March 5, 2025 • 28 mins
Back on the move, Fernando and Juan hunt down Mrs. Livingston’s granddaughter, Clara, by joining forces with Juan’s coworker. The trio must infiltrate a Brooklyn rave to locate the painting's whereabouts.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
The setup, Episode four.
Speaker 2 (00:07):
It's not you, it's me.
Speaker 3 (00:12):
The train is approaching the next station.
Speaker 4 (00:14):
Please watch your stuff.
Speaker 5 (00:16):
He literally slept on the floor.
Speaker 6 (00:18):
I screw it up, like I screw everything up, and
now I feel like this huge wall between us.
Speaker 4 (00:22):
This is precisely what I was concerned about when you
decided to rush into a romantic getaway.
Speaker 7 (00:27):
Done.
Speaker 4 (00:28):
You and Fernando are still learning each other's emotional boundaries.
Speaker 2 (00:32):
You're right, okay, he can really look at me. He's
just I don't know, he's fixated on his computer.
Speaker 5 (00:37):
He's icing me out.
Speaker 1 (00:38):
Oh God, what I do?
Speaker 4 (00:40):
Perhaps we should try another strategy to break down Fernando's
emotional walls. If he won't express himself to you on
his own, maybe you can coax an emotional expression from him.
Why do you encourage him to be vulnerable?
Speaker 2 (00:53):
You mean like asking him what's wrong? I've already tried that.
Speaker 7 (00:55):
He won't budget.
Speaker 2 (00:56):
It's getting awkward for me to keep asking the same Ope.
Speaker 4 (00:59):
Uncomfortable moments are a natural part for getting to know someone.
But remember, everything is infinitely more complicated when you add
in the prospect of sexual.
Speaker 8 (01:08):
Creations, sexual relation. God, what was that?
Speaker 7 (01:12):
What?
Speaker 8 (01:12):
Nothing?
Speaker 6 (01:13):
Now? I was just was talking to a boiler about
her new sectional that's being delivered.
Speaker 8 (01:18):
Because when you're done, I have a lead.
Speaker 4 (01:20):
Remember one dent in Fernando Zo could open the relationship.
Speaker 6 (01:24):
Can I tell you back in a bits, Please use
caution as you Okay, So.
Speaker 9 (01:31):
About last night and Clara Livingston's after she leases a
studio apartment in Dumbo.
Speaker 8 (01:36):
Wow, you're pretty incredible at this. I hope you know.
Speaker 10 (01:38):
I really value everything that you know.
Speaker 11 (01:40):
Listen, I need you to do a deep dive on
Clara's socials.
Speaker 8 (01:42):
Anyone connected to.
Speaker 6 (01:43):
Her is fair game, right, because it's those personal connections
that really give you insight into someone, what they care about,
who they canfide in and.
Speaker 11 (01:52):
Wet with Clara's TikTok TikTok.
Speaker 6 (01:55):
I just feel like maybe talking to her in person
might be you know better, and give her a better
chance to let down her guard with us and then
we know, be vulnerable.
Speaker 11 (02:04):
And by tomorrow afternoon for lunch, that's just over twenty
four hours to find Clara and secure Vietrice.
Speaker 8 (02:11):
This is my last chance.
Speaker 12 (02:12):
Right right?
Speaker 6 (02:13):
Yes, of course, Okay, I have Claire's TikTok and well
mainly just videos of her dancing, her cat. Oh wait, wait, wait,
this is her at that party.
Speaker 2 (02:26):
Call Let.
Speaker 13 (02:29):
Palladium is everything tonight, friends, everyone who has anyone in.
Speaker 1 (02:33):
The art world is here and you don't want to
miss it.
Speaker 13 (02:36):
I'm here with my best friend and fellow Galla Rena Stephanie.
Speaker 14 (02:39):
Say okay, Unicorn.
Speaker 3 (02:43):
Party is a literal laundry list of the biggest names
in art o.
Speaker 15 (02:47):
Fashion and culture.
Speaker 3 (02:48):
I recreated disruptor in the city. Would kill for the
password to get it?
Speaker 12 (02:52):
Me too?
Speaker 8 (02:53):
Oh, the Unicorn Party is all it. Now we have
to find actually half an I need the password?
Speaker 10 (02:59):
How the helloween the baskett?
Speaker 8 (03:01):
What the neo expressionist painter? Yes, how do you well?
Speaker 6 (03:05):
It's an invite to the Unicorn Party. Clara left it
at missus Levingston.
Speaker 8 (03:09):
Can I see that?
Speaker 2 (03:10):
Yes?
Speaker 8 (03:10):
Save a horse riding unicorn doors at eleven? Password is
basket yet? Why did you say anything?
Speaker 6 (03:16):
Well, I've tried, but we're moving so fast and I
can really get a word.
Speaker 8 (03:20):
It's great.
Speaker 2 (03:22):
One.
Speaker 11 (03:23):
I'm I'm sorry, Okay, I've been kind of been kind
of a dick.
Speaker 8 (03:27):
I'm under a lot of pressure. You may just have
scored us the delato.
Speaker 10 (03:31):
Yeah, I guess I did so.
Speaker 2 (03:33):
Yeah, what what do you do now?
Speaker 8 (03:35):
You have Stephanie's number?
Speaker 16 (03:36):
Right?
Speaker 10 (03:36):
Yeah?
Speaker 15 (03:49):
Hey girl, Hey, I have to say Quan hitting me
up to Ray during your medical sabbatical. Very it's amure,
very mindful, very cute.
Speaker 6 (04:00):
Yeah, thanks, thanks for meeting.
Speaker 2 (04:02):
That's Stephanie.
Speaker 14 (04:03):
Good news, bad news.
Speaker 3 (04:04):
Clara's going through a breakup right now and has a
lot of feelings. So I told you just to meet
us there.
Speaker 14 (04:11):
But she'll be there.
Speaker 15 (04:12):
Oh, Clara would never miss a Unicorn party. It's a
secret in for every up and coming artist.
Speaker 10 (04:18):
What exactly does secret in mean?
Speaker 15 (04:23):
Okay, if you're gonna be rolling with me, I'm gonna
need you both to stop acting brand new?
Speaker 3 (04:28):
Come on, let's get a matcha. I'll fill you in.
Speaker 12 (04:33):
Sorry one, I have to take this.
Speaker 8 (04:36):
I will be right there.
Speaker 10 (04:37):
Are you sure I can go and I'll catch up?
Speaker 12 (04:40):
Okay, what do you want?
Speaker 11 (04:46):
Stop wasting my time unless you have something valuable to contribute.
Speaker 8 (04:50):
I have to get back to.
Speaker 4 (04:51):
Ex because remember the Leonard meeting is tomorrow.
Speaker 8 (04:57):
At noon and the painting is secure. Oh more, that's
all you need to know.
Speaker 14 (05:03):
Goodbye, repeat after me.
Speaker 3 (05:17):
The fit is on point, but is the fabric ethically sourced?
Speaker 8 (05:21):
Translation?
Speaker 3 (05:22):
I like your outfit, but did the manufacturer follow fair
wage guidelines?
Speaker 6 (05:27):
I'm sorry, seriously, the fit is on point, but is
the fabric ethically sourced?
Speaker 12 (05:31):
Okay?
Speaker 10 (05:32):
What amazing one?
Speaker 3 (05:34):
You're actually passing right now? Okay, now you try, Fernando.
Speaker 11 (05:38):
Yeah, I got it already.
Speaker 8 (05:39):
Thanks.
Speaker 3 (05:40):
You asked me for help. The least you could do
is make an effort.
Speaker 10 (05:43):
Well, we just need to you out for Nando.
Speaker 8 (05:46):
I'm pretty loose, thank you.
Speaker 3 (05:48):
Actually, you know what.
Speaker 2 (05:52):
Here for Nando?
Speaker 1 (05:53):
Take one?
Speaker 10 (05:54):
Oh my god? Are those drugs?
Speaker 16 (05:57):
Oh?
Speaker 1 (05:57):
For Christ's sake, Swan, it's literally a core of a xanax.
