May 20, 2025 • 46 mins
ON THIS EPISODE OF VICTORY LIGHT WE GOT INTO HOW THE INTERNET FRIED OUR BRAINS INTO THINKING THE RECENT BOAT TRAGEDY ON THE BROOKLYN BRIDGE WAS AI, THE ESCAPE OF THE NEW ORLEANS INMATES, AND WHY EVERY RAPPER HAS A PODCAST AND FEELS THE NEED TO WEIGH IN. SHOULD WE HOST THE O.N AWARDS? LET US KNOW!
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Yeah, you've seen the frustration overlaps with the Chronics, Stacey.
He is now into the gangster mode.
Speaker 2 (00:13):
You know what I'm like, litery like like.
Speaker 3 (00:20):
M hm.
Speaker 2 (00:26):
Hm of litively like.
Speaker 3 (00:30):
This victual like you bitch. You know what I'm saying,
Uhgy is high because we're back in the track. You
know what I'm saying. It smells like cracksmoker here because
we just finished cooking up a bundle.
Speaker 4 (00:40):
That's not true, it is. Don't let us spell a
lot of your brother. Don't let's spend a lot of
your brother. We ain't here, We ain't here cooking up
two for five. They got garbage down the way.
Speaker 3 (00:49):
God, God, you know what I'm saying, copper gold. God, listen.
You don't know if that's real or if that's true.
You know what I'm saying. But what you do know
is that we got Rady Oh he and the mother
fucking building. Yeah, God, you know what I'm saying. We
got Lizbeth, he's a super rich in New York City.
Got damn it, Brooklyn's own. We got men training forgive man.
Goddamn it. He is out here producing this ship out
(01:10):
this ship. Victim is in the building and he is
putting coconut oil in his head as we speak here.
You know what I'm saying.
Speaker 4 (01:16):
It sounds like maga cheese, maga cheese. And as you
already know, of course we got make waiting for the
yeast to rise. You know what I mean, Yo, that.
Speaker 5 (01:30):
Needs more contact.
Speaker 3 (01:41):
And of course you know what I'm saying. Every time
we say something outside the line and you hear it,
and yo, you know what I'm saying, or you know
what I'm saying, or some clapping.
Speaker 6 (01:51):
I haven't heard that one little.
Speaker 3 (01:54):
Fartnoys, you know what I'm saying. Whatever it is, you
know what I mean. You know it is, baby, it's
the audio, God, the sun, insane.
Speaker 7 (02:01):
Yeah, you know what I'm saying.
Speaker 3 (02:03):
I'm gonna just yo, throw listen. This is a sign
the same challenge. Go in the comments and pick a
random R and B singer and then pick a hip
hop beat and be like, Yo, so make it work.
He's gonna make it work. Gonna you know what I'm saying,
make it work, Guarantee you know what I'm saying. And Yo, listen.
If you're in between the ages of thirty and forty five,
(02:26):
who that perimenopause is gonna go back, yep, saying that shit,
it's gonna turn the clock back.
Speaker 4 (02:31):
That ship by the hit like Ben Gay after a
shift on the Fourth Cliff.
Speaker 3 (02:36):
You know what I mean exactly. But like I said
at the top of the show, you know what I'm saying.
I said he was cooking cracking hand. It could be true,
it could be not. We never know what's real. Nobody
knows what's real nowadays because anymore, Bro, he ain't fucking
eye every fucking night. I was talking about Allen. I
was saying, I know there's an overused joke, but I'm
gonna use it again because I'm a unk. You know
(02:56):
what I'm saying. That's what we do.
Speaker 6 (02:58):
We got AI, we got locked up photoshop, you got
weird news links and none of Yo, We're all fucked.
We're all fuck. It's like before it just used to
be my parents and now I'm looking at it and
I'm like, bro, I don't know.
Speaker 4 (03:13):
Alive.
Speaker 3 (03:14):
You know is we're in a sad state of fizz.
When I'm like showing my son and video, I'm like, yo, bro,
I was like, Yo, Mexican boat crashed into the Brooklyn Bridge.
I just read that as it said, and it sounds crazy.
I showed in the video like, yo, bro, is this realm?
(03:35):
Like I'm the old thing, Like yeah, hey, is this real?
He's like, Bro, that's real? Like those are the news.
I'm like, you watch the news at fourteen, like fucking
lay well.
Speaker 6 (03:46):
For them, it's like the TikTok algorithm. Whenever they see
your big font They're like, oh, ship, look that at
the news.
Speaker 3 (03:51):
The news.
Speaker 6 (03:52):
That's all I take.
Speaker 3 (03:53):
Just a headline, yo, yo, bro yo, this is this
this guy pretending to be Spider Man.
Speaker 4 (03:58):
Oh my god.
Speaker 3 (03:59):
Yo. So if y'all don't know what we're talking about,
you know what I'm saying, because nobody knows what anybody's
talking about nowadays. A boat crashed into the Brooklyn Bridge.
It was and it had a huge Mexican flag attached
to it, which Rainy put that in the dock. And
when I see that shit, I was just like is
(04:19):
this real? Yeah? Yeah.
Speaker 4 (04:21):
I threw it in a check because I was like, Okay,
we're at a point now where like right wing dog
whistle language is like kind of valid where it's like
I need to I need to get all the facts
before I like that's where we're at, and like, yeah,
(04:43):
like AI has made it impossible to just take things
at face value, especially on the Internet, unless you're there
to see that shit. Like now I find myself sounded
like fucking timpoole, Like there's a beanie manifesting.
Speaker 3 (04:56):
On my head underneath this fit.
Speaker 4 (04:58):
I'm like no, no, now, I'm like I need to
but I need to get all the facts. I need
to see that because like, okay, So for anybody that
gets their news from the Victory Life podcast of all
places news, Mexican naval training vessel crashed into the Brooklyn
Bridge a couple of days ago. As of the date
(05:19):
of this recording.
Speaker 3 (05:20):
It was a naval training vessel, So is there a
mad It looked like a carnival ship.
Speaker 4 (05:24):
That's because the ship called the the uh the the Yeah.
Speaker 3 (05:32):
The South American guy forgetting the fucking x's. Yeah.
Speaker 5 (05:35):
I really know that ship because Mexico's national soccer team
had one of the illes players ever called Blanco. Yeah
from all out there.
Speaker 3 (05:46):
He was rubbing coca his guns before rematch. Yeah.
Speaker 4 (05:50):
So that yeah, so not the so not the cocaine
doing soccer player. The two hundred year old navy Mexican
naval vessel. So the Monk was carrying two hundred and
seven seventy seven people when it lost power. That's what
the story.
Speaker 3 (06:09):
That's what. That's what.
Speaker 4 (06:11):
That's what the story. That's what they're reporting, is that
the ship lost power. And you know, we we sit
up here and laughing joke, but two people are confirmed
to have died in the in the incident.
Speaker 3 (06:23):
So ri ip too. Yeah, you know it's crazy because
like I will put my car into like a garage
like to park it, you know what I'm saying, and
it's an SUV you know, and it got like a
like a roof rack. So I'm like, all right, bro,
Like when I'm pulling through oh, like a Wendy's drive through,
(06:45):
It'll be like yo, eight feet clearance, you know what
I'm saying. Like, and it'll be like yo, maximum clearance.
And I'm like a ship. I can't go through it.
I got like eight and a half feet. I'm like, bro,
is there a guy in the boat to be like yo? Yo? Right? Yo?
Speaker 7 (07:05):
Hold on?
Speaker 3 (07:06):
Whoa Yo? The Brooklyn Yo? Yo? That's the Brooklyn Bread y'all. YO.
Speaker 6 (07:14):
Promise you if we do enough research, it is Eric
Adams fault. I know that they probably sent a letter
was like, Yo, we got this ship going on. We
need approval. The boat is this high, and Eric Adams
was too busy changing his fucking hookah flavors fun to
sign the ship and send it back in time. Just
know that's what happened, Bro.
Speaker 3 (07:33):
That's fun. It's gonna be a right Let me tell
you why. Because Mexico City is the New York City
of Medama, you know what I'm saying. And let me
tell you something else. We're gonna celebrate Singo to Mayo
and Grande. We're gonna have a big old naval ship
with a naval flag on there. We're gonna put a
Mexican flag in for hitters, yo, Oh my god.
Speaker 4 (07:57):
But that's why that's why I thought it was AI, bro,
because like, the flags look just disproportionately huge compared to
the vessel. Part of the reason I thought it was
AI was because I don't put it past right wing
Twitter and right wing internet spaces to to throw throw
(08:17):
this prompt into into whatever AI. You know what I'm saying, Like,
I don't put it past them people to throw that
prompt into whatever. AI Construction software yeah, they got just
to make Mexicans look.
Speaker 3 (08:30):
Bad and make it.
Speaker 6 (08:31):
They do that shit all the time now.
Speaker 4 (08:32):
Yeah, exactly, to like make it look like an active
an active war war or some ship, you know what
I'm saying.
Speaker 6 (08:38):
Or to make you look like incompetent.
Speaker 3 (08:40):
Yeah, yeah, yeah.
Speaker 4 (08:41):
Like that's the reason I thought it was AI because
like the like just right wing politics in general falls
apart when they stop making shit up. But I cannot
help but feel like they finally got a genuine victory
with this one.
Speaker 3 (08:56):
Like I feel like this. I feel like they're.
Speaker 5 (08:58):
Like for what to like sing levy bo m Yeah,
that looked like a musical.
Speaker 4 (09:03):
Right before hit the Brooklyn Dude, there's there's there's Mexicans
up there, locked arms locked, standing on the mast, and
like I get it was, That's what I'm saying. Yeah,
like yeah, so I feel like them people finally have
something to be.
Speaker 3 (09:18):
Like yeah, yeah, yeah, your reckoning? What's coming on? Yeah?
Guess what this ain't three oh grand? Like what the fuck?
Speaker 5 (09:28):
Bro?
Speaker 3 (09:29):
Yeah, so y'all got a w you fucking coke bozones.
That's the main reason I thought it was fuck.
Speaker 6 (09:34):
First of all, you had to teach these motherfuckers how
to wash their asses. They got another seventeen hundred years
where like catching up on w's bro. Yeah yeah yeah,
fuck out of here, Yo.
Speaker 3 (09:46):
They listen, stopped that. Okay, cut it out. I'm saying
this is that was the father mean like a stop
that ship. Let me tell you something, this ship wouldn't
even be news if they put a big ass Swedish
flag on that bitch. This is going to date me.
Mattered with children. They always had the Swedish bikini team
(10:06):
on their you know what I'm saying. And who's the
Swedish bikini team that crashed their boat into the Brooklyn Bridge.
Everybody'd be like, oh, let's start to go fund me
for the Sweetish bikini team. Yeah, because they got the Swedish.
Speaker 5 (10:17):
Today, like you couldn't have a bikini team with no ass.
Speaker 3 (10:22):
That's true, not at all. They didn't have no ass.
That was yo. That was a yo, thank you, bro.
Speaker 5 (10:28):
That's crazy because Yo, that was like in they no
and they were selling mom jeans for real with with
like fucking with bro, no no ass, no ass.
Speaker 3 (10:37):
Bro.
Speaker 6 (10:37):
You remember there was a time where like you haven't
a fat ass was an insult. It was like Oh
my god, how fucking dare you?
Speaker 3 (10:44):
Oh my god, it's disgusting.
Speaker 6 (10:47):
A white lady.
Speaker 3 (10:48):
She got a fat ass. Bro.
Speaker 6 (10:50):
Hide the knives, bro, hide the knives? Did you say
that to me?
