#335 Not Horseworthy w/ Julie Glaser

Episode Transcript
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Speaker 1 (00:00):
The Nicki Glaser Podcast, Nikkleaser.

Speaker 2 (00:08):
Here's Nikki.

Speaker 3 (00:10):
Hello, welcome to the show. It's an Glazer podcast. Here.
I am in Saint Louis, Missouri. Joining me as always
is Noah in Arizona. Brian Frangie new sidekick. He's in
Los Angeles on your Marina is in New York City.
And right here in studio with me is my mother,
Julie Glazer.

Speaker 2 (00:30):
Hello, God joke.

Speaker 4 (00:34):
Woo.

Speaker 3 (00:36):
Look at you and your little new shirt that you
got at Zama. Wait, no, wait, where did you get
that shirt?

Speaker 2 (00:41):
Where did we get it? Forever twenty one?

Speaker 4 (00:44):
Yeah?

Speaker 2 (00:44):
Forever?

Speaker 1 (00:45):
Yeah, we did some heavy shopping this these shop Forever
twenty one star and Starbucks and Starbucks.

Speaker 2 (00:53):
That's all you have?

Speaker 5 (00:54):
Any buyers? Re Morris, do you guys get that ever?

Speaker 3 (00:57):
I'm got it forever twenty one because your pants seven
dollars for something that costs to make. I did, oh yeah,
because she was like she was, I just want to
get the hell out of there. And so as soon
as she found her shirt, I just go give it
to me. Let me just get it, because I know
if she's buying it herself, she'll kind of go, well,
do I need this, and then I maybe get this
And what does that sound?

Speaker 2 (01:17):
Is someone hammering?

Speaker 6 (01:19):
Do you.

Speaker 2 (01:21):
Knocking? Somebody's knocking? Yeah, I think it's nice door. No,
I think the old lady moves. It's your fertility. Yeah,
something knocking.

Speaker 3 (01:33):
You don't want.

Speaker 2 (01:37):
A couple of weeks? I have till eleven tonight?

Speaker 1 (01:41):
What had some deadline?

Speaker 2 (01:46):
You do have a deadline with? Aren't you freezing him
with some No? I'm not freezing them.

Speaker 3 (01:53):
No, but you were offered oh yeah, a bestie's dad
was like, yeah, I'll do it for half price. But
then I was going to do it low. And it's
not about the price. It's not I can afford it. Listen,
I spent thirteen thousand dollars on Taylor swimt tickets.

Speaker 2 (02:05):
God do you care for all that?

Speaker 3 (02:07):
I'm being open about it your tailing. At first, I
was like I spent a lot of money. It was like,
this is a child's tuition for half a semester or whatever.
And now I'm just saying why not full transparency? And
it sounds like a brag. Maybe it's a humble brag
hashtag Harris whittles, but is it's just it is what
it is? What it is, and you know what, people
I don't. I don't care if people know. It's not

(02:28):
me bragging. It's funny that I spent thirteen thousand dollars.
And if you know Taylor Swift, that's her lucky number.
So that's when I saw the price, I go, I
gotta do it.

Speaker 2 (02:37):
Do it. I would have been twenty six thousand.

Speaker 3 (02:41):
I would have been like, that's thirteen times too, I
gotta do it.

Speaker 5 (02:44):
That's the same logic you used as Zara.

Speaker 2 (02:48):
Yeah.

Speaker 1 (02:49):
Absolutely, but I learned from you at Zara. You were like,
are you going to try this on? No, I'm by,
I'm getting in line.

Speaker 3 (02:56):
Yeah, my mom does not try on shop in the
place anymore. You just get them and you return them later.
That is the way to do it. And listen, this
has always been the way I work. I hate dressing rooms.
They I don't know why. If I ran a retail shop,
I would have First of all, I would have a
security guard at the front door. We would have lost

(03:17):
prevention in place, because I know that people shop lift.
I would have Taylor McGraw working lost prevention because she
she would know who is doing it, and she would
steal the things to make up for all the things.

Speaker 2 (03:30):
I'll take care of that for you.

Speaker 3 (03:33):
So I would, and I would have dressing rooms that
have good lighting and skinny mirrors. Okay, there's a mirror
you can buy, and we all know that mirror. It's
the mirror that you always look at in your own apartment.
It's the skinniest mirror in your apartment that you can
put up and you look way better than you would
outside of it.

Speaker 2 (03:49):
But no place to do this. I don't know a single.

Speaker 3 (03:52):
Retail outfitter place that has better lighting than I will
have at home. And I don't want to cry at
the mall. I cry a lot, and I get really
emotional when I try on things that are too tight,
or my skin looks too pale, or you turn around
and you see that little side angle of your cellulate
on your thighs that you did not know it was there,
and then you then you're depressed the rest of the day.

(04:13):
And then you it's just you don't buy anything, so
what I do? And then you don't buy anything. I'm
not buying that, So you know what these stores do.
I think they purposely have really bad lighting in there
because it makes me go. I don't want to try
it on, and I buy a bunch of stuff and
then I forget to return it or I lapse the
thirty days.

Speaker 6 (04:28):
Right.

Speaker 1 (04:28):
No, I think they have just a lot of people,
fake people in line at the tryout, so you go,
I can't stand in that line. I'm just gonna have
to buy it.

Speaker 3 (04:38):
No, I don't think theyrs on the line to hire
six or seven.

Speaker 1 (04:44):
People, Yeah, you know, with big piles of clothes in
their hands.

Speaker 3 (04:48):
Yeah, Mom's just kidding, has gotten sad.

Speaker 2 (04:52):
It's getting sad. Yeah, just kidding. It's so born out.

Speaker 3 (04:57):
But she Yeah, so she just goes, I'm just getting them.
And I was so proud of her, and so she
just got them. Then she tried them on at home.
They worked, We wore it. She worked to Taylor's with
that night. But we had quite an adventure. Yeah, we
went to the we were saying right by mall in Houston.

Speaker 2 (05:11):
This weekend. We filmed Family Feud this this week?

Speaker 4 (05:14):
Oh God, actually is that coming out? What is that
coming out?

Speaker 2 (05:17):
I think on this summer too long?

Speaker 4 (05:20):
I can't wait that long for that.

Speaker 3 (05:23):
Actually, the summer's almost here. Get that body in shape
to watch Family Feud answer the beach.

Speaker 4 (05:30):
Have you ever seen the Turkey clip from Family Feud?
That's uh. That was on British Family Feud, Like, oh
my god, it's the funniest one. It's it's it's final
family feud, uh, you know at the end, and I
don't want to ruin it for the people, but basically, no,
I can't do it. He asked all these questions like

(05:50):
what would you bring to a picnic? And the first
one's like, oh, turkey, that makes sense. And the second
question was like name a bird and then he's like
her and then that makes sense. And then the third
one is like, uh, what's a place you would go
for vacation? And he's like turkey, and all of his answers,

(06:10):
all five of his answers were.

Speaker 2 (06:12):
Turkey, no way, and they actually fit.

Speaker 4 (06:15):
He said, well no, and then he got zeros on
four out of five of them, and he's laughing the
whole time. He's like, I can't believe I'm gonna say
this again, but is it turkey? Watt watch it?

Speaker 2 (06:30):
So it's an international show.

Speaker 3 (06:32):
Well, there was another clip that I sent to my
family that was like, let's do this because it's the
Here's the thing about game shows. You can get really
competitive if there's real money on the line, Like, yeah,
take it seriously. But if you're gonna be on TV,
make it watchable, like be funny, be interesting, like especially
if it's a you know, if you're already in the weeds,

(06:53):
like be be funny always. I think air on the
side of being entertaining as opposed to like saying the
right thing, because also family feud. You don't fucking know
what these people are gonna say. You don't know what
this survey where this was done. Yeah, because some of
these answers, let me tell you, don't make any goddamn sense.

(07:13):
And so you know, let's say there's a there's a
choice between saying sex or trampoline, like as the answer,
I'm gonna say sex because they're just equally likely to
be things. And sex is gonna get a Steve Harvey
to make a funny face and to walk around the
podium and like take a lap because he can't believe

(07:33):
I met, Ye're going up and.

Speaker 2 (07:38):
Down exactly, Wow, I know, are you there? Are you there?

Speaker 3 (07:47):
So yeah, you just try to be funny and and
that's what we were. And we can't give any spoilers
in terms of gameplay. We can say that we were
on it. We played a pop star h Bbi Rexa
and her family were our opponents.

Speaker 2 (08:01):
Know that it was supposed to be Gene Simmons time.

Speaker 3 (08:09):
Yeah, well, my parents had the worst day of travel imaginable,
and so the whole we were supposed to film on
early Friday, it got pushed to later because I mean,
listen to this travel.

Speaker 2 (08:20):
Day do you want me to take them through?

Speaker 3 (08:22):
And listening to people's travel stuff is not enjoyable and
it is like the worst thing to listen to on
a podcast.

Speaker 2 (08:28):
This.

Speaker 3 (08:29):
I will say that in the past two years of
me traveling every weekend for work, all of these things
have not happened to me in two years. That happened
to you on one flight.

Speaker 2 (08:41):
Yeah, you are lucky. It is just luck. I mean
that's what it comes down to.

Speaker 3 (08:44):
And the way you guys handled it was so admirable
because you were just like, there's nothing we could do.
Because I hear Dad going in my head. I'm like,
Dad's like we should have left on Wednesday, we should
have done this.

Speaker 2 (08:54):
But he didn't say any of that. It was basically
his fault because what, well, here we go.

Speaker 3 (09:00):
Well, but you were going to be the bigger person here,
and well, I mean, I'll just tell you one's got
to be to blame.

Speaker 2 (09:05):
This is my family. Who's to blame. No, No, Dad's fault.

