Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Lictvely like.
Speaker 2 (00:03):
Good evening, folks, ladies and gentlemen. Welcome to v l
NN News Network. Today we have an alarming story about
a Dominican woman who has taken.
Speaker 3 (00:13):
Refuge in Karachi, Pakistan.
Speaker 2 (00:16):
Right now, on the scene, we have our very own
Farnsworth billing Bottom and he is live on the scene
reporting on the situation.
Speaker 4 (00:24):
Fundsworth, are you there, Yes, that's right, I'm here corresponding
Farnsworth nipple licking Billingsley reporting for the Bean on Toast,
And I'm here in my Nike Tech and it's a
bit warm here in Pakistan where we're joined here by
a Dominican woman who seems to sort out refuge it
appears from her lover who has apparently committed in fidelity,
and we're joined here by her today.
Speaker 3 (00:45):
We're here to ask her a few a few questions.
Speaker 5 (00:47):
So what I don't understand is why are you talking
to me? Why are you speaking to me?
Speaker 4 (00:52):
Well, I don't understand. I mean, we were made away
of the situation naturally, it's newsworthy. So I slid out
here in my Nike techs as per Central, and I
just figured that we might ask.
Speaker 3 (01:02):
You what I'm doing here. Yes, you, guys.
Speaker 5 (01:05):
I don't see no goats. I don't see no land.
I don't see no rupees. I don't see nobody taking
down what I'm what. I'm asking for funds via satellite.
Speaker 3 (01:13):
It's hard to tap in correctly. Is she asking if
you if we have a livestock? Yeah, I'm not exactly.
I'm not exactly.
Speaker 5 (01:21):
And this and this is the problem. You see, I'm
here and nobody's listening to what I'm saying. You're asking questions,
and you're not listening to what I'm saying.
Speaker 3 (01:30):
I'm not fucking leaving. I want land. I want you
to name the river after me.
Speaker 4 (01:36):
This has been quite a turn of events. I'm not
sure what's going on, but we're going to go back
to We're.
Speaker 3 (01:40):
Not going to do anything.
Speaker 5 (01:41):
Actually, I don't understand why y'all making such a fucking
big deal out of this. Now it's illegal for bitches
to occupy land. Now I can't take over a political refugee. Now,
what the fuck why I can't take over the office.
Speaker 3 (01:55):
Well, ma'am, I feel I feel like the question here.
Speaker 5 (01:59):
Is what and that's the problem. You're asking me questions.
Well me, I'm minding my business. I don't even know why.
I don't even know why. There's microphones in front of me.
The more microphones you put here, the more.
Speaker 3 (02:13):
Second want to second? What's going on?
Speaker 1 (02:18):
You?
Speaker 3 (02:19):
And then what's the guy in the bridge? Come get
on the ground? Found We got it. Basically, we found it.
Speaker 4 (02:29):
We found she's in the diminishing No, she's over here
in Pakistan.
Speaker 3 (02:36):
Pakistan company doing black magic. Let me tell you something.
We don't do this in America. We're not over there.
That's why we're over here, right, Guess what America is?
Speaker 2 (02:50):
Everywhere America you wouldn't say.
Speaker 3 (02:53):
You weren't say yes, right, you didn't even know. I
got I got two snipers on that right now.
Speaker 1 (03:02):
Of literary like like like of literary like like.
Speaker 3 (03:20):
Yo, fucking cowards, listen, shorty. And Pakistan is just like us.
You know what I mean.
Speaker 2 (03:26):
She's a foreign land, you know what I'm saying. Trying
to figure it out. That's what we're doing right now
in the United States of America. You're that episode eighty
fucking nine you heard of the motherfucker best podcast on
the planet, the best show, bitch, best audio, best video,
best everything. God damn it, we got Lizbello tis about
and the motherfucker building, super bitch. I y see, we
got the yep God. You know what I'm saying, Radneo Vaya.
(03:46):
You know what I'm saying, Hers boys general in a
motherfucker building. We got men training young prodigy.
Speaker 3 (03:51):
You know what I'm saying. The motherfucker building. God, damn it.
Uncle with this.
Speaker 2 (03:54):
Hearing spirit, you know what I'm saying, he's getting his
head decondition right now.
Speaker 3 (03:57):
You know what I'm saying. Dominican, you know what I'm saying.
Speaker 6 (04:04):
And of course you know he's not getting who's over
ages with his finger hovering over the glazes.
Speaker 3 (04:09):
But it's the God himself is to play god. He's
getting your girls painies. White man.
Speaker 6 (04:13):
It don't matter where she's at, you know what I mean.
It could be R and B, could be hip hop, bro,
it could be over before man, he's doing it off baby, goddamnit.
It's the one and only.
Speaker 3 (04:22):
Son insane. Yeah, you know what I'm saying.
Speaker 4 (04:26):
Yeah, and real quick, at the top of the show,
I come bearing gifts.
Speaker 3 (04:30):
Oh whoa, what is? What is what's happening? Because I feel.
Speaker 4 (04:36):
Like you guys are are just as an aside just
to get this out the way at the very top. Merrow,
you make a lot of shit happen for a lot
of people. Listen, you show up for a lot of
people all the time. Since I since I've met you, You've.
Speaker 3 (04:48):
Gotten me like multiple actual physical gifts.
Speaker 4 (04:51):
And I feel like you're such a generous person and
you're shit you like you know, like you you You
make people feel important, and I feel like that's something
I need to get better at. So I think that
you are somebody that I can practice on. And also,
for Marrow, what do you get a guy that has everything?
And I think that the best way to do that
is to appeal to each of you guys's actual physics
(05:14):
like interests. Right, So, Liz Belle, I know you're you're
a bag girly, so I got you this cute little
bag oh.
Speaker 3 (05:23):
Damn. And then Merrow, I know, oh my god, I
can't wait to put them might have a brick of coke.
Speaker 4 (05:30):
And then okay, well funny you should say that, because
since I know that you're a sick fuck degenerate, I
got you.
Speaker 3 (05:40):
I got you know his face is about he's about
his face want to light up like a child and DVD.
Speaker 4 (05:48):
Even better, even better. I got you the Magic Ink
Supreme Collab oil markers.
Speaker 5 (05:56):
Oh and he just said he's gonna spend the night
doing already.
Speaker 3 (06:05):
Yeah. Yeah, this is so cute. Oh my god, it's
gonna make the nerds bad. What is I'm gonna use these? Yeah? Yeah,
they're not going on the shelf.
Speaker 4 (06:20):
And uh also that bag you gotta like press on
the gold clasps to like undo the magnets a little.
Speaker 3 (06:27):
Yeah.
Speaker 4 (06:27):
Like those little guys they like they like press in
or whatever, and then that's how you open it. And
it's like I'll show you coming, we'll do we'll do that. Yeah,
but you just press in like.
Speaker 5 (06:39):
Ship okay, okay, okay all and the open sideways that's
fucking perfect.
Speaker 3 (06:42):
Yeah you're the bad open ways. Yeah you guys. Yeah,
man was super sweet and thoughtful of you. Thank you. Japanese.
Speaker 5 (07:06):
And you know it's real because we just completely ignored
Hassan's glazed by end.
Speaker 3 (07:11):
Over here Yeah yeah yeah, yeah is in Japanese. I don't
know where I came from. Japanese.
Speaker 5 (07:24):
Unfortunately, on this podcast, we actually really enjoy and love
each other.
Speaker 3 (07:29):
Yeah, unfortunately, bring this up all the time.
Speaker 4 (07:33):
The conversation where We're like, yo, we got to get
our numbers up somehow, and it's like yo. I figured
it's the problem is we don't argue. And then I
was like, yo, you know what. This might be controversial,
but I don't really like Mondongo. And Lizbelle was like,
I don't really like that ship either, and was like.
Speaker 5 (07:53):
I'm telling you, once we have I think we should
have had one show where we hit all the topics
that we never wanted to hit, you know, like the
fifty fifty conversation, all the stupid ship that we know
does not contribute to society.
Speaker 2 (08:05):
Dumb mass episode, you're talking about some bullshit.
Speaker 4 (08:10):
And you know, you know what else? You know what
else was chock full of a whole lot of bullshit.
Ship the Grammys.
Speaker 3 (08:18):
I didn't enjoy the Grammys. It was fun.
Speaker 2 (08:22):
I enjoyed one moment of the Grammys, and that was
Beyonce acting like fake surprised.
Speaker 3 (08:29):
Country was like, oh, like she's like.
Speaker 5 (08:34):
Me, come on now, she's Beynest, but she got fucking
snub at the Cmas.
Speaker 3 (08:40):
That's true.
Speaker 5 (08:41):
She said, Yeah, I'm be honest, but I'm still a
black woman.
Speaker 3 (08:43):
It was and now I put it all together.
Speaker 2 (08:46):
You know what I'm saying, because I have a man
Macavilian bad scientist is activated.
Speaker 3 (08:54):
You know what I'm saying. I was gonna say, Alex
Jones borrow, damn.
Speaker 2 (08:56):
No, no, no.
Speaker 7 (09:05):
Yo.
Speaker 3 (09:06):
My theory, man, isn't get really bad you can't even
get it out.
Speaker 2 (09:17):
My theory is she was like, yo, whoever was in
charge of the c M as she put a call in,
like Yo, listen, I don't even want to see it, ma, bro,
that's bullshit.
Speaker 3 (09:28):
I want a fucking country Grammy.
Speaker 2 (09:30):
You know what I'm saying, Or the other part of
that theory is she did get snub for the at
the CMA is completely fully and she was just like, man,
fuck y'all, my best country album at the Grammys, bitch,
Jason al Dean, shit the fuck down, fucking Walter fucking
Dean Myers, hit the fuck down, fucking Michael fucking whatever
(09:53):
the name is, Horseshoel. You know what I'm saying, Actually, did.
Speaker 3 (10:03):
I think it was deserved? Though?
Speaker 4 (10:04):
You know, had a really good album. Hay Stack Jackson Jackson,
he's not a real guy. I made him up.
Speaker 3 (10:13):
To Google that. Once I leave to see hay Stack
Jackson went crazy. Man, Jesus Christ came Brown.
Speaker 5 (10:24):
Did win Album of the Year last night. She became
one of four black women to take that title home.
Speaker 3 (10:29):
That's crazy years old.
Speaker 2 (10:32):
I mean listen, is it a crazy thing to say?
Like black women are like out of this pool of sangers, singers, vocalists.
You know what I'm saying, Like the if you name
like your top five, it's black women. Yeah, somebody when Houston.
You know what I'm saying, I'm gonna go back and even.
Speaker 5 (10:54):
If you don't name the black women, the people who
you will name have been inspired by the black women.
Speaker 3 (11:00):
Yeah, just saying so shout out to fucking goddamnit and
also shout out to fucking DOCI.
Speaker 2 (11:07):
Bro. Yeah, she's doing I'm super because she's doing ship
that makes me feel.
Speaker 3 (11:13):
Like, Wow, this is new, yeah and fresh, you know
what I mean.
Speaker 2 (11:17):
Like the ads is like the heads like promo with
Zach Fox or they're doing like I'm like, I ain't
never seen no ship.
Speaker 3 (11:24):
Like this before. What's amazing, fun and new.
Speaker 4 (11:28):
She's fun and you and I appreciate DOCI because she
is one of the newer artists that is making scaring
the bros music and I love that about Docci, I
want to be a little bit frightened when I listen
to your stuff. I want to be a little bit
scared and then I want that ship to grow on
(11:50):
me like a like a like a barnacle.
Speaker 3 (11:52):
Yeah, you know, doc Pull Up Pull would be album
to do skids.