Speaker 3 (10:54):
And they were friends, we were a book clubs.
Speaker 4 (10:56):
So there's a there's actually film reference once again for
my folks that love this. Uh, there's a film where
this is made a reference to. And it's none other
than the classic witch movie The Craft.
Speaker 3 (11:09):
Oh Ship. Yeah, and it's.
Speaker 4 (11:11):
It's a it's a scene that nobody ever talks about,
but I it's been burned in my brain for years.
It's when they're like doing the seance or whatever, and
it's like very.
Speaker 3 (11:21):
Early on.
Speaker 4 (11:24):
Where they're trying to where they're trying to like make
their wishes or whatever right, and Shorty says, I wish
for a smaller ass.
Speaker 3 (11:32):
What huh, as Brona, We're not doing that. It's crazy, bro, yo,
Why do want they go? And the like? So they be.
Speaker 4 (11:41):
Blocking their blessings. They be blocking their blessings, bro.
Speaker 3 (11:43):
You know, like classic cinema movies, if there's something that's
problematic in it, they'll go back and they'll reshoot it. Sorry,
Nigga said cinema movies, you.
Speaker 4 (11:56):
Know, you know, back in the day at the Picture
show whether.
Speaker 5 (12:02):
Yeah, here in the iPod broadcast podcast.
Speaker 8 (12:06):
Stop, yeah, I hate your niggas, man, I'll be get
a ticket. Yeah yeah, nigga gonna hit a pole on
the city bike. Yo, it's a cinema movie. Because it's
a movie in the Cinemas's.
Speaker 5 (12:26):
Gonna take us down to the Nickelodeon.
Speaker 7 (12:27):
Yea, that's going down to the drive.
Speaker 3 (12:31):
Man, you know what I'm saying. So the rollers Kid's
gonna bring you a malt. You know what I'm saying. God,
damn nigga, It's okay.
Speaker 4 (12:39):
Oh by the way, man, can you put in an
Uber Eats order for some egg creams?
Speaker 3 (12:43):
Please? You get the original formula. Come, all the all
the all them foods is racist, bro, all the all
them like yo, this is a classic egg nigga. That's racist.
Back in the day.
Speaker 4 (12:59):
That back in the day at the Buster Keaton premiere,
you know, yeah.
Speaker 3 (13:09):
Listen, Yeah, niggas was just dad when I was at
the premiere, Steve Boat Willie, Oh my god, first thing
out there, bro, Yo.
Speaker 4 (13:16):
He was at he was at he was at Magic Theater, Bro,
he was at Magic Johnson at Harlem.
Speaker 3 (13:21):
He was the only one in the theater watching blank Man.
Speaker 5 (13:23):
Magic Johnson theaters and Jamaica Queens is my joint, right, Okay?
Speaker 3 (13:28):
Did they have a videos picture Magic Johnson? Were you
walk good? Like a mural of him and some ship
like smiling like.
Speaker 5 (13:34):
I don't think so, not in mine.
Speaker 3 (13:36):
Niggas just smiling at you like I got the germs
he just made.
Speaker 7 (13:43):
Man, Yo, what's good man?
Speaker 6 (13:56):
Listen?
Speaker 3 (13:57):
Man, enoughbody calm down. You know what.
Speaker 2 (14:01):
They gotta calm down, bro, Legity like.
Speaker 5 (14:10):
Legity, Like I kind of want to hear about the
cinema movies. You ever finished that point?
Speaker 3 (14:14):
Yes, following that line of thinking, it always used to
be like, Yo, having a fat ass was like and
it was like, oh, I don't want this. This is terrible.
It's terrible. Do I remember when Anakona came out? Yeah,
and it was like, Yo, j low ass is crazy
as look crazy. I said, Bro, that's a regular ass. Bro,
that's that's you.
Speaker 6 (14:34):
Was also raised in the Bronx. The regular ass for you,
I was imagine, imagine fucking Bob from Utah j LO
for the first time.
Speaker 4 (14:46):
You think, Yo, you think any of the Oklahoma's have
ever seen and asked that.
Speaker 6 (14:51):
In their lives.
Speaker 3 (14:52):
Not. Bro, You're right now, you're right right right now
being caught out there. Bro, this is there's a milk
out there with yeeks your I was in Arizona. Bro,
I don't like them.
Speaker 4 (15:02):
And that's the crazy, that's the that's the ship they'd
be out there. It's just yeah, it's just they don't
have There aren't a lot of prospects.
Speaker 5 (15:10):
God, God forbid, you were a pog in nineteen.
Speaker 3 (15:13):
You know, if you was built like Alexis, Texas and
Oklahoma and like the nineties, Bro, it was slow for you.
That's crazy. If you would have just moved the dikeman, Bro,
you would have been beaten niggas.
Speaker 6 (15:22):
I'm sorry to cut you off. I'm not gonna be
able to record what's the p in pog? What that means?
Speaker 3 (15:26):
Fat? Oh?
Speaker 6 (15:27):
Okay, I figured that, asked, white girl, but I couldn't
figured out what the piece.
Speaker 4 (15:32):
Oh yes, fat like like fat farm.
Speaker 5 (15:38):
Movies reference pretty hot?
Speaker 3 (15:42):
God, Bro, fucking God damn it, Bro, Because we're talking
about uti official intelligence. Human intelligence is unbeatable because ten
guys from New Orleans, you know what I'm saying, which
sounds like it could have been abandoned. In the nineties.
Ten guys from New Orleans escape prison. You know what
I'm saying on some real prison break shit, bro. Like
(16:04):
they dug a hole in the wall, they did tunnels
and ship, they did real chopo shit, and then they
ran out and the video. The funniest part of the
escape video to me is like they it's like you
know when little kids like do like like they ring
the doorbell and they run away and like one of
the kids inevitably falls. That's exactly what happened, Bro. They
(16:26):
run out, they run out the prison shit yoa getting out? Yo,
get out? Bro. One of the one dude just trips
and falls on the stairs and it just gets up
and like does themself up a little bit and it
keeps it moving. I was like, fam, if I'm escaping
from prison, bro, I'm not looking back. If I fall, Bro,
I am like pewtin out of that. They got to
know I'm listening. If I do ever go to prison,
(16:52):
I'm not gonna try to escape. That's crazy.
Speaker 4 (16:55):
Yeah.
Speaker 6 (16:55):
For me, it's like, Bro, you know they're gonna get you,
that's it. What the fuck are you gonna do? Within
those six seven hours. You can't even make it to
your shorty in time. You honestly, did you see how
the fuck they got out? They basically ripped out the toilet,
they just like they moved it out, and then they
started to dig a bigger hole and then on the
(17:17):
actual fucking wall. It says it's too easy L O L.
Speaker 4 (17:22):
But I admire that though, because we need to bring
back tradition. You remember in the old days when they
would rob a bank and they would like they would
like spray their name because like forensics didn't exist, so
you could get away with anything.
Speaker 3 (17:39):
We need to bring that sit back. Draco boys like
mother you break out of prison.
Speaker 4 (17:45):
You checked the cell and it says you can tell
him it was Carl Ironside and the Bootney boys.
Speaker 3 (17:52):
We are freeing at at last Bro. I saw that footage.
Speaker 4 (17:56):
Yo, Victory like gang bro Light Brigade. I'm gonna need
you on this. Vic still hate that name. I don't
care though, that's what all is. Somebody please make this edit.
Somebody please get the footage from the breakout and then
put the sponge rob Chase mutic over, you know, talking
to one that's like.
Speaker 5 (18:19):
Seven New Orleans and escaping from prison is kind of
the origin story cash money records wish as it was, yo.
Speaker 3 (18:24):
You see what I'm saying. Facts, If lu Wayn could
just be like eh, you know yeah, back then, I
was ten years old. I was doing twenty five in
Life and Baby, and I used a spok to dig
out bro, you know, and then I found Drake in Canada.
Speaker 6 (18:40):
That's how you.
Speaker 3 (18:41):
Found yeah, asshole, we died. Took too many his hands.
I drew. I dug all the way to Canada, dog,
and then when I came up, it was Carabana. Listen.
Speaker 4 (18:50):
You know, I think they broke out of there because
Boozie wasn't sending enough onion Booty DVDs. That's what I think.
That's what I think happened. Boozie wasn't sending enough bro,
that wasn't.
Speaker 3 (19:02):
Silly enough, and that's why his homeboys just dig down
his selly. Yeah exactly.
Speaker 4 (19:07):
You know what I'm saying. What the hell thought it
was cool for him to tell me what?
Speaker 3 (19:12):
They all run house like?
Speaker 4 (19:15):
Yo, we all digged out one's yo yo, yo, Bosie,
we all dig down our sellies.
Speaker 3 (19:21):
We don't know what to do? Is that bape?
Speaker 4 (19:26):
Hold on hold on those bape sweats right there? Can
I sweat?
Speaker 7 (19:36):
Bro?
Speaker 6 (19:36):
You know three of them have already been caught.
Speaker 3 (19:39):
That was good. You said it before that, like you
know that's gonna happen. I'm like, where are y'all going?
Y'all are not like fucking Tom Cruise mission impossible, nigga,
Like do y'all even have passports? What are you gonna do?
Go to fucking budget, rent a car, nigga, and drive
like two states over.
Speaker 6 (19:54):
One of them was found hidden under a car.
Speaker 3 (19:58):
Yo.
Speaker 6 (19:59):
Another one another one? When I think he, I think
he went home and like picked up his fucking bapes
because he dead has had the time to take a fit.
Speaker 3 (20:08):
Pick yep.
Speaker 6 (20:08):
Another motherfucker went on live like these motherfuckers was really
on something like Yo, this is our this is our
school trip.
Speaker 3 (20:16):
Bro.
Speaker 4 (20:16):
What you need to do is high tail it the
fuck out of there, get your hands on as much
cash as you possibly can, hitchhike your way to the
to the nearest border with water. Then you need to
sneak on to a shipping vessel that is on its
way to a country with no extradition treaty with the US.
Not not that I would know that for any particular reason.
(20:37):
I'm just saying that that's probably the best course of action.
Then when you get to that spot with no extradition treaty,
what you're gonna want to do is you're gonna want
to get some sort of cast job, right, And a
lot of these countries, a lot of those tend to
be the more dangerous jobs, like oil rigs, things like that.
They ain't got osho over here, right, So you can
you can join some type of mining facility in Romania
(20:58):
and it'll be fine, and you're gonna fine. Then you
can start your whole new life as the one black
guy in the village named Petrov and you'll be fine.
Speaker 3 (21:07):
And then you funk up because you're like, yo, damn.
Speaker 4 (21:11):
Yeah, because they catch you listen, because they catch you
watching smack DVDs and they don't got that over there,
so they're like, nah, this guy is different.
Speaker 3 (21:19):
Yo, the way he bags your tweet recipes, young dolf.
Speaker 4 (21:23):
Yeah yeah, hold on, what is this mother I'm talking about?
Speaker 3 (21:29):
Yeah? Yeah, yeah.
Speaker 4 (21:31):
I always wondered why his skin darker in summer. Strange, strange,
very strange situation. Must be, must be mutation. That's what
you gotta do when you break out a jail man.
Y'all ain't never seen prison break. He didn't say that
(21:51):
chat GBT said that, you know, I am CHATBT. No,
it's a tiny alien sitting in the middle of my
face like men in black.
Speaker 3 (22:08):
Like, oh shit, Yo.
Speaker 6 (22:09):
But if you break out of prison and you get
you get a strong ten ten to fourteen hours, what's
the first thing you're gonna do. First thing you're doing.
