February 16, 2021 • 38 mins
She may look a lot like Pam Beesley, but Jenna Fischer is actually pretty different from her character. Jenna discusses how she learned that drama "wasn't her thing," the time she laid everything down to protect the Office pilot DVD, and DMing fans on Myspace from set... back when Myspace was a thing.
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
This is Jenna Fisher. I played Pam Beasley. Hi everybody,
welcome back. Here we are. We're back baby the Office
Deep Dive. I'm your host, Brian Baumgartner. Today you will
be hearing my conversation with Jenna Fisher. Let me tell
(00:30):
you something. Jenna and I bonded during the run of
the show. We were both nerds for television, and we
would have long conversations about television and what we were
doing in television. In a way, those conversations are what
led me to want to do this podcast. Conversations that
(00:51):
I had over the years with Jenna and recently since
I started this podcast. And she obviously is the grand Puma.
I don't think that's the right phrase of podcast. Her
and Angela obviously a host and produced office Ladies. Jenna
and I over the last couple of years have been
bonding once again over the office, what the office means
(01:16):
today in the cultural zeitgeist, and she and I have
had lengthy conversations about that very subject. And today you're
gonna get to be a a fly on the wall.
I can't wait for you to hear it. She is
one of the most insightful, incisive, smart uh women that
I know, and I'm so excited to talk about the
(01:38):
thing that we both love, the office. So here she
is Jenna Fisher. Bubble and squeak, I love it. Bubble
and squeaker, Bubble and squeaker cookie, every moon, lift over
(01:59):
the night, befo. Oh are you? What is this? I
don't know? Are you? Oh my gosh, it's happening. You
(02:23):
can see. I got all dressed up in my in
my hat and puffy coat. I are we beginning? Have
we begun? I mean you're ready? Looks Officially, you have
papers and in a computer? Do you use a You
don't use a computer during my podcast, I use papers
and Angel uses notes note cards. See. I can scroll here,
(02:44):
I can scroll through things, and I can skip on
interesting things. But you're staring right in my eyes while
you do Yeah, so I don't have to do this. Yeah.
That's so loud and messy, and I was very distracted
by that. It's slightly weird to be staring it out
while someone's hand is like scrolling. I won't see it.
I won't, I won't. I'm not going to scroll through
(03:06):
fifteen pages. Fifteen pages. Listen, there's a lot here. This
is a big day. It's a really big day. So
two three, what were you doing before the office? I
had been at this point finally making a living as
an actor for one year. I'd been in Los Angeles
(03:28):
over seven years, but I was finally earning my all
of my living from just acting. I had done a pilot.
You get paid a lot to do a pilot, so
that was a big thing. But the pilot wasn't picked up.
So I made a grandiose announcement to my management and
agents that I would be quitting acting. I couldn't take
it anymore. I couldn't take the rejection. I just was
(03:51):
putting my heart out there and I just thought, I'm
going to become a vet technician. I was very sure
this is true, this is true. Don't remember this. I
looked into it. It's a two year program. It's very
full time. And my manager, Naomi oeden Kirk, she said
to me, Jenna, will you give us one more year?
I mean, you're so close, you really are. You don't
(04:14):
understand this is what it is. My acting coach yelled
at me and said, don't be stupid. You're doing great.
This is what an actor's life is. It's a series
of minor accomplishments and tons of rejection. So this is
being an actor. You're doing it. So I said, Okay,
I'll do one more year. And that was the year
(04:37):
that I got the audition for Pam on the Office.
By the way, I was also uh starting down my
vet tech. I was working with an animal rescue group
and I was taking care of cats in my own home.
I was learning how to do things like fluids and
all kinds of medical things. I did not know this. Yeah,
(05:01):
I was trapped neutering and releasing cats in the wild word.
Then Allison Jones called and asked me to audition for
the Office. Now I had been auditioning for Allison Jones
for five years. So the first thing I went on
a general meeting with Allison and uh it was a
great meeting, and Allison called me into audition for a
one line role on Freaks and Geeks. I didn't get it.
(05:24):
Then Allison called me to audition for Undeclared, which was
a Jet Apatow show, for one line, and I got it.
And then that one line led to a second episode
where I had two lines. So this was my first
recurring role. But this is all you know a while ago.
Um I think I also through Allison, got my very
(05:46):
first speaking role on television was for Spin City the
Charlie Sheen years. So those were some a few of
my ways that Allison had been in my life, and
she was great. She also called me in for like
a Steven Spielberg mini series that I bombed. It went nowhere.
I was horrible, and she said, maybe drama is not
your thing, and then yeah, you know it's You're gonna
(06:09):
be fine. Don't worry. I'm still going to call you
in for other things, but maybe drama is not your thing.
So very quickly, my Alison Jones story was I moved
to l A right before The Office started, and I
knew the British version of the Office very well, and
I knew they were doing an American version. I was like,
this is the show that I must be on. And
(06:29):
so I went to my agent at the time and
I said, Okay, they're looking for people who are not known,
and they said, this is a direct quote. They said,
they're looking for unknown people, but not like you, unknown,
not like totally. But my manager he kept calling and
calling and calling, and I went and I met with
(06:51):
Phillis then I met with Alison and then I ended
up doing that. Well, so here's the thing that little
caveat in the casting call that said known actors only.
That was why this was my big break. And this
was also why I had been so frustrated and wanted
to give up, because I would go through these long
audition processes for television shows and I would get as
(07:14):
far as the on camera test part, and then they
would give it to Alice and Hannagan. Alison Hannagan got
like three parts that I was four. She I could
not breakthrough Alice in Hannagan. But I was this unknown
actor and I had absolutely nothing to offer a billboard
on sunset boulevard. I had, you know, no name recognition.
(07:37):
So I couldn't get these big lead parts until the office,
when finally the thing that had been working against me
was my gift, which was that I was unknown. Right,
And now, what do you remember about the day off?
Did you see anybody else there any other people that
you you knew at the time or that ended up
being cast, or was there anything specific about that day? Well,
(07:58):
I've seen those casting sheets that Allison showed us at
the end of the series, and I saw all the
various well known now well known people who came in
to read for the different parts, and none of those
people were at my casting call that I remember, but
I was. I was just very focused on my audition.
Can we play that clip? You have a clip? M hmm.
(08:23):
I hope they get rid of me, because then I
might actually get off my ass and do something, because
I don't think it's many little girls dreams to grow
up and be a receptionist. And I don't know what
I'm gonna do, but whatever it is, it's got to
be a career move, not just another arbitrary job. And
Jim's advice was that it's better to be at the
bottom of a ladder that you want to climb than
(08:45):
halfway up one you don't. Was that my audition? That's insane?
Do you remember that? I mean? Was that was that you?
Or was that was that scripted? That was scripted? So
I had a monologue that was scripted that that talking head.