Speaker 14 (06:01):
It's literally a chill pilt.
Speaker 9 (06:04):
I'm not sure that I should you know. You know what, Fine,
we'll call it research for tonight.
Speaker 8 (06:14):
Give it to me.
Speaker 3 (06:16):
I wouldn't called xanax a party.
Speaker 14 (06:18):
Drug, but whatever.
Speaker 8 (06:20):
Another.
Speaker 2 (06:20):
Are you sure about that? All right?
Speaker 8 (06:21):
Stephanie? Pretty women without the whole prostitution thing.
Speaker 3 (06:25):
Firstly, I stand on our nation sex workers.
Speaker 14 (06:28):
Sex is work, right, Sorry, it's true.
Speaker 15 (06:31):
And secondly, yeah, there's no way I'm introducing you to
my friends wearing what you're wearing?
Speaker 2 (06:37):
What what do you mean? What's what's the matter with
what I'm wearing?
Speaker 3 (06:40):
It's a cardigan. One a cardigan.
Speaker 2 (06:43):
I don't think I like where this is going.
Speaker 6 (06:45):
Actually in the card again, it looks also a great band.
Speaker 8 (06:55):
Sunglasses. Isn't it a isn't it a warehouse at night?
Speaker 3 (06:58):
Clearly you're no Andy Warhole.
Speaker 10 (07:01):
Next, how many zippers?
Speaker 6 (07:04):
It's too many zippers?
Speaker 8 (07:05):
Question, we wouldn't even.
Speaker 10 (07:06):
Call that a.
Speaker 3 (07:08):
And Juan, you are showing way too much chess here
right now.
Speaker 1 (07:11):
Next, I like it.
Speaker 8 (07:13):
This is actually comfortable. I don't think I think that.
Speaker 2 (07:16):
The leather is that a left hardness?
Speaker 15 (07:18):
Honestly, you're giving Robbert Maplethorpe Daddy vibes right now.
Speaker 1 (07:23):
I think this is it fun your turn, I don't know.
Speaker 6 (07:28):
I feel like this is this is too bad as
far as overalls go.
Speaker 14 (07:33):
The baseball cap is giving to you herman.
Speaker 8 (07:35):
What about a bucket?
Speaker 7 (07:36):
Half good call?
Speaker 14 (07:38):
Fernando very buquet.
Speaker 9 (07:40):
Yes, maybe it's the sad X offing, but I think
this is it.
Speaker 7 (07:46):
Yeah, this is good stuff. Good.
Speaker 8 (08:08):
Okay, this line is ridiculous. I'm gonna go talk to
the bouncer.
Speaker 3 (08:11):
Absolutely not here a total movie. You just got a
wait for clear.
Speaker 15 (08:15):
This one time she gave me the contact info and
then I got into the party by myself.
Speaker 13 (08:23):
TikTok, Stephanie, can you please get us inside?
Speaker 16 (08:29):
Now?
Speaker 2 (08:31):
Are you okay? You look a little pale.
Speaker 15 (08:33):
Okay, I think you both need a chill pill this time. Here,
take this Andy's and I'll go talk to the bouncer.
Speaker 8 (08:43):
Wait.
Speaker 2 (08:43):
What color was that?
Speaker 8 (08:44):
I don't know why it was blue? I think it
was it was blue. Sure, they're all the same.
Speaker 2 (08:48):
You set a quarterbar only for them.
Speaker 8 (08:49):
It's fine. I barely felt it this well.
Speaker 10 (08:51):
Should I take one?
Speaker 12 (08:52):
I don't know.
Speaker 8 (08:53):
I'm just making a decision and stick to.
Speaker 2 (08:54):
It, right, Okay, fine, okay, I can do that. I can.
I'm making a decision right now in this moment. Done.
See you look at home.
Speaker 1 (09:02):
I took a hole one because you took a whole one.
So it's done, guys, Let's go. Clara's already inside.
Speaker 12 (09:09):
Okay, game face one, right, right?
Speaker 6 (09:11):
Game face?
Speaker 8 (09:12):
Okay?
Speaker 2 (09:12):
Wait, what's the game face?
Speaker 16 (09:13):
Right? Let's go.
Speaker 2 (09:14):
Let's go.
Speaker 13 (09:15):
Yes, Clara, text you back.
Speaker 8 (09:26):
It's been it's been like a half an hour. Maybe
we should take a lap.
Speaker 2 (09:29):
Hook for her.
Speaker 1 (09:30):
She told me to meet her at the board.
Speaker 13 (09:32):
Okay, wow, why does anyone want another bottle of water?
Speaker 1 (09:36):
It's really really warm, and you're right.
Speaker 2 (09:38):
And right, it isn't like restrictedly warm because everyone.
Speaker 13 (09:41):
Else feels does anyone else feel that it's warm?
Speaker 16 (09:44):
Right?
Speaker 2 (09:44):
It's warm?
Speaker 1 (09:45):
Okay, you're both too intense right now? Did you take
the sandace?
Speaker 2 (09:49):
Yes? You did. I'm just I'm just so sweaty. Are
you guys sweating right now?
Speaker 6 (09:53):
I just I'm beginning to like I'm butting these over us,
you know, free my undercar and very.
Speaker 13 (09:58):
Hot, so hot, and the music is incredibly long.
Speaker 2 (10:02):
Now and I know you don't even have a shirt.
Speaker 12 (10:06):
You're right?
Speaker 8 (10:07):
Why am I sweating?
Speaker 11 (10:08):
It's just one simple strap of leather and another strap
of leather and a metal buckle.
Speaker 7 (10:14):
And oh wow, the.
Speaker 8 (10:16):
Leather feels so smooth.
Speaker 13 (10:19):
Feel the leather water, it feels incredibly smooth. Oh and
it's it's glowing, you can see that, right.
Speaker 5 (10:26):
Wow, it's not the leather.
Speaker 2 (10:28):
It's not the leather that's glowing.
Speaker 10 (10:30):
It's you.
Speaker 2 (10:31):
You're glowing.
Speaker 16 (10:32):
How are you glowing?
Speaker 10 (10:34):
Oh?
Speaker 7 (10:34):
My god?
Speaker 1 (10:34):
Both of you? Stop?
Speaker 13 (10:36):
What what colored pill?
Speaker 1 (10:38):
Does you take?
Speaker 13 (10:39):
The blue one?
Speaker 2 (10:41):
What?
Speaker 6 (10:42):
What?
Speaker 16 (10:42):
Why are you?
Speaker 2 (10:43):
Why are you laughing? Right now? You're making me nervous?
Speaker 15 (10:45):
Right, no one is right?
Speaker 8 (10:46):
And why are you nervous.
Speaker 7 (10:47):
How is that impossible?
Speaker 8 (10:49):
We took aholds out of steam.
Speaker 1 (10:50):
Okay, palm down, both of you close your eyes. Listen
to the music.
Speaker 16 (10:57):
Rights he as.
Speaker 2 (11:12):
It's like I'm painting on the answer is you see
the brush feet.
Speaker 16 (11:23):
Your blas.
Speaker 11 (11:28):
It's almost like I could see the music, like the
music is doing the paintings.
Speaker 16 (11:33):
That's yeah.
Speaker 10 (11:35):
I think I love this.
Speaker 2 (11:38):
I think I might pay.
Speaker 7 (11:41):
But having fun?
Speaker 1 (11:44):
Sure you are the blue pills are guys?
Speaker 2 (11:48):
Guys?
Speaker 10 (11:49):
Hold up?
Speaker 7 (11:49):
Where are you going?
Speaker 17 (11:53):
Come?
Speaker 13 (11:53):
Dance stuffing the dance music, the color it's.
Speaker 1 (11:58):
Incredible, probou Yeah, you guys can take me later.
Speaker 2 (12:09):
I want to feel like this forever.
Speaker 16 (12:11):
Oh d ecuse me?
Speaker 12 (12:12):
One?
Speaker 8 (12:14):
Why can't you see that? Holy crap, we're changing colors together? One?