Speaker 1 (09:08):
Well, we could have left the next day. First of all,
started out, our flight up canceled, like at three o'clock
in the afternoon. We were supposed to be on a
flight at seven, So they canceled that flight. They scrambled
to find another flight. They said, yeah, we'll put you
on Southwest and you'll go through Austin, Texas. Okay, but
that least at six o'clock. Well, Matt and Lauren, you know,

(09:29):
busy kids, they're flying yeap, we can make it. So
we all get up there, get there. It's delayed, delayed, delayed,
and then it got super delayed.

Speaker 2 (09:39):
We're going to have a connection.

Speaker 1 (09:41):
We had to catch this connection. So that connection we
already know is not going to we're not going to
meet it. So we're going to end up staying in Austin.
And we're like, well, we could take that flight at
six am tomorrow morning morning and have a direct flight
on business class and just get there.

Speaker 2 (09:57):
Yeah, why wouldn't you do that?

Speaker 1 (09:59):
Your father's said, no, that's just I said, we could
get stuck, we could get Sack explains everything.

Speaker 3 (10:07):
Because I could not believe that my dad wasn't bitching
so much.

Speaker 2 (10:11):
But it's because it was his fault.

Speaker 1 (10:14):
I didn't blame him. I just said, of course you didn't.
You gotta got it.

Speaker 3 (10:18):
This is because I go, why is that being so
chill about? This is because he knows the only one
to point a finger at is himself, because the alternative
is the thing he shut down because.

Speaker 1 (10:27):
We had to make Yeah, we could have made this
decision like early on and say we have the option
of going six am.

Speaker 3 (10:34):
I wish she would have brought me into this because
I would have said, let's do the six am flight and.

Speaker 2 (10:38):
We would have made that.

Speaker 1 (10:39):
We would have made the time we would have been
so there anyway, real quickly. We ended up going to Austin,
but they couldn't land in Austin because you didn't have
enough gas.

Speaker 3 (10:47):
So we had to go under thunderstorms. So they had
a circle and then they ran to the gas.

Speaker 2 (10:51):
So they went to Dallas, Dallas, and we had to
go get more gas.

Speaker 3 (10:55):
And it's eleven o'clock at night when they land in Dallas, okay,
So then they're in dawas are on the tarmac or
like an hour, so right, they get refueled. Then they
go to Austin and then there's no gate attendance there,
So when they're on the tarmark for two hours in Austin,
they finally get off the plane. They get to their
hotel room at three in the morning. Dad said four,
So I made it three because I know for sure.
Dad added an hour or two, So Dad said four,

(11:17):
so I knew it was either two or three.

Speaker 2 (11:18):
So three.

Speaker 3 (11:19):
Let's say you checked in your hotel. Then you had
a flight the next morning.

Speaker 2 (11:23):
We had six six o'clock six thirty or something. No,
it was like an eight o'clock five, but you had
to wake up at six.

Speaker 3 (11:28):
We had to wake up, so we had like then
that was delayed for two hours, and then they they
landed right when their call time was, and then the
traffic was so bad from lax to the studio in Glendale.

Speaker 2 (11:40):
If you are.

Speaker 3 (11:40):
Familiar with la it was an hour and a half
in the car, right, So they were an hour and
a half late to set with a show that had
already been pushed back.

Speaker 2 (11:48):
So it was just like it was such a they
even moved the show. They moved the show back five.

Speaker 3 (11:53):
I'm so proud of Dad for not being like we
should have done this, like not having that.

Speaker 2 (11:58):
And now I know a lot. Yeah, I know why.
Now this is the thing. People don't change.

Speaker 3 (12:03):
There's circumstances that lead people to act differently. And I'm
the same way, Like, I oh, listen to me right now.
I'm like, it's Dad's fault, like I have to someone
has to be to blade.

Speaker 2 (12:14):
I didn't know. And guess what that flight the next day.

Speaker 3 (12:17):
You should probably check the status of it because it
was probably canceled too, you know what I'm saying, Like
if you would have chosen that flight, it would have
been canceled. Like it's just this is all just rolling
the dice. And Dad was probably being smarter and being like,
let's get in tonight.

Speaker 1 (12:30):
You know, he just wanted to get going. Yeah, we're
at we're going to the airport, We're ready to go.

Speaker 4 (12:35):
So what is it with dads? Why are dads get
so angry about directions and traveling? And my dad would
flip out about that too. Yes, it's always Dad's.

Speaker 6 (12:47):
A man.

Speaker 5 (12:48):
Let's call it what it is.

Speaker 4 (12:50):
Well, I'm a man and I'm going a man too,
And I would be like, Dad, if not, like we've
missed an exit and like we'll just take the next
egg and for like the next hour. He'ds that.

Speaker 3 (13:03):
Can't handle when you just miss an exit and you
just go, it's okay, it's just adding two minutes. Ways
is self correcting. It's now, it's just added three minutes
to the journey. It's okay. But it's like I could
have gone, Like it's like you were you just lost
seven minutes of your life whatever that little thing you
just did. We now, are you just injured yourself?

Speaker 1 (13:26):
You're so good about being chill when it comes to
like things, you really've learned that you're really good. You go,
there's nothing we can do about it, just go with it.

Speaker 3 (13:36):
It's like, okay, I need to tell you're really good.
Everyone's no, you really are good about Oh thanks, yeah,
I just just oh, like this is this is my
family's motto. Ship Oh God, like just missing out?

Speaker 2 (13:52):
God, God damn it. Nikki, why didn't you do that?

Speaker 3 (13:55):
You could have got da you could have like all
of the missed opportunities of like, why wouldn't you have
said that? Thing, Like there was one moment in family
feud where my mom like blanks, Like we were all
so scared to fuck up because we put so much pressure,
so we.

Speaker 2 (14:13):
Didn't have any sleep. Yeah we had, Yeah we weren't.

Speaker 3 (14:16):
If you did have sleep, it's okay, Like it's not
like you didn't want to not know that answer. I
always say to Dad, do you think mom wants to
be in pain right now or whatever he's like complaining about,
or like, why didn't you think of that?

Speaker 2 (14:29):
You just drew blank up there?

Speaker 3 (14:31):
Do you think Mom went up there and chose to
draw a blank like she wanted to that's where and
this is not this is not just dad do it?

Speaker 2 (14:39):
Or like we're.

Speaker 4 (14:42):
Oh my god, we know that you were the final family.

Speaker 2 (14:46):
I was the failure of the whole. No, you were,
Oh yeah right. Mom was the funniest there were.

Speaker 6 (14:52):
Can I just say I saw she was you guys,
and you guys looked so incredible like hot, and I
know it don't matter.

Speaker 2 (14:59):
By it's all dressed.

Speaker 5 (15:01):
Yeah, all the style of it was so.

Speaker 3 (15:04):
Sweet of her unbelievable sounds inserted.

Speaker 2 (15:08):
Yeah, it was definitely.

Speaker 1 (15:10):
I was.

Speaker 2 (15:12):
Venmo.

Speaker 3 (15:14):
Yeah, I paid a stylist to treat it because everyone
was stressing about what to wear it. I said, let's
just hire a stylist, so you all, I want this
to be easy. It was a really space or La
based Saint Louis based nog and Perry shout out.

Speaker 1 (15:27):
It was really sweet. I mean, I was like, it
took so much pressure.

Speaker 3 (15:32):
My sister was like, Mom's gonna try to go to
DSW tonight because these shoes are four hundred dollars that
she pulled and I can't have you buy me three hundred,
four hundred dollars shoes. And I was like, sweet, So
Mom is urgently searching online for a DSW T for
the show, and she's gonna go all drive up to
ball Wind to pick up these shoes that are not
even as good as the ones you want, Like, let
me buy you four hundred dollars shoes. I just been

(15:53):
thirteen thousand dollars Taylor tickets. I think I can handle this.
And she was like, I swear to God I will
wear these rest of my life. I was like, I
don't don't need that guarantee. You will be buried in them.
If it's up to me, she told me.

Speaker 1 (16:05):
One second, she said she said, oh my god, the
shoes and she said they were four hundred and seven
dollars And I.

Speaker 3 (16:12):
Said, oh, I didn't hear something. I just heard four. Well,
then let me talk to her.

Speaker 2 (16:17):
Yeah, anyway, I said.

Speaker 1 (16:18):
I said, well, I said that seems like a lot,
and she's like, no, I will wear I said, I
will wear these the rest of my life. I said, okay, Well,
then Nikki wants.

Speaker 2 (16:31):
To buy them.

Speaker 3 (16:31):
How many shoes, Like, how many pairs of shoes would
she buy for like a wedding at like payless or
dsw that or like eighty dollars that that's four pairs
of shoes to equal that one pair of shoes that
is so nice that will go with everything. It's worth
it to spend spend thirty thousand dollars on tailor switsickets
find out after the break. So yeah, thank you Anya

(16:58):
for telling us that we looked so great.

Speaker 2 (17:00):
At that's so nice.

Speaker 6 (17:01):
Yeah, really buld of choices too, Like Lauren's dress was
like for a collar that I don't normally yea lay Yes.

Speaker 5 (17:11):
He's like all black and like foxy and dapper.

Speaker 3 (17:14):
Yes. I did see my dad during the fitting change
out of like he was wearing he wears like boxer
briefs and they're like dark colored, so they're not like
I'm not seeing it.

Speaker 2 (17:23):
And I've seen my dad.

Speaker 3 (17:23):
My dad like wears Speedo's, like it's not and I'm
just in there talking to them, like on my phone.

Speaker 2 (17:28):
Has he ever? I think he owned one.

Speaker 5 (17:30):
Once once, maybe one in her mind.

Speaker 2 (17:34):
Yes, he's wearing it every day.