Speaker 3 (22:18):
I gotta get some pussy, broad, I gotta get I
gotta have sex probably, I.
Speaker 6 (22:22):
Mean not maybe, not that you say you gotta What
do you mean by that?
Speaker 3 (22:29):
You gotta be clear, like you know, I mean, you know,
I was a consensual like I just running down on
like a goat and like smashing its cheeks, you know,
Like but you know, maybe like you know, maybe a cold,
shady sharp like yo, what you got on deck over there?
Speaker 4 (22:46):
Bro? Like you know, I think the I think the
first thing I'm doing is uh, you know, like I said,
you need cash when you break out of prison. So
I'm simply just gonna go to the nearest convenience store,
any type of twenty four hours store, and then go
behind the cast register put my cast register.
Speaker 6 (23:04):
For no reason exactly.
Speaker 4 (23:05):
That's what I'm doing, you know, you know, let them
out of there.
Speaker 3 (23:11):
Yo, that's crazy. I think I would. You know what, Nah,
I'm gonna just get super duper high so that when
I inevitably get re arrested and like put back in jail,
I'd be like, Yo, that was a That was a
fucking crazy dream I had. Bro.
Speaker 4 (23:29):
You just you're making peace with it.
Speaker 3 (23:33):
Like I'm bro, I'm just being a k hole dog.
They're gonna be like, spread your cheeks. I'll be like, yo, okay,
I can't. You got.
Speaker 6 (23:44):
Jesus Christ.
Speaker 3 (23:45):
Bro, I'm like the Mexican do to the hotel, sniffed
the shape, thought it was cocing cavs like that. Yeah, yeah,
over high in my mind. Not because it's like, Bro,
you're going back to jail. You're gonna go back to jail.
There's no I don't. I mean, listen, we could google it,
but I don't know the last time. Is it anybody
(24:06):
that escape from prison. It's like he's still on the lamb. Yeah.
Al Davis broke out of Alcatraz in nineteen sixty eight.
He's been on the lamb ever since.
Speaker 6 (24:14):
Like, Wow's the story of a dude who hijacked the
plane and he made it safely to whoever.
Speaker 3 (24:20):
The fuck you way, that's true. As soon as you
said that, I don't know why, Like I started saying,
this is the story of a girl who travel the
whole world. Yeah, Yo, what the fuck is that? Yeah?
Why was it in my brain?
Speaker 6 (24:34):
I have no idea, bro, thank you. Your last few
cells are like fighting for dear life.
Speaker 4 (24:39):
Bro.
Speaker 6 (24:41):
You hear a word and they're like, oh shit, this
shit reminds me of something from forty Yo.
Speaker 3 (24:46):
I think my brain is just like UFC, like three
hundred and thirty eight, and it's just like mad brain
cells in there. But they all scraping, bro.
Speaker 6 (24:53):
Yeah, like they all fighting each other. Yeah, working together like.
Speaker 3 (24:57):
Hell yeah, fuck comp.
Speaker 4 (25:01):
My last two brains. My last brain cell is just
j one in my head making them. Yeah, that's all
that happens up there.
Speaker 3 (25:10):
Yeah.
Speaker 4 (25:12):
But yo, man, you could have Hey, y'all could have listen.
You know how many countries have no extradition treaty with
you as you could have went. You could have went
to Cuba. I had I had a great been chilling
super family, Like.
Speaker 6 (25:27):
How y'all motherfucker is making this ship? See mac cool.
First of all, when you get out of prison, which
fucking way is Cuba?
Speaker 3 (25:33):
So south?
Speaker 6 (25:34):
How the funk I'm gonna know that, Bro, I'm in.
Speaker 3 (25:37):
Jail, Yo the sun. Look listen, this is I remember,
and I remember I learned this ship in the second grade. Bro,
this is I remember. Nor never ever suck wieners. You
know what I'm saying. Northeast southwest never ever suck wieners.
That's how I know. Every time you could put me anyways,
put a blind fool on me, whiffle bag, spin me around,
(25:57):
and I'll be like, Yo, south northeast south US always
I know. You know what I'm saying. It's like I
got a north star in my mind.
Speaker 6 (26:05):
Also another fucking south.
Speaker 4 (26:09):
God damn man.
Speaker 3 (26:12):
Stop Yeah.
Speaker 4 (26:19):
Yeah, yeah yeah. I mean, you know, shout out to
them for attempting to to get their freedom back. But
I mean, listen, we live in a surveillance state.
Speaker 3 (26:31):
Uh. Like that much is true.
Speaker 4 (26:33):
There's no like, there's no way that they caught those
guys that fast unless they had help from some sort
of like facial recognition tech. Bro, I hardly take the
train anymore. You know what I've seen on the train
the other fucking day. You know those kiosks with the
screens on them. Bro, I've seen a kiosk with the
screen on it with like footage of the platform. But
(26:55):
it was like, oh, but you know, we're blurring people's
faces and it's like okay. On the kiosk they had
him blurred, but like you could just turn that setting off, like.
Speaker 3 (27:06):
Do you know what I mean? Like I'm still on camera,
Like it's not like Bro is in there. Bro cut it.
Speaker 2 (27:12):
Out of ligity, Like of ligity, like.
Speaker 3 (27:18):
When I go to the fucking airport and they're like, hey,
can you look at this camera? And then they got
the little sign like yo, you could disagree, you could,
you could forego this if you don't want to. Yeah,
that means I'm gonna stand in line for another forty
five minutes. But y'all not getting my face on this fish.
Speaker 4 (27:31):
Yeah. Yeah, that means y'all gonna put me in a
room and ask you a bunch of weird ass questions.
Speaker 3 (27:34):
Because my name is Joel Martinez and I was in
dr for two days, so I must be smuggling coke. Yeah,
it's down your business exactly.
Speaker 7 (27:42):
Bro.
Speaker 6 (27:43):
I got pulled into the TSA because I had, like,
what was it like, eighteen mangos on me, Bro, mind
your business, fucking business, it's my luggage, my mangos life, bitch.
Speaker 3 (27:56):
Yo, it's sun Yo.
Speaker 4 (27:57):
I'll be treating I'll be in that bitch treating it
like middle school.
Speaker 3 (28:00):
Mister. You paid for my food, right for my food, mister, mister,
I'm doing my.
Speaker 6 (28:05):
Work like you ever had a mango from here?
Speaker 3 (28:09):
Yeah, you won't want to go go Bro, go fuck.
It's worse. It's worse on other time when you get
to d R and they just rip your fucking shit
open and they be like, oh, yeah, I might be
dating myself, but back in the day, I will go.
They just take my ship open and be like, oh
I need damn though, just stick this ship out like yo.
I was like uh back there, like nah, this might be.
Speaker 6 (28:29):
A bomb that never happened to me. Bro. My earliest
memory of going to DR with my mom, Yeah you
are you and your whole family.
Speaker 3 (28:37):
That's crazy. My earliest numery was.
Speaker 6 (28:41):
Getting to d R and I remember, I know what
TSA is like over here in New York because this
ship is seven hours long. We get to d R.
There is no ts A. It's just a little uh
machine and then the door for you to get the
fuck out. The airport is very small. The dude, my
mom is taking the lugga. Jing's like, oh, like you
have anything in there, and she's like boy, And I'm
(29:08):
not gonna say what she did. Allegedly, Why am I
saying this on camera? She definitely slid them a piece
of paper and I'm gonna just say that allegedly, we
probably left the airport a little bit faster than we
would have. Yeah, had we not.
Speaker 3 (29:29):
Every time my pops and I started doing this ship,
I know, I'm becoming my pops. Like hell he was.
He'll go around and just tip niggas for no reason, right,
and he'll just he says the same ship every time.
We'd be like made and I'm like, bro, we're like
that guy works on the subway.
Speaker 7 (29:49):
Like translation.
Speaker 3 (29:53):
A while, buck, so you can have some corn for
your chickens.
Speaker 4 (29:58):
Yeah, yeah, no, no, no, I'm sorry, no, no, It
just it just means like, you know, taking care of
your flock, you know. You know what I'm saying, tending
to tending to the needs of your chicken.
Speaker 3 (30:10):
Coop hold is down, you know what I'm saying.
Speaker 6 (30:12):
And it don't be done crazy. It's just a little tip.
Speaker 3 (30:14):
You know.
Speaker 6 (30:14):
It sounds like, you know, sign yourself a water. You
know it's not crazy, but I'll.
Speaker 3 (30:22):
Yeah, you know, it's giving us tips to though, bro
the o ends. You know what I'm saying. The o
NS is out here giving tips and teaching y'all how
to live life. It's not just me, you know what
I'm saying, because I'm out numbered here. You know what
I'm saying. There's the way ends and there's one O end.
We got a unkle the back, you know what I'm saying.
But he bes staying quiet and just being like every
(30:42):
once in a while. Yeah, yo. Uh shout out to
all the unks that have podcasts now because it's becoming
a thing, you know what I'm saying. And uh Fato
and Jady got a podcast shot to him what I'm saying.
Top it up, Joe jids our podcast, Fat Joe Joe,
(31:06):
Mike listen, Don Carter Bomb, Hard, Don Carta, Gina, Fat Joseph.
You know what I'm saying, jose Jealous won't still envy
as a o N that has experienced with why NS.
There's certain things that you can't say on camera. You
know what I'm saying. This is just like advice, you know,
just for as a guy that's been in media for
(31:27):
a while. You can't go on the microphone in twenty
twenty five when you know there's young men listening to
your show who are waiting for the opportunity to be like, hey, yo,
you know what I'm saying. And when you go on
the mic and you say, yo, I love going to
(31:47):
baseball games, you know what I'm saying. Because they got
the peanuts, they got the popcorn, and yo, I love
a Glizzy. He said, I'm a serial Glizzy eater.
Speaker 4 (32:01):
I'm several.
Speaker 3 (32:05):
Hold on, Joe, Hold Joe, Yo, Joe, hold on Joe.
Y'all Yeah, y'all, I don't even got hold hold Yo,
hold on. And that's every episode I'm waiting like I'm
waiting for. This ship is so funny. I don't know
if it's intentional or unintentional, but it is fucking hell otius.
(32:27):
I wait for the snl skit, you know what I'm saying. Also,
I'm gonna get a little serious for a second. I
don't appreciate y'all trying to take the O N crown.
Speaker 9 (32:36):
You know what I'm saying from your boy. You know
what I'm saying. I know you see me with the
young cats and ship like you know, we're doing young things.
We're talking about like you know, Playboy CARDI, you know,
Mexican Ai Mexican, you know, t Draco in the house.
You know, we're talking about all kinds of things. You know,
Liz got a compound in Dr Mangol smuggling. You know
what I'm saying. We talking about all kinds of young
(32:57):
people ship. But y'all let me tell you something. Yeah,
not gonna come for my owny. You know what I'm saying,
my own n award, That's right, okay, because I worked
very hard for that.
Speaker 3 (33:06):
Ye know. You know what I'm saying. See me come
in smoke half a new pour, hundred to two push
ups and be like, Yo, I know your father, he
was a very good guy. You know what I'm saying, Like,
y'all see me do that every day. Yeah, to preserve
my own end. This that's like a O N workout, Yo,
Joe Jada, I love y'all. Don't come for my own
crown because Yo, we will add a fourth mic to
(33:26):
this ship. It will be Jim Jones. It will be
Uncle murder man. O. You know what I'm saying, shot
him the clown, shot him the clown bro. We gonna
fight for his rights, you know what I'm saying. We
get on the O N A bit.
