brother or asks about what's
going on with Karan in school, and you know, just
one of them type so is normalcy is good, it's cool.
Speaker 1 (48:02):
Ain't nothing wrong with it? You try to be that.
Speaker 3 (48:06):
Hey, y'all will gonna ask you. You don't fuck with tob,
do you. I watched Toby to Be has a lot
of movies there. That old school ship you give me, that's.
Speaker 1 (48:18):
You don't watch on there? You watch the Hood. I
don't like. I don't like. I don't like because a
lot of them aren't quality.
Speaker 3 (48:32):
I get embarrassed by ship easy bye bye, you know,
by ghetto ship, even a nigga from the ghetto.
Speaker 1 (48:41):
It embarrasses the watch shows. But the the homie rich
watches this. He loves them. You know, I don't. I
don't hook the mothers dog some of that.
Speaker 3 (48:56):
I told the homie about your little Project because I
think that was on there, and uh, he watched it.
He said it was pretty good. The little Tails, the
little Tails from the Hood type of shit.
Speaker 2 (49:08):
Yeah, yeah, that was I had fun with that. The
block trilogies, Yeah yeah, he thought that was pretty good.
Speaker 3 (49:17):
So, you know, some of the movies are or or
quality enough to wear niggas can watch him and appreciate,
you know, the storylines and all that.
Speaker 1 (49:28):
Now he's got some cheesy ones too. Now, oh, some
of the motherfuckers be cheesy.
Speaker 2 (49:33):
U saw this one my nigga the other night to
where motherfucker got shot and fried by You know how
they show the guns the big flames coming off the motherfuckers.
Speaker 1 (49:41):
Yeah, yeah, yeah, yeah, niggas got shot. He didn't have
no holes in his shirt.
Speaker 2 (49:45):
You know, usually if somebody gets shredded with a semi
they shirt gonna be right off chests, open up. Dude
had look like they pour some hot sauce on his
T shirt or something and the homies is holding them
and when he passed out, it went, oh you can.
I said, wow, they put you can sound effect in
there when the homie got shot. So some of that
(50:06):
shit be so bad that to be entertaining. But I'm
gonna tell you it's a few good flicks I like
on that. I want to start doing it. I want
to bring back the hood movie of the Week, Dog
the Weeks to doing the radio show Dog right. So
you have to start watching. You got to start watching
some of them, hoove, You got to start watching some
of the ghettowass movies on tippy. I fucked with this
ship on their course, sir. It's a few movies out
(50:28):
like this ship called Circumstances. That was pretty good. It
was Shocked pretty good too. Circumstances was good. The other
ship I watched, it's the nigga out here named Big John.
I don't know a lot of people might follow Big
Jobs channel. He do a lot of the skits. He
got a little series on there called My Roommate Pays.
Speaker 3 (50:47):
All the Bills. That shit funny. Is a motherfucker too, dog,
it's about it. If you got a good storyline and
you got some good cameras and uh, you know the
break down of what the ship is about, it's pretty good.
There could be a lot of good little you know,
I want you when we.
Speaker 2 (51:08):
Get off the night, little dog, when we get off,
go watch that Circumstances ship. It's like apart one, two, three,
and four. I watched all the motherfuckers, right, because this
is a little twist, that motherfucker right, and watch Big
Jos ship. He got some shit that's funny called My
Roommate Pays All the Bills. It's like he did this
nigga that got an apartment, right, so the homey move
(51:31):
in with him. He got a two bedroom. Homey move
in with him, right, and he's like, you know, it's
all good at first, come on in. And they watched
the fight and fting chicks off and everything like that.
So the one homie that moved that, the one homie
loses job. The nigga asked you to move in. Some
dudes start tripping. That's why he left this other roommate.
He said, man, you ain't got no job. He came
(51:53):
home from work one day. The dude was in there
on the xbox or whatever. He said, Man, why you're
not at work. He's like, I lost my job. Dude
goes in the room, grabs his bag like you know,
he got his suitcase already packed.
Speaker 1 (52:04):
He's like, I ain't going through this no more. I'm gone.
And he's like, hold on, man, it's just a little
you know, small little latch.
Speaker 2 (52:10):
I'm about to get through this and shit, So dude
don't find a job, and no boy wind up coming
for the rent.
Speaker 1 (52:16):
He started telling this nigga he can't go out on
dates no more.
Speaker 2 (52:19):
He can't have no women over the crib. He's like nigga,
you ain't got time to be messing with no females.
You need to go find a job. That shit funny
as a motherfucker. Though, you gotta watch that shit. I'm
not to tell her Onie to peak that shit out.
He liked the movies and then he'll give me the
rundown and the great. Yeah, you gotta teh tell rich
(52:40):
Asks to check that motherfucker out. Richard be on a
rich probably already know about that shit.
Speaker 1 (52:44):
Ye'all might ask him because he probably already know about it. Hey,
I don't know if you remember me seeing this.
Speaker 2 (52:51):
You remember I told you about three years ago when
that Ice Spice rapper first came out the girl right,
and I said, if she don't get better at her
and start really taking her music series, she gonna wind
up being then OnlyFans model or something.
Speaker 1 (53:07):
Her shit is really starting to implode right now.
Speaker 2 (53:10):
Man, I don't know why people getting this game doll
to think all they gotta do is shake their ass, niggle,
get some money.
Speaker 3 (53:17):
Or a Gavity career. That's gonna sayple mind. That's because
and I don't even want to call it hip hop
rap music. Rap music has become a thing of imagery,
you feel me. Like a lot of people say, fake
(53:42):
it till you make it. It's never been an issue
of having talent, because you don't build your career in
hip hop off of sexuality, you feel me. Hip hop's
supposed to be about lyricism, beats, you know, break dancing,
(54:07):
DJing and all that shit.
Speaker 1 (54:09):
Back in the days, it was never about.
Speaker 3 (54:16):
The ass and pussy and the flotation, the twerking and
my pussy, my ass. It was never about that. So
exploiting the sexuality for a lot of female rappers dumb
(54:36):
down the program. And what I say dumb down the
program is because if you're smart, motherfucking you intelligent, then
you know motherfucker's not talented, right, But niggas dumb themselves
down to applaud the music because I like the bitch's ass,
(55:03):
I like the way she looked. Okay, So then, bitch,
you ain't gonna be a rapper. If you want, motherfuckers
just look at you. You get me, you'd be a stripper.
You could be a hooker, you feel me. If you
want to exploit your pussy, your ass, your titties type
(55:26):
of shit, And you know what man hip hop was
about hip hop was about and beats and shit, and
niggas figured out a way to curve the motherfucking you know,
like the bridge. You know you've seen them. You've seen
the motherfucking thor movies or something. They got the bridge
(55:49):
right that shoots them up to the home. Shit, Well,
niggas found a way to curve that bridge into another
motherfucking position.
Speaker 1 (55:58):
Niggas figured out niggas like pussy and ass.
Speaker 2 (56:04):
Right, Yeah, but you know what I think eight and
I don't want it because I she is a young girl,
dog and she probably young enough to be me and
your daughter. Not that I dout necessary want to dissert,
but I felt like if when shit like that happened,
it ain't her fault. She's trying to get some money.
It's some nigga, one of these dumb ass niggas of
these labels don told her that that was gonna be
(56:25):
the way. That's just lazy A and R and I mean,
instead of getting her some writer's dog and really getting
her songs shit together, like I'm gonna tell you, dog
Biddy used to write for Little Kim.
Speaker 1 (56:36):
He had heard the way she was sexy, but her
music was serious though when you say.
Speaker 3 (56:47):
You say her music is, I think of people who
get into that situation, like, first of all, you get it. Yeah,
I liked the little Kim because she could. I was
interested in the rap I was of course. Of course,
(57:11):
niggas liked the picture with the legs open showing the
pussy and ship. Of course, because like I said, niggas
like pussy and ass and whatever whatever, And that could
have been as simple as on the cover of a
Playboy magazine.
Speaker 1 (57:28):
You get me.
Speaker 3 (57:29):
I didn't buy your record because you was on the cover,
half Nigga. I bought your record because I generally.
Speaker 1 (57:37):
Liked it some of it. I liked the album.
Speaker 2 (57:43):
Yeah.
Speaker 1 (57:44):
They did the same thing with Ice Spike's girl Dog Nigga. Nigga,
what what what was? What was my ship?
Speaker 3 (57:51):
I used to bang all the time, Nigga. Peter Piper
pecked them up at you beg Nigga. I used to
bang that ship off like platte Nigga. That bitch was hard.
Speaker 2 (58:05):
She was hard as a mother fucker dog. And that's
what I'm saying. They just got the industry, don't got
to where they.
Speaker 3 (58:10):
Got so lazy bitch or whatever that was Nigga that
motherfucker was hard. So, like I said, I was interested
in her music, not her sexuality. MC like Queen, Latifa,
Salt and Pepper, you know yo yo uh, I was
(58:31):
interested in their music, not was the bitches fine hell y? Yeah,
but I wasn't into that shit. I like bitches was hard.
They could rap you feel me as me and as
niggas in the rap game. I respected them for their lyricism,
(58:51):
not because some of them was trying to be you know.
And that's what I think was respected because our females
didn't have to get down like that. You get me, rage,
didn't have to get down like that, like Latifa, Money Love,
Salt and Pepper, you feel me, all all the female
(59:16):
artists that represented hip hop didn't have to exploit sexuality.
Speaker 1 (59:21):
It's busy.
Speaker 3 (59:23):
They just got busy, you know. Lil Kim did it.
You know whatever, It's all good. But again, I listened
to Little Kim because of rap, not because damn this
bitch on the cover with her legs spread open and
you give me.
Speaker 1 (59:40):
That was just like, you know what.