I also did a scene. I did the scene where
Michael fires Pam and she calls him a jerk, where
(09:06):
he fake fires her as a joke, and then I
had a just improvised interview with Greg. Greg Daniels was
there at my first audition. I went, I guess straight
to producers, as they call it. So Alison and Greg
were there, and I remember Greg being very wringing his
(09:27):
hands like in like a fun like he couldn't believe
he's going to get to start this project and he's
so excited, and and I just remember the way he
was looking at me. He was very curious, kind of like,
she's not doing much? Is she interesting? That's so well,
So I'm gonna start talking about myself again, because it's
(09:49):
ultimately everything is about me. My thing was I knew
that Kevin was the part that I should have, and
Alison Jones is brilliant, but she had me reading for Stanley,
and so I read Stanley as if it were Kevin Ah,
And then I left the room thinking, well, I'm not sure,
(10:11):
and sure enough she ran after me and said, we
had this other part that we want you to look at.
And so then that's how that happened. Oh that's amazing. Um,
the test process, how is that? Yeah? So normally when
you test for a show, you just perform your scenes
live in front of a conference room full of executives.
(10:34):
But we were told that because the camera was such
an essential part of our show, and relating to the
camera was so important that they wanted to do an
on camera series of test scenes with the final four
actors for each part. So they called us into an
actual office building for two days and they mixed and
(10:54):
matched us and they taped us doing scenes. And it
was great because we were able to give those looks
to camera. We were able to react when we noticed
the camera was there when we thought it wasn't. It
really was such a huge element of the show. Greg's
other argument for doing it that way was that the
show was small and its acting and the moments that
(11:18):
played the biggest were small moments, and he didn't really
feel like auditioning in a conference room was going to
give the executives the right feel for what he was
going for what the show was. Yeah, totally genius. And
now I think you have told this story or this
is lore. What do you remember about Your manager calls
(11:39):
you and says you've been cast as Pam. Yes, I
think you might be wondering if The first question I
asked was is John Krasinski playing Jim and that is true?
And they said yes, And I was like, Okay, then
we're going to be fine. Because I was a little worried.
I was like, if it's not him, I hope I
can still do it, because they mad to me with
(12:00):
him a lot on our test day, and you know,
I was like, this guy's making it real easy for me,
so please cast me with him. It's a hard time
for hiring, so you need a hiring partner built for
(12:22):
hard times. That's Indeed. If you're hiring, you need Indeed
because Indeed is the hiring partner where you can attract, interview,
and hire all in one place. And Indeed is the
only job site where you're guaranteed to find quality applications
that meet your must have requirements or else you don't pay.
Instead of spending hours on multiple job sites hoping to
(12:46):
find candidates with the right skills, you need one hiring
partner that can help you do it all. Indeed partners
with you on every step of the hiring process, find
great talent through time saving tools like Indeed, instant match
assessments and virtual interviews. With instant Match, as soon as
you sponsor a post, you get a short list of
(13:06):
quality candidates with resumes on Indeed that match your job
description and you can invite them to apply right away. Plus,
you only pay for quality applications that meet your must
have requirements. Join more than three million businesses worldwide that
use Indeed to hire great talent fast. Start hiring right
(13:28):
now with a seventy five dollar sponsored job credit to
upgrade your job post at indeed dot com slash office
deep dive offer valid through March thirty one. Go to
indeed dot com slash office deep dive to claim your
seventy five dollar credit before March one. Indeed dot Com
slash Office deep Dive terms and conditions apply. Need to
(13:51):
hire you need Indeed. Now, going back to the pilot,
it seems to me that so like your test experience, right,
(14:12):
there were a number of things that were unique and
different that came from from Ken or Greg or a combination. Um,
what are some of the things that you remember that
were different in the way that the pilot was shot
from say a normal television show. I remember on the pilot,
(14:32):
everyone in the cast had to be hair and makeup
ready and at their desks starting at seven thirty am,
and we would work quote unquote for thirty minutes. And
Ken would walk around with just a camera operator and
a boom and record us at our desks. Just be
roll of us at our desks, right, And what what
(14:58):
did you think of the pilot when you saw it?
What did I think of the pilot when I saw
I must have watched that pilot a gazillion times. I
have a very embarrassing story about watching them. Okay, go ahead.
So um, there was a friend of a friend who
was this big deal manager and he really wanted to
see the pilot. And I thought, well, I have a
(15:20):
DVD of the pilot. Maybe I'll take it to his office.
But I was so afraid of it leaking that I
insisted that he watched it while I sit across from him.
I wouldn't leave the office without the DVD. I was like, well,
you can watch it, but you have to watch it
right now while I wait, what was I doing? I
was nobody. I don't know. Isn't that so weird? So bizarre?
(15:46):
But he really wanted to see it because he everybody
in town wanted to see the pilot. Everyone wanted to
see it. They were dying to see what this American
version of the British show was going to be. Now, Brian,
do you remember coming to my house and watching the pilot,
sitting on my floor and gathering all together. Yes, I do. Yeah.
Angela was talking to me about it recently and she
was like, well, I remember you couldn't get the sound
(16:08):
to work on your sound system And I was like really,
and she's like yeah. And I remember my dog got
out and I had to chase my dog down the street.
That's another story, but but that was sort of the
beginning of us all gathering together to watch the show
every week, which is what we did. That's so I've
totally forgot about that. Um so, so we're in a
(16:30):
real office space and we are doing this fake work,
b roll stuff, like all of these elements to try
to create sort of the ultimate reality, and to me
that there's something interesting. Well, what would you say your
training was as an act as an actor? Yeah, um,
I have a Bachelor of Arts and Theater from a
(16:50):
little liberal arts college in rural Missouri called Treuman State.
So this job was a dream job for me as
a theater geek. To be able to do this acting
exercise where I'm at my desk excuse me very much,
but I'm acting, was like, oh, it was everything my
training had prepared me for that. Yes, that's and so
(17:13):
that was you. And then Rain and I knew each
other a little bit from theater as well. And then
you've got Angela and Oscar and Steve who are like
improv right, and then we've got b J and Craig
Robinson that are stand up guys. Primarily to me, there's
there was something about the creation of the ensemble that
(17:35):
there were all of these funny people, but they all
sort of had a different perspective, and there was something
about the reality, sort of the ultra reality of being
stuck in this room and doing this work and always
being there together that that sort of helped meld us
together in a weird way. Yeah, I think if we
had all been improv performers, it would have been a
(17:58):
ship show, right, Or if we were all theater people,
we would have been taking off all of ourselves too. Seriously,
the mix was important, like the way all of the
ingredients came together. And I think, you know, another thing
that was really unusual was that we were all always
at work, Because if you weren't a scene, you were
(18:18):
in the background of a scene. We would joke sometimes
we'd be like, do none of us go to the bathroom.