Speaker 2 (11:58):
You know what I'm saying, some spoken word, a little
skate because if you do, remember, don't you talks a
lot about relationships you you know what I'm saying into
personal stuff. Yeah, and you know I was up here
one time and I fixed my face and say, yo,
why can't this is cheap?
Speaker 3 (12:12):
And he said, why can I start you seven times
in each chest? You know what I'm saying, that's of energy.
That's the energy searing, the scaring the bros. You know
what I'm saying.
Speaker 4 (12:19):
So don'ci slide through man and congratulations because I say
you definitely deserve every bit of that, like you're it's
so refreshing to see a black woman, you know what
I'm saying at that like be able to express herself
the way.
Speaker 3 (12:33):
You have on on all this music.
Speaker 4 (12:35):
You've been dropping and having what I what looks on
the outside to me to be like genuine label support
you know what I mean, like which is which is
not always the case. I think it's really refreshing to
see like support for DOCI, who has been like that's
another thing too, this this industry plant conversation. I feel like,
thanks to the Internet, we've kind of done away with
(12:58):
with all that shit because like DOCI been heavy on
like YouTube and ship since Like, if I'm not mistaken
that trill like yeah, yeah, there's a paper trail.
Speaker 3 (13:06):
It's basically what I'm trying to say to you right now.
I was doing the MTV Woodies.
Speaker 2 (13:11):
Guys, this is a wild time ago, and there was
a guy named Rory and everybody was like, Yo, this
guy's an industry plan.
Speaker 3 (13:20):
I have nerve never heard this do before boo.
Speaker 2 (13:22):
But that was the time where it was just like, bro,
if it was SoundCloud and that was it, you know
what I mean, Like it wasn't. Now it's like, yo,
you could be an artist, bro. You can drop music
on your own ship, YouTube, SoundCloud. There's a million different
ways to make a shake. But I feel like back then, bro,
it was like if you wasn't if there was like
a machine pushing you or like somebody huge yo coat
(13:43):
side and you you know what I mean, It was
not gonna happen for you.
Speaker 3 (13:46):
You know what I mean, But don't you do any thing.
Speaker 5 (13:49):
She's definitely she reminds me of what it is to
stick to you. And she's been very very adamant about yo, whatever.
Speaker 3 (13:57):
Works for you, works for you. You know.
Speaker 5 (14:00):
She said that even herself, some people who are more
successful than her will tell her maybe you should switch this,
or what if you did this, and she has that
eternal internal struggle of like, damn, this person is more
successful than me, but this is also not me. So
she's very adamant about staying to who the fuck you are,
and even if that means cultivating an entire new lane,
(14:21):
it works, so.
Speaker 3 (14:22):
Shout out to do. Yeah, it's like when his son
tells me to add drums to a drum list. Every
song multiple.
Speaker 4 (14:32):
Bodies, bro, that's like bodies, But you know what else
is twenty bodies. Kendrick sweeping the Kendrick sweeping them.
Speaker 2 (14:42):
The nastiest work is not like us winning like song.
Speaker 3 (14:46):
Of the year. Yeah, and they like.
Speaker 2 (14:49):
You know, they post like in the in the telecast
or in the after any graphic you see, they'll play
a section of the song they'll play.
Speaker 3 (14:56):
In the song and the entire entire state.
Speaker 2 (15:03):
And then they showed a fucking cover art and it's
the like little insign.
Speaker 4 (15:10):
I was just like and they And the worst part
is they also cut to the audience, right, they're all
vibing out crazy dude.
Speaker 3 (15:20):
Like yo, bro, like Wi Goldberg was like crip walking.
Speaker 5 (15:24):
Now, Taylor Swift. I didn't know Taylor Swift was such
a Kendrick fan.
Speaker 4 (15:28):
Yo.
Speaker 6 (15:28):
She was.
Speaker 3 (15:29):
She was doing ass Kendrick.
Speaker 7 (15:32):
Kendrick was featured on Bad Blood back in yeah.
Speaker 3 (15:36):
Yeah yeah, so no, so they go back to yo, yo,
Taylor Swift, pie rule, Chris Brown, that's crazy crazy Taylor
Swift got her got a crimson rag under that dress.
As we speak, Bro, it's a Party's a party is
a body? Yeah yeah, Taylor Swift and hit a J
(15:58):
three watch, Bro, you don't see it. We don't see it.
Speaker 4 (16:01):
Twenty twenty five, you know left.
Speaker 3 (16:06):
Yeah, oh my god live. The only thing that I'm
a little sad about. Billy Eilish didn't take nothing home. Bro.
She she will be allyes. She's fine, but don't do that.
It's feathers and you see you ain't see her, bro.
Speaker 4 (16:27):
I love Billy ay, And this isn't just because I'm
a w w C.
Speaker 3 (16:33):
All right, it's not just.
Speaker 4 (16:34):
This isn't just because I'm a white woman connoisseur. Also also,
she liked three, so it's not even like that. What
I'm saying is leave Billy alone, yo, what's up?
Speaker 7 (16:45):
Like?
Speaker 4 (16:45):
Let her dress like, let her dress like beads from
even Stevens.
Speaker 3 (16:52):
Bro Let's dress like a nineteen eight K two rollerblade.
Speaker 4 (16:59):
Say Brot. Let her dress like an Arkham Asylum goon.
That it's the she finds herself, figuring it out, and
she's good.
Speaker 3 (17:11):
Ain't gona be weird too?
Speaker 5 (17:12):
The reason she she said, a lot of the reasons
why she covers up is because people sexualize her old
even when she was underage. Let her dress like soldier boy.
Speaker 3 (17:22):
Who gets a hell flip? Let her, yo, all right?
Speaker 4 (17:28):
Just going Let her dressed like pun and Joey crack.
Speaker 3 (17:41):
Legit. You know we needs to stop cooking immediately. It's
Kanye bro bro bro Yo, Yes, can we get some asses?
Can we get some hances? What? Why would he do that? Why?
Why do you do that? So Kanye shows up to
(18:01):
the red carpet with his wife who's naked. Why would
you do that?
Speaker 5 (18:05):
I'll be trying to figure out because I'm not a
fashion girl. And then I know some like real fashion people.
Is it fashion or are you playing in my fucking face?
Speaker 3 (18:13):
Right now? I think he's playing in people's faces.
Speaker 2 (18:16):
I feel like he pulled up with the fucking like yo, yo,
your call be ready in thirty five minutes.
Speaker 3 (18:23):
You know what I'm saying. I'm just changing the fluids
drip like heads and toe like, look like he works
on fucking pet boys.
Speaker 2 (18:29):
Then she came through and what I can only describe
to y'all audio listeners as you know them little socks
that you put on your foot when you're trying. She
pulled up in one of those made into a dress
fifty eight percent more.
Speaker 3 (18:44):
Sea through like you know what I mean? Like you
know when you go to ji ship and they'd be like, yo,
clean off the equipment when you're done.
Speaker 2 (18:52):
Yeah, because you go on and you get up, you
have the big ass sweat stain of ass sweat.
Speaker 3 (18:57):
On the fucking equipment. I'm like, yo, what did that
chap look like when she got up?
Speaker 2 (19:00):
Oh my god, she had thought was breathing straight up out.
I don't beg bro like Labia was on the plastic
of the champ.
Speaker 3 (19:11):
Bro Jesus Christ be a doctor visit coming so.
Speaker 4 (19:17):
Storty, Like sure, she was always on some high fashion,
high art house like off on guard ship right, like
she was always on this type of time. And but
being next to Kanye's like, oh yeah, she's a I've
seen the argument that she's a grown woman. She could
just say no, she has autonomy. Listen, when you're in
that position, are you really going to say no? Like
you know what I'm saying?
Speaker 3 (19:37):
Like it's so Kanye.
Speaker 2 (19:38):
Wake you up like withum Mass team and be like yo, yeah,
where it is and puts a little tray on the
sock and you're like, oh, well.
Speaker 3 (19:46):
I didn't want to get serious.
Speaker 5 (19:48):
But he's not the type to give you an option,
like if you if you see the situation with him
and Kim Kim, there was a there was a there
was a time where he was watching Kim get dressed
for a show and he was like, I don't think
that you should be wearing this because it's too revealing.
You showing way too much. You're my wife, you shouldn't
be doing this, and she was saying, well, you met
(20:11):
me like this, You've built me up to be like this.
You've also helped me with my fashion and because you
are in a this is when he was doing gospel
and you know, he was doing Sunday.
Speaker 3 (20:20):
Masks all of that.
Speaker 5 (20:21):
So she was like, you are going through a certain
time in your life and you want everybody else to
go through that with you. So that just showed an
inkling of like he wants to control a little bit.
So that's why I don't think it's necessarily fashion, bro,
because she don't got nothing on. Like you see with
the Rihanna with the with the seat through dress she had,
(20:42):
it was, you know, like she had on a fucking
thub like her like her ship was intentional.
Speaker 3 (20:49):
You can tell like.
Speaker 5 (20:50):
She she loves nudity too. Rihanna has always in her
in her music growing up. She always used to reveal
herself in her music videos and all that. And it
looks fine because you could tell that it's her right.
You can tell that she really is just this is
how she is.
Speaker 4 (21:04):
I mean, there's something to be said about you know,
art versus artists type shit whatever, like because nudity as
an artistic device, right is not lost on me. Like
this performance artist Marina Abramovic. Marina Abramovich Abramovich, right, yeah, yeah.
She did this installation where she was completely naked and
there was a table in front of her with like
a little sign that said I'm not gonna move for
six hours or however long it was. And on the
(21:24):
table was like some lipstick, right, like some markers or whatever,
and a loaded gun and she just stood there and
she was like, I'm not gonna move. You guys can
do whatever you want. By the end of like the
second hour, she had already been assaulted. She had already
been like all the shit, and like she did not
move straight up, and somebody pointed the gun at her head,
and like it took people in the audience stopping those guys,
stopping that guy. Yeah, And she's quoted as saying I
(21:45):
was ready to die, you.
Speaker 3 (21:46):
Know what I'm saying.
Speaker 4 (21:47):
So like, yeah, so I say all that to say,
like I don't know what the fuck Kanye or Bianca
are trying to say.
Speaker 3 (21:55):
Speaking of not knowing what people are trying.
Speaker 4 (21:57):
To say, Oh my god, stop what Honestly, I feel
like listen Central C. Yeah, I feel like you're doing amandoms,
like you know, I don't know what. I don't know
why one but that can't run, family that can't run.
It's not pattern, bro, like you are talking about you
started the Nack text thing and that that you're even
influencing amandem in the States and that and like that's
(22:18):
never been the case.
Speaker 3 (22:19):
Bro, swear down, I've been doing the Nike taking trainings forever. Blood. Listen,
fam you I got your creps, you, I got your
JD Sports and that like stick to that. Bro. All right,
I'm telling you so good. I could. I could listen
to that. You're getting appreciate.
Speaker 4 (22:37):
They should have listened, top boy, you lot missed out
on AMANDAM. Brother, listen, I'm sick of I'm sick of
British actors coming and taking our American roles.
Speaker 3 (22:47):
Now listen, bro cooking us too because they be good, because.
Speaker 4 (22:52):
They be resurrecting Shakespeare to fucking train under his hand
over there. They be going to Oxes for the Universality
to this.
Speaker 5 (23:03):
Central c went viral for basically saying that he feels
like he was the one who put the mandem on
to Nike text.
Speaker 4 (23:10):
Yeah, which I don't entirely disagree with because all of
us are in a certain age bracket where like we
know what, we know what it was before that. But
if you like fourteen and all you listen to is
like Top forty and all you listen to is like
little Baby Central Ce, Like you know what I'm saying,
like all them, then Central you probably saw your first
(23:32):
tech on Central C, and Central C probably did influence
you to wear a Nike Tech.