Speaker 3 (17:36):
In my head, yeah, just one time, and then it's
like always, well that's never leaving me. And so Dad's
always wearing Speedos in my head. And so then I
was in their dressing room and Dad like was changing
out of his pants, and I just looked up and
I saw my body change. I saw my aged body.

(17:57):
I know exactly what I'm gonna.

Speaker 2 (17:58):
Look like when I'm sick body. You have your aunt.

Speaker 3 (18:02):
I just got to keep my skin tight because that's
the only thing. Otherwise great physique, like things are gonna
look good. Gets wiry, like I'm looking forward to getting
this like very old thin like dad, Dad goes I
went down a pant size and he's not even trying to.
I love old people that just like lose a lot
of weight, like I just want to get real.

Speaker 2 (18:22):
Spindly is like.

Speaker 4 (18:25):
And I'm like, man, how did you stay so fit?
And then like all he eats all day is like
one piece of spinach and a bean and does not.

Speaker 3 (18:33):
Watch his weight. No, my dad is never wants the
calories on something. My dad is not ever want exactly
the way that ben Affleck describes j Loo as like
she just eats whatever she wants. That is my dad,
and it actually is the way to live your life.
If everyone eat like Dad, like he eats when he's hungry.
He doesn't eat when he's not hungry. He doesn't emotionally eat.

(18:55):
He never I've never heard my dad go like I'm
so full I can't or like, oh I feel sick.
Never once Dad just just dad. Have you ever heard
him Dad say like I'm so full, I'm I gotta
undo my pants like we.

Speaker 1 (19:08):
Are well, never eat every meal with him. So I've
heard it before, but not like a.

Speaker 3 (19:15):
Race, never like he's get that away from me. He's
never said get it away from me.

Speaker 1 (19:19):
I know exactly how much I mean it's I can
I know exactly a serve.

Speaker 2 (19:24):
But he doesn't.

Speaker 3 (19:25):
But he doesn't overeat, but he's not ever, He's never
stopping himself from wanting what he wants.

Speaker 2 (19:30):
He's never wants.

Speaker 3 (19:31):
Dieted never ever, and he always looks thin. And he
doesn't really work out that much. That's why he does. Mom,
I know what dad does to work out, and it's
like ten minutes every day.

Speaker 2 (19:42):
I've seen him at the gym. I used to go
to the gym with him. He works.

Speaker 3 (19:45):
He like he doesn't do any cardio. He will he
will lift weights, but that's like he doesn't overdo it.
He's not like a guy that's woking up. I started
lifting weights recently because I want to have a libido again.
And I was told that I have low tea and
you can take like testoster own supplements. But I was like,
can I eat like what foods have testosterone and.

Speaker 2 (20:04):
Them They're like none, And I'm like.

Speaker 3 (20:06):
Well then how am I supposed to get testos? Like
I thought it was like a vitamin, like even like
and she was like the one thing, you can lift
weights and I was like, oh, really, like there's nothing
I can take. So I've been lifting weights recently to
get my tea back up, and I gotta say it
comes back, like I feel so much more vibrant and

(20:26):
alive and sexual and like just a functioning you know,
human being in society. When I have a little bit
of when I'm just like pushing a little bit and
it doesn't take much. I do like a five minute
workout and it's nothing. It's just the thing I found
on Instagram of this girl being like do this for
ten times, then this, then this.

Speaker 2 (20:47):
I'll share it on the story. The arm workout I do.
But that's all I do.

Speaker 3 (20:51):
And then I work on a treadmill, I walk on
an incline for a half hour. But that's all you gotta.
That's all I feel like I have to do now.
But yeah, the the the idea that I was like,
you know, just nover. I don't like feeling like I
have no sex drive or no. And I don't mean
to talk about sex. That's not where we're going with.

Speaker 4 (21:10):
There's a deodorant.

Speaker 2 (21:12):
You I know you don't care about sex.

Speaker 4 (21:14):
You can put on a deodorant that gives your tea
really yeah, yeah, there's a deodorant. But it stinks.

Speaker 3 (21:20):
Oh yeah, well maybe it's like smells. What if it
smells like pheromones, like good.

Speaker 4 (21:25):
That's what it smells. I don't know if I mean,
it depends on who you are If you like that smell,
it's it's the musk. You know, some people have a
stench that for some it'd be like the most attractive
smelling thing, and then for others it's a repulsive, disgusting.

Speaker 2 (21:40):
It's so true.

Speaker 3 (21:41):
Do you know that if on birth control, like you
can become unattracted to your man's scent because it changes everything.
If you fall in love with the guy on a
birth control and you're really attracted to this guy, if
you get off that birth control, it can change your
perception of smells and fair and it can make girls
have become disgusted with their husband's or boyfriend's sense or

(22:05):
vice versa. They go on a birth control and all
of a sudden, they're like, oh god, he stinks because
it changes your your hormones and your attraction.

Speaker 4 (22:13):
These sacks of meat, and you could just and chemicals
and little little changes, like like little changes to your
brain could change your entire personality one the bottomy away
from being a completely different person. Our lives are a farce.

Speaker 3 (22:27):
Oh you bump your head and you can all of
a sudden want to fuck children or something.

Speaker 2 (22:31):
Yeah, I'm not kidding you. People, they are.

Speaker 3 (22:35):
Well I'm just thinking of the worst thing. But like
I always talk about this on the podcast, pedophiles don't
want to be pedophiles. It's just an anomaly in their brain.

Speaker 4 (22:43):
So maybe if a pedophile bumped his head, he won't
want to find I.

Speaker 2 (22:46):
Would be yea my head against everything.

Speaker 6 (22:49):
On an episode of Gilligan's Island, I think one of
them he hits his head on a coconut and then
I'm a.

Speaker 3 (22:59):
Pedophile hit their heads and and had huge changes in
their personally. I mean, let's talk about like T M
I C TE, Like, these are all things that you know, Mom,
Mom has had had seven concussions that she can remember
five five so probably seven. Yeah, can you name them all?
Like the kids in your family? Jimmy, Wait, Nancy, jim

(23:21):
and Michael, Julie, Toma, Peggy Pup Wait, Nancy, Jimmy, Michael, Julie, Toma, Peggy, Chucky, Bobby, Sally,
Mom and Dad, Patty, Patty, Nancy, Jimmy, Michael, Julie, Toma, Peggy, Jump, Nancy, Jimmy, Michael, Jimmy, Julie, Toma, Peggy, Chucky, Sally, Patty,
Mom and Dad.

Speaker 5 (23:33):
Yes, are you saying Tom or Peggy, Tom Tom.

Speaker 4 (23:37):
Those were the answers for the family and Turkey.

Speaker 2 (23:45):
Okay, how many what concussions, let's go through?

Speaker 1 (23:47):
Oh my god, Okay, my first one was I hit
I fell off a horse with one Cindy Depew's farm.
And then my no, my first one was a tire swing.
But my brother tomar hung up and it was above
the cement driveway and he's he said, do you want

(24:08):
to try it first? And I said, you're darn right,
and so I fell and hit my head that time.

Speaker 3 (24:12):
Can I just also say my mom was the seventh
of ten kids in a Catholic family, and her nickname
as a child was pig woman.

Speaker 7 (24:20):
They were so to her, maybe that's dirty, and she
would just go make friends with old people in the
neighborhood because the kids really liked her.

Speaker 2 (24:32):
I know her child, but she, yeah, she was pig woman.
She was a little wondered a little girl. I was
so sick. I was a little chunk whin did Yeah,
I was a little chunk er.

Speaker 4 (24:44):
No.

Speaker 1 (24:45):
My sister, two years older than me, was a waif,
and so she always was so thin and and she
would go, you know, you're fat, and I'm like, I
am net. But anyway, she was skinny, so yeah, I
was fat, baggy. Yeah, anyway, So then okay, so that's two.
And then I was riding on Jony Neil's shoulders in

(25:08):
the school playground on the cement and we were having
races and she tripped and I hit my head and
then that was a big woman fell off shoulders. And
then and then I was on a date once we
were riding horses through this great vines.

Speaker 2 (25:25):
Were you on the Bachelor? Yeah, one with Peter Terry
or one on one the train playing when he got
to the no.

Speaker 1 (25:39):
Domnonia's story was that it was out in the country
and I started dating this guy and he took he
he had a winery, his family owned a winery, and
he's like, and I wasn't horseworthy, you know.

Speaker 2 (25:51):
Yeah, you felt like I don't.

Speaker 1 (25:53):
I really I fell off a horse when I was
I was a big woman. So he's going up and
down these and he's galloping and I'm like, hold on,
you know, and he went to the horse, my horse
twice on a horse, So I fell off of that horse,
and I you know, so then.

Speaker 4 (26:11):
I started playing.

Speaker 1 (26:14):
Yeah something happened. But the funniest part of the story was,
so I'm like, he goes, it's okay, my my neighbor's
a nurse. And I'm like, okay, okay, you know, because
I was seeing stars and yeah, I'm like, and we're walking.
He goes, oh, there is my nurse neighbor and I'm like,
we're walking over and I'm like, Tom, Tom and.

Speaker 2 (26:35):
It was my old boyfriend who was a nurse. I
moved out to the country.

Speaker 3 (26:41):
And he tears, boyfriend is a nurse because you're gonna
I think it's a woman.

Speaker 1 (26:48):
You think it's a woman. And I'm like, he's like,
my neighbor's a nurse. I'm like, oh, perfect, I said.

Speaker 2 (26:53):
I'm really definitely have something going on.

Speaker 1 (26:55):
And I'm looking. We're walking towards. He goes, there's my
nurse neighbor. And I'm like Tom Foley and he's like, oh,
Julie Burke what I was like, It was like, am
I dreaming this or what? Because we're in the country. Anyway,
that's in part of the story. And then one time,
here's the other, here's the other.

Speaker 2 (27:16):
Last one. It's just awful.