We never leave for lunch, like we're always all at
our desks. By season six or seven, people were going
to the bathroom a little bit more from time to
die more more often that um, all right, well, theater nerd.
(18:38):
How is Pam different from Jenna? Well, it would not
take me three years to tell Jim that I had
feelings for him. I mean, I would have dumped Roy
much quicker. I would have been like, who's this guy?
Because not just that, I mean when we meet Pam
and Jim, they've already been working together for a couple
of years, and then it's still three more years after
(19:00):
that before they figure some stuff out. I mean, I
I'm much more ambitious, much more of an entrepreneurial spirit
then Pam. However, the way that we are very similar
is that it took me a long time, like Pam,
(19:23):
to figure out how to speak up for myself. Like Pam,
I spent many years sitting at a reception desk, wishing
that I was doing something else. I literally sat at
reception desks and daydreamed about the day that I might
be an actor. And Pam sits at that desk and
she daydreams about being artistically expressed, and so I could
(19:44):
really relate to that, that feeling of I want something
more than what I'm doing, but I don't know how
to get it exactly. But I will say that as Jenna,
I was taking much more actions in my life to
get out of my situation than I think Pam did.
It took Pam a lot longer, but she had a
(20:04):
lot of more um forces against her than I did.
You know, I'm not sure Pam's mom was saying things
to her, or her parents were saying things to her like, honey,
you can do anything you want to do. If you
want to be an artist, you go be an artist.
I mean, that was the messaging that I was getting
from my parents. You gotta go for it. Do what
(20:24):
you love in life. Even if you aren't successful, you'll
be glad you did it. I mean, I had those
kind of parents. They didn't support me financially as an actor,
but they supported my spirit and they were always there
for that PEP talk. And I mean, I don't even
know if I can explain how valuable that was. And
it was clear to me that Pam didn't have some
of those tools in her toolbox. Do you do you
(20:47):
think that Greg and the writing staff, because in a
way they were masterful about this, right about finding things,
finding things that were true to you the actor, and
incorporating them into the story. Do you think that Pam's
want and desire to be an artist and to be
seen in that way? Do you think that there's anything
(21:08):
that was taken from you? I'm not sure, because if
I remember correctly, I feel like the character on the
British show had some minor desire to be an artist.
Doesn't Doesn't the Tim character give Don some drawing pencils
at some point? Am I making that up? I don't remember.
I don't know, But um I do know that Greg
(21:31):
used to ask me questions about my thoughts, and that
that was so unusual. The fact that several of our
writers were also actors, so they were down with us,
they were observing us all the time. I mean you,
Angela and Oscar single handedly created that insane dynamic between
the three of you through I believe, improvisation when you
(21:53):
were bored in the background, and so then you've got Mindy,
b J and Paul watching you guys, and then taking
that back up to the writer's room and flushing it out.
It was genius that Greg did it that way. But
then more than that, Greg truly believed that no one
knew our characters more than we did, and he would
(22:13):
ask us questions all the time. He cared about our opinions.
He wanted to know all the time, what do you
think Pam would think of this situation? He was always
very curious. He also knew that I worked in offices
and that I had worked as a receptionist, and he
used to ask me questions, what's the craziest thing one
of your boss has ever made you do? And I
(22:34):
can't remember if I told the story to him before
or after, But there's that episode where Michael is refusing
to sign all of his documents until the end of
the day. He just keeps putting it off and putting
it off and putting it off. And I told Greg
I had this boss once that every month, at the
(22:55):
end of the month, he had to turn in this
boiler plate report and he would put it off and
put it off. And one time he put it off
so long I had to drive to l a X
because that was the last FedEx pickup, and I was
so pissed and Greg was like he loved those stories.
He loved whenever we told him stories like that, and
they would get used. Okay, so we shoot the pilot,
(23:37):
we eventually air. It's striking to me that you started
like December ish right of like two thousand three into January.
We shot the pilot in February of two thousand four,
and it's thirteen months before anything gets on the air.
It's not so I mean, it's well, I've got a
(23:59):
story about that. We shot the pilot in March of
two thousand four, and my thirtieth birthday was March seven
of two thousand four, and I did not invite any
of you to my thirtieth birthday party because I assumed
I would never see you again. I was so sure
that making the pilot was the end of our show,
(24:20):
that it would never get picked up, not because it
wasn't good, but because it was so good and so
weird and so special that no one would give us
a chance. I thought, well, I don't know. All the
word on the street was just have fun making your pilot,
that's all it'll be. And then similarly, have fun making
(24:40):
your next five episodes. They'll probably just be yours. To
own on a DVD Enjoy. So yeah, so then we
go back, we make these five episodes in a complete bubble,
and then it was not until yeah, like that following
what was it? Was it like April of two thousand
five they started March of two thousand five they finally
(25:02):
start airing, and they had to tell us by May
if we were picked up for the second season. Then yeah, crazy,
and we were a disaster, like a ratings disaster. Well,
if if it were today, we would be a ratings
hit right off the bat, because but yes, we were
(25:24):
a ratings disaster. But then you know what happened, and
I know exactly why we got picked up. It was
that four year old virgin came out. Yeah, four year
old virgin came out. And I can I can hear
in my imagination a conference room filled with NBC executives
(25:46):
all saying, we aren't going to be the assholes who
let Steve Correll, the number one box office comedy start
out of his television contract. We're picking up this show
for six episodes of season two. Again, six episode odes
is all we got for season two. But then they
really did Taylor the show more to Steve more to
(26:08):
what Steve would be as Michael rather than um as
inspired by David Brent. So what do you remember. What
differences do you remember between one and two, like artistic changes,
artistic changes. I think the biggest thing I noticed was
when we started season two, Steve had lost like what
twenty pounds are more? I don't know. He was so
fit because he had gotten in shape for four year
(26:29):
old virgin. And they started allowing the character of Michael
to be more sympathetic. They would let him break our
heart a little bit. Even in the Dundees, for example,
you see a bunch of people heckel Michael, and then
you see the people in the office stand up for Michael.
(26:50):
And in the first season none of us ever stood
up for Michael. We all just hated Michael. But they
started to allow Steve to display vulnerability, which he's so
good at. But then also you have an episode in
season two, like the Client, where you see Michael start
out as what seems like a total buffoon and turn
(27:12):
into a masterful salesperson. Right, you see a reason that
he actually has this job. Yes, And I think those
were differences. In the first season we just really leaned
into his mean spirited buffoonery, the ways he irritated us,
but now in season two we were bringing out sprinklings
(27:33):
of these very redeeming qualities in him. Or even the
Halloween episode in season two where at the very end,
after he's had this horrible day of having to fire someone,
you see him hand out candy to these little kids.
It makes me cry every time I watch it every time.
Or the end of Office Olympics where he's crying because
(27:53):
everyone is so genuinely applauding for his purchase of a condo.