Speaker 2 (59:42):
That might have been the conversation starter for some people,
but when you heard her music, it was serious, like
she was rapping. It's like, I'm gonna tell you what
happened with ice spice A. It was a and artist
signed her rite. She probably had some songs that was
buzzing or whatever, and he just made her double down
on the sex. Well instead of getting the writers in
(01:00:02):
there and getting the best producers and writers and say, Okay,
we gotta make you a sustainable career. You feel what
I mean, it's gonna last, if you know, because I'm
I'm pretty sure. But I wonder if she, you know,
and a lot of them who you know it's on
that bandwagon. I wonder if they started their their their
(01:00:28):
love for hip hop on the on genuine on genuine,
you feel me like, oh, I'm not rapping about my
ass and my pussy. I'm fin the bust a hard
rap as a female, well.
Speaker 1 (01:00:44):
You know what, she has the love for hip.
Speaker 3 (01:00:48):
Hop before a motherfucker figure that you can make a
million dollars if you show your g string and shake
your ass and talk about your wet pussy and whatever,
you make a million dollars was quicker. You probably can
make five. So was that do you think that was
the question or was that the conversation? Because how do
(01:01:12):
you approach the situation of going as an A and R.
Do you approach the female artist on that aspect like
or or you took man, I want to sign you
because you are hard ass motherfucking female, are you? Or
as you as a nigga who's been an executive? Do
(01:01:36):
you look at a female like that and go, Okay,
she's okay as far as with the rap, but look
at her features. We could sell this motherfuck on? How
do you how do you approach that as a as a.
Speaker 1 (01:01:54):
Artist?
Speaker 2 (01:01:54):
She got on because she had a little producer that
she met in Talents, right, right, I would have kept
he on that same fast because she had a few
songs that were suggested, but they was clever.
Speaker 1 (01:02:06):
She was clever at first. Right.
Speaker 2 (01:02:08):
She had a song called Munch and I thought it
was interesting, you know, talking about a nigga eating her
pussy or whatever.
Speaker 1 (01:02:13):
Right, Yeah, but much is still on the sexual exploitation.
Speaker 2 (01:02:19):
Yeah, it was ill.
Speaker 1 (01:02:20):
Do you feel.
Speaker 3 (01:02:24):
You would have made as much money or or whatever
off of her if you didn't push the sexuality with her?
You getting me man, a song about a nigga eating
your pussy. We just gonna make a hard female rap
about you being a hard female rapper.
Speaker 1 (01:02:44):
We're not gonna talk about pussy and ass. See, I'm
gonna tell you something that this is what gota do it?
Speaker 3 (01:02:51):
Are you minus in more money in sales by going
we're not gonna make much.
Speaker 1 (01:02:57):
This is the way you want to do it. This
is the way you gotta do it.
Speaker 2 (01:03:00):
Can see, I'm gonna tell you you can't go too
hardcore hip hop with a girl like him, because you
remember the one girl that they were saying was gonna
be the same your of New York, the one girl
that had the one song she was rapping on hard.
Speaker 1 (01:03:13):
She she's working now, she ain't got no.
Speaker 3 (01:03:15):
She didn't that like I said, because girl that was
gonna be there was gonna be what was her name?
Speaker 2 (01:03:27):
Nothing?
Speaker 3 (01:03:27):
I was like Scarlett, Scarlet, scar I'm gonna tell you something.
She was the rough on the corner, you know, fuck
that ship. And the next thing you know, she started
getting her hair done and leather skirts and pants and
you know, won't to wear eye heels and all that
(01:03:47):
ship and yeah, it put her on quiet because it's
like what happened? So I get what you said, but
it's that the failure of what female rappers become is
because now everyone is expected to speak on ass pussy
and getting money and fucking and nigga and all that
(01:04:10):
type of shit.
Speaker 1 (01:04:12):
Is that what is?
Speaker 3 (01:04:13):
That's what it's been turned to because it seems like
the females who just come out to spit are in
no type of competition or even talk with the females
who want to exploit sexuality.
Speaker 2 (01:04:31):
Mm hmmm. I'm gonna tell you, you know who got
the perfect balance of this shit. I'm gonna tell you
who the hardest, who my favorite young female is in
the game. Now. I think Glow really as hard as
the motherfucker dog. She got that shit perfect. Yeah, I
like me some Glow. I like me some Yeah Glow.
It is.
Speaker 3 (01:04:51):
It's catchy and it's not too fucking it's not too
sexual exactly.
Speaker 2 (01:05:00):
And I think that's where they killed him, because you
check this out right, Scarlet came out so hard dog,
I almost would if I was her in her all
the kind of double down because she had the respect
of all the niggas, like Jady kissing all them was
fucking whatever.
Speaker 3 (01:05:17):
It's like niggas got tired of seeing, you know how
niggas get tired of shit and like man, all our
females want to be you know, all our females want
to be in the strip clubs.
Speaker 1 (01:05:29):
You give me like.
Speaker 3 (01:05:32):
And New York had a very good representation of female
kire pile you get me like I said. You had
Queen Latifa, you had him see Light, you had money Love,
you had Salt and pepper, you had motherfucking Little Kim.
Foxy Brown was a spinner, you know, and and and
(01:05:55):
and all the ones before rock Sanne Chante fucking the
real rock saying, and you had you had a good
representation female limb ce's And I think that because of
the exploitation of sexuality with the you know now we
(01:06:18):
got fucking we got Nicki Minaj, sex sexy, we got
Cardier records, she had records, but it's still was on sexuality.
She might have not, I don't think, you know, it
was as fierce as other females. But you still when
(01:06:41):
you saw Nicki Minaj, you thought sexuality.
Speaker 2 (01:06:44):
You feel, take something that's interesting. Though, you would have
think you would have thought Curti beat on release. You
would have thought Curry b on releast five or six
hip hop albums, right, She ain't released the album since
that first one. Though that first one was just so big.
I heard she's scared to put out a new album.
Though she's scared, is go fluck? Well, a lot of
(01:07:07):
people are scared of that. Uh that that sophomore slump.
Speaker 1 (01:07:11):
You get me? When when did that?
Speaker 3 (01:07:13):
That album came out in twenty nineteen, but both they on.
Some people don't want to Uh you know, I'm cool.
You know some niggas go to the NFL. You think
they're gonna be there ten fifteen years. Nigga played three
four years and be like Nick, I'll retire and a
lot of people and like I said, when she can
(01:07:35):
still go out and do shows, And yeah, Carty ain't
necessarily got it.
Speaker 1 (01:07:41):
She might be smart for doing it, because you know,
the moment she.
Speaker 2 (01:07:44):
Put a new album out and they don't do that,
well it goes they forget about everything you did before that.
Speaker 1 (01:07:50):
Yeah, so you over that yellow one. I like it
like that.
Speaker 2 (01:07:54):
And you know what, I think Carti got action. I
think Cardi got action. She come with the right record.
I think Cardi was a on the five star.
Speaker 3 (01:08:02):
Well, yeah, I said, it's it's a lot of it
isn't you know? All just associated to the music. It's
it's star power, it's being able to come from you know,
reality TV and you know and and step.
Speaker 1 (01:08:18):
On that mark.
Speaker 3 (01:08:19):
And that's what did And I don't know, she was
real marketable to to the people as far as that
type of ship went, you know, the love and hip
hops and the and the reality TV.
Speaker 2 (01:08:33):
Well, I'm gonna tell you, Curtie got people. Even though
she was a stripper and she you know, flex her sexuality.
Curdie b got a real likable personality. I think people
actually liked her. You feel what I'm saying, Yeah, because
she was her.
Speaker 3 (01:08:50):
Her gettoleness was realness and and and reality to a
lot of people who are still ghetto.
Speaker 1 (01:09:00):
You feel me.
Speaker 3 (01:09:03):
She wasn't afraid of her ghettleness, what people would call
too urban or to ghetto.
Speaker 1 (01:09:09):
You feel me.
Speaker 3 (01:09:10):
The way she talked her subjects, the way she acted,
she wasn't embarrassed by it because this is me, this
is you get me. Once she turned the camera on
and she knew America picked up on it. Oh I
feeling really it was like, oh, we love this motherfucker
(01:09:31):
because a lot of people like that, like keep it real,
like but you you a stripper and you do this
and you do that, and that's what that's what I
think the dynamic of when you know, our female rap
went to that because she was proud of who she was. Nigga,
I don't give a fuck. I'm proud of who I
(01:09:52):
am and I'm not a lot of people. For years,
you know, it was never proud to be a stripper.
It was never you know, celebrated to be ghetto. It
was never celebrated to be you know. But once you
got reality TV and people could turn on the TV
(01:10:14):
and see themselves, so to speak, you get me. You know,
the regular homegirl who going to the strip club every
day because she got kids at home and driving the
bucket around and you know, trying to you want that
resignated what it canst.
Speaker 1 (01:10:32):
It's a gang of the motherfuckers out there. You get me.
Speaker 2 (01:10:36):
And Cardi B Is like she cool, man, you know what,
I got a homegrowler do podcasting. Carti actually fucked with her,
like she said something nice about Cardy and Curdie actually
invited her to some shit and fuck with her like
Carti is a regular person. Why you know, but man,
that's what it is, man, shit Man, Well, I guess
(01:10:58):
we don't hit her time.
Speaker 3 (01:10:59):
Eight Yeah, we all good. I guess we got the
dogs marching at the motherfucker hell yeah.
Speaker 2 (01:11:07):
Well I'm on you, my nigga. Hey, y'all, thanks for
tuning in. We are with y'all next week. Jill were gone.
Speaker 1 (01:11:17):
H
We's adding and what's adding and what's adding?