Speaker 1 (27:18):
We're playing softball with a big group with it was
with kegs and beer and stuff. Was a Sunday afternoon
and I was dating this one guy who I came
with him, and he so he his friends. It's his
friends too. So a ball, I hit the ball out
to the field that whoever catches it in the outfield.

Speaker 2 (27:38):
Oh, the two people the.

Speaker 1 (27:40):
Third base and second base run to catch it together
and they bang into each other but in and then
the meantime those two knock each other out. And then
whoever who was on left field picks up the ball
and throws it and hits me in the side of
the hedge, crying. I get literally knocked out, my knocked out.

Speaker 2 (28:06):
I'm flat out. I'm knocked out.

Speaker 1 (28:09):
So I ended up waking up with this leccher guy over.

Speaker 2 (28:15):
Me, going, you need a ride? And I said what Tom.

Speaker 1 (28:23):
This was a guy who I saw him looking at me,
and he was kept staring at me. Wait, he was
waiting around. We were the only two people left there.
They left you left organized your date left you because
his two best friends ran into each other and they
had to go to the hospital.

Speaker 2 (28:40):
Oh and then he left como one noticed me laying
on the ground. They were all being tended to.

Speaker 1 (28:49):
They had to go take Doug and somebody else to
the hospital.

Speaker 2 (28:53):
Oh my god, I woke up and I'm looking around
this guy.

Speaker 1 (28:58):
Later I went to his house. I said, I never
want to see you ever again.

Speaker 3 (29:04):
I'm coming to see you to tell you I'd never
want to see you before you I was shot him.
I was like, you left me, goes what happened to you?
I'm like, oh, you are in such trouble. I was
afraid this guy was going to kill me.

Speaker 2 (29:20):
Yeah. This guy was like a Letcher kind of guy. Yeah.

Speaker 1 (29:23):
I look around, there's no one left this whole group
of people.

Speaker 3 (29:26):
Thank god you weren't just hit a little bit harder,
because he probably would have, Like he loaded your body
into the car and had his way. So Jim, Yeah,
fuck Jim.

Speaker 4 (29:35):
Jim.

Speaker 2 (29:36):
I went over there and I said, did he try
to win you back?

Speaker 4 (29:39):
Oh?

Speaker 6 (29:39):
He was.

Speaker 2 (29:39):
He was crying. He was like, he said, I said,
what if you left me? I was still dizzy. Yeah,
I had to drive you. We're still dizzy from the
first horse ball A fifth concussion, So those are no
fro that was five, no coming back. That guy never.

Speaker 4 (30:00):
Date unconscious in a field.

Speaker 2 (30:02):
Can you believe? Do you cry? Brian? So you're remor no,
it didn't work.

Speaker 3 (30:09):
Oh my god. Okay, so that's insane. I'm glad I
have all those stories. Yeah, so now we know what
to tell the doctor. When you get your six'll go,
I can walk through all five.

Speaker 4 (30:18):
That's probably.

Speaker 2 (30:21):
Yeah, that's well.

Speaker 3 (30:22):
I'm glad. I've never been around for any of them.
I would hate to see you knocked out. Can you
seen you knocked out?

Speaker 2 (30:27):
I got this was knocked down.

Speaker 3 (30:30):
Look, I've seen you give yourself a concussion. I've seen
you that. I will let you pass out a couple
of fields. But because you couldn't drive me home. No,
that's she's followed off the wagon and.

Speaker 2 (30:51):
A horse. I thought it was a horse.

Speaker 6 (30:53):
My favorite story is I wasn't horseworthy.

Speaker 2 (30:59):
Thank you. It's like spun doorthy.

Speaker 4 (31:01):
Yeah.

Speaker 3 (31:02):
I felt that way before when I'm dating guy that
like even Chris, like his family is like very kirk. Well,
if you know Saint Louis, they're just like he went
to private school and they they they've been to country clubs,
and I've only been to country clubs. Like when like
our friends get us in for like oh there's a
brunch happening, and like we get to like go once
and we have to like go out, we have to

(31:23):
go to pay less to get like nice shoes for it.

Speaker 2 (31:25):
I feel like that's what the country.

Speaker 4 (31:27):
Clubs for your friend, getting you into the country club.

Speaker 2 (31:31):
Yea, that they're letting in.

Speaker 4 (31:35):
The riff raft.

Speaker 3 (31:36):
Like there's a little bit of like, I don't, I
don't deserve this. I'm not good like you know, even
Lauren with those shoes like this, I don't. I don't
deserve these kind of shoes or even with you, anytime
I try to get you something super nice, I do.
I take it now, Now you take it. You took
those tickets, I'll tell you. And I told this on
the podcast. When I went over after Taylor's with broke

(31:58):
up with Joe, I had a de pull inside my
soul that said, you need to go see her, you
need to go be with Taylor. And so I looked
up tickets on my weekend off, which was this piece
of past weekend. I got tickets to a ticket to
the Saturday show and I go, I want to I
can't let let Little Sunday Show hang.

Speaker 2 (32:13):
And I got to go to that too.

Speaker 3 (32:15):
And I went over for Easter a couple of weeks ago,
and I was like, Mom, I really want to go
to the Sunday show and I just I was like,
there's but there's only I can't buy just one ticket
front row. I got to buy two. And I was like,
would you go? And you were like, yeah, i'll go,
and I go, there's this much money, and you go,
it's a lot, but I do it. And I was like,
I couldn't believe because my mom usually is like, you

(32:36):
are not paying No, that is disgusting.

Speaker 1 (32:41):
Oh you told me a lot less. You said, well,
then see a couple of thousand, and then they're.

Speaker 2 (32:47):
Fucking jacked it up. It was stabhab.

Speaker 1 (32:49):
Then after you bought him, you're like, I'm not going
to tell you what these were in Laura, Lauren look
at this and I'm like how much?

Speaker 2 (32:55):
How much? And you were like, well, they take two
thousand each for fees.

Speaker 3 (33:00):
Yeah, I mean the the fees were six thousand dollars.
I think five or six thousand dollars for just stub hubs.
I'm not joking because the tickets themselves I think were
forty five or I think there were fifty two each,
so maybe it was like three thousand dollars in fees.

Speaker 4 (33:15):
Mooly, Ticketmaster and Live Nation merge and that was a
crime against America.

Speaker 3 (33:20):
I don't understand it, but I do know that I
got screwed because the first night I go, I sit
down in my seat and the guy next to me
is also alone. I go, you're alone too, and he
was like, you actually have my ticket? And I was like,
oh really, and I was like, wasting it? Do you?
I like, all of a sudden, was like, did I
actually send the wrong seat? And he's like, no, I
sold that ticket, and I'm like, you need to buy
me a fucking drink.

Speaker 2 (33:38):
Then I was like that I drink, but I was.

Speaker 3 (33:40):
Like, you need you owe me buy me a shirt
or something, and he goes, no, I don't know how
much you paid, but I only made a thousand off
of the ticket. I was like, well, I paid forty
five hundred for the ticket, so someone resold the ticket
they bought for you. And then the next night I'm like, man,
maybe I could resell the tickets I bought for mom

(34:00):
and me for for twenty thousand, like who knows, Like
I wasn't gonna make twenty off of them, but you know,
but hell no, I wouldn't have done that because I
had already bought it and I was like, we're doing it,
and we got. The first night I went was incredible.
It was I was third row and it was so
much fun and it was so much better to be
on the floor.

Speaker 2 (34:21):
No offense to anyone.

Speaker 3 (34:22):
Sitting up, I'm gonna sit up in the seats again
for another version of the tour.

Speaker 2 (34:26):
I want to sit everywhere.

Speaker 3 (34:27):
I want to be all over the theater or because
the screens are so insane and phenomenal, and all her
close ups on the screens, you don't miss anything. If anything,
you're sitting in the front room and you're looking at
the screen too, so it's like, yeah, you're not. And
she's so all over the place that even if you
are on the floor. These is to anyone who'd got
tickets and isn't on the floor, and you're.

Speaker 2 (34:46):
Like, well, I'm not gonna have the experience.

Speaker 3 (34:48):
You are not even close to her for for ninety
percent of the show because the stage has all these
different areas, so she's constantly moving around and all these
different parts, So she's maybe in front of you for
a couple seconds here and there when she walks by,
or she'll like sing a like maybe a.

Speaker 2 (35:04):
Verse if that around where you are, and then.

Speaker 3 (35:07):
You scream, and the whole time you're just getting out
your phone, so you're looking at your phone, and I'm
trying to hold the phone but also look at her
with like just clear view to like actually have it.
There's this I'm someone who obviously rolls my eyes at
anyone who's just filming the entire concert. But as someone
who's like that, I have to say, don't judge people
who do it because you don't know what it's like

(35:28):
to have it right in front of you, and you
want to capture it. You want to you want to
be able to watch it again and again and again.
There is some compulsion in me that I wanted to
capture a picture of it. I just wanted to save it.
It wasn't about like I can't get off my phone.
I'm such a millennial or gen z or whatever. I'm
addicted to my phone and everything has to be experienced
to the phone. It was like, you just don't want

(35:48):
that moment, you want to capture it.

Speaker 2 (35:50):
I mean that's what.

Speaker 4 (35:51):
I totally understand that and being able to rewatch it.
But like sometimes I'll go to like the Hollywood bawl
and we'll be like so far away from the stage
you can even see people's faces, and they'll be people
filming the entire show.

Speaker 2 (36:04):
Fucking insane to me.

Speaker 1 (36:05):
Well, you can still see it on the big screen.
So it's kind of like.