These little moments in each episode, there seem to be
one in each episode that was very different from season one.
Right um season two, everything everything changed, Right, so we
have six episodes, and then we do six episodes, and
(28:14):
then didn't we get four more? And then three more,
and then two? And then what I remember very clearly
was sometime after the New year, they said, okay, you
can finish two, and then within two weeks we had
(28:37):
an order for season three, a full order. I did
not remember that. Yes I do. Do you think I'm wrong? No,
I don't, You're wrong. I always wondered, because to me,
I did not feel like I had job security until
Steve won the Golden Globe. Well there was that, and
then there was iTunes. Yeah, they started doing the video iPods.
(29:00):
The Christmas episode went to number one like that, and
the Christmas episode on TV was our highest rated show.
So it was like, you know, from December to January
suddenly things changed. And then after season two we won
the Emmy. Yes, is there anything specific about that night
(29:23):
that you remember? I remember that Emmy's because at this
point now we had become a bit of a critical darling.
So in the beginning, the critics hated us and they
only compared us to the British show. And then we
had turned them around now in time for this Emmy Awards,
and so being at these awards, we were the new
(29:46):
kids on the block. We were super fresh. The critics
loved us, but we were still not a front runner
to win, and so it was a complete surprise when
we won. Many people there had no idea who we were.
They didn't recognize us. It's funny, I remember, um. I
remember running into the cast of Scrubs and they were
(30:08):
like the big deal guys and we were the newbies
and they were super nice to us, and I was like,
oh my gosh, it's Scrubs. Cut to like eight years later.
I remember then being at an awards show and running
into the next batch, the new freshman class of TV,
and I remember thinking, Oh, I'm Scrubs. Now, we're Scrubs.
(30:31):
We're We're like the kids who've been around the block
a few times. Totally. See mine wasn't mine was Porsche
DROSSI Oh, you ran into at the first Emmy super nice,
so great. Yes, And that's what I thought. UM. Going
back a little bit. Another thing that I think made
us really unique, um and also sort of that ultra
(30:55):
realism was Scratton. Yeah, and making the decision for it
to be Scranton. Well, and I know that they did
a lot of research when it came to just the
things that were around the office, local radio stations, hers
potato chips from Pennsylvania, we're in our vending machine, really
(31:19):
creating this realism, the Lackawanna County, um coal mine, things
like that, you know, working all that stuff into the show.
I know it really always broke Greg's heart that we
never shot an episode in Scranton. Every year they would
toy with the idea of taking us there, and it
was just always cost prohibitive. I know Greg's dream was
(31:41):
that we would shoot the St. Patrick's Day parade. This
is so crazy that you're saying this. That was literally
when asked my biggest regret, that was it. Yeah, I
would say the same. My biggest regret was that we
never shot in Scranton. But the city of Scranton. I
remember one year they were really looking into this parade idea,
(32:04):
and they agreed to move their parade two months earlier,
you know, because we would have to shoot before St.
Patrick's Day. So they were going to have their St.
Patrick's Day parade in January, and they just couldn't figure out,
cost wise how to get the entire cast and crew there.
Right to me, it's it's this weird like dichotomy thing
(32:25):
where even though it was about Scratton where very few
people had gone right on a national scale, like people
don't know those places, but having those details sprinkled into
me somehow translated to making it more universal. I absolutely
agree with you. I think as a person who grew
(32:46):
up in St. Louis, Missouri, me and other people who
grew up there, we so identify our city as part
of us, and so it made it more universally real
that we identified so strongly with the city. We were
in Scranton, and I think that's true of a lot
of people where you grow up. Right. No, absolutely, there's
(33:08):
just I love that city and there's something about my
connection to that city. Do you remember the I can't
remember the year, but the presidential election right where everybody
who was running somehow suddenly everybody was from Scranton, right,
like Joe Biden, Scranton connection, Hillary Clinton. They were all
(33:30):
trying to get into the office. Totally, it was all like,
oh yeah in Scranton, Pennsylvania. I used to go and
visit Grandma and she would you know. It was this
crazy like became this sort of cultural touchstone, like the
heart of the nation is located in Scranton, Pennsylvania. I
love it. Um we talked about there was an interesting
(33:52):
thing where, you know, the ultimate question is why the
show is what it is out, which will examine in
a minute. But it seems like we were writing this
digital wave right like the show started. We're going to
do a show about a dying industry, and at the
same time that we're doing a show about a dying industry,
(34:15):
the technological advances we end up writing this wave. Well,
early on you might remember a bunch of us were
on MySpace. Yes we're going to discuss We're well, Angela,
b J and I and you did as well. We
had these MySpace pages that were on our computers while
we were in scenes, and we were interacting with people
(34:38):
on my Space. We were blogging, but we were also
I would type things to people like an instant message,
like Hey, when you watch the such and such episode
in this scene, you'll know I was typing this to you.
And we just it was like before Twitter, before Instagram,
before social media. It was really before Facebook. My Space
(35:00):
was the place that there was this social interaction totally.
And then there was iTunes that was huge for us.
And then there were the webisodes, the first show that
did that online content and obviously sort of culminating in
in Netflix. How do you think that the that those
things helped us either reach an audience or well, I
(35:22):
think it connected people deeply to the show. And to
have the actors of the TV show that you really
love interacting with you, answering your questions, caring as much
as you do, it kind of makes you feel like
you're part of it. In a more real, intimate way,
(35:43):
and also it was real. That connection was real. There
would be times when the writers and Greg would read
some Twitter feedback about an episode or a storyline, and
it did affect things going forward. Give me my Remote
I think was a website to where give me my remote? Yeah? Yeah,
(36:04):
all of the stuff. Yes, the idea of these bloggers.
We had a bunch of fan sites. We had Office
Tally dot com run by Jenny tan and this gal,
Jenny did such a good job of running this website
that she would we would invite her to visit the
set and give her exclusives and things. And then there
was Northern Attack that was based on that line from
(36:27):
Diversity Day as Abraham Lincoln said, I will attack you
with the North Northern Attack. I love Northern, so give
me my remote. Northern Attack. All of these TV websites
and bloggers people started blogging about us, and we were cool, right, like,
oh no, totally yeah. And so you were part of something, Yeah,
(36:50):
you were part of something. You were part of a
movement in a way, and and our show was part
of that movement. I think, all right, we're gonna pause
(37:10):
there for now, but we are going to be back
with more Jenna, Oh my gosh, it's so good. It's
so good. I'm gonna make you wait for it until then.
Thank you for listening, all of you, and have have
a fantastic week. The Office. Deep Dive is hosted and
(37:37):
executive produced by me Brian Baumgartner, alongside our executive producer Langley.