Speaker 5 (23:38):
Maybe I ain't giving a white bitch credit for shit.
You're sorry, next topic, next.
Speaker 3 (23:44):
Typic, Hey, hey, wouldn't let that shit happened to me?
Go context.
Speaker 7 (23:51):
He is half white and a quarter Guyanese and a
quarter Chinese.
Speaker 3 (23:55):
Oh wow his dad's Guyanese, yo, tell Richmond Hill.
Speaker 5 (24:05):
Yeah, yeah, yeah, I've been getting to way too many
arguments for Guyanese.
Speaker 3 (24:09):
That's not that's not a part of the top.
Speaker 4 (24:11):
Okay, but yeah, but but it brings up the question,
like because you know, people have been saying that he's
bugging the fuck out. Joshua Kissy also said, like, hey, listen, guys,
he might not be all the way wrong because they
was fucking with the tech fleece and they was fucking
with the tech. We're out there since early and listen
as a music head myself. I've been tapped in with
the grime scene since like two thousand and seven. Bro,
(24:34):
shout out d double e. You know what I'm saying,
jam like like all the men then bro, like big
up demandum for real, like because like I've been tapped
in for real and all them boys tempatee, all of
them like tiny Shorty in them they've all been wearing like,
if not Nike tech some sort of like tech fleece
tracksuit situation like dule especially like they always pop out
(24:54):
in that sort of you know what I mean, and
that sort of ship.
Speaker 3 (24:57):
You know, So it's fun. I don't know, it's New
York doesn't need everything. We don't. Yo. We made up
so much ship.
Speaker 2 (25:04):
Y'all can have it, bro, y'all can have this. Have
text suits, bro, yeah, have tech suits. Listen, DC people
will be like, Yo, nah, New Balance is us.
Speaker 3 (25:16):
We started that ship.
Speaker 2 (25:17):
Bro, because if you go anywhere else, those just shoes
for fucking dorks, you know what I'm saying.
Speaker 3 (25:21):
But they started the way they made it. Pot Listen.
We made a lot of ship pop off man music.
You know what I'm saying.
Speaker 2 (25:27):
Food, you know what I mean, bbls, everything you know
what I'm saying, make ship pop off?
Speaker 3 (25:31):
Yeah, pop off?
Speaker 1 (25:32):
You know what I mean?
Speaker 3 (25:34):
What what was that? Man?
Speaker 4 (25:37):
I feel like sometimes, bro, sometimes when I'm alone at night,
I just hear I just.
Speaker 3 (25:44):
Hear men in my fucking ear, Like I just hear
me in my ear, Like the fire is not in
your eyes anymore. I promise I'm.
Speaker 1 (25:54):
Still in it.
Speaker 3 (25:55):
I'm still in the game. I'm locked in. I'm locked in.
You know what I mean.
Speaker 4 (26:00):
It is yeah, but but yeah, yeah, we don't need everything.
I mean it was fine, bro, Like we got we
got people who are not even from here, like Stephen Fulton,
like the boxer he was boxing and custom jorts and
like Timberland esque boxing shoes and he not even from here.
Speaker 3 (26:21):
That's fire. Actually, yeah, you know what I'm saying.
Speaker 2 (26:23):
So, but then it's just like like and trying to
make men wrote a very compelling piece about New York
nostalgia and like hip hop and all that type of
ship nineties closure. But like I'm like, yo, Frid again,
you're not from here, Like like now you keep it,
George and Tims.
Speaker 5 (26:44):
We don't gotta keep we don't got to keep everything.
Speaker 3 (26:46):
It's the New York aesthetics. I don't even think it's
people from New York anymore.
Speaker 5 (26:50):
It's really what people from the outside believe New York cas.
It's like, Yo, I'm going to New York. I'm gonna
get some tims, I'm gonna get a do rag, I'm
gonna get some chop cheese, and I want.
Speaker 3 (26:58):
To apologize to y'all.
Speaker 2 (26:59):
Yeah, shit in this room because me just being me
and doing the whole ship and yo, you're.
Speaker 3 (27:07):
You know what I'm saying, Like, nigga, this is what
we do. Like I got outside, I do this. Yo, Bro,
you're from Minnesota. Gang.
Speaker 2 (27:14):
You don't really do this, but they started doing it
now it's fucking you know what I'm saying.
Speaker 3 (27:20):
So I'm part of the problem. Now I'm gonna hate myself,
live on it. Charles Barkley's gonna show up, Like, let's
start a dialogue.
Speaker 7 (27:32):
Yo.
Speaker 2 (27:33):
I swear that pissed me off because it's like, like
you're saying, like, it's it's a New York aesthetic that
New York people really be rocking with, like and we.
Speaker 5 (27:41):
Love and we understand, but it can get fucking annoying.
You know, Like, have you ever talked to somebody who
moved to Florida from New York. Anybody who moves out
of New York period for the for the whenever they
get to where they at, they're just like, yo, yeah,
don't got no fucking ya, don't got.
Speaker 3 (27:56):
No Deli cats, like fuck this place. Your's too the dollars. Bro,
you're seeing you're fucking fine.
Speaker 5 (28:03):
But every time you come back to New York you
want to have like this New York aesthetic. They be
having photo shoots under the train. They'll go to the
store and get to bacon, egg and cheeses for a photo.
Speaker 3 (28:14):
This a motherfucker is not from New York.
Speaker 2 (28:17):
If they posted selfies of them taking a picture of
like the security cam and I'm like, Bro, you're not
from here, bro, because you setting yourself up to push
in the back of the head.
Speaker 3 (28:29):
They just saying there taking sixteen shots. Yo. I'm at
the ban like yo, yo, I just I put just
to go to the yo.
Speaker 8 (28:40):
Just yeah, Yo, nobody's doing that. Nobody's doing that. Yeah, Bro,
I was in Bro. I was in Japan, all right,
and we we we.
Speaker 4 (28:54):
Coordinated a day trip to Mount Fuji just to see
the sunset reflect off the top of the mountain they
call it, which just like translates to a means red,
so just translates to red fuji. So it looks really
fucking sick, like when the when the.
Speaker 3 (29:14):
You're not and I got you.
Speaker 4 (29:19):
I'm sorry just said that, But to this this point
where when people from New York leave New York.
Speaker 3 (29:24):
Bro, it's the dead of winter.
Speaker 4 (29:26):
I'm watching the sunset and this bricks ship, so I'm
not kind of annoyed, but I'm like looking at this
beautiful ass mountain, this ship turning pink right before my eyes,
and I'm like, the block probably lit right now.
Speaker 3 (29:48):
That Italian gambo from Kennedy fly crazy right now.
Speaker 4 (29:52):
Because the block block beat dumb lit and they and
it's always lit when you not there. That is a
New York proverb. That's a New York a specific experience.
You could take the y N out of n Y,
but you can't take the n Y out the yn.
Speaker 1 (30:14):
You know what I mean?
Speaker 3 (30:15):
Because why hy nt dot Timothy chalamag bro he outside.
Speaker 4 (30:23):
Yeah, yeah, you don't know who didn't because the face
white types.
Speaker 3 (30:29):
He in Paris, Bro, He's in Paris.
Speaker 4 (30:32):
I don't know if you guys have seen this video,
but it's a video of Timothy Charalamage in Paris by
the Eiffel Tower on some roof in a raiders jacket
and what appears to be an Alexander Wang necktie or something.
Speaker 3 (30:43):
I don't know.
Speaker 4 (30:44):
Men, men's the fashion god in the building. He might
be able to confirm nor deny. I don't know, but
I think he's like singing some type of like Italian
or French jazz or whatever it is. But if you
watch it all mute, it sounds like like you watched that.
It looks like he's spit in like a Conway verse.
Speaker 2 (31:04):
Yeah, listen, le Brigade, do that Max and High. Yeah,
they get the video of shallow Timmy. Tim you know
what I'm saying, Spin and put it over your favorite
hell Well verse.
Speaker 3 (31:14):
Yeah, you know what I'm saying. You see now you've
sparked by.
Speaker 7 (31:18):
He's singing. He's singing Edith Poff in front of the
Aifull Tower while in Paris.
Speaker 3 (31:24):
Oh yeah yeah, but if you watch that shirt on me,
it sounds like Max the Demon.
Speaker 7 (31:29):
So Timmy, if you're hearing this only I know you
will know what I'm talking about. Keep on farting. Yeah,
I'm not going to explain this one.
Speaker 3 (31:40):
No, I don't like I deserve one. I deserve an explanation.
What the fuck are you talking about? No, I don't
know either, so you ask no questions. You gotta let
it develop, you know what I'm saying. Season three terrifying
season Yeah. See, I told you it was like Game
of Thrones, bro.
Speaker 2 (31:58):
Ship.
Speaker 3 (31:59):
Yeah, something once and then never again and expect you
to remember later.
Speaker 4 (32:06):
Yeah, it's really like you said, It's like when you
meet somebody from New York. Outside of New York, it's obvious,
but then it's also dumb obvious when somebody's trying man
fucking hard, bro, when they're clearly not from here and
they want to jack the ship, so goddamn bad.
Speaker 5 (32:20):
Yeah, it's just like, Bro, it's it's New York, you know. Yeah,
we love it, we but it's it's not a personality
like Yo.
Speaker 4 (32:28):
Well it is, though, because that's like your that was
like your whole thing.
Speaker 3 (32:33):
But that's just like who you are, And that's what
I'm saying. It's who you are, and it's not a
personality that's adoptable. Just like I don't move.
Speaker 5 (32:41):
I was born in Utah, and now I get into
I get into fist fights on the train, you know,
like you you.
Speaker 3 (32:48):
I don't know why?
Speaker 5 (32:49):
Why is that my Why is that my first in experience?
I mean, it's not fun being from New York. I'm traumatized.
Speaker 3 (32:56):
Yeah, real, we left the other day. We were to
shout out to them, get some coffee from them.
Speaker 5 (33:05):
Yeah, And Rady's like, yo, I've never been out in
the streets with you, like just walking and I got
a stale face on. I didn't even realize it, bro,
But that's how I walk through the streets of New York.
They always told me, you gotta you can't let people
even look like you could be played with. So I
just literally walk around the streets like I don't know
why I'm a happy person.
Speaker 3 (33:26):
Bro.
Speaker 2 (33:27):
I was like, yo, I don't want know why I'm
walking to go pick up this chicken sandwich with my balls,
with my balls, with my fist clenched like so fucking tightly.
Speaker 5 (33:37):
You swing on like anybody that relieve.
Speaker 3 (33:44):
Yeah.
Speaker 4 (33:44):
Yeah, but then also, you don't want to be outside
looking like a fucking Telly Tubby, like you know, you
don't want to be outside looking approachable. It is crazy.
Speaker 2 (33:54):
That's the greatest ship to me because tell me if y'all,
if y'all think this is true, I feel like what's
in the hood, Like we would do stuff like and
start trends that anyone else will get you fucking snuff,
like the Big East bro like the Merms, Like if
you're wearing a purple down jacket and like fucking Cleveland, Ohio,
(34:16):
that's four sizes too big, that's four sizes too big,
and you got a diamond belt on, they'd be like, yo,
get this motherfucker.
Speaker 3 (34:21):
Who are you? Bro?
Speaker 2 (34:23):
Yeah, and then you gotta be like from I'm saying,
and niggs don't know about the biggies, nigga, and it
be beside me.
Speaker 3 (34:29):
It's about that. Also, it's ten degrees out, but your
pants are around your thighs. That's right. For some reason,
you have lunch.