Speaker 2 (00:07):
It's another episode against the Chronicles podcast with the boy
big steal of my dog yuh about too? You know what, man,
motherfucker's is crazy. I looked at somebody. They was talking
about why he's album selves, right, you know, they were
saying he sold eight thousand albums his first week or whatever.
And you know, I don't understand the streaming shit the
(00:29):
way it is though. I just think the record industry
is almost dead when it comes to that streaming shit.
But they were trying to blame Kendrick, and they was
pretty much seeing that, you know, all the people that
supported him, he hasn't supported them many And I was
like thinking, what the fuck can Kendrick do?
Speaker 1 (00:48):
Well, it's him.
Speaker 2 (00:49):
Posting a motherfucker's album gonna make them niggas go out
and stream, you know, twenty thousand, thirty thousand albums.
Speaker 3 (00:56):
Well, that's how they think hip hop works today. You know,
everybody gotta verify everybody and then that's how you get
on or that's how your shit is has worked a
little better, so, you know, and then people feel it's
an obligation or some shit like that.
Speaker 1 (01:18):
You know why nigga didn't post his record or some
shit like that.
Speaker 3 (01:27):
So I guess because you know, Hyje showed up at
the Kendrick concert or you know, because he chose to
go to the concert or whatever, everybody associates that with, well,
the Drake situation or whatever. And now people feel like, well,
since why g showed up, then you Kendrick should be
(01:50):
posting his record. You give me which is which is
no guarantee, and then it's not even like that, but
people feel that's how significant sh it's supposed to be.
You get me. Uh, I started, I started getting that
though you know, I've never posted people's ship, you know,
(02:16):
and then people attest that to it must be a problem.
You feel me, well, so and so record came out,
and how come you ain't posted so and so record,
and uh, chills record came out or somebody I know
close came out and I come, this record ain't all
(02:38):
over your page and all over and I just never
you know, tripped off of that. But you know, people
look at that and they look for that. It's verification nowadays,
you know, especially especially in the hip hop community. You know,
this nigga post this nigga's record, so that's official. This
(03:00):
nigga posts this nigga's record, so that's official. Oh you
didn't see so and so post his record, so they
must got beef or it must be a problem.
Speaker 2 (03:10):
You get me, man, I'm gonna tell people right now, Man,
that shit sound goofy. It sound retarded. First of all,
social media don't even work that way. It's like if
you post, if you make a post on social media.
Speaker 1 (03:23):
Even with all the.
Speaker 2 (03:24):
Fans that Kendrick got on there, him posting a YG record,
him posting so and So's record, him posting this nigga's record. Now,
I'm sure it may get some lights and some attention,
but the likelihood of them people actually go on there
streaming that album is like, it's probably not gonna happen
because this is.
Speaker 1 (03:44):
Kendrick Lamar pages.
Speaker 2 (03:45):
First of all, they did just to fuck with Kendrick
Lamar and everything else he got going on. They don't
care about his they don't care about his homeboys. You
feel what I'm saying. Now, If he won't do without
the goodness of his heart, that's cool, But I don't
think it's gonna be enough to make a motherfucker.
Speaker 1 (04:01):
Go go to Platinum.
Speaker 2 (04:02):
Because they had like, if Kendrick post on this page,
the shit just gonna go up. Oh man, motherfucker's it's
gonna be the highest training, the debut or whatever. Man,
what it deals, man, is why she has a significant
enough audience to where if he posted shit on his
page and it deal what it did, it probably wouldn't
gonna do no different than what Kendrick.
Speaker 1 (04:24):
How many fatherers? Why she got?
Speaker 2 (04:25):
He probably got a million, right, probably got a million
followers right here, pop and do so if it didn't
crack off of his page? What the fuck make you
think it's gonna be? It's gonna do when Kendrick posted,
I think, man, what's happening is?
Speaker 1 (04:39):
Man?
Speaker 3 (04:40):
Motherfuckers just don't got a shit to talk about. Well,
like I said, it's a form of of I guess verification.
You know, like when Instagram first came and everybody was
hyped on the blue check shit. You know you gotta
have a blue chach. You ain't got the blue check,
(05:01):
then you ain't official. And you know now that they
charge for the shit people is like, non, fuck that
blue check. It ain't even I don't give a fuck.
So it's it's the new form it's the generational bullshit.
It's how people feel like it makes shit authentic. So
(05:22):
and so post that nigga's record, so you know, it
makes people feel like like like, Okay, all the Kendrick fans,
like you said, all the Kendricks fans are gonna run
out and buy Rogi's record now because Kendrick posted the record.
But I don't, like you said, I don't understand that.
(05:45):
That don't make us have beef or we cool or
were not cool. It's just that nigga shit. I ain't
post a nigga record like no mean, you know, it's
just another form of how they try to attach bullsh
it on top of bullshit.
Speaker 2 (06:01):
Man, I'm gonna tell you this. I got niggas the
fuck with every day, like for real, for real. They
have never once posted the podcast or shared the podcast.
Now what they will do, They'll like some ship here
then whatever. I don't look at it like them do
my homies or whatever. They don't have no reason too.
It's like some shit can be kind of disingenuous though, man,
(06:24):
and I don't look at them. Motherfucker's not being my homeboy.
If they don't, if they don't repost no ship. They don't.
Speaker 3 (06:32):
Back in the days, like we didn't have social media,
we had uh, we had we had press, we had magazines,
we had newspapers. So uh, you know, I would drop
a record, you know, and we had this thing where
everybody knew when everybody was dropping new records, right, you know,
(06:53):
everybody you drop on Friday.
Speaker 1 (06:55):
Right.
Speaker 3 (06:56):
So I'm friends with a lot of niggas in the industry,
and I didn't go picking up magazines to see when
Scarface did an interview. If he's talking about the MC
eight record that just came out, you give me. His interview.
Is for his interview, you get his promotions. For his promotion,
(07:18):
is for his promotion, you get me. And and niggas,
I guess, tend to forget this is a friendly competition thing.
I'm trying to sell records, you get me. So if
I'm in the process of trying to keep my own
shit on fire, I've got time to mention another niggas shit.
(07:42):
I'm in the same game as you. Right, don't need
any b for anything. But if I got to, if
I got an interview with the Source or La Times
or or Rolling Stone, I'm not finn to go in
there and then give them a whole section and about
but have y'all heard that Scarface record and that motherfucker
(08:05):
is hard?
Speaker 1 (08:06):
Man?
Speaker 3 (08:06):
Man, they got you get me. It's like, okay, look
like you lost your mind, right, Like, ain't you here
to promote Joe shit and get your units off? But
for the last thirty minutes you've been talking about Scarface's
record or Spice's record or you get me. So it's
not it's not mandatory. It's a friendly gesture. If a
(08:29):
nigga want to use his platform to you know, get
that brotherly love off, you get me. Niggas call them say,
oh that's the home need blah blah blah, I'm a
post uh. And most of the time niggas do it
because they either got a song with a nigga or
they trying to fuck with the nigga or they just
(08:52):
you know, bumped into each other and some business is
finna go down. So that's the new form of of
of advertisement for a motherfucker. You get me, hey man,
you know my record coming out? You know that's what
niggas do. Niggas hit me up in my DMS and
slide need ay video or they record or whatever some
(09:14):
niggas even and you know, trying to throw you some
bread by doing it.
Speaker 1 (09:19):
You get me.
Speaker 3 (09:20):
It's the new form of promotion. A eight my single
just dropped. How much you charge me to post it
in your stories on your page and shit like?
Speaker 2 (09:30):
But again that's not genuine, no dog, It's like, I
don't think people understand the way social media work.
Speaker 1 (09:36):
Like me. I got a lot of Homeboy's right to
do different shit.
Speaker 2 (09:41):
I made sure they ship to our stories, but it's
because I support what they do and I may have
saw it and I like it or whatever, and I
posted you feel what I mean?
Speaker 1 (09:50):
Sometimes I don't.
Speaker 2 (09:51):
I don't do that for everybody because at the end
of the day, we got shit off you that we're
doing it.
Speaker 1 (09:56):
I'm trying to get off you.
Speaker 2 (09:57):
Feel what I'm saying, so that this thing ain't even
gonna say.
Speaker 1 (10:01):
And I just think the moment you start letting.
Speaker 2 (10:03):
Motherfuckers pay you for anything that's outside of a brand, dog, it's.
Speaker 1 (10:07):
Just a slippery slope.
Speaker 2 (10:08):
Next thing, you know, you got a whole page fully
just everybody else's ship.
Speaker 3 (10:14):
Yeah, yeah, because niggas will take advantage of that ship. Yeah,
niggas that get to hit you man, Yeah, man, can
I pay you like next thing?
Speaker 1 (10:27):
You know?
Speaker 3 (10:27):
You done turned into a promoter or an advertiser and
ship you get.
Speaker 1 (10:31):
Me, That's what I'm saying.
Speaker 3 (10:34):
And you can have projects coming out, but you so
motherfucking took a couple of dollars because sew and sold
the page. I don't want to turn into no advertise
or promoter. I'm the artist. You feel me, and niggas
shouldn't A nigga shouldn't be offended if you don't postate ship.
(10:56):
I don't mean nothing by it, nigga. My page is
for me. You feel me. Now, if it's something connected
into my business and nigga's making money and we're doing something,
it's different now if me and my nigga got a
collective project together, a joint project, and then of course
I'm gonna promote that motherfucker. But I ain't making no
(11:19):
money off of your record, you know.
Speaker 2 (11:23):
Like for example, you know Charlemagne, now nine percent of
the time he's share our shit.
Speaker 1 (11:29):
Like if I post something about the show or whatever,
he is shared.
Speaker 2 (11:34):
Every once in a while, he don't. I don't get mad,
I don't get upset. I don't feel no kind of way.
It's just that's just what it is. I'm pretty sure
with all the shit Charlemagne got going on, it ain't
a thing like he thinking, hmm, let me go see
what Stevelm got going on so I can support it. No, man,
that dude support us about letting us have.