Our senior producer is Tessa Kramer, our associate producer is
Emily Carr, and our assistant editor is Diego Tapia. My
main man in the booth is Alec Moore. Our theme
song Bubble and Squeak, performed by my great friend Creed Bratton,
(37:59):
and the episode was mixed by Seth Olandsky
This is Jenna Fisher. I played Pam Beasley. Hi everybody,
welcome back. Here we are. We're back baby the Office
Deep Dive. I'm your host, Brian Baumgartner. Today you will
be hearing my conversation with Jenna Fisher. Let me tell
(00:30):
you something. Jenna and I bonded during the run of
the show. We were both nerds for television, and we
would have long conversations about television and what we were
doing in television. In a way, those conversations are what
led me to want to do this podcast. Conversations that
(00:51):
I had over the years with Jenna and recently since
I started this podcast. And she obviously is the grand Puma.
I don't think that's the right phrase of podcast. Her
and Angela obviously a host and produced office Ladies. Jenna
and I over the last couple of years have been
bonding once again over the office, what the office means
(01:16):
today in the cultural zeitgeist, and she and I have
had lengthy conversations about that very subject. And today you're
gonna get to be a a fly on the wall.
I can't wait for you to hear it. She is
one of the most insightful, incisive, smart uh women that
I know, and I'm so excited to talk about the
(01:38):
thing that we both love, the office. So here she
is Jenna Fisher. Bubble and squeak, I love it. Bubble
and squeaker, Bubble and squeaker cookie, every moon, lift over
(01:59):
the night, befo. Oh are you? What is this? I
don't know? Are you? Oh my gosh, it's happening. You
(02:23):
can see. I got all dressed up in my in
my hat and puffy coat. I are we beginning? Have
we begun? I mean you're ready? Looks Officially, you have
papers and in a computer? Do you use a You
don't use a computer during my podcast, I use papers
and Angel uses notes note cards. See. I can scroll here,
(02:44):
I can scroll through things, and I can skip on
interesting things. But you're staring right in my eyes while
you do Yeah, so I don't have to do this. Yeah.
That's so loud and messy, and I was very distracted
by that. It's slightly weird to be staring it out
while someone's hand is like scrolling. I won't see it.
I won't, I won't. I'm not going to scroll through
(03:06):
fifteen pages. Fifteen pages. Listen, there's a lot here. This
is a big day. It's a really big day. So
two three, what were you doing before the office? I
had been at this point finally making a living as
an actor for one year. I'd been in Los Angeles
(03:28):
over seven years, but I was finally earning my all
of my living from just acting. I had done a pilot.
You get paid a lot to do a pilot, so
that was a big thing. But the pilot wasn't picked up.
So I made a grandiose announcement to my management and
agents that I would be quitting acting. I couldn't take
it anymore. I couldn't take the rejection. I just was
(03:51):
putting my heart out there and I just thought, I'm
going to become a vet technician. I was very sure
this is true, this is true. Don't remember this. I
looked into it. It's a two year program. It's very
full time. And my manager, Naomi oeden Kirk, she said
to me, Jenna, will you give us one more year?
I mean, you're so close, you really are. You don't
(04:14):
understand this is what it is. My acting coach yelled
at me and said, don't be stupid. You're doing great.
This is what an actor's life is. It's a series
of minor accomplishments and tons of rejection. So this is
being an actor. You're doing it. So I said, Okay,
I'll do one more year. And that was the year
(04:37):
that I got the audition for Pam on the Office.
By the way, I was also uh starting down my
vet tech. I was working with an animal rescue group
and I was taking care of cats in my own home.
I was learning how to do things like fluids and
all kinds of medical things. I did not know this. Yeah,
(05:01):
I was trapped neutering and releasing cats in the wild word.
Then Allison Jones called and asked me to audition for
the Office. Now I had been auditioning for Allison Jones
for five years. So the first thing I went on
a general meeting with Allison and uh it was a
great meeting, and Allison called me into audition for a
one line role on Freaks and Geeks. I didn't get it.
(05:24):
Then Allison called me to audition for Undeclared, which was
a Jet Apatow show, for one line, and I got it.
And then that one line led to a second episode
where I had two lines. So this was my first
recurring role. But this is all you know a while ago.
Um I think I also through Allison, got my very
(05:46):
first speaking role on television was for Spin City the
Charlie Sheen years. So those were some a few of
my ways that Allison had been in my life, and
she was great. She also called me in for like
a Steven Spielberg mini series that I bombed. It went nowhere.
I was horrible, and she said, maybe drama is not
your thing, and then yeah, you know it's You're gonna
(06:09):
be fine. Don't worry. I'm still going to call you
in for other things, but maybe drama is not your thing.
So very quickly, my Alison Jones story was I moved
to l A right before The Office started, and I
knew the British version of the Office very well, and
I knew they were doing an American version. I was like,
this is the show that I must be on. And
(06:29):
so I went to my agent at the time and
I said, Okay, they're looking for people who are not known,
and they said, this is a direct quote. They said,
they're looking for unknown people, but not like you, unknown,
not like totally. But my manager he kept calling and
calling and calling, and I went and I met with
(06:51):
Phillis then I met with Alison and then I ended
up doing that. Well, so here's the thing that little
caveat in the casting call that said known actors only.
That was why this was my big break. And this
was also why I had been so frustrated and wanted
to give up, because I would go through these long
audition processes for television shows and I would get as
(07:14):
far as the on camera test part, and then they
would give it to Alice and Hannagan. Alison Hannagan got
like three parts that I was four. She I could
not breakthrough Alice in Hannagan. But I was this unknown
actor and I had absolutely nothing to offer a billboard
on sunset boulevard. I had, you know, no name recognition.
(07:37):
So I couldn't get these big lead parts until the office,
when finally the thing that had been working against me
was my gift, which was that I was unknown. Right,
And now, what do you remember about the day off?
Did you see anybody else there any other people that
you you knew at the time or that ended up
being cast, or was there anything specific about that day? Well,
(07:58):
I've seen those casting sheets that Allison showed us at
the end of the series, and I saw all the
various well known now well known people who came in
to read for the different parts, and none of those
people were at my casting call that I remember, but
I was. I was just very focused on my audition.
Can we play that clip? You have a clip? M hmm.
(08:23):
I hope they get rid of me, because then I
might actually get off my ass and do something, because
I don't think it's many little girls dreams to grow
up and be a receptionist. And I don't know what
I'm gonna do, but whatever it is, it's got to
be a career move, not just another arbitrary job. And
Jim's advice was that it's better to be at the
bottom of a ladder that you want to climb than
(08:45):
halfway up one you don't. Was that my audition? That's insane?
Do you remember that? I mean? Was that was that you?
Or was that was that scripted? That was scripted? So
I had a monologue that was scripted that that talking head.