Speaker 4 (34:35):
Yeah, Like you can get away with that ship and
like it's so you can only get away with that
ship here, you know, purple.
Speaker 3 (34:42):
Looking like rims and ship like the fuck we doing?
Hey it's New York ship.
Speaker 4 (34:46):
Yeah, it's New York shit. You know we got and
you know what else, man, fucking uh. We got to
bring back biggies and Nancy Pelosi got to bring back
the I to the FBI with her koofie and her shawl.
Speaker 3 (34:56):
She gotta they can't take alath. I can't believe that
shit happened. Bro. That was that she took a knee
and all that that was like, how do you take
a knee?
Speaker 5 (35:06):
And now we and now we got a full blown
dictator now Like that's how you know, people get deep
into freedom and then they just like, actually, and now
we got a fucking we in a whole different That's
a bullshit, that's what That's what you get when you
perform and you don't actually give a funk about people.
Speaker 2 (35:25):
I would love to see I wouldn't loved to see it,
but it would be funny as fun to see Trump
doing the same ship, Like if it was he was
just like his streatment.
Speaker 3 (35:34):
I got my coofie on and he did like a
press conference and doing the same ship Pelosi with the
scarf on the ship. I'd be like, yo, bro, you're
doing a lot.
Speaker 4 (35:42):
Yeah, everybody's everybody be doing a lot, Like all these
fucking collapse every five minutes.
Speaker 3 (35:47):
Yo, bro.
Speaker 4 (35:48):
I feel like, why didn't Kennedy like relax all right?
I don't want the fucking doctor Oz McDonald's collab.
Speaker 3 (35:55):
Listen, listen, guys, I don't need it. You're doing great work.
Speaker 2 (36:00):
Like one man said, we do not need Travis Scott
melted toy meal. You know what I'm saying that, like
motherfucker's lining. I just want to triple cheeseburger, bro because
I'm a piece of shit. Yeah, not the liners around
the corner, because these little motherfuckers are standing here with
dressed like Billie Eilan Sorry, Billy, wait for these fucking
Travis Scott.
Speaker 3 (36:17):
Toys age check. You know what I'm saying, I'm sorry
to be the one to do it. It's an age check.
They're not doing this shit for us.
Speaker 5 (36:24):
They're not doing this shit for anybody that's past eighteen
nineteen years old.
Speaker 3 (36:28):
Bro Right, make sure you don't hate the letter X.
Speaker 2 (36:32):
You know what I'm saying that, Man, I've been doing
fucking algebra, my son. I'm like, Yo, fuck this shit.
Speaker 5 (36:37):
It's because it's algebra, bitch, not because it's fucking Yeah.
Speaker 3 (36:40):
That's so don't try to blame that on Elon.
Speaker 5 (36:42):
Yeah, even though I hate them, I'm not gonna let
you you take that one.
Speaker 3 (36:46):
You got me.
Speaker 4 (36:48):
Not, But like as a dude, as a fucking like
and also like speaking for the nerds all right, colibs
used to like, I don't think collabs are the problem
as much now that we're like talking about this. It's
not so much the collapse. It's scalpers and resellers. I
feel like they ruined just the concept of collapse as
a fucking nerd who like actually enjoys some of this
(37:10):
stuff and like enjoys like bro. When I was a kid,
I couldn't afford a lot of like the nerdy shit
that I really liked, as like, I couldn't afford any
of those collabs because number one, they were rare, and
number two, even if I could find it, they were
super expensive. Now that I'm an adult with big boy
money and they're accessible, they're all like fucking they're all gone.
Like like anytime Godzilla drops anything, you know what I'm saying,
(37:33):
it's like it's out of here. Like I remember, for
for Minus one, I forgot who they collabsed with. If
the producer's table could look this up for me, But
when Godzilla Minus one dropped, the producers and the animators
and the director all showed up to the red carpet
in these custom Godzilla Minus one like shoes and like
they had like a heel. They had like a Chelsea
boot and it was like Godzilla's like scales and it
(37:57):
was fucking.
Speaker 2 (38:00):
That.
Speaker 4 (38:00):
It was that ship was hard and like they were like, oh,
collapse dropping soon whatever. I checked, Bro, two minutes that
ship is gone. But then you check fucking stock as
lo and behold, motherfuckers just reselling that ship for a
thousand dollars. Yeah, and it even it even goes back
to the markers, bro, like how you said earlier.
Speaker 3 (38:15):
Yo, I'm gonna make all the hype beasts mad because
I'm actually use this, you know what I'm saying that ship, bro,
like ship like that. I'm like, bro, this is meant
to be used like display, yo. You you know.
Speaker 2 (38:25):
My my favorite thing to do with ship like this
is like because I got some Keith Haring like Montana
cans too and ship, and I'm just like.
Speaker 3 (38:33):
I'm gonna use them. Yeah, I'm gonna fucking bomb ship.
I'm gonna tag up and then I'm gonna just keep
the empty ship as like, Yo, this is me yeah ship.
Speaker 2 (38:42):
Yeah, It's even cooler if you got inky ship on
the Supreme blugg you know, what I'm saying it looks.
Speaker 5 (38:46):
Yeah, that kind of reminds me of like the older
people of our time, where you get something really nice,
with something beautiful or really cool, and instead of you
using it, you just put it in a fucking beat now, bro,
And these people they won't have the finest of the
best cups, the most beautiful plates, and they will not
use them. And to me, it's like, I know this
now because I've also had to grow out of the
(39:06):
mindset of using the good things and not just waiting
for a good day. Yeah, I'll look at the china
in my mom's closet and Herbie three now and it's like, Yo,
this was given to you from somebody who passed away.
Speaker 3 (39:17):
Already, take that ship out, use it. Yeah, Well, we
have guests, use the ship.
Speaker 5 (39:22):
That we have, because what are you gonna do when
when we're not here anymore, you're gonna hand it on
to the next person.
Speaker 3 (39:28):
No, we're here now, bro, Let's use the fucking ship. Bro.
Speaker 5 (39:30):
I'm we have that with our outfits, with our candles,
with anything that you really really like it, are you
keep it somewhere tucked away? You're like, I'm gonna save
this for a good date. Fucking bitch, Bro, you don't
like that, motherfucking can't do to night. Don't get me tighty.
Speaker 4 (39:46):
You know how to get you know how to get
around that. Just don't let so. If you're ever gonna
gift I'm talking to you, audience, if you're ever gonna
gift an elder Dominican anything, do not let them see
the price.
Speaker 3 (39:58):
Yes, y them see the price, all right. I got
a Theo. I got an uncle.
Speaker 4 (40:03):
His name is Theo, Theo Franchi fancis young Theo, and
he was in he was in the States after like
a long time of not coming here. And I took
him to Fred Perry because he loves he loves him
a good polo. So I bought so, I bought him
a Fred Perry. And and you know them ships is
like ninety cash, ninety cash American to a Dominican brain
(40:24):
is insane. So I was trying to be like I
was trying to be slick and snatched up because I
was like, like, you like this color of this color?
Speaker 3 (40:31):
Which one right? Bro?
Speaker 4 (40:33):
And like he picked yo, he picked the one he liked,
and I was like, okay, So I got her ma
because my pops was with me too, and he needed
a new wallet, so I got him a new wallet.
So while I'm picking the wallet, bro, all I hear
from behind is like he's like he's like, he's like
fumbling with the shirt looking for the tag, and all
I hear is yep, yeah, that's.
Speaker 3 (40:54):
Wait, that's a Spanish lesson of the day. That's a
Spantish lesson to day. So okay.
Speaker 4 (41:02):
The whole word is diablo, diablo, which which literally translates
to the devil but figuratively translates to god damn.
Speaker 3 (41:11):
Yeah.
Speaker 5 (41:12):
If you ever hear Dominica say I'm then diablo, it's
like if something happened and then diablo, like if they
if they if the car fucking runs out of that
just means that the devil was lurking. Something bad just happened.
Speaker 4 (41:24):
Yeah, But the the less of the word you hear,
the more intensified diablo.
Speaker 3 (41:32):
Not that big a deal.
Speaker 5 (41:33):
Okay, but if you hear yes that, yeah.
Speaker 3 (41:38):
Are you okay? If if somebody say that the other room,
they stuck a yeah, that was their last words. But
back to the I'm sorry, No, it's all good, it's
all good. Back to THEO.
Speaker 4 (41:50):
Right, So I hear behind me, I'm like fuck. So
I'm like, yo, yeah, something he saw the tag. He's
never gonna wear this ship, bro. And then and then
while I'm can't what happened, he's like no, no, no, Like
he's like no, there's just too much bread.
Speaker 3 (42:05):
And I'm like, bro, it's your it's your fucking birthday.
You hear you know what I'm saying.
Speaker 4 (42:10):
And then while he's doing that, my pops looks at
the wallet price it goes yeah. So to me's point,
ask me if if either of them have touched either
of those items.
Speaker 3 (42:25):
Of course in the years since I bottom for them.
Speaker 4 (42:28):
So I say that to say, do not let a
Dominican look at the price of anything you ever.
Speaker 2 (42:32):
Bro, take the ship off, or you wrap it before
you do anything, or just make.
Speaker 3 (42:37):
Sure that the ship doesn't look like something give something regular.
I'm gonna be like.
Speaker 5 (42:45):
Yeah, and it's like, bro, shut the funk up, Just
take it and relax. Because one thing they will do
is they'll store some ship in story and they'll just
have it there just to show. Maybe maybe on a
good night they'll bring it out and where with happiness
or use it. But very rarely, motherfuckers like to leave.
Things get dusted, and I really want to leave y'all
(43:05):
with that message. Whatever you got, use it like there
is no there is no perfect day. Stop waiting for
you to use things. Yeah, do what you have yo.
Live your life like if it's why does that sound
so corny? Live your life your last with that ass.
Stop storing or stop storing all your best outfits for
a special day. Stop saving all your favorite candles, your
(43:26):
favorite perfumes, your colognes.
Speaker 3 (43:28):
Stop doing all of that shit, bro, use what you
have to day.
Speaker 2 (43:31):
Yeah, usual, you're gonna fucking die and I'm and the
doorman in your building is gonna give me all yourmez ties.
Speaker 3 (43:38):
Can you imagine that? Bro?
Speaker 5 (43:39):
Can you imagine all your most prized possessions ending up
in a thrift store?
Speaker 3 (43:43):
Yo? And who knows, who knows?
Speaker 4 (43:45):
Maybe you might get stopped in the street by a
white transplant fashion TikToker, Yeah to ask you about your fit.
Speaker 3 (43:52):
So bust out the Jinko jeans.
Speaker 4 (43:54):
Yes, you know what I'm saying. Get out the spider jacket,
you know what I mean? Bring up a vintage south Pole.
Speaker 2 (44:02):
WHOA Literally, I feel like I feel like Jamie Funks
used to do ads for her bro that can't be tweaking.
Speaker 3 (44:11):
But that's wild. That was a wild brand. Yeah man.
Speaker 4 (44:15):
So shout out to he, shout out to South Pole,
shout out to all our listeners out there, Shout out
to all the Dominican parents that don't know how to
use expensive things because it's not what they're used to.
Speaker 3 (44:25):
But please break out of that habit. Please. This has
been episode eighty nine of Victory Life. We love you
and you deserve nice things, yo. Please, you know what
I'm saying, do somethingice for yourself. Here's the Frank China
like Liz said. You know what I'm saying, what are
your nice checking like lady said, take yourself.
Speaker 4 (44:40):
Out, take yourself out, you know what I mean? And yeah,
do that and slip me a cock on the table.
Speaker 1 (44:51):
Liter a vixury like life like
Lictvely like.