Speaker 2 (12:24):
Can I can?
Speaker 13 (12:25):
I kiss you?
Speaker 7 (12:28):
What you want to?
Speaker 13 (12:31):
You want to kiss me all the time?
Speaker 2 (12:33):
Whatever?
Speaker 16 (12:34):
I'm with you.
Speaker 13 (12:34):
That's all I can think about.
Speaker 16 (12:36):
What are you waiting for?
Speaker 8 (12:38):
I can? I?
Speaker 9 (12:38):
Can?
Speaker 13 (12:39):
I kiss you?
Speaker 16 (12:39):
Yeah?
Speaker 10 (12:40):
Yeah?
Speaker 16 (12:40):
Kiss me?
Speaker 2 (12:49):
Here they are day.
Speaker 8 (12:53):
Stephaning.
Speaker 18 (12:54):
Wait wait wait wait wait wait it over the colors?
Speaker 2 (12:57):
Should I keep kissing?
Speaker 1 (12:58):
Didn't mean to inter rap. I just want to introduce
you to Clara. Oh my god, you guys are so
cute together.
Speaker 2 (13:06):
It's true.
Speaker 13 (13:07):
I can tell that's where we're just we're new.
Speaker 16 (13:12):
Noah, oh my god.
Speaker 1 (13:14):
That is so beautiful. Well, Clara, are you okay? She's
had a lot to drink. Oh yeah, I'm fine, just
too Yeah, I feel I feel not great right now,
So that you let's go to the bathroom.
Speaker 2 (13:34):
I think you want to go. Hold it's probably.
Speaker 1 (13:39):
Yeah, okay, I'm definitely time to go.
Speaker 11 (13:42):
Okay it, Luber, I'm a certified most practitioner.
Speaker 7 (13:46):
You are, I should stay with you.
Speaker 8 (13:49):
Okay, she's clearly not well.
Speaker 16 (13:52):
Clara.
Speaker 12 (13:52):
Where you live?
Speaker 8 (13:57):
Well, my place isn't too far from there.
Speaker 2 (13:59):
Actually, what do I can do?
Speaker 12 (14:01):
But I love how my lead.
Speaker 1 (14:02):
I can totally take her home.
Speaker 2 (14:04):
Why am I really thinking I'm going?
Speaker 11 (14:06):
Actually, we'll be thinking you're getting out of you My guys, No,
it's fine.
Speaker 19 (14:10):
Seventy they're in love.
Speaker 15 (14:12):
It's like their duty to help you since snow one
loves me anymore.
Speaker 1 (14:17):
Oh no, I'm gonna.
Speaker 12 (14:20):
Yeah, all right, time to go take her off.
Speaker 8 (14:23):
Hey, I got the other.
Speaker 2 (14:24):
I can see your nerves.
Speaker 1 (14:26):
Yeah, gon go take up? Take Okay, let's go.
Speaker 2 (14:50):
How is there not a single uber in all of
New York? City right now here.
Speaker 8 (14:55):
Just set it down on this bench for saying, Oh,
I need rest. Wow, this is the first What the
the Prokland Bridge? It's sunrise? Did you know that?
Speaker 6 (15:11):
The architect John Roebling hired his son Washington as head engineer,
and in Washington passed.
Speaker 10 (15:18):
His wife Emily completed it.
Speaker 6 (15:20):
It was a real family affair.
Speaker 8 (15:22):
So wholesome.
Speaker 19 (15:25):
Families aren't all so simple, you know. Mine's complicated and vicious.
I guess it's why I've never brought anyone all right.
My family would scare them away in a second. Oh
my god, what your hand is freezing?
Speaker 2 (15:40):
Oh I'm sorry.
Speaker 8 (15:41):
I just I wanted to No, no, no, it's it's okay.
I'll warm it up for you.
Speaker 6 (15:49):
You know, I've lived in this city my entire life,
and I don't think I've ever seen the sunrise over
the East River. Isn't that pathetic? Oh?
Speaker 8 (15:58):
Nothing about you as pathetic one.
Speaker 10 (16:00):
Thank thanks for also being here with me.
Speaker 8 (16:06):
There is nowhere I read.
Speaker 2 (16:09):
Okay, you're awake, I got you here.
Speaker 8 (16:15):
Okay, let's get her home. We said us your.
Speaker 12 (16:30):
Okay, here we'll go.
Speaker 2 (16:31):
I'll watch your head door all right through the threshold
on the frames and.
Speaker 13 (16:36):
Cool, use your links.
Speaker 8 (16:38):
Okay, here Clark, take a seat.
Speaker 2 (16:41):
Though, where do we I guess on the floor?
Speaker 6 (16:44):
Wait?
Speaker 8 (16:44):
Where is your furniture?
Speaker 5 (16:46):
Why didn't you have a movie?
Speaker 18 (16:47):
D wan?
Speaker 8 (16:49):
Can you get Clari some water?
Speaker 16 (16:51):
Yes?
Speaker 1 (16:52):
I don't need water.
Speaker 2 (16:57):
There's nothing here except something.
Speaker 8 (16:58):
But use the vas one.
Speaker 2 (17:01):
Okay, Hey, girly, here Clara, key drink.
Speaker 7 (17:12):
Oh my god, it is so heavy, Clara, Clara, I
need you to look at me.
Speaker 8 (17:18):
Where is all of your stuff?
Speaker 1 (17:19):
He took everything and he left. He just he loved me.
Speaker 2 (17:24):
Woo.
Speaker 7 (17:25):
Mike, my boyfriend.
Speaker 1 (17:28):
He said, I owed it to him for all this
shit he put up with.
Speaker 13 (17:32):
You just let him take it.
Speaker 1 (17:34):
Well, I mean, I thought like if he took some stuff,
it would give me a reason to see him again.
But I mean I didn't think he was gonna take everything.
Speaker 8 (17:42):
Did you?
Speaker 2 (17:42):
Did you call the police?
Speaker 1 (17:43):
Think he even took a bunch of my family heirloom stuff.
Speaker 2 (17:48):
Your grandma gave you all.
Speaker 1 (17:50):
These books like old family albums and a couple of paintings.
Speaker 8 (17:54):
Clara, Mike took the paintings.
Speaker 16 (17:56):
Look around, do.
Speaker 1 (17:57):
You see any paintings? Oh my god, he even took
my fucking crossbit pass.
Speaker 13 (18:03):
I mean that was our thing, six am sunrise CrossFit
Union Square.
Speaker 18 (18:07):
God, Clara, try some deep reading, okay, in for four,
out for aid. Oh you're doing that, friend and I
are gonna use the bathroom.
Speaker 12 (18:19):
Can I talk to you?
Speaker 2 (18:20):
Oh my god?
Speaker 1 (18:21):
Hey, guys are actually like the bets.
Speaker 16 (18:24):
Thank you so much.
Speaker 2 (18:26):
Yeah, the best.
Speaker 8 (18:28):
This is a fucking disaster. You need to calm down.
Speaker 2 (18:31):
Okay, you need to try and calm down.
Speaker 18 (18:32):
I just text Stephanie and we can actually cares about stuff.
Speaker 12 (18:35):
Okay.
Speaker 10 (18:35):
I'm just trying to help.
Speaker 8 (18:36):
Okay, if we can figure this out. No, no, no,
I am meeting the buyer at noon today.
Speaker 11 (18:41):
Remember I'm supposed to arrive with the painting in hand once.
Speaker 14 (18:46):
TikTok, TikTok.
Speaker 6 (18:50):
Well, let's go to lunch and and we'll figure it
out a way to buy more time, right, and then
we can stick out the boyfriend's CrossFit class tomorrow morning
and we can do that together.
Speaker 2 (18:57):
Oh no, what we can't h.
Speaker 8 (19:06):
I am sorry. I just I don't think I want
you involved in this anymore.
Speaker 2 (19:13):
But I.
Speaker 6 (19:16):
Thought we were well, I mean, what about the bridge
and the dance scene. We're partners.
Speaker 8 (19:24):
I thought just get Clark settled. Please want then go home.