I also did a scene. I did the scene where
Michael fires Pam and she calls him a jerk, where
(09:06):
he fake fires her as a joke, and then I
had a just improvised interview with Greg. Greg Daniels was
there at my first audition. I went, I guess straight
to producers, as they call it. So Alison and Greg
were there, and I remember Greg being very wringing his
(09:27):
hands like in like a fun like he couldn't believe
he's going to get to start this project and he's
so excited, and and I just remember the way he
was looking at me. He was very curious, kind of like,
she's not doing much? Is she interesting? That's so well,
So I'm gonna start talking about myself again, because it's
(09:49):
ultimately everything is about me. My thing was I knew
that Kevin was the part that I should have, and
Alison Jones is brilliant, but she had me reading for Stanley,
and so I read Stanley as if it were Kevin Ah,
And then I left the room thinking, well, I'm not sure,
(10:11):
and sure enough she ran after me and said, we
had this other part that we want you to look at.
And so then that's how that happened. Oh that's amazing. Um,
the test process, how is that? Yeah? So normally when
you test for a show, you just perform your scenes
live in front of a conference room full of executives.
(10:34):
But we were told that because the camera was such
an essential part of our show, and relating to the
camera was so important that they wanted to do an
on camera series of test scenes with the final four
actors for each part. So they called us into an
actual office building for two days and they mixed and
(10:54):
matched us and they taped us doing scenes. And it
was great because we were able to give those looks
to camera. We were able to react when we noticed
the camera was there when we thought it wasn't. It
really was such a huge element of the show. Greg's
other argument for doing it that way was that the
show was small and its acting and the moments that
(11:18):
played the biggest were small moments, and he didn't really
feel like auditioning in a conference room was going to
give the executives the right feel for what he was
going for what the show was. Yeah, totally genius. And
now I think you have told this story or this
is lore. What do you remember about Your manager calls
(11:39):
you and says you've been cast as Pam. Yes, I
think you might be wondering if The first question I
asked was is John Krasinski playing Jim and that is true?
And they said yes, And I was like, Okay, then
we're going to be fine. Because I was a little worried.
I was like, if it's not him, I hope I
can still do it, because they mad to me with
(12:00):
him a lot on our test day, and you know,
I was like, this guy's making it real easy for me,
so please cast me with him. It's a hard time
for hiring, so you need a hiring partner built for
(12:22):
hard times. That's Indeed. If you're hiring, you need Indeed
because Indeed is the hiring partner where you can attract, interview,
and hire all in one place. And Indeed is the
only job site where you're guaranteed to find quality applications
that meet your must have requirements or else you don't pay.
Instead of spending hours on multiple job sites hoping to
(12:46):
find candidates with the right skills, you need one hiring
partner that can help you do it all. Indeed partners
with you on every step of the hiring process, find
great talent through time saving tools like Indeed, instant match
assessments and virtual interviews. With instant Match, as soon as
you sponsor a post, you get a short list of
(13:06):
quality candidates with resumes on Indeed that match your job
description and you can invite them to apply right away. Plus,
you only pay for quality applications that meet your must
have requirements. Join more than three million businesses worldwide that
use Indeed to hire great talent fast. Start hiring right
(13:28):
now with a seventy five dollar sponsored job credit to
upgrade your job post at indeed dot com slash office
deep dive offer valid through March thirty one. Go to
indeed dot com slash office deep dive to claim your
seventy five dollar credit before March one. Indeed dot Com
slash Office deep Dive terms and conditions apply. Need to
(13:51):
hire you need Indeed. Now, going back to the pilot,
it seems to me that so like your test experience, right,
(14:12):
there were a number of things that were unique and
different that came from from Ken or Greg or a combination. Um,
what are some of the things that you remember that
were different in the way that the pilot was shot
from say a normal television show. I remember on the pilot,
(14:32):
everyone in the cast had to be hair and makeup
ready and at their desks starting at seven thirty am,
and we would work quote unquote for thirty minutes. And
Ken would walk around with just a camera operator and
a boom and record us at our desks. Just be
roll of us at our desks, right, And what what
(14:58):
did you think of the pilot when you saw it?
What did I think of the pilot when I saw
I must have watched that pilot a gazillion times. I
have a very embarrassing story about watching them. Okay, go ahead.
So um, there was a friend of a friend who
was this big deal manager and he really wanted to
see the pilot. And I thought, well, I have a
(15:20):
DVD of the pilot. Maybe I'll take it to his office.
But I was so afraid of it leaking that I
insisted that he watched it while I sit across from him.
I wouldn't leave the office without the DVD. I was like, well,
you can watch it, but you have to watch it
right now while I wait, what was I doing? I
was nobody. I don't know. Isn't that so weird? So bizarre?
(15:46):
But he really wanted to see it because he everybody
in town wanted to see the pilot. Everyone wanted to
see it. They were dying to see what this American
version of the British show was going to be. Now, Brian,
do you remember coming to my house and watching the pilot,
sitting on my floor and gathering all together. Yes, I do. Yeah.
Angela was talking to me about it recently and she
was like, well, I remember you couldn't get the sound
(16:08):
to work on your sound system And I was like really,
and she's like yeah. And I remember my dog got
out and I had to chase my dog down the street.
That's another story, but but that was sort of the
beginning of us all gathering together to watch the show
every week, which is what we did. That's so I've
totally forgot about that. Um so, so we're in a
(16:30):
real office space and we are doing this fake work,
b roll stuff, like all of these elements to try
to create sort of the ultimate reality, and to me
that there's something interesting. Well, what would you say your
training was as an act as an actor? Yeah, um,
I have a Bachelor of Arts and Theater from a
(16:50):
little liberal arts college in rural Missouri called Treuman State.
So this job was a dream job for me as
a theater geek. To be able to do this acting
exercise where I'm at my desk excuse me very much,
but I'm acting, was like, oh, it was everything my
training had prepared me for that. Yes, that's and so
(17:13):
that was you. And then Rain and I knew each
other a little bit from theater as well. And then
you've got Angela and Oscar and Steve who are like
improv right, and then we've got b J and Craig
Robinson that are stand up guys. Primarily to me, there's
there was something about the creation of the ensemble that
(17:35):
there were all of these funny people, but they all
sort of had a different perspective, and there was something
about the reality, sort of the ultra reality of being
stuck in this room and doing this work and always
being there together that that sort of helped meld us
together in a weird way. Yeah, I think if we
had all been improv performers, it would have been a
(17:58):
ship show, right, Or if we were all theater people,
we would have been taking off all of ourselves too. Seriously,
the mix was important, like the way all of the
ingredients came together. And I think, you know, another thing
that was really unusual was that we were all always
at work, Because if you weren't a scene, you were
(18:18):
in the background of a scene. We would joke sometimes
we'd be like, do none of us go to the bathroom.
We never leave for lunch, like we're always all at
our desks. By season six or seven, people were going
to the bathroom a little bit more from time to
die more more often that um, all right, well, theater nerd.