Speaker 2 (00:03):
Good evening, folks, ladies and gentlemen. Welcome to v l
NN News Network. Today we have an alarming story about
a Dominican woman who has taken.
Speaker 3 (00:13):
Refuge in Karachi, Pakistan.
Speaker 2 (00:16):
Right now, on the scene, we have our very own
Farnsworth billing Bottom and he is live on the scene
reporting on the situation.
Speaker 4 (00:24):
Fundsworth, are you there, Yes, that's right, I'm here corresponding
Farnsworth nipple licking Billingsley reporting for the Bean on Toast,
And I'm here in my Nike Tech and it's a
bit warm here in Pakistan where we're joined here by
a Dominican woman who seems to sort out refuge it
appears from her lover who has apparently committed in fidelity,
and we're joined here by her today.
Speaker 3 (00:45):
We're here to ask her a few a few questions.
Speaker 5 (00:47):
So what I don't understand is why are you talking
to me? Why are you speaking to me?
Speaker 4 (00:52):
Well, I don't understand. I mean, we were made away
of the situation naturally, it's newsworthy. So I slid out
here in my Nike techs as per Central, and I
just figured that we might ask.
Speaker 3 (01:02):
You what I'm doing here. Yes, you, guys.
Speaker 5 (01:05):
I don't see no goats. I don't see no land.
I don't see no rupees. I don't see nobody taking
down what I'm what. I'm asking for funds via satellite.
Speaker 3 (01:13):
It's hard to tap in correctly. Is she asking if
you if we have a livestock? Yeah, I'm not exactly.
I'm not exactly.
Speaker 5 (01:21):
And this and this is the problem. You see, I'm
here and nobody's listening to what I'm saying. You're asking questions,
and you're not listening to what I'm saying.
Speaker 3 (01:30):
I'm not fucking leaving. I want land. I want you
to name the river after me.
Speaker 4 (01:36):
This has been quite a turn of events. I'm not
sure what's going on, but we're going to go back
to We're.
Speaker 3 (01:40):
Not going to do anything.
Speaker 5 (01:41):
Actually, I don't understand why y'all making such a fucking
big deal out of this. Now it's illegal for bitches
to occupy land. Now I can't take over a political refugee. Now,
what the fuck why I can't take over the office.
Speaker 3 (01:55):
Well, ma'am, I feel I feel like the question here.
Speaker 5 (01:59):
Is what and that's the problem. You're asking me questions.
Well me, I'm minding my business. I don't even know why.
I don't even know why. There's microphones in front of me.
The more microphones you put here, the more.
Speaker 3 (02:13):
Second want to second? What's going on?
Speaker 1 (02:18):
You?
Speaker 3 (02:19):
And then what's the guy in the bridge? Come get
on the ground? Found We got it. Basically, we found it.
Speaker 4 (02:29):
We found she's in the diminishing No, she's over here
in Pakistan.
Speaker 3 (02:36):
Pakistan company doing black magic. Let me tell you something.
We don't do this in America. We're not over there.
That's why we're over here, right, Guess what America is?
Speaker 2 (02:50):
Everywhere America you wouldn't say.
Speaker 3 (02:53):
You weren't say yes, right, you didn't even know. I
got I got two snipers on that right now.
Speaker 1 (03:02):
Of literary like like like of literary like like.
Speaker 3 (03:20):
Yo, fucking cowards, listen, shorty. And Pakistan is just like us.
You know what I mean.
Speaker 2 (03:26):
She's a foreign land, you know what I'm saying. Trying
to figure it out. That's what we're doing right now
in the United States of America. You're that episode eighty
fucking nine you heard of the motherfucker best podcast on
the planet, the best show, bitch, best audio, best video,
best everything. God damn it, we got Lizbello tis about
and the motherfucker building, super bitch. I y see, we
got the yep God. You know what I'm saying, Radneo Vaya.
(03:46):
You know what I'm saying, Hers boys general in a
motherfucker building. We got men training young prodigy.
Speaker 3 (03:51):
You know what I'm saying. The motherfucker building. God, damn it.
Uncle with this.
Speaker 2 (03:54):
Hearing spirit, you know what I'm saying, he's getting his
head decondition right now.
Speaker 3 (03:57):
You know what I'm saying. Dominican, you know what I'm saying.
Speaker 6 (04:04):
And of course you know he's not getting who's over
ages with his finger hovering over the glazes.
Speaker 3 (04:09):
But it's the God himself is to play god. He's
getting your girls painies. White man.
Speaker 6 (04:13):
It don't matter where she's at, you know what I mean.
It could be R and B, could be hip hop, bro,
it could be over before man, he's doing it off baby, goddamnit.
It's the one and only.
Speaker 3 (04:22):
Son insane. Yeah, you know what I'm saying.
Speaker 4 (04:26):
Yeah, and real quick, at the top of the show,
I come bearing gifts.
Speaker 3 (04:30):
Oh whoa, what is? What is what's happening? Because I feel.
Speaker 4 (04:36):
Like you guys are are just as an aside just
to get this out the way at the very top. Merrow,
you make a lot of shit happen for a lot
of people. Listen, you show up for a lot of
people all the time. Since I since I've met you, You've.
Speaker 3 (04:48):
Gotten me like multiple actual physical gifts.
Speaker 4 (04:51):
And I feel like you're such a generous person and
you're shit you like you know, like you you You
make people feel important, and I feel like that's something
I need to get better at. So I think that
you are somebody that I can practice on. And also,
for Marrow, what do you get a guy that has everything?
And I think that the best way to do that
is to appeal to each of you guys's actual physics
(05:14):
like interests. Right, So, Liz Belle, I know you're you're
a bag girly, so I got you this cute little
bag oh.
Speaker 3 (05:23):
Damn. And then Merrow, I know, oh my god, I
can't wait to put them might have a brick of coke.
Speaker 4 (05:30):
And then okay, well funny you should say that, because
since I know that you're a sick fuck degenerate, I
got you.
Speaker 3 (05:40):
I got you know his face is about he's about
his face want to light up like a child and DVD.
Speaker 4 (05:48):
Even better, even better. I got you the Magic Ink
Supreme Collab oil markers.
Speaker 5 (05:56):
Oh and he just said he's gonna spend the night
doing already.
Speaker 3 (06:05):
Yeah. Yeah, this is so cute. Oh my god, it's
gonna make the nerds bad. What is I'm gonna use these? Yeah? Yeah,
they're not going on the shelf.
Speaker 4 (06:20):
And uh also that bag you gotta like press on
the gold clasps to like undo the magnets a little.
Speaker 3 (06:27):
Yeah.
Speaker 4 (06:27):
Like those little guys they like they like press in
or whatever, and then that's how you open it. And
it's like I'll show you coming, we'll do we'll do that. Yeah,
but you just press in like.
Speaker 5 (06:39):
Ship okay, okay, okay all and the open sideways that's
fucking perfect.
Speaker 3 (06:42):
Yeah you're the bad open ways. Yeah you guys. Yeah,
man was super sweet and thoughtful of you. Thank you. Japanese.
Speaker 5 (07:06):
And you know it's real because we just completely ignored
Hassan's glazed by end.
Speaker 3 (07:11):
Over here Yeah yeah yeah, yeah is in Japanese. I don't
know where I came from. Japanese.
Speaker 5 (07:24):
Unfortunately, on this podcast, we actually really enjoy and love
each other.
Speaker 3 (07:29):
Yeah, unfortunately, bring this up all the time.
Speaker 4 (07:33):
The conversation where We're like, yo, we got to get
our numbers up somehow, and it's like yo. I figured
it's the problem is we don't argue. And then I
was like, yo, you know what. This might be controversial,
but I don't really like Mondongo. And Lizbelle was like,
I don't really like that ship either, and was like.
Speaker 5 (07:53):
I'm telling you, once we have I think we should
have had one show where we hit all the topics
that we never wanted to hit, you know, like the
fifty fifty conversation, all the stupid ship that we know
does not contribute to society.
Speaker 2 (08:05):
Dumb mass episode, you're talking about some bullshit.
Speaker 4 (08:10):
And you know, you know what else? You know what
else was chock full of a whole lot of bullshit.
Ship the Grammys.
Speaker 3 (08:18):
I didn't enjoy the Grammys. It was fun.
Speaker 2 (08:22):
I enjoyed one moment of the Grammys, and that was
Beyonce acting like fake surprised.
Speaker 3 (08:29):
Country was like, oh, like she's like.
Speaker 5 (08:34):
Me, come on now, she's Beynest, but she got fucking
snub at the Cmas.
Speaker 3 (08:40):
That's true.
Speaker 5 (08:41):
She said, Yeah, I'm be honest, but I'm still a
black woman.
Speaker 3 (08:43):
It was and now I put it all together.
Speaker 2 (08:46):
You know what I'm saying, because I have a man
Macavilian bad scientist is activated.
Speaker 3 (08:54):
You know what I'm saying. I was gonna say, Alex
Jones borrow, damn.
Speaker 2 (08:56):
No, no, no.
Speaker 7 (09:05):
Yo.
Speaker 3 (09:06):
My theory, man, isn't get really bad you can't even
get it out.
Speaker 2 (09:17):
My theory is she was like, yo, whoever was in
charge of the c M as she put a call in,
like Yo, listen, I don't even want to see it, ma, bro,
that's bullshit.
Speaker 3 (09:28):
I want a fucking country Grammy.
Speaker 2 (09:30):
You know what I'm saying, Or the other part of
that theory is she did get snub for the at
the CMA is completely fully and she was just like, man,
fuck y'all, my best country album at the Grammys, bitch,
Jason al Dean, shit the fuck down, fucking Walter fucking
Dean Myers, hit the fuck down, fucking Michael fucking whatever
(09:53):
the name is, Horseshoel. You know what I'm saying, Actually, did.
Speaker 3 (10:03):
I think it was deserved? Though?
Speaker 4 (10:04):
You know, had a really good album. Hay Stack Jackson Jackson,
he's not a real guy. I made him up.
Speaker 3 (10:13):
To Google that. Once I leave to see hay Stack
Jackson went crazy. Man, Jesus Christ came Brown.
Speaker 5 (10:24):
Did win Album of the Year last night. She became
one of four black women to take that title home.
Speaker 3 (10:29):
That's crazy years old.
Speaker 2 (10:32):
I mean listen, is it a crazy thing to say?
Like black women are like out of this pool of sangers, singers, vocalists.
You know what I'm saying, Like the if you name
like your top five, it's black women. Yeah, somebody when Houston.
You know what I'm saying, I'm gonna go back and even.
Speaker 5 (10:54):
If you don't name the black women, the people who
you will name have been inspired by the black women.
Speaker 3 (11:00):
Yeah, just saying so shout out to fucking goddamnit and
also shout out to fucking DOCI.
Speaker 2 (11:07):
Bro. Yeah, she's doing I'm super because she's doing ship
that makes me feel.
Speaker 3 (11:13):
Like, Wow, this is new, yeah and fresh, you know
what I mean.
Speaker 2 (11:17):
Like the ads is like the heads like promo with
Zach Fox or they're doing like I'm like, I ain't
never seen no ship.
Speaker 3 (11:24):
Like this before. What's amazing, fun and new.
Speaker 4 (11:28):
She's fun and you and I appreciate DOCI because she
is one of the newer artists that is making scaring
the bros music and I love that about Docci, I
want to be a little bit frightened when I listen
to your stuff. I want to be a little bit
scared and then I want that ship to grow on
(11:50):
me like a like a like a barnacle.
Speaker 3 (11:52):
Yeah, you know, doc Pull Up Pull would be album
to do skids.