Speaker 4 (33:38):
That's right because here at the first ever only awards
we have, we have none other than Legacy Staple O
N the kid Marrow dude, that's what I want to
approach every situation like an old timing sportscasters. But we
(33:59):
got the h Howard, who's the who's the one yo,
who's the men knows this probably who's the announcer that
whenever somebody, whenever somebody sinks a three, he goes bang, yes, yes, imagine.
Speaker 3 (34:14):
His son of course.
Speaker 6 (34:19):
Goddamn damn it.
Speaker 3 (34:20):
What the fuck man?
Speaker 4 (34:21):
You just never run out of cool ship and fucking
d like a goddamn Listen, Max, you got to give
that a bump.
Speaker 3 (34:29):
You know what I'm saying. Because the master of flexing Tran,
That's what I'm saying. So that's right.
Speaker 5 (34:37):
Yeah, he's lean, he's my actually the supreme O in.
Speaker 4 (34:40):
You listen, listen everyone here at the first ab AR
Annual one Awards, it's none other he's mean, he's lean,
and he's Vietnamese.
Speaker 3 (34:52):
It's men trand baby.
Speaker 5 (34:54):
The first ever.
Speaker 4 (35:03):
He's getting shit from gravy he gets, he gets on
the stage and he's like, it's only my third day
out here.
Speaker 5 (35:08):
I've been having back issue since nineteen fifty five.
Speaker 3 (35:11):
Oh my god, oh dark, oh my god. Yo fam
so yo yo, the O NS y'are doing a lot.
You know what I'm saying. I'm trying to be the
only O N holding it down out here for y'all.
You know what I'm saying, because y'all like I'm a
like y'all are rich O NS bro That shit is different.
I'm I'm very poor. Yes, I'm a very poor O N. Yes, yes,
(35:36):
news to me. Yeah did you know? Did you know this? Yeah? No,
I'm fake rich. Oh yeah, I'm what they call a
house broke. What's happening there is when you buy a
house and you spend all your money on your house,
so then you got no money. You know what I'm saying.
So that's why you know, that explains the coy pond. Yeah,
that's why, like.
Speaker 4 (35:54):
Oh oh and and and and let's not forget the
guest house.
Speaker 3 (35:57):
Right, No, no, no, no, no, well that's not that's
like that's old. That's all I paid. But that's why
I'm wearing Like this is old. This is like two
seasons ago.
Speaker 4 (36:06):
Oh the North faced Gucci collapse is an old.
Speaker 3 (36:09):
And then the chain on top of it, it's like
three seasons ago. This is old, bro. So like yeah,
so like I'm impoverished, you know what I mean? And
like twisted that's what is bro. Yeah listen, stop, this
should just matched my stakers. Yeah that's why I woreried,
(36:30):
not because it's a Gucci thing. I don't like to
weave of fashion.
Speaker 6 (36:43):
Gas lit bro, like a motherfucker.
Speaker 3 (36:48):
I love it. Yeah, listen, the end isn't doing too much.
The one on that's doing way too much is Sean
Dinny Combs. Trial's going on, you know what I'm saying. Uh,
but I don't want to talk about the trial. I
want to talk about the o ns, the unks and
(37:09):
the ogs. Who are you fucking freaks caping for Diddy?
What is romacho?
Speaker 4 (37:18):
Yeah?
Speaker 3 (37:18):
It's uh? What is romachov as? O? N I sneak
the floor for a minute as a card carrying O
n uh, fam you are a freak. Let me tell
you something if you are caping for Diddy right now,
you a nasty freak bull because that to my phelly niggas, Uh,
because you are projecting you know what I'm saying, You're
(37:42):
you're defending Diddy because there's something Diddy esque about you,
you know what I'm saying. And uh, and the way
that you move, you know what I mean. So if
you if there wasn't, you wouldn't be going so hard
for Diddy. Also, Tory Lanes, you know what I'm saying.
They y'all are going very hard for Tory Lanes posted
videos of Megan stepping out of a call. She stepped
through the battle, yo. Look that's how she got fragged
(38:04):
me to her foot. It was a snapper bottle. It
was not a fire arm. Yo. Shut the fuck up.
You're wrong. You know what I'm saying. None of it yo,
y'all are AI.
Speaker 4 (38:13):
Yeah, yeah, y'all are.
Speaker 3 (38:15):
Y'all are not real fucking people, bro, Not y'all are
fucking bots. I'm starting to think, like talk about dead
in NF theory, I'm starting to think a lot of
you motherfuckers, because Yo, when you go into the barbershops
and motherfuckers are having these opinions. They're also asking the
nephew how to turn on their boost mobile phone. So
how are y'all able to get on the incident and
have these takes? You know what I'm saying, y'all. Are
(38:36):
y'all are not at the forefront of thought leadership here?
That's just not you know what I'm saying.
Speaker 6 (38:39):
You know, yeah, it's literally I think that people are
just projecting, like you see some somebody doing some shit
that you want to do, and it's just like, yeah,
I absolutely rationalize that behavior. It's not and I say
this ship all the time. It's not just the Tories,
it's not just the crises, it's not just the diddies,
the Russell brands, it's not just the Harvey Weinsteins. It's
not just that it's something that you see in them.
(39:03):
That's why I tell people like, yeah, this is public
opinion and these are public cases. But the people around
you have actual thought processes, and then they have actual
things that they do in their fucking real life. You
need to watch and pay attention accordingly to what the
people around you are saying.
Speaker 4 (39:20):
Yeah, and also the people you claim to care about
can read the bullshit you be posting, bro right, like
you know what I'm saying. So it's like, I think
out the outrage behind this shit is so ridiculous and
so forced to me because it's like, oh, like okay, listen, man,
if you think that a guy being on trial for
(39:41):
committing various crimes is an attack on masculinity, you need
to you need to reinterrogate what masculinity means to you, dude,
Like I think that shit is. It's very dangerous, and
especially speaking of ons with podcasts, not that Joey and
Jada are doing this, it's a lot of motherfuckers up
there that underestimate their platform, underestimate the reach they have,
(40:03):
and just be up there platforming bullshit. And it's like, bro,
we gotta like, we gotta curb some of that ship
because it's like, yo, people are so invested in these
trials that they have not read up on and that's
the thing. It's like, you gotta you gotta actually be
knowledgeable about the ship you're talking about because Tory Lanez
(40:24):
all the all the defense I've seen of Tory online
is about him not shooting Meg despite that not even
being what he's in jail for. By the way like
people are talking about his rights being violated. My brother
in Christ, he is not an American citizen.
Speaker 3 (40:40):
Yo, yo, I think I forgot that.
Speaker 4 (40:43):
And what he's actually in jail jail for is fel
any possession of a firearm in a foreign fucking country.
Speaker 3 (40:48):
Like, what are we doing, bro? Bro?
Speaker 4 (40:50):
It's it's this, this this framing of the issue that
it's like an attack on masculinity. No, a person committed
a crime.
Speaker 6 (40:58):
To me, it's like, we platform these fucking insane people, right,
we give them a voice, and then the people who
are it's not necessarily about who's saying it, it's about
who's listening.
Speaker 3 (41:10):
Oh yeah.
Speaker 6 (41:11):
So it was like you have young kids listening to
these shows for entertainment, for comedy, for politics, for news,
for whatever reason that you're listening to the ship, and
then you have people giving you this terrible fucking advice
or like I've just seen I've just seen a clip
of Gilbert Arenas on his show basically saying we've all
(41:32):
wanted to fuckast it throughout this, throughout these years, and
you were making it seem like it was so exclusive,
but instead you had a line out the door, like
why you ain't hit me up, Like that's the mind
frame that these dudes are processing this shit in. And
it's like, I fucking hate how crimes against women are
not taken seriously. Like it's not taken seriously, it's turned
(41:54):
into a joke. It's turned into an attack on masculinity.
It's because that that attack on masculine never happens when
the crime is against another man. Yeah, if Tory Lanez
would have shot and killed or shot at another famous rapper,
all of this bandwagon, all of this undying loyal support
out of fucking world, it would have been nowhere to
(42:16):
be found had he shot a rapper that they liked.
But because she's a black woman and she's also confident,
she's also like, yo, fuck Allie, I don't care. That's
another reason. But it's like, bro, we are dead ass
living in a society where being an abuser or being
a really really bad person gets you notoriety, it gets
you money, and it gets you a fan base, because
(42:37):
look at people who don't they're not successful in music.
They do music, but they aren't successful in it, and
then they do some shit to their spouse and now
they have a full fucking fan base.
Speaker 5 (42:50):
Who Yeah, what are you the fan of?
Speaker 6 (42:51):
Are you the fan of of the music? Are you
the fan of the that's meaning the shit out of
their spouse?
Speaker 4 (42:57):
You know, Yeah, it's fucking weird. And it's like it's
like you're not, Like, it's not about masculinity. It's about
what you can get away with. So if Diddy gets
away with shitty behavior, then you think that vicariously you
can too. And this conversation around masculinity completely disappears when
(43:18):
when it's time to champion somebody who is like the
quintessential image of traditionally albeit toxic masculinity, somebody like yg
who just put out a record called two thousand and
four where he talks about being molested as a minor
by an older woman, something that a lot of young boys,
(43:39):
a lot of young black boys specifically go through and
never talk about. And they're taught to contextualize that shit
in a way that's like, oh, that's player, Like that's fire. Yeah,
like that's not I would have loved to be in
that position, bro. That's how it's funny, right, because the
masculinity convo all over the Tory lane shit, all over
the ditty shit, how it's an attack on masculinity, Like
(44:02):
none of these accounts that say this, I've not heard
a fucking peep about this YG track, And it's fucking
fire because like, uh, you know, some similar happen to me.
I thought that shit was cool for years and then
it took me a very long time to realize that
shit wasn't, you know. And it's because of how you're
conditioned to internalize that shit as a man. So we
(44:22):
don't talk about the real things that affect masculinity, the
real problems with traditional masculinity. We don't champion people like
YG who are the who are the the the essentially
the poster the poster boy, the poster man for this
traditional like you know what I'm saying, Like like like
so you know what I'm saying, why gaey, I mean
(44:44):
R and P slim. But we don't we don't like,
we don't. We don't talk about him in that way
because he's not having the conversation you want him to have.
He is, by all intents and purposes, someone who should
feel like that's some player gangst the ship to go
through as a kid. But him coming out and being
like not, actually, that was fucked up, and that's a
(45:05):
trauma that I have to like reconcile now as an adult,
Let's talk about that type of championing masculinity instead of
defending fucking weirdos and abusers.
Speaker 3 (45:15):
This ship is Come on, bro. That part. My favorite
thing about YG is that he has for some reason,
he has a world Industry's tattoo. Really yeah, it's like
a skateboarding company. It's very weird. It's like the little
flame logo. Guy. I was like, where did you find this? Bro?
Like where did you did you have a CCS catalog
growing up?
Speaker 6 (45:33):
Like I have a question, where where is the tattoo placed?
Speaker 3 (45:37):
It's like on his arm?
Speaker 6 (45:38):
Why are you looking?
Speaker 3 (45:41):
This is what I'm talking about. You don't want to
challenge masculinity, it's such as it's such a fool man.
Then let me tell you something. When you would a woman,
sometimes you gotta make her sit under the table while
you do. Stop it. Get out of here, man, that's it.
(46:02):
It's all right.
Speaker 4 (46:03):
The victory light everyone soon time you got a duke.
Thank you guys so much, Thank you Jesus Christ, thank
you guys so much for turning so far.
Speaker 3 (46:11):
Because I got COVID. This has been the kid Merrow
is the super bitch of New York. You know what
I'm saying.
Speaker 4 (46:17):
We got men training the freaking man's lean meaning Vietnamese.