Speaker 1 (11:51):
The situation we have. That's how I look at it.
Speaker 3 (11:53):
You feel me and the network promotes us on certain shit.
So that's what I'm saying.
Speaker 1 (12:00):
We might.
Speaker 3 (12:00):
We might every now and then get a personal post
from Charlemagne or he might hit me up or you
up and you know, repost the page on some of
that type of ship.
Speaker 1 (12:13):
But that's what the network does.
Speaker 3 (12:17):
You get me, lack effect promote us because we have
a partnership or whatever. But I'm not looking for Charlemagne
to post my album when it dropped. You get me like,
that's not you know, he might just do that, but
you which is yeah, which is which is? Which is cool?
(12:40):
But I don't get mad if you know, me and
Premo been friends for decades. That's my nigga. I don't
get mad at promote don't post my record.
Speaker 1 (12:50):
You get me.
Speaker 3 (12:52):
If you do, and not saying that he won't because
he'll go to his stories and postalship. But I'm like,
I'm not I'm not looking for that.
Speaker 1 (13:05):
You get me.
Speaker 3 (13:06):
I have a gang of friends in the industry, and
when I dropped something I've never looked at, you know.
But like I said, still, that's the new form of
of how people do shit today. You know, how how
how shit is verified today. It's very important to motherfuckers.
(13:27):
And so people look at that and feel like it's
some like him, and you know, people, I bet I
bet you he regret uh not back in Drake now,
seeing that Kendrick didn't post his record and his record
only sold a certain amount of copies and blah blah blah,
(13:48):
like people was really like silly with that bullshit, Like
like that's really what affected the situation because I went
because I went to the power out and I went
to represent. You know, Kendrick is the homiet, but you
know I went to represent as far as a whole content.
(14:09):
You know, that's where I'm from, That's where I represent.
That's why my presence I felt, you know, was there,
not not because I was.
Speaker 1 (14:18):
Looking for Kendrick to If you get me, Kendrick.
Speaker 3 (14:21):
Got a billion fans and I'm looking for him to
post my record on his page because I'm hoping that
some of that generates over to me, no my fans
and Kendrick fans fans, and if I get a few
of his or he get a few of minds by
us collaborating or me showing up whatever. But Nigga, I've
(14:45):
been doing this without Kendrick or you get me like
not saying this man got a fan base of his own.
I got my own fan base. You know, we not
even even in the same you know type of shit.
I do my shit, he do his shit. We just
happened to be two niggas from Compton affiliated from the
same side. So and I just felt like, you know,
(15:08):
it was showing love for the whole situation, but I
didn't look for it as Oh well in return, I
got a record coming out, you know, next month, So
when my record come out, I'm gonna need some of
that advertisement.
Speaker 1 (15:23):
Like nah, nigga, Like, yeah, that's just one of the things. Man.
Speaker 2 (15:26):
I think it's real lame. You know what else, I
think lame as fuck. Got like five things I just
think lame as hell. And today I was like really
losing my shit. They I think It's lame when niggas
start talking about other niggas money, which nigga don't have money.
You know, you got these niggas that both successful people, right,
You got one nigga saying, oh, this other nigga ain't
got no money because he cut his own grass. It's
(15:48):
just real weird shit dog like motherfucker's worried about other
niggas finances. I think it's lame as hell, man, when
these people go out and buy all these Instagram followers,
like the girl what's her name, Lie Spice, they said
she don't. I lost like five hundred some thousand followers
over just like the past week. And that's because the
motherfucking followers probably fake in the first place, right. I
(16:10):
just I just think that ship laan and say, hell man,
it's a lot of ship right now, man, to where
it seemed like if people think something can get him
a men of fame, man, I betical they canna suck
their mama's tity on camera.
Speaker 1 (16:24):
Yeah.
Speaker 3 (16:24):
I think it's weird, you know, I think it's weird
that a lot of of niggas who's supposed to be
with maturity are so interested in the next grown up nigga.
You feel me, I really don't give a fuck about
(16:46):
what the next nigga got going on, and not in that.
Speaker 1 (16:49):
Tone, but I really don't give a fuck like that,
You get me.
Speaker 3 (16:55):
I don't give a fuck a nigga told on so
and so or I don't give a fuck to know
that a nigga got three Bentley's and ooh that nigga
got this, and ooh that nigga got like I've never
been in I've never I've never been curious about another
(17:16):
man's status.
Speaker 1 (17:17):
If we cool, we cool.
Speaker 3 (17:18):
I don't give a fuck if you got a hundred
dollars or one hundred million. If we cool, we cool,
and if we not. I've never been one of those
niggas who just sit back and be like, Man, this
nigga think he is ship because he got a hundred million.
You know, I might take cool that nigga made a
hundred million, that's him.
Speaker 1 (17:39):
You get me. Count. I like to count niggas pockets. Man.
You give me because I'm too busy trying to count
my own. How many niggas?
Speaker 2 (17:52):
And you can ask if you're going to, you don't
have to, if you don't want to, how many niggas
that you actually thought she was real cool with, like
from back in the day, like homies that you may
grew up with. How many friendships have you lost because
a nigga didn't think you were supporting him enough.
Speaker 3 (18:09):
Well, only ran just for a certain amount of niggas
in a certain circle. So I've never been in a
position to where, you know, I guess saying like, you know,
(18:31):
supporting another man, because if you're a grown ass man,
you supposed to do what you gotta do right.
Speaker 1 (18:42):
Now.
Speaker 3 (18:42):
If you're struggling, motherfucking you got some addictions or some alcoholism,
or you got some problems, then it's always cool to
ask for help, and if you can help in some
type of way, then that's cool. But as a motherfucking
man who's supposed to get up every day and do
(19:02):
some kind of work and earn some kind of paycheck,
and that's what we're supposed to do, right.
Speaker 1 (19:10):
I've never.
Speaker 3 (19:14):
Now if a nigga situation is what it is, I'm
gonna be like, nigga, that's cool. I mean, don't don't
feel disappointed in yourself, because you know there's some niggas
who just feel like like I always have that saying,
like today, everybody want to be motherfucking famous. Nobody wants
to be normal. And I know normal niggas. You get me.
(19:38):
I know normal niggas who get up in the morning
go punch your clock and WoT you won't and they
might just be living just as as great or as
fine as I am.
Speaker 1 (19:49):
You get me able to send their kids to college college.
Speaker 3 (19:54):
You know, some people kids ain't like me and yours,
where they play sports and earn scholarships and all that.
Speaker 1 (20:02):
It's a lot. It's it's people normal, so the ain't
nothing wrong with that. There's nothing wrong with being normal.
Speaker 3 (20:09):
I try to to associate myself, right, I try to
associate myself around motherfuckers who feel confident about who they
are period to where like like Nigga, I know you
a rapper and you done been around the world and
(20:30):
you done been here and been there.
Speaker 1 (20:33):
But I'm fine with my status. You getting me.
Speaker 3 (20:37):
I got me a nice bedroom house and I get
up and go to work every day and come home
and blah blah blah. But I don't need no motherfucking
pat on the back, Like, man, you're doing a great job.
Speaker 1 (20:50):
What the fuck you mean? Yeah, you know.
Speaker 3 (20:57):
Jealous niggas and niggas who hate, they're gonna be looking
for some crack congratulations from you. You're getting a nigga,
I just bought me truck and shoot booty wom and
and if we're gonna come, if you don't come through life,
oh man, that more fucker hard.
Speaker 1 (21:15):
Man looking there. Wooty. I'm like, oh, you got a
new truck. Okay, that's cool.
Speaker 3 (21:21):
Like like shit, a hard working man gonna be a
hard working man.
Speaker 1 (21:26):
You feel me?
Speaker 3 (21:27):
Still don't giving nigga, I don't need no pat on
the back for what I'm supposed to do.
Speaker 1 (21:31):
Nigga, Well you know.
Speaker 2 (21:32):
What it is, man, It's because people don't do shit
a lot of times for their own joy. Like if
I go out and buy a new truck, Like right now,
me and a wife is considering buying a new truck,
right right, that's an investment. But we not doing that
for nobody else but us. We not doing to drive
up and down the street. Oh look at what I got.
We doing it because hey, it may be time for
(21:53):
a new wi.
Speaker 1 (21:55):
Right.
Speaker 3 (21:55):
You're not looking for a nigga to walk up and
be like all steal nigga that gainst the crawling nigga.
You balling nigga, have got you a new truck? You
moving up and you ain't looking for that. I got
that new truck because me and my wife needed a
new truck, not because I'm trying to impress a nigga
or I'm looking for a nigga to peep out my
(22:16):
pockets or or whatever. Nigga, I just bought a new truck.
Speaker 1 (22:20):
And you know what the silly ass shit about what
you just said.
Speaker 2 (22:22):
He Sometimes if a nigga wear a new fucking pair
of shoes, Niggas looking at me, Oh man, that Gainst
the Chronicles shit is cracking. It's like, my nigga, I
got fifty other things I do besides Gainst the Chronicles and.
Speaker 1 (22:39):
Truck.
Speaker 3 (22:41):
Niggas associate entertainment with Welson right period. It just it
don't matter.
Speaker 1 (22:47):
You get me.
Speaker 3 (22:49):
You got the Gangster the Chronicles m C eight was rapping,
you know, blah blah blah. So you niggas got money.
And now that y'all in this world of where people
associate you know, podcasters making a gang of bread.
Speaker 1 (23:08):
You feel me? So I'm gonna sew you.