Speaker 3 (36:09):
Well, if you're zooming in on the screen and you're
trying to capture like a picture and whatever, I get that.
But if you're filming, like you were filming some stuff
that was such shitty footage that I just put your
put your phone down and I go, the exposure is
too high, like you didn't know how to work your phone.
So I just put my hand down your phone. I go,
just experience it, because this is not a videos anything
filming for me. Trust me, Well, I was also filming,

(36:30):
so I don't know who you were filming for. So
I put my hand over hers because I go, just
experience it. Because I go, I'll send you better footage
that I find on Instagram of this song, like this
is You're not gonna this isn't good way.

Speaker 2 (36:42):
I really I could care. I did get some good stuff.

Speaker 3 (36:45):
So anyway, I I was definitely like struggling with finding
the right balance of just being in the moment and
just like trying to just look at her with my
own eyes and know, oh my god, there's twenty feet
from me and this person who I love so much,
and like we're breathing.

Speaker 2 (36:59):
I could give her COVID right now if I wanted
to work that close.

Speaker 3 (37:02):
Like this is just the closest I not the closest
I've been to her, because I've you know, hugged her
and taken a picture with her, but very close as
I've been to her since. I felt this way, and
it was just incredible, and she sounded so good. And
at the show on my show that I went to
alone on Saturday, she got injured. Oh it's this big story.
She during one of her quick changes, she is it

(37:23):
was between I think too. I think it was reputation
in nineteen eighty nine or something. She got a gash
on her palm she felt. She came out and told
the story of it in a caption, which was a
very revealing caption for Taylor Swift.

Speaker 2 (37:36):
She's usually very cryptic.

Speaker 3 (37:37):
And just as like, had a great time in Arlington
and you guys inspire me. But this was like for
those worried I fell during a quick change, I it
was my fault. Entirely and everything's fine. I'm totally okay.
And she even said like I'm okay, but she had
it all bandage up and she had a band aid
that was flapping around, and I was just like, okay.

Speaker 2 (37:56):
Part of the costume I haven't seen.

Speaker 3 (37:58):
Yet, huge gash, a triangle like right here out of home.
That was like that was like ow shopped out. It
looked like someone took like a cookie cutter. Yes, I
was thinking the same thing. It looked like it would
have almost gotten attendon, but I think it was more
like just the skin hopefully. Anyway, she you couldn't tell,
and she wasn't like trying to hide that hand she
was waving and she was just like her normal self.

(38:19):
I think her adrenaline probably kicked in. But that show
was just fucking incredible And.

Speaker 4 (38:24):
Can you describe the atmosphere? And because when I was
watching the videos, I was like, this feels like a
historic event, Like what was it like in the audience,
especially when like the countdown started.

Speaker 3 (38:36):
Having the countdown is the most I have to Like.
I don't know if you guys know about like dopamine
release and all the studies about it, but like when
you have a really exciting thing that's coming up, like
an orgasm, or Christmas or your birthday, or like they're
about to the winning touchdown. The your dopamine rises until
it happens, and then it starts to fall. Even while

(38:57):
it's happening. The thing that you're loving, your orgasm that
you're having, your dopamine starts to fall. So dopamine rises
up until it starts happening. That's the happiest you're gonna get. Scientifically,
in your brain. It's not actually the event that makes
you happy, it's the anticipation of it. So that fucking
countdown is so smart. It starts all of a sudden,
it's a minute until and it goes you.

Speaker 2 (39:17):
Don't known me, yeah na dun dua dud, and that
song starts playing. It's like.

Speaker 3 (39:24):
And everyone's like whoa, And then the countdown is happening,
and then it's like ted hey, and then the lights
go down and it's like probably a minute or maybe
a two minute intro of like these guys come out
with these fan type things and then they put them
over the center of the square.

Speaker 2 (39:38):
Then they lift them up and she's like, it's been
a long time coming, but to you and me.

Speaker 3 (39:42):
And then it's just pandemonium. I mean she's like there
and it's just yeah, it's it really is.

Speaker 4 (39:51):
Reacting like the Beatles and Elvis, like Nady.

Speaker 3 (39:56):
Not crying screaming like I was comparing it to maybe
like Elvis a Beadlemania, and it's not like that.

Speaker 2 (40:00):
It's not people fainting.

Speaker 3 (40:02):
It's I saw a couple of girls crying. I definitely
like had a couple tears fall down, not in that moment,
but like different moments during the show when she would
sing a certain song or whatever. It wasn't It wasn't Beatlemania.
It was like that's our friend that we're so proud
of us.

Speaker 2 (40:17):
Oh my god, Eric love. Yes, the love. It is
like a love.

Speaker 4 (40:22):
Yes.

Speaker 2 (40:23):
I'm like every person in this stadium is in love,
my mom.

Speaker 1 (40:27):
Because I would turn around and look at these girls
and they're like from every age. I was like, oh
my god, they're in love with her, like Nikky's in.

Speaker 3 (40:35):
Love because my I go, mom, I think I could
be bisexual for Taylor Swift and she goes.

Speaker 2 (40:39):
Yeah, no shit everyone and that goddamn state I am too.

Speaker 3 (40:44):
She was like every woman in that stadium would be
in a relationship with Taylor Swift if a romantic relationship love.
She is so cute, she is so talented, she is
so adorable. So I've run into my friend Kim Gamble
at the at the show on Saturday when I'm there alone.
I get there a little bit early because I was
so scared about getting there on time, so I got

(41:05):
there too early. I didn't want to go to my seat,
so I'm just kind of like looking around. I got
recognized once on each show by fans, which was nice.

Speaker 2 (41:12):
That's all I needed.

Speaker 3 (41:13):
And but Kim was like Nicki and I looked over
and it was Kim Gamble who was who introduced me
to Chris Conby. She was my show runner for Nicky
and Sarah Live, my first TV show, and she was
the first person that I met Taylor Swift with her
and we went backstage when I was when she was
doing the Red Tour. So it was so funny to
run into her and her eight year old daughter, who
I you know, she was pregnant with when I went

(41:35):
to her wedding and and so it was like so
funny to see this little girl that's now like a
Swiftie and she's like mom we need to go to
her seats and we're trying to catch up. I'm like,
when did I become like a mom, like one of
the mom's friends that's like annoying and old, like I
made it like where the daughter's just like, oh, nice
to meet you and like kind of annoyed by me.

Speaker 2 (41:56):
I was like, oh my god, I've arrived.

Speaker 3 (41:58):
And so I was like, I'm such a or like
a Kate like I'm trying to think of a gear
friends and I'm just like, oh my god, I'm like Cindy,
That's who I am now.

Speaker 2 (42:06):
So uh so.

Speaker 3 (42:08):
But then I remember Kim texted me after the show like,
oh my god, that was insane. I mean, all my
friends that have gone to her show say it's one
of the top ten nights of their life.

Speaker 2 (42:19):
I will not.

Speaker 3 (42:20):
I will say that it's not because for me my
top nights of my I mean, it's a great night
of my life, but I truly have my relationship, it's
a great night.

Speaker 2 (42:32):
But like going to Taylor show.

Speaker 3 (42:34):
Singalongs, to those of you who can't afford tickets to
go to her show, singalongs give me just as much
joy these singalong nights. And that's no slight on Taylor.
It's just a more intimate space. It's with and when
you're doing singalongs, you're like singing to each other, and
this is more like we're all just looking at her,
and it's more interactive to me at least at the singalongs,
And not that I've had more fun at those, it's

(42:55):
just it is a comparative experience. So that's a heartening.
I would think if you can't get to go see
Taylor for her.

Speaker 6 (43:01):
And what about what about that moment like her solo
acoustic stuff, those are the unique moments. What was a
surprise during each show? Did she surprise you with any songs?

Speaker 2 (43:14):
Yeah?

Speaker 3 (43:14):
Well there was the first night she plays this song Marjorie,
about her grandmother, and so she sings that song and
it's like so beautiful. It's about, oh my god, if
you are dealing with any kind of loss in your
life or you want to remember someone and like think
about them, put on the song Marjorie and it like
will let you think about the person that you miss
and like actually make you feel like they're in the

(43:35):
room with you. It's just this beautiful song where her
grandma was actually a singer, an opera singer, and she's
the one in the family who she was like you
ever gets told Taylor saying this, she was like, there's
always someone in your family that everyone says like you
remind them of them. She was like, that's my grandma
for me. Everyone's always saying like, that's your like grandma,
Like you look like her, you're like her. And she

(43:56):
lost her grandma she was thirteen. But she has a
song and the lyrics are like if I didn't know better,
I think you were talking to me now, and then
it goes on and then she's like, if I didn't
know better, I think you were listening to me now.
And then there's at the final uh chorus, it's she goes,
if I didn't know better, I think you were singing
to me now, and then they have her grandmother's vocals

(44:19):
that they found somehow, and it has her grandma's vocals
and the same key you know, they probably had to
auto tune it, but the same pitch as the rest
of the song in it, and it echoes through the
stadium and it's like, and you get chilled s because
I knew it was her grandma's voice, and it's just
so beautiful and it is like you could feel her
grandma in that room. You can feel the person that

(44:40):
you're thinking about in that room when it's it's all
about like and she's like, and I know better, but
you're not around. But it's like, if I didn't know better,
I think you were still around, but I know better,
but you're still You're all around, and it's just like
about how they like stay with us.

Speaker 2 (44:57):
So it was beautiful.