You eat the Dukie, the host of the first ever COVID.
You can eat the dukie. You don't taste like dookie.
Speaker 3 (46:27):
All right, man, you know what like, We'll be right back.
Of lictedly like like mm hmm of lictedly like like
(46:50):
like
Yeah, you've seen the frustration overlaps with the Chronics, Stacey.
He is now into the gangster mode.
Speaker 2 (00:13):
You know what I'm like, litery like like.
Speaker 3 (00:20):
M hm.
Speaker 2 (00:26):
Hm of litively like.
Speaker 3 (00:30):
This victual like you bitch. You know what I'm saying,
Uhgy is high because we're back in the track. You
know what I'm saying. It smells like cracksmoker here because
we just finished cooking up a bundle.
Speaker 4 (00:40):
That's not true, it is. Don't let us spell a
lot of your brother. Don't let's spend a lot of
your brother. We ain't here, We ain't here cooking up
two for five. They got garbage down the way.
Speaker 3 (00:49):
God, God, you know what I'm saying, copper gold. God, listen.
You don't know if that's real or if that's true.
You know what I'm saying. But what you do know
is that we got Rady Oh he and the mother
fucking building. Yeah, God, you know what I'm saying. We
got Lizbeth, he's a super rich in New York City.
Got damn it, Brooklyn's own. We got men training forgive man.
Goddamn it. He is out here producing this ship out
(01:10):
this ship. Victim is in the building and he is
putting coconut oil in his head as we speak here.
You know what I'm saying.
Speaker 4 (01:16):
It sounds like maga cheese, maga cheese. And as you
already know, of course we got make waiting for the
yeast to rise. You know what I mean, Yo, that.
Speaker 5 (01:30):
Needs more contact.
Speaker 3 (01:41):
And of course you know what I'm saying. Every time
we say something outside the line and you hear it,
and yo, you know what I'm saying, or you know
what I'm saying, or some clapping.
Speaker 6 (01:51):
I haven't heard that one little.
Speaker 3 (01:54):
Fartnoys, you know what I'm saying. Whatever it is, you
know what I mean. You know it is, baby, it's
the audio, God, the sun, insane.
Speaker 7 (02:01):
Yeah, you know what I'm saying.
Speaker 3 (02:03):
I'm gonna just yo, throw listen. This is a sign
the same challenge. Go in the comments and pick a
random R and B singer and then pick a hip
hop beat and be like, Yo, so make it work.
He's gonna make it work. Gonna you know what I'm saying,
make it work, Guarantee you know what I'm saying. And Yo, listen.
If you're in between the ages of thirty and forty five,
(02:26):
who that perimenopause is gonna go back, yep, saying that shit,
it's gonna turn the clock back.
Speaker 4 (02:31):
That ship by the hit like Ben Gay after a
shift on the Fourth Cliff.
Speaker 3 (02:36):
You know what I mean exactly. But like I said
at the top of the show, you know what I'm saying.
I said he was cooking cracking hand. It could be true,
it could be not. We never know what's real. Nobody
knows what's real nowadays because anymore, Bro, he ain't fucking
eye every fucking night. I was talking about Allen. I
was saying, I know there's an overused joke, but I'm
gonna use it again because I'm a unk. You know
(02:56):
what I'm saying. That's what we do.
Speaker 6 (02:58):
We got AI, we got locked up photoshop, you got
weird news links and none of Yo, We're all fucked.
We're all fuck. It's like before it just used to
be my parents and now I'm looking at it and
I'm like, bro, I don't know.
Speaker 4 (03:13):
Alive.
Speaker 3 (03:14):
You know is we're in a sad state of fizz.
When I'm like showing my son and video, I'm like, yo, bro,
I was like, Yo, Mexican boat crashed into the Brooklyn Bridge.
I just read that as it said, and it sounds crazy.
I showed in the video like, yo, bro, is this realm?
(03:35):
Like I'm the old thing, Like yeah, hey, is this real?
He's like, Bro, that's real? Like those are the news.
I'm like, you watch the news at fourteen, like fucking
lay well.
Speaker 6 (03:46):
For them, it's like the TikTok algorithm. Whenever they see
your big font They're like, oh, ship, look that at
the news.
Speaker 3 (03:51):
The news.
Speaker 6 (03:52):
That's all I take.
Speaker 3 (03:53):
Just a headline, yo, yo, bro yo, this is this
this guy pretending to be Spider Man.
Speaker 4 (03:58):
Oh my god.
Speaker 3 (03:59):
Yo. So if y'all don't know what we're talking about,
you know what I'm saying, because nobody knows what anybody's
talking about nowadays. A boat crashed into the Brooklyn Bridge.
It was and it had a huge Mexican flag attached
to it, which Rainy put that in the dock. And
when I see that shit, I was just like is
(04:19):
this real? Yeah? Yeah.
Speaker 4 (04:21):
I threw it in a check because I was like, Okay,
we're at a point now where like right wing dog
whistle language is like kind of valid where it's like
I need to I need to get all the facts
before I like that's where we're at, and like, yeah,
(04:43):
like AI has made it impossible to just take things
at face value, especially on the Internet, unless you're there
to see that shit. Like now I find myself sounded
like fucking timpoole, Like there's a beanie manifesting.
Speaker 3 (04:56):
On my head underneath this fit.
Speaker 4 (04:58):
I'm like no, no, now, I'm like I need to
but I need to get all the facts. I need
to see that because like, okay, So for anybody that
gets their news from the Victory Life podcast of all
places news, Mexican naval training vessel crashed into the Brooklyn
Bridge a couple of days ago. As of the date
(05:19):
of this recording.
Speaker 3 (05:20):
It was a naval training vessel, So is there a
mad It looked like a carnival ship.
Speaker 4 (05:24):
That's because the ship called the the uh the the Yeah.
Speaker 3 (05:32):
The South American guy forgetting the fucking x's. Yeah.
Speaker 5 (05:35):
I really know that ship because Mexico's national soccer team
had one of the illes players ever called Blanco. Yeah
from all out there.
Speaker 3 (05:46):
He was rubbing coca his guns before rematch. Yeah.
Speaker 4 (05:50):
So that yeah, so not the so not the cocaine
doing soccer player. The two hundred year old navy Mexican
naval vessel. So the Monk was carrying two hundred and
seven seventy seven people when it lost power. That's what
the story.
Speaker 3 (06:09):
That's what. That's what.
Speaker 4 (06:11):
That's what the story. That's what they're reporting, is that
the ship lost power. And you know, we we sit
up here and laughing joke, but two people are confirmed
to have died in the in the incident.
Speaker 3 (06:23):
So ri ip too. Yeah, you know it's crazy because
like I will put my car into like a garage
like to park it, you know what I'm saying, and
it's an SUV you know, and it got like a
like a roof rack. So I'm like, all right, bro,
Like when I'm pulling through oh, like a Wendy's drive through,
(06:45):
It'll be like yo, eight feet clearance, you know what
I'm saying. Like, and it'll be like yo, maximum clearance.
And I'm like a ship. I can't go through it.
I got like eight and a half feet. I'm like, bro,
is there a guy in the boat to be like yo? Yo? Right? Yo?
Speaker 7 (07:05):
Hold on?
Speaker 3 (07:06):
Whoa Yo? The Brooklyn Yo? Yo? That's the Brooklyn Bread y'all. YO.
Speaker 6 (07:14):
Promise you if we do enough research, it is Eric
Adams fault. I know that they probably sent a letter
was like, Yo, we got this ship going on. We
need approval. The boat is this high, and Eric Adams
was too busy changing his fucking hookah flavors fun to
sign the ship and send it back in time. Just
know that's what happened, Bro.
Speaker 3 (07:33):
That's fun. It's gonna be a right Let me tell
you why. Because Mexico City is the New York City
of Medama, you know what I'm saying. And let me
tell you something else. We're gonna celebrate Singo to Mayo
and Grande. We're gonna have a big old naval ship
with a naval flag on there. We're gonna put a
Mexican flag in for hitters, yo, Oh my god.
Speaker 4 (07:57):
But that's why that's why I thought it was AI, bro,
because like, the flags look just disproportionately huge compared to
the vessel. Part of the reason I thought it was
AI was because I don't put it past right wing
Twitter and right wing internet spaces to to throw throw
(08:17):
this prompt into into whatever AI. You know what I'm saying, Like,
I don't put it past them people to throw that
prompt into whatever. AI Construction software yeah, they got just
to make Mexicans look.
Speaker 3 (08:30):
Bad and make it.
Speaker 6 (08:31):
They do that shit all the time now.
Speaker 4 (08:32):
Yeah, exactly, to like make it look like an active
an active war war or some ship, you know what
I'm saying.
Speaker 6 (08:38):
Or to make you look like incompetent.
Speaker 3 (08:40):
Yeah, yeah, yeah.
Speaker 4 (08:41):
Like that's the reason I thought it was AI because
like the like just right wing politics in general falls
apart when they stop making shit up. But I cannot
help but feel like they finally got a genuine victory
with this one.
Speaker 3 (08:56):
Like I feel like this. I feel like they're.
Speaker 5 (08:58):
Like for what to like sing levy bo m Yeah,
that looked like a musical.
Speaker 4 (09:03):
Right before hit the Brooklyn Dude, there's there's there's Mexicans
up there, locked arms locked, standing on the mast, and
like I get it was, That's what I'm saying. Yeah,
like yeah, so I feel like them people finally have
something to be.
Speaker 3 (09:18):
Like yeah, yeah, yeah, your reckoning? What's coming on? Yeah?
Guess what this ain't three oh grand? Like what the fuck?
Speaker 5 (09:28):
Bro?
Speaker 3 (09:29):
Yeah, so y'all got a w you fucking coke bozones.
That's the main reason I thought it was fuck.
Speaker 6 (09:34):
First of all, you had to teach these motherfuckers how
to wash their asses. They got another seventeen hundred years
where like catching up on w's bro. Yeah yeah yeah,
fuck out of here, Yo.
Speaker 3 (09:46):
They listen, stopped that. Okay, cut it out. I'm saying
this is that was the father mean like a stop
that ship. Let me tell you something, this ship wouldn't
even be news if they put a big ass Swedish
flag on that bitch. This is going to date me.
Mattered with children. They always had the Swedish bikini team
(10:06):
on their you know what I'm saying. And who's the
Swedish bikini team that crashed their boat into the Brooklyn Bridge.
Everybody'd be like, oh, let's start to go fund me
for the Sweetish bikini team. Yeah, because they got the Swedish.
Speaker 5 (10:17):
Today, like you couldn't have a bikini team with no ass.
Speaker 3 (10:22):
That's true, not at all. They didn't have no ass.
That was yo. That was a yo, thank you, bro.
Speaker 5 (10:28):
That's crazy because Yo, that was like in they no
and they were selling mom jeans for real with with
like fucking with bro, no no ass, no ass.
Speaker 3 (10:37):
Bro.
Speaker 6 (10:37):
You remember there was a time where like you haven't
a fat ass was an insult. It was like Oh
my god, how fucking dare you?
Speaker 3 (10:44):
Oh my god, it's disgusting.
Speaker 6 (10:47):
A white lady.
Speaker 3 (10:48):
She got a fat ass. Bro.
Speaker 6 (10:50):
Hide the knives, bro, hide the knives? Did you say
that to me?
Speaker 3 (10:54):
And they were friends, we were a book clubs.
Speaker 4 (10:56):
So there's a there's actually film reference once again for
my folks that love this. Uh, there's a film where
this is made a reference to. And it's none other
than the classic witch movie The Craft.