Speaker 2 (23:10):
What's fucking it up? Let me tell you what's fucking
it up, my nigga. All of these niggas go on
this motherfucker line. I got fifteen million dollars, I got
twenty million dollars, I got this neck. Now, some of
these cats it was getting paid. I'm not hating on
nothing of them. God bless the niggas who will was
getting a dog. But when you start thinking a ram
(23:31):
of reality, how do somebody make that money back? If
you give a nigga fifteen million dollars for something, what
are you giving it to them for? You usually give
somebody some money in the hopes of tripling or quadrupling
your money.
Speaker 1 (23:43):
Am I right? Right? How do you make that much
money back? Dog?
Speaker 2 (23:48):
Because I look at some of these shows, bro, and
I'd be like, Okay, they maybe got a couple of
tickets for that shit. But all this shit about ten
to fifteen million dollars, dog is just crazy because it's
a lot of pocket watching I had. You know what,
I would say, more than anything that impacted this show
right here was niggas listening to bullshit when they was
(24:08):
a part of the show. Like you would think, Okay,
you're a part of this shit. You see what's going on,
he you've been over my house before. I have a
nice home. I have a cool home, but I'm not
living in the lap of luxury.
Speaker 1 (24:23):
I don't have no.
Speaker 2 (24:24):
Fifteen their room relations stay on the side of the
eels some mother fling where it's a regularized suburban home.
Speaker 1 (24:32):
I am not doing it like that.
Speaker 2 (24:34):
So when niggas would let that shit get to them,
Hey man, you talked, I'm talking about niggas that don't
have no clue about our business man. You know, he
went out and got about sixty seven million dollars from
the people. I'd be like, where is it that I
wish I had that sixty seven millionnig y'all talking about
people are really stuck on stupid nowadays.
Speaker 1 (24:51):
Doog oh dub any damn thing. People believe anything that
you push in front of them.
Speaker 2 (24:58):
I'm gonna tell you what I almost did, dog, and
I'd have probably got a gang and shit started. I
started one day to go to one of them open
houses for one of them nice ass, fancy ass crib somewhere,
and they had a camera come in and just follow
me like, yeah, I just put down this money on this,
and almost went out and rented me a motherfucking rose
rice or something for the weekend and just letting me
(25:20):
go out there and just kill theyselves looking at what I.
Speaker 1 (25:23):
Got going on.
Speaker 3 (25:26):
Yeah, and then niggas would have then niggas would have
really been on you.
Speaker 2 (25:31):
That's what I'm saying. But then I said, man, you know,
you know the only Glasses told me. He said, man,
you do that you had to wind up doing something
to one of these dudes. Yeah, because jealousy runs far.
And you know, when you already have a situation where
motherfucker's where they're already trying to figure out some shit,
now you're giving a nigga a reason to uh spark
(25:54):
the flame, so to speak. Money turns motherfucker's jealous And
it's I'm fortunate that you know, you can be in
a situation like I said, you know, I'm just like
you or whatever. But then the minute you you do
something to work or whatever and enhance your fance, then
(26:17):
you become a victim of circumstance.
Speaker 3 (26:20):
You feel me, because now everybody saw mother fucking curious
about what you got, that it's gonna be some niggas
out there jealous and want to take what you got.
Speaker 1 (26:31):
It's just unfortunate when you.
Speaker 2 (26:33):
Said you give me, I'm gonna tell you what it's
said about this shit an age.
Speaker 1 (26:39):
You probably know this.
Speaker 2 (26:41):
I think when I first when we first start doing
the Show Dog, I had a job the majority of
the time that we did the Show Dog, A good job.
I wouldn't just go walk away from you. Feel what
I mean? Because I have a future.
Speaker 3 (26:57):
Dog.
Speaker 2 (26:57):
There's certain plans I got. I want to live a
certain way when I get old. I'm already old, dog.
I have to have certain shit. I have a certain
standard living dog. In the way you achieve it. A
certain standard living is by working right. It's about working hard.
Speaker 1 (27:11):
I have other things that I do to make money.
Speaker 2 (27:14):
And I tell people just because you sit on your
tail feathers and you just go do this podcast once
a week or whatever, don't get mad at me because
I got some muscle about myself and I'm going to
go get more money.
Speaker 1 (27:25):
Because my thing is this is seven days of the week.
Speaker 2 (27:27):
And I always think, if you got too much idle time,
I ain't getting no money.
Speaker 3 (27:31):
Dog, you can lose a little bit of money you
got exactly. Yeah, you got to be staying. You gotta
stay busy and y'all stay eyed on shit. It's something.
It's just some niggas don't have that drive, that incentive. So,
like I said, that's where a lot of jealousy comes
into play and a lot of situations that end up
(27:54):
on the wrong side because some niggas just can't handle
you know, some niggas just can't handle blessings for other niggas.
You feel me, Some niggas just can't handle it. You know,
they want you to stay broke, busted, and disgusted. You know,
(28:16):
that makes them happy to see you struggle, to see
you without And that's another one of our traits as
as as black people. You feel me, We love to
see a nigga downfall, you feel me.
Speaker 1 (28:32):
Some niggas pray for it when you see it every
day on the internet.
Speaker 2 (28:37):
How many times, like when you look at these sites, man,
when you look at the all hip hops, the complexes,
they're usually celebrating the motherfucker's downfall, something happening. You know,
I even looked at it with the kid that's the
quarterback seeoned Miller Moss them motherfuckers from TMZ pulled up
some shit that was from his freshman year about the
(28:59):
argument he had with this roommate. I'm like, man, y'all
can't congratulate the nigga on knocking off l s U.
So y'all want to go back and find some bull
shit about him. It's like, this sh is retarded. I'll
be honest with you. May sometimes I don't know how
much longer I can do this shit, my nigga, because
it's stupid.
Speaker 3 (29:18):
Yeah, because times changed, man, times have changed to where
negativity is the ruler of content. Hating is the rule
(29:39):
of content on social media, and so it's heavily sought after.
You feel me, I don't want to come to congratulate, no,
motherfucking I mean, the motherfucker's gonna tune in if shit
is always positive. Nah, Negativity is what's gonna get us
(30:02):
the numbers and the views and the people to tune in.
So unfortunately we have to play that game, and a
lot of people, we got a lot of this you
know been you know we've been you know, we've been approached,
you know by by certain you know people that feels
(30:26):
like if we turn our show to a certain way,
then you know it'll get us more views, more more
whatever and always Uh, it was adamant about not being
those type of motherfuckers or not having the show go
that type of direction to where we we too, mature,
(30:53):
grown men who have been through you know, been through Ship.
You know, I was claiming the gang and selling dope
and doing that type of shit, you know, rapping about
situations or whatever. But we're mature now to where the
(31:14):
impact can be a little more positive with motherfuckers. But
a lot of motherfuckers, you know, everything is about what
they say. You know, everything's about the bag nowadays, and
whether it's negative or positive, Uh, if it's about the bag,
it's just about the bag. And a lot of a
(31:36):
lot of people have gone on the path of negativity
or controversy because, let's face it, niggas like to hear ship.
It takes a It takes a different type of motherfucker
who can keep themselves away from bullshit, you know, because
(31:58):
as an average one the fucker, we like to see
some some niggas caught up. We like to see some
niggas broke down, We like to see some some some
violence whatever whatever. So to be able to uh not
steer yourself in that direction, that takes a lot, uh,
(32:22):
And that's why we have a certain audience. You know,
even though you know, we to gangst the chronicles and
we talked to niggas about their their their their days
of old, or whether a nigga is still affiliated or
not affiliated, or some of his tales from the hood,
or we still try to take it in a manner
(32:43):
where niggas has grown, you feel me, Yeah, really.
Speaker 2 (32:46):
Gotta be about growth, because we damn for damn sure
can't have no no motherfuckers this old up here voting
active game bang.
Speaker 1 (32:54):
That should look ridiculous.
Speaker 3 (32:57):
Man, Exactly, we at a certain status where people expect
certain shit, and you know, me to where I've come from,
I just you know, I just think it's a better
position to be able to be mature and show maturity
(33:19):
and growth and show that even yeah I was connected
to the streets or this ship whatever, but still niggas
are my age.
Speaker 1 (33:33):
Not not to cut you off, gud, not to cut
you off, my gun.
Speaker 2 (33:37):
But when you had your situation with quick, did your
record sales go up?
Speaker 3 (33:45):
I wouldn't look at it as record sales went up.
I just looked at it as as and I never
I didn't even pay attention to that, like, oh, how
many more records I sold because niggas was beefing. If anything,
(34:06):
I looked at it like like a side thing you
give me, because Quick was one side. I was the
other side. So that's what I looked at it as.
I never looked at it as as a money come up,
you feel me, and that that some of that is
(34:31):
the aspect of today ship you give me.
Speaker 1 (34:35):
Yeah, but that's what I was leading to because I think.
Speaker 3 (34:38):
Yeah, I didn't I didn't, Yeah, I didn't beef with
I didn't beef thinking, Oh, if I start beefing with
a nigga, I'm finna sell two million more records.
Speaker 2 (34:51):
I never looked at it like that. When do you
think that ship started? Can't come into it in the play.
I think it was when because fifty came in the
game angry as a motherfucker, right, and you know, he
was attacking a lot of motherfuckers people. He felt that
might have slowed his career down because you know, it
took him a while to get on. He went through
some shit. So I think Dongboy had a problem and
(35:12):
he was letting motherfuckers know anyan motherfucker that they had
it in for him previously he was getting in that ass.
I think when he came in and people saw the
way that he was successful, dog, they just started a
whole motherfucking trend. And people always liked bullshit motherfuckers like
the train Wreck. You think about Jerry Springer, some of
the messiest shit that don't been successful. Jerry Springer was
(35:34):
on TV for about fifteen years though doing bullshit. You are,
Maury Povish.