I will text you.
Speaker 12 (19:31):
Later, Okay, more Caviard Leonards.
Speaker 17 (19:45):
I'm surprised we're meeting in such a public place, but
I imagine that Delano was secured somewhere nearby.
Speaker 2 (19:51):
Maybe a Leonard.
Speaker 4 (19:53):
Petronzen is known for its caviar, but their bakery is secondary.
Speaker 17 (19:57):
No, thank you, I want to see the Delano.
Speaker 5 (20:00):
Now where is it?
Speaker 12 (20:01):
Well, that is a question for my son, Fernando. He's
running point on this transaction.
Speaker 4 (20:07):
Fernando, kat got your tongue, cousin.
Speaker 8 (20:10):
I'm fine, thank you.
Speaker 17 (20:12):
This is in my only engagement today, young man.
Speaker 8 (20:14):
I'd like to inspect the merchandise.
Speaker 11 (20:16):
Of course, mister Burton, the painting is in fact at
a secure location.
Speaker 2 (20:21):
Sh nah, Shall we get to check?
Speaker 17 (20:24):
Then?
Speaker 11 (20:24):
My driver is outside and actually, mister Leonard, is it
mister Burton, mister Leonard, is miss Burton? Actually, mister Burton,
the painting is nearby, but not accessible.
Speaker 5 (20:35):
At this exact moment.
Speaker 17 (20:36):
Excuse me, Well, the delivery date is two days from now, correct,
But today's meeting was agreed upon well in advance. I'm
not keen on purchasing something that I've never seen in person.
I think your father would.
Speaker 12 (20:48):
Have Fernando knows that, of course, Leonard, and I'm sure
he has a reasonable explanation for not bringing the peace
with him here today.
Speaker 4 (20:56):
Yes, cousin, I'd love to hear your explanation.
Speaker 5 (21:00):
Young man. Time is sticking, Doc.
Speaker 11 (21:08):
I'm sure you understand that Delano is over four hundred
years old, mister Burton. Bringing such a delicate painting out
of a climate control museum and into Central Manhattan's deeply
polluted elements would be reckless, to say the least. But
I can assure you that it is in my possession,
in our family secure facility on the island.
Speaker 1 (21:28):
So why are we meeting here then, Yes, Fernando, Why here?
Speaker 8 (21:32):
Well, Leonard, As.
Speaker 11 (21:33):
My father and I begin the transition of power, I
have decided to make some subtle changes to how we operate.
Speaker 8 (21:40):
This meeting serves as a confirmation of that transition.
Speaker 11 (21:44):
The delivery date is in forty eight hours to your yacht,
docked on the twenty third Street Pier at four o'clock
on Tuesday. Just as you are not keen on purchasing
something you've never seen in person, I'm not keen on
doing business with someone I've never personally met face to face.
And as I take control of our family enterprise. I
would ask that you respect a new way of working.
Speaker 5 (22:06):
This is disappointing, to say the least.
Speaker 12 (22:09):
Mister Burton, I must sincerely apologize for my.
Speaker 17 (22:13):
Son, but I do understand the young man's desire to
establish himself on his own. That being said, my agreement
with your father has always been clear. I make sure
your enterprise stays off Interpol's radar. And when I want something, I.
Speaker 5 (22:29):
Get it on my turns and you will, mister Burton.
Speaker 17 (22:34):
Enough, Ignacio, now, young man, that's Fernando.
Speaker 5 (22:38):
Sir Fernando.
Speaker 17 (22:41):
Now, you wouldn't want our little family agreement to change, now,
would you, No, sir? And you wouldn't want any harm
to come to anyone involved with an unsatisfactory delivery, say
a family.
Speaker 5 (22:52):
Member or an associate. Perhaps no, sir, excellent.
Speaker 17 (22:59):
Then I respect your admirable attempt at a power plane
this time, but I expect they prompt secure, uneventful delivery
on Tuesday afternoon, seamless and discreet.
Speaker 5 (23:10):
Do you understand? Yes, sir? Understood?
Speaker 2 (23:15):
Good?
Speaker 8 (23:16):
Now I think i'd better go.
Speaker 5 (23:18):
Seems I've lost my appetite.
Speaker 17 (23:20):
I'll be in touch.
Speaker 5 (23:21):
I Nacio Gigi A vision in.
Speaker 8 (23:26):
A pleasure, Leonard, Dad, I was just taking a Fernando.
Speaker 12 (23:35):
Not another goddamn word out of your mouth, or I
will drown you in the Hudson River myself.
Speaker 5 (23:46):
I don't know what you're playing at, Fernando, but it
stops now.
Speaker 8 (23:51):
I thought you better than this.
Speaker 12 (23:53):
Secure the painting and close the deer.
Speaker 8 (24:00):
Don't even start, Ggi. I'm exhausted and I.
Speaker 4 (24:03):
Have smell sweat. Excuse me, bags under your eyes, clammy skin,
that throbbing vein in your neck? What did you get
up to last night?
Speaker 10 (24:11):
Hard?
Speaker 8 (24:12):
Nothing.
Speaker 10 (24:12):
I have a job to do, Gigi.
Speaker 8 (24:14):
Get the check, will you?
Speaker 4 (24:31):
You're hiding something someone.
Speaker 8 (24:34):
Stop making a se Gi. You are compromising the job,
and you're already a target.
Speaker 4 (24:39):
In that fucking red coat and anyone you involved in
this transaction will be an even bigger target. But you're
still doing it. So what's your excuse this time?
Speaker 8 (24:49):
No, no, no no excuses.
Speaker 11 (24:50):
Dad's right, Secure the goods, close the deal, No more games,
no more distractions.
Speaker 4 (24:57):
Oh cousin, you're just so oh simple.
Speaker 11 (25:01):
All right, I'm calling a car.
Speaker 4 (25:04):
Thinking you can hide the cracks in your marble fasage
two minutes, but just know I see them Fernando, and
they're only getting bigger with each passing minute, and soon
they're going to crack wide open, and you're going to
have to deal with the fallout, Except this time I
won't be there to pick up your pieces.
Speaker 8 (25:25):
You never really were.
Speaker 5 (25:27):
TikTok ttuk.
Speaker 8 (25:45):
West Village.
Speaker 11 (25:45):
Please record voice note, Hey one, I uh look, I
had a really great time last night, but this whole
thing us the con It was.
Speaker 8 (26:01):
A huge mistake.
Speaker 11 (26:03):
I should not have involved you for either of our six.
Please don't try to call or do text. I have
a job to do it.
Speaker 5 (26:13):
I'm sorry you.
Speaker 8 (26:13):
Won, but I gotta do this alone.
Speaker 1 (26:35):
The setup was produced by Sonro in partnership with Iheart'smichael
Tura podcast Network. Created and written by Ivy Marie and
Philippe Baujan, directed by Bettina Lopez, Produced by Luis Luardo Castillo,
developed by Bettina Lopez, story editing by Nick Milanes. Executive
(26:58):
produced by Harvey Gien and Christian Navarro.
Speaker 15 (27:01):
Connel Byrne and Giselle Bances for iHeart and Camilla Victoriano
and Joshua Weinstein for Sonorro. Performances in this episode by
Harvey Gillen, Christian Navarro, Daniela Alonso, J. D. Garfield, Sofina
de Jesus, Jessica, Ruth Bell, Philippe Baugan, Jackson Gutierrez, and
(27:24):
Aaron Leedock.
Speaker 1 (27:26):
Our production and supervising managers are Gustavua Riler and quern
Sa Chaids.
Speaker 15 (27:32):
Recording engineering and sound designed by Eduin Irigoying, Juan Dias
and Andres Bayena.
Speaker 6 (27:38):
Casting and coordination by Ansley Martinez and Alex Gonzialez.
Speaker 15 (27:43):
Voices recorded at The Invisible Studios in Los Angeles, The
Relic Room in New York, and Cabby Sound Studios.