Speaker 3 (11:09):
Oh Ship. Yeah, and it's.
Speaker 4 (11:11):
It's a it's a scene that nobody ever talks about,
but I it's been burned in my brain for years.
It's when they're like doing the seance or whatever, and
it's like very.
Speaker 3 (11:21):
Early on.
Speaker 4 (11:24):
Where they're trying to where they're trying to like make
their wishes or whatever right, and Shorty says, I wish
for a smaller ass.
Speaker 3 (11:32):
What huh, as Brona, We're not doing that. It's crazy, bro, yo,
Why do want they go? And the like? So they be.
Speaker 4 (11:41):
Blocking their blessings. They be blocking their blessings, bro.
Speaker 3 (11:43):
You know, like classic cinema movies, if there's something that's
problematic in it, they'll go back and they'll reshoot it. Sorry,
Nigga said cinema movies, you.
Speaker 4 (11:56):
Know, you know, back in the day at the Picture
show whether.
Speaker 5 (12:02):
Yeah, here in the iPod broadcast podcast.
Speaker 8 (12:06):
Stop, yeah, I hate your niggas, man, I'll be get
a ticket. Yeah yeah, nigga gonna hit a pole on
the city bike. Yo, it's a cinema movie. Because it's
a movie in the Cinemas's.
Speaker 5 (12:26):
Gonna take us down to the Nickelodeon.
Speaker 7 (12:27):
Yea, that's going down to the drive.
Speaker 3 (12:31):
Man, you know what I'm saying. So the rollers Kid's
gonna bring you a malt. You know what I'm saying. God,
damn nigga, It's okay.
Speaker 4 (12:39):
Oh by the way, man, can you put in an
Uber Eats order for some egg creams?
Speaker 3 (12:43):
Please? You get the original formula. Come, all the all
the all them foods is racist, bro, all the all
them like yo, this is a classic egg nigga. That's racist.
Back in the day.
Speaker 4 (12:59):
That back in the day at the Buster Keaton premiere,
you know, yeah.
Speaker 3 (13:09):
Listen, Yeah, niggas was just dad when I was at
the premiere, Steve Boat Willie, Oh my god, first thing
out there, bro, Yo.
Speaker 4 (13:16):
He was at he was at he was at Magic Theater, Bro,
he was at Magic Johnson at Harlem.
Speaker 3 (13:21):
He was the only one in the theater watching blank Man.
Speaker 5 (13:23):
Magic Johnson theaters and Jamaica Queens is my joint, right, Okay?
Speaker 3 (13:28):
Did they have a videos picture Magic Johnson? Were you
walk good? Like a mural of him and some ship
like smiling like.
Speaker 5 (13:34):
I don't think so, not in mine.
Speaker 3 (13:36):
Niggas just smiling at you like I got the germs
he just made.
Speaker 7 (13:43):
Man, Yo, what's good man?
Speaker 6 (13:56):
Listen?
Speaker 3 (13:57):
Man, enoughbody calm down. You know what.
Speaker 2 (14:01):
They gotta calm down, bro, Legity like.
Speaker 5 (14:10):
Legity, Like I kind of want to hear about the
cinema movies. You ever finished that point?
Speaker 3 (14:14):
Yes, following that line of thinking, it always used to
be like, Yo, having a fat ass was like and
it was like, oh, I don't want this. This is terrible.
It's terrible. Do I remember when Anakona came out? Yeah,
and it was like, Yo, j low ass is crazy
as look crazy. I said, Bro, that's a regular ass. Bro,
that's that's you.
Speaker 6 (14:34):
Was also raised in the Bronx. The regular ass for you,
I was imagine, imagine fucking Bob from Utah j LO
for the first time.
Speaker 4 (14:46):
You think, Yo, you think any of the Oklahoma's have
ever seen and asked that.
Speaker 6 (14:51):
In their lives.
Speaker 3 (14:52):
Not. Bro, You're right now, you're right right right now
being caught out there. Bro, this is there's a milk
out there with yeeks your I was in Arizona. Bro,
I don't like them.
Speaker 4 (15:02):
And that's the crazy, that's the that's the ship they'd
be out there. It's just yeah, it's just they don't
have There aren't a lot of prospects.
Speaker 5 (15:10):
God, God forbid, you were a pog in nineteen.
Speaker 3 (15:13):
You know, if you was built like Alexis, Texas and
Oklahoma and like the nineties, Bro, it was slow for you.
That's crazy. If you would have just moved the dikeman, Bro,
you would have been beaten niggas.
Speaker 6 (15:22):
I'm sorry to cut you off. I'm not gonna be
able to record what's the p in pog? What that means?
Speaker 3 (15:26):
Fat? Oh?
Speaker 6 (15:27):
Okay, I figured that, asked, white girl, but I couldn't
figured out what the piece.
Speaker 4 (15:32):
Oh yes, fat like like fat farm.
Speaker 5 (15:38):
Movies reference pretty hot?
Speaker 3 (15:42):
God, Bro, fucking God damn it, Bro, Because we're talking
about uti official intelligence. Human intelligence is unbeatable because ten
guys from New Orleans, you know what I'm saying, which
sounds like it could have been abandoned. In the nineties.
Ten guys from New Orleans escape prison. You know what
I'm saying on some real prison break shit, bro. Like
(16:04):
they dug a hole in the wall, they did tunnels
and ship, they did real chopo shit, and then they
ran out and the video. The funniest part of the
escape video to me is like they it's like you
know when little kids like do like like they ring
the doorbell and they run away and like one of
the kids inevitably falls. That's exactly what happened, Bro. They
(16:26):
run out, they run out the prison shit yoa getting out? Yo,
get out? Bro. One of the one dude just trips
and falls on the stairs and it just gets up
and like does themself up a little bit and it
keeps it moving. I was like, fam, if I'm escaping
from prison, bro, I'm not looking back. If I fall, Bro,
I am like pewtin out of that. They got to
know I'm listening. If I do ever go to prison,
(16:52):
I'm not gonna try to escape. That's crazy.
Speaker 4 (16:55):
Yeah.
Speaker 6 (16:55):
For me, it's like, Bro, you know they're gonna get you,
that's it. What the fuck are you gonna do? Within
those six seven hours. You can't even make it to
your shorty in time. You honestly, did you see how
the fuck they got out? They basically ripped out the toilet,
they just like they moved it out, and then they
started to dig a bigger hole and then on the
(17:17):
actual fucking wall. It says it's too easy L O L.
Speaker 4 (17:22):
But I admire that though, because we need to bring
back tradition. You remember in the old days when they
would rob a bank and they would like they would
like spray their name because like forensics didn't exist, so
you could get away with anything.
Speaker 3 (17:39):
We need to bring that sit back. Draco boys like
mother you break out of prison.
Speaker 4 (17:45):
You checked the cell and it says you can tell
him it was Carl Ironside and the Bootney boys.
Speaker 3 (17:52):
We are freeing at at last Bro. I saw that footage.
Speaker 4 (17:56):
Yo, Victory like gang bro Light Brigade. I'm gonna need
you on this. Vic still hate that name. I don't
care though, that's what all is. Somebody please make this edit.
Somebody please get the footage from the breakout and then
put the sponge rob Chase mutic over, you know, talking
to one that's like.
Speaker 5 (18:19):
Seven New Orleans and escaping from prison is kind of
the origin story cash money records wish as it was, yo.
Speaker 3 (18:24):
You see what I'm saying. Facts, If lu Wayn could
just be like eh, you know yeah, back then, I
was ten years old. I was doing twenty five in
Life and Baby, and I used a spok to dig
out bro, you know, and then I found Drake in Canada.
Speaker 6 (18:40):
That's how you.
Speaker 3 (18:41):
Found yeah, asshole, we died. Took too many his hands.
I drew. I dug all the way to Canada, dog,
and then when I came up, it was Carabana. Listen.
Speaker 4 (18:50):
You know, I think they broke out of there because
Boozie wasn't sending enough onion Booty DVDs. That's what I think.
That's what I think happened. Boozie wasn't sending enough bro,
that wasn't.
Speaker 3 (19:02):
Silly enough, and that's why his homeboys just dig down
his selly. Yeah exactly.
Speaker 4 (19:07):
You know what I'm saying. What the hell thought it
was cool for him to tell me what?
Speaker 3 (19:12):
They all run house like?
Speaker 4 (19:15):
Yo, we all digged out one's yo yo, yo, Bosie,
we all dig down our sellies.
Speaker 3 (19:21):
We don't know what to do? Is that bape?
Speaker 4 (19:26):
Hold on hold on those bape sweats right there? Can
I sweat?
Speaker 7 (19:36):
Bro?
Speaker 6 (19:36):
You know three of them have already been caught.
Speaker 3 (19:39):
That was good. You said it before that, like you
know that's gonna happen. I'm like, where are y'all going?
Y'all are not like fucking Tom Cruise mission impossible, nigga,
Like do y'all even have passports? What are you gonna do?
Go to fucking budget, rent a car, nigga, and drive
like two states over.
Speaker 6 (19:54):
One of them was found hidden under a car.
Speaker 3 (19:58):
Yo.
Speaker 6 (19:59):
Another one another one? When I think he, I think
he went home and like picked up his fucking bapes
because he dead has had the time to take a fit.
Speaker 3 (20:08):
Pick yep.
Speaker 6 (20:08):
Another motherfucker went on live like these motherfuckers was really
on something like Yo, this is our this is our
school trip.
Speaker 3 (20:16):
Bro.
Speaker 4 (20:16):
What you need to do is high tail it the
fuck out of there, get your hands on as much
cash as you possibly can, hitchhike your way to the
to the nearest border with water. Then you need to
sneak on to a shipping vessel that is on its
way to a country with no extradition treaty with the US.
Not not that I would know that for any particular reason.
(20:37):
I'm just saying that that's probably the best course of action.
Then when you get to that spot with no extradition treaty,
what you're gonna want to do is you're gonna want
to get some sort of cast job, right, And a
lot of these countries, a lot of those tend to
be the more dangerous jobs, like oil rigs, things like that.
They ain't got osho over here, right, So you can
you can join some type of mining facility in Romania
(20:58):
and it'll be fine, and you're gonna fine. Then you
can start your whole new life as the one black
guy in the village named Petrov and you'll be fine.
Speaker 3 (21:07):
And then you funk up because you're like, yo, damn.
Speaker 4 (21:11):
Yeah, because they catch you listen, because they catch you
watching smack DVDs and they don't got that over there,
so they're like, nah, this guy is different.
Speaker 3 (21:19):
Yo, the way he bags your tweet recipes, young dolf.
Speaker 4 (21:23):
Yeah yeah, hold on, what is this mother I'm talking about?
Speaker 3 (21:29):
Yeah? Yeah, yeah.
Speaker 4 (21:31):
I always wondered why his skin darker in summer. Strange, strange,
very strange situation. Must be, must be mutation. That's what
you gotta do when you break out a jail man.
Y'all ain't never seen prison break. He didn't say that
(21:51):
chat GBT said that, you know, I am CHATBT. No,
it's a tiny alien sitting in the middle of my
face like men in black.
Speaker 3 (22:08):
Like, oh shit, Yo.
Speaker 6 (22:09):
But if you break out of prison and you get
you get a strong ten ten to fourteen hours, what's
the first thing you're gonna do. First thing you're doing.
Speaker 3 (22:18):
I gotta get some pussy, broad, I gotta get I
gotta have sex probably, I.
Speaker 6 (22:22):
Mean not maybe, not that you say you gotta What
do you mean by that?