Speaker 2 (11:58):
You know what I'm saying, some spoken word, a little
skate because if you do, remember, don't you talks a
lot about relationships you you know what I'm saying into
personal stuff. Yeah, and you know I was up here
one time and I fixed my face and say, yo,
why can't this is cheap?
Speaker 3 (12:12):
And he said, why can I start you seven times
in each chest? You know what I'm saying, that's of energy.
That's the energy searing, the scaring the bros. You know
what I'm saying.
Speaker 4 (12:19):
So don'ci slide through man and congratulations because I say
you definitely deserve every bit of that, like you're it's
so refreshing to see a black woman, you know what
I'm saying at that like be able to express herself
the way.
Speaker 3 (12:33):
You have on on all this music.
Speaker 4 (12:35):
You've been dropping and having what I what looks on
the outside to me to be like genuine label support
you know what I mean, like which is which is
not always the case. I think it's really refreshing to
see like support for DOCI, who has been like that's
another thing too, this this industry plant conversation. I feel like,
thanks to the Internet, we've kind of done away with
(12:58):
with all that shit because like DOCI been heavy on
like YouTube and ship since Like, if I'm not mistaken
that trill like yeah, yeah, there's a paper trail.
Speaker 3 (13:06):
It's basically what I'm trying to say to you right now.
I was doing the MTV Woodies.
Speaker 2 (13:11):
Guys, this is a wild time ago, and there was
a guy named Rory and everybody was like, Yo, this
guy's an industry plan.
Speaker 3 (13:20):
I have nerve never heard this do before boo.
Speaker 2 (13:22):
But that was the time where it was just like, bro,
if it was SoundCloud and that was it, you know
what I mean, Like it wasn't. Now it's like, yo,
you could be an artist, bro. You can drop music
on your own ship, YouTube, SoundCloud. There's a million different
ways to make a shake. But I feel like back then, bro,
it was like if you wasn't if there was like
a machine pushing you or like somebody huge yo coat
(13:43):
side and you you know what I mean, It was
not gonna happen for you.
Speaker 3 (13:46):
You know what I mean, But don't you do any thing.
Speaker 5 (13:49):
She's definitely she reminds me of what it is to
stick to you. And she's been very very adamant about yo, whatever.
Speaker 3 (13:57):
Works for you, works for you. You know.
Speaker 5 (14:00):
She said that even herself, some people who are more
successful than her will tell her maybe you should switch this,
or what if you did this, and she has that
eternal internal struggle of like, damn, this person is more
successful than me, but this is also not me. So
she's very adamant about staying to who the fuck you are,
and even if that means cultivating an entire new lane,
(14:21):
it works, so.
Speaker 3 (14:22):
Shout out to do. Yeah, it's like when his son
tells me to add drums to a drum list. Every
song multiple.
Speaker 4 (14:32):
Bodies, bro, that's like bodies, But you know what else
is twenty bodies. Kendrick sweeping the Kendrick sweeping them.
Speaker 2 (14:42):
The nastiest work is not like us winning like song.
Speaker 3 (14:46):
Of the year. Yeah, and they like.
Speaker 2 (14:49):
You know, they post like in the in the telecast
or in the after any graphic you see, they'll play
a section of the song they'll play.
Speaker 3 (14:56):
In the song and the entire entire state.
Speaker 2 (15:03):
And then they showed a fucking cover art and it's
the like little insign.
Speaker 4 (15:10):
I was just like and they And the worst part
is they also cut to the audience, right, they're all
vibing out crazy dude.
Speaker 3 (15:20):
Like yo, bro, like Wi Goldberg was like crip walking.
Speaker 5 (15:24):
Now, Taylor Swift. I didn't know Taylor Swift was such
a Kendrick fan.
Speaker 4 (15:28):
Yo.
Speaker 6 (15:28):
She was.
Speaker 3 (15:29):
She was doing ass Kendrick.
Speaker 7 (15:32):
Kendrick was featured on Bad Blood back in yeah.
Speaker 3 (15:36):
Yeah yeah, so no, so they go back to yo, yo,
Taylor Swift, pie rule, Chris Brown, that's crazy crazy Taylor
Swift got her got a crimson rag under that dress.
As we speak, Bro, it's a Party's a party is
a body? Yeah yeah, Taylor Swift and hit a J
(15:58):
three watch, Bro, you don't see it. We don't see it.
Speaker 4 (16:01):
Twenty twenty five, you know left.
Speaker 3 (16:06):
Yeah, oh my god live. The only thing that I'm
a little sad about. Billy Eilish didn't take nothing home. Bro.
She she will be allyes. She's fine, but don't do that.
It's feathers and you see you ain't see her, bro.
Speaker 4 (16:27):
I love Billy ay, And this isn't just because I'm
a w w C.
Speaker 3 (16:33):
All right, it's not just.
Speaker 4 (16:34):
This isn't just because I'm a white woman connoisseur. Also also,
she liked three, so it's not even like that. What
I'm saying is leave Billy alone, yo, what's up?
Speaker 7 (16:45):
Like?
Speaker 4 (16:45):
Let her dress like, let her dress like beads from
even Stevens.
Speaker 3 (16:52):
Bro Let's dress like a nineteen eight K two rollerblade.
Speaker 4 (16:59):
Say Brot. Let her dress like an Arkham Asylum goon.
That it's the she finds herself, figuring it out, and
she's good.
Speaker 3 (17:11):
Ain't gona be weird too?
Speaker 5 (17:12):
The reason she she said, a lot of the reasons
why she covers up is because people sexualize her old
even when she was underage. Let her dress like soldier boy.
Speaker 3 (17:22):
Who gets a hell flip? Let her, yo, all right?
Speaker 4 (17:28):
Just going Let her dressed like pun and Joey crack.
Speaker 3 (17:41):
Legit. You know we needs to stop cooking immediately. It's
Kanye bro bro bro Yo, Yes, can we get some asses?
Can we get some hances? What? Why would he do that? Why?
Why do you do that? So Kanye shows up to
(18:01):
the red carpet with his wife who's naked. Why would
you do that?
Speaker 5 (18:05):
I'll be trying to figure out because I'm not a
fashion girl. And then I know some like real fashion people.
Is it fashion or are you playing in my fucking face?
Speaker 3 (18:13):
Right now? I think he's playing in people's faces.
Speaker 2 (18:16):
I feel like he pulled up with the fucking like yo, yo,
your call be ready in thirty five minutes.
Speaker 3 (18:23):
You know what I'm saying. I'm just changing the fluids
drip like heads and toe like, look like he works
on fucking pet boys.
Speaker 2 (18:29):
Then she came through and what I can only describe
to y'all audio listeners as you know them little socks
that you put on your foot when you're trying. She
pulled up in one of those made into a dress
fifty eight percent more.
Speaker 3 (18:44):
Sea through like you know what I mean? Like you
know when you go to ji ship and they'd be like, yo,
clean off the equipment when you're done.
Speaker 2 (18:52):
Yeah, because you go on and you get up, you
have the big ass sweat stain of ass sweat.
Speaker 3 (18:57):
On the fucking equipment. I'm like, yo, what did that
chap look like when she got up?
Speaker 2 (19:00):
Oh my god, she had thought was breathing straight up out.
I don't beg bro like Labia was on the plastic
of the champ.
Speaker 3 (19:11):
Bro Jesus Christ be a doctor visit coming so.
Speaker 4 (19:17):
Storty, Like sure, she was always on some high fashion,
high art house like off on guard ship right, like
she was always on this type of time. And but
being next to Kanye's like, oh yeah, she's a I've
seen the argument that she's a grown woman. She could
just say no, she has autonomy. Listen, when you're in
that position, are you really going to say no? Like
you know what I'm saying?
Speaker 3 (19:37):
Like it's so Kanye.
Speaker 2 (19:38):
Wake you up like withum Mass team and be like yo, yeah,
where it is and puts a little tray on the
sock and you're like, oh, well.
Speaker 3 (19:46):
I didn't want to get serious.
Speaker 5 (19:48):
But he's not the type to give you an option,
like if you if you see the situation with him
and Kim Kim, there was a there was a there
was a time where he was watching Kim get dressed
for a show and he was like, I don't think
that you should be wearing this because it's too revealing.
You showing way too much. You're my wife, you shouldn't
be doing this, and she was saying, well, you met
(20:11):
me like this, You've built me up to be like this.
You've also helped me with my fashion and because you
are in a this is when he was doing gospel
and you know, he was doing Sunday.
Speaker 3 (20:20):
Masks all of that.
Speaker 5 (20:21):
So she was like, you are going through a certain
time in your life and you want everybody else to
go through that with you. So that just showed an
inkling of like he wants to control a little bit.
So that's why I don't think it's necessarily fashion, bro,
because she don't got nothing on. Like you see with
the Rihanna with the with the seat through dress she had,
(20:42):
it was, you know, like she had on a fucking
thub like her like her ship was intentional.
Speaker 3 (20:49):
You can tell like.
Speaker 5 (20:50):
She she loves nudity too. Rihanna has always in her
in her music growing up. She always used to reveal
herself in her music videos and all that. And it
looks fine because you could tell that it's her right.
You can tell that she really is just this is
how she is.
Speaker 4 (21:04):
I mean, there's something to be said about you know,
art versus artists type shit whatever, like because nudity as
an artistic device, right is not lost on me. Like
this performance artist Marina Abramovic. Marina Abramovich Abramovich, right, yeah, yeah.
She did this installation where she was completely naked and
there was a table in front of her with like
a little sign that said I'm not gonna move for
six hours or however long it was. And on the
(21:24):
table was like some lipstick, right, like some markers or whatever,
and a loaded gun and she just stood there and
she was like, I'm not gonna move. You guys can
do whatever you want. By the end of like the
second hour, she had already been assaulted. She had already
been like all the shit, and like she did not
move straight up, and somebody pointed the gun at her head,
and like it took people in the audience stopping those guys,
stopping that guy. Yeah, And she's quoted as saying I
(21:45):
was ready to die, you.
Speaker 3 (21:46):
Know what I'm saying.
Speaker 4 (21:47):
So like, yeah, so I say all that to say,
like I don't know what the fuck Kanye or Bianca
are trying to say.
Speaker 3 (21:55):
Speaking of not knowing what people are trying.
Speaker 4 (21:57):
To say, Oh my god, stop what Honestly, I feel
like listen Central C. Yeah, I feel like you're doing amandoms,
like you know, I don't know what. I don't know
why one but that can't run, family that can't run.
It's not pattern, bro, like you are talking about you
started the Nack text thing and that that you're even
influencing amandem in the States and that and like that's
(22:18):
never been the case.
Speaker 3 (22:19):
Bro, swear down, I've been doing the Nike taking trainings forever. Blood. Listen,
fam you I got your creps, you, I got your
JD Sports and that like stick to that. Bro. All right,
I'm telling you so good. I could. I could listen
to that. You're getting appreciate.
Speaker 4 (22:37):
They should have listened, top boy, you lot missed out
on AMANDAM. Brother, listen, I'm sick of I'm sick of
British actors coming and taking our American roles.
Speaker 3 (22:47):
Now listen, bro cooking us too because they be good, because.
Speaker 4 (22:52):
They be resurrecting Shakespeare to fucking train under his hand
over there. They be going to Oxes for the Universality
to this.
Speaker 5 (23:03):
Central c went viral for basically saying that he feels
like he was the one who put the mandem on
to Nike text.
Speaker 4 (23:10):
Yeah, which I don't entirely disagree with because all of
us are in a certain age bracket where like we
know what, we know what it was before that. But
if you like fourteen and all you listen to is
like Top forty and all you listen to is like
little Baby Central Ce, Like you know what I'm saying,
like all them, then Central you probably saw your first
(23:32):
tech on Central C, and Central C probably did influence
you to wear a Nike Tech.