Speaker 1 (27:50):
In Albuquerque, New Mexico, with engineering by Lester Danglar, Brett Tubin,
and Colin Ungerlier. If you're enjoying The Up, please subscribe, rate,
and review our show wherever you're listening
The setup, Episode four.
Speaker 2 (00:07):
It's not you, it's me.
Speaker 3 (00:12):
The train is approaching the next station.
Speaker 4 (00:14):
Please watch your stuff.
Speaker 5 (00:16):
He literally slept on the floor.
Speaker 6 (00:18):
I screw it up, like I screw everything up, and
now I feel like this huge wall between us.
Speaker 4 (00:22):
This is precisely what I was concerned about when you
decided to rush into a romantic getaway.
Speaker 7 (00:27):
Done.
Speaker 4 (00:28):
You and Fernando are still learning each other's emotional boundaries.
Speaker 2 (00:32):
You're right, okay, he can really look at me. He's
just I don't know, he's fixated on his computer.
Speaker 5 (00:37):
He's icing me out.
Speaker 1 (00:38):
Oh God, what I do?
Speaker 4 (00:40):
Perhaps we should try another strategy to break down Fernando's
emotional walls. If he won't express himself to you on
his own, maybe you can coax an emotional expression from him.
Why do you encourage him to be vulnerable?
Speaker 2 (00:53):
You mean like asking him what's wrong? I've already tried that.
Speaker 7 (00:55):
He won't budget.
Speaker 2 (00:56):
It's getting awkward for me to keep asking the same Ope.
Speaker 4 (00:59):
Uncomfortable moments are a natural part for getting to know someone.
But remember, everything is infinitely more complicated when you add
in the prospect of sexual.
Speaker 8 (01:08):
Creations, sexual relation. God, what was that?
Speaker 7 (01:12):
What?
Speaker 8 (01:12):
Nothing?
Speaker 6 (01:13):
Now? I was just was talking to a boiler about
her new sectional that's being delivered.
Speaker 8 (01:18):
Because when you're done, I have a lead.
Speaker 4 (01:20):
Remember one dent in Fernando Zo could open the relationship.
Speaker 6 (01:24):
Can I tell you back in a bits, Please use
caution as you Okay, So.
Speaker 9 (01:31):
About last night and Clara Livingston's after she leases a
studio apartment in Dumbo.
Speaker 8 (01:36):
Wow, you're pretty incredible at this. I hope you know.
Speaker 10 (01:38):
I really value everything that you know.
Speaker 11 (01:40):
Listen, I need you to do a deep dive on
Clara's socials.
Speaker 8 (01:42):
Anyone connected to.
Speaker 6 (01:43):
Her is fair game, right, because it's those personal connections
that really give you insight into someone, what they care about,
who they canfide in and.
Speaker 11 (01:52):
Wet with Clara's TikTok TikTok.
Speaker 6 (01:55):
I just feel like maybe talking to her in person
might be you know better, and give her a better
chance to let down her guard with us and then
we know, be vulnerable.
Speaker 11 (02:04):
And by tomorrow afternoon for lunch, that's just over twenty
four hours to find Clara and secure Vietrice.
Speaker 8 (02:11):
This is my last chance.
Speaker 12 (02:12):
Right right?
Speaker 6 (02:13):
Yes, of course, Okay, I have Claire's TikTok and well
mainly just videos of her dancing, her cat. Oh wait, wait, wait,
this is her at that party.
Speaker 2 (02:26):
Call Let.
Speaker 13 (02:29):
Palladium is everything tonight, friends, everyone who has anyone in.
Speaker 1 (02:33):
The art world is here and you don't want to
miss it.
Speaker 13 (02:36):
I'm here with my best friend and fellow Galla Rena Stephanie.
Speaker 14 (02:39):
Say okay, Unicorn.
Speaker 3 (02:43):
Party is a literal laundry list of the biggest names
in art o.
Speaker 15 (02:47):
Fashion and culture.
Speaker 3 (02:48):
I recreated disruptor in the city. Would kill for the
password to get it?
Speaker 12 (02:52):
Me too?
Speaker 8 (02:53):
Oh, the Unicorn Party is all it. Now we have
to find actually half an I need the password?
Speaker 10 (02:59):
How the helloween the baskett?
Speaker 8 (03:01):
What the neo expressionist painter? Yes, how do you well?
Speaker 6 (03:05):
It's an invite to the Unicorn Party. Clara left it
at missus Levingston.
Speaker 8 (03:09):
Can I see that?
Speaker 2 (03:10):
Yes?
Speaker 8 (03:10):
Save a horse riding unicorn doors at eleven? Password is
basket yet? Why did you say anything?
Speaker 6 (03:16):
Well, I've tried, but we're moving so fast and I
can really get a word.
Speaker 8 (03:20):
It's great.
Speaker 2 (03:22):
One.
Speaker 11 (03:23):
I'm I'm sorry, Okay, I've been kind of been kind
of a dick.
Speaker 8 (03:27):
I'm under a lot of pressure. You may just have
scored us the delato.
Speaker 10 (03:31):
Yeah, I guess I did so.
Speaker 2 (03:33):
Yeah, what what do you do now?
Speaker 8 (03:35):
You have Stephanie's number?
Speaker 16 (03:36):
Right?
Speaker 10 (03:36):
Yeah?
Speaker 15 (03:49):
Hey girl, Hey, I have to say Quan hitting me
up to Ray during your medical sabbatical. Very it's amure,
very mindful, very cute.
Speaker 6 (04:00):
Yeah, thanks, thanks for meeting.
Speaker 2 (04:02):
That's Stephanie.
Speaker 14 (04:03):
Good news, bad news.
Speaker 3 (04:04):
Clara's going through a breakup right now and has a
lot of feelings. So I told you just to meet
us there.
Speaker 14 (04:11):
But she'll be there.
Speaker 15 (04:12):
Oh, Clara would never miss a Unicorn party. It's a
secret in for every up and coming artist.
Speaker 10 (04:18):
What exactly does secret in mean?
Speaker 15 (04:23):
Okay, if you're gonna be rolling with me, I'm gonna
need you both to stop acting brand new?
Speaker 3 (04:28):
Come on, let's get a matcha. I'll fill you in.
Speaker 12 (04:33):
Sorry one, I have to take this.
Speaker 8 (04:36):
I will be right there.
Speaker 10 (04:37):
Are you sure I can go and I'll catch up?
Speaker 12 (04:40):
Okay, what do you want?
Speaker 11 (04:46):
Stop wasting my time unless you have something valuable to contribute.
Speaker 8 (04:50):
I have to get back to.
Speaker 4 (04:51):
Ex because remember the Leonard meeting is tomorrow.
Speaker 8 (04:57):
At noon and the painting is secure. Oh more, that's
all you need to know.
Speaker 14 (05:03):
Goodbye, repeat after me.
Speaker 3 (05:17):
The fit is on point, but is the fabric ethically sourced?
Speaker 8 (05:21):
Translation?
Speaker 3 (05:22):
I like your outfit, but did the manufacturer follow fair
wage guidelines?
Speaker 6 (05:27):
I'm sorry, seriously, the fit is on point, but is
the fabric ethically sourced?
Speaker 12 (05:31):
Okay?
Speaker 10 (05:32):
What amazing one?
Speaker 3 (05:34):
You're actually passing right now? Okay, now you try, Fernando.
Speaker 11 (05:38):
Yeah, I got it already.
Speaker 8 (05:39):
Thanks.
Speaker 3 (05:40):
You asked me for help. The least you could do
is make an effort.
Speaker 10 (05:43):
Well, we just need to you out for Nando.
Speaker 8 (05:46):
I'm pretty loose, thank you.
Speaker 3 (05:48):
Actually, you know what.
Speaker 2 (05:52):
Here for Nando?
Speaker 1 (05:53):
Take one?
Speaker 10 (05:54):
Oh my god? Are those drugs?
Speaker 16 (05:57):
Oh?
Speaker 1 (05:57):
For Christ's sake, Swan, it's literally a core of a xanax.
Speaker 14 (06:01):
It's literally a chill pilt.