Speaker 3 (22:29):
You gotta be clear, like you know, I mean, you know,
I was a consensual like I just running down on
like a goat and like smashing its cheeks, you know,
Like but you know, maybe like you know, maybe a cold,
shady sharp like yo, what you got on deck over there?
Speaker 4 (22:46):
Bro? Like you know, I think the I think the
first thing I'm doing is uh, you know, like I said,
you need cash when you break out of prison. So
I'm simply just gonna go to the nearest convenience store,
any type of twenty four hours store, and then go
behind the cast register put my cast register.
Speaker 6 (23:04):
For no reason exactly.
Speaker 4 (23:05):
That's what I'm doing, you know, you know, let them
out of there.
Speaker 3 (23:11):
Yo, that's crazy. I think I would. You know what, Nah,
I'm gonna just get super duper high so that when
I inevitably get re arrested and like put back in jail,
I'd be like, Yo, that was a That was a
fucking crazy dream I had. Bro.
Speaker 4 (23:29):
You just you're making peace with it.
Speaker 3 (23:33):
Like I'm bro, I'm just being a k hole dog.
They're gonna be like, spread your cheeks. I'll be like, yo, okay,
I can't. You got.
Speaker 6 (23:44):
Jesus Christ.
Speaker 3 (23:45):
Bro, I'm like the Mexican do to the hotel, sniffed
the shape, thought it was cocing cavs like that. Yeah, yeah,
over high in my mind. Not because it's like, Bro,
you're going back to jail. You're gonna go back to jail.
There's no I don't. I mean, listen, we could google it,
but I don't know the last time. Is it anybody
(24:06):
that escape from prison. It's like he's still on the lamb. Yeah.
Al Davis broke out of Alcatraz in nineteen sixty eight.
He's been on the lamb ever since.
Speaker 6 (24:14):
Like, Wow's the story of a dude who hijacked the
plane and he made it safely to whoever.
Speaker 3 (24:20):
The fuck you way, that's true. As soon as you
said that, I don't know why, Like I started saying,
this is the story of a girl who travel the
whole world. Yeah, Yo, what the fuck is that? Yeah?
Why was it in my brain?
Speaker 6 (24:34):
I have no idea, bro, thank you. Your last few
cells are like fighting for dear life.
Speaker 4 (24:39):
Bro.
Speaker 6 (24:41):
You hear a word and they're like, oh shit, this
shit reminds me of something from forty Yo.
Speaker 3 (24:46):
I think my brain is just like UFC, like three
hundred and thirty eight, and it's just like mad brain
cells in there. But they all scraping, bro.
Speaker 6 (24:53):
Yeah, like they all fighting each other. Yeah, working together like.
Speaker 3 (24:57):
Hell yeah, fuck comp.
Speaker 4 (25:01):
My last two brains. My last brain cell is just
j one in my head making them. Yeah, that's all
that happens up there.
Speaker 3 (25:10):
Yeah.
Speaker 4 (25:12):
But yo, man, you could have Hey, y'all could have listen.
You know how many countries have no extradition treaty with
you as you could have went. You could have went
to Cuba. I had I had a great been chilling
super family, Like.
Speaker 6 (25:27):
How y'all motherfucker is making this ship? See mac cool.
First of all, when you get out of prison, which
fucking way is Cuba?
Speaker 3 (25:33):
So south?
Speaker 6 (25:34):
How the funk I'm gonna know that, Bro, I'm in.
Speaker 3 (25:37):
Jail, Yo the sun. Look listen, this is I remember,
and I remember I learned this ship in the second grade. Bro,
this is I remember. Nor never ever suck wieners. You
know what I'm saying. Northeast southwest never ever suck wieners.
That's how I know. Every time you could put me anyways,
put a blind fool on me, whiffle bag, spin me around,
(25:57):
and I'll be like, Yo, south northeast south US always
I know. You know what I'm saying. It's like I
got a north star in my mind.
Speaker 6 (26:05):
Also another fucking south.
Speaker 4 (26:09):
God damn man.
Speaker 3 (26:12):
Stop Yeah.
Speaker 4 (26:19):
Yeah, yeah yeah. I mean, you know, shout out to
them for attempting to to get their freedom back. But
I mean, listen, we live in a surveillance state.
Speaker 3 (26:31):
Uh. Like that much is true.
Speaker 4 (26:33):
There's no like, there's no way that they caught those
guys that fast unless they had help from some sort
of like facial recognition tech. Bro, I hardly take the
train anymore. You know what I've seen on the train
the other fucking day. You know those kiosks with the
screens on them. Bro, I've seen a kiosk with the
screen on it with like footage of the platform. But
(26:55):
it was like, oh, but you know, we're blurring people's
faces and it's like okay. On the kiosk they had
him blurred, but like you could just turn that setting off, like.
Speaker 3 (27:06):
Do you know what I mean? Like I'm still on camera,
Like it's not like Bro is in there. Bro cut it.
Speaker 2 (27:12):
Out of ligity, Like of ligity, like.
Speaker 3 (27:18):
When I go to the fucking airport and they're like, hey,
can you look at this camera? And then they got
the little sign like yo, you could disagree, you could,
you could forego this if you don't want to. Yeah,
that means I'm gonna stand in line for another forty
five minutes. But y'all not getting my face on this fish.
Speaker 4 (27:31):
Yeah. Yeah, that means y'all gonna put me in a
room and ask you a bunch of weird ass questions.
Speaker 3 (27:34):
Because my name is Joel Martinez and I was in
dr for two days, so I must be smuggling coke. Yeah,
it's down your business exactly.
Speaker 7 (27:42):
Bro.
Speaker 6 (27:43):
I got pulled into the TSA because I had, like,
what was it like, eighteen mangos on me, Bro, mind
your business, fucking business, it's my luggage, my mangos life, bitch.
Speaker 3 (27:56):
Yo, it's sun Yo.
Speaker 4 (27:57):
I'll be treating I'll be in that bitch treating it
like middle school.
Speaker 3 (28:00):
Mister. You paid for my food, right for my food, mister, mister,
I'm doing my.
Speaker 6 (28:05):
Work like you ever had a mango from here?
Speaker 3 (28:09):
Yeah, you won't want to go go Bro, go fuck.
It's worse. It's worse on other time when you get
to d R and they just rip your fucking shit
open and they be like, oh, yeah, I might be
dating myself, but back in the day, I will go.
They just take my ship open and be like, oh
I need damn though, just stick this ship out like yo.
I was like uh back there, like nah, this might be.
Speaker 6 (28:29):
A bomb that never happened to me. Bro. My earliest
memory of going to DR with my mom, Yeah you
are you and your whole family.
Speaker 3 (28:37):
That's crazy. My earliest numery was.
Speaker 6 (28:41):
Getting to d R and I remember, I know what
TSA is like over here in New York because this
ship is seven hours long. We get to d R.
There is no ts A. It's just a little uh
machine and then the door for you to get the
fuck out. The airport is very small. The dude, my
mom is taking the lugga. Jing's like, oh, like you
have anything in there, and she's like boy, And I'm
(29:08):
not gonna say what she did. Allegedly, Why am I
saying this on camera? She definitely slid them a piece
of paper and I'm gonna just say that allegedly, we
probably left the airport a little bit faster than we
would have. Yeah, had we not.
Speaker 3 (29:29):
Every time my pops and I started doing this ship,
I know, I'm becoming my pops. Like hell he was.
He'll go around and just tip niggas for no reason, right,
and he'll just he says the same ship every time.
We'd be like made and I'm like, bro, we're like
that guy works on the subway.
Speaker 7 (29:49):
Like translation.
Speaker 3 (29:53):
A while, buck, so you can have some corn for
your chickens.
Speaker 4 (29:58):
Yeah, yeah, no, no, no, I'm sorry, no, no, It
just it just means like, you know, taking care of
your flock, you know. You know what I'm saying, tending
to tending to the needs of your chicken.
Speaker 3 (30:10):
Coop hold is down, you know what I'm saying.
Speaker 6 (30:12):
And it don't be done crazy. It's just a little tip.
Speaker 3 (30:14):
You know.
Speaker 6 (30:14):
It sounds like, you know, sign yourself a water. You
know it's not crazy, but I'll.
Speaker 3 (30:22):
Yeah, you know, it's giving us tips to though, bro
the o ends. You know what I'm saying. The o
NS is out here giving tips and teaching y'all how
to live life. It's not just me, you know what
I'm saying, because I'm out numbered here. You know what
I'm saying. There's the way ends and there's one O end.
We got a unkle the back, you know what I'm saying.
But he bes staying quiet and just being like every
(30:42):
once in a while. Yeah, yo. Uh shout out to
all the unks that have podcasts now because it's becoming
a thing, you know what I'm saying. And uh Fato
and Jady got a podcast shot to him what I'm saying.
Top it up, Joe jids our podcast, Fat Joe Joe,
(31:06):
Mike listen, Don Carter Bomb, Hard, Don Carta, Gina, Fat Joseph.
You know what I'm saying, jose Jealous won't still envy
as a o N that has experienced with why NS.
There's certain things that you can't say on camera. You
know what I'm saying. This is just like advice, you know,
just for as a guy that's been in media for
(31:27):
a while. You can't go on the microphone in twenty
twenty five when you know there's young men listening to
your show who are waiting for the opportunity to be like, hey, yo,
you know what I'm saying. And when you go on
the mic and you say, yo, I love going to
(31:47):
baseball games, you know what I'm saying. Because they got
the peanuts, they got the popcorn, and yo, I love
a Glizzy. He said, I'm a serial Glizzy eater.
Speaker 4 (32:01):
I'm several.
Speaker 3 (32:05):
Hold on, Joe, Hold Joe, Yo, Joe, hold on Joe.
Y'all Yeah, y'all, I don't even got hold hold Yo,
hold on. And that's every episode I'm waiting like I'm
waiting for. This ship is so funny. I don't know
if it's intentional or unintentional, but it is fucking hell otius.
(32:27):
I wait for the snl skit, you know what I'm saying. Also,
I'm gonna get a little serious for a second. I
don't appreciate y'all trying to take the O N crown.
Speaker 9 (32:36):
You know what I'm saying from your boy. You know
what I'm saying. I know you see me with the
young cats and ship like you know, we're doing young things.
We're talking about like you know, Playboy CARDI, you know,
Mexican Ai Mexican, you know, t Draco in the house.
You know, we're talking about all kinds of things. You know,
Liz got a compound in Dr Mangol smuggling. You know
what I'm saying. We talking about all kinds of young
(32:57):
people ship. But y'all let me tell you something. Yeah,
not gonna come for my owny. You know what I'm saying,
my own n award, That's right, okay, because I worked
very hard for that.
Speaker 3 (33:06):
Ye know. You know what I'm saying. See me come
in smoke half a new pour, hundred to two push
ups and be like, Yo, I know your father, he
was a very good guy. You know what I'm saying, Like,
y'all see me do that every day. Yeah, to preserve
my own end. This that's like a O N workout, Yo,
Joe Jada, I love y'all. Don't come for my own
crown because Yo, we will add a fourth mic to
(33:26):
this ship. It will be Jim Jones. It will be
Uncle murder man. O. You know what I'm saying, shot
him the clown, shot him the clown bro. We gonna
fight for his rights, you know what I'm saying. We
get on the O N A bit.
Speaker 4 (33:38):
That's right because here at the first ever only awards
we have, we have none other than Legacy Staple O
N the kid Marrow dude, that's what I want to
approach every situation like an old timing sportscasters. But we
(33:59):
got the h Howard, who's the who's the one yo,
who's the men knows this probably who's the announcer that
whenever somebody, whenever somebody sinks a three, he goes bang, yes, yes, imagine.