Speaker 5 (23:38):
Maybe I ain't giving a white bitch credit for shit.
You're sorry, next topic, next.
Speaker 3 (23:44):
Typic, Hey, hey, wouldn't let that shit happened to me?
Go context.
Speaker 7 (23:51):
He is half white and a quarter Guyanese and a
quarter Chinese.
Speaker 3 (23:55):
Oh wow his dad's Guyanese, yo, tell Richmond Hill.
Speaker 5 (24:05):
Yeah, yeah, yeah, I've been getting to way too many
arguments for Guyanese.
Speaker 3 (24:09):
That's not that's not a part of the top.
Speaker 4 (24:11):
Okay, but yeah, but but it brings up the question,
like because you know, people have been saying that he's
bugging the fuck out. Joshua Kissy also said, like, hey, listen, guys,
he might not be all the way wrong because they
was fucking with the tech fleece and they was fucking
with the tech. We're out there since early and listen
as a music head myself. I've been tapped in with
the grime scene since like two thousand and seven. Bro,
(24:34):
shout out d double e. You know what I'm saying,
jam like like all the men then bro, like big
up demandum for real, like because like I've been tapped
in for real and all them boys tempatee, all of
them like tiny Shorty in them they've all been wearing like,
if not Nike tech some sort of like tech fleece
tracksuit situation like dule especially like they always pop out
(24:54):
in that sort of you know what I mean, and
that sort of ship.
Speaker 3 (24:57):
You know, So it's fun. I don't know, it's New
York doesn't need everything. We don't. Yo. We made up
so much ship.
Speaker 2 (25:04):
Y'all can have it, bro, y'all can have this. Have
text suits, bro, yeah, have tech suits. Listen, DC people
will be like, Yo, nah, New Balance is us.
Speaker 3 (25:16):
We started that ship.
Speaker 2 (25:17):
Bro, because if you go anywhere else, those just shoes
for fucking dorks, you know what I'm saying.
Speaker 3 (25:21):
But they started the way they made it. Pot Listen.
We made a lot of ship pop off man music.
You know what I'm saying.
Speaker 2 (25:27):
Food, you know what I mean, bbls, everything you know
what I'm saying, make ship pop off?
Speaker 3 (25:31):
Yeah, pop off?
Speaker 1 (25:32):
You know what I mean?
Speaker 3 (25:34):
What what was that? Man?
Speaker 4 (25:37):
I feel like sometimes, bro, sometimes when I'm alone at night,
I just hear I just.
Speaker 3 (25:44):
Hear men in my fucking ear, Like I just hear
me in my ear, Like the fire is not in
your eyes anymore. I promise I'm.
Speaker 1 (25:54):
Still in it.
Speaker 3 (25:55):
I'm still in the game. I'm locked in. I'm locked in.
You know what I mean.
Speaker 4 (26:00):
It is yeah, but but yeah, yeah, we don't need everything.
I mean it was fine, bro, Like we got we
got people who are not even from here, like Stephen Fulton,
like the boxer he was boxing and custom jorts and
like Timberland esque boxing shoes and he not even from here.
Speaker 3 (26:21):
That's fire. Actually, yeah, you know what I'm saying.
Speaker 2 (26:23):
So, but then it's just like like and trying to
make men wrote a very compelling piece about New York
nostalgia and like hip hop and all that type of
ship nineties closure. But like I'm like, yo, Frid again,
you're not from here, Like like now you keep it,
George and Tims.
Speaker 5 (26:44):
We don't gotta keep we don't got to keep everything.
Speaker 3 (26:46):
It's the New York aesthetics. I don't even think it's
people from New York anymore.
Speaker 5 (26:50):
It's really what people from the outside believe New York cas.
It's like, Yo, I'm going to New York. I'm gonna
get some tims, I'm gonna get a do rag, I'm
gonna get some chop cheese, and I want.
Speaker 3 (26:58):
To apologize to y'all.
Speaker 2 (26:59):
Yeah, shit in this room because me just being me
and doing the whole ship and yo, you're.
Speaker 3 (27:07):
You know what I'm saying, Like, nigga, this is what
we do. Like I got outside, I do this. Yo, Bro,
you're from Minnesota. Gang.
Speaker 2 (27:14):
You don't really do this, but they started doing it
now it's fucking you know what I'm saying.
Speaker 3 (27:20):
So I'm part of the problem. Now I'm gonna hate myself,
live on it. Charles Barkley's gonna show up, Like, let's
start a dialogue.
Speaker 7 (27:32):
Yo.
Speaker 2 (27:33):
I swear that pissed me off because it's like, like
you're saying, like, it's it's a New York aesthetic that
New York people really be rocking with, like and we.
Speaker 5 (27:41):
Love and we understand, but it can get fucking annoying.
You know, Like, have you ever talked to somebody who
moved to Florida from New York. Anybody who moves out
of New York period for the for the whenever they
get to where they at, they're just like, yo, yeah,
don't got no fucking ya, don't got.
Speaker 3 (27:56):
No Deli cats, like fuck this place. Your's too the dollars. Bro,
you're seeing you're fucking fine.
Speaker 5 (28:03):
But every time you come back to New York you
want to have like this New York aesthetic. They be
having photo shoots under the train. They'll go to the
store and get to bacon, egg and cheeses for a photo.
Speaker 3 (28:14):
This a motherfucker is not from New York.
Speaker 2 (28:17):
If they posted selfies of them taking a picture of
like the security cam and I'm like, Bro, you're not
from here, bro, because you setting yourself up to push
in the back of the head.
Speaker 3 (28:29):
They just saying there taking sixteen shots. Yo. I'm at
the ban like yo, yo, I just I put just
to go to the yo.
Speaker 8 (28:40):
Just yeah, Yo, nobody's doing that. Nobody's doing that. Yeah, Bro,
I was in Bro. I was in Japan, all right,
and we we we.
Speaker 4 (28:54):
Coordinated a day trip to Mount Fuji just to see
the sunset reflect off the top of the mountain they
call it, which just like translates to a means red,
so just translates to red fuji. So it looks really
fucking sick, like when the when the.
Speaker 3 (29:14):
You're not and I got you.
Speaker 4 (29:19):
I'm sorry just said that, But to this this point
where when people from New York leave New York.
Speaker 3 (29:24):
Bro, it's the dead of winter.
Speaker 4 (29:26):
I'm watching the sunset and this bricks ship, so I'm
not kind of annoyed, but I'm like looking at this
beautiful ass mountain, this ship turning pink right before my eyes,
and I'm like, the block probably lit right now.
Speaker 3 (29:48):
That Italian gambo from Kennedy fly crazy right now.
Speaker 4 (29:52):
Because the block block beat dumb lit and they and
it's always lit when you not there. That is a
New York proverb. That's a New York a specific experience.
You could take the y N out of n Y,
but you can't take the n Y out the yn.
Speaker 1 (30:14):
You know what I mean?
Speaker 3 (30:15):
Because why hy nt dot Timothy chalamag bro he outside.
Speaker 4 (30:23):
Yeah, yeah, you don't know who didn't because the face
white types.
Speaker 3 (30:29):
He in Paris, Bro, He's in Paris.
Speaker 4 (30:32):
I don't know if you guys have seen this video,
but it's a video of Timothy Charalamage in Paris by
the Eiffel Tower on some roof in a raiders jacket
and what appears to be an Alexander Wang necktie or something.
Speaker 3 (30:43):
I don't know.
Speaker 4 (30:44):
Men, men's the fashion god in the building. He might
be able to confirm nor deny. I don't know, but
I think he's like singing some type of like Italian
or French jazz or whatever it is. But if you
watch it all mute, it sounds like like you watched that.
It looks like he's spit in like a Conway verse.
Speaker 2 (31:04):
Yeah, listen, le Brigade, do that Max and High. Yeah,
they get the video of shallow Timmy. Tim you know
what I'm saying, Spin and put it over your favorite
hell Well verse.
Speaker 3 (31:14):
Yeah, you know what I'm saying. You see now you've
sparked by.
Speaker 7 (31:18):
He's singing. He's singing Edith Poff in front of the
Aifull Tower while in Paris.
Speaker 3 (31:24):
Oh yeah yeah, but if you watch that shirt on me,
it sounds like Max the Demon.
Speaker 7 (31:29):
So Timmy, if you're hearing this only I know you
will know what I'm talking about. Keep on farting. Yeah,
I'm not going to explain this one.
Speaker 3 (31:40):
No, I don't like I deserve one. I deserve an explanation.
What the fuck are you talking about? No, I don't
know either, so you ask no questions. You gotta let
it develop, you know what I'm saying. Season three terrifying
season Yeah. See, I told you it was like Game
of Thrones, bro.
Speaker 2 (31:58):
Ship.
Speaker 3 (31:59):
Yeah, something once and then never again and expect you
to remember later.
Speaker 4 (32:06):
Yeah, it's really like you said, It's like when you
meet somebody from New York. Outside of New York, it's obvious,
but then it's also dumb obvious when somebody's trying man
fucking hard, bro, when they're clearly not from here and
they want to jack the ship, so goddamn bad.
Speaker 5 (32:20):
Yeah, it's just like, Bro, it's it's New York, you know. Yeah,
we love it, we but it's it's not a personality
like Yo.
Speaker 4 (32:28):
Well it is, though, because that's like your that was
like your whole thing.
Speaker 3 (32:33):
But that's just like who you are, And that's what
I'm saying. It's who you are, and it's not a
personality that's adoptable. Just like I don't move.
Speaker 5 (32:41):
I was born in Utah, and now I get into
I get into fist fights on the train, you know,
like you you.
Speaker 3 (32:48):
I don't know why?
Speaker 5 (32:49):
Why is that my Why is that my first in experience?
I mean, it's not fun being from New York. I'm traumatized.
Speaker 3 (32:56):
Yeah, real, we left the other day. We were to
shout out to them, get some coffee from them.
Speaker 5 (33:05):
Yeah, And Rady's like, yo, I've never been out in
the streets with you, like just walking and I got
a stale face on. I didn't even realize it, bro,
But that's how I walk through the streets of New York.
They always told me, you gotta you can't let people
even look like you could be played with. So I
just literally walk around the streets like I don't know
why I'm a happy person.
Speaker 3 (33:26):
Bro.
Speaker 2 (33:27):
I was like, yo, I don't want know why I'm
walking to go pick up this chicken sandwich with my balls,
with my balls, with my fist clenched like so fucking tightly.
Speaker 5 (33:37):
You swing on like anybody that relieve.
Speaker 3 (33:44):
Yeah.
Speaker 4 (33:44):
Yeah, but then also, you don't want to be outside
looking like a fucking Telly Tubby, like you know, you
don't want to be outside looking approachable. It is crazy.
Speaker 2 (33:54):
That's the greatest ship to me because tell me if y'all,
if y'all think this is true, I feel like what's
in the hood, Like we would do stuff like and
start trends that anyone else will get you fucking snuff,
like the Big East bro like the Merms, Like if
you're wearing a purple down jacket and like fucking Cleveland, Ohio,
(34:16):
that's four sizes too big, that's four sizes too big,
and you got a diamond belt on, they'd be like, yo,
get this motherfucker.
Speaker 3 (34:21):
Who are you? Bro?
Speaker 2 (34:23):
Yeah, and then you gotta be like from I'm saying,
and niggs don't know about the biggies, nigga, and it
be beside me.
Speaker 3 (34:29):
It's about that. Also, it's ten degrees out, but your
pants are around your thighs. That's right. For some reason,
you have lunch.
Speaker 4 (34:35):
Yeah, Like you can get away with that ship and
like it's so you can only get away with that
ship here, you know, purple.