Speaker 3 (44:57):
So after that song, she goes to her piano and
she's it's a little interlude where she talks to the
crowd about the album ever More that we're in the
era of, and she's like, we're in Evermore era and
that song, Marjorie was really important me to just sing
because my grandmother is from Houston and my mom grew
up here. And she was like, and if I keep

(45:18):
talking about it, I'm gonna start crying. So okay, Chaine
of subject and then she plays the song Champagne Problems,
which she starts out and she says, this was the
song that I always wanted to play when the pandemic
was happening and I was writing this album and I
was thinking I might never get to perform live for
audiences ever again, like that was something that people were
actually talking about, like we maybe have this is the

(45:38):
end of live entertainment. She was like, and this was
I didn't let myself think about that. I was writing
without thinking because I love performing so much, and I
was just like, there's no way that that's gonna be true,
and I'm not even gonna think about performing live. But
this song, I was thinking, if I never get a
chance to sing this with a crowd and with my
with my friends and my fans, then this is the
secret one that I wanted. I knew that if we

(46:00):
got back to it, this is what I'd want to sing.
And she goes into Champagne problems and champagne problems. If
you're swifty, you know that song is about getting proposed
to by a guy who's just nice and who you
should be with and who his family loves you, and
you love him, but there's just something not right and
you leave him. You leave him stranded, You drop his

(46:20):
hand while dancing. His heart was glass, you dropped it.
Champagne problems, and the family says, what a shame. She's
fucked in her head, they said, But you'll find the
real and you're like wishing him, like I hope you
find something. So it's kind of the song that everyone's
going like this if she was to feel anything about
Joe right now or letting that go, this is where

(46:40):
those emotions will come out. And she tears up during
the song and everyone reads a lot of into it.
So that was really fun to sing with her, especially
when she's like, what a shame, she's fucked in the
head and her face gets all like devilie and she's
like fucked in that. It's really fun. But the best
moment of the whole thing was we go to sit
second first row, and when we get there, we're kind

(47:03):
of like, this is fucked because if you've been to
front row before, sometimes it's too close to the stage.
The stage is like six feet tall, right, so if
you're my mom and you're.

Speaker 2 (47:15):
Five five five five.

Speaker 3 (47:18):
You can't see over the stage. Yeah, if she's on
the lip of the stage, you have the best seat
in the house. But anywhere else on the stage she
could not. My mom could not see Taylor at all
at all. Thankfully there's screens, but my mom can't even
see the top of the screen.

Speaker 2 (47:32):
My mom can only see half the top of the.

Speaker 4 (47:34):
Screen and these are the most expensive tickets.

Speaker 3 (47:37):
These are the most expensive tickets, and she couldn't see.
And then what about the security guard?

Speaker 4 (47:43):
Okay, can you believe that.

Speaker 3 (47:47):
He's right in front of us and he's six feet
tall looking at you.

Speaker 2 (47:54):
And you're in front of you.

Speaker 3 (47:55):
Imagine someone staring at you a foot in front of you,
so in the stage is behind him. You can't even
stay so you now he's blocking you are whatever stage.

Speaker 4 (48:06):
Trying to watch a concerts, just having someone look at
you for two hours. I liked it.

Speaker 3 (48:13):
I like it because I realized the first night that
I kind of when I a part of me such
a narcissist. Probably this is what it's I'm deducing, is
that I don't like going to concerts because I don't
feel like I can I want to perform, and I
feel like at sing alongs, like there's a performative part
of it, like where like maybe someone could be watching
me or like and when you're at a concert, no

(48:35):
one's watching you, and not that I need that, Like
I can obviously.

Speaker 2 (48:39):
Turn it over and go behind you are I don't
think about that. I need them, I like need to know.

Speaker 3 (48:45):
But the security guards have to watch you and they
are so I mean, there are these black guys that
like are probably not into Taylor Swift, not big tailors,
they're all black people that are working security at and
it's like you can tell.

Speaker 2 (48:55):
That maybe not that she's not someone that black people are.

Speaker 3 (48:58):
True, they every single person was a black person that
probably is not into this type of music, and it's
probably like these dumb white bitches, Like in my mind,
that's what I'm thinking, because we are.

Speaker 2 (49:10):
And I was like, I'm gonna give.

Speaker 3 (49:12):
Them a show to talk about later. Of like I
saw this thirty eight year old woman crying and losing
her mind and like performing it, so it like it.
It gave me a purpose during the show to like entertain,
not even into like be like I didn't want them
to be like, wow, she's so good at the lyrics.
I just wanted to make them laugh at like how
enthusiastic I was.

Speaker 2 (49:32):
I'm a story, give them a story.

Speaker 3 (49:36):
So, okay, we have to go to break, but I
want to tell you about the greatest thing that happened
the entire show and then we'll stop talking about Taylor
Swift talk for I promise, Okay, So I will say
that this is a very Swifty episode and I'm sorry,
and this won't happen for every show I go to.
But I did post on my story a bunch of
stuff about Taylor Swift on my Instagram story, and I

(49:57):
even wrote like, I'm sorry to the for everyone who's
not one of the fourteen Swifties who care about the stuff.
And I got hundreds of messages that were like, I'm
one of those fourteen.

Speaker 2 (50:07):
So it's more than you think. I'm not alienating.

Speaker 8 (50:10):
Someone who likes I'm not a Swifty yet, but I
like knowing her stories and the stuff behind her music
and stuff, so I like it.

Speaker 6 (50:21):
Oh thanks. She talks about it in between songs. That's
always my favorite part of shows, and she's so good
at it's those inter inters, stories.

Speaker 3 (50:32):
She would just go like and it's it's this running
thing that after Champagne problems, because of the first tour
she did, or the first couple of shows she did,
it was so loud after that performance, she was just
sitting there kind of looking out like, and she takes
out her earpiece to kind of go guys, And so
it's kind of every city tries to at that moment
show their love the most. It's even me chills thinking

(50:54):
about it. But she and I've been to three shows.
It was only that third show where she actually took
out her ear piece and goes, guys, this is so
loud and it's kind of like oh my god, and
like freaking out, and it was it was sweet because
you could tell she like lets it in and she doesn't.
She's she maybe plays a little faux humble, but I

(51:16):
don't think it's I don't think she's playing. I think
she really is humble and is like really guys. Like
she even does the cute thing of like, hi, I'm Taylor,
like and we're like, yeah, we know, you know. But
I think she's actually still that girl that's like I.

Speaker 2 (51:29):
Don't deserve keeping it humble. I think she has she
knows how to do that.

Speaker 3 (51:34):
She's insecure deep down and has probably has a little
bit of low self esteem deep down, And that's what
makes us love her is that she doesn't. She hasn't
gotten this inflated ego. She has a ton of confidence,
clearly because she should. She's so talented and it's earned.
But I don't think she came out of the gate.

Speaker 6 (51:51):
Joe.

Speaker 3 (51:53):
No, she goes right into all of the man like
she does. The song called the One she actually swapped out.
There used to be a song Invisible String that she did,
and she's wopped it out for the one. Invisible String
was about you know, how they were destined to be
together forever, and then she changed it to the one.
I think I've talked about this before, and the one
is about like, you know, you've moved on after a relationship,
but you still think you see in places and you're
kind of like imagining he's hooking up with some girl

(52:14):
from the internet, and it's like, oh, she interests, Like
it's kind of just so she's changed that song, and
that was right before her breakup that she changed the setlist,
so everyone's like, oh, that's why she changed it. Who
knows it could have just been like it's more of
a bop than the other one. So but there's and
there's little things that she does where people are like,
there's this one lyric and delicate where she's like, the

(52:34):
girls do the girls back home touch you like I do?
And then at one point she kind of goes she
just like shakes her head like no, and everyone's like
she's talking to Joe. It's like, no, she just put
a little emphasis behind it, like stop reading every day.

Speaker 5 (52:48):
Like London Boy or whatever that song is called.

Speaker 2 (52:52):
Yeah, she would do She'll do London Boy again. She'll
do all of it because.

Speaker 3 (52:55):
She she's she still does songs about guys that she
used to love when she was with Joe or that
she's still heartbroken about.

Speaker 2 (53:02):
Like she'll do Harry Styles. She still does Lover and
Lover is all about Joe.

Speaker 3 (53:06):
I mean, she did say that these are songs that
I wrote at one point that meant something. She said, Yeah,
she does Harry Styles. The song Style is about him.
But the best part of the whole thing was that
so we're sitting in the front front seat, front row,
and we're kind of like I'm kind of getting pissed
because I'm like, you know what, I'm trying to be

(53:26):
zen about it and like this is meant to happen.
I won't do this again next time. I'll always get
third row because it's just a little bit more space
so you can have to see the stage more.

Speaker 2 (53:38):
And I learned my lesson is this, like in.

Speaker 4 (53:40):
The movie theater, you wouldn't get a front row seat
in the movie theater.

Speaker 3 (53:42):
Exactly, Brian, That's such a great fucking point, Like why
does every That's why I was mad afterwards.

Speaker 2 (53:48):
I'm like, why does everyone act like front row is
the bast Oh no, if well there's a reason, well
why well?

Speaker 4 (53:54):
Well you.

Speaker 3 (53:58):
So, so we're kind of like, not that happened. There's listen,
there's parts before the reason happens that we are just
we're like, okay, these seats are justified because how close
are we to her?

Speaker 2 (54:08):
When she's walking by, she's.

Speaker 1 (54:10):
She's eight feet from us, eight feet and that is
when we were I was really measuring it, going okay,
that's like eight feet.

Speaker 2 (54:17):
My mom got out her ruler, I.

Speaker 1 (54:18):
Got at the tape measure and I said, tailor hold
that yeah, shining sound effect effect?

Speaker 4 (54:26):
Yes, And so she so.

Speaker 3 (54:30):
She was so close to us, and and there were
I mean, and when she walks around to because the stage,
I mean, it's it's gigantic. So when she comes over
to your area, people just start fucking losing their mind
when we sense that she's coming over, and everyone gets
out their phone and it's just like and I found
myself based on the recordings I made, which I did
not know at the time what I was saying, what

(54:51):
I was doing.

Speaker 2 (54:52):
But I've watched back the footage.

Speaker 3 (54:54):
First of all, I would apologize to anyone I was
sitting next to, especially my mom.

Speaker 2 (54:59):
With earplug in.

Speaker 3 (55:00):
I don't know how loud I'm singing because it just
sounds muted in my head. Let me just say, everyone's
singing as.