(18:38):
How is Pam different from Jenna? Well, it would not
take me three years to tell Jim that I had
feelings for him. I mean, I would have dumped Roy
much quicker. I would have been like, who's this guy?
Because not just that, I mean when we meet Pam
and Jim, they've already been working together for a couple
of years, and then it's still three more years after
(19:00):
that before they figure some stuff out. I mean, I
I'm much more ambitious, much more of an entrepreneurial spirit
then Pam. However, the way that we are very similar
is that it took me a long time, like Pam,
(19:23):
to figure out how to speak up for myself. Like Pam,
I spent many years sitting at a reception desk, wishing
that I was doing something else. I literally sat at
reception desks and daydreamed about the day that I might
be an actor. And Pam sits at that desk and
she daydreams about being artistically expressed, and so I could
(19:44):
really relate to that, that feeling of I want something
more than what I'm doing, but I don't know how
to get it exactly. But I will say that as Jenna,
I was taking much more actions in my life to
get out of my situation than I think Pam did.
It took Pam a lot longer, but she had a
(20:04):
lot of more um forces against her than I did.
You know, I'm not sure Pam's mom was saying things
to her, or her parents were saying things to her like, honey,
you can do anything you want to do. If you
want to be an artist, you go be an artist.
I mean, that was the messaging that I was getting
from my parents. You gotta go for it. Do what
(20:24):
you love in life. Even if you aren't successful, you'll
be glad you did it. I mean, I had those
kind of parents. They didn't support me financially as an actor,
but they supported my spirit and they were always there
for that PEP talk. And I mean, I don't even
know if I can explain how valuable that was. And
it was clear to me that Pam didn't have some
of those tools in her toolbox. Do you do you
(20:47):
think that Greg and the writing staff, because in a
way they were masterful about this, right about finding things,
finding things that were true to you the actor, and
incorporating them into the story. Do you think that Pam's
want and desire to be an artist and to be
seen in that way? Do you think that there's anything
(21:08):
that was taken from you? I'm not sure, because if
I remember correctly, I feel like the character on the
British show had some minor desire to be an artist.
Doesn't Doesn't the Tim character give Don some drawing pencils
at some point? Am I making that up? I don't remember.
I don't know, But um I do know that Greg
(21:31):
used to ask me questions about my thoughts, and that
that was so unusual. The fact that several of our
writers were also actors, so they were down with us,
they were observing us all the time. I mean you,
Angela and Oscar single handedly created that insane dynamic between
the three of you through I believe, improvisation when you
(21:53):
were bored in the background, and so then you've got Mindy,
b J and Paul watching you guys, and then taking
that back up to the writer's room and flushing it out.
It was genius that Greg did it that way. But
then more than that, Greg truly believed that no one
knew our characters more than we did, and he would
(22:13):
ask us questions all the time. He cared about our opinions.
He wanted to know all the time, what do you
think Pam would think of this situation? He was always
very curious. He also knew that I worked in offices
and that I had worked as a receptionist, and he
used to ask me questions, what's the craziest thing one
of your boss has ever made you do? And I
(22:34):
can't remember if I told the story to him before
or after, But there's that episode where Michael is refusing
to sign all of his documents until the end of
the day. He just keeps putting it off and putting
it off and putting it off. And I told Greg
I had this boss once that every month, at the
(22:55):
end of the month, he had to turn in this
boiler plate report and he would put it off and
put it off. And one time he put it off
so long I had to drive to l a X
because that was the last FedEx pickup, and I was
so pissed and Greg was like he loved those stories.
He loved whenever we told him stories like that, and
they would get used. Okay, so we shoot the pilot,
(23:37):
we eventually air. It's striking to me that you started
like December ish right of like two thousand three into January.
We shot the pilot in February of two thousand four,
and it's thirteen months before anything gets on the air.
It's not so I mean, it's well, I've got a
(23:59):
story about that. We shot the pilot in March of
two thousand four, and my thirtieth birthday was March seven
of two thousand four, and I did not invite any
of you to my thirtieth birthday party because I assumed
I would never see you again. I was so sure
that making the pilot was the end of our show,
(24:20):
that it would never get picked up, not because it
wasn't good, but because it was so good and so
weird and so special that no one would give us
a chance. I thought, well, I don't know. All the
word on the street was just have fun making your pilot,
that's all it'll be. And then similarly, have fun making
(24:40):
your next five episodes. They'll probably just be yours. To
own on a DVD Enjoy. So yeah, so then we
go back, we make these five episodes in a complete bubble,
and then it was not until yeah, like that following
what was it? Was it like April of two thousand
five they started March of two thousand five they finally
(25:02):
start airing, and they had to tell us by May
if we were picked up for the second season. Then yeah, crazy,
and we were a disaster, like a ratings disaster. Well,
if if it were today, we would be a ratings
hit right off the bat, because but yes, we were
(25:24):
a ratings disaster. But then you know what happened, and
I know exactly why we got picked up. It was
that four year old virgin came out. Yeah, four year
old virgin came out. And I can I can hear
in my imagination a conference room filled with NBC executives
(25:46):
all saying, we aren't going to be the assholes who
let Steve Correll, the number one box office comedy start
out of his television contract. We're picking up this show
for six episodes of season two. Again, six episode odes
is all we got for season two. But then they
really did Taylor the show more to Steve more to
(26:08):
what Steve would be as Michael rather than um as
inspired by David Brent. So what do you remember. What
differences do you remember between one and two, like artistic changes,
artistic changes. I think the biggest thing I noticed was
when we started season two, Steve had lost like what
twenty pounds are more? I don't know. He was so
fit because he had gotten in shape for four year
(26:29):
old virgin. And they started allowing the character of Michael
to be more sympathetic. They would let him break our
heart a little bit. Even in the Dundees, for example,
you see a bunch of people heckel Michael, and then
you see the people in the office stand up for Michael.
(26:50):
And in the first season none of us ever stood
up for Michael. We all just hated Michael. But they
started to allow Steve to display vulnerability, which he's so
good at. But then also you have an episode in
season two, like the Client, where you see Michael start
out as what seems like a total buffoon and turn
(27:12):
into a masterful salesperson. Right, you see a reason that
he actually has this job. Yes, And I think those
were differences. In the first season we just really leaned
into his mean spirited buffoonery, the ways he irritated us,
but now in season two we were bringing out sprinklings
(27:33):
of these very redeeming qualities in him. Or even the
Halloween episode in season two where at the very end,
after he's had this horrible day of having to fire someone,
you see him hand out candy to these little kids.
It makes me cry every time I watch it every time.
Or the end of Office Olympics where he's crying because
(27:53):
everyone is so genuinely applauding for his purchase of a condo.
These little moments in each episode, there seem to be
one in each episode that was very different from season one.