Speaker 3 (35:45):
I think the dynamic of that shit change and came
in the era of the some of the young artists
who started feeling like, you know, I could dis a
nigga and the popularity of this thing will get me
(36:06):
more sales. You know that Takashi shit, when when Takashi
came out and you just had niggas, you know, like
I said, I used to have niggas that would that
would try to get me on songs and they would
just be like, Oh, I'm just gonna diss so and so,
(36:27):
and I'd be like, y'all got beef, Like no, I
don't know him, but because he's popular and that's how
it goes. I feel it would get me more popularity, faster,
known faster if I just dissed the nigga. That era
came about maybe fifteen years to go or ten years ago,
when niggas started feeling like I could diss a nigga
(36:50):
and it's gonna gather me more fans and more you
get me, because I met. We We didn't this motherfuckers
to feel like, oh, I'm fin the battle. I'm finna
start a battle with nig because if that was the case,
it'd been niggas behind closed doors going like, nigga, shit,
(37:14):
let us start a beef a nigga. It's gonna generate
two three million more record sales. You get me, and
we split that shit down the middle. It'll been conjured
up because it's the money thing. But I didn't start
no beef because I thought I would sell a million
(37:35):
more records.
Speaker 1 (37:36):
You get me. Beef just happened because that's that's just
what it was.
Speaker 2 (37:42):
That was the only beef you ever had in your
recor wouldn't it. Yeah, I didn't.
Speaker 3 (37:46):
If I had any other beefs with niggas, it was
on some old small under the table. Who the hell
are you shit? You know, our motherfuckers just be They
wake up in the morning and go oho the fuck
is still I don't like that to fuck that nigga,
But you don't take that shit serious to where you're
thinking some shit just slide by. Like I said, a
(38:07):
lot of the times, all you gotta do is be
quiet and don't respond to a lot of the little bullshit.
And the way I tell motherfuckers all the time, dog
that if you gonna be in any branch of entertainment,
you have to prepare for a motherfucker not feeling you
are not liking what you do. And I laugh all
(38:30):
the time, dog, because I don't get a whole bunch
of shit, But I get a nigga not only.
Speaker 1 (38:34):
Even look at comments. First of all, I get a.
Speaker 2 (38:37):
Nigga that may come in and say, you know what,
I'd like to show better when it was so and so,
and I'll be laughing.
Speaker 1 (38:44):
I like my nigga.
Speaker 2 (38:45):
You know that was five years ago, right, and you
still commenting on some shit that's going on. Right, it's
twenty twenty four. You're talking about some shit that happened
back in twenty nineteen.
Speaker 3 (38:55):
A lot of niggas do that shit just to get
a response out of you, because then they can go
around and go show people. Look I was getting into
it with Steal. They don't give a fuck that they
finna bring up some shit from ten years ago. I
don't care, but it gets them a chance to.
Speaker 1 (39:13):
I call it.
Speaker 3 (39:14):
Man, it's give a nigga five minutes a fame, you
feel me? And sometimes I wouldn't let niggas just had
a five minutes of fame because what you're talking about
is irrelevant right now, it don't even matter.
Speaker 1 (39:27):
And then the second thing is who the fuck are you?
Speaker 2 (39:31):
I tell you you gotta laugh at some of that shit, though.
I'm gonna tell you what a nigga did to meet
one day. Dog. First, he came on the Pegs and said,
I only fuck with the show because eight. I said,
that's cool, my nigga. I said, that's why I put
him on the show, because I said that nigga's puking.
I said, that's good, you know that's good. Then he
came back about it. I guess he thought I was
(39:53):
gonna be mad at something I like to come and
I said, I don't give a fuck my nigga. Good
shit keeps a port, you know. Then he came back
and said it y'all not gonna have that deal in
two months. I bet went two months. They about the crup,
y'all ass and you go to this nigga's page, doog,
this nigga got he following I think it's like fifteen
(40:14):
thousand people, man, and got one hundred followers, but he
following fifteen thousand people.
Speaker 3 (40:22):
I said, this dude is miserable. Yeah, that's one of
those dudes who feel like like I said, first of all,
he just want attention and a lot of them shootout
comments because they looking for a response back because a
lot of the times, you know, that's what gets shit cracking,
negativity and you know, because you know, we first of all,
(40:47):
we men, and we feel like nigga pride involved nigga,
you ain't gonna. But I've learned to shape that type
of shit because a lot of the time it just
be again, niggas won't find minutes of fame.
Speaker 1 (41:04):
And funny is hell to me. I've learned to deal
with what I tell.
Speaker 3 (41:10):
What I say about that type of shit is is
I tell a nigga thank you, because I'm the type
of motherfucker who I can deal with criticism. And that's
what I take it as nigga, you say something about me,
I don't take that ship as a disc. I take
it as criticism. Okay, that's just telling me maybe something
(41:32):
I did you didn't like I might need because because
I'm not gonna go back and forth with you when
you are no significance to my standing. But by me
going back and forth with you right now on my
Instagram page of Facebook or any social media ship, uh,
(41:57):
it's giving you light. And then it's given you more
status than it is me even though my status is
already significant. It's making you spotlight because I'm gonna keep
going back. You donna diss me and you gonna say
some shit and my image or who you think I'm
(42:17):
supposed to be. I'm supposed to go out of the nigga.
You feel me, niggall, Fuck you, nigga, I'll see you, nigga.
I'm gonna pull out on you, nigga, I'll draw down
on you. I'm supposed to be the crazy, ballistic gangster.
Speaker 1 (42:32):
You think that's what some shit?
Speaker 3 (42:36):
Yeah, they want to they want Yeah, niggas want to
test you. And so when you turn around and you
hit a nigga with and usually I don't say shit.
I tell a nigga, do you know me? And I'm
saying it's cool. I take criticism because a lot of
times the niggas don't think you're gonna respond to them anyway.
(42:56):
They just want like just five minutes of fame. And
when you tell a nigga, do do you know me?
Because you're talking a lot of stuff. You're talking a
lot of ship about all my nigga, I was just
fucking around with you. I love your ship, man, Your
ship is the ship. That's what I mean.
Speaker 1 (43:16):
That.
Speaker 2 (43:17):
That's the promo team, man, nigga. I call them type
of niggas the promo team. You know what's a trip? Man,
I'm doing my podcast now. Everybody want a drump ship
and do all kinds of stuff. Oh shit, I got
the little I had to come upstairs. I got the
dogs and the ship hollering downstairs. I got them locked
in the kindle. It's all good because you know what, man,
(43:39):
it'll be quiet as hell all day, right and then
like everybody get to make a noise, turning shuit up,
creaking doors and all kind of shit, like.
Speaker 3 (43:48):
Shit, well, I didn't know, you know, usually you not
here doing this motherfucking podcast. So we trying to be
as quiet as possible. But fuck that nigga. Oh, it's
all good people. You know, niggas got normal ship. That
just shows people that we still have some kind of
(44:12):
normalcy in our lives and ship.
Speaker 1 (44:14):
You get me. Uh, we not uh, we're not in
the super setting.
Speaker 3 (44:20):
You know, motherfucker's standing behind these cameras with with microphones
and ear plugs in and all.
Speaker 1 (44:27):
Ship.
Speaker 3 (44:28):
Were just some regular niggas. So this just shows that
we got regular lives because we can't make it to
the studio every every even though we you know, we
in the we in the studio and we're doing the
ship well. But sometimes you have to adjust. You know,
(44:51):
you might have a doctor's appointment, or your wife might
have something to do, or a nigga might not feel
like it because he litle under the web.
Speaker 1 (45:00):
But don't mean I can't do it. I just don't
feel like driving.
Speaker 2 (45:03):
And sometimes especially from where you coming from, Man, sometimes
I know you're getting that motherfucked car.
Speaker 1 (45:08):
I'll be like, man, I don't feel like this.
Speaker 3 (45:11):
Brought me a couple of blunts and and turn on
a movie or listen to some beats, and that's how
you pass the time while you roll it. But like
I said, speaking a niggas be normal. And like I said,
nigga be at home. Nigga at home right now and chilling.
(45:31):
And you know there's other ship that we had to
do that keeps us from making that dry. But we
still set up where we still can bring a nigga
to show. You might hear the wife talking in the background,
or some dogs barking, or some glasses breaking or just
but that's home.
Speaker 1 (45:53):
You get me.
Speaker 2 (45:55):
Hitting me in my inbox tomorrow talking about steal. I
got an audio jury here for you because you know,
what we're doing is live from our from our private
spots tonight. And you know why this shit all started
doing COVID actually because I said, man, you know what,
we can't get in the studios. So and I just
kind of perfected my shit over the years. You know,
(46:16):
got me a little set up in the corner of
the room, you know, right, I.
Speaker 3 (46:21):
Mean it's a little I just put this spot to Yeah,
you know what I'm saying. You've seen my little shit.
There's just a little spot where you know, a nigga
kicking and smoke and would play the you know, get
on some little video game or record some little music.
And so I said, fucky, you might as well set
up something to where you know, anything could happen.
Speaker 1 (46:43):
Yeah, we can gonna start doing your podcast. Ey now
I'm trying to give my ship cracking.
Speaker 3 (46:48):
Uh. I'm gonna start with usually I just I gone
live on one of my little pages chatting with the
people for about thirty forty minutes.
Speaker 1 (46:58):
You know.
Speaker 3 (46:59):
We get up in the morning, in with a cup
of coffee with a blunt and just try to make
the rundown of the mornings, what niggas is getting into
for the week, whether you're in your car head at
the work, or you headed home from work, or you
just a nigga who up in the morning because you
(47:19):
got kids or pets or you know mothers and fathers
in laws or whatever. You know, like my mom, you know,
you like a guy. You know the gossip people. You
know how the ladies to sit up drink their coffee
and they robes and be talking about what or just
one of them ladies she liked to sit up and
she'll hit a nigga up every morning just to be like, hey,
(47:42):
what y'all doing, and you know it's gonna be hot
out there today, and you know, and talk about my
part too, talk about my brother or asks about what's
going on with Karan in school, and you know, just
one of them type so is normalcy is good, it's cool.