Speaker 9 (06:04):
I'm not sure that I should you know. You know what, Fine,
we'll call it research for tonight.
Speaker 8 (06:14):
Give it to me.
Speaker 3 (06:16):
I wouldn't called xanax a party.
Speaker 14 (06:18):
Drug, but whatever.
Speaker 8 (06:20):
Another.
Speaker 2 (06:20):
Are you sure about that? All right?
Speaker 8 (06:21):
Stephanie? Pretty women without the whole prostitution thing.
Speaker 3 (06:25):
Firstly, I stand on our nation sex workers.
Speaker 14 (06:28):
Sex is work, right, Sorry, it's true.
Speaker 15 (06:31):
And secondly, yeah, there's no way I'm introducing you to
my friends wearing what you're wearing?
Speaker 2 (06:37):
What what do you mean? What's what's the matter with
what I'm wearing?
Speaker 3 (06:40):
It's a cardigan. One a cardigan.
Speaker 2 (06:43):
I don't think I like where this is going.
Speaker 6 (06:45):
Actually in the card again, it looks also a great band.
Speaker 8 (06:55):
Sunglasses. Isn't it a isn't it a warehouse at night?
Speaker 3 (06:58):
Clearly you're no Andy Warhole.
Speaker 10 (07:01):
Next, how many zippers?
Speaker 6 (07:04):
It's too many zippers?
Speaker 8 (07:05):
Question, we wouldn't even.
Speaker 10 (07:06):
Call that a.
Speaker 3 (07:08):
And Juan, you are showing way too much chess here
right now.
Speaker 1 (07:11):
Next, I like it.
Speaker 8 (07:13):
This is actually comfortable. I don't think I think that.
Speaker 2 (07:16):
The leather is that a left hardness?
Speaker 15 (07:18):
Honestly, you're giving Robbert Maplethorpe Daddy vibes right now.
Speaker 1 (07:23):
I think this is it fun your turn, I don't know.
Speaker 6 (07:28):
I feel like this is this is too bad as
far as overalls go.
Speaker 14 (07:33):
The baseball cap is giving to you herman.
Speaker 8 (07:35):
What about a bucket?
Speaker 7 (07:36):
Half good call?
Speaker 14 (07:38):
Fernando very buquet.
Speaker 9 (07:40):
Yes, maybe it's the sad X offing, but I think
this is it.
Speaker 7 (07:46):
Yeah, this is good stuff. Good.
Speaker 8 (08:08):
Okay, this line is ridiculous. I'm gonna go talk to
the bouncer.
Speaker 3 (08:11):
Absolutely not here a total movie. You just got a
wait for clear.
Speaker 15 (08:15):
This one time she gave me the contact info and
then I got into the party by myself.
Speaker 13 (08:23):
TikTok, Stephanie, can you please get us inside?
Speaker 16 (08:29):
Now?
Speaker 2 (08:31):
Are you okay? You look a little pale.
Speaker 15 (08:33):
Okay, I think you both need a chill pill this time. Here,
take this Andy's and I'll go talk to the bouncer.
Speaker 8 (08:43):
Wait.
Speaker 2 (08:43):
What color was that?
Speaker 8 (08:44):
I don't know why it was blue? I think it
was it was blue. Sure, they're all the same.
Speaker 2 (08:48):
You set a quarterbar only for them.
Speaker 8 (08:49):
It's fine. I barely felt it this well.
Speaker 10 (08:51):
Should I take one?
Speaker 12 (08:52):
I don't know.
Speaker 8 (08:53):
I'm just making a decision and stick to.
Speaker 2 (08:54):
It, right, Okay, fine, okay, I can do that. I can.
I'm making a decision right now in this moment. Done.
See you look at home.
Speaker 1 (09:02):
I took a hole one because you took a whole one.
So it's done, guys, Let's go. Clara's already inside.
Speaker 12 (09:09):
Okay, game face one, right, right?
Speaker 6 (09:11):
Game face?
Speaker 8 (09:12):
Okay?
Speaker 2 (09:12):
Wait, what's the game face?
Speaker 16 (09:13):
Right? Let's go.
Speaker 2 (09:14):
Let's go.
Speaker 13 (09:15):
Yes, Clara, text you back.
Speaker 8 (09:26):
It's been it's been like a half an hour. Maybe
we should take a lap.
Speaker 2 (09:29):
Hook for her.
Speaker 1 (09:30):
She told me to meet her at the board.
Speaker 13 (09:32):
Okay, wow, why does anyone want another bottle of water?
Speaker 1 (09:36):
It's really really warm, and you're right.
Speaker 2 (09:38):
And right, it isn't like restrictedly warm because everyone.
Speaker 13 (09:41):
Else feels does anyone else feel that it's warm?
Speaker 16 (09:44):
Right?
Speaker 2 (09:44):
It's warm?
Speaker 1 (09:45):
Okay, you're both too intense right now? Did you take
the sandace?
Speaker 2 (09:49):
Yes? You did. I'm just I'm just so sweaty. Are
you guys sweating right now?
Speaker 6 (09:53):
I just I'm beginning to like I'm butting these over us,
you know, free my undercar and very.
Speaker 13 (09:58):
Hot, so hot, and the music is incredibly long.
Speaker 2 (10:02):
Now and I know you don't even have a shirt.
Speaker 12 (10:06):
You're right?
Speaker 8 (10:07):
Why am I sweating?
Speaker 11 (10:08):
It's just one simple strap of leather and another strap
of leather and a metal buckle.
Speaker 7 (10:14):
And oh wow, the.
Speaker 8 (10:16):
Leather feels so smooth.
Speaker 13 (10:19):
Feel the leather water, it feels incredibly smooth. Oh and
it's it's glowing, you can see that, right.
Speaker 5 (10:26):
Wow, it's not the leather.
Speaker 2 (10:28):
It's not the leather that's glowing.
Speaker 10 (10:30):
It's you.
Speaker 2 (10:31):
You're glowing.
Speaker 16 (10:32):
How are you glowing?
Speaker 10 (10:34):
Oh?
Speaker 7 (10:34):
My god?
Speaker 1 (10:34):
Both of you? Stop?
Speaker 13 (10:36):
What what colored pill?
Speaker 1 (10:38):
Does you take?
Speaker 13 (10:39):
The blue one?
Speaker 2 (10:41):
What?
Speaker 6 (10:42):
What?
Speaker 16 (10:42):
Why are you?
Speaker 2 (10:43):
Why are you laughing? Right now? You're making me nervous?
Speaker 15 (10:45):
Right, no one is right?
Speaker 8 (10:46):
And why are you nervous.
Speaker 7 (10:47):
How is that impossible?
Speaker 8 (10:49):
We took aholds out of steam.
Speaker 1 (10:50):
Okay, palm down, both of you close your eyes. Listen
to the music.
Speaker 16 (10:57):
Rights he as.
Speaker 2 (11:12):
It's like I'm painting on the answer is you see
the brush feet.
Speaker 16 (11:23):
Your blas.
Speaker 11 (11:28):
It's almost like I could see the music, like the
music is doing the paintings.
Speaker 16 (11:33):
That's yeah.
Speaker 10 (11:35):
I think I love this.
Speaker 2 (11:38):
I think I might pay.
Speaker 7 (11:41):
But having fun?
Speaker 1 (11:44):
Sure you are the blue pills are guys?
Speaker 2 (11:48):
Guys?
Speaker 10 (11:49):
Hold up?
Speaker 7 (11:49):
Where are you going?
Speaker 17 (11:53):
Come?
Speaker 13 (11:53):
Dance stuffing the dance music, the color it's.
Speaker 1 (11:58):
Incredible, probou Yeah, you guys can take me later.
Speaker 2 (12:09):
I want to feel like this forever.
Speaker 16 (12:11):
Oh d ecuse me?
Speaker 12 (12:12):
One?
Speaker 8 (12:14):
Why can't you see that? Holy crap, we're changing colors together? One?
Speaker 2 (12:24):
Can I can?
Speaker 13 (12:25):
I kiss you?