Speaker 3 (34:14):
His son of course.
Speaker 6 (34:19):
Goddamn damn it.
Speaker 3 (34:20):
What the fuck man?
Speaker 4 (34:21):
You just never run out of cool ship and fucking
d like a goddamn Listen, Max, you got to give
that a bump.
Speaker 3 (34:29):
You know what I'm saying. Because the master of flexing Tran,
That's what I'm saying. So that's right.
Speaker 5 (34:37):
Yeah, he's lean, he's my actually the supreme O in.
Speaker 4 (34:40):
You listen, listen everyone here at the first ab AR
Annual one Awards, it's none other he's mean, he's lean,
and he's Vietnamese.
Speaker 3 (34:52):
It's men trand baby.
Speaker 5 (34:54):
The first ever.
Speaker 4 (35:03):
He's getting shit from gravy he gets, he gets on
the stage and he's like, it's only my third day
out here.
Speaker 5 (35:08):
I've been having back issue since nineteen fifty five.
Speaker 3 (35:11):
Oh my god, oh dark, oh my god. Yo fam
so yo yo, the O NS y'are doing a lot.
You know what I'm saying. I'm trying to be the
only O N holding it down out here for y'all.
You know what I'm saying, because y'all like I'm a
like y'all are rich O NS bro That shit is different.
I'm I'm very poor. Yes, I'm a very poor O N. Yes, yes,
(35:36):
news to me. Yeah did you know? Did you know this? Yeah? No,
I'm fake rich. Oh yeah, I'm what they call a
house broke. What's happening there is when you buy a
house and you spend all your money on your house,
so then you got no money. You know what I'm saying.
So that's why you know, that explains the coy pond. Yeah,
that's why, like.
Speaker 4 (35:54):
Oh oh and and and and let's not forget the
guest house.
Speaker 3 (35:57):
Right, No, no, no, no, no, well that's not that's
like that's old. That's all I paid. But that's why
I'm wearing Like this is old. This is like two
seasons ago.
Speaker 4 (36:06):
Oh the North faced Gucci collapse is an old.
Speaker 3 (36:09):
And then the chain on top of it, it's like
three seasons ago. This is old, bro. So like yeah,
so like I'm impoverished, you know what I mean? And
like twisted that's what is bro. Yeah listen, stop, this
should just matched my stakers. Yeah that's why I woreried,
(36:30):
not because it's a Gucci thing. I don't like to
weave of fashion.
Speaker 6 (36:43):
Gas lit bro, like a motherfucker.
Speaker 3 (36:48):
I love it. Yeah, listen, the end isn't doing too much.
The one on that's doing way too much is Sean
Dinny Combs. Trial's going on, you know what I'm saying. Uh,
but I don't want to talk about the trial. I
want to talk about the o ns, the unks and
(37:09):
the ogs. Who are you fucking freaks caping for Diddy?
What is romacho?
Speaker 4 (37:18):
Yeah?
Speaker 3 (37:18):
It's uh? What is romachov as? O? N I sneak
the floor for a minute as a card carrying O
n uh, fam you are a freak. Let me tell
you something if you are caping for Diddy right now,
you a nasty freak bull because that to my phelly niggas, Uh,
because you are projecting you know what I'm saying, You're
(37:42):
you're defending Diddy because there's something Diddy esque about you,
you know what I'm saying. And uh, and the way
that you move, you know what I mean. So if
you if there wasn't, you wouldn't be going so hard
for Diddy. Also, Tory Lanes, you know what I'm saying.
They y'all are going very hard for Tory Lanes posted
videos of Megan stepping out of a call. She stepped
through the battle, yo. Look that's how she got fragged
(38:04):
me to her foot. It was a snapper bottle. It
was not a fire arm. Yo. Shut the fuck up.
You're wrong. You know what I'm saying. None of it yo,
y'all are AI.
Speaker 4 (38:13):
Yeah, yeah, y'all are.
Speaker 3 (38:15):
Y'all are not real fucking people, bro, Not y'all are
fucking bots. I'm starting to think, like talk about dead
in NF theory, I'm starting to think a lot of
you motherfuckers, because Yo, when you go into the barbershops
and motherfuckers are having these opinions. They're also asking the
nephew how to turn on their boost mobile phone. So
how are y'all able to get on the incident and
have these takes? You know what I'm saying, y'all. Are
(38:36):
y'all are not at the forefront of thought leadership here?
That's just not you know what I'm saying.
Speaker 6 (38:39):
You know, yeah, it's literally I think that people are
just projecting, like you see some somebody doing some shit
that you want to do, and it's just like, yeah,
I absolutely rationalize that behavior. It's not and I say
this ship all the time. It's not just the Tories,
it's not just the crises, it's not just the diddies,
the Russell brands, it's not just the Harvey Weinsteins. It's
not just that it's something that you see in them.
(39:03):
That's why I tell people like, yeah, this is public
opinion and these are public cases. But the people around
you have actual thought processes, and then they have actual
things that they do in their fucking real life. You
need to watch and pay attention accordingly to what the
people around you are saying.
Speaker 4 (39:20):
Yeah, and also the people you claim to care about
can read the bullshit you be posting, bro right, like
you know what I'm saying. So it's like, I think
out the outrage behind this shit is so ridiculous and
so forced to me because it's like, oh, like okay, listen, man,
if you think that a guy being on trial for
(39:41):
committing various crimes is an attack on masculinity, you need
to you need to reinterrogate what masculinity means to you, dude,
Like I think that shit is. It's very dangerous, and
especially speaking of ons with podcasts, not that Joey and
Jada are doing this, it's a lot of motherfuckers up
there that underestimate their platform, underestimate the reach they have,
(40:03):
and just be up there platforming bullshit. And it's like, bro,
we gotta like, we gotta curb some of that ship
because it's like, yo, people are so invested in these
trials that they have not read up on and that's
the thing. It's like, you gotta you gotta actually be
knowledgeable about the ship you're talking about because Tory Lanez
(40:24):
all the all the defense I've seen of Tory online
is about him not shooting Meg despite that not even
being what he's in jail for. By the way like
people are talking about his rights being violated. My brother
in Christ, he is not an American citizen.
Speaker 3 (40:40):
Yo, yo, I think I forgot that.
Speaker 4 (40:43):
And what he's actually in jail jail for is fel
any possession of a firearm in a foreign fucking country.
Speaker 3 (40:48):
Like, what are we doing, bro? Bro?
Speaker 4 (40:50):
It's it's this, this this framing of the issue that
it's like an attack on masculinity. No, a person committed
a crime.
Speaker 6 (40:58):
To me, it's like, we platform these fucking insane people, right,
we give them a voice, and then the people who
are it's not necessarily about who's saying it, it's about
who's listening.
Speaker 3 (41:10):
Oh yeah.
Speaker 6 (41:11):
So it was like you have young kids listening to
these shows for entertainment, for comedy, for politics, for news,
for whatever reason that you're listening to the ship, and
then you have people giving you this terrible fucking advice
or like I've just seen I've just seen a clip
of Gilbert Arenas on his show basically saying we've all
(41:32):
wanted to fuckast it throughout this, throughout these years, and
you were making it seem like it was so exclusive,
but instead you had a line out the door, like
why you ain't hit me up, Like that's the mind
frame that these dudes are processing this shit in. And
it's like, I fucking hate how crimes against women are
not taken seriously. Like it's not taken seriously, it's turned
(41:54):
into a joke. It's turned into an attack on masculinity.
It's because that that attack on masculine never happens when
the crime is against another man. Yeah, if Tory Lanez
would have shot and killed or shot at another famous rapper,
all of this bandwagon, all of this undying loyal support
out of fucking world, it would have been nowhere to
(42:16):
be found had he shot a rapper that they liked.
But because she's a black woman and she's also confident,
she's also like, yo, fuck Allie, I don't care. That's
another reason. But it's like, bro, we are dead ass
living in a society where being an abuser or being
a really really bad person gets you notoriety, it gets
you money, and it gets you a fan base, because
(42:37):
look at people who don't they're not successful in music.
They do music, but they aren't successful in it, and
then they do some shit to their spouse and now
they have a full fucking fan base.
Speaker 5 (42:50):
Who Yeah, what are you the fan of?
Speaker 6 (42:51):
Are you the fan of of the music? Are you
the fan of the that's meaning the shit out of
their spouse?
Speaker 4 (42:57):
You know, Yeah, it's fucking weird. And it's like it's
like you're not, Like, it's not about masculinity. It's about
what you can get away with. So if Diddy gets
away with shitty behavior, then you think that vicariously you
can too. And this conversation around masculinity completely disappears when
(43:18):
when it's time to champion somebody who is like the
quintessential image of traditionally albeit toxic masculinity, somebody like yg
who just put out a record called two thousand and
four where he talks about being molested as a minor
by an older woman, something that a lot of young boys,
(43:39):
a lot of young black boys specifically go through and
never talk about. And they're taught to contextualize that shit
in a way that's like, oh, that's player, Like that's fire. Yeah,
like that's not I would have loved to be in
that position, bro. That's how it's funny, right, because the
masculinity convo all over the Tory lane shit, all over
the ditty shit, how it's an attack on masculinity, Like
(44:02):
none of these accounts that say this, I've not heard
a fucking peep about this YG track, And it's fucking
fire because like, uh, you know, some similar happen to me.
I thought that shit was cool for years and then
it took me a very long time to realize that
shit wasn't, you know. And it's because of how you're
conditioned to internalize that shit as a man. So we
(44:22):
don't talk about the real things that affect masculinity, the
real problems with traditional masculinity. We don't champion people like
YG who are the who are the the the essentially
the poster the poster boy, the poster man for this
traditional like you know what I'm saying, Like like like
so you know what I'm saying, why gaey, I mean
(44:44):
R and P slim. But we don't we don't like,
we don't. We don't talk about him in that way
because he's not having the conversation you want him to have.
He is, by all intents and purposes, someone who should
feel like that's some player gangst the ship to go
through as a kid. But him coming out and being
like not, actually, that was fucked up, and that's a
(45:05):
trauma that I have to like reconcile now as an adult,
Let's talk about that type of championing masculinity instead of
defending fucking weirdos and abusers.
Speaker 3 (45:15):
This ship is Come on, bro. That part. My favorite
thing about YG is that he has for some reason,
he has a world Industry's tattoo. Really yeah, it's like
a skateboarding company. It's very weird. It's like the little
flame logo. Guy. I was like, where did you find this? Bro?
Like where did you did you have a CCS catalog
growing up?
Speaker 6 (45:33):
Like I have a question, where where is the tattoo placed?
Speaker 3 (45:37):
It's like on his arm?
Speaker 6 (45:38):
Why are you looking?
Speaker 3 (45:41):
This is what I'm talking about. You don't want to
challenge masculinity, it's such as it's such a fool man.
Then let me tell you something. When you would a woman,
sometimes you gotta make her sit under the table while
you do. Stop it. Get out of here, man, that's it.
(46:02):
It's all right.
Speaker 4 (46:03):
The victory light everyone soon time you got a duke.
Thank you guys so much, Thank you Jesus Christ, thank
you guys so much for turning so far.
Speaker 3 (46:11):
Because I got COVID. This has been the kid Merrow
is the super bitch of New York. You know what
I'm saying.
Speaker 4 (46:17):
We got men training the freaking man's lean meaning Vietnamese.
You eat the Dukie, the host of the first ever COVID.
You can eat the dukie. You don't taste like dookie.
Speaker 3 (46:27):
All right, man, you know what like, We'll be right back.
Of lictedly like like mm hmm of lictedly like like
(46:50):
like
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