Speaker 1 (48:02):
Ain't nothing wrong with it? You try to be that.
Speaker 3 (48:06):
Hey, y'all will gonna ask you. You don't fuck with tob,
do you. I watched Toby to Be has a lot
of movies there. That old school ship you give me, that's.
Speaker 1 (48:18):
You don't watch on there? You watch the Hood. I
don't like. I don't like. I don't like because a
lot of them aren't quality.
Speaker 3 (48:32):
I get embarrassed by ship easy bye bye, you know,
by ghetto ship, even a nigga from the ghetto.
Speaker 1 (48:41):
It embarrasses the watch shows. But the the homie rich
watches this. He loves them. You know, I don't. I
don't hook the mothers dog some of that.
Speaker 3 (48:56):
I told the homie about your little Project because I
think that was on there, and uh, he watched it.
He said it was pretty good. The little Tails, the
little Tails from the Hood type of shit.
Speaker 2 (49:08):
Yeah, yeah, that was I had fun with that. The
block trilogies, Yeah yeah, he thought that was pretty good.
Speaker 3 (49:17):
So, you know, some of the movies are or or
quality enough to wear niggas can watch him and appreciate,
you know, the storylines and all that.
Speaker 1 (49:28):
Now he's got some cheesy ones too. Now, oh, some
of the motherfuckers be cheesy.
Speaker 2 (49:33):
U saw this one my nigga the other night to
where motherfucker got shot and fried by You know how
they show the guns the big flames coming off the motherfuckers.
Speaker 1 (49:41):
Yeah, yeah, yeah, yeah, niggas got shot. He didn't have
no holes in his shirt.
Speaker 2 (49:45):
You know, usually if somebody gets shredded with a semi
they shirt gonna be right off chests, open up. Dude
had look like they pour some hot sauce on his
T shirt or something and the homies is holding them
and when he passed out, it went, oh you can.
I said, wow, they put you can sound effect in
there when the homie got shot. So some of that
(50:06):
shit be so bad that to be entertaining. But I'm
gonna tell you it's a few good flicks I like
on that. I want to start doing it. I want
to bring back the hood movie of the Week, Dog
the Weeks to doing the radio show Dog right. So
you have to start watching. You got to start watching
some of them, hoove, You got to start watching some
of the ghettowass movies on tippy. I fucked with this
ship on their course, sir. It's a few movies out
(50:28):
like this ship called Circumstances. That was pretty good. It
was Shocked pretty good too. Circumstances was good. The other
ship I watched, it's the nigga out here named Big John.
I don't know a lot of people might follow Big
Jobs channel. He do a lot of the skits. He
got a little series on there called My Roommate Pays.
Speaker 3 (50:47):
All the Bills. That shit funny. Is a motherfucker too, dog,
it's about it. If you got a good storyline and
you got some good cameras and uh, you know the
break down of what the ship is about, it's pretty good.
There could be a lot of good little you know,
I want you when we.
Speaker 2 (51:08):
Get off the night, little dog, when we get off,
go watch that Circumstances ship. It's like apart one, two, three,
and four. I watched all the motherfuckers, right, because this
is a little twist, that motherfucker right, and watch Big
Jos ship. He got some shit that's funny called My
Roommate Pays All the Bills. It's like he did this
nigga that got an apartment, right, so the homey move
(51:31):
in with him. He got a two bedroom. Homey move
in with him, right, and he's like, you know, it's
all good at first, come on in. And they watched
the fight and fting chicks off and everything like that.
So the one homie that moved that, the one homie
loses job. The nigga asked you to move in. Some
dudes start tripping. That's why he left this other roommate.
He said, man, you ain't got no job. He came
(51:53):
home from work one day. The dude was in there
on the xbox or whatever. He said, Man, why you're
not at work. He's like, I lost my job. Dude
goes in the room, grabs his bag like you know,
he got his suitcase already packed.
Speaker 1 (52:04):
He's like, I ain't going through this no more. I'm gone.
And he's like, hold on, man, it's just a little
you know, small little latch.
Speaker 2 (52:10):
I'm about to get through this and shit, So dude
don't find a job, and no boy wind up coming
for the rent.
Speaker 1 (52:16):
He started telling this nigga he can't go out on
dates no more.
Speaker 2 (52:19):
He can't have no women over the crib. He's like nigga,
you ain't got time to be messing with no females.
You need to go find a job. That shit funny
as a motherfucker. Though, you gotta watch that shit. I'm
not to tell her Onie to peak that shit out.
He liked the movies and then he'll give me the
rundown and the great. Yeah, you gotta teh tell rich
(52:40):
Asks to check that motherfucker out. Richard be on a
rich probably already know about that shit.
Speaker 1 (52:44):
Ye'all might ask him because he probably already know about it. Hey,
I don't know if you remember me seeing this.
Speaker 2 (52:51):
You remember I told you about three years ago when
that Ice Spice rapper first came out the girl right,
and I said, if she don't get better at her
and start really taking her music series, she gonna wind
up being then OnlyFans model or something.
Speaker 1 (53:07):
Her shit is really starting to implode right now.
Speaker 2 (53:10):
Man, I don't know why people getting this game doll
to think all they gotta do is shake their ass, niggle,
get some money.
Speaker 3 (53:17):
Or a Gavity career. That's gonna sayple mind. That's because
and I don't even want to call it hip hop
rap music. Rap music has become a thing of imagery,
you feel me. Like a lot of people say, fake
(53:42):
it till you make it. It's never been an issue
of having talent, because you don't build your career in
hip hop off of sexuality, you feel me. Hip hop's
supposed to be about lyricism, beats, you know, break dancing,
(54:07):
DJing and all that shit.
Speaker 1 (54:09):
Back in the days, it was never about.
Speaker 3 (54:16):
The ass and pussy and the flotation, the twerking and
my pussy, my ass. It was never about that. So
exploiting the sexuality for a lot of female rappers dumb
(54:36):
down the program. And what I say dumb down the
program is because if you're smart, motherfucking you intelligent, then
you know motherfucker's not talented, right, But niggas dumb themselves
down to applaud the music because I like the bitch's ass,
(55:03):
I like the way she looked. Okay, So then, bitch,
you ain't gonna be a rapper. If you want, motherfuckers
just look at you. You get me, you'd be a stripper.
You could be a hooker, you feel me. If you
want to exploit your pussy, your ass, your titties type
(55:26):
of shit, And you know what man hip hop was
about hip hop was about and beats and shit, and
niggas figured out a way to curve the motherfucking you know,
like the bridge. You know you've seen them. You've seen
the motherfucking thor movies or something. They got the bridge
(55:49):
right that shoots them up to the home. Shit, Well,
niggas found a way to curve that bridge into another
motherfucking position.
Speaker 1 (55:58):
Niggas figured out niggas like pussy and ass.
Speaker 2 (56:04):
Right, Yeah, but you know what I think eight and
I don't want it because I she is a young girl,
dog and she probably young enough to be me and
your daughter. Not that I dout necessary want to dissert,
but I felt like if when shit like that happened,
it ain't her fault. She's trying to get some money.
It's some nigga, one of these dumb ass niggas of
these labels don told her that that was gonna be
(56:25):
the way. That's just lazy A and R and I mean,
instead of getting her some writer's dog and really getting
her songs shit together, like I'm gonna tell you, dog
Biddy used to write for Little Kim.
Speaker 1 (56:36):
He had heard the way she was sexy, but her
music was serious though when you say.
Speaker 3 (56:47):
You say her music is, I think of people who
get into that situation, like, first of all, you get it. Yeah,
I liked the little Kim because she could. I was
interested in the rap I was of course. Of course,
(57:11):
niggas liked the picture with the legs open showing the
pussy and ship. Of course, because like I said, niggas
like pussy and ass and whatever whatever, And that could
have been as simple as on the cover of a
Playboy magazine.
Speaker 1 (57:28):
You get me.
Speaker 3 (57:29):
I didn't buy your record because you was on the cover,
half Nigga. I bought your record because I generally.
Speaker 1 (57:37):
Liked it some of it. I liked the album.
Speaker 2 (57:43):
Yeah.
Speaker 1 (57:44):
They did the same thing with Ice Spike's girl Dog Nigga. Nigga,
what what what was? What was my ship?
Speaker 3 (57:51):
I used to bang all the time, Nigga. Peter Piper
pecked them up at you beg Nigga. I used to
bang that ship off like platte Nigga. That bitch was hard.
Speaker 2 (58:05):
She was hard as a mother fucker dog. And that's
what I'm saying. They just got the industry, don't got
to where they.
Speaker 3 (58:10):
Got so lazy bitch or whatever that was Nigga that
motherfucker was hard. So, like I said, I was interested
in her music, not her sexuality. MC like Queen, Latifa,
Salt and Pepper, you know yo yo uh, I was
(58:31):
interested in their music, not was the bitches fine hell y? Yeah,
but I wasn't into that shit. I like bitches was hard.
They could rap you feel me as me and as
niggas in the rap game. I respected them for their lyricism,
(58:51):
not because some of them was trying to be you know.
And that's what I think was respected because our females
didn't have to get down like that. You get me, rage,
didn't have to get down like that, like Latifa, Money Love,
Salt and Pepper, you feel me, all all the female
(59:16):
artists that represented hip hop didn't have to exploit sexuality.
Speaker 1 (59:21):
It's busy.
Speaker 3 (59:23):
They just got busy, you know. Lil Kim did it.
You know whatever, It's all good. But again, I listened
to Little Kim because of rap, not because damn this
bitch on the cover with her legs spread open and
you give me.