Speaker 1 (55:05):
Loud as everyone is saying, so it is completely exact.

Speaker 2 (55:08):
Me who does the words.

Speaker 3 (55:10):
My mom didn't know the words, but like everyone else
is singing, I sang way too loud. I regret it.
I'm sorry to tailor. If she heard it, it's not okay.
It was too loud. I can hear it on the recordings,
and I'm like, I I it really kind of a crisis.
But I will say what I did realize I can't.

(55:32):
What I did realize was I will say that my singing.
My voice teacher would be very upset with how I
was singing because I was not singing in my head voice.
I was singing all throat all, just like emotional, guttural,
like my my vocal chords are reading.

Speaker 2 (55:48):
Everyone in that place. But there's a way to sing this.

Speaker 4 (55:51):
This is like chanting almost Like yeah.

Speaker 5 (55:55):
There was.

Speaker 3 (55:57):
Some element of it when I listened back that was like, Nikki,
do you want Taylor to hear you and to be like, wow,
you're good.

Speaker 2 (56:04):
Come on up and sing like it's.

Speaker 3 (56:10):
I was so gross I am being This is me
being so vulnerable right now. There was that in my
head when I'm singing. There was no part of me
that was like, I hope Taylor hears me upon hearing
my own voice. I'm like, bitch, you wanted her to
pick you out of the crowd and like find you
and ask you to join her band and would duo

(56:31):
and be like like Taylor and Teagan and Sarah like
Nikki and Taylor.

Speaker 4 (56:37):
To listen. But I can tell you.

Speaker 3 (56:44):
You came to butcher my lyrics, so I so I
regret that. But what I will say is that when
she when when she would be in between songs or whatever,
and there she would be close, what I kept saying was.

Speaker 2 (57:01):
We love you, We love you.

Speaker 3 (57:03):
You're the best, You're the best. Do you think in
a million years, I would not think I would be
screaming you're the best.

Speaker 2 (57:11):
Like there's so many.

Speaker 3 (57:13):
Other things I want to tell her, There's so many
other ways to encourage her, But I'm just like you're
the best.

Speaker 2 (57:18):
You're the best, I mean, even wrecking. I didn't even
read there, I didn't I heard this one yelling you're
the best. I don't think it was I swear, honestly,
I swear to God it was me.

Speaker 4 (57:30):
But then I remember, you're the number one singer, dude.

Speaker 6 (57:34):
That's what I said to my favorite director when I
met him. I met Noah Bomback, who I love, and
at a restaurant and I go to him, your films
means so much to me, and my sister were sitting
right next to you. Were leaving now, but I just
had to tell you you're so wonderful.

Speaker 2 (57:47):
Thank you.

Speaker 5 (57:47):
And he goes, oh, that means so much.

Speaker 6 (57:49):
And then instead of walking away like a normal person,
I go, you're the best, and then he goes, thank you,
and then I go number one.

Speaker 2 (57:56):
Like a foreign exchange student.

Speaker 5 (58:02):
He just walked away for hours, just kept going one.

Speaker 3 (58:06):
Oh God, mony yeah, it's it's like the moment I
really don't remember something funky no.

Speaker 2 (58:13):
I kept saying.

Speaker 3 (58:14):
But then I realized that final thought. I realized that
is what I would want someone to say to me.
You're the best comedian A comedian. I just like, if
anyone's gonna give me any message, I want it to
be that I'm the best. Like that's a message, and
I truly believe that about her, there's just no one better,

(58:36):
and that I that I am loved, we love you,
And so those are that's if you're boiling down how
I feel about her. Those are the things that came
out of my body involuntarily. So let's get to the moment.
So during the Taylor Swift shows, there are two songs
that she plays every single set or every single show

(58:57):
out of her I think there's forty six songs total,
and two of those songs are secret songs, is what
the Swifties call them. That means that she plays two
songs that we don't know what she's gonna play, and
it's obviously a song that she isn't playing in the
other forty five songs that she's playing or whatever forty
four and she originally like gave these rules of like

(59:18):
she's gonna play a different song for each of those
two songs every single night of the tour. So let's
say she's doing thirty five dates, that's seventy extra songs
that she's gonna have to learn and not only learn
the lyrics to and how to sing them, which is
and you're like, well, doesn't she know how to singer
own songs? No, she creates these new versions of these
songs because she does it acoustics. So one she does

(59:39):
on guitar completely with herself, and one she does on piano,
and she's probably a better guitarist than she has pianist.
But she works really hard on these songs, and she
even says like, I've been practicing this all week long,
so like she puts a lot of effort into the
performance of these songs and like the arrangement and everything.
So it's so much fucking work for her to do.
Shout out to Taylor, thank you for doing these and

(01:00:02):
she picks songs and so then but she's given caveats
if she fucks something up, she gets to do it
again at another show if she wants to. So if
she makes a mistake, which she's only made one mistake
once and she said she made a mistake on another one,
but only because she said she picked the wrong key
to sing it in, even though she did it flawlessly.
She was like, I get to redo that one because
it was in the wrong key and then so oh,

(01:00:23):
and then she made another caveat that was like, I
actually love the New Midnight's album song so much that
I get to go do those twice if I want
to too. She was like, this is ever a changing system,
so let me just say the move. The shows that
I've been to, the first two shows she did, both
secret songs were songs I had never heard before, like not.

Speaker 2 (01:00:44):
Never heard before.

Speaker 3 (01:00:44):
I'd heard, but they just didn't like grip Me a
Place in This World is off her first album. The
other songs she did I forget what it was on
the on Saturday night, but the first, the first show
I went to, she did I Forget the first song
she did, but then she did the Lucky One, which
was also it was really cool because I didn't wasn't
really familiar with that song, but then I don't know,

(01:01:06):
there's sometimes you hear a song in concert and you're like,
holy fuck, like you hear it for the first time,
and it was like a moment of I get this
song on a whole other level that the album version
can't even hold a torch too, because she you know,
it's an old song, but she's breathing new life into it,
so I fell in love.

Speaker 2 (01:01:22):
Now. The Lucky One's one of my favorite songs.

Speaker 3 (01:01:24):
I heard it for the first time a couple of
weeks ago, or really heard it for the first time. So,
by the way, I don't know where she's going to
do these songs. There's no she's been switching it up,
like sometimes they'll put the microphone. They put the microphone
just somewhere after she finishes the nineteen eighty nine tour,
and then that's where she does She's planted doing her
acoustic song, and then they put the piano a little

(01:01:45):
bit on the other side of the stage wherever they
plant it.

Speaker 2 (01:01:47):
I have no idea where this is gonna be.

Speaker 3 (01:01:49):
I mean I saw the show a couple of weeks
ago and I go, I think it's gonna be in
the set, like the mid stage, so I thought we're
not going to be very close to it. I go
on Saturday night and I'm like, oh my god, she's
doing the acoustic song, like right, I think where Mom
and I are gonna be sitting. That's gonna be cool,
and not the piano one the guitar one piano front

(01:02:09):
row for piano. There's still piano between you. Yeah, you know,
like it's acoustic guitar. You are like fucking with it.
So I thought we were gonna be sitting on the
piano side of the stage. Actually we get to our
seats and we're kind of we're on the guitar side,
and I'm like, I think we might be in the
best seat for the secret song guitar version of it.
And by the way of any song you want to
be front row four of her whole forty seven song

(01:02:32):
forty five song set list, it's gonna be the acoustic one.
A because it's acoustic and it's just her alone and
you can hear it so perfectly and hear her and
it's not muddled with by dancers or anything. But B
she doesn't move because she has to be on this
microphone and she's stationary. The rest of the song, she's
running all over the place. There's not one song that

(01:02:52):
you would want to be and we are. I'm not
joking you. They put up the microphone and I lose
my fucking mind because.

Speaker 2 (01:02:59):
It couldn't have been more in front of me. I
mean it is.

Speaker 3 (01:03:03):
It is not to the side of foot, it is
not to the left, It is right in front of
me as close as you can be, the number one
best seed in the house for the acoustic.

Speaker 4 (01:03:12):
Song and swiff you're the best.

Speaker 3 (01:03:18):
And I am like, oh my god, and so we we.
She starts, she walks over to it. She is right there.
I mean, you saw my Instagram stories. She is eight
feet in front of me. Couldn't be closer to the.

Speaker 2 (01:03:33):
TV she sings. So then I realized, and that's why
I kept saying, it's not the TV, that is her.

Speaker 3 (01:03:38):
And I took a selfie turn around because I go,
that's not a screen, that's literally her. I'm in the
same shot as her, her physical body. She's right in
front of us. She plays a song I do know
called begin Again that I love, and so that was
so good because usually she plays some obscure song that
I don't know, and this one was. It was just
like a private concert. Couldn't have been closer. It was

(01:03:58):
the best, it was worse. It was worth that money
so much like it was. It gives me chills just
thinking about now everything. Yeah, wasn't that a special moment
when she was right there? It was and you could
see every little good like her guitar, every pimple there
was no poor on her face, but if on her

(01:04:21):
but she was just stunning and just so and she
was just like it was just like so intimate.

Speaker 2 (01:04:28):
She just so intimate.

Speaker 3 (01:04:29):
That's how it felt like. She's just the way she smiles,
she's just like, you're right there. We did not make
eye contact at any point. Everyone's like, I think she
made that contact with you. She did not look at me.
I'm happy for it. I didn't want to distract her.
I would have been too much. It just I probably
would have gotten the lyrics wrong and she would have
read my mouth and like it'd gotten fucked up, Like
it just.

Speaker 2 (01:04:45):
Would have been bad.

Speaker 3 (01:04:46):
So I'm glad she didn't look at me. But the
other thing that happened that was wild on this thing,
and I wanted I know that we've got a rush.
But so my mom and I went to a cemetery
on Saturday because my friend Harris Whittles, who I shouted
up before or who created Humble Bragg, he died eight
years ago and he was a comedy writer on Parks
and rec And he was a comedian a friend of mine,

(01:05:07):
and he died tragically from heroin. I really recommend listening
to an episode his episode of Uh he made it
weird with Pete Holmes his second appearance, because he talks
about his heroin addiction and it's just it's funny, but
it's also sad, and you know how it ends, because
he died tragically not too long after he recorded that.
But so I've always whenever I'm in Houston, I knew

(01:05:28):
he's buried there, He's from there. I always wanted to
go visit his grave, but I've every time I've gone,
it's been flooded, or I've been in town for just
like not enough time and it's out in the kind
of the suburbs or in this weird area that you know,
nothing's by. So I asked my mom, was like, Hey,
can we go to this grave? And my mom is like,
totally down. I love graveyards, Yeah, yeah, you're They're fun there,

(01:05:49):
beautiful and peaceful, and there's crows.

Speaker 2 (01:05:52):
You love craves and.

Speaker 3 (01:05:53):
Pros yeah everything. I love death. And so we we
find in. My Mom's very worried, She's like, how are
we going to find this gravestone? I'm like, find a
grave dot com.

Speaker 2 (01:06:04):
On my wayside and if it gives you the.

Speaker 3 (01:06:07):
Exact coordinance, the location, the section, the plot number. So
we find it and and it's like no one else
is in the cemetery. It's like dead quiet, and I'm like,
I want to leave something. I forgot to bring, like
flowers or something. So I was like, I want to
leave something, and I'm looking through my bag and I'm
just like, oh, he played guitar and I have a
guitar pick. I was like, I'll leave a guitar pick

(01:06:27):
just as something. So I put a guitar pick on
the grave. And then we go and we walk around
the rest of the cemetery and we're just like telling
stories about him, and then we're talking about death. And
then we played Marjorie. Yeah, we played the song Marjorie
because it's about death. And then we played the song
The Best Day, which is just about like Taylor and
her mom, like Taylor talking about a song about her mom.
And we just like had this like great moment of

(01:06:49):
just like mother daughter, like just bonding time.

Speaker 2 (01:06:52):
It was so nice.

Speaker 3 (01:06:53):
And yeah, then we went home and just relaxed in
bed and like got ready for the show. And then
we go to the show and we're there and and
it's you know, it's in the show just starts and
she's like three songs into. She starts with the Lover
album and she's like three songs in, and my mom
and I are singing Lover, the song like Lover When

(01:07:14):
I Go, Where You Go, And then all of a sudden,
out of nowhere, I mean, we're front row, this guy
comes up to where we are, taps me on the
arm and holds out a guitar pick, this Lover guitar pick,
and is like here and like swings it in my
face and I'm like what, and I just take it,
and then he got he leaves a security guard and
I have no idea. Yeah, like he he wasn't like

(01:07:37):
one of the ones in yellow shirts that were guarding.

Speaker 2 (01:07:40):
He looked like he was like maybe a manager, Yeah,
like one of like someone backstage.

Speaker 3 (01:07:46):
Yeah, like probably, so I don't know what it was,
but they get I got a Lover guitar pick, which
is an official like it has the weight of one
that she uses, probably Like I feel like it's a
it's a nice guitar pick, And and everyone around me
is looking at me.

Speaker 2 (01:08:02):
Like yeah, we were like what are you And I'm
like I don't know. Like he disappeared and he goes away.

Speaker 3 (01:08:07):
There's no he didn't give me any for he just
is like take this, and she's on stage. It's not
like she she threw that out or something like she
throws out her guitar picks after she plays, so it's
not like one that was thrown out and then like
he found it like it. I don't understand where it
came from. If anyone out there can tell me what
the fuck that was, I really want to know. But
then I realized it's a sign. I gave a guitar

(01:08:31):
pick to Harris's grave earlier and I got one back
later that night. I felt like it was like, I'm
not someone who believes.

Speaker 2 (01:08:37):
Oh it's some weird sign. I honestly for.

Speaker 3 (01:08:40):
For me to get it was like Harris being like,
I saw you there today.

Speaker 2 (01:08:45):
Here's a gift. Guy got it, and here's one for
you too.

Speaker 3 (01:08:48):
Like That's what it felt like to me, was like
he was in there that night or there was some
like there was some cosmic energy of like thanks buddy,
thanks for your gift today, here's a gift for you,
Like because there was no reason behind it. It wasn't
like anyone knew Nikki Glazer was there, and she plays guitar,
and there wasn't I wasn't singing the song more than
other people. There wasn't like we're gonna give this to

(01:09:09):
the most enthusiastic. There was no good The security guard
in front of us. I had asked him to move,
so there's no one to perform for anymore.

Speaker 2 (01:09:15):
They're amazed at you, if anything. They were like, what
does she think she is?

Speaker 3 (01:09:20):
I literally go, we paid good money for these seats
and you are blocking our view.

Speaker 2 (01:09:23):
This doesn't make sense. And I wasn't being rude about it.

Speaker 3 (01:09:26):
I was like, I just don't understand why you need
to be so close to us, Like what is gonna happen?
And they were nice though, They were like oh yeah yeah,
and he backed off.

Speaker 2 (01:09:34):
Was Bob in his head? Yeah?

Speaker 3 (01:09:37):
Because then shake it Off came on. He couldn't help,
but Bob belong to it. I mean you you that's
a toe tapper. And so it is funny to see
the security guards like being cool, and then all of
a sudden they're like bank space, baby, and I'll write
your name. You start to see them like ding I
kind of bound second more than like start all moving
and said and so it was just the best, and

(01:09:58):
I rarely I can't wait to go again. I'm gonna
to go in Nashville next weekend and yeah, I'm filming
a show there on yeah or not next weekend. The
weekend after I'm filming a show there on Thursday, and
I'm going to see her on Sunday, so I might
have to get tickets for Friday and Saturday.

Speaker 2 (01:10:16):
I don't know. I might do it again.

Speaker 3 (01:10:18):
And now at this point, I have the show memorized,
so I know what each song goes into it, and
I have all the interludes memory I know, and I
know the dance. Yeah, I know what's third row, and
I know like that some of the dances and it's
like because they're not that hard, but they're like so fun.

Speaker 2 (01:10:32):
So I don't know. I think I might.

Speaker 3 (01:10:34):
I'm gonna keep going and auditioning for her, and she's
gonna go you get on up here, you get one
of these bicycles in every city.

Speaker 2 (01:10:45):
Yeah.

Speaker 4 (01:10:45):
So that was the guitar pick. Was it was like,
you got like five shows under your belt, you get
a guitar.

Speaker 3 (01:10:52):
P Oh, yeah, it was that's so true. Oh my god, Yeah,
that's a that's the tiered system that they get. Next time,
I'll get a a capo, and then I'll get a
strap and then I get a good guitar. Yeah, oh
my god, I can do it. It was It really
was like it's just where I belong. It felt so right.

(01:11:14):
It's so and everyone's dressed up.

Speaker 2 (01:11:16):
I mean the costumes. Have you ever seen anything like it?

Speaker 3 (01:11:19):
Mom?

Speaker 2 (01:11:20):
Nothing, No, It's like I called it, swift Cella. It's everyone.

Speaker 3 (01:11:23):
It's like Coachella, but it's everyone's just like girly jewels
and just everyone's cute. I mean, it's just the involvement
everyone the funnyest. Some people are doing really funny costumes.
So every night she loads into the arena because she
can't go underground. There's no underground to get in, so

(01:11:44):
she loads in. They have a mop cart. They built
this like cart that she hides in the side, and
then at the top they have like fake tops of mops,
so it looks like they're going all the way through it,
but they're just the tops. And someone filmed her getting
out of it, so we know she's in there.

Speaker 8 (01:11:58):
Oh my.

Speaker 2 (01:11:59):
So lately at.

Speaker 3 (01:12:00):
Concerts people have been dressing as the mop car.

Speaker 2 (01:12:04):
Any reference to her it's so funny.

Speaker 3 (01:12:07):
So it's it's just like, it was so fun and
thank you for letting me talk about it the entire episode.

Speaker 2 (01:12:12):
You guys, we will be here tomorrow. Yeah, it was
so fun. Last night. I was like, I was I
missed you last night. We got back here and I
was like, oh, I missed you too. What are we
gonna I know, No I called you. I'm like, texted
you come over watch the session.

Speaker 3 (01:12:33):
Instead, I watched the Boston Marathon bombing documentary.

Speaker 1 (01:12:37):
Your dad said, what is she like, I'm like, I'll
definitely watch.

Speaker 2 (01:12:42):
Yeah.

Speaker 3 (01:12:43):
I told Anya today there weren't enough body parts. I
didn't see enough limbs or gruesome footage. I want more,
not that I want that to happen to anyone.

Speaker 2 (01:12:50):
It was horrible.

Speaker 3 (01:12:52):
If we're gonna go there, let's go there. Let's see
the real I want to see what her leg looked
like when it was all twisted off and ship like that.

Speaker 2 (01:13:00):
Like I but it would. I mean, it's it's a
great documentary. You're gonna love it. Yeah, No, it's not
that graphic.

Speaker 3 (01:13:06):
I mean it's like what happened is so graphic, but
it's really well done and it's it doesn't waste your time,
it doesn't talk to you like you're a fucking idiot.

Speaker 2 (01:13:13):
It's really good.

Speaker 3 (01:13:14):
Okay, it's not a bomb. It's a what it was,
but the show itself not a bomb. Okay, guys, thank
you so much for listening. We'll be here tomorrow on
the show. Don't be cad and just forgive me for
talking about Taylers, but the whole time.

Speaker 2 (01:13:26):
Thank you.

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Host

Nikki Glaser

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