Speaker 3 (34:42):
Looking like rims and ship like the fuck we doing?
Hey it's New York ship.
Speaker 4 (34:46):
Yeah, it's New York shit. You know we got and
you know what else, man, fucking uh. We got to
bring back biggies and Nancy Pelosi got to bring back
the I to the FBI with her koofie and her shawl.
Speaker 3 (34:56):
She gotta they can't take alath. I can't believe that
shit happened. Bro. That was that she took a knee
and all that that was like, how do you take
a knee?
Speaker 5 (35:06):
And now we and now we got a full blown
dictator now Like that's how you know, people get deep
into freedom and then they just like, actually, and now
we got a fucking we in a whole different That's
a bullshit, that's what That's what you get when you
perform and you don't actually give a funk about people.
Speaker 2 (35:25):
I would love to see I wouldn't loved to see it,
but it would be funny as fun to see Trump
doing the same ship, Like if it was he was
just like his streatment.
Speaker 3 (35:34):
I got my coofie on and he did like a
press conference and doing the same ship Pelosi with the
scarf on the ship. I'd be like, yo, bro, you're
doing a lot.
Speaker 4 (35:42):
Yeah, everybody's everybody be doing a lot, Like all these
fucking collapse every five minutes.
Speaker 3 (35:47):
Yo, bro.
Speaker 4 (35:48):
I feel like, why didn't Kennedy like relax all right?
I don't want the fucking doctor Oz McDonald's collab.
Speaker 3 (35:55):
Listen, listen, guys, I don't need it. You're doing great work.
Speaker 2 (36:00):
Like one man said, we do not need Travis Scott
melted toy meal. You know what I'm saying that, like
motherfucker's lining. I just want to triple cheeseburger, bro because
I'm a piece of shit. Yeah, not the liners around
the corner, because these little motherfuckers are standing here with
dressed like Billie Eilan Sorry, Billy, wait for these fucking
Travis Scott.
Speaker 3 (36:17):
Toys age check. You know what I'm saying, I'm sorry
to be the one to do it. It's an age check.
They're not doing this shit for us.
Speaker 5 (36:24):
They're not doing this shit for anybody that's past eighteen
nineteen years old.
Speaker 3 (36:28):
Bro Right, make sure you don't hate the letter X.
Speaker 2 (36:32):
You know what I'm saying that, Man, I've been doing
fucking algebra, my son. I'm like, Yo, fuck this shit.
Speaker 5 (36:37):
It's because it's algebra, bitch, not because it's fucking Yeah.
Speaker 3 (36:40):
That's so don't try to blame that on Elon.
Speaker 5 (36:42):
Yeah, even though I hate them, I'm not gonna let
you you take that one.
Speaker 3 (36:46):
You got me.
Speaker 4 (36:48):
Not, But like as a dude, as a fucking like
and also like speaking for the nerds all right, colibs
used to like, I don't think collabs are the problem
as much now that we're like talking about this. It's
not so much the collapse. It's scalpers and resellers. I
feel like they ruined just the concept of collapse as
a fucking nerd who like actually enjoys some of this
(37:10):
stuff and like enjoys like bro. When I was a kid,
I couldn't afford a lot of like the nerdy shit
that I really liked, as like, I couldn't afford any
of those collabs because number one, they were rare, and
number two, even if I could find it, they were
super expensive. Now that I'm an adult with big boy
money and they're accessible, they're all like fucking they're all gone.
Like like anytime Godzilla drops anything, you know what I'm saying,
(37:33):
it's like it's out of here. Like I remember, for
for Minus one, I forgot who they collabsed with. If
the producer's table could look this up for me, But
when Godzilla Minus one dropped, the producers and the animators
and the director all showed up to the red carpet
in these custom Godzilla Minus one like shoes and like
they had like a heel. They had like a Chelsea
boot and it was like Godzilla's like scales and it
(37:57):
was fucking.
Speaker 2 (38:00):
That.
Speaker 4 (38:00):
It was that ship was hard and like they were like, oh,
collapse dropping soon whatever. I checked, Bro, two minutes that
ship is gone. But then you check fucking stock as
lo and behold, motherfuckers just reselling that ship for a
thousand dollars. Yeah, and it even it even goes back
to the markers, bro, like how you said earlier.
Speaker 3 (38:15):
Yo, I'm gonna make all the hype beasts mad because
I'm actually use this, you know what I'm saying that ship, bro,
like ship like that. I'm like, bro, this is meant
to be used like display, yo. You you know.
Speaker 2 (38:25):
My my favorite thing to do with ship like this
is like because I got some Keith Haring like Montana
cans too and ship, and I'm just like.
Speaker 3 (38:33):
I'm gonna use them. Yeah, I'm gonna fucking bomb ship.
I'm gonna tag up and then I'm gonna just keep
the empty ship as like, Yo, this is me yeah ship.
Speaker 2 (38:42):
Yeah, It's even cooler if you got inky ship on
the Supreme blugg you know, what I'm saying it looks.
Speaker 5 (38:46):
Yeah, that kind of reminds me of like the older
people of our time, where you get something really nice,
with something beautiful or really cool, and instead of you
using it, you just put it in a fucking beat now, bro,
And these people they won't have the finest of the
best cups, the most beautiful plates, and they will not
use them. And to me, it's like, I know this
now because I've also had to grow out of the
(39:06):
mindset of using the good things and not just waiting
for a good day. Yeah, I'll look at the china
in my mom's closet and Herbie three now and it's like, Yo,
this was given to you from somebody who passed away.
Speaker 3 (39:17):
Already, take that ship out, use it. Yeah, Well, we
have guests, use the ship.
Speaker 5 (39:22):
That we have, because what are you gonna do when
when we're not here anymore, you're gonna hand it on
to the next person.
Speaker 3 (39:28):
No, we're here now, bro, Let's use the fucking ship. Bro.
Speaker 5 (39:30):
I'm we have that with our outfits, with our candles,
with anything that you really really like it, are you
keep it somewhere tucked away? You're like, I'm gonna save
this for a good date. Fucking bitch, Bro, you don't
like that, motherfucking can't do to night. Don't get me tighty.
Speaker 4 (39:46):
You know how to get you know how to get
around that. Just don't let so. If you're ever gonna
gift I'm talking to you, audience, if you're ever gonna
gift an elder Dominican anything, do not let them see
the price.
Speaker 3 (39:58):
Yes, y them see the price, all right. I got
a Theo. I got an uncle.
Speaker 4 (40:03):
His name is Theo, Theo Franchi fancis young Theo, and
he was in he was in the States after like
a long time of not coming here. And I took
him to Fred Perry because he loves he loves him
a good polo. So I bought so, I bought him
a Fred Perry. And and you know them ships is
like ninety cash, ninety cash American to a Dominican brain
(40:24):
is insane. So I was trying to be like I
was trying to be slick and snatched up because I
was like, like, you like this color of this color?
Speaker 3 (40:31):
Which one right? Bro?
Speaker 4 (40:33):
And like he picked yo, he picked the one he liked,
and I was like, okay, So I got her ma
because my pops was with me too, and he needed
a new wallet, so I got him a new wallet.
So while I'm picking the wallet, bro, all I hear
from behind is like he's like he's like, he's like
fumbling with the shirt looking for the tag, and all
I hear is yep, yeah, that's.
Speaker 3 (40:54):
Wait, that's a Spanish lesson of the day. That's a
Spantish lesson to day. So okay.
Speaker 4 (41:02):
The whole word is diablo, diablo, which which literally translates
to the devil but figuratively translates to god damn.
Speaker 3 (41:11):
Yeah.
Speaker 5 (41:12):
If you ever hear Dominica say I'm then diablo, it's
like if something happened and then diablo, like if they
if they if the car fucking runs out of that
just means that the devil was lurking. Something bad just happened.
Speaker 4 (41:24):
Yeah, But the the less of the word you hear,
the more intensified diablo.
Speaker 3 (41:32):
Not that big a deal.
Speaker 5 (41:33):
Okay, but if you hear yes that, yeah.
Speaker 3 (41:38):
Are you okay? If if somebody say that the other room,
they stuck a yeah, that was their last words. But
back to the I'm sorry, No, it's all good, it's
all good. Back to THEO.
Speaker 4 (41:50):
Right, So I hear behind me, I'm like fuck. So
I'm like, yo, yeah, something he saw the tag. He's
never gonna wear this ship, bro. And then and then
while I'm can't what happened, he's like no, no, no, Like
he's like no, there's just too much bread.
Speaker 3 (42:05):
And I'm like, bro, it's your it's your fucking birthday.
You hear you know what I'm saying.
Speaker 4 (42:10):
And then while he's doing that, my pops looks at
the wallet price it goes yeah. So to me's point,
ask me if if either of them have touched either
of those items.
Speaker 3 (42:25):
Of course in the years since I bottom for them.
Speaker 4 (42:28):
So I say that to say, do not let a
Dominican look at the price of anything you ever.
Speaker 2 (42:32):
Bro, take the ship off, or you wrap it before
you do anything, or just make.
Speaker 3 (42:37):
Sure that the ship doesn't look like something give something regular.
I'm gonna be like.
Speaker 5 (42:45):
Yeah, and it's like, bro, shut the funk up, Just
take it and relax. Because one thing they will do
is they'll store some ship in story and they'll just
have it there just to show. Maybe maybe on a
good night they'll bring it out and where with happiness
or use it. But very rarely, motherfuckers like to leave.
Things get dusted, and I really want to leave y'all
(43:05):
with that message. Whatever you got, use it like there
is no there is no perfect day. Stop waiting for
you to use things. Yeah, do what you have yo.
Live your life like if it's why does that sound
so corny? Live your life your last with that ass.
Stop storing or stop storing all your best outfits for
a special day. Stop saving all your favorite candles, your
(43:26):
favorite perfumes, your colognes.
Speaker 3 (43:28):
Stop doing all of that shit, bro, use what you
have to day.
Speaker 2 (43:31):
Yeah, usual, you're gonna fucking die and I'm and the
doorman in your building is gonna give me all yourmez ties.
Speaker 3 (43:38):
Can you imagine that? Bro?
Speaker 5 (43:39):
Can you imagine all your most prized possessions ending up
in a thrift store?
Speaker 3 (43:43):
Yo? And who knows, who knows?
Speaker 4 (43:45):
Maybe you might get stopped in the street by a
white transplant fashion TikToker, Yeah to ask you about your fit.
Speaker 3 (43:52):
So bust out the Jinko jeans.
Speaker 4 (43:54):
Yes, you know what I'm saying. Get out the spider jacket,
you know what I mean? Bring up a vintage south Pole.
Speaker 2 (44:02):
WHOA Literally, I feel like I feel like Jamie Funks
used to do ads for her bro that can't be tweaking.
Speaker 3 (44:11):
But that's wild. That was a wild brand. Yeah man.
Speaker 4 (44:15):
So shout out to he, shout out to South Pole,
shout out to all our listeners out there, Shout out
to all the Dominican parents that don't know how to
use expensive things because it's not what they're used to.
Speaker 3 (44:25):
But please break out of that habit. Please. This has
been episode eighty nine of Victory Life. We love you
and you deserve nice things, yo. Please, you know what
I'm saying, do somethingice for yourself. Here's the Frank China
like Liz said. You know what I'm saying, what are
your nice checking like lady said, take yourself.
Speaker 4 (44:40):
Out, take yourself out, you know what I mean? And yeah,
do that and slip me a cock on the table.
Speaker 1 (44:51):
Liter a vixury like life like
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies!
The Breakfast Club
The World's Most Dangerous Morning Show, The Breakfast Club, With DJ Envy, Jess Hilarious, And Charlamagne Tha God!