Speaker 7 (12:28):
What you want to?
Speaker 13 (12:31):
You want to kiss me all the time?
Speaker 2 (12:33):
Whatever?
Speaker 16 (12:34):
I'm with you.
Speaker 13 (12:34):
That's all I can think about.
Speaker 16 (12:36):
What are you waiting for?
Speaker 8 (12:38):
I can? I?
Speaker 9 (12:38):
Can?
Speaker 13 (12:39):
I kiss you?
Speaker 16 (12:39):
Yeah?
Speaker 10 (12:40):
Yeah?
Speaker 16 (12:40):
Kiss me?
Speaker 2 (12:49):
Here they are day.
Speaker 8 (12:53):
Stephaning.
Speaker 18 (12:54):
Wait wait wait wait wait wait it over the colors?
Speaker 2 (12:57):
Should I keep kissing?
Speaker 1 (12:58):
Didn't mean to inter rap. I just want to introduce
you to Clara. Oh my god, you guys are so
cute together.
Speaker 2 (13:06):
It's true.
Speaker 13 (13:07):
I can tell that's where we're just we're new.
Speaker 16 (13:12):
Noah, oh my god.
Speaker 1 (13:14):
That is so beautiful. Well, Clara, are you okay? She's
had a lot to drink. Oh yeah, I'm fine, just
too Yeah, I feel I feel not great right now,
So that you let's go to the bathroom.
Speaker 2 (13:34):
I think you want to go. Hold it's probably.
Speaker 1 (13:39):
Yeah, okay, I'm definitely time to go.
Speaker 11 (13:42):
Okay it, Luber, I'm a certified most practitioner.
Speaker 7 (13:46):
You are, I should stay with you.
Speaker 8 (13:49):
Okay, she's clearly not well.
Speaker 16 (13:52):
Clara.
Speaker 12 (13:52):
Where you live?
Speaker 8 (13:57):
Well, my place isn't too far from there.
Speaker 2 (13:59):
Actually, what do I can do?
Speaker 12 (14:01):
But I love how my lead.
Speaker 1 (14:02):
I can totally take her home.
Speaker 2 (14:04):
Why am I really thinking I'm going?
Speaker 11 (14:06):
Actually, we'll be thinking you're getting out of you My guys, No,
it's fine.
Speaker 19 (14:10):
Seventy they're in love.
Speaker 15 (14:12):
It's like their duty to help you since snow one
loves me anymore.
Speaker 1 (14:17):
Oh no, I'm gonna.
Speaker 12 (14:20):
Yeah, all right, time to go take her off.
Speaker 8 (14:23):
Hey, I got the other.
Speaker 2 (14:24):
I can see your nerves.
Speaker 1 (14:26):
Yeah, gon go take up? Take Okay, let's go.
Speaker 2 (14:50):
How is there not a single uber in all of
New York? City right now here.
Speaker 8 (14:55):
Just set it down on this bench for saying, Oh,
I need rest. Wow, this is the first What the
the Prokland Bridge? It's sunrise? Did you know that?
Speaker 6 (15:11):
The architect John Roebling hired his son Washington as head engineer,
and in Washington passed.
Speaker 10 (15:18):
His wife Emily completed it.
Speaker 6 (15:20):
It was a real family affair.
Speaker 8 (15:22):
So wholesome.
Speaker 19 (15:25):
Families aren't all so simple, you know. Mine's complicated and vicious.
I guess it's why I've never brought anyone all right.
My family would scare them away in a second. Oh
my god, what your hand is freezing?
Speaker 2 (15:40):
Oh I'm sorry.
Speaker 8 (15:41):
I just I wanted to No, no, no, it's it's okay.
I'll warm it up for you.
Speaker 6 (15:49):
You know, I've lived in this city my entire life,
and I don't think I've ever seen the sunrise over
the East River. Isn't that pathetic? Oh?
Speaker 8 (15:58):
Nothing about you as pathetic one.
Speaker 10 (16:00):
Thank thanks for also being here with me.
Speaker 8 (16:06):
There is nowhere I read.
Speaker 2 (16:09):
Okay, you're awake, I got you here.
Speaker 8 (16:15):
Okay, let's get her home. We said us your.
Speaker 12 (16:30):
Okay, here we'll go.
Speaker 2 (16:31):
I'll watch your head door all right through the threshold
on the frames and.
Speaker 13 (16:36):
Cool, use your links.
Speaker 8 (16:38):
Okay, here Clark, take a seat.
Speaker 2 (16:41):
Though, where do we I guess on the floor?
Speaker 6 (16:44):
Wait?
Speaker 8 (16:44):
Where is your furniture?
Speaker 5 (16:46):
Why didn't you have a movie?
Speaker 18 (16:47):
D wan?
Speaker 8 (16:49):
Can you get Clari some water?
Speaker 16 (16:51):
Yes?
Speaker 1 (16:52):
I don't need water.
Speaker 2 (16:57):
There's nothing here except something.
Speaker 8 (16:58):
But use the vas one.
Speaker 2 (17:01):
Okay, Hey, girly, here Clara, key drink.
Speaker 7 (17:12):
Oh my god, it is so heavy, Clara, Clara, I
need you to look at me.
Speaker 8 (17:18):
Where is all of your stuff?
Speaker 1 (17:19):
He took everything and he left. He just he loved me.
Speaker 2 (17:24):
Woo.
Speaker 7 (17:25):
Mike, my boyfriend.
Speaker 1 (17:28):
He said, I owed it to him for all this
shit he put up with.
Speaker 13 (17:32):
You just let him take it.
Speaker 1 (17:34):
Well, I mean, I thought like if he took some stuff,
it would give me a reason to see him again.
But I mean I didn't think he was gonna take everything.
Speaker 8 (17:42):
Did you?
Speaker 2 (17:42):
Did you call the police?
Speaker 1 (17:43):
Think he even took a bunch of my family heirloom stuff.
Speaker 2 (17:48):
Your grandma gave you all.
Speaker 1 (17:50):
These books like old family albums and a couple of paintings.
Speaker 8 (17:54):
Clara, Mike took the paintings.
Speaker 16 (17:56):
Look around, do.
Speaker 1 (17:57):
You see any paintings? Oh my god, he even took
my fucking crossbit pass.
Speaker 13 (18:03):
I mean that was our thing, six am sunrise CrossFit
Union Square.
Speaker 18 (18:07):
God, Clara, try some deep reading, okay, in for four,
out for aid. Oh you're doing that, friend and I
are gonna use the bathroom.
Speaker 12 (18:19):
Can I talk to you?
Speaker 2 (18:20):
Oh my god?
Speaker 1 (18:21):
Hey, guys are actually like the bets.
Speaker 16 (18:24):
Thank you so much.
Speaker 2 (18:26):
Yeah, the best.
Speaker 8 (18:28):
This is a fucking disaster. You need to calm down.
Speaker 2 (18:31):
Okay, you need to try and calm down.
Speaker 18 (18:32):
I just text Stephanie and we can actually cares about stuff.
Speaker 12 (18:35):
Okay.
Speaker 10 (18:35):
I'm just trying to help.
Speaker 8 (18:36):
Okay, if we can figure this out. No, no, no,
I am meeting the buyer at noon today.
Speaker 11 (18:41):
Remember I'm supposed to arrive with the painting in hand once.
Speaker 14 (18:46):
TikTok, TikTok.
Speaker 6 (18:50):
Well, let's go to lunch and and we'll figure it
out a way to buy more time, right, and then
we can stick out the boyfriend's CrossFit class tomorrow morning
and we can do that together.
Speaker 2 (18:57):
Oh no, what we can't h.
Speaker 8 (19:06):
I am sorry. I just I don't think I want
you involved in this anymore.
Speaker 2 (19:13):
But I.
Speaker 6 (19:16):
Thought we were well, I mean, what about the bridge
and the dance scene. We're partners.
Speaker 8 (19:24):
I thought just get Clark settled. Please want then go home.
I will text you.
Speaker 12 (19:31):
Later, Okay, more Caviard Leonards.