Speaker 1 (59:40):
That was just like, you know what.
Speaker 2 (59:42):
That might have been the conversation starter for some people,
but when you heard her music, it was serious, like
she was rapping. It's like, I'm gonna tell you what
happened with ice spice A. It was a and artist
signed her rite. She probably had some songs that was
buzzing or whatever, and he just made her double down
on the sex. Well instead of getting the writers in
(01:00:02):
there and getting the best producers and writers and say, Okay,
we gotta make you a sustainable career. You feel what
I mean, it's gonna last, if you know, because I'm
I'm pretty sure. But I wonder if she, you know,
and a lot of them who you know it's on
that bandwagon. I wonder if they started their their their
(01:00:28):
love for hip hop on the on genuine on genuine,
you feel me like, oh, I'm not rapping about my
ass and my pussy. I'm fin the bust a hard
rap as a female, well.
Speaker 1 (01:00:44):
You know what, she has the love for hip.
Speaker 3 (01:00:48):
Hop before a motherfucker figure that you can make a
million dollars if you show your g string and shake
your ass and talk about your wet pussy and whatever,
you make a million dollars was quicker. You probably can
make five. So was that do you think that was
the question or was that the conversation? Because how do
(01:01:12):
you approach the situation of going as an A and R.
Do you approach the female artist on that aspect like
or or you took man, I want to sign you
because you are hard ass motherfucking female, are you? Or
as you as a nigga who's been an executive? Do
(01:01:36):
you look at a female like that and go, Okay,
she's okay as far as with the rap, but look
at her features. We could sell this motherfuck on? How
do you how do you approach that as a as a.
Speaker 1 (01:01:54):
Artist?
Speaker 2 (01:01:54):
She got on because she had a little producer that
she met in Talents, right, right, I would have kept
he on that same fast because she had a few
songs that were suggested, but they was clever.
Speaker 1 (01:02:06):
She was clever at first. Right.
Speaker 2 (01:02:08):
She had a song called Munch and I thought it
was interesting, you know, talking about a nigga eating her
pussy or whatever.
Speaker 1 (01:02:13):
Right, Yeah, but much is still on the sexual exploitation.
Speaker 2 (01:02:19):
Yeah, it was ill.
Speaker 1 (01:02:20):
Do you feel.
Speaker 3 (01:02:24):
You would have made as much money or or whatever
off of her if you didn't push the sexuality with her?
You getting me man, a song about a nigga eating
your pussy. We just gonna make a hard female rap
about you being a hard female rapper.
Speaker 1 (01:02:44):
We're not gonna talk about pussy and ass. See, I'm
gonna tell you something that this is what gota do it?
Speaker 3 (01:02:51):
Are you minus in more money in sales by going
we're not gonna make much.
Speaker 1 (01:02:57):
This is the way you want to do it. This
is the way you gotta do it.
Speaker 2 (01:03:00):
Can see, I'm gonna tell you you can't go too
hardcore hip hop with a girl like him, because you
remember the one girl that they were saying was gonna
be the same your of New York, the one girl
that had the one song she was rapping on hard.
Speaker 1 (01:03:13):
She she's working now, she ain't got no.
Speaker 3 (01:03:15):
She didn't that like I said, because girl that was
gonna be there was gonna be what was her name?
Speaker 2 (01:03:27):
Nothing?
Speaker 3 (01:03:27):
I was like Scarlett, Scarlet, scar I'm gonna tell you something.
She was the rough on the corner, you know, fuck
that ship. And the next thing you know, she started
getting her hair done and leather skirts and pants and
you know, won't to wear eye heels and all that
(01:03:47):
ship and yeah, it put her on quiet because it's
like what happened? So I get what you said, but
it's that the failure of what female rappers become is
because now everyone is expected to speak on ass pussy
and getting money and fucking and nigga and all that
(01:04:10):
type of shit.
Speaker 1 (01:04:12):
Is that what is?
Speaker 3 (01:04:13):
That's what it's been turned to because it seems like
the females who just come out to spit are in
no type of competition or even talk with the females
who want to exploit sexuality.
Speaker 2 (01:04:31):
Mm hmmm. I'm gonna tell you, you know who got
the perfect balance of this shit. I'm gonna tell you
who the hardest, who my favorite young female is in
the game. Now. I think Glow really as hard as
the motherfucker dog. She got that shit perfect. Yeah, I
like me some Glow. I like me some Yeah Glow.
It is.
Speaker 3 (01:04:51):
It's catchy and it's not too fucking it's not too
sexual exactly.
Speaker 2 (01:05:00):
And I think that's where they killed him, because you
check this out right, Scarlet came out so hard dog,
I almost would if I was her in her all
the kind of double down because she had the respect
of all the niggas, like Jady kissing all them was
fucking whatever.
Speaker 3 (01:05:17):
It's like niggas got tired of seeing, you know how
niggas get tired of shit and like man, all our
females want to be you know, all our females want
to be in the strip clubs.
Speaker 1 (01:05:29):
You give me like.
Speaker 3 (01:05:32):
And New York had a very good representation of female
kire pile you get me like I said. You had
Queen Latifa, you had him see Light, you had money Love,
you had Salt and pepper, you had motherfucking Little Kim.
Foxy Brown was a spinner, you know, and and and
(01:05:55):
and all the ones before rock Sanne Chante fucking the
real rock saying, and you had you had a good
representation female limb ce's And I think that because of
the exploitation of sexuality with the you know now we
(01:06:18):
got fucking we got Nicki Minaj, sex sexy, we got
Cardier records, she had records, but it's still was on sexuality.
She might have not, I don't think, you know, it
was as fierce as other females. But you still when
(01:06:41):
you saw Nicki Minaj, you thought sexuality.
Speaker 2 (01:06:44):
You feel, take something that's interesting. Though, you would have
think you would have thought Curti beat on release. You
would have thought Curry b on releast five or six
hip hop albums, right, She ain't released the album since
that first one. Though that first one was just so big.
I heard she's scared to put out a new album.
Though she's scared, is go fluck? Well, a lot of
(01:07:07):
people are scared of that. Uh that that sophomore slump.
Speaker 1 (01:07:11):
You get me? When when did that?
Speaker 3 (01:07:13):
That album came out in twenty nineteen, but both they on.
Some people don't want to Uh you know, I'm cool.
You know some niggas go to the NFL. You think
they're gonna be there ten fifteen years. Nigga played three
four years and be like Nick, I'll retire and a
lot of people and like I said, when she can
(01:07:35):
still go out and do shows, And yeah, Carty ain't
necessarily got it.
Speaker 1 (01:07:41):
She might be smart for doing it, because you know,
the moment she.
Speaker 2 (01:07:44):
Put a new album out and they don't do that,
well it goes they forget about everything you did before that.
Speaker 1 (01:07:50):
Yeah, so you over that yellow one. I like it
like that.
Speaker 2 (01:07:54):
And you know what, I think Carti got action. I
think Cardi got action. She come with the right record.
I think Cardi was a on the five star.
Speaker 3 (01:08:02):
Well, yeah, I said, it's it's a lot of it
isn't you know? All just associated to the music. It's
it's star power, it's being able to come from you know,
reality TV and you know and and step.
Speaker 1 (01:08:18):
On that mark.
Speaker 3 (01:08:19):
And that's what did And I don't know, she was
real marketable to to the people as far as that
type of ship went, you know, the love and hip
hops and the and the reality TV.
Speaker 2 (01:08:33):
Well, I'm gonna tell you, Curtie got people. Even though
she was a stripper and she you know, flex her sexuality.
Curdie b got a real likable personality. I think people
actually liked her. You feel what I'm saying, Yeah, because
she was her.
Speaker 3 (01:08:50):
Her gettoleness was realness and and and reality to a
lot of people who are still ghetto.
Speaker 1 (01:09:00):
You feel me.
Speaker 3 (01:09:03):
She wasn't afraid of her ghettleness, what people would call
too urban or to ghetto.
Speaker 1 (01:09:09):
You feel me.
Speaker 3 (01:09:10):
The way she talked her subjects, the way she acted,
she wasn't embarrassed by it because this is me, this
is you get me. Once she turned the camera on
and she knew America picked up on it. Oh I
feeling really it was like, oh, we love this motherfucker
(01:09:31):
because a lot of people like that, like keep it real,
like but you you a stripper and you do this
and you do that, and that's what that's what I
think the dynamic of when you know, our female rap
went to that because she was proud of who she was. Nigga,
I don't give a fuck. I'm proud of who I
(01:09:52):
am and I'm not a lot of people. For years,
you know, it was never proud to be a stripper.
It was never you know, celebrated to be ghetto. It
was never celebrated to be you know. But once you
got reality TV and people could turn on the TV
(01:10:14):
and see themselves, so to speak, you get me. You know,
the regular homegirl who going to the strip club every
day because she got kids at home and driving the
bucket around and you know, trying to you want that
resignated what it canst.
Speaker 1 (01:10:32):
It's a gang of the motherfuckers out there. You get me.
Speaker 2 (01:10:36):
And Cardi B Is like she cool, man, you know what,
I got a homegrowler do podcasting. Carti actually fucked with her,
like she said something nice about Cardy and Curdie actually
invited her to some shit and fuck with her like
Carti is a regular person. Why you know, but man,
that's what it is, man, shit Man, Well, I guess
(01:10:58):
we don't hit her time.
Speaker 3 (01:10:59):
Eight Yeah, we all good. I guess we got the
dogs marching at the motherfucker hell yeah.
Speaker 2 (01:11:07):
Well I'm on you, my nigga. Hey, y'all, thanks for
tuning in. We are with y'all next week. Jill were gone.
Speaker 1 (01:11:17):
H
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Norman Steele
MC Eiht
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