Right um season two, everything everything changed, Right, so we
have six episodes, and then we do six episodes, and
(28:14):
then didn't we get four more? And then three more,
and then two? And then what I remember very clearly
was sometime after the New year, they said, okay, you
can finish two, and then within two weeks we had
(28:37):
an order for season three, a full order. I did
not remember that. Yes I do. Do you think I'm wrong? No,
I don't, You're wrong. I always wondered, because to me,
I did not feel like I had job security until
Steve won the Golden Globe. Well there was that, and
then there was iTunes. Yeah, they started doing the video iPods.
(29:00):
The Christmas episode went to number one like that, and
the Christmas episode on TV was our highest rated show.
So it was like, you know, from December to January
suddenly things changed. And then after season two we won
the Emmy. Yes, is there anything specific about that night
(29:23):
that you remember? I remember that Emmy's because at this
point now we had become a bit of a critical darling.
So in the beginning, the critics hated us and they
only compared us to the British show. And then we
had turned them around now in time for this Emmy Awards,
and so being at these awards, we were the new
(29:46):
kids on the block. We were super fresh. The critics
loved us, but we were still not a front runner
to win, and so it was a complete surprise when
we won. Many people there had no idea who we were.
They didn't recognize us. It's funny, I remember, um. I
remember running into the cast of Scrubs and they were
(30:08):
like the big deal guys and we were the newbies
and they were super nice to us, and I was like,
oh my gosh, it's Scrubs. Cut to like eight years later.
I remember then being at an awards show and running
into the next batch, the new freshman class of TV,
and I remember thinking, Oh, I'm Scrubs. Now, we're Scrubs.
(30:31):
We're We're like the kids who've been around the block
a few times. Totally. See mine wasn't mine was Porsche
DROSSI Oh, you ran into at the first Emmy super nice,
so great. Yes, And that's what I thought. UM. Going
back a little bit. Another thing that I think made
us really unique, um and also sort of that ultra
(30:55):
realism was Scratton. Yeah, and making the decision for it
to be Scranton. Well, and I know that they did
a lot of research when it came to just the
things that were around the office, local radio stations, hers
potato chips from Pennsylvania, we're in our vending machine, really
(31:19):
creating this realism, the Lackawanna County, um coal mine, things
like that, you know, working all that stuff into the show.
I know it really always broke Greg's heart that we
never shot an episode in Scranton. Every year they would
toy with the idea of taking us there, and it
was just always cost prohibitive. I know Greg's dream was
(31:41):
that we would shoot the St. Patrick's Day parade. This
is so crazy that you're saying this. That was literally
when asked my biggest regret, that was it. Yeah, I
would say the same. My biggest regret was that we
never shot in Scranton. But the city of Scranton. I
remember one year they were really looking into this parade idea,
(32:04):
and they agreed to move their parade two months earlier,
you know, because we would have to shoot before St.
Patrick's Day. So they were going to have their St.
Patrick's Day parade in January, and they just couldn't figure out,
cost wise how to get the entire cast and crew there.
Right to me, it's it's this weird like dichotomy thing
(32:25):
where even though it was about Scratton where very few
people had gone right on a national scale, like people
don't know those places, but having those details sprinkled into
me somehow translated to making it more universal. I absolutely
agree with you. I think as a person who grew
(32:46):
up in St. Louis, Missouri, me and other people who
grew up there, we so identify our city as part
of us, and so it made it more universally real
that we identified so strongly with the city. We were
in Scranton, and I think that's true of a lot
of people where you grow up. Right. No, absolutely, there's
(33:08):
just I love that city and there's something about my
connection to that city. Do you remember the I can't
remember the year, but the presidential election right where everybody
who was running somehow suddenly everybody was from Scranton, right,
like Joe Biden, Scranton connection, Hillary Clinton. They were all
(33:30):
trying to get into the office. Totally, it was all like,
oh yeah in Scranton, Pennsylvania. I used to go and
visit Grandma and she would you know. It was this
crazy like became this sort of cultural touchstone, like the
heart of the nation is located in Scranton, Pennsylvania. I
love it. Um we talked about there was an interesting
(33:52):
thing where, you know, the ultimate question is why the
show is what it is out, which will examine in
a minute. But it seems like we were writing this
digital wave right like the show started. We're going to
do a show about a dying industry, and at the
same time that we're doing a show about a dying industry,
(34:15):
the technological advances we end up writing this wave. Well,
early on you might remember a bunch of us were
on MySpace. Yes we're going to discuss We're well, Angela,
b J and I and you did as well. We
had these MySpace pages that were on our computers while
we were in scenes, and we were interacting with people
(34:38):
on my Space. We were blogging, but we were also
I would type things to people like an instant message,
like Hey, when you watch the such and such episode
in this scene, you'll know I was typing this to you.
And we just it was like before Twitter, before Instagram,
before social media. It was really before Facebook. My Space
(35:00):
was the place that there was this social interaction totally.
And then there was iTunes that was huge for us.
And then there were the webisodes, the first show that
did that online content and obviously sort of culminating in
in Netflix. How do you think that the that those
things helped us either reach an audience or well, I
(35:22):
think it connected people deeply to the show. And to
have the actors of the TV show that you really
love interacting with you, answering your questions, caring as much
as you do, it kind of makes you feel like
you're part of it. In a more real, intimate way,
(35:43):
and also it was real. That connection was real. There
would be times when the writers and Greg would read
some Twitter feedback about an episode or a storyline, and
it did affect things going forward. Give me my Remote
I think was a website to where give me my remote? Yeah? Yeah,
(36:04):
all of the stuff. Yes, the idea of these bloggers.
We had a bunch of fan sites. We had Office
Tally dot com run by Jenny tan and this gal,
Jenny did such a good job of running this website
that she would we would invite her to visit the
set and give her exclusives and things. And then there
was Northern Attack that was based on that line from
(36:27):
Diversity Day as Abraham Lincoln said, I will attack you
with the North Northern Attack. I love Northern, so give
me my remote. Northern Attack. All of these TV websites
and bloggers people started blogging about us, and we were cool, right, like,
oh no, totally yeah. And so you were part of something, Yeah,
(36:50):
you were part of something. You were part of a
movement in a way, and and our show was part
of that movement. I think, all right, we're gonna pause
(37:10):
there for now, but we are going to be back
with more Jenna, Oh my gosh, it's so good. It's
so good. I'm gonna make you wait for it until then.
Thank you for listening, all of you, and have have
a fantastic week. The Office. Deep Dive is hosted and
(37:37):
executive produced by me Brian Baumgartner, alongside our executive producer Langley.
Our senior producer is Tessa Kramer, our associate producer is
Emily Carr, and our assistant editor is Diego Tapia. My
main man in the booth is Alec Moore. Our theme
song Bubble and Squeak, performed by my great friend Creed Bratton,
(37:59):
and the episode was mixed by Seth Olandsky
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com