Speaker 17 (19:45):
I'm surprised we're meeting in such a public place, but
I imagine that Delano was secured somewhere nearby.
Speaker 2 (19:51):
Maybe a Leonard.
Speaker 4 (19:53):
Petronzen is known for its caviar, but their bakery is secondary.
Speaker 17 (19:57):
No, thank you, I want to see the Delano.
Speaker 5 (20:00):
Now where is it?
Speaker 12 (20:01):
Well, that is a question for my son, Fernando. He's
running point on this transaction.
Speaker 4 (20:07):
Fernando, kat got your tongue, cousin.
Speaker 8 (20:10):
I'm fine, thank you.
Speaker 17 (20:12):
This is in my only engagement today, young man.
Speaker 8 (20:14):
I'd like to inspect the merchandise.
Speaker 11 (20:16):
Of course, mister Burton, the painting is in fact at
a secure location.
Speaker 2 (20:21):
Sh nah, Shall we get to check?
Speaker 17 (20:24):
Then?
Speaker 11 (20:24):
My driver is outside and actually, mister Leonard, is it
mister Burton, mister Leonard, is miss Burton? Actually, mister Burton,
the painting is nearby, but not accessible.
Speaker 5 (20:35):
At this exact moment.
Speaker 17 (20:36):
Excuse me, Well, the delivery date is two days from now, correct,
But today's meeting was agreed upon well in advance. I'm
not keen on purchasing something that I've never seen in person.
I think your father would.
Speaker 12 (20:48):
Have Fernando knows that, of course, Leonard, and I'm sure
he has a reasonable explanation for not bringing the peace
with him here today.
Speaker 4 (20:56):
Yes, cousin, I'd love to hear your explanation.
Speaker 5 (21:00):
Young man. Time is sticking, Doc.
Speaker 11 (21:08):
I'm sure you understand that Delano is over four hundred
years old, mister Burton. Bringing such a delicate painting out
of a climate control museum and into Central Manhattan's deeply
polluted elements would be reckless, to say the least. But
I can assure you that it is in my possession,
in our family secure facility on the island.
Speaker 1 (21:28):
So why are we meeting here then, Yes, Fernando, Why here?
Speaker 8 (21:32):
Well, Leonard, As.
Speaker 11 (21:33):
My father and I begin the transition of power, I
have decided to make some subtle changes to how we operate.
Speaker 8 (21:40):
This meeting serves as a confirmation of that transition.
Speaker 11 (21:44):
The delivery date is in forty eight hours to your yacht,
docked on the twenty third Street Pier at four o'clock
on Tuesday. Just as you are not keen on purchasing
something you've never seen in person, I'm not keen on
doing business with someone I've never personally met face to face.
And as I take control of our family enterprise. I
would ask that you respect a new way of working.
Speaker 5 (22:06):
This is disappointing, to say the least.
Speaker 12 (22:09):
Mister Burton, I must sincerely apologize for my.
Speaker 17 (22:13):
Son, but I do understand the young man's desire to
establish himself on his own. That being said, my agreement
with your father has always been clear. I make sure
your enterprise stays off Interpol's radar. And when I want something, I.
Speaker 5 (22:29):
Get it on my turns and you will, mister Burton.
Speaker 17 (22:34):
Enough, Ignacio, now, young man, that's Fernando.
Speaker 5 (22:38):
Sir Fernando.
Speaker 17 (22:41):
Now, you wouldn't want our little family agreement to change, now,
would you, No, sir? And you wouldn't want any harm
to come to anyone involved with an unsatisfactory delivery, say
a family.
Speaker 5 (22:52):
Member or an associate. Perhaps no, sir, excellent.
Speaker 17 (22:59):
Then I respect your admirable attempt at a power plane
this time, but I expect they prompt secure, uneventful delivery
on Tuesday afternoon, seamless and discreet.
Speaker 5 (23:10):
Do you understand? Yes, sir? Understood?
Speaker 2 (23:15):
Good?
Speaker 8 (23:16):
Now I think i'd better go.
Speaker 5 (23:18):
Seems I've lost my appetite.
Speaker 17 (23:20):
I'll be in touch.
Speaker 5 (23:21):
I Nacio Gigi A vision in.
Speaker 8 (23:26):
A pleasure, Leonard, Dad, I was just taking a Fernando.
Speaker 12 (23:35):
Not another goddamn word out of your mouth, or I
will drown you in the Hudson River myself.
Speaker 5 (23:46):
I don't know what you're playing at, Fernando, but it
stops now.
Speaker 8 (23:51):
I thought you better than this.
Speaker 12 (23:53):
Secure the painting and close the deer.
Speaker 8 (24:00):
Don't even start, Ggi. I'm exhausted and I.
Speaker 4 (24:03):
Have smell sweat. Excuse me, bags under your eyes, clammy skin,
that throbbing vein in your neck? What did you get
up to last night?
Speaker 10 (24:11):
Hard?
Speaker 8 (24:12):
Nothing.
Speaker 10 (24:12):
I have a job to do, Gigi.
Speaker 8 (24:14):
Get the check, will you?
Speaker 4 (24:31):
You're hiding something someone.
Speaker 8 (24:34):
Stop making a se Gi. You are compromising the job,
and you're already a target.
Speaker 4 (24:39):
In that fucking red coat and anyone you involved in
this transaction will be an even bigger target. But you're
still doing it. So what's your excuse this time?
Speaker 8 (24:49):
No, no, no no excuses.
Speaker 11 (24:50):
Dad's right, Secure the goods, close the deal, No more games,
no more distractions.
Speaker 4 (24:57):
Oh cousin, you're just so oh simple.
Speaker 11 (25:01):
All right, I'm calling a car.
Speaker 4 (25:04):
Thinking you can hide the cracks in your marble fasage
two minutes, but just know I see them Fernando, and
they're only getting bigger with each passing minute, and soon
they're going to crack wide open, and you're going to
have to deal with the fallout, Except this time I
won't be there to pick up your pieces.
Speaker 8 (25:25):
You never really were.
Speaker 5 (25:27):
TikTok ttuk.
Speaker 8 (25:45):
West Village.
Speaker 11 (25:45):
Please record voice note, Hey one, I uh look, I
had a really great time last night, but this whole
thing us the con It was.
Speaker 8 (26:01):
A huge mistake.
Speaker 11 (26:03):
I should not have involved you for either of our six.
Please don't try to call or do text. I have
a job to do it.
Speaker 5 (26:13):
I'm sorry you.
Speaker 8 (26:13):
Won, but I gotta do this alone.
Speaker 1 (26:35):
The setup was produced by Sonro in partnership with Iheart'smichael
Tura podcast Network. Created and written by Ivy Marie and
Philippe Baujan, directed by Bettina Lopez, Produced by Luis Luardo Castillo,
developed by Bettina Lopez, story editing by Nick Milanes. Executive
(26:58):
produced by Harvey Gien and Christian Navarro.
Speaker 15 (27:01):
Connel Byrne and Giselle Bances for iHeart and Camilla Victoriano
and Joshua Weinstein for Sonorro. Performances in this episode by
Harvey Gillen, Christian Navarro, Daniela Alonso, J. D. Garfield, Sofina
de Jesus, Jessica, Ruth Bell, Philippe Baugan, Jackson Gutierrez, and
(27:24):
Aaron Leedock.
Speaker 1 (27:26):
Our production and supervising managers are Gustavua Riler and quern
Sa Chaids.
Speaker 15 (27:32):
Recording engineering and sound designed by Eduin Irigoying, Juan Dias
and Andres Bayena.
Speaker 6 (27:38):
Casting and coordination by Ansley Martinez and Alex Gonzialez.
Speaker 15 (27:43):
Voices recorded at The Invisible Studios in Los Angeles, The
Relic Room in New York, and Cabby Sound Studios.
Speaker 1 (27:50):
In Albuquerque, New Mexico, with engineering by Lester Danglar, Brett Tubin,
and Colin Ungerlier. If you're enjoying The Up, please subscribe, rate,
and review our show wherever you